#which yes can refer to more than one show | Explore Tumblr Posts and Blogs

fa-by · 2 days

Text

I LUV IT

Hi babies and dear Anons 👋🏼, me again 🙃. I posted a new Q&A yesterday, and @camrensrealbish (btw hi, bud 👋🏼😄) asked me in the comments if I could create a post just for I LUV IT's two analyses.

@camrensrealbish: “Hi Faby, I love the interpretation of I LUV IT. I luv it, I luv it, I luv it 👌😅. I think it explains so well that this era is not surface-level at all. That thought through lyricism and symbolism is definitely still here. And how we’re so eager to dismiss hyperpop as stupid and without substance, be it for our convictions about femininity or sexuality, or even caution because of how other people use women’s sexuality. But when done purposefully it just shows how showing someone’s sexuality in this way *can* be empowering and authentic. And I think this is the case here. Can you please post your song commentary in a separate post, please? I would like to share it properly 😘”.

I originally wanted to post the two analyses as I did here now, but I couldn't because Tumblr has limited the possibility of posting more than 30 pics and I don't know why the fuck 😤. So thank you, dear 🤗. You gave me the excuse to be able to do it 😉.

Enjoy 😊.

Hiii to you too, dear Anon 👋🏼😄. I hope you're good too and about your ask, sure 😉.

So. I LUV IT ft. Playboi Carti released on March 27, 2024, is the first single for her fourth LP: C, XOXO. It's a hyperpop/experimental pop song and it samples Lemonade by Gucci Mane and interpolates Cockiness (Love It) by my queen RiRi (Rihanna). The studio recording with Carti was completed on Dec 17, 2023: (Carti's instastory)

Let me tell you something, this song was meant to shock. She pulled a Yes, and? and it worked 😎. For those of you who don't know what I'm referring to by that, I meant that Yes, and? was Ariana Grande's single for her album Eternal Sunshine and it's a diva house/dance-pop song, which was a different and unexpected genre especially then comparing it to the rest of the songs in the album when it was later released. It's a great song, but if it weren't for the concept that connects to two other songs, it would have nothing to do with the rest of the album musically and sonically speaking. It was a calculated idea to make it different from the rest. It's very smart and it's a good strategy for both a comeback and an album. I feel like I LUV IT is exactly the same thing. An impactful comeback was needed and this, together with the platinum blonde and the new era in general, served the purpose. The song was meant to be talked about for better or for worse. And guess what? Mission accomplished 😜.

This song is not for everyone. There are those who loved it right away, those who hated it and still do, and there are those who hated it and then slowly loved it. In reality, most people hated it and then loved it 🤣. I personally didn't hate it but I didn't love it right from the start either, not gonna lie. I just liked it 🤷🏻‍♀️. But after the third listen? Bouncing ass, tongue out, aaaand I luv it, I luv it, I luv it, I luv it, I luv it, I luv it, I luv it 🤣!! This song is definitely a grower! The more you listen to it, the more you become addicted to it 😍.

But anyway. Unlike the video, the lyrics talk about sex. So let's get started. Oh and, of course, I won't include Carti's mumbled Atlanta rap or as his fans say, the Cartinese, simply because he wrote his part.

***Btw, I can no longer listen to Carti’s “Oh, you on the road now? - Oh, you grown now? - Oh, you too grown now” without bursting out laughing 🤦🏻‍♀️🤣. I can't help but hear Nas' imitation of Carti's voice in the HE KNOWS music video🤣🤣🤣. For me, those three sentences have now become just one repeated X3: “Oh, you on the floor now” 🤣🤣🤣🤣🤣🤣🤣***

Oh oh oh, last thing before starting. If you're a prude, LEAVE NOW. Skip the whole lyric analysis and go straight to the music video analysis. The song is about sex like I just said and I therefore won't hold back from explaining certain things, okay? I warned you 🙋🏻‍♀️. I don't wanna see complaints in the comments as happened years ago. Thank you.

Song

Verse 1:

“Supersonic, in your orbit”

So, supersonic. One word from which two derive: super and sonic. Super: above the rest, better than the rest. Sonic: derived from the Latin ‘sonus’ which means sound. Super-sound. Basically a loud noise, a sound/sonic boom that (the actual meaning of supersonic:) breaks the acoustic barrier by traveling at a speed faster than the one of sound. A flight can be supersonic. As well as a missile and even a gun bullet.

An orbit is an ever-changing path one object in space takes around another. An unscientific example? A dog with its favorite toy often orbits their owner insistently because they want to play with them. Speaking from personal experience here 🤣.

***Oh and, lil fun fact. In prostitution specifically, orbit was, and perhaps still is, a code word for oral sex***

Ultimately, “Supersonic, in your orbit” means that Mila is this supersonic boom, this let's even say supersonic shock that orbits around her prey. As I've said many other times in my analysis, Mila likes to use wordplay in her songs and this is basically her artistic way of explaining sexual provocation. She's provoking her target.

“And I’m bad, diabolic”

It's giving intense energy and mischief out of the ordinary 😜. She knows she's good at it (provocation). She has a goal (to sleep with her) and succeeds because we have the aftermath of her intent in the next sentence.

“Bottle rocket, on the carpet”

Her favorite lyrics because many people didn't grasp the meaning 🤣. Definition of bottle rocket: a firework typically consisting of a cylindrical case that is partly filled with combustible material and fastened to a guiding stick which may be placed in a bottle to control the direction of the rocket's launch.

In this case, in sex, bottle rocket is the representation of cuming hard in an explosive way.

Rockets have a phallic shape, so the first thing that's assumed here is that it's the sperm that's on the carpet, also because the song acts as straight 🙄, but where's the deception? Even girls can give someone a bottle rocket. How? By being an explosion and not a normal female cum orgasm, with female ejaculation also known as squirting.

Ergo, she's talking about herself. This song is not about sex with a guy and I can even prove that with the next sentence.

“Threw it back and he caught it”

Round two, doggy-style position. Movements: “Threw it back” her ass “and she caught it” with the hands by placing it directly back on the face aka mouth-tongue (clue about the lil fun fact I mentioned earlier) or by directing the entrance of the cave of wonders on the dildo (since Camren loves toys so much 😜🤣🤭). But, given the “he” because, again, the song acts as straight 🙄, the meaning should make you think of the guiding on the dick. But no. As I said before, I can prove it.

When guys cum, it literally takes them a while before they can go again. Some need 10/15 minutes, others hours or directly the next day because they literally physically can't. It's rare anyway that they manage to go beyond the second round (unless they're in the midst of adolescence and are like 14/15 years old 🤣), and those who miraculously can make it, also last very little and their cum is also very little. And mind you, I'm not saying these things to belittle men. I'm not making anything up. It's the pure truth. Not only have I experienced it myself (cause yes, hi 👋🏼, I've been with my gf for 3 years but I'm bisexual and I've had relationships before her), but these are facts that you can even look up if you don't believe me.

It's obviously not the same for all guys and they're all different, but us girls literally need 5 seconds or nothing at all to recover, and we don't have limits like they do. Unlike males, we females can have multiple orgasms. Sexual arousal and orgasm are possible again right away. So no. It's impossible she was talking about a guy.

If she was really talking about a guy, it's impossible that immediately after his Bottle rocket, on the carpet (yet another proof that Mila was talking about her cuming, her squirting) he didn't need some enough available time for round two (Threw it back and he caught it). Let’s move on 💪🏼.

“I go soprano, baby, go down low”

Soprano in music is the highest note, so in this case, going soprano means she's screaming with pleasure. And in her euphoric state, she guides her partner back down there into her buried treasure.

“And when he leads, I gotta follow”

The movements. Like in dance. In partner dancing, there are those who lead and those who follow. They're designed roles to facilitate the movements. The one who leads manages the body of the one who follows and decides the dance steps and direction of travel from time to time.

The thing that makes me laugh about this part is the “when he leads”. “When” 🤣🤣🤣. Because she's the top and she's the one who leads most of the time because Laur's the bottom (even though they're both also switch) so when Lo leads, when, sometimes, occasionally, I gotta follow 🤣🤣🤣🤣🤣🤣🤣. Oh Mila 🤦🏻‍♀️🙈🤣.

“I’m blackin’ out, I’m on a spiral”

She feels out of control (spiral) because the ending is so beautiful that it almost makes her lose consciousness (blackin’ out).

“I need you now and tomorrow”

And forever.

I’d also like to add a deeper meaning of sex to I’m blackin’ out, I’m on a spiral – I need you now and tomorrow. Although she said the song is about sex, she also said:

“Part of that cocktail is also the emotional drama between you and that person, and the chaos and butterflies and nerves and passion. It’s unsustainable and not peaceful and exhausting, but also, I LUV IT.” – “Now I feel kind of lonely and small and weird, but at the same time, I’m an adult and I feel so strong in other areas of my life, but not this one. There’s just the wrestling of those feelings without it being kind of neat or in a box. You can’t really say that it’s a sad song, you can’t really pin it down. It’s just kind of me wrestling with these feelings and me kind of being really present on a particular feeling and exploring it. I feel like a lot of songs on the album are that”.

So going deeper, “I’m blackin’ out, I’m on a spiral” indicate her anxiety. Being on a spiral or simply spiraling, is an emotional state that rapidly worsens in a way that becomes increasingly difficult to control and often leads to short-term periods of anxiety or depression. Aka her OCD gets triggered. Which by the way, I remind you that for her leads to obsessions and repetitive thoughts. And in a certain way, we can also see it in the repetition of the same phrase in the chorus.

So here she's saying: 1) I’m blackin’ out, aka I'm going crazy, I'm freaking out (connection/thing that reminds me a lot of “Am I out of my head? Am I out of my mind?” Bad Things [analysis here (eleventh ask)]) 2) I’m on a spiral, aka I'm anxious, distressed, worried, fearful. Why? Because I don't wanna lose you aka 3): I need you now and tomorrow. This alludes to the desire for connection and intimacy that goes beyond sex.

Both meanings (sexual and deeper) however indicate the intensity of her uncontrollable and erratic emotions towards as she said “that person” Lauren. But she doesn't care. “It’s unsustainable and not peaceful and exhausting, but also, I…?” She…? She what? Sing it all together🎤🎵🎶👇🏼👇🏼👇🏼:

Chorus:

“I luv it, I luv it, I luv it, I luv it

I luv it, I luv it, I luv it

I luv it, I luv it, I luv it, I luv it

I luv it, I luv it, I luv it

I luv it, I luv it, I luv it, I luv it

I luv it, I luv it, ooh

I luv it, I luv it, I luv it, I luv it

I luv it, I luv it, I luv it”

1, 2, 3, 4, 5, 6, 7…...

27. 27……

27 times, huh? 😜 What a wonderful coincidence! 🤣🤣🤣🤣🤣🤣🤣 of all the numbers, precisely the 27. Would you look at that 🤣🤣.

No seriously tho. The words have to fit and respect the tempo of the song, but coincidence or not it's still funny for me 🤭.

Post-Chorus 1:

“Lemons on the chain with the V-cuts (X2)

Lemons in their face, watch ’em freeze up (x2)”

This part was sampled from the song Lemonade by Gucci Mane. Lemons are basically yellow diamonds (known as Canary Diamonds) cut/engraved in the shape of the letter V (an expensive method of cutting diamonds).

The meaning behind that would be that people would “freeze up” in shock at seeing this display of wealth and success, these lemons/diamonds, “in their face”s. They're oh so surprised and intimidated that they even freeze up for this luxury lifestyle thrown in their faces.

Umm………. 🤣🤣🤣🤣🤣🤣🤣 Do we really care? Of that? Okay 🤣. About something she didn't even write? Something that she literally took copied and pasted into the song? Pfft, okay. Can we move on? Thank you 🤣.

Verse 2:

“Super twisted, sick addicted”

Twisted: someone who's mentally or emotionally unhealthy or disturbed: sick. --> Sick addicted: someone who's unable to stop doing something as a habit. Ergo, she's saying that she likes/enjoys it a lot and wants to spend as much time as possible doing what they're doing: sex.

Nonsexual meaning: She's using strong words to describe not only herself but also what their relationship is like. They may be twisted, and addicted, and toxic, and all the other things we've seen in their songs, but no matter what, she/they LUV IT, cause they luuuv each other.

“Kiss me hard, someday you’ll miss this”

A dig for all those times they break up or take breaks.

“Meteor shower, in your power”

What's a meteor shower?

The meteor shower is nothing other than what we commonly call shooting stars. These are obviously not stars, but meteors. Meteors are the aftermath of asteroids and comets that ORBITATED the SUN.

Asteroids (celestial bodies composed of rocky bodies) and comets (celestial bodies composed of frozen gases) become meteoroids when they fragment. In turn, meteoroids ignite and disintegrate when they enter our solar system, becoming meteors, ergo shooting stars. Those that don't disintegrate and manage to touch the earth's ground instead become meteorites.

How does a meteor shower happen?

The meteor shower happens when the earth, in its ORBIT around the SUN, crosses an area in which fragments of rock and dust (meteoroids) lost from a comet or an asteroid (celestial bodies made of rock, dust, and ice coming from the outermost areas of the solar system) are concentrated. When an asteroid and a comet heat up as they pass close to the sun, they reach such temperatures that they fragment even more (meteoroids) and when these very tiny fragments enter our atmosphere, they ignite and burn due to friction by generally developing tails, luminous trails (shooting stars) until they vaporize or leave debris (meteorites) behind.

Lil fun fact: some meteorites found on earth come from the MOON 🤭🤣. Most come from destroyed comets and asteroids, but some come from Mars or the moon.

So, after this compelling little science lesson, I can explain what Mila means by “Meteor shower, in your power”.

It's very simple actually. A meteor shower is a celestial event. She's comparing their sex to this astronomical phenomenon, the “Meteor shower”. The “in your power” is due to the fact that Lo’s the one who’s leading as we saw in “And when he leads, I gotta follow” in the first verse.

“Seein’ stars, oh my God”

The retina sends light signals to the brain by making sparks, stars, or flashes of light appear in the visual field. When does this happen? It usually has to do with the head. You've made a movement too fast, like standing up suddenly, or you've been hit on the head, or you're about to lose consciousness, etc. These are all negative aspects, but we're talking about something positive here. Sex.

This amazing sex (Meteor shower), this second round (Threw it back and she caught it), brings her to another orgasm (maybe even another Bottle rocket 🤷🏻‍♀️😏) during which she feels so bewildered, so dizzy, and she experiences this very surreal feeling that overwhelmed her by even Seein’ stars during it. Seein’ stars: to climax, to achieve orgasm.

This can very well be connected with ““I’m blackin’ out, I’m on a spiral” She feels out of control (spiral) because the ending is so beautiful that it almost makes her lose consciousness (blackin’ out)” that I explained earlier.

Oh and, the “oh my God” was her, um 🤣, comment, to express that ending if it wasn't already obvious enough 🤣.

Bridge:

“Slow down, baby”

All of Playboi Carti's “Uh, uh, uh, uh” before Mila's “Slow down, baby”, at least to me, indicate the thrust of the act. Again, he “sings” them to prove the song is straight 🙄, but we know the truth. Anyway. The “Slow down, baby” means exactly that. Either Mila's settling down from the end of round two and needs a tiny bit more time to go as fast as they were going before, or she simply wants this third round to go at a slower pace than the previous one, or better yet, Slow down, baby like in ‘stop, it's my turn now’ (to lead).

Another proof that this doesn't talk about sex with a guy. As I said before, it's rare for guys to get beyond 2 rounds, so let alone a third one 🤣. Sorry, not sorry, but it's literally the truth 🤣.

And that's it. I luv the fact that Camila's lyrics in this song talk about sex but she uses words that still perfectly capture the magnetic attraction between the two of them. I luv how she's quite unapologetic about it. And I LUUUV how she also used these cosmic references in general, but above all, how they anyway hide in a certain way the two important celestial bodies in our sky and solar system: their representation, aka the moon and the sun.

Now let's move on to the music video where everything that could go wrong happens 👍🏼🤣. What is she trying to convey here? Let's find out.

Music video

Opening scene. A Robin Hood wannabe who takes coins from his pocket.

Three empty stationary police cars in a driveway while an aspiring lumberjack cop is, for what initially appears to be, cutting down a tree to prepare for winter.

KhaleesiMila enters the scene 5 seconds before she starts singing. She looks like she just came back home from the night before given her outfit and her slightly messy hair. But not her makeup. The makeup is perfect of course because it's still a music video 😉.

She enters the kitchen with a chocolate cake in one hand while with the other she nonchalantly tosses her heels in a spot where it's very usual for us girls to leave them 🤣: at the doorway or in the bedroom on the kitchen counter.

She starts singing and eating a piece of chocolate cake at the same time.

At the same moment as the first bite of the cake, we have a really well-done perfect transition of her spitting her mouthguard out in a somewhat snobbish but challenging and provocative way because she's ready to fight against a professional female wrestler.

Soon after we have a 3-second split shot of her chewing the cake in the kitchen again and her and Carti in the gas station, before cutting to a long one where we have the reappearance of the archer from the opening scene.

From this moment on, all the small shots, the little introductions that we initially had, are explained a little bit more extensively with longer scenes and shots. Still messy 🤣, but longer.

Hospital part 1

Now that we see the surroundings, we notice how Legolas wannabe is in the corridor of a hospital and that the coins he took from his pocket in the opening scene, he needed them to get something like a chocolate bar from the vending machine. After taking it, he walks back to a white-dressed Mila who's sitting with an arrow in her heart.

A flash passed before my eyes and for a moment I was back in 2019. Why? Liar. The cover art picture of the song portrays her as an angel with wings.

Camila explained that Cupid strikes her with his bow to make her fall from heaven and unmask her, by making her not so angelic anymore because she's actually a liar who's hiding something, that is a secret [hmm, I wonder which one 😏😎🤫🤐🤣]. This whole story created for the song inspired the visual for the entire album Romance (whole album inspired by the surrealism of a museum of love stories in heaven).

So I asked myself, what is this? A connection to Romance but direct to Liar? No. I'd say more that she paid homage to it since even though the lyrics are about sex, the ideology of the video is about their toxic relationship and how she knows it's toxic but she LUVs IT anyway.

Anyhow, I guess that at the arrow in the heart scene, you all thought that the Green Arrow wannabe was Cupid. Same thing here, mostly because of the connection with Liar. I initially thought: “Oooh, it's Cupid! Cupid shot her with his arrow, ergo she's in love. But she's lovesick, and because of this the hospital: love - sick”. Then I saw the whole scene (plus the ending which I'll explain, well, at the end 🤣) and I realized: “Nope. Not Cupid. Not Cupid at all. Hi, Lauren 👋🏼”.

***Let's be clear. This is a music video. A creative and imaginative way of portraying objects, people, and scenarios in general. Yes, it's Camila's POV, but Lauren isn't that bitchy and dickish in real life. Okay? Every artist does it. It's art. Literally, as the word implies.***

So, back to the scene. Rewind. Lauren Hawkeye wannabe takes the candy bar from the vending machine and goes back to Mila. *This is the point where I got to before.* He doesn't even look at her. He just sits. Contrary to her who follows him with her gaze as he sits down and she also turns her head to look at him one more time before looking straight ahead.

That chocolate bar or whatever the fuck it is, it's not even for her. He took it for himself without even having the thought of taking it for her or taking something for her as well. I mean he's like, he's there for her. He went with her and he accompanied her also because he hit her with an arrow. Like yeah, we know that. We can see that. But even though he's there for her, he at the same time doesn't acknowledge or address her at all. He's just there. Present and not. Waiting for her turn.

While she, even smiles with her mouth closed as he's returning to her, but it's a smile I'd say forced. A kind of smile that masks how uncomfortable she feels. It's a wan smile that shows no energy or enthusiasm. It's a stoical ‘grin-and-bear-it because you're used to it after all’ kind of expression. That smile alone makes you understand how ‘normal’ this situation is for her. She's so used to it that it's a standard routine for her. It doesn't come as a surprise.

In a situation like this one, in a hospital, with an arrow in the chest/heart, anger or pain or both reactions are what you expect to be shown by her. But no. She's just there. Waiting for her turn.

Meaning behind this? The arrow in the heart represents a metaphorical way to express the idea that love can be both powerful and overwhelming, capable of causing joy and pain in equal measure. In this case however, the arrow in the heart doesn't represent a tender sweet and romantic symbol of Cupid and Valentine's Day. It represents a heart-piercing emotional pain. In this case, that arrow is nothing more than a heart-stopping arrow through the heart.

Fight & Dogs

In the next scene we have the professional female wrestler again. Like when she spat her mouthguard out in the opening brief shot, Mila continues to have this defiant attitude *she’s so hot there btw 🤤🥵*.

She shows herself as very self-confident with this superior aura and this cockiness that gives off an ‘I can kick your ass’ vibe. All of this flies out the window the moment the wrestler makes her move against her and Mila shits in her pants and starts running away 🤣.

At the same time that she starts running, we have another perfect transition of a running dog.

Then we have another very brief shot of her continuing to eat the cake in the kitchen, before alternating the fight with the wrestler and not just one dog running randomly, but her being chased by no less than three dogs 🤣.

These two scenes are connected on the part of running for your life. Literally as far as the dogs are concerned 🤣. And speaking of the dogs, the scene represents the danger and risks of being in love with someone. It represents all the feelings of chaos that go along with it. It represents feeling afraid and helpless with a constant internal battle of anxiety and fear. Being chased by dogs is stressful, scary, and unpleasant, BUT, it's even adrenaline-pumping and the depiction of it, is basically like an excited nightmare that represents not knowing where things are leading. Running into the unknown. She's scared but she does it anyway because the journey is electrifying.

Going back and talking about the scene with the wrestler, the running scared to avoid the actual physical fight is the representation of avoiding the confrontation. And that's something we know Mila does thanks to both her and Lauren. We also know this because in 2016 she herself said that she avoids conflicts with people. It's a vice/bad habit that she's always had.

BUT, no matter how much she tries to run away and avoid this confrontation, it always happens. Sooner or later, she eventually always finds herself having to face the problem unwillingly or not. The representation of this in the video is when she's captured. We actually see this section almost at the end of the video after Carti’s “🎵tursin-eh-oh-and-halloh-eh-halloh-eh-halloh-I'm out o-controool🎵” 🤣🤣🤣. We see the wrestler chasing and catching Mila, which leads to the headlock wrestling move.

Now let's talk about this section with the headlock that we see both at the end and currently in the first chorus of the part of the video where we are. Specifically this one here. We see several headlocks in sequence, but the one I want to focus on is the second one, where the wrestler is enacting the chokehold with only one arm.

Like, umm… 🤭 The way you caress her arm and look at her, and the way you sing “I luv it” with your tongue sticking out in that seductive way 🔥.

I mean... Mila, honey…😏 I see you! 🤣

No wonder in the BTS of the video she said: “I've been the most excited for this scene all day”. Hmm 🤔, I wonder why is that 🤣🤣🤣. Just as I'm not surprised by the other clue she gave in the interview with Bru On The Radio when talking about the scene: “It's like a little homoerotic. It's cool! But um- * she bursts out laughing by looking to the side* -yeah”.

Homoerotic: 1) (especially of art, literature, drama, or the like) using symbolism, allusions, situations, etc., that invoke sexual attraction or activity between people of the same gender. Example: There's definitely some homoerotic subtext in that book. 2) having sexual attraction to people of one's own sex or gender, especially when that attraction is repressed. Example: To say a man has a “streak of lavender” means that he has homoerotic desires. 3) relating or involving sexual activity between people of the same sex. Specifically: marked by, revealing, or portraying sexual desire between people of the same sex.

I have nothing else to add, Your Honor. I have nothing else to add 😎🤣.

No but seriously now. She doesn't act that way during the other headlocks. In those, she tries to fight back and somehow defend herself by trying to free herself. We see her react in a rather normal way to that type of situation. But in that particular hold? Nope 🤣. We can see how much she likes it. How attracted and aroused she is. The reactions she has during the other headlocks represent her external side, what really happens and what she lets see. While in that particular one, we see the toxicity of what happens in her inner part. The “I luv it” to the choking which on a larger scale, represents her toxicity in loving the pain. Even though they're fighting and she hates the confrontation and is in pain, she LUVs IT anyway because she luvs HER.

***Mind you that this is only an additional representation and seen in a more generic way. I don't see it as fitting to the theme of the music video as much as the one I've already explained to you now.*** A broader meaning could also be the representation of how the love for Lauren is so strong that she can't fight it. We've seen this other times in the lyrics of songs like This Love [analysis here (the penultimate ask)] and Señorita [analysis here (the last ask)] where Mila was having an inner struggle because, on the one hand, she wanted to protect her feelings, and on the other, she couldn't resist her. Ergo, the scene where she tries to fight this love, the professional wrestler, but she loses and thus is ultimately defeated.

House

Next scene we have her continuing to eat the chocolate cake plus this guy who comes in and rides around her house on his motorcycle and she does nothing.

Let's dwell for a moment on her eating.

Where have we seen something like this before (besides the reality of everyday life)? In every damn movie and TV show since forever 🤣. Someone is sad for some X reason like they had a fight with someone, or they're going through a breakup, and what do they do? They eat either something chocolate or ice cream. 90% of the time it's something chocolate related. Why? Because when consumed, it releases endorphins in the brain that produce a mild feeling of euphoria by mimicking the feeling of being in love. This is why chocolate is called the love drug. It gives comfort and joy and when we're down, we emotionally crave chocolate because we're unsatisfied with something.

Her eating chocolate cake in this case is an indication of unsatisfied desires and emotional needs.

Now let's go back to the guy with the motorcycle. He's destroying everything in his path and she's simply there, munching on her cake unbothered.

He's causing a mess but she doesn't even try to stop him. She doesn't get angry, she doesn't scream, nothing. And why? Because as I said before by talking about that type of smile in the hospital, this situation is ‘normal’ for her. She doesn't react simply because she's used to it. The chaos of their relationship doesn't surprise her also because, I mean, it's been years and years.

The house depicts her head and what happens in it. Him destroying the house is a representation of how she sees his bringing chaos into her life and their relationship. On a deeper level, her not reacting to the destruction of the house represents the fact that she's so in love that she ignores bad and toxic behaviors. The whole scene represents the toxicity and destruction that a relationship can bring into your life but you keep trying because you LUV IT. Lauren brings love, happiness, passion, euphoria, but she also brings chaos which also encompasses mess, confusion, disarray, whether all good or bad. We also saw this type of example in the lyrics of Consequences [analysis here (penultimate ask)].

Successively we have a mix of scenes, among which are the cop one of the opening scene, the car one, and the bathroom one.

Palm tree

We can finally see that this aspiring lumberjack cop is chopping this palm tree because Camila is on top of it.

Now, I have two interpretations for this. The palm tree represents Lauren/their toxic love in both interpretations.

N° 1, she's stuck on the tree. Being stuck represents her way of saying that there's no way out of their toxic relationship even though someone (represented by the cop) or more than someone (since there are 3 police cars even though we only see one cop) tries to get her out of this situation.

N° 2, the one I see as the most truthful, the most right one. She's not stuck on the tree. Mila is Walzing it 🤣🤣🤣 (for those who don't know, Dinah used to call Mila ‘Walz’ and here you can find the reason why the nickname was born). Her koalaing the tree also represents her co-dependence. She's clinging to it and doesn't want to let go.

She's on the very high point of the tree; visual meaning: danger. If she were to fall, she would die or be seriously injured. But she doesn't care. She's ready to risk her life. Deeper for the representation: her love is so strong, that she's ready to risk it (“I'll risk it all”, as we've already seen in Used to This [part of the interpretation that you can find in the analysis of Only Told the Moon here]). She's ready to risk everything/risk it all even if she were to lose her heart and if it were to affect even her mental and physical health as we've already seen in the lyrics of Consequences.

Even in this case, the cop represents someone or more than someone in her life who tries to get her out of this situation. They use extreme ways to do this, representative of getting her down: cutting down the tree. Why? Why doesn't this cop who clearly knows that this person is experiencing some kind of problem call the fire truck to bring a ladder to save her since that's what's normally done in these situations? Or he doesn't go directly and find one himself? Why doesn't he talk to her and try to reason with her to get her down?

Because it's not the first time this has happened. The cop (her family, her friends) is so used to and tired of seeing their on-again, off-again/cycle/loop/circle, that he decides to help her in a more brutal way in this case. Representation: chopping down the tree. It doesn't matter tho. It doesn't matter that other people try to help her in hard ways. She doesn't wanna lose her, and therefore she depicts how even though she knows it's a toxic relationship, she's clinging (codependent) to it and continues to love her because she doesn't want to depart/separate herself no matter what. Reason why we even see her singing “I luv it” while she’s glued to the tree.

Car

Speaking of falling (and how these two scenes are connected). Instead of that tree, here we see her having fallen over a car. Part of the car is destroyed, as is she. It's a representation of being in love and how it can sometimes destroy you. But again, we even see her singing “I luv it” because she doesn't care.

She doesn't care about falling and being crushed by/for her. They've taken a lot of risks over the years. They've suffered, they've hurt each other, and they've fallen down and gotten up every single time. And those wounds, in the video are represented as real wounds with cuts, bruises, gashes, and all that jazz.

She doesn't even care when we, the public and the fans, see her destroyed like that. We've seen it many times, especially after years and years spent growing up in the public eye. By this, I'm obviously referring to the woman who's immortalizing the scene with her phone.

Although that, it's also a representation of what would actually happen in today's world: instead of helping or calling an ambulance, the woman is filming or taking pics.

Bathroom & Bedroom

Contrary to the connection that the tree and the car scenes have, this one is connected to the ones of the dogs and the professional female wrestler.

We first see her in the bathroom. She looks in the mirror and even lifts her shirt up to look at her belly. Let's say normal things that we all do, and so far, nothing strange. Then we also see her perplexed and undecided tho (when she sighs with her finger in her mouth). And we see her rehearsing. We see her change her expression to a determined one and make the gun gesture with the fingers of her hand.

***Sorry but I have to tell you guys 🤣🤣🤣. I found it extremely funny how she made the gun gesture with her fingers precisely at “someday you’ll miss this”. THIS and bam: fingers out 😏😎🤣.

I'm sorry, I'm sorry 🤣🤣 one day she'll miss, what, Mila? Your gay fingers?🤣🤣🤣 Oooooookay 😉🤣***

Back to normal. All that represents her mentally preparing herself, and for what? For what we then see in the bedroom. Before heading there, we can see her expression of determination but more importantly, we can see her pissed-off expression.

She walks into the bedroom with this imaginary automatic machine gun that she uses to shoot and destroy the bed. As she does that, the footage also shows us the rest of the room, and what do I spy with my little eye 🧐? A frame hanging on the wall. And what's in that frame? Five boys with the word ‘sorry’ written on their backs.

Wait a second, wait a second… FIVE???? 😲 Five as a reference to Fifth Harmony? 😱 Five as in 5H because it's a hidden clue to confirm that she's talking about Lauren? 🤯 WHAAAAAT??? 😵

Yes, guys, yes. For those who haven't noticed, the answer is yes. Camila doesn't do things shittily. There's always meaning in the things she does, whether it's hidden or not. And if anyone tries to tell you otherwise or something different about that clue, don't be fooled. Why 5? Explain the 5 otherwise? They could've used a thousand different things like, for example, an apology/sorry note left on the bedside table, or even just one guy with sorry on his back in that frame since all of this is supposed to be straight and about a guy 🙄. But no. They used FIVE of them specifically.

Moving on.

The rehearsals she was doing in the bathroom that we later saw lead to the destruction of the bed with the imaginary automatic machine gun, were all due to Mila being pissed off about something Laur had done. Something we know thanks to the not-so-hidden apology message in the frame. Now I don't know about you 🎤🎶but I'm feeling 22 🎶🎤 sorry but I had to 🤣 but I know that even though Camila is magical, she doesn't really have powers 🤣. So even though this is the representation of her being pissed at Lo, she didn't actually shoot the bed. It was all in her head. She was just imagining doing it. Yeah, she was angry, but we also know that she'd run away in reality to try to avoid conflicts as we saw in the scene with the dogs and in the scene with the wrestler (aka Laur herself), during which, however, we also saw that the wrestler captures her and that therefore Mila was then forced to face.

Hospital part 2

During the mix of these three scenes (Palm Tree - Car - Bathroom & Bedroom) just discussed, we have two small shots of Mila in the hospital. The first during “oh my God” and the second during “I luv it”.

We see her looking in one direction before saying “oh my God”. It's an exasperated “oh my God” because no one's assisting her yet.

She sings “I luv it” by tapping her finger to her temple in rhythm but we can see how impatient she's starting to get for the wait. Yeah, she luvs it, she luvs it, she luvs it, she luvs it, she luvs it, she luvs it, she luvs it, but she's irritated and frustrated.

Gas station

Mila and her friends pull over into this gas station. A guy with long hair immediately approaches to serve them, but instead of refueling the car as we normally expected, he does it to them. He takes the pump and fills their glasses with gasoline, even though we know very well that it was actually nothing more than “some disgusting water-down apple juice”, according to Mila herself.

All this during “Lemons on the chain with the V-cuts (X4) - Lemons in their face, watch ’em freeze up (x4)” Oh well, when life gives you lemons, make lemonade Camila Cabello drinks gasoline 🤣.

Sorry, sorry 🤣. Joking aside now.

Drinking alcohol produces euphoria. It's stimulating, exciting, and lowers inhibitions and control. It's intoxicating, and although this word usually indicates something positive, it can also represent something negative especially when associated with alcohol. Drinking alcohol is intoxicating in a good way, but if done too much, it's intoxicating in a harmful way. In this case, alcohol is the representation of another hyperbolic metaphor. It's yet another concept represented in an exaggerated way. Gasoline, fuel, or whatever the hell it was, is obviously toxic. Ingesting it is dangerous. It's yet another representation of their toxic relationship and tendencies and how she doesn't care going against all common sense because she LUVs IT.

There would also be another possible meaning behind this scene due to Playboi Carti's verse. He talks about drugs (Novocaine and Mary Jane), luxury cars (Lamborghini Aventador SVJ), and rebellious life in general.

Novocaine is a drug used as a local anesthetic normally by dentists. Mary Jane is the literal English translation of the name Marijuana. Spanish: Maria/Mari. English translation: Mary. Spanish: Juana. English translation: Jane. Ergo, Marijuana: Mary Jane. In the past when drug users talked about marijuana, they called it Mary Jane so as not to arouse police suspicion.

I explained all this because specifically his talk about drugs made me think of a different possible meaning behind this scene. You see in the US, many drug dealers operate out of gas stations. Mila and her friends are getting gas at the gas station. In slang, ‘gas’ is a noun made popular by rappers to refer to weed/marijuana.

It might be that the scene has both meanings. Alcohol for her and drugs for him. Who knows 🤷🏻‍♀️. Maybe we would've seen it for real if Carti hadn't arrived late for the video shoot. But anyway.

Right after that, we have the dance scene. I have two interpretations for that even here. Both true.

The first one: Don't expect me to say sweet and predictable things like that she's dancing hypnotized because she's drunk on love 🤣. Nope. The blindfold is supposed to represent how blinded she is by love and shit, right? The typical phrase ‘love is blind’ that makes someone unable to see the flaws of the person they love. True, but at the same time in her case, bullshit tho. Buuuullshit! Because we saw throughout the video how she's aware of everything.

She chose to put the blindfold on and dance freely whether it's just for fun or distraction or to literally dance the pain away. She chose to put it on to ‘not see’ the flaws, the toxicity, and all the negative things. She knows. She knows they're there. It's just her choice to ignore them because, once again, she doesn't care because she luvs it and her.

The second one: Based on the getting gas in the previous shot, whether it's just alcohol or whether it's also marijuana, that's why right after that scene we see Carti with his hoodie backwards (it's literally backwards, look closely) before he starts singing and Mila and the girls dancing together blindfolded with X’s over their eyes.

It represents the beginning of the effect. 😵: literally the dizziness of drunkenness and/or stonedness. In a deeper way, it represents love being a drug/addiction to live to the fullest (dancing).

Again whether it's just alcohol or weed, that's also the reason why at the end of the video they're both comfortable and relaxed in eating calmly as if they don't have a care in the world (despite the video being completely the opposite). Both alcohol and weed increase hunger and appetite, sometimes leading to strange and uncontrollable cravings. That represents half to almost the end of the effect.

Hospital part 3

She's still waiting. She's still waiting for someone to help her remove that fucking arrow from her chest. The whole reason she's been there waiting for probably hours. Nurses even walk past in front of her but still no one assists her. As before, she's still annoyed, but now she's also discouraged and sad. Not only that, but the male version of a Katniss Everdeen wannabe is also gone. Representation of a breakup or one of their breaks. Mila's alone, and suddenly, the wound begins to bleed.

In this case, the arrow through her heart symbolizes feeling emotionally hurt. Since loving someone is not always a walk in dreamland, but it also consists of twists and turns and can really fucking hurt you, here we see how her heart starts dripping blood. The bleeding can also represent how toxic relationships leave you in the end. Again, love is pain but she LUVs IT.

Thing more important, the wound begins to bleed because she's no longer with her. It didn't do it the entire time Laur was with her, but her heart started to bleed in pain only after she left. Representation of how her heart, although already wounded (arrow) by her/for her, cannot bear to be without her (bleeding). As I also explained in my This Love’s interpretation, the choice over the years has often been between having her and suffering, or not having her at all, and as we know, she always chose her.

The end

So, that was the music video. It gave me Miami and Florida. It gave me GTA and crack house feelings 🤣. It gave me wildness and adrenaline. It gave me roller coaster. It gave me college students traveling for the holidays/Spring Breakers movie. *For those who don't know what I'm talking about 👇🏼*

Especially here with this promo.

*Last minute edit: she just said Spring Breakers is one of the inspired aesthetics for the new era*

She in specific, gave me addicted to pain. She gave me impulsiveness. She gave me a fast-paced lifestyle, full of passion, desire, and disregard for consequences. She gave me vibe. She gave me boujee. She gave me dance. She gave me actress and humor as has also happened in other videos in the past (although less than those ones) such as for example Havana, Liar, My Oh My, Bam Bam, Don’t Go Yet, etc. (it's not the first time Camila's been in ridiculous situations in her videos). She gave me chaos begets chaos, and in order to maintain sanity, one must embrace the insanity. Or in her case, a palm tree 🤣🤣🤣.

I mean, all in all and in its complexity, I really enjoyed it. She said the theme of the video is chaos and danger, and we saw that. In the interview with Bru On The Radio, still talking about the video, she said: “This complex feeling of loving the pain of something, or loving the messiness of something, or loving the chaos of something, really kind of like finding the beauty in that part of our humanity”. And we saw that too.

And as if it wasn't clear enough already, the video is an artistic representation of the toxic tendencies and behaviors of their toxic relationship in general throughout all these years. And yes, their as in both of them, not just her as in Lauren's. I told you guys in the beginning that it's Camila's POV and I explained that Lauren isn't that bitchy and dickish in real life, but we don't just see Laur's toxic tendencies and behaviors from Mila's POV in the video. We actually see Mila's a lot more. Let me explain.

We saw how Laur brings chaos into Mila's life and their relationship (house scene). She's hurt her (shot her with an arrow through the heart), she doesn't acknowledge her in the hospital, and she also leaves at the end. The leaving her there (breakup or break) in those conditions as well as not taking something for her too from the vending machine is a neglect; another trait of a toxic relationship. That's all. That's what we see as far as Lauren is concerned. Mila on the other hand…

She's the one who's unbothered, especially in the beginning, in having an arrow in her heart, aka being hurt. She's the one who doesn't react when Lo destroys the house, aka when Laur has toxic behavior towards her. Still her the one who runs away from her problems so as not to face them and avoids conflicts (dogs and wrestler). In fact, if that's why, I wanna put in a good word for Laur in this case since she fights her by forcing her to confront her, aka talk about their problems. Still Mila the one who uses an imaginary automatic machine gun to shoot and destroy the bed symbolically in her head just because she’s angry with her. She's the one who crashes herself on top of a car and risks her life on other occasions with the dogs, the palm tree, and by drinking gasoline. I mean, see what I mean?

Who's the most toxic one we see here? And again, this is just a video. Not the reality. I feel like I always have to specify these things with you guys because one never knows you misinterpreted it 🤣. But anyway. I'm happy Mila did it. I'm happy that Mila represented even her toxicity since for many years due to her songs people only and always blamed Lauren. It's something I've been saying for years 💁🏻‍♀️. They both have their faults. There are two people in the couple and there are always two sides to a story. Not just one.

In any case, that's it, dear Anon. I hope you enjoyed both analysis 🙃.

🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍

Aaand I'm done 👅. Thank you all for your asks and I hope I've been helpful this time too 🙃. As usual, I'm always available for those who have questions, so ask away 😄.

Remember to be nice. Always. Both with others and with yourselves. Be a good example. Be patient. Be safe and take care of yourselves. Don't let our ship sink. Keep shipping them, but please respectfully 🙏🏼. Sending you virtual love and hugs 🤗🤗🤗. I love you, babies. Always with love, F ❤️.

22 notes · View notes

sgxena16 · 6 months

Text

I just binge watched all 9 volumes of RWBY and I've found my newest obsession.

#and my newest ship #rwby #Yang is my favorite #why did it take me so long to watch this show? i remember it being all over my dash at some point #i was like 'who's the blonde and cat girl'?#which yes can refer to more than one show #and i love both ships #i want to hug all 4 members of team rwby #especially after v9 with all the emotional stuff that went on #haven't checked to see people's thoughts but im impressed they took an entire season to explore everyone's emotional state #to allow the characters to reflect on their choices and what's happened and what they should do next #or more who they want to be going forward #i was thinking i wanted stuff like this once they got to atlas and everything got even more intense #but i had no idea how they'd work character driven stories like that into an action packed season #love that they decided to put the plot on hold and allow the characters' stories to take center stage #the way this show could make me scream and cry and laugh every season #it's going in the vault

15 notes · View notes

pippenpaddlopsicopolisthethird · 6 months

Text

Spending time with the one intern in my cohort who makes any effort to hang out with me just makes me miss my actual friends so much more

I never realize how much i value people who understand me even a lil and can engage with me on any sort of deeper discussion on literally any topic until i have to have conversations with the most awkward straight dude in existence whos only response to anything is laugh uncomfortably and assume i don't know anything he's going to talk about. There was a point where he was saying something like "that reminds me of an old song from Madonna, probably before your time, I don't know if you've heard it or not? But it's called Vogue and..."

And i had to cut him off midsentence and say. Jeff. I'm gay. Do you seriously think I don't know what vogueing is???

#i tolerate him which is more than the other interns try to do #partially on him for not trying #hate to say he's one of the more tolerable interns in my cohort #long story short my actual friends are great and i get to play dnd with them tomorrow #my posts #ugh #he got so uncomfortable whenever i knew more than he did #and he watches anime #but ive seen probably dozens and dozens more shows and movies than he has #so hes trying to talk about dragon ball z and im trying to talk about directors and composers and who worked with which studio #there was a point where he ran out of anime to name and couldnt recognize any of the dvds on my shelf to reference #and he just said 'youre better at this than me'#on the one hand im like 'better at liking stuff? this is a competition to you???'#on the other hand im like yes. i am. can you be normal about it now. quickly.

8 notes · View notes

unproduciblesmackdown · 10 months

Text

more info, via a couple of reviews:

"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?

It certainly could be.

The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.

The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.

We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.

How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.

And how do they make it through two performances on some days? Amazing.

Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.

So, yes, the dancing is phenomenal. But there’s more to the show than that.

This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)

The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.

Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.

As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.

Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.

Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.

Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.

Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.

The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.

I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]

(hooray for most directly explaining gloria's overall arc)

and the next review:

"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.

Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.

Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.

Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair. More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking. Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction.

Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are: "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."

Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself. They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.

As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory. As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it. Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.

Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.

In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]

(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)

(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")

#summer stock #dearth of peak relevant info for our purposes otherwise lol but hey #pressing f for danielle wade's performance Tending to be juxtaposed w/either corbin bleu's or judy garland's #which in fact doesn't always mean their going ''eh comes up short Relative to that comparison but good enough'' but yknow #also that role just isn't gonna be designed to be the most thrilling lol...let's get those character(tm) parts babeyyy #further photos of that preview performance do suggest there's more like midshow conflict b/w jane & gloria vs Only getting along great....#and intrigued here if it's like yeah gloria can be written to have Flaws kiiinda like the film dunking on her though not as much as it #(though not as much as it might've; parallel to orville; relevant to their compatibility lol though in this show it indeed just might not #go for ''conveniently gloria's also always already liked him & orville's just glad someone's being nice to him'' lmao. & in fact yes the #material already in the film was like hm sure could be the queer readings in these ''so you're doing cishettery wrong'' roles here #and going aw man wrt the comedy boys herb/phil & orville/orville not getting to interact more #herb getting to make One reference to kinda being the outsider/misfit even amongst the troupe like hey more abt that? what's your job also #meanwhile yeah you can do something like ''oh gloria has this idea re: being The Star but isn't actually as interested in that Process''#but that then instead of that Just being her at odds w/jane & her coming up short she can have her own arc still #finding out what behind the scenes work she Does want to do; jane & gloria of course ending up being mutually supportive one imagines #rather than jane Just being freer from Dealing With her lesser sister or what have you; whom can graciously enough accept this #and ofc we don't Need the partner swaps for everyone's guaranteed happiness communicated through ''they're not single''#whilest the lack of [oh this backup relationship was here the whole time kind of] does make your potential love triangle trickier then lol #hence perhaps some more significant conflict if you're like kissing your sister's date or what have you & she can't Just(tm) have yours #but then being The Lead can't be the ultimate of All [doing theatre]; having kissing status w/a guy isn't the ultimate of all Arcs/Life #(though noting tim wasn't Relieved if another ostensibly straight romance; a cliche in the modern musical; wasn't shoehorned in there...)#(also the awkward notes about Male Dancers and The Female Ones like alright? supposed relevance Where?)#long post ///

5 notes · View notes

moki-dokie · 7 months

Text

been seeing some stuff on blue eye samurai and big yikes to nearly everyone pushing extremely western ideals onto these characters.

this is early edo period. 1600s. the japan you know now did not exist yet.

yall. please. there was NO concept of sexuality in pre-modern japan. that came with both the influx of christianity and western influence very very late in history. like, mid-1800s. (yes, there was christianity pre-1800s but it was not a widespread idea yet and wouldn't be until about the 1800s since, y'know, missionaries were routinely murdered before then)

"so and so is either bi and hasn't figured it out yet or..." no. that isn't how it worked then. nobody gave a shit what was between your legs. anyone could be attracted to anyone else. it was a little more common for male homosexual relationships to be between an adult and younger male - like many other places around the world - but two adult men could bang and love each other just as easily. relationships between women were quite common - especially since so many men were often away at war. there's tons of pornographic prints from the time depicting all manner of fun queer relationships. sex itself had absolutely no moral assignment to it. good sex was good health. it didn't matter who with. (well, social class/caste mattered more than anything else tbh but that didn't stop upper and lower class from fucking.) that isn't to say people didn't have preferences. of course they did. that is human nature. preferences arose more from physical appearance, caste, and circumstances with gender being about the last thing one would look for in a partner - romantic, casual, or otherwise. the only role in sex where gender actually mattered was for procreation.

there would be no queer awakening moment, no sudden switch flipped, no stigma to have internal conflicts about because it simply did not exist as a concept whatsoever. you were either attracted to a person or you weren't, it was that simple. gender played no role when it came to sex and sexual attraction. the japanese were lightyears ahead of western cultures in this particular area - like most cultures were before christianity came in and ruined everything with its backwards morals and strict good/evil dichotomy.

yall have got to realize queer rep will not and should not always adhere by modern western standards. there was no straight, gay, bi, or anything else of the sort. the closest they ever got was referring to roles during sex - as in who is giving and who is receiving.

i know this is mostly a made up story but it is still set within a very specific time period and culture, which should be honored and respected by not making it fit into our box. tons of research went into making this show historically accurate (albeit with some discrepancies but tbh they aren't really that huge) right down to the calligraphy writing. please please please don't whitewash the culture from these characters.

i say this mainly because without this knowledge, so many of you are going to build these characters up on a foundation they aren't meant to be on and then you'll rage about queerbaiting and bad queer rep if it isn't somehow super explicitly stated, if it doesn't match your very modern, very western ideal of what queer looks like. don't try to force this plot and narrative and characters into something they canonically and historically aren't. headcanons are a thing, AUs are a thing, fanfiction is a thing - leave your western thinking for those and let these characters simply exist as they should otherwise. this is one of those times where the queerness really does not need to be examined at all beyond what we get.

i know it can be hard to wrap your head around - sexuality is such a huge part of our identity in the western world and has slowly started to spread amongst other parts of the world in importance. but just keep in mind with these particular characters, that concept would be so very alien to them.

#blue eye samurai #i'm gonna bite people if i see complaints about queer anything in this show

2K notes · View notes

cuddlytogas · 3 months

Text

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :(#I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

1K notes · View notes

mitsouya · 1 month

Text

𝐂𝐀𝐋𝐋𝐈𝐍𝐆 𝐇𝐈𝐌 𝐘𝐎𝐔𝐑 𝐇𝐔𝐒𝐁𝐀𝐍𝐃

including michael kaiser, rin itoshi, and reo mikage with fem!reader

he sits beside you on the couch, engrossed in the random shows on tv. you, on the other hand, are busy reserving a table for your date at the new restaurant downtown. the sheer delight in your voice makes him glad he succeeded in emptying his tightly packed schedule for you.

[saturday night at 7 is available. would that be okay?]

a bright smile adorns your face upon hearing the employee's query. securing a table feels fortunate; it's not always easy on weekends, after all.

"alright, let me ask my husband first," you say to the phone and raising your eyebrows in silent expectation, demanding for his response.

⌗MICHAEL — the second that word comes off your lips, best believe michael is already grinning like an idiot.

him, your husband? seriously?

he never thinks too deeply about marriage—though he does want to tie the knot with you when the time's right—but he loves how endearing it sounds when you call him that. there's a mischievous glint in his sapphire eyes before he moves closer to your body.

"her husband says yes."

being the menace he is, he announces directly to the speaker, loud and clear, earning soft giggles from you.

"do you hear me? her husband—"

you cut him off and quickly apologize to the poor employee, all while suppressing the laugh that threatened to spill out of your mouth. he will tease you about this for the rest of the evening, and you will spend hours caged between his tattooed arms, listening to him yapping about his dream wedding. not that you complained.

⌗RIN — convinces himself he maintained his facade well, but the subtle dusting of red on his cheeks betrays him. he's unable to focus on the tv screen because did you really refer to him like that without warning?

realizing you're still waiting for his answer, rin fakes a cough to even his tone and mutters, "fine," loud enough for the employee on the other side to hear.

immediately shoots you a questioning glare after you hang up. he tries to act unaffected (which he fails miserably) and asks, "what was that?"

"what was what?" you playfully hum.

"you did that on purpose."

"i don't know what you're talking about, baby."

the slight pout on his lips amuses you more than you want to admit. he hides his burning face in the crook of your neck, mumbling something you can't pinpoint.

when you chuckle at his sudden clinginess, he looks up to you with those big, sparkling round eyes that remind you of his younger self. he's going to wife you up someday.

⌗REO — you know damn well reo's sickeningly in love with you, and somehow you think it's okay to casually address him as ‘my husband’? are you trying to make him explode?

the tv show is long forgotten and he's all over you in an instant, giving you a bone-crushing hug along with a sweet, dopey smile that you adore so much. you can whine and say it's just a prank, but it's too late to take it back. he already envisions the whole wedding thing.

"whatever my wifey wants," he speaks to the phone, all giddy and lovestruck. "rent the entire restaurant if you want, wifey. or buy it. or don't. actually, i'll just build you one."

before his rambling causes the employee even more confusion, you shut him up with a kiss and proceed to finish the reservation.

#blue lock x reader #bllk x reader #blue lock headcanons #michael kaiser x reader #itoshi rin x reader #mikage reo x reader #kaiser x reader #rin x reader #reo x reader

943 notes · View notes

queerpumpkinnn · 10 months

Text

You Snooze You Lose

3.9k words

Summary: you're just about to give up on the dating scene altogether, so who better than your neighbor friend to show you how good dates usually end? can you tell this is my favorite trope

Pairing: Eddie Munson x reader (can be interpreted as older!Eddie)

Warnings: piercedtongue!Eddie, softdom!Eddie, mention of reader having an awkward date, alcohol (both consume but they're not drunk), Eddie refers to reader as princess/pretty and reader is afab but pronouns and clothing style is up for interpretation, Eddie picks up reader, thigh riding, choking, brief weed mention, fingering, oral sex, singular biblical reference?? (not counting someone saying 'oh god' or something of the like, kinda vague i think it'll probably go over a lot of people's heads), overstimulation, multiple orgasms, hair pulling (eddie receiving), mentions of voyeurism, reader begs a lot a lot a lot, unprotected sex and creampie (this is fiction, wrap it before you tap it), nipple play, panty sniffing and stealing, scratching (eddie receiving), Eddie's mouth (however you're interpreting this the answer is yes), heaps of praise, sprinkle of dumbification, squirting, Eddie is a pleasure dom through and through, let me know if I missed anything

While reading, I recommend you listen to the altar is my hips - a Spotify playlist by me!

Your head fell back against the car, inhaling deeply and heaving a long sigh that devolved into something of a groan. Your social battery was impossibly drained.

You had just come from another pitiful excuse of a date, someone from work that a mutual friend had set you up with. It wasn't a total disaster, but it didn't leave you with butterflies either. But you were home now, so you could forget about the experience for the timebeing.

A voice calling your name pulled you from your thoughts. It was one you recognized immediately as your next door neighbor, Eddie. When your eyes located him you saw him sauntering out of his open garage towards your driveway, beer in one hand and jean pocket over the other. His chunky boots set in stone his walk, so casual and powerful, and oh god he's right in front of you now.

"You must be doing some serious thinking out here," Eddie chuckled, leaning on your car opposite you. "Either that or there's more to that tree than meets the eye because you've been staring at it for the last five minutes."

You chuckled back at him. "You've been watching me?"

"With a face like that, it'd be a crime not to."

There it was again. That little game you and Eddie played. Even from your first day in the neighborhood Eddie welcomed you with his abrasive charm and an open invitation to his services on a car. Which he seemed to exercise often- his garage door was often open during the afternoons, blasting music as he sat under his car doing god knows what. He never failed to wave and wink at you as you pulled into the driveway every day as you came home from work.

As you became more accustomed to him, your friendship evolved into frequent Friday night hangouts, sitting on the ground in the living room with a six pack talking about anything and everything.

You hated to admit it, but it didn't take long for your cheeks and ears to start to get embarrassingly red in front of Eddie, especially when your conversation topics became more, well, intimate. Whether or not he'd picked up on it, you didn't know- nothing had ever come of your little crush; you'd been content to leave that between you and your vibrator.

"Kid? Y'alright?"

There you go again. You shook your head, blinking a few times before shooting him an apologetic smile.

"Yeah, sorry."

"You seem a bit on edge. Wanna talk about it?"

You shrug. "It's nothing, really. Just got home from a date."

"Assuming it didn't go well?"

"It wasn't bad, it just- I don't know, it felt forced."

Eddie hummed, nodding lightly. "I hear ya. Tell y'what, take ten to get settled and let me clean up, then come over, we'll break out a couple of bottles and you can tell me all about it, yeah?"

"Sounds great," you agreed, and Eddie gave you a playful salute before sauntering back to his own driveway- which you may or may not have watched for a little too long.

Once you'd changed into more casual attire, you took the short walk down the street to Eddie's house. By this time, the sun was half set, and his garage had been shut, the only evidence that someone was home being the lights on in the kitchen.

"There you are. Was starting to worry," Eddie grinned at you as soon as the door swung open. You noted a flash of silver behind his teeth as his tongue swiped against his side teeth, and the tickling in your lower gut a moment later.

"Aw, you worry about me?"

“All the time, sweetheart,” the man flashed a grin, stepping aside to welcome you inside. "So, what's gotcha down?"

You heaved a groan, plopping onto his couch. "It's such a long story, I'm not even sure I have it in me to tell the whole thing. But he treated me like one of the guys. I mean, I want us to be friends too, but..." you clicked your tongue and sighed, words escaping you.

Meanwhile Eddie just watched you, arm slung over the back cushion across from you on the other side of the L of the couch. His beer bottle rested on his knee, balanced by his hand. "You wanted to be romanced."

"Yeah, I guess so. He didn't even make sure I got to my car safely."

Eddie's eyed widened, head cocking in disbelief. "Are you kidding?" When you shook your head no, he flung his hands in the air. "That's not even romantic! I do that for my friend's kids I drive around because I don't want them getting kidnapped!"

"I know, I know. That's not even the worst part."

Eddie scoffed. "What could possibly be worse?"

"Let's just say I know more about his bowel happenings than I would like to."

Eddie wrinkled his nose, sucked in a breath through his teeth. "Yeah, y'know princess, I get the feeling he's not your soulmate." He set his bottle down with a clink on the wood, running his hands up his thighs. "Man, even I could do better."

Something in your stomach turned over at the thought. Eddie seemed to notice your change in demeanor, however slight, and set his bottle down.

"Could you?"

Although it was after a few long, heavy seconds, the words escaped you faster than your brain could process them. Eddie's eyebrows twitched in something mixing amusement and bewilderment.

"I could," he mused. You swore that when he shifted his legs opened a little bit wider. "'Least your night wouldn't end complaining to a friend over a beer."

"Oh yeah? How would my night have ended?"

Eddie cocked a brow, lips curling.

You tilted your head to the side, eyeing him. Another long, heavy moment settled between you two, where you sat staring at one another.

Then your mouth moved of its own accord.

"Show me."

Slowly, so slowly, Eddie stood. sauntered over to where you sat. He watched you like a hawk, mischievous eyes captivating yours. A single, calloused hand reached out to your jaw, tilting it up a bit so that you were facing him. Eddie's mouth quirked up at the new sight.

"Y'want me to show you how your night should've ended, princess?" He crooned. You nodded dumbly, earning another chuckle. "Show you how you deserve to be treated, hm?"

Before you could give a response, Eddie's mouth was on yours, slow and deliberate and relaxed, seeming to simultaneously pull tension from your bones and set your skin on fire. Your fingers reached for his jacket, tugging him closer. Eddie gripped the couch back behind you to hold his weight, other hand coming to cup the back of your neck, slinking into your hair. His thumb rested on your pulse, smirking a little when he felt it racing.

"Pretty thing," he murmured in between hot kisses, "are you sure about this?"

"So sure, Eddie, please," you breathed, tugging his jacket off; the leather was cool to the touch, nice on your searing fingertips.

You could feel his mouth quirk up at your desperation. The hand that held the couch came down to your legs, lighting fire in their wake and finding the crook under your knee, tugging outwards. Heat brewed in your core at the implication- fueled even more so when Eddie pulled back with a grunt to tug his jacket away. Your eyes seemed to be locked in on his, somehow darker and lit with something primal. His kiss-bitten lips hung open in a lazy grin.

"C'mere, pretty." Eddie's hands grip your thighs with a searing mix of worship and need, pulling them apart and tugging you towards the end of the couch by the crooks under your knees. You let out a squeak, breaking quickly into a stifled hum of pleasure as his mouth found and made quick work of your neck, kissing and nipping and licking with that damn ball of metal down the front of your throat, hands splaying over your thighs appreciatively all the while.

"Eddie," your voice had risen into a near whine, but you couldn't bring yourself to care. All thoughts were clouded with his storm- his breath fanning your jaw, warmth radiating onto your body, almost chest to chest, hands teasing dangerously high.

"Hm?"

"Please, please Eddie..." you weren't sure what you were asking for, really, you just knew you wanted more of him. However he would give himself to you you would gladly take.

"Please what? Y'know I'm all yours, honey, I'll give you everything you want and then some but I can't help you if I don't know what that is."

"More," you huffed, reaching for his wrists.

"More?" Eddie teased; the condescending lilt in his tone was overwhelmingly obvious, but in your frenzied state you only nodded limply. Your hand tugged at his, and he followed your lead as you dragged his hand towards your neck, pressing at the back of his hand to indicate what you wanted him to do.

"Oh? Princess likes choking, huh?" The excitement in Eddie's voice was hardly containable, but he managed to play it off cooler than how he really felt- like a dog who just heard dinner being poured into his bowl. "That is interesting."

Eddie's grip on your neck wasn't really that strong, but it made your head spin nonetheless, eliciting a weak, content noise from you.

"There we go, fuckin' love hearing that." Eddie gave a kiss to your cheek, his other hand occupied with sending shock waves down to your gut as his fingers walked up the back of your leg. "What else does princess want, hm?"

You only let out a whine, too engrossed with the building, unbearable heat in between your legs, which, at the sound of his nickname, twitched further open.

Lucky for you, Eddie picked up on that immediately. "Aw, sweet thing, shoulda told me." He tuts, moving both hands under you and rearranging the two of you so that your crotch was hovering over his thigh, other leg hooking onto yours so that you were spread open for him.

"Here we go honey, y'wanna use my leg, hm? Get yourself off?" His words were muffled by the skin of your shoulder.

Realistically you knew you wouldn't be able to orgasm from dry humping his thigh alone, but God you were so eager for friction you were willing to try. You whimpered an 'mhm', setting yourself down on his leg- even that small touch made you gasp. Eddie's hands reached for your ass, helping you grind down onto him, nearly knocking the breath out of you when the contact you so desperately craved turned into a wildfire of need.

"That's it, sweetheart, keep going. 'S'it feel good? Yeah?" He mimicked your whimper of response, proud grin never faltering, even as he nipped at your jaw. His hands, firm, surprisingly gentle for how rough and calloused they felt, traveled from your ass to your waist, fingertips slinking under the hem of your shirt.

"Can we take this off, princess? Want to see you, pretty please let me see you." His voice was low and sultry and had goosebumps rising on your back. You whined an 'mhm', the thought of what he was going to do when you were topless spurring you to pull it over your head yourself.

Once your chest was bared to him, Eddie's hands, trailing lightly enough to tickle, found your poor, sensitive nipples, thumbs brushing over them enough to make you jolt, gasping in surprise.

"Eddie, Eddie- fuck, more, need more, please," you cried, hand flying to his hair when his head dipped to lick over your chest. Whether it was to tug him away or keep him there, you didn't know.

"Aw, I know, you're just insatiable, aren't you?" Eddie gave you his best faux sympathetic voice, and for a minute you actually thought he might feel sorry for you, like it wasn't his plan all along to get you worked up like this.

Eddie's hands worked under your legs, pulling you closer to him before hoisting you up, stomping somewhere in the house you'd only visited a handful of times and never under this circumstance- his bedroom.

It was a dimly lit room, smelling faintly of weed, but you weren't given much time to take in the sights because Eddie plopped you down on his bed, immediately towering over you, caging you in with his arms. His curls tickled your face, then your neck when he moved there. A few sloppy kisses quickly turned heated again when his leg wedged itself between yours. You took the opportunity, however fleeting, to rut yourself against the material.

But this time Eddie gripped your hips, pinning you down. "Patience honey, I'm getting there." The glint of warning in his eyes had you nearly shaking in excitement. A glimmer inside of you wondered what he'd be like if you ignored his warnings.

Eddie slithered down, slowly, kissing his way down to your navel. You willed your hips to stay down, not to lean into his touch, but they did anyway. Your eyes fell shut, head falling back and fingers finding the pillow for something to weakly grip onto.

But a tap on your hipbone snapped them open, looking down at a pair of big brown eyes staring up at you, hovering over your cunt. Knowing what he was asking, you responded with lifting your hips, making it easy for Eddie to slip your bottoms down Your phone nearly fell out of your back pocket from the force with which he flung them, as if he detested the fabric for its audacity to cover you up.

"Good, doing so good." Eddie gave your thighs a squeeze, smiling up at you with something a little kinder, more endearing than the smirk he'd donned the whole evening. With another squeeze, his head dipped down close to your clothed cunt. You swore you could hear him inhale, but your train of thought was halted when Eddie licked a fat stripe up the front of your underwear, sending shocks to your already hypersensitive clit.

"God- fuck!" You tried to clap a hand over your mouth, but Eddie tugged it away as quickly as it came.

"Y'doin' alright, princess? You seem a little tense." Eddie's teasing lilt came from somewhere under you, you could see the grin even through closed eyes. You opened them anyways. His smile was turned into something more playful, a glimpse of the boyish humor he always charmed you with. His head leaned against your thigh like a puppy, pouting up at you with false concern.

"Wonder fuckin' why," you gritted through your teeth, throwing your head back in exasperation.

"Easy tiger," Eddie chuckled, fingers pulling your underwear down- this time you definitely heard an inhale. You heard him mutter something along the lines of "saving these for later."

Eddie's fingers were quick to find you again, thumbs brushing over the joint between your thighs and your pussy, as if he thought the action was soothing and not setting you on fire.

You let out a strangled sound. "Eddie, I swear, if you don't fucking touch me-"

"You'll what?" Eddie's brow raised. His gaze alone made any snide remark die on your tongue.

As if on cue, your phone, long forgotten on the edge of your bed, lit up with an incoming call.

"Well?" Eddie prompted. You reached for the phone, seeing the absolute last name you cared to see illuminating the screen. You gulped, a tinge of guilt seeping in.

"Ah, I think I know who it is." Eddie chuckled, forehead knocking into your thigh as he made a poor attempt to hide his thorough amusement. "Well? Y'gonna answer it?"

You paused, made a face. You didn't even want to talk to him, really.

Eddie barked out a laugh at your reaction. "Shame. He could've learned a thing or two."

You giggled, but it quickly turned into a loud moan as Eddie's tongue, followed by that damn metal ball in the middle, began teasing circles over your clit. Somehow you were both infinitely relieved and worked up even more. Your phone was long forgotten, flung a little too far as, somewhere in the back of your brain, you heard it clatter on the wooden floor. Not that you could be brought to care, not with the way Eddie's tongue felt tracing your weeping hole.

"Fuck, all this for me? Sweet thing, if I knew how good this pretty pussy was sooner." You wondered momentarily what the end of that sentence was, but with his lips around your clit you weren't too worried. Ceaseless and electric his mouth was, bringing you slowly but surely towards that high you'd been chasing fervently for an hour now.

"Eddie, Eddie, I'm gonna- fuck! So good, Eddie, I'm gonna come, pleasepleaseplease-" You could barely understand yourself speak, so lost in your cloud of pleasure. But Eddie seemed to understand perfectly, cooing sweet praises into your cunt as he shook his head back and forth.

"Gonna cum, princess? Go on, you've earned it. Been so good, so patient f'me. Good, good, let go." He pulled both of your hands towards your lower stomach, interlacing them with his.

The noises you made as you unraveled under his marvelous touch were downright pornographic, downright sinful. One might be tempted to say you'd forgotten how to blush, but the heat in your cheeks would have shot down the theory. Waves of pleasure crashed over you, pulling pure electric heat from your sex as you writhed and shivered from Eddie, Eddie, Eddie.

But when the pleasure subsided into jolts, Eddie didn't stop. His tongue continued tracing your clit languidly, and- oh- a new sensation at your core had you squeezing his hands.

"Eddie, ohmygod-" Quickly you realized what he was doing, one finger prodding around your entrance before sinking into your embarrassingly wet cunt, which welcomed him. Your back arched when his finger curled, a guttural sound ripping from your throat as he pushed deeper, searching for that spot, the one that would ensure a noise complaint from a few neighbors.

"Shh, you're okay, you're doing so well, hm? So well, yeah, relax- just like that." Eddie hummed, another finger joining the first and a high-pitched moan from you following shortly after.

And then he found it. That damn spot deep in your gut, and he bullied it with his fingertips over and over and over again.

"Eddie!" His name fell from your mouth like a hymn, moans almost swallowed by the pillow you tugged to cover your face when the brief thought of the neighbors made you a slight bit guilty. Your second orgasm of the night was coming at you full steam ahead, much easier to find from your oversensitivity as well as the new sensation that joined his thumb swiping over your clit.

"That's it, princess, give me another. G'na get you nice and ready, yeah?" Ready for what, you had an idea that sparked, if possible, even more delicious heat in between your legs.

You were animalistic at this point, nearly screaming for him to make you come again. You almost sobbed when his fingers pulled out from you, hands reaching weakly for him.

"Easy, easy, I know. Gonna make it worth your wait, mm? You want my cock, sweet thing?"

Your mouth salivated at the mention, and you immediately propped up onto your elbows to watch him line himself up with you.

"Please, Eddie, please," you sighed, head lolling back.

And there it was, that delicious stretch that had your mind reeling and fingernails digging into Eddie's inked shoulders.

"Oh, oh oh, so good, so good, Eddie, right there!"

Your hands were grabbing for every bit of him you could find. Tugging his hair, scratching down his back, pulling his neck down into a searing, heavy-breath kiss.

"Fuck, princess, keep clenching and I won't last." Eddie grunted into your mouth. His hand, previously pressing onto your lower stomach, pulled your legs so that your ankles rested over his shoulders, bending down a little so that he could move deeper, and did it have you seeing stars.

"Keep- ah- keep going, please, 'm gonna cum, gonna- Eddie!"

Your cunt convulsed around Eddie's cock, throbbing inside of you as you felt white-hot release wash over you. You sobbed into Eddie's pillow, chanting his name as he overwhelmed you with praise. Eddie fucked you through it as best he could, but you could feel he was slowing down, spurts of wet heat in your gut moments later.

"Oh, baby... didn't know you could do that." Eddie was grinning like an idiot, incredulous grin staring down at his thighs. Dizzy, you looked down where he was staring like he just won the lottery.

His thighs were splattered with what you could only guess was your own arousal, even a few drops on his stomach.

"Oh my god," you flopped your head back, hand covering your eyes and trying to cover your embarrassed smile.

"Hey, that was hot." Eddie pulled your hand away, giving you that same sweet smile, squeezing your thigh before pulling himself out. You winced at the feeling, guilt following as you realized his sheets were definitely soiled.

You let out a long exhale, mind still racing. Eddie, having tucked himself into a new pair of pants, watched you. When he concludes you've had a moment to sit and think, he strokes your arm.

"Hey, cutie. You alright there?"

"Uh huh."

Eddie chuckled at the stupid smile you're sure you wore. "C'mon, gotta get you cleaned up."

"Yeah- sorry about your sheets."

Eddie pursed his lips, shrugged. "It was worth it, don't you think?" You attempted to stand, but Eddie held up a hand. "Allow me."

Eddie carried you into his bathroom, seating you carefully onto the toilet before excusing himself. He came back a moment later with your phone, wet wipes, and a glass of water.

You and Eddie fell into more casual conversation- the latter participant heavy on the cocky jokes- it was comforting. He'd offered you to stay the night; not like you hadn't conked out on his couch before anyways.

Brushing your teeth with your finger, you tapped your phone to check the time- and almost knocked it from the sink.

"FUCK." You nearly sprayed toothpaste foam all over Eddie's mirror, holding the phone inches from your face in case your vision had somehow failed you the first time.

"What, what what??" Eddie shouted from the shower, a bottle clattering on the tile shortly after.

You spat your foam out, coughing. You pulled the curtain open enough to push your phone into the shower to show him the time and name of your most recent call.

A pfft noise followed by loud cackling echoed off the tiles. "Oh shit! Y'think he got a show too, sure it wasn't FaceTime?"

Meanwhile you sunk your head into your hands in utter mortification.

Although a tiny part of you was laughing too.

Eddie Munson Masterlist

Stranger Things Masterlist

Main Masterlist

#eddie munson smut #eddie munson x reader #eddie munson fanfic #eddie munson #eddie fanfic #eddie munson one shot #eddie munson x you #eddie munson x fem!reader #eddie munson x gn!reader #eddie munson x y/n #eddie munson x female reader #eddie munson imagine #eddie munson stranger things #stranger things fanfic #stranger things 4 #stranger things fanfiction #stranger things #eddie stranger things

3K notes · View notes

visionsofmagic · 7 months

Text

day 16: bruce wayne [power play]

࿓ synopsis • the game you play takes a different route in which you try to dominate him, but, he doesn’t allow you.

―❦ nsfw, dominance/submission, roughness, licking, marking, wrist holding, short, f!reader, brat!reader, riding, begging, pet names, ‘is all I guess? • 0.7k • he's my favorite dc character and the idea popped into my mind because he's looking so dom! enjoy! [kinktober m.]

“who’s in control now, love?” he asks as he pounds into you, hands holding yours above your head as your back arches onto his bare chest, filthy voices leaving you one by one since it’s too much to keep silent – he’s trying to gain it from you after all, wanting to make you scream his name louder with each of his deep, hungry thrusts that hit the exact spot that drives you crazy in every time.

the question is a reference to what you said before being in this situation; leaning down on the mattress, wrists inside his palms, breasts bouncing shamelessly and even hitting his chest from time to time, legs wide open, pussy soaking wet enough to make the white color of the sheets goes grey because of how much it is, legs shaking yet still having the strength to stay on his back, hugging him from there only to bring his body closer to yours as if it’s possible – as if he’s not already deep buried inside you, fucking you roughly because he has something to prove to you – to dig it into your pathetic mind as he said before.

he’s angry – a little bit, with the lust that flows inside his veins until it reaches the tip of his thick cock – using it to shove it into you mercilessly.

the feelings are there due to you – being a little brat and trying to take control while riding him a while ago, teasing about how his dick dripping, pale face is full of redness, breathtaking with a rapid way, and even sweating – only you can make the vigilante sweat like this – the reasons why he is rough now.

with the power you had at that moment, your body moved without your mind acknowledging it, making you look down at him, taking control, riding him so slowly to make him beg for you to move, to fuck him, yet, bruce who knows you better than anyone else, including you, understood what you were trying to do, especially when your hand tried to hold his neck – with sudden movement, he gripped your wrists, turning your body over, hovering above you as he mocked you – showing the dominance he has on you – not yours – his.

power play ended when he began to fuck you ruthlessly.

his question remains unanswered – he doesn’t seek one either, he just enjoys watching how messy you’re getting under him, ready to beg more when his hips slow down – and nearly stops as he fucks you leisurely, taking his time, and even having a ghost smirk on his face.

and when you look at him, your vision is blurry yet witnessing his lustful expression, representing of the dominant side he has on you, you know he waits for you to beg – to cry. weren’t it for your aching pussy that is in need to be fucked by bruce, you would stay still, yet, you have no brain at all – only a greedy wet pussy and passion mixed with love.

“bruce –“ his name comes out of your parted lips on its own – pure instinct. “ohh – bruce!”

“yes, my pretty slut, what’s wrong?”

“move – aghh – please, move already! nee – ohh – need you to move!”

leaving your wrists free, his hands positioned on your hips, holding it strongly, ready to bounce into you with all his strength, his weight can be felt on you, sending a different sense of both pain and pleasure at the same time.

“look who’s begging now –“ he teases, kneeling down until his lips touch your neck, biting it – licking it so that he can leave marks on you- bigger and more efficient ones than yours that you left on his entire body before he took control. he enjoyed being under you, yet, the delight of having you under him is far greater than it. “tell me – that I am the one who is in control over you, not you over me,” he lowers down, licking and kissing your exposed body gladly, reaching until its tongue travels on your hardened breasts.

pushing you against his hot tongue, you answer, feeling his cock leaving your pussy slowly, “you! bruce – ohh – you!” “good girl.” he says lastly, then, pushing his hip further, the cock fills your warm walls entirely with a powerful thrust and he doesn’t stop – he thrusts into you with a great pace and power that you no longer remember the power play – letting him do whatever he wants to do with you until he’s satisfied.

❦ tagging: @lilvampirina & @snowprincesa1 & @dookiemeshibear & @chloee0x0 *lots of kisses!*

#🔥 kinktober 2023 second week #kinktober 2023 #dc #dc comics #dc x reader #dc smut #batman #bruce wayne #batman x reader #batman x you #batman x f!reader #batman x y/n #batman smut #bruce wayne x reader #bruce wayne x y/n #bruce wayne x f!reader #bruce wayne smut #THANKS FOR READING!!#power play with him hits different ^^

2K notes · View notes

iznsfw · 8 months

Note

Hey Iz! Just would like to say that I love how you show Eunbi as softie in your fics which makes me go back to them every now and then. Hope you could do more of Subby Eunbi.

Maybe Wife Eunbi in the future perhaps?

Home

IZ*ONE's Kwon Eunbi x Male Reader Smut

11,834 words

Categories | wife!Eunbi, fluff, fluffy-to-rough sex, dirty talk, spanking, (is it really IZ who's writing Eunbi if there isn't) daddy kink, praise/degradation kink, choking, squirting, BREEDING

Here you go, thank you so much for the feedback + kind words. Fulfilled this request not only because it was sitting in my inbox even before I announced commissions, but also because it's her 28th. Still a baby 😭

Oh, and also because I feel like shit after reading "Birthday Blues." It makes me cringe and I feel like I could write her better than that.

Happy birthday to the best tokki! To celebrate, take a shot everytime Eunbi says "daddy."

You want to be anywhere but here.

When will it all even end? It's nighttime but the evening doesn't even try to compensate for the heat in the morning. Where’s the departure of warmth? Where’s the cool breeze that could dull your aching bones? You're starting to believe that the world’s doing this on purpose.

If it explains anything, since your hatred for the sun is so solid: your job requires more than a degree and a calculating mind, so you're out in the fire of the large star for more than a few hours at a time with sweat pouring down on you more than the light is. You still have sunburns from the first time you underestimated it and went out without lotion. Oh, and from the time you overestimated it and still ended up with dark spotting your skin anyway.

It’s no different than what other employed people your age go through, but it remains… tiring. You get up before dawn even has a chance to call itself one and come home when the night’s on the brink of turning into day. The workload always renders you weak, when it's all physical rather than something you can get over with a keyboard, but you force a smile on your face. It'll all be worth it when you come home.

Click your phone on solely to see your wallpaper. It's her, of course, with your daughter in her arms. Yep, they're the ones you call the loves of your life. You simply can't wait to come home.

Well, coming home is a hell of its own, but it's the trip that makes it so. Often, there's the usual road rage from student drivers too inexperienced to be granted the right to let it out, and of course, traffic.

That also renders you weak, if that’s anything that matters.

That's your current situation: stuck in a public bus in a concrete jungle ridden by vehicles. All the seats are filled with passengers of varying ages but the same exhaustion. That's the reason for your legs threatening to give up, and you wouldn't blame them. You barely had time to sit down for a break the whole day. Oftentimes, it results in your feet starting to quiver of their own accord, even when you lie down, as if still processing the strain it bore the whole day.

"Need a seat?" asks a man who's around the same age as you, but looks completely different. You wear a shirt stained with coffee and sweat; he’s dressed in a suit and pants. "Your legs are shaking."

At least, unlike the other men from offices you've met, he could read the room.

"Thanks," you say, smiling. You can't even muster politeness to refuse the offer when yes, your legs are shaking. Can't say "no, they just do that" or "ah, it's a talent."

"No problem, man." He returns the smile. He gestures a brow to your phone, which you didn't even notice was still on. "Not to pry or anything, but—"

You know who he's referring to. Chuckle and nod. "Yep, my wife."

My wife. The words echo in your mouth long after leaving. Just two words bring so much happiness crashing into your heart.

"Could have figured." He leans against the pole. "You smiled like hell when you looked at her."

Did you? Most likely. Glancing at her still gives you butterflies in the stomach. Whether from afar, on a screen, or in person, the girl always has you in a chokehold. (Not that she could choke anyone with a heart and height like hers, but it counts metaphorically, for you're down bad. Down crazy for her.)

"Well, she makes my day.” Pause. “I love her."

"She must be a good wife, huh?"

Look down at her and now you're acutely aware of the big smile on your face. "The best,” you affirm. “Just the best.”

It takes hours for you to get through the traffic, and by the grace of god above, you're only going to bear the last of it now. Can't fall asleep—you're nearly there. Your subdivision is coming up to view. Nice place, really, rather nice for a first home, and—

There. You get off the bus and thank the man. You had a nice talk with him, and you hope to have more. He pats you on the shoulder and bids you goodbye.

Then, you thank the driver. He doesn't bother to say that you're welcome or anything. Can't be mad at that. You've all had a rough day.

The arc of your subdivision welcomes you to the aisles of houses lined up. You're home, but not quite. It takes walking to and opening the door of the house you've worked for and being engulfed in the arms of the woman you love to be truly home. It's cliché, you know, but it isn't anything far from the truth.

Open the door to the world where you belong.

"I'm home," you say, because you are. This is home. You have coworkers and friends you love to hang out with, but nothing beats the comfort of being with your family.

Gently close the entry to the doorway so as not to alarm your daughter and wife with the jingle of the mobile. Or worse, disturb their sleep. You don't expect them to be awake; it's barely two hours to midnight.

But still, there she is.

Kwon Eunbi, the woman you gave your last name and your love to. The ends of her long dark hair brush over the sweater she shares with you, or rather, has stolen with how many nights it hasn't been used by you. Her pretty little face shows exhaustion, but also a smile. Of course, it's that adorable grin you'll never get enough of.

Her steps pick up a faster speed as she rushes to you with light feet. Open your arms, and she fills them, fills them with her small body and fills the air with soft whines of complaint. They're complaints that say: where were you? Why were you gone so long? Please be here forever. Baby? Please.

She really needed this hug from you, especially the lift. She needs someone to raise her up when she feels small. So, you sweep her off her feet. Automatically, her legs join behind your waist. Heavy lifting at work has paid off—your arms barely struggle when you carry her, or maybe it's just Eunbi being as light as a feather as usual.

Your heart aches at the hours she must have spent getting none of the help she needs from you. You nuzzle your nose to hers—if her whines speak of complaints, this act of yours tells her of your apologies.

"Hi there," you mumble through ruffles of her hair. She's still your baby girl after all this time.

"Hi," she says softly.

Press your lips to the crown of her head and pull her in tighter. "What are you doing up so late?"

"Putting your kid to sleep," she replies. Eunbi juts both of her lips out. "She's such a brat these days."

"Got it from her mother," you reply testily, letting go and setting her on the ground to raise her chin anyway.

"Don't be mean. I had a terrible day. I missed you so bad."

You feel bad now for teasing her. While you have your share of trials, it's Eunbi who spends most of her time attending to your daughter. It's Eunbi who goes day after day helping you out with chores and paperwork with little complaint. You really should choose the right time and place for your banter.

"I'm sorry, pretty. How can I make it up to you?"

"Let's watch a movie," she says hopefully. Her thumbs create gentle patterns on the sides of your head.

"A movie?"

"Yes. Just you and me."

That's how you end up on the sofa, with Netflix on and Eunbi with her head on your shoulder. Her thigh rests on yours, and if it weren't for her hair being the main focus of your fingers, you'd be caressing it.

"You want some water? A snack?" She snuggles up to you, as if you were her favorite pillow. It's as on the nose as it gets; Eunbi loves being close to you, having your body on top of hers and just feeling your touch.

You shuffle through movie choices with the remote. The posters come up to view one by one with each click. What should you watch tonight? Nothing else than the usual, but you still have to check.

That one. You give her a question with a look though you know she'll nod. It's her favorite, too.

"You don't have to do that for me," you tell her. She really doesn't. You're satisfied having her in the crook of your arm, with one of her beautiful legs thrown over your thigh. "Just enjoy the movie. You worked hard today."

"But so did you."

"It's fine, Eunbi, I promise."

Cup her jaw and squeeze those soft cheeks together. Her lips look particularly beautiful today. They're pouty, speaking wordlessly about something that's kind of like love. Love and other things. Love and things like virtues that you two aren't really required to follow when morality is common sense. Mostly. But Eunbi's a good person. A good wife. A good girl.

Lean in to kiss that flawless mouth. "Thank you for working hard."

"And thank you for coming home," she whispers quietly. Her gaze is soft. You could see your smile reflect in them.

It takes a strange soul, a soul that’s more than the right amount of grateful, to thank someone for being there. She says it everyday, a constant reminder of how loved you are. It’s weird to others to hear Eunbi say that while she sticks to your arm, but she’s your little oddity. She has been since the day you met her.

The film goes on and so does the familiar dialogue. You let out the occasional laugh—it’s still good with every watch. The characters say the same stuff, go through the same stuff, run through the same stuff yet you're on the edge of your seat. That's the thrill of rewatching favorite movies.

"You remember this one, babe?" Her pretty head angles, making her look more endearing. "I'll be so mad if you don't."

Her lips. Can't take your eyes off them. Brush your fingers on them, feeling their softness, and she giggles. "I do," you say truthfully, tipping her chin up, "but tell me anyway."

"Hmph. You just want me to tell you 'cause you forgot, right?"

"Please." Smile at her. "Pretty, why would I ever forget that night?"

She grins. It's maddening the way the ends of her lips tilt upwards to make her eyes small. All those flashy whites on display, she explains it to you.

"This was the movie we watched on our first date." She kisses your thumb that plays on her lip. Her eyes shine with the narration. "The Notebook."

That seems like so long ago, but it feels like just yesterday when you were nervously shuffling on your then sofa, with the most beautiful woman in the world right next to you. She was and still is so charming, those brows full and mouth always in a state of joy.

Rachel McAdams was your first crush, but Eunbi owns your heart. She has her position locked into the core of your chest for eternity.

"Y-you asked me what my favorite movie was," Eunbi says softly, stroking the back of your hand, "and you bought me chocolate and popcorn so we could watch it together."

Yep. You were broke back in those days, but you were also very young—that only meant you fell easily for girls with a pretty smile and a soft heart. You hadn't tripped anymore since then. When you fell for her, Eunbi stood you back up and gave you that sweet little smile again, then told you there was no more falling from here on out.

That was why you made ends meet and bought the chocolate you always saw her eat before she took tests. You even talked a cinema worker into letting you get two large buckets of cheese-flavored popcorn for a crashed price, just the way she liked it.

If there was a will, as they said, there was a way.

Things changed since then. You now had the money to go by and support your wife and Yujin, but your heart kept its strings hooked on Eunbi. She had knotted them to her little finger and never left you once.

Remembering these makes you chuckle. "I was a loser, wasn't I?" It's no meaningless self-deprecation—your college student self was down bad for her in ways you can't begin to describe. "I acted so stupid in front of you all the time."

"But I haven't had a guy that willing to be mine."

"Damn. I really am the best, huh?" You stroke her hair. Direct her face to the television screen but she looks back up at you anyway, and when she does you notice her eyes are full with love.

"You are,” Eunbi whispers. She wraps her arms around your waist. "You are."

Your heart beats positively with feelings of wholesomeness for the girl you're so lucky to have. She's amazing, and you feel so fortunate to have someone who loves you the same way you love her.

"Did I mention you were so cute?" you say with a laugh. "You cried while watching it even though it was like the millionth time, and that's—"

"—how we first kissed," Eunbi finishes. She covers her face, humiliated by how she acted in those youthful memories that come back. "You kissed me because I couldn't stop sobbing."

"Even back then you were a crybaby, huh?"

She sulks. "You know me. I'm very emotional. I was so upset and then more upset that when you kissed me I was all puffy and sniffly and—"

"Shhh." You pull her closer and kiss her head. "It was the best kiss I've ever had."

Eunbi looks down with a smile. Content with that, nods understandingly. You resume toying with her locks of ebony while the movie goes on.

You're watching an old favorite, yes, the one that got you and Eunbi linked by hand and eventually ring. It's special to you, a foundation of some sorts. But by the unfocused serenity in her eyes, you can easily figure that Eunbi didn't ask to watch it just for the sake of it. She wants more than alone time.

She wants you.

Halfway through the movie, the look in her eyes is still there. Hence, stringing her hair in between your digits, you ask, softly, "You didn't really want to watch something, did you?"

Eunbi's cheeks flush. Looking down shyly, she shakes her head. "No," she says in a small voice. "I mean, I did! But it was supposed to be like buildup so it can lead to the actual… you know, but…"

You smile. God, she's adorable. You love it when she gets so small. It's an everyday look on her, but it remains as sweet as the first time you had the privilege to witness it.

You lift her up seamlessly and place her on your lap. Notice that the shorts she's wearing live up to their name with how they taper just barely at the beginnings of her soft thighs. They hide beneath the sweater that's twice her size, making her look cuter than she already is.

"Oh, Eunbi." Your hands hug her waist. It doesn't take much to figure out what she really wants. There's only one thing those watery eyes could possibly desire. "You could have just told me."

Eunbi realizes this and starts to whine again. "I'm sorry. I—"

"No, no." Your finger on her lips, you hush her before she could blame herself. "Don't be, understand? Just tell me what you want."

You want to hear her say it, to hear her tell you just how much she needs you. She looks at you nervously, and you rub down her thigh to encourage her. It's what the two of you are made for: to push and pull, go forward and take a step back.

Eunbi stares at an odd spot on your shirt then sighs. "But you're so tired," she says wistfully.

"Listen: I never am for you. What is it?"

Silence full of hesitation and fear.

Then, a revelation.

"I want you to fuck me, daddy."

She could have said that nickname alone and you would've known what she meant.

Eunbi's stomach presses against you. Each knee of hers is beside one of your respective hips. She's swallowing, clearly nervous, but continues closing herself to you. She finds comfort in the warmth of your body, and your encouraging timed squeezes on her waist.

Her breathing grows sporadic with every grope. She tenses up, too, and it's no use massaging her to help her loosen up when you swear to god she gets tighter each time.

"Daddy…" she moans, lip trapped under her teeth.

"Pretty?" You kiss the collarbone that peeks from the curved neckline of the sweater. "What is it?"

"Please, hold me. Take me to bed."

"Of course I will."

She whimpers when you take her into your arms and carry her again. Her little arms curl around your neck as you take her to your bedroom with the assurance that your daughter is asleep. Wouldn't want her to see how she was made.

You lay Eunbi on the bed. Kiss her. You're hung up on every aspect of her—her neck, her jaw, her collarbone. All those places deserve kissing since she's so perfect. Such a good girl, in every little way.

But it's those lips that deserve yours. Her pink tiers are full and plump, and you dive into them gladly. Softness upon softness, you push her deeper into the soft resting place with how your lips ache to be engulfed with her.

Eunbi closes her eyes. She's floating in the clouds. Your straying touch is too good, and your lips are more so. They know where to kiss so that she's giggling and squirming, know how to kiss so that her breath is gone. She's shuddering beneath you, and you have got to hold her steady as her soft whines fill your ears.

"You're so good, daddy," she gasps. "Oh, ohhh. So so good."

"You're better."

Kissing Eunbi is always an ethereal experience. She's so eager and needy—she floats her back so her lips could clash deeper into hers and locks them so that they don't have anywhere else to go. Her hands are on the sides of your head, also locking it in place. You're going to be here forever, touching and feeling her.

You're okay with that.

"Not really," she says, shaking her head. She can't speak too well with your teeth nudging the skin of her neck. "Ah, I'm always so talkative and stuff and you have to listen. And you do, a-all the time."

"No no,” you tell her reassuringly. “I love hearing your voice, pretty. Mmm. Of course I would."

You're about to reach between her legs when you hear a soft bell sound come from your phone. Yujin's doctor? Your family? You don't know, but with the bell notification sound you reserved for messages from important people, it must be urgent.

"Hold on." Stop and get up regretfully. Wipe your forehead of the sweat that accumulated from the heat of the moment. "I have to answer this."

"Awh." Eunbi isn't afraid to speak out her concern, even in a pouty little whine.

"It'll be just a minute, I promise."

Ruffle her hair while checking your phone. Squint your eyes when you see that the notification is a text message from… Eunbi?

Open it. Then, your voice gets stuck halfway in your throat.

It's a video she sent. Just the thumbnail tells you this isn't just any video. The automatic run of the clip only proves that.

There, on your screen, Eunbi dances in your bathroom, a flimsy see-through cardigan stuck in a wet sheen on her body. The Burberry bikini stands out as it holds her heavy breasts. She's running her fingers down on her figure, eyes never disconnecting from the camera, as the spraying water runs down her legs.

The audio is a familiar sound to Eunbi. Deja vu connects two and two together, and soon her hands are on her face. Your smile extends to your ears.

"What's this, pretty?" You wrap an arm around her and guide her closer. Make her watch her sultry video. "Wanted to make daddy need you?"

"No… no, I'm sorry," she says meekly. Her eyes are all round and bright as they look up at you from behind curled fists. "I wanted to give you a gift, but then I thought it didn't go through since the internet got cut and—"

"You really thought to distract me at work? What if my coworkers see you on my phone putting on a show for me?"

"Daddy, I'm sorry."

Your next command is blunt, almost intimidating: "On my lap. Bent over. Now."

It's supposed to be a punishment, but Eunbi's face lights up. She nods and does as she's told: she folds that amazing body on your thighs like it always does at your beck and call. Lift the ends of the sweatshirt so that her lower body is revealed to you. Her pretty backside is subjected to firm squeezes.

"Wanted this for so long, right, Eunbi?"

You know her. You know she's been sexually frustrated all these weeks. You have been, too, but all these change today. You're actually going to work something out.

The calm before the storm: your meaningful gropes on her supple ass cheeks. Fuck, no panties. Eunbi's just been waiting for it to happen all day, the naughty girl. She's looking back at you in anticipation as if this were something other than a punishment.

"You waited, didn’t you? You wanted daddy to bend you over his lap and hit this perfect ass. I know you do." Your touch makes its rounds on her. "You're so fucking wet, too."

She nods. God, yes. She's been wanting this for so long. Working and caring for your daughter has held her up and left her deprived of your touch. You send shivers on her skin that's grown sensitive after weeks of no stimulation.

Then, it happens.

You raise your hand as high as it could reach, then throw it at the swells of her ass. Her cheeks bounce, a mesmerizing sight.

"Mmm, daddy," your wife purrs. Her backside blooms with red at your smacks. "That… that feels so good. Really good."

"You're a freak," you chuckle. Don't stop, though. Spank her again as hard as you could; she tosses her head back.

"Of course. O-oh my god." Her eyes float shut. "Fuck, yes, daddy. I'm so wet, I need you so bad."

"Do you now?"

"Yes. I want it, please."

"We’ll see. You wanna say you're sorry?"

"Sorry," Eunbi whispers, muffling her face into the mattress. Maybe she is. "Hnn. Sorry. Sorry."

"I bet you are. Count."

As time goes by, your blows on her ass grow harsher and she barely gets the numbers out of her mouth. You have a feeling she'll lose count along the way. She does. Of course. You've been with her long enough to know how she works, how she unravels.

For example: this spank guarantees sticky wetness on your fingertips.

It does.

Second: if you grope her tits right here, right where they rest above your thighs, she'll moan louder.

She does.

Third: if you tease your finger on her pussy, slightly rubbing her clit, she'll scream.

She—

"Daddy!" Eunbi sobs, rutting on your lap. "Fuck, fuck, why does it have to hurt so good? Daddy—"

"I said count, pretty," you reprimand her. As much as you love to hear how desperate she gets for you, the rules are clear.

"God, please…"

"I know I fuck your brains out until you can't think, but I promise you I'm not the almighty."

"So mean. So full of yourself. H-hnn—!" Eunbi retracts her ass from your hand once you deliver what would have been the final scolding slap if she weren't acting up. "Daddy, please don't stop."

She should be hating the idea of this when it's supposed to be a punishment. She should be quivering under your hand, promising to be a good girl, your good girl. Instead, she's sobbing, begging for more like the pain it brings is essential for her to breathe. Like if you don't slap and smack her rippling ass, she'd go weak.

She's weak with or without. Real tears leak from her eyes and her whines have reached the maximum point of need. You can feel her wetness on your lap.

"Count," you sneer. "From the top. I'll only ask again."

"Sorry. Hah. One."

"Bet you love this, don't you?" Slap her butt so it bounces in response. "Your cheeks are all sore and red for daddy now. But you want more. Why do you think you want more?"

She grows delightfully wetter. Your fingers stick with her juices.

"Oh," she whines, shutting her eyes. "Two."

"I think I know why. You're weak for anything daddy does to you. I could fuck you on the desk, fuck you in the waiting room at Yujin's school, and you'd be such a good girl. You'd be bending over letting me do it. Am I right, Eunbi? I think I am."

A waterfall starts from between Eunbi's legs at your words. She wants you to use her, to know that everything you said is right. She is a sucker for every little thing you want to do to her.

She has to take a breather before saying, "Three."

"I think I know something else, too: you just want to be daddy's pretty little girl. It's all you ever want that you'd let me kiss and fuck you dusk to dawn. You'd even let me smack your ass all day and make you weak at the knees. It would be a shame if you came just from this spanking. But I know you will."

She clenches yet she can't fight off your harsh blows and firm squeezes. She can't count that many! Her poor butt is red and aching. Stopping is not an option though, not when she's looking at you with watery bunny eyes full of want and denial.

"Aww, princess, gonna cum? You look so close. You're shaking so much. Are you gonna cry? Cry because you want to cum so bad? Then do it, Eunbi. Cum all over me."

She shakes her head. "W-won't, cum…" She purses her lips and squeals, trying to fight off what's already in store for her. "Won't… cum, da– daddy!"

It's the way she screams your name for help even if you're the one hitting her; the way she wails in your lap and remains there in spite of the spanks that follow each other at the heel; the way she screams out for you and a god that would have disapproved of what you two were doing. Eunbi kicks and struggles and spasms, actions ridden with tears. It's what drives your slaps to unfurl with a fury that you'd never dare do unto her if this setting were any different.

"Daddy, daddy! Ohh shit, please—"

Stuff your fingers into her small mouth and smack her rapidly. She screams and cries, clinging onto the last bits of sanity. You're too harsh with her. Shouldn't daddies be taking care of their baby girls? So why are you so mean?

And why is she loving it?

"Oh no." Palm her ass. Gently squeeze its round globes then kiss her neck. "My poor, pretty little thing. Who did this to you? Who made you so wet and needy?"

It's the mixture of mockingness and concern that has Eunbi trembling on your lap. You could be so kind yet so cruel to her. Seeking solace in the gentle circles your hand makes, she whimpers out, "You, daddy."

"That's right." Nudge your erection to her mound. "And who's making me this hard?"

"Me." As she says it, her ears turn pink. You've praised her so many times and still her face grows warm with self-consciousness.

"Of course. You're too fucking pretty. Want to sit on daddy's lap?"

"Yessss, please."

Eunbi wipes the tears from her eyes. Her legs are liquid, and you're required to help balance her when she stands up to sit down anyway on your legs anyway.

She curls her legs into your lap and raises her fingers to her lips. You're rubbing her arm and telling her you're here, yet another truth. You'll always be here for her, even when you get rough with her. Don't mistake it all for merely lust.

This is what home feels like.

Rock her for a while. Let her breathe. Carefully brush away a stray tear and kiss the place it used to reside.

"I love you," you tell her. "I love you to death."

"I love you, too, daddy," she whispers. "My daddy."

She's trembling. You furl her into your arms more tightly and press your mouth to her hair. She pushes herself deeper into your touch appreciatively.

With her hands returned on her lap like the good girl you made her and eyes tearful, she looks so cute. She looks like the girl who's exactly the type to get on your thigh and let you do whatever you want to her, and it couldn't be more accurate. She's perfect.

"Pretty girl, pretty girl. Eyes up here."

Eunbi's sniffling quietly, and you run your hand up and down her back to calm her sobs. She redirects her focus. She's obedient now, following all the rules.

You ask, gently, "Need to breathe?"

"I'm okay, daddy," she says. She leans against your chest. "Thank you."

You nod. That's your go signal. Your green light.

So, your touch traces from her shoulders to under that big sweatshirt. Right there between those fantastic legs. The spanking left her weak and wet. Just a few rubs make you hear the slick sounds.

You feel her then, right there on her drenched core. She tenses up again. Her legs close yet you part them to gently, gently tease her nub. It only goes up and down like that but she's already quivering again.

That draws a gasp out of her. She looks at you, swallows, then closes her eyes tightly as you continue. Only soft whimpers squeeze past her lips. She's taking it all with such resilience that you're actually amazed.

"That's it. So pretty and good for me. Maybe I should reward that, don't you think?"

Eyes still closed, she nods. Excellent. Test her limits with poking a single finger into her waiting pussy.

That's how her eyes end up fluttering open. You finger her fast and hard, making the poor girl have to go through another bout of harshness. She's enjoying it in spite of it all; her pretty pussy just clenches perfectly around you, ever so wet.

"Daddy." She says this with urgent breaths. "Daddy? Need you." Then her voice gets higher. "Daddy, please—p-please—"

"I'm here, hon," you say, reassuring her as you toy with her cunt. Her legs shake, but you carry on. "What does Eunbi want me to do?"

You're blocking her thoughts from forming. She lifts herself up and grinds blindly, but she knows she has to answer. She knows she has to tell you something, because that's what good girls do, right? And Eunbi's exactly that: your good girl. Your good, sweet little girl.

Oh, but she can't, she can't. She can't answer it when your fingers are all the way inside her, constantly shoving and pulling strings of moistness out of her. She turns to you and opens her mouth, but she never gets to say anything.

It continues like this for lengthened moments, with Eunbi barely holding on and squirming on top of you, and your fingers neatly sheathing and unsheathing from her pussy. Her vulnerable expressions show that she can't talk or act properly—all she can do is moan and squeal and beg.

It isn't a fair game. Recognizing this, you kiss the side of her head and propose, "Let's make this easier, pretty."

And you make it anything but. You spread her legs and press her back snug to your arm. From there, you keep fingering her. Aim to ruin all the resistance in her pussy. Impossible; she's too damned tight.

"Where would you like me to touch you?" you ask. "Your tits?"

Reach up under her clothes to feel her up. Squeeze her breasts. She squeezes up once more and sobs a little. The breaths leave her nostrils sharply when you start to grope her.

"Mmm." Eunbi nods, but still looks unsure.

"Your thighs?"

Rub them down. They're always so meaty and soft. She purses her lips and nods at that, too.

"Or your ass?" you ask with a wicked grin.

Take one finger out of her and instead lead it to her asshole. Tap it teasingly. She scurries her butt into your hands.

"It could be anywhere, Eunbi. Just tell me."

Eunbi nods. But she needs to enjoy this for now. She lets you fuck her with your digits before settling for a decision.

She touches your mouth with a quivering finger. "I need your mouth on my pussy, daddy," she says. "Please? I'll be careful not to hurt you, I promise."

You stop fingerfucking her. Place her gently beside you. Then, you move upwards before staying right below the headboard of your bed. Your back is flat on the mattress.

"No need to be careful," you tell her. She could break your neck and you wouldn't care. "Just come here and sit on my face."

Your blunt words make her blush. But she crawls up and spreads her legs. You're there to appreciate her beautiful legs and her shaven, pink little pussy. She looks down at you with concern, but you tap her thigh reassuringly.

Convinced, Eunbi places herself gingerly on your mouth. The first contact is effective in breaking her again for she lets out a vulnerable little moan and raises her hips again, only to sit back down on you.

As expected, Eunbi tastes like everything sweet, everything beautiful. You slide your tongue up and down between her pussy lips, then flick it on her clit. She cries out, her hands instinctively going for your hair. But she remembers her promise to be careful. She's forced to have to bite on the back of her hand.

You make it more difficult for her. You love keeping her on her toes. Rest your hands on her thighs—her thick, full thighs—and pull her down. You don't care if she'll suffocate you; you'd give anything to have her reeling and crying. Her legs squeezing your head is your reward for eating her out so well.

"Daddy," she hiccups. She seals herself on your head and freezes due to the pleasure. "Feels so good, keep doing that, please."

How could you deny her of anything? She tastes so sweet and whines so prettily that you have no other path to go down than the way to eating her pussy harder.

Kiss her labia lovingly, a teaser for the main thing, which is slipping your tongue all the way into her tight hole and circling it inside her. Waste no time in licking up and down, appreciating her folds.

Her body barely weighs down on you. She remains afraid of hurting you, and you have to grip her hips to keep her down. Soon, it becomes a game of lifting and chasing, as if her cunt were a distant dream you only wish to attain.

You're determined though. Too determined for a dreamer. Your hands caress her fit ass to ease the pain your spanks induced and you reach deep inside her to trigger more juices into your mouth.

"Please, please, please—" Eunbi's voice cracks and she buries her face in her hands. She doesn't even know what she's begging for now. All her thoughts have vanished. You're dumbing her down into a shaky, squirting mess who needs only her daddy's mouth.

She's carefully grinding down on you, keeping herself slightly aloft so as not to crush you. But you insist on the opposite; you tug her down and seize her clit between your lips. Start to suck, hard.

She's not so careful anymore.

"Daddy!" Her pussy crashes down on your face and begs for more of you, begging you to draw her needs beneath and fulfill it.

Of course, you give in. You torture her clit with sucks that transcend control, keeping it latched tight between your lips, and grab your wife's hips to scurry her downwards. She can't go anywhere now.

"Oh—oh no, daddy," she gasps, her fingers curling around the headboard like ribbons, "don't do that! Don't do that, I'll cum!"

That's exactly your intention. Pulling down her thick thighs so that her pussy covers your face, you let your tongue dance and glide everywhere on her eager little core. Eunbi screams. Tears pour down her face as her juices spill down on you. You lap her nectar up the best you can, but some still slide on your chin, as well as the sides of your face. You make up for the lost drops and instead go for those that are dripping directly from her cunt—yes, this will make you a god. Feels accurate when you’re already in paradise with Eunbi’s legs around you and her screams filling your ears like prayer.

"Daddy, slow down a little!" Eunbi yells. Her thighs crush your head while her hips cringe to and fro. She purses her lips before letting out a feral cry. "Daddy!"

You follow up with a few last licks at her sensitive clit. Eunbi's out of breath, but you're not, despite being held captive by her thighs just a few seconds prior. That's why your lips still find her pussy, bringing it to complete weakness, cornering its sensitivity and preying on it. Eunbi sobs, wrists on her face, as you continue violating her pussy. You're never leaving it unattended.

"Daddy," she says tiredly. "Oh, daddy, too much, daddy—"

The natural flood of her orgasm overflows. You tap on her thigh encouragingly and open your mouth to taste her. "Yes, yes, that’s it, you’re so fucking delicious. Daddy loves when you cum on his face. Come on, baby, come on, my good girl."

Eunbi's legs give out. She moves away from your head in order not to hurt you and collapses on your bed. Her whole body is aquiver.

"Daddy," she calls out for you. "Daddy, please."

"You're alright, baby," then trail your thumb along her chin and jaw; guide her with demonstrations and soft words, "take a deep breath."

The overstimulated girl quivers and mewls.

"You're alright," you say. Kiss that forehead that's recently been covered with a cute fringe, and then kiss her mouth. "My pretty girl's alright. Daddy loves you."

It's a reminder that you'll make again and again without getting tired. Eunbi's so lovely that you want to make her know she's safe with you, that she's loved.

Her reply is expected but relieves you anyway. "I love you, too, daddy."

Her breath catches as you kiss her. It's messy, torrid, too, when her hands hook into your head with a touch that's weak yet worshipful.

“Mmm, my daddy, my only daddy.” She kisses you sloppily, almost drunkenly. One thing leads to another, and your hands are on her hips to lead her on your lap again. Her breathy bedroom voice turns you on so much. “I love you. Daddy, I love you so much.”

"Just wanted to taste yourself on my lips, didn’t you?” you ask. You see right through her.

She blushes. There's your answer.

“No problem with that. You taste delicious. Here.”

Swiping up a line of slick from her delicate pussy, you guide your slick fingers into her mouth. She latches onto them and holds your wrist in place as her sweet mouth seeks to taste everything.

"Thank you," she murmurs. "Love you. So good to me."

This is what paradise is. Eunbi's broken words spill from the sides of her mouth while she licks her cum off your fingers. Her eyes are closed, deep in worship for you. What a worst time to be religious. After having just spanked her and eaten her delicious pussy, she has no place to be saintly. Sacrilege at best.

But you let her, since she's so good. Such a good girl for you.

"You’re good to me, too, pretty." The nickname has not once left your mouth with how it fits her so much. The bangs she sports and those naturally full, pouty lips make her the most beautiful woman in the world. "Since you're such a thankful princess, you deserve to cum again. You want to cum again?"

"Really? Daddy? Daddy, you'll let me cum again?"

"You don't want to?"

"No, no, I want. I want it." Eunbi nods her head and looks up at you with desperation. "Make me cum again."

"So demanding," you reprimand her. "Guess you don't want me to go through and worship these?"

Reach up behind her and touch her right where everyone expects you to: her large, round tits. They're what everybody looks at, and it honestly makes you feel a little possessive. But you always are reminded of how right they could be. They look so full even behind thick fabric.

"Daddy!" They're also where she's most sensitive. She lets out tiny squeals all while you're having your wicked way pinching the pink tips.

"Ohh, you like that, huh?" You squeeze; she locks her legs together and whines. "Makes you want to scream for me? Scream and yell like a needy little girl?"

You know how this goes. Given the sensitivity on her breasts, she'll whine out and beg more than she would if you touched her anywhere else. She'll probably even cum on the spot like she did when you spanked her. There's a common factor here, you think. Gotta place what that is.

Eunbi's eyes water and she says, "Daddy, please. I need you, don't be mean to me."

Found it. It’s you. Not to be narcissistic and everything, but it’s definitely you.

"Alright. Take your clothes off. Want to see how pretty you look under all of them."

She lifts her shirt up. Your mouth waters. Each bit of her perfect, curvy body is uncurtained—the flat of her tummy, the curves of her hips, the undersides of her breasts. Then her breasts themselves. The deep cleavage has your eyes coming out of their sockets, along with the massive recoil they do as they're released from the hem.

Her hair is messier now. The neckline and fabric did a number on them. The fringes are all over the place.

Laugh fondly. Meanwhile, you straighten her bangs. "You alright there, pretty?" you say.

"Mhm," she hums, giggling, too, albeit shyly. Then her eyes turn needy, their glimmer unmistakeable. "Please?"

You push her down gently on the pillows, pinning her back to the blankets. Her long hair is in a disarray behind her as you kiss her body. The flat of her tummy tenses when you press your lips there. What really gets her moaning, however, is your mouth on her tits. Her beautiful, perfect tits.

Press them together with a hard squeeze. Run your tongue on one of the hard nipples. She sharply gasps, looking down at your sinful little doings. You gaze back up at her with unwavering eye contact as you suck on her nipple as you did to her clit.

Same effect. She's whining again.

"Daddy, daddy, daddy—"

You've lost count of the many times she's said that.

You don't mind adding a lot more to the list.

"What is it, baby?"

Eunbi makes her desires known through bated breaths and little moans. "Now,” she says. “Inside me. Please."

It takes no time taking your pants and briefs off. It is painful, though; your cock is a rod solid and lengthy for the idea of fucking your wife after all those weeks of being held back. Her naked body waiting for you just tempts you even more. Her legs are spread, her face radiates need, and her pussy is dripping wet. You know she wants you the same way you want her.

So why hold back?

You can’t hold back your feral pump nor your groan either. Slipping inside Eunbi’s warm, drenched pussy is like reminiscing a wild memory. Her grip brings you back to all the times you’ve made love to her, right on this bed, until she curled up and begged you to go faster. It makes you promise to give it to her this time hard and fast, the way you know she likes it.

Give her every inch, then take them back. Give them again. Withdraw. You choose this cycle and Eunbi couldn’t love it more. You have to battle with the tightness her pussy inflicts all the time, and it’s both a pro and a con with how it hugs your length and caresses it with the texture of her walls while refusing to let you in. You can see Eunbi’s face twist as she tries to relax, but each part of you that she’s fed, she ends up tightening and moaning again.

“You’re fucking me s-so well,” says Eunbi strainedly. Her fingers sink into the sheets as she trembles with your unforgiving thrusts. “I missed this so much.”

You did, too. You missed controlling Eunbi sexually, having her weak and on her knees. You missed the comfort of her warm little hole that’s always skilled in its job of milking you dry. It’s still strong and exceptional in its talent.

Eunbi’s noises are loud and unbridled. She always drones on and on, something that makes her cuter than she already is, and there’s no difference in the bedroom. She moans and talks about how amazing it feels, how you’re penetrating her perfectly. And all the same, you love hearing her.

“So fucking tight,” you say. You just have to drive your hips upwards, to send her rocking to and fro. “Take it all, okay? I know my pretty girl can do it. She’s the perfect thing for daddy’s cock, isn’t that right?”

Eunbi’s ears grow pink. She nods, because that's another thing that’s true. She is your perfect girl, your only girl you’d take at night. Your husky words of praise go at odds with how you’re fucking her, with her ass up in the air and her legs in your hard touch, but it turns her on so much that she’s willing to do anything—anything for you to go on and have your way with her.

And have your way with her you do. You push yourself past her pussy lips and let them hug the sides of your length after you fill her up entirely. Her cunt pulsates, and it drives you to drop the whole of your hips in between her legs, flicking past her G-spot.

“M-mmm!” Even with just a hum, Eunbi stutters. Your hands on her tits kneading and tightening make her lose all common sense. Coupled with your cock ruining her insides, she can’t think straight.

She doesn’t have to when you’re here to catch her. You’ll think for her so she’s allowed to lie back. Right now, you’re thinking of completely ruining her.

“Oh, oh my god, daddy,” she says the moment you thrust up into her with more precise strokes. She looks down at your cock swiftly drilling her. "That's—so—ffffuck!"

Eunbi begins to curl up, the heat overtaking her, but you spread her legs. Force her to take you by stuffing her cunt even more. Her tightness grows and soon she's yelling, almost in an episode of frenzy.

You're humping her like you need it as much as you would water and food, without care for how much you're digging her into the blankets or how much she screams. There's only one thing you want and that is to be buried all the time in her sweet little pussy. You can tell that it's what she wants, too—her hips gyrate, weak yet determined, and she's filling the room with her screams.

"Yes, yes, yes." She places a hand over the back of your own that's on her breast. "Fuck me, hurt me, d-do whatever you want with me, I'm just your pretty girl—daddy, don't stop, please!"

To hear her talk about herself so lewdly and feed your mind with the idea that you could do anything to her makes you force your groin up and slam her legs on your shoulders. Fight against the resistance of her pussy, slap her bouncing thighs, push only forward to fill her up.

"I promise, Eunbi, I'm not stopping," you say, a new oath made. You lean in darkly and stare right into her eyes. They're that of a prey's; she had nowhere to go, nowhere to hide. "I'm gonna fuck you until you're squirting and crying, and I know that's what you want, right? To have daddy make you cum like he always does?"

"Yes, faster, please!"

"Fuck." You pause, and before she could complain, you place a hand on her throat and push her down. "Then you're gonna fucking get it."

She's talked to you about this before. She's proposed to have you pin her down and choke her, shyly saying it with a cutesy plea to her words, but you always refused. You didn't want to go too far. Now, however, you give her what she wants:

Close your hand around her neck. The look on her face is immaculate—her eyes are wide with both bliss and thrill, and her mouth is open. For the first time, she doesn't make any noise. She's letting it all out in a silent, withheld scream.

Squeeze. She gasps. There's a river of wetness inside her; it flows freely and limitlessly, pouring onto your shaft and the sheets.

"God, pretty," you say lowly. "Your pussy gets so tight when I choke you. Like you want me to keep choking you until you beg and beg. What's with that now? I thought you wanted me to be gentle."

Your hips don't stop; they're almost invincible. They don't tire of pistoning in between her legs. And Eunbi doesn't get tired of squeezing, of crying. Her whole body's in desperate heat, and you're the bad predator giving in to it. You’re using her, violating her—and she’s sprawled out taking it all, loving each second of it.

You firmly pinch her nipple. Her frozen, desperate look is broken with her loud scream. Its volume is tightened when you curl your fingers harder into the flesh of her neck. That's the neck you've kissed before, when she wanted to make love and when she needed a hug—it's so out of character for you to suddenly be using it in depriving her of a breath she so desperately needs.

“What? Can’t speak?” you say. Words say themselves without your mind registering them first. Even so, Eunbi clings to each and uses them to roll her core harder into your erection. “Is daddy choking you too hard? You’re so fucking wet from me doing it, pretty. I should do this more to you. I’d fucking keep you here and choke the hell out of you.”

Oh, the fantasy is tempting. You imagine calling a day off from work, as hard as it is to register for one, and using it to fuck your wife in all the corners of the house. With Yujin at school and the schedule empty, you could fill her pussy with cum and have her bent in all the best positions, each done with your hand on her throat. By the helpless look on her face, you know she loves the idea, too.

“Yes, daddy!” she screams. Those are your words of affirmation. Her gasps for air leave her more often, yet you keep your hand pinned to the base of her neck. “More, I need more, please give me more!”

“Look at you. You’re crying so hard. I can feel your throat pulse. You need to breathe so bad. But you want daddy’s cock more. What should I give to you then, huh, baby?”

“M-make me cum! Make me cum instead, daddy, I don’t need anything else!”

You could do that. It’ll happen anyway. She’s far too tight for one person to handle, backfiring on her so much that it drags her closer to the edge. And you’re pushing her with each thrust, with no offer of rescue.

“Such a spoiled little girl,” you tut, leaning in to bite her ear, “but so fucking pretty.”

Pretty girls like her, no matter what they do, deserve to cum. Swing yourself deep in between the hanging pillars of her legs and cum she does. Mouth open and on the cliffs of desperation and submissiveness, she lets out a squeezed scream. Her fist is firm on your wrist, making sure it doesn’t leave her throat as the thrill of the danger makes her cum harder than she thought she would.

Finally, your hand loosens. She gasps. Her wonderful chest rises and falls, air finally entering her lungs. Her head feels light; it’s the most gratifying experience she’s had in a while.

It’s the same for you. Maybe the sexual frustration that accumulated over the weeks was a good thing. You let it all out on her and now you’re throbbing.

“Daddy?” She’s a survivor of a storm who just emerged from the flood of lust.

“Yeah?” You soothe her, like you always do whether after sex or when she’s overwhelmed. “You want anything?”

“Think… you need to look at the time.”

“Let me run you a bath first, please, baby?” You lean down and kiss her forehead, rubbing the space on her chest where her heart beats fastly. It worries you, and for a moment you wonder if you should ever do this again. She’s catching her breath and failing. “You’re so worn out.”

“No.”

“No?”

“No, daddy, listen to me, please?” She closes her eyes to collect her composure that was lost after and while you fucked her.. “Look at the time.”

“It’s…” You steal a look at the digital clock sitting on your bedside table. It’s sometime after twelve midnight. “Midnight.”

“And you, haah, know what that means, right? Right?”

“It’s…”

It hits you. The knowledge infiltrates your brain and suddenly all lust is gone. Your heart’s only filled with feelings of affection for the girl you’re incredibly lucky to share your love and home with. You welcome her into the depths of your embrace.

“It’s the twenty-seventh,” you murmur. “Your birthday.”

Your own heart starts to beat faster at the thought. Eunbi’s just spent another year with you, another year with Yujin. Your family grows everyday with love, and it brings you more satisfaction than your job could.

You look at Eunbi. Observe her sharp nose, beautiful hair, and lips that are always calling out for you. You realize in that moment that you can’t be more grateful that she’s the girl you married. There are plenty of girls out there who might have wanted you, but your heart doesn’t belong to them. It belongs to her, your wife. Your princess.

“Happy birthday.” Stroke her hair and gently tuck it behind a red ear. “Baby girl, I’m so grateful to have you, you know?”

She flushes. Eunbi loves that you’re always there to tell her she means something. “Thank you.”

You ought to do something special for her. She works so hard and loves so hard that it’s only right that her birthday is special. But your ideas are simple, and you decide to just let her choose. Anything she wants, you’ll give.

“What do you want us to do today?”

Eunbi takes a moment to inhale, then opens her eyes. She’s never looked more sure. Though her voice is weak, it holds conviction.

“I want us to stay here in this bedroom, daddy.” She clasps your hand and places it from her face to her pussy. “I want you to fuck me harder. I want you to do it until I can’t feel my legs.”

Your eyes widen. She’s never been this upfront. It’s rare to see that firm look in her irises.

“Then…” Eunbi pauses although she knows what to say next. She knows what she wants from you. “I want you to breed me, daddy.”

The silence from your end is lined with shock. You can’t say anything—your words are lost in the ends of your mouth due to the feeling of Eunbi’s slick, hot pussy under your touch. She’s as wet as she was before. She obviously wants more.

“You didn’t cum yet,” she explains. She grinds your fingers on her lacy, wet core, and whimpers at how hot it feels post-orgasm. “So when you do, I want it all here. Right here. It’ll fill me up so much that I might get pregnant.”

It’s been a while since you released inside Eunbi. You’ve always taken special care to practice safe sex, even unprotected. You’ve let her swallow your cum instead or unloaded into a rolled condom. Now, the offer she’s making—of bearing you another child, of letting you give her another little joy to take care of—has you speechless. Would she really let you?

“You’ll do it for me, right?” Eunbi rolls on top of you, her amazing body pressed to your skin. Although she’s above you, she couldn’t be more of a submissive, needy girl. Each limb of hers strains to be touched and controlled. There’s a reason she wants you as her birthday present. “You’ll pound me full of cum and drill it all into my womb, all so I could be your pregnant birthday girl?”

“Pretty…” you say, not knowing what else to tell her. Hesitation curls around your mind and body. You’re not totally convinced she’s sure about this.

Her large eyes are wanton with lust and her lower lip’s sealed beneath those teeth. She nods, happy that you finally responded.

“Yes, yes, that. You always call me pretty, daddy, and… I really like it. But can you imagine how much prettier I could be if you gave me your baby? My tits would look even bigger, and they’d be so sensitive that if you sucked them, I’d cum on your lap instantly.”

How do you breathe again?

“And when people ask me about us, I’ll be the good wife at your side, standing there and saying I’m just so happy to have my daddy’s baby.”

The thought of Eunbi shaking as you overstimulated her by just playing with her nipples makes you warm on the inside and out. Additionally, that image she painted of herself: the silent girl, the pretty wife beside you who’s full with a baby and wearing a smile so innocent it deceives people of what she wanted today—it makes you feral. Not even warm or hot, just the pure carnal desire to knock her up.

“And you know what else, daddy?”

“W-what?” Now you’re the one who feels like they were just left in a chokehold minutes ago. Your mind just runs with ideas of fucking her senseless.

“They’re going to think we planned it all along. But no; what they don’t know is that it was by chance. That Eunbi asked for it suddenly, and you gave in. You gave her creampie after cream—”

Well, you could say that you’re easily convinced.

Eunbi’s prone when you switch positions, quickly taking back your lost power and pinning her back down. You press her legs together and push them down; she peeks from behind them, thrilled to see what you would do after she successfully riled you up. Obviously, you don’t give it to her just yet; you set your cock on her splayed pussy lips and start to grind down on her.

“Thirsty brat,” you tell her. You tighten your squeeze on her ankles so she remains still while you hump her, but never really giving her the real thing. Groan; even without penetrating her, she feels wet and hot. “When did pretty become such a bad girl?”

Her clit throbs and you do, too. Why are you lying to yourself and acting like you don’t want to dick her down?

“Bred, bred, bred. Need to be bred.” Eunbi’s lower body rolls. She’s panting. “Need to feel your big cock inside me.”

Fuck, you’re gonna give in anyway. You say: “What’s the magic word?”

Eunbi swallows. You think you’ve seen that before. She was underneath you that time, too. “Please, daddy.”

The magic word is “please,” but if she says your favorite name with that, there’s a hundred percent chance she’ll get what she wants. She increases the chances with her downturned little mouth and her hands folded together. You don’t know if you should cuddle or fuck her. That’s your daily dilemma with Kwon Eunbi.

“Ahhh, so big!”

Her shout of pleasure is instant, and it continues with the rhythm of your pumps. You don’t bother creating a buildup—it’s her birthday; she’ll get what she wants. And you know that Eunbi likes it rough and hard. Don’t mind the bruises and spots of red on her skin and ass; it’s what she craves more than anything.

You do, too. But this experience is more gratifying because you actually get to stay inside her hole when you cum. Your seed would go straight to her womb, and everyone would know that it’s you who made her pregnant. Moan at that concept which gives strength to your muscles to keep pushing, keep thrusting, keep bringing you to orgasm so your wife, who you’d do anything for, would get what she wants.

You make sure each thrust you inflict on Eunbi’s fertile body hits her cervix, a prophecy of what’s to come. She groans helplessly—her knuckles turn white as they grip the fabric beneath her that’s sure to be stained with both of your juices. Who cares, though? It would be a constant reminder of the night you made Eunbi’s birthday wish come true. It would be a memory of what brought your future child into the world.

“I want it deep, daddy!” gasps Eunbi. “So deep that I can’t feel anything, daddy, harder, please!”

She knows the power in her begging and how easily you fold for a girl like her. You’d give her another spanking for that, but you give her a punishment she benefits from anyway: rougher thrusts that slap your balls to her spanked ass.

But she’s the birthday girl. So you fulfill her desire and drive yourself into her core until your balls aren’t just slapping her ass anymore but are pressed firmly to her crotch.

“Oh yes! Just like that!” Eunbi levitates her back off the creaking cushions and screams. You’re starting to fear she’ll wake Yujin. Good thing she sleeps like a log. “Pound me, cum inside me!”

It seems like there’s degrees of roughness you haven’t reached yet. Your thrusts grow in speed and harshness as time goes by, and the strength is limitless. Although you’re only doing the same thing which is fucking Eunbi in hopes of breeding her, your tempo doesn’t stay the same. It hits her with a force impelled by lust, pushing the sins deeper inside her that it starts to corrupt her, too.

Your balls are heavy with an impending load. Slapping her thighs, you momentarily part them so you could rub her clit side to side, the way you know she’s weak for. Eunbi’s expression changes into bliss to paradise itself—her tightness chokes your length from head to base.

"God fuck!" Eunbi lets out a spray of wetness as her body thrusts upwards. "Cumming!"

Oh she’s cumming alright, but she’s also squirting. There’s no time to weep over not putting a towel beneath her; you’re stuck watching Eunbi’s pussy become soppier while it releases a messy jet of girl cum. You marvel at how more comes out if you give it to her harder.

Ever the crybaby even in sex, tears start to fall down in little droplets down her red cheeks. They source from all three: pleasure, pain, overstimulation. It’s destroying her and yet she relishes each hit.

“Do it now, please, it’s too much! Breed me now—c-can’t—take—it!”

Shove yourself to the depths of her and unload. Your wife exhales repeatedly. There’s so much of your sticky load that it overflows inside her hole and creams her outer lips. Push yourself further and pull her legs up so it’s all guaranteed to go to her womb.

“Like this, pretty? Your pussy’s gonna take every drop, right?” Even in your craze of lust you could hear yourself weakening.

The cum that shoots into her never seems to stop.

“Yes, so much,” Eunbi moans quietly. Her arms are limp beside her. As her consciousness dies, her orgasm lives on. “Breed me, daddy, ohhh… breed me… breed… me…”

Yujin’s thick black hair, all inherited from her mother, looks perfect today. What makes it more satisfying is that those braids running down her head and the cute pigtails were fixed by you.

“Wow, it’s so perfect!” Your daughter admires herself in the vanity mirror and grins up at you. “Thank you, papa!”

Her young yet advanced vocabulary makes you chuckle. As you hear it, you realize you can’t wait until she grows up and starts to talk even more beautifully, like the words she takes from the books you always see her nose buried in.

It’s 7:00 AM, and Yujin’s bus is about to come to the driveway. You’re lucky to have finished fixing her hair on time. That’s partly why you reciprocate the smile. The main reason is that your daughter manages to chip away your tiredness and make it all worth it.

“Of course, Yujin,” you say. “Be good at school, okay?”

“I always am, papa!”

Your daughter always carries this confidence wherever she goes. You’re glad you and Eunbi raised her properly so she isn’t doubtful of herself. She’s going places—the girl’s only six yet she speaks and multiplies better than you can. Not that you’re embarrassed; it makes you more proud of her.

“And behave for your mommy, okay? It’s—”

“—her birthday!” she finishes giddily. Yujin never forgets anything, especially birthdays. She just celebrated hers a month ago. “Can I greet her?”

Pause. Has Eunbi recovered or is she laying there getting off to what happened? “Maybe later?” you say, hoping not to sound suspicious. “Mommy’s… just having a sleep-in day. Just make her a card or write her a poem when you come back home.”

“Okay!” Yujin replies. She turns her head to the yellow bus peeking at the semi-circular window of the door. “Bye, papa!”

You tell her the same. Wave goodbye to her. You make sure she gets on the bus before turning away. Time to attend to your other princess.

Usually, you’d spend time admiring your house as you walk to wherever you need to go. You’re proud of the bookshelves and design, but today is a day different from all the others. You only have one clear vision the moment you open the door of your room with your wife.

She’s sound asleep. Her little body’s curled up under the comforter and her head is nestled in the hood of the zipperless jacket you changed her into the night before. She looks so adorable in it that you want to just take her into your arms and bite her cheeks. You have strange instincts when it comes to seeing your wife, who could switch between being a sexbomb to a girl you’d protect any time of the day.

Unlike Yujin, she’s a light sleeper, for she catches your footsteps seconds before you crash down into the mattress with her.

“Daddy?” she asks sleepily. She reaches for you. You catch her hand.

“Too early for that, isn’t it?” You smile into her hair anyway. “Good morning, pretty. Happy birthday.”

The nickname isn’t sexual anymore. It’s a pet name now, a call for you to take care of her. And you do your duty well, gathering her into your touch and keeping her protected from the cold.

Eunbi says her thank you, then blinks.“Y-Yujin, she still has to dress—”

“I took care of it.” You gently guide her back down in your arms. “She's on the bus.”

The panic dissolves from her face. She turns around to hug you back. All she says is contained in a little whisper: “Thank you, daddy.”

She throws a knee over your hip and ushers you to herself. As expected, to be honest. Eunbi loves all forms of affection, especially the physical kind. So you give her all of it: a kiss, a tighter embrace, a touch that wanders but not too far. Like you said, it’s too early.

Eunbi hums into your neck. “I’m so happy.”

“Yeah?”

“Mhm. You make me happy.”

“You just want to get bred again,” you joke. Kiss away the pouty look on her face. “I’m kidding. You make me happy, too, pretty.”

What you say is nothing short of the truth. Eunbi fills your life with purpose. You wake up and keep doing so to make sure she has someone. You work so she’s well provided for, even if she has her own job herself. You come home so that the nights aren’t lonely. You know a lot of men who couldn’t say the same about their relationship with their wives.

You’re happy to be the different one for once. You’ll always love Eunbi. Even after you die, you’d be looking out for her, if there ever is an afterlife.

“You and Yujin are the most important people to me,” you tell her.

“Well, after you bred me…” Eunbi smiles slyly. “There’ll be another important person in your life, daddy.” A pause. “Maybe we’ll name them Wonyoung?”

You shrug. You don’t know. But then you’re overcome by the urge to kiss her. You act on it, pecking her. It turns into something deeper, and soon you’re on top of her again, rendering her whining once more.

As you kiss Eunbi, you realize that there’s no sure path to the future. But all you know is that you’ll stay with her along the way, and that you’re excited for all the good things to come.

#kpop smut #female idol smut #idol smut #girl group smut #soloist smut #izone smut #kwon eunbi smut #eunbi smut #izone eunbi smut #idol x reader #idol x male reader #kpop x male reader #kpop x reader #male reader #reader insert #x reader #pov smut #request #smut

1K notes · View notes

apollodeath · 8 months

Text

Good Boy, König

(Photo credit to original poster)

A/N: this is just letting König get his… y’know? Just letting him do what he want and he wants praise for it. He wants readers praise so bad. Also reader is referred to only as you and Maus. Sorry for any typos.

MDNI 18+ only

Warnings: forcing p in v but with consent. Unprotected sex, v anatomy

König was showering while you scrolled your phone in bed, König came into the room from the bathroom, you didn’t look over to him for a moment but you slowly realized he was just standing there.

Your eyes slowly traveled past your phone bringing him into focus. The bathroom light was on, casting his tall, dark shadow on to the floor; in your shared bedroom the lights were off with only the tv lighting, which was muted in the background.

The steam in the bathroom slowly aired out and König’s body was completely nude, dripping with water, his hair wet and dripping as it rested on his shoulders, he stood still just watching you. You furrowed your eyebrows, slowly lowering your phone. You swallow seeing his cock hard swaying slightly It’s too heavy to stand up from twitches.

“König?…” you whispered a little confused.

“Maus… May I use you… t’cum” he said deeply his chest heavy and heated, he looked over you with hungry eyes, you wore your normal pajamas but his dirty thoughts held him hostage, imagining the sick ways he’ll have you if you say ‘yes’.

You paused and realized you must’ve looked scared with your eyes widened and glued to his wet body. You were far from scared once you heard his plea and saw his cock.

“Y-yes. You can use me.” You slowly began to sit up, feeling your body heat in excitement. He walked over in two massive strides his foot steps heavy enough to thump the floor. He grabbed you and pulled you up by your waist stripping you of your bottoms along with your panties in one swift movement, his heavy hands kinda hurt as he strips off your shirt.

“Wait, I’ll help” you say as your heart rate fastens and your breath already catching up to König’s In franticness. He ignores you and wastes no time climbing on the bed and dragging you to lay in the middle of it, he doenst say anything while he flips you to lay on your belly, you try and get up on all fours in doggy position, but he’s already pushing his cock tip at your opening, you feel his free hand push on your lower back to stay in position. He rests his knees on the side of your thighs and all you have to do is slightly tilt your hips up for him.

König let’s out a hiss when his tip slowly pushes inside, you’re so tight and you aren’t yet fully coated in your own slick so there’s a little resistance, causing you to wince at the feeling; which prompts him to steady himself with one hand on your upper back, the other to wrap around your waist, using the small gap between you and the bed to place his fingers softly on your clit making soft circles which makes your mouth slack and eyes close while your hips buck causing König to slide in a little more.

“Please slow König…” you slightly hum as he pushes more. He whimpers and curls his back inward as it’s hard to hold back shoving all the way in, he’s so desperately horny and you agreed he could use you to milk his greedy cock.

“You can take it, bitte maus.” He grunted pushing more and removed his hand from your clit to place on the bed next to you.

“König~” you moaned/whimpered. “Show me I can take it all… be a good boy, König~”

“Bitte… I want to be s’good for you” he pants. Pushing more of his curved cock in which stretches you more causing you to whimper in pain mixed with pleasure, your squirming a bit harsh. He puts both hands on your waist now to hold you down, usually König is heavy with foreplay knowing his cock is bigger than most and is quite a deadly stretch for such small things like your pussy.

“König~” you moan out “s-slow down” you mumble into the bedsheets where you lay with your fingers gripping the sheets beside your head.

“You can take it Maus… for’me… f’me maus… bitte” he whimpered feeling your cunt get wetter letting him sink more than half his hard cock in with little resistance.

“Fuck~” you felt yourself crumble at his words he was so desperate begging you even though he’s the one on top, he could control every move from here but he’s begging.

“Bitte…Bitte…. meine maus” he grunts/whimpers at every pause and every little inch pushing in. He’s finally buried in you which makes him pull all the way out and back in feeling the only feeling your tight walls could give him. He bites his lip still letting soft whimpers fall from his throat. König starts to thrust into you, out of pace at first, he’s trying to find what feels good. Also you’re so tight it’s hard to pull out and push in.

He finally finds his rhythm inside you, making the bed squeak under you two. His knees are digging into the mattress and his body is flexing with every thrust.

He feels his cock glide across your squishy spot and oh, can you feel it too; the way his cock spreads your opening so wide filling you up nicely. His hands need extra stability so he places them beside you on the bed gripping the sheets in his fists as he leans his body over you, he watches your face from up above as he thrusts into you. You feel little wet droplets falling into your back from his wet hair.

“Maus… am I a good boy?” He whimpered/moaned. He’s so close to your ear he leans in kissing your shoulder and neck. “Bitte… maus am I?” He pants and whimpers.

“H-have you cum for m-me König?” You ask knowing he’s begging for dominance he wants you to somehow control his every desire.

“No, no meine kleine verdammte Maus” he grunted as he began to thrust more your bed frame slowly starts to thump the wall over and over. He used the momentum of the bed rocking to go deeper into you with every thrust feeling so good.

“Bitte… please, please…” he shut his eyes tight feeling his core burn with his orgasm begging to come out, his cock twitches inside you making his thrusts stutter.

“Please what baby?” You ask feeling your own end creep up but you really want him to spill before you, it slowly became your mission to have him a mess in you and to make a mess in you.

“Please I’m… I’m s’close bitte…” König whines. You bite your lip and find some strength to reach beneath you and take König’s balls softly in your hand and softly massage/squeeze them the way you know he loves.

He whines and slows his thrusts “God-meine…Du bringst mich dazu, meine Ladung tief in dir zu vergraben” he’s so lost in the feeling of his cock being miked by your walls he can’t fathom English. He’s lost all knowledge of his second language.

“You gonna be… a g-good boy?” The bed creaks and the wet sounds of your two bodies colliding made him pant like a dog and hearing your question made his orgasm get right up to the edge and his butt tightens and his legs lock in place as his pace starts getting more frantic.

“Bitte! Bitte! Ich möchte dein guter Junge sein, ich möchte dein sein” he said raspy and out of breath.

“C’mon be my good boy” you moaned closing your own eyes feeling yourself holding back your own orgasm but were losing the battle. His thrusts were feeling so good as his curved cock hit the right spots making you orgasm on his hard cock making your walls tighten with pulses.

“Bitte…” he gasped and stopped completely buried in you as he started cumming.

“Good boy~” you moan making his eyes roll back at the feeling of his orgasm but also being your good boy.

His seed spurts out in what feels like bucket loads inside you, he’s plugged you so well no cum leaks out. His cock pulses and he softly rode his orgasm out by softly thrusting.

“Good boy… good boy” you say soaked in bliss. your skin feel like it’s melting into the bed from how good you feel.

He lets his muscles go slack and he’s trying to catch his breath, he slowly sits back on his ankles and in doing so slowly slips out of you. König watches as your pussy pushes out his cum and he can’t help but want to go again and again. He only wants to be a Good Boy.

A/N: I love writing desperate to cum König he’s just so intoxicating. also fan art inspired this one but unfortunately I can’t remember the op’s name to give credit so I won’t be posting the fanart unless I find their name.

#konig #konig mw2 #konig call of duty #konig cod #konig modern warfare #konig mwii #könig call of duty #könig cod #konig smut #könig smut #cod könig #könig x you #könig #könig x reader #könig fanfiction #könig x reader smut #könig mw2 #könig modern warfare #colonel könig

1K notes · View notes

actual-changeling · 7 months

Text

This post is going to show you the EXACT moment that tear forms with indisputable evidence that consists of several screencaps, detail shots, and slowed down video proof, which will be at the very end.

The tear and I are getting married, her name is Trina and I love her.

Let's get right into it. Be prepared for uh. Very painful facial expressions! And tears (at the end).

We're going to look through the final fifteen chronologically with pit stops at important emotional points that I think would make sense to cause a tear.

As you can see, we go into this argument with mostly dry eyes, a little glistening here and there but those are NOT tears. Probably just the contacts plus the lack of blinking making his eyes a bit more moist than your usual pair. The tear will be obvious.

Obvious disbelief when Aziraphale tells him about the Metatron's bullshit, yes, but Crowley soldiers on through.

Now a scene that I personally thought would be most likely to cause tears - "tell me you said no". However - his eyes stay dry! Both before and after Aziraphale's non-answer. No tears.

The best spot to look at is his waterline, and as you can see it's free of any sad tears.

We have reached the "go off together" stage, Crowley is yelling, they're both emotionally perturbed, a very good foundation for tears. Yet when you look at his eyes during and right after, they're still dry!

We are now right before Crowley says "you can't leave this bookshop" and when he does BOOM the tear is suddenly there!

This is what our tear looks like, and we have a very narrow time frame during which it can appear. So it is time for the grand reveal because by now you're probably yelling at me "okay but WHEN does it show up??"

I will tell you. Or rather, I will show you first and then tell you what Aziraphale said right before that triggered it. Ready?

There it is. Left - no tear. Right - tear. (no i will not make the trivago joke again i want to but i wont.)

Come with me! To heaven! I'll run it, -> no tear yet. It appears after the next part.

you can be my second in command THAT is what causes the tear to finally show up. Right as Aziraphale finishes his sentence you can watch as it appears.

As promised, here is the video evidence, slowed down by half and zoomed in on Crowley's face at the end.

Alright, have you seen enough tears? Good! Let's look at the emotional reason. Because your question is probably what is so special about that sentence that it tips Crowley over the edge?

That one sentence, that one "promise" Aziraphale makes him, destroys everything. All of it in one go.

It is not just about Aziraphale choosing heaven over him, it's not about him saying no to running away (Crowley probably saw that coming anyway). What Aziraphale does is he takes them, their us and eliminates it.

Not just is he telling Crowley that he's an evil demon tm who needs to be an angel to be worthy of staying in Aziraphale's life, but "second in command" takes that even further.

Not "ruling together" or "ruling side by side" or any variation of those. No, Aziraphale is telling him that they are not equal and never have been. That Crowley has always been inferior to him and always WILL BE even if he stops being a demon and does what Aziraphale wants.

This is why Crowley no longer things of them as an us after all of that. Aziraphale took every single meaning it had and inverted it, crushed it up, and then threw it away.

Yeah.

Crowley is telling him he is gay and in gay love with him. Aziraphale takes that and says "you can be my employee at gay conversion therapy which i will run #straight besties".

Crowley hears "second in command" and it is the last puzzle piece falling into place. It's the final straw and that is when we get the tear. Before that he was saying we can be together, be an us, just the two of us, you and me. He was referring to them as free equals who don't need heaven or hell, who are happy with everything the way it is. An Aziraphale who loves Crowley no matter what his former occupation might have been.

We could have been us. (I wanted us to be an us)

And Aziraphale's answer to that is there has never been an us and we never will be. i don't love you the way you love me.

Anyway, see y'all on my next angst post or in the tags. Have another devastating screencap to wrap this all up nicely 💚

#alex talks good omens #good omens #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable divorce #the final fifteen #good omens meta #good omens 2

965 notes · View notes

fluentmoviequoter · 4 months

Text

The Better, Hidden Half

Requested Here!

Part 2 Here >

Pairing: Tim Bradford x fem!wife!reader (takes place in The Rookie 1x20-2x1)

Summary: Tim doesn't tell just anyone that he's married. When he's quarantined and his life is threatened by a fatal virus, he asks Lucy to call you, and ends up showing everyone what you mean to him.

Warnings: angst, fluffy comfort at the end, spoilers for episodes 1x20 and 2x1 (this is basically a rewrite, but still includes a brief reference to the suicide line from Tim). reader stress cleans?

A/N: The anxiety/stress cleaning bit is completely self-indulgent; sorry. I tried to manipulate Tim's conversations with Lucy to make them sound more platonic (I don't know if it worked though). I absolutely love this idea and had a ton of fun writing it!🤍

Word Count: 3.9k+ words

Tim Bradford is a man of few words, and he keeps his life separated into two distinct areas: work life and personal life. He tried to bring the two together once, but hated the constant worry that someone from his work life would threaten to hurt people in his personal life or worse, act on their threats. For that reason, for his family’s safety, Tim keeps his life separated, and only a choice few have been chosen to be trusted with a glimpse of both sides of Tim. Angela, Wade, and on occasion, Bishop, see a side of Tim that doesn't exist when he's at work.

✯✯✯✯✯

“How is she?” Angela asks, sitting beside Tim for roll call.

Tim rolls his eyes, crossing his arms and leaning back in his chair. “I trained her, I’m sure she did fine. Better than your golden boy boot, anyway.”

Angela smiles and leans in to whisper, “Didn’t mean Chen.” She turns her attention to Jackson, calling, “80 might be the passing grade, boot, but if you don’t get at least a 90, you should turn in your badge on general principle.”

Tim leans forward to add, “Officer Chen, I will take it as a personal insult if you get anything less than a 93.”

“Yes, sir,” Lucy answers. “Have you figured out what you’re going to do with all your new free time? Might I suggest a book club?”

Angela elbows Tim under the table, and he glances at her quickly, giving her a displeased stare which only makes her work harder to hide her smile.

“What are you talking about?” Tim asks.

“You know, after I pass, there won’t be any more daily evaluations to write.”

“Whether I evaluate you daily or weekly, I will continue to judge you every minute. Understood?”

“Yes, sir.”

As Grey enters, Lucy turns to Nolan, who whispers, “I can’t believe he’s single.”

“Tell me about it,” Lucy replies, rolling her eyes. “Evaluating a wife daily would cut into his ‘man of honor’ time.”

They silence as Wade directs the TOs to only take easy calls while the rookies finish their last shift before their exams. When Tim assures that he follows direct orders, he keeps his eyes straight ahead, knowing that Angela and Bishop are ready to tease him the moment he looks in their direction.

✯✯✯✯✯

7-Adam-19, silent hold-up alarm activated at Madame Megan’s psychic shop. 2417 Vine. Code 3.

Tim and Lucy enter the back room, taking control of the situation quickly, and he dials in once again to being a cop. Not a family man or anything of the sort. Just a police officer.

As Lucy walks out, and the (fake) psychic hits on Tim, he can only think of one thing. Excusing himself from the room, with a lack of grace that is unlike him, Tim lets his mind wander for just a moment. He thinks of a promise he made, a vow he took, and then his focus is back on his new case, a missing person discovered by a phony Hollywood psychic.

✯✯✯✯✯

Miles away, you are trying to focus on work, though you find it much harder than Tim to simply push your family and your personal life from your mind at a moment’s notice. Fiddling with your necklace, you refrain from grabbing your phone, wanting to text the only person on your mind. Oblivious to the dangers Tim is learning about from the CDC and Homeland Security, you sigh and clench your hands into fists before attempting to focus again.

Before you make any progress on starting the project awaiting your attention, your phone rings. Tim’s name appears on your screen, and you rush to answer, dread filling you. He never calls while he’s working, and you immediately expect the worst. Surely if it were something terrible, Angela or Wade would call you. If Tim is calling, that means he is okay, he is alive.

“Hello?” you ask, releasing a sigh when Tim says your name.

“Are you alone?” he adds, his voice strained.

“Yes. What’s going on?”

“I need you to stay where you are or go straight home. There’s a terror cell with a biological weapon; we’re doing everything we can to find them, but I need to know you’re safe.”

“Tim- yeah, of course. Are you okay?”

“Yeah. I- I really can’t say anything else. Not about what we’re doing. Call me if you need anything. Anything at all, okay?”

“I will. Be careful, Tim. I love you.”

“I love you.”

Your phone beeps as the call ends, and your hand finds your necklace again, one finger slipping into Tim’s wedding ring. He leaves it with you each morning, taking it back with gentle touches and loving kisses when he returns each night. Today, all you can do is trust that he is good at his job and that he will protect you and the rest of LA, and then come back to you.

✯✯✯✯✯

Tim and Lucy approach one of the possible address in the search for newly discovered members of the terror cell.

“Man. And here I thought that test was gonna be the hardest part of my day,” Lucy muses.

“Best case scenario, it’s tomorrow’s problem,” Tim points out. His thoughts, however, are stuck on you, especially when Lucy asks what the worst case is.

“Took you long enough,” the man, Peter Langston, says as he opens the door. “Bag’s in here.”

“Sir, we’re here about the bus you took from Phoenix,” Tim explains.

“No kidding. I called you about the bag.”

“And what bag is that?”

“I thought it was mine on the bus. I picked it up by accident.” Tim follows Langston into a bedroom as he continues, “Noticed as soon as I got home. Called right away. Still took you guys like six hours to get here.”

“Uh, sir, we’re not here about a bag.”

“So, you don’t have mine? My computer’s in there… I went through this one for an address, and all I found was some weird science equipment.”

Tim glances back at Lucy, who calls for the task force at the mention of ‘weird science equipment.’

“Sir, did you touch anything in there?” Tim asks, pulling gloves on.

“Yeah, I cut my finger going through it looking for an address. Some kind of broken vial.”

Tim’s eyes widen and his breath catches as the man raises his bloodied finger, adding that it hasn’t stopped bleeding since it was cut. Hemorrhaging, Tim knows.

“Everything okay in there?” Lucy calls.

“Yeah. Just stay out there,” Tim demands.

The man coughs, and Tim flinches as blood lands on his neck and up onto his jaw. Looking down at the blood on the man’s shirt, Tim’s mind forgets the divide between work and personal life. He takes the initiative to lock Lucy out, slamming the door on her to keep her safe, but his true concern is you. If something happens to him, who will look out for you? Who will be your shoulder to cry on? In a moment, as the reality of the situation dawns on him, Tim thinks like a husband, and he begins to regret keeping you, his wife, hidden for so long.

“Tim, no!” Lucy yells, but she steps forward too late.

Tim is on the other side of the door, a new division created as others are dissolved.

✯✯✯✯✯

Tim finds baby wipes on a nearby changing table, wiping the blood from his skin as he lies to Langston, telling him it will be okay and distracting him with meaningless treatments to combat the “bad case of the flu the police were warned about this morning at roll call.”

Langston disappears into the bathroom in search of cold medicine, and Tim walks to the door to ask Lucy, “Everything all right out there, Chen?”

“Uh, yeah. The CDC’s on their way,” she responds. “Hey, you need to come out of there.”

“That’s not gonna happen. Got to keep this contained.”

“Tim-“

“It’s gonna be alright, boot.”

Tim knows that Lucy is concerned about him, and he is similarly concerned for her. He feels responsible for her safety as his rookie, but his thoughts toward her are completely and totally different from his fears concerning you, driven by love rather than mutual respect and duty.

“You keep your head in the game, okay?” Tim encourages Lucy. “Everything’s gonna be fine.”

As Tim looks at the blood-covered wipe in his hand, he thinks of you, and how you’ll respond to the potential notification that he didn’t make it, taken from you by the very thing he tried to protect you from. He turns his attention back to the sick man feet away from him before his thoughts spiral. Tim needs you, so he needs to focus and survive.

✯✯✯✯✯

While the CDC is arriving at the house and quarantining Tim and the infected man, you are pacing in your shared bedroom. Memories of you and Tim exist in every inch of this house, and every moment that goes by without an update increases your worry. Walking into the closet, you find one of Tim’s recently worn shirts, changing into it before picking up the remote to distract yourself. With Tim’s pillow clutched to your chest, you try to laugh at the ridiculous sitcom on the screen, but it doesn’t work as well as you hoped.

✯✯✯✯✯

“Officer Chen, you want to tell me what happened?” Dr. Morgan asks, dressed in full hazmat gear as she enters.

“Yeah, uh, the bus passenger mistakenly grabbed the wrong bag, and the virus must have been in it because he coughed up blood on Tim,” Lucy explains.

“Did you get any blood on you?”

“Uh, no. I was out here. Tim immediately closed the door.”

“Smart man.”

Tim hears Dr. Morgan’s comment and clenches his jaw, knowing you would disagree entirely. At least in this case.

“Hey, doc,” Tim greets, standing against the door.

“How you doing?” Dr. Morgan inquires.

“Fine. But Mr. Langston’s struggling a little.”

“Can you describe his condition?”

“Yeah. He, uh, started coughing blood about 20 minutes ago. Now he’s got a pretty wicked nosebleed.”

“Why aren’t they coming in? Where’s my ambulance?” Langston asks.

“It’ll be here any minute. Just… stay put. Save your energy.”

Lucy interrupts to ask, “Where’s the vaccine?”

“Still in the air,” Dr. Morgan says. “Should land in the next hour or so.”

Scoffing, Lucy argues, “You can’t make Tim wait in there. He might not be infected.”

“Sorry. Quarantine rules exist for a reason.” Dr. Morgan turns to the door and asks Tim, “Officer Bradford, do you mind if I put you to work while you wait?”

“You want to know what’s in the bag?” Tim knows digging through the contents is dangerous, but waiting without doing anything won’t increase his chances of getting home to you.

“Yes, I do.”

“Copy that. Chen, I’m gonna turn on my body cam. You can monitor it from out there.”

“Okay. Please be careful,” she responds.

Tim hears your voice in his mind, telling him the same thing. He trusts himself to listen to you more than his rookie.

“All right. Here we go,” Tim says, using his baton to open the bag.

“Wait. Wait. What is that bottle?” Dr. Morgan wonders.

“Looks like the delivery device,” Tim guesses, raising it carefully from the bag. “It’s a misting fan.”

Dr. Morgan calls Homeland Security with the new information on how the terrorists are planning to spread the virus. As Tim continues searching the bag, failing to find identification or target information, Lucy sees Langston raising a chair in the mirror and yells for Tim just before he is knocked unconscious.

✯✯✯✯✯

Your house is as clean as it has ever been. Using your nervous energy and anxiety-fueled need to move, you clean each room in an attempt to keep your mind from worrying about Tim. You could call someone and ask for an update, but they probably can’t tell you anything. The only comfort you have is knowing that Angela and Wade would call you if you needed to know something. The silence is deafening, but it’s also a good sign.

✯✯✯✯✯

“Tim? Tim!” Lucy continues, growing concerned at the lack of reply.

Tim opens his eyes, moving backward quickly when he sees a puddle of blood running toward his face. He sees Langston standing across the room, mumbling about needing to get out as he tries to break the window. Tim tases him as he stands, and Lucy’s concerned yells continue. Covering his face with his shirt, Tim handcuffs Langston to the bed, shuffling backward as Lucy demands his answer.

“I’m okay! I’m okay!” he replies, breathing heavily. “Well, that was fun.”

“Are you sure you’re okay?”

Tim chuckles. “Kind of depends on your definition of the word.”

While Lucy tells Dr. Morgan to get the vaccine, and the LAPD sends patrol units out to find the other terrorist, Tim keeps his eyes on Langston, but his mind is on you. He should ask someone to tell you and find a way to let you know what is going on, but part of him knows that you are separate from this for a reason. You’re likely worried enough without knowing that Tim’s chance of being infected rises with each moment.

✯✯✯✯✯

Tim watches Langston die, unable to do anything as he begs for help and convulses. Imagining himself in Langston’s place, Tim decides that he has to do something. He can’t go out like that, he won’t, but more importantly, he can’t leave you wondering. If Tim dies today, he is not dying without talking to you one last time, showing everyone around him that you are the best part of him.

He leans against the door in silence until Lucy says, “Hey, I, uh- I just checked with Dr. Morgan. The vaccine’s minutes away.”

“You know, you’re good at a lot of things – lying isn’t one of them,” Tim replies.

“You think I’m good at things? Can I get that in writing? … How are you doing? Are there any symptoms yet?"

"I’m sweating like a pig. But it’s probably because it’s 100 degrees in this room.”

Tim sighs just before Lucy assures, “It’s gonna be okay. I really believe that.”

“I’m sure you do. But if it isn’t-“

“Don’t think like that. It’s-“

“If it isn’t,” Tim repeats. “I’m not going out the way my man Pete here just did.”

“What are you saying?”

Tim sighs again, realizing what he said. He would never leave you like that; he’s a fighter. “I need you to do something for me, Chen.”

“Anything.”

“My- my wife is probably worrying herself sick right now. If this doesn’t end like you think it will, can you tell her that I fought to get home to her? Just- just keep an eye on her if anything happens. Wade and Angela, too.”

“Wife?” Lucy asks softly.

Tim smiles, glad to talk about something other than himself or the virus released in the room with him.

“Yeah. We eloped a while back; Grey, Lopez, and Bishop were there.”

“You’ve never mentioned her.”

“I keep her separated. She - everything in my personal life – would be at risk if there wasn’t a divide there.”

“I get that. What’s she like?”

Tim says your name, closing his eyes and picturing you as he tells Lucy how beautiful, kind, and loving you are. “She’s my better half. I don’t- can’t imagine not going home to her.”

“I promise, Tim. I’m confident you will go home to her, but… I promise.”

“Thank you,” Tim says quietly.

✯✯✯✯✯

“Please tell me that’s the vaccine,” Lucy says when Dr. Morgan returns.

“It is,” she answers quickly, walking toward the door quarantining Tim. “Stand back, Officer Chen. You’re not wearing protective gear.”

“Yeah.” Lucy steps back, hoping Tim is okay, and that he gets to go home to you.

“Officer Bradford, it’s time to let me in,” Dr. Morgan calls.

Tim opens the door, greeting Dr. Morgan before answering that he’s not feeling too bad. She tells him that she’s going to administer the vaccine. “It’s experimental, right?” Tim asks.

“That’s correct. So, we’re just going to have to wait and see what happens. Maybe nothing. Maybe you grow horns. But for now, I’d say you might’ve dodged a bullet.”

Tim looks at Lucy to ask, “Can you get Lopez? Ask her to call for me?”

Lucy nods, pulling her radio out to contact Angela. She knows that Tim will need you, no matter how the vaccine works… or doesn’t.

“Lopez,” she says, sighing before saying, “Tim wants to know if you can call his wife.”

“Of course,” Angela answers. “She’ll be at his side, even if I have to go get her in the shop.”

Lucy smiles at Tim, and he sighs as Dr. Morgan administers the vaccine. There’s more hope surrounding Tim now, but the fight may not be over yet.

✯✯✯✯✯

When you see Angela’s name on your phone, you consider not answering. Biting your bottom lip to hold your tears in, you answer.

“He’s okay,” Angela begins.

You sigh in relief, a few tears breaking free anyway. “Thank you, Angela.”

“The vaccine is experimental, so they’re taking him to the CDC for observation; you can visit with the proper protective gear. Do you want me to come pick you up?”

“I’ll meet you there.”

“See you in a few. And, just so you know, he didn’t call me.”

“Who did?”

“His rookie.”

Angela reminds you that she’s happy to pick you up if you want before ending the call. Tim mentioned me, you think. Then you wonder whether or not that’s a good thing.

✯✯✯✯✯

“Hey, I heard you guys saved the day,” Lucy says, exiting Langston’s house to meet Nolan, Jackson, Lopez, and Bishop.

“It was a group effort,” Jackson corrects.

“Glad you’re okay,” Nolan expresses.

“Me too,” Lucy sighs. “I- I mean that you’re okay, too.”

“How’s Tim?” Angela asks.

“I think he’s gonna be all right. Now, 24-hour observation at the CDC.”

“I’ll bet my pension he just told doctors Tim Bradford does not ride in a wheelchair,” Angela jokes as Tim walks out.

“Only way I’m leavin’ out of here is on my own two feet,” Bishop imitates.

“Don’t you guys have paperwork to finish?” Tim retorts.

Tim looks at Lucy, nodding his thanks before continuing to walk toward the car waiting to transport him to the CDC. He stops suddenly in the yard, growing dizzy before he falls backward onto the grass.

“Officer Bradford!” Dr. Morgan yells.

Lucy, Angela, Bishop, and Jackson run toward him before the CDC holds them back. Someone calls for an ambulance, and Angela backs away to make a call.

✯✯✯✯✯

“What happened?” you ask, answering Angela’s second call.

“Meet us at Shaw instead of the CDC,” she says.

You can hear yelling in the background, and repeat, “What happened?”

Angela says your name, unyielding as she says, “Shaw. I’ll meet you there.”

You inhale deeply, turning toward Shaw. Knowing that you have no chance of beating an ambulance escorted by police cars, you grip the steering wheel, hoping that Los Angeles traffic has grace on you, and you make it to Tim’s side quickly.

✯✯✯✯✯

“Tim better make it,” Jackson says.

“He will.” Angela knows that he’s a fighter, but she also knows that losing him will destroy you. He has to make it for himself, for the police department, and most importantly, for you.

In the ambulance ahead, Tim goes into anaphylactic shock. Lucy helps the paramedics and glances at Tim’s left hand. The line where his wedding ring sits is barely visible, but she whispers for him to keep his promise, to keep fighting.

Once the ambulance and the police cars enter into the hospital parking lot, Nolan notices a woman with a gun, alerting the officers surrounding the ambulance before the firefight starts.

Lucy covers Tim in the ambulance as the paramedics assist him as well as the injured medics. Nolan shoots the woman in the shoulder, but his gun jams as he moves closer to her.

Tim opens the ambulance door, downing the armed woman on a surge of adrenaline. Stepping onto the ambulance driveway, he asks Nolan if he’s okay.

“I should have reloaded on the move,” Nolan mutters. “You?”

“I should’ve taken yesterday off,” Tim answers.

“Alright, Officer Bradford, let’s go,” a nurse says, pushing a wheelchair to his side.

✯✯✯✯✯

“Angela!” you call, jogging to her side.

“Don’t freak out,” she begins, but your eyes widen when you see the bullet holes covering, well, everything.

“Where is he?”

She nods, leading you around her shop. Tim is standing beside Nolan, arguing with a nurse.

“I can walk. Clearly, I’m fine,” Tim argues.

You don’t think about how many people are watching as you walk to Tim’s side. He turns toward you, his eyes softening when he sees you.

“Get in the wheelchair,” you demand.

Tim sighs but does as you say. Nolan and Jackson look at each other in shock, and Lucy smiles as she says, “His wife.”

✯✯✯✯✯

When you walk into Tim’s hospital room, he looks like he’s been waiting for you.

“I’m sorry,” he begins.

“For what? Not listening to the nurse?”

Tim chuckles as he raises his left hand, pulling you to his side. “No. I’m sorry for not showing you off more, for never telling people about us. I worried you; I know I did, and you don’t deserve any of it.”

You lean forward, running your fingers across Tim’s jawline as you smile. “You don’t have to show me off. I know why you do it, Tim. Being a secret, being separated and safe, I get it. What I don’t like is not knowing if you’re okay.”

“I don’t want the separation anymore. You are my entire life, and- I don’t know what will happen tomorrow, but I’m not risking this again. The idea of not making it home, leaving you alone, with no one knowing you or how much you mean to me… that was terrible, and I’m sorry.”

Pursing your lips, you lean toward Tim and look into his eyes before scanning your eyes over his face.

“What are you doing?” he asks.

“Trying to figure out where the Tim I know went.”

Tim smiles, moving over in the bed and tugging you against his side. He taps your necklace before raising your hair away from your neck. You unclasp your necklace, sliding Tim’s wedding ring off the chain. Tim lays his left hand in your lap, and you put his ring on slowly before kissing his hand.

“I love you,” Tim says.

“I love you. And I accept your apology, even though I didn’t need it.”

“Ready to meet the rest of my-“

“Friends?” you fill in, smiling.

“Colleagues,” Tim finishes, shaking his head as his arm tightens around your waist.

“Thank you for making sure Angela called me.”

“How clean is the house?”

You laugh, pressing your face against Tim’s shoulder. He knows you well, and though you didn't know what was truly at stake over the last few hours, you did miss him.

“Hey, Mrs. Bradford,” Wade greets, smiling as he leads a small crowd of officers into the room. “I have some rookies here who don’t believe someone would marry Tim.”

“I changed my mind,” Tim replies. “Get out.”

You elbow him gently, smiling as you stand. “It's much easier when he doesn’t tell people. No association to him.”

Tim laughs behind you, and after shaking hands and introducing yourself, you return to Tim’s side: where nothing can hurt you, everything is safe, and you’re the most important thing in the world.

#tim bradford x reader #tim bradford x you #tim bradford imagine #tim bradford fluff #tim bradford the rookie #tim bradford #the rookie #requests #fem!reader

890 notes · View notes