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#seasoned romance
batcavescolony · 1 month
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This is kinda revolutionary? Just a few years ago destiel was queerbaiting fans to superhell but now? NOW? A show saw the fans HC a character as queer with valid evidence and instead went "you know what? You're right. We didn't originally plan this for them but we see you". Then four episodes into the season, canonized his queerness. Not the last second, Not the last Episode. the BEGINNING of the season, with time to expand AND we know we're getting another season after this. Just look how far we've come.
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Bridgerton logic at it's finest
Season 1: I really want kids and marry for love. So I'm gonna marry this man who says he can't have kids and probably doesn't love me!
Season 2: I think I love this girl. So I'm gonna propose to her sister!
Season 3: I wanna win my friend back. So I'm gonna teach her how to woo men (especially me) and get unhinged jealous when it starts to work.
The Bridgertons trully are sharing a single braincell and Violet is in charge of it most of the time, lol.
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homosandhomies · 9 months
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the lack of misogyny in heartstopper is so fucking refreshing. all of the girls in the show just LOVE each other. no jealousy. no cattiness. no competitiveness. elle, tara, darcy, imogen, and sahar are all just vibing together. in a world where literally every single tv show has women being pitted against each other, it makes me so happy to see full love, solidarity, and support amongst these leading ladies.
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ruporas · 8 months
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captain's warm hugs! (id in alt)
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avenoirn · 5 months
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staying warm in winter ❄️ 
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happy holidays from yours truly AND the romance dawn trio! thank you so much for the support throughout 2023 especially on my works, i hope to draw more often next year!!
also, these are available as holiday postcards to purchase on my store until 12/30 ET time, one-time run only. thank you again for loving my art all these times! <3
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p4nishers · 8 months
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i cant get over the ball being so CLEARLY all for crowley i can't get over aziraphale trying to woo him with a WHOLE FUCKING BALL because that's what he knows that's what romance IS for him because he's been wanting to dance with crowley ever since dancing was invented and he's so stuck in time with the way he dresses and talks and he still thinks a dance is the high of romance AND HE MADE A WHOLE ENTIRE FUCKING BALL FOR CROWLEY JUST SO HE COULD DANCE WITH HIM like now it's so fucking obvious he gave away his BOOKS without a second thought and it was all for crowley he organised a whole JANE AUSTEN THEME BALL just so he could have an excuse to finally dance with the love of his life and i can't get over this i'm shaking my fists and pacing up and down he did not give a single fuck about anything other than dancing with crowley and HE BARELY TOUCHED OTHER PEOPLE'S HANDS WHILE HIS WHOLE FUCKING PALM WAS PRESSED TO CROWLEY'S AND i need to lie down
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ashfae · 10 months
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The thing about romance is, it makes a good story.
As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.
Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.
The problem is a story is only a story.
Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.
But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.
And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.
Neil also mentioned Pride and Prejudice.
Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?
Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.
Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.
The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.
Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)
The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.
Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.
The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.
Quiet, gentle, romantic. It was.
But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.
But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.
The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.
And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.
Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.
But they'll get there. So will we.
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waltricia · 21 days
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These dorks. 💚
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arishatistic · 22 days
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“Your servant, Mrs. Bridgerton. Always.”
Penelope and Colin in anticipation of Bridgerton Season 3!
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I just saw the trailer.
People, I'm not ready. He's shirtless. He's jealous. He's handsome. She's beautiful. She's smart. They're cute. They're funny.
WHY ARE THEY SITTING SO CLOSE?!?!
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ilovepolin · 3 months
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WAIT A MINUTE?!?!?!
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novelbear · 3 months
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valentine's day scenarios (but it's enemies to lovers)
prompt list by @novelbear
"you have a date? how much did you pay them?"
crashing their date with another person purposely
^ and it all was definitely out of spite. not because they were jealous. never. totally not.
sending them flowers that they just know sets off their allergies
^ probably left with some smartass note too
laughing at them simply because they seem to care about the holiday
"you celebrate this corny day?" "just say you're lonely and have no one to spend it with, next time, 'kay?"
"i told my friends i'd go on this stupid double date with them." "and that's my business because..?" "..i don't have a date."
catfishing the hell out of them online leading up to the holiday
and then it backfiring because they realize, they're actually pretty nice and sweet outside of all the arguing.
"i thought bringing you roses would be a romantic! you know!?" "not when they still have the thorns on them, dumbass!"
giving them those boxed chocolates, but replacing the filling with something else instead (like wasabi for example lmao)
"you've been teasing me all this time about being single just for you to get stood up?" "....." "move over, you're lucky i'm hungry."
giving the other candies because it was simply "left over" and "definitely stale"
perfect chance for a little secret admirer thing to go on since one may be just too embarrassed or scared to face things head on
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BOOK REVIEW: Heard It in a Love Song by Tracey Garvis Graves
BOOK REVIEW: Heard It in a Love Song by Tracey Garvis Graves
Heard It in a Love Song is a slow-burn romance between Layla, recently-divorced after ten years of marriage, and Josh, currently divorcing after a twenty-year marriage. Both are struggling to break free from their pasts. Layla had dreams of making it as a singer in a band but set those aside for a husband who never put her foremost in his life. Josh misses the connection he once had with his wife…
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krasnyel · 5 months
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lokius sketches in honour of me missing them endlessly
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mariannedonley · 2 years
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Second Chance Romances
Second chance romance is a popular trope that covers a lot of situations. A chance to make up after a split. A second chance at love for "older" heroines. Another chance for love after heartbreak or trauma.
Presented by: Deborah A. Bailey Date: November 7 – 18, 2022 (two week) Pricing: A2P Member fee: $10 Non-A2P Member fee: $25  About the Workshop:Second chance romance is a popular trope that covers a lot of situations. A chance to make up after a split. A second chance at love for “older” heroines. Another chance for love after heartbreak or trauma. Second chances come in many forms and…
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