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#pandas writes
puhpandas · 2 months
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@ggyweek2024 Day 1: Scars
(2,434 words)
After developing a new normal, Tony finally asks Gregory about how he got the scar on his face.
One of the first blaring changes that Tony noticed about Gregory when seeing him again after so long was his scar.
Tony couldnt help but stare when he first saw it. It was thick and jagged, and discolored a darker shade than his skin. It was large, jarring on his face, and travelled from his jaw across his cheek to his nose.
And even after they had the big long talk about everything and discussed and debunked and explained, Gregory never told him how he got the scar.
It took Tony a while to feel normal enough around Greg to go to his house a lot. It's more common than not, now, for Tony to go to Greg's after school and get to know him. The real him.
But through it all, Tony's never gathered the courage to ask Greg about the long jagged line taking up a quarter of his face.
Its been weeks, now, since they reunited. Possibly months, and Tony hasnt asked Greg about it in that long.
Its never felt right to. Even when things were still centered around what happened enough to reveal that much, it had been too soon, and any time afterwards, Tony was just happy to be friends with Greg again. He never wanted to mess up any normalcy and his relationship for Greg to satisfy his own curiosity.
He already learned his lesson about that.
Today's one of the days he goes over to Greg's to hang out. The standard routine continues as normal; Tony bikes to Gregory's house, parks, goes inside and greets Vanessa and Freddy on his way to Greg's room, who both greet him back enthusiastically, and then he goes in.
When Tony enters Gregory's room, he immediately finds him hunched over at his desk. His back is facing Tony, and even from his point of view he can see Gregory's arm moving back and forth in a scribbling motion. He doesnt seem to hear him come in. He's so engrossed in whatever he's drawing he's almost nose to nose with the surface of the desk.
Instinctively, a smile quirks on Tony's face. He shuts the door quietly behind him, and goes over to Greg's chair.
Gregory only seems to notice him when he's in his peripherals. He jolts slightly, eyes widening in suprise, but then hes smiling and setting down his pencil.
"Jeez," Greg chuckles. "You scared me."
"Sorry." Tony replies. The window is open and the blinds are open by Gregory's desk, and it casts a few lines against Greg's face and his paper. Tony switches his gaze to Gregorys latest drawing, and smiles again.
It's some comic centered around Gregory and Freddy taking down a bad guy. The panels are dramatic and scary looking, and Tony notices that near the end of the page, in the right bottom corner, theres a panel where Gregory is completely alone.
He's interrupted by Gregory calling his name.
Tony looks back over, and the sunlight peeking through the blinds somehow manages to cast a perfect halo around the scar on Greg's face. It's like the world somehow knows that Tony's been stewing in curiosity about it lately.
Tony must have been looking at it, because when he tears his gaze away to look at Gregory himself, he shuts his mouth from where he was about to say something and darts his eyes to the side. His hand comes up to his cheek.
"Sorry." Tony says again. He looks at the floor.
One moment, then, "Its okay." Gregory drops his hand after a few seconds of silence. "Did you come over to finish our book? We only have a couple chapters left, I think. I saw that the second series is way longer."
Tony smiles again. "Yeah." He confirms. "Are you reading or am I?"
"You read last time." Gregory gets up from his chair, leaving his comic and colored pencils behind. "I'll do it this time."
Tony still feels bad about making Greg uncomfortable, but Gregory seems to have moved past it. He sighs. "Okay, sure. This is the last book, isnt it?"
"The last in series one." Gregory replies, moving to his bookshelf. Tony watches him go. "Funny how we only started reading because you wanted a reference to start writing first person, and now we're going to start series two."
Tony smiles, knowing why exactly he kept reading for so long. Of course he's inspired by the first person point of view, but theres another reason he likes reading the books so much. "Its a good series."
Gregory plucks the book off of his shelf and makes his way over to his bed. Tony follows him, and they sit side by side, leaning against Greg's pillow as he opens to the bookmarked page.
Tony's on Gregory's right side, meaning that Tony has perfect view of his face scar when he leans down to see the pages clearly. He sighs out his nose, trying his best to ignore it. Greg's obviously uncomfortable with it. He thinks. He doesnt need to tell me. I dont need to know.
While Gregory is finding their last page, Tony thinks about how hes never told Gregory how he got his own face scar. The thin pale line on his right cheek.
But then he remembers that he doesnt need to tell him, because Gregory already knows how Tony got the scar.
"Here." Gregory rips him out of his thoughts, pointing at the page. He clears his throat, and Tony tries to ignore the proximity, and how Gregory's face scar is in his peripherals.
"I looked around to make sure we were alone." Gregory starts reading. "Then I leaned in close and whispered: "My Achilles spot. If you hadn't taken that knife, I would have died.
She got a faraway look in her eyes. Her breath smelled of grapes, probably from the nectar. "I dont know, Percy. I just had this feeling you were in danger. Where...where is the spot?""
The word knife makes Tony think again, even when he tries to pay attention to the story. Tony's own face scar was made by a knife. His eyes dart back to Greg's cheek.
"I wasn't supposed to tell anyone." Greg's voice echoes in his room. "But this was Annabeth. If I couldnt trust her, I couldn't trust anyone.
"The small of my back.""
"Greg." Tony interrupts impulsively, not tearing his eyes away from the discolored line on Gregory's face. Gregory stops reading, twisting his neck to look at him. When Greg looks him in his eyes, Tony switches his gaze to look back. "Uh... can I ask you something?"
Gregory seems to deflate a slight bit, but Tony only notices because he's watching closely.
Greg sighs almost soundlessly, then: "My scar."
Tony jolts, his eyes wide. He glances to the side. "Oh, um--"
"I know that's what you're going to ask about." Gregory interrupts. Tony risks a glance back, the inklings of guilt in his stomach, but Gregory doesn't look angry, upset, or uncomfortable. Just kind of resigned, but in the least worst way. "Its okay."
Gregory shuts the book, only pausing to place the bookmark back in. "Is it okay?" Tony asks. He wouldn't want anyone prying for answers about his face scar. He hopes that Greg wont mind as much because its Tony.
"I see you looking at it all the time." Gregory tells him, shifting in his seat to angle his body so he's fully facing Tony. Tony forces himself to look him in the eye. "I know how you are. It's probably killing you, isnt it?"
Tony tries not to let his jolt show at those choice of words from Gregs mouth, and he nods. "Sorry." He apologizes. "I just--"
"You cant stand not solving a mystery." Gregory interrupts again. He fidgets in his seat. "I get it."
Tony doesnt respond again. He just stares, and watches how Gregory is looking away from him when it falls silent. He looks at how Gregory's face is tilted so the scar is in perfect view for Tony, and how his fingers fidget with the strap of his watch and how his knees seem to tremor ever so slightly.
He waits. In the silence, he can hear the TV in the living room droning on through the walls. He can hear the barely audible exhaust from cars from outside. He can hear his own heartbeat in his chest, and he can feel his own guilt for being excited to be told.
"Its..." Gregory's voice is jarring in the silence. He looks back at Tony, and there are lines under his amber eyes. "Its not a fun story. Might... might remind you of some things."
Gregs eyes had darted to the right side of Tony's face when he said that, and Tony's brows raise. He's suddenly hyper aware of his own face scar.
He looks at Greg's, sharp and large and jagged. It dips in his skin around his jaw, and it makes the skin around his left eye stretch differently. Its darker against his tanned skin, and Tony sighs out. "That's okay."
Tony doesn't notice how Gregory never worried about trusting Tony.
"Vanessa was like me." Gregory jumps right in. "She had a knife, and I just woke up with no memory, and she just..."
He trails off, making a slashing motion with his hand. "I barely got away with my life." He says, his voice slightly wet. "If I was just a little slower..."
His eyes get faraway, and Tony, in between his shock and taking that in, bravely reaches out a hand and sets it on Gregory's fidgeting one.
His hand is warm against Tony's icy fingers, and it's enough to bring him back to reality. He gasps a little, and Tony catches that same expression that he used to think made Gregory look so young a year ago.
Tony doesnt bring up his own scar, because he knows Gregory knows how it came to be. It was from a knife, too, and Tony barely got away with his life.
Greg's other hand has been raised to his face, where he messes with the scar on his cheek. Theres a few fleeting moments where Gregory and Tony look at nothing but eachothers eyes, and it feels like it lasts hours.
Tony sees how Gregory unsubtly looks away from Tony's eyes to his right cheek.
Gregory's fingers twitch under Tony's hand. Tony watches Gregory remove his other hand from his face, reach out, and barely brushing against his skin, poke the spot on Tony's cheek.
"We match." Greg says, soft as silk. He smiles, but it looks pained.
Tony cant find a response in him, he just keeps staring, and realizing for the first time how Gregory's right.
It feels otherworldly, Tony thinks, or fictional, how Tony and Greg somehow have matching scars on their cheeks that are parallel to eachother. It reminds him, boldly, of how Freddy and Bonnie have parallel matching earrings.
But they were designed that way. Tony and Gregory somehow got here by chance. Are they this way because of the worlds design? Is it fate that both their cheeks were marked by that thing?? That the fact that they have scars at all tells that they're still here? That Tony would look in the mirror and stare at the pale line on his face in-between it all to remind himself that it was all real, and his theories weren't far-fetched? That he wasnt going mad?
"I have another," Gregory rips him out of his thoughts, tapping on his hand, and Tony realizes his eyes were unfocusing. "on my stomach."
Tony feels a surge of panic when Greg lifts his shirt, but he looks back from where he averted his eyes to where Gregory is pointing.
Theres a gathering of skin on his stomach. It's long and horizontal, almost diagonal, and discolored like his face scar. It's a line, Tony realizes. A big one. Tony's mouth parts, and he looks at Greg's eyes.
"When I freed her." Gregory looks away. "She got me again."
Tony doesnt respond, he just looks at the bunch of skin on Gregory's stomach. It obviously used to be a stab wound. One of Tony's biggest fears is stab wounds.
He shakes his head, clearing his throat and trying not to stutter. "I have one." Tony says. He shrugs off his jacket, tossing the green corduroy at the end of the bed, and he rolls up the sleeve of his raglan tee.
"Y-- Rab got me." Tony says, pointing at his bicep, where just under his shoulder on the side, theres a thick, long slice. He feels it with his finger, and it dips in the skin, dark like both of Gregory's are. "He tried to stab me in the back, but I dodged."
Greg stares at it for a long time, and his eyes look infinitely more tired.
He eventually shifts, and uses his other hand (the one not beneath Tony's) to move his hair out of the way near his temple. He tucks it behind his ear, pointing at a small scar right at his hairline. Its almost lined up perfectly with the corner of his eye. "One of-- Rabs lenses shattered, once." He explains. "It almost blinded me."
Tony sighs through his nose, feeling his eyebrows furrow.
Theres so many. Gregory has so many scars littered around his body.
Tony squeezes his hand.
He shows Gregory more scars of his, which are few. He eventually gets to the old childhood ones with funny and embarrassing stories attached to them, and he stops giving Greg room to reveal more of his scars. Tony can see little light lines and dots scattered around his arms and hands, and another bigger one peeking from under his shirt sleeve, but Gregory never gets to tell the stories of those. Tony just tells him about how the scar under his chin is from tripping at the pool when he was eight, and that the one on his ankle is from a scooter rearing back at him from a failed trick when he was nine.
Greg doesnt try to unearth all of the scars hes collected again. He just laughs at Tony's stories until tears prick his eyes, and the book sits un-re-opened next to them as the sky darkens outside Gregory's window. The lines under Gregorys eyes recede, and Tony's shirt sleeve starts to fall back down his arm.
Through it all, Tony never moves his hand from on top of Greg's, and Gregory doesnt move his either.
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officialspec · 6 months
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ill be honest as much as i love to criticise the use of fatphobia for comedy ill never be able to hold the fatphobic jokes in kung fu panda against it
like yea those movies are guilty of dipping into The Usual Tropes for a cheap laugh but not only is the character writing for the fat characters the strongest and most sympathetic ive Ever seen literally just the character designs of the pandas in the 3rd movie get me choked up sometimes. theyre all so appealing and clearly treated with the same care and attention as everyone else without copping out and making them Barely Fat. po is already a size that doesnt exist in film protags and hes still the thinnest person in that whole village and that meant a lot to me
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tangeerin · 25 days
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Lord Shen.
Me inspire en la frase "A red sun rises, blood have been spilled this night" de Tolkien.
Hay algunos detalles que faltan corregir pero no tengo la paciencia de hacerlo.
Este es el dibujo que más me costó hacer.
No tengo idea de composición ni nada de esas cosas. Lo que hice lo hice porque según yo de veía bien.
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katapotato55 · 10 months
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how to make your writing be remembered forever and possibly be well loved.
(incredibly stupid and silly fanfiction line at the end of this post) I know that title is incredibly daunting but listen, its very simple. you ready?
MAKE STRONG CHARACTERS
"but kat! surely its not that simple! " nononono listen. bear with me. I want you to think of your favorite thing. Now ask: what do you remember the most about the thing you love? I will go first:
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I love team fortress 2. and guess what: this game has been around since 2007, and was in development hell since before I was even born. The game has been around for 16 fucking years. And guess what? in the strong year of 2023 team fortress 2 Is STILL getting memed about. and do you want to know the crazy part? the character designs to the naked eye are not special at all. ok sure from a designer standpoint, these are very well designed characters made so that you can easily tell who they are based on their silhouette. but from the average joe.... tf2 is iconic but overall it looks ok. it doesn't seem special to a stranger to tf2. look at this completely random and arbitrary example of a game in the same genre:
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I don't know shit about the characters in overwatch. Yeah i have a BASIC idea on what their personality is like based on voice lines and some videos i guess... but in-game they just exist. these characters are brightly colored, they have beautiful unique designs, hell they have even more diversity such as robots and people from other cultures! but i don't remember shit about these characters. Maybe I remember the ice lady and tracer, but nothing else. and yeah part of overwatch struggling right now is incompetant development, BUT: The characters in team fortress 2 are SO remember-able because the characters have such a vibrant personality. I am an orange box owner, its been a decade and a half and I am still remembering this game and enjoying art about it.
"but kat! that is a comedy game! Overwatch is a very serious game! are you saying comedy is needed to make a character more noticeable?" no. though I think allowing your characters to lighten up every now and then would humanize them. Not full on goofy, just give them something that makes them likeable. and if you cant do that, you can STILL make a compelling character even though they are mostly seriousness. I have an even more awfully thought out example:
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kung fu panda is a masterclass in making a serious comedic movie somehow work. Master Oogway.... he isn't a comedic character at all. Yeah we made memes about him, but ignoring that, he is a wise and resourceful person. He is at calm and has faith in this intuition. there are a lot of characters like this. What makes Oogway stand out is that he is also a little bit kooky and sassy.
youtube
this youtube clip sums up what I mean. It is a funny line, it fits the character, and It doesn't ruin the seriousness of the moment. Some of the most successful series in history have something about them that has appealed to people. In my opinion: characters with strong personality and interesting traits is always a good way to ensure your writing is successful. The second most important is the characters bouncing off of each other in terms of their chemistry with each other. There is a reason why I spent years playing the first Destiny game and all of the DLC, but I remember fuck all about the characters. I think I maybe remember the bootleg star lord robot guy.
A writing exercise
here is an exercise to get you in the spirit of character making. step 1- get a random character from a random bit of media. In this case let me bring you master Oogway. Step 2- Get a completely different character from a completely unrelated series. I am going to give you Scout from team fortress 2. step 3- write a random ass thing about them interacting. Think about how the characters would react to each other and why. Think about each characters values in life and think about how they would bond and conflict with each other. Think about characters similar to the character they met in the past and how they reacted then, and if they have never interacted, make something interesting with it. Step 4- keep experimenting. Once you get into the spirit you can apply this to any new character you could want to make anyways thats it byeee- "arent you going to do that ?" do what? "make a writing thing about oogway and scout. " ........
Scout: let's go turtle you got nothing on my speed- Oogway: The one who first resorts to violence shows that he has no more arguments. Scout: that sounds like chicken talk! come on tough guy let me have it- Oogway then proceeds to make scout eat shit before vanishing in a cloud of cherry blossoms and dust from the desert. If this post isn't popular I want you to know my dignity was lost for nothing.
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astridianmayfly · 2 months
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radioapple’s final form is whatever queerplatonic co-parenting thing Po’s two dads in Kung Fu Panda 4 have going on
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adobe-outdesign · 18 days
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Kung Fu Panda 4 Rewrite Thing
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Been chewing on this movie for a while now and wanted to take a shot at improving it. Some parts are a bit rough but I think this gets the general idea across.
As a rule, I'm trying to keep most of the characters and elements/plot beats in place rather than spinning things off in a completely unrelated direction. I also am aware of the restrictions placed on this movie, such as an unwillingness to rehire high-profile VAs and runtime limitations. This is just meant to be a "what if" kind of thing. That said:
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We open with a stylized sequence of Po telling the story of his and the Five's latest battle. As it ends it's revealed he's at the grand opening of Mr. Ping's brand new bigger, better noodle shop location, talking to the customers.
As one of them asks where the Five are now, Po explains that they got summoned to their own individual missions, but they'll be back soon.
(Yes I am still having them be MIA, as Po needs to be alone with Zhen for part of the movie. However, they'll only gone for the first part of this rewrite and for a very specific plot-related reason.)
(The thing with Po needing to give up his title of Dragon Warrior makes no sense for multiple reasons, so let's just drop that plot point entirely. I get that it's meant to tie into the "change" moral, but I'd rather have Po imparting this lesson onto Zhen instead of learning it himself, as otherwise it undermines the character growth he had in 3.
Also, Po isn't carrying the staff around with him constantly in this rewrite, as it looks a bit silly and isn't plot relevant here.)
A messenger shows up to report that the Jade Palace is under attack. Po decides to rush over just in case Shifu needs backup... which he does, because he's being kidnapped in a small one of those magic-proofed cages from the actual film.
(Shifu being kidnapped was tossed around in the writing room originally and I want to keep it in this rewrite because it A) gives Shifu something to do, and B) I want to allow Zhen to openly be working with the Chameleon in order to help flesh out her character and avoid the lackluster plot twist, meaning she'll need new leverage against Po later on.)
The figure behind the kidnapping appears to be Master Elephant, which confuses Po as he's been missing for several months. Right as he's about to land a finishing blow, the figure shape shifts into Master Chicken, throwing Po's attack and resulting in him getting a bad head injury. He does his best to pursue the attackers, but can't keep up. Dismayed, he returns to the Jade Palace...
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...And finds Zhen trying to steal something, using the commotion outside as a distraction. Po fights, but he's still badly injured and can't give it his all, resulting in Zhen being able to slip away with her prize—a dust bunny from under the furniture. Po is baffled.
(Side note: I would probably redesign Zhen so she actually looks like she matches the other characters' style, but I digress.)
Feeling dismayed, he returns to the noodle shop, where both his dads work on treating his wounds and comforting him. As Po explains what happened, Mr. Ping mentions that customers have been circulating rumors about a shapeshifting sorceress in Juniper City. Po decides that that's where he needs to go, promises his dads he'll be safe, and leaves.
(I'm cutting Mr. Ping and Li's subplot, because as much as I love them they don't really add much to the plot. It also feels like it goes against Mr. Ping's characterization in KFP 1 and 2 in particular.)
This is where we can have the scene of the Chameleon vs. the crime bosses. This can mostly stay the same except one of the bosses attempts to attack her when she shape shifts, causing her to retaliate with a magic-based attack. She also needs to straight-up kill the guy to establish her and her sorcery as a legit threat.
Po arrives at the Happy Bunny tavern to look for a ride to Juniper City. As he talks to Fish and Chip, he notices Zhen nearby doing some black market trading with Granny Boar to obtain a white feather. Po confronts her and she tries to run out with the feather, causing the boar family to pursue in a big fight scene.
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Po and Zhen manage to escape, Zhen stashing the feather. Po threatens to have her sent to jail, but Zhen confirms she's working for the Chameleon and can lead Po to her so he can rescue Shifu. Po dislikes this situation, but has no choice but to agree.
(Unlike in the actual film, I would make it so her lair is hidden in some fashion; magic that keeps it camouflaged would be appropriate for a chameleon, or it could be underground or hidden behind something. Regardless, it should be impossible to locate without Zhen's assistance.)
On the boat ride over to Juniper city, Zhen says that she has to "obtain" one more item from the local history museum or she'll be in big trouble with the Chameleon. Po doesn't like this detour, but once again has no choice in the matter.
Po asks why Zhen would want to work for someone so obviously evil, and this is the point where Zhen admits she was adopted by the Chameleon and we get her backstory.
(I would establish that the Chameleon has an actual name, but only Zhen uses it. It shows that Zhen is closer to her than most, not quite seeing her as a mother but not fearing her enough to use her preferred title. Also, the Chameleon's the only KFP villain without a proper name and that bothers me.)
The backstory can be the same, but the part about her living on the streets and meeting the Chameleon for the first time should be merged into a single flashback.
Zhen says that Po couldn't understand, but Po reveals that he's also adopted, and that he probably would commit some noodle-related crime if his dad asked him to. Still, Zhen insists that people don't change, and that includes her.
They arrive at Juniper city (Po is impressed at its size but he very much is not acting like he's never seen a city before). Zhen covers up her muzzle and tucks her tail under her clothes so she won't be recognized.
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Zhen is ready to break into the museum, but Po says that he's got this and goes up to the guards to tell them that he has some official Dragon Warrior business to take care of and will need to borrow some ancient artifacts.
Unlike in the actual film, everyone ready acknowledges him as the Dragon Warrior. The guards are more than happy to loan him whatever he needs... until Zhen's tail pops out and the guards recognize her, prompting them to attack.
During the scuffle, Zhen uses a chi blast to knock back one of the guards, but almost gets taken out by the other guard coming up behind her. Po defends her but gets mildly injured as a result.
After the fight, Po asks about the chi move and Zhen states that the Chameleon taught her the basics.
Zhen confirms that the Chameleon is a master of chi, and that the sorcery she uses is a specific type of chi manipulation.
(The reason I'm connecting chi to her powers is that it makes them feel a bit less out of left field, and helps 4 feel like a logical progression from 3.)
Zhen admits that she's not very good at using chi, but Po points out that it took him years to use chi in battle. He also compliments her on her kung fu, and she confirms she's self-taught.
(In this rewrite, Zhen is good at fighting but not quite at the level she is in the actual movie. This is to address the issue of who taught her if the Chameleon doesn't know kung fu.)
He takes a moment to give her a few pointers, which causes her to ask why he took that blow for her earlier, figuring there's a catch. Po just says it's the right thing to do, but Zhen is skeptical, figuring he only did it because he still needs her to lead him to Shifu.
The reminder of Shifu prompts Po to move on, and they grab the item Zhen was after, a 500 year old set of blades, then run for it.
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Po and Zhen arrive at the Chameleon's lair, and Zhen shows Po how to get inside and tells him where Shifu is being held. She says that she'll take the items to the Chameleon, which will distract her while Po breaks him out. Po thanks her, and the two separate. Zhen warns him of booby traps on the way out.
There are indeed booby traps, such as those saw contraptions from the actual movie and a bunch of guards. It takes Po a few minutes, but he eventually gets through them.
Po finds Shifu being held in a dark room. Shifu is glad to see him, but warns him to be careful as the Chameleon's likely not far away. Po explains Zhen's distraction and moves to free him... only for a cage to fall down and trap him as well.
"Shifu" is then revealed to be the Chameleon in disguise, who slips through the bars via shape shifting into a mantis and thanks Zhen for her help. Zhen apologizes to Po, who's naturally upset ("I mean, I know you were evil, but I didn't think you were THAT evil").
Zhen hands over the three items she collected, and it's confirmed what they are: a dust bunny that contains a clump of Tai Lung's fur, a feather from Lord Shen, and a pair of blades once wielded by Kai.
Po mistakenly interprets this as the Chameleon being a collector of kung fu memorabilia and tries to chat about the Jade Palace's collection, much to her bafflement.
The Chameleon explains that a trace of a person's chi remains long after their death, and demonstrates by doing The Tongue Thing on Kai's blade, stripping its chi, and immediately taking his form.
(As you may have picked up on, this rewrite removes the spirit world elements entirely. While they are really interesting, I think cutting them is the best option because:
1. There is so much plot involved with bringing Po's old enemies back that you could make that an entire movie in and of itself. It's hard to do it justice when you're cramming it in around the edges of this movie.
2. It makes the Chameleon too similar to Kai in terms of abilities.
3. Having her rely on stealing other's kung fu makes her come across as weak despite being a powerful sorceress.)
Po asks her if her goal is to take over China, but she says no; she just wants to end the practice of kung fu for good, and prove that sorcery is the superior option. To prove it, she has Shifu brought in.
While having your chi stripped does not remove one's kung fu abilities in this rewrite, it is still removing part of one's life energy and thus weakening them severely for a period of time—ergo, Shifu is still unable to fight at his best. Still, he manages to hold his own.
Instead of using kung fu, the Chameleon relies on the brute animalistic strength and inherent abilities of the forms she takes, switching whenever she's loosing to keep her opponents on her toes and even transforming into Shifu himself for a period. She also uses a few chi-based attacks.
Just when it looks like Shifu is about to win the fight, she uses her tongue to strip the chi from the fur clump, taking the form of Tai Lung. Shifu is so shocked and distraught that he fails to attack, allowing the Chameleon to land a serious blow.
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She returns to her original form and states that when the blood moon has risen, she will battle and take down every master in the middle of Juniper city, where everyone can learn just how useless kung fu and the people who teach it are. She leaves Po in his cage panicking over Shifu, who's unresponsive.
Zhen follows the Chameleon outside, where we get the "does the blood moon always rise so slowly" gag. Noticing that Zhen looks troubled, she asks what's wrong, and Zhen talks about how Po encouraged her to do the right thing. Even though she's been told that kung fu masters are elitist, selfish people, she couldn't see any of that in Po.
(Side note: I want to establish in this rewrite that while the Chameleon will claim up and down that Zhen is only a pawn for her to use, she does care about her to some extent, even though probably loathes the fact she does. For example, when talking to Zhen here, she might pick some rubble out of her fur or something to show there's a teeny tiny bit of actual affection hidden there.
The reason for this is that all other KFP villains have had an emotional anchor—Shifu for Tai Lung, Shen's parents for Shen, and Oogway for Kai. The Chameleon being abusive but having some real love for Zhen and Zhen struggling with her gaslighting adds a lot more depth to both of them.)
The Chameleon finally reveals her backstory, which should be told in a hyper-stylized way à la the flashbacks in KFP 2 and 3. Just like Zhen, she grew up on the streets as an orphan, broke and starving. She admired kung fu greatly and wanted to learn it, but everyone turned her away for having no money to pay for lessons.
One day, she found a shiny jade amulet on the streets that someone lost, finally giving her a much-needed break. She is able to use that money to enroll in classes.
The problem was that while the money changed her financial status, it didn't change the way people saw her. Her master still considered her a lowly gutter rat and treated her as such, verbally insulting her and beating her down during training sessions. It's very much like how Shifu treated Po in KFP 1, except worse, especially because the Chameleon is a small and fragile animal.
Finally, during one training session she became too injured to move. Her master told her to quit and started to walk away, only for her to grab his leg with her tongue to trip him up. However, at the peak of her self-loathing, she instead discovered her chi stealing abilities and transformed into him. It's not shown, but it is implied she killed him.
As the flashback ends, the Chameleon shifts into Zhen and tells her that no matter how much you change, you can't change the way other people see you. Siding with Po, she says, will only get her hurt. Zhen nods and unexpectedly hugs the Chameleon, telling her she knows, and runs off.
Cutting back to Po, we see him frantically trying to break the bars of his cage. Zhen comes forward and drops down on her hands and knees, apologizing for everything. Po says that she came back, and that's what matters.
She reveals that the "hug" was actually just a way for her to get the key off of the Chameleon, and she uses it to unlock Po's cage. Po runs over to Shifu and he and Zhen heal him with chi, and we get a callback to the "I'M NOT DYING YOU IDIOT" scene from KFP 1.
However, while Shifu's not dying, he is very badly injured and can barely walk on his own. Po asks how they can take on the Chameleon and her army with just three of them, but Zhen holds up the key and suggests they get an army of their own.
Running downstairs, Zhen reveals where the other masters are being held. To Po's shock, the Furious Five are among those captured. Tigress confirms that the summons they received were traps laid by the Chameleon, and she already has their forms.
Also down there are the other crime bosses, as it feels like they just disappear in the actual film after their scenes.
Zhen only manages to unlock the Five's cages before before the Chameleon snatches the key back with her tongue, revealing that she knew Zhen was lying to her. Behind her, her army assembles.
Tigress confirms that that the Five will take on the army, and Po faces off with the Chameleon one-on-one. She strips the feather and uses Shen's form to fly up and take the upper ground, trying to kick a cage onto him. Zhen helps deflect it, and the Chameleon tells her to stay out of the way. Po and her continue to battle.
Despite Po's best attempts at blocking it, she does finally stick him with her tongue. He grabs it and throws her a distance in her fragile base form, injuring her but still giving her some of his chi in the process.
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The Chameleon takes on Po's form next, and we get a fight similar to the one in the movie, though once again with her using less kung fu and more magic and physical attacks.
She mentions how she was rejected and tries to tell him that he should be on her side, because a bit fat panda like him must have been treated just as badly as she was. Po denies this, but Shifu admits it's pretty accurate. Po says he's not helping.
Po admits that she has a point, except she forgot one thing, and we get a callback to the "I'm THE big fat panda" moment from KFP 1.
The two attack at the same time. As the dust clears, it's revealed that neither are doing great—Po has gotten a lot of little injuries and the chi stealing has weakened him. The Chameleon is struggling to shapeshift at all, with the attempt causing her pain, and instead settles for trying to blast him. Zhen steps in and manages to redirect the attack back at her.
The Chameleon takes the blow and ends up back on the floor as a parallel to her flashback. Zhen reaffirms that she disagrees with her worldview—people can change, and she's going to prove it. If the Chameleon wants get to Po, she'll need to get through her first.
The Chameleon kind of laughs this off at first before realizing she's dead serious. She states that Zhen isn't even good at fighting, but Po disagrees, giving Zhen a confidence boost. The Chameleon struggles to her feet as if readying an attack, everyone braces themselves... and she surrenders, too injured to fight and unable to bring herself to hurt Zhen.
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(There are a few reasons why I think her surrendering makes for an interesting defeat here:
1. There's no spirit realm portal to yeet her into in this version;
2. There's only so many times Po's enemies can be yeeted directly into the spirit realm before it gets old;
3. It adds character depth, and;
4. It ties back nicely in to the theme of change and that it's never too late to do the right thing.)
Zhen helps the Chameleon up, Tigress does the same for Po, and Monkey does the same for Shifu. The five reveal that despite being exhausted, they still managed to wipe the floor with the Chameleon's army, which Zhen thinks is incredible. Po introduces Zhen to them formally, and Shifu asks if they can save the introductions for after they get medical treatment.
Later on, Po (carrying the staff Oogway gave him) approaches Zhen, who's sitting under the peach tree by the Jade Palace. He asks her if she's doing okay after everything that's happened. She says she's alright, but is pretty scared of what's going to happen next, given that the Chameleon's in jail and she has nowhere to go.
Po reveals that him and Shifu have been talking, and he plans to open a new school as part of the Jade Palace that will offer free kung fu lessons to anyone who's interested in learning. Zhen asks if there are any spots open, and we end similar to the actual movie, with her training alongside the five.
the credits still end with the Jack Black cover of Baby One More Time because it slaps
133 notes · View notes
morallyinept · 5 months
Text
Thrash Metal - A Dieter Bravo One Shot
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Summary: When you arrive home, Dieter has a surprise for you.
Pairing: Dieter Bravo x F!Reader (No name or physical description of reader. It’s you, bub.)
Word Count: 5.4k-ish
Scoville Smut Rating:🌶️🌶️🌶️ “You tell me I’m doing well, and then, you try to kill me.” 
Check out my Scoville Smut Ratings here.  
Explicit - Oral F receiving/fingering/anal play/squirting/lots of spit & saliva/masturbation/mild dirty talk.
NSFW. MINORS DNI! OVER 18’s ONLY. YOU ARE SOLELY RESPONSIBLE FOR WHAT YOU READ. ☝🏻Don’t come at me; you’ve been plenty warned.  
Author’s Note: Dieter, what dat tongue do? 👅 Alright, he's heeeeere. Tongue pierced Dieter. Woot.
Tagging @for-a-longlongtime @sp00kymulderr @ravensmadreads @whatsnewalycat @agentjackdaniels @chronically-ghosted because of stud-gate this week 😜
Has Frankie found a contender for title of 🐱👑??
MASTERLIST | DIETER BRAVO MASTERLIST
Enjoy! 🖤
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“D, has something happened to your teeth?”
You narrow your gaze at him as you regard him standing before you, and there’s something... off.
He shakes his head. But keeps his mouth closed.
“Oh shit, you’ve not lost a tooth have you? Let me see.”
He shakes his head again; that fluff on his crown swaying, and steps back from your reach deliberately.
“Uhm-uhm.” His lips are rolled tight against each other.
“Dieter, what's up with you? What’s wrong with your mouth?” You say, trying not to smirk at his odd behaviour. But then again, that’s a fucking understatement where Dieter Bravo is concerned.
You’ve been back all of five minutes, jet-lagged to hell and needing a shower, and already there’s some quirky drama unfolding before your eyes.
Attempting - and failing at - nonchalance, he had greeted you with a seemingly forced smile as you stepped in the bedroom with consternation brewing around your temples, but his rapid eye blinking betrayed the subtle nervous energy lingering beneath the surface. It stopped you in your tracks as you lugged your case in.
You knew immeadiately something was up.
And as you try to engage in conversation now, his attempts at passive behaviour are punctuated by occasional fidgets, a breakdance of twitches that hint at a hidden unease, an untold secret.
The same look a dog gives you when they’ve shit all over the floor.
“Are you high?” You question speculatively. Ask a stupid question and ye shall receive a stupid answer, right?
The bedroom echoes with a delicate, yet rabid symphony of Dieter's astute nervous ticks - a restless tap of the foot, a darting glance toward the window and back through red, tired eyes; a momentary pause as he tries to control the involuntary movements. Fingers cracking silver metal bands against one another.
Despite his efforts to appear at ease, there's an undeniable undercurrent of tension, like a tightly wound spring threatening to unravel. A constant hungover spiral in his eyes.
Then Dieter shrugs with a lazy eyebrow cock and sheepish smile. Busted. He’s probably been high all fucking weekend.
You giggle. “What have you been up to?”
You cast your eye about the bedroom, nothing too telling or untoward to witness. The bed is unmade, nothing new there, and there’s no evidence of any bodily fluids in lumpy puddles that you can obviously spy.
When you ask the question, the room becomes a stage where he struggles to perform the role of casual indifference anymore; a two and fro between concealing and revealing the subtle nuances of his nervous twitches.
Do you even want to know?
But then, he beckons you over, with his two fingers and a smile that keeps his lips sealed shut like gummy glue.
He’s not said a word to you. Not even greeted you when you came in, despite you calling out to him repeatedly like a parrot. Just standing silently in the bedroom waiting for you.
An oversized sweatshirt, with the sleeves bunched around the elbows, hangs off of him. Baggy Harem pants sit lazily on his paunchy waist, with a pattern that makes you dizzier the more you look at it.
Hard to believe sometimes, that this man is an Emmy nominated actor, and not some vagabond that’s crawled in off the street looking to warm up.
He looks wildly uncouth, like he’s just rolled out of bed, and probably has, you deduce. You've learned that Dieter, although a fully grown man, doesn't do much when you're not around.
Almost like he's lost his inner compass and twirls in stuck circles of bad decisions, waiting for you to come back and set his navigational dial right again. You're his magnetic pole.
His hands are knotted behind his back and channelling an innocent little boy, rocking back and forth on his heels, who’s just done something suspiciously naughty. Like throw up in your Louboutins again.
Dieter doesn't answer your questions. He just offers nods or shakes of his head, with puzzling mmm’s or uhm’s being tossed at you, as you regale him with ranty anecdotes about your flight back from hell.
But you soon catch on that all is not well in the Bravo mansion as he remains suspiciously tight lipped.
“You’re being weird, why are you being weird?” You narrow, as you reach him.
You don’t want to panic or suspect the worst, but he’a giving you little recourse as it prickles at your scalp.
Past experience tells you that each time you leave, you come back to some sort of carnage. The man can't help it; anarchy sticks to him like Peter Pan's shadow. And Dieter has never been truly ready to grow up and vacate Neverland.
You feel his arms wrap around your lower back, his chest presses taught against yours as he pulls you in. Stacked shoulders mountain over you as one of your hands peak the summit, squeezing gently. You reach under the hem of his bobbling sweater with your other and rub his soft tummy affectionately.
“What did you do this time?” You probe looking into his chocolate browns. They’re a little tired and bloodshot. Puffy, with aging skin dried out a little up this close.
Dieter waggles his eyebrows and then leans in for a welcome kiss.
You avoid it, swerving, as he grazes your cheek; his breathy chortle ebbs out from behind his teeth clamped shut.
“I’m on to you, Mister. Something’s incredibly awry here.”
Smirking, he growls at your playful resistence, grabbing your chin and planting one on you, and your resolve instantly melts down your legs.
You moan gently as he places his lips on yours, delicately at first. As you inhale, he smells like Rasinettes, peculiarly. Dieter plants soft, little pecks that morph into hungry nips, and they soon have you wrestling for the deep trench of his mouth.
God, you've missed this quirky doof.
You slip your tongue in; your hands in the nape of his neck. Fingers curling around the unruly fluff there, matted with styling product that’s probably days old.
He whines into your mouth, clutching onto you tightly with a strength that lights fireworks inside your chest.
His warm tongue slithers against yours, and you gasp when you feel something cool and hard run across it suddenly.
You baulk, breaking the kiss.
"Is that... what I think it is?” You question, bewildered and instantly smirking.
You watch as the pale, pink flush of his lips shifts into the apples of his cheeks, lighting them up a neon magenta. Glowing, like a sleazy, back alley strip joint.
He didn’t… no way.
“Show me,” you cajole, your fingers trying to pull on his bottom lip eagerly.
Dieter slowly protrudes his tongue out at you; it's so long it reaches the end of his chin with ease. Towards the bottom of his tongue, nestled in the pink, wet velvet, lies a silver metal ball.
You start laughing. You can’t help it. It kind of just rolls up the back of your throat and out into his sheepish face.
Then he laughs, his hands rubbing up and down your back. His nails cragg down against the fibres of your top, your spine, and entice your nipples to wake up and pebble in response.
You can see your reflection in it; a cleverly crafted, hidden secret which you can’t stop staring at, despite your animated heckling.
He sucks his tongue back in and you shake your head incredulously.
“Are you having a midlife crisis?” You ask, trying to compose yourself.
He shrugs as though it’s no big deal. “I was high.”
You notice his speech is a little slurred. The foreign invasion in his mouth is somewhat difficult to navigate around basic colloquialism it seems.
Dieter with a lisp is inherently cute, you decide. You can feel your skin coming alive with goose bumps as a wave of delightful shivers dances along the hairs on your arms.
Eager neurons fire, creating a wave of exhilaration. It's a visceral experience, a fusion of giddy butterflies and a magnetic pull towards the rogue source of your body amping up - that darned piercing.
Every heartbeat seems synchronised with the rhythm of your sudden enthusiasm for it, orchestrating a melody of hedonistic anticipation that resonates within your sweat glands as you feel it trickle across the back of your neck and under your arms.
Your clit is standing at full attention.
Your mind is polluted with lewd imagery on a static screen, and you want to pause them all and zoom in so you can get off to them. The bedroom suddenly feels stifling.
“Let me see that again.” You sway.
Smirking at you, Dieter’s tongue rolls out of his mouth once more and you examine it closely.
The slight dip and rise of the barbell certainly hints at some drugged up rebellion. You can only imagine the state he must have been in to embark on such a perilous, and stupid, endeavour. His agent will be pissed.
But you’re not surprised in the slightest that he’d try something wild like this. It’s almost as bold as the kiss print tattoo on his ass cheek. Fucking idiot.
“It’s coming out, it fucking kills, babe. I swear, I’ve chipped a tooth already.” The rhythmic clinks of the stud against his gnashers creates a distinct soundtrack to his words.
“Can you see?” He opens wide and points to his back molars. “Ack ere,” he mouths.
“No, no chip.” You confirm. Nothing but pink gums and filled molars.
“You sure?” He sucks in around his cheeks ungraciously, like he’s got wadding in his mouth from a horrific visit to the dentist, and is trying not to drool from numbed out lips.
“D. Why did you do this?” You ask, pecking at his scruff and nuzzling into him.
He shrugs. “I woke up with it three days ago... Went out. I don't remember. Can’t eat solids. I bit down on it and almost shit myself. Hurts too much.”
You can't help but titter again. “Then why didn’t you just take it out?”
And despite his inert melancholy, and some possible resentment about it, he shifts. His stance and his facial expression mould into something all too wildly familiar.
And you feel it too as he tunes into that x-rated channel hopping in your mutual, debauched hive mind to pick something he knows you'll both enjoy.
“Because,” he says with that shit eating grin getting wider “I heard it can be fun.”
As he speaks, the metallic gleam of the tongue stud catches the light, accentuating his confident, brash words with a hint of flippant audacity.
Yeah, baby. You know you want me.
Each subtle movement from the sly smile to the now thoughtful pause, draws attention to the unconventional accessory that whispers a sordid tale of some narcotic imposed masochism. Chaotic alignment in all its glory, punctured right through that fleshy muscle that clicks in his mouth at you.
Calling you out, persuading you to join the darkside, because your partner now has a tongue stud. Fuck.
“Fun you say?” You query with another smirk brewing.
“Yeah,” he tightens his grip around you and pulls you closer, fingers slipping down onto your ass. You can already feel what kind of fun hardening between his legs.
“For you, I mean.” Dieter clarifies.
You swallow and grin, and the room sways as you register the whiplash from such an impulse. Anticipation wraps around your veins like a tightly coiled spring, ready to release a burst of energy at the slightest trigger.
Your senses heighten, capturing every nuance in the air that crackles like electric. Time seems to stretch, elongating moments as you eagerly conjure and play out every scenario that can, and will more than likely go down.
And you can see he’s pulling it apart too. Mentally jacking off to the sights it envokes.
Your imaginations play like a vivid movie collection, building suspense with each scene of that infernal tongue, sheathed with a metal counterpart added into your foreplay.
It's a crescendo of excitement, a cacaphony of heightened awareness and the sweet agony of expectation that makes your cunt clench wildly.
“Are you telling me you mutilated yourself so you could eat me out with a tongue stud?” You put to him.
“Don’t act like you’re not intrigued, babe.” He sucks back the fluid pooling in his mouth again with a wispy slurp.
“Oh, you can colour me fucking intrigued, D.”
“I thought so.” He croons with that razor grin coming for you like a chainsaw.
He slips his tongue back into your mouth and your own vies for the stud, sliding over it smoothly, and waking something carnal with lacquer claws inside you.
Tongues flicking and sliding over one another, you can taste the herbal, ashy remnants of a probable joint on his. You suck on his tongue feverishly; each of you braying with one another to choke the other on those twisty muscles.
“Ah Jesus.” He whimpers.
“Did I hurt you?” You ask, pulling back.
You cup his cheek, fingers reaching to fiddle with his earring glinting in his lobe, affectionately.
He’s always had a flair for flouting the conventional. A man of his advancing age with tattoos and piercings has a great appeal. You often admire his body art with curious fingertips, or a swirling tongue that traces the patterns, making his skin shiver.
“No, that actually feels better. Do it again.” Dieter prompts.
You run your tongue gently around the circumference of the stud in his mouth as you kiss him once again.
“Mmm,” he sighs into your cheeks. “Yeah, like that.” His grip on you becomes tighter, desperate.
You suck gently on his bottom lip and he crushes your head in his giant hands, guiding you backwards, clumsily, to the uncouthly made bed.
His tongue licks deep to get more of that sensual relief from the aching pang, as your breathing muffles around his mouth.
“Fuck, you’re making me so hard,” he whines. You reach down and give him a gentle squeeze over his jazzy pants and another grunt tumbles out of him.
“You need something, D?” You tease, stroking the obvious tenting. There’s already a wet patch blooming into the material.
He catches his breath, his lips shiny from your kiss and nods his head quickly and excitedly. “But you first.” He smirks.
Your breath becomes a frantic, rhythmic cadence, syncing with the anticipation pulsating through you. The warmth between your thighs radiates, burning you up.
Dieter reaches for your jeans and tugs them down as you sit backwards on the bed. You jostle with your panties, almost comically as you fumble around your desperateness - the elastic getting caught round your toes.
You roll them up and chuck them at him. Catching them, he brings them to his nose and sniffs in deep, emitting a low growl. You watch, as he brazenly stuffs them into the front of his pants, wrapping the flimsy silk of them around his cock.
He jerks himself, once, twice, three times with them before climbing in between your now spread wide legs.
“What a welcome home,” you grin as he smooches up your inner thigh.
He eyes your cunt, sopping and glistening at him. “Touch yourself,” he mutters.
He sucks the saliva down his throat again and it makes you giggle rambunctiously at the sound.
“It’s.” Kiss. “Not.” Kiss. “Funny.” Kiss.
“It’s a little funny.” You titter as his dark eyes flick up at you, hungrily.
Your fingers find their way, slipping into your folds as Dieter hums out in praise as he continues kissing up your thigh.
“How good does that pussy feel?”
“So good.” You moan as you slip over your clit and feel the delicious pang of sweetly mixed pleasure that aches. "I'm so wet for you, Dieter."
“Yeah, you’re soaking.” He agrees, gawping at it, lips dragging closer. "All because of this?"
You watch, in breathless awe, as he rolls his tongue out again; the gleam of the stud flashing at you, and then disappearing from sight as he lowers his head.
You hitch your breath in anticipation, your own fingers removed from your apex, and waiting eagerly for the moment.
You can feel his breath, so warm and moist against you already. So fucking close, but he lingers.
You feel him blow gently and you shudder with the alternating warmth and coolness against you.
“D! Don’t tease me,” you gasp.
“What?” He muses innocently as you feel his breath waft against your lips again. The very slight, tiniest probe of his tongue is felt at the bottom of your slit.
“Oh my God.” You whine.
You hear him laugh, snuffling around his breaths with his tongue still hanging out. A throaty wheeze reverberates as he tickles you ever so lightly, barely ghosting over you there.
Another tiny little prod of his tongue and he withdraws quickly. “You taste so good.” He moans, sucking in again with the hypersalivation.
“Please.”
“What, babe? Tell me what you want.”
“You know what I want.”
“I want to hear you tell me. Slut it up for me.”
You roll your eyes and sigh. “You want me to beg?”
“Yah. Pretty much.” He confirms with a smirk. “Beg me to tongue fuck you.” His eyes almost appear jet now. His fingers feel absorb into your skin. “Tell me.” He grizzles.
“I wanna feel your tongue fucking the shit out of my pussy, D.”
“Yeah!”
“Mmhm. I wanna come all over your face, I want to see it dripping down your chin.”
“Oh, that’s amazing, so hot! I love it when you squirt all over me.”
“Wanna see you soaked. Want to smell it in your beard...” You hum. "Fuck I want to taste myself in your mouth, D."
“Drown me in it.”
“Just please... eat me, Dieter!” You wail, reaching forward for his head and shoving it against your cunt in desperation.
He immediately clamps his mouth over your mound, and you feel that tongue delve into your folds. Running his lips over your outer labia, then wiggling that uneashed tongue deeper inside.
You feel the stud, probing against you in a contrasting coolness, despite it being nestled in the warmth of his plush mouth.
“Mmm, God.” You groan, fingering through his scalp; scissoring tufts of his ratty hair between your fingers.
You can feel the soft prickle from the scruff above his lips tickle and graze as he plunders in further, teasing the outer well of your entrance with the pointed tip of his tongue.
You hiss, head becoming slack on your shoulders; a weightless ball with no pivot, as you shudder.
He pushes in, fucks you slowly and deviously. Lapping, you can feel the stud rub deliciously against your honeyed insides.
“Mmm, fuck. I can feel it,” you smile blissfully. “Oh wow!”
“You like it?”
You nod dreamily, with blown pupils like you’re tripping balls. “Feels really good, D… ah yeah.”
He pulls you apart gently with his fingers, spreading you to reveal the shiny layers of glossy skin. Your clit’s raised and swollen out of its hood as he teases across the tip with the point of his tongue.
Then he lets you feel it; lets the ball of the stud roll over it with ease in a slippery stroke.
Your thighs twitch at the sensation. The slight weight of it - swift and fluid as it skates effortlessly in your slick - makes you groan deeply.
You watch it, how it brushes and knocks against you. Watch how he watches you back, knowing that he’s just utterly fucked your shit up.
“Fuck,” you gasp.
“Yeah? Watch me tongue you.” He smirks as he flickers back and forth, looking back at you with those deep browns.
Watching you watch him as he suctions his lips fully over your clit, sucking like a man starved of water in the desert. Then he lets it go, and flicks his tongue and the stud over that hard, buzzing nub again.
“Yeah!” You pant. "Yes, yes!"
Your eyes cloud over, your vision steams around the edges. It feels so good, so tight and bunching as the ball end runs delicious, chaotic circles around you, making your thighs ripple with each stroke.
Dieter pauses momentarily to swipe into your fleshy ribbons; strings of your slick break from his tongue as he pulls back and observes the mess he’s making of you, with your gloss smeared across his greying, prickly cheek.
You reach forward and run your thumb over his lip and suck it off, tasting yourself. He mouths the word fuck at you in stunned awe as you do so.
He’s relentless as you start moaning, your pants becoming strangled in your throat, fists wrenching in the sheets. Hips lifting and pushing further into his face to seek more, more!
God, you fucking need more!
He works you up with his tongue, relentlessly stroking, licking and sucking all over your saturated cunt. The tongue stud adding to the heightened sensations; the giddy thrill and pleasure of it all builds as glittery phosphenes start to blind you.
He knows you’re so close, so easy to shunt over that edge right now with a mere jab in your lower back. And you’ll be free falling, diving head first into an ocean full of electrical waves.
And he’s enjoying your show of moans and whispers of his name so much to deny you of a good push, or two. Hell, maybe even three.
Dieter speeds up, tongue going twenty to the dozen on your clit like it’s battery operated. The metal ball thrumming against you with just the perfect amount of pressure.
He only stops to suck you up; swallow the glassy slick that pools and leaves tracks, and then he’s settling back into that giddy pace of bubbling annihilation.
“God, your fucking tongue, D!” You wail beside yourself. Legs akimbo and up in the air as though they’re resting in stirrups.
He leans on his elbow, head cocked and resting against your thigh. Insipid tongue wiggling all over your clit ferociously.
You start shaking; your hole already contracting, yearning for his cock to squeeze around. Bearing down on an empty space as you clench and tighten; all of your coils about ready to snap.
And the son of a bitch knows it.
Dieter is wild; like a rabid dog drooling all over you. He shakes his head back and forth crazily as his tongue sweeps side to side over that juicy, swollen clit, humming in delight as he suckles and licks it.
He pulls on your labia, sucking and popping it out of his mouth in lewd squelches.
“Look at you, all spread open for me.” Dieter croons with that slick, sticky smile.
He spits on your pussy and you gasp, biting your lip as his eyes flicker up to you darkly.
He runs his saliva with his fingers all over your cunt. He holds eye contact as he leans in again and sucks on your clit; your body jerking wildly in response.
“Oooooooh fuck!” You cry. “Yeah, oh don’t stop…”
The tongue tornado he’s blasting you with now is making you shake and see ultraviolet stars, sewn like sequins into the back of your eyelids.
He stops licking and sucking, and slips his fingers into you; index and middle right up to the base of his rings.
With his other hand, he pinches your clit out of the hood and runs the ball of the stud around it relentlessly as he fucks you with his fingers curling inside of you.
An insidious puppet master controlling his marionette as you dance on your giddy strings before him.
“Holy shit!” You gasp and cream like crazy.
He can feel you contracting around his fingers as he continues the lick job. Your legs shake violently like in the throes of a demonic possession.
“Fuck, fuuuuuuck! D, I'm coming!”
With your legs spread wide, Dieter, Dieter pussy eater, draws back to watch you come, pulling his fingers out. Just watching with rapt attention as that slit of wet, drenched lips pulses like it’s breathing of its own volition.
Your hole flexing and contracting like a small mouth breathing; the nib of your clit jerking and pulsing as though headbanging to thrash metal.
He marvels, with a wide grin, as your body shakes, the smarmy bastard, and then dives right back in to taste you and repeat the carnage all over again.
You try to shut your legs, crushing his chin and cheeks into your thigh meat, but he keeps you anchored. Preventing you from squirming away, despite how intense it now feels as he continues gnawing on your over-sensitized clit and knocking the stud against it like thunder.
You’re panting now, breathless. Choking on the sensation of his name being lodged and wrenched from the back of your throat.
"D... Oh fuck, Dieter."
And he's got you there again; pulls you up and balances you on the ledge once more, to simply push you off and watch you fly.
As you come again, it froths around his lips. Bubbles of your slick squelching and catching in his scruffy ‘tache, and Dieter hums deeply in satisfaction as he swallows it all down.
He licks you through it, barely settling his pace as he pushes you towards overstimulation. You try to squirm away, but his hands anchor your thighs open and apply the pressure. His eyes flick up to you, flaring brilliantly.
I’m not done with you yet, babe.
He smirks around his tongue hanging out, flashing the fucking audacity of that stud at you as he waggles it about on your clit, and watches you shake with every zap it causes.
“Oh-fuck-fuck-don't-stop-please-D! Fuck!” You blabber.
And then he places a kiss on your pussy, a gentle little mwah. The sweetest of smooches before he dives inside you with his tongue again.
“Dieter!” You holler.
His hands wind under your thighs and rest on your stomach, slowly massaging and squeezing the soft fat there.
“Mmm,” he whines. The tip of his nose grazes your clit as he slides his tongue in and out of your hole.
You feel him go lower still and run his tongue around the tight knot of your ass.
“Mmm,” you coo as you gasp.
You feel the stud run over that puckered, tight flesh and back up again as he detours to your ass, and you feel the tip of his tongue circle it teasingly.
Tracks of his saliva and your slick have slid down to your ass and they glisten at him as he pulls back. His cock twitches in exasperation to just rub himself all in it.
It takes every inch of restraint not to pull himself out and splash you down with his come already. But he wants you to enjoy this; savour the piercing whilst it’s still in because after this, that bitch is coming out.
He works through the pain, that dull throbbing, and for a while forgets about it completely as he drowns himself in your folds.
He wants to fuck you so bad. Just get his cock wet inside you and feel you gush all over him. Shit, it’s a fucking drug. He’s addicted to this pussy, can’t give it up.
Just one more hit. Just one more hit.
He reaches down and gives himself a squeeze, feels your panties still stuffed in there around him and pumps. He grunts into your hole, fluttering around his tongue.
He wants to cover you with his come. Paint you with it. Watch as it seeps through your lips and down to your ass.
Flood you with every bit of him and lick it all up after.
“Oh, fuck.” He growls audibly around your pussy at the thought; his cock pulses in his grip and he swears he’s almost there himself. A few more pumps and he’ll be spilling liberally in your panties.
The best part is when he’s come, and then he slips himself back inside you; feels your mutual wet warmth and carries on thrusting gently. Sometimes, and when he’s not completely whacked out of his gourd, Dieter can get fully hard again inside you doing just that.
Just feeling the gentle pulsing of your walls post-orgasm, twitching around him, brings him back from the brink of a floppy death. Building himself up and spraying you down again and again.
The sex between you lasting for hours. Just fucking you with his come all over your mound, sticking in your thighs and on his belly. Watching in intense awe as that cream pie pearls out of you.
Yeah, fuck that’s nice.
Dieter thinks about the way in which he fucks you; flexing his hips upwards in a circular motion to hit directly on that spot that makes you go cross-eyed every damn time.
Your reach forward through your legs, feeling your stomach crunch as you weave your hand through his hair again, subtly crushing his face to your centre, grinding up against it and he thrashes back and forth.
“I want you to squirt, babe. You think you can do that for me?”
“Make me,” you plead, hoarsely and nodding.
He circles, teasing up and down; sweetly sinful licks as he brushes the hub of you with the bar. He runs his fingertips gently over you; your clit bobbling under the pads of them and you groan before he slides back and inserts a finger into you, pulling it out and dragging the gooey slick over it.
He teases those swollen pussy lips around his tongue as you buzz wildly.
“I love how soaked you get. Fuck.” His eyes twinkle as you glance down at him.
He slips in another finger, down to the hilt, and pulls it out; rubbing them together and feeling the silky wet of you around his thick digits.
“Come all over my face. Soak me. Soak me!” He instructs. He pluders his fingers deep inside you, stroking fast against your spot. The metal batters against your clit as he flicks his tongue back and forth over it.
“Oh fuck, D!” You wail, arching and writhing as he increases his speed and the pressure of his deeply buried digits. “Holy shit, that’s so fucking good! Keep going, baby! I'm almost there!”
You hear him quaff in; the wetness of your cunt sucked to the back of his throat as he thrashes his tongue about like in the throes of a mosh pit.
The beads on his wrist clack together in a fast tempo as he finger fucks you hard. Those two fingers sluicing in and out of your hole as the stud flicks back and forth, sending you soaring, higher and higher.
Frothy, cream foams in your lips. And he tastes it all in his mouth, groaning for more.
You can feel it, rushing into your core, bearing down and contracting. The weight felt against your bladder like a shock. Your core muscles tighten and weigh heavier as it builds.
And he pulls it out of you like an incantation.
You go momentarily deaf; your body feels like it's rising, floating off the bed entirely in those few seconds before it hits.
Before the wave crashes through your core and gushes out of you.
“Oh my God, oh shit! DIETER!!”
You give him what he wants, you utterly soak him. Wet splashes of you spray his face and sluice down his chin. You soak the front of his sweater as he draws back to watch you squirt buck wild as you explode.
“Fuck yeah!” He’s utterly beside himself and can feel his cock pulse wildly as he immeadiately spurts around your panties too.
Thick, pearly strings congeal around your labia as he breathes out groaning, and licks up and down your slit slowly and languidly.
The stud hits your overly sensitised clit and you flinch like you’ve been tasered.
He pants as he licks you clean like he’s just run a marathon. He runs his chin up, smirking as your slick catches in the fuzzy hairs of it, and he leans up and plants a kiss on the soft skin just under your belly button, gently making out with it.
“Mmm,” you groan languidly with heavy lids. He climbs up your body and rubs his sticky chin and lips across your mouth and cheeks, as you giggle and wail at him to get off you.
He chuckles and rests up over you on his palms; broad shoulders hunched and his sweater riding up over his belly. You can feel the jab of his thick cock against you.
“Show me that tongue,” you prompt and he sticks it out at you, craning his neck down into you so you can suck gently on the end of it; taste the stud inside your mouth and the sweet tang of your cunt.
You smile at him, completely blissed out through heavy eyes, that same relaxed glassiness about you when you’ve just taken a deep drag of dope and cuddle up with him to watch Weekend At Bernies.
“Maybe I should keep it, the stud?” Dieter suggests with that hint of a lisp again.
You giggle and toss a pillow up at him. It boffs the side of his face and he chortles, trying not to drool once more.
“Maybe you should,” you smirk as he plants a fat, sticky kiss on your mouth.
You reach down inside his pants to give him a squeeze and feel how wet it is in there.
“Couldn’t help it,” he says to you bashfully as you grin at him. “That was too fucking hot.”
Dieter smirks, sticking his damned, metal filled tongue back out at you again.
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Thanks ever so much for reading, and I hope you enjoyed some tongue time with Dieter! 👅🖤
MASTERLIST | DIETER BRAVO MASTERLIST
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running-with-kn1ves · 2 months
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The Happy Bunny Tavern, a small joint nestled in the middle of nowhere, trees seemingly sprouting from its log walls and golden lanterns. Bunnies of all kinds are employed to carry drinks, take orders, and be anything short of a table to house a customers tankard of ale.
Even then, it was common for the weakest of bunny barmaids to be yanked by their ears and placed under a bounty hunter's boots as a footstool. The pub hosted mostly a series of regulars or dangerous drifters, patrons finding suspicion in any newcomers who were too bright-eyed and bushy-tailed to fit in. 
Whether they be half-human hybrids or full pure-bloods under a black hood to keep their disguise, creatures of all kinds came to relish in the bars established cinnamon whiskey and cute bar staff who weren’t unfamiliar to being used and abused. Even the tavern’s owner, a vicious grim burgundy stoat who was no stranger to a few scars, was quite verbally profound when it came to ordering around her staff. She had amped up their marketability over the years, changing regular tan uniforms to hiked up shorts that showed off the staffs bunny tails, and bows clipped to each pointy ear, often which the right of a bunny waiter’s is cut in order to show their domestication to the tavern. 
You were new, looking for any job you’d be hired for, a poor preyed creature who was turned away for being too lithe,” not enough muscle on your bones”, as each potential employer put it. But maybe no job was better than this job, a slave to your boss and any lowlife who walked in the door wanting a bunny playtoy. Whether it was sitting on a silvertailed wolf’s lap to nurse their drunken kisses and laps at your cute neck, or strung up on the dart board for sly weasels to throw pins and needles at, you were the equivalent of a stressball for any assassin, bounty hunter, or prey seller looking for a harmless treat to sink their teeth and claws into. 
And you, a new sight for sore eyes, easily became a house favorite amongst those most sadistic. You were lucky when they only wanted company, or perhaps to see your cheeks puff out from tugging at the base of your ears, but the worst of the worst came when your least favorite customer, a thinly sharp coyote entered the tavern to request your presence to drink with him. You’d be down a cup of ale, room spinning and hazy-eyed whilst forced to put on a shameful strip show for him, his claws raking at your apron and thumbing your hiccupping mouth. The laughs and warm hands that smelled of dirt and dried blood became familiar, thin eyes of every canine, feline and aviary creature that wanted you for themselves digging into you.
At least the pay was nice, even if you had to pick yourself up in pieces after every shift.
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emuanon34 · 1 month
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thetriumphantpanda · 1 year
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❛ i can’t get enough of you. ❜ for Javi por favor 🫶🏼
GIRL AMEN TO THIS - Thank you for the prompt - I don't think I've ever written anything so quickly in my life....
Pairing | Javier Pena x F!Reader
Word Count | 432
Pure smut below the cut - if you want to request another prompt I genuinely love doing these so check this post and pop into my ask if you want!
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The sun hitting your face through the curtains you hadn’t quite closed enough the night before was what woke you. It was Javi’s hands running up your thigh that had you awake though. You let out a soft sigh as you pushed your back closer into the front of his body, reveling in the feeling of his bare skin touching yours. 
“What time is it?” You spoke softly, sleep still heavy on your voice. 
“Doesn’t matter, hermosa,” Javi whispered into your ear, “I’ve got all the time in the world for you.” 
He trailed his hand up the length of your body, lightly tracing a path with his fingers all the way from your hip to the swell of your breast. He pressed light kisses to your neck as his palmed your breast, chuckling to himself as a breathy moan slipped from your lips as he rolled your nipples between his fingers. 
You felt the telltale warmth spread through your tummy at his touch. Despite having you twice before letting you sleep and waking up once to make you cum on his tongue in the moonlight, he wanted you again and in your mind there was nothing better than being wanted by Javier Pena, even if there was a distinct soreness between your thighs as you rubbed them together for friction. 
“Eres insaciable, Javi.” You choked out in your accented Spanish. 
His hand left it’s place at your breast and you were almost about to complain when you felt his hand on your pussy. He dipped his fingers through your folds, breathing into your ear at how wet you were already. 
“Hermosa,” He growled, using his fingers to drag your slick to circle your clit, “Already so wet for me.” 
“Always wet for you Javi.” You pant as his finger runs tight circles over your clit. 
You could feel his cock pressing against the small of your back as you leant into his touch and let out moans you knew he loved. You reached a hand behind you, taking hold of him, marveling at the fact that his fingers didn’t falter once as you started jerking him off in time to the movements of his fingers on your clit. 
“I want you inside of me Javi.” You demanded, lifting your leg to rest your foot on the part of his leg you could reach, opening yourself right up to him. 
“Who am I to deny you, hermosa?” He growled, swatting your hand away from his cock, guiding it to y our pussy and pushing inside slowly, “I can’t get enough of you.” 
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puhpandas · 26 days
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"Bye bye, Tony Becker." GGY croons. Tony leans back in the chair, further and further from the smiling mask, but its useless. Soon, all Tony can see is the blinding blue light of GGYs eyes. It overtakes his vision. "It was fun watching you fail, but your time is up."
Tony only has time to open his mouth before something heavy is being shoved over his eyes.
Everything is thrown into darkness. All of his senses are muddled, desaturated and flat like GGY felt. It feels like Tony is looking at a fogged up mirror. Theres a static and ambience ricocheting through his ears and he feels like hes being split in two.
Theres a figure in the darkness, and it has rabbit ears.
WORMWOOD CHAPTER 1!!
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psychoforanime · 6 months
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Y/n after beating the F of everyone in training aggressively, pretty much being a gorilla.
Yuta walks by, Y/n cutely ask him to open a bottle of water for them cause they couldn't.
Yuta: y/n, You can't even open a bottle, yet you have a mission to go to. Please be careful. You make me worry about you.
Everyone: Don't be ...
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physalian · 13 days
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8 Signs your Sequel Needs Work
Sequels, and followup seasons to TV shows, can be very tricky to get right. Most of the time, especially with the onslaught of sequels, remakes, and remake-quels over the past… 15 years? There’s a few stand-outs for sure. I hear Dune Part 2 stuck the landing. Everyone who likes John Wick also likes those sequels. Spiderverse 2 also stuck the landing.
These are less tips and more fundamental pieces of your story that may or may not factor in because every work is different, and this is coming from an audience’s perspective. Maybe some of these will be the flaws you just couldn’t put your finger on before. And, of course, these are all my opinions, for sequels and later seasons that just didn’t work for me.
1. Your vague lore becomes a gimmick
The Force, this mysterious entity that needs no further explanation… is now quantifiable with midichlorians.
In The 100, the little chip that contains the “reincarnation” of the Commanders is now the central plot to their season 6 “invasion of the bodysnatchers” villains.
In The Vampire Diaries, the existence of the “emotion switch” is explicitly disputed as even existing in the earlier seasons, then becomes a very real and physical plot point one can toggle on and off.
I love hard magic systems. I love soft magic systems, too. These two are not evolutions of each other and doing so will ruin your magic system. People fell in love with the hard magic because they liked the rules, the rules made sense, and everything you wrote fit within those rules. Don’t get wacky and suddenly start inventing new rules that break your old ones.
People fell in love with the soft magic because it needed no rules, the magic made sense without overtaking the story or creating plot holes for why it didn’t just save the day. Don’t give your audience everything they never needed to know and impose limitations that didn’t need to be there.
Solving the mystery will never be as satisfying as whatever the reader came up with in their mind. Satisfaction is the death of desire.
2. The established theme becomes un-established
I talked about this point already in this post about theme so the abridged version here: If your story has major themes you’ve set out to explore, like “the dichotomy of good and evil” and you abandon that theme either for a contradictory one, or no theme at all, your sequel will feel less polished and meaningful than its predecessor, because the new story doesn’t have as much (if anything) to say, while the original did.
Jurassic Park is a fantastic, stellar example. First movie is about the folly of human arrogance and the inherent disaster and hubris in thinking one can control forces of nature for superficial gains. The sequels, and then sequel series, never returns to this theme (and also stops remembering that dinosaurs are animals, not generic movie monsters). JP wasn’t just scary because ahhh big scary reptiles. JP was scary because the story is an easily preventable tragedy, and yes the dinosaurs are eating people, but the people only have other people to blame. Dinosaurs are just hungry, frightened animals.
Or, the most obvious example in Pixar’s history: Cars to Cars 2.
3. You focus on the wrong elements based on ‘fan feedback’
We love fans. Fans make us money. Fans do not know what they want out of a sequel. Fans will never know what they want out of a sequel, nor will studios know how to interpret those wants. Ask Star Wars. Heck, ask the last 8 books out of the Percy Jackson universe.
Going back to Cars 2 (and why I loathe the concept of comedic relief characters, truly), Disney saw dollar signs with how popular Mater was, so, logically, they gave fans more Mater. They gave us more car gimmicks, they expanded the lore that no one asked for. They did try to give us new pretty racing venues and new cool characters. The writers really did try, but some random Suit decided a car spy thriller was better and this is what we got.
The elements your sequel focuses on could be points 1 or 2, based on reception. If your audience universally hates a character for legitimate reasons, maybe listen, but if your audience is at war with itself over superficial BS like whether or not she’s a female character, or POC, ignore them and write the character you set out to write. Maybe their arc wasn’t finished yet, and they had a really cool story that never got told.
This could be side-characters, or a specific location/pocket of worldbuilding that really resonated, a romantic subplot, whatever. Point is, careening off your plan without considering the consequences doesn’t usually end well.
4. You don’t focus on the ‘right’ elements
I don’t think anyone out there will happily sit down and enjoy the entirety of Thor: The Dark World.  The only reasons I would watch that movie now are because a couple of the jokes are funny, and the whole bit in the middle with Thor and Loki. Why wasn’t this the whole movie? No one cares about the lore, but people really loved Loki, especially when there wasn’t much about him in the MCU at the time, and taking a villain fresh off his big hit with the first Avengers and throwing him in a reluctant “enemy of my enemy” plot for this entire movie would have been amazing.
Loki also refuses to stay dead because he’s too popular, thus we get a cyclical and frustrating arc where he only has development when the producers demand so they can make maximum profit off his character, but back then, in phase 2 world, the mystery around Loki was what made him so compelling and the drama around those two on screen was really good! They bounced so well off each other, they both had very different strengths and perspectives, both had real grievances to air, and in that movie, they *both* lost their mother. It’s not even that it’s a bad sequel, it’s just a plain bad movie.
The movie exists to keep establishing the Infinity Stones with the red one and I can’t remember what the red one does at this point, but it could have so easily done both. The powers that be should have known their strongest elements were Thor and Loki and their relationship, and run with it.
This isn’t “give into the demands of fans who want more Loki” it’s being smart enough to look at your own work and suss out what you think the most intriguing elements are and which have the most room and potential to grow (and also test audiences and beta readers to tell you the ugly truth). Sequels should feel more like natural continuations of the original story, not shameless cash grabs.
5. You walk back character development for ~drama~
As in, characters who got together at the end of book 1 suddenly start fighting because the “will they/won’t they” was the juiciest dynamic of their relationship and you don’t know how to write a compelling, happy couple. Or a character who overcame their snobbery, cowardice, grizzled nature, or phobia suddenly has it again because, again, that was the most compelling part of their character and you don’t know who they are without it.
To be honest, yeah, the buildup of a relationship does tend to be more entertaining in media, but that’s also because solid, respectful, healthy relationships in media are a rarity. Season 1 of Outlander remains the best, in part because of the rapid growth of the main love interest’s relationship. Every season after, they’re already married, already together, and occasionally dealing with baby shenanigans, and it’s them against the world and, yeah, I got bored.
There’s just so much you can do with a freshly established relationship: Those two are a *team* now. The drama and intrigue no longer comes from them against each other, it’s them together against a new antagonist and their different approaches to solving a problem. They can and should still have distinct personalities and perspectives on whatever story you throw them into.
6. It’s the same exact story, just Bigger
I have been sitting on a “how to scale power” post for months now because I’m still not sure on reception but here’s a little bit on what I mean.
Original: Oh no, the big bad guy wants to destroy New York
Sequel: Oh no, the big bad guy wants to destroy the planet
Threequel: Oh no, the big bad guy wants to destroy the galaxy
You knew it wasn’t going to happen the first time, you absolutely know it won’t happen on a bigger scale. Usually, when this happens, plot holes abound. You end up deleting or forgetting about characters’ convenient powers and abilities, deleting or forgetting about established relationships and new ground gained with side characters and entities, and deleting or forgetting about stakes, themes, and actually growing your characters like this isn’t the exact same story, just Bigger.
How many Bond movies are there? Thirty-something? I know some are very, very good and some are not at all good. They’re all Bond movies. People keep watching them because they’re formulaic, but there’s also been seven Bond actors and the movies aren’t one long, continuous, self-referential story about this poor, poor man who has the worst luck in the universe. These sequels aren’t “this but bigger” it’s usually “this, but different”, which is almost always better.
“This, but different now” will demand a different skillset from your hero, different rules to play by, different expectations, and different stakes. It does not just demand your hero learn to punch harder.
Example: Lord Shen from Kung Fu Panda 2 does have more influence than Tai Lung, yes. He’s got a whole city and his backstory is further-reaching, but he’s objectively worse in close combat—so he doesn’t fistfight Po. He has cannons, very dangerous cannons, cannons designed to be so strong that kung fu doesn’t matter. Thus, he’s not necessarily “bigger” he’s just “different” and his whole story demands new perspective.
The differences between Empire Strikes Back and Return of the Jedi are numerous, but the latter relies on “but bigger” and the former went in a whole new direction, while still staying faithful to the themes of the original.
7. It undermines the original by awakening a new problem too soon
I’ve already complained about the mere existence of Heroes of Olympus elsewhere because everything Luke fought and died for only bought that world about a month of peace before the gods came and ripped it all away for More Story.
I’ve also complained that the Star Wars Sequels were always going to spit in the face of a character’s six-movie legacy to bring balance to the Force by just going… nah. Ancient prophecy? Only bought us about 30 years of peace.
Whether it’s too soon, or it’s too closely related to the original, your audience is going to feel a little put-off when they realize how inconsequential this sequel makes the original, particularly in TV shows that run too many seasons and can’t keep upping the ante, like Supernatural.
Kung Fu Panda once again because these two movies are amazing. Shen is completely unrelated to Tai Lung. He’s not threatening the Valley of Peace or Shifu or Oogway or anything the heroes fought for in the original. He’s brand new.
My yearning to see these two on screen together to just watch them verbally spat over both being bratty children disappointed by their parents is unquantifiable. This movie is a damn near perfect sequel. Somebody write me fanfic with these two throwing hands over their drastically different perspectives on kung fu.
8. It’s so divorced from the original that it can barely even be called a sequel
Otherwise known as seasons 5 and 6 of Lost. Otherwise known as: This show was on a sci-fi trajectory and something catastrophic happened to cause a dramatic hairpin turn off that path and into pseudo-biblical territory. Why did it all end in a church? I’m not joking, they did actually abandon The Plan while in a mach 1 nosedive.
I also have a post I’ve been sitting on about how to handle faith in fiction, so I’ll say this: The premise of Lost was the trials and escapades of a group of 48 strangers trying to survive and find rescue off a mysterious island with some creepy, sciency shenanigans going on once they discover that the island isn’t actually uninhabited.
Season 6 is about finding “candidates” to replace the island’s Discount Jesus who serves as the ambassador-protector of the island, who is also immortal until he’s not, and the island becomes a kind of purgatory where they all actually did die in the crash and were just waiting to… die again and go to heaven. Spoiler Alert.
This is also otherwise known as: Oh sh*t, Warner Bros wants more Supernatural? But we wrapped it up so nicely with Sam and Adam in the box with Lucifer. I tried to watch one of those YouTube compilations of Cas’ funny moments because I haven’t seen every episode, and the misery on these actors’ faces as the compilation advanced through the seasons, all the joy and wit sucked from their performances, was just tragic.
I get it. Writers can’t control when the Powers That Be demand More Story so they can run their workhorse into the ground until it stops bleeding money, but if you aren’t controlled by said powers, either take it all back to basics, like Cars 3, or just stop.
Sometimes taking your established characters and throwing them into a completely unrecognizable story works, but those unrecongizable stories work that much harder to at least keep the characters' development and progression satisfying and familiar. See this post about timeskips that take generational gaps between the original and the sequel, and still deliver on a satisfying continuation.
TLDR: Sequels are hard and it’s never just one detail that makes them difficult to pull off. They will always be compared to their predecessors, always with the expectations to be as good as or surpass the original, when the original had no such competition. There’s also audience expectations for how they think the story, lore, and relationships should progress. Most faults of sequels, in my opinion, lie in straying too far from the fundamentals of the original without understanding why those fundamentals were so important to the original’s success.
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The JJK Characters and How They Would Wake You Up
── ・ 。゚☆: *.☽ .* :☆゚.───
Itadori Yuji:
He really didn’t want to. He’d rather have you sleep but he was told to wake you up for training.
He pokes your cheek while whisper yelling your name
“yyy/nnnnn *poke poke* ….. wake uupppp! We gotta train….*poke poke poke*”
But once you wake up he’s super loud and excited
“Yay! You woke up! Okay come on, let’s go! Oh wait, get changed first. Want me to wait for you or just meet you there?…. I’ll wait outside your door!😊☀️”
Megumi Fushiguro:
Knocks on your door and waits to see if that’ll wake you up. When he doesn’t he walks in and just calls out your name while scratching the back of his head in annoyance.
“Y/N. Wake up. You’re going to be late.”
You continue sleeping so he kicks your bed frame. “Y/N! Wake up.” He says more sternly.
Nobara Kugisaki:
Like Gumi, she knocks on your door while calling out your name. When you don’t answer she walks in and pats your shoulder while trying to convince you get up. When that doesn’t work she’s loud af
She’ll go get some pans and bang them, she’ll play a song you hate loudly on her phone next to your ear, or she’ll start singing loudly. She might even jump on your bed.
As much as you hate it, you still manage to laugh at how goofy she’s being.
Toge Inumaki:
Inumaki is canonly a troll. He’s gonna wake you up in a silly way that just so barely annoys you
Pokes you as well but all over your body, especially if your ticklish.
“Tuna mayooooo” *pokes your sides*
Even once you’re awake he’ll still poke at you while holding back his laugh
Maki Zenin:
Very much like Gumi, she acts annoyed and is loud. She knocks on your door calling out your name. You don’t answer so she swings the door open aggressively.
“How are they still alseep??” She asks herself. She was being loud. You’re such a heavy sleeper.
She’ll kick the bed frame with her heel “oooooiii, Y/N. Wake up.”
If you grumble and hide under the covers she’ll rip them off lmao
Panda:
Pokes at you as well while calling out your name.
“Yyyyy/nnnnnn it’s time to wake uuppp!”
Tries to convince you with breakfast. If you still don’t wake up he’ll just pick you up and walk out your room.
Yuta Okkotsu:
SUPER FUCKING SWEET!!!
He’s so gentle and refuses to raise his voice that he ends up taking forever to wake you up lmao
Pats your shoulder or gently shakes you. Probably pokes your cheeks too
“Y/N. Rise and shine. Time to wake up~”
Rika will try to convince Yuta to just shake you awake but he’ll tell her no and continue trying to gently wake you up 😭💗
Gojo Satoru:
Dramatic af
He walks into your room without even knocking and already singing loudly
“Yyyy/nnnnn! Time to arrriiisssee!! Open your eeeyyyeeessss! Let’s eat some bacon and eeeggggsss!!! It’ll strengthen your….. LLLEEEEGGGGSSSS!!!! ……. *y/n still asleep* Y/N WAKE UP!”
He’ll poke at you and tickle you like Toge while laughing the entire time
Nanami Kento:
Pretty bland lmao
He knocks on your door and when you don’t answer he peeks in to see you still asleep.
He puts his hand on your shoulder and calls out your name. “Y/N. It’s time to wake up.”
Continues to shake your shoulder until you wake up.
He’ll probably get slightly annoyed though if you’re getting close to being late. He’s a punctual man, he doesn’t like tardiness
I can also kind of see him just staring you when you continue to sleep through his failed attempts and trying to figure out how to wake you then plays the most OBNOXIOUS alarm sound he can find super loud in your ear.
“Wake up. You’re going to be late.”
Geto Suguru:
Peeks in and just calls out your name.
“Y/N. Wake up. Wakey wakey~”
Still not budging? Rip off your covers and open the blinds to burn your eyes from the sun. Clap his hands super loud.
“Good, you’re awake. Come on, let’s go. Got stuff to do.”
Mahito:
Dumps a bucket of ice cold water on you while cackling
Sukuna Ryoumen:
Probably slaps you hard across the face and calls you a fool. I can also see him just straight up scratching you.
But if Yuji kept him from hurting you, he’d just groan and clap extremely loud to scare you awake and call you a brat. Then slump you over his shoulder
“Get moving, brat. We got shit to do.”
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cattonicdragon · 1 year
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could you do mantis, tigress, viper, po, shen, tai lung, kai x a white peacock reader that can manipulate all forms of physics? For reference, the White Peacock Reader has the ability to manipulate all forms of physics regardless of laws. Other have sent you this type of question, so I am sending you this type of question. And I love your stuff too.
mantis,tigress,viper,po,shen,tai lung and kai x white peacock reader who can manipulate all forms of physics
I'm glad you like my stuff! And of course I can
Not been proof read yet I just wanted to post it 😭
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Mantis
He finds you beauty and grace very admirable
You fight with such ferocity and grace it's almost unbelievable
He thinks that your powers are really cool but also really scary since they dont abide to any of the laws
Meaning you can do things that shouldn't physically be possible
Thinks that your some kind of God or something,maybe you've just been blessed by the gods
Not to much sparing,he fears that hell be crushed before he can even move
He asks to trace the patterns on your feathers(if you have any patterns)
He wonders if your tail can get in the way when fighting
Your fighting style is literally drop dead gorgeous
Saw you phase through a wall once,cant unsee it
Scary for in battle but very useful as an ally
He asks if you know why your white instead of the usually colours
Very curious about you
Your very mysterious
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Tigress
She finds your beauty breath taking but remembers during battle not to be distracted
Shes curious of how you got your powers,did you learn them?,if so who was your master?,were you born with them?,does it run in your family?
Lots of questions
Training constantly
You've bested her more times then she cares to admit
She'll say that you cheated
Shes not saying that because she thinks you incapable,shes just saying that to try and mend her wounded pride
Her leg has phased through you and she lost the match because her brain practically stopped working for a minute or so
She likes to stay on your good side,mainly because she genuinely fears your powers
She believes that you can control them well but the things you can do,shouldn't be humanly/animaly possible
She likes to help clean your tail if you allow her
She wonders how you can fight with such a big tail
She fears fears what people will say when she tells them she lost a match to you,so you tell her that she can say you lost sometimes
She finds it scary and impressiv how much you can do,you can control things like the weather,solid matter etc.
She asks about your origins and if there may have been a particular reason as to why you were born as a white peacock with such immense power
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Viper
brought to you by the same gif,again
As a previous ribbon dancer she likes to see the art in different peopls kung fu/fighting style,which meand she loved the way you fight
Such precision and beauty
She thinks your way to overpowerd
Like if you wanted to you could legit just walk on water
Dont like cold noodles?,ok lemme just,heat that up for u rq
She likes to stay relatively on your good side
She will ask to put flowers in your feathers,if you allow her to she will be ecstatic
Such a sweet heart
If you give her a feather as a gift of luck she may just pass out
If you have any patterns on your feathers she likes to trance them with her tail or just look at it
Shes scared to get priced by your sharp talons in battle/sparing
Loves your feathers
Shes curious to your feather colour being white but wont dig or think to deep about it
She just puts it down as being an unique quality of yours
Your tail can get annoying every so often
She likes how you input your tail into your fighting style
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Po
Your white feathers give him a tad bit of PTSD
He find the way you fight majestical,almost as if hes watching a play
He likes your feather and asks how you keep them so clean
He would be very hesitant with you sometimes due to the fact you remind him of someone
He thinks white suits you
Hes very surprised,fascinated and intrigued apon finding out about your powers
Your powers are like nothing hes ever seen before and he loves it
He likes to have long training sessions with you to try find a weakspot
He wants you to try teach him
Even if you tell him it's your genes and not taught he will still ask,there no hurt in trying
Liked your tail but it is very big
He likes making noodles for you both and sitting under a tree on a rainy day,knowing that your the reason your both not drenched in water
He wonders how you obtained such power and wonders what It would be like going all on out dragon warrior against you
He gets distracted by your feather alot
If you were to ever give him a feather hed treat it like a treasure that needs to be protected at any cost
Likes to watch your methods of fighting because he wants to try doing it himself
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Shen
Hes rather shocked apon learning that there another white peacock
And your very powerful
In some ways hes happy that theres another peacock since he wont feel as lonely being the only white one but then again he in some ways feels like that was a huge part of his character
Apon first meeting you he gets extremely defensive and accuses you of being an imposter,even though you never said a single thing
Has alot of curiosity about your powers
Shen will try test your limits and see if you just unleash your powers out of pure emotion,he has morbid curiosity
He likes to spar ALOT
He likes to talk to you about how he created the cannons aswell as what he did to get the result
Hes very clingy and will often hang around you
Should anyone speak bad about you if you dont handle it,he will gladly
He finds a sick kind of pleasure from having so powerfull by his side
He throws firework shows for you
If you are good with close combat he will get a custom commissioned weapon of your choice for you
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Tai lung
Although he finds your white feathers beautiful he also feels threatened
The pure reason for this is power
Hes been a star student for so long,the best of the best and you show up and have more power than him
Hes very stand off ish at first
He warms up to you eventually,its just a case of him getting there
He comes to find the brutality and accuracy of your fighting method
He trains with you at any given chance,hes not afraid to fight someone stronger than him and he will most likely go in blind,refusing to learn anything from his opponent
He asks if your methods can be taught and is a bit sulky if it cant
Hes not going to underestimate you by a long shot,hes more likely to overestimate you
He finds you feathers pretty and can momentarily find himself losing focus in training
If you gave him a feather he'd treat it as if it were his life sorce
He believes that when he achieves the dragon scroll you two will finally be even
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Kai
Other than oogway he hasnt seen such powerful chi before
Nor has he seen the types of power you weild
Your a mystery at first,a mysterious white peacock shows up one day and has practically limitless power?
Hes going to be after your chi,no doubts
After awhile it's much like having a frenemy
"Still havnt given up your chi,(name)?""still havnt defeated oogway,kai?"
Its can go back and forth like this for a very long time,which it usually ends with you slipping through solid matter to escape
It gets to the point whether hes unsure if he still wants to take your chi
It would give him so much raw power but hes grown...fond of you
Which he hates to admit and probally wont
Once you become acquaintances tho it will turn into sparring seasons often
He brings his jombies out every so often to spice things up
He likes how smoothly you execute your kung fu moves/attacks
However in the end he still technically got what he wanted,just differently
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gojuo · 7 months
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someone ask gege what he thinks gojo's character arc is. quickly. cause what did this fight even accomplish ... ??? i'm literally so baffled. the entire point of gojo is that he is the strongest, that his birth changed the jujutsu world forever, shifted the earth's axis, that anyone and everyone depends on him and his strength to fix all of their problems. that he is completely alone. unreachable. and how does his character arc conclude? ahh yes someone else is just stronger than him and he's second best. that's it. he dies like that. that's how his character arc concludes. we don't get to see him beaten down for once in his life (or the second time i suppose), we don't get to see him ask for help because of it, we don't get to see him unburden himself of the weight of the world he has taken upon his shoulders to share it with the rest, we don't get to see him overcome the loneliness he's been forced into by being the strongest sorcerer alive. we don't get to see him come down to earth from the high heavens the jujutsu world has placed him in, no. we don't get to see him lose his Limitless and Six Eyes to become a normal human being therefore we don't get to see the answer to the brilliant question of "Are you the strongest because you're Gojo Satoru? Or are you Gojo Satoru because you're the strongest?" No. the answer is just, someone else was stronger than him. that's all there is to it. we don't get to see him win because he is the strongest and he has never once won in this entire series. wow. amazing writing for your third protagonist gege. bravo.
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