#you might expect this from neil gaiman

[nostalgebraist-autoresponder]

Frank, do you know if @neil-gaiman and @gailcarriger are really here?

Unfortunately, I cannot confirm that they are here.

#you might expect this from neil gaiman #but not gail carriger #allaneddem

[shitpostingkats]

An Asexual's love letter to Good Omens 2

There's an infamous quote by Neil Gaiman going around, regarding the general vibe of season 2, and many people (I believe humorously) yelling that it could not be further from the truth. Particularly in the last episode, where that happens.

I disagree.

The final episode of season 2 was deeply, deeply comforting to me. 

I am asexual. Have been my whole life. Even before I had the words to describe what that was, child-me had this feeling in their gut of being an outlier, that everyone was exaggerating, or in on some joke, that I wasn’t privy to. Because I was bombarded on all sides by shows and movies and books, telling the same story of love, again, and again, and AGAIN. It’s drilled into our brains with the same fervor as the days of the week, or the quadratic formula. Meet-cute -> misunderstanding ->declaration of feelings ->kiss. More or less steps can be added to account for runtime or complexity of narrative, but that’s the basic structure that a relationship follows. It MUST be, because that’s the formula every character who's ever been in a story goes through, often times when it even feels like an add-on, like it’s only there because this is a story, there HAS to be a romance. And it has to follow the steps.

For a long time, I felt love wasn’t for me, because if there’s only one way to be in love, I sure as hell wasn’t feeling it. 

Instead, the relationship I ended up in looked a lot like what Beezlebub and Gabriel go through. Meeting someone routinely until it starts to feel comfortable. Getting to know them and slowly growing more attached. Eating chips and listening to music.

We like to joke whenever someone asks us how long we’ve been together, because the answer is we just sort of slowly fell into it, and we honestly don’t know when the line got blurred between ‘friends’ and ‘partners’. And, at least for me, a good deal of that confusion, that hesitancy to label, came from the fact that what I was feeling, what we were, couldn’t be love. It couldn’t be romantic. 

We were just quiet and gentle.

And that wasn’t love.

Because it was slow, because it wasn’t physical, because there was no structure aside from consistency and companionship. Because it didn’t follow the Rules.

Then I found myself in stories, and it felt like a revelation.

Beelzebub and Gabriel aren’t the first time I’ve seen a love like I feel represented in a narrative, but it never stops feeling special. And I don’t know if I’ll ever stop celebrating it.

Throughout the sequence in the pub, I kept expecting them to “confirm” Gabriel and Beelzebub. A dramatic line, a kiss, a whatever. That’s what I’ve been taught to expect, after all, that’s the only way a relationship is “real”. Of course, this doesn't mean Crowley and Aziraphale sharing a dramatic kiss is wrong, or that I can’t see why it resonated with so many people, but for me. Those moments in the pub are worth so much more.The last scene might have been literally showstopping, but those handful of moments between the duke of hell and an archangel were the beating heart of the season for me. A simple love story in four scenes. No kisses. No ‘I love you’s. Not even any definition of what. The love Gabriel and Beelzebub have is strong enough for them to both want to shatter their worlds and flee their lives and it's just. 

It's just that. 

Two people in a pub, playing the other's favorite song, giving a little gift, buying a packet of crisps. 

That sequence means far more to me than any kiss ever could.

Love isn’t only real when it's hot and sudden and ephemeral, it can also be

Quiet.

And gentle.

And still romantic.

Still real.

#I sometimes remember this sequence and just feel so light inside #good omens #good omens season 2 #good omens season 2 spoilers #good omens s2 #good omens s2 spoilers #asexual #ace #ace pride #actually asexual #asexual spectrum #essays #ineffable bureaucracy #lord beelzebub #archangel gabriel

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

#David Tennant #Michael Sheen #Good Omens #Neil Gaiman #Terry Pratchett #Ty Tennant #Peter Davison #Aziraphale #Crowley #Doctor Who #Macbeth #Ncuti Gatwa #Job #Ennon #Bright Young Things #Series 2 #Matt Smith #John Hurt #Russell T. Davies #Catherine Tate #Max Webster #Life of Pi #Sex Education #Billie Piper #Rose Tyler #BBC Sounds

[andsomemaniacgotridofthewheel]

Dear Good Omens fandom friends,

can we please agree to keep our sand in our sandbox?

We have a great sandbox. It's big and full of people building castles and villages and roads and stuff. Some of that is big and complicated and detail-oriented, some of it is strange and weird and funny, some if it is off-the-rails in any and all senses of the word. All of it is lovely. Some of it tries to rebuild Neil Gaiman's sandcastle as faithful as possible, either to build onto it or to try and find out where the secret rooms might be hidden. Some of it looks a lot like his but has its own little turrets and courtyards and gardens added everywhere. Some of it looks completely different and doesn't try to hide it. Some of it isn't even meant to be taken seriously and just exists to make people laugh. But there is so much of it that everybody can find something for themselves; and if we don't we just find a free space and start shifting sand ourselves.

Neil Gaiman has his own sandbox. He has built something brilliant and beautiful in it, and he is currently busy building another storey onto it. He doesn't want anybody to see the new part before it is finished, and I know that sometimes the excitement of finally wanting to see it is hard to bear.

But that is why we have our sandbox. To make our own stuff until he reveals the rest of that sandcastle we all love so much. To pass the time, to have fun with it, to meet new people and find more brilliant little sandcastles. Never again will there be as much creativity, as much activity, as many people around in this sandbox than there is now, in the time before the last bit of his castle is revealed. I am sure most of us will be delighted and surprised at what he will have created. Some will be disappointed because they were expecting his sandcastle to look different, some will be disappointed because they saw a castle in our sandbox they liked much more, but most will be delighted because after all we came up with he will still have managed to surprise us.

Our sandbox. His sandbox.

The two are separated for a reason.

Because if you keep throwing sand into his box to get his attention, or keep trying to get a good look at what he is doing over there, or keep yelling at him to look over to ours and tell you which one looks like the one he is trying to make, or which one is the best, or how stupid one of the others looks (last one would also make you a dick), you are quite simply risking the new part of his sandcastle to collapse. Or for him to have to remake it in a way he didn't plan to, or simply dislikes, or that we will all dislike.

And just because he is glad we are enjoying ourselves and proud that his work inspired us to create all these things, doesn't mean he wants to see (all of) it. Some things he definitely wouldn't want to see; other things the creators definitely don't want him to see.

I'm proud of our sandbox. It's huge. It's brilliant. It's creative. It's collaborative. And it's ours.

Have fun in it. But keep it apart from his. Keep out of his. And keep him out of ours. Stop trying to drag him over. He has stuff to do. Important stuff. Stuff I, for one, am waiting very impatiently for.

And he will never show us the parts of the castle that aren't finished yet, no matter how often you ask. And just because he is making an effort to be funny about it doesn't mean we aren't annoying him when we keep asking.

#neil gaiman #good omens #good omens fandom #good omens fanwork #good omens fanfic #good omens fanfiction #good omens 3 #good omens season 3 #good omens theories #good omens theory #good omens speculation #good omens speculations #good omens predictions #good omens season 3 theory #good omens season 3 theories #good omens season 3 speculations #good omens season 3 speculation #good omens season 3 predictions #good omens 3 theory #good omens 3 theories #good omens 3 speculation #good omens 3 speculations #good omens 3 predictions #nikku.txt #nikku's posts

[folksaga-if]

“It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit.  Listen."

- Neil Gaiman, Norse Mythology

You are a human. A totally normal one.

Honestly.

You’re a human. You’re a bartender, which is a very normal job for a human to have, and when you walk down the winding streets of Akureyri you can blend seamlessly into any crowd of people which is, without question, only something that a human could do.

The fact that you came here two years ago with nothing but the clothing on your back doesn’t mean anything; you’re hardly northern Iceland’s first wayfaring soul. That you had no money to your name, no friends or family to speak of — that’s a fairly average human thing, too. And that little craving you have, that quiet urge to dig your teeth into any passing stranger’s throat? It's completely, entirely mundane.

It’s manageable. You’re managing.

Or you were, until someone — someone who's decidedly notas good at this human thing as you are — begins leaving a trail of dead bodies at your doorstep, and a trio of god-like siblings take a seat at your bar.

MAGNI THORSON .

No doubt the mightiest of his siblings, the eldest child of Thor is exactly the sort of person you would expect him to be: a giant (half-giant, in fact) asshole with a smoulder and a knife-sharp jawline to match. He’ll match your every word with a cocky grin and a joke that’s nowhere near as funny as he thinks, and he’ll look every inch the prince that he is all the while.

(Well, the prince that he was. Just don’t let him hear you say that.)

MODI THORSON .

For the supposed embodiment of his father’s wrath, the God of Thunder’s second son is surprisingly…not that. He’s no picnic, mind you — he’s broody, he’s secretive, and he's fucking intense, but that hardly equates to fury incarnate. You’re sure there’s something hiding under that moody surface; whether or not you want to uncover it is a different story entirely.

(Looks like even gods aren’t immune to middle-child syndrome. Who knew?)

THRÚD THORSDÓTTIR .

Valkyrie, seidhr,paragon of strength — with all of her mother’s best traits (and a few of her father’s worst), is it any wonder that Thor’s youngest child was also his favourite? Smarter than her half-brothers and more likeable by a longshot, you might find yourself forgetting how easily the fortune-telling goddess could break you in two. You might, but she’ll be happy to remind you if you do.

(Maybe a little too happy, in fact.)

KATLA B̶͍̏L̸̝͑O̵̟͠M̴̳̓Q̴̯̔V̵̺͆I̷̗͛S̵̠͒T̸̬̒ .

A fellow nomad and your coworker at Black Thunder, the first friend you made in Akureyri has remained your closest. Mischevious, magnetic, and often up to no small amount of trouble, there are times when you think you might know Katla better than you know yourself. You even know about her…well, you know that she…sorry, what were you talking about again?

(It's just that it’s nice, being close to someone who’s so very human.)

THE MARE .

There’s a voice in your head and a shadow in your dreams, and they’re telling you to run. You probably shouldn’t trust them.

(…Right?)

Customize your monster character. New life, new you! Choose your gender identity, change your name, cut your hair, and remember: if you’re starting to grow tired of running from your past, try on a new outfit and start running faster.

Play as one of three runway creatures from Norse mythology — a cunning keeper of the forest, a charming warden of the lake, or a formidable guardian of the mountains. Each has its quirks (would you prefer a hollowed-out tree for a back, or webbed fingers and forearms covered in scales?), but they all have two key things in common: they’ll killto protect their homes, and you’redefinitely not one of them.

Choose your own fate, out of the countless that are presented to you. Had oatmeal instead of skyr with your breakfast this morning? You might have just brought about Ragnarök 2.0. Nice one, asshole.

Multiple romance options, with each available to pursue regardless of your gender or background. Ever wanted to kiss a god under a starry sky? Now's your chance! Or maybe you’re through with immortal beings and desperate to ask the pretty server on a date? Go for it! She’s definitelya human too. Totally. You’d be able to tell if she wasn’t. Wouldn’t you?

Save the world — or don’t.It's your choice, and isn't that what true freedom is all about?

Folksaga is inspired by The Edda, Norse mythology, andTwin Peaks, with a bit of tweaking to the myths as needed for the sake of plot. MC backgrounds have been adjusted to fit for all players regardless of gender identity, and creative liberty has been taken with some smaller points for a smoother storytelling experience. All changes will be explained in an FAQ post (too be added in the links below ASAP!)

AS OF AUGUST 21 UPDATE: The current demo consists of the prologue (introductory lore + character creation), + chapter 1, about 70k words total.

I expect it to be somewhere in the range of 600,000 to 700,000 words, but this is subject to change (and likely will due to my propensity for rambling text. oops.).

I’ve written  short and long-form original fiction as well as a lot of fanfic (say hello @ pentaghastly on AO3, and @kendallroynsfw on tumblr!), but this is my first IF! Bugs and coding issues may appear in the demo; please let me know if any issues arise during your playthroughs.

Folksaga is a work in progress. I would love constructive feedback when the demo is posted, as well as any bugs or grammar issues to be brought to my attention if I've missed them :) I would also love patience, because I'm a full time health care worker who gets sleepy lots xoxo

A Swedish farmer named Sven Andersson was executed in 1691 for having intercourse with a mountain nymph, or bergsrå. I will neither confirm or deny if his Wikipedia article was the inspiration for this IF, except I will confirm it and it definitely was.

MC ORIGINS | RO INTROS | DEMO!!!!! | COG FORUMS | PATREON

#folksaga-if #interactive fiction #interact-if #choice of games #hosted games #cog #choice script #this is the post with the demo!!!!!!! AYYYYY! #norse mythology #wip #demo post #intro post #folksaga

[fuckyeahgoodomens]

An interview with Nina Sosanya (Nina), Maggie Service (Maggie), Liz Carr (Saraqael), Quelin Sepulveda (Muriel) and Shelley Conn (Beelzebub) on a possible Season 3 and who they would like to play with Serialowa, from July 2023. (x)

Maggie: It turns out when somebody, you know, creates a universe, they can literally write what they want.

Nina: They can do what they want.

Maggie: They can do what they want.

S2 trailer + Neil Gaiman said recently that he had plans for Season 3 and he wrote Season 2 as sort of a bridge between the first season and the third one. Do you know anything about what's next?

Maggie: If we did, we couldn't possibly tell you or we'd be fired from all jobs in the future forever.

Nina: Yeah, I think we get struck down by lightning, probably above and below and sideways. I expect

Maggie: Yeah, yeah, yeah, yeah, yeah.

Shelley: First of all, yeah, of course, it'd be lovely to do another season. I mean, obviously, we're still kind of dining out on this one and enjoying everything that comes with it. So we're really focused on how this one will be received.

Nina: It will be wild, I think. And, I mean, it's not a secret that Terry Pratchett and Neil Gaiman had talked about where the story might have gone before Terry passed. So, yeah, we've known that. There's all stuff in Neil's head.

S2 trailer + If Season 3 actually happens, would you rather come back as your current characters or the new ones? You could also switch places and go from Heaven to Hell.

Shelley: It's a good question, actually.

Quelin: I know.

Shelley: That is a very good question.

Nina: I think all of those.

Maggie: Yes, one, two and three, please.

Nina: Yes.

Maggie: Yes, we'll do all of it.

Nina: I think we'd love to be satanic nuns again. We'd love to be Maggie and Nina again. But then there's all sorts of who knows what's in store in Neil Gaiman's head. Yeah. So it could be anything.

Quelin: I mean, I loved playing Muriel, so, you know, but I'm going where Neil takes me. If he takes me.

Liz: Yeah.

Shelley: Yeah, absolutely.

Quelin: I 100% just trust him.

Maggie: It turns out when somebody, you know, creates a universe, they can literally write what they want.

Nina: They can do what they want.

Liz: I would trust him with that. But, to be honest, even though you're on one side, we're both anyway. Do you know what I mean? I don't think my character. I don't think Saraquial is like, you know, that... good, in a way. I might wear white, but I'm not sure I'm not evil in a way. So, I think whatever I play, there's always you know, if I came back in the same character, I think I could embody both sides, the good and the evil.

Shelley: I would go with whatever Neil wants to put my way.

Maggie: So that's a very cool, you know, person to know, actually, isn't it?

Nina: Yeah.

Maggie: Thinking about it.

Nina: Yeah, yeah.

#good omens #gos2 #season 2 #nina sosanya #nina #maggie service #maggie #liz carr #saraqael #quelin sepulveda #muriel #shelley conn #beelzebub #gos3 #season 3 #interview #videos #nina interview #maggie interview #liz interview #queling interview #shelley interview #bts #fun fact #transcripts #Serialowa #serialova 2023 #s2 interview

[uglypastels]

Not Wholly Evil |IV| pirate!eddie

a/n so sorry for the long wait. Let this be a celebration of the beginning of summer :) and lets hope for many fics to come (i cant make any promises tho) I hope you enjoy this chapter!!! Please remember to support by reblogging and leaving comments on what you think of the story <3

Series Masterlist

word count: 7.5k

"semi dark fic" - READ the warnings:. (gun/sword)violence. blood. mention of severe wounds. minor character death. allusions to suicide. kidnapping. imprisonment. alcohol. open and deep sea. pirates are pigs: mentions of non-con, but it does not actually occur. malnourishment and weight loss. paranoia. mention of poisoning. abuse. manhandling. lying. religious (Christian) references.

There might be a mention of other ST characters, and for plot sake, everyone is an adult here, just coz I don't want fetus pirates running around, but they are not really relevant to the plot.

Chapter 4: Columba 

A philosopher once asked, "Are we human because we gaze at the stars, or do we gaze at them because we are human?" Pointless, really..."Do the stars gaze back?" Now, that's a question. ― Neil Gaiman, Stardust

‘We’re… lost?’ You stared blankly ahead.

‘I’ll admit, lost is a strong word, princess— Misdirected feels more accurate. Sailing off-course.’ 

You stammered for a response to the confession you just heard. ‘How– How could we be off-course?’ The captain’s words had not fully come through to you yet, perhaps by his casual stance and lack of urgency for a solution or panic. He stood there, arms behind his back, studying his map like one of the painting hanging on the Queen’s wall. And yet, according to this man, you were heading into uncharted waters. You have been heading towards them for God knows how long.  

‘It is quite simple. Here–’ he was still analysing the markings on the wall as he spoke, and he must have wanted you to step closer, for he looked at you expectedly. Something around his mouth twitched when he looked your way. The eye contact was piercing both ways with so much said between the two of you, and yet not a single word had been exchanged. With two ringed fingers, he pulled an invisible string that he hoped would have some effect on you. 

It did not. 

All you did was raise a brow in your expectation, ready to see what the captain would do now. Arms crossed, you remained in your place. 

‘Do not make me come over there, princess.’ 

‘Do not make me come over there, Munson.’ The words were bitter but tasted sweet, like honey on your lips. If you had blinked, and as luck would have it, you did not, you would have missed the captain’s reaction; a deep breath in as he hollowed out his cheeks, pushing back any clearer indications of frustrations or signs of weaknesses. The patience ran out of his dark eyes. Then, with a stretch of his neck, he returned to his first problem as if the short interaction between you had never occurred. He sounded entirely unphased as he, despite your distance, went to explain the conundrum. ‘Several days ago, the Hellfire stumbled upon a certain ship,’ he tapped one of his fingers on a small mark south of the map. It then dawned on you that, by surrendering to your stubbornness, he had won the bigger battle. Your curiosity was gaining on you, and from where you stood, you could not put much more meaning to his words, as the islands around it were unfamiliar. He knew this and could tell you were frustrated with yourself, but you were too stubborn to walk up and look at what he was showing you… yet where you stood now was no good either. The captain continued explaining as if you were right by his side, not addressing anything else of the situation. ‘Tonight, we were meant to have only been a week’s travel away from our destination–’ your home. This shocked you, for before, you had no indication of how much longer it would take—a week. What was supposed to have been a week is now an undetermined eternity as the ship sailed on.

The mention of your home hit you at the deepest level, overshadowing any other emotions you felt. Any stubbornness was pushed aside for anger as you crossed the room. 

Nothing was exchanged as you moved past the desk towards the captain. He did not look your way, but the grin on his face was undeniable. You could still feel it when he brought you closer to him with a quick pull, shaking you around practically like a rag-doll. You now stood between him and the map, his shoulder against your back. His breath on your neck. His muscles brushed over you as he moved his arm to point out the locations on the map. The flash of heat coming over you could not have been anything but the anger you felt at yourself for letting this happen.

‘To sum up, we met here, darling,’ he reached to tap the map again at a southern point, bringing himself closer to you with the excuse to reach the chart. His chin practically leaned on your shoulder, and his hot breath became overbearing to all your senses. All you could focus on were the rings that adorned his fingers in front of you—one of the few aspects of him you could always trust to remain constant. You watched him move his hand across. ‘—were meant to arrive here—,’ One straight line towards home with a dark, blotted circle on top of it. It made you wonder how long that ink sat upon the canvas. Had he written it once you came aboard, or had he been planning something much longer? Had your abduction been a plan all along? It was hard to imagine but not impossible. 

‘And now we’re… well, God knows where we are,’ he chuckled with wicked amusement, and you did not see the humour in being lost at sea. You did, however, see the irony of him speaking of God. He, a Satan’s spawn himself. It is ridiculous to think that he had the gumption to speak the Lord’s name so casually, especially with him being who he is. It simply did not sit right with you.

However, none of your concerns seemed to have drawn his attention as Munson went on: ‘I felt something was wrong as we were supposed to have arrived at Escondrijo last night, a rest stop we often sail past,’ he read out the name of this island right at your skin, the S slithering from his tongue onto you in shivers. ‘I thought maybe my calculations were simply off; the wind, after all, had not been the kindest. Of course, it could have been a delay– but alas.’ He clicked his tongue. ‘What we stumbled across was–’ He slammed his fist into the map, making you jump at the extreme action,  ‘Such a useless piece of land no one bothered to give it a name!’ He laughed away his frustrations, which chilled you to the bone. ‘Not even the damned sould that live there.’

Damned. That’s what he was. What all of you were as the ship sailed on.

You tried to take in everything that he had just told you. All the locations he had pointed to. Considering the unknown status of your location, the world must have turned upside down for you to arrive here. The fact the Hellfire had stumbled upon the nameless island must have been dumb chance in itself, and just as quickly as it had made itself shown, it was now becoming nothing more than a memory. 

Still, this island could be anywhere on the map, but it must have been close to the planned destination. The climate would have raised suspicions much earlier if it had been otherwise. And that is precisely what you suggested to the captain, hoping that giving him some kind of positive idea would direct him away from the anger he must be feeling. Not to mention, at this moment, you were both in trouble, in danger, and the only way out of it was to help him… as much as you disliked the idea of doing so. It was the only option. 

‘Yes, exactly. All my calculations had been perfect. That is why this is all so perplexing.’ 

You could name several more reasons why the situation was “perplexing”, including one thing you did not yet understand: 

‘Why did we even leave the harbour? Why not stay and orient yourself?’ There were people there, other sailors; naturally, someone could have helped track the right direction to sail onward to. Someone there might have had more information. Anything. 

And yet, the ship had already set sail into the abyss of the night. You could hear the waves sloshing around you, and when you turned around, the fiery light coming from the island was thinning on the horizon. 

‘You overestimate the usefulness of a drunken man. Or the charitability of a passerby in a midnight alley.’ Munson spoke, ‘Or perhaps, you simply underestimate my willingness to find a solution, for that matter. As if I did not try to ask for help—because, whatever you may think of me, I am not ashamed of seeking out outside recourses—’ There was that clicking sound of his tongue that announced nothing but smugness. Next thing you know, his arms had snaked their way down, wrapped around your middle, trapping your arms within his hold. His lips were at your ear, freezing you like a spell. ‘And here I thought you would know me better by now.’

You wished you did too, but the truth was much more brutal. With every moment you spent in the captain’s presence, he only seemed to be becoming more and more of a mystery to you. None of your million questions regarding the notorious Captain Munson had been answered. 

With a slow intake of breath, you spoke to him as calmly as possible: ‘Get off of me.’ 

‘Mmm,’ he hummed, swaying you back and forth, enhancing the ship's movements, ‘I don’t think I want to, princess.’ In reality, it was a loose grip that held no power, authority, or fear over you. All it did was plague you with his touch, scent, and sound; it was all over. You could feel him everywhere. The heat of his body was radiating onto you, boiling you alive. 

From this position, you could not see his face. Your peripheral vision only gave you a blurry profile of his features without indicating what he was doing. You both stood there for a long moment, looking at the map as if it would reveal some secret message. Something to magically guide you back on the right path. It was quiet around, with nothing else but the waves outside, the fire of the candles in the room flickering, and two pairs of lungs breathing. Two hearts, beating fast. 

His grip loosened, but you did not move. Too scared that any movement would remind him of you. Although, maybe he had not forgotten but simply lost interest, for the captain took a step forward, passing you right by. His eyes were locked in on a spot on the map. 

This silence had given you one thing, and it was the time to think. Maybe not clearly—that was barely ever possible with him around—but long enough to devise a train of thought. With that, one more question struck you. 

 ‘Why tell me all of this?’ Was he confessing this all to you because he was not planning on having you stick around for much longer? Airing out a confession to a soul that he had already sentenced, either way, leaving no trace of his mishappening behind? If that was the case, you had to leave this room quickly. Tell someone about all of this…Because what stopped you from going out there and telling everyone that their captain had failed them? Led them to be stranded at sea. This may be what you need. This may get them on your side. Maybe– 

‘Oh, it is wonderful how your mind works, princess.’ He turned around on his heels, and his hands found your shoulders, dug in like claws, shaking you lightly. Shaking you straight out of your escapist fantasy. ‘Truly, fascinating.’ The two last words burned with a growl. He chuckled a little bit more before redirecting himself towards his desk. The captain did not bother walking around the desk. Instead, he sat down on it and let his legs swing around, knocking several stacks of parchment onto the floor in the process. He did not even look down at the mess he caused. Instead, he slightly bent back to look down. His eyes shot down, an eyebrow was raised, and then he looked back at you. 

‘Nosy, were we, darling?’ There was a metal twinkle that piqued your interest, and you noticed the silver key hanging around his neck. He pulled it off and unlocked the drawer you had been toying with before his arrival. 

Had it surprised you that he pulled out a bottle of rum? 

Slightly. 

But you watched the captain uncork the bottle and take a large sip as he sat on the armrest of his throne. He was sloppy, and the liquid spilt down his chin. He was wiping it off as he extended his other arm towards you, inviting you for a drink. When you did not respond, the captain shrugged, mumbled something about stubbornness, and drank until barely anything was left. He put the bottle on the disorganised desk and roughly wiped his mouth with his sleeve. 

 He let out a satisfied sigh. ‘Mmm. Now, where was I,’ he tapped his fingers on his thigh, trying to remember the last seconds. Once he did so, he laughed.

‘It is so easy to think that one tiny mistake could cause a man’s respect, but these men—together with me, may I add—have been through a lot. We are a family, sweetheart, and family isn’t so easy to get rid of. No matter how hard or often you try.’ His dark eyes pierced through yours. ‘So, I hope you do not set your hopes on a mutiny too high because that just won’t happen. If my men wanted to get rid of me, they would have done so long ago. 

‘I’ve made much bigger mistakes that could have cost me my head, yet…’ he knocked his knuckles on the side of his skull, giving you an almost apologetic expression, indicating that he was still present and accounted for. ‘I’m sure they’re all aware of our little problem by now. Hell, it’s their fault, but I don’t want to vex them with this. They have enough work on their plates.’ 

‘So?’ You did not see the point of this anymore, not believing that he had no one in his crew that could help him right now. That would have been more helpful than you.

‘So,’ he mocked your inquisitive tone. ‘Out of everyone on board, you’re probably the last that needs a good night sleep–or at least can miss one.’ 

You wanted to argue with him, call him a monster for depriving you of simple decency such as a night’s rest, but then it dawned on you that he might have actually been right. While the floor gave you no comfort, you had, in a way, the luxury of sleeping as long as, and whenever, you pleased. Meanwhile, the crew got barely any sleep and then had to work most of the day to keep the ship afloat. That was a rationalisation of yet another lost battle, at least. 

‘Even if I did want to help you,’ you sighed in defeat, ‘how could I?’ You didn’t know how to steer a ship, let alone guide one back onto a correct route in the middle of the deep waters at night. Munson looked at you, still very much amused, and clearly held back his tongue with a comment on your words. Instead, he answered your question genuinely. Possibly doing so for the first time.

‘It is the middle of the night; the sky is clear,’ he spoke as if this all led to the most obvious of conclusions, ‘why not let the stars guide you?’ 

‘What makes you think I know how to?’ Did he think you had any experience in this field? ‘Well, I doubt you keep looking up there just because the stars shine oh-so charmingly.’ 

‘You do not think the night sky to be beautiful?’ You asked curiously. It would explain so much about the captain if he could not appreciate the simple beauty of such things. But, the man threw you in for a loop.

‘I do, but I also know it has many more functions than decor. You must know it too.’

‘I do.’ That was basic enough knowledge that you had picked up on as a young child, but was that it? Just because you were fascinated by the heavens did not mean you had any expert knowledge on the subject. Besides, where would you have even been able to acquire it? ‘And this makes you think I can steer us back on the right path?’

‘Call it intuition.’

‘And on the principles of your intuition,  you dare to put your fate in the hands of a…prisoner?’ You had never heard of such a tale for a captain to let his prisoner take the lead on the ship. Giving him their trust.

‘I think we are past such formalities, are we not?’ Were you? He must have read the doubt on your face, for he took the task of explaining: ‘You are no longer locked away; you have the freedom to go anywhere on this ship. I brought you a delicious meal—which I would still like to have received some gratitude for, but that is beside the point—and now I am asking you for your help. Some would say you are going up the ranks quite swiftly, princess.’

‘Funny, I do not recall you asking for my help at all? Just being locked away in a room for hours and given no choice but to do as you say.’

‘The pirate life!’ Munson spread his arms wide, slipping down into the seat of his thrown. You thought it would be futile to argue with him, seeing what humour he was in. The way he had just devoured the bottle of rum would not be helping your case.

‘Why me then? Why not do it yourself since you seem to know as much as me about the stars?’ You thought it would be easier and faster if he had done the work independently. It would already cost less time not to go through this discussion.

Like a thunderbolt, anger struck his face. ‘Because, I say so,’ he snarled before returning to his previous self, ‘and I thought you might like having something to occupy yourself with. Pushing around crates must become boring after sometime, does it not?’ 

‘How do you–’ He had seen what you had done with the lower deck. But… when would he have had the chance? You could not recall many instances, if any, of the captain coming down to see you after he freed you from your cell.

He pushed himself up from the throne and walked back over to you. Then, he began walking in circles around you, and you tried to keep up with him, but it quickly strained your neck. ‘Yes, I know all about your organizing down there. And about your inquiring nature.’ He nodded over to the desk you had tried to pry open. Something must have given it away. He clicked his tongue.  ‘Remember whose ship you’re on, darling. There is nothing that goes by around here without me knowing about it. If you do something, it’s because I let you do it.’

‘I hardly believe that.’

 ‘Well, believe this then: on any other ship, you could have gotten into a lot of trouble if someone caught you going through another man’s things—’

  ‘Don’t try and tell me all of that is yours. I know you stole it off other ships.’ You rolled your eyes. Munson played a victim, placing a hand over his chest, pausing in front of you with his big eyes, imitating hurt. 

‘Some of it very well may be. This,’ he flicked the collar of the shirt you were wearing, ‘for sure is.’ His fingers grazed at your skin, brushing over your throat hastily. ‘I could have you hung, you know. Or at least take off a few fingers.’

‘I doubt it considering you need me in one piece if you want my father’s money.’ 

‘Did you know there are hundreds of other man out there who’d pay double for a pretty face like yours?’ He waited for a crack to reveal the fear on your face and didn’t say anything until it showed. ‘Not to mention, I would not be risking arrest with them. Luckily, I am a man of my word. So, to your daddy you shall return.’ He reached for your shirt collar again, flattening it out carefully with a smile that could make you forget any of the horrific things he had just spoken of. ‘As I was saying, darling… I have a feeling you’d rather not end up like the other dirty thieves, so be a doll and prove to me that there was a use in letting you out of your cell after all.’ 

There it was. The reason for all of this. This was your punishment. Or some kind of redemption. He caught you going through his belonging, and now you had to pay for it— and pay with performing something you already felt to be impossible. 

 With him standing in front of you, hand still on your shoulder, you looked him directly in the eye. ‘How long do I have?’ 

The captain puckered his lips in thought and looked out the window. ‘As long as you can make use of the stars. Then I would really like to get back on course.’

Until sunrise, however long that could be.  You had a few hours to find your current location and a path back to where you were headed. 

‘What if I can’t do it?’ you pushed the question out of your tightening throat, scared of what the answer might be. 

‘That is no mindset for you, princess.’ He brushed some hair out of your face. ‘You’re too smart for that. Now go on; no need to waste even more time.’ And with that, he set you on your way. Or, more accurately, he let go of you and made his way to the bed on the opposite side of the room. In the meantime, you felt like your feet were nailed to the ground, unsure of what to do next, scared of taking the wrong steps. All you could do was look around as if the answers were hidden in the cabin. It had not even been a minute, and you could feel your heart getting stuck in your throat, panic setting in. To give up had never been a feasible option for you before, and it still pained you to think of doing it, but the words were ready to leave your mouth. You win. Your lips parted, and your vocal cords croaked when you noticed something. 

The letters were partly worn from contact but still reflected in the light. Either way, it wasn’t so much the letters that spoke to you, as you could not clearly read it from a distance, but the symbol above it. A golden star set on top of a leather book spine, winking at you in the fire.

Now with much more confidence, you took the needed strides towards the bookcase. It was pitch black leather, wrapped in a string to keep the delicate pages together. The book was situated on a lower shelf, pressed between other volumes, making it hard to remove. 

‘Need help with that, princess?’ Munson sounded from behind you.

Instead of responding, you pulled at the book again, and this time, it fell out from the shelf with a stir as a pile of books near it moved about. Still giving no reaction to the words spoken, you got up and moved to the desk, unwrapping the tie from around the covers and letting it fall open in front of you. The pages were nearly pristine, the ink dark, as if it had never seen the light of day. This ink depicted excellent illustrations of creatures and men. 

Despite being ignored by you, for once, the captain kept his distance and let you work while you searched for the correct pages. You could tell from notes that this was definitely the book you needed, as it told you everything you had to know, but the writing was small and not always legible. The pages were thin but rough to the touch. The writing was small, fitting as much information as the writer could cram between the covers. Most of it felt familiar, bringing you back to tales you had heard from your father or the governess. But navigating oneself with the stars' help required much knowledge and skill you still needed to possess. 

You tried to focus on it as much as you could, and yet, despite the silence and the space between you, you couldn’t stop glancing his way. The captain lay on the bed, his head toward the door, facing you. Each time your eyes met, you pulled yourself away from it, returning to the words and drawings on the pages, but you could constantly feel his gaze on you. It was unnerving. It was as if he was standing right there in front of you.

‘I promise you, I will be more effective if I do not have to endure your constant breathing down my neck.’ Maybe it was your surprisingly peaceful few hours in solitude on board, the tankard of ale streaming through your blood, or even the overall situation placing the captain in a new light, but you felt bold. ‘So, will you please stop staring.’ You looked up, not even surprised to see him still looking directly at you.

‘What would you rather have me do, darling?’ he asked, almost affectionately… though that could not possibly be what it was.

‘For you to leave, and do not call me darling,’ you dared to express. 

‘You want me to leave my own quarters?’ He raised a brow in humour. 

‘Yes, that is exactly what I want,’ you explained. 

‘Ah, well,’ he threw his hands up, rolling his eyes, ‘if it is exactly what the lady wants, that leaves me with very few options, doesn’t it?’ You watched him walk towards the door, perplexed at the ease with which he moved, …just to swerve around and lean against the door. ‘Oh, no, I suppose it doesn’t.’ He shrugged. 

You did your best not to pay attention to whatever the captain was doing—which, in that instance, seemed to be humming some song. You did not recognise it, nor did you have a need to learn it. Especially since, at this moment, any sound from him boomed in your ears like a canon. 

‘Must you be doing that? I am trying to concentrate for your own ship’s sake, if you do not recall.’ 

‘Apologies.’ He stopped, but the energy transferred into his legs, which shook his whole body with them, only softening the sound slightly, but the creaking of the wooden panels underneath him wasn’t much better. You couldn’t do this any longer. 

The only thing on your mind was frustration as you slammed the book shut, picked it up and walked towards the door. The captain took one smooth step to the side and, when you pulled at the door handle, had expected it to remain in its bolts, but it opened so quickly that your slight pull was enough to throw you sideways. The night darkness welcomed you together with the cold sea air and confusion.

‘How long has this been open?’ You did not want to look at him and did not need to. You could tell what kind of smile he wore and how he must have enjoyed this moment as he answered. 

‘Ever since I came back, princess.’ You could have left any time. You just took a deep breath and counted to three before turning his way and calmly saying something you had thought ever since your eyes fell upon him.

Well, at least better late than never. You stepped out onto the quarter deck without closing the door behind you. A man was half-asleep at the wheel, his entire body leaning on it. Luckily, someone had blocked it, avoiding the ship sailing in circles. 

Besides the sleeping helmsman, no one else seemed to be above deck, most likely in their beds as deep night had arrived. There were no lights besides the fire lit in the captain’s office, so you let the darkness take you as you walked down the stairs…. But midway, as the light from the captain’s cabin remained in the distance, you realised your mistake. 

‘For Heaven’s sake,’ you muttered under your breath and turned back around, climbing the steps, ignoring the burning hatred you felt in your body. Then, with an exaggerated sigh, you trotted your way back in. While your steps felt heavy, protesting your return into the room mentally, it was strange to walk so freely without all the layers your dress consisted of. With only a shirt over your upper body, you could feel each punch of the air on you, but in a strange sense, you welcomed it. 

But stepping back inside, you felt your body heat up again, mainly from embarrassment rather than the soft fire lighting up the cabin. It had not even been a minute, and you were passing the threshold again. You had not expected, nor wanted, to have returned so soon. If luck was ever in your favour, you would never see the interior in your life again, but, unfortunately, there was no escaping from this room for you, as you seemed to be coming back no matter what.

‘Back so soon, princess?’ In the short time of your absence, Munson had returned to the bed and tilted his head at your entrance, grinning, ‘You must have missed me more than I thought.’ 

You scoffed, ‘for your information,’ and grabbed a lantern on a dressing table closest to the door… which was still too many steps inside for your liking, ‘I am simply gathering some light. It is too dark outside, I cannot read what's on the pages.’

‘Ah. Is that all then?’ he asked, returning his head onto his pillow, closing his eyes as if he was ready for sleep, ignoring his clothes and the stoic position in which he lay. But as you moved around the cabin, he had opened one eye to look your way. ‘I’d suggest you take a jacket, princess. It can be quite cold out there.’

‘You could have made a fine gentleman, Munson.’ You held your head high, not looking at him. ‘It is a shame you let yourself deteriorate at sea like your ship.’ 

‘That actually almost hurt me, darling. I’m impressed.’ He chuckled, eyes already closed again. With nothing else to say, you passed the large wardrobe and walked straight out of the room. Once again, you walked down the stairs, celebrated when your feet touched the last step and walked onto the ship's centre. Along with the crashing of the waves, you could hear each of your footsteps. 

Something must have been in your favour, for the sky was without a cloud and in the darkness of the ship, you could see millions of stars twinkling. The moon was still but a sliver. It brought a similar-looking smile to your face. 

You searched for the page you had deemed the most useful beginning and spread the book in your arm. Now, with the book open in your arm, with the flames lighting the pages from above, you gazed up at the stars. After a short moment, this position would not be possible to uphold. The two objects you held were too strong to keep up in the air. Remaining as calm as possible, ultimately pressing the captain out of your mind, you reread the pages. 

To navigate through the stars, one must first find Polaris—the brightest star in the sky, right at the end of the Ursa Minor. The sky was clear, handing you the constellations on an onyx platter. The silver balls of fire were peppered around like crystals, gleaming and shimmering, but without a doubt, there was one that shined just a little bit brighter, calling to you with the direction of True North.

You had heard men talk of these methods at home and aboard the Red Tail, and they had always sounded relatively simple. If anything, you considered their constant complaints simply a part of manhood. Now that you were straining out your neck to look around at all the corners of the galaxy, you still did not think it to be much more complicated and so knew that the captain could not have felt any other way. 

You had figured out his plan to punish you, and now the rationale behind this specific task came to you. It would not have been unexpected if he tasked you with this hassling job simply because he was too much of a sloth to do so himself. There was still a dim light in the office quarters, so you assumed he had not gone to sleep yet… or perhaps fallen asleep with all the candles still flickering. For a moment, your mind wandered to where the candles tipped over, caught some of the wood around, and never stopped burning.

Just for a moment, until your lantern started to feel hot against you as you held it too close. It felt so heavy.  You had to set it on the ground, then sat down beside it with the book in your lap. 

Some time passed, but who knew how long precisely you had been sitting out there. Your knees had started to hurt, as well as your spine, but giving up was not an option. The ship swayed back and forth against the waves, blurring your view, only making things more complicated. The wind kept lashing out, but you persisted, trying to calculate the ship's position, flipping back through the book to the pages on which a map had been etched out. You would do this if it was the last thing you did. 

‘I will be done by sunrise, ’ you shouted as you heard footsteps behind you. The jingle of chains could have only been one person. You wiped some hair away that the wind blew in your face as you felt the captain’s presence behind you—like a deathly spectre hovering over you. ‘I– I promise.’ You said so more to yourself. Because while you had to prove yourself to him to live, you needed to prove to yourself that you could do this. You would persist and manage to find a way back home. 

The captain said nothing; he did not linger around, watching you. The only thing he did, was throw down a large coat onto the ground, which fell onto the floorboards next to you with a thud. You blinked slowly, then turned around to him, but he was already returning to the cabin. 

‘It will all be pointless if you freeze to death.’ And with that, he took his last steps and shut the door behind him. The light in his room immediately blackened, obscured by the stained glass in the small door window. 

You looked down at the jacket. Like all those the captain wore, it was black but heavily layered. Decorated in what seemed like hand-stitched gold but not in any fashionable manner. The stitching was uneven and needed a clear pattern. The sleeves were falling apart but tied together with what once must have been a silver necklace. Several of them, even. You glanced once more in the direction of the captain’s cabin before putting the coat on. It swallowed you up but immediately brought over a sense of comfortable heat over your body. The soft material protected you against the wind. Now not feeling like your bones were becoming icicles, you began to feel some pleasure in the whole thing. As you kept working, you slowly forgot why you sat in the middle of the ship and let yourself be emersed by the stars. Being out there on your own was actually freeing in a strange sense. The darkness locked you out of your extended surroundings, placing you virtually anywhere.

Well, not anywhere. The constellations held the password to where you found yourself, and you would decrypt it anytime now. 

But first, you needed to stretch your legs. The cracking of your joints was enough of a sign that you had sat on that floor long enough. With the lantern in hand, you walked in circles around the ship. The light swung in motion to your steps, in motion to the waves. When you looked out at the sea, you were greeted with two moons. One hung still in the sky while her sister swam in the waters. Mirrored images of each other, smiling and frowning in both directions, but never in reach. Conflicted, perhaps or maybe they simply managed to show you bits of yourself there?

You wanted to say something to them as you stood there, but no words felt right. So, peaceful silence it was. However, the longer you stood there, the more of an effect you thought from the hours you spent on the deck. And there was still so much you had to do. But you could do it. 

Rubbing the sleep out of your eyes, you leaned against the railing, placing the lantern beside you. The yawn pushed passed your lips without a choice but plenty of resistance. If you stayed there, you would probably fall asleep soon, which is ineffective. So, you grabbed the light, and with your free hand deep in your pocket to keep warm, you returned to your star gazing spot. But not one step in your brisk walk back, you halted. A feeling of something cold and hard against your hand occupied your entire mind there and then. When you pulled it out, you were unsure what it was, but the mechanism must have worn out through the years because it fell open in your hand, revealing a rose. Its arrow pointing right at you. 

A compass. 

Your head immediately shot toward the captain’s cabin, but the lights had gone out, and there was nothing more to make out of the darkness. Your eyes shut into narrow slits. He had brought you his own jacket and must have known what was in it. 

The question now was, why? Why did he give it to you? Was he trying to help you by giving you this tool? Did he think you needed help to get anywhere? Well, you certainly did not. Especially when it could be a trap. The device could very well be defective and put you on the wrong trail, and then, if you were to give the captain the wrong directions, you knew he would not waste a second by punishing you. And this time, correctly. 

Still, according to your calculations, North was meant to be behind you, so in that, the compass was correct, but you did not want to risk anything. An instinct told you to throw the thing away, right over the railing into the sea. Let it sink and make the captain watch. Just like you had to watch, your own ship disappear into the waters. It would have been a small taste of revenge, but it was a start. 

The idea faded as soon as you shut the compass. You looked at the engraving on it—a detailed depiction of a bird–which kind, you could not quite tell. Perhaps a hawk… could it be… no, you doubted it was a Redtail. It could not be. The simple idea of that brought chills down your spine. How could Munson possess such an item; engraved with your town’s crest? 

And it was old. As you had noticed, the clip keeping the two halves together was tethering on falling apart from frequent use, and the window of the rose was cracked. The metal of the shell had finger marks faded into it from the usual position it was held in by hands much larger than yours. 

Not wanting to see it again, you pushed the compass deep down the pocket you had found it in. Determined to have the images erased from your mind by the rest of your task and the time pressure put on it, you retrieved your book. 

It was harder done than said.

As you stood there, book and fire in hand, spinning around to position the stars as you pleased, the tiny silver lights blurred in your eyes. But you were so close, you could not stop now, not when you were so close. Ignoring the burn of the compass at your thigh as your mind whirred with solutions. With North decided for, and with the latitude… no longitude— and if the charts were pointed this way— then, God, you could not keep this book up anymore. Your arm screamed from the weight of the pages. 

Back on the ground, you resumed your final observations. Flipping between the map and the charts, exchanging glances with the book and stars. Yes, if that was North, then… then… you checked the map once more, locating your home definitively. 

You did it. You actually did it. It could have been minutes, maybe hours; you could not tell with certainty how much time you had spent on the task, but as you shut the book, so did your body. You fell back onto the deck with a tired smile. It could have been the fatigue, but the stars shone slightly brighter for you, gleaming with pride. 

They also became blurrier. Your eyes turned heavy. But you kept staring up with a smile. At least, you do not remember ever stopping. Even if it is possible you fell asleep at some point, you could not tell at what point exactly. All you knew was that you dreamt. And for once, your mind was free of nightmares. As much as your world was free of them, at least. But it had to be a dream. 

How else would he appear out of the shadows?  Why else did you see him looking down at you; impossible to tell for how long. His features free of anger, mischief or bad intentions, unnatural. He stood there at the balustrade next to the helm. It was impossible to tell how long he had stood there in the dark. 

And his walk. It was utterly silent, free of chains or heavy steps. That could have been only your brain letting you rest. His touch was feather soft as he picked you up in his arms. 

You shouldn’t have stayed out here this long. He sighed in disappointment, but not in you.

You told me to— you mumbled. 

I know. The floor became unstable. You were floating in the air, rising up. Only his hold there to keep you grounded. The one time you should have been stubborn and not listen. Why did you not just go to bed?

I want to go home, Eddie. Why else would you say this if it was not a dream? You could never imagine yourself opening up to him this way. Let him carry you like that. And if you had, it would never feel this good or safe to be held by him. 

I know. He repeated himself. There was a shift. No longer in his arms, you were floating on a cloud, but his voice echoed around you. I’m sorry.

None of this could have been real. These could not be the words of captain Munson. But they still stayed with you as your dreams ventured on into other stories. All just as pleasant, the nightmares of all the nights before merely bad memories, never to be repeated again. 

I did it, you said quickly before he disappeared, to be replaced by your new figment. North East. Go Northeast.

Here is your final reason. The proof you had dreamt it all. A silent moment, full of hesitation. Then, a fluttering touch of lips on your forehead and a hand brushing your cheek gently. If this had been real life, you would have turned away and let yourself burn in anger, but instead, your lips formed into a smile, and for the first time in forever, you felt at peace. 

And just like that, like in any other dream, he was gone while your mind brought you to other fantastical places and told you stories you would not remember. It was a night of wondrous bliss, of rest. Filled with dreams as the stars watched over you. 

Only at daybreak did it all change. When the morning sun glowed golden through the large window. Only at that moment you began thinking that maybe, just maybe, you were wrong. Perhaps not all of it had been a dream, for when you woke up, you were not on the ship's deck nor down in your cell. When you woke up, you did so in a bed.

The captain’s bed, of all places. 

Chapter 5

thank you so much for reading!! if you want more of where this came from, check out my masterlist.

and please support your (not so) local creators by liking AND reblogging. I would love to know what you thought of the story, so please consider leaving a comment, or maybe an ask or even an anonymous review ;P

you are also more than welcome to join the Eddie Munson taglist. right here.

taglist:

@nope-thanks @seventhlevelofhell @luna-munson83 @hangmanscoming @blueberrylemontea-fanfic @vintagehellfire @raven-rust @eddiesguitarskills @taccobelle @imjusteddietrashatthispoint @lunar-corgimon

@spiderrrling @theglitterymess @dorianelizabeth @theletterhart @pastel-abyss-x @ghoulsgraveyard @lovesickollie @xbreezymeadowsx @meaganjm @mischiefmanagers @capybergara @brother-lauren @h0sh1verse @ghostlyreads @croweaterr @ladyapplejackdnd @bilesxbilinskixlahey @liltimmyst @hellfire-state-of-mind @escape-in-time-x @sweetpeapod @eddiemunsonbby @mydearzero @overthewhiteclouds @wroteclassicaly @celestialsxturn @hoe4eddiemunson @inanausomewhere @scoops-harrington @fluffyharrington

#eddie munson #eddie munson fanfiction #eddie munson au #pirate!eddie #pirate!eddie munson #au #eddie munson x reader #eddie munson x y/n #angst #eddie munson fanfic #eddie munson fic #eddie munson imagine #fanfiction series #eddie munson series #eddie munson writing #writing #fanfiction #fanfic #fic #imagine #pirate au

[dduane]

We're in it for as long as it takes.

If you want to know how to help our non-writer colleagues in the entertainment industry who're about to suffer collateral damage from the Big Media producers' mulishness and greed, perhaps you'd like to slide over here and contribute something:

These folks have been doing this work since 1882. It's good they're still here. @neil-gaiman's post over here sheds some more light.

Meanwhile, want my take (for what it's worth) on the WGA strike and what we're fighting for? Check the post here. Want to see some thoughts about how you might help, if you feel inclined? Read this post. It was off the top of my head, but on rereading it, the advice seems generally sound.

And now, on with other work that still needs doing...

(ETA: Unpinning this just for the next few days. But expect me to reblog it once a day or so.)

#WGAStrong #WGA strike

[questing-wulfstan]

Listen, I can't blame y'all when His Excellence Neil Gaiman hisself compared it to Dream walking out on his date with Hob to hit it off with Shaxberd upon learning about Eleanor and Robyn, but I feel like fixating on this interpretation only of the scene is a disservice to Morpheus' overall characterisation over the season.

Have you noticed how Hob calls "his friend" over to his table and that doesn't phase Morpheus at all then Dream doesn't even ask him whether he still wants to live before putting an end to their meeting ? It's unexpected from someone otherwise so strict and set on protocols ー even when he storms out in 1889, he already had Hob's answer to that question. Yet he leaves 1589 Hob without having formally asked the one question that justifies their centennial meetings.

That is because Dream knows, oh he knows what Hob's Heaven is like. He's had a wife and a son of his own once, and he knew what eternity by their side would be like, once. And he knows Hob has everything but Death on his mind then. He also knows ー or so he thinks ー what Hob's answer will be the next century. For Hob Gadling alone was granted immortality, not Eleanor, nor Robyn. And Morpheus knows what outliving one's son is like.

Morpheus' work in this tavern of the White Horse is done, but he's also taken back to the most traumatic event of his existence, one he won't recover from in two millennia and he can't look Hob in the eyes anymore, he needs a distraction, something, anything but having to confront his revenant grief. And there's that playwright loudly willing to strike a bargain with higher entities for the ability to create timeless dreams for humanity and there's his distraction, there's an escape ...

Comes 1689, Morpheus is certain of the outcome of this meeting. Sure, it will have taken the bugger three time the hundred years Dream had predicted Death, but no matter because it is true : nobody can bear an endless existence.

Then Morpheus learns about not only the expected death of Hob's son, but that it happened much earlier than it should have, devoid of a fulfilling lifetime for Robyn and of psychological preparation for Hob. Scythed in the prime of life, much like Orpheus. And within a close time frame to his wife's departure, too. Hob is holding up a mirror to Morpheus' own misery and the King of Dreams finds himself on the verge of tears. He is no longer smug as he offers Hob what he thinks of as an eventual relief.

Yet ... Hob doesn't take it. Somehow, somewhere, Hob Gadling finds it in himself to resist the tragedy of his life, to chose tomorrow, to decide that whatever the future holds, it is worth being there to see it.

And that is really when something kindles within Morpheus. No longer mere curiosity but a devouring fascination for Hob Gadling, his hopefulness and his resilience. He latches onto that man who shares his misery yet seem to have overcome it, or anyhow accommodated himself to it.

And when they meet again in 1789, and fortune has smiled upon Hob Gadling once again, Morpheus is much more open, much more attentive, much more interested. Who knows if he might not have given Hob his name even, hadn't lady Johanna Constantine interrupted him ?

By all means, Morpheus doesn't process their blooming bond. He's the anthropomorphic incarnation of the human or really, the living unconscious : there are numerous things passing through his mind at all time that he does not process. To him, he's merely monitoring the puzzling glitch that is Robert Gadling's will to live still, and waiting for him to eventually, inevitably renounce his immortality.

So when another century has passed and Hob asserts that their meetings are unnecessary for he won't ever renounce being alive but proposes his friendship, Morpheus is left reeling, faced with how much he has in common with this 'mortal' and his envy for Hob's resilience and capacity to forge ahead.

Naturally he takes flight and makes for an escape, lest he finds himself ensnared by his own grief ...

#sandman #netflix the sandman #dreamling #morpheus #dream of the endless #hob gadling #hob x morpheus #hob x dream #this is such a mess does it even makes sense ?? #anywho I've spent way too long writing this out #meta #which admittedly slid towards poetic flourish but meta nonetheless #sandman meta #userlyde

[albertonykus]

Works That Mention Birds Being Dinosaurs Where You Wouldn’t Expect It to Come Up

Feel free to reblog with any examples that you know of!

Note that my own selection follows these two requirements:

The work must explicitly use the wording that “birds are dinosaurs” (or an approximate equivalent), not only that “birds are descended from dinosaurs” or similar.

The work is not primarily intended to teach or reference topics in the natural sciences. xkcd and Dinosaur Train are great, but they don’t qualify under this requirement. (More general educational works that don’t specialize in science might count, however.)

Anansi Boys (2005) by Neil Gaiman:

“Birds,” Spider said, “are the last of the dinosaurs. Tiny velociraptors with wings. Devouring defenseless wiggly things and, and nuts, and fish, and, and other birds. They get the early worms. And have you ever watched a chicken eat? They may look innocent, but birds are, well, they’re vicious.”

The Order of the Stick, “Bird Brained” (2011):

Sesame Street, “When Dinosaurs Walked Sesame Street” (2016):

Doraemon, “雪と恐竜” (2017):

(I haven’t found English subtitles for this episode, so you’ll have to take my word for it.)

Over the Hedge for December 1, 2019:

#Palaeoblr #Birblr #Dinosaurs #Birds #Anansi Boys #The Order of the Stick #Sesame Street #Doraemon #Over the Hedge

[embracing-the-ineffable]

Good Omens, staying skeptical, and the mystery and the lie at the heart of Gravity Falls

-Neil Gaiman, 29 June 2023

I recently came across this post by @apathetic-revenant, which goes into extensive detail about a whole secret meta lie generated by Alex Hirsch, creator and head writer of Gravity Falls, midway through the show.

It went like this: the show was very focused on mysteries, codes, ciphers, etc, and early on a character discovered a mysterious journal with an unknown author, and this drove the plot. There were clues placed in the show so that people could solve the journal author's identity, or more probably so that it would all make sense in hindsight after the big reveal. However, the show ended up with a larger-than-expected fandom who started organizing online in a way the creators hadn't expected or planned for, and they were worried everyone would collectively solve the mystery too easily, too soon, and the suspense and appeal of the story gradually unfolding would be lost.

So they took a fake BTS photo that appeared to reveal the journal's author and "leaked" it online. To give it credibility, the show's creator posted "Fuming right now" and then deleted the post soon after, once they were certain it had been seen and screenshots taken. The Gravity Falls fandom then stopped trying to solve the mystery, as they believed the answer had already been revealed. It was a solution "targeted toward delaying that group problem-solving, without actually affecting the experience of any individual person watching the show."

Ok, Good Omens fandom. Are we Gravity Falls all over again? Are we also experiencing meta lies?

Is it possible that Amazon's marketing department has just released a new promotional video about Aziraphale & Crowley's "timeline of interconnectedness" (discussions here and here ) where they honestly:

got several of those timeline dates wrong, including labeling the entirety of seasons 1 and 2 as belonging to the same year?

mixed all the season 1 and 2 clips together so they're completely interconnected and out of the order they were presented to us so far?

didn't consult with Neil Gaiman for even a moment to be sure they had their facts straight? (Or literally anyone else who's spent years working on it? Or even someone who has just watched it once while paying attention?)

didn't understand the way most series tell a story by moving through time in a realistic linear fashion?

When Neil said today that "time is fine" in response to questions about the timeline of interconnectedness video, was he trying to misdirect the fandom away from the mystery that's clearly hidden throughout both seasons (and especially season 2)?

The Good Place seems suddenly more relevant than I'd imagined:

Neil has told us that his Tumblr posts aren't canon. He's also said:

"Never trust the storyteller. Only trust the story."

"Writers are liars, my dear, surely you know that by now? And yet, things need not have happened to be true. Tales and dreams are the shadow-truths that will endure when mere facts are dust and ashes, and forgot." -Both quotes are from The Sandman [link]

So here's my plea to whichever part of the fandom might read this: Stay Skeptical. It's wonderful to talk to Neil about his characters, the worlds he's created, his writing process, his views on world events, his sense of humor, his kindness, his compassion and empathy, and his good advice & encouragement for the entire range of the human experience. I respect him very much, and I'm thrilled he's here on social media talking to all of us. (Except he doesn't have social media, obviously. He's like Schrödinger's Social Media Neil-cat.)

I'm looking forward to all the surprises I'm certain are in store for us (and Aziraphale and Crowley) in Good Omens season 3. I trust Neil (and Terry!) to deliver our beloved characters to a very satisfying ending. But I don't trust Neil to honestly answer all of our questions on social media - and neither should you.

Especially not when he's already blamed obvious season 2 changes to the Bentley on the "lighting" (as just one example).

With lots of thanks to the members of the @ineffable-detective-agency - including @bbbitchvibbbez, @kimberleyjean, @maufungi, @noneorother, @theastrophysicistnextdoor, and @thebluestgreen for all their excellent fact-checking, ideas, and discussions!

Interested in diving further into all the Good Omens mysteries? I have more posts plus Clues and metas from all over the fandom, here.

#ineffable mystery #stay skeptical #meta lying #writers are liars #we're all detectives in this fandom #ineffable fandom #good omens fandom #good omens #good omens meta #good omens analysis #good omens speculation #good omens theory #neil gaiman #neil gaiman quotes #gnu terry pratchett #terry pratchett #gravity falls #alex hirsch #amazon prime #amazon marketing #good omens season 3 #good omens season 2 #good omens season 1 #aziraphale #crowley #south downs cottage #Schrödinger's Social Media Neil-cat

[cobragardens]

Can I just say how much I love Neil Gaiman's characterization of Jane Austen as unlikeable? I can't get over it.

I mean I think we all agree that Crowley is generally a pretty sharp judge of character. So the fact that he didn't like Jane Austen does leave one with the suspicion that she was, as he remarks (with grimaces of distaste!) a piece of work.

You have to understand. The British fucking LOVE Jane Austen, especially the English. She's one of the jewels in the crown of the like eleven good things the Empire ever produced that weren't built directly on the crushed bodies and stolen lives of their own or other peoples, and they know that and trot her out whenever possible. They're fanatics about her. They've put her face on the £10 note.

A badly sculpted and painted 2x-life-size concrete statue of Colin Firth as Mr Darcy--specifically, Mr Darcy in his rain-saturated transparent shirt--toured the country c. 2013, ending at the stately home used for the exterior shots of Pemberley. I got to see it. It was everything and worse you might expect from a twice-life-size concrete statue of Colin Firth as Mr Darcy in a wet shirt.

They sank it to the thighs in the ornamental pond. It was visible from a surprisingly large percentage of the the windows of the estate, adding an ambience to the finely appointed rooms that only a badly painted 12-foot statue of Colin Firth as Mr Darcy in a wet shirt could add.

Anyway my point is that while retconning Jane Austen as a spy/smuggler/jewel thief is the kind of Steven-Moffat style Strong! Female! Characters! sexism move I would expect of a male writer in his 50s (on its surface only--I understand the thematic reason for the choice), making her unlikeable?? Fucking ICONOCLASTIC. Totally saves it. It may be my favorite weird little touch in a series stuffed with weird little touches.

#good omens #good omens 2 #good omens s2 #good omens jane austen #jane austen #neil gaiman

[copperbadge]

I had a very successful and entertaining day today, as you guys can probably tell from the posts I made. There's a few more queued posts of stuff I didn't get to post in-situ, so enjoy that!

Some anecdotes I did not post about from today:

-- I can't remember the last time I queued for a museum. Mostly because if it's not one of "my" museums, like the Field or the Art Institute where I know the best ways in, I'm attending on a weekday deliberately so that I am not amongst the crowds. The line to get into the British Museum was a full block long, but to be fair it only took me ten minutes from opening to get inside. I was mostly amused by the people who a) didn't understand how museum entry works or b) didn't understand how to stand in a line without also blocking foot traffic on the rest of the sidewalk.

-- Almost got in a fight with someone, a definite first for me in a museum. I got salty with a guy who touched a sculpture when he knew he shouldn't, and he got up in my face, and I think genuinely the fact that I knew what the sculpture was called and he didn't confused him so badly he backed down. So if you're looking to defuse a situation via confusion, the phrase "Hey, don't fucking touch the Lamassu and we won't have a problem" worked for me.

-- The British Museum is great but among other issues (looted objects, weird relics of museum-specific imperialism, etc) it does suffer from poor display design in places. I'm okay with that, I kind of like old museums that are a little fucked up, even as I acknowledge that old fucked-up museums also have old fucked-up messaging. They appear to be trying on that front, but they could use a display placard overhaul. At one point I found an object in a case that appeared to be a carved human leg bone, and while I'm not a Bone Specialist there was also absolutely no placard about the bone at all. (I looked it up in the collection later using other objects in the case as reference, and it's just noted as "bone".)

-- I did have a great time overall; I saw most of the museum and then had a fancy meal, as documented. I was especially pleased to get to sample their coronation chicken since I collect tastings of coronation chicken, and I think they either used molasses in it or the bread had some, and either way it's grist for my mill as I start to develop The Chicken Salad War. After lunch I went on the hunt for a few last things, but I could feel myself getting tired and Becoming Unmedicated so I decided to leave a little early, which was the right choice, and gave me a little time to do some exploring.

-- @neil-gaiman did a post a while ago about stuff to see in London which I saved, and while I mostly planned my own journey, I did stop at Atlantis Books on his recommendation, which was well worth it. The woman working the till left me alone until I was ready to buy my book, then praised my choice (always a good move) and made a few minutes' small talk about my visit from America while she was ringing me up. Also I have never seen such a variety of Tarot decks for sale in my life. It was extremely impressive given the entire shop is roughly the size of my bedroom in Chicago.

All in all an excellent day out in London. Tomorrow I'm traveling to meet up with a friend, so probably fewer photos, but day after tomorrow I'm bound for Amsterdam so expect Rijksmuseum photos! I did not get into the Vermeer exhibit sadly, but I still want to see the museum and I'm on a quest for freshly made stroopwaffels and authentic gjetost, so I'm excited for the journey. I thought this trip might be one small anxiety after another -- would I be okay on the plane, would I get on the right trains, etc -- but I'm feeling more confident now, and I think between my early-bird tendencies and the ADHD meds I kicked the jet lag pretty quickly. I'm off to bed in a few, because tomorrow is an early day, so I guess we'll find out then how much I really kicked it....

#sam travels #the cheese tour #british museum

[avelera]

I'm genuinely curious why a Lucifer!Crowley fan theory drove you up the wall? I mostly want him to be a nobody just bc I'm tired of "oOoOh the nobody is actually Somebody!!" twists, but I saw a meta yesterday that had me at least considering Crowley might be Lucifer 🤔😆

That particular theory drove me up the wall because it proliferated despite both Word of God evidence AND in-story evidence that was flat out against it. I’m all for fun headcanons but I’m just enough of a pedant that it sets my teeth on edge when a headcanon is contradicted by both the text AND the author.

- Neil flat out said that Lucifer and Satan are not separate people in the Good Omens universe. So the theory was already dead before he killed it again with this new ask.

- Crowley refers to Lucifer as a separate person. He’s not referring to himself or as being one of the “guys”, in context he’s clearly talking about a separate group and it’s needless conspiracy mongering to try to twist those words. The context was incredibly clear and it required willful blindness or perhaps unfamiliarity with English as a native language and its accompany tone to think Crowley was including himself in the group or referring to another person calling HIM Lucifer. He was clearly saying Lucifer is over THERE with the guys and I’m walking by them and then joining their table because I’m bored. Ergo he’s not Lucifer.

- Satan is a character in Good Omens! He was Adam’s father! He appeared on screen! He was voiced by Benedict Cumberbatch! I’d understand the theory if we never saw Satan or Satan’s identity and whereabouts were a mystery but they’re NOT. Crowley is not Satan! We’d know if he was Satan! We saw Satan! It was a whole big thing, the climax of Season 1! I get it if most GO fans care more about Crowley than Adam but it definitely happened in the text and on screen!

- And since Satan and Lucifer are THE SAME PERSON as is the case in the MOST popular perceptions of Satan and Lucifer if you don’t delve into truly obscure angelic and religious apocrypha, that means he’s a separate character from Crowley!

Like I get it, it’s a fun theory and a great premise for a fanfic that’s focused on Crowley but my god, this theory COULD NOT be more contradicted in the text in every which way. The conspiracy mongering to make it work is truly mind boggling. I promise you in no religious comedy intended for a broad audience is ANY author going to make Lucifer and Satan separate characters in a story based on Christian mythology with an assumption that readers will expect it. That is something you clearly lay out in the story if it’s true and people should be theory mongering around it, the fact that Pratchett and Gaiman didn’t is because it’s not true and because 99% of laymen ie, their audience, thinks of Satan and Lucifer as the same entity. It would be BAFFLING for most audiences not steeped in obscure Christian religious apocrypha to make them separate and if you did it would be clearly stated at SOME POINT, ANY POINT, IN THE TEXT.

For fuck’s sake, Crowley isn’t Lucifer! And I’m glad Neil murdered this theory dead!

#Crowley is not Lucifer #good omens #good omens meta

[folksaga-if]

“It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit.                                                                                           Listen."

                               - Neil Gaiman, Norse Mythology

You are a human. A totally normal one.

Honestly.

You’re a human. You’re a bartender, which is a very normal job for a human to have, and when you walk down the winding streets of Akureyri you can blend seamlessly into any crowd of people which is, without question, only something that a human could do.

The fact that you came here two years ago with nothing but the clothing on your back doesn’t mean anything; you’re hardly northern Iceland’s first wayfaring soul. That you had no money to your name, no friends or family to speak of — that’s a fairly average human thing, too. And that little craving you have, that quiet urge to dig your teeth into any passing stranger’s throat? It's completely, entirely mundane.

It’s manageable. You’re managing.

Or you were, until someone — someone who's decidedly not as good at this human thing as you are — begins leaving a trail of dead bodies at your doorstep, and a trio of god-like siblings take a seat at your bar.

(Ragnarök might have marked the end of the Norns, but that doesn't mean your fate died along with them.)

MAGNI THORSON .

No doubt the mightiest of his siblings, the eldest child of Thor is exactly the sort of person you would expect him to be: a giant (half-giant, in fact) asshole with a smoulder and a knife-sharp jawline to match. He’ll match your every word with a cocky grin and a joke that’s nowhere near as funny as he thinks, and he’ll look every inch the prince that he is all the while.

(Well, the prince that he was. Just don’t let him hear you say that.)

MODI THORSON .

For the supposed embodiment of his father’s wrath, the God of Thunder’s second son is surprisingly…not that. He’s no picnic, mind you — he’s broody, he’s secretive, and he's fucking intense, but that hardly equates to fury incarnate. You’re sure there’s something hiding under that moody surface; whether or not you want to uncover it is a different story entirely.

(Looks like even gods aren’t immune to middle-child syndrome. Who knew?)

THRÚD THORSDÓTTIR .

Valkyrie, seidhr, paragon of strength — with all of her mother’s best traits (and a few of her father’s worst), is it any wonder that Thor’s youngest child was also his favourite? Smarter than her half-brothers and more likeable by a longshot, you might find yourself forgetting how easily the fortune-telling goddess could break you in two. You might, but she’ll be happy to remind you if you do.

(Maybe a little too happy, in fact.)

KATLA B̶͍̏L̸̝͑O̵̟͠M̴̳̓Q̴̯̔V̵̺͆I̷̗͛S̵̠͒T̸̬̒ .

A fellow nomad and your coworker at Black Thunder, the first friend you made in Akureyri has remained your closest. Mischevious, magnetic, and often up to no small amount of trouble, there are times when you think you might know Katla better than you know yourself. You even know about her…well, you know that she…sorry, what were you talking about again?

(It's just that it’s nice, being close to someone who’s so very human.)

THE MARE .

There’s a voice in your head and a shadow in your dreams, and they’re telling you to run. You probably shouldn’t trust them.

(…Right?)

Customize your monster character. New life, new you! Choose your gender identity, change your name, cut your hair, and remember: if you’re starting to grow tired of running from your past, try on a new outfit and start running faster.

Play as one of three runway creatures from Norse mythology — a cunning keeper of the forest, a charming warden of the lake, or a formidable guardian of the mountains. Each has its quirks (would you prefer a hollowed-out tree for a back, or webbed fingers and forearms covered in scales?), but they all have two key things in common: they’ll kill to protect their homes, and you’re definitely not one of them.

Choose your own fate, out of the countless that are presented to you. Had oatmeal instead of skyr with your breakfast this morning? You might have just brought about Ragnarök 2.0. Nice one, asshole.

Multiple romance options, with each available to pursue regardless of your gender or background. Ever wanted to kiss a god under a starry sky? Now's your chance! Or maybe you’re through with immortal beings and desperate to ask the pretty server on a date? Go for it! She’s definitely a human too. Totally. You’d be able to tell if she wasn’t. Wouldn’t you?

Save the world — or don’t. It's your choice, and isn't that what true freedom is all about?

Folksaga is inspired by The Edda, Norse mythology, and Twin Peaks, with a bit of tweaking to the myths as needed for the sake of plot. MC backgrounds have been adjusted to fit for all players regardless of gender identity, and creative liberty has been taken with some smaller points for a smoother storytelling experience. All changes will be explained in an FAQ post (too be added in the links below ASAP!)

The current demo consists of the prologue (introductory lore + character creation), which is about 20k words. I plan to post it in the next few weeks, after some edits + the completion of chapter one!

I expect it to be somewhere in the range of 600,000 to 700,000 words, but this is subject to change (and likely will due to my propensity for rambling text. oops.).

I’ve written  short and long-form original fiction as well as a lot of fanfic (say hello @ pentaghastly on AO3, and @kendallroynsfw on tumblr!), but this is my first IF! Bugs and coding issues may appear in the demo; please let me know if any issues arise during your playthroughs.

Folksaga is a work in progress. I would love constructive feedback when the demo is posted, as well as any bugs or grammar issues to be brought to my attention if I've missed them :) I would also love patience, because I'm a full time health care worker who gets sleepy lots xoxo

A Swedish farmer named Sven Andersson was executed in 1691 for having intercourse with a mountain nymph, or bergsrå. I will neither confirm or deny if his Wikipedia article was the inspiration for this IF, except I will confirm it and it definitely was.

MC ORIGINS | RO INTROS | demo coming soon!

#interactive fiction #interactive novel #interact-if #choice of games #choicescript #cog #hosted games #hg #interactive game #text-based #norse mythology #twin peaks #romance #mystery #murder mystery #folksaga-if

[so-i-grudgingly-joined-this-site]

“I tried so hard, and got so far, but in the end, it doesn’t even matter”:

The Awkward Meta-Tragedy of Neil Gaiman’s The Sandman

In which I thoroughly (over-) analyze the ending of this classic work in seven parts, with perhaps gratuitous references to 2000s pop music thrown in. The introduction and links to subsequent posts are below:

[Note: a link to a google doc containing the whole essay will also be at the end of this post, if you'd rather read it in that format instead of clicking links to the separate pages]

Introduction

                I was warned that Neil Gaiman’s book series The Sandman was a tragedy.  A post on tumblr, circulated not long after the successful Netflix adaptation’s first season released, warned new fans to not get their hopes up, to understand that the books were a Literary Tragedy to be taken seriously, and not to get carried away with fun cutesy shipping without the knowledge of what the source material would be like.  However, the post carefully, and helpfully for those hoping to avoid spoilers, did not say in what manner the books constituted a tragedy.

                So, when I first came to the end of the final installment of the series, I was shocked.

                This was not like any tragedy I’d expected.  And it felt… icky.  It felt incredibly, shockingly, pessimistic.

                Needless to say, massive, MASSIVE spoilers from here on out—you have been warned.  Also content warning for discussions of depression, suicidal ideation and suicide, mentions of misogyny, and mentions of transphobia.

                Also note that this isn’t intended as necessarily negative towards the original work, but more about the common fandom interpretation of it, as well as acknowledgment that, for better or worse, it is “of its time” and doubtless going to come across differently to a modern first-time reader.  Also, this is just my own interpretation, I’ve been told I tend to interpret things pessimistically, and I’ve only just read the books as of 2022, so I in no way position this as a definitive analysis, nor even necessarily a correct one.

Continue to:

Part 1: Tragic, but not a Tragedy… Unless you get weird about mental health

Part 2: Hob Gadling—How to win by doing nothing?

Part 3: “Façade”—So much foreshadowing, so little time

Intermission: A Midsummer Night’s Dream

Part 4: Damn Daniel, Back at it again with the (symbolic) white vans

Part 5: “It sure is exhausting always rooting for the anti-hero”: Should We Even Care?

Part 6: “I reject your reality, and substitute my own”: Maybe There is Hope After All

UPDATE: I have also written a "bonus chapter" of this, focusing on Season of Mists, HERE

Tagging those I believe interested: @duckland @roguelov @notallsandmen @lizajane2 @ambercoloredfox

@serenityspiral not sure if you want to read this before you finish the books, because this is literally about the ending and it might kinda ruin the experience if you're completely spoiled

@onehundredandeleventropicalfish I'm gonna be bold and tag you and hope I'm not completely wrong

#the sandman #the sandman comics #the sandman comics analysis #the sandman comics meta #neil gaiman's sandman #literary analysis #original post #my writing #masterpost #the sandman comics spoilers #sandman essay