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#too small wrong writing system etc
emry-stars-art · 7 months
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Whumptober day 10: branding/scarring/collar (full under the cut - I might say this one’s slightly more intense)
Did I mention this prompt list fits our Evemore Kingdom needs like almost too well? :,)
Find the royal au masterpost here
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(Hey does anyone have any comfort/fluff drawing ideas I can pick from TT)
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bogkeep · 6 months
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being in aroace education mode has me all fired up...... one thing i talk about a lot when given the opportunity is Deconstructing How We Think About Relationships - in short, if we put all of our relationships with other people into a pie chart the 'romantic partner' slice is likely to be a very small slice but gets a disproportionate amount of Relationship Infrastructure compared to other categories, such as vocabulary, rituals, attention and narrative scaffolding - entire systems such as dating / finding "the one" / break-ups / the relationship escalator, etc. on the flipside, 'friend' is such a vast category consisting of a plethora of different relationship, all ranging from Friendly Acquantaince to Extremely Close Childhood Friend You Share Everything With, but we have a lot less language and structure for how we think about these relationships even though many of them can be deeply important and intense to us.
the line between romance and friendship is really blurry, maybe even non-existent, but it feels like the way we think about these categories is that Romantic Partner is this one very specific, formalised box of a category, while Friend is a vast and vague landscape where anything can happen - and it's on this free real estate we have built structures like Queerplatonic Partner. the concept has probably existed since forever, along with many other different types of relationships throughout time and cultures, but it's our current attempt at having a Word for it.
are you with me so far? i want to write a blog post about Deconstructing Intimacy.
just putting a CW here that i'm going to say the word sex a lot and touch on the topic of sexual trauma.
one of the very thorny things about This Whole Topic is that sex and sexuality is extremely political. we just do not live in a world where there's any neutral ground to stand on regarding sex. every demographic comes with a lot of assumptions and expectations and moral judgement tied to sexuality. some demographics are desexualised, some are hypersexualised, some are Both At Once, and in addition to that there's lots of stigma, moralizing, pathologizing, and lawmaking. just a whole mess.
so all of That makes it kind of impossible to fully Dethrone Sex. and by dethroning sex i mean stripping it of the baggage it's accumulated in our cultures. Sex Is A Thing You Can Do With Your Body (And Your Mind?). this does not have to make it any less or more meaningful to you than what it already is. what each person considers intimate is very individual. many people find hugging completely inconsequential and will hug anyone at any time, and for some people a hug is A Lot. For some people, sex is a very fun and casual activity, and for others it's Sacred and carries a lot of meaning and a very close bond. sex is intimate - it requires trust and vulnerability.
it is not the only way to achieve trust and closeness, nor the only thing that requires it.
whenever i take the bus somewhere, i trust the bus driver to take me there safely. i put my literal life in a stranger's hands, but it's a very casual affair i don't think about too much. it's not an act of intimacy, just someone doing their job.
i think the way we talk about sexual assault as the evillest most horribly irredeemably worse-than-death thing, and sexual trauma as a unique kind of trauma amongst traumas, is... indicative. and please do not get me wrong, SA is a horrible thing in every way. it's a violation of trust, vulnerability and personal space. it's an abuse of power. those are the things that make it so horrific - but it's not unique.
an abuse of power, a violation of trust and vulnerability, can happen in so many different forms. emotional abuse, non-sexual violence, medical abuse, et cetera - i don't think it's possible to place trauma into a hierarchy from least to most bad. trauma can be incredibly complex and it's different for everyone. if one day the bus driver on a whim decided to drive off a cliff, i think that would severely fuck up my ability to trust other people to drive me around. if i trusted someone with my innermost thoughts that i have never shared with anyone else, and they used them to be cruel to me, that would severely impede my ability to connect with others.
i just... don't think it does anyone any favours to separate sexual trauma from all other trauma - making it seem like sexual trauma is The Worst Trauma Possible You Can Never Heal From, and on the flipside, make it seem like Well Your Non-Sexual Trauma Cannot Possibly Be That Bad.
TRAUMA TOPIC ASIDE, i think the concept of intimacy has a tendency to get flattened into just the one kind. there are many, Many ways for people to be intimate, many activities that require some form of mutual vulnerability or physical contact, but it seems like we're just very used to placing Acts of Intimacy into the Sexual category. kind of like a venn diagram where the two circles are Sexual Intimacy and Non-sexual Intimacy that are largely overlapping. but what if, instead, it's more that Intimacy is a really big circle, and sex is just one of the circles within it?
the way i think this slots into the whole Relationship Infrastructure thing is that We Like To Categorize Things. if we see two people being very intimate in a way that's not explicitly sexual, it's tempting to think ah yes they are in love AND they're having sex, OBVIOUSLY, because they are clearly capable of having that level of trust and vulnerability together. but what if they're not? does that devalue their relationship? does it make them any less close? these are very chewy questions to ask even without bringing shipping discourse into it, and i would prefer Not To because sexuality is political and there is no right answer.
another way this flattening can be frustrating is all the times non-sexual intimacy is treated as Sexual By Proxy. let's say, for example, you're telling a story, and all forms of intimacy within that story get read as metaphors for sex, despite your actual intentions. there's nothing wrong with using metaphors for sex, especially since Sex Is Political and sometimes we gotta be clever about the storytelling - but it can get very messy if people read sexuality between characters who don't have that, especially characters between which it would be very problematic to portray that. we gotta be able to tell stories about all kinds of close relationships, and surely it should be possible without bringing freud into it at every turn.
intimacy is context-dependent, i would say. a moment of vulnerability can be platonic or romantic or sexual or maybe something else depending on a situation and all the factors involved. human connection is an boundless spectrum, not just a couple boxes.
did any of this make sense? they're just my Thoughts, i'm not a scholar on this i just
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chaconnehoonie · 1 month
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Welcome to Earth- Enhypen(Pilot)
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⟿ Extraterrestrial! Enhypen x Fem! Reader
Synopsis- The idea of extraterrestrial life was never a deeply interesting topic to you. Of course, that was before you found a wrecked spaceship and seven inhuman beings.
Estimated WC: 20k-25k
Pilot WC: 812
Warnings: Aliens, cursings, angst, smut(hyung line), fluff, idiotic humor, mythology, [etc. will be added on]
Taglist-
@deobitifull @shinrjj @notevenheretbh1 @skzenhalove @jooniesbears-blog @kgneptun @minniejenseo @strxwbloody
Please comment or send an ask to be added to the taglist, and please have your age in your bio!! I will not be tagging minors or anyone without an age.
A/N: Although this is titled as the Pilot chapter, this will not be a series! The purpose of having this short Pilot chapter is for everyone to get a taste of what’s to come, and to test the waters with a less common genre. So, there will not be chapters, only the pilot and the full length fic.
The depictions of aliens and extraterrestrials in this writing are not meant to be “historically” accurate or follow society’s standard view, these characteristics are made to fit the storyline.
This is fiction and the scenarios are completely fake and from my brain, none of the characters are like this in real life, MDNI!
“Seriously- who’s idea was it to visit another galaxy just for some stupid party!?” Sunghoon stands up from the table he was sitting at, abruptly leaving the game he was playing with Sunoo and Jungwon. He stomps his way over to the spaceship’s control system, catching the attention of Jay who was taking a nap. “And why is Riki flying us? Who’s supposed to be controlling this ship!?”
The panic in Sunghoon’s voice rises, quickly attempting to shove Riki out of the seat but the younger just shoves him back. “Chill, Jake was steering but he needed a bathroom break so I took over.” Riki shrugs casually. Jay finds interest in the conversation and walks up next to Sunghoon, heavy yet squishy feet slapping the tiled floor underneath him.
“Chill? Chill?! Do not tell me to chill when we’re at risk of dying!” Sunghoon is yelling now, drawing their friends’ attention to the situation. Jay groans at Sunghoon’s volume ringing in his sleepy ears.
“What’s going on? Where’s Jake?” Heeseung hears the commotion and comes to rest a hand on Sunghoon’s slimy shoulder, speaking calmly to steady his friend. “Jake left to take a leak, and told Riki he could steer the ship. So unbelievable.” Sunghoon shakes his head in disapproval, mentally listing off the ways he’ll punish Jake in the future. “Maybe if I water his favorite plant with acid rain he’ll get the message.”
Heeseung attempts to relax his raging friend, forgetting about their younger one now steering the ship in the wrong direction. “Wait, Riki- do you even know where we’re going?” Heeseung looks towards the radar, noting how the small image of a ship was further than it should be. “Well…Jake didn’t tell me where to go, he just told me to keep steering.”
The eldest rubs a long finger against his temple, trying to remain calm unlike Sunghoon. Just in time, Jake comes strolling out of the bathroom with a sharp-toothed grin. “See! I knew he wouldn’t crash. You guys just have to trust me.” He sits in the passenger seat next to Riki, encouraging him to keep flying as he’s doing a great job at “keeping everyone alive.”
Before Jake was able to take over the steering, a loud shriek comes from Jay who was now pointing towards the radar. “Guys look! What is that?” All five boys focus on the electronic, watching the way the ship is now suddenly turning towards a massive unidentifiable object. “Not you Riki! You’re supposed to focus when you steer!” Jay turns the boy’s large head back towards the windshield, but it’s too late.
“Watch out! It’s an asteroid!” Sunghoon grabs the steering wheel above Riki’s hands, trying to take control of the whole ship, sighing as the flying vehicle becomes stable again. “Seriously guys, who lets a child have this much power?” Everyone lets out relieved laughs, although Sunghoon wasn’t cracking a joke.
Just as they thought they were safe, a loud crash is heard behind them followed by the screams of Sunoo and Jungwon. Everyone turns to see the two of them holding onto different pieces of furniture as a hole in the large broken window threatens to suck them out of the ship as smaller pieces of furniture fly out. “There’s more!” Jungwon shouts as him and Sunoo look out of the big broken window next to them, watching as the star-speckled sky fills with large flying meteors.
Jungwon grabs Sunoo’s arm, pulling him towards the front of the ship with everyone else to huddle for protection. “This is bad guys, there’s too many!” Sunghoon is cautiously dodging any meteors and debris while everyone else is balled up together, slimy cold skin pressed tight as they get ready to say their goodbyes forever.
“I never thought it would end this way.” Heeseung starts speaking, voice shaky as he tries not to worry the younger members. “I always thought Jake and Riki would accidentally light a mushroom forest on fire or something…not this.” He finally breaks down and everyone else follows, sobbing and gripping each other tighter.
Sunghoon doesn’t give up, continuing to steer even with multiple asteroids denting and destroying the ship. “I can try to land us somewhere.” His voice sounds frantic as he tries not to show his panic. Before he can find a clear planet to land on, a sudden asteroid is seen rapidly flying forward and into the windshield.
A fire erupts from the destroyed engine, any alarms enabled on the spaceship are now blaring and flashing red as the whole aircraft plummets down. “Hoon!” Sunoo cries out as he extents a hand to the older who is cowering away from the windshield and running over towards his friends.
“We’re going down! Prepare for impact!”
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em-dash-press · 1 year
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Grammar, Spelling, and Punctuation: Writing 101
I adored grammar lessons in grade school, but I realized they were specific to the school I was in when I switched school systems.
Not everyone gets to grow up with grammar quizzes and sentence diagram tests. Don’t feel bad if you can’t tell an em dash from a hyphen! Browse this guide and you’ll refresh yourself on everything you need to know.
Note: this is for American English and assumes you already speak it as a first or second language. It won’t explain verbs, nouns, etc. Also, some parts will vary by in-house style guides with various publishers. However, you can use these refreshers to problem-solve your WIP and feel more confident about how you wield your words.
1. Punctuation Around Dialogue
American English grammar rules almost always firmly state that punctuation around dialogue goes inside quotation marks.
Examples:
Wrong: “I don’t want to go to the park”, she said.
Right: “I don’t want to go to the park,” she said.
This rule won’t apply if you’re asking about something someone said. Otherwise, punctuation always goes inside the quotation marks to end what’s being said.
Examples:
Wrong: Did the teacher say, “Do your homework?”
Right: Did the teacher say, “Do your homework”?
Also, dialogue tags always have a comma separating what’s being said from the tag itself. That’s because the tag is an integral part of the dialogue since it identifies who’s saying the spoken words.
Examples:
Wrong: “I love chocolate ice cream.” he said.
Right: “I love chocolate ice cream,” he said.
2. Adjectives vs. Adverbs
Adjectives and adverbs often get confused. They both start with “ad” and describe other words. So what do they mean?
Adjectives are descriptors that apply to nouns.
Adverbs are descriptors that often end in -ly and apply to verbs, adjectives, and other adverbs. (Basically anything but nouns.)
Examples:
Adjective: He is a hairy cat. [“Hairy” describes the noun “cat.”]
Adverb: The hairy cat ran quickly across my yard. [“Quickly” describes the verb “ran.”]
Adverb: He really likes to roam. [“Really” describes the verb “likes.”]
Adverb: Even though we have a very small neighborhood. [“Very” describes the adjective “small.]
Adjectives are also considered stronger descriptors in writing because they’re more specific. Using adverbs occasionally is often fine, but publishers and editors that sift through submissions with a fine-tooth comb don’t like repeated adverb usage when a more direct description could fit the sentence.
Examples:
Adverb: I really enjoy going to the movies.
Stronger verb: I love going to the movies.
3. There, They’re, and Their
People often get these confused because the English language is very confusing. To put it bluntly:
There: a location
They’re: a contraction for “they are”
Their: the possessive pronoun form of “they”
Example:
They’re driving their car to that store over there.
4. Run-On Sentences and Fragments
Run-on sentences go on for too long. Fragments are incomplete sentences.
You’ll know both when you spot them because it isn’t how people normally talk. People pause to collect their thoughts, take a breath, and describe their thoughts in complete sentences (even with slang, the sentences still make sense).
Examples:
Run-On Sentence: She went to work and had a meeting at 11:00 before going to lunch at the restaurant across the street which had her favorite food on the dessert menu so she enjoyed it before going back to work and clocking out at 5:00. [This sentence addresses six different actions in too many phrases for a running list of commas with a conjunction at the end.]
Fragment: Every single animal. [Every animal what? There’s no context, so the sentence is incomplete. Sometimes writers use fragments as creative descriptors if they break grammar rules effectively, but you have to know how to avoid fragments to use them well.]
5. Em Dashes
Ah, the em dash. I’m so biased when it comes to this punctuation mark.
Em dashes indicate a purposeful pause, followed by essential information. They can also distinguish phrases or lists in the middle of a sentence.
Most importantly, they’re the length of an m.
You’ll know you’re using them correctly if you can replace your em dash with a pair of commas, a colon, or a semicolon.
Examples:
I love using em dashes—especially for sentences like this—so I may use them a little too often. [You could replace the em dashes with commas and it would still be correct.]
I couldn’t resist it—Em Dash Press had to be the name for my blog. [This em dash could be a semicolon.]
6. En Dashes
En dashes are the little sibling to em dashes. En dashes are two hyphens long or the length of an n. They point out the range in numbers or time, but can also stand in for “to” or “and.”
Examples:
The war lasted from 1434–1442.
I’ll be at the library from 6:30–7:30 p.m.
The final score was 32–34.
You have a ticket on the Chicago–New York flight tomorrow evening.
7. Hyphens
At this point, you’re likely wondering what’s even left for hyphens to do. The answer is quite a lot.
It’s one dash wide and joins words.
Examples:
Hello, my name is Alvina Stuart-Kelly.
I’m looking for a dog-friendly apartment.
She has a two-year-old child.
Typically, they don’t go after adverbs and don’t join words after nouns.
Examples:
Incorrect: My apartment is dog-friendly.
Incorrect: That child is two-years-old.
8. Commas (Oxford and Otherwise)
Commas are a curse and a gift for writers. Myself included. 
We often use commas that are unnecessary because in our mind, that’s where we’re pausing to breathe or collect our thoughts as we type the sentence.
Sometimes it just feels right to use too many—until it’s time to edit.
There are multiple types of commas. The first is the comma that connects a coordinating conjunction (and, but, or, for, so, yet, nor).
Example:
He’d love to hang out, but he has to finish his homework.
A comma can also go after an introductory phrase.
Example:
When we last spoke, it was still November.
Commas also go around phrases within a sentence.
Example:
My neighbor, who is a great painter, is open for commissions.
Then there’s the Oxford comma, which goes before the coordinating conjunction at the end of a list.
Example:
We need to get paper towels, apples, and flour at the supermarket.
You can also place a comma in between two nouns that are interchangeable.
Example:
The fresh, cheesy soup is delicious.
The cheesy, fresh soup is delicious.
There should be a comma after a conjunctive adverb at the beginning of a sentence if it’s contrasting something.
Example:
I don’t like swimming in rivers. However, I’ll make an exception for you.
Introductory prepositional phrases (you can find a complete list of prepositions below) also get followed by a comma if they’re more than four words long. However, you can put them after smaller prepositional phrases too. 
Examples:
[“After the game” is the prepositional phrase below.]
Correct: After the game we should get milkshakes.
Also correct: After the game, we should get milkshakes.
Also correct: After the game ends tonight, we should get milkshakes.
When a prepositional phrase ends a sentence, you don’t need to put a comma before it because they’re typically describing a verb.
Incorrect: We should get milkshakes, after the game ends.
Correct: We should get milkshakes after the game ends. [“After the game ends” is describing the timing of the verb “get” in relation to the object “milkshakes.”]
9. Prepositions
Prepositions are words that come before a noun, verb, or pronoun to indicate details like the place, time, direction, location and relationship to an object.
There are too many prepositions to list in this post, but you can find a ton of them over on this website.
Examples:
He left ~for college~.
They were born ~in 1972~.
~From September to November,~ I’m going to be very busy.
You’ll know you’re using a preposition incorrectly when it’s essentially dangling at the end of the sentence or can be removed without changing the meaning of the sentence.
Examples:
Incorrect: Where’s the mouse at?
Correct: Where’s the mouse?
Incorrect: He leapt off of the couch.
Correct: He leapt off the couch.
Notably, some uses of prepositions are colloquial. In real-world conversations, you might say things like, “Where are you at?” and that’s absolutely fine. It’s even fine to use them like that when writing dialogue for characters who have a specific vernacular usage of them, like regional or cultural phrasing.
When neither of those are present in the written word, editors will recommend revising your sentences to reflect prepositional usage rules like the ones above.
10. Apostrophes
Apostrophes have a couple different jobs.
First, they show possession when something or someone owns something.
Examples:
That is Henry’s car.
Watch out for the tree’s loose branches.
Apostrophes also go after an “s” if the plural noun has possession of something.
Examples:
The stores’ new parking lot looks much better.
The wagons’ wheels were made of wood.
The classmates’ party just began.
When a plural noun doesn’t end in an s, it usually gets the standard apostrophe before an s.
Examples:
The sheep’s pen needs a repair.
The people’s voice matters.
The women’s shoe section is over there.
Apostrophes join words to create contractions too. Contractions join two separate words to save time, effort, or word count. They’re what most people use in everyday language because contractions are less formal in tone. (I just used one in that previous sentence!)
Examples:
It’s time to go to bed.
They’re making dinner now.
I can’t run very far.
11. Colons
We use colons to make sense of too much information. Basically, they give order to lists, phrases, or titles.
Examples:
They need to call the following guests: Isabelle, Ana, and Richard.
The Urgent Need for Answers: A Call for Solutions to Healthcare Inequities [This would be the title of an academic paper, book, or article.]
We have one thing in common: the desire to write more stories.
12. Semicolons
Don’t be afraid of semicolons; they are here to help you!
Semicolons join two related ideas or clarify lists with multiple long phrases.
Examples:
I ate dessert before dinner; life is about doing what makes you happy. [The second half of the sentence provides clarity or reasoning to the first half. The semicolon could get replaced by an em dash or “, because” if you preferred it that way.]
When I wake up, I brush my teeth with an electric toothbrush; swish a sensitive-teeth mouthwash in my mouth for 30 seconds; and wash my face while I shower. [If you replaced the semicolons with commas, the phrases would be considered too wordy. Semicolons provide more visual order for readers in this context.]
13. Exclamation Marks
Some people avoid ever using exclamation marks. Others use them all the time.
I say that the correct usage depends on the situation.
If an overly enthusiastic, excited kid were telling their friends they were going to Disney World, they might breathlessly say something like, “I just got the best news! My mom got time off of work! So we’re going to Disney World!”
However, if a more serious or laid-back person said they had a good day and wanted to describe it, they’d likely say, “My day was good! I had a great lunch and the drive home was easy.” Finishing the last sentence with an extra exclamation mark would be out of character for them.
You also wouldn’t want to use exclamation marks in formal writing settings, like academic papers or newspaper articles, because it would come across as too casual. But it’s fine if you’re writing a social media post or texting a friend.
As long as the exclamation mark indicates excitement or urgency, you’re using it correctly. Consider who’s speaking and why to figure out if their dialogue would result in more than an occasional exclamation mark.
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I hope this helps clarify the basics so you’re more confident about writing your next story. Grammar is complicated and ever-changing (I’m looking at you, AP Style Guide), but you can count on these basics to structure things correctly for your readers.
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jamisonwritestf2trash · 8 months
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Hello again! I was chatting with someone and he said "someone should make writing style hcs for the mercs", and I instantly went "I know a guy" so now i'm here. How do you think the mercs would write? (note: he also said "Scout would write like Greg heffley" which is hilarious)
How Do the TF2 Mercs Write?
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I'm smiling like an idiot rn. This is so sweet, and the promt is very cool! (Your friend is 100% correct, btw.)
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I'm going to headcanon, whay they write about, how they write about those things, and some hand writing pictures of how I think they'd write! So be prepared for a long one 😭 Can you tell I'm an English nerd?
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Demo-
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You'd think he'd have super messy handwriting, but he's actually a very neat writer. Has an ink and quill pen set, loves gold ink more than traditional black ink.
He writes about his mom and his childhood. He writes very vividly and with lots of detail. I feel like this man is a walking thesaurus.
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Engie-
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He has very clean writing. I'm day to day life (he has the worst writing when working on his projects). Like he'll leave a note on the door saying that the gangs run out of milk and everyone's shocked. You'd think he'd have atrocious handwriting. Learned cursive in school and never really stopped using it.
When he's writing like this, he's normally sending letters to people he cares for or trying to order parts for his latest projects. He's very formal when he writes to anyone.
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Heavy-
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Heavy is also blessed with very nice handwriting, but instead of the school system forcing him into writing better it was his mom.
He likes to write about animals and his friends. He keeps a small book by his bed to write little things he learns throughout the day. Not very descriptive, more along the lines of "I heard birds singing this morning, it was pretty." Or "Scout likes brownies more than ice cream." Normally, just mundane things. (Also, he writes mainly in english to improve his ability to understand English words but sometimes defaults to Russian if he can't remember or spell a word properly.)
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Medic-
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Ugh. This man writes like a doctor nine times put of ten just to fuck with people. He'll give someone a note, and it just has gibberish on it. He likes to watch them try and decipher it. But when he's not being a menace to society. He has genuinely beautiful handwriting. While it can be overly fancy, sometimes it's also easy to read.
He has two journals, he has a leather-bound one where he writes about Germany, his experiences of leaving his country, when he had his medical license, medical school, etc. Loves to write about the past. He uses that journal as a therapist. And then, of course, he has his neon pink Claire's notebook that he uses to write down every single thing that could be used against someone he's ever heard, with matching glitter pens.
When he writes, he never leaves any details out and is pretty clear and concise. He uses German and English interchangeably. Using English mainly out of habit.
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Scout-
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While I do agree that this man probably writes like Greg Heffley (and honestly, his handwriting probably looks the same too.) I'd be wrong not to mention that he writes out little :), :0, >:), and other little faces on his notes, and have almost graffiti handwriting. He practiced writing to look like that, actually. He used to have decently nice handwriting, but he likes this one better.
He doesn't write much, but when he does, this man writes paragraphs about the most random things. All horribly spelled. This man can't read or write very well. Dyslexic king. He makes sure to get help with spelling, though, so he can write to his mom at least once a month.
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Sniper-
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Oh, poor, poor man. Can not write clearly to save his life. Not that he's big on writing to begin with. There was never really any pressure for him to have good handwriting, and he mainly only writes to write himself reminders.
Very nondescript and straight to the point. But has a little quirk of using different dots (like • ○ ● □ ■ ☆) for his notes. He has a little dark brown book for all his reminders.
☆eat (is a common note left in the book). He also has written poetry, but he'd rather die than admit that.
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Spy-
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Pretentious motherfucker handwriting and style. Could just be writing a reminder to wish someone a happy birthday and will go all out. It normally takes him 15 minutes to write a small note. He writes letters frequently, with no reason in particular. I think he just really likes writing. Uses big words but not in the same way Demo does. Like Demo will say, "The food was horrific." But Spy will say some shit like "the meal I partook in was horrifically distasteful and..." So on and so on.
I think he can also switch his handwriting at will. If he needs to pretend to have messy handwriting for some reason, he'll do it. Not without sheding a tear at how awful it looks first though.
Writes exclusively in French. One or two words in English every 10,000 words he writes.
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Soldier-
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He likes using all capital letters when he writes! He feels like every word he writes is important. It also helps him remember things. I also don't think his vision is the best, so it's hard for him to see any other writing.
He doesn't write often, but he's always listing things, marking things that have changed, and writing down random questions that he'll spend the day trying to answer. Very observation based writing. You catch him writing and it's just a piece of computer paper with a list like,
THE CEREAL WAS MOVED
I SAW A BIRD
WHY DO BIRDS FLY INTO GLASS
ARE BIRDS OKAY AFTER FLYING INTO GLASS.
Very simple writer.
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Pyro-
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Scarily neat and beautiful writing. Somehow, they can write like this no matter what situation they're in. I definitely think they just rewrite things they overhear, facts that they like, good memories they remember, and just odd things. Has multiple quotes written down from books they've read. They write with glitterpens, too. They have a bunch of construction paper they use to write on.
They don't really write much for necessity. They only really write to make themselves happy. Can be simple or descriptive depending on what their remembering.
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AH! I HAD SO MUCH FUN DOING THIS ONE! Thanks again for the ask! I hope your friend likes the answers :D
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not-poignant · 1 month
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Im really sorry if this is too personal please ignore me if it is but i saw your post just at the right time and im just, im struggling in my twenties at the thought of possibly having did right now. And you say you "used to", can i ask how you healed?
A lot of therapy, anon.
It does tend to show up in someone's 20s, and I went the path of Internal Family Systems Therapy (also known as IFS or IFST) which is extremely useful alongside the three C's (Compassion, Communication, Co-Consciousness).
I wasn't aiming to eliminate any alters, and anyone who wanted to stay as a separate alter could, but I taught myself through the help of other/s to be self-compassionate, to open up opportunities and methods for communication (which also included art, writing, journalling, etc. in fact the very first tumblr that 'I' ever made was actually made by an alter, and was originally called artforartists - it's now renamed and run by 'me' because Dani has absorbed back into the system, but you can still go to the earliest entries and see her in them.
It took a few years and I didn't rush things. The main thing to know is that while it feels extreme, it usually comes about as a reasonable response to an unreasonable situation, and it usually becomes very manageable with self-compassion (to all yourselves), impartial judgement, open communication, compromise (i.e. if you have an alter that wants to play video games 24/7 to the point that you're losing weeks of memory, find out small areas of compromise where they can be given something in exchange for something), and sharing consciousness where possible (co-consciousness).
It's very scary at first but imho for me personally, it has been the 'easiest' of all of my diagnosed disorders to deal with. I still have severe treatment-resistant depression and I still have severe treatment-resistant PTSD/C-PTSD, but my DID went into remission after about 4 targeted years of therapy. It's now DDNOS (Dissociative Disorder Not Otherwise Specified) which means I don't have the symptoms enough to qualify for DID anymore, but I still have a system prone to dissociation / derealisation / depersonalisation and I have days where some alters are fronting a bit more than the central self, but I usually just use it as a sign that I'm really stressed and overwhelmed, rather than a sign that there's something wrong with me.
I'm extremely zen about it, tbh. And look, I didn't have the goal of 'absorbing' my alters (or them dying or w/e), I didn't set out with the idea of getting rid of it so much as learning how to live with different people who have different opinions about things in my head. But through the course of IFST and giving everyone a voice, that started to happen anyway. Healing doesn't always mean 'getting rid of alters' it mostly just means getting a handle on the memory loss (which is the most severe part of the disorder for me) and the polarisation so that it becomes regular dissonance and not so distressing it causes someone to switch. A person can be fully healed from DID and still have alters that front, if there's co-consciousness and communication for example. This was actually what I was aiming for, it just didn't end up being my outcome.
You may not be able to access therapy or IFST, and it can be hard to find DID-friendly therapists who know what they're doing, but you can actually look up and explore IFST on places like Instagram and in books like No Bad Parts and start doing the work gently already. (IFST isn't just or only for DID patients, but it is uniquely very well suited to them).
It can be very scary at first, anon, to think you might have this. Because it's a highly stigmatised and misunderstood disorder. At its root it can be understood as 'a child who didn't understand how to cope with something, at the time of personality formation, just developed a new personality to deal with it. But as a result of this, their brain got so good at developing new personalities that it became a maladapted coping strategy, and as an adult they can learn ways to cope that aren't splitting, switching, or losing memory with compassion and self-understanding.'
And honestly we all have a lot of maladapted coping mechanisms and the whole journey of life is learning to unpack them, and repack some healthier coping mechanisms into the lunchbox. And that's really about it. Still very scary and upsetting to go through, but also not a mysterious, "insane" thing. <3333 If you can reach out for help, please consider it, but otherwise do look into IFST. I started working on those strategies long before I found a suitable therapist and I honestly feel like just the mindset of radical self-acceptance and self-compromise and self-compassion was - while extremely hard to do often - the key for me, and some of those things will at the very least be helpful for you.
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idontblushsrry · 1 year
Text
Request Headcanon
nuttymouthful asked:  Uhh may I make a request for Ouran High School Host club? Just a headcanon for how the host would react to meeting someone how is a big time animal lover. (Like they pretty much live there life like the Irwin family)
A/N: I was thinking about how I’d write this and my brain just went ‘they lost their shit at the sight of instant coffee’, so uhh I hope this is to your liking. I tried to get as much animal variety as I could even though I didn’t really touch on marine animals that much)
Warnings: Like 2 swear words (pinky promise), slight drug mention(literally so small you might not even notice it), spoilers (minor) for Tamaki’s mom
Word Count: 1292
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General
So this is under the assumption that like the Irwin family, Reader (or their family) has access to a wide variety of animals (from domestic to wild)
All of them respect the passion you have for animals
While they all might have various feelings on animals (see below), they can’t deny that you truly do love animals
Your family’s sanctuary focuses on healing injured animals and rehabilitating them so they can go back into the wild
Of course, your family has many sanctuaries around the world and some focus more on conservation while others focus on research 
The one closest to the school focuses mainly on conservation and as such, is massive and functions like a zoo ( in terms of having people come in and see the animals)
Anyways, the host club is very supportive and often helps you with organizing donation events
Oftentimes, your family will collaborate with them and allow them to rent out parts of the conservation center for events
Aside from the conservation center though, your family owns a few ranches and farms (not for commercial profit, although yall have sold a few animals)
The farms and ranches are relatively small scale but they make great venues for the host club and a great place for getaways/vacations
Your main house is where you keep most of your favorite animals
You have an aviary attached to your room (connected through a hallway that connects to your room) as well as a butterfly garden in the backyard
You also have an aquarium tank, 2 dogs, 1 cat, 1 snake, and a hamster that visits on weekends
You had to be stopped at some point
Tamaki
Tamaki loves animals
He was never really around animals growing up because of how sensitive his mom’s immune system is
So when he sees that you’re an animal person, he’s super excited
Like this man is already planning playdates between Antoinette and your pets/animals
You love his enthusiasm, just one small problem
It’s a little too much enthusiasm
Yes the animals are well trained, but how would you react if a 6′0 giant with long arms came barreling towards you screaming showing its teeth? 
So yeah, Tamaki tends to set the animals off/ make them nervous
Because of that he’s only allowed around certain animals (ex. certain monkeys, certain birds, etc.)
He’s happy that he’s allowed around some animals but he still pouts every time there’s an animal he can’t be around
Kyoya
This man
Kyoya does not fuck with animals. Like at all
The first time the host club went to your house, you were holding a hamster and Kyoya moved back about 10 feet
When you asked him what was wrong, he just said “Rats are carriers of many of the most deadly diseases”
You told him that you were holding a hamster and that while hamsters were rodents, the worst he’d get sick with would be salmonella
He doesn’t believe you, but yeah sure whatever
For Kyoya it just gets worse after that
The first time he sees you holding a tarantula, he loses his shit
“Look how cute it is Kyoya!”
“Get that vermin away from me!”
I could go on and on about how much Kyoya doesn’t like animals (even domestic ones like cats and dogs)
He hates going to your house, but he often has to go there in order to set up events for the host club, what a nightmare
While he doesn’t care for animals, the business side of his brain can’t help but think of a marketing opportunity
Mori
Is one of two hosts that are going to be chill about it
He doesn’t feel one way or the other about animals and thinks it’s cool that you’re interested in them
Only thing is; if Honey’s afraid of your animals, he will have to ask you to leave he won’t hesitate to step in “harm’s” way
Surprisingly though, that actually makes him the chillest with your animals
Much to your surprise (and Tamaki’s sorrow), the animals love him
He just has this calming vibe that sets the animals at ease
It also helps that he smells nice and is super tall
For most of them it’s like sitting on a giant tree
He’s not really complaining though, it makes his job of protecting Honey that much easier
Honey
Oh boy
He might actually be the worst with animals
It’s not even an issue of being unable to defend against aggressive animals (Honey could probably solo a grizzly bear)
It’s just he has a very strict “cute” animal policy that changes wildly depending on his mood, the temperature, the angle of the wind, the humidity, etc.
He’s very bougie when it comes to what animals he will tolerate and what animals he will refuse to see
The general safe choices are rabbits (especially bunnies), kittens, cows, tits (the bird species), and baby animals of almost every domestic mammal species)
Him and the hamster you see on weekends are best friends
Also, you have had issues with him trying to feed the animals sweets
Explaining to Honey why rabbits can’t have carrot cake was not an easy conversation, nor was it one you thought you’d need to have 
Because of how specific he is about what animals he finds cute, you likened him to a crocodile (because of how sensitive they are to temp. changes in egg)
Needless to say...he was not pleased
Hikaru
So him and Kaoru don’t really care for animals but they try to relate to you in somewhat similar but different ways
Hikaru is always trying to get you to do/recreate stunts with the animals
“Hey Y/N, we should-”
“No Hikaru”
“You don’t even know what I was gonna say”
“No you cannot use the dolphins for hoop tricks, no you cannot teach the gorillas how to roll blunts, no you cannot “bribe” the koalas with eucalyptus...”
Yeah he’s a menace
It’s mostly all in good fun though
Hikaru doesn’t really care for animals but he does find it hilarious that the animals like him more than Tamaki
Also, completely random but Hikaru definitely send you those “horse-sized duck vs duck sized horses” memes
Kaoru
Kaoru also tries to use animals on the internet to relate to you, but he’s a lot tamer than Kaoru
Kaoru is kind of like the parent who learns one thing you like and is like “that’s your entire personality right?”
Poor bby is trying his best
Anyways, whereas Hikaru tries to recreate memes, Kaoru sends you them
They range in quality and format; from top text, bottom text to “is this a ____”
At least once a day, Kaoru will send you a meme or picture of an animal with a caption that says ‘this reminded me of u :)’
It’s so endearing that you can’t even be mad about it
Haruhi
Is the only other one who’s kind of cool about the whole thing
She’s really only been around animals in the park or the occasional pet store
Growing up, she didn’t really have the time (or money) to go to the zoo, that and the fact that Ranka doesn’t care at all for animals (she thinks they’re weird and gross)
When Tamaki hears this, he works himself up into a frenzy, torn that his “daughter” has never been to a zoo (even tho he hasn’t either)
But she likes the fact that you’re so passionate about animals
At heart, she’s a scholar, so she loves learning new things she didn’t know before, she could spend all day just listening to you talk about animals
Not to mention the fact that you’re basically giving her a free informational tour every time you see an animal
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rileyslibrary · 8 months
Note
Good day to you, dear librarian! I landed in your ask box because you are THE writer for Simon so hear me out: at this point, we can imagine how soldier!reader and ghost build a trustworthy relationship and stuff, but how do you think would a "normal" citizien, who doesn't have anything to do with the military, start a relationship with Simon? Say its romantic or platonic, how would they even meet? I'm really interested in your opinion/headcanons etc!
I’ve been avoiding answering this ask for two weeks, yet it’s so intriguing that I can’t stop thinking about it.
Why have I been avoiding it? Because I don’t know how he’d initiate something like that. Plain and simple. I don’t. No clue. You crashed my system with this ask, anon.
I mean, I did write a couple of stories with Ghost and a civilian reader in the past, but not from the beginning. Not how they would meet.
I can try thought.
All I can picture is a very awkward, very reluctant Simon, eavesdropping at his *cough* point of interest *cough*, trying to listen or pick up something they say so he can throw a cheesy one-liner or a joke to get the reader’s attention.
Or maybe gauging them, trying to see if he can squeeze himself into a situation where he would be seen as valuable or helpful to get noticed.
“Is this too heavy? Let me carry it for ya.”
“Is this product on the supermarket aisle too high because the company producing it didn’t pay enough money to have it on the customer’s eye level for marketing purposes? Let me bring it down for you.”
“Aha! I caught you making/laughing at a joke; I have plenty of those. Let me see if I can make you smile.”
I don’t think he’s timid or stupid, don’t get me wrong. But I don’t feel he’d be as bold as to walk towards a stranger and start small talking about the weather or today’s economy, then BAM, “Here’s my phone, call me, will ya?”
No, but I do hc him as someone who’d be helpful or funny in order to charm the reader.
At this point, I feel it’d be honest and fair of me to admit that I don’t know. Sorry, I failed you, anon. 💔
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yanderehsr · 5 months
Note
Hiya! So I saw your OC x Character thingy and decided to request, note that im not very good at making OCs so it might not be the best.
So basicaly his name is Aleron (It comes from latin and means the The winged one) he is a Pigeon Hybrid. He comes from a world/planet that Is full of diffrent types of Bird-Hybrids. It's full of vast forests and beatifull plains, from an outsider's point of view it looks like Paradise, but it doesn't take much to realise it's not as beatifull as it seems. This world's Society operates on a Class System, where Bird-Hybrids like Pigeons, Crows and Ravens are lower class Citizens, and legendery bird- like Hybrids (Like pheonixes etc.) Are at the top of the "foodchain". This Unfairnes and overall bad treatment from his "superiors" had coused Aleron to dream of leaving this World/planet and Traveling, meeting new people and cultures. Said Dream was unfullfilled for the longest time, until one Day The Astral Express had made a stop on his world. After learning who exactly they are, he practicaly begged them to let him join them. After some thought, the Astrall Express Crew had decided to agree on letting him join.
His is somewhat shy, not to the point where he Has problem talking with people, but he only realy opens up to people he knows he can trust. 
He usualy prefers to avoid crowded areas, he is insecure about his wings and thinks everyone is staring at them. (Forgot to mention he Has wings, sorry)
Due to personal expiriences, he despises people that consider themselfs superior to others. 
His hobby is cooking. He isn't super talented at it, but he knows how to make something Simple and good. It relaxes him and he Likes seeing people eat what he made.
As for his looks, he Has a short grayish hair and Brown eyes. He is on the shorter side of things. On his back is a small pair of Brown and White pigeon-like wings. They are too small to fly, but if the wind is just right he can glide. 
I don't realy know what character I want to be yandere for him, so I would prefer if you were the one to choose. Hope it's not a problem.
Well I Hope I didn't forget to write anything important needed for the request, if I did feel free to ignore this
Thanks for sending in a request, Hope you'll enjoy😄
Trigger Warning: Yandere, Obsessive behaviour, Possessive behaviour, Kidnapping
Venti: He loves Aleron's wings, he loves to pet and take care of them, there is one thing he hates about them tho, he hates that Aleron can glide away from him, Venti might be the archon of freedom but that freedom is limited to HIS side... please don't leave him alone.
It's probably great that Aleron can cook since Venti cannot, he will be superannoying about it and request food from Aleron at every opportunity he gets, mostly he requests apple pies, he loves apples.
Venti will sooner or later get paranoid about Aleron's ability to glide, who's to say that Aleron wont glide away from him, sure he hides the wings but that doesn't change that he has them, and even if Venti is the archon of Wind, that doesn't mean he controls all wind, so Venti takes Aleron away to somewhere safe, somewhere he has no chance to escape from, and Aleron is all his.
"Such pretty wings, in the wind I see you glide around in rings, you truly look sublime, how lucky of me that you're all mine"
Guinaifen: She forced herself into Aleron's life, whether he wants to or not, if he's doing something then she's doing that as well, if he goes somewhere then she follows, it's suffocating having her around, especially for someone like Aleron that is so shy.
On top of that, Guinaifen asks alot of questions about Aleron, about his childhood, his favorite foods and stuff like that, she just wants to know alot about her lover is that really so wrong... oh, she isn't one, well she doesn't care, she sees herself as his girlfriend so it's pretty much official.
Guinaifen will make Aleron be part of her videos, she wants to show off what her viewers cannot have, what is hers and hers alone, she also likes that he hides the wings, she wants to be the only one who knows about them, a little secret between Aleron and her.
"Such pretty wings, can I touch them... Hmmm, I'm gonna do it anyways"
Tried to do something poetic with Venti's voiceline... hope it wasn't too cringe😅
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defectivehero · 2 months
Note
I want to start a writing blog kind of like this one, do you have any advice for starting out/gaining followers?
Sure thing! Here are some tips I can think of. (And, as always, remember that my word is not law and you are free to take or leave this advice!)
Reflect on your desires for a writing account and evaluate which platform will be best suited for that purpose. Investigate AO3, Wattpad, and even apps like Instagram to see if you have a specific preference. Each of these platforms come with their own advantages and disadvantages, and their own regulations on content & copyright. Furthermore, different types of content will do well on different types of platforms. Longer pieces are typically better suited for AO3, for example—although Tumblr's "keep reading" tab has certainly helped to breach that gap. Wattpad will be better for multi-chapter stories, typically about romance or self-insert pieces... You get the idea.
On that note, if you're decided on Tumblr, then try to get familiar with the platform. Chances are, if you've used the app before and have been a reader/viewer, then this step will be pretty easy and intuitive for you! But, try to observe how the writing communities in particular function on this app. Tumblr relies on things like hashtags and reblogs, so I'd say it's important to have a solid understanding of them. Hashtags will be very helpful in getting your content to the proper audience, so it's imperative that you get to know the tagging system that the writing community (and any relevant subsets) use to share their work. For example, since I write about heroes and villains a lot, I use tags like "hero x villain" and "heroes and villains"; I also use broader tags like "writers on Tumblr" and "spilled ink," which are more general tags for writing about fiction. Get familiar with the fandom lingo (terms like whump, angst, hurt/comfort, fluff, etc.)
2. Next, try to determine what you want out of the blog. Do you want to write because you enjoy it, or do you want to write to build a platform and gain followers? There's nothing wrong with the latter, but keep in mind that growth can often be slow—and you don't want your expectations to be unrealistic. I had the fortune to be writing on this platform a few years ago, back when hero/villain was a new concept and there was a small, tight knit group of users that contributed to the idea (@creweemmaeec11 , @nuttynutcycle , @the-modern-typewriter, @kactus-loves-writing, @gingerly-writing, and other honorable mentions <3) and contributed to its growth. Now, there are writing blogs all over Tumblr—and while that is far from a bad thing, that means it will be more difficult to gather and maintain a following.
With that in mind, if you're dead-set on gaining followers, here are some tips:
Try to network. Networking, in this sense, just refers to interacting with other writing accounts. Follow the accounts you like, interact with their posts, reblog & comment on their works. This will help, because other users will see your blog in the reblogs. I did this back when I was a smaller blog, and I am forever grateful to the accounts listed above and countless others for helping me get here. (I have struggles with social media, so I unfortunately don't have mutuals anymore, but know that I endlessly appreciate all my old mutuals!!!)
Have a consistent upload schedule. I think this was a super important contributor to my blog's growth. Back in my beginning days, I was posting nearly every day. This was hardly a requirement, and that's not necessarily what I'm suggesting either—it's not practical to expect that kind of activity every day, especially if you have school, a full-time job, a family to provide for, etc. But! When you *do* upload, try to pick a time and day and stick to that. Test this out, too. See what time and day your content gets more interactions and then stick to that time & day.
Fill out prompts. It can be difficult to get your writing out there, even with all these tips. Check out some good prompt blogs, reblog their prompts (giving them credit!!!!! and reading through their rules!!!!!) and add your writing in the reblogs. Users will see your writing in the reblogs, and that can sometimes be a better way of assuring your posts get more attention.
Create prompts. This is another simple, easy way to get more interactions. Prompts are nice because they typically don't require lengthy posts, and they literally encourage people to reblog, comment, and add their own writing! Just make sure that you're comfortable with the idea of people adding on to your writing (and the potential for them to take it and not credit you properly) before doing this. I learned that lesson the hard way... Prompts are practically designed for community interaction!!!!
Other blog tips:
Contemplate what you want to write about. There are topics on Tumblr that, in my not so humble opinion, have already been thoroughly explored (cough, cough) and topics that have some intriguing, exciting potential. This is going to be very "marketing" of me to say, but evaluate the current market, see what the supply and demand is, and go from there. Try to combine what you want to write with what the community seems to desire. Don't be afraid to embrace uniqueness. The more quirky and unique, the better. (But try to have at least some universal appeal. Too much quirkiness will ostracize your content.)
Make sure your blog is filled out, layout-wise. Have an eye-catching profile picture and banner, a thorough bio, and a relevant pinned post. Think of your blog as your brand, in a way. You want people to recognize your profile from the first glance. And, if they're new, you want to intrigue them with your profile—show them something that they feel they can't look away from.
Be courteous to others. This one's pretty much already implied, but it can't be overstated. Half of Tumblr's magic is that the writing community here is pretty polite (and I can only hope that I'm a shining example of that /s). If you see something you don't like, keep scrolling. If you see content that really bothers you, go to your display settings and make sure you have filtered tags/themes on so that you can avoid seeing that content in the future. If something isn't your cup of tea, that's okay—it could very well be someone else's. I hate to say it, but the world could always use more positivity. We're all constantly learning more, so don't shit on anyone for wanting to be more knowledgeable!
Those are just a few tips that I have. Hope these help, and good luck with your blog!
Best,
Hero
<3
(not me signing this like an email, plssss)
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system-of-a-feather · 5 months
Note
How do you know when you've finally achieved a "remissed" state? I keep wondering if my system has finally settled in a state of "functional multiplicity" but I'm hesitant to use that because I know I still have a lot of trauma processing to do and unknown alters who show up every now and then. But it's no longer necessarily distressing, I know how to handle flashbacks and how to help these new alters and my life has otherwise stabilized a lot.
I feel there isn't really a hard definition for this. I was going to say "final fusion is a lot more clear cut" but honestly? As a person who has also finally fused and has honestly been sitting in that for like two weeks more or less straight, even that can be pretty "hard to notice".
And I know - cause I was there - that from the perspective of someone Not There and/or hasnt realized they are there yet that it sounds very anti-intuitive or wrong, because "How would I NOT notice everything fusing into one identity? Wouldnt that be obvious that I'm NOT me?"
But no, its not really obvious, at least not in my experience. In my experience, by the point you start to get closer to final fusion / functional multiplicity the amount of which DID-symptoms (primarily alters, switching, and amnesia) call for much attention or care to be cognoscente of becomes really small and rather nonconsequential. It becomes a lot easier to just exist among your parts and casually let whoever wants to front whenever without too much internal communication or checks and balances or really any cognitive effort.
By the point when switching and amnesia is so not-distressing and minimally invasive, its very easy to fluidly switch between parts and the trust within each part is so large that you really don't have to ask them or communicate as explicitly to make sure they are on the same page as you and will do the best to respect you and your needs as a part.
By that point, trying to keep track of who is fronting and switching and everything - while definitely possible and something we do a lot, particularly when we are not 'roosting in Fei' - can sometimes become a bit of a hassle (not always, sometimes its fun as well when we are just chatting with eachother) and by that point its kind of like... trying to keep track of who is in the lobby of a massive hotel. It can be a bit exhausting, so even when not in Final Fusion, you just kinda stop caring and just go about your life trusting that whoever is out there is probably having a good time and that you don't really mind Not Being there.
Or hell, maybe theyre out there and you wanna be out there with them and chill thats awesome, but again - it doesn't really matter and that internal vigilance over identity and self just is so so so so tiny
And I guess now that I'm writing it, I think that - in my opinion - is the best tell that you are probably at functional multiplicity; is that if genuinely that internal vigilance among yourself, parts you know, parts you know you don't know, possession of the body, switching, etc is really just so so so nonconsequential and such an afterthought to your existence, I think that is probably the best indicator of really any remissed state.
In my opinion the key difference between Final Fusion and Functional Multiplicity is just a matter of how much you engage with yourself as seperate parts versus as a very relaxed and constantly flowing beach.
For me, Functional Multiplicity - at the point of healing that I am now - takes a little bit of mental energy (not a lot, its largely negligible most of the time and we tend to prefer to be closer to the functional multiplicity end a lot of the time) to be that aware of what part is out and if I should get a different part out or if I think someone else would enjoy the moment better. That said, the small amount of mental energy put into that often gives me a lot more insight into myself as I can talk and engage and enjoy life with my better halves / quarters / thirty-ths / etc. It also opens up for more specialized enjoyment of activities, perspectives in life, and engagement in skills. Being at Functional Multiplicity allows me to control and specialize what part of me is presenting at what point in time and live in the moment as my best self for the moment.
On the other hand, Final Fusion is so serene and existing in it is like the coming and going of waves on a beach. Every so often you go "hey thats XIV" or "lol hey thats Riku" or "lol yep theres Chunn" and sometimes those waves are basically just that part fronting, but everything is so damn connected that even if you know that line came SPECIFICALLY from that specific part, hell even if that whole activity was primarily from that specific part, everything is SO damn connected that its still >you< it is still the Beach, that was just a fucking GNARLY wave of XIV or Riku or Chunn or etc
Thus why even though we've been sitting in Fei for like two or so weeks now, you can often see a second tag with it. If a wave is predominant, we will tag it, but *shrugs* it don't matter cause in the end its our overall whole that is here the most.
Final Fusion also has its amazing perks like actually Not having to Discuss much at All. Which as much as I LOVE talking to my parts explicitly and having banter and all, sometimes when life is stressful or I'm over worked or burnt out or what not, sometimes I really would just rather have some simplicity in life and just be able to know and speak for myself without having to go through a counsel.
But back to the point of the question, I think the best way to tell is to just generally reference how much internal vigilance you have over yourself, your system, your concept of identity and self, and see where you fall on that.
An alternative perspective to that same measure is just really, how much do you deeply and internally trust yourself (as a whole) on an emotional level to do the best for yourself and to absolutely never intentionally neglect yourself? How much blind faith - no if ands or buts - do you have in yourself? Do you feel there is any possible part that you don't know of that could in there that you couldn't handle or that would cause you really any notable amount of distress? Does thinking about parts that you don't know stress you out? Do you think there is a world where - for any meaningful or substantiated period of time - any part of you would ever intentionally put themselves wholely before another part?
Are you your first and foremost ally all the way through in and out? Do you feel decently comfortable answering these questions for the system and do you feel decently confident that - even without explicitly asking them - that you can advocate for all parts on these questions?
This isn't to say that if you DON'T check all these off that you AREN'T at a remissed state or anything, because honestly, I didn't realize or even get some of these checked off until AFTER my therapist pointed it out to me and I sat and thought about it. But its some nice food for thought and questions to think about and talk about among yourself because those topics have honestly created some of the most healing and solidification after realizing we were "kinda at functional multiplicity" that had really helped unify us even further than before. (below the cut is more directed towards the ""anon"" themselves)
[**Disclaimer at the end regarding parts underneath this mark**]
Most importantly though, I believe strongly in the principle of self determination (<- this is not a clinical or official thing in literature, its a term and topic I use within my therapy, internal interactions, and what not that is based on my own personal opinion / view of DID; this is not scientific and entirely peer / experience based) - at least in late stage recovery - so if you feel you might be at functional multiplicity and you genuinely emotionally feel as though you are on the fence, I don't see why you shouldn't believe you are at functional multiplicity.
It is a little more risky of a game to play in earlier stages of recovery, but considering I know who asked this cause they DMed me 2 seconds later, if you are not prone to notable bouts of denial or using denial as a means of repression, why WOULDN'T you be at functional multiplicity?
The label is pretty loose and subjective and if you want to be at functional multiplicity, claim it, believe it, dedicate to it, and I feel the DID subconscious brain - so long as it is within it's genuine realm of plausibility and believably - will let it be.
So to the anon that I know, I personally am of the non-professional completely-peer opinion that if reading this, you still feel you really really might be at functional multiplicity, say FUCK IT WE BALL, and just take that label and smack it on your face. If you are close enough to functional multiplicity to read through this and still go "maybe we are" then you are close enough to "kinda fake it till you make it".
That's just to say that if you say you are at functional multiplicity, I'd absolutely believe it and accept it, but also that if you said you weren't, I'd also absolutely believe it and accept it. Define who you are based on your genuine truth and where you'd like to be go for it. If you have good reason to believe you are at functional multiplicity and you want to be at functional multiplicity and that you feel you are willing to genuinely believe you are at functional multiplicity, make the claim and be at functional multiplicity.
--- [DISCLAIMER]
**These last few paragraphs (below disclaimer mark) are primarily targetted to the anon cause I know them, and there is a lot more nuance to the topic as well as limits to the extent it can work and trying to take it as a "this is completely impossible to missuse" can be risky. So I do want to put a disclaimer that if you are not in mid to late stage recovery and/or have not gotten over the "fakies" or have parts that try to rush things or "rewrite the narrative at the expense of other parts" - the principle of self determination is not something I'd recommend as it can be used for harm as well if not done authentically. It is important to acknowledge this is completely based on my own experience, opinion and perspective of DID that is NOT substantiated past my personal experience. Take this with a large grain of salt.
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seafoamreadings · 4 months
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What are the differences between sidereal and draconic charts compared to tradition or tropical? What can you use them for and what do they mean?
this is actually a pretty huge topic and something i might write more extensively on later but let's do a rundown here.
what is traditional is going to depend a lot on where you are from and who you learn from. vedic and western tropical are the two most traditonal ones i think, and it seems like you are referring to tropical here, but i want to be clear that's not always the case.
so, tropical: this doesn't take into account the precession of the equinoxes over thousands of years, which is why it no longer lines up with the visible stars. i discuss this in more detail in this book and it's also something you can do your own research on if you wish. in this system each sign is just a thirty-degree chunk of the sky, and the 0 degree of aries is determined by the day of the vernal equinox in the northern hemisphere (autumnal in south) NOT by the actual beginning of the constellation of stars that looks like aries the ram. i do not have any good scientific reason why this method should work better than any other, but my experience is that it is the best, and it is very old and widely used around the world so others must agree! i use this for pretty much everything although i know a thing or two about some other chart systems.
sidereal: DOES account for the precession of the equinoxes and DOES more or less line up with the actual stars as a result. but make no mistake, there's more than one way to do a sidereal chart. for instance, vedic astrology popular in india is one sidereal system. it uses the same 12 zodiac signs as the tropical system i use, but additional information and if i understand right also each sign is 30 degrees so it doesn't line up perfectly with the stars (someone correct me on this if i'm wrong in the replies please~). but there are other sidereal systems that don't have evenly sized signs, or they do but they incorporate eg the 13th sign, ophiuchus. i have written some before about how i feel like these sorts of systems SHOULD be more accurate but in my personal experience never are. the physicist/astronomer in me doesn't like that but whatever, i don't make the rules.
one thing i have heard is that while tropical is best for knowing thyself, sidereal or at least vedic is better for making predictions. i'm digging into that a little bit on my own time but i think tropical does predictions fairly well itself if you know what you're doing! since i am not as well-versed in vedic i still use tropical for my predictions and while i may not know the minute details it never really gets the vibe wrong.
draconic: a bit of a different thing. i offer these readings in my etsy. like everything i do, it varies a little bit from the most traditional/conventional manner. but it seems to work nicely. i think this style of chart has its origin in vedic astrology where the lunar nodes are the head and tail of the dragon, but it seems a lot of people do this chart in a tropical system anyway. it's defined by making the north node the 0 degree of aries and building the rest of the chart around that. so the planets and spacing of everything are the same as in the tropical natal chart, but the signs change. the idea is that this shows you something about your karma, your soul, your overarching personality in a way that is bigger than your personal egoic small self life as you know it. it's very esoteric and cool.
draconic charts are always really similar to natal charts. they are for a *person*. but you can do vedic or tropical charts about an individual, a meeting, a synastry, an event, a horary chart, etc. so that is another difference.
another thing i want to mention which you didn't ask explicitly but might interest you is all of the above are geocentric approaches. you can also do heliocentric astrology! i'm delving into that too because that's one of those things my science brain wants to work so much, lol. it is not widely practiced in the mainstream but astro dienst will generate heliocentric charts if you check off the right boxes. it's fun to play with. the big change is you no longer have a sun sign, you have an earth sign, and it is opposite whatever your natal sun sign is in tropical (eg i'm a taurus sun, but in heliocentric i have my earth in scorpio.)
that seems like a long post but seriously it just scratches the surface. i hope it helps anyway, and maybe spurs some further investigation! thank you for the excellent question <3 will definitely be reblogging this one for posterity~
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written-in-flowers · 1 year
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hi! thank you for your wonderful writing <3 i love reading ur otto hightower fics - and i was wondering if you could drop some fluffy family hcs with the tyrell!reader? i'd love to hear more about how they get along with the rest of the family (alicent; aemond; helaena; etc) and things about cedric!
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Ooooh, funny that I actually considered writing this! I have so many little things. I might add some details about Rosebud!reader too for funsies Thank you 😊
***
Alicent:
Let's get one thing straight: you're not her mother. In fact, she's older than you by at least a few years. You were twenty-five when you married Otto, and she was approaching thirty. On top of that, she is your queen, so you respect her immensely. Neither of you dared to discuss any sort of ‘mother/daughter’ relationship. 
She didn't like the fact her father married someone so much younger than himself. It reminded her of her own marriage: she’d married Viserys when she was a child, had his children as a child, and remained one in his eyes. She didn’t like her father doing the same, even if said bride was an adult. He'd done his time as a married man and father. What was her cousin thinking?
But, she sees how you truly love and care for her father. She’d seen this when he’d become ill, feeling weak and feverish. Every morning, noon and night she found you sitting by his side, weaving a wreath of The Seven, doing needlework or reading out loud to him. You oversaw the maesters when they gave him his medicine, and smiled happily when his fever finally broke. You’re his greatest comfort in The Red Keep, a support system outside of his daughter and circle. She sees how he seeks you out after heated debates in the small council; how he spends his “reflective hours” with you in the gardens, in the godswood or the royal sept. He seems happier since marrying you, and she does adore her half-brother, Cedric. So, she slowly began opening herself to you.
You're the only other woman at court whom she can talk to about matters outside of politics. Since their relationship soured, Alicent didn't talk to Rhaenyra like she once did; being "The Queen" left her with few friends. Having a person who doesn't have ulterior motives or isn't trying to scheme against her felt refreshing. 
She enjoys the talks you two have. You two relate on a level your husband never understood. You listen to her rough days, try cheering her up by bringing your favorite fool or piper. Often, you're usually the one asking her for advice. When you and her father have a quarrel, you vent to her and ask if you'd perhaps been in the wrong after all. Nine times out of ten, both of you are wrong, so she ends up telling you two to make up. How you make up, she will NEVER ask.
You're often the neutral party in the house. You have ties to The Greens through Otto, but you like to see things from both sides. It brings a lot of prospective that Alicent might not have seen otherwise.
You're not her mother, but you are a good, loyal friend.
Helaena:
Helaena was only thirteen when you married Otto, so she spent most of her teen years around you. Shy and quiet, she often stayed in her own world; having difficulty socializing with new people, it took her a while getting used to you in general. She found it odd that her grandsire married such a young woman, but she didn't think much of it. 
You might not like bugs, but you started the friendship by gifting her a framed rare, exotic beetle for her nameday. You read up on different species and showed her some of the ones you'd seen at home and the flowers you found them around.
A shared interest in nature brought you even closer. You grew up around fields of flowers, vines of grapes, and groves of fruitful trees. You felt at home in nature, and so did Helaena. 
In some ways, she reminds you of your younger sister, Elise. Particularly when she is excited about something. The way her eyes light up brings out the sentimental sisterly feelings. You told Otto this once, and it made him smile. 
You found her strange riddles interesting. Of course, they’re only little things she sees in her dreams, but you liked trying to guess their meaning. She told you she didn’t really know herself; she’d had them her entire life. Otto told you not to listen to Helaena’s strange ramblings, since he felt it’d only encourage the behavior. You replied by saying there is nothing wrong with having dreams. Dreams were good. 
You do everything in your power to encourage and support her. Helaena is never good at speaking in large crowds; she often becomes overwhelmed and stammers a bit. You don’t touch her, since she doesn’t like being touched in those moments, but you do stay by her side as Alicent does. This comforts her greatly. 
You also adore her twins, whom you dote on whenever possible.
Aegon:
As much as Aegon loves the ladies, he doesn't understand the hype around you. You're like any other noblewoman from The Reach. You like flowers 🙄 you play music 🙄 you are ✨️ pretty ✨️. Aegon liked his girls to be a bit wild, and you were far from that to him.
Don't worry. You didn't lose sleep over the fact that Prince Aegon didn't like you. In fact, the distaste went both ways. You thought he was a drunken fool who screwed up all the time. You often told Otto that you didn’t blame the king for not naming Aegon his heir. If Cedric ever became a shameful person, you’d make sure your next child inherited everything instead.   
Calls you “Grandmother” when he wants insult you, though you throw it back in his face and tell him that you are, so he should listen to you and stop being a prat. 
You find him to be vile, especially when you heard about what he does to his serving girls. It disgusted you beyond belief.
 When you two get into it, you GET INTO IT. Shade IS thrown. Faces ARE made, and Otto has to remind you exactly who you are and that sinking to Aegon’s level does nothing for anybody. 
Though, you do sympathize with him in his more vulnerable moments. After catching him crying in a darkened stairwell, having no energy to climb up it due to the copious amounts of ale in his system, you took pity on him. A boy doesn't behave that way by default. Having no real father figure, believing his mother doesn't care about him, and being told how to live his life has led to his self-destructive behavior. Yet, Aegon has chosen to live his reckless way and you knew nothing you said changed that.
After that day, you two began this strange sibling energy relationship. You called each other names, occasionally smacked one another without really hurting each other, and continued the banter back and forth, but much more affectionately. 
This only pleased Otto because it resulted in less headaches. 
Aemond:
Heyyyy, we all know Aemond loves the older ladies. He'd been only fourteen when he met you, the prettiest girl he'd ever seen. He could barely speak around you for a long time. Aegon often teased him by mocking how he stuttered or froze up in your presence. He’d gulped thickly when his mother told him you were his step-grandmother now. You were going to live with them? In the Red Keep? The Gods truly were cruel.
It grew worse when, during their visit to Highgarden, he stumbled upon you in one of the cool wading ponds...in nothing but a linen dress that clung to your body. You didn't mind he'd caught you; he didn't know his way around the castle and got turned around. No harm, no foul. Covering yourself in the water, you told him how to get back to the main castle, smiling at his red cheeks and stuttering sentences. *side note: you’d originally hoped Otto would find you, and he did, you just didn’t see him*
You both laugh about it now that he's older.
He's your constant library companion. You each take up chairs in the large library and read quietly. Sometimes, you read out loud, but mostly you sit in silence. Having him sitting nearby felt comforting to you while you read; like having a protective shadow watching over you. 
Aemond will never forget how understanding and patient you'd been with him after he lost his eye. Your treatment of him never changed. You helped him when he clearly had difficulty seeing or adjusting to his new condition. You’d sewn an eye patch for him, a leather one with black dragon heads sewn into the straps, which he wears on special occasions. 
He took you riding on his dragon as a nameday gift. You’d shown interest in the Targaryen dragons, and he knew you'd be delighted to meet the ancient Vhagar, the largest in the world. It remained entirely platonic; a young man and woman enjoying the skies together. But, he had enjoyed your arms around his middle as he flew Vhagar through the skies and how you clung onto him so tightly.
Perhaps....Nah, that's dumb. You love his grandfather, and he respected that.
Besides, he had Helaena, who'd taken him heart and soul.
Daeron: (you didn’t think I’d forget MIA Daeron Targaryen, did you? Daeron the Daring??)
You didn’t meet Daeron until Otto took you to Oldtown where he’s Ormund’s cupbearer and squire. 
He was a sweet boy, clever and witty. He took to calling you ‘Grandmother’, though he said this with a hint of affection in it that was always followed by a laugh. 
He proudly told you about his ambitions to be a knight one day, and said that he’d gladly name you Queen of Love and Beauty when he won his first tourney...if you’d go, my lady. 
Sadly, you didn’t spend much time with Daeron, but you did get to see the beautiful she-dragon Tessarion. 
Cedric Hightower:
You had Cedric a year into your marriage. It was a normal pregnancy for the most part. You listened to the maester’s instructions, took care of yourself, and delivered with no complications. Cedric had your coloring, but had Otto’s nose and chin. You never felt happier than when you held him in your arms, swaddled in a blue and green blanket you’d made for him. 
Sleeps. Like. A. Rock. You and Otto still remain quiet around him when he’s sleeping, and he does wake up on his own at least once a night, but otherwise, he sleeps well. 
He has a wet nurse who attends to him when you cannot or are unable to for whatever reason, but otherwise, you care for him. You feed him, bathe him, clothe him, read to him, sing him to sleep at night, and play with him. You always imagined yourself becoming a mother, like any noblewoman did, and hoped you’d be like your own. 
He definitely likes moving around once he learns to walk. You and his nurse have to keep your eyes on him once he starts moving about, because then you easily lose track of him. You learn he’s pretty quick on his feet. Otto says he’ll make a great swordsman one day, and other men agree so you hope it’ll be true. 
He loves horses. You often take him to the stables to pet and feed them hay. He likes watching them walk around mostly since he’s still too young to ride one on his own. He particularly likes your mare, Daisy, a chestnut and black horse with a long mane. Much like the Targaryens with their dragons, you’d chosen Daisy’s most recent foal to be his horse when he grows. 
Everyone adores him. 
No, really. Everyone. 
Well, yeah, he’s a baby and babies can be cute. 
Fun Rosebud facts:
I know it’s really a ‘reader’ fic, but I tend to make my ‘reader’ characters sort of their own thing at the same time. I like to give them names, so tyrell!reader is always ‘Rosebud’ to me lol. You’re always free to picture her however you want, but that’s me personally. So much easier to write ‘Rosebud’ than ‘tyrell!reader’ every time in my notes.
The drabbles I’ve posted are not in any chronological order, so if you guys want like a timeline or something, just let me know because I’m going to be writing actual one shots for them soon. 
Here are just some fun things I made up for backstory:
You are the third child of Lord Gareth and Lady Jalissa Tyrell, and are their first born daughter. (fun fact, I learned that Margaery’s mother was actually a Hightower too, so that was a cool connection. It was totally by coincidence.)
It took you so long to be properly betrothed because your father usually disapproved of every suitor who came forward for your hand. It didn’t bother you because you didn’t like them anyways, and you got to stay home with your family. 
You love music. You can play the harp, lyre, and flute. You played the harp for the king’s party when they arrived at Highgarden for the Harvest Moon Festival. Otto loves to hear you sing Cedric to sleep; he says it soothes him also in a sense. 
You enjoy reading the different histories of the world, and learning new things. Like stated above, you love nature too. Expect to always read about Rosebud wearing something floral/nature related in her hair accessories, jewelry or clothes. 
You immediately roll your eyes whenever a man starts going on about your ‘beauty and grace’...except Otto, because he means it when he says it <3 
You have a very close relationship with your younger sister, Elise, who was born some time after you. But, you also have good relationships with your other siblings: Matthos is your eldest brother and heir to Highgarden, a well known jouster in the region and very handsome besides; your twin brothers Loras and Horas who might as well be the same person with how they do almost everything together. Your youngest sister, Adeline, was an infant when you left home, but you shower her with kisses and presents whenever you see her. 
You definitely are not the shy, virginal flower Otto expected on your wedding night. You’ve always had a sensual, sexual nature about you that drove your libido. You kept it hidden by shy smiles and giggles, but only true pervs can see right through it. Before your wedding night, you  purposefully put yourself in positions where Otto might happen to come upon you alone. The only time he gave in was when he kissed you the last night of the festival. 
You have daddy issues because you’re a daddy’s girl. 
The only person who knows about your ‘type’ is your mother, who was actually the one who pushed for a marriage to Otto. Jalissa is a close friend of Otto’s, and knew if anyone would respect and protect her daughter, it’d be him. 
A/N: Aaaand that’s a wrap! I hope you liked these little fun headcanons. I’m having a lot of fun writing this series, so expect more from it soon. I get to write out my dilf fantasies through Otto. Oooh, if you’d like me to do her relationships to Team Black (Daemon in particular), I might add that too. Love you guys <3
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artharakka · 1 year
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Hello
I habe just recently come across your page. My condolences for Minni.
But Holy Shit, your art style is so cool. Your whole page is freaking fantastic beautiful. Sorry for just putting random words together. I love the artstyle so much. To be honest i am flabbergasted. I hope one day I can draw in a similar artstyle too, but i don’t think anything can come near to the talent you have.
Like fr i saw your drawings and was shocked. May i ask are some of your paintings inspired by mythology? Because they remind me of trolls and a book i had when i was a child from Jan Lööf, it was about trolls.
Sending lots if luvs and hugs from little nowhere in europe. 💕💕💕💕💕💕
Hi 🧡 Last night I dreamed of Minni, she was sleeping at my feet and she was warm and her side moved with her breathing, but I knew she wasn't really there and it didn't feel wrong, so in time, I think it will be alright 🧡
And thank you! I hope you don't mind me answering this publicly as this became a longer rambling about creating and inspirations! Rest under the cut:
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Often I think I'm still kind of searching for an art style that feels most comfortable to me, but thank you for liking where I'm now 💕 But don't put yourself down! It has taken me a lot of trials and errors to be where I am. And I could've saved a lot of time if I had committed myself to learning the fundamentals first, taken more art classes, etc, but hey, sometimes art isn't about perfercting a style but finding something you are so passionate about you cannot stop creating and you end up learning in the process (for me it is stories, I find it very hard to sit down and do a "random" art piece with no background story for the characters in it). And creativity comes in many forms! With a quick glance, writing comes more naturally to you than to me (even though I would like to do that more).
Your ask made me think what exactly has inspired my art. I haven't illustrated mythological scenes or people (only that I can think of kind of referencing myths is the "Mirror" swordtember drawing I titled as "Perseus' End" on my Inprnt), but I'd say mythology definitely is there in sources of inspiration. Not some one and only, but multiple mythologies I think (mostly European, as sources to those are more accessible to me because, well, eurocentrism and language barriers, but also geographical closeness). Mediterranean mythologies, first as a kid through (Hellenistic) Greek, now more nuanced (lately obsessed with Minoan art and clothing, many thanks to Let's Talk About Myths, Baby! podcast). Playing (= @artist-rat playing for me because I was scared) Hellblade: Senua's Sacrifice mabe me dig more deeply into Celtic and Norse mythologies. I'm also inspired by Finnish mythology (and I started to write more in depth about it's nuances, but it got long so it probably needs its own post at some point)
In short, much of it's lost or unclear whether it was appropriated from Karelians (or Sámi) people. But after the sources of mythological events and characters are uclear, what is left that inspires me is this kind of animistic belief system and reverence of nature. That if you sing a spell to the trees or rocks, you can shape what is around you. That a everyone has their own soul bird that brings your soul to you when you are born and carries away when you die. And while I also enjoy high fantasy and epics, what also inspires me is finding beauty in ordinary, in everything. Especially in nature. While I get and appreciate the beauty of mountains and sea and steep cliffs, I try and can find beauty near me. Ordinary pines, birds that I see while I walk to supermarket, lake's small waves against small stones. And I also find beauty and inspiration how in many small things near you, one can find marks of something more. Dinosaurs never disappeared nor did their reign ever end: birds are still here and much more numerous than humans. The small exposed piece of rock is part of Earth's foundation, it's grooves and scrapes were left by tonnes ice that passed it ten thousand years ago. The esker made of gravel and sand is not as high as a mountain, but it is still the highest in the entire world and for thousands of years people before you have climbed on top of it and seen the lakes and forests around it.
Mythologies and cultures also inspire me in a way that I love to invent them. Mostly by looking at what has already been. Imagine what all ways people have had or could have to promise to live together, to enter to adulthood. And I don't think of myself as particularly morbid person, but when I have a new story or ttrpg world, I love to think how do people there bury their loved ones. Where do they think they go and what do they need for that journey? Can they ever come back?
I was also about to list some artists that inspire me, but this is already so long that I think that will also be its own post. But I have a side blog @harakkae and there tags "art" and "inspiration" where I have collected some art and artists that inspire me!
Sorry again for long answer, I swear I cut out a lot of my ramblings! And thank you for loving my art! Hugs and best wishes to you as well and based on the fact that you had a book from Jan Lööf, I think I might be from as or even more nowhere in Europe as you 🧡🐦
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aristotels · 3 months
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Thinking about art and fiction and concepts of ownership and honestly it's kinda fucked that collaborative and transformative storytelling is literally as old as time and one of the most basic human instincts that exists, but the only good word it we have right now is "fanfiction"
and when you tell people you write fanfiction they think you're some kind of cringe weirdo and possibly pervert and then the whole thing gets derailed by this bizarre side discussion into how "No it's not all porn, it's absolutely everything and anything imaginable, duh, but like, even if it were all porn, that would also be okay". Like I'm all for pointing out the double standards about how published authors who put sex into their stories don't lose any respectability (especially if they're men, and especially if the sex is cishet), but the second I, a fanfiction person, add a romantic arc into my plotty casefic suddenly I'm a fujoshi with shipper brainrot etc etc-
But it's tiring that this is even a focal point
My favourite funny and sad thing is watching people (usually dudes) who clearly either view themselves as above fanfiction or have simply never ever thought of themselves as "the type" to do creative writing discover The Fanfiction Urge, because the way they express it is like. An increasingly passionate and detailed video essay about how Movie should have gone instead, or, my favourite, a story about something cool that happened to them in XCOM or Darkest Dungeon or some other Difficult Game For Serious Gamers and by the end of the post they're legitimately just writing prose. Like look at this! LOOK! Damn if this person didn't speedrun the gamerbro-to-AO3 pipeline just for a sec. And not that there's anything wrong with those formats but it makes you wonder if that's something they'd be interested in exploring more if their wings got unclipped
Or DnD. Small wonder that TTRPGs are becoming so popular when they're one of the few increasingly non-cringe ways to do the extremely basic human urge of Tell Story Collaboratively
A friend of mine had this to say recently about his own struggles with this kind of internal bias:
i'd like to try out Thousand-Year-Old Vampire (a solo role-playing game with minimal rules to make you write your own narrative) and my toxic masculinity is getting in the way. discouraging thoughts include: i'm not creative enough; creative writing is for Floofy Humanities types and i am a Cold STEM type; it's not a real game unless it has Systems that you can Study and Master. would anyone like to say something encouraging?
and honestly that's incredibly illuminating innit isn't it. The splitting off of creative activity (not just fanfiction, either) into something only for Floofy Humanities Types but not Serious People and the way it's linked to whether or not you can make money off it... oof.
This became a long post thank you for your patience
ngl i just dont rly care that much for fandoms... i like fanfic, i read it and write it, but i dont rly see fandom as my identity or smth i particularly care about, to me all of it is just the same as me playing with barbie dolls.
i dont think its something special that can be compared to actual literature and i think there are certain problems w booktok people relying on tropes that come from fanfic mentality. its just not the same, and i do wish people who like fanfic would sometimes also read.......some actual books sometimes
i just generally dont see what youre describing as some huge thing or problem, i think anti-kink ppl doxxing artists is the major worrisome thing when it comes to fandoms, but i think the doxxers also take the whole fandom experience too seriously
and i say this as someone who also writes fanfic, so like, it rly isnt me going "fanfic authors/readers are stupid", i find fanfic super cool to explore yourself, fanart taught me sooo much as an artist, i even enjoy roleplaying; all of this serves a very real purpose of exploring things as a human in realms of fiction, and pre-existing characters make that easier. i think that can be very useful, we learn about ourselves through books and stories. i just think fandom should be treated the way it is - playtime with toys ✌️
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more-better-words · 4 months
Text
Questions yoinked from @iamstartraveller776 (hope you don't mind! ☺️)
1. Do you have a word-count goal for the upcoming year?
I don't tend to pay attention to word count so much as completing chapters. So my goal is to finish chapters.
2. Will you participate in any fandom exchanges or fic challenges, etc? 
I never have before, but @talshiargirlfriend is planning to do a small-ish one, so hopefully that won't be too intimidating!
3. Do you anticipate writing for a new fandom this year? Which one?
Only if some new-to-me media grabs me by the throat, which always a possibility.
4. Do you think you’ll stop writing for a fandom this year? Which one?
Well, once I complete The Place We Call Home, that will likely mark the end of me writing longform ST:ENT fic. I'm sure I'll still write shorter pieces and one-offs, but completing the Built to Last series will be a capstone for me.
5. Which WIP is first on your list to complete this year? Will you post a snippet?
The Place We Call Home!
She slumped back, her energy suddenly and absolutely depleted. Then Doctor Jimenez was handing her a very small form, placed against her chest. The baby whimpered, unaccustomed to this huge new world, and she lifted an exhausted arm to cradle her daughter. It's all right. Everything’s all right. I'm here, just like I said I would be. She looked up at Trip, whose eyes were huge and bright with tears. “Oh my God, T'Pol,” he murmured, swallowing hard against the lump in his throat. “She’s here. She’s perfect.” “She is,” she agreed. She reached up, brushing at the tears on his cheeks. “You should hold her.” With infinite care, he tentatively took their daughter in his hands, a marveling, awe-struck smile on his face. “Hi,” he whispered. “It’s me. Do you recognize my voice?” T'Pol looked at them, her mate and their child, and suddenly her entire being was filled with a triumphant, roaring love like a fire in her veins. She would do anything for them, because they were hers. Trip felt her eyes on him, and shot her a tiny, tearful, adoring smile. “You did it,” he said. “We did,” she replied. “We three.”
6. Which yet-to-be-started fic is first on your list?
The one that hasn't occurred to me yet. 😅
7. Will you change anything about the way you interact with other writers?
I don't think so? Do I need to?
*frets*
8. Is there a story idea in your mental vault that you’ve never been brave enough to try writing? Is this the year? Can you tell us about it?
Mostly followups to (much) older fic that never made it out of the outline/draft stages. But I doubt I'll ever return to them - not a lot of interest in the world of Baldur's Gate 2 when we have Baldur's Gate 3.
9. Short term goals… what do you hope to complete this week or in January?
By the end of January, I may have The Place We Call Home fully drafted. Maybe. Hopefully.
10. Will you keep a record of all the fics you write and/or post this year?
Other than my AO3 stats, no.
11. Would you like to try any new fanfic genres or tropes this year?
I finally took the plunge and tried my hand at writing...well, we'll call it smut adjacent. I think I'll keep at it, and we'll see how it evolves.
12. Will you change anything about the way you edit or rewrite this year?
I don't think so...my current system works fairly well. At least I think so.
13. Aside from fanfic, are there any other fan works you’d like to try creating? Fanart, or fanvids, gifsets, or podfic? 
I write because I'm no good at any of that other stuff! I'd LOVE to be able to create visual art, but...I'm just not wired for it.
14. Have you ever lost large chunks of your work in the past, due to not backing up your work? Will you change your methods this year?
I thought I'd lost two whole chapters a couple of weeks ago and I was distraught! Fortunately, I was wrong and my backups were still there.
15. Do you foresee any personal or professional obstacles this year, that would keep you from creating fanworks? 
Unfortunately, yes. But I shall soldier on!
16. Do you have that one fanfic that you wrote a ton for, ages ago, but never posted? Will this be the year, come hell or high water, that it WILL get finished and posted?
The aformentioned Baldur's Gate stuff, and no. I just don't feel the compulsion, really.
17. Do you typically answer all comments/reviews individually? Do you plan to change the way you interact with your readers this year?
I try to! I absolutely treasure every comment and reblog - why would I change that?
18. Do you typically post multi-chapters as you write, or finish it all and then start posting? Would you like to change your posting method? 
I keep a buffer of chapters - like I published chapter 13 of TPWCH a few days ago, but I've got chapter 14-16 basically complete, and I'm working on chapter 17 right now as of posting this.
It's a system that works pretty well for me, though sometimes I am left dying wanting to just share it all! Now! I want everyone to see it!
19. Would you consider non-fandom writing events, like NaNoWriMo or writing contests? 
Probably not.
20. Any plans to work on original fiction this year?
I toyed with the idea of writing original fiction years ago, and I had a few ideas, but...I find it much more stressful that fanfic. Fanfic is my hobby. I like to tell stories for fun. I don't think I want to turn it into a job.
21. Will you try writing software, like Scrivener or those programs that won’t let you stop writing?
I use Word - I've tried more specialized software, like Scrivener and Focus Writer, but I just didn't get anything out of them.
22. Do you plan to take writing classes this year?
I have never taken anything that might be even in the neighborhood of a creative writing class, and I'm scared that if I did now, they'd tell me I'm doing it all wrong!
23. Would you like to go on a writing retreat?
That sounds fascinating, but I don't even know what that would entail lol
24. By the end of this year, you want your fandom to think of you as “that author who _______.”
Wrote the best darn post-Terra Prime Trip/T'Pol fic out there. The one you recommend to anyone suffering post-TATV trauma.
25. If you answered questions from this list last year, find your answers and compare your goals to your results. How’d you do?
N/A
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