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#ineffable mystery
melbatron5000 · 5 days
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The Big Damn Kiss
Buckle up, my fellow Good Omens Ineffable Mystery Puzzlers, Crackpotters, and Assorted Brainrotters, because I learned something HUGE yesterday.
This will be a bit of a long post, because I want to show you exactly how I got where I am. I want you to understand. I want to put all the naysayers to bed (ha! But I'm still gonna try), and settle this once and for all.
I know (almost) exactly what Crowley gave to Aziraphale during the kiss.
DO NOT TAKE ANY OF MY THEORIES TO NEIL! PLEASE!
Okay? Okay. Thanks. Shall we begin?
Ahem.
Firstly, whether you believe me or not, I am 100% certain that Crowley did, indeed, give something to Aziraphale in his mouth during The Kiss. I've covered that in the link previous. Okay? Okay.
I did not know what it was. I've now heard theories that it was a bullet (nope), a ball bearing (nope), hellfire (nope), and no one, NO ONE has suggested what I see. (If you have, hello! Talk to me!)
Here's our first foreshadowing Clue:
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And here's our next foreshadowing Clue:
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And the next:
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And our last Clue:
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With me so far? Well, that first GIF is a bit off, I couldn't find one of Crowley actually spitting out the flies. But he does. When Beelzebub first drags him to Hell, he actually goes "Pleaugh!" and spits out four or five flies. Edit: Found it!
Moving right along, we come to Crowley in Heaven with Muriel, looking at the trial. We learn two important things here:
One, Gabriel doesn't have a desk.
Two, Muriel does. Where they keep the records. And it's a bit lonely. Every few hundred years, someone comes and asks for something. Muriel can't access the sensitive ones, you have to be pretty high up. A throne, dominion, or higher. Like, maybe Supreme Archangel?
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So if Gabriel doesn't have a desk, whose desk is he at when he's getting ready to leave Heaven? Of course I can't find a damn picture of Gabriel at the desk, but it's Muriel's. Where they keep the RECORDS.
Gabriel puts his memory into the fly, then gets on the elevator to go to Earth.
Now, when Gabriel opens the fly with his memories inside, we find out that it's a container. Bigger on the inside. You can put thing(S) in it. The bit we see of him remembering is shot in two parts, one where he's flying down a red tunnel, one where he's flying down a blue. If you slow this scene down and watch, you can see that he is NOT looking at just his own memories. There is more going on here, more that he was not present for. @embracing-the-ineffable put up a great meta about that here. Go look!
Now I figured Gabriel must have taken something else. Something important. Something useful. Something he meant to give to Aziraphale, except he forgot.
I also figured he must have left whatever it was in the fly when he took his memories out. Crowley must have realized while watching the trial footage that Gabriel also grabbed something else. I don't know when Crowley grabs the fly, but he does. And that is what he gives to Aziraphale in the kiss. Why? Well.
I had no idea what Gabriel took until I started working on the chiastic structure of season 2. I'm not done with that analysis yet, but let me show you one thing that I have found so far:
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(The numbers are just to try and help me navigate the story and its events without time stamps)
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My note #357 of what happens isn't quite right, but when I saw the only two times Aziraphale says "I forgive you" are towards the beginning of Season 2 and towards the end, I realized I had something.
Rephrase line 357: Crowley's kiss is forgiven IN EXCHANGE FOR RECORDS.
(Not that I think Crowley's kiss needs to be forgiven. It's just what Aziraphale says, and had to say at that moment, because the Metatron was listening in.)
What does Heaven in Good Omens remind us of most of all?
A big corporate entity. And what do powerful people do when they get fired from a big corporate entity? They download all their emails while they're cleaning out their desks. Damning emails. Emails that can be used to black mail or even destroy big corporate entities. Or, ya know, maybe they swipe some sensitive RECORDS?
Oh yes.
Records that Gabriel meant to give to Aziraphale, but he forgot. Records that Crowley realized Gabriel had put in the fly. The fly that Crowley grabbed once Gabriel had his memory out. The fly that he gave to Aziraphale when he kissed him. The fly that no longer held Gabriel's memory, but did still contain those damning records.
Here's Aziraphale reading the records:
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Here's Aziraphale being horrified and outraged by what he's reading:
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And here's Aziraphale realizing he has got some GOOD DIRT on Heaven. Maybe enough to bring them down:
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That's it folks. I have no idea what the records actually say, and maybe we're not meant to know until season 3, but whatever it is, it's GOOD.
That's my story, and by God Herself, I'm sticking to it.
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somehow-a-human · 1 month
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Whose POV is it anyway?
An Introduction
DO NOT ASK NEIL ABOUT FAN THEORY
Cracking down on the storytelling of Good Omens season 2 through the lens of a changing narrator.
If you haven't read this interview with Good Omens cinematographer Gavin Finney, and you're interested in the fantastic dedication and detail that went into this TV show, definitely give it a read. Not only is it lovely, but Neil also posted the article with a caption mentioning that it's got so many secrets in it. Obviously that made me take a closer look.
I have already gone into a fair bit of detail about the different Lens Filters that Finney mentions in the article in a separate post and I will be referring to them quite a bit so if you aren't familiar with them I would suggest reading that first!
This first post is going to cover the basics of changing narrator/POV's and I'll be writing additional posts for separate episodes/minisodes/scenes since there's obviously way too much to cover in a single go. So shall we take our first look?
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It's no secret that something's a *bit weird* with season two, and there are SO many theories about it. I love to read speculation, metas, theories, and opinions, it's definitely fun but my personal ideas align more with the idea that we're simply being shown the events of season 2 through the memories of multiple narrators, different POV's, and it slightly skews the story, sometimes within one continuous scene.
I am also a sucker for a good multiple timeline theory but that isn't this post.
Lens Filters
As I stated above, I wrote a post about each of these individual filters earlier. What I didn't go into in that post was speculation about the filters. While I think they're pretty straightforward, especially the filter for hell (Black Pro-Mist ((BPM)), I think the other two have a bit more room for speculation.
Bronze Glimmer Glass
BGG was described by Finney as being used for 'bookshop scenes', but after S2 back numerous times and paying as much attention as I could to the lighting and colouring of the scenes, I think this is generally true but not always true. There are times when bookshop scenes seem to use a different filter, and other locations also seem to be shot with the BGG filter as well. I think BGG aligns with Aziraphale's POV. Or if Not Aziraphale, an outside-of-Crowley narrator? Based on the scenes (which we'll specifically get into in other posts) which BGG seems to be used, context clues, character behavior, etc, I think BGG clues us in that we're seeing, if you will, through Aziraphale's eyes.
Black Diffusion FX
BDFX was described as being used for 'Crowley's present day storyline' and fuck me, that's not ominous or weirdly phrased at all Mr. Finney! This filter definitely aligns with Crowley. Most of the time he's separate from Aziraphale it seems that this is the filter being used, and certain scenes switch filters mid-scene when he begins to go off on snarky Crowley-centric commentary.
Catch-22 & Herzog
The books on Gabriels bookshelf, great books obviously, but I think books that are also meant to give us context about the story. Pride and Prejudice is a love story about making snap judgements on someone's character, and coming to recognize somebody might be good despite their title or appearance. The Crow Road is a story about life, death, love, morality, mystery, and God. 1984 details the tragedy of Julia and Winston's attempt at falling in love while living under in a police state. You see my point?
That's why I wanted to touch a bit more on Catch-22 and Herzog specifically when talking about the possibility of changing narrators/POV's in Good Omens 2.
Catch-22 frequently switches narrator and the events described are often not necessarily sequential. This way you're getting information about previous scenes as the story continues, so while you're reading the book you're forming a more complete image of the events as the story continues from different characters POV's and iterations of the story. Sound relevant?
Herzog is the other book I wanted to talk about. To be fair I haven't read Herzog in full like I have Catch-22 but I pulled out my copy to reference and flip through a bit to remind myself. Herzog unlike Catch-22 doesn't switch narrators but the narration by the main character, Herzog himself, switches between first and third person throughout. When he is narrating through his letters, you get a deeper look at his thought processes and emotions. It also relies on flashbacks to bring context to the life of Herzog.
While these books touch on other elements that are relevant to the Good Omens story, namely Yossarian's relationship and views of God in Catch-22, the way these stories are told intrigued me for this context.
Crowley's Hair
Yeah I'm gonna mention the hair, because I think the hair is linked. Crowley's shorter sideburns, trimmed mutton chops in the 1827 flashback, and shorter Job wig seem to be clearly aligned with the BDFX filter/Crowley's POV as far as I can tell. I don't know if this means it's just another way to denote POV, but it seems way too consistent not to mention it. The longer sideburns, fuller mutton chops, and longer Job wig all match up with Aziraphale's POV or the BGG filter. My thoughts here are that his hair is another hint of who may be relaying the information to us, AKA is it internal or external. I am making my best guesses though and there are still some situations that I feel less sure about. For example, when Aziraphale takes the Bentley to Edinburgh and Crowley is in the Bookshop with Jim his sideburns are long, is it because he's remembering these scenes unreliably? Is Aziraphale imagining the events? Is it because Jim is present? A brief fluttering thought I toy with from time to time is the fact that in the before-the-beginning scene they are long, and what that means in context of the rest of the season.
S2 Promo Posters
Finally this set of season 2 promo posters showing the characters thoughtfully considering scenes in their heads just gives me a lot of these POV vibes.
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I'm planning on doing individual posts for specific scenes, episodes, and minisodes that require detailed breakdowns. I'll update this list with links as the posts are finished!
POV "Your 'Something's Wrong' Voice"
POV a Trip to Hell and a 25 Lazarii Miracle
POV a Companion to Owls
POV The Dirty Donkey & I think I Found a *Clue*!
POV Bodysnatchers & Cosplaying a bookseller
POV 1941
POV The Ball
POV The End?
Whose POV is it Anyway - a Conclusion
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commonmexicanname · 1 month
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Hey, so, remember this?
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Well, I re-watched Good Omens again recently, and noticed that Aziraphale's lips part open right before the camera cuts to Crowley by his car. Kinda similar to the bullet catch act. Here's the clip:
What are the chances Aziraphale mouthed something to Crowley here? Perhaps another, "Trust me"? More importantly, did the Metatron catch it?
Thank you @lickthecowhappy for letting me borrow the brain cell to make this.
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highlandwhackamole · 1 month
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A Grand(ish) Theory of What the Heck
I love the utterly unhinged, super detailed theories about what's going on in Good Omens, especially in season 2. I hope one or more of them turn out to be true, as some kind of glorious puzzle-box-hidden-code monstrosity. And also I think that there has to be a simpler explanation for things, for the people who are at least Somewhat Normal (tm) about this show. (... I assume such people do exist somewhere...) This is what I have been pondering recently.
The thing that started me thinking about this was this post, containing some promotional materials for season 2 that feature main characters with scenes in their heads. Like this:
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Seeing this created a very similar situation in my own head, but with a nice shiny lightbulb.
All the weirdness: the car, the sideburns, the clock, the behavior of the folks of Soho, the vanishing storefront signs. The absence of God. I think this is all because everything we see is in their heads.
I don't mean it's made up. At least not entirely. Memory is already a plot point. Why not explore it on a deeper level? I've read theories emphasizing the minisodes' stories being retold by Aziraphale and Crowley. I think the whole season is like that.
You know that sort of conventional-wisdom-fact-concept that you can only dream faces of people you've seen before (or variations therein), because your brain can't make new faces up? So it just fills in what it thinks is close enough? I think that idea, applied to remembering or recollecting things, could explain so many things that are wonky in this show.
Wonky Things
Crowley parking in an impossible London location? He definitely remembers it was in London, so his brain just stuck some obvious London landmarks in there.
Awkward clattering happening when Crowley throws the stacks of books he's inexplicably carrying around the bookshop? He wouldn't actually throw Aziraphale's books! But he'd like to think he's cool and nonchalant enough to do that, and if he did it would definitely make Some Kind of Noise.
Jim walking toward the bookshop from somewhere mysterious? Maggie and Nina saw him first, and he came from that direction, so he must've walked all that way. They don't know about the elevator in the Donkey.
Aziraphale remembers tartan hills and the Loch Ness monster because he was having a jolly time driving through Scotland, so obviously the scenery must've been whimsical Scottish things.
Nina put the Honolulu roast sign up, so she remembers its presence, but perhaps the occult/ethereal visitors to her shop do not.
Maggie really did text Aziraphale about the rent, but a note through the mail slot is a much more dignified way for a scholarly angel to imagine he received a message.
On the Fallibility of Recall
This season is loaded with unrealistic inclusions. The colors are turned up to 11. Some of the scenes are more caricature than believable interaction. Remembering things never copies or reproduces them with what one might call high fidelity.
Scenes recalled by separate memories will inherently vary. One person's hefty jigger might be another person's dash. Who knows for sure where the sun was that day? You and I might recall an event having different lighting or a different color palette, sort of like viewing something with different lens filters.
According to Neil, Crowley is an unreliable narrator of the story of his Fall. He labels the variations in clock times as a continuity error in a show where Everything Is Meant, but he doesn't say whose continuity error it is. He insists that the Bentley is the same through the whole season; maybe it was the same, but remembered differently. Maybe this is part of why there's more CGI but it's harder to spot.
So What?
Is this all there is to it? I sure hope not. I like my Good Omens with enough layers to put to shame an onion wrapped in a cake and covered in a parfait.
Is this possibly the fancy footwork that's distracting from the real magic trick? I wouldn't put it past Our Gaiman. There are a lot of things one could hide in the narrative of unreliable memory.
Is this going to stop me from rewatching and repondering and remaking theories for the next couple years? Not even at gunpoint.
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Hunting for Clues-with-a-capital-C, a meta of Good Omens metas, and GO fun!
*I'm adding to this list as I find new and interesting Clues and theories!
*This post version is dated 21 Apr 2024; the current version is pinned to my profile.
* I maxed out Tumblr's link limit! Here's the Google doc (which is due to be updated SOON with lots of posts I've reshared in the last few months...) with all the Clues, links, and metas I've collected from all over the fandom.
Below, you'll find a list of my original posts, most of which are filled with fact-finding, Clue-hunting screenshots that will probably leave you with more questions than answers! Several of these posts are also presented in partnership with the Ineffable Detective Agency:
Fanfiction:
From the GOMM holiday exchange: Cocoa and Fairy Lights, How to Fight Your Chemistry and Lose
GOMM 2024: Orbiting a Memory featuring a gorgeous illustration by @altonthebard
Fan Fiction Friday: The Universe Might Answer: Broken Moonlight
From the GO Song & Poetry Exchange: The Ineffable Dance
Good Omens Day of ✨Dance✨:
Learn all about my GO "Day of Dance" and get a link to all the fandom art I shared, here!
Time:
Gabriel's Memory Returns:
Plus, hidden audio in the memory tunnels?
The Appearing Sign:
Edinburgh and the Briefcase, presented by the Ineffable Detective Agency
The Bentley:
Crowley, Aziraphale, and the Statue:
Crowley's sideburns:
Crowley's sideburns aren't even consistent in the promo photos.
Extras Behaving Strangely:
Hawaiian Shirt/Pub Table Guy
Marking the Columns
The Demon in an Orange Hoodie
More Assorted Discontinuities:
When does Mr Arnold's shop arrive? After season 1, except Neil says it was in the 1970s
The disappearing textiles storefront
Season 1: First Wombat in Space (also, Bentley bullet hole decals)
The Clock and Other Furnishings:
The circular bookshop rug CHANGES?!
The Good Omens bookshop furniture changes between s1 and s2 (but NOT after Adam reboots reality!)
The Bookshop/Hospital Sink
The Opening Title Sequence:
The S2 Opening Title Sequence: analysis
Other Speculation and Questions:
On Neil's Tumblr asks, Staying Skeptical, and Gravity Falls
Finding hope for s3 and perspective for s2 in Neil's s1 podcast with David Tennant
The BTS parking ticket translation
Parallels with Nightmare in Silver (Doctor Who written by Neil) - multiple Crowleys?
Has Aziraphale been meeting with Floating Head Metatron throughout s2?
Would even vulnerable, heartbroken Crowley try to protect Aziraphale at all costs? A possible hidden transfer in the kiss.
I have questions about Nina and ESPECIALLY about Maggie...
Don't pay the guy with the blue glasses, he doesn't work here!
If you enjoyed my research, stay tuned for future posts, and take a look at my Google doc for even more Clues and metas from all over the fandom!
Some closing bits of encouragement:
A: "You just said it was the only way to prevent something terrible happening!" G: "Really? What?!" A: "I don't know!" G: "Well then, I expect it will be fine. Most things are fine in the end."
Neil: "Tell him that it will all be all right in the end, and that we are not yet at the end."
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kimberleyjean · 5 months
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Aziraphale's Illustrated Bible
There are a lot of interesting items stored within Aziraphale's bookshop and one I find fascinating is the bible (or bibles) that are typically on the stand next to his desk and which they use for the Job flashback/memory sequence. Here's what these books look like in episode 2 - the blue detailed folio, the beige folio held by Aziraphale, and this same beige folio when opened to Job:
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You might not have noticed yet, but there are several other images shown in this book in the second season! Often the book is out of focus and far from the camera, but some sleuths on reddit were able to identify the particular images being shown.
Let's take a look at those images and where they occur in the show. All of these images are famous illustrations by Harold Copping:
1. "Joseph knows his brethren" - Book of Genesis, Old Testament
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This image is on display in episode 1 and looks like this on camera. To spot it, I used the little telltale shadow that is created on the ground:
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The story of Joseph may be more familiar to you as "Joseph and the Technicolour Dreamcoat". I've certainly had to brush up on my bible knowledge myself, so please, if you know more than I do and I've gone wrong anywhere let me know. Joseph is rejected by his family and they believe him dead. He then gets promoted to a high-up position in Egypt. The image depicted is when Joseph is reunited with his estranged brothers and they don't recognise him at first (something which happens a lot in season 2!). However, Joseph recognises them and he pretends to be a stranger to them at first. Eventually, he clears the room and says to them "I am Joseph! Is my father still living?". I'm sure there is more to unpack in this story but I'll leave that for someone with better biblical knowledge.
2. "Jacob's vow" - Book of Genesis, Old Testament
This image appears in episode 2:
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In the episode, it first appears in the background looking like this:
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According to comments on the reddit post, this image could refer to "Jacob’s vow in Bethel, that’s when he promised to worship God if God took care of him, and it was the day after his famous dream about a ladder in heaven. It is generally a symbol of the link between heaven and Earth." Here is a quote from the exact passage: "Genesis 28:20 Then Jacob made a vow, saying, “If God will be with me, and keep me in this way that I am going, and give me bread to eat and clothing to put on, so that I come back to my father's house in peace, then the lord shall be my God. And this stone which I have set as a pillar will be God's house, and of all that you give me, I will surely give a tenth to you." We see a lot of emphasis on food giving this season. The Eccles cakes get offered to Maggie then handed to Crowley. Gabriel offers up lots of little snacks at the ball. The Metatron gifts Aziraphale the coffee. At the ball, we see people being given new clothes as well - is that what this could be referencing? Why do you think these particular images have been chosen?
3. "The Brazen Serpent" - Book of Numbers, Old Testament
What do we think of when we hear "serpent"? Anything snake-like refers to Crowley in this show, so that's where my mind immediately goes.
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This appears in episode 3 looking like this (partially occluded):
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The story is that God had sent fiery serpents to attack the Israelites for making complaints about God and Moses (no asking questions, no complaints? What kind of organisation is this? They really need to unionise). However, God seems to then have a change of heart and commanded Moses to erect a snake upon a pole, referred to as "Nehushtan", so that anyone bitten by the snakes can just look at this pole and they will survive.
We get some pretty wacky stories about God's fickleness in Good Omens, especially in the S2 Job flashbacks. Is this a reflection of that theme, perhaps.
4. "By the rivers of Babylon" - Book of Psalms, Old Testament
If you don't have a Christian background, you may be more familiar with the song than the story itself. From the wikipedia article: "The song is based on the Biblical Psalm 137:1-4, a hymn expressing the lamentations of the Jewish people in exile following the Babylonian conquest of Jerusalem in 586 BC".
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It appears in episode 5 and looks like this:
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One Redditor has explained it as such: "The rivers of Babylon symbolize deep grief and longing for freedom by people exiled from their homeland and doomed to live in captivity."
5. Closed Book(s)
The book also appears closed at times. Let's take a look at the scene where Aziraphale retrieves the book for the Job flashback. We see him getting out the beige folio and putting it onto the stand but over the top of an almost identical book. The only difference is that the Job one has blue detailing and the other is a plain/beige cover (seen here in this third image with Crowley, episode 6).
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So what is this other book? Well, looking online, it appears that Harold Copping's illustrated bibles could come in sets of two - one for the Old Testament, and one for the New Testament. All the illustrations we see in S2 are from the Old Testament, so why would the New Testament also be there? When explaining this to someone they mentioned that Aziraphale has a lot of misprinted bibles in his collection. So could they instead be two different versions of the same text - one with misprints and one without? I'd be keen to hear your thoughts.
6. Bonus Season 1 Appearance!
In Season One, we also see a Harold Copping illustration - Adam and Eve after the Fall.
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The book is in the same place inside the bookshop, as show in episode 1 (26:21) and episode 2 (51:40).
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Beyond supporting the themes of Good Omens these books are useful in another way too - finding discontinuities! If you are interested in the discontinuities of Good Omens S2, then please check out this post:
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lookingatacupoftea · 2 months
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Why do Aziraphale & Crowley go to the pub? 
There’s no obvious reason, right? They could have talked about the 25 Lazarii miracle and the Nina & Maggie love plan in the bookshop. Jim was obviously there for the miracle so he knows about it and its real purpose, and he was there for Aziraphale and the angels discussing the miracle strength and Aziraphale's lie. Later Crowley will do the awning-of-a-new-age plan in front of Jim, even before* he gets wine-drunk and protective and tries to get Jim to out himself as Gabriel. Jim also knows about the song he himself sang that Aziraphale performs for Crowley on the street outside the pub. 
There’s nothing that happens during the pub outing that Jim doesn’t know already except that Crowley is a sap who watches Richard Curtis films and/or fell in love under an awning (I think the latter). 
So why go to the pub, which is apparently not their normal routine? Am I missing something? 
If there’s a reason that doesn’t meet the eye, I’m thinking it’s one of the following: 
To ensure that Mr. Brown asks Aziraphale to host the shopkeepers meeting so everyone on the street will be inside the bookshop/embassy Thursday evening.
To show themselves together acting normally (or as normally as these drama queens get) to anyone watching.
To keep an eye on someone in the pub.
To make sure someone on the street overhears the song. 
This is a different timeline and some details are different enough that it necessitates having this conversation outside the bookshop. 
Am I missing something? Is there another reason for not having this discussion in the bookshop? Is this a ⭐Clue⭐? Or did Neil just want them to go to the pub? Has anyone addressed this? 
*Assuming time is normal (ha!)
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Gif by joannakramer
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Was Good Omens season 2 set during 2019? Who can say? Maybe Neil Gaiman, but probably not the Amazon Prime marketing department... (?!)
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From Aziraphale & Crowley's Timeline of Interconnectedness - released yesterday by Prime Video's YouTube channel.
They're also rather vague about some of the other dates, and scenes from the present day of seasons 1 and 2 are mixed together. I assume this is just weird marketing. Unless it's a Clue? 😅
Edit: Neil says "First time I've seen it and it seems to think Season 1 and Season 2 all happen in 2019, doesn't it?"
I'm going to file this under the "wibbly wobbly timey wimey" category of Good Omens shenanigans...
With thanks to members of the @ineffable-detective-agency for pointing this out!
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beaniegaebie · 2 months
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time for some tasty bonus detective content from my agatha christie easter egg/mystery post, explaining how i figured out what books they were
checking my work is extremely welcome so have at it brainrot gang!
(WELL i was gonna put something here about finally having decent screenshots, but now i look at them i think the highly cursed picture of my tv screen that i used originally is actually the clearer one? so fuck it, i guess Feralmode is the one true path)
anyways, onward to madness!
the book on top (on the right for rotated pics) was the slightly more complicated one to figure out so we'll start there, I've blocked out the gold lines dividing the titles to make it somewhat clearer-
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as you can see the middle title is just one line, so when we take a look at the whole set we can immediately rule out all but five of them-
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(this is the best pic i could find of all 24, still kinda blurry but the lighting on the gold is similar enough for a good comparison imo)
then taking into account that the top and bottom titles both have two lines of text, we're down to three possibilities-
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here it starts getting unhinged SO I've stuck some scribbles on our source pic to help give you some idea of the formatting; circles on the clearest spaces, and lines for the rough length of the lines of text-
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now if we'll focus on the top title first we see a smaller line on top that seems to be just one word and a longer line underneath that has one visible space, and only one of our three choices has a single space on that second line... BUT its entirely possible that there's multiple spaces that just aren't very clear so lets check out that bottom title to be sure shall we?
both lines are roughly the same length so we can ditch the book with "After The Funeral" right away, the space that we can see on the top line is fairly central so i don't think the "A" from "A Murder Is Announced" would give us such a long blob of gold (and i think the middle title on that one is too short to be a good match either) which finally leaves us with this bad boy right here-
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looks like we have a winner to me, but lemme know what you reckon!
and finally
the other book looks like it should be harder but you can narrow it down pretty quickly just by the arrangement of lines in each title-
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so first off we can cross out any that don't have two lines in all three titles-
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then, checking the middle titles we remove any that have either a top line shorter than the bottom line, or lines of similar length-
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next up, the top and bottom titles should both have a slightly shorter line on the top-
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and boom, the last book standing! but just to be extra sure, here's the side by side to check if it all matches up-
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and there we fuckin have it folks, the complete and utter shenanigans that i will apparently put myself through to find a single crumb of detail in this beautiful show
let me know if you spot anything I've missed or gotten wrong here and azi bless you if you've actually made it to the end of this mess 💚
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turiyatitta · 5 months
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The Infinite and Beyond
Contemplating Brahman and Para-BrahmanIn the profound depths of Indian philosophy, the concepts of Brahman and Para-Brahman emerge as pivotal ideas that transcend ordinary comprehension, inviting seekers to explore the very edge of cosmic understanding. Brahman is often described as the ultimate reality, the unchanging, infinite, immanent, and transcendent reality that is the Divine Ground of all…
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natasha-barton · 9 months
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Crowleys so cool crowleys so mysterious this and so hot that - Crowley is a hot fucking Mess.
He did not realize he felt romantic attraction towards Aziraphale for 6000 years ‼️ Crowley thanks cars when he crosses the road, his favorite tv shows are Golden Girls and The Good Place, he makes silly faces at his Angel, he doesn’t want to hurt people, he talks to his car and his plants, he’s down so bad for Aziraphale that he runs his their bookshop for a day, lets him drive his their car and follows Aziraphale around as he Does Shit and Crowley simply watches, smitten. Crowleys idea of evil is glueing coins to the ground and making a Big Road look like a sigil - how fun! He went to a Gas Station only once because he wanted James Bond Bullet Hole Stickers for the Bentley. His name and phone number are in a Call Center Database. He jumps at every opportunity to save Aziraphale. The Bastille in France? No problem let me just stop time for a few moments, Angel. A Church during WW2 because Angel wanted to do some Good but fell into the evil hands of Nazis? Sure yes let me just do a chicken dance down the the aisle because my feet burn because this is literally consecrated ground - what did you say? You don’t like my new name, Angel?☹️
Crowley is so silly and goofy, he’s a mess and most of the time definitely not suave. That Kiss with Aziraphale was most probably his first kiss ever. He’s not the sexyman seducing people throughout history you think he is
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melbatron5000 · 7 days
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More minisode connections:
Right here.
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All of the minisodes are on this matchbox.
The matchbox is from the Resurrectionist pub.
It has a quote from the Book of Job on it.
The quote is 41:19, or, if you flip that, 1941.
What is up with these intense minisode hints??
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somehow-a-human · 28 days
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Oh look it's another crack theory!
Crowley is the current supreme archangel.
DO NOT ASK NEIL ABOUT FAN THEORY
Okay so hear me out, and look, I SAID CRACK! I have fun crack theories pop in my head every once in a while and I'm gonna write em down. It's not cannon with any of my other ideas or metas it's just *a thing*.
So! If you want to follow me down a wormhole of extrapolation, do so below!
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"There is always a supreme archangel!"
Michael said it not me! Blame her! But look, that line is a choice, and it feels there for a reason. Maybe there IS always a supreme archangel. Maybe it's not a job you're hired for, maybe it's something that's inherited like royalty, and transfers automatically.
The 25 lazarii miracle.
Okay yes, I think it's just love and angel/demon working together is more powerful than apart, shades of grey, all that. BUT nobody else thinks that. Heaven and hell do not think that. They do not think Az and Crowley should have been able to do that miracle by any means. So I'd assume they're scratching their heads, and Aziraphale does tell the Archangels initially that he performs the miracle alone, which I assume would have then been relayed to the Metatron.
"A miracle of enormous power happened last night, the kind of miracle only the mightiest of archangels could perform" ... "How do you know I didn't do it?"
Let's say I'm right, look I'm humoring my own theory aren't I? Does Crowley know? Would he be aware of what happened? Would he feel it? If he did I could definitely see him keeping that card close to the chest, but still being a snarky ass to Shax.
Crowley opens the file in heaven.
So he's at least a Throne or Dominion or above, probably even higher up than that. He says they never change their passwords, and if that's true what else don't they change? What else have they forgotten? Bureaucratic nightmares like heaven often overlook so many things, who's to say a certain high up angel wasn't taken off all the books fully after they became a demon?
Why does the Metatron actually want Aziraphale back in Heaven?
I mean? Sure he and Crowley averted Apocalypse Part 1 last time I guess that's why, but couldn't there have been an easier way than a faux job promotion? I'm thinking: Gabriel is gone, the position of Supreme Archangel is automatically inherited, none of the Archangels in heaven are it, Aziraphale is suddenly accidentally performing a 25 lazarii miracle all by his lonesome? What if the Metatron thinks it's Aziraphale who has been chosen for the role of Supreme Archangel. But there's one thing he's over looked...
A clerical error.
What if it's not Aziraphale but it's Crowley. Crowley was formerly a high ranking angel before the fall. He's still able to access files in heaven, maybe they've forgotten to completely erase him from all the books and databases, and he was next in line, or maybe God just has a funny sense of humor. Angels and demons alike seem to just automatically listen to Crowley this season and do what he asks, Shax calls him "Arch-traitor" he seems like he might just know a bit too much more than he should, and the scene during the trial where Gabriel says, " However I am the only first order Archangel in the room or ya know the universe." Then the camera cuts directly to a close-up shot of Crowley? It's a bit too foreboding in my opinion to be nothing.
Final Thoughts.
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This comic is posted on Whickber street between Aziraphale's Bookshop and the Record Shop. Neil had asked that it revolve around the horrible crime of stealing halos. When I see this comic, I can't help but think that the original halo owner is very James Bond, a character our favorite snake like demon loves to portray. I wonder if Anthony J "just a J really" Crowley chose J for a reason more than just a J (maybe........... Jophiel?), and I wonder if he really was fully deserving of his fate during the fall or if there's a bit more to the story.
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commonmexicanname · 6 months
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EVERY Miracle Chime Supercut
This is every miracle chime (and some related clips) I caught in Good Omens Season 2. May this fuel your needs to confirm or disprove whatever theories your beautiful minds may create. Enjoy!
Disclaimers, tags, and my rambles thoughts under the cut.
The disclaimer is that this contains mostly miracles, but I also included what I believe to be relevant moments of magic casting or character(s) dis/appearing. There are many moments such as beings casting lightning (with their own sounds to boot!) that have not been included due to time constraints, video size constraints, or relevancy to the point of the video.
If you'd like to know what interested me in making this, check out this other post of mine.
If there's anything I missed, please let me know and I'll update this video. Due note that this will only be expanded to miracle sounds in season 2. If enough people bug me about non-miracle sounds, I might make another supercut if the reason is interesting enough. I may even be convinced to make a S1 miracle chime supercut to compare the two seasons.
Tagging the interested, but please tag away in the notes and reblogs: @noneorother, @indigovigilance, @embracing-the-ineffable, @on-till-morning
Lastly, my thoughts: I really don't want to plant my theory seeds in anyone's head, but here what I've noticed:
1) Crowley's miracle sounds are very different at distinct points and I've had fun thinking about the why. 2) You want proof that Az enchanted all humans in his little ball? Listen to that chandelier. 3) In my last post, many people pointed out that the last angelic chime could be the metaturd calling the elevator, but to my ears, it sound similar to when Az's tiny miracle gets blocked in his magic act. I mean... it could just be Metatron's very specific miracle chime, sure, but then what does that mean for the miracle blocker? Portable Metatron powers in a simple punch-out card? Wait, actually... that'd be kinda fun. 4) I could be wrong about all of this and none of this matters. Something, something, pickled red herrings... but that's what makes this so fun. :)
Anyway, I've got a bag of popcorn in the microwave now. I can't wait to see what you all find or come up with.
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highlandwhackamole · 2 months
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Where Crowley Parks: Definitely in London, definitely not a Real Place
Crowley parks in the same place several times in season 2. It's so obviously the same place each time that I couldn't help but be drawn to nitpicking those scenes. Here's one just before the opening credits in episode 2:
What struck me about this location is the buildings in the background. They are iconic buildings that have colloquial nicknames. They are shapes that instantly tell you that the thing you're looking at is in London. Let's look a bit closer at the buildings using a pile of frames taken from the series:
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From right to left, I'm pretty sure we have the Gherkin, the Shard, the Walkie-Talkie and the Scalpel.
To the left of the Scalpel are some buildings that are less distinct, but I think they may be a trio of buildings at Bishopsgate & Leadenhall. I won't worry too much about those, though, because I don't think we need them. (If you know what they are for sure, though, please do share!)
The Gherkin and the Walkie-Talkie are unmistakable. I'm 95% sure that's the Scalpel; here's a picture of it under construction from the same angle:
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I wasn't positive about the Shard until I saw the building lit up during a night scene, just before Crowley gets yoinked to hell for a chat with Beelzebub:
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Ah, yeah. In the words of the Bilfather... seems legit to me! Here's the actual real Shard at night:
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So, yes, very nice buildings. So London. Much skyscraper.
But. Why have them in the background at all?
If they were there naturally (assuming, you know, that they made a special trip to London to shoot these I guess), one could edit them out, or replace them with more nondescript building-shapes, or even just not include them in the frame -- and then the background would just fade into... itself. It would just be the anonymous place that Crowley parks, no need to call attention to the exact spot.
If they were added (spoiler: they were), that means the intent is to communicate very clearly that this spot is in London, fairly near the city center.
Okay, Good-Omens-creator-folks. You're pointing out to me that this is very particularly and specifically in London. Why are you doing that? Am I supposed to know where he's parked? I don't know, at least not off the top of my head. Maybe I can find out.
Let's look at a map!
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The circles shown here are, from top to bottom: the Gherkin, the Scalpel, the Walkie-Talkie and the Shard. The question mark is the location of the buildings that I think are the same as those appearing to the left of the Scalpel in the show, just for bonus information.
Now I just need to find roughly where one would have to be in order to make the buildings appear in their left-to-right order of Orange (Scalpel), Green (Walkie-Talkie), Blue (Shard) and then Purple (Gherkin).
... hm.
There is no such place. Those buildings can't appear in that order, regardless of where you are in the city. We can even double check, thanks to the Walkie-Talkie, which has very obviously distinct sides.
The Walkie Talkie's Wikipedia article, in fact, features an image of the building from an angle that looks like a very near or maybe even exact match to the viewing angle in the show. The article mentions that the photo was taken from the top of City Hall. Here's a Google Street View from roughly the same angle. You can also see the Gherkin!
What isn't and can't be in between them, though, is the Shard. It's on the same side of the river as the viewer in that image. It's hidden from view, behind the buildings to the left.
What if the Blue building in the show isn't the Shard? I could be wrong. Even so, this view doesn't exist in the real world. It seems pretty impossible from the map above, but I like to make sure, even if it means triple-checking.
For the belt and braces approach, peep this Google Earth view which is more or less from the same angle as the previous street view, just much higher up.
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The scalpel is right between the Gherkin and the Walkie-Talkie. There's nowhere you could stand and view that skyline such that the Scalpel appears to the left of the Walkie-Talkie, and the Gherkin to the right.
What does it mean? I think it means that the creators wanted to insert a strong, automatic shorthand for London. Why do that, when we know Crowley is pretty close to Soho already? I have some thoughts, but I'm going to make another post about that.
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The Ineffable Detective Agency presents more Ineffable Discontinuity and Suspicious Moments: Hawaiian Shirt / Pub Table Guy
Introducing... the extra/background character who makes Aziraphale do THIS, and then immediately has his table at the pub miracled away:
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Jon Dan Duncan's imdb profile doesn't list Good Omens, not even as "uncredited" - which seems strange, because his profile does include the above photo of him. Since the actor isn't credited in GO, we don't have a character name or know anything more than what we can see onscreen. So, what DO we see?
First of all, when Aziraphale sees this person, he definitely has A Reaction. We were probably all too distracted by Azi stroking the thin dark duke to notice (as an aside, IS Crowley a Duke? Of what? Hell? Something else??), but after the 90th rewatch, it gets a bit easier to focus on these background details that are probably critically important to the story in ways we just don't understand yet. Look at this:
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Did he mouth "stop" when he's supposed to be saying "sherry"? Maybe. These LOOKS, though:
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We all know that Michael Sheen's expressions, no matter how tiny or fleeting, are very intentional. Who IS this mystery person??! Immediately after taking his table:
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After whoever-he-is loses his pub table, he lingers nearby, and there's an interesting "ineffable discontinuity" - what he's holding in his right hand abruptly changes twice between camera cuts (sound on, if you want context for this small zoomed-in part of the screen, and try watching from your browser if the Tumblr app is cutting off the right edge of the image):
So far, our best explanation for the "ineffable discontinuities" - things that inexplicably and improbably change, like which hand is holding his drink or (coming up next) when he's behind Gabriel and then suddenly in front of him - is that we're seeing multiple timelines that are being knitted together in production to make them look seamless - but who knows? We'd love to hear your ideas! (Also, see the appearing Honolulu Roast sign in the coffeeshop, or Crowley's tattoo and sideburns, or the fandom's newest discovery (from @kimberleyjean and @bbbitchvibbbez) about Gabriel visiting his statue with "both" s1 and s2 Beelzebubs, plus the way the statue's cross is sometimes missing - just to name a few!)
Was the point in this scene with Hawaiian shirt/pub guy's right hand to draw our attention to this page of his newspaper?
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"Unearthed mysteries of sealed library basement" - when Crowley told Shax that Aziraphale was "stock taking in the basement", was it true that there IS a basement in the bookshop? Basements apparently aren't that common in most of the UK, but London is famous for having "iceberg" buildings (where the basements are actually bigger than what's above-ground).
"Government approves funding for citywide charging stations" - We don't know, but it makes us think of all the electric cars used in s2 (it was an indoor set) and of Crowley throwing lightning in the street.
And the smaller headline on the right ... Hmmm. Can you read it? 😅 Maybe "Neighbor says New ------ park gate is ' too --- ' "
And it's not just the pub during episode 2! This mystery character is everywhere!
E1: He somehow starts out behind Gabriel, and then ends up in front of Gabriel with another extra on his arm:
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E2: In addition to his appearance in the pub, he's also watching when Saraqael, Uriel, and Michael arrive:
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E3: Our mystery character is there again when Crowley makes it rain, wearing his e1 shirt:
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E4: We didn't spot him in this episode, but there are only a few minutes of present-day SoHo. Did anyone else see him?
E5: He has a doppelganger in a different Hawaiian print shirt! (Notice the different facial hair, among other things.)
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Later in e5 he does actually make an appearance in the bookshop window for a quarter of a second (!!), wearing his e2 pub outfit, and maybe it's his presence that elicits this similar-to-the-pub reaction from Aziraphale?
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E6: And back again to his black e1 and e3 shirt with the red flowers, while in line behind The Metatron, and then sitting at a table on the sidewalk, where he remains with the person in the turban who was in line behind him (and who also shows up quite a lot during s2) right up until Crowley drives away:
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So, why have him wear such a noticable black shirt with red flowers on what are supposed to be three different days? Is he connected, with his Hawaiian print shirt, to the appearing Honolulu Roast sign? Why does he get a doppelganger in e5 - to distract us from his presence outside the bookshop before the ball? Why does Aziraphale react like this - TWICE - upon seeing this person?? (Much to Crowley's great confusion!)
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And why does it seem that Aziraphale is keeping this person's presence/ identity/ importance a secret from Crowley?
As always, we'd love to hear your ideas!
Also, here's an earlier post from @theastrophysicistnextdoor about him, with gratitude for the inspiration to write all this up.
With appreciation for contributions from @noneorother, @thebluestgreen, and @embracing-the-ineffable at the @ineffable-detective-agency
Want to see more interesting posts, plus Good Omens clues and metas from all over the fandom? There's a huge collection here!
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