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gch1995 · 2 years

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I’ve contemplated a lot about why Luke was the sort of person that Anakin felt inspired enough to turn his back on Sidious and the dark side for, while Padme, Obi-Wan, and Ahsoka weren’t.

While Anakin does become a hypocrite who no one was obligated to forgive after he turned dark, regardless of his tragic circumstances and compromised agency, I think Luke was the one who finally inspired him to turn back because, in spite of as “above it all” as Obi-Wan, Padme, and even Ahsoka wanted to believe they were, they still had many of the same issues Anakin developed of feeling pressured to be people pleasers to corrupt authority figures, expectations, and rules that they knew were wrong out of fear of the unknown under compromised agency, moral hypocrisy, pride, manipulative tactics, selfishness, and/or an exceedingly vengeful side in their anger that they were not willing to pull back on when they dueled him or other enemies that piss him off.

Padme, Obi-Wan, and Ahsoka loved Anakin, but they were also prideful, self-centered, and terrified people who were too afraid to admit that their methods flawed, too afraid to take a stand against the standards of these broken systems they were born into, too afraid to admit they were wrong, too afraid to take risks to do better, and too afraid to admit that they weren’t as “above it all” as they pretended to be.

Luke Skywalker being Anakin’s son is definitely one of the influencing factors that inspires him to turn back to the light. However, it’s also because Luke is self-accepting of his bad decisions, flaws, and mistakes. He’s aware that the old Jedi Order was deeply flawed, hypocritical, and misguided, in spite of their good intentions. He’s unwilling to stoop to the same level as his enemies. He won’t let himself get carried away with baiting his father into a fight when he gets angry, and start making justifications of how he’s “right” just because he has good intentions, just because he was fucked with first, just because he’s not a Sith, or just because it’s “too dangerous” to take a risk to be honest, kind, and offer one of his enemies (his father) a better opportunity when he sees that he really is also a victim of Sidious who is still struggling against his darker instincts and searching for freedom and love from family. He refuses to enable Anakin’s slave mentality and ultimately refuses to let his father believe that “Anakin Skywalker is dead.”

This isn’t saying that Anakin is an innocent, that Luke was obligated to forgive him, or that his victims didn’t have valid reasons to fear him and resent him. Of course, they did. The point is that in those little moments where he tries to reach out to Ahsoka, Padme, and Obi-Wan about being unhappy with the Jedi and keeping secrets of his marriage before going dark, backs off, says “Don’t make me destroy you,” or lets them go, they all had an opportunity to refuse to further perpetuate the cycle of abuse by acting in anger and vengeance. They could have refused to encourage his sense of compromised agency. They could have broken the cycle of system sting abuse, crime, and oppression with Anakin in those instances by being the bigger person.

Instead Padme and Obi-Wan encouraged him to continue to stay with the Jedi and/or keep his marriage secret when they knew their systems were corrupt, and knew he was becoming increasingly emotionally/mentally unstable and unhappy in ways that made him a danger to himself and those around him out of fear of the unknown by pretending that he would just get better if they told him he would when he tried to say otherwise.

Instead, Ahsoka ended up declaring that she’d “avenge her master” when he refused to join her right away and told her “Anakin Skywalker is dead because he destroyed him.”

Instead, Obi-Wan egged him on into a duel on Mustafar by using Padme as bait, and refused to back off after getting him to let go of Padme from his reckless blind rage/paranoia force choke before killing her when he thought she brought Obi-Wan to kill him and even got him to a point where he could tell Obi-Wan “Don’t make me kill you.” When Anakin cornered him again 10 years later for revenge that he clearly didn’t want as much as he had convinced himself he did because he still cared about Obi-Wan deep down, tells Obi-Wan “I destroyed Anakin Skywalker, not you,” and even gives Obi-Wan a chance to run away, Obi-Wan allows Anakin to continue to believe that Anakin is dead, convinces himself that he is, and he runs away to compartmentalize his own guilt over how he mistreated Anakin.

Instead, another ten years later, Obi-Wan more or less encourages Anakin/Vader to kill him by just standing there after confronting him in A New Hope, and saying “I’ll become more powerful than you can ever imagine.”

So the reason as to why Anakin can’t be inspired to atone or do better by Ahsoka, Padme, or Obi-Wan isn’t just because he’s a deeply flawed person. It’s because they are too, they live in denial of it, and let him live in denial of it, too.

#Padme Amidala was deeply flawed #Anakin was deeply flawed #Ahsoka was deeply flawed #obi wan was deeply flawed #and they all lived in denial of just how deeply broken and flawed they all were and kept encouraging Anakin to pretend like he was okay #sacrificing his better instincts and happiness to try to conform to these broken systems that they all knew were messed up out of fear #until he finally stopped trying to fight back and became a serious problem for their well-being out of fear of these corrupt authorities too #when he couldn’t get anyone to listen when he DID try to reach out for emotional support and escape to fight back #like in spite of telling them that ‘Anakin Skywalker is dead’ are obi-wan Ahsoka and Luke willing to let him believe that or not?#when he tells obi-wan and Luke ‘don’t make me destroy you’ hesitated to kill them or gives them a chance to reason with him or walk away #are they going to run away act defensively or stoop to his level and try to kill him when he’s hesitating and being vulnerable?#when he gives obi wan ahsoka and Luke a chance to back off in their duels as vader are they going to fight run away or try to reason?#when he tells Ahsoka revenge is not the Jedi way is she going to agree that vengeance is bad or stoop to his level?#it’s because Anakin is desperately looking for someone who is good and self-aware enough to realize that both sides are messed up #and he can feel safe just being the best version of himself rather than throwing away his moral integrity and sense of self to conform #it’s like he’s testing people he cares about to see if they will encourage him to break the cycle of toxicity in the galaxy #to realize that both the old Jedi/Republic and Sith/Empire were deeply fucked up governments and institutions #or continue to enable and perpetuate it themselves #to not stoop to his level and enable or perpetuate terrible behaviors choices or crimes ‘for good’ fear of the unknown or revenge #to these broken systems that enable and perpetuate systematic abuse of power crime and vengeance ‘for the greater good’ out of fear #pt jedi critical #anti jedi apologists #anakin skywalker #darth vader #luke skywalker #Luke was the only one who could inspire Anakin to redeem himself because he was the only one who didn’t get caught up in the cycle himself #and the only one who refused to let his father believe that ‘Anakin was dead’

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aberooski · 1 year

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Holy shit I just realized I'm so goddamn mean to Alexis in my fanfiction, she has to be actively very concerned about Atticus constantly 😭

The biggest culprit is Sons of The Stars because she literally has to foil an assassination plot against him and rescue him from having been kidnapped by a borderline terrorist organization hellbent on overthrowing the royal family literaly just them and taking over their home dimension. And even when she does he's still injured but she has to leave and go take Jaden to go see Crowler and they get roped into going to rescue Chazz for him then she also gets roped into going along with Jaden and the quickly accumulating J-Squad on his quest to stop Yubel from destroying all 12 dimensions and she just wants to go home and make sure her brother's okay 😭

Sustained by Hate is also a major culprit of this phenomenon. Because she's literally so worried about Atticus getting kidnapped by Camula that she will not leave him out of her sight for a second and when she finally does and he gets kidnapped she's so upset about it she straight up rips main character status right out of Jaden's hands and beats that vampire back into the shadow realm.

And don't even get me started on OUAD y'all know what happens in Sleeping Beauty and Atty plays Philip's part y'all know goddamn well what happens.

I can't give Lexi a goddamn moment of peace people keep kidnapping her brother 😭😭😭😭

#thank GOD they both get a break in Chazzerella 😭#guys help you can't keeo letting me do this to them #I can't keep getting away with this 😭#maybe the real menace to society is me 😭#yugioh #yugioh gx #yugioh gx fanfiction #alexis rhodes #atticus rhodes #chazz princeton #jaden yuki #camula #abby's just rambling don't mind her #abby needs to be stopped #the fatal frame crossover perpetuates this crime though Atty was kidnapped by ghosts like weeks before the start of the fic 😭

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casiavium · 2 years

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About to go on vacation with my friends and while I do like them and their company if I have to deal with one oh I love every woman ever too bad I'm stuck with my stinky gamer bf how ever did you manage to get a girlfriend I am going to fucking snap

#not real names used #but yes [jessica] tell me again about how beautiful women are and how you would pick literally any one of them over [josh] your generic man #because wlw relationships are soooo much easier aren't they #because it's not like I'm afraid to fucking hold hands with my gf is it? that she's not out to her parents because she's worried about #how they will react since they're super conservative? since her brother goes to christian college?#it's not like because I am now visibly gnc with a fem gf we can't always pass off as 'sisters' or 'just friends' in an emergency.#because no one believes that #it's not like your fucking boyfriend is the type of man who thinks it's hot you like girls and doesn't think you making out with one #at a party is cheating #but yes you'd choose any woman ever over him. you're just so pitiful and unworthy you had to date him #if wlw would just stop complaining about how hard it is to get a girlfriend and fucking DATE EACH OTHER we wouldn't HAVE these problems #you know what? men deserve better. I'm siding with the het man who has bi wife energy over the bi wife who 'hates' him any day #it's not ~quirky~ ~cute~ or ~validating your identity~ to degrad your SO for their gender just because they don't make you look #visibly queer enough to get hate crimed on the streets of Old Town Williamsburg #(which to be perfectly clear had not happened to me personally BUT to MANY of the people in LGBT circles I know. everyone has a story)#and if ONE person comes into my gd ask box with some bullshit about biphobia—the real biphobia is the fact that they are perpetuating #a stereotype that bi is just a stepping stone to gay #be fucking proud of your attraction to men or don't date them. they're real live people too [bethany] they do have emotions just! like! you

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lizardsfromspace · 4 months

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Children raised by parenting vloggers should be able to do any crime they like. They should get to operate under perpetual Purge rules until they stop being used for #content

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ara-line · 2 months

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Stop glorifying the suicide of that US airman.

He grew up in a cult and never really left behind the mindset of that cult, even if his beliefs on the political spectrum shifted. According to a former member of the cult, it was common for members to leave and end up in the military. She described it as "going from one high control group to another" in the WaPo article linked.

In short, he never got help that he clearly needed. And from what I've heard about the military, his time in it may have worsened whatever issues he already had.

His suicide is a bigger reflection of this very strange pattern on the left to glorify self harm since others are suffering. It's one thing to see children in a playground and think about how there are children in refugee camps who don't get to enjoy those freedoms. This is another thing. Bushnell, unlike many other cases of self-immolation (ie the self immolation of Mohamed Bouazizi, the man whose death kickstarted the Arab Spring) was not directly affected by the bombings in Gaza. Yet he chose an extreme route that even those affected by the situation, whether through being related to the Israeli hostages or through having family in Gaza, would not go to. This is a reflection of a larger trend on this website of self punishment and forcing every last gory detail of horrific events on yourself because of a) this feeling of powerlessness over not being able to do much about the situation and b) wanting to show how much of a good leftist you are because you will subject yourself to horrific violence to show how much you care. In reality, it is mental self-destruction. I've seen this behaviour in true crime communities as well.

I think a lot of the leftists on this site grew up in conservative environments where it's all or nothing right wing extremism. Thus, much like Bushnell, their political beliefs have shifted, but not their mindset. That's why so many people on this site are glorifying his suicide.

The reason newspaper headlines aren't mentioning his name is because we already know many school shooters do what they do for infamy. Therefore, by not mentioning their names, the media wants to avoid copycats. It's the same line of thinking here. It's got nothing to do with Zionism, according to some people who probably had no idea what that is before Oct 7 and not now, controlling the media. No, Zionists do not control the news cycle. You're perpetuating antisemitism when you say that.

Inevitably, since people on this site have piss on the poor reading comprehension, I expect this post to go over well. If you're going to tell me to kill myself, just know that you will be blocked and reported. Any dialogue ended the moment you decided that was acceptable.

#on society #palestine #israel #stop making the left look bad you donkeys #aaron bushnell #tw #signal boost #kindly: please get a job. Some of you need to spend more time interacting with humans offline #or at least get a hobby im begging you #not jewish but tagging this as #jumblr #because i want as many people as possible to read this #leftist antisemitism #antisemitism #free palestine #free gaza #again with wanting people to read this and just stop and think about what they're posting for one moment

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aronarchy · 1 year

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Why we don’t like it when children hit us back

To all the children who have ever been told to “respect” someone that hated them.

March 21, 2023

Even those of us that are disturbed by the thought of how widespread corporal punishment still is in all ranks of society are uncomfortable at the idea of a child defending themself using violence against their oppressors and abusers. A child who hits back proves that the adults “were right all along,” that their violence was justified. Even as they would cheer an adult victim for defending themself fiercely.

Even those “child rights advocates” imagine the right child victim as one who takes it without ever stopping to love “its” owners. Tear-stained and afraid, the child is too innocent to be hit in a guilt-free manner. No one likes to imagine the Brat as Victim—the child who does, according to adultist logic, deserve being hit, because they follow their desires, because they walk the world with their head high, because they talk back, because they are loud, because they are unapologetically here, and resistant to being cast in the role of guest of a world that is just not made for them.

If we are against corporal punishment, the brat is our gotcha, the proof that it is actually not that much of an injustice. The brat unsettles us, so much that the “bad seed” is a stock character in horror, a genre that is much permeated by the adult gaze (defined as “the way children are viewed, represented and portrayed by adults; and finally society’s conception of children and the way this is perpetuated within institutions, and inherent in all interactions with children”), where the adult fear for the subversion of the structures that keep children under control is very much represented.

It might be very well true that the Brat has something unnatural and sinister about them in this world, as they are at constant war with everything that has ever been created, since everything that has been created has been built with the purpose of subjugating them. This is why it feels unnatural to watch a child hitting back instead of cowering. We feel like it’s not right. We feel like history is staring back at us, and all the horror we felt at any rebel and wayward child who has ever lived, we are feeling right now for that reject of the construct of “childhood innocence.” The child who hits back is at such clash with our construction of childhood because we defined violence in all of its forms as the province of the adult, especially the adult in authority.

The adult has an explicit sanction by the state to do violence to the child, while the child has both a social and legal prohibition to even think of defending themself with their fists. Legislation such as “parent-child tort immunity” makes this clear. The adult’s designed place is as the one who hits, and has a right and even an encouragement to do so, the one who acts, as the person. The child’s designed place is as the one who gets hit, and has an obligation to accept that, as the one who suffers acts, as the object. When a child forcibly breaks out of their place, they are reversing the supposed “natural order” in a radical way.

This is why, for the youth liberationist, there should be nothing more beautiful to witness that the child who snaps. We have an unique horror for parricide, and a terrible indifference at the 450 children murdered every year by their parents in just the USA, without even mentioning all the indirect suicides caused by parental abuse. As a Psychology Today article about so-called “parricide” puts it:

Unlike adults who kill their parents, teenagers become parricide offenders when conditions in the home are intolerable but their alternatives are limited. Unlike adults, kids cannot simply leave. The law has made it a crime for young people to run away. Juveniles who commit parricide usually do consider running away, but many do not know any place where they can seek refuge. Those who do run are generally picked up and returned home, or go back on their own: Surviving on the streets is hardly a realistic alternative for youths with meager financial resources, limited education, and few skills.

By far, the severely abused child is the most frequently encountered type of offender. According to Paul Mones, a Los Angeles attorney who specializes in defending adolescent parricide offenders, more than 90 percent have been abused by their parents. In-depth portraits of such youths have frequently shown that they killed because they could no longer tolerate conditions at home. These children were psychologically abused by one or both parents and often suffered physical, sexual, and verbal abuse as well—and witnessed it given to others in the household. They did not typically have histories of severe mental illness or of serious and extensive delinquent behavior. They were not criminally sophisticated. For them, the killings represented an act of desperation—the only way out of a family situation they could no longer endure.

- Heide, Why Kids Kill Parents, 1992.

Despite these being the most frequent conditions of “parricide,” it still brings unique disgust to think about it for most people. The sympathy extended to murdering parents is never extended even to the most desperate child, who chose to kill to not be killed. They chose to stop enduring silently, and that was their greatest crime; that is the crime of the child who hits back. Hell, children aren’t even supposed to talk back. They are not supposed to be anything but grateful for the miserable pieces of space that adults carve out in a world hostile to children for them to live following adult rules. It isn’t rare for children to notice the adult monopoly on violence and force when they interact with figures like teachers, and the way they use words like “respect.” In fact, this social dynamic has been noticed quite often:

Sometimes people use “respect” to mean “treating someone like a person” and sometimes they use “respect” to mean “treating someone like an authority” and sometimes people who are used to being treated like an authority say “if you won’t respect me I won’t respect you” and they mean “if you won’t treat me like an authority I won’t treat you like a person” and they think they’re being fair but they aren’t, and it’s not okay.

(https://soycrates.tumblr.com/post/115633137923/stimmyabby-sometimes-people-use-respect-to-mean)

But it has received almost no condemnation in the public eye. No voices have raised to contrast the adult monopoly on violence towards child bodies and child minds. No voices have raised to praise the child who hits back. Because they do deserve praise. Because the child who sets their foot down and says this belongs to me, even when it’s something like their own body that they are claiming, is committing one of the most serious crimes against adult society, who wants them dispossessed.

Sources:

“The Adult Gaze: a tool of control and oppression,” https://livingwithoutschool.com/2021/07/29/the-adult-gaze-a-tool-of-control-and-oppression

“Filicide,” https://en.wikipedia.org/wiki/Filicide

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ddarker-dreams · 11 months

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Intimidation Ranking / Yan Sumeru Boys.

Kaveh — 2/10

Like... he's writing your names next to one another in his notebook and drawing a heart around it. Kaveh isn't inspiring much fear in the traditional sense. You find him endearing more than anything. He visibly brightens up when you're around, stares off into the horizon and sighs when you're not. His more socially unacceptable tendencies are kept under lock and key (such as his innumerable blueprints for how he'll build your house when you get married, despite how you're both only friends). His romantic rivals don't have to fear for their lives as much as they would if put up against the others on this list. That being said, he still has his methods for dealing with them. It's more psychological in nature. Once he's cemented himself as an important figure in your life, he'll 'exaggerate the truth' (he thinks the word lying has a negative connotation), about any rivals' negative traits. He does this covertly over increments of time so as not to arouse any suspicion. You couldn't possibly look at Kaveh and suspect any wrongdoing on his part.

Alhaitham — 5/10

Alhaitham is weird because he has the potential to rank high, but he'd rather not go that route if it isn't necessary. Outsourcing to criminals would require extra work. He'd prefer to stay in the realm of legality for convenience's sake, perhaps pushing gray areas, but nothing that'll require a major coverup. Just a little good old-fashioned coercion if you're being stubborn about returning his affections. He's crafty, he needn't get his hands dirty to obtain the outcome he desires. Should you be of an academic inclination, he'll utilize his influence in those spheres to impede your progress. There's no physical evidence so you have no means of retaliation. Given his dispassionate demeanor, people will have a hard time believing you should you tell them about this. Alhaitham himself will utilize a similar tactic should you ever confront him. His sound logic and steady voice make you wonder if you really are imagining everything. It's maddening.

Cyno — 7.5/10

Cyno is a force of nature. Once he's set his sights on you, that's it. While it isn't you who needs to be frightened per se, the same cannot be said for those he deems as questionable influences in your life (basically anyone who isn't him that receives your attention). He has the authority and resources to comb through their entire bloodline for any potential wrongdoings. No one's lived a perfect life, he's bound to find something, even if it just ends with them having to pay a fine. Still, in a highly competitive area like Sumeru, having anything on their record is a death sentence. Rumors start circulating that anyone who hangs out around you is subject to meticulous background checks. No one knows why, but that doesn't matter, the risk alone serves as a sufficient deterrent. If they cheated on a test when they were ten, Cyno is going to find out. The man's nothing if not determined. Cyno genuinely thinks he's doing this in your best interest — his conscience is crystal clear. This adds another layer of formidability because there will be no convincing him to stop.

Wanderer — 9/10

As Scaramouche, it would've been a 10/10, but he's had some character development. Emphasis on the word some. Nahida considers his budding attachment to you a healthy development, especially since you're the first person he's taken an active interest in without her involvement. He's keen on maintaining this innocent, well-meaning façade since he's still under surveillance for his previous crimes. This unintentionally works wonders for him. While he still has a sharp tongue, the fact he actively chooses to be in your general vicinity proves you're special to him. You think he's harmless, if not a touch blunt. He's perpetually hanging around and offering to help with whatever you're up to. You're happy, Nahida's happy, and surprisingly enough, he's happy. This cannot be said for anyone else in your friend group. He increases his unpleasantness when around them, never to an incriminating degree, but just enough to give them pause. They'd rather not deal with him and he's always around you, like a miserable little forcefield that repels any outside force. Wanderer may not be free to wreak havoc anymore, but all that means is that he has to get creative about it. Nahida's lack of omnipotence gives him enough room to slink around. Where there's a will, there's a way.

#yandere kaveh x reader #yandere alhaitham x reader #yandere cyno x reader #yandere wanderer x reader #kaveh x reader #alhaitham x reader #cyno x reader #wanderer x reader #scaramouche x reader #yandere #yandere x reader #yandere genshin impact x reader #genshin impact x reader #my stuff

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sinsinsininning · 3 months

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First time sending a request😭 could I get a post time skip strawhat crews reaction to a reader who’s late to reunite with them, and turns out they were in Impel down but escaped?

Like they’re wondering where they are and Nami busts in showing an article in the newspaper about reader escaping?

Srry if this is confusing💀

Ay yo! My first request, Tumblr deleted my first draft of this so it’s a little rushed now sorry. I wrote this as more platonic but tbh it could be viewed as romantic with some characters if you really want to. I also wrote this with a gender neutral reader in mind and they/them pronouns. I made the reader kind of an explosion person just to justify some parts of the story.

This is very different from what I normally write so it was a great exercise! I hope you enjoy! ✨✨✨

~~~~

You were late.

It wasn’t out of the ordinary, just like Zoro was guaranteed to get lost and Luffy to eat all the food in sight, you were the perpetually late straw hat. It was basically your title at this point.

This was different though, the crew was gathering after being separated for 2 years and with the marines and enemy pirates closing in, it wasn’t the day for you to be behind schedule. Still the crew awaited you until the last moment, as they set off the allies they’d made while training came through to clear a path.

And you still weren’t here.

“Where are they?” Nami glared at the horizen, willing you to appear, the anger in her tone barely hid her worry.

“I’m not surprised, they’re always showing up last minute.” Ussop groused, folding his arms haughtily. “This time it’s gonna bite them in the ass and they’ll be left behind!”

“Don’t say that!” Chopper cried, trying to pull on Ussop’s arms to uncross them. As if that’d make you magically appear. “They’ll be here! They’re always here when it counts!” His tears fluster the sniper who turned away from him to hide it.

Nami and Chopper started arguing, slowly dividing the crew into two teams. Team ‘They’ll be here, have Faith’ and Team ‘They’ll get left out, get over it’. Sanji sided with Ussop and Nami because of course he’d side with her. While Brook and Franky sided with the optimistic Chopper, certain you’d arrive.

It was loud and a little annoying, but it kept the crew occupied for a while. At least enough to stop them from over hearing their Captain and First Mate.

“Captain.” Zoro said lowly, watching the others argue about your absence. “We have to keep going. We can’t wait much longer.” Luffy had a serious face for once, odd for Zoro to see.

“I’m not waiting, they’ll get here. I have no doubts they’ll be back.” He said with finality, his voice had gotten much deeper over the 2 year break. Zoro frowned, his faith in you not as solid as his Captain’s.

Robin approached her leaders, holding some papers out for Zoro to read.

“I only just had a moment to read these,” She said. “Shaky and Rayleigh gave them to me as we departed. I’m afraid our friend may be out of luck.”

Zoro gasped as he read, Luffy snatched the papers away to scan them quickly. The startled cry he let out was stifled by one of Robin’s many hands, appearing at the right time. The top page was your mugshot, grinning wildly at the camera while holding your inmate card. Other pages contain your latest bounty, some newspaper clippings of your crimes and capture, as well as some convoluted court documents. Zoro snatched the papers back, trying to make sense of everything.

“They’re in Impel Down? When?” He hissed.

“I’m not sure, it looks like they’ve been there nearly the entire 2 years we’ve been gone.”

“I was there though!” Luffy stretches his mouth from behind Robin’s hand. “I could’ve helped them!”

“It’s a large prison, Luffy. Plus who knows they may have been arrested after your jail break.” Robin tried to comfort him. “I’m sorry, but we can’t turn back now. The way back is blocked by the marines, we should go forward and figure out a plan when we arrive in the New World.” Luffy shook his head with a glare.

“No way, we can’t leave them for a second longer!” His shouting catches the crew’s attention, Robin and Zoro sigh before the green haired man tosses them the papers. “I’ve escaped the Impel Down once and I’ll do it again.”

As the crew root through the papers, crying out in worry at the contents. Luffy turns back towards Saboady, tips his hat back slightly to evaluate the scene behind him. The shouting of his crew and Zoro’s begs for practicality become background noise as he focuses on the carnage they’ll be returning to.

A glimmer on the horizen catches his eye, it’s an explosion. But unlike the others raging on, it seems to glow. He watches it for a moment, distracted by the unusual colors, it reminds him of what you usually wear, the same hue and intensity. He points to the spot, just as it fades another one just like it replaces it, only closer.

“Hey look.” He laughs, Zoro growls and whaps him on the head.

“Hey were you even listening?”

“Nah.” Luffy is at least honest, but his pointing has caught Robin’s attention as well.

“That’s strange, who could be causing that?” She asks and the rest of the crew gather as the dazzling explosions grow closer and closer. Like condensed fireworks.

“I bet it’s them!” Chopper cries out, gripping Robin’s skirt to dry his tears.

“No way, they’re in the worst prison ever! Even Luffy needed help escaping it and he has devil fruit powers!” Ussop argued, but his grip on the railing tightened.

“Whatever it is, it’s coming straight for us!” Sanji warns, shoving himself in front of Nami and Robin.

“He’s right!” Robin shouts as the explosions get closer, becoming larger and more deafening. “Everyone brace for a hit!”

As the crew tense for a strike, Zoro drawing 2 of his swords, Sanji preparing to jump, Chopper growing in size. The spectacular colors sail over them in a chaotic arc.

“Did…did it miss?” Zoro asked, stunned at the blooming display of colors and glitter fallout.

Just as he spoke, the crackling ball of hues lands on the lion head of the Sunny. Several crew members leap forward to strike the intruder, but as the illuminations die away, you stand up.

“You’re here!” Chopper cries again, rushing forward to hug you tightly. Franky and Nami rush to join him.

“Aw don’t tell me y’all were worried!” You grin.

You get passed around from crewmate to crewmate as everyone gets their greeting in. Nami holds your face to her chest as she exclaims her relief. Franky tries to show off his new hair before you’re yanked away. Sanji holds you to his chest as he tells you not to creep on his Nami-Swan. Brook cries out tears -somehow?- and begins strumming his guitar for you. Robin gently cradles your red face as she expresses her gratitude for your arrival. Ussop shakes you vigorously for scaring him both by your lateness and your latest -loudest- entrance. Chopper holds tightly to your back the entire time.

Finally you get deposited in front of Zoro and Luffy, who both grin down at you. Chopper is pulled off your back by Robin, finally. You leap up and hold onto both men’s necks as you cheer.

“Did you miss me?”

Luffy hugs you back even tighter and Zoro doesn’t struggle out of your affection for once.

“What the hell happened for you to end up at Impel Down?” Zoro asked as you let go of him to hold a sniffling Chopper once more.

“The warlord guy sent me to a small jail somewhere off the coast of Thriller Bark. I escaped and attempted to return to Saboady, but along the way I got captured by some human traffickers.” You began, rocking Chopper gently now as the crew gathered around you to listen. “On the boat in my cell I managed to make some bombs and break free.”

“Of course you did, you could make bombs outta toothpaste and sunflower seeds.” Ussop interrupted, a little jealous at your longstanding demolition prowess.

“Anyways, me and the other prisons staged a mutiny of the ship, but the captain intentionally crashed it so that we’d be trapped. The idiot didn’t realize it was on the shores of the worlds securest prison. So I got arrested with them since they recognized me and knew I had a bounty.” You laughed despite how horrified your crew seemed.

“When were you there?” Luffy asked, eyes intense as he watched you.

“Sorry Cap’.” You grin. “I was there a few weeks after you’d already escaped. Wish we could’ve busted out together, it would’ve been cool as hell.” He relaxed a bit, feeling less guilty about your imprisonment.

“Why didn’t you escape then?” Nami asked.

“It’s not so simple, honestly it takes a lot of luck and teamwork to manage that. After Luffy broke out, security increased a lot, at least from what I was told. I tried to stage an escape, but I’m not as charming as our captain so I didn’t get a lot of traction.” You continued.

“Heh sorry bout that.” Luffy grinned sheepishly.

“Not your fault, I guess I’m not a people person.”

“I could’ve told you that.” Ussop threw a loose screw at you, until Nami smacked his head with a scowl.

“Leave them alone!”

“So how did you manage to escape?” Robin asked. “And how were you able to fly in those explosions?”

“After my failed escape attempts, I got sent lower and lower in the jail until I was in level 5. Then I met up with Bentham!” You shouted.

“What?”

“Really?”

“That guy was in Impel Down?”

You basked in their reactions for moment until you glanced at your captain.

“He’s alive?” Luffy asked.

“Yup, told me to tell you hi.” You smirked, Luffy looked so relieved. “I’d gotten your message by then and was desperate to get stronger. He took me in as my mentor and trained with me. As for my escape, it’s a long story, but let’s just say I managed to make friends with the Jailer Beasts.”

“Woah! Really?!” Luffy was shocked, he’d never thought to try.

“Yup they and Bentham helped me escape. He stayed behind since he’s the new Queen after Ivan left, but he certainly helped me learn how to make a grand entrance.” You posed goofily, while your crew laughed.

“And the flying in sparkles?” Sanji asked.

“Technically not flying,” You said as you unbuckled your belt and thigh harness. There were several pouches there that were filled with sparkling little orbs, the same color as your explosions. “These are something I made by accident, I call them Star Tracers! If you crack the outer coating it creates a large explosion, but in the center it becomes very dense almost like a small stepping stone before it disintegrates completely. So I crack one, then throw it and jump into the cloud of sparkles and land on the step before repeating the process.”

“Wooooooah,” Ussop’s eyes sparkled at your invention. “How’d you manage that?”

“Not sure honestly, I think it’s a chemical reaction to the materials I use, but they’re all pretty common so it was easy to make a bunch. The steps are only tangible for a few moments, so I had to improve my speed, that’s why it looks like I’m flying.” You shrug and let Ussop look over the marbles as the crew starts excitedly speaking.

As the day starts to end and you’re sitting on the head of the Sunny, watching the water around you. Luffy slowly walks up to join you, sitting practically on top of you. The two of you sit for a while in silence, comforting silence after such a crazy day.

“Thanks for waiting for me.” You say sincerely, smiling as he starts to protest, then quiets himself.

“How’d you know I did?” Luffy asked, he’d tried to be subtle, but his worry for you had made him slow their escape.

“Come on, like you’d leave me behind.” You give him a side hug, letting him rest his head on your shoulder. “Plus I remember when you literally launched us out to sea once, you were waaaaaay to slow making your escape today. It was obvious.”

You both laugh as the water grows dark around you, ready for the next day.

#one piece #one piece x reader #monkey d. luffy #cat burglar nami #ussop one piece #tony tony chopper #roronoa zoro #vinsmoke sanji #nico robin #franky #soul king brook

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probablyasocialecologist · 10 months

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When New York’s officers engaged in an announced slowdown in policing in late 2014 and early 2015, civilian complaints of major crime in the city dropped. And despite significant staffing shortages at law enforcement agencies around the country, if trends continue, 2023 will have the largest percentage drop in homicides in U.S. history. It’s true that such a drop would come after a two-year surge, but the fact that it would also occur after a significant reduction in law enforcement personnel suggests the surge may have been due more to the pandemic and its effects than depolicing. At the very least, the steady stream of Justice Department reports depicting rampant police abuse ought to temper the claim that policing shortages are fueling crime. It’s no coincidence that the cities we most associate with violence also have long and documented histories of police abuse. When people don’t trust law enforcement, they stop cooperating and resolve disputes in other ways. Instead of fighting to retain police officers who feel threatened by accountability and perpetuate that distrust, cities might consider just letting them leave.

#police #USA #crime

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girlwithherheadinthestars · 2 months

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responses to are you okay pt. 1

"Is anyone?"

"If I was in a snake pit being forced to recite every digit of pi I would be happier. But yes I guess objectively I'm fine."

"Well all the members of my family were kidnapped by a major crime ring and I'm the only one left and I just hurt four of my ribs and my best friend turned out to be an assassin and McDonalds didn't have any milkshakes left. How is your day going?"

"I'm kinda perpetually falling in a pit of infinite nothingness. You?"

^"Same."

"How much time do you have."

"You want the long list or the short list."

"Define okay."

^"Um...happy?"

^"Define happy."

^"Um satisfied with your life?"

^"Well I'm certainly not that."

"Uhhh give me 3-5 business days."

"I'm fine so fine ecstatic WHAT DOES IT LOOK LIKE TO YOU JARED."

"No I'm crying because I'm so happyyyyy."

"Well there were like four monsters in my backyard. And then a ghost tried to carry me to sacrifice my soul. And then I had to stop a demon from taking over the world. And it's not even 9AM yet so I guess I'm fine because it's better than yesterday."

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archangeldyke-all · 4 months

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Outlaw cowboy sevika who fell in love with a good woman or a woman she is partner in crimes with?

i'm done writing the big fic, so i can finally start doing requests again!! starting with this GENIUS idea tysm anon <333

men and minors dni

the parlor doors swing open, and a shadowy figure wanders into the tavern. behind the bar, you bite your lip, watching patrons scatter as the cloaked figure struts over to the bar, a jingle decorating every one of their footsteps as their spurs twirl on their boots.

they knock on the bar top to get your attention, like you haven't had your eyes trained on them since they strolled in. you grin.

"how can i help ya?" you ask, already reaching under the counter to pull out a glass and bottle of whiskey. you pour them a big glass and slide it across the bar, not moving your hand when they reach forward to grab it.

when your fingers meet, you gently brush yours against theirs, then slowly, slowly trail your fingers up their arm, before grabbing the rim of their hat and flicking it up.

there she is, you think as sevika's face is finally revealed to you. she's smiling just as wide as you are.

"got any vacancies?" she asks. you chuckle.

"fully booked, sorry miss." you tease. she snorts. "but maybe if you work for it i can arrange a place for you to sleep." you add on. sevika rolls her eyes as you grab two buckets and gesture for her to follow you. she does. she always does.

you wander out of the tavern and into the small side garden you tend to in your free time. shoving a bucket into her arms, you gesture at the well. she meanders over to it and begins pumping the spout until water comes spurting out. you watch in amusement as she gets sprayed and curses.

you walk through your rows of crops, harvesting a few ears of corn, a couple of potatoes, a handful of carrots.

your tavern/inn is located on the main street of a small shanty town in the middle of nowhere. the only people who travel through these parts are up to no good, so when you came to own the place after the previous owner died and left it in your name, you made a few policy changes.

for one thing, you don't ask questions. patrons can come in riddled with shrapnel and bleeding, their faces identical to the 'wanted' sketches that are plastered around town, and you simply turn a blind eye and serve them a hearty bowl of stew, fill 'em up with liquor, patch their wounds, and give them a bed. in exchange for your discretion, you've made plenty of shady friends, who often pay for their time spent in the tavern with stolen and smuggled goods like pretty jewelry, gold bars, or premium cuts of meats or cheeses.

the locals don't give you much trouble, too scared to piss off any of your friends, too happy with the imported rare goods they bring to town with them to complain about the occasional stand off or shootout.

you wander out of the garden, stopping by the small stables and greeting sevika's trusty mare shimmer. the horse whinnies at your appearance, tail swinging happily as you scratch her ears.

"hey, shimmer." you whisper to the horse. "here, baby." you say, hand feeding her a few carrots. "how much trouble'd she get you in this time?" you ask the horse. shimmer doesn't respond, too busy crunching on her treats.

behind you, sevika's hand wraps around your waist. you smile as she presses a kiss against your head.

"missed you." she mumbles against your temple. you laugh and gesture to the tavern.

"c'mon." you say. "i'll canoodle with you once these chores are done."

you and sevika spend the afternoon tending to the tavern. she distributes the water evenly among bedrooms, filling the wash bowls and pitchers patrons can use to hydrate and clean themselves.

you tend to the stew, chopping and stirring in your vegetables, adding a few pinches of dried garlic and onion powder to the bubbling pot of perpetual stew, stirring and tasting and adjusting until you're happy with how it tastes.

it's the slow season. travelers are rare in these parts, but even more so during the scalding hot summer. a few neighbors wander in for a quick drink, and the few patrons you have retire to their rooms once sevika's done refreshing them.

once the sun sets, the tavern is empty, except for you and sevika.

she's staring at you adoringly from across the bar, her chin propped up in her hand as she watches you sweep. you scoff at her expression.

"what kinda trouble'd you get yourself into this time, huh?" you ask. sevika chuckles.

"you didn't see it in the papers?" she asks.

"that train robbery?" you ask. sevika shrugs with a smile. you laugh. "you're gonna get caught up one of these days." you say as you begin wiping down the bar top. sevika rolls her eyes.

"you got no faith in me, darlin', it breaks my heart." she says. you laugh and turn off the oil lamps, before starting up the stairs. sevika follows behind you.

the second floor is where your patrons sleep, but you get the whole attic/third floor to yourself. it's a nice little studio space, two windows on either side, big enough to hold a double mattress and two sets of drawers, a few chests stuffed full with treasures and valuables sevika's brought back to you.

sevika sighs as she enters the space, hanging her hat and poncho up on two nails you'd slammed into the walls for her years ago, shoving off her boots and stripping down to her undergarments. you sit at your desk and watch her strip with scruitny, making sure she doesn't have any new wounds or scars. she washes herself down with a wet rag, sighing as the grime and dirt of her travels slowly washes away. once your sure she's not injured, you allow your gaze to become appreciative, taking in her muscular back and arms as they scrub her body down.

you rise from your seat and approach her, slinging your hands around her waist and tucking your chin over her shoulder. she sighs and leans back against you.

"three weeks is too long." you mumble against your lover. sevika hums.

"i know, darlin'." she says. you take the washcloth from her and begin to scrub her back for her, occasionally kneading and massaging at the knots and tension that riddles her muscles. she melts. "i missed you." she sighs. you kiss the nape of her neck.

"i missed you too. had me worried, you know." you mumble against her. she turns in your arms to wrap her own around your waist, gently swaying the two of you back and forth as she soaks in your features.

"i've been yours for how long?" she teases. you roll your eyes. "five years now?" she asks. you smile and nod. "and you're still worried about me? you know i always come back to you darlin'." she says. you sigh and roll your eyes. "gonna give yourself an ulcer at this rate." she teases. you chuckle.

"wouldn't have to worry if you stuck around." you say.

you and sevika have had this conversation a thousand times now. she's made more than enough in her time as a bandit for the two of you to live comfortably together until the end of time.

still, she always leaves. you don't blame her, before she met you sevika spent her entire life wandering the west, all alone, never staying in one place for longer than a week.

but then, one fateful night all those years ago, she stumbled into your tavern bloodied and battered, staring at you with a sparkle in her eyes as you patched her up. and since then, she's been circling back to you after each and every one of her jobs.

the longer she's had you, the more time she puts between her heists. you'll get her to stay eventually, you just have to be patient. but patience is hard when the love of your life has such a dangerous occupation.

sevika swoops in to kiss the frown off your lips. you sigh against her and wrap your arms around her shoulders as she slowly uncinches your corset and helps you out of your layers.

when you're both naked, you guide her to the bed, plastering yourself to her side as you continue to kiss her. tears well up in your eyes as you get your hand in her hair, and she notices, pulling away with a frown.

"'s wrong darlin'?" she asks. you hide your face against her shoulder.

"what if you die out there, sev? a hundred miles away all alone in the desert... nobody'd find you until you were just bones and dust. and i'd be here waitin' for you to come home for the rest of my life." you say, your voice wobbly. sevika wraps you up in her arms and sighs against you. you reach up to gently trace the scars littering her left cheek.

"fuckin' ruining the surprise." she grumbles against you. you blink.

"what surprise?" you ask. sevika rolls her eyes and darts forward to kiss your forehead.

"the train... it was a cargo train. one of the cars was headed to a bank, padded wall to wall with cash 'n gold. enough for a hundred people." she says. you gulp and blink at her, hesitant to assume lest you get your heart broken.

"so?" you ask. sevika chuckles.

"so, i'm retiring." she says simply. "fuck do i need to keep robbin' and lootin' for if i'm already filthy rich?" she asks. you blink at her, your heart swelling, tears falling down your cheeks as you soak in her words. "plus... i met a girl i'm hopin' to settle down with." she says, smiling shyly at you.

you let out a shaky breath then launch forward, pinning sevika to the bed as she laughs and gathers you in her arms.

"are you serious?" you ask against her. she chuckles and kisses your head.

"deadly." she responds. you melt against her, clinging to her like your life depends on it. "you think you might need a new employee here?" she asks. you snort against her.

"i can figure somethin' out." you say. "gotta work on your people skills, though." you tease her through your tears. sevika laughs and smacks your ass.

"y'know..." she starts. you pick your head up from her shoulder to look at her, and she looks away, nervous. you kiss her lips and she sighs, her anxiety melting away under your touch. "i met a pastor while i was out wanderin'." she says. "said he wouldn't be opposed to marryin' two women if someone were to give his chapel some donation money." she whispers.

you study sevika for a moment as she anxiously nibbles on her lip. "you askin' me to marry you?" you ask. sevika shrugs.

"i mean... i've already given you hundreds of rings." she says. you smile.

"you have." you say. she smiles up at you.

"so?" she asks. "his chapel's a day's ride from here. figured we could go now during the slow season, make it a little vacation?" she asks. you grin and launch down to kiss her, and sevika sighs against your mouth.

"there's nothin' in this world that would make me happier, baby." you whisper against her lips. sevika grins.

"sure you won't mind bein' an outlaw's wife?" she asks. you laugh and smack her shoulder.

"a former outlaw." you correct her. she chuckles. "and no, i won't mind. 'specially when that outlaw's as handsome as you." you say. below you, sevika blushes.

"fuck off." she grunts. you laugh.

"that's no way to talk to your wife." you tease her. sevika grins.

"you're right. 'm sorry, darlin'."

taglist!

@lesbeaniegreenie @fyeahnix @sapphicsgirl @half-of-a-gay @ellabslut @thesevi0lentdelights @sexysapphicshopowner @shimtarofstupidity @love-sugarr @chuucanchuucan @222danielaa @badbye666

#cowboy sevikaaaaaa #in case ur wondering... she gives up her life of crime to become a rancher on the local cattle farm so she can still ride and wander #but now she can come home to her wife at the tavern every single night :)#sevika #sevika imagine #sevika arcane #sevika x reader #sevika x you #soft sevika #i'm so excited to be back to writing prompts i've missed this!!! eeeeek!!

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bfpnola · 1 year

Text

Abolition For Beginners (2023 Edition)

In honor of Tyre Nichols and all others we have lost to policing and imprisonment. In honor of Black History Month. In honor of Better Future Program's mission to educate and serve marginalized youth globally... Let's break down abolition, again. (As usual on Tumblr, tap for better quality.)

Image description below. Written by @reaux07. Proofread by the volunteers and supporters of @bfpnola.

Image Description:

[ID: All of the following slides use a wrinkled, black fabric as their background with black text (bolded red added for emphasis) on top of white boxes with rounded corners. “@bfpnola” is written in the top right corner and the sources for the slide are in the bottom left corner.

Title Slide (No. 1):

Written in red text, “UPDATED FROM 2021 EDITION.” The outlines of the word “ABOLITION” is written line by line 8 times in light grey with the year “2023” written on top in bold, white lettering. Below, written in red within a white bubble and red arrow, it reads “FOR BEGINNERS*.” Across from the bubble, “@BFPNOLA” is in red. Below, in red again, the asterisk mentioned before leads to the following note: “This post is heavily text-based so if you do not learn best by reading, feel free to utilize our Abolition Study Guide in our bio under "Social Justice Resources" instead!” Lastly, white stars and outlines of grey circles can be seen in each corner of the slide.

Slide No. 2 reads:

Abolition is an anti-capitalist, intersectional framework that aims to not only destroy the cages created by various “industrial complexes,” but to create inclusive, effective alternatives for addressing harm. As defined by Dr. Jennie Wang-Hall, an “industrial complex (IC) is a system that creates profit through embedding into social inequities and providing an ineffective product that keeps consumers under-resourced and returning for more.”

The most common examples of such systems? Prison and policing, psychiatry, foster care/family policing, the military, and even the Family (as an institution, not kinship altogether).

Despite common misconceptions, abolition is not just a negation of what currently exists, but an active evolution of what community-based support can and has looked like. Abolition is about the radical working-class imagination, about Black and Indigenous imagination.

If individualistic, reactive, punishment-based strategies are maintained, true accountability and rehabilitation will never exist. Instead, we can choose to be proactive, analyze the circumstances that perpetuate violence, and address harm at the root! Of course, no one is saying that harm will completely cease to exist, but to paraphrase butch anarchist Lee Shevek, wouldn’t it be a profound improvement to expand our capacity to respond to harm and challenge our abusers, rather than being restricted to system-granted authority? Especially when such systems deliberately ignore the suffering of marginalized communities (e.g. people of color, queer and trans folks, women and femmes, Mad and disabled folks, and so on) to begin with?

Sources: @Dr.JennieWH, @ButchAnarchy, Stella Akua Mensah, Erin Miles Cloud, @WokeScientist

Slide No. 3 reads:

Before we continue any further, let’s destroy the myth that cops actually stop violence. First off, we can’t depend on crime stats at face value because this begs the question of who exactly gets to define what counts as a “crime” and why (e.g. drug possession and sleeping in public vs. tax evasion of the wealthy and wage theft). Continuing, crime rates often only reflect violations that have actually been reported, chosen to be shown, and deemed out of line. By this logic, crime rates are simply reflections of cops’ perceptions, not of the material and emotional realities of the proletariat (i.e. the working-class).

As for perpetuating violence, “US law enforcement killed at least 1,183 people in 2022, making it the deadliest year on record for police violence.” (And those are just the deaths that were reported. In our home state of Louisiana, turns out the Jefferson Parish Sheriff’s Office, as of January 12, 2023, has been unlawfully destroying records of officer misconduct for at least 10 years.) Many (69%) of these murders were cases in which no offense was alleged, were mental health or welfare checks, or involved traffic violations and other nonviolent offenses.

This is, of course, without even touching on the involuntary servitude (i.e. enslavement) and maltreatment ongoing in American prisons. How many more deaths must occur before the general public says enough is enough? Or is this acceptable since these are working-class, disabled, Mad, non-white, queer, and trans lives being lost?

Sources: @InterruptCrim, The Guardian, Mapping Police Violence, @VeriteNewsNola

Slide No. 4 reads:

So we agree police are harmful. Why abolition instead of reform? Historically, reforms have either provided further funding to the prison, foster care, and psychiatric industrial complexes and/or just reinforced harmful ideologies surrounding policing as a whole. And trust us, these systems already have more than enough money. In the fiscal year of 2021, at least $277,153,670,501 were spent on federal law enforcement and prisons as well as on police and prisons by state and local governments. Can you even conceptualize a number that large? We could end all American medical debt with that much money. We could even provide clean water and waste disposal to everyone on Earth!

Continuing, reforms like body cameras are pitched as making officers more accountable, that if “done right” policing will actually keep people safe, and that those who do not use excessive force are suddenly no longer guilty of perpetuating centuries worth of systemic oppression. In reality, body cameras require further funding and increase surveillance!

Similarly, civilian oversight boards and the push to “jail killer cops” reinforce the belief that cases of murder, assault, falsifying information, and so on are exceptional occurrences rather than intrinsic to the very nature of policing itself. This is where the phrase “All Cops Are Bastards” comes into play, stating that while the individual character of some officers may be morally permissible, all cops are part of a “bastardized,” or corrupt, system.

Sources: Security Policy Reform Institute, Matt Korostoff, @CriticalResistance

Slide No. 5 reads:

Even laws don’t prevent police violence, e.g. the murder of Eric Garner despite the NYPD passing a policy against chokeholds, or the murder of Daunte Wright despite the passing of the George Floyd Law Enforcement Trust and Integrity Act and a separate Justice in Policing Act of 2020.

Alternatively, we can advocate against the expansion of policing “responsibilities,” i.e. not allowing officers to address Mad individuals in vulnerable states, the housing crisis, or people who use drugs (PWUD). We can reroute funding into non-coercive, peer-led initiatives for harm reduction, de-escalation, first aid, and self-defense. And maybe most importantly, we can reaffirm that EXTENSIVE power can, in fact, be found amongst everyday folks like you and me!

Abolition is not a one-and-done sort of deal but rather a progression of steps toward an infinite future of improvements. The act of building parallel infrastructures and modes of governance while the previous ones still exist is known as dual power. Abolition must begin as dual power. We can start today!

And in building such, these steps cannot: legitimize or expand oppressive systems we aim to dismantle, create divisions between “deserving” and “underserving” people, preserve existing power relations, or utilize exclusionary, one-size-fits-all, standardized treatments.

Sources: @ProjectLets, @HarmReductionCoalition, CrimethInc., Survived & Punished NY

Slide No. 6 reads:

One of the main questions brought up, though, is what abolitionists plan to do in the case of homicide, rape, domestic violence, and other harms. While this is entirely valid, this question seems to imply that 1) police are already effectively responding to such harms rather than perpetuating and/or ignoring them and 2) that there is one collective abolitionist response.

For one, the majority of sexual assault, for example, goes unreported and less than 0.5% of perpetrators are incarcerated. (And this assumes that through the reporting process and incarceration, survivors will somehow find healing, perpetrators will find understanding, and that sexual assault does not continue within prisons.) Meanwhile, let’s use our hometown as one example of many, a complaint of sexual violence is filed against a New Orleans Police Department officer every 10 days and nearly 1 in 5 NOPD officers have been reported for sexual and/or intimate partner violence.

And secondly, we have a plethora of organizations like Critical Resistance and cultures like that of the Diné (Navajo) to learn from and build upon. We don’t have to be stuck within this false dilemma fallacy, that there is only policing or total chaos. Don’t you see that that is the state’s way of constricting communal power?

Sources: @RAINN, @CopWatchNola, @WokeScientist

Slide No. 7 reads:

To expand this conversation, abolition heavily aligns with the political ideal of “anarchism.” Anarchism supports the absence of government and absolute freedom of the individual. And despite its negative connotations, anarchy also reflects an evolution of community-based care rather than just a deconstruction of what currently exists.

A simplified version of its 6 agreed-upon principles are:

Autonomy and Horizontality: define yourself on your own terms, we stand on an equal footing

Mutual Aid: bonds of solidarity form a stronger social glue than fear, support your community

Voluntary Association: associate or don't associate with whomever you wish

Direct Action: accomplish goals directly rather than depending on representatives or authorities

Revolution: overthrow those in power who enforce coercive hierarchies (ex. white supremacy)

Self-Liberation: you must be at the forefront of your own liberation, freedom must be taken

While being an abolitionist does not require alignment with anarchism, it is worth considering how the state plays such an enduring role in various social harms. Concurrently, whenever you treat other living beings with consideration and respect, come to reasonable compromise rather than coercion, and decide to share or delegate tasks, you are already living by anarchist principles.

Sources: Peter Gelderloos, David Graeber

Slide No. 8 reads:

So, how can you get involved? How do we continue the efforts already being made by activists worldwide? After such an overload of information and even more to learn, we understand how political frameworks like abolition can seem daunting, but they don't have to be! Here are some general next steps:

Read the "8toAbolition" steps.

Look into "podmapping" so you know whom to run to when you have been harmed or perpetuate harm.

See if there are any pre-existing mutual aid networks in your community, and if not, start one with your neighbors or peers!

Begin to research issues affecting communities other than your own. Abolition is intrinsically tied to all of us as we are all surveilled. For example, do you understand how prison and policing further ableism, transphobia, or the sex trade? What about policing internationally (see our allies in: the Kingdom of Hawai'i, Palestine, Artsakh, Kashmir...)?

Research the differences between capitalism, socialism, and communism. Abolition and anti-capitalism are foundational to one another as well.

Look into the other industrial complexes we named in the beginning (psychiatry, foster care, the military, the Family...).

Volunteer (remotely or in-person) with organizations like Better Future Program (@bfpnola) to both educate yourself and directly serve your community!

And if you're looking for further reading/listening, BFP offers over 3,000 FREE social justice, mental health, and academic resources in our Linktr.ee, including study guides for beginners. While we can't promise that the struggle for liberation will always be easy, BFP will always do its best to support you in whatever way we know how.

End ID.]

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wri0thesley · 6 months

Text

protection - lucas (yandere oc) x reader (5.3k)

halloween has always been your favourite holiday. with your captor, though . . . perhaps not so much.

a/n: if i cannot be self-indulgent and write a fic about my cannibal murderer yandere oc for halloween when he is such a horror pastiche of a man, when can i? if you would like a primer on lucas, reading this is probably the best thing to do!

cw: yandere, cannibalism, kidnapped reader, descriptions of gore, non-explicit mentions of past dub-con/non-con.

Lucas has one of those perpetual calendars upon his mantelpiece.

You’ve never had much cause to look at it before. It’s another of those mix-and-match décor pieces that are so prevalent in the cabin; a boring block of wood and blocky white font that you suppose someone might describe as ‘minimalist’. It’s certainly not something you’d choose for yourself – and from what you’ve seen of Lucas’s own choices, his clothing, the items he gravitates towards in his little slice of home, it’s not something he’d have chosen either. Had it not, perhaps, been chosen by someone else.

You ignore the way your gorge rises when you consider that it’s one more piece of somebody who must be long dead by now. Lucas’s cabin is full of those reminders; embroidered tablecloths (your own hands are not so steady), handmade blankets (the wool used makes you itchy), clothes in the wardrobe three sizes too small and two sizes too big. A bookshelf of tattered paperbacks; crime novels and romance novels and horror novels, an eclectic mix you can’t imagine belonging to the same person.

That’s not important.

What is important is the morning after breakfast, when Lucas and you have gone out to collect eggs already and he’s held onto your waist while you carefully fried them along with the something-that-might-be-bacon that you’re growing more and more accustomed to cooking.

(It doesn’t even make you throw up any more).

He’s casual as he walks over to it; you’ve never really paid much attention to it before. It’s simply one of those rituals that he does; he likes the domesticity of a daily routine, and though you’ve always been rather more spontaneous . . . You’re hardly in a position to argue about it.

He moves the cube around and you glance vaguely towards it and you see the month and date, clear and bright as if illuminated by a shaft of sunlight.

The thirtieth of October.

You stop breathing, just for a moment. It’s been three months, then – time had lost meaning for you somewhat, after you’d realised you had no choice but to play along if you wanted to keep yourself away from the sharp end of an axe. But . . . three months. Three months of smiling nicely and forcing your mouth around the name ‘darling’ and letting his weapon-calloused hands curl about your waist, slide over bare skin. Three months of making yourself smile, of showering with a stranger in the bathroom (three months and he is still a stranger, though you suppose you know him intimately; three months, though, and you still do not know his surname), of sleeping beside him at night--

“I love Halloween.”

You don’t realise you’ve said it until it comes out of your mouth like the dry squeak of a frightened mouse.

Lucas looks up in surprise. You don’t often volunteer information readily; you answer his questions, but otherwise you’re a quiet obedient little home-maker for him, the way you think he likes you. That’s not to say you think he’d mind, but . . . you still keep some of yourself held close to your chest. You share hearth and home and body with Lucas; you think you’ve earnt the right to not have to share everything.

“S’that so?” He rumbles, after a moment. He doesn’t smile, the way he does when you tell him that you like the present he’s brought you back from town or when you let slip once that the western film he’d been watching on VHS reminded you of your childhood. “I’ve never been all too fond of it myself.”

His green gaze stays steady on you. He lets the moment stretch, waiting for your answer. You are walking a tightrope, as always; there is a right answer, you think, and a wrong answer. Which one are you supposed to pick? You’ve seen Lucas angry – that smouldering, teeth-grit explosion when he’d caught you, early on, trying to open a window.

(You’d sobbed and promised, sworn on everything you loved, that you just wanted some fresh air – that the August air was stuffy and pressing. Enough tears, and Lucas had repented, finally, drawn back his blistering anger. Calloused thumb wiping your tears away and a gruff apology, followed by; “Aww, darlin’, don’t cry like that. C’mon now.”

Followed by kissing your eyelids. Followed by the press of his body upon yours. Followed by hands on your hips, thumbs digging into your thighs to part them. Followed by him murmuring for you to cry for a different reason.

He likes the tears. It’s a good lesson to learn so early on in your life with him).

You shrug helplessly.

“I like the atmosphere?” You give him, your voice quavering at the end. “All of those kids in cute costumes, jack-o’-lanterns, cuddling up warm and cosy on the couch with a scary film on--”

His shoulders relax minutely, and he lets out a breathy chuckle.

“Yeah,” he says to you. “I s’pose those things ain’t so bad. I’m not a scary movie guy – there’re enough things to be frightened of out there in the real world, y’know?” He walks towards you, joins you on the couch. His arm wraps around your shoulder and you let yourself be drawn into his embrace, because you risk upsetting the balance again if you shy away. With a sigh of pleasure, he drops a kiss onto the top of your head. “Gets real busy up here around this time. Trespassers. I prob’ly won’t even be around mosta the night; gotta patrol the area. Think we can rustle you up a pumpkin and a coupla’ videos though, huh?”

You swallow. You know what he means by ‘patrol the area’ – you think of teenagers in local towns, daring each other to spend the night in the woods. You think about twenty-somethings with their tents and their camping and coolers full of beer, telling spooky stories about huge cannibals who live in the woods--

You think of Lucas’s weapons, the axe shining bright mounted on the wall, and the sound it had made as it had thwacked into the ground beside your head as Lucas had realised you were trembling and whimpering and sobbing and merely lost, not some ne’er-do-well out here for any other reason.

How much fuller will his freezer be, come the first of November?

He’s true to his word, as he so often is. Despite everything, he looks at you hopefully when he presents to you the things he brings back from his little foray into town; his head cocked, an echo of the earnest young man he might once have been beneath the scars and the greying.

He presents to you: one large pumpkin, three VHS tapes of movies you haven’t heard of that look like schlocky 90s B-movies, a multi-pack of sweet treats obviously intended to be poured into a bowl for trick or treaters, and a bean-filled plush of a fat black cat.

“I thought we could carve the pumpkin together,” he says, which you think is just an excuse not to leave you unsupervised with sharp implements. He trusts you to cook, now – but he still likes to be in the room, even if he’s not guiding your hand with his fingers entwined around your own over the knife.

“That would be nice,” you cautiously reply, and he smiles at you all soft and gooey-eyed. Your spine still feels like a rod has been shoved in it; being around Lucas can so often seem like a balancing act, and normally he does not come back from town in anything resembling a good mood. But giving you presents and the pleasure that had sparked in your eyes and the truth tinging your thanks have clearly set him well for the evening; he’s whistling as he rattles around in the kitchen to find the implements.

“C’mon here then, angel,” he calls, and you tuck the fat little black cat into the corner of the couch - it will be nice, you suppose, to have something to hold when you are alone later. You doubt the movies will provide much in the way of stone-cold terror, but the knowledge that Lucas is out there stalking the night and it would not take all that much for him to turn his rage on you certainly does.

It will be nice, too, to have something to hold that is yours and is not haunted by the echo of ghosts of Lucas’s past. Once, you had been uncomfortable in bed, rolling and writhing and whimpering through a nightmare – and Lucas had gently shaken you awake and placed a bear into your arms you had never seen before.

You might not have ever seen the bear before, but it had clearly once been loved; visible stitches re-attaching an ear, the velvet flocking rubbed off on its nose, the fur compacted from many nights of cuddling.

You try not to think about someone else, after you, having the little cat placed delicately in their arms.

When you enter the kitchen, you see that Lucas has spread newspaper out all over the floor, placing the pumpkin carefully in the middle with an array of carving implements and pens laid out for you. There’s a waiting candle and a box of matches on the table, waiting for the final touch.

The newspapers are all nearly twenty years old. The matches have packaging you’ve never seen before, the kind of retro artwork you’d see hipsters hang ironically on their apartment walls.

You crouch to get onto the paper he’s laid out, but Lucas clicks his tongue in annoyance at you.

“C’mon, sweetheart,” he says, and he pats his knee where he’s knelt with them spread apart. “Come sit between my legs and let’s do it together.”

It takes you a moment to gather the courage to do it – touching him voluntarily is always harder than when he makes the first move – but you see that shimmer of frustration in the air, the imperceptible twitch of his jaw, and you clumsily climb over to situate yourself between them. You feel him let out a satisfied exhale as one of his arms wraps around your waist possessively.

“There,” he murmurs, directly into your ear. “Ain’t that better? More . . . cosy?”

You can feel every hair on the back of your neck, the thrum of your heartbeat, as Lucas’s hand fastens over yours and works at removing the top of the pumpkin. His chest is solid behind you, a barrel of muscle and scar – and when he shifts, and his crotch in his fatigues snugly presses against the curve of your spine, it takes all of your grace not to whimper at the feel of him hot and wanting.

Domesticity always seems to stoke something in him – and you suppose this would, under other circumstances, be a perfectly lovely Halloween evening. If Lucas were somebody you loved, and not a madman who kidnapped you from the middle of the woods. If that were so, Lucas’s breath against your ear wouldn’t make your head pound – his calloused fingers over yours wouldn’t make you wonder how he got all of those scars. The sight of a sharp instrument in his hand wouldn’t make you wonder how many have met their maker at Lucas’s behest.

There is none of the joy you would normally find in this activity, doing it with Lucas’s arm around you and his body bearing down over yours. There’s instead, the knowledge that he could break your bones if he wanted to – and a desire beating at your ribcage to get this over with as quickly as possible without alerting him to how much you hate it. Lucas hums softly under his breath as he helps you scoop out the insides of the pumpkin--

You feel your gorge rise at the sight of his hands scooping out the insides alongside your own, at the sensation of the stringy sticky pulp and seeds as they coat your fingers. The viscera of the pumpkin, laid out on the newspaper, as if some grisly crime has occurred right here in Lucas’s cosy cabin kitchen.

(He doesn’t like a mess inside the house. You know about the storeroom that you’re not allowed in, having peeked in it once when he’d left the door ajar to go and pick some meat up for breakfast whilst you stood in the kitchen with the chickens pecking around your feet. When he’d come out and seen you there, you’d stammered something about Dolly the silkie having wandered off – and though there’d been mistrust in his gaze, you’d kept your eyes wide and hidden trembling hands behind your back and eventually he seemed to have believed you).

The flash of a sharp knife in his hand makes you start against your will, your back pressing against him, your rear pushing into him. He lets out a noise that’s half a strangled huff and half a breathy chuckle.

“What’re you scared of, angel?” He murmurs, and you are stiff and frozen as he gently, gently, presses the flat of the blade against the palm of your other hand. “I won’t ever hurt you. Not less you give me a reason to. And you aren’t gonna, are you?” You’re glad he can’t see the deer-in-headlights look on your face, even as you give him a jerky shake of your head, and to your immense relief returns the knife to carving. “Good. Hurts my feelings thinkin’ you’re afraid of me.”

You don’t know how to respond to that.

“I—I’m not?” You guess, stammering it out, trying to weigh out all of the options in your mind. If he was threatening you – one of those late night murmurs of “I’d break you into pieces if you ever tried to leave me, darlin’,” - then perhaps you wouldn’t have said it. But right now, he is pretending the two of you are a perfectly ordinary couple doing a perfectly ordinary thing, and so--

He laughs again, good-naturedly pressing a kiss to the top of your head. The pumpkin has taken shape now; a classic jack-o’-lantern face, jagged triangular eyes and teeth.

“You’re so cute,” he says into your hair. “Here. Look at that. Ain’t that adorable?”

Shakily, you nod. It’s not your best work – in your own kitchen, at home, you’d mastered the art of silhouetting elaborate scenes in your pumpkins. You’d used your favourite horror stills as inspiration (you force yourself not to think of last year’s pumpkin, of spending so much time carefully carving that iconic scene from the Texas Chainsaw Massacre into the orange flesh, Leatherface holding his chainsaw aloft – it’s better not to dwell too much on fictional monsters when there’s a very real one sitting behind you, holding you close, pressing a kiss to your cheek and resting his chin on your shoulder as he admires your handiwork).

This pumpkin is a little lop-sided; one eye bigger than the other, the cuts jagged and messy. But Lucas is smiling at it, and you force yourself to smile too.

“Where shall we put it?” He asks you, as he pulls himself up and offers you a hand to help you too. He’s a little too rough with it; pulling you against him with a throaty chuckle as you stumble, off-balance. Little reminders of your own fragility, your clumsiness and all of the things you struggle with always seem to put him in a good mood. “Windowsill?”

You swallow.

“C-can we put it outside?” You whisper, softly. “I know we won’t get any trick-or-treaters, or anything, but . . .”

You trail off; he’s looking at you again, the green in his gaze impossible to understand. He might be thinking about exploding into anger, he might be thinking about kissing you – but as you feel your knees threaten to knock together, he smiles instead.

It’s another smile that, on someone else, you would read as utter infatuation. Love, in all of its gooey, saccharine sweetness. On Lucas, though--

“Of course, darlin’,” he says. “Come put it out with me.”

You reach for the box of matches, but Lucas’s palm comes down over your hand before you can get a hold on them.

“Don’t worry your pretty little head about that,” he says, as he picks it up himself, and strikes a match against the striker strip. You flinch at the sudden light, and Lucas makes a soft noise of satisfaction. “You'daa just hurt yourself. Leave this kinda thing to me, sweetheart.”

He lights the candle and places it in the lantern himself, before he turns to you and gives you an indulgent smile again.

“D’you think you can carry it?” He asks you, voice soaked in honey. “Don’t drop it, now.”

You nod shyly as you take it, hating yourself for playing along with him. If he wants a sweet, naive little thing who can barely take care of themselves and needs the big strong hunter in the woods to do it for them . . . well, you suppose your dignity isn’t so bad a price to pay for staying alive.

You are allowed out of the cabin, supervised. You’d earnt that right by being sweet and soft and obedient, by doing what Lucas asks and doing it the way he likes. You go out to collect eggs in the morning and you’re allowed to help him in the garden, planting vegetables and tending to those he already has. But still, every time you open the front door it feels like a treat – a thrill running through you at the reminder that there is a world beyond the four walls of home that have become your prison.

Lucas takes in a hissing sigh through clenched teeth as he opens the door.

“It’s getting’ later than I thought,” he says, to himself more than you. “I’m gonna have to get goin’ soon, sweetheart.”

You nod, and carefully place the pumpkin by the front door, where the candle inside flickers and wavers in the light breeze. You find yourself wishing that it would somehow escape its own cell of pumpkin flesh and set the cabin afire – wondering if it would really be so bad, to perish like that.

(How many more Halloweens will you spend with Lucas? Is it worse if the number is small or large?)

“Do you have to go?” You ask him, voice tremulous.

You don’t know if you want him to go. You don’t want to be with him; he terrifies you, leaves you feeling rattled and confused and conquered all at once, his presence looming over everything you do. But at the same time – you can’t in good conscience want him to go out there, to cut down Halloween revellers who merely thought the woods would be a good place for a spooky experience. Are you far enough away from wherever he might go that you won’t hear the screams?

You wouldn’t be able to pretend even if you don’t hear them. You’ll meet them later on, at the end of your fork.

“Awww darlin’,” Lucas simpers at you, grasping your chin in a hold like iron. “Don’t worry your pretty head about it, I told you. I ain’t gonna let a single thing near this cabin; you ain’t gonna be in a jot of danger. I promise.”

Your face must betray your anxiety, because Lucas tugs almost painfully on it.

“Don’t you trust me, angel?”

Sickly sweet and bladed like ice, you mutely twitch your head in a meek nod.

“Of course I do . . .” You whisper, and Lucas smiles in satisfaction.

“Stay here at the door for a bit while I get ready, okay? Fresh air’ll make you feel better.”

Unspoken goes the ‘don’t you dare try and run’. You can’t see yourself doing it tonight of all nights, either – though Lucas has been sweet throughout the pumpkin carving, you can already see that as he considers the blanket of night out beyond the cabin he is shifting into a predator. So you stand there, breathing in deep, slow, controlled breaths. Trying to think about how pretty the stars are and the candy that Lucas has brought you to eat in front of his crackling old television. Trying not to hear the thud of Lucas’s boots and the sound of him getting down the axe from the wall, the swish of the displacement of air as he gives it a few practise swings.

“There we go,” Lucas says, as he comes back. His axe is slung over one shoulder, and he’s smiling at you. He hasn’t made a single allowance for the cold; he wears the same shirt in a shade of forest green, straining tight over his shoulders and biceps. The silvery skin of his scars shine in the moonlight. “Don’t stay up for me, okay? Get yourself to bed. I’ll try not to wake you up.”

(Will you wake up, hearing him drag a corpse into the store-room? It doesn’t matter – you know you won’t get much sleep tonight).

He stands there in front of you for a long moment. Anxiety sends a bead of sweat rolling down the nape of your neck. He’s waiting for something – he wants something, and you don’t know what it is, and he’s going to be angry at you for being a bad beloved and he’s going to lodge that axe in your skull--

“Don’t I get a kiss goodbye?”

His tone is teasing, but laced with simmering anger. Grateful he has thrown you a lifeline, you practically trip over your tongue as you reply in the affirmative.

One slow, lingering kiss – possessive. You’re shivering as he pulls away, and he smiles as he wipes his thumb over the corner of your mouth with something that might be fondness and might be triumph, like a hunter who has his prey cornered.

“See you later,” he says. “Don’t scare yourself silly, now.”

You stand at the door-frame, waiting for Lucas’s hulking figure to disappear into the darkness of the trees. His axe is swung over his broad shoulders. The jack-o’-lantern beside you flickers and gutters in the breeze, your only companion out here. Lucas turns and waves one hand at you, and then makes a very firm ‘shoo’ gesture that you interpret to mean ‘that’s enough, now. Get back in the house before I make you’.

You close the door behind you and turn the key as he disappears fully from your view. You’ve always felt awkward being alone in the cabin – about three weeks after your arrival here, he had given you heavy warnings and set out to the nearest town for the kind of supplies he couldn’t make himself – but tonight, it feels all the worse.

You jump at shadows and feel like you hear screams with every footstep, your brain already playing out thoughts of Lucas in the woods surrounded by corpses, bloodied and grinning and feral-bright. You have to try twice to get the video into the player, and your hands are trembling as you attempt to open a packet of M&Ms and spill them all over the sofa. You pull the curtains closed for full immersion and almost give yourself a heart attack when you see light flickering outside, until you remember the jack-o’-lantern.

Eventually, though, you do relax into the movie.

It helps that it’s a movie about a werewolf stalking a suburban town; you don’t know if your nerves would hold out if Lucas had brought you some kind of killer in the woods movie. Even he, though, seems to have realised that – a quick glance at the other movies show you that one is about giant bugs attacking and the other is set in a hospital.

It’s not a good movie. In a different lifetime, you’d watch this with friends and laugh and joke over the cheesy special effects and the over-acting. On your own, though, you at least feel somewhat comforted by the familiarity of the horror recipe. The coquettish blonde in the hot pink outfit will die first; the outcast girl in her too-big denim jacket will survive to the denouement and will perhaps kill the werewolf herself.

There’s a sound from outside.

You’re half-asleep in front of the sagging middle act of the movie, but the crunch of leaves under feet has you bolt upright. Lucas can’t be home already, can he?

Time stands still. There’s a muffled giggle, and then a low voice murmuring something. You slowly, slowly, pull yourself up from the couch. You’re grateful to have pulled the curtains closed. At least they can’t tell you’re in here.

A hundred scenarios run through your head, none of them ending well. You think of every home invasion movie in a holiday home in the middle of nowhere you’ve ever seen. You could laugh at the absurdity of dying like that, when you’re literally the prisoner of some cannibal psychopath already . . . all of that, and some other horror trope catches up with you instead?

Three knocks on the door, and a voice jokingly calls;

“Trick or Treat!”

Oh, saying all of that stuff to Lucas about trick or treating was so stupid. Wanting a pumpkin out there so you could pretend to have one little bit of normalcy left in your life.

A rumble of conversation floats through the walls; something about a dead phone battery, needing to find somewhere with a landline, a map that didn’t seem to have any of the landmarks they’d seen marked on it.

(You can sympathise with that; the map you’d been using, once upon a time, hadn’t made a single lick of sense after you’d gotten into the heart of the woods, like some nature spirit was messing with you).

But that could just be a way to make your defenses fall, you think. You’ve seen that in movies time and time again – I need the bathroom, I need to use your phone, I’m sorry I fell over and I’m injured can I rest here--

One of them has the nerve to try the door; the key jingles traitorously in the lock.

You’re shaking as you approach. You can hear conversation now; a male voice and a female voice, arguing. They sound about your age.

“There’s a fucking jack-o’-lantern burning, and there’s a key in the front door, of course someone’s in--”

“Look, this is some horror movie bullshit, I don’t like it--”

“Do you think anyone keeping fuckin’ . . . those fluffy-ass chickens is gonna be a murderer? C’mon. It’s probably some old couple with their hearing going. I’m gonna knock again--”

Three raps on the door and you find yourself collapsed against the cabin wall, your knees trembling. You know you should answer the door and you should tell them what’s going on here. You should beg them to run and take you with them.

But now you’re faced with it, you don’t know what to do.

“Hello?” The girl’s voice is louder now. “Is anyone home?”

Oh, she shouldn’t be shouting. Lucas can hear when you drop a fork doing the washing up from halfway across the yard, and always comes hurrying to make sure you haven’t hurt yourself.

“Look,” the boy, “We just need to use your phone, we’re lost—”

Another voice cuts across the squabbling – one deeper and darker and grittier. A thick Southern accent.

“You sure as hell are,” it says, and there’s outright hate in it. “What the fuck do you think you’re doin’ on my property?”

The girl screams. You can’t blame her; at six foot four and bound in scars and muscle, Lucas is a frightening prospect at the best of times. But when he’s appeared from nowhere, holding his axe, like a horror movie villain . . .

“Shit!” The boy is swearing. “Look, man, I’m sorry, I didn’t--”

You do not see the axe come down – how could you, from the hallway, behind the door? But you hear two screams, this time – both his and hers – and you hear the wet sound of something sharp meeting something soft. Blade striking bone – the slick noise of an axe blade being pulled out of a body and then swung back in. The sound of someone choking on blood, of someone sobbing--

You don’t know how long it goes on for. Your knees give out long before the girl gives up on screaming, as you sink onto the floor and hug yourself tight and squeeze your eyes shut against the noises.

It could last forever. You try and think of something else; somewhere happier. What would you be doing right now, if you were at home? How different would your October have been?

But the slosh of blood and the hacking noise of blade and flesh worm into your consciousness, the very real massacre going on outside the front door seeping into every memory you try and recall. Your pumpkins smashed to pieces, accusing staring eyes of the corpses of your friends at last year’s Halloween party as a man with an axe mows them down in your living room--

The noises have stopped. There’s not even heavy breathing, now.

“Darlin’?” Lucas calls out, from behind the door. “C’mon. I know you’re there. You can open the door now. You’re safe.”

You can’t disobey him, you remember, as you shakily climb back to your feet, using the wall as leverage. If you don’t do as he says, then you will also meet the business end of his weapon – and he’s already said, in those jealousy-fuelled threats that he whispers into your hair at the most intimate of moments, that for your betrayal, he’d make it hurt.

You turn the key with a trembling hand, and have to force your fingers to close around the door handle. Slowly, slowly, you pull it open--

The front porch is a mess of blood and flesh and organs and other things you carefully do not look at. These people have been butchered for more than just meat – but you look up at Lucas’s eyes instead and ignore them. You can’t think too hard on it.

There are splashes of blood all over his face, flecks of red in his stubble. His clothes are ruined.

“You’re safe now,” he murmurs, and he steps forward and the tang of blood invades your mouth and your nostrils and gets on your clothes as he pulls you into a tight embrace. “Don’t worry. I told ya’, I won’t let nothin’ happen to you. Not tonight, not ever.”

He says it like this poor lost couple were a threat, and not just unfortunates who happened upon the wrong woods at the wrong time. The wrong house.

(If you hadn’t put that pumpkin out, they wouldn’t have thought that there was anyone here. It’s your fault.)

His grip around you is tight. You squeeze your eyes shut and bury your face in his chest for a moment, and try to pretend nothing has happened.

It can’t last. Lucas pulls back, takes hold of your shoulders.

“Well?” He says – and bile rises in your throat as you realise you have to say it. You have to do it. If you want to stay on his good side--

“Thank you,” you breathe out, hating yourself for every syllable. “Thank you for taking care of me.”

And as you stretch onto your tiptoes and Lucas bends down to meet your lips for a thank you kiss, you pretend that there aren’t two corpses outside of the front door.

You carved a pumpkin. You ate candy. You watched a shitty horror movie. It’s like every Halloween before it--

He pulls back; a hand ruffling through your hair, a smile on his face.

“Happy Halloween, darlin’. You get back inside while I clean this up, okay? Night ain’t over yet.”

#yandere oc #writing #ocs.txt #oc posting #yandere for ts #cannibalism for ts #dub con for ts

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mamasbakeria · 7 months

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hey, what's your major again?

summary: my credible expert opinion on what the aot characters would study in university. what are my qualifications? the dozens of hours i’ve spent staring at my school’s program bulletin trying to figure out what i’m majoring in

genre | includes: headcanons, sfw, minor language, uninformed percy jackson reference (pls don't hate me if im wrong)

characters: eren jaeger, mikasa ackerman, armin arlert, sasha braus, jean kirschtein, connie springer, historia reiss, ymir, reiner braun, annie leonhardt

author’s note: had this in my drafts for months now. i just need to post it so it stops haunting me. might do the rest of the marleyans and vets in the future! lmk your thoughts, my only tumblr notifications are from p*rn bots, so i'd love to hear from real people lol. enjoy <3

eren: sociology and public policy, 4+1 program for a social work masters

there’s only so many times you can hear “you’re gonna be a doctor just like your dad” before you start to believe it. that’s why eren started out with biology on the premed track. the thing is, he really didn’t care for it. eren is really passionate about lessening equity gaps and is a firm believer in “if you want something done right, do it yourself”. this is why i see him making the switch to a double major in public policy and sociology. he wants to know about how society got to the point of perpetuating disparities so that he can fix them. but he also knows that the government fucking sucks and thinks its naive to expect policy change to be the only method of change. and like the maniac he is, eren is enrolled in a 4+1 program so he can get his master’s in social work when he’s done with his undergrad. he’s determined to graduate with both degrees in just 4 years though. rip his summers.

armin: international relations and military ethics, minor in communications or smth

everyone always says armin would study marine biology or oceanographic studies, but i honestly think that it’s a passion that he pursues on the side. he takes marine bio courses for his breadth requirements, but knows he’d end up hating the ocean if he spent the rest of his life studying it. he also strikes me as someone who would rather run buck naked into traffic than sit through multiple semesters of organic chemistry. armin was always a good public speaker, though, despite being a bit insecure. that’s why his speech and debate teacher during sophomore year of high school recommended model united nations to him. he was hooked after his first conference and now genuinely sees the path of international diplomacy as his calling. that’s why he’s majoring in international relations. his concentration in military ethics is something he tacks on in his junior year after taking some courses and publishing research with dr. erwin smith. he probably minors in communications because he can.

mikasa: forensic science

mikasa had no idea what she wanted to do when she started uni. she’s good at nearly everything. like never gotten a B in her life and is the student who the curve is based off of. but excelling in every environment you’re put in often means you don’t know what you’re best at. she knew deep down that she wanted to do something justice related like her childhood best friends did, but she’s no public speaker and has no interest in political reform. she was, however, emo in high school and heard a fair share of undertaker jokes at her expense. it wouldn’t hurt to look into right? as cool as the title sounds, morticians don’t make enough money for the job they have. fortunately enough, forensic pathologists do and mikasa looks good in a lab coat. she would never admit it to spare armin and eren’s feelings, but when they, as children, recreated the crime-solving shows mrs. jaeger always had on, mikasa always wanted to be the brains. so criminology and forensic science it is. (side note: she definitely joins the military and they pay for her education)

jean: structural engineering and industrial design with a minor in studio art

more than anything, jean wants to provide for his mom and knows he can’t guarantee a retirement of luxury for her as the freelance artist he wishes he could be. he’s decent at math when he tries and doesn’t hate physics, so he decided he’d give structural engineering a try for at least a semester or two. he wasn’t expecting to get much from it, to be honest. he had a plethora of backup plans waiting for his supposedly inevitable distaste for engineering, but he found that he didn’t hate it at all. someone once told jean that he had the makings of a great leader and he didn’t believe them until he started taking the lead on design projects and producing incredible results. his only qualm is that he just doesn’t get to be as creative as he wanted to be. that was easily rectified by an additional major in industrial design and a minor in studio art. he’s unbelievably busy, busier than he anticipated when he started his post-secondary journey, but he’s content and there’s nothing some extra coffee can’t solve.

sasha: environmental science and sustainability

sasha spent her childhood ankle-deep in mud and fighting her way through forest thickets without a compass. an upbringing like that doesn’t leave your spirit, no matter how far into the city you go for school. so sasha’s always been passively passionate about the environment. that passiveness became significantly more prominent when part of the woods she grew up in was cleared out to build an industrial complex. it was then that she started researching and writing petitions about preserving wildlife and making environmentally conscious decisions. her work actually got her the scholarship she’s on (because god knows it wasn’t her grades). and she genuinely loves what she does, so why wouldn’t she keep learning about it? the environmental science and sustainability program at the school is small, but tight-knit and known for churning out changemakers. sasha knows she’ll be one of them one day. just hide your plastic straws from her, okay?

connie: computer science and chinese

stick with me here okay? everyone expects connie to be a douchebag marketing major whose hardest assignments are graphing functions and making posters on photoshop, but he’s a lot more invested in his education than he looks. don’t get me wrong, connie has always struggled academically, but that’s because so much of early education is pre-determined. he performed way better when he could choose what courses he took. it’s kind of like percy jackson being dyslexic in english because he was wired to read in greek. connie can’t keep his eyes on a history textbook for shit, but will gladly sit in front of the c++ code on his pc for hours. he doesn’t even get mad when he realizes that he was missing a semicolon. connie loves how versatile of a future he could have with a compsci degree, because, let’s be real, he could never survive in a typical office environment. definitely takes a bunch of chinese classes and doesn’t realize that he has enough credits for it to be a minor until his second to last semester.

historia: political science with a minor in international relations and child development

historia is a lot like eren in the sense that she knows her time is best spent doing hands-on work in the fields she cares about. she realizes this sometime after reconnecting with her estranged father and volunteering at the orphanage she grew up in. but now that she’s publicly associated with a powerful political figure, historia doesn’t get to do what she wants, only what is expected of her. that’s how she ends up on the pre-law political science and public policy route. the nickname “ms. president” that connie and sasha give her only further reminds her that she’s heading down a path she never wanted for herself. after lots of encouragement from ymir, historia decided to take child development courses on the side. even if she doesn’t take on the full minor, she’s taking some classes she cares about. maybe she’ll find use for it someday. at the very least, it’s her first step in becoming the most selfish girl in the world.

ymir: data science and business management

ymir is smart. much smarter than she presents herself to be, almost as a form of protection. nobody expects much of someone who is aloof, so it makes it easy to slip through the cracks to remain safe and comfortable in the shadows. business management is notoriously low commitment and easy to skate by with. guaranteed internships, post-graduate employment, and so on. To anyone who doesn’t know ymir well, it’s perfect. but they have her mistaken, ymir will do as little as possible to go as far as possible. sure, she can live comfortably with a business degree, but it could be better with a little bit of data science in her arsenal. she’s intelligent enough to pick up on it, and determined enough to make it her bitch. yeah, academia is a money-sucking pipeline into the capitalist hellscape, she doesn’t believe in it yada yada, but at the end of the day, ymir’s gonna get the bag. so what if she’s gotta sleep through some stats classes to get it?

reiner: behavioral economics

reiner’s mother had convinced him his whole life that getting a high paying job would fix their lives and bring his father back. believing “perfect grades lead to a perfect life” made high school tough for reiner; gifted kid burnout is no joke. it really messed him up. he wasn’t sure if he could withstand the pressures of university, but here he is. reiner was never allowed a therapist, so he figured pursuing psychology would, at the very least, give him some answers and be a good pathway to a medical degree. he loved getting to understand how people work and why they act the way they do, but something was missing. he found out what it was when a guest lecturer spoke in his economics class. he knew making the switch would be risky, it’s a new field and his current career options are really only research, academia, or government, but the interdisciplinary study of behavioral economics is calling reiner’s name.

annie: biomedical engineering and kinesiology

annie’s entire life revolved around her father, including the injury he was never able to heal from. the one she gave him. he’s claimed to be over it, she’s forgiven, but annie will never feel like she’s earned that forgiveness until she gets rid of the problem entirely. how is she going to do that exactly? with biomedical engineering. she has years of hell in front of her, especially with her concentration on biomechanics, but she doesn’t care. annie will throw herself into her work to get the results she wants. she takes the highest amount of credits possible every semester so she can graduate early. you’ll most likely find her chained to a study cubicle at the library at all hours of the day and running on 2 hours of sleep, but it doesn’t faze her. she tacks on a minor in kinesiology because it makes sense and she had most of the credits for it anyway. and as if it couldn’t get worse, she probably TAs for a thermodynamics course or something crazy like that.

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