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sttoru · 1 month

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⠀ 𝝑𝑒 ⠀⠀ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. the jjk men coming back home to their lovely housewife after a rough day at work <3

tags. satoru, suguru, toji, sukuna x housewife!female reader (separately). fluff, mostly smut. size difference for all of em. manhandling here n there. p in v -> unprotected. crēampies. brēēding themes. half asleep when writing this—apologies for any grammar errors

𝐆. 𝐒𝐀𝐓𝐎𝐑𝐔. dry humping, cūmshot, reader gets called ‘angel, baby’.

“mmmh.. ya smell like cookies,” satoru sighs as he hugs you from behind, lightly swaying your bodies back and forth in a romantic dance. you had jazz playing in the background while you were baking some cookies, completely relaxing in the comfort of your home.

you got somewhat startled when satoru first appeared behind you, his arms sneaking around your waist. you scolded him—though were quickly soothed back into a loving mood when he kissed your neck and enveloped you in his embrace.

satoru can’t help but to let his urges take over. having his pretty little wife in his arms in that apron he bought, is doing unspeakable things to his body. his hands roam all over your torso until they stop to fondle your breasts.

“no no,” your husband swirls his tongue around your ear as his hands squeeze your chest from underneath your shirt. “continue what you’re doing, angel. let your hubby do what he needs to do, ‘kay?”

you’re used to the usual routine by now; satoru coming home, spoiling you with either gifts, food or his affection before relieving his stress on you. satoru never leaves you sexually frustrated—ever.

“kay,” you nod and just continue to work on the batter for your next batch of chocolate chip cookies. it’s difficult to concentrate when satoru’s warm breath sends shivers down your spine. his tongue slithers from your ear to your neck, unapologetically leaving hickeys. he always makes sure to give you them. you’re his and he needs to keep reminding you of that fact.

“fuck, baby,” satoru’s breath hitches once he feels your hips jolt back against his groin. his fingers brushing against your sensitive nipples was all it took for you to get worked up. you whimper his name under your breath—body squirming in his arms.

satoru bites your earlobe gently, his own hips not able to stay still for another second. he rolls his lower body against yours from behind until you can feel the imprint of his hardening erection pressing against your ass. you grind back against him, to which satoru responds by tweaking your swollen nipples, “such a naughty fuckin’ wife i have.”

your husband is on the edge of just cumming into his pants without any shame. he’s done so before when in your presence—the dry humping always gets to him. it’s a weakness of his that he isn’t good at hiding. he rubs his huge bulge right between your sweet and plump asscheeks, getting off from the feeling.

“gonna make me cum in my pants,” satoru whines and his slender fingers dig into the fat of your breasts even more. he’s needy for you, for every part of you. the fact that you’re sweet enough to accept what he gives you is driving him to the brink of insanity. he tries to stop himself, though to no avail, “shit— don’t wanna— need to cum inside of y—”

a string of whimpers leave satoru’s mouth and his hips spasms against your ass, pressing you against the kitchen counter as he gives one last thrust forward. “my god,” satoru breathes against your nape, his throat dry as he imagines that it’s your warm cunt swallowing every drop of his cum instead of his boxers.

you turn your head to look at satoru behind you. “are you okay, hubby?” you ask through soft breaths. the white-haired man shivers at your smooth voice which makes him press the bulge in his pants against your behind even tighter. you can feel a certain wetness starting to form on the front of your lover’s pants.

“yeah, totally fine,” satoru breathes out, trying to stay cool, calm and collected. he’s trying his best not to ravage you right now. he’s throbbing—blood flowing into his cock again already. you’re the only one who could trigger such sensual reactions from him.

satoru pats your ass a couple times, letting his wet tip rub against your folds through his pants;

“just wish i could’ve bred y’r cunt instead. fuck—can i? need to pump my pretty girl full before i go insane.”

𝐆. 𝐒𝐔𝐆𝐔𝐑𝐔. on the table top lol, reader gets called ‘sweetheart, darling’

suguru always makes a beeline towards you after he gets home. it’s tough being a cult leader—having to ��treat’ people who come begging him for help. having to exorcise those curses that haunt those incompetent buffoons.

all of it is exhausting to the sorcerer. and what better way is there than to find solace in the presence of his stay at home wife?

“sweetheart,” suguru shows you that handsome smile of his the moment he steps into the living room, “need some help?” his eyes dart down at you on your knees, manually scrubbing a spot underneath the couch that was hard to reach. his gaze is focused on the arch of your back, how your ass sticks up as you complain about you’re inability to reach that spot in the corner.

“no, ‘tis fine,” you sigh and give up. you sit up straight on your knees and finally look at suguru. you didn’t expect him to stand so close to you in under a second, his hands reaching for you the moment he comes into your vision.

before you know it, you’re stripped from your shorts and panties. your back is on top of the nearest dining table and suguru’s standing right between your spread legs. he reveals his stiff cock after unzipping his pants and gives it a good few pumps as he looks you up and down, “i’ll fuck the frustration out of you, yeah? don’t you worry, darling.”

a win-win situation; suguru gets to take care of his needs and you get to forget about your exhaustion from all the household chores. your back arches off the surface and your eyes widen the second you feel his dick invade your tight pussy.

“mmh, yeah— that’s it,” suguru grunts, not able to take off his eyes from your wet folds as his cock disappears between them with each thrust. he starts off slow, allowing you to get used to the feeling of being stretched out, “you’re doing so well. you deserve this and so much more.” you appreciate the little things your husband does to make sure you stay comfortable throughout the entire process.

“suguruu,” you moan out his name, to which he responds with a short hum. your nails dig into his muscular back with every move—each time his tip taps that sweet spot deep inside of you. suguru kisses the inside of your upper arm before moving up to place a peck on your forehead.

“mhm, such a good little wife,” he sighs in content and fails to contain those noises of pleasure. you catch the faint grunts and moans that leave his lips between heavy breaths. suguru’s completely blessed to have you be his forever lover, “thank you for taking care of the house today as well.”

your stomach fills with butterflies because of his smooth tone. suguru’s calm yet hoarse voice ringing in your ears makes you want to burst already. the long-haired man punctuates his thrusts with pecks on your cheeks—kissing you after each slow yet harsh hip thrust.

your teary eyes meet his and you’re completely mesmerised by the way he looks at you. your husband is careful about the way he treats you, especially during intimate moments where you’re the most vulnerable.

though at the end of the day, he’s also but a man. seeing his gorgeous wife underneath him as he’s drilling into her will make him lose it. no doubt. all suguru wishes to do is to make that belly of yours expand with his love—his cum;

“hold onto me, sweetheart. i’m going to go a bit harder on you today, is that okay? yeah? good girl, take it for me.”

𝐅. 𝐓𝐎𝐉𝐈; mating press, reader gets called ‘doll, wife, ma.’

assassin work is not for the weak. you know it, toji knows it. he always comes back home late at night. sometimes he doesn’t return home for days on end. you’re constantly living in fear that your husband may never return. even as toji reassures you that he will, every day.

“were ya worried again, doll?” toji asks as he tries to console you. you had been crying, he could guess by the dried tears on your cheeks. it’s around three in the morning and he had returned from yet another mission. only to find you still up.

“you promised you’ll stop doing such dangerous work,” you hiccup, trying your best not to cry again. toji sighs and turns your face so he could look you in the eye. he can’t help the tingle of excitement that runs down his spine—you’re adorable when you’re upset, “i did, didn’t i?” toji nods as his callused hand runs up and down your side.

he feels guilty every single night. he’s going to quit his job for your sake, though first, he has to save up some money that would last you a couple months. toji hates seeing you in distress about him and thus always tries to distract you.

by pleasuring you until you’re unable to think about nothing but him.

“i’ll make it up to ya,” toji grunts the moment he has your legs up in the air, your body nearly folded in half underneath his bigger one. he loves this position solely because he can see every change in your facial expressions. “c’mon, wife,” the dark-haired man mumbles, his eyes glued to your bouncy breasts and pouty lips, “told ya not to worry too much ‘bout me, yeah?”

you nod, knowing you should trust your husband. he’s never once broken his promises of coming back home to you. so, you simply let go and moan his name repeatedly as his tip kisses the deepest parts of your insides. “i—i trust you,” your tongue rolls out due to how well toji’s pounding you into the mattress.

toji grins at the sight. just a couple thrusts and you’re gone—completely cockdrunk without a worry in sight. he lets out a moan at the way you’re holding onto him so desperately, like you don’t want him to go. “fuck, keep that up ‘n i’m gonna knock you up, ma,” toji hisses. he can’t keep himself from cumming right inside of your cunt if it keeps on squeezing him.

you can’t even respond due to his thrusts knocking the wind out of your lungs. you can only babble about how deep he is and how you’d love to carry his kid. toji’s on cloud nine as he hears you confess your desires to get impregnated by none other than him;

“mmh, don’tcha worry, ‘m g’nna make you a momma soon enough. that way y’ won’t be lonely no more when i’m gone. gonna give you a kid so that you’ll always have a piece of me around—heh.”

𝐒. 𝐑𝐘𝐎𝐌𝐄𝐍; heian era. degradation. cunnilingus. reader gets called ‘woman, brat,’

all you can do when sukuna isn’t around, is bore yourself to death. you hang out with your lady-in-waiting or with the cats walking around the estate. sometimes you go visit markets or other beautiful places right outside of the area, but that’s all there is to it.

though, when sukuna returns from his duties, you’re always happily welcoming him back. you’re the first one to greet him and lead him to a place of relaxation. that place being your shared bedroom. sukuna’s hungry eyes that are focusing on the way your clothes fit around your curves tell you more than enough.

“where ‘s my dinner, woman?” the king of curses’ deep baritone nearly makes you shake. you watch as he sits back against the headboard of the bed, his expression stoic yet amused. you know he doesn’t mean real food—he means you.

you’re his dinner.

you take the hint and slowly undress yourself, a strip tease to make sukuna excited about what’s to come. however there are more consequences to teasing him, as he isn’t a person known for his patience.

“stop wriggling,” sukuna scoffs against your wet cunt not a minute later. your clothes are ripped off your body and your legs are wrapped around his head. you can’t stay still when sukuna’s tongue is quite literally devouring you.

you moan out his name loudly, just the way he likes it. sukuna grins against your wet folds, letting the tip of his tongue roll up and down your slit while his thick finger lazily stimulates your clitoris. “got a fuckin’ brat as a wife,” sukuna delivers a harsh slap against your sensitive cunt after cupping it with one big hand, “stay still, i said.”

you squeal at the rough contact. you attempt to listen to your husband, but your body doesn’t allow it. your sticky thighs keep shaking and your hips keep jerking upwards against his mouth. his wet tongue slobbering all over your pussy is a clear sign of just how much sukuna looks forward to coming home—to watch you beg for mercy when he goes too far.

“delicious,” sukuna pants as he dives deeper into your folds, burying his entire face against your cunt. he sniffs your scent and simultaneously enjoys the taste of your wet juices. you’re all he needs after a frustrating day of taking care of duties back to back.

one of his hands brushes against your lower abdomen to keep you pinned to the bed. you grab the wrist of that hand and hold onto it for support. sukuna groans at the sight of you trying so hard to not cum on spot from his actions.

he speeds up the movements of his tongue and his big hand squeezes your tummy a little in the meantime;

“i think i’ll go for a second round of dessert after this one, ey? what’d ya think? wanna let everyone know that you, your cunt and your whole body is all mine—so i’ll probably fuck ye so good y’re gonna be heard all ‘round the estate.”

#sttoru writes.#jjk smut #jjk x reader #gojo smut #geto smut #toji smut #sukuna smut #gojo x reader #toji x reader #sukuna x reader #geto x reader

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vanteguccir · 4 months

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Texas is so cold | Chris Sturniolo

Chris Sturniolo x reader

Summary: Where Y/N and the triplets decide to go out for dinner at a pizzeria, but Y/N is cold and Chris becomes her personal heater.

Requested?: Yes, from anon.

Warning: None.

Author's note: That is my work, I DON'T authorize any plagiarism! | English isn't my first language, so I'm sorry if there's any grammar error.

PS.: wrote this with a big smile on my face since my city is cold again, I was tired of living under 40°C 😁

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"Forget about it!" Chris's voice sounded in a ridiculous Italian accent, catching Y/N's attention, who was a little away from the triplets as she looked at the pizzeria's sign.

The girl turned around, seeing Nick holding the camera with both hands, the lens focusing on Matt and Chris, her own silhouette probably appearing in the background.

Y/N smiled at the brothers' banter as she rubbed her hands together, trying to extract some heat from the friction as she mentally cursed herself for her chosen outfit option.

When the boys came up with the idea of trying a different Texas-style pizzeria that had good reviews online, she felt super excited. Her biggest hobby was discovering new restaurants, so much so that in LA, she took the boys with her at least once a week to have dinner out.

But she completely forgot that she wasn't in LA and that the cold in Texas was intense, reaching 2°C. And that was precisely why she was so angry with herself, having chosen a short dress with a long sleeve that did nothing to warm her arms and left her collarbone exposed, a pair of pantyhose too thin to even be felt against her skin and a pair of high-heeled, short-cut boots that didn't even reach past her heels.

Y/N pressed her legs together as she crossed her arms tightly around her own waist, white smoke leaving her lips with each deep breath. She just hoped the pizzeria had a good heater.

"Yeah, so we're eating pizza..." Nick turned the camera so that the lens framed him too, starting to explain what they were going to do.

Chris turned towards the entrance of the restaurant as he looked for his girlfriend, missing her presence by his side. His eyes found her quickly, a smile stretching across his face, but that was soon replaced by furrowed eyebrows upon seeing her condition.

He walked away from his brothers and took quick steps towards Y/N, placing his hands on her shoulders, feeling the tension in the area, probably due to the cold.

"Shit, you're freezing, baby. I told you to change your clothes." Chris murmured, his voice sounding panickly as he ran his hands up and down the girl's arms, trying to warm her up with the friction between his hands and the thin fabric of her dress sleeve.

Even though his words were scolding, his voice sounded like a wave of heat through Y/N's body. She just shook her head, a whine escaping her throat.

"I forgot it was 2°C." She responded in a weak voice, her teeth chattering as she tried to run her hot tongue over her lips, wanting to warm them up, but to no avail.

"Look, we have a penguin with us today." Nick's voice sounded close to the couple in a playful tone, his hand still holding the camera on as a laugh escaped his lips, the lens catching the two of them and Matt, who was looking at them with his arms crossed and his brow furrowed, probably worried about Y/N's situation.

"Texas is so cold." The girl complained, getting closer to Chris looking for more human warmth.

The boy hugged her tightly, the momentary heat penetrating Y/N's sore muscles, a sigh of relief escaping her lips.

"Thanks." Her voice was muffled, her face pressed completely against Chris' covered chest.

His arms wrapped around her shoulders so perfectly that their bodies looked like a two-piece puzzle. The human heat that surrounded Chris's body embraced Y/N's one, creating a bubble around the two. A sound of appreciation escaped Chris' lips at the closeness, his hands caressing his girlfriend's cold back.

The boy bent down slightly, bringing his face closer to Y/N's, sealing his lips momentarily on her forehead before running his nose lightly over the sensitive skin, a shiver running through the girl's spine due to the coldness of the tip of his nose.

A few seconds later, Chris realized that his girlfriend was still shivering, slightly moving her away from his body, receiving a sound of complaint in response.

Chris just raised his right hand, silently asking her to wait. He brought his hands to the hem of his black hoodie, pulling it up and removing the piece from his body, the beanie falling from his head with the movement.

Matt bent down, retrieving the beanie as a smile stretched across his face.

"Chris is a true gentleman, guys." Nick started from behind the camera, a smile in his voice. "Don't accept anything less than that." He continued, adjusting the camera's zoom so that it focused on Chris, who was holding the hoodie in his hands. His body now only covered by his baggy jeans and two layers of black turtleneck sweater.

The youngest of the triplets completely ignored him, approaching Y/N, who was watching his movements with wide eyes.

"Babe, no! You'll be cold." She exclaimed, raising her hands trying to stop him.

"My priority is your comfort, gorgeous." Chris returned it, arranging the hoodie in his hands so that he could slip the piece over his girlfriend's head, being careful with her makeup, knowing that if he messed it up, she would be mad.

The boy helped her pass her arms through the respective holes, pulling the hem down and pressing the fabric against her body, trying to warm her up more quickly.

"I loved the style, very aesthetic." Matt commented from the couple's side, letting out a laugh. Chris smiled as he rolled his eyes, wrapping his right arm around Y/N's shoulder, pulling her close, her arms wrapping around his waist.

"Can we eat now? Please?" Nick asked, his voice sounding desperate. He was eager to try the meatballs he'd seen so much of in the reviews.

"This is literally the only time you'll ever see me with chapped lips, I'm in the fucking Tundra right now." Matt spoke quickly as he looked at the camera, his icy hand passing over his lips.

Y/N opened her black purse - which only had a lip gloss and a watermelon Space Camp lip balm - and took out the lip balm, handing it to Matt, who jokingly celebrated before thanking her, opening the package and passing it across his lips.

"Free advertising." Chris's sentence was the last thing the camera captured, besides the others' laughter and the little "go buy Space Camp" comment made by Y/N, before Nick turned it off and they finally entered the pizzeria.

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Extra - comments:

"Chris taking off his hoodie and giving it to Y/N because she was cold 😭"

"it's exactly because of Y/N and Chris that my standards are so high"

"yes Nick, we all know that Chris is a true gentleman 😔"

"can we take a few seconds to admire Y/N's beauty in that outfit? WHAT A WOMAN"

"Matt picking up Chris's beanie off the floor 😭"

"Chris hugging Y/N all worried and shit because she was shivering from the cold 🥺"

"Y/N lending her Space Camp to Matt after he complained about his chapped lips: the biggest advertisement you can have"

"Nick hire Y/N to advertise your brand right now!!!"

"MY PARENTS 😭🧎‍♀️"

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My asks are always open. Feel free to send me requests or anything at all 🩷💋

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sheikfangirl · 2 months

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A page from my post-Botw Zelink comic. Each chapter covers key moments of my headcanon. I don't think my comic is super revolutionary in terms of story because there is so much fan content out there and im super classic and vanilla... but i dont care. I'm having fun creating my own take on what happened. This project is a time consuming blackhole and I draw it all out of order because I have no discipline whatsoever 😭 😂 It was originally just random black and white pages here and there with no cohesions, like my stand alone illustrations... but the illustrations became pages. The project is basically me fan-servicing my own self. 😂😂

Then it exploded, i've been adding color, cleaning up my panels, pimping the backgrounds.

I still unsure on which platform i will make it available to read. The friends who got my out of my shipping closet are screaming to me to print a fanzine, but i'm lazy hahaha. Might do a patreon eventually, idk.

Oh yeah, this is a panel from the chapter where Zelda and Link go back to Korok forest to put the Master Sword back in it's pedestal... I'm old, i played the old games. One of my BotW nitpics was that it didnt include the classic moment where the sword rests once again, like in ALttP and OoT. I like traditions okay!!!! Cheers!!!

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predestinatos · 5 months

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'tis the season, i guess — CL16

pairing: charles leclerc x fem!reader

summary: cold winter days bring unexpected company to your bookshop. or in which your ex needs help choosing a book for his girlfriend.

words: 3.5k

tags: angst, SO much angst, dark academia vibes for some reason?, genuinely heartbreaking. some fluff but not much!

note: this was based off of this request but i got a bit carried away and wrote a whole thing! also am now obsessed with listening to sabrina carpenter... i hope everyone likes this even though it is very painful, but lmk your thoughts pls!!

The bookshop was basically empty, all the noise you could hear being yourself trying to rearrange the books in alphabetical order, and soft music playing in the background.

you stood on your tiptoes in order to reach a book at the top of the shelf, knowing a bench was available but being too lazy to go get it. Wuthering Heights refused to reach your fingertips despite your efforts and soft curses to yourself a bit louder than usual due to the emptiness of the shop.

"Need help?" a male voice called from behind, causing you to roll your eyes. Here we go, you thought to yourself, another man who catches you alone in the shop and tried to hit on you, and you'll have to find him funny and play delighted to be in his presence despite how bothersome he is, despite the ring on his finger.

"No, I'm okay, really-" you started replying, putting on your best customer service smile, fixing your hair as you turned around to face the stranger. but the person who you faced wasn't a stranger in the slightest.

"Sorry, I didn't mean to scare you" he said as he reached behind you for Wuthering Heights, taking him zero effort to do so, increasing your frustration and disbelief.

those brief moments of closeness brought to you a thousand heart clenching memories, time standing still as his scent hit you softly.

"Try this one" you tried to stop giggling as you held the dark brown bottle in your hands and asked for his wrist.

"Tobacco Vanille? I don't want to smell like cigarettes!!" he joked, although he let you spray his wrist gently, so happy just for the sole fact that you were happy.

Your smiles reached your eyes as they met for brief seconds, waiting for the smell to hit his skin. Reactions weren't needed as your expressions turned from smiling to shocked, mouths widening at the scent that seemed to fill you both.

"It's AMAZING!" you half screamed excitedly as he smelled his wrist in confirmation. "Charlie, it smells so good I could eat you right now!"

He laughed at the nickname, at how pretty you looked, at how simple it all was. He kept laughing with the perfume in a perfectly wrapped package in his hand, the other holding yours.

"Uhm, hi" you said, as his big familiar hands stretched out to hand you the book, which you hugged tightly to your chest in an attempt to hide or disappear in it, you weren't sure "Thanks."

"No problem" he replied politely, almost annoyingly so, the tiptoeing already starting before more than a few words could be uttered, his hands in his pockets as he looked everywhere but you.

It was uncomfortable - the silence, the stillness, how both of you stood there like ghosts, waiting for some direction, something to do, something to happen. "So uhm... what brings you here?"

"Oh, I'm a wedding crasher" the stranger next to you replied, black tuxedo slightly touching your arm, a drink in his hand and shirt slightly unbuttoned.

"Really?" your eyebrows raised as you took in what he said and his appearance – the nose, especially the nose.

He laughed slightly, taking a sip of his drink and looking back at you "no, I'm friends with the bride," his finger pointed in the direction of the beautiful woman dressed in white, but all you could see was how big his hands were, adorned with rings. "And you?"

"I am an actual wedding crasher" you replied, cheeky smile adorning your lips despite the shyness you felt as your eyes locked with his. It was his time to raise his eyebrows and your turn to take a sip of beer as he repeated what you had asked seconds before. "Really?"

"No, I'm friends with the groom" you replied winking, enjoying the stranger's company and humor, his smile causing small dimples to appear in his cheeks as he looked down at his lap.

"You got me," his hand suddenly stretched towards you, palm open and inviting, "I'm Charles."

He kept shrugging and avoiding your eyes, despite the fact that he had willingly chosen to go to the place where you worked. It was making you impatient and angry, those emotions replacing the initial shock and sadness.

"I need your help choosing a book," his voice sounded weak and embarassed, shame coming through every vowel. You stood still, waiting for him to continue, wishing he'd speak faster, explain himself already or just leave and forget he even came. "For my girlfriend"

Those words twisted inside you like a sharpened knife that knew the cut would merely hurt, not kill. Despite that, you knew better, you refused to let him notice any sort of hint of how that information affected you. "Oh wow," was all you could say at first, turning around to keep placing books in shelves, distracting at least your body since your mind was restless "birthday?"

"Uh? Oh no, 6-month anniversary" he muttered, almost inaudibly. You were too aware suddenly of how your clothes felt on you, how ironic red was in the necklace you were wearing as you placed Anne Boleyn's biography in its correct place, tight between the other books. You refused to look to him now, nodding intensively so he would understand that you had heard what he said, your skin prickling as you struggled to move. Calculations ran through your mind, trying to place those 6 months in the timeline of both of your lives as he moved awkwardly behind you.

"It's funny actually, she really loves reading, I guess I do have a typ-" he began, trying to lighten the mood, but each word he said felt like another grain of salt being thrown at the open wound that was your heart.

“What does she like to read?” you interrupted him, purposefully so, knowing how clear your intention to move from the subject was.

“I read a bit of everything, but I love the classics,” you said as the cappuccinos arrived and sat prettily in the café’s table. You stared at Charles as he stared at you; his entire expression seemed to give you undivided attention, registering every word and movement of yours. He smiled at all the correct times, nodded at your statements and frowned at certain parts of your narrative almost as if he had been custom made for you.

“What’s your favorite book?” he continued, sipping his drink, some foam remaining on his top lip, a feature you smiled softly at, bravely leaning over with a napkin and cleaning it. “Thank you” he said as he noticed your blushing expression, his way of both reassuring you and brushing it off as something mundane, and you bit your lip, holding back a bigger smile than necessary.

“This is such a cliché,” you started, rolling your eyes at your answer, trying your best not to say it. “Go on” his hand suddenly stretched towards yours, resting on top of it gently, like a sheet perfectly fitted for a bed. Your body burned with the touch, what is symbolized, what it promised silently in that small café.

“It’s Catcher in the Rye,” you both burst out laughing.

“She loves Fitzgerald,” his hands touched random books, looking for something to do, fixing them, opening some of them and putting them back in place, reading the backs of them as if he was paying attention to anything they said.

“Good taste,” you tried the compliment route. You didn’t want to sound bitter, and you weren’t bitter. It was just a lot to take in so fast, his presence as painful as his words, the way both made you feel so small for such a big place, so big for such a tight room.

“That's the best thing a girl can be in this world, a beautiful little fool,” you quoted the author as you contemplated the choices available for a lover of Fitzgerald. Work could fill your mind. Pretending it was just one more client made it easier. “Any other author or book? Help me out, Charli- Charles” you cut yourself off before the nickname could come out, hoping he wouldn’t notice, knowing that he did. You felt his entire body tense behind you as yours did, making it seem like a picture frozen in time in place, The Star-Crossed Lovers.

Charles seemed so silent that you unconsciously felt yourself turning back to check if he was still there, if he hadn’t been a fragment of your imagination after all. He stood in place, for a moment his eyes looked at you as if they hadn’t seen you in his entire life, examined you as if you were as unknown as letters in a freshly printed page. That soon faded as he snapped back to reality, registering the question with incredible delay. “Faulkner. She also likes Faulkner.”

“Aaaand Faulkner is done” you brushed some of the dust off of your hands as you stood up, looking at the now organized Classics section. “At least for the next week! Thank you for staying with me, by the way,” you said to the phone, as its screen indicated that you had been on a call for 2:45:17 hours.

“No problem,” Charles smiled. You knew he did although you didn’t see him, and that sheer though made you smile as well. “Can you do me a favour though?” he asked, his voice filled with excitement, a puppy-like tone that you cherished “open the door, I’m freezing.”

At first you were confused at his request, and you were close to questioning it until it hit you. You didn’t believe it. There could be no way he was- you rushed to the bookshop’s door, opening it while still holding your phone. Heart racing, you opened the door and saw Charles’ frame standing there, the lights illuminating his red cheeks and nose from the cold, one hand awkwardly holding the cellphone, the other trying to balance two warm drinks. He was wearing a beanie that made him look younger, softer, a puffer jacket that seemed to hug him perfectly- “Is there a code or something?” he jokingly asked, his breath visible due to the cold air outside, and you realized you had been staring for too long. You stood aside, turning the phone off as he placed the cups on the counter and removed his extra clothes.

“You didn’t have to,” you started. “I wanted to.” “You’re so sweet I could kiss you right now.” “Do it, then.”

You started browsing through the spines of the books in the shelves in front of you, looking for answers to more than one question, relying on pulling you sleeves down to your hands to mask your nervousness.

“How have you been, though?” his voice made you jump a bit, pulling you back to reality as you pulled 2 books and held them against your chest with one hand, trying to keep them from falling by lifting a leg – an awkward stance, you were sure. “Great, actually” you replied, unconvincingly so.

Things were hard after what happened with Charles, and you had taken many different routes to get over it all at first – waking up hungover in strangers’ beds, not leaving the house, breaking hearts for fun, letting people use you for fun, meaningless moment after meaningless moment, where the highlight would be hearing a voice that sounded even slightly similar to his. They got slightly better, of course, a year had passed, you could function, yet it hadn’t scarred yet – it wasn’t even close. The wound was open and bleeding and hideous and his presence, his voice, his smell, his request, it all just made the blood spill harder.

“Really?” “Hmhm,” a nod. A cough from behind you, making you turn around. His face was stern, serious. Charles was considering if coming was a good idea, what even drove him to do it in the first place. There were so many bookshops, so many other gifts he could give, yet he felt like showing up, like seeing you, at least once. Now he was there and he felt peculiar. Something close to guilt crawled on his chest, but he wasn’t sure what he was feeling guilty of, which in turn intensified his guilt.

You reached for a third book, and as you did so, the ones you were holding fell once again on the old wooden floorboards. “Shit” you muttered, crouching to grab them as Charles did the same, you two being so familiarly close, the irony of the cliché overwhelming the both of you. Getting up, Charles felt the need to offer his hand for you to hold, a support you refused to take and acknowledge, pretending you didn’t see it when it reality it seemed to be screaming at you loudly and intensely.

“So here are my recommendations, I guess” you sighed, letting him assume it was due to tiredness, knowing that he wouldn’t. Placing the 3 books on the nearest table, they faced the both of you as you stood next to each other, his arm brushing against yours, eyebrows furrowed as he examined their covers and details carefully.

Mrs. Dalloway, Age of Innocence, and One Hundred Years of Solitude sat perfectly, yet stared at the both of you defiantly, knowing their words could cut through both of your souls if they pleased.

“Don’t let yourself die without knowing the wonder of fucking with love” Charles read aloud, laying in your bed next to you, your head resting gently on his chest as you felt him laugh softly, lying naked in . “You’re right, I think I like this author.”

You laughed alongside him, both unaware of the fact that you were laughing for different reasons.

Charles’ eyes glanced quickly towards you, the same memory haunting your minds as if you were locked in a cinema of nostalgia. Shyly, his hand reached towards the hardback edition of Age of Innocence, its soft colors drawing him attention when the other options were either too painful to grab or not as tempting for his eyes.

You leaned against the polished table, looking at the way he touched the pages tenderly, fingers brushing them with a softness that reminded you of times that had gone by yet seemed to close and so recent.

His features seemed so focused, eyes moving slowly across each sentence, eyelashes prettily adorning them, his throat bobbing up and down as he swallowed dryly. He almost seemed unreal, a mirage of a stranger who was once so familiar to you, breaking the spell when he chuckled softly. “What?” you asked, whispering, too afraid that a sudden movement might make him disappear entirely. The normalcy of the moment was as terrifying as it was comforting, a moment in which it seemed like you two were the same again. “Nothing it’s just, one of the sentences I stumbled upon…”

“Which one?” you rested your chin in your hand while looking up at him, forgetting the previous moments, the previous year, every previous instance in its entirety as he looked back down at you and bit his lip nervously.

“I want somehow to get away with you into a world where words like that -categories like that- won't exist. Where we shall be simply two human beings who love each other, who are the whole of life to each other; and nothing else on earth will matter.” the room went cold and silent as the night.

“I can’t give you a relationship” he stood in his own kitchen like a foreigner, a man you almost did not recognize. “Why not?” “Because I don’t do relationships and I don’t like labels and I don’t want to hurt you by convincing you that I can.”

Your ears rung as you fought back tears. You wouldn’t cry. You were too proud for that, to show him this mattered way more to you than to him. “If you don’t want to hurt me then try, Charles.”

He shrugged, arms opened in defeat and eyes looking at the window, the snow falling down outside, locking you both in this confrontation. “I can’t.” Frustration invaded your bones and skin as you asked why once again, though your voice was tired and broken.

“It’s not because of you, I just- Can’t I just love you?” “That’s what I’m asking you to do by staying,” you reply cut like ice, and as he moved closer to you and held your face in his hands, you knew you had lost. “I can’t. Because I can’t do relationships.”

“But you will” you pushed him away as you left, knowing you were leaving your toothbrush, spare underwear, and heart there.

He interrupted the stillness before you did, clearing his throat and his mind, failing to relieve you of the pain of the past. “I’ll take this one” he said, now too polite, too frigid to go back.

You held the book and moved towards the counter, aware of his footsteps behind you, following you. You knew he was doing it because he had to pay, because he was a customer, because that’s what you’re supposed to do – yet part of you wanted it to be for a different reason, wanted his hand to suddenly reach for your wrist and tell you it was all a lie, a big prank, he was sorry and he took it all back.

You wanted him to say something daring enough for you to explode at him, to scream everything you’ve been holding inside for a year, to go back to that kitchen and its dimmed lights. To dare yourself to ask how dare he come into your workplace and throw everything at you, all politeness and fragrance and small talk, like it was nothing when you felt everything.

Instead, you wrapped the present nicely, placing a bright ribbon at the top while he fidgeted with his wallet from the other side of the counter. It was almost done, this exchange, and you didn’t know how to feel anymore. You were tired. So tired.

“Why did you come here?” you asked, facing him fully, staring at his green eyes that tried their best to hold your gaze. “Seriously, Charles, why did you come here?”

At first, he stayed silent. You refused to break the silence this time, even if he left without an answer you knew you had asked it, you did not save it for late nights lying awake. “I know you think I didn’t love you, but I do” he said.

It didn’t seem like a reply to your question, it seemed like a statement he was waiting to get out since the moment he walked in, the phrasing odd with its verbs being intentionally used in different tenses that didn’t seem to matter, at least not anymore. All you could do was laugh in disbelief, anger, or hurt, or a mix of both spreading throughout your body.

“You were- are- very important to me. You helped me realize a lot of things and if I could, I would go back in time in a heartbeat. But I can’t” he grabbed the present, hinting at the fact that he was going to leave, yet it didn’t seem fair to you. This wasn’t an apology, and was nowhere close to it, your hands trembling were a proof of such.

“You never can” you raised your chin, pride fighting against hurt as tears threatened to roll down your cheeks, jaw tense and firm, “not when it comes to me.” And there it was. What you both knew was true, said aloud like a forbidden fruit that was now bit into.

“It’s more complicated than that. And it’s alright for you to hate me, but I genuinely do love you. I care about you and think about you more than I should-“

“Do you love her?” it was a stupid question, and you knew that. You knew whatever answer he gave you would be a slap in the face, unsatisfying and painful either way. You hated yourself for the slight jealousy you felt towards a woman you barely knew, who wasn’t at fault at all, whose only problem was being too lovable.

“I do. I wouldn’t have known that if it wasn’t for you” “Oh wow. Thanks for that one” you crossed your arms across your chest, making yourself smaller, trying to hide while looking at the clock – 15 minutes left until the shop closes. 15 minutes left of the last time you’ll ever see him.

“Why wasn’t it enough? Why wasn’t I enough?” he wanted to reach for you and hold you, a moment of involuntary movement almost drove him to do something he couldn’t possibly do, not anymore, at least. You looked at his sudden jerk of movement, how he stopped as if his muscles burned and prevented him from acting upon his instincts. It was the best answer he could’ve given you.

“I’m selfish. I want to look at a bookshelf and know a piece of you is there. I know I’ll never fucking see you again, and I’ll leave you alone, but God I need something to remind myself that you’re real” he said, eyes closing in shame or frustration, you couldn’t say.

“You took a part of me with you that night. And I’ll never get it back. And you walked in today and took a bit more. More than that book. And every time I think of you, you take another piece. So when you look at that book, think of your girlfriend. I am real. But what we had wasn’t. Not anymore.”

You started closing the register, ignoring his presence, hoping he’d go away. The only reason you noticed him leaving was the small bell that rang as he opened and closed the door, and you finally succumbed and let the tears run free.

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soracities · 1 year

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what are your suggestions for starter poetry for people who dont have strong reading/analysis backgrounds

I've answered this a few times so I'm going to compile and expand them all into one post here.

I think if you haven't read much poetry before or aren't sure of your own tastes yet, then poetry anthologies are a great place to start: many of them will have a unifying theme so you can hone in based on a subject that interests you, or pick your way through something more general. I haven't read all of the ones below, but I have read most of them; the rest I came across in my own readings and added to my list either because I like the concept or am familiar with the editor(s) / their work:

Staying Alive: Real Poems for Unreal Times (ed. Nick Astley) & Being Alive: The Sequel to Staying Alive (there's two more books in this series, but I'm recommending these two just because it's where I started)

The Rattlebag (ed. Seamus Heaney and Ted Hughes)

The Ecco Anthology of International Poetry (ed. Ilya Kaminsky & Susan Harris)

The Essential Haiku, Versions of Basho, Buson and Issa (ed. Robert Hass)

A Book of Luminous Things (ed. Czesław Miłosz )

Now and Then: The Poet's Choice Columns by Robert Hass (this may be a good place to start if you're also looking for commentary on the poems themselves)

Poetry Unbound: 50 Poems to Open Your World(ed. Pádraig Ó'Tuama)

African American Poetry: 250 Years of Struggle and Song (ed. Kevin Young)

The Art of Losing: Poems of Grief and Healing (ed. Kevin Young)

Lifelines: Letters from Famous People about their Favourite Poems

The following lists are authors I love in one regard or another and is a small mix of different styles / time periods which I think are still fairly accessible regardless of what your reading background is! It's be no means exhaustice but hopefully it gives you even just a small glimpse of the range that's available so you can branch off and explore for yourself if any particular work speaks to you.

But in any case, for individual collections, I would try:

anything by Sara Teasdale

Devotions / Wild Geese / Felicity by Mary Oliver

Selected Poems and Prose by Christina Rossetti

Collected Poems by Langston Hughes

Where the Sidewalk Endsby Shel Silverstein

Morning Haiku by Sonia Sanchez

Revolutionary Letters, Diane di Prima

Concerning the Book That Is the Body of the Beloved by Gregory Orr

Rose: Poems by Li-Young Lee

A Red Cherry on a White-Tiled Floor / Barefoot Souls by Maram al-Masri

Deaf Republic by Ilya Kaminsky

Tell Me: Poems / What is This Thing Called Love? by Kim Addonizio

The Trouble with Poetry by Billy Collins (Billy Collins is THE go-to for accessible / beginner poetry in my view so I think any of his collections would probably do)

Crush by Richard Siken

Rapture / The World's Wife by Carol Ann Duffy

The War Works Hard by Dunya Mikhail

Selected Poems by Walt Whitman

View with a Grain of Sand by Wislawa Szymborska

Collected Poems by Vasko Popa

Under Milkwood by Dylan Thomas (this is a play, but Thomas is a poet and the language & structure is definitely poetic to me)

Bright Dead Things: Poems by Ada Limón

Teaching My Mother How to Give Birth by Warsan Shire,

Nostalgia, My Enemy: Selected Poems by Saadi Youssef

As for individual poems:

“Wild Geese” by Mary Oliver

[Dear The Vatican] erasure poem by Pádraig Ó'Tuama // "The Pedagogy of Conflict"

"Good Bones" by Maggie Smith

"The Author Writes the First Draft of His Weddings Vows (An erasure of Virginia Woolf's suicide letter to her husband, Leonard)" by Hanif Abdurraqib

"I Can Tell You a Story" by Chuck Carlise

"The Sciences Sing a Lullabye" by Albert Goldbarth

"One Last Poem for Richard" by Sandra Cisneros

"We Lived Happily During the War" by Ilya Kaminsky

“I’m Explaining a Few Things”by Pablo Neruda

"Stopping By Woods on a Snowy Evening" //"Nothing Gold Can Stay"//"Out, Out--" by Robert Frost

"Tablets: I // II // III"by Dunya Mikhail

"What Were They Like?" by Denise Levertov

"Those Winter Sundays" by Robert Hayden,

"The Patience of Ordinary Things" by Pat Schneider

“I, too” // "The Negro Speaks of Rivers” // "Harlem” // “Theme for English B” by Langston Hughes

“The Mower” // "The Trees" // "High Windows" by Philip Larkin

“The Leash” // “Love Poem with Apologies for My Appearance” // "Downhearted" by Ada Limón

“The Flea” by John Donne

"The Last Rose of Summer" by Thomas Moore

"Beauty" // "Please don't" // "How it Adds Up" by Tony Hoagland

“My Friend Yeshi” by Alice Walker

"De Humanis Corporis Fabrica"byJohn Burnside

“What Do Women Want?” // “For Desire” // "Stolen Moments" // "The Numbers" by Kim Addonizio

“Hummingbird” // "For Tess" by Raymond Carver

"The Two-Headed Calf" by Laura Gilpin

“Bleecker Street, Summer” by Derek Walcott

“Dirge Without Music” // "What Lips My Lips Have Kissed" by Edna St. Vincent Millay

“Digging” // “Mid-Term Break” // “The Rain Stick” // "Blackberry Picking" // "Twice Shy" by Seamus Heaney

“Dulce Et Decorum Est”by Wilfred Owen

“Notes from a Nonexistent Himalayan Expedition”by Wislawa Szymborska

"Hour" //"Medusa" byCarol Ann Duffy

“The More Loving One” // “Musée des Beaux Arts” by W.H. Auden

“Small Kindnesses” // "Feeding the Worms" by Danusha Laméris

"Down by the Salley Gardens” // “The Stolen Child” by W.B. Yeats

"The Thing Is" by Ellen Bass

"The Last Love Letter from an Entymologist" by Jared Singer

"[i like my body when it is with your]" by e.e. cummings

"Try to Praise the Mutilated World" by Adam Zagajewski

"The Cinnamon Peeler" by Michael Ondaatje

"Last Night I Dreamed I Made Myself" by Paige Lewis

"A Dream Within a Dream" // "The Raven" by Edgar Allan Poe (highly recommend reading the last one out loud or listening to it recited)

"Ars Poetica?" // "Encounter" // "A Song on the End of the World"by Czeslaw Milosz

"Wandering Around an Albequerque Airport Terminal” // "Two Countries” // "Kindness” by Naoimi Shihab Nye

"Slow Dance” by Matthew Dickman

"The Archipelago of Kisses" // "The Quiet World" by Jeffrey McDaniel

"Mimesis" by Fady Joudah

"The Great Fires" // "The Forgotten Dialect of the Heart" // "Failing and Flying" by Jack Gilbert

"The Mermaid" // "Virtuosi" by Lisel Mueller

"Macrophobia (Fear of Waiting)" by Jamaal May

"Someday I'll Love Ocean Vuong" by Ocean Vuong

"Still I Rise" by Maya Angelou

I would also recommend spending some times with essays, interviews, or other non-fiction, creative or otherwise (especially by other poets) if you want to broaden and improve how you read poetry; they can help give you a wider idea of the landscape behind and beyond the actual poems themselves, or even just let you acquaint yourself with how particular writers see and describe things in the world around them. The following are some of my favourites:

Upstream: Essays by Mary Oliver

"Theory and Play of the Duende" by Federico García Lorca

"The White Bird" and "Some Notes on Song" by John Berger

In That Great River: A Notebook by Anna Kamienska

A Little Devil in America: Notes in Praise of Black Performance by Hanif Abdurraqib

The Book of Delights by Ross Gay

"Of Strangeness That Wakes Us" and "Still Dancing: An Interview with Ilya Kaminsky" by Ilya Kaminsky

"The Sentence is a Lonely Place" by Garielle Lutz

Still Life with Oysters and Lemon by Mark Doty

Paris, When It's Naked by Etel Adnan

#ask #anonymous #beginner guides

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whitherwanderer · 1 year

Text

Pride Backlighting Tutorial

A few people have shown interest in replicating the pride backlighting I did, so hey, here’s a quick tutorial below the cut.

Enjoy, and happy Pride Month. 🏳️‍🌈

STEP 1 — SETUP

First thing you’ll want to do is find a suitably dark background to bounce the light off of. I use the White Screen housing item dyed Soot Black, available from the Housing Merchant or Apartment Merchant in any of the housing zones for 3000 gil.

I line up 2-3 of them for coverage, but one will do if you're trying to be frugal.

If you don’t have an apartment or an FC room to use, try asking friends, FC mates, or even folks you share a Discord server with. You might even find someone who already has a studio space set up and is willing to let you use it!

Lighting in your studio space should be 0 (though you might have success at 1 as well), so make sure to adjust that or ask the studio owner if they can make that change before you start posing.

STEP 2 — GPOSE

Position your character(s) just a little ways back from the edge of the screen. You want some space between them and the screen so that the lighting can float there without casting a weird circle on the wall.

Hop into /gpose and bump up the “Manual brightness adjustment” to about 120 or whatever level allows you to see your character well enough to pose them. Pose to your heart's content.

STEP 3 — LIGHTS

Here’s the fun part. In the Light tab of the Gpose menu, switch all of your Light sources to Type 1, which has the shortest falloff radius (meaning it doesn't reach as far as Type 2 or 3). I also set all of my lights to one strong color to differentiate them while I worked on lighting—red, green, and blue, all maxed out at 255 (for now).

Swing your camera (still on all default settings) around to your character’s back and up above their head a little ways. This is where Light 1 (red) will go.

Now pan your camera down at about mid-back height and set Light 2 (green) there.

Pan your camera down one last time until you have a nice shot of your character’s butt and set Light 3 (blue).

Spin your camera back around and enjoy this nice little macaw-colored gradient.

STEP 4 — CAMERA

Set your camera angle.

The way FFIXV’s lighting works is partially dependent on how much light is in a shot. It will adjust a lot like your eyes do when you’re entering a dark room from a bright room, or vice versa. Your zoom level and camera angle are going to directly affect the lighting, so set this before you start messing with light strength and color. Sometimes this means weaker lighting will actually light your character better.

I ended up bringing my lights down to around ~160 and boosted the "Manual brightness adjustment" up quite a bit to get lighting I was happier with.

For a straightforward vertical shot, I like to have my Field of View (FOV) at 200 and of course my rotation is set to 90. Zoom in or out as needed. Remember to save your camera angle if you plan to pan around and fix things!

STEP 5 — COLOR

Make it ~queer~.

Take your flag of choice and pick out 2-3 “main” hues. Generally these will be the strongest hues in the flag, if not the only ones. Some flags, like the Pride/Progress/Intersex-Inclusive flag itself, are difficult to replicate for the sheer number of colors that are in it. You can loosely represent a rainbow with some adjustment to the RGB colors, if you’re determined to have a whole rainbow in there.

Shader Note: I recommend picking a shader preset that doesn’t mess too much with color so that colors are represented correctly. You may need to adjust light strength and “Manual brightness adjustment” to be compatible with your preset of choice. Bloom will also heavily affect the way your colors are showing up, so you may need to tone down the bloom FX or toggle it off entirely. This all depends on your preset, however.

If you’re not into RGB math, here are some cheat sheets! Not every flag is represented here of course, but I tried to cover as many colors as I could so that you could grab a color from another flag as needed! Please note that colors will need some adjustment for your own screenshot, presets, and preferences.

And that’s it, y’all! 🏳️‍🌈

(Open this image up in a new tab for more detail.)

These were taken using a heavily customized shader for that nice glowy effect.

#ffxiv #ffxiv screenshots #[ ooc ]#[ tutorials ]#i didn't actually have a tutorial tag but #now i do #enjoy ❤️

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elinordash · 4 months

Text

Thank you @cobbbvanth for asking me for this; I’ve never been more flattered! ☺️ I’ve only been making gifs for a little more than 2 years, so I’m really still only figuring Photoshop out, and my colouring owes everything to other people’s tutorials (some of which can be found here). To be honest, I was only asked some tips, but I have no clue what to include and what to leave out; so, here’s my complete (if random) colouring process.

NOTE: This is a colouring tutorial, not a gif-making one. The tutorial that taught me everything I know about that (and to which I am eternally grateful) is this one by @hayaosmiyazaki.

I. SHARPENING My standard sharpening settings are:

One Smart Sharpen filter set to Amount: 500 | Radius: 0,4

A second Smart Sharpen filter set to Amount: 10 | Radius: 10

One Gaussian Blur filter set to Radius: 1,0 and Opacity: 30%

One Add Noise filter set to Amount 0,5 | Distribution: Gaussian

II. BASIC COLOURING This is the part where I add most of the adjustment layers available and just play around with them. Obviously different settings work for different scenes, but I do have some standard ones.

Brightness/Contrast I usually up the Brightness to +10-30, and the Contrast to about +10.

Curves

For the first Curves layer I go to Auto Options > Enhance Brightness and Contrast, and then adjust the opacity until I’m happy.

I might repeat the above step if the gif still looks too dark to me.

I add another Curves layer, I go to Auto Options and this time I pick either Find Dark & Light Colors or Enhance Per Channel Contrast, and check or uncheck the Snap Neutral Midtones option, until I see something I like. I will then adjust the opacity.

Levels I add a Levels layer that usually looks something like this:

Exposure I add an Exposure layer, where I usually set the Offset to around -0,0010.

Selective Color To make the faces look okay, I create a Selective Color layer, select the Reds and usually add some Cyan (+10-20%) and play around a little (±5%) with Magenta and Yellow too. I might also add another layer, select the Yellows and make slight tweaks there too.

III. FUN COLOURING About colour manipulation: PiXimperfect just uploaded a tutorial that explains everything so much better than I ever could, so I highly recommend you go watch it. It’s made for static images though, and things are more complicated with moving images, so I also recommend @elizascarlets’s tutorial.

The reason I usually go for a softer colouring is that a more vivid one requires a lot of patience and precision, and I honestly can’t be bothered. Instead, I try to tweak the colous only a little, so that the edges can be a little rough without it looking too wrong.

One thing to remember is that each gif is different, and there isn’t one foolproof way to do this, so you will need to use a different technique depending on the gif you’re working with.

Okay, so, after I’ve decided what colour I want my background to be:

1. I create a Hue/Saturation layer and change the greens, cyans, blues and magentas to that colour. That’s easy enough, since it doesn’t mess with the face colour. I then set the blending mode to Color. If your background doesn’t include any yellow or red, you might be done here, like in the case bellow:

2. To change the yellows and reds, I create a new Hue/Saturation layer, select the yellows/reds, move Saturation to 100 (temporarily) and then play around with the sliders until the face colour isn’t affected. I then change it to whatever I’ve chosen and change the blending mode to Color.

3. If for whatever reason step 3 doesn’t work (the background is white or black for example, or just too red), I might create a Solid Color layer set to whatever colour I want, set the blending mode to Color and then select the layer mask and carefully paint with a soft, black brush over the people’s faces/bodies. I will then lower the Opacity, to whatever looks smooth enough. If there’s a lot of movement in your gif, you might have to use keyframes (see elizascarlets’s tutorial linked above). However, my main goal is to avoid using those; that’s why I try my hardest to tweak around as many Hue/Saturation layers as needed and not have to create a solid color layer.

4. Once my background looks the colour I want it, I might add a Selective Color layer that matches my background color and then try to make it look more vibrant. For this Aziraphale gif below for example, I’ve selected the Cyans and then set Cyan to +100%, Yellow to -100% and Black to +60, then created another one, selected the Cyans again and then set Cyan to +20 and Black to +20.

5. If the gif has a white area, I create a Solid Color layer with a colour that matches the rest of the background and then set the Opacity low. I might also create a Selective Color layer, increase the Black and then play around with the colours.

IV. FINISHING TOUCHES

I create a Vibrance layer and set the Vibrance to around +30 and the Saturation to about +5.

I create a black and white Gradient Map layer (with black on the left end of the spectrum and white on the right), set the blending to Luminosity and the Opacity to about 20-30%.

AAAND that’s about it I think! This ended up way too long and perhaps a little incoherent. I tried to make it as general as possible, so you might have to mix and match for best results. Feel free to ask me for further explanations about any one of these steps, and please tell me if you want me to go through the colouring of a specific gifset (although, as I said, I'm by no means an expert). Happy gifmaking!

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sanctus-ingenium · 10 months

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hi im so sorry if youve already answered this but how do u go about selecting the colors you use for your works!

hi! i've had this question a few times and every time i've only been able to answer with a vague sort of 'ehhh i just pick them'. but i think i'll actually talk some more about it now since a lot of my art actually takes a lot of beating before i decide on a final palette. but with a lot of them admittedly i already know what palette i'm using, and i organise the whole composition around those colours.

i use like two main palette methods and here they are (once you see it in my art, you won't unsee it). It mainly involves picking one main hue, and then a contrasting secondary colour.

So the most basic is to have a drawing be mostly a small range of hues, in this case the reds and oranges, and adding a single contrasting shade. Here it is the bounce light on the metallic metal parts, and doesn't appear anywhere else. It looks blue but it isn't - if I used actual blue, it would be too jarring and the colours would not appear unified. This is a warm and nice scene. So instead I pick that strong blue and blend it into a small swatch of the base colour. Then I pick from the blended portion, and what I get will be more blue than the base, but not actually blue. In fact it is yellow-orange :) The entire drawing looks warm as a result.

When working with marginally stronger contrast, here I have a cream unicorn on a green background. The main shadows on the unicorn will be the colour of that ambient room temperature bg - green. So I use the same test swatch method to pick a shadow colour which LOOKS green without being too disruptive of the cream unicorn. I increase the saturation and darken the value (moving the colour dot diagonally to the lower right hand corner of the box) and also spin the whole wheel towards green just a bit. Then I blend into the cream and colour pick a shade in the middle. But for the bounce light, I chose to use a common contrast of green - pink. It looks like pink in the drawing but in fact it is a low saturation orange! Using that real pink would be disharmonious. I do the exact same thing - I blend the pink into the bg colour and come up with that orange shade. It looks harmonious.

Now (top example) I am using two contrasting hues side by side. I decide the shadows will be warm, and the highlights in that contrasting zone. That means that for every colour i pick - Islin's skin, hair, his glasses, his shirt collar, his coat - every colour gets slid around the colour wheel until it falls inside that narrow band. And when I am highlighting his skin, I turn the wheel towards green. When I am shading his skin, I turn the wheel more red. I do this for every single element in the drawing.

It's the same for the Rua cover but this time I am not using such a wide band of available hues on the colour wheel, it's much tighter. I did this to replicate the look of a faded print, intentionally lowering the available contrast I had to work with by removing black as tool. It's all in that small cream to red window but it LOOKS purple - it looks like Pascal wears a purple shirt and that the smoke in the bg is lilac. Well, it isn't. That's all red and orange. I pick those colours by, again, choosing my goal "look" - a low-saturation purple, and then turning the wheel into the red range.

Okay so! for this it's just... the exact same thing again. Literally it always is. But since this one is recent I still have the process fresh in my mind. I envisioned it in the car, and I wanted this empty sort of desolate blue bg and a cold, distant overall tone. I ended up making the white on the chessboard & white pieces warmer, cream instead of white-grey, which worked out great. I wanted the blue, I wanted the pale cream/white, and the black of the chessboard. I didn't envision a colour for Pascal's shirt. but when the time came it was an obvious choice. It has to contrast with the bg both in value and hue, without falling outside the cream range already established by the chess pieces. So it's shiny salmon pink :) or orange, whatever you think it is. The only disharmonious part of this palette is the red velvet under the black knight piece - it works, but if I'd taken more care I might have spun the wheel more into orange and it would stand out less. But I don't mind.

#info asks #sorry my handwriting. not good

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officialclangen · 1 year

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CLANGEN: POTATO UPDATE

Clangen has updated! Cat and Sprite Changes: - New sprites for paralyzed, sick/injured, and newborn cats. - Separated vitiligo and points from white patches. It's now possible for a cat to have all three! - New vitiligo patterns: PHANTOM, MOON, and POWDER - New white patch pattern: PETAL - New eye colors: SILVER and BRONZE - New accessories: Nylon Collars (in all colors), and INDIGO and WHITE collars of all types! - New mask-based tortie system! Tortie patches can now be any color/pattern. - New tortie patch patterns: REDTAIL, DELILAH, MINIMALONE, MINIMALTWO, MINIMALTHREE, MINIMALFOUR, OREO, SWOOP, MOTTLED, SIDEMASK, EYEDOT, BANDANA, PACMAN, STREAMSTRIKE, ROBIN, ORIOLE, BRINDLE, and PAIGE. - Rare "Wildcard Torties", which bypass the normal rules for tortie patch color/pattern to allow for wacky combinations. - Smoke pelt colors have been slightly tweaked for consistency. GHOST smoke has been given lighter points. - New separate tint that is applied only to the white patch and point markings. - You can now favorite cats! You can toggle favorite cat indicators on the list and patrol screen. - Pregnancy is now a condition that may prevent cats from patrolling. - EXP limit has been increased, and the EXP levels have been renamed. - Apprentices now graduate based on EXP, rather than age. This can be turned off in settings, if desired. - Cats can now retire any time between 110 - 140 moons. - New prefixes, suffixes, and loner names! - Some prefixes and suffixes are now specific to your biome. - You can now override special rank suffixes for particular cats. - New randomize buttons on the change name screen. - Moved list of possible names to a .json for easier customization in compiled versions. - The code handling relationship events have been rewritten, and new types of relationship events are now possible. Relationship and Moon Events Changes: - New system for accessory moon events, alongside many new accessory events and possible "congratulatory" accessories after a cat gives birth. - There is now more variation in relationship initialization, which allows cats to have more varied relationships with their family. - Lots of new relationship events! - Group relationship events have been added. - Affairs have generally been made more common. - Lots of fun new moon events, including special events for medicine cats and elders with certain skills. Thoughts Overhaul: - Thought code has been reworked to be way more specific. - Cats can now have thoughts based on their status, age, backstory, and even permanent conditions! - This should also have fixed those pesky bugs where cats would think about dead or lost cats as if they were still around. - In light of this update, A TON of new thoughts were added. Other Significant Changes: - New auto-updater! The game will now alert you when a new version is available, and will update without the need to re-download. - New re-designed family page! More family relationships are now shown, and it's easier than ever to browse through a cat's lineage. - Save files are now stored in an OS-specific data directory. You will no longer need to move save files when updating. - Added a button in the settings menu to open the save data location in your file-explorer. - New backgrounds: Shipwreck and Crystal River - Revamped background: Gully - Overlapping cat sprites on the clan page has been reduced. Once two cats are on a single spot, that position is considered "full." - You can now choose the starting season when creating a new clan. - Most backgrounds have unique cat placements. - The appearance of the allegiances page has been changed, and descriptions have been updated to flow better. - On the allegiances page, kits will now be listed with their parent, if they have one. - Lots of new patrol artwork! - New error screen when saves fail to load, which gives more in-depth failure messages. - New custom cursor (it's a little paw!) - Lots of bugfixes and QOL tweaks!

#clan generator #clangen #clan gen #warrior cats #warriors #warrior cats generator #clangen announcement

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alienssstufff · 1 year

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MISSING PERSONS ARTICLE (5/10/ NULL):

An extract from a local article published by The Weekly Hermit on the 5th of October (Year: NULL). Covered by Pixlriffs [Pen Name] –DISAPPEARING ACT, The Bachelor Who Vanished In Thin Air

[MEMORY : 1/2 ] [MEMORY : 2/2 - HERE]

>[READ ARTICLE?]

They were young and unafraid, Joel [LASTNAME] alongside friend Scar [LASTNAME] would venture on a hiking trip around the mountains only to vanish without a trace.

With the Joel engaged and set to be married to the current head of the Fairy Fort Resort ranger Lizzie [LASTNAME], accounts state that him along with best man Scar were last seen on the 22nd of September in the safety of Hiker’s Checkpoint, a popular camping destination of the Last Life woodlands.

“He said it was supposed to be an ‘act of bravery’. He wanted to prove he was strong to me.” A distraught Lizzie recounts.

“I knew Scar was acting rather off the last few weeks, but I never expected he would just.. Up and run away like this. Especially with someone as inexperienced to hiking as Joel – I didn’t think they would go this far!” witness and former roommate of Scar, Grian, relays to the press.

Further interviews with the witnesses on the day of the disappearance recount in agreeance to meet the two at the Fairy Fort Reserve, a small group had held an early-morning farewell bachelor party at the Hiker’s Checkpoint, where the two would begin their 3-day trip along the marked Mycelium Trail to the wedding venue on the 25th of October.

Joel was last seen wearing a thick brown sheepskin sweater, brown pants, and worn white-and-green running shoes - with his most noticeable feature being green, dyed highlights in his hair. Scar was last seen donning a brown aviator's jacket above a black, multi-purpose utility jacket and white plaid flannel with blue cargo pants - most noticeable feature being the green bandanna found at the checkpoint.

Prior background given by loved ones and witnesses of the party reveal that the wellbeing of Joel, a novice hiker, would still be under the guidance of friend Scar who is reported to have years of experience of hiking both within and beyond the hiking trails of the woodlands.

Reports to the authorities of their disappearance were made just 24-hours past the expected date by the Fairy Fort Reserve and the duo would be officially declared missing on the 28th of September. Several smaller search parties made within the FFR, Lizzie admits, were held prior to making the decision on contact around the reserve and the Hiker’s Checkpoint. A larger, more extensive investigation along the Mycelium Trail was held from the 28th onwards as more people volunteered and potential witnesses were questioned.

The Mycelium Trail is a relatively accessible route for both man and off-road vehicles to traverse between various locations in the Last Life woodlands. While recordings of the weather at this time of year had been colder than usual, there had been no signs of snow, rainfall or forest fires that would hinder the mens’ trip.

A total of 78 individuals have participated in the search for our runaway bachelor and avid adventure-lover with little succession as damp footprints of the missing, Scar’s green bandanna, a set of binoculars belonging to Scar, and two discarded lighters and canteens found within the bounds of the Hiker’s Checkpoint.

Suspect of foul play between the men were brought up in questioning but was avidly rejected by witnesses and investigators for lack of motive even considering Grian’s accounts on Scar’s unusual behavior. Further theories relating to mentions of exploring the nearby Magical Mt were also suspect and a smaller search party made closer to the foot of the mountain was conducted to no avail due to the frigid weather. Urgencies from Lizzie to authorities in further investigation within the mountain were set forth and ultimately rejected due to windy weather and unstable, difficult-to-cross terrain.

As of current release, the status of Joel and Scar remains unknown. For information leading to the safe return of Joel [LASTNAME] and Scar [LASTNAME] please contact [NUMBER REMOVED] at the Fairy Fort Reserve investigation team.

>[ARTICLE ENDS HERE]

#stufffsart #myart #last life apocalypse au #gtws #goodtimeswithscar #gtwscar #smallishbeans #ldshadowlady #[mentioned]#last life #last life smp #life series #life smp #trafficblr

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lawlietscaramels · 6 months

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Yandere ╾ L Lawliet

Because apparently I fell into a yandere stage and this is my tunnel out.

CW typical yandere stuff (stalking, obsession, overprotection, manipulative, worship, dependence, monopoly, killer)

　★━━─・‥…━━━☆

Yandere L is interesting because I think yes, he could absolutely be a yandere

canonically too

BUT only if you defined a yandere by "do they have the traits?" as opposed to "what do they do?"

so first: what KIND of yandere is the detective? top five traits incoming.

STALKER

Let's just get this one out of the way

He obviously to some degree "stalks" people just for his work, through cameras and policemen if not in person

he's a stalker guys. that's it.

so he wouldn't have a problem just turning up wherever someone who interested him was

again

and again

and again...

He's pretty hard not to notice because of his peculiar mannerisms, but he's also literally black and white enough to blend into the background.

So if he was careful (he is) it would take a while before you noticed you were seeing him everywhere you went. And by then you wouldn't be able to think of a time where he wasn't sitting quietly somewhere in the background.

L knows this.

he knows you're going to assume he just happens to live in the same area as you, or something like that.

I don't think he'd actually follow you into your home but he would go when you were out someday to set up cameras

and I think L would genuinely believe himself to be a good person

what if he goes away and you get in trouble? you don't always have a roommate, who would notice? well, now L will, and he is quite able to get you back to safety. but back to the stalkery.

oh man he's gone through your stuff. your closets your phone whatever. he wants to know about you

one day he might just arrange for a little... near accident somewhere you both frequent

and oh my oh gosh oh diddly darn

guess who just happens to be there to save the day

(L. it's L. notice him please?)

OBSESSIVE

There are two things that L is canonically obsessed with: work and desserts

but if he found a romantic interest that list suddenly has a third item: YOU.

especially if you bake him cakes or help him in cases. because then he ties those things he loves to you.

and I'll just quickly mention these traits are always a little bit in his personality but the order I'm writing in is the order they come out more strongly around you.

Obsession is also tied with stalking.

Some days he watches you and dreams about you smiling at him the way you smile at the rain and the sun and the world.

he imagines how everything will work out. you're a distraction to his work: he would have to find a way to integrate you into his life in a way that allows him to be close to you and not distracted. he imagines he imagines

you'd find a way to fit into him while he was sitting, your body pressed up against his torso, legs pulled up, head on his shoulder.

he could play with your hair with one hand. you could feed him sweets.

L is for the first time not in control of his own thoughts. it's new and unpredictable so it's completely terrifying to him, and for a while he'll slink away into the darkest recesses of society and draw away from you.

but it doesn't stop. it gets worse.

he can't look outside without wondering if you're looking at the same skies. can't eat strawberries without wondering if you like them.

so then he does a full 180 and will devote all of his available attention (some must be spared for work) to you. if you don't already work together or if he hasn't made contact during the stalking at all, this is when he does it.

he reaches out to see if you'll take him.

and when you do (it's not a question of if, see manipulative) he will calm down a fair bit.

but he is still, quietly, obsessed

OVERPROTECTIVE

what can I say?

gosh he just wants to keep you safe.

He's seen every bad thing about the world through his work, he knows bad things constantly happen to good people.

but. not. to. you.

L just won't let it happen. he can and will secret you away in a hotel room. never enough for you to become suspicious, to rattle at doors and windows. And you move with him, every couple of weeks, so it's just an adventure, dear.

also I think he'd use darling in a sweeter sense. dear or maybe doll is his yandere pet name for you.

He probably has several trackers somewhere on you. probably not IN you... probably...

also you know that nail polish they developed that changes colour when it comes into contact with common poisons in drinks? he makes you use stuff like that. for your safety.

hate hate hates that he can't be with you all the time. you tend to find yourself with reasons to stay at home when L's not around. once again see manipulative.

he does trust you, he really does. but he doesn't trust the world. men in particular are often disgusting. it's just true. he's seen it time and time again as a detective. who knows what scary things could be out in the world? and if they knew you were dating, that you had ANY relationship with the world's greatest detective? L's afraid he's putting you in danger. please just humour him and stay home for a week, dear. you can work on your baking.

if you started getting really rebellious, thought you were being chained up, whatever, L would let you go and do whatever you wish. He doesn't want you to feel like that! He loves you! he may or may not have organised for a brush with death for you so that you realise how right he is about the horrors of the world and want to stay home like he asks you so nicely to.

you're just so pure. so innocent.

there, there. he won't let them hurt you.

he'll even close all the blinds so the darkness of the world can't reach in to taint your beauty. isn't he the best?

MANIPULATIVE

IT'S CANON.

I can't think of any particularly specific examples but he lies about everything. Whenever he throws out a number (5%) it means he suspects someone over 90%

so he has no issues bending the truth

sigh if L's manipulative side is triggered it's triggered ALL the way. one one hand he hates doing this to you

but on the other it's for your own good and you're being stupid.

He will do ANYTHING to make you believe him. he will manipulate you into thinking he's being manipulative so he can get upset at your lack of trust in him so he's able to manipulate you

did that make sense...

can cry on demand.

but it's not all about making himself the victim, he will also just.. isolate you if you're starting to drift away from him. Suddenly your friends find other interests, your family are renovating the house or your parents won a radio prize for a vacation.

and L is the only one left. and he himself is distant until you cry and plead and apologise

the isolation thing is actually a yan trait itself and the scenarios above are also kind of training. but they're only a part of the bigger trait.

he will also manipulate situations and other people, not just you.

L just wants what's best for everyone

(coincidentally this always aligns with what is best for L.)

he's so smart though. it's really really difficult to realise he's manipulating you unless he wants you to.

WORSHIP

you're so pretty, the most perfect thing he's ever seen

you're an angel, really.

and people who don't respect you as such are going to get a subtle but clear message from L to STEP AWAY.

cold glares.

he will literally turn his head 180° like an owl to stare at them while he walks you away

they might end up fired. I mean someone who can't see what's right in front of their eyes doesn't deserve whatever job they have...

he just wants to spoil you sometimes and he has the resources to do it and more.

sometimes this gets a little suffocating but it's sweet. mostly.

it's nice to have time with your boyfriend instead of big, grand, empty rooms. L just doesn't have a lot of time. He does his job to protect you, protect you from everything in this world because it is all inferior to you.

I do not like to think about how he would react if you happened to meet Light...

I wasn't sure about whether or not to put this in the top five because I don't think he'd see himself as inferior. his IQ is big. but you could still jump from his ego down to his IQ and fall for hours. he thinks you're more good than he is but he's under no delusions about your relative intelligence or anything.

but yeah, I think he's a worshipper.

Just... a quiet worshipper. all his yan traits are kinda quiet tho haha

L wants to give you the world. he would sacrifice anything for you.

he would take a bullet for you

his work makes this a good possibility. he'd prefer not to get shot but he'd still do it for you.

probably the most harmless of his yandere traits. this one comes out when he decides this is it, you are it, forever.

HONOURABLE MENTIONS

really quickly a couple of the other traits L might have and express are:

dependence (mostly for manipulative purposes. he will cry if you ever fight. L is honestly quite dependent on you, he might die without you-- or more likely just force you back into his arms-- but he puts on a lot of an act, a puppet master pulling strings behind the stage. he wants to be seen as vulnerable, not just a stoic and brilliant detective. because which one is it easier to lose your heart to? and you must lose your heart. you stole his first.)

monopoly (when he has time, he needs you to have time for him and only him. he doesn't have a lot of time. will manipulate you into spending time with him but it's more of an occasional pest thing than anything. quite harmless. especially because he works a lot. you have plenty of time without him, which makes him sad, but he can't help it. and you wouldn't love him if he stopped you from seeing your family and friends...)

killer (yeah... not in the top five by any means but if someone tries to hurt you? god forbid, if they SUCCEED? you'll be stuck at home for a couple of weeks while L frets over you. and sometime in that couple of weeks.. well.. maybe that someone who hurt you finds themself in trouble with a gang. L's not doing the dirty work himself but he's behind it and you will never find out. if they only TRIED to hurt you L won't be able to justify killing them to himself, but they'll quickly find themselves in jail.)

YANDERE?

so back to what I mentioned in the first part: L is a yandere, IF you're only basing the classification on the fact that he has these traits and the ability to act on them

but as anyone who's watched police or court drama knows, you need more than means and opportunity:

you need MOTIVE.

this is where I can't base my thoughts on canon so much anymore. the only people who we really see L caring about the death of (spoilers‼️) are: the FBI agents (though not on a personal level); Ukita (pretty sure that's his name); and Watari (though L himself dies too soon after for this last one to be useful)

so. Ukita.

L probably wouldn't care enough for the guy to go yandere for him LMFAO but we do see him refusing to rush in and take action without thinking, something which a yandere might be more inclined to do if they cared about someone.

HOWEVER we also see he's trembling. like he's a little in shock about the death and what it means, but also he wants to do something about it.

a yandere urge, brought out by something bad happening to someone he cares about.

My point being?

L has the traits of a yandere, and has the ability to act on any of them any time. he's smart, he's rich, and he has the trust of the entire world (or respect at least)

but he doesn't act unless triggered.

and ofc because he doesn't have a canonical love interest, we can't prove either way what he would do for/to them.

but I think he is more deredere (love) than yanderu (sick).

anyway, L is smart enough to realise that the yandere doesn't usually win the game of love, and that the things are not things you should be doing for/to someone who trusts you. not things you should be doing to someone you love.

but sometimes, when his emotions are high and so is the danger to you or your relationship,

his control just slips

and you might just find yourself locked in a hotel room while he works on the Kira case.

SO IS HE A YANDERE?

no. I'd say that he's a kuudere.

cold, cynical, sarcastic sense of humour, views feelings as a weakness but DOES have them and will open up over time.

but oh...

wait...

according to the dere wiki...,

"Due to the way a kuudere acts, a yandere can easily pretend to be a kuudere when not acting insane."

...

so, what do we think?

　★━━─・‥…━━━☆

but hey that's just a theory... a DERE theory! aaand cut.

𝖎𝖋 𝖞𝖔𝖚 𝖑𝖎𝖐𝖊𝖉 𝖎𝖙 ˏˋ⋆˖⁺˖⁀➷ 𝖕𝖑𝖊𝖆𝖘𝖊 𝖗𝖊𝖇𝖑𝖔𝖌 + 𝖋𝖔𝖑𝖑𝖔𝖜

©lawlietscaramels. Do not repost on other sites, claim as your own work, edit, rewrite or “fix,” feed to AI or otherwise use unethically.

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thatsthewrongwallcraig · 11 months

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Insomnia

Summary: After tossing and turning for the better part of the night, Roman helps you to find ways to relax.

Pairing: Roman Roy x fem!Reader

Word Count: ~2k

Content Warnings: Fluffy Smut 18+!, Everybody Is Needy And Soft In Here, Unprotected P In V, Nipple Play, A Little Bit Of Logan Roy Slander, Roman Being Absolutely Enamored With Reader, L-Bombs, Established Relationship Because I Just Want Roman To Be Happy For Once 🤧

A/N: This fic was brought to you by my current inability to sleep 🫠

(Happy little edit: By the time I finished the fic, I had finally slept a whole night 🥲)

Tagging:

@alalalaaallaaalaaa @crypticsewerslut @angelsanarchy @arch1viste @icarus-star @fadedviolets

Für Elise - Reimagined By Alexander Joseph (I WHOLEHEARTEDLY encourage you to listen to this piece of art!)

Round after repetitive round your slightly burning, half-lidded eyes followed the quietly whirring ceiling fan right above the bed. Everything was perfect, the sheets fresh, the room temperature comfortably cool and the muffled out city sounds in the background provided just enough white noise to drown out your everlasting inner monologue and yet you just couldn't fall asleep.

You've already been cutting out caffeine for a few days now, carbohydrates too and with that practically everything that was remotely fun, hell, you even picked up a guided meditation podcast here and there trying to simply put yourself to sleep by getting bored enough but nothing really did the job. With each and every night passing like this, getting one to two hours of fairly interrupted sleep at best, you dreaded it a little more.

"Goddammit." You huffed under your breath before turning yourself to the side where Roman was comfortably snoozing next to you.

His back was facing your front as you scooted up close to him to gently wrap your arm around his waist, fingertips sneaking themselves underneath the hem of his white t-shirt while you rested your forehead against his shoulder. For a few minutes you just listened to him breathing in a steady pace, his ribcage rising and falling with every peaceful inhale and you couldn't help yourself but to envy him a little.

You couldn't explain to yourself how he did it, dealing with pent-up assholes, the worst of them being his father without a doubt, all day long and then just passing out when he felt like ending the day. Right now you wished for that ability to be one of your own, too, but for now it was to no avail. Pondering over it for longer would only turn you more sour by the minute and that wouldn't exactly help anyone here right now. Instead, you gently sighed into the soft and warm fabric of his shirt, shoving as much of the internalized malice regarding your situation to the side while much rather focusing on your curious fingertips that you led to wander over his defined torso. In gentle, slow strokes, you traced the outlines of his muscles up to his ribcage, caressed his collarbone, that was slightly curved upwards in this position, and then all the way back down again, your fingers getting lost in the softly curled hair of his happy trail down to the waistband of his shorts.

"You're getting me all worked up here.." Roman's sleep-drunk voice whispered to you.

"Sorry… I didn't mean to." You reciprocated, drawing your fingers from his lower abdomen until you felt his broad hand softly pressing yours back onto his skin.

"No, no, it's fine, don't you worry, babe. Still can't sleep, huh?" His tone was laced with a heavy layer of upright worry about you.

"Nope, Morpheus still won't treat me with a dream or two. Just endless buzzing up in the noggin." It left your mouth alongside a tired and painfully exhausted yawn.

"I'm sorry.", Rome yawned right there with you whilst he turned himself on his back, offering you his arm to seek shelter under, "Come here, you don't have to suffer through that alone."

"You don't have to be sorry, it's none of your fault." You shrugged your shoulders a little, quickly moving into his embrace and resting your weary head on his chest.

"But I really think it would be if I didn't try to help you somehow." He stated rather bluntly before placing a soft kiss to your hairline.

"Oh, Rome, you don't need to make this your problem, really-" With a well audible smile in his voice, Roman cut you off.

"But I want to! And I'm going to." He whispered against your forehead as his hand, that hung around your shoulder, started to softly caress your upper arm.

In barely even there strokes with his fingertips, Rome brushed over your skin from shoulder to elbow and back again, leaving waves of goosebumps after goosebumps in his wake.

"Now you're getting me all worked up!" You smiled against his chest, pressing your body impossibly closer to his, the silky soft fabric of your satin slip dress rubbing against his shirt.

"Oh, god forbid, am I right?", Roman laughed out softly, "And what if I do that right here?"

His other hand reached out to lift your chin up to his face before he leaned in to press a longing and anything but chaste kiss to your lips.

With that, he elicited a low moan of yours to get swallowed up by his mouth, his tongue darting out between his lips, gently snaking towards yours, nudging it playfully. Immediately, you felt your blood rushing down between your legs in nearly violent determination, an aching need to feel him even closer with you drowning out everything else.

"Fuck, Roman." You sighed against his lips, trying to steady your breath.

"If you insist.", You felt the grin forming on his face, "Please, take a seat and make yourself comfortable."

"If you insist." You chuckled right back whilst reaching down to your hips, taking a hold of the lacey string underneath the slip dress and shimmied out of it.

"Keep the dress on, please? You just look stunning in it." Roman asked in a breathy tone, pulling himself back a little to sit up straight against the headboard.

"Of course…" You whispered with a smile on your lips, rising yourself so far from the mattress until you were able to arch one leg over his waist and straddle his lap.

"Oh, damn.." He groaned a little raspy as the length of his pulsing cock pressed against your thoroughly soaked folds, your slick threatening to just drip down on him.

"That's all you, getting me wet like that." You said in return, wrapping your arms around his neck before rolling your hips against his lap to let him slide right inside of.

The feeling of him filling you right up to the brim, the girth of his cock stretching you out delightfully, had you both moaning out in pleasure. It absolutely didn't matter how many times you had slept with each other in whatever way, the moment of Roman thrusting into you for the first time was something that simply knocked the air from your lungs and eradicated any and every thought from your crowded mind.

"You feel so fucking good around me, you have no idea.", He hummed against your cheek before peppering the corner of your mouth with playful pecks of his lips, "And it just drives me insane when you wear just that slip dress here."

"It's the one you gifted me on our last anniversary, remember?" Your breath heavy as you started rolling your hips at a slow pace.

"How could I forget, babe?" Rome smiled at you, cheeks flushed in a soft tint of red and his olive eyes sparkling with unbridled joy even in the dark.

Seeing him beam at you like this made you forget all about not being able to sleep for the past two weeks, it made you forget all about the negativity that followed your each and every step through the days but what it made you remember clearly was how much you loved him. Every part of him from his expressive eyebrows, to his loud mouth to his colorful and exciting character.

"I love you, Roman." It fell from your lips before they touched his in a nearly bruising kiss.

"And I love you…more than anything." He reciprocated as soon as you broke from the kiss a little, leading his mouth to wander over your jaw, pressing loving kisses and playfully soft bites down your neck and all over your collarbone.

The tip of his nose stroked over the cleavage that the silken slip dress gave room for before his lips wandered down another notch to close around one of your perked up nipples, suckling at it carefully. A rush of pleasure seeped from your chest throughout your whole body as you felt the thin fabric soaking up his saliva, a wet patch forming around your areola before he moved on to the other side. The ceiling fan from above rendered the damp spot cold to your skin, sending soft shivers down your spine whilst you allowed yourself to just not think for once.

With eyes fluttered shut, you let your head roll back, basking in each little sensation he gifted to your body. This right now wasn't about chasing an orgasm just for the sake of getting off, no, this moment of shared intimacy was about feeling each other in the closest way possible and you reveled in every second of it.

"Love you so fucking much.." Roman's breathy tone got muffled by the fabric and you could hear that he was equally far gone by now, carefully joining in on your rhythm with every roll of your hips over his lap as his hands held you by the waist.

You intently listened to his shallow breathing, the sound of skin slapping against skin and the wet sounds of his lips Kissing and sucking on your nipples in a seemingly relentless vigor as you felt your walls tightening around his cock, the tip of it stroking over that especially sensitive part repeatedly.

"I'm about to…fuck, I…" It cascaded out of your mouth into the bedroom as you weren't even able to for a coherent sentence before it rippled through your body.

Orgasmic bliss set every nerve on fire for a split second, your pussy contracting in reckless waves around him, pulling him further in and eventually throwing him over his own edge. With raggedy breaths and choked back moans, Roman pressed his face into your neck as his fingers clawed at your waist. You felt him filling you up with throbbing pumps of his twitching cock as he pressed himself as far as possible into you with one final thrust.

Neither of you said a word whilst you pulled yourself off of him, the accumulation of bodily fluids leaving a little mess in his lap and between your thighs, and curled your satisfied body up to his again.

"Do you want me to read you something?" Roman asked and to say it caught you by surprise was a broad understatement.

"Huh?" You looked up to him with arched brows.

"I vaguely remember you telling me how much you liked being read to back when we started dating and I'm quite a bit ashamed that I never did that for you by now." He answered with a soft smile on his lips.

"You…you remember that?" It rolled over your tongue in some sort of excited shock.

"Of course I do, babe. So, would you like me to? If you're lucky, I'll find something a little more suitable than a yucky Forbes magazine."

#roman roy x reader #roman roy smut #roman roy x you #roman roy x fem!reader #roman roy #succesion hbo #succession #succession fanfic #kieran culkin

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e-nonsense · 1 year

Text

𝐦𝐞𝐫𝐜𝐞𝐧𝐚𝐫𝐲 𝐩𝐭. 𝟐

⇢ ʙᴀᴛꜰᴀᴍ x ʙᴀᴛꜱɪꜱ!ʀᴇᴀᴅᴇʀ

⇢ ᴡᴀʀɴɪɴɢꜱ » ʟᴀɴɢᴜᴀɢᴇ, ᴅᴇᴀᴛʜ, ᴍᴜʀᴅᴇʀ, ɢᴜɴ ᴠɪᴏʟᴇɴᴄᴇ, ᴋʜᴏᴀ ᴋʜᴀɴ

⇢ ʀᴇᴀᴅᴇʀ ɪꜱ ʙʀᴜᴄᴇ ᴡᴀʏɴᴇ'ꜱ ᴜɴᴏꜰꜰɪᴄɪᴀʟ ᴅᴀᴜɢʜᴛᴇʀ ᴀɴᴅ ᴀ ᴍᴇʀᴄᴇɴᴀʀʏ, ꜱʜᴇ ᴅᴏᴇꜱɴ'ᴛ ꜱᴘᴇɴᴅ ᴍᴜᴄʜ ᴛɪᴍᴇ ɪɴ ɢᴏᴛʜᴀᴍ. ᴜɴᴛɪʟ ꜱʜᴇ ɢᴇᴛꜱ ᴘᴀɪᴅ ᴛᴏ ᴋɪʟʟ ᴛʜᴇ ᴊᴏᴋᴇʀ

ᴘʀᴇᴠɪᴏᴜꜱ ᴘᴀʀᴛ

When you woke up you were in the Batcave. You were in big trouble, big big trouble. Why? Well...

The Joker was dead,

you family knows that you're The Knight,

and lastly you lied to Alfred

You could still walk, you only passed from exhaustion killing the Joker had been easier than you thought it would be, but getting away from the scene of the crime was very hard.

You slipped into Arkham thanks to Harley Quinn who pretended to be a guard and let you in through a secret tunnel, if she had stayed getting out would've been a lot easier but you couldn't risk her getting caught so you told her to leave, lying that you had an exit strategy.

You had made it out of Arkham successfully but when you were out all the Gotham Knights where there - it made you feel special if you weren't gonna lie - waiting for you, even Red Hood who looked like he didn't want to be there.

You took them down one by one - having known all there strengths and weaknesses, and weak spots - till eventually you were left with one.

And there he stood Batman, The Dark Knight something that contrasted your name the White Knight, you knew that you could take him down with some time but that was time you didn't have so you got in a fighting stance and when Bruce lunged you ran.

From roof to roof and Batman eventually accompanied by his birds and idiot sidekicks followed and when instead of jumping you dropped, they were all a little confused until they saw a speeding away. Damian was impressed. In the end they still got you and here you all where, every single pair of eyes on you.

"Sooo?" you smiled awkwardly "how's everyone feeling?"

"confused" came Duke's voice, everyone glared at him minus you who smiled at him gratefully.

"Mercenary?" Jason, he didn't sound pissed probably 'cause you just killed the Joker "What were there no other occupations available?"

"Why didn't you tell me?" Bruce asked and everyone was quiet once again. You sighed "If I told you what would you have said?"

"I-"

"No, Bruce you wouldn't have supported me. Not the way you do everyone else" you took a breath to control yourself "and that's understandable, y'know but you wouldn't have accepted me either, and don't lie about how you would."

"She has a point father"

"Damian-"

"Don't get angry at him"

"Don't tell me how to raise my son!"

"Your son! What about your daughter?!"

And that's when the argument flared, you were trying to avoid this but somethings just need to happen to resolve issues.

Everyone slowly started to back away from the heated argument, everyone but Damian and Jason who stood by your side the entire time.

"Where'd you even learn to fight like this?!"

Bruce looked at you expecting an answer, but you were far to ashamed to admit who had taught you to fight.

"Khoa" you mumbled in hopes that nobody would hear you over the water in the background, but they did. You knew this would happen one day, Bruce would finally tell you to piss off and never show your face unless he needed you to.

Bruce wasn't sure what to say. He didn't think Ghost-Maker of all people would take you in and train you, his old friend now rival. Why?

"Knight"

Everyone's heads snapped towards the entry of the batcave, and there he stood in all his idiotic glory, Khoa Khan. You didn't even know he was in Gotham.

"Ghost" you nodded at him

"You good?" a question that shocked Bruce and Dick

"Yup, just finishing off here" you ruffled Damian's hair with a promise to eventually come visit when things cooled down and squeezed Jason's hand in reassurance that you'd be safe.

You looked at Khoa "I'll be up" and he turned to leave

You walked up to Bruce and everyone else went on to do their own things in the cave pretending like they weren't listening.

"Bruce-"

"Stay safe, I'll uh reach out once I've had time to cool off and think about this" Bruce spoke softly.

You nodded hanging onto his words, "Don't do anything stupid, and please stay safe"

Bruce watched as you walked away from him, he wished he could stop you from following his once friend. You had still left him with so many unanswered questions, a part of him just wished he'd been a more present father than maybe this wouldn't be happening.

But he let you walk away, he knew you'd be safe that's all that mattered to him right now.

"Love you dad" and he smiled.

ᴛᴀɢ/ꜱ: @edgycatx @bbnny @magikhoodie @instantplaiddream @alecmores

#batsis #batman x #reader #batdad x reader #bruce wayne x daughter!reader #dick grayson x reader #bruce wayne x reader #jason todd x reader #platonic #batfam x reader #dc x reader #mecenary!reader #khoa khan x reader #ghostmaker x reader

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cinebration · 2 years

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Only Ours (Geralt of Rivia x Reader) [Request]

Geralt x fem!reader. Old friends find each other again after many years apart. Used to be lovers or almost lovers (up to you) that parted ways due to circumstances out of their control. They still care for each other a great deal and reminisce about their past together and what could've been. Can end up together or not. Not looking for angst per se, more just wistful, bittersweet tone. Thank you!—Requested by anon

Warnings: none

Gif Source: lamberts

In all the taverns in all the world, you walked into the one Geralt had been forced to take refuge in to give Roach a rest and to escape the rain. He noticed you first—not because he saw you, but because your familiar scent constricted his chest and made his nostrils flare. Glancing up from under his damp hood, he tracked your movements across the tavern as you went up to the barkeep and slapped coins onto the bar, calling out an order of thighs and a flagon of ale.

The barkeep happily obliged.

Balancing your plate in one hand and clutching your flagon in the other, you surveyed the dearth of available tables.

Geralt tensed as your attention moved closer and closer to him. The pain in his chest tightened, made it hard to breathe. He desperately wanted you to notice him, while at the same time he wanted to hide.

He remained frozen.

Your gaze passed over him, then shifted back, recognition dawning instantly. A faint, tentative smile pulled on your lips as you slowly made your way over.

You looked better than he remembered. He didn’t understand how—you were no sorceress—but the fact remained you did. He pushed off the hood as you reached the table and set down your dishes, your eyes never leaving his.

“Geralt,” you murmured, surprise and hesitation in your mellifluous voice.

He murmured your name back, the sound of it sacred on his lips. He hadn’t spoken it since you last parted years before.

“It’s wonderful to see you,” you continued, your voice still soft, as though afraid to spook him like a deer. “How long has it been?”

“Eight years, give or take.” The rasp of his words sounded worse than usual, perhaps worse.

“Closer to nine, I think.”

And Geralt knew you had been counting, just like he had.

Staring down into his tankard, he watched the foam shift as the liquid sloshed underneath it. The din of the tavern faded to the background, all his attention arrested by your presence. The smell of you, the close proximity, made his head spin.

“You look good,” you said.

He chuffed a laugh. “For a right bastard.”

Chuckling, you bit into the chicken thigh, chewed as you scrutinized his face. He wondered what you saw there, anxiety sparking beneath his skin the longer you looked. Would you see the Butcher of Blaviken, the White Wolf? Or would you only see him, as you always had before?

“I hear stories of hard times for you.”

A chill slithered down his spine. “Still a mind reader, I see.”

“Your eyes don’t lie, Witcher.”

Grunting, he shrugged and covered his expression with a long swallow of his ale.

“Well, there’re stories of hard times for me, too,” you added when he set his tankard down. The momentary flicker of a haunted look in your eyes made his fist clench tighter around the tankard. “But I’ve no interest in recounting those and ruining the evening.”

“I’m told talking helps,” he noted dryly.

“Not here.” You gestured with your chin at the other patrons in the tavern. “Prying ears and all that.”

He nodded. “What do we talk about, then?”

A sly smile pulled at your lips. “Did you ever find that griffin?”

Snorting, he shook his head. “Low-hanging fruit, mind reader.”

“What? No reunion is complete without mention of the griffin!”

“Give it a rest.”

“So I take it you did not find it.”

“No, I did.”

You waited for an elaboration. The faintest smirk touched his mouth. “You didn’t take it out, I know that. I would’ve heard, what with that bard immortalizing you and whatnot.”

He remained silent, enjoying the agitation building up in you.

“Pfft. If I had to guess, you found it and got new scars for your trouble with no head for a prize.”

The smirk faltered.

“I knew it!”

“Mind reader,” he groused, but his eyes were bright with amusement.

“See, should’ve had me by your side for that. Maybe I would have taken its head while you gave it new meat to chew on.”

“Hardly. You would be lucky to snatch a few feathers.”

Clicking your tongue in disagreement, you countered, “No way am I doing that again.”

“How disappointing. I rather enjoyed watching you prance around.”

You laughed. “I bet you did!”

Geralt offered another chuffed laugh, feeling himself filling with the warmth of your presence and the brightness of your smile. Neither had he ever forgotten, but his memory didn’t compare to the flesh-and-blood vision before him.

“I’ve missed you,” you said, reading his mind once again.

He didn’t know how to answer that, the tightness in his chest making it hard to breathe, let along speak. You nodded as though you knew his response, however, and offered him a smile that threatened to shatter him.

“I shouldn’t have let you leave.”

You glanced up from your plate, then shrugged. “We didn’t have a choice, Geralt.”

“There’s always a choice.”

“Not an acceptable one.”

“Acceptable varies by degrees.”

“I know,” you whispered, staring down at your food. Shaking your head, you looked back up at him, regret fading into a rueful smile. “But it didn’t kill us, the separation.”

“Something died.”

Silence weighed heavy in the space between you.

You sighed quietly. “Things are what they are. I’ve accepted that.”

He grunted, not trusting his words.

“Still, sometimes I think about…I never did work up the nerve, did I?”

“Your nerve was never in question.”

“I’m not blaming you. I could have taken the initiative as much as you.”

“Fine,” he conceded. “We both were too afraid.”

You nodded, the rueful smile returning. “Funny how much that fear pales in comparison to the things we’ve seen in the last few years.”

Grunting again, he lifted his tankard and met your gaze. Lifting yours, you clinked the metal cups softly, the ringing sound of their meeting subdued.

“I’m surprised the bard doesn’t know the story,” you said after swallowing a sip of the ale. “Our story, if that’s what we can call it.”

“I didn’t tell him.”

“Why not? It’s exactly the kind of thing bards would kill to sing about.”

“Because it’s ours,” Geralt growled. “Only ours.”

#Geralt of Rivia x Reader #Geralt of Rivia #Geralt of Rivia imagine #Geralt x Reader #Geralt #Geralt imagine #Henry Cavill x Reader #Henry Cavill #Henry Cavill imagine #The Witcher #requests

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mspaesthetic · 10 months

Text

Tidbit: The “Posterization” Effect of Panels Due to the Consequences of GIF Color Quantization (and Increased Contrast (And Also The Tangential Matter of Dithering))

There’s this misconception that the color banding and patterned dithering found in panels is an entirely deliberate, calculated effect Hussie manipulated the image into looking with some specific filter, but this isn’t the case, exactly. It wasn’t so much a conscious decision he took but rather an unavoidable consequence of the medium he partook in: digital art in an age where bandwidth and storage was at a premium.

Not to delve too deeply into the history and technicalities of it, but the long and the short of it is back in the early nineties to late aughts (and even a bit further into the 10s), transferring and storing data over the web was not as fast, plentiful, and affordable as it is now. Filesize was a much more important consideration than the fidelity of an image when displaying it on the web. Especially so when you’re a hobbyist on a budget and paying for your own webhosting, or using a free service with a modest upload limit (even per file!). Besides, what good would it be to post your images online if it takes ages to load them over people's dial-up Internet? Don't even get me STARTED on the meager memory and power the average iGPU had to work with, too.

The original comic strip's resolution was a little more than halved and saved as a GIF rather than a large PNG. That's about an 82.13% reduction in filesize!

So in the early days it was very common for people to take their scans, photographs, and digital drawings and scale them down and publish them as smaller lossily compressed JPEGs or lossless GIFs, the latter of which came at the cost of color range. But it had a wider range of browser support and the feature to be used for animations compared to its successor format, PNG ("PNG's not GIF").

You'd've been hard-pressed to find Hussie use any PNGs himself then. In fact, I think literally the only times he's ever personally employed them and not delegate the artwork to a member of the art team were some of the tiny shrunken down text of a character talking far in the distance and a few select little icons.

PNGs support semi-transparency unlike GIFs, which is why Hussie used them to preserve the anti-aliasing on the text without having to add an opaque background color.

While PNGs can utilize over 16 million colors in a single image, GIFs have a hard limit of 256 colors per frame. For reference, this small image alone has 604 colors:

For those who can't do the math, 256 is a pretty damn small number.

Smaller still were the palettes in a great deal of MSPA's panels early on in its run. Amazingly, a GIF such as this only uses 7 colors (8 if you count the alpha (which it is)).

Not that they were always strictly so low; occasionally some in the later acts of Homestuck had pretty high counts. This panel uses all 256 spots available, in fact.

If he had lowered the number any smaller, the quality would have been god-awful.

To the untrained eye, these bands of color below may seem to be the result of a posterization filter (an effect that reduces smooth areas of color into fewer harsh solid regions), but it's really because the image was exported as a GIF with no dithering applied.

Dithering, to the uninitiated, is how these colors are arranged together to compensate for the paltry palette, producing illusory additional colors. There are three algorithms in Photoshop for this: Diffusion, Pattern, and Noise.

Above is the original image and below is the image reduced to a completely binary 1-bit black and white color palette, to make the effect of each dithering algorithm more obvious.

Diffusion seemingly displaces the pixels around randomly, but it uses error diffusion to calculate what color each pixel should be. In other words, math bullshit. The Floyd-Steinberg algorithm is one such implementation of it, and is usually what this type of error diffusion dithering is called in other software, or some misnomer-ed variation thereof.

The usage of Pattern may hearken back to retro video game graphics for you, as older consoles also suffered from color palette limitations. Sometimes called Ordered dithering because of the orderly patterns it produces. At least, I assumed so. Its etymological roots probably stem from more math bullshit again.

True to its name, Noise is noisy. It’s visually similar to Diffusion dithering, except much more random looking. At least, when binarized like this. Truth be told, I can’t tell the difference between the two at all when using a fuller color table on an image with a lot of detail. It was mainly intended to be used when exporting individual slices of an image that was to be “stitched” back together on a webpage, to mitigate visible seams in the dithering around the edges.

To sate your curiosity, here's how the image looks with no dithering at all:

People easily confuse an undithered gif as being the result of posterization, and you couldn't fault them for thinking so. They look almost entirely the same!

Although I was already aware of this fact when I was much younger, I'm guilty of posterizing myself while editing images back then. Figured I may as well reduce the color count beforehand to help keep the exported GIF looking as intended. I view this as a complete waste of time now, though, and amateurish. Takes away a bit of the authenticity of MSPA art, how the colors and details are so variable between panels. As for WHY they were so variable to begin with, choosing the settings to save the image as requires a judicious examination on a case-by-case basis. In other words, just playing around with the settings until it looks decent.

It's the process of striking a fine balance between an acceptable file size and a "meh, good enough" visual quality that I mentioned earlier. How many colors can you take away until it starts to look shit? Which dithering algorithm helps make it look not as shit while not totally ruining the compression efficacy?

Take, for example, this panel from Problem Sleuth. It has 16 colors, an average amount for the comic, and uses Diffusion dithering. Filesize: 34.5 KB.

Then there's this panel right afterwards. It has 8 colors (again, technically 7 + alpha channel since it's an animated gif), and uses Noise dithering this time. Filesize: 34.0 KB.

The more colors and animation frames there are, and the more complicated dithering there is, the bigger the file size is going to be. Despite the second panel having half the color count of the first, the heavily noisy dithering alone was enough to inflate the file size back up. On top of that, there's extra image information layered in for the animation, leaving only a mere 0.5 kilobyte difference between the two panels.

So why would Hussie pick the algorithm that compresses worse than the other? The answer: diffusion causes the dithering to jitter around between frames of animation. Recall its description from before, how it functions on nerd shit like math calculations. The way it calculates what each pixel's color will be is decided by the pixels' colors surrounding it, to put it simply. Any difference in the placement of pixels will cause these cascading changes in the dithering like the butterfly effect.

Diffusion dithering, 16 colors. Filesize: 25.2 KB

This isn't the case with Noise or Pattern dithering, since their algorithms use either a texture or a definite array of numbers (more boring nerd shit).

Noise dithering, 16 colors. Filesize: 31.9 KB

Pattern dithering, 16 colors. Filesize: 23.1 KB

There's a lot more I'd like to talk about, like the different color reduction algorithms, which dither algorithms generally compress better in what cases, and the upward and downward trends of each one’s use over the course of a comic, but since this isn’t a deep dive on GIF optimization, I might save that for another time. This post is already reaching further past the original scope it was meant to cover, and less than 10 images can be uploaded before hitting the limit, which is NOWHERE near enough for me. I should really reevaluate my definition of the word “tidbit”… Anyway, just know that this post suffers from sample selection bias, so while the panels above came from an early section of Problem Sleuth that generally had static panels with diffusion dithering and animated panels with noise dithering, there certainly were animated panels with diffusion later on despite the dither-jittering.

Alright, time to shotgun through the rest of this post, screw segueing. Increasing the contrast almost entirely with “Use Legacy” enabled spreads the tones of the image out evenly, causing the shadows and highlights to clip into pure black and white. The midtones become purely saturated colors. Using the Levels adjustment filter instead, moving both shadow and highlight input level sliders towards the middle also accomplishes the same thing, because, you know, linear readjustment. I'm really resisting the urge to go off on another tangent about color channels and the RGB additive color model.

Anyway, there aren't any examples in MSPA that are quite this extreme (at least in color, but I'll save that for a later post), but an image sufficiently high in contrast can be mistaken for being posterized at a glance. Hence the Guy Fieri banner. In preparation for this post, I was attempting to make a pixel-perfect recreation of that panel but hit a wall trying to figure out which and how many filters were used and what each one's settings were, so I sought the wisdom of those in the official Photoshop Discord server. The very first suggestion I got was a posterization filter, by someone who was a supposed senior professional and server moderator, no less. Fucking dipshit, there's too much detail preserved for it to be posterization. Dude totally dissed me and my efforts too, so fuck that moron. I spit on his name and curse his children, and his children's children. The philistines I have to put up with...

In the end, the bloody Guy Fieri recreation proved to be too much for me to get right. I got sort of close at times, but no cigar. These were some of the closest I could manage:

You might be left befuddled after all this, struggling to remember what the point of the blogpost even was. I had meant for it to be a clarification of GIFs and an argument against using the posterization filter, thinking it was never used in MSPA, but while gathering reference images, I found a panel from the Felt intermission that actually WAS posterized! So I’ll eat crow on this one... Whatever, it’s literally the ONE TIME ever.

I can tell it's posterization and not gif color quantization because of the pattern dithering and decently preserved details on the bomb and bull penis cane. There would have had to have been no dithering and way fewer colors than the 32, most of which were allotted to the bomb and cane. You can't really selectively choose what gets dithered or more colors like this otherwise.

Thank you for reading if you've gotten this far. That all might have been a lot to take in at once, so if you're still unclear about something, please don't hesitate to leave a question! And as always, here are the PSDs used in this post that are free to peruse.

#tidbit #homestuck #problem sleuth #gif #dithering #posterization

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rwrbmovie · 10 months

Text

BTS of #RWRBMovie: V&A

Via Amazon:

NG: I think their time together at the Victoria and Albert Museum really sticks out to me as a defining moment of their relationship. My character, Henry, really shares the last frontier of his vulnerabilities and really opens Pandora's box in a way saying plainly to Alex, ‘This is my life. I'm terrified, but I'm willing to take this risk.’

From EW:

For Galitzine, who grew up going to the museum, it was a surreal experience. "I was born and raised in London and the V&A is an iconic place to visit — the galleries, the displays, exhibitions that have been on there. To be able to witness it in such a quiet state was really bizarre. Night shoots are disorienting at the best of times. It's 5:00 in the morning, you're trying to act and be emotional, and you're in this truly beautiful, picturesque setting. It was really cool to be able to explore it. It felt a bit like Night in the Museum. It was a weird, surreal but extremely enjoyable experience."

Director Matthew López didn't know for much of the pre-production process whether the V&A would even allow them to film there. "They were very, very protective as you could imagine," he tells EW. " Especially when we told them where we wanted to shoot, which is a lot of things we could break, and I really didn't want to be the guy who ended up breaking a priceless piece of statuary. But we ended up getting permission, and that was amazing." In McQuiston's novel, this key scene takes place in the Renaissance Gallery, which López and cinematographer Stephen Goldblatt visited while scouting in London. But while we still see Henry and Alex run through that gallery, they decided to choose another due to the V&A's filming parameters. "It's not the most photogenic gallery," explains López. "It's kind of dark and it's very, very big, so there's a lot of blank space between the statues. The chances that you're going to get just a white wall behind you are good. And it's very hard to shoot in there because the rule that the V&A had for us was that we couldn't bring in any exterior lighting. We could not bring it in our own lights." But Goldblatt had an idea to work around that limitation. "He led me to this area of the museum where we did end up filming it," the director continues. "That long, beautiful corridor with all those gorgeous statues filled with very homoerotic art, as well as that narrow alleyway of busts. We came back another night after closing, and he had them turn off everything, all the lights except for the spotlights that were there, illuminating the artwork. But turning off the floodlights that lit the gallery for people to walk around in. What you had in an instant was darkness everywhere and light shining on the art." Goldblatt manipulated the light further with a dimmer switch, creating an almost sacred environment in which Henry and Alex could express their love for each other. "We did not bring in any of our own lighting," emphasizes López. "That scene is shot with the lighting that's available to us at the V&A. We decided that the scene would be the boys for the most part in shadow and the statues illuminated. It was a beautiful use of a problem to create a better solution that you could not have come up with on your own if you had no problem."

From Glamour:

“My absolutely favorite scene to film was the night we shot inside the Victoria and Albert Museum,” says López of the scene depicted here. “We arrived at 10 p.m. and filmed until sunrise. To have access to that museum at night without any other people around made you feel what Henry and Alex must have been feeling the night they go there together. What made it so special is that, for one of the first times in the shoot, it was just me, Taylor, and Nick working. No other actors, no background players. It’s a magical scene in the book, and it was a magical night for all of us.”

From HELLO:

In the film, as in the book, the pair dance together here as they vow to make their relationship work, come what may. This scene is also Matthew's favorite scene, "because it's the only scene in the film that is actually filmed at the location that it's set". "That night was very beautiful and I think it's reflected in what you see on screen; there's a magic to that place at night and I like to think we captured it," he adds.

From NYT:

The two men under the dimmed lights were the actors Taylor Zakhar Perez and Nicholas Galitzine, and they swayed until the director, Matthew López, called “Cut!” around 2 a.m. for a lunch break. “It was just the three of us and our crew,” said López, who’s also the film’s co-writer. “It made for an incredibly intimate, really special night.”

From W Magazine:

There’s a sweet moment in the Victoria and Albert Museum. Why did you shoot in that sculptural exhibition? That’s not the gallery from the book. I went there with Stephen Goldblatt, my director of photography, and it wasn’t very cinematic. Stephen took me to another part of the museum, where we shot, with lower ceilings a more contained space with beautiful statues: David and Goliath, three women, the corridor of busts and torsos—very cinematic.

#rwrb movie #red white and royal blue #rwrb #rwrbsource #Nicholas galitzine #Matthew Lopez #stephen goldblatt #this one’s long read under the cut #ng #bts #rwrbbts #*#my stuff

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