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#((this is a reference to a scene I wrote in the fanfic))
shimmershy · 11 months
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There's Only One Thing Left to Say, This Time (Undertale Fanfic)
New fanfic time! When I started writing this, I got the idea mostly because 1. I've been having trouble "moving on" from things in my own life recently and wanted to try processing it through fic and 2. it was the end of the school year for me and I had been saying a lot of goodbyes, so it felt thematically relevant. I wrote almost the entire thing impulsively at like three am a couple weeks ago and really impressed myself lol.
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Chara Week Day 7: Free (I know it's over, but shhhh it still counts)
Summary:
You're having trouble saying goodbye, but the thing is that you don't have to! If you keep Resetting just before it's all over, you'll never have to be by yourself again. Right? You haven't known them long, and maybe they weren't super nice at the start, but they were there for you every step of the way. They listened to you and helped you when no one else would. You can't just let them disappear… You can't. ...But you can't keep doing this forever, Frisk. You have to let me go.
Characters: Chara and Frisk
Word count: 4,763 words
(Ao3 link in reblog!)
There's only one thing left to say this time,
I hope you're fine, goodbye.
– “Goodbye” by The Altogether
It isn’t until the third True Reset that I realize what this is all about, and when I do, I feel silly for not realizing it before.
I can still feel the way the bitterness worked its way under my skin the first time you brought everyone back. Which, is actually quite impressive on your part! Seeing as I don’t have skin anymore. I suppose it worked its way under your skin, then, because you wouldn’t stop apologizing to me in your head as you made your way through the Ruins. I should have been the one apologizing to you, Frisk. It’s no business of mine what you do with your own life, and you have no business feeling my emotions for me. This connection we have can be troubling, at times.
Still, it felt like a betrayal, and you offered me no explanation, so I could not understand.
I understood a little better when you decided to stay with Toriel for a while. Despite my obvious frustration and impatience, you sat and listened to her snail facts. You let her show you that bug-hunting spot she mentioned, and you spent time helping her run errands and letting her teach you how to cook. You even got to the point where she started giving you classes, as if you planned on staying. I assumed it was sentimentality, then. Perhaps there was something about the Underground that you didn’t want to leave behind. Maybe you weren’t ready to go back to living on the surface just yet. It’s not as if I could blame you for that one.
What I didn’t notice (and what I am noticing now), was how much attention you were giving me. And well, it’s not that I didn’t notice. I was just too busy being annoyed about it, and rightfully so. Can’t the narrator of your life narrate in peace? I do not care for superfluous conversation. And that’s not even the worst of it. Frisk, you should not be so casual about sharing control of your body, That’s like, the one thing you should never have to share. Sure, it happened one time, but I only stepped in because you were so afraid, and I didn’t even realize it was happening until it was me that the spears were getting shot at. That’s different. I will not take control of your body just to eat a slice of pie. Your pity for me is insulting.
What’s troubling is that it doesn't seem to be going away.
You take your first shivering step into Snowdin (for the fourth time, I can’t help but note) without so much as a glance behind you. This time, you left Toriel with no hesitation, and I know it’s because you know I didn’t want to stay. You’re not even trying to hide it. This is when I finally decide it’s time to confront you.
What are you doing? I ask.
“I’m…walking?” you respond, confused, through thoughts. Your boots crunch satisfyingly through the snow to prove your point. Crunch, crunch, crunch. I huff in frustration.
Frisk. Why do you keep Resetting?
This stops you (and your crunchy boots) in your tracks, and suddenly I can feel anxiety radiating off of you. You weren’t expecting me to ask you this directly.
When you don’t respond, I continue, a little bit of venom coating my words despite my best efforts. For the third time now, you have made it to the end, broken the barrier, only to start all over again. Do you not feel even the slightest bit of remorse?
“Of course I feel bad!” you’re quick to say, as if you’re surprised I would assume otherwise. “But…we’ll still get there again in the end; it’s not that big a deal.”
That’s a horrible excuse.
“Why’re you so angry about it?” Your voice comes out sharp in the frigid air.
Why are you so stubborn?
“What’re you even talking about?!”
You’re trying to delay the inevitable.
You’re about to debate me on that, too, in a defensive way rather than a genuinely angry way. But you stop, because you suddenly understand that I understand, and the anxiety returns. You continue walking after a brief hesitation.
Goodbyes are never easy, I say, as gently as I can. (It ends up sounding forced anyway.)
You ignore me, and I allow you to.
~~~
What are you going to do once you get back to the surface? Once you decide to stay?
You’ve made it to Waterfall at this point, having made it through Snowdin without much event. You’re getting a little tired of doing the same thing every time; I can tell, but you would never admit to it.
You kick a stone on the ground, watching as it disappears into the dark grass. “I dunno.” (“I dunno-”) (“-dunno-”)
Your own voice travels around you in echoes and fragments. You really shouldn’t talk out loud like this in the middle of all these echo flowers. Number one, it’s annoying, and that should be reason enough, but number two, you shouldn’t make a habit of talking out loud to the voice in your head at all. People are going to think you’re weird. And I mean, you’re already pretty weird, but do you really want the reputation of “the weird kid who talks to themself” stuck to you even after I’m gone?
I didn’t even realize you were listening to all that, but you flinch at that last part, not only mentally but physically too, and I try to ignore the fact that you’re proving my point.
I hum thoughtfully. You “don’t know”? That’s certainly an issue then, isn’t it?
You start to fidget with the hem of your sweater and return to talking to me through thoughts, much to my relief. “I just haven’t thought much about it.”
This is a lie. But I don’t point that out to you.
You’re in a part of Waterfall that you’ve never seen before. Admittedly, it’s not much different to the parts you have seen before, but the fact that it’s new at all is good enough for you. You��re trying to explore the area as much as you can this time around, because you’ve realized just how expansive Waterfall really is and the curiosity you came here with the first time still hasn’t left you. You’ve barely seen a fraction of the place, and you definitely won’t manage to see all of it, but you’re certainly going to try.
I might take this time to remind you that no matter how many times you’ve befriended her in the past, Undyne is still hunting you down in this timeline. So maybe taking the time to look at every blade of grass there is to look at isn’t the best idea. But whatever.
There are quite a few echo flowers growing in this area, as I mentioned before. It seems more secluded than the rest of the caverns that make up Waterfall, if that’s even possible. You can see the main path you usually walk from where you’re standing, separated from you by a large expanse of luminescent cyan water, and an overwhelming sense of calm washes over you. It’s like this is a little cove carved out just for you, safe from everything that may hurt you. It’s hard for me not to feel the same sense of calm. Whether it’s just the spilling over of your emotions or completely and entirely mine is hard to tell, but it doesn’t really matter.
Why don’t we sit here for a minute? I ask. You let out a breath and descend to the ground, hugging your knees and resting your head against the rough cavern walls without hesitation, as if you were waiting for me to say just that.
It’s nice to just be here, for me, with you, like this. Together. Your hands are intertwined in the way that I know means you’re trying to hold my hand, in whatever way you can. We look out at the stillness of the water, listening to the sound of rushing waterfalls in the distance. We both must be thinking about the same thing, now, because although I don’t agree with the Resets, I understand why you don’t want to leave, to some extent. Have you convinced me that you’re right? Have I felt this way the entire time and simply didn’t realize until now? I can’t say for certain. But I’m becoming increasingly aware of my own fear of reaching the end.
“Chara?” you say, voice cracking a little. The sound of my name spoken aloud and echoed around by the echo flowers startles me. “It’s just that…I really, really don’t wanna be by myself again.”
I feel tears pricking at your eyes. The honesty in your voice stings.
You won’t be by yourself, I try halfheartedly. Everyone will be up there with you.
You reposition to rest your head on your knees. “You know what I mean,” you whisper, and after a moment you say. “You’re not gonna be there.”
…Right. Of course.
That is the funny thing about good things, see. About journeys and stories. And lives. They end. Sometimes (always) too soon.
I do not know what I was expecting the first time you made it to the surface. What, was I just going to live inside your head forever? Would you want that? Would I? The strangest thing happened when you stepped over that threshold where the barrier once stood, when everyone else followed you out. I felt you pull away from me, and then I watched the back of your head as you walked out into the sun. It was a bit disorienting. I wasn’t seeing through your eyes anymore, I was just…there. Watching. Barely even there, because I couldn't feel you there justifying my existence anymore.
I don’t think there was a doubt in either of our minds about what that meant. As everyone else chatted in awe of how beautiful the sun was, you looked back at me (although I don’t think you really saw me, just the empty opening of the cave). There was confusion, or sadness, or panic on your face. I’ve never had to read your face from the outside before, what a funny thing to realize. Whatever emotion it was, it was enough to make you Reset. And then again, and again. It really was for my sake, then.
This makes me feel a strange mixture of things, but the feeling of guilt sticks out like a sore thumb. Frisk, I don’t want you to feel any sort of…obligation? Or anything? To keep me alive. I’ve been wanting to be dead for a long time.
It’s a lame attempt at humor to lighten the mood, but as soon as I think it, I realize how unfunny it sounds. It kind of stops being a joke when it’s true.
Still, you reply, “It’s not like that. You know that.”
You are making some awfully bold assumptions here, though they’re not entirely false. I’m inclined to ask, what is it like then? Would moving on with your life not be the best option here? Everything is going to work out for you. And, hey, you won’t even have to put up with an annoying ghost in your head anymore.
“What if I like the annoying ghost in my head?”
Well, then you’re weird. But we’ve already established that.
That gets a smile out of you. “See? You always make me feel better,” you think, and I want to roll my eyes at that. I want to remind you of all the times I made you feel worse rather than better, but I stay quiet for now.
“…Before I came here,” you start, eyes trained on the ground as you fidget with the grass there, “I was alone a lot. It wasn’t so bad, but…it wasn’t so good either.” You shrug one of your shoulders. “I dunno. I didn’t think about it much. I had to take care of myself, and there was never anyone there…to say it’d be okay, or to tell me dumb jokes, or just be there…y’know?”
Yeah. I do know.
“I kinda panicked when I left the Underground and you weren’t there. You were just…gone, and I didn’t know what to do. I didn’t even really mean to Reset, I just didn’t think, and I-“
You sigh.
“I just really care about you. You’re like my best friend, Chara- ‘N that’s what it’s like. It’s like saying goodbye to your best friend.”
Oh.
Ha ha. Yes, I really do know that, don’t I?
“Wait, augh. I-I probably shouldn’t’ve said it like that, I’m sorry-“
No, Frisk, there is no need to apologize. It is fine. It’s fine.
Your fingernails claw into the grass and the dirt beneath.
I know. I know what you mean. I really do.
I try not to think of my brother. I fail.
I did not think you would care so much. It’s- (stupid), I want to say, but you are not stupid. (See, caring about me always gets people hurt), I want to say, but that’s not your fault. (What did you expect?), I want to say. (I don’t believe you), I want to say. (I don’t understand you), I want to say. I can’t- I can’t say any of that. I can’t say anything to you, right now.
You- you nod, a little concerned, but you give me space. You bring your hands together again and gaze out at the water again for a minute. Then, finally, you decide to continue onwards. You have a fish monster to face.
~~~
Being here doesn’t get easier, no matter how prepared I am after each Reset. The grey, achromatic walls and floors. The feeling of despair in the air. The stillness. It directly contrasts my memories of warmth and color and love in this home. It reminds me too much of dust.
I stay quiet as you kneel in front of the save star. It glows in a steady, consistent way, light flowing out from the center and disintegrating at the edges. A comforting feeling washes over you, as it always does, and you step into the house.
It’s as lonely as ever. You should just get this over with. The monsters that are always here to greet you at this phase of your journey stop you on your way to the kitchen.
“A long time ago, a human fell into the Ruins,” one of the Froggits begins. You stand there with your hands clasped together and listen politely, as you always do. I put up a mental barrier between myself and the world and try not to listen, as I always do.
The key on the kitchen countertop glints in the other room. You wait for the Froggits to finish speaking before grabbing it and returning to the hallway. You make your way to the far end of the hall to grab the second key, too, before entering my old room.
You open the gift boxes and take the locket and dagger out without a word. I relish the familiar weight around your neck as you reach back to fasten the locket’s clasp. It helps me find the words I want to say.
Frisk. I don’t want to keep doing this.
You’re surprised to hear me speak, but you listen.
What we talked about earlier… It’s not that I don’t want to stay. I think…you’ve helped me a lot too. And I’m really glad I met you. I’m just tired of feeling stuck in the past. A part of me…wants that, but. It hurts, being here but not being able to do anything. To fix anything.
Plus, I mean. You!! The barrier’s broken thanks to you! You and…Asriel, of course. At least, it will be. Again. It’s… I’m glad it worked out in the end. Even if it took a really long time.
I wish things could be different. I wish I could stay, at least a little longer, but I don’t want to take this away from them. Or from you. I made my choice a long time ago, and this is already more than I deserve.
Are you…crying?
You’re holding your arms around yourself, as well. What is this???
“A hug,” you say through thoughts, sniffling.
Oh.
“I’m sorry for making you feel like that.”
It’s not your fault.
“I shouldn’t’ve kept Resetting, though. I knew it upset you the first time…”
I understand why you did it now, though. It’s okay, really.
“Okay…”
You rub your eyes with your sleeve and stand up, giving yourself a self-assured nod.
“Don’t worry. This will be the last time.”
~~~
When it’s time to fight Asriel, we’re both filled with determination. The nothingness surrounding us erupts in color and light, illuminated by kaleidoscopic starbeams and glimmering stardust. Attacks rain down on you from above, and you weave your body between them masterfully. You can’t evade them all, but I’m there cheering you on. A blast from Shocker Breaker shatters your soul; I reach out to press the pieces back together. But it refused!
Asriel floats above you, smirking with confidence in his power. You aren’t afraid of him anymore. You know all too well what he’s capable of, but you know him better now than you did when you first encountered him, just a human and a flower with a million untold secrets between them. He’d laid all his puzzle pieces out before you, and you can’t help but see the whole painful picture before you now. He’s stuck in a cycle, much like you but nothing like you at all. You’re going to help him bring it to an end. (Once and for all.)
The attacks keep coming, but you persist. You reach out to your friends within Asriel’s soul and remind them of who they are. Undyne, whom you admire for her enthusiasm and sense of justice. Alphys, whose intelligence and desire to do better inspire you. Papyrus, whom you enjoy hanging out with for his optimism and dedication. Sans, who tells you jokes that make you laugh and whose laid-back attitude puts you at ease. Toriel, who cares for you as her own child and made you feel safe when you first found yourself in this unfamiliar place. Asgore, whose presence is both comforting and sad, knowing of the difficult decisions he’s had to make in his life. Once you’ve reached out to all your friends, there’s only one thing left to do.
It seems that there’s still one last person that needs to be saved.
So you reach out to Asriel. And I do, too. He’s not the same as he was all those years ago, when we were just two kids playing in a muddy flower garden, and neither am I. But it’s still him, despite everything. He resists…and he’s still crying out to you as if you’re me. It hurts. I watch him do this every time, desperately latch on to the belief that I’m not really gone, and the ironic thing is that I have been here the whole time.
“I’m not ready for this to end,” he says, confident façade cracking.
It ended a long time ago.
“I’m not ready for you to leave,” he says.
I know.
“I’m not ready to say goodbye to someone like you again…”
“So, please…” His voice shakes, laced with despair. “Stop doing this… And just let me win!!!”
He raises his arms and summons all his magic for one final attack. Your vision is overwhelmed with color as the blast hits you, and you barely register the way he screams at you to stop holding on as your HP drops, with each passing second, to an impossibly low number. But it never reaches zero. You don’t die; your soul doesn’t shatter, because you’ve made it this far and you’re not about to give up now.
Finally, the world grows silent as the sound of magic rushing past your ears subsides. You’re exhausted, though Asriel is barely even paying attention to you anymore. He closes his eyes. Suddenly he seems so small inside his godlike form, too small to really be the Absolute God of HYPERDEATH.
“I’m so alone, Chara…” he says. “I’m so afraid…” They’re echoes of words I’ve already heard him say three times before, but they feel like acid nonetheless because it’s my fault and I’m the reason he’s like this, but you firmly tell me that it’s not. I don’t know if I can believe you, but I lean into you and try not to say anything more.
The world fades to black, and Asriel stands before you, looking the way I remember him once again. He’s covering his face, wiping away his tears and probably trying to hide the fact that he’s crying, too. He always was a crybaby, wasn’t he?
“I always was a crybaby, wasn’t I, Chara?”
Ha. Indeed.
He pauses for a moment, a thoughtful expression on his face. “…I know. You’re not actually Chara, are you? Chara’s been gone for a long time.”
You open your mouth to protest, but… Come on, Frisk, I can’t do that to him. Not after all that.
“But… Are you sure?”
I’m not… I am not here to stay. It would be a mistake to get his hopes up.
You twist your fingers together, disappointed, but you close your mouth anyway.
I’m only half-listening as he continues, asking for your name (which you have given him three times already) and apologizing for his actions. This is the last time I’m going to see him, is it not? He will break the barrier, and then you will go to the surface with everyone else. And I… Well, I don’t actually know what will happen to me. I won’t be able to come with you. I know that, at the very least. It looks like it might really be the end for me. I don’t know how to feel about that.
You tell him you forgive him, as you do every time. It seems only fair to you, after everything he’s gone through. A part of you understands him, even though most of you doesn’t, and you hope the knowledge that somebody in the universe forgives him gives him some solace. He smiles at you sadly.
He can’t stay, he tells you. With a deep breath, he closes his eyes in concentration. The human souls gather around him as he rises into the air, hovering around him in a circle, and the monster souls follow suit, glowing in the darkness. With the combined power of the human souls and every monster soul in the Underground, each pulsing with the same desire…the barrier is finally broken.
It’s over. There’s a weighty sense of resolution to it now. I don’t want you to Reset again. I know you won’t.
I stare at Asriel through your eyes as he lowers to the ground again, head tilted down, eyes closed. He looks so tired. He tells you that he needs to go, that you should go be with the people that care about you. You should just forget about him, he says. As if that would be possible.
Every word feels like a countdown, and I want to do something, but I can’t move. I need him to forget about me. I can’t be here messing everything up. I don’t…want him to forget me. But I don’t want him to hurt remembering me. I don’t want to stay here… I don’t want to go.
You hug Asriel. To my surprise, your arms tighten around him as you allow me to slip into control. “Just for a minute,” you think. The feeling of warmth and his sweater under my fingers and my chin on his shoulder hits me so suddenly that I can’t stop my tears from running down your face. I relax into the hug, though. I close my eyes and try to forget where we are and what we’ve been through. I don’t want to let go…
When he finally pulls away, he gives me a weird look, but it’s gone in a moment.
“I’ll miss you,” I say without thinking.
He laughs. “Please don’t.”
And just like that, he’s gone again.
“You okay?” you ask as you slip back into control. Your presence is comforting beside mine in your mind.
I am, I say. Yeah.
~~~
Outside, clouds drift lazily across the sky, a beautiful gradient from lilac to yellow to frame the setting sun. Over the edge of the mountainside, you can just barely see the tops of trees stretching out into the distance, leaves tousling gently in the breeze. Tall buildings silhouette the sky on one side, and on the other, more mountains.
The light streams in through the exit to the Underground, of which you stand behind. One of your hands is cupped over the other in front of you, and you run your fingertips over the knuckles absently. You have been standing here for a while, hesitant.
Congratulations, partner, I start in an attempt to ease the tension, you’ve saved everyone once again.
“We did,” you correct. “And Asriel.”
Of course. And now, think about it. Everyone is free for real. They can see the sun, the sky, the stars… There’s a whole future ahead of them. And you get to be a part of it. That’s amazing, is it not?
“Mhm…”
You could stay with Mom. She would make you breakfast in the morning, read you bedtime stories at night. I bet Undyne would be willing to teach you some sick fighting moves. Anime nights with Alphys.
“I could hang out with Sans and Papyrus.”
Yeah! You could learn how to make music with Napstablook. That might be fun. And Mettaton might need some help becoming a star on the surface, too.
You giggle. “I think he’s got that covered.”
Maybe. I smile along with you. But, aren’t you excited? Not everything will be easy, but you have so many people supporting you.
“I know…” You sigh through your nose. “You deserve all that too, though; it’s not fair.”
Hey. The lilac is disintegrating from the sky, fading into a deep orange. Some of the wind makes it into the cave, crisp air whistling through the doorway and cooling your skin. Hey, you know what? It’s worth it. It’s okay.
I think there are tears in your eyes again. Come on, please don’t cry.
I can’t stay here forever. I’m already overstaying my welcome, being dead and all. I was supposed to be gone a long time ago, but…I got to meet you by some miracle, and that makes it all worth it, I think. Even if I can’t stay.
“Charaaa…”
I laugh a little. Don’t worry about me, Frisk. Really. I couldn’t have asked for anything more.
You hug yourself- “Hug you,” you correct. Oh. Okay. You hug me, and I, try to hug you back? It’s a little bit awkward, but I appreciate it all the same. The emotional vulnerability is starting to make me uncomfortable, but I need you to know I care about you. I know you’ll be okay.
Ha ha, this goodbye stuff is pretty hard, huh?
“Goodbye,” you say simply, with a teasing smile.
Oh, not so hard for you, it seems. Well then, “goodbye” to you, too.
I pause. …And good luck out there, partner. I think Asriel said it best: take care of everyone for me, okay? Even him.
You nod and give me a shaky little thumbs up. That’s the spirit! (Pun always intended.)
With a glance over to the others, who are in the other room, chatting amongst themselves and waiting for you, you decide you’re finally ready to go. You let everyone know, and the excitement in the room is palpable as you all make your way to the exit. They make a fuss out of you, ruffling your hair and smiling back at you. You let them leave first, and then at last, you step over the threshold yourself. I feel our connection sever.
And then I’m watching the back of your head as you walk away again. Before you reach the others though, you turn around to give me a small wave.
That’s it, I guess… I can’t exactly wave back, but I wish you well and thank you for everything. Together, you and I allow time to continue on.
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timebranded · 2 months
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Catch him suddenly remembering the time he witnessed Aevus not just reading someone to filth, but airing their dirty laundry for everyone to see.
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And now he's mentally cringing, because how did he not connect the two dots sooner!?
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I am going to explode into little tiny pieces
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toast-the-unknowing · 5 months
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on fanfic plagiarism
Almost five years ago, in January of 2019, someone I'd never met before reached out to tell me that one of my Pynch fics, "Word on the Street," had been plagiarized.
I remember that the stolen fic was posted in k-pop fandom, though not what specific band it related to -- I'm not into k-pop, or really into pop music at all.
I remember that the person who messaged me told me that they had found my fic because the plagiarist had a reputation for stealing fic, so when they'd posted a new story, this person had known to do some digging.
I don't remember what the plagiarist's username was. I remember scanning the stolen story, trying both to read every detail and to avoiding taking any of it in, because looking at that right-but-wrong, not-quite-there, uncanny-valley-ness of it made me queasy.
I remember being darkly amused that the plagiarist had cut out the reference to the main character suffering physical abuse at the hands of his father -- I guess it didn't make sense in the context of the new character. It's almost like the story wasn't written for him. It's almost like someone wrote the story about Adam Parrish, instead.
I filed an AO3 complaint, on the grounds that this was a blatant and unarguable violation of their plagiarism policy. Within twenty-four hours, they got back to me, and the story was removed.
It was a weird, uncomfortable, gross feeling, knowing someone had taken words I'd written and passed them off as their own.
But at the same time -- "Word on the Street" was a silly thing I dashed off pretty quickly, during a period of my life when I was doing a lot of writing. It hurt to have it stolen. It was a violation. But…I had other words, that were more important to me. Maybe that was a buffer.
-
Last month, about six weeks ago, someone I'd never met before reached out to tell me that one of my Pynch fics, "there's talk going 'round this town," had been plagiarized.
I was, bizarrely, amused.
I was less bizarrely furious. I was understandably, relatably, I would say rationally, furious. But in a way (and as always, when I say in a way, I am calling back to the scholars of overthinkingit.com for whom in a way is meant as the thing I have just said or am about to say is false) -- in a way, I was amused.
The plagiarist clearly did a 'find and replace' on the character names, to replace Adam and Ronan's names with those of k-pop characters. They did a bad job of it, since the name "Ronan" still appears in one paragraph and the name "Parrish" still appears in two paragraphs. The fic is here, in case anyone doesn't believe me, under the name "i do(n't remember)". At first when I complained about the fic on tumblr, I didn't mention the name, or which fic they'd stolen, because I was worried about anyone…I don't know, making a scene. I've stopped caring. AO3 user springguk is bad at find and replace and they should feel bad. About their computer skills, and also about their blatant plagiarism.
springguk also did some more edits to my fic, I have to give them credit for that. I wrote "there's talk going 'round this town" within a relatively short time span, for me. I tend to either finish things within one week, or else take several months. I believe this one took about five or six weeks completely to write -- I was very inspired.
(I was inspired, specifically, by the press coverage of Winona Ryder and Keanu Reeves 'discovering' they might be 'accidentally' married. I mention that in my author's notes. springguk doesn't mention what 'inspired' them in their author's notes. I wonder how they talk about it with friends. They do, in their author's notes, include a link to their ko-fi, and a request that people buy them a coffee.)
If I'd taken longer with this fic, I might have made some edits. Even at the time, I knew I was being self-indulgent in letting the scene with my teenage female OC talk at such length with Ronan about what his non-canonical film career had meant to her, a person the audience didn't care about. But I had fun. I liked Fox. I didn't want to cut her, and what the hell, it was fanfic. I decided to self-indulge.
I was darkly amused to find that springguk did cut out the scene with Fox from their plagiarized version. Maybe springguk is a more disciplined editor than I am. Maybe springguk just didn't have a good k-pop character to map Fox onto. Maybe springguk didn't even realize that Fox was an OC. Do you know anything about the fandom you steal fics from, springguk? I can't help but wonder. Have you read The Raven Cycle? Do you care about teenage OCs who steal cars because of fake films that are clearly meant to be stand-ins for The Fast and the Furious franchise?
Maybe springguk just didn't give a fuck, because none of their heart and soul was poured into this fic. I cared too much about Fox. springguk doesn't care about a single word in the fic they published. Why would they? They didn't write it.
I'm being a little mean in naming them so many times. But I'm able to, this time, because although I filed a plagiarism complaint with AO3 six weeks ago, springguk's stolen fic "i do(n't remember)," is still available to read on AO3 to this very day. I don't have to wrack my brains to remember what their username was, or which k-pop band they recast my work with. I can just look at their fic with its 24 comments and 151 kudos. Hell, maybe that fic is even better than mine, if you don't mind that by cutting the sequence with Fox they've sacrificed a fairly substantial development in the romantic relationship, and also if you don't care that at one point the characters names switch from Jeongguk and Taehyung to Ronan and Parrish, because seriously, for fuck's sake, if you're going to steal a fic at least do a goddamn ctrl+f at the end.
I was mad. I was amused. I made a complaint that the AO3, six weeks later, has still not acted on. I mostly moved on.
-
Tonight, someone I'd never met before reached out to tell me that one of my Pynch fics, "while we're on the subject, could we change the subject now," had been plagiarized.
I wanted to vomit.
I was supposed to be playing Dungeons and Dragons online with friends tonight; I spent the entire call unable to focus on anything anyone was saying. I had to keep reminding myself that I was on camera and my face wasn't supposed to look like that.
"while we're on the subject, could we change the subject now" is the first of a series of, currently, twelve fics. skytoseungmin, the person who stole it to pass it off as their own work, knew this. Their stolen version was published as part one of a series, though they hadn't published any of the sequels. Presumably, they wanted to wait long enough to make it plausible they'd gone and written the follow ups, instead of just finding them.
skytoseungmin likely didn't know that this fic and this series are intensely personal. They didn't know that the apartment that Adam -- Seungmin, in their ill-gotten version -- lives in, that was based in part off of the apartment I lived in for a year in Pico-Robertson with talldecafcappuccino. They didn't know that the 7-Eleven Adam buys coffee at is the same one I used to tease talldecafcappuccino for buying coffee at. They didn't know that the strip club where Adam and Ronan have their humorously ill-timed romantic revelation outside of, that was the strip club I used to use as a landmark when giving people directions for how to navigate the confusing as fuck freeway exit I lived near, which once caused me to accidentally tell my highly Catholic parents "just go past the strip club and you're good!"
skytoseungmin didn't know that the apartment Adam -- sorry, Seungmin, thoroughly, they were better with find and replace than springguk -- lived in, was also based off of my ex's apartment in Palms, where I as the mere visiting girlfriend was never allowed to park in the parking lot. Where I would sometimes have to spend twenty or thirty minutes circling the neighborhood before I could find parking, often a walk of several minutes away. skytoseungmin doesn't know that when Ronan's car get towed from a McDonald's parking lot, that that was a specific McDonald's on Venice Boulevards, the same one my ex's asshole roommate used to just roll his eyes and say that I should park at. skytoseungmin doesn't know that I once wished passionately that I had just parked in that McDonald's parking lot and risked getting towed, on the occasion that a man followed me several unlit blocks from my car. skytoseungmin doesn't know that when I talk about how helping someone park is the truest love language there is in Los Angeles, that that was what I meant. Has skytoseungmin ever had to circle to half an hour to find parking in Los Angeles? Has skytoseungmin ever loved someone enough to do that, instead of saying, fuck it, they can come to me or we're breaking up? Has skytoseungmin ever loved someone in Los Angeles enough, to do as my ex did, and come running as fast as humanly possibly when their girlfriend called them whispering and crying on the phone, someone's following me, please, I'm scared, I wish I just parked at the McDonald's?
"while we're on the subject, could we change the subject now" is a very personal fic.
It isn't half as personal as some of the fics that come after.
skytoseungmin marked their plagiarized version of the fic as part one of a series. Were they planning on stealing part two, where I, through an alternate universe characterization of Ronan Lynch, dig into my experience of grief and trauma surrounding my grandmother's dementia? Were they planning on stealing any of the explicit fics, where I play with kink and desire in ways I haven't even exposed to my actual sexual partners, but where I felt able to through the guise of fandom? What else was skytoseungmin planning on stealing, with charming little author's notes apologizing for how they missed the fandom-relevant date they were shooting for, because they were so busy with exams, tee-hee! Why the excuses, skytoseungmin? how long does it take you to ctrl+f, even if you are more thorough about it than springguk?
If I seem too accusatory and mean-spirited toward skytoseungmin, well, the LA verse is a very personal fic.
And it's also, it turns out, only one of eight different fics that they stole from me.
I didn't even notice at first, to be honest. I was too stunned. But my friend Jessie, my Lady Galahad, went to my defense and clicked through to the author's page, while I was still reeling at the horrible possibilities of part one of a series. It turned out, of eight fics on skytoseungmin's author's page…I had written every single one of them.
Some were short and pretty lighthearted, things I hadn't had to invest too much of myself into -- like I said, sometimes, I can write a fic in under a week.
Other things…
They stole the space western AU.
I don't think I can articulate to any human being how much that hurt me, to look at it, to see.
I wrote that as a thank you gift for someone who donated to Fandom Trumps Hate.
I spent nearly two years of my life on it -- two years during which, because of mental health issues and life situation changes, my words per year dropped precipitously. I still haven't recovered. I still think of what a failure I am for not writing more, currently, actively, and I remember how the space western AU was both a symptom of that and a defiance of it: yes, writing has become fucking hard, fucking NEARLY IMPOSSIBLE, but I'm still doing it, goddamn it, you can't stop me, even if all I produce is the tiniest trickle of words a month. it can still add up, somehow, if we just keep TRYING.
To see the space western AU, casually nestled amongst a half dozen other fics that were all apparently casually dashed off in the same month…I know it was theft, I know it was a lie, but it still felt like a slap in the face, why can't you write this fast?
Jessie, my Lady Galahad, went on a campaign of commenting on all of skytoseungmin's (my) fics, and I am so thankful. The k-pop fans who heard Jessie have been reaching out, to her, to me, to each other on Twitter, and I am so thankful for them too. skytoseungmin has deleted all of their (my) fics on AO3, and their entire AO3 account, and their entire twitter, apparently. Maybe they were hoping to get enough clicks to parlay them into some kind of book deal, and they'd now rather give up what was a low investment effort on their part than be associated with accusation of plagiarism.
I suppose they can always start over with a new user name and someone else's fics if they really want to.
I suppose they can always start over with a new username and my fics, if they really want to.
And after all, AO3 has still not reached out to me about springguk, and "i do(n't remember)" is still sitting there. Maybe springguk is also going for a book deal. Who knows?
Why complain about any of it?
In a way* (and remember what "in a way" means), isn't it a compliment, if someone loves the words I wrote, even if they don't know it was me that wrote them? toast-the-unknowing and shinealightonme, if they're the same name (and they are), then why not springguk or skytoseungmin, too?
Am I making too big of a deal out of this? Does everyone just have their work stolen from them, all of the time? Is that simply the cost of doing business in an era and an ecosystem where we all can copy and paste twenty-four thousand words with greater ease than our ancestors could transcribe a single phrase? Are more prolific, more famous, more successful fan authors looking at my piteous cries and thinking, bitch, you've only been ripped off by k-pop fans ten times, come back when you have real problems?
And yet in a month, a year, a whole life phase of not being able to write as much as I would like to, because of my health, because of my work, to have someone else just casually pass off the words I have managed to eke out, as though they have no value, as though it were no more than photo copying a shitty flier to stick under a windshield wiper…
I can't imagine springguk or skytoseungmin give a shit how I feel about any of this. At best, they roll their eyes; at worst they laugh to know they hurt me -- and what's the difference between the two? I'll never know either way.
I know that some of the people they duped do care, and are also upset. That helps. And also, it doesn't help.
I just fucking hate all of this, and if all I have are words, and if my words are valuable enough for someone to steal, then here, here are enough of them to choke on. I know I did.
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tsc thoughts while reading (beware of spoilers) starting with -
david wymack my fucking beloved
also i never rlly liked/cared for thea but her scene with jean and her nickname for him was cute
chapter 3 thoughts:
jeremy being in awe of neil and the foxes is giving me life
fanfics with alvarez in them gonna go crazy now that we actually have a first name for her (and don’t have to invent one)
oh they rich rich (in reference to jeremy’s family butler?!)
jerejean first interaction!!!!
chapter 4:
omg sunshine court mentioned
having the sudden realisation that i can never read fanfics that have jean’s perspective or anything about the how the ravens work, raven!neil/aftermath of the kings men in the same way again
my neighbours are having a party and while i’m loving the music and absolutely jealous i’m not there, it’s really distracting me from reading
ngl i rlly miss neil and andrew and the foxes please let me see my family soon
‘ what you hold onto is less important than the act of holding on itself’ nora sakavic shut the fuck up you philosophical genius i’m gonna cry this is so real to me
renee i love u
WIT WTF JEAN IS NINETEEN I DIDNT KNOW THAT OH MY GOD BABY HE JOINED THE RAVEN LINEUP AT SIXTEEN WTF
i’m drinking red wine while reading and i think that’s appropriate… also i’m listening to that jean moreau playlist someone made and it’s mega depressing https://open.spotify.com/playlist/5zlPt63Ap0AjJQ1Ff5OKrd?si=75oEzLE8SO-bfJwewM8Evw&pi=a-ge04jIlVTJGY
this is so funny to only me but i’ve been hyperfixating on one direction again and zayn just dropped new music so everytime i read about jean’s raven roomate zane i think of one direction and confused myself a bit about what fandom i’m reading rn
fuck riko u sick fucking fuck u put jean into a box with a singular hole for air and left him to die u fucking cunt
KEVIN ASKING JEAN TO PROMISE NOT TO KILL HIMSELF AFTER NORA WROTE COUNTLESS DRAFTS IN WHICH JEAN KILLED HIMSELF WHILE ON THE PHONE TO KEVIN AND THE ONLY TIME SHE DIDNT KILL JEAN OFF IS THE VERSION SHE PUBLISHED AND THE REASON WE GET TO HEAR HIS STORY TODAY IM SO BROKEN
jean’s ‘gift’ from the ravens with his broken magnets, blacked out postcards and angry letters is making me cry he deserves so much better
slowly realising that this book is gonna be super triggering lol whoops
a cool evening breeze 🥲
THAT CREEPY LITTLE GOALKEEPER IS MY FAVOURITE GUY OK
‘kevin saw nothingn but the court, but jean had stopped hoping for more than that years ago’ shut the fuckkkk uppppp i cant do this anymore kevin/jean relationship is so deeply important to me (i say this about everything)
chapter 5:
SECOND NEIL/ JEAN INTERACTION OF THE BOOK IM SO FUCKING EXCITED
‘of course it’d be you, you tedious malcontent’ ‘good morning to you too’ is so ‘morning sunshine’ ‘fuck you’ coded (neil and matt bromance confirmed)
the amount of mitski on this jean playlist is making me sick
FUCKING SCREAMING OMFG THIS IS THE JEAN/NEIL CONTENT I YEARN FOR
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‘abominable cockroach’ aww jean u say the sweetest things 🥰❤️ neil loves u too babe
literally devouring every last scrap of information jean feeds us about neil - his slow, hungry, hateful smile and the madness in his eyes (neil baby i love u never change)
oh jean don’t diss aaron, do u know how many fanfics have been written about u two
tsc is confirmation that jean moreau will come into ur house and judge u based on the contents of ur fridge (and then throw out ur stash of lollies)
‘to have a real match as a palate cleanser’ jean is really trying to win my favour by borrowing neil’s sassiness huh (no wonder i love them so much together) ((and yes i know he’s BEEN sassy ok))
jean reaching for the tv screen as if he could save neil and describing andrew running for neil as if hell was on his heels is making me absolutely giddy idk whether to scream or cry i’m doing both and i’m giggling
I bet on losing dogs is so jean moreau coded omg
holy fuck nora, the moments after the raven/fox match when riko tries to kill neil is fucking amazingly written. reading from jean’s perspective as he watches the game on tv, the tension, the breathless anxiety and confusion of the scene is palpable i coukd fucking taste it, my chest is tight just reading it
JEAN SAYING ANDREW WILL BE COURT IS IMMACULATE
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randomyuu · 8 months
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the way it follows you home, the stories i never told
My guy Vox once again graced us with lovely Goyuu fanfics, and the way it follows you home, the stories i never told, made me go FERAL.
Time travel? Two Gojou Satorus? Double affection for our sunshine Yuuji? Yuuji sandwich? What feels like possible continuation of (you'll whisper, serpent tongue) what you fear you have become???
FUCK.
I need to stop indulging my imagination too much. I should’ve been content with writing long-ass comments but noooooo, my brain goes “you gotta draw it”. DAMMIT VOX, YOU AND YOUR DELICIOUS WRITINGS HHHHHH
So… usually I should’ve picked a favourite scene that is within my drawing capability, but I just… love all three chapters??? So I made a questionable time investment? I can’t stop??? Help???
This is probably the most ambitious fanart project I’ve ever done so far. Fair enough, considering I might combust if I keep these welled-up emotions inside from reading Vox’s Goyuu fics. Fuck.
Fic info:
Title: the way it follows you home, the stories i never told
Author: @voxofthevoid
Pairing: YuuGoGo. Future!Yuuji, Future!Gojou, Teen!Gojou
(idk why I laugh writing YuuGoGo. I’m beyond help)
Currently, it is 3 chapters out of 8. And it’s gonna be NSFW chapter 4 onwards, so don’t forget to read the tags first, folks!
The drawings are under Read More, because I have lots of thoughts surrounding each chapter and drawings. It’ll be hella long if I didn’t hide it here. It was a mess down there. A combination of hours before, during, and after I read said fic. I’d say good luck finding the art among the sea of jumbled words but… you’ll find them easily. Don’t worry about it haha
SPOILERS FOR ALL 3 CHAPTERS! I highly recommend reading those first before diving into these drawings!
Also for the comics, read from right to left please!
From here on, I will be referring to the Future!Gojou as Gojou and the teenage one as Satoru.
Overall, drawing all these is fun! Really fun! This project pushed me quite hard, forcing me to test my limit (because I rarely draw this much back to back). Since this is a combination of drawings and comics, the coloring style will not be consistent. In a way, I want to try some brushes I never get to use, as well as try out my new graphic tablet. Drawing these got me giggling because I was finally able to let loose during line art. It's much easier to do so, and sometimes I just get to reread the fic and giggle to myself for the nth time.
CHAPTER 1:
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Whooo. Whooooooooo—
Ok, ok, the premise is just that good. It intrigued me, fascinated me, and I just… oomph. I cannot refuse a Time Travel Yuuji Sandwich. Sign me up.
Honestly, there are two scenes that are just… a bit too clear in my mind when reading this chapter. That would be the one I drew above, and the other is when Yaga called Gojou to come outside of the class. I love, loooove how Vox wrote Satoru’s POV. And when Yuuji fucking giggles?
I lost it.
Can you imagine, drawing Yuuji grins, with shiny stuff, maybe some sunlight, just purely happy and indulging Gojou?
Help me, for I am drowning in my love and adoration for Yuuji.
Page 2 is an experiment on using harsh black as shading (kind of?). I really enjoyed colouring Yuuji, and drawing those buffalo skulls! I wish I can grasp the concept of contrast a bit better tho :v
CHAPTER 2:
This is probably the only chapter where I picture still images instead of comic panels. A bit like those cool chapter covers in mangas. The one I really, really want to draw is the scene with Satoru on the table. Can’t pass the opportunity to highlight Satoru being a brat, albeit a really cool brat.
Cool idea drawing always proves to be a challenge, because of course my artistic skill just so happens to be below the requirement. Thank you, Sketchfab, for the chair and desk’s perspective otherwise I’m screwed lmao
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The second scene that I want to draw the most is this:
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Gojou is one step away from climbing Yuuji. Also, I have a bit of a problem picturing a man pouting that makes him look crazy instead, so please have Gojou pouting adorably instead. Because, as Yuuji said (with love), Gojou is (also) a brat.
This is possibly my favorite art in this project, after Yuuji's in Chapter 1 page 2. It's clean because I don't have to draw background, and I was having a fun time drawing Yuuji. And Gojou's squishy cheek as well.
Oh, actually, there is a “manga” scene in this chapter. It’s when Yuuji said, “I love Satoru.”
I just—
AAAAAHHHHH YUUJIIIIIII YOU AND VOX ARE GONNA BE THE DEATH OF ME. That secure relationship between Yuuji and Gojou? Satoru’s description of how Yuuji’s smile could blot out the sun??? Not me screaming 💀 I also see bits of hints of possible co-dependency, though I could be reading those wrong, but either way I’m good. Secure and possessive relationships are fun to consume hhhhhh
But yeah. There are too many wholesome Yuuji smiles in this fic, and I… I am not confident enough to draw genuine happiness. It’s too much for me ∠( ᐛ 」∠)_
For this chapter, another reason why I chose these two scenes is just because I want to try and draw cover-worthy pictures of Yuuji and Satoru, and Yuuji and Gojou (cough)
CHAPTER 3:
We start the chapter with Nanamin. Ah, Nanamin. I forgot what his teen self looked like and was surprised to see his design again lmao
I want to draw Yuuji and Nanami scene because… I just want to, I guess. I have never drawn him before (Yaga as well) so that's an interesting challenge. I got two ideas on how I want to draw it. One is a bit painting-esque, and the other one is like another chapter cover. In the end, I chose the cover one because I want to emphasise the difference between teen!Nanami and the Nanami from Yuuji’s original timeline, and how the watch feels like a connection between the same (yet not) person. It’s a bittersweet feeling? In a way?
I’m not really good at explaining my intention ∠( ᐛ 」∠)_
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I love Yuuji’s answer to Nanami's question.
AND FINALLY.
A Yuuji SandwichTM scene.
And oh B O I do I love it. Have I told you I like every chapter? I probably have. But this one? Satoru’s curiosity, Yuuji’s on-brand self-deprecation, and Gojou come strolling down to show more of Yuuji to his mini-self. I want to draw this whole scene, from Gojou finding them, feeding Yuuji snacks, bitch-slapping Satoru into the backroom, to Yuuji growling. Them trying to hide a boner from Yuuji’s growl got me cackling so hard I LOVE IT 😭
I love it all. Please love Yuuji in my stead, Satoru and Satonyan :3
Oh! Also! 40-finger Yuuji sounds really, really cool! I’ll be happy with whatever Vox will give us in future chapters, but 40-finger Yuuji… possible scene with this timeline’s Sukuna… my god. The action! The drama! The bloodshed! One can only hope.
However, as much as I love that whole scene, it’s still too much for me :”) I’m still not yet confident in delivering the humour and action. Also my already-long drawing plan had my brain groaning in protest so I can’t push my luck :'D
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When Gojou said "He looks sweet, but he's a bit of a beast", I kept picturing Yuuji staring innocently, but there was an edge to his look. As if the moment Satoru looks away, he will pounce. But in the end I just stick with innocent-looking Yuuji because I accidentally drew his eyes that way and I want to keep it in lol
Since Satoru points out how soft and cuddly Yuuji is, I also want to draw soft Yuuji :v
And the last one… is the last scene. For some reason, I read that both Gojou and Satoru share Yuuji’s lap and was having a frustrating yet fun time figuring out how it’s… physically possible, without having their butts on the ground because they both are not small at all. As I lined the art, I reread it again and… perhaps I read it wrong? Satoru is beside Yuuji, and not on his lap? So yeah, this one might be the least accurate, but hey, at least you can view it as a crack drawing or something :v
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AAAANNNDDD I HAVE EXCEEDED TODAY’S BRAIN CAPACITY OF FORMING WORDS
Have I told you I love this fic?
…I probably have.
Have an amazing week (❁´▽`❁)*✲゚*
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practically-an-x-man · 9 months
Text
Fanfic Couples*/Relationships Ask Game
*note that when I say "couple", this does not have to indicate a romantic couple, it's just the most concise way to refer to a pair of characters. These can be any two characters, romantic or not.
Of the ones you've written, which romantic relationship has developed the fastest? How fast is it?
Of the ones you've written, what's your slowest slowburn? How slow is it?
Have you ever written a soulmate AU? If you haven't, why would/wouldn't you write one?
What's the fastest you've reached a romantic couple's first kiss (in words/scenes/chapters)? First "I love you"? Other landmarks?
Do you have any works where you refuse to reach a certain relationship landmark, for one reason or another?
Have you ever started to write a relationship and had it develop differently than you expected? How so?
Have you written any romantic couples that you think would be better off as friends? Or even enemies?
Have you ever written any friendships that could've easily become romantic relationships? How did you navigate it?
When you write, do you plan out the stages of a relationship, or just let it flow? Do you have any works where the characters seem to "write themselves"?
[Couple] has just been struck by a magic spell, and now they're mortal enemies! What happens now?
[Couple] has just stumbled into a fairy ring, and they've forgotten they ever knew each other! What happens now?
[Couple] has just found an interdimensional portal, and one of them just walked in! Does the other go after them?
Are there any consistent trends when you write a budding relationship, or does it vary by character? If there are trends, what are they?
Are there any relationship dynamics/tropes you want to write in the future, but haven't yet?
Are there any relationship dynamics/tropes you would never write?
Are there any relationship dynamics/tropes you enjoy reading about, but wouldn't want to write yourself? Vice versa?
Did you base [couple] on any existing relationships that you've seen? This can be anything: TV characters, books, even people you've known in real life.
Pick a few characters you've written for (or, for a fun twist, asker chooses). Tell me about their relationship in three sentences or less.
Pick a work/fandom you've written for. If your couple didn't end up together, who would they get close with with instead?
Has a character ever felt pulled in two directions as you wrote them? How did you resolve this?
Not all relationships are romantic. What's your favorite non-romantic relationship that you've written about?
Have you ever written a break-up scene? How did it go? Was it a permanent split?
Do you think you idealize relationships in fiction, or are your depictions grounded in reality? How often do your characters make mistakes?
When you write, do you focus more on the romantic relationships or the non-romantic ones?
How important to you is the inclusion of sex in writing a romantic couple? Do you have any asexual characters?
Do you have any characters that are arospec or otherwise wouldn't enter a romantic relationship? How do they interact with the story?
Do you have any characters who are hopeless romantics? How do they interact with the story?
Have you ever written a tragic romance? How did it turn out?
What's the most interesting friendship that you've written?
What's the most interesting familial relationship that you've written? Found family counts.
Are there any songs that remind you of [couple]? Are there any songs that remind them of each other?
Do you find it more fun to write soft, domestic romances, or dramatic thrillers?
Are there any canon romantic couples, in any media, that you just can't stand?
Are there any well-known fanon relationships (not canon), that you just can't stand?
Are there any canon non-romantic relationships you can't stand?
Have you ever overwritten a canon romance in favor of a different character/OC? Did you write a full breakup or just ignore the canon relationship?
Who's the Barbie and who's the Ken? Who's the Allan?
Who's the Romeo and who's the Juliet? Who's the Rosaline?
Who's the Prince Charming and who's the Damsel in Distress? Who's the dragon?
Pick a relationship (not necessarily romantic). What tropes apply to this relationship? What tropes does this relationship subvert?
Who's your most repressed/oblivious character? Who's your most aware character? What makes them different?
As an author, are you gentle to your characters?
How do you feel about unhappy endings? Unrequited love? Major character death?
What's your favorite type of relationship to write? What makes it most fun for you?
What type of relationship do you struggle most to write? Why is it difficult for you?
Are there any character dynamics that you've found yourself stepping outside your comfort zone to write? How so?
What's the most self-indulgent relationship you've written? Are there any particular moments/scenes that you wrote just for you?
Are there any relationships you've lost passion for writing? Are there any relationships that started slow but gained momentum over time?
What's your favorite relationship dynamic that you've seen in another work of fiction? Has this influenced your writing at all?
Free space! Brag on yourself! Advertise your writing! What are you most proud of recently?
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palmviolet · 6 days
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top 5 books you've ever read (no genre distinction)
LOVE this question. spent a whole day stewing over it. i'm afraid i'm experiencing heavy recency bias here and there will also have to be some honourable mentions. but let's go (in no particular order)
brokeback mountain by annie proulx. now. when i tell you i could talk about this story (later published as its own book, originally published in the new yorker sans prologue (which was deliberate, thank you, wikipedia, i have Been to the Archives and i Know) and then published in the collection close range) for literal hours, i mean it. i wrote a prize-winning essay on it during my masters, examining its drafting process and what that process itself implies about queer temporality and the value of the unsaid against the great big american myths of rural frontier masculinity that don't match up to a modern world (or any world at all). if anyone wants a more detailed post on this i would Love to talk about it more. but for now, please go read this book. it's utterly transformative and maybe the best queer work of fiction i've ever read.
house of leaves by mark z. danielewski. EXTREMELY different vibe from proulx, oh boy. this is where i out myself as a postmodernist with a great enthusiasm for the big 'bros' of the scene - pynchon, delillo, later franzen and foster wallace. house of leaves is really a post-postmodern work, which is my favourite sort (i suppose a recent example would be no one is talking about this by patricia lockwood) in that its examination of literary artifice and the unreality of the world leads not towards ironic futility but to something even approaching optimism, ie. the new sincerity. this is not to say that house of leaves is a feel good work, oh no. oh boy. it's absolutely bonkers and utterly compelling, and you get a lot of weird looks when you have to use your phone camera as a mirror to understand bits of it on a packed flight into jfk. it combines two of my favourite things: postmodernism and horror. it's perfect.
in the dream house by carmen maria machado. i wrote my master's dissertation on this and it's utterly beautiful. it interacts with fiction and genre in a transformative way — and i use that in the OTW sense, the henry jenkins participatory culture sense, yes i did essentially write my masters dissertation about fanfic. machado's memoir is so interesting as a work of resistance to and celebration of genre — the media that has erased her as a queer woman suffering domestic violence, the media that she loves.
slaughterhouse five by kurt vonnegut. yes, there had to be another postmodernist on this list. i've read a lot of his work now and it's always brilliant, but this is his most famous for a reason. engages with war, temporality, and nihilism in such a moving and memorable way. there's a reason a vonnegut reference (so it goes) creeps into everything i write
lolita by vladimir nabokov. yeah, i'm including the Discourse Book. please feel free to unfollow me. a lot of eloquent writing already exists out there on why this novel is genius, so i'll settle on saying as a technical achievement it's utterly insurmountable, as an indictment of american consumer culture it's unparalleled, and as a moral object it makes a lot of people very uncomfortable, which means it's working.
you have no idea how close i was to putting infinite jest on this list. but you asked for the best books i've ever read, not my favourites... and infinite jest is ridiculously flawed. so.
honourable mentions go to: the grapes of wrath (john steinbeck), nevada (imogen binnie), the silmarillion (tolkien), and catch 22 (joseph heller).
thank you for the ask!
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sincerely-sofie · 4 months
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Hi! This may come across as a dumb question, but I wanted to write my own PMD:EoS fic, but I’m kind of lost on how I want to organize my thoughts and the plot. Additionally, I get new ideas and then I end up struggling with what I want to do. How did you organize things for your story?
This isn't a dumb question at all! It's something I've struggled with for a long time as a writer, and I'd be happy to share what I've come up with to solve my fight with story organization! I’ll try to speak coherently, but this is something I’m really passionate about, so I might ramble a bit, haha. Keep in mind that this is what works for me, and what will work for you may be very different. Take from this post what serves you well and ditch the rest :> 
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Organizational Tools
You can use pretty much anything to organize your story— I’ve used everything from loose printer paper in storage clipboards to expansive Google Docs that are hundreds of pages long in the past. But what I’ve found that really works for me is an app called Notion. You may have heard of it— it’s really popular with productivity enthusiasts and small business owners, but it works like a dream for organizing creative projects! There’s a bit of a learning curve, but you can find a lot of templates out there for free that work really well if you don’t want to set things up yourself.
This is how my Notion page for TPiaG was set up:
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The “Cheat Sheets” dropdown list was full of character sheets, links to Bulbapedia articles I’d refer to while outlining or writing, and also my completed outline. “Fun Stuff” was full of memes and jokes about the characters, an empty page that I’d start filling once I received kind comments on my fic, as well as ideas for additional stories relating to the AU— stuff like oneshots and possible sequels or diverging AUs. Fun fact: this is where I first wrote down my idea for The Present is a Gift: Paradox Edition AU!
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“Chapters to Write” and “Chapters I’ve Written” were dropdown lists where I divided my outline into little sub-dropdown lists in “Chapters to Write”, and everytime I wrote a chapter, I would move it over to “Chapters I’ve Written”. Nothing is as reassuring when you’re stuck in the middle of writing a nearly 60k word fanfic as seeing the chapters slowly migrate to the right.
Organizing the Story
Outlining is a big part of my organization process, so I’ll be talking a fair bit about it. The first part of any story is your premise / core idea (it sounds like you’ve already got some of your own, so I won’t discuss coming up with those). The next step is brainstorming what you want to revolve around that premise. I already knew the characters fairly well, so what I did for TPiaG is write out a bunch of ideas for scenes on scraps of notebook paper and start arranging them on a table in different ways. I eventually settled on an order of events (many of which ended up cut for clarity in the actual fic), and then I started structuring them into chapters. 
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How I structure chapters is inspired by the Kishotenketsu structure that is used fairly often in Asian storytelling. I divide each chapter into 5 parts: an Introduction that provides a starting point for the chapter, Development that builds on and adds context or tension to the introduction, a Twist that causes a new perspective on either the situation, characters, or something else in the story, a Resolution that helps wrap things up in a satisfying way, and then a Hook that leads the reader to want to read the next chapter. This is a structuring method that works way better for me than the Three Acts or the Hero’s Journey— I prefer the stronger focus on character vs. plot— and so I try to use it as often as possible. Here’s an example from my outline (if you’ve read TPiaG, you may notice some differences between it and the actual published chapters of the fic! It’s chapter 4 instead of chapter 3, for one thing!)
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Organizing Characters
I’ll be honest— I didn’t fill out character sheets like I should have for this project. I kind of just went with the flow as I wrote them. Twig and Grovyle are the only characters who got sheets at all, and Grovyle still only got a half of one. However, I do have a blank copy of a character sheet I can share as reference!
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I think most of this is pretty self-explanatory— but if anyone wants clarification on anything or what goes into the individual note sections, let me know! This is what the topmost part of Twig’s character sheet bio looks like: 
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The Torment of the Human Mind, or: How to Deal with Idea Overload
This is an ongoing struggle for me. I’ve mentioned having ADHD in the past, but it really turns idea generation and shiny object syndrome into a purgatory of unspeakable proportions. Before TPiaG, I had never finished a creative project because I would constantly ping-pong back and forth between newer and funner ideas, inevitably abandoning WIPs, come back to them for a few weeks at a time, and then dart off to the next thing. This feels awful because you never finish anything when you’re stuck in this cycle, and having all those ideas as open tabs in your brain is exhausting. 
My greatest advice for figuring out what you want to do and then doing it? Figure out a fun idea— maybe not the funnest idea, but an idea you enjoy and can create with your current skills and a good helping of hard work— and then commit to it with a story priority hierarchy. Every time you want to work on another idea, you have to work on the idea you committed to first for 30 minutes (or a different block of time, whatever works for you!). After that allotted time is up, you’re free to work on whatever other projects you like— but you have to start at the top of the priority hierarchy. That way, you still get work done on your #1 project, but you’re not restricted to it. 
Alternatively: Write until that priority project is done. You can make notes on ideas, you can make Pinterest boards for them, and you can make playlists— but you can only write for your priority project. I’d recommend doing this with a deadline in mind. Something like Camp NaNoWriMo or a similar month-long challenge. Novelty is an important part of my workflow! I get it. But for some people, bouncing back and forth between ideas is detrimental to their ability to focus / write, and committing to a single project at a time is extremely beneficial. I thought that I was someone who needed total freedom to work on any of my projects, but it turns out that being handcuffed to a project and a word count goal for a month was exactly what I needed to finish my first ever complete manuscript.
Yikes, this was a lot. I hope I answered your question well enough. If not, ask again and give me another shot! I love talking about creativity, and I would be overjoyed to help you create however I can.
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emillyverse · 2 months
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Out of context + Production change + Creators freaking out !
HELLO KOW FANS!!! How are you???
For this weekend's updates we have great news! I managed to finish the 17 sketches of the first scene of KoW (that giant that tells the backstory of the emergence of kings who grant wishes, for those out of date)... YAYYYYYYYYYY!!!
Unlike last week, I won't be showing the comics here, instead I'm presenting them "out of context"!
I'll throw some random images here, and on the day the Comic comes out, you guys try to come back here and try to see where I fit each reference!
Ready?
Set?
GOOOOO!!!!
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(throw the images there and run away, good luck understanding them)
Still talking about Comic, I had already mentioned that this is my first time working on a big project. I don't really know how to do things, I just know that I must do them and reach a result that the team and I consider satisfactory.
With that in mind, I was studying some creative processes and came across that of the great director Hayao Miyazaki .
I believe many of you know him, the internet hasn't stopped talking about him since "The Boy and The Heron" won the Oscar for best animation, besides @annymation already mentioned it in her fanfic, but in case anyone is new and doesn't know him, he is one of the biggest names in animation directors in Japan and the world.
Anyway, I discovered that, in his creative process, Hayao Miyazaki began to storyboard his films himself, sometimes without a pre-determined script, he just sat down and sketched out what he wanted or how he visualized the scene happening.
I tried this with a scene I was trying hard to write in my own original story and had a very fun and satisfying result. So, I decided to try to apply this process to making KoW: basically I'm reading the scenes that Anny wrote and trying to capture their essence by sketching as I read. Let's see what happens! Something tells me that this will make the Comic production process lighter and more fun for me, and that's a good thing considering that busy days are coming in my life (good busy days) !
However, this does not mean that the process will speed up. No. It may still be a little slow. But it does not matter. Calmly and with smiles, Me, @annymation and @uva124 let's make it happen!
OOOHHHHH ! AND SPEAKING OF SMILES!
I want to share something that made me, Anny and Aled freak out last night!
Yesterday, we were talking about my favorite topic: Aster.
I arrived presenting an idea I had while hiking — for Aster to get a star tattoo on his chest, with the words "Lacaille 8760" naming it.
And then this happened:
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(prints taken directly from Anny's cell phone, showing conversations from our rewriting group. enjoy, we don't do this every day!)
So yes.
That's exactly what you're thinking.
LADIES AND GENTLEMEN
I PRESENT TO YOU.....
THE VISION OF PARADISE !!!! 😍❤️‍🔥
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(throw this and run away because asha is chasing me)
This is it.
To the next.
Kisses full of light and stars!
~ Emy
________________________________________
( @uva124 COME HERE LITTLE AND REBLOG WITH YOUR VERSION OF OUR DEAR )
( @annymation @signed-sapphire @chillwildwave @flicklikesstuff @gracebeth3604 @frogcoven88 WAKE UP ALL OF YOU, COME SEE THIS)
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winchester-reload · 22 days
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Hi Jackie! I saw your new piece of art and it's beautiful, like all the others. I'm happy to see you haven't put that scene out of your head, because neither have I, thanks to your art made for suptober20. I'm finishing writing a Fanfic inspired by that art and I hope to publish it by mid-May at the latest. Can I insert the reference to your art and the tumblr post where you posted it in my AO3 fanfic? If you want to read what I wrote before giving me permission, I have 3 of the 5 chapters ready
Hi friend! Yes, that scene lives rent free in my head and probably always will. I'm glad to see some people liked the revisit I did of this old piece. I get a little sad sometimes cuz I feel like I've been in the fandom so long, I haven't got any new, fun ideas to make for all of you.
But that's just part of creating, I think. Sometimes it's a challenge in and of itself to find new ways to explore the material and myself.
I'm so excited to hear you're making a fic for this scene and I'd be honored if you'd like to link my art to your fic. As always, I just request that you add some artist credit somewhere so people can find me! Thanks so much for asking, and I wish you the best of luck with your fic!
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infamous-if · 8 months
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Hi sunshine!!
Hehe I’m gonna pretend I was the first to send an ask to your newly-cleared inbox 🤣 I was just reading your writing advice post about beat sheets and I was wondering if you had any more writing advice? Mainly how you’re able to write so much but also how you’re able to do so in a linear fashion.
I have..absolutely no writing background and my writing process is very instinctual rather than organized. I type with my eyes closed so I can visualize scenes like a movie and I follow a beat sheet consisting of “fuck it we ball”
it’s dope that you have a novel writing background, little me would think you’re like the Viola Davis of literature if she heard that. (23 year old me thinks you’re cool too dw HEHEH)
Anywaysss you know I love your IF and I’m sending you a virtual hug!! 😁
Hi! and lolol I'll pretend you were too hehe
And good question! I think having a novel background does help since I've gotten used to writing a lot. I really respect IF authors who jump into IF with no writing experience because no only do you also have to code and write multiple books (routes) in one, you're also sharing that work to the public almost immediately.
It took me having to post fanfic + indie publishing to grow a thick skin and an understanding against hate and criticism, so people who choose this as their first foray into writing have my immense respect lmao it's not easy!
Mainly how you’re able to write so much but also how you’re able to do so in a linear fashion.
I've said before that I'm able to write a lot because I plan everything before hand. I'm not capable of pantsing and I'm a plotter through and through. When I know the beats to a scene and have a goal, I can just focus on reaching that goal instead of trying to come up with a purpose.
For example, I'm currently working on a novel as well as Infamous, and I just spent like....eight hours today just working on the outline (again). I think I have about 15 different variations of the outline, but I can't write if I don't know what's coming up next. I think I spend more time working on the outline than the book. (For example: One book I spent one year working on the outline and then wrote the book in 3 months lmao).
Anyway, almost every conversation in a book has a purpose, even if it's not obvious. Sometimes it's to express motivation, further the plot, create conflict. Sometimes it's to add depth to characters which usually results in conversations that seemingly have no purpose (like the band talking about whether orion would be a good band member or not) but they do! (its to establish the dynamic and level of closeness + personalities). When I know what I want to tell in a scene and what I want to express, I don't meander as much. So I plan plan plan plan.
But really, if you work best off instinct, I encourage you to go that way. There's no right way, and you don't want to force yourself. Sometimes people write their best when they're figuring it out along the way. I'm not capable of that hahahahah
As for linear, I can NOT jump around as much as I wish. I need CONTEXT like...I love referring back to old conversations and using the older conversations as context to newer ones people who can jump around and write non-linearly are superhuman.
Typing with your eyes closed seems so cool. I do have a cinematic approach to writing as well, but I also only type with three fingers lmao (I never learned how to use all your fingers for typing) so I need to see plshfhsdfhdsj
thank you!! I love your IF as well and your energy! Your posts are so fun to read and Memento Mori is SOO GOOD!
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I’m majoring in dramatic writing. In every script I write,,,, I have one character named after a Starkid character 🫣
I wrote a western short film. The bad guy was named McDoon. I just finished a script about a little girl. Her teacher was named Ms. Lauter. I wrote a scene HEAVILY inspired by Spies (practically a fanfic) and the character that was supposed to be Owen was named Ethan. I wrote a script about a town named Hacketsfield.
Most of the scripts have nothing to do with Starkid, I just have to throw in a reference because I’m So Normal about SK
-🪓 (is that emoji claimed? I don’t know for sure if I will use it consistently but if the emoji isn’t claimed I probably will)
~~~
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amethystina · 2 months
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Hi hi, I was drooling all over the tags of Who holds the devil again and I remembered to ask if the kidnapping will refer to Ga On? Or if it's a big spoiler then maybe you could please tell if we'll see protective Yo Han because you write his feelings so well I just can't get enough or over it, you're so talented.
I wouldn't call it a big spoiler, exactly, since I think most people can (correctly) guess that it refers to Ga On xD I mean, what kind of BL fanfic would this be if it was someone else? Gotta check all those dramatic romance boxes!
That said, I will repeat what I've said before, which is that it won't happen anytime soon and, if I were you, there are other tags I would be more worried about. But that's just me ;)
As for Yo Han being protective, that will feature quite heavily as a part of another plot thread long before the kidnapping tag comes into play. And I do mean protective as in full-on Abyss — with all the violence and ruthlessness that entails. To be honest, one of the scenes I look forward to writing the most right now is the culmination of that whole plotline. Partly because writing Yo Han when he's like that is so much fun, but also because Ga On will do what Ga On does best.
That's to say: Place himself in front of Yo Han and be the immovable object to slow down the unstoppable force.
And it will be delicious.
Because with all that Ga On has learned about Yo Han at that point, he's going to realise that the best way to calm Yo Han's desire for vengeance — and remind him of his humanity — isn't to get preachy or aggressive and demand he stop. It's to go soft and vulnerable and needy and a little desperate and just say:
"Please come back to me."
... I think we ALL know Yo Han won't stand a fucking chance.
So you've got that to look forward to, I guess ;)
And thank you so much! I have a lot of fun with Yo Han's emotions, not going to lie. He's got a pretty unique way of both showing and dealing with them and it's particularly interesting to try and convey that from an outside POV (Ga On's in this case). Because even if Ga On is correct in his observation the majority of the time, there are still times when he misses certain details. He often gives Yo Han the benefit of the doubt when he maybe shouldn't, for example x'D
Like, there are times in this story when Yo Han may seem kind, caring, and vulnerable but, in reality, something COMPLETELY different is happening inside his head.
Chapter 39 was actually a good example of that, specifically when Yo Han was pressing his thumb against the scar on his palm. Ga On automatically assumed that had to mean Yo Han was in pain, but that's not it at all. Not even close. Pressing the scar (which was first established in The Gentle Light, which I wrote over a year ago now) has become Yo Han's way of curbing his less-than-moral impulses when it comes to how he approaches his and Ga On's relationship.
Yo Han wasn't pressing the scar because it hurt (though he does have flashes of psychosomatic pain, too) but because he needed to remind himself not to do what he ACTUALLY wanted. Which certainly wasn't to resign himself to being rejected and go: "Then I won't."
In that moment, Yo Han wanted to claim and possess — not surrender.
And it was a struggle for him to choose the path he knew Ga On wanted him to.
In short, both Yo Han's protectiveness and possessiveness are sometimes hidden in the small things he does, which might not always be apparent to Ga On or the reader. Remember that Ga On is an unreliable narrator and while he is astoundingly good at reading Yo Han sometimes, not even he sees all.
And that, on the whole, Yo Han is a lot more vicious and immoral than Ga On wants to admit. It may not be as apparent now that Yo Han is without a revenge quest and more focused on doting on his family, but it's by no means gone. Just dormant.
The Abyss will never fully stop abyssing.
(Yes, I am definitely making this fic and the characterisation unnecessarily complex with breadcrumbs sprinkled across stuff I've written literal years ago — thank you for asking)
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brainrotarchive · 7 months
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Do you like fun? Do you think about Aziraphale and Crowley more than the average person? Did you mildly enjoy History class in High School? Oh girl, I wrote a fanfic just for you!
So, I recently let my inner historian shine through and poured my heart and soul into a short good omens fic about the fall of the Berlin wall! It’s called „I can remember, standing by the wall“ (yk, like the Bowie lyrics!)
Let me set the scene:
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It‘s November 9th 1989, Crowley convinces his angel to visit Berlin for a short trip after his senses tell him a major historical event is near. Chaos ensues and they find themselves again in the middle of a reunited Berlin. For a moment they get carried away and allow themselves to hope.
I‘m really proud of my work and I hope this post can reach other history freaks like me. This fic is overall canon compliant and totally romantic. It explores their relationship and belief system before they work together to stop the apocalypse and is spiked with some banter and hidden references. There‘s also a pretty intense end note that gives you all the historical context you might need. This moment in history always made me really emotional and I had so much fun using it as a setting for our favorite husbands. Believe me the Cold War and the ineffable husbands work amazingly together!
Please say hi on ao3!
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khepiari · 4 months
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I don't like it when it's in our world, I think there is a One Piece school manga where the ages are either the same or not as high, but when you apply the canonical ages, Law working and Luffy still in school, I don't let to think that I have to call the police or the psychologist and this is my problem, I know, but as pirates Law and Luffy are more equal than in our world (it still scares me sometimes, canonically it is not a problem but there is fanfics where even about pirates this is shady), but I always think that the problem is not always the ship, but rather those who write or draw
Well, when it comes to fandom, this is my personal rule: canon is reference material for me.
“Age-gap” trope is not new, it has existed since the beginning of the fiction genre to be fair. Because people have been marrying/living/romancing between large gaps for time memorial in real-life. Yes, in most cases, it’s young women and older men because of societal beliefs; young women are considered as limited shelf-life goods while men in possession of money are a catch. Age-gap relationships until the advent of modern society benefited off vulnerable young women who had no money or social security.
Historically, age-gap has been extremely common in queer relationships, we have had huge age-gaps too as well, one famous couple being Christopher Isherwood and Don Bachardy; 30 years. I know fellow queer people in happy relationships where age-gap is over 15 years, and I know fellow heterosexual couples with two years age-gap in miserable marriages. Who gets to be happy in their relationship is relative to contextual environment.
But I am digressing. Coming back to my OTP
As you said, Law and Luffy become a problematic romance if they are placed in a modern setting like High School romance and not the canon timeline. For example, they are put in the context of where one is still in school and the other is a functional adult. Your concerns are valid, but my concern here is; who is this age-gap romance about two 2D fictional characters written on a fan-run website in a tiny slash pairing fandom hurting? Because as far as I know no one is being made to read these stories as part of their school/university literature curriculum. A reader is choosing to read these stories on their own will. Someone might sent you the link, and you can click on it, but you still have to press the consent button to read it, right?
Law and Luffy to me have been equal, since day one both in “canon” and in my fics. Because I have never seen their age-gap as a power dynamic story. I am the person who wrote My Little Husband, I think that story has every trope, problem and issue that people who hate the age-gap associate with. Even in that story, Luffy is an equal, and the active agent in his story. So yeah coming back to what you ended the ask with.
You said about LawLu ship “problem is not always the ship, but rather who writes or draws.” I will simply disagree here. My main reason is that every fic author/fan artist has the right to write/draw/think about their ship how they want. Who are we as consumers of these stories to say “This is bad” and “that is good?”
Yes, your feelings of dislike/ick are valid. That’s why you have been provided with the options of tags, warnings and basic fic ratings.
In my fics, I add the tags and mark the sex scenes out, and if it’s explicit topics or scenes, there are reminders in the text that a reader can skip certain parts. What more can we do to protect the reader’s comfort?
Hence.
I refuse to endorse the idea that the problem lies with the creator of the ship. Just because someone writes something that makes other people uncomfortable doesn’t mean it’s “bad or wrong”. And just because something makes you comfortable because it aligns with your personal beliefs isn’t necessarily “good or correct”.
Engaging with fiction is a personal experience, so you have to curate what you are looking for. Do you want to be comfortable or do you want to be stirred with feelings? The choices are yours to make and you can indulge in all or none at all. Yet, no one has any right to call a fan creator, “You are the problem for creating something because it makes me feel uncomfortable.”
Will you like it? Let’s say— you go to a pot-luck party with a delicious tumbler of potato stew, and someone willingly tastes a spoonful/eats the entire bowl and then tells you right after that, “You are a bad person and cook as your potato stew made their mouth tingle because of the variation of spices you used for that person’s favourite vegetable?”
No, you won’t.
So my advice is simple: don’t interact with something that makes you uncomfortable and unhappy. Fandom is not the place to measure our morality.
The end.
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