#not really a series finale in the writers’ heads but just a season finale

[heyclickadee]

I understand that people are going to cope how they are going to cope, and trying to find meaning in the handling of Tech in season three is part of that, but it’s also okay to criticize the show.

I like a good character death. Tech’s departure was not that. My issue is not that he’s presumed dead, my issue is that it and the handling of it is nonsense. So (I once again get very negative about my favorite show under the cut):

1. When you kill off a main character, you really have to kill them off. How you do so can vary from story to story, but you really have to do four things:

One, you need a good reason to kill them off in the first place. (“Stakes” is not a good reason. A secondary character, sure, but not a main one. More on that in a minute.)

Two, you need to make it perfectly clear that the character is, in fact, dead.

Three, you need to show the other characters processing and accepting that death. This is important because doing so will allow the audience to do the same and let the character go. This is especially important if you’re writing for a young audience.

Four, you need to make it explicitly clear that the character cannot come back. This is especially true in sci fi or fantasy. Especially if you’re the Character Resurrection franchise.

And guess what the show didn’t do?

Any of that. Any of it. What it did instead was ambiguously remove Tech from the story (uniquely in a show that loves making us watch characters die on screen; last time we saw Tech for sure he was alive), never gave a good reason for doing so in or out of the show, never showed us any character working through the impact of his loss (even though there was ample opportunity for Omega, especially, to do so), and ripped the “could he come back?” box wide open by parading CX-2 in front of our faces. It is never, at any point, handled like an actual main character death. It’s handled as a plot point from which the narrative moves fairly quickly, and treated by all parties as an absence. By all the rules of storytelling, Tech isn’t dead. He’s just ambiguously gone. And that means the writing team did a terrible job if what they wanted to do was kill him off. We should not be debating this after the show has ended if he’s actually dead.

2. I understand why some fans are trying to find meaning in losing Tech. I am not, because that meaning is not offered by the text itself. And, if the plan was to never bring him back, it should have been.

We are not, for example, offered a lesson about how not everyone comes home from the war. In order for that to have been the case, we would have needed to see someone, probably Omega, working through that. We would have needed to see her refusing to accept that Tech is gone—like we do in Plan 99, by the way—and slowly coming to terms with the idea that her brother isn’t coming home. But we don’t get that, not even as subtext.

Something else we could have gotten that would have worked with all the little visual reminders of Tech, empty chairs, name-drops, and even the CX-2 leading? The batch being so haunted by losing Tech and not really knowing what happened to him for sure that they start seeing him everywhere. But for that to work we would have needed, again, to see that as an explicit subplot where someone, probably Omega, again, gets really invested in the signs that Tech is coming back and even starts assuming that CX-2 is him, only to realize that she’s seeing what she wants to see and having to accept that Tech isn’t coming back, but that she can still keep Tech’s memory alive by following in his footsteps. That’s something you can kind of project onto what we’re given in the epilogue, but you do have to project it, because it’s entirely absent from the rest of the show.

As is, Tech’s sacrifice isn’t given any weight. From a narrative perspective, it was an incredibly contrived set of circumstances that accomplished nothing except punting Tech off a train, and gave Tech no choice but to remove himself from the story—exit, stage down. Losing Tech doesn’t, even sub-textually, serve as anyone’s motivation. It does nothing to move the plot or anyone’s character development forward. The primary motivators of season three were Omega’s kidnapping, Crosshair’s PTSD, and Hemlock needing to get Omega back.

Tech’s absence does nothing to move anything forward and only really serves to slow the plot down and make the others struggle to do anything because he’s not there to carry the team like he did in the first two seasons—and nothing about that would have played out any differently if Tech spent the season in a coma in a bacta tank. The only part of Tech’s sacrifice that has meaning is that he loved his family enough to offer it. And that is profound, but that’s not something that would be negated by a return because the love and the offer remain. As for his presumed death? His return couldn’t have taken meaning away from that, because the show never gave it any meaning in the first place.

And no, Tech “dying” isn’t something I have to accept. Tech isn’t a real person, he’s an idea, and an idea that didn’t come to fruition. I can point out the ways the handling of his departure didn’t work all day if I want.

3. CX-Tech was not an overly online theory. I need people to understand this. It was an assumption made by most of the casual audience. My sister, who has no contact with the fandom and doesn’t like me discussing the show at all until she’s seen it, assumed he was Tech. My brother-in-law, who was a die-hard Tech-has-to-be-dead-shut-up guy for the entire hiatus and the first half of season three, was convinced he was Tech. Every kid I’ve spoken to who watched the show thought he was Tech and is deeply confused that he got speared like that. My brother, who doesn’t even watch the show but who does walk by when I’m watching it sometimes, thought he was Tech. You can’t get more casual and away from the fandom than that.

The thing is, the answer we get isn’t that he’s not Tech. It’s, “We’re not telling.” Which means that as it currently stands, a season-and-a-half of CX buildup amounted to a five minute boss fight and a non-answer. That’s…not something that works! That’s atrocious writing if that was the whole sum of their intent all along.

And you can say, well, that was a clever misdirect! Plot twist! Except, one, misdirects and twists only work if the real answer is more satisfying than the false one, otherwise it just falls flat. Two, if it was a misdirect, it’s not one the creative team is willing to own. No one will touch the Tech-CX-2 parallels with a twenty-foot pole, except the Kiners, who have incredibly meaningful explanations for every musical choice but then say shit like, “that chord just sounds good in brass” about Battle of the Snipers (…before going on to say that the four note lose motif from “Plan 99” is Tech’s leitmotif…which is also all over Battle of the Snipers…and is only there according because the batch is divided in that scene, a scene in which Crosshair’s leitmotif is entirely absent even though he’s just supposed to be fighting his own dark side represented by a guy who’s totally not Tech. Sure. I’m going to go eat drywall.) Because acknowledging that and saying that was supposed to be Tech will just make the audience angrier, and they may not even be allowed to do so, and saying that it is Tech—you can understand why they can’t do that, right? The implications are horrific. But that horrific implication is probably what at least some of the casual audience who will never interact with the fandom or a single interview is going to walk away with.

4. The thing that bothers me most about all of this is the combined toxicity of the fandom and the leading from the marketing and social media. Part of the fandom saying that there were never any signs Tech could have survived (in Star Wars, no less) is starting to feel like gaslighting; and while I don’t think there was any malice in the leading in the marketing and social media—I’m even willing to give a tiny bit of leeway for the creative team maybe knowing something we don’t yet—it was handled badly, expectations for this season should have been set early and clearly, and as of right now it all feels like an incredibly cruel prank at autistic fans expense, whatever the intent may have been or may still be.

5. And finally, here’s the thing: I’m willing to give the writers a bit of leeway on this. I’m willing to grant that some choices may have been out of their hands for unknown reasons. I’m even willing to say that maybe they’re not really done with this story yet, that The Bad Batch could just be the first chapter of a longer show that was split up for stupid business reasons, and that the finale is the way it is because they had to have an ending of sorts without actually resolving anything. I’m willing to grant a lot of grace there. In fact, I actually think there’s a very good chance we’ll still get Tech back alive in canon, and sooner than later, if only because no one (not even the voice actors) seems happy about this, most fans are coping but disappointed at best, the creative team got asked about Tech non-stop for a solid year and a half, and the writers don’t seem at all committed. We know from the rest of the show that they know how to definitively kill a guy, and, frankly, Tech in the first two seasons comes across as something of a writer favorite. They like using him!

But whatever I’m hoping or suspecting, and whatever leeway I’m willing to grant the creative team here, the final product is all we have right now. And I am going to criticize that final product for badly handling a (presumed) character death and straight up breaking the central conceit of the show in doing so.

#the bad batch #one thing I will say #is that if I knew for sure #that ‘the cavalry has arrived’ was simply a midpoint #not really a series finale in the writers’ heads but just a season finale #and that this story was going to continue but now with more focus on Rex and Echo #with Tech as the bridge between the two series #I would not be nearly as harsh about the finale as I am #it doesn’t resolve anything it simply stops #because it had to end

[little-mari-on-a-roof]

Along with finally airing the season 5 finale, Tfou released a version of the two last episodes commented by the writing team!! So, as I already did with the commented version of Evolution, here's an overview of what they said!! It’s quite long given that it was two episodes and they talked a lot so I will put the parts I think are the most interesting in bold!! Obligatory disclaimer, this is my own interpretation and translation so take everything with a grain of salt!

At the beginning, the writers recall that the first episode of the season 5 finale, Conformation, starts with Adrien and Kagami supposedly arriving in London "like rock stars". However, it is actually just an illusion made from the scanned version of them and the two teens are actually being sequestered in London. At this moment, Thomas says "talk about good parenting" in English, which I think is very funny. The team explains that they were first put in regular apartments in the previous episode but are now in rooms without windows after both of them escaped. This is also done to protect them from what will happen, as Gabriel is about to put his plan of akumatising the entire world into action.

The writers say that Gabriel had been imagining his plan ever since Animaestro when he was seen signing contracts with Tsurugi, and has been putting it in place since the second episode of season 5 (Multiplication). They say that he also tested the first part of his plan, to put nightmares in everyone's heads, in a previous episode.

The rest is under the cut!

Talking about previous episodes, they then say that as was the case with the Risk - Strike back - Evolution - Multiplication - Destruction series of episodes (aka the longest day ever), the 5 last episodes of season 5 (Collusion - Revolution - Representation - Conformation - Recreation) go together and there is a direct continuation between them. (However, one of their rules as Miraculous writers is that these episodes can also be watched and understood independently.) Therefore, season 5 both starts and ends with a series of 5 episodes (quintologies as they call them).

They note that Marinette's nightmare at the beginning is reminiscent of the episode Weredad from season 3. At this point, we can see that Marinette starts to understand who the villain is although she's not fully conscious of it yet. Thomas says that you can read it in two different ways: if you don't take the previous episode into account, she's starting to intuitively link things together but if you did see Representation, you know that she knows who Monarch really is. (They say that to highlight the fact that even though this is the 4th episode of a quintology, all episodes can be understood on their own as mentioned before.)

They then talk more about Gabriel's plan. He gives everyone nightmares on the same day and we can see the different characters suffering because of that (for example, Marinette's mom who thinks Tom is overprotective). He will then offer a solution which a sort of relaxation application directly inspired by the different yoga apps people have on their phones nowadays. This app helps them relax, but also makes people addicted since their nightmares come back as soon as they don't use it anymore. They joke about the relevance of this in today's world with people being "addicted" to their phones or people in positions of power spreading poisons and then monetising the antidote, or the corruption of capitalism selling things we don't need or causing mental illnesses to make people addicted. They ironise that nooo they couldn't possibly be referring to all of that, not in a children's show!!

During the scene that leads to Adrien wearing the Alliance ring after being reticent to it, they say that they had a conflit when writing it as they had to find a way for Adrien to not become his superhero self, cataclysm the walls and go help his lady in Paris. The end result is that Adrien is reminded of the devastating effect of his power by the nightmare and would therefore do anything to avoid hurting people, and so he wears the ring. Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.

Thomas mentions that Plagg (who he calls "Plaggo" and "Plagounet", which are sort of funny and affectionate nicknames) doesn't show up on cameras, and Sébastien jokes that there could be kwamis around them as they're talking but we just can't see them. Speaking of Plagg, Sébastien jokingly calls Fred the "queen of cheese" as she's the one writing the cheese puns and mentions that there are way more cheese jokes in season 5 than there were before, which makes him think that she is getting retributed by cheese industries in exchange for writing them. Fred then replies that she's getting paid directly in cheese.

The writers say that while the episodes are often narratively dense with science fiction elements, Plagg allows them to add humour in the scene and keep a lighter atmosphere for small children (you know, when he shows his butt to the camera while Adrien is having an existential crisis).

Anyway moving on lol, the writers then say that they had actually planned since 2014/2015 that Chat Noir would not be there to defeat Hawkmoth as they wanted a very particular power fusion to happen (aka Marinette wielding both the ladybug and black cat miraculous and becoming Bug Noire).

Fred then talks about how ever since the start of the series, they have incorporated the symbolism of fairy tales with the sleeping princess and the knight coming to save her. However, they're switching the genders in Miraculous as Adrien is the princess and Marinette the knight (while Gabriel is the evil dragon). They add that they already explained this in a previous episode (in season 4) but they're showing it again now in Marinette's nightmare.

In the scene where we can see that Tikki ate all the croissants, they joke that she did well given everything that is going to happen afterwards. They also jokingly tell the kids watching that they shouldn't do like Marinette and hide in trash cans but eating bananas and croissants is ok (trust me it's funny when they say it). They add that if Fred is the cheese queen, Mélanie is like Tikki because she loves cakes and anything sweet.

We then see Nathalie's nightmare in which Gabriel successfully makes his wish, and therefore manages to accomplish his evil plan which Nathalie knows about. We can see that she's looking very bad and the writers again jokingly give recommendations to the children watching, here to not use a damaged peacock miraculous.

They then talk more about Natalie's past, in which she was a treasure hunter. They say that someone should let them show the fabulous story of Nathalie, Gabriel, Émilie, Audrey and André when they were younger. Indeed, they already wrote what happened in their youth as it is the origin story without which they couldn't have written Miraculous. When Natalie looks at the picture of her in her "Lara Croft outfit", as they call it, from when they were chasing the miraculous and found the peacock and butterfly ones, they jokingly ask what they were chasing and why and say that you have to watch the rest of season 5 to know (basically, they're strongly hinting at sentiadrien).

They say that Gabriel/Hawkmoth and Tsurugi have been allies for a very long time, but it has only been revealed rather recently in the show and we can see it now in a scene where they're plotting together and rising the tension.

In the following scene, we can see all the kids ready for the "miraculisation", except Mylène who is not wearing a ring because while she is not fully anti technology, she is more wary of it and vigilant of its excesses. They then focus on Ivan, who would also like to resist like her but for whom it is too hard. They add that he has "things stressing him out" but that we will only learn about them in later seasons 👀👀.

They take a moment to appreciate the "exceptional" direction and lighting done by Wilfried in the scene where Nathalie threatens Gabriel with a crossbow. Thomas also makes a reference to Citizen Kane but I've never watched it so idk what he meant by that sorry I'm uncultured haha. The writing team says that while they are the ones writing the scenes, they need a director to make the scenes look like what they imagined, and that it's not always easy.

In the next scene, we can see Ladybug looking around in Nathalie's room to find hints about where Adrien could be and finding her tablet with all the information about the miraculous, which makes Marinette realise that Nathalie was Monarch's accomplice right before they enter in the room. They joke about how OMG THEY NEVER COULD'VE GUESSED that Adrien's father was actually Monarch the whole time. We can see Ladybug recording a message for Chat Noir where she reveals his identity, but she never ends up actually sending it.

They talk about how this scene is a huge climax as it is rare to see Ladybug in the Agreste mansion. It had already happened in season 1 during the episode Simon Says where they already played on the dramatic irony of Hawkmoth being Gabriel (which people did not know at the time). This is the second time that Ladybug is in the mansion, while Marinette has been there before a few times (including the iconic pancake moment). While they talk about Simon Says, Fred looks really smug saying that they had planned everything since the beginning.

They say that the scene during which Nathalie gives Ladybug her phone with the pictures and videos of Émilie explaining all of Miraculous's backstory is beautiful, and that if we as viewers had this phone, we would know everything about it (👀👀👀). In addition, they mention that since this is the final episode of the arc, a lot of things happen to get all the final outcomes of the different relationship between characters.

When Gabriel shows the video of Ladybug and Chat Noir kidnapping Adrien and Kagami on everyone's Alliances, the writers explain that people are so disoriented and stressed that they'll believe anything we tell them. They are therefore receptive to any controversy presented to them, just like how people nowadays will engage in numerous sterile debates on social media.

We can then see Monarch using things he obtained in previous episodes: the cataclysm dust from his deteriorating hand and the magical charm Ladybug gave him. We can see that Gabriel had been planning everything from a very long time but that because of the cataclysm he suffered from, he has no choice but to carry it out now. Coincidentally, it is this very cataclysm that allows his to have Chat Noir's quantic signature and put his plan into action. They jokingly compare what he is doing to making a dog sniff a sock, but in a cyberquantic version.

The quantic signature allows the miraculised people to find Ladybug and Chat Noir, and the team says that when they were writing the scene where they detect Ladybug in Gabriel's mansion, they were all going omg omg omg trying to figure out how they were going to get away with it. They say that while Ladybug is trapped in the villain's lair, the writers trapped themselves with the story.

They once again give a shout out to Wilfried's direction when we can see Ladybug getting attacked from all sides by the miraculised people, notably because of the camera motions. They also acknowledge SAMG's amazing animation especially in the scenes including a lot of characters.

My unculturedness shows again when they say that Marinette hiding in a cupboard under the sink is a reference to Jurassic Park. The reference I do get however is when they say that Plagg not being able to shift through the door with his ring was the plot of Mr Pigeon 72.

The action then reaches a maximum as Monarch knows that Ladybug is hiding somewhere in his house, detransformed. We now get to THE moment they had been waiting for since the beginning: when Monarch discovers that Marinette is Ladybug and she transforms into the fabulous BUG NOIRE!!! They keep talking about how cool she is and that they left the best for last: the final fight with Monarch does not happen with Ladybug, nor with Chat Noir, nor with Chat Noir and Ladybug but with BUG NOIRE!!!!!

Fred says the season has a particular taste of closure, even though there is still a next part, and warns to hold on because the latter will hurt a lot 🥲🥲.

🐞🐞🐞

Now, onto the the second episode, Re-creation !! (Yeah the first 2k words before that were on Conformation alone. I am bad at summarising. 😭)

At the beginning of the episode, when we can see Lila laughing when she sees Alec having an akuma induced nightmare on TV, the writers say that it is because she has known who Monarch is for multiple episodes now. They mention that it is because she read something on people’s lips in Evolution (episode 501) which allowed her to discover things. She also stole a case from Tsurugi so she knows who Gabriel really is.

Then, they focus on the fight we "had all been waiting for", and Mélanie mentions that her favourite lucky charm is the piano crashing on Monarch. They say that while they have spent multiple hours finding intelligent and sophisticated lucky charms for years, this one is just simple and exhilarating.

They then talk about how the resistance is fighting against the miraculised people, and how this happens all over the world (in China, Rio, New York) and includes a LOT of different characters. This explains why it takes a long time to deliver the episodes and they joke about how they’re blowing up their budget. However, despite all the superheroes fighting all over the world, it is still not enough.

Indeed, the outcome doesn’t play out in the giant arena outside, but in the KITCHEN. They joke about how they waited long enough to finally get it and that the resolve should therefore happen there, and even nickname the episode a « kitchen-two-room episode » (the joke makes more sense in french since we define homes according to their number of rooms, not just bedrooms).

They say that in the fight between Bug Noire and Monarch, both are so evolved in mastering their powers that neither of them have limits (Monarch can use as many powers as he wants at once thanks to his rings, and Bug Noire can use as many lucky charms and cataclysms as she wants). They lovingly say that our little Marinette from season one has grown a lot 🥺. She’s now super badass (they kept talking about how cool she was) and has learned so much.

They add that the scene where Bug Noire uses her handcuffs lucky charm is a reference to Kung Fu movies where characters fight while being chained to each other (once again, I’ve watched like zero movies so I’m gonna trust them on that lol). They once again mention the amazing direction and get very excited when Bug Noire slams Monarch through the wall.

During the fight scenes outside, they joke that Doorman (the USAmerican superhero whose power is to open doors) and Fang (a literal crocodile who knows Kung Fu) were essential in saving Paris. However, despite all the people fighting outside, the miraculised people remain too many and there is only one person who can save everyone from Monarch’s perfect plan.

Back in the Agreste mansion, Bug Noire is losing and her only escape is to cataclysm the floor which makes them land in the crypt (which was right under the mansion all along !!!). She then sees Emilie’s body and understand why Gabriel is doing all of this. When talking about his motive, the writers joke that if he succeeded, it would be hard to explain to Adrien why his mom, who has been dead for a year, is suddenly back and that while it would be unjust for Gabriel to trade her life for someone else’s, he doesn’t care and would just make Ladybug go away.

The team explains that in the following scenes, there is an alternance between the outside (in Paris) and inside (in the crypt) fights, with the dialogue happening inside continuing while we see what is happening outside on screen. They don’t do that often, which gives this scene all the more impact during the finale. They talk about how this kind of thing is a trademark of Miraculous: the episodes are quite dense despite their short length, thanks to the fact that the story continues when the action is taking place and the emotion continues to be conveyed. They oppose it to classical action movies where some scenes are dedicated to dialogue/story while fight scenes are just about fighting.

The writers say that from the moment Bug Noire gets her glue tube lucky charm, they are already working on the plot of season 6: when she manages to steal the butterfly miraculous from Monarch, she does not actually retrieve it because of how far away she is and it falls in the water below (cf Lila retrieving it which will be relevant in season 6).

At this moment, Gabriel loses and the resolution of the battle is not what we could’ve expected: we don’t have Ladybug winning by thrashing him, but she instead simply talks to him and even detransforms in front of him. It is not Ladybug who defeats Monarch but Marinette. This echoes to a message they have been trying to convey since the beginning : that in the end, it is not violence or strength that wins, but people talking to each other and opening up about their feelings. It is when people are not subject to their emotions, but instead try to understand them to think better and take the right decisions. And this is what Marinette is hoping for here by showing Gabriel the video of Émilie saying that she never wanted him to become evil, and instead just hoped for him to take care of Adrien (which he didn’t do lol).

In the end, Marinette and Gabriel’s main goals are the same : making Adrien happy. She takes a huge risk and detransforms to see how much he loves Adrien, or on the contrary how much he would rather bring his wife back. This is the only moment where we see Gabriel being truly emotional and understand why he has been doing all of that. Fred adds that he is a character who thinks love goes beyond good and evil, and oversteps every boundary, including moral ones. Therefore, Marinette is trying to solve a crisis of feelings by using feelings.

Back to the episode, we can see Marinette taking the biggest risk in her life and extending her hand to her nemesis, even the kwamis tell her that she’s insane. The writers joke that well, they were right, as Gabriel steals both miraculous and it does not end well (or at least not for now). Gabriel has now won as he can do what he has been wanting since the very beginning.

The team mentions that the next scene is one of the biggest reveals of the show, as we can finally see how the wish happens. We discover that the kwamis are not actually little plushies but take this appearance to avoid scaring their wielders, and the writers actually hinted to that in Dearest Family when Tikki ate all the galette des rois. One member of the team jokes that when the kwamis reveal themselves, they become a Swedish hit from the 70s : Gimmi (as a reference to Gimme ! Gimme ! Gimme ! by ABBA of course).

Moving on from the dad jokes, when Gabriel removes all of his miraculous rings, Marinette is released from the bee sting and can now witness her defeat. But the fact that Gabriel laid down his weapons shows that she has actually won, even though it is only shown and not said.

However, they say that there is still some doubt : we do not actually know what he wishes for as his words are cryptic and we only see the outcome of his wish. They do say that Émilie will not be brought back to life as Gabriel has finally mourned her death, which Adrien has already done for a long time. But Gabriel cannot live without her and decides to die with her.

In order to accomplish the wish, they explain that the world has to be destroyed and then re-created, which leads us to the aftermath of the wish a few weeks later and the pool party where everything seems to be going well. Then comes probably the most enigmatic shot of the episode with Nathalie and Amélie/Émilie. The writers say that they’re not telling us who it is but I think we can guess pretty easily based on what they said right before 😭😭. They also add that with Nathalie next to her we can guess what Gabriel’s wish was, but that it is "not what we think" and that there is a trick.

They say that with the final wish, they have arrived at the end of what they wanted to tell in this arc, which is a revolution of the minds. They said that each played their role, including the villain because he gave up on his power with which he could do anything to make his son happy. They add that the new world we are seeing shows the premise of season 6, which will have a "different taste" and in which they will talk about different things.

They say that at the end, some lies remain as Gabriel is presented as a hero. They say that Marinette gave Adrien the twin rings, in what frankly looks like a wedding proposal lol. Then they go insane because it’s time for LE BISOUUUU, and a real lovey kiss that they remember for once, not like in Oblivio, and not a desperate kiss like when Adrien left for London. However, even with all this cute romantic stuff, we can see some ominous butterflies flying around them…

In the next scene, we can see Marinette taking the miraculous that have been standardised and industrialised by Gabriel and putting them back in shape. The writers specify that this is a parabole about craftsmanship vs industrial production. The miraculous will now be adapted to every person, but we can’t see what they look like just yet! In this new world, the powers are all shared, among people who they trust and know will work for the common good. They joke that the "Avengers" shot at the end with all the heroes is something they’d been dreaming of.

In the last scene with Lila, they joke that it’s never really finished because there’s a bunch of epilogues one after the other. Thomas add that the school described at the end is how he thinks all schools should work!

And we’ve finally reached the end!! They don’t reveal anything in the scene where a weird flash appears in Lila’s room to keep the suspense, and just all scream going OMG WHAT’S HAPPENING!!!

🐞🐞🐞

I hope this was helpful to learn more about the writing team and some stories behind the episodes!! Don't hesitate to add stuff if you think I forgot something or ask questions if I wasn't completely clear :)).

#miraculous #miraculous ladybug #ml #mlb #ml s5 #miraculous season 5 #ml s5 finale

[jishyucks]

Desk Deliveries — ljn

‣ pairing: lee jeno x reader

‣ genre: fluff, implied f2l/coworkers-to-lovers, secret admirer au, office!au

‣ wc: 5.6k

‣ summary: When gifts start appearing on your work desk on December 1st, you have no choice but to hunt down the man who’s been planting them. And with only 7 men on the floor, this shouldn’t be difficult… Right?

‣ warnings: nothing really?, cliche-ish ending, a lot of dialogue (I gotta get this story goingggg)

‣ an: jeno’s wooooo, honestly easier to write than I thought but it’s wayyyy longer than I wanted it to be (I keep underestimating? myself), I just hope it’s up to my own standards lmaooo, but hopefully u guys enjoy!

Series Masterlist

DECEMBER 1

Desk Delivery!

Starting today, consider your desk a treasure trove of surprises.

‘Tis the season of giving, after all, and your radiant presence in the office deserves to be celebrated.

Each gift is carefully chosen, a small reflection of the little things I love about you. I hope they bring a smile to your face and add a sprinkle of magic to your December days.

Stay curious, 

Your Secret Admirer (or would Secret Santa fit the season?)

You almost laugh out loud, blinking at the note sitting on your desk. This must be a joke, right? 

“What is that?” Karina digs her chin into your shoulder, reading the note from behind you.

“Some joke,” you reply, letting her pluck the card from your fingertips. 

She pouts, “But it’s cute!”

“I didn’t say it wasn’t,” you counter, taking the card back.

“I just don’t believe it’s real.”

DECEMBER 3

Today, you arrive at the office greeted with a small, neatly wrapped cube on your desk and you’re beginning to think that the message you were given on the 1st wasn’t a joke and that, whoever it was, was being serious.

You glance around the office to see if any of your coworkers were present, but you seemed to be the first one there. Your brows furrow, carefully sliding the box toward you before ripping the wrapping paper. 

You use your office scissors to slice the tape open, and then once you are sure you can open the box to see what was in it, you take a deep breath in. You push the box away from you so it’s at arm’s length, afraid that something was going to pop out when you lift the flaps open. Counting to three in your head, you ready your fingers to lift the covers after the third count.

Fully expecting there to be fake snakes of some sort, you were met with nothing (thankfully). You pull the box back and peek in to find a mug and a card. Your brows furrow, pulling the card out first. 

I know how much you love that mug of yours, Y/N…

But it’s time to retire that broken one.

Got you a new one. Hope you like it! 

Your Secret Admirer 

You can’t help but giggle at the tone of the writer, placing the card down before going for the mug. You’ve been teased maybe once or twice for using a mug with no handle, mostly because you’ve been complaining about how the edges of the glass edges left behind by the absent handles had been poking at your palm.

Carefully, you fish the cup out of the box, making sure you won’t drop and shatter the present before you can even use it, and you use your other hand to pull the box off. And when you finally get a good look at the mug, you laugh out loud, bringing it up to eye level to get a good look at it. 

It was the exact same mug you already have been using, the only difference was that this one actually had a handle.

You were so caught up in your present that you didn't notice Karina approaching you, “Morning, smiley face.”

“Huh?” you blink at her, confused.

“I would take a picture of you right now, but I’m too lazy,” she huffs, “But you’re smiling like a child on Christmas Day.” Karina blatantly points at your face, “Who’s got you smiling like that?”

You shrug but gesture to the card and the mug, “I don’t think that first one was a joke…”

DECEMBER 4

“Hey! Hey, Y/N!” 

You hear someone call your name, but you don’t actually hear it. It was sort of like background noise to your thoughts, entering one ear and leaving the other. 

“Y/N! Hey!” 

Then, you feel something rough hit the side of your face and you realize that Karina was peeking over the wall of her cubicle and into yours.

“What the fuck do you want!” you whisper. You pick up the balled-up scrap paper she had thrown before throwing it back to her, “I’m trying to work!” 

She dodges the ball with ease, head briefly disappearing then reappearing, “Do you have any candidates for who your secret admirer could be?” 

Karina was speaking a little bit too loud for your liking, so you gestured for her to come closer. She doesn’t hesitate to leave her workspace to enter yours, sitting down on an empty spot on your desk, “So? Candidates?”

You shake your head, “Barely. I was only able to pick out that the writing is a guy’s writing because the girls have neat writing… Other than that, I have nothing.” 

The two letters sitting on your desk were your only explicit clues. Then, you had the thing with the mug, but everyone knew of your broken mug. So really, it was just the handwriting that you had as insight. 

“Okay, so it’s a guy…” Karina hums. She stretches her neck to glance around the office, “And there’s only like… seven? It wouldn’t be difficult to eliminate some of them.” She picks up your two cards to examine the cards. You can see her eyes move back and forth between the letters, pressing her lips into a thin line. “It’s not Renjun.” 

“Huh? How do you know that?” 

“He handwrites,” Karina states, “Like straight-up longhand writing. So it’s not him.” 

“How do you know he’s not just changing up his writing so it’s not obvious?” you narrow your eyes. 

Karina laughs, “Okay, you have a point, but let’s just say that he’s out temporarily, to make it easier on us. In the case that everyone else is out, then it’s Renjun.” 

You don’t notice the way your face scrunches up, your facial features pushing in toward your nose. 

“Hey, what’s with the face?” Karina’s head tilts to the side. It takes a beat and a half before she realizes, “Wait, you don’t want it to be Renjun, do you?” 

You don’t answer, mostly because you didn’t want to outright say that you didn’t want Renjun to be your admirer—no offense to him. Renjun was a great guy, but he wasn’t someone who you saw yourself being with. And if you were to actually build a relationship with this person, you didn’t want it to be Renjun. 

An all-knowing smirk appears on Karina’s face, “Then who do you want it to be?” 

You want to throw a punch at Karina’s knee, but you remember you are still in the workplace and you need to keep it (at least a little bit) professional. “Fuck you, you already know the answer to that.” 

Jeno, Karina thinks.

“Of course you want it to be him,” Karina puts the cards back down, “I should have known. You’re down bad for that man.” 

Karina wasn’t wrong. You and Jeno go way back to your internship days, and your (hopeless) crush on him has been there since then. 

“Down bad for who?” 

From seemingly out of nowhere, Chenle appears at the corner of your cubicle, leaning against it as he takes a sip of his coffee. And of course, wherever Chenle was, Jisung followed, standing right next to the former. 

“Uh, that-that one actor!” you lie in a panic, “From that one show!”

“You suck at lying,” Chenle snorts, “You could have at least named someone. It could have been Nam Joohyuk for all I care.” 

“It’s not you guys if that’s what you’re thinking,” Karina snickers, “Sorry, boys.” 

Jisung and Chenle burst out laughing, almost comically in sync. They even threw in a high-five, though it was out of habit. “No offense, Y/N, but I don’t see you in that light.” Chenle is practically in tears. 

“No offense, Chenle, but I don’t either,” you reply, “Now can you guys please leave my space or I’m reporting you guys to Taeyong.” And that sends them away because it wasn’t the first time they’ve been reported.

“Okay so we can scratch those two off the list,” Karina concludes. 

And you nod. 

So far, so good. This should be easy.

DECEMBER 8

Okay, it wasn’t as easy as you thought. 

All your interactions with the other guys were normal. None of them seemed suspicious enough for you to star, nor did any of them do anything that ruled themselves off your list, and you had to admit, it was frustrating. 

Of all the boys, the most suspicious was Jaemin, who snickered every time he passed your desk. But when you mentioned this to Karina, Karina pointed out that Jaemin was like that in general, always up to his own shenanigans like Donghyuck was. 

“That or he knows something,” Karina thinks, “We should ask him.” 

It was nearing the end of the day and you and Karina were sitting at one of the open tables by the floor’s wall of windows, mugs in hand while you carefully eyed the boys of the department. 

Karina’s about to walk up to Jaemin when you stop her, pinching her blouse to keep her from leaving, “I don’t think Jaemin’s stupid enough to spill anything if we ask. We have to make it subtle.” 

“Subtle, how?” 

You shrug, “Just subtle.”

“Subtle, how?” Karina repeats. 

You want to bonk her in the head, “I guess pretend like you don’t really care, maybe say you think it’s Renjun or something and see what he says.”

Let’s say Jaemin really did know who your admirer was. If Karina were to think it was someone else, she could note the way Jaemin would react to her guesses and you both can go from there. 

You shoo her away and let her do her thing, staying back to pretend you were watching cars drive past down below. 

In 8 days, the only clues you were able to gather included the fact that he was a boy, he worked on this floor (the mug thing), he liked to end his J’s in loop de loops, and there was always some type of water or coffee stain on the cards. 

The last clue was something you and Karina had just recently discovered, simply because the first few cards were wrinkled in the slightest with water, while the most recent one, today's, had been stained with a drop of coffee. 

You’re not sure if these were purposeful or accidental, but nonetheless, you and Karina took any details as clues, hoping that it would lead to a conclusion.

“You haven’t blinked for a while.” 

“Shit, I didn’t hear you come,” you greet Jeno with an awkward smile, shifting your weight from one leg to the other, “I was just deep in thought.” 

Jeno’s eyes disappear when he smiles and your stomach does that thing it does when he does so. It’s so stupid how you’re feeling like a giddy high schooler around this man, but you’ll defend yourself any day and blame him for everything. 

“Is it about your secret admirer?” Jeno questions. He’s facing the window and you’re facing him. You can see him peeking at you through the corner of his eye and he’s smiling teasingly.

Your eyes widen, “Wait, how do you know about that?” You haven’t told anyone but Karina, Chenle, and Jisung, the last two only earning the information for being the most persistent duo on the planet. 

“Word gets around,” he shrugs, “And I pass your desk to and from the elevator.” 

You’re guessing the two younger boys had let it slip out but you disregard them for now, “Oh… right…”

“So, what about him?” Jeno questions. 

“Just… I don’t know who it is….” 

Jeno turns to you and you’re taken aback by how tired he looks. Sure, everyone in this damn office repped the good ‘ol panda eyes, but Jeno’s hair was a bit dishevelled, eyes half closed from fatigue. You choose not to point it out. 

Jeno’s words register in your head and your brows furrow, “Wait… how do you know they’re a he? I didn’t say anything about him unless…” You don’t quite notice the way Jeno freezes up only because he wasn’t moving much beforehand. “Unless you know who he is!”

Jeno shakes his head, “Jisung told me!”

“I didn’t tell Jisung anything.” “You probably told Karina who told Chenle who told Jisung!” At this point, Jeno’s heart is beating at an erratically fast pace and he’s about to panic until Karina returns. She’s pouting, a tinge of disappointment evident on her face and Jeno takes this as his chance to escape.

“What did Jaemin say?” Your attention is easily pulled away from your friend, “Did he say anything?”

“No,” Karina grumbles, “I accidentally let it slip out that this was about your admirer and all he said was, 'Secret admirer, huh? Wouldn't you like to know.'” Karina mocks Jaemin’s voice, rolling her eyes. “But I guess that just proves that he knows something… it’ll just be harder to get it out of him.” 

“Jeno’s being suspicious now, too,” you nod your head to the boy. 

Sure it could be implied that your admirer was one of the guys, but the way the man had handled your questions was definitely something to take note of. 

DECEMBER 10

“Please tell me you’ll be leaving after you finish this?” Another one of your coworkers, Minjeong, was standing at the edge of your cubicle, leaning against the divider. You can tell she’s ready to leave, hands stuffed deep into her pockets, “Everyone’s left besides Mr. Jo.” 

Mr. Jo was the custodian.

“I will, I promise.” You don’t even look up from your screen, waving your hand in her direction as if it would make her scurry away, “I’m almost done. Have a good night, Jeongie!” 

She returns your farewell and leaves, knowing that you won’t budge until you finish your task. 

You genuinely were near completion. You just had a few more points in the report to finish before you reached your goal for tonight and you’ll go home. 

Your fingers are flying across your keyboard, fatigued eyes blinking at the words you were producing in hopes that they were coherent. Your brain had shut down an hour ago and now you were on autopilot.

Who cares if it’s coherent if I’m going to edit it anyway? You think. And now you were carelessly typing, making typos left and right.��

When you finally finish the draft, you grab your mug from your coaster to put in the office’s sink. Your eyes finally catch a break from staring at the screen for so long, practically feeling your ocular muscles relax. Closing your eyes, you blindly make your way down the pathway, which honestly was easy after the amount of times you’ve made your way down it.

But when your feet hit something that was obviously not as hard as a cubicle wall you freeze. 

Shit. 

Your eyes fly open and quickly look at what you have unintentionally kicked. 

“Jeno?” You blink your eyes a couple times to make sure you aren’t just seeing things.

Sprawled out on his desk was Jeno, fast asleep. There was a small pond of drool underneath his cheek, mouth hanging open. You couldn’t help but laugh. 

“Jeno.” You feel the need to whisper now, leaning over to shake his shoulder. “Jeno!” 

He begins to stir, “Huh? Wha?” 

“What are you still doing here?” you ask. 

One eye stuck closed, he glances around the empty office. The side that he had been lying on was flat as if he had been in that position for a while. Jeno yawns and stretches, his back popping a little as he sits up. 

"I was waiting for you to finish," he mumbles, rubbing his eyes with the back of his hands.

You glance at the clock on his computer screen, realizing it's much later than you thought. "Jeno, it's getting late. You didn’t need to wait for me."

He shrugs, a sleepy smile on his face. "I didn't want you to go home alone in the dark. Plus, I figured you might need some company." 

You hit him on the shoulder, “You dumbass!”

Jeno winces even though you didn’t even hit him too hard. “Ow!” 

“I didn’t even know you were here! Dumbass!” You throw another thwack at his shoulder blade, “You’re lucky I tripped over your foot!” Jeno ignores you and starts getting up, pulling out his packed bag underneath his desk, “You should’ve told me you were gonna wait for me.”

“Yeah, but then you would’ve pushed me onto the elevator so that I could leave,” Jeno replies. "Ready to head home?"

Although you and Jeno don’t live anywhere near each other, your place was on the way to his. Usually, you’d walk home and go sightseeing as you walked past the small shops on the way, but because the weather could freeze your arteries shut, you’re forced to transit home. 

"Sure, let's go." You pack up your things quickly, and the two of you head towards the elevator.

As you wait for the elevator doors to open, you glance at Jeno. His eyes are still a bit heavy with sleep, but there's a warmth in them that makes your heart flutter. When he notices you looking, he tightens his lips to give you a tired grin that reaches his eyes. The office is quiet now, only the hum of the elevator breaking the silence.

Once inside, Jeno presses the button for the ground floor, and the elevator starts its descent. The dim lighting casts a soft glow on both of you, and you can't help but appreciate the peaceful moment.

"Long day, huh?" Jeno breaks the silence, his tone sympathetic. “Your secret admirer mystery still bothering you?"

You chuckle and nod, "Yes. But it just makes me more determined to figure it out."

"Any progress?" Jeno raises an eyebrow, curious.

You shake your head, "Not really. It's driving me crazy." 

"Maybe it's someone you least expect," Jeno suggests with a playful smile.

"Maybe," you reply, unsure. The elevator doors open, and you both step out and into the nearly empty office lobby. Then you think out loud, eyes narrowing as you look at Jeno through your lashes, “Maybe it’s you.” 

The cold wind hits you as you exit the building, making you shiver. You pull your coat tighter around you, and Jeno does the same. 

“Why? Do you want it to be me?” Jeno smirks playfully. 

“I don’t know,” you lie, “I’m just asking because there’s a possibility it’s you. Besides Chenle and Jisung, you’re the only one willingly asking about him.” That really couldn’t even mean anything, but it’s suspicious. You’re starting to think this was a joke set up by all the guys, and you’re the target.

“Nope, it’s not me,” Jeno stares ahead of you both, and you miss the way he swallows his spit when he says it, “And I don’t know who it is either. That’s why I’m asking.”

You look at him to detect if Jeno was lying—maybe a nose twitch, multiple blinks, or a dishonest glance to the side—nothing. 

You feel your heart skip a beat, and not in the way you liked. Because, sure, you didn’t care about who this person was, but for the past week and a half, you’ve been raising your hopes that it was Jeno who had been leaving these presents for you. 

You realize that that was a mistake. 

A weak laugh shoots out your mouth, almost sounding like a huff and you force a smile on your face, “Well… that’s a relief.”

DECEMBER 15

Losing a bit of interest in your admirer just because it wasn’t the person you wanted it to be wasn’t fair to your actual admirer. Especially when they were still putting the effort into dropping off those presents and writing those letters.

The day after, you had told Karina that Jeno made it clear that your admirer wasn’t him and she refused to believe it, delusion taking over for your sake. She said something along the lines of ‘can’t say it’s not Jeno until there’s solid proof’. 

This morning you decided to switch up your strategy and arrive at work early. For the past 2 weeks, these little deliveries had appeared on your desk either after you left or before you arrived, and since you had kept track of who left the office yesterday evening, you were sure that he was going to be coming in early this morning to leave his present. 

You greet the security guard in the lobby, leaving your mouth more as a yawn than an actual sentence before you hop onto the elevator and cross your fingers for luck. 

The office is quiet and dimly lit as you enter, the only sound being the gears of the elevators turning as the doors slide open. Once you step out, you’re quick to scan the room before ultimately settling your gaze on your desk. 

The universe couldn’t have timed this any better.

Standing at your desk, you see a figure, gently placing a wrapped box on your desk. You hold back a gasp, clamping your mouth shut with your palm, not wanting to bring attention to yourself. The man appeared oblivious to the elevator letting someone off, his back still turned to you.

You catch the sound of his satisfied hum, and just before he pivots, you quickly move to a concealed hallway, keeping yourself out of sight. A lingering fear holds you back from confronting whoever this person is, but you so badly want to know who it is. You figured it would make the confronting part easier. 

Footsteps grow closer before they stop, and you can easily guess he’s standing in front of the elevators. With curiosity getting the best of you, you risk being seen and lean your head around the corner, just enough so that one of your eyes can see who the boy was. 

Another gasp attempts to leave your mouth when you finally recognize who it was. 

Jaemin?

The elevator arrives at your floor before you can even process that it was truly him you just saw, almost as if you’ve seen his ghost and he was gone before you knew it. 

So your secret admirer was Na Jaemin? 

In a way it made sense. You and Karina had ruled him as one of the more suspicious ones. He and Jeno were close, so Jeno being curious about your progress added up. Now you have solid proof that Jaemin actually was your secret admirer.

How were you going to let him down easily?

DECEMBER 19

Despite having the weekend and Karina's assistance to strategize how to break the news to Jaemin, you found yourself at work on Monday without a clear plan. Today, you mentally braced yourself for another gift, feeling a pang of guilt as you realized your friend and coworker had been investing so much effort, only for his feelings to not be returned.

Today’s box was slim and rectangular, wrapped in the paper you’ve grown familiar with. At first glance, it looked like a wine box, but you quickly deemed it too short to be a wine bottle. 

With a bit of hesitation, you carefully pick at the paper, ripping it open before you slice the tape that was keeping the box closed. Then you pry the box open, flipping the flaps over so that you can see the item from a bird’s eye view.

Huh?

You pull it out—an umbrella in your favourite colour. On the handle, your initials are engraved into the plastic. The umbrella looked beautiful, but considering the other presents, this was… random. 

Your eyes catch sight of a card at the bottom of the box and you stick your arm in to fish it out. 

I bet you’re curious as to who I am, right?

I think I kept you waiting far too long for a hint.

A hint?

Your heart picks up its pace and your eyes scramble to keep reading.

Today’s gift? An umbrella.

Bought one for myself and one for you because we need to be prepared next time.

I don’t know about you, but I didn’t enjoy being drenched in rain at work. 

Your Secret Admirer

A hint.

Hell, it was more than a hint.

Your eyes grow wide as you reread the note over and over, your heartbeat fluttering. It flutters because you know exactly what your admirer was talking about. 

Back during the rainy season, the morning you were getting ready for work, you completely disregarded the weather forecast and left your house without an umbrella or an appropriate coat. And much to your stupidity, you told yourself that it wasn’t going to rain that hard when you heeded the darker clouds in the sky. 

You realized your mistakes on the walk to work when rain started pouring down from the sky, like someone dumping a bucket of rainwater all over you. You were sprinting, sight impaired by the rain pelting your face, flying past other individuals who had been smart enough to pack heavy-duty umbrellas with them. 

Luckily, you finally arrived at your building before you were wet to the bone. When you noticed the elevator was still open, you called out for it, fast-walking through the lobby just so you could catch it. 

“Thanks,” you had sighed out, huffing in relief. 

The man who had held the elevator open for you laughed and spoke up, “I take it you forgot an umbrella too?” 

You laugh at the memory, remembering being thankful that you weren’t the only dumbass who didn’t bring an umbrella—that you weren’t going to be the only one on the floor who would be showing up soaked and dripping wet.

Because Jeno was that other dumbass. 

Even with this realization, with this hard evidence that your admirer could actually be Jeno, you still recount your almost-encounter with Jaemin and the fact that Jeno had denied your accusations. 

You find yourself caught in a web of conflicting emotions. On one hand, the thoughtful gesture of the umbrella brings back memories of that rainy morning with Jeno. On the other hand, the recent revelation and Jeno's denial cast a shadow of doubt on the identity of your secret admirer.

As you stand there, staring at the umbrella, your brain cells are desperately trying to think up a good explanation for all of this. The evidence seems to point to Jeno, yet you can't ignore the possibility that this might be an elaborate misdirection. Or maybe Jaemin was the misdirection?

Your thoughts are interrupted by the familiar voice of Karina, who has just gotten off the elevator. She notices the umbrella in your hands and grins, "Mr. Admirer? An umbrella?"

You manage a half-smile, the weight of the situation pressing on you. "It’s a hint. There’s a memory tied to it.”

Karina arches an eyebrow, intrigued. "Memory?"

You decide to share the story of that rainy morning with Jeno, how both of you got caught in the downpour without umbrellas. As you recount the details, Karina listens attentively, connecting the dots between the past and the present. 

"So, you think Jeno might be your secret admirer because of this shared memory?" she asks, thoughtful. The way her expression brightens at the thought of your admirer actually being Jeno and not Jaemin—just like you wanted.

You shrug, uncertain. "It makes sense, right? But then there's the whole denial part. He flat-out said it's not him."

Karina leans against the reception desk, crossing her arms. "He probably just didn’t want you to find out like that. Maybe he's trying to surprise you later. Who knows?"

You sigh, feeling a mix of frustration and curiosity. "I just want to know. I’m this close to banging my head against the corner of my desk." 

Karina snorts and nudges you playfully. "Confront him again but this time, give him no choice but to confess."

You consider Karina's suggestion, realizing that confronting Jeno might be the only way to unravel this mystery. Gathering your resolve, you decide to have a direct conversation with him, determined to get to the bottom of your secret admirer's identity.

DECEMBER 20

Who would’ve thought that confronting your secret admirer would be nerve-wracking? Cause what if it really wasn’t Jeno and you were making a fool out of yourself?

It’s your break and you’re sitting at one of the lounge tables with Karina and Minjeong, playing with the edge of your instant ramen cup. 

You’re replaying how you want the situation to go down in your head. You want to go up to him, make small talk, he small talks back, you confront him, and he admits it—easier said than done. But your goal was to do it by the end of the day, mostly because you know that if you kept this going for any longer, you’d actually go crazy.

Minjeong and Karina are talking about something, you’re not quite sure what it was when Ningning joins in, “Did Giselle pass by?” 

Karina shakes her head, “Haven’t seen her.” 

Ningning pouts, “I was going to ask her someth—”

And again, you tune them out—not on purpose.

The voice in your head is screaming Jeno repeatedly and it’s driving you insane. You want it to stop, but the only way you can do so is by confronting him.

Then the door opens again and in comes Jeno and Jaemin, laughing about something Donghyuck and Mark related. Karina notices the way your eyes divert toward their direction and she tries to catch your attention, jerking her head in their direction. Eyes widening, you shake your head as if you were saying not now.

“Shit, I got coffee on my shirt,” you hear Jeno huff. 

From where you were sitting, you could see Jeno turning to show Jaemin the coffee stain on his white shirt, pouting. Jaemin laughs, “That’s what you get for using a broken bottle. Just buy a new one.” 

Jeno pouts, “You buy one for me, then.” 

At first, you don’t pay attention to their conversation, passing it off as the usual banter between the two, but then it clicks. Your mouth speaks before you can even process everything, “It’s you!” 

The room grows silent but, frankly, you don’t care because now you’re sure it was Jeno. 

Other than the umbrella and the memory, the only other hint other than handwriting were the water and coffee stains that the cards were always covered in (and you and Karina were still unsure whether that was on purpose or not). 

Jeno’s bottle was broken. 

You rise abruptly, the chair screeching against the floor. Rounding the tables, you navigate toward to get to Jeno, heart beating against your rib cage. Once he is within your reach, you snatch him by the wrist and drag him out of the lounge room and into the hallway. 

“Dumbass!” you smack his shoulder, “It was you! Liar!” You weren’t angry, in fact, you were laughing, disbelief etched on your face.

Jeno looks off to the side, “I… don’t know what you’re talking about…” He’s horribly holding a smile back, cheekbones growing prominent from his attempt. 

“Don’t play dumb,” you say, “The umbrella hint was enough for me to know it was you!” 

Jeno unleashes his smile, physically shrinking and lowering his head as his cheeks grow hot from your statement. “I didn’t think you’d remember it that easily…”

"You've been driving me insane, you know that?" You shake your head, still processing the revelation. "I even thought it was Jaemin for a bit. All this time, it was you!"

“Did you… want it to be Jaemin?” 

You shake your head, “Honestly, I was relieved it was you… no offense to Jaemin. Why didn’t you admit to it when I asked you?”

“Probably a similar reason for why you said ‘that’s a relief’ when I said it wasn’t me,” Jeno counters, slowly regaining his confidence. 

You chuckle, realizing the playful banter unfolding between you and Jeno. "Good point."

He grins, "Plus, watching you try to figure it out was entertaining." There’s a mischievous glint in Jeno’s eyes as he's holding back a smile.

You cross your arms, glaring up at him, "So you enjoyed torturing me?" 

Jeno panics slightly, shaking his head, "No! It’s not like I was torturing you! It was just something fun! I liked seeing your reactions!"

You playfully roll your eyes. "You're lucky I like you."

Jeno freezes, “Wait, you like me like me?” 

You look at Jeno as if he just said the dumbest shit that’s ever come out of someone’s mouth. “Lee Jeno, I literally told you I was relieved it was you and you think I don’t have feelings for you?” You want to smack him again.

“Yes?”

Smack.

“Ow!” Jeno rubs his arm and frowns. 

“Of course I like you!” You’re looking up at Jeno, “I was working my ass off trying to figure out who my admirer was because I had hopes that it was you!”

Jeno's eyes widen with surprise, and then a broad grin stretches across his face. "You... really?" he stammers, almost disbelieving, “So would… this be the right time to ask you on a date?” 

You stuck out your bottom lip and shrug, half-joking, “I mean… it’s the least you can do after putting me through all that.” 

“You’re right,” Jeno laughs. He takes a step closer, looking down at you with the world’s prettiest smile, “So will you?”

“Will I, what?” you tease, staring back up at him.

“Will you go out with me?”

taglist: @tytrackfebreze @lovesuhng @hoonieji @niinjo @dinonuguaegi @reignessance

an: the answer is yes 👀,,, Felix's is up next and it's gonna be cute

#nct #nct dream #nct imagines #nct dream imagines #nct dream scenarios #lee jeno #jeno #lee jeno imagines #jeno imagines #lee jeno scenarios #jeno scenarios #nct dream blurbs #nct blurbs #jeno blurbs #lee jeno blurbs #nct jeno #nct fluff #nct dream fluff #jeno fluff #lee jeno fluff #my writings #my nct writings #kpop #kpop imagines #kpop scenarios #kpop blurbs #jeno x reader #jeno x reader fluff

[yamujiburo]

POKEMON SERIES RANKED (IMO)

I get this question a lot and haven't made an updated list with Journeys

Original Series (S1-S5)

Sun & Moon (S20-S22)

Chronicles (S0)

Diamond and Pearl (S10-S13)

Advanced (S6-S9)

Journeys (S23-S25)

Black & White (S14-S16)

XY (S17-S19)

Original Series (S1-S5)

OS had that first season charm. Very unpolished, still finding its footing but super enjoyable for those reasons

Probably the strongest series comedy-wise

That GORGEOUS 90s anime style

Main character dynamics were REALLY strong

Ash's personality felt much more like a shitty little 10 year old which was entertaining

Dub writing was also the best hands down

Sun & Moon (S20-S22)

Honestly tied for first with OS for me

REALLY fun ensemble cast! They do a fantastic job giving each character enough time for you to get to know and care about

Excellent modern anime style that perfectly fit the vibe of the season and allowed for some of the best character animation of the show's run

Finally figured out how to write Ash like a 10 year old again (but in a kind/sweet 10 year old way as opposed to OS)

Very different from previous series in terms of the formula they'd follow. Doing a school series instead of another "8 badges to championship" plot felt new and fresh!

This series genuinely made me cry the most (MEMORIES IN THE MIST!!!!! LIKE ARE YOU KIDDING ME)

Chronicles (S0)

Fun concept! It was really nice to see more of the side characters without Ash there. We get to see more of Misty, Tracey, Daisy, Brock, Ritchie, Oak, Delia, Butch, Cassidy, Jessie, James and Meowth!

Stylistically really nice. Just solid drawings all around and it retained the 90s anime style in digital form more successfully than other digitally done series imo

BUTCH AND CASSIDY!!! Team Rocket centric episodes!!! Training Daze!!!!!!!

Idk how possible it would have been (seems like a TON of work) but it made me want one of these in between each season, where we'd follow the characters that Ash had just said goodbye to for the next region.

Diamond and Pearl (S10-S13)

Series I grew up with! Honestly I was kinda a hater as a kid but having watched it back, I love the series

Love that Ash and Dawn were bros. They had a really fun dynamic.

Debatably peak Team Rocket. They had some of the best Team Rocket centric episodes this series.

Contests were really fun and a bit more figured out compared to the Advanced series

Fun, memorable rivals for Ash (Paul and Barry) as well as Dawn (Zoey, Kenny and Jessilina sometimes)

This is unfortunately where I stopped caring about Ash as much. He feels kinda watered down for the next couple series.

Advanced (S6-S9)

Pretty tied up with DP for me

Really fun series! Still had some of that early Pokémon charm

I appreciated that they put Ash in more of a mentor role for May (but he still had a lot to learn himself).

Ash and May constantly butting heads was really fun

May was a very compelling character to me, being very clumsy, kinda lazy, directionless, not really into Pokémon, etc. But then over time, she comes around and finds something she's interested in!

Journeys (S23-S25)

I love the episodic take as well as the way they let the characters jump around from region to region at random

Goh was a GREAT travel companion to Ash. They contrast each other nicely, have moments where they get on each others' nerves but still get along and have a mutual admiration for one another.

It was fun that they made Goh's thing catching every Pokémon (the motto of the entire series) so they could focus on Ash just training and prepping for Worlds.

Amaaaazing style. Took the great parts of classic Pokémon, roundness of SM and blended em together for a really fun look.

Black & White (S14-S16)

I don't think it's that controversial to have BW this low haha

I did enjoy Iris and Cilan but it felt like the writers didn't reaaally know what to do with them? Also this was their first time in a while not having Brock and it shows. I feel like Brock was successful because he was grounded and lower energy compared to the rest of the kids. Having 3 pretty eccentric characters is kind of a lot. No hate to the characters in the slightest, there was just not as much balance.

I think maybe they leaned on Cilan and Iris for more comedic relief because they killed the comedic relief that was Team Rocket this series. I appreciate them trying something new with Jessie, James and Meowth but I don't think it worked very well lol

XY (S17-S19)

I've ranted about this series a lot LOL. I get the appeal of it, but it just wasn't for me. I felt like it was the weakest comedy-wise and took itself a bit too seriously for my taste

My main gripe is that Serena, Clemont and Bonnie all like,,, worship Ash. By doing so, Ash begins to feel like a side character because we're constantly looking at Ash through their eyes. There's so little conflict within the group so their dynamics feel really flat. I think this dynamic could have worked if they leaned waaay more into Ash being a mentor and maybe feeling the pressure of having to be a role model for the people around him.

Team Rocket very much feels like an afterthought in this series. They did in Journeys as well, but at least in Journeys they were doing something silly and also had a handful of episodes dedicated to em.

Outside of that, the episodes weren't super memorable for me

I think it's just frustrating because there was sooooo much potential character-wise

#long post #ranking

[coffee-with-mint-syrup]

The case of live-action atla zutara.

First of all, the scarf scene. I won't be repeating myself, here are some main points - there was absolutely no reason for Zuko to act the way he did and for the scene to be shot this dramatically. Even if they did the shipbaiting in this scene - it means there's a ship which is much more than live-action kataang has at this point. Also I don't really think these guys are shipbaiting type but that's just the impression I got.

Then - the second obvious one - Oma and Shu's visuals. We have star-crossed lovers from two towns at war, basically the local equivalent of Romeo and Juliet (as in legendary lovers who are known above all for their love) wearing coincidentally colors that are primarily associated with two of our characters (who shared this dramatically shot scene in the previous episode).

And I know, it may seem so insignificant - but but but but! - you have to think about this. Of course there are creators, writers and showrunners that are unaware of some non-canon ships or don't care about them. But it's not the case for atla. No, creators of atla were so aware of zutara - they wrote a parody scene in a in-world trashy play to mock this fan pairing and it still proved absolutely nothing and just gave zutara more content. The creators and writers of this adaptation clearly had the discussion "what we should do with kataang" - because there is no trace of kataang in the 1st season. So it was a conscious decision to omit that - but where would the romantic subplot go? Well, I don't know, but they are showrunners, they most certainly discussed options. They are clearly very, very, very much aware of zutara. And they still do this? They still show us Oma and Shu wearing red and blue? All they had to do is to give at least one of them any different color. Any. But they didn't. (for fuck sake, it is the Earth Kingdom - yellow and green would do it)

There were zero, no, nada Kataang interactions, implications or those scenes that are filmed just a little bit too dramatically like the scarf one. I don't know, there's still a chance that they will wait for season 3 to make Aang's crush on Katara happen. I'm also not so sure what will happen to Aang failing to open seventh chakra, I mean - his love for Katara has a huge purpose in series, so it still doesn't look very good. But you can't even imagine how glad I am that they didn't do this secret tunnel thing. It was very uncomfortable.

So it was the more fact-based part of my case, let's get to the irrational, almost delusional part, tin foil hat probably needed.

Almost all the scenes Zuko and Katara shared in the first season kept reminding me of another famous enemies-to-lovers ship that actually became canon in the infamous final episode - Reylo, the way it was filmed in The Force Awakens. I mean - the first fight in the woods where she looses, the intensity of him staring at her, the final fight in snowy location where she kicks his ass and shows her mastering this superpower, him trying to talk to her during this fight and mentioning her learning/having to learn...Zuko calling Katara a peasant reminded me of this "Rey is no one" discourse. I don't know man, I haven't thought about The Force Awakens reylo for a very long time and it just kept popping in my head.

All of this - it's like a blueprint for enemies to lovers.

Also I actually think that the look they shared in the 2nd episode was also shot kinda weirdly and dramatically. It's not to the extent of the scarf scene but I do remember thinking that "why did they film it they way? it's too intense".

In the conclusion I'd like to say that as much as I like all the season 1 zutara stuff they left out in the adaptation - necklace subplot and implications, pirates and the famous "You rise with the moon, I rise with the sun" - I think I actually prefer the scarf scene. Yes, it would be so great to see those things in adaptation but in the end of the day they would still be just the things they kept from the original and probably noting more. Like the cabbages or the secret tunnel song or anything else, just things from the source material that implicate nothing. While the scarf scene, the Oma and Shu's clothes - it means they made a conscious decision to make it that way. It means they put some thought into that and some meaning. And this gives me hope there's a chance for Zutara in this adaptation.

P.S. I told about this my sister who hasn't watch the series yet and she said "I think people who made this show are just shipping zutara in secret". I do not necessarily imply she might be right - but creators of animated series (the very same people that made kataang canon, not zutara) DID leave because of some creative differences and because they couldn't control creative decision. Might as well be THAT kind of decision.

#finally got it all out of my system #this whole thing just screams: Coincidence? I think NOT! #but seriously #can we have this one? #zutara #avatar the last airbender #atla #atla spoilers #netflix atla

[zutarawasrobbed]

Live-Action Showrunner Interview: Future Romance

Anyone claiming this interview with the live-action Showrunner “confirms Kataang” in the future should probably actually read his answer to the question and be concerned he refers to the relationship as an “issue.”

*Everything I quote from the article has been copied as written in the original source. Including bolded words and passages.

[INTERVIEWER:] I have to ask this question, because I have wondered this myself, and also because I saw some of your interviews. But talking about the direction of Katara, who I think a lot of fans have interpreted in the original series as a little bit motherly - it's probably too motherly of a role for the character. And I'm glad that I'm getting the sense that she's not leaning so much in that direction for the live-action show. But speaking on that, her romance with Aang is something that is reflective of that mothering dynamic. Are there any plans to change that up? I know some fans enjoy Katara and Zuko, I'm just going to put that out there...

KIM: [Laughs]

[INTERVIEWER:] ...but I'm curious if you have any insight on that.

KIM: I will say, hopefully, I'm smart enough not to get involved in that debate, because I know how passionate both sets of fans are. And I was fortunate in that it wasn't a big issue in the first season for us. Because, you know, practically speaking, there are certain things you can do with animated characters that you can't with live action ones when it comes to something like that.

It's not something that we hit very much head on in the first season there. If you look carefully, there are little hints, especially in the final episode of what Katara is saying about Aang. So, we are obviously aware of where it goes in the original series, but it's more of a future issue and a future storyline to be dealt with. So I was, even for myself, I was very relieved to put a pin in it, so I wouldn't have to deal with it in the first season. But yeah, it'll be interesting to tackle that one.

I also find it interesting he makes sure to differentiate the original animated series from the current adaptation. Am I reading too much into things? Maybe. But, maybe not.

Regardless, I wasn’t really holding my breath for Zutara in the live-action- I’m just happy with any crumbs because it seems like writers can’t help themselves but add more Zutara content in the show, whether intentional or not. But, after reading this, I actually have hope.

#zutara #avatar the last airbender #I swear people aren’t reading #yes I am ZK trash but I’m also realistic and not getting my hopes up #that said this doesn’t actually imply what people are saying it does #if anything I think he’s saying the endgame pairing is still up in the air #it’s more noncommittal than anything else #atla live action #natla

[terapsina]

Now that the writers and actors strike is about to begin being felt (and as we wait for those greedy billion dollar companies who are refusing to negotiate fair pay and conditions to give up) here's 10 of my favorite (all around best) fully finished older series you should definitely check out if you haven't watched.

I mean it, these are the shows with continuously great writing and a satisfying endings that manage to actually deliver on their promises.

-----

1. Leverage - (containing 5 seasons, or 77 episodes) - trailer here.

Hitter, Hacker, Grifter, Thief and Mastermind. Heists and cons. Stealing from the rich and giving to their victims. They provide... leverage.

Meant for anyone who enjoys bad guys being the best good guys, who will burn down the lives of evil CEOs and then gloat in the background. Very satisfying.

Hands down the best example of a found family trope I've ever seen on screen. Barring none.

2. Killjoys - (containing 5 seasons, or 50 episodes) - trailer here.

Space Bounty Hunters. Another case of found family trope. Bisexual space princess assassin. Quippy sentient ship. Green alien goo. Evil lesbians (but like... in a good way). The warrant is all.

More seriously though, it's a story about three killjoys and the bounties they go after. Initially. And then they have to save the entire Quad from some very terrifying... stuff.

Contains one of the best friendships I've ever seen on television.

3. Orphan Black - (containing 5 seasons, or 50 episodes) - trailer here.

Found family trope but with clones.

Low level grifter sees a woman who looks exactly like her kill herself and plans to take over her identity long enough to cash out. Except then there's two other women who also look exactly like her. And apparently they're all clones and someone's killing them.

Enter a global conspiracy. Human experimentation. Lots of clone shenanigans. Some serial killings. And a few murders 💖.

4. Person of Interest - (containing 5 seasons, or 103 episodes) - trailer here.

Okay I'm beginning to see how I might have a found family trope issue.

Former CIA agent gets recruited by a reclusive billionaire computer programmer who developed a... machine that can predict acts of terror before they happen. But it also predicts 'irrelevant' acts of violence that will result in someone's death.

Unless someone interferes.

I'd really like to spoil some stuff to get you all to watch this one. But I'm going to maintain self control and just mention that early on they get a dog named Bear. Bear is a very good boy. Watch it for Bear.

Also for excellent commentary on rights of privacy, government surveillance and what does 'greater good' even mean? But mostly Bear.

5. 12 Monkeys - (containing 4 seasons, or 47 episodes) - trailer here.

The very best time travel show out there. What starts out as a confusing mess of causality basically exploding, by the end of the series all makes complete and total sense.

(when that final timey-whimey loop slid into place and revealed the entire pattern it was like a choir of angels started singing in the back of my head. It was freaking glorious).

Anyway, a man from a post apocalyptic future travels into the past to stop a plague from decimating nearly the entire world population.

He has the name of the man who released the virus and it's supposed to be a single trip. One trip. One bullet. Simple. Done.

Except then things keep escalating, and escalating until time begins eating its own tail and it might start looking like the end of the world might be a better ending than erasing all of time and space from reality.

Because when our guys screw it up, they screw it up GOOD.

And oh yeah... found family.

6. The Good Place - (containing 4 seasons, or 53 episodes) - trailer here.

A self-proclaimed Arizona dirtbag opens her eyes and finds out that she's dead and got accepted in the Good Place. Except that as soon as she arrives the Good Place starts glitching, and she really, REALLY needs to become a better person before she can be found out and kicked out to the Bad Place.

Luckily her assigned soulmate was a professor of ethics and moral philosophy.

One of the funniest, most thoughtful and clever comedies I've ever watched. Ever. The characters are delightful and by the time the final minute rolled around I had sobbed my heart out multiple times (which, as we all know, is a sign of the very best comedies out there).

As for the question of whether or not this too contains Found Fami- Yes! Obviously, yes.

7. Avatar: the Last Airbender - (containing 3 seasons, or 61 episodes) - intro here (couldn't locate the trailer but it's basically the same thing in this case).

The four nations lived in harmony. Until the Fire Nation attacked.

It's been a hundred years since the beginning of the war when two kids from the Southern Water Tribe find a boy frozen in ice and wake him up. A boy who's able to bend all four elements... though not very well.

Enter multi-nation flying road trip (thank you Appa, we love you most of all) as they try to find teachers for the Avatar and save the world.

Includes found family (shut up), amazing fight scenes, the most heartfelt and vivid characters ever, and the best example of a redemption arc actually done well.

8. Love Between Fairy and Devil - (containing 1 season, or 36 episodes) - trailer here.

This one gutted me. I'm saying this as a compliment. But it had to be said. Completely destroyed me. I just haven't been the same.

A love story between an Orchid Fairy and the leader of the Moon Tribe that starts out with her accidentally releasing him from millennia long imprisonment and then takes you through the caleidoscope of all possible human emotions (it's a body-swap comedy through the first part, then a romcom, then a dramatic romantic tale, and finally a tragic love story).

But it's such a satisfying slow burn.

And it carries this... humanity through the whole thing that makes it so visceral.

If you're a romantic who's very tired of instalove and characters dropping all their morals because 'ooh, attractive person' then you've got to watch this. Because this story does NOT take the easy road there.

(my more extensive rec for this series can be found here)

9. Star Wars: The Clone Wars - (containing 7 seasons, or 133 episodes) - fanmade trailer here (it was better than any of the official ones).

This series did so much. Introduced Ahsoka Tano, and made us love her. Gave names and faces and souls to the Clone Troopers (okay, it's the same face but you know what I mean), to a point where their endings during Order 66 destroyed me just as much as the ending of the Jedi Order. And somehow made me both love Anakin AND be a million times more angry with him.

There are some arcs in this series that might be a bit weaker. But there were some... god, there's a reason I love Clone Wars more than any other series or trilogy in this universe. And I'm not even a little ashamed to say it.

Must watch for Disaster Lineage shenanigans; for the vod'e; AND for the Jedi (who did their best okay? They always did their best 😭💔).

(and on the subject of found family... do I even need to comment)

10. Nikita - (containing 4 seasons, or 73 episodes) - trailer here.

A rogue assassin that escaped Division - covert government agency that takes recruits out of prison, fakes their deaths and then forces them to become spies and assassins - has come back to take it down. Brick by brick if she has to. With guns and explosives too when that works better.

Contains soooo many cool fight scenes. Is full of incredible characters you'll fall in love with (and hate with) very quickly. And most of all has an incredibly complex relationship of mentorship and friendship between two women that holds both great admiration and betrayal, real care and love as well as rage and hatred, forgiveness, mutual respect and an unbreakable kind of bond that so very rarely involves even one female character on TV, let alone two.

(as usual, found family tropes up the wazzoo).

-----

In conclusion. We all know there's going to be a large space between seasons of our favorite shows now (and some shows that aren't going to survive it). Let's fill that space with some excellent TV we haven't had a chance to see yet.

And direct the blame for the wait towards the right place (i.e. the studios).

#leverage #killjoys #orphan black #person of interest #12 monkeys #the good place #avatar the last airbender #love between fairy and devil #the clone wars #star wars #clone wars #lbfad #atla #nikita #terapsina rambles #terapsina's tv rambles #tv recommendations #tv recs #tv rec #long post #sag aftra #it's possible i wrote out this whole thing just to talk myself into doing some rewatches #it seems to be working if yes #terapsina's leverage rambles #terapsina's killjoys rambles #terapsina's poi rambles #terapsina's the good place rambles #terapsina's atla rambles #terapsina's lbfad rambles

[thesoftboiledegg]

"Auto Erotic Assimilation" from season two is one of my least favorite episodes because it takes one of the queerest concepts in the series and makes it aggressively heterosexual. Aside from a blink-and-you'll-miss-it scene with one male alien and a joke about Rick possibly contracting STDs from coal miners, most of the episode is a straight male power fantasy.

"Look at all the hot women with big boobs throwing themselves at Rick! He's the man! Unity's avatar is another alien lady with big boobs! Don't worry, folks--even if Rick talks to a man, he's really talking to HER! Don't you wish you were him, straight male viewer? Sexy alien orgies everywhere!"

The episode does have poignant moments and famously culminates with Rick's suicide attempt after reading Unity's final message, but a third of the plot is just a goofy teenage boy's fantasy. I watch it when I rewatch the entire series, but that's the only time I expose myself to that one.

When I saw screenshots from this episode that featured Unity, I thought "Oh God, not this again." Just let it stay in season two!

Admittedly, "Air Force Wong" handled Unity with more maturity. If this episode aired in season two or three, a bunch of sexy women probably would've mobbed Rick as soon as he stepped foot in Virginia. Here, the writers focused solely on the characters' relationships--not just Rick and Unity but Rick, President Curtis and Dr. Wong and their web of interactions.

I liked how Rick referred to Unity as "them," although he starts using "she" pronouns when she disconnects from the hivemind. This highlights one of my issues from the original episode: Unity is a hivemind, but she's also a hot, sexy alien babe who controls everybody, which are two opposing concepts. This seems like a backdoor way to make Rick's interactions Certified Hetero (which is probably what it was, to be honest.)

I also thought the resolution was unsatisfying. Unity's note at the end of "Auto Erotic Assimilation" makes it clear that she and Rick just make each other worse, but "Air Force Wong" implies that they should have stayed in touch. I was hoping Rick would get closure by ending it for good, but it seems like they're maintaining their distant but toxic connection.

I did like how the end of "Air Force Wong" parallels "Auto Erotic Assimilation." Rick heads back to the garage to drink, but instead of attempting suicide again, he decides to visit the president and put aside some of their differences. Like Dr. Wong says: it's a slow process, but he's changing!

Aside from that, I loved this episode. President Curtis was hilarious ("Civil war, baby!" is already one of my favorite season seven lines), and he's as petty as ever. In fact, he's so petty that he was willing to enslave the entire Earth just for a 100% approval rating. He makes Rick look calm and responsible!

As usual, Dr. Wong was the voice of reason. She could've been just a crowd-pleasing cameo, but she guided Rick through his interactions and helped him remain stable in the face of emotional turmoil. While she flirted with the president, she didn't lose herself in some unprofessional whirlwind romance.

After watching "Pickle Rick" in 2017, who would have thought that Rick would not only willingly see Dr. Wong every week but try to punch the president to protect her honor? I wondered if he had a crush on her, but nothing he said implied romantic feelings, so I think he just feels protective over her because he distrusts the president.

Likewise, we're getting glimpses of how Rick treats his family: apologizing to Summer, sticking up for Morty when President Curtis insults him (I half-expected Rick to ruin that by giving Morty shit, but he didn't.) Morty sticking up for himself was nice, although man, the writers are underusing him. I think the president had more lines in "Air Force Wong" than Morty's had in these entire three episodes. And Morty's name is in the title!

Otherwise, setting up Prime's return was great. We're probably going to have a slow drip as season seven builds to their next confrontation. It seems like most of the trailer scenes are from the first four episodes and maybe "Wet Kuat Amortican Summer," so who knows what's in store for the other five.

And I mean--the Unity scenes weren't bad. Most of my issues are holdovers from 2015, which the writers can't change now. I'd prefer not to revisit it again, though. That's like taking another trip to Gazorpazorp.

Then again, later seasons have been correcting earlier issues (Summer saying "Sorry, Rick, but your opinion means very little to me" is one of my favorites), so revisiting "Raising Gazorpazorp" with a feminist lens could be another middle finger to the dudebros who are crying for Roiland's return and howling as Ian Cardoni outpaces him.

#rick and morty #rick sanchez #morty smith #dr. wong #president curtis #air force wong #review

[posts-written-by-murderbot]

What's the best order to watch sanctuary moon? I've been meaning to get into it but it's really hard finding a starting point to it. Thank you for your time if you do respond

My own watch order started at 14 minutes into episode 127, through to the end of the Save The Space Salamanders arc. Then I realized there were earlier episodes and I went back to the beginning and watched release order through to season 21, then I wasn’t able to get a hold of seasons 22-23 on the company entertainment feed (that whole syndication exclusivity thing was the bane of my fucking existence for the duration of two contracts) so I had to skip to season 24 and watch until halfway through 43 until I got a hold of 22-23 from a client’s downloads, watched those, then had a catastrophic shutdown during the climactic scene of the season 23 finale when I got blown up (because I was distracted watching the show) when one of the strikers dropped an improvised grenade on me. I wasn’t able to watch the rest of the episode until the cubicle put me back together. The suspense was literally killing me. (I nearly died.) Then I watched the rest of the series as normal.

So that’s the ideal viewing experience, but difficult to replicate.

Realistically there's a lot of potential starting points, it depends what you're trying to get out of Sanctuary Moon. If you want to just have enough knowledge to follow the current plotlines, you can feasibly start at Season 52 episode 12, because several major plot threads wrapped up in episode 11 and episode 12 kind of soft starts the current era. However, if you (correctly) want to gain an actual understanding of the characters and their motivations, you're really going to be missing out if you start any later than Season 12 because that's when the show starts to really breakaway from safe episodic adventures to plotlines that really explore and develop the character's background and personalities. Eden, for example, has a very important arc in Season 12 where the head of the colony food algae production wants… no spoilers, you need to experience that for yourself.

Some people will try to tell you to watch the seasons all out of order in order to experience the story "chronologically". 🙄 Frankly this overcomplicates your episode logistics and takes out so much of the drama because instead of the character's motivations slowly being revealed to you (fucking masterclass btw) it just all gets fed to you in a way that's disjointed and has no payoff until you've watched hundreds of more episodes. There's a reason the writers structured the show the way they did. It’s honestly confusing that such a huge section of the fanbase can't handle a non-linear story and try to demand the showrunners dumb everything down for them. And yes I know that I watched shit out of order but that’s different.

If all that's too confusing just watch it in whatever order you can get the episodes in. The saddest thing would be to not watch it at all because you're worried about watch order.

#posts written by murderbot #invasions of privacy #mbd #the murderbot diaries #tmbd

[creativitysparks4everxoxo]

Nah, but for real: WE NEED AN ANIMATED SERIES THAT FOLLOWS THE ADVENTURES OF MIRAGE AND NOAH AFTER THE EVENTS THAT TOOK PLACE IN ROTB!

I need a post-credit scene animated series follow-up!!!!

I just can't stop thinking about Noah and Mirage's interactions throughout the entire movie, and how the post-credit scene leaves us wanting more. It leaves me wanting to see just how many late nights Noah spent rebuilding Mirage from scratch. I want to see Noah's frustrated moments and his breakdown moments when all the memories of Mirage going to extreme lengths to protect him during the final battle flood his mind. I want to see an extremely exhausted but very determined Noah working on rebuilding Mirage.

I want to see the moment when Noah got to watch Mirage transform into his root mode for the first time after Noah made major progress with his repairs. (Assuming this happened before the post-credit scene) If it didn't, then instead I want to see the moment when Mirage first spoke to Noah during his repair stage and how absolutely ecstatic Noah was.

✨️ I want to see Noah's face when Mirage looks at him for the first time after his repairs. I want to see all the emotions on Noah's face and all the comfort that Mirage gives him! ✨️

Gimme all of the emotions!!!!!

But most importantly, I want to see Noah and Mirage's friendship continue to grow stronger throughout a multi-season animated series. At least 3 seasons minimum. I want to see it all!

I want to see them have those intense moments where they stare into each other's eyes/optics. I don't know how bold the writers would be for a show like this, or if they would be willing to go beyond the platonic borders of Noah and Mirage's relationship. It would be cool if there was romance between them in the show, but it might be considered "too much" to some people. Honestly though, I wouldn't mind if they took platonic relationship approach. I wouldn't mind because it works just as well and the writers could still write Mirage as the naturally teasing/flirty/over confident bot that he is and it would probably go over the bigots head. But we would know what's up. 🤭 And the extra Noah/Mirage content would give us fanfic/fanart inspo. It's essentially a win-win either way you slice it.

I just want a Mirage & Noah centric show, OKAY! 🥺

Gah! Just give us a show where we get to see Mirage take Noah on long drives to calm him down and they can talk about heavy shit. A late night drive to the beach, or even a drive to some fast food joint's drive thru, and then they go back to the garage and talk. Or they go for a walk in a secluded area.

Give us a show where Noah and Mirage get to have that "closure" and a chance to really talk about the moment where everything changed between them. The original deal was for Noah to steal the transwarp key from the museum and in return Mirage would let Noah "sell" him for cash that he could use to support his family. But instead they went on dangerous mission to Peru together and now there's no way in hell that Noah would ever sell Mirage! Not after they literally fused together to become one! I want them to talk about this! I want Mirage to tell Noah why he kidnapped him that fateful day and then Noah could chime in and be like, "I thought I was going to die, man. Your driving was terrifying!" And then of course Mirage would pretend to be offended, say his piece and humour would ensue and they would both be laughing and having a good time. Gimme a scene like that!

And give me scenes when Decepticons stir up trouble and Mirage jumps to protect Noah fiercely (naturally). And don't be afraid to give us those "Oh shit!" episodes when some type of disaster happens that's like level 3 on the "Disaster Metre", but Noah is still freaking the fuck out because he's scared that Mirage is hurt/dying, but instead he's not. He's totally fine, maybe a few scratches to his paint, but he's not in severe pain or in any pain at all. But Mirage sees his boi freaking out, so he has to gently calm him down before he spirals out of control. Yes, more fluff please!

And also, I really want to see Elena in this show! She is so awesome and needs to be in this show, continuing to bring in the knowledge and her warm heart and kindness. I need to see her interact with the other Autobots and maybe even become close friends with Arcee. I need to see Elena interact with Mirage and hear the funny shit he would say to make her laugh. I NEED THIS! And of course OP, Bumblebee, Wheeljack and other Autobot characters would need to be in the show. Maybe we could even get a few episodes featuring Charlie and Bee sneaking out to see her, or maybe not sneaking out at all.

But also, I would love to see Noah and Mirage moments where Mirage tries to get out of patrol duty and essentially leaves his post to go hang with Noah. Noah would be the "voice of reason", but he will end up caving because he can't bring himself to say no to Mirage. Not after everything they've been through together. I imagine Noah would be struggling with some PTSD and other psychological trauma, so when Mirage goes on patrols or does general Autobot stuff, Noah would worry A LOT. This would lead to fluffy scenes and angst and sweet comfort. I NEED THIS!

Honestly, I just need more Mirage and Noah moments, because these two are awesome and I've just been watching Bumblebee and ROTB back to back on repeat ever since ROTB was released digitally. And now I am forever basking in the sweet glow of this Transformers reboot, that is full of action, adventure, comedy, heart and everything that we've ever wanted to see in a Transformers movie. The amount of kindness and compassion that Charlie showed to Bee is wholesome. And the amount of kindness and compassion that Noah and Elena showed the Autobots and Maximals is also wholesome. This is what being a human companion to giant alien robots should look like!

I don't know the whole creative process and other fine details that would need to be worked out in order to get a show like this on the air, but I really do think that this Transformers reboot needs to start making some post-movie shows to help fill in the gaps and give us additional content to obsess over. It's not uncommon for a movie's success to carry over into a show, so I really think we need a post-ROTB show!

~And I think that's it. For now. 🙂

I almost didn't post this 🙈

#transformers #transformers rise of the beasts #rotb #rotb mirage #rotb noah #tf rise of the beasts #mirage and noah #mirage and noah are an iconic duo #noah x mirage #noah/mirage #they need their own show! #like come on! #it would be so funny! #transformers rotb #noah diaz #tf rotb #tf rotb mirage #tf rotb noah #just my silly little thoughts

[gentlebeardsbarngrill]

04/04/2024 Daily OFMD Recap

TLDR; Rhys/Rosie/Theo; Kristian Nairn; Nathan Foad; Jes Tom; Samba Schutte; Dominic Burgess; Watch parties; Glaad Awards Reminder; SaveOFMDCrew's Final Charity Donations; Fan Spotlight; Cast Cards; Big Gay Energy Podcast; OFMD Sightings; Articles; Love Notes; Daily Darby/Today's Taika

Hey all! Sorry for the late recap again, as a heads up I'm doing late night work for my day job (sometimes 8pm - 1 am) and also still trying to get my taxes done by the 15th, so the recaps may be delayed til the following morning depending on how late I have to work.

= Rhys & Rosie =

Rhys and Rosie's bday happened in AoNZ and some friends snapped some cute pics and videos!

Src: H.Miller's IG

Sneaky Rhys arm today! The Darby Family Influencer Era seems to be in full swing!

Edit: I felt kinda weird plastering Theo's face up so I left in Rhys' arm since people keep asking for it, lol

Src: Rosie's IG Stories

= Nathan Foad =

Src: Kennett Tanner's IG Nathan was also interviewed by British Comedy Guide!

= Dominic Burgess =

Our Jeffrey Fettering was interviewed by Variety! Check it out here! Src: Dominic's Twitter

= Kristian Nairn =

Kristian sent us some love notes!

"Looking forward to all the work / travel / meeting you guys stuff coming up this year. Have a good day y’all !!" SRC: Kristian's IG

= Samba Schutte =

Samba being a goofball Src: Samba's IG Stories

= Jes Tom =

Some sightings of Jes Tom! On their instagram! SRC: Jes Tom's IG Stories

== Watch Parties ==

Taskmaster NZ Series 1 Watch Party with @saveofmdcrewmates! When: April 3-12 (W,F, Su - 2 eps each) Time: 11 am PT/ 2pm ET/ 7pm BST Where to watch: YouTube, TVNZ, Channel 4

Twitter Hashtags:

#Quartermaster

#OurFlagMeansDeath

#Taskmaster

== GLAAD Awards ==

Apparently you can vote multiple times with the same email on the GLAAD awards! To vote: https://t.co/dEfZMncBfO Src: @adoptourcrew Twitter

== Save OFMD Crew Final Charity Donation Results ==

$1000 GBP to @Mermaids_Gender (UK) mermaidsuk.org.uk

$2,028 NZD to RainbowYouth (AoNZ) ry.org.nz

$1216 USD to Point Foundation (US) pointfoundation.org

== Fan Spotlight ==

= Cast Cards =

Our dear @melvisik spotlighted King George I today! Angus Sampson did such an excellent job making the kind unhinged! Check him out in his other work!

= Big Gay Energy Podcast =

New reaction video to Calypso's Birthday!

== Other ==

Thank you @oluwandesorange on twitter for pointing out the the OFMD billboards are STILL UP

== Articles ==

“I’m Scared”: Why It’s a Brutal Time to Be a TV Writer

Coyote versus Warner Bros: The fight to get a movie released

Hulu Just Canceled Another Show After One Season, And I'm Getting Really Tired Of It

== Love Notes ==

Hey lovelies! The week is almost over! Was it busy for you? Have you been hanging in there? I do want to know! I think about you all every day, even when I'm busy with work.

I know you've heard it all before, but please take some time to practice some self care today. It's been a long week for a lot of folks and you've been through the ringer from various life events. Please drink some water, grab a snack, stick your nose out the window (weather permitting) and take a deep breath of fresh air.

The weekend is coming, and the more self care you practice, the easier things will be. Ebbs and Flows babe, everything ebbs and flows, and sometimes we get longer ebbs, and longer flows -- but we can brave them better if we take care of ourselves.

You deserve to be taken care of. You deserve a break.

Love you crew, reach out if you wanna talk ok?

Pic Src: @gladyourehereco on IG

== Daily Darby / Today's Taika ==

Today's theme is these two goofballs expressive eyebrows.

Daily Darby: Courtesy of @ thunderwingdoomslayer

Today's Taika: Courtesy of @neverswungonswingingstars

#daily ofmd recap #ofmd daily recap #ofmd daily recaps #daily ofmd recaps #rhys darby #kristian nairn #samba schutte #jes tom #nathan foad #dominic burgess #ofmd #our flag means death #save ofmd #adopt our crew #charities #long live ofmd

[ladyvialana]

Very much enjoyed the first season of The Dead Boy Detectives.

It was fun, with great characters, interesting storylines, good pacing, and a fantastic ability to balance light-hearted storytelling with some pretty fucked up content at times.

Episode 1 was a little clunky and exposition heavy, but it's only really in that first episode (unlike fucking Wednesday!) and it's pretty easy to look past once they get into the main story. The rest of the episodes are much smoother.

Character interactions are great and all of the characters feel rounded with an actual backstory that influences their interactions and distinct personalities and traits that affect their actions. They're not just plot devices or vehicles for narrative.

Before going into any more detail, I'll just say I really enjoyed it. It's probably not as sophisticated or polished writing or style-wise as The Sandman, but it's still a really good spin off. I'd almost put it in the same vein, tone-wise, as The Umbrella Academy, though perhaps not as irreverent. Much better than similar Netflix teen supernatural dramas like Wednesday or Sabrina (and probably more mature and sophisticated, storytelling-wise than those shows).

I really enjoyed it, am looking forward to/hoping for a second season, and will definitely be watching again.

*

More detailed spoilers under the cut for those interested in my opinions about a few specific storylines/characters/episodes:

*

SPOILERS:

I am honestly surprised we don't have more people hitting on Charles. He is genuinely charming and charismatic as well as kind of open and sincere. Like, Edwin's a standoffish Edwardian public school boy with weird interests and zero people skills. I adore him. But he has negative charisma, especially compared to Charles' eyeliner and grin. Like, why is everyone chasing after Edwin? It's a role reversal I can definitely get behind, but no one is trying to get up into Charles' personal space aside from Crystal? Really??? And even she probably wouldn't have gone for it if he hadn't made it obvious he was interested in her first. Like, I really do get what the writers were trying to go with here, but it's one of those choices that kind of stretch narrative believability a little.

In saying all of that, I'm kind of a sucker for queer pining arcs that could go either way. So the not-so-subtle reveal of Edwin's feelings was both beautiful and painful in the best ways.

Episode 7 was a highlight for me. I'd been waiting for the pay-off from Edwin's backstory and the hellfire sword hanging over his head. But the flashback to Charles' death was probably my favourite scene in the series. Everything about that episode was fantastic, from the tension to the individual mini character arcs in the episodes (Nico coming in clutch with her reading comprehension skills! Crystal finally kicking David's ass!), to the beautiful release of the confession in Hell. I loved all of the insight we got into all of the main characters, knowing the truth of the kind of people they are. Knowing that, yeah, these are all good people who would do anything to help, and who love fiercely. But also, that doing what you can for the people you love sometimes involves meat cleavers and Molotov cocktails.

#dead boy detectives #dead boy detectives spoilers #text #vialana's rambling

[khruschevshoe]

OFMD Critique: Bad Faith, Fandom, and Respect

All right. You know what? Screw it. I saw one post I just cannot ignore anymore that encapsulated all of my problems with the fandom right now. Personal rant incoming.

I understand that there's a nuance to the discussion of season 2 of Our Flag Means Death, and that there are people going a little too far with both their critiques and their support of the show. But oh my God, I'm tired of being straw-manned and made fun of for legitimate critiques of the show.

I just used the block button on someone in this fandom for the first time. Some of you might think I'm overreacting for this, but I saw a post that I could not on any level stand. This person, who I will not name names of, because I'd rather just block them and never deal with their level of bad faith again, took their one legitimate criticism of those of us who critique the show, the back and forth on whether or not Izzy's death was homophobic or not, and used it as the first in a literal list of straw man critiques that no one I've read in the OFMD Critical tag has made (and I check it like once a day bc I like reading meta, sorry), proceeding to absolutely make fun of the legitimate critiques that people have of the show, parodying them in the worst possible ways. They took our legitimate critiques about everything from the sexist handling Zheng Yi Sao's character, the absolute ableism of the finale, the questionable optics of the handling of trauma, etc. and stretched them into things that they very much were not (two examples were that we were crying ableism bc of something to do with seagulls and that we thought the problem in the Stede&Zheng dynamic was the "emotional labor" involved).

Now I'm pretty sure this post was a joke. I *think* it was a joke. But how in the world am I supposed to feel comfortable in the main section of a fandom like this when the comments and replies to this post were full of people agreeing sincerely that this is what the critical section of the fandom is like? How am I supposed to feel when I just see people making fun of me for my analysis of the show? I love this show. I adore season 1 and I'm clearly still making fan related content (moodboards) for season 2 along with my critiques.

Sure, I vibe way more with fanfiction than the actual canon at this point, but I still genuinely engage with the show. And to have the critiques that I made in good faith, regarding issues that I sincerely care about such as ableism, sexism, homophobia, and the handling of trauma, made fun of and taken out of context and straw-manned to their extreme, makes me feel so absolutely unwelcome in this fandom.

Other than keeping up with the couple of fan series that I'm currently still reading, I don't know if I can stay in this fandom any longer. I can't say that I'm excited for the new season if this is the kind of response that any good faith critique of the show is going to get. I can't say that I feel safe or comfortable when there are this many people ready to dog pile on me for a critique I made with ACTUAL TEXTUAL EVIDENCE to back it up.

I would like to thank all the people who have been making excellent critiques of the show. Their meta-analysis is what got me into making my own critiques, which I was nervous about making in any other fandom. I don't think I've in any way tagged them all, but just a few I can remember off the top of my head. Go read their critiques/meta- it's really good!

@sky-fire-forever @carrymelikeimcute @blue-b-bro @bougiebutchbinch @treesofgreen @sixstepsaway @alex51324

And from the bottom of my heart, thank you to everyone who has engaged with my mood boards or my critiques or anything else that I've made, as well as the amazing writers and artists in this fandom (such as @ruecrown, @aletterinthenameofsanity, @fool-for-luv, and @possumsmushroom). You guys have kept me going with my love for the show and engaging with it for a while now. Despite the stuff that is making me take a step back now, I really did love this while it lasted! I'm still planning on making a few more mood boards, but other than that, I'm going to take a step back from engaging.

Hope this post can spread enough support/joy your way to counteract the ache I'm currently feeling!

Sincerely,

Ashley (aka @khruschevshoe)

#ofmd critical #fandom critical #ofmd #ofmd season 2 #this show was supposed to be a source of joy and kindness and it become something sour #izzy hands #zheng yi sao #stede bonnet critical #ed teach critical #I'm not tagging them bc I don’t want hate #fandom shenanigans #meta #analysis

[physalian]

Villain Power Scaling (It's over 9000!)

@sarah-sandwich ask and you shall receive

Quick! We wrote an insanely, unexpectedly successful one-off fantasy series! How do we top the villain?

A bigger, badder giant space laser

The villain’s secret jealous sister

The same power, but purple now

The True Mastermind you’ve never heard of

JK, they’re not actually dead!

When you choose to continue on a series and have already committed to possibly destroying the legacy of the characters who fought and died to save the world once by undoing it for money, you had better have a damn good story to tell.

So if you decide your new threat is any of the above, you have quite the uphill battle ahead of you, my friend.

What is Power Scaling?

Power scaling is the nature of the ability of the heroes and the villains to grow more competent over the course of the story via new skills, new powers, or more training. Protagonist’s first fight (that they win, at least) will generally be against a baby, tier-one mook and not up against the main antagonist (*cough* Force Awakens *cough*)

As the story progresses, the mook that was so scary and so hard to beat oh so very long ago will become unnamed cannon fodder in the climax of the story. Generally speaking, this is a linear event and the hero and the villain are constantly one-upping each other until they come head to head in the unavoidable final fight.

Sometimes, things run askew. Maybe the hero’s super special power that saved them last time was a fluke, possible only in those specific circumstances, or one-time use.

Maybe they have amnesia, or the being that gave them that power revoked it, or using it cost them too much. Maybe they got seriously injured in the last fight using it and can no longer go near it if they want to not get hospitalized. Maybe the super power was another character that won the final fight for them last time, but died in the process.

It doesn’t have to be linear, but if you’re going to regress your character without creating a “why didn’t you do what you did last time” plot hole, you will need an ironclad excuse.

So, feast your eyes while I summon the Supernatural fandom back from the dead.

What not to do, as told by Supernatural

This show was originally written to last five seasons and five seasons only. No matter how die hard a fan you are or were, you cannot escape this fact, and neither could the writers.

Season one villain: A demon and her demonic minions

Season two villain: Psychic demon children and Papa Demon Yellow-Eyes

Season three villain: OG Demon Lilith, and Dean’s ticking demon-deal clock

Season four villain: OG Demon Lilith and preventing the rise of Satan

Season five villain: Satan and some douchebag Angels

Then you have Ten. More. Seasons. trying to do better than Satan and the douchebag angels to… varying levels of success and stupidity.

The problem: Supernatural tried to be linear with their power scaling, focusing on ramping up the threat level to nonsensical ends while undermining the threat level of all who came before.

The other problem: Sam, Dean, and Cas never stayed dead long enough for any of these threats to matter.

What I mean is this: In making the threat of the season so impossibly strong, by threatening the world over and over again no matter how many times they save it, by never committing to killing your three most important characters, by never letting the world go a little unsaved in the end, you’re left with a story that *says* it’s bigger, badder, bolder, but is really just a rinse and repeat that goes blander and blander each time.

Coming off Satan and the Douchebag Angels to… Cas and Crowley conspiring over the souls of Purgatory and the unseen war in Heaven because they didn’t have the budget for that, without any of the thematic weight of *why* it was angels and demons? Talk about a loss of momentum.

I rewatch a grand total of one episode of season six, “The French Mistake”. I have lost all context for the plot surrounding this episode and it’s virtually independent of the rest of the season because Sam and Dean get transported into the Real World as Jensen and Jared and poke fun at each other for 52 minutes. This episode is timeless.

The show wasn’t a complete disappointment for the remaining ten seasons or it wouldn’t have lasted that long. It had good beats, but they shot their load in Season Five. After five whole years of buildup to this main event it never recovered.

Alternatives to Linear Power Scaling

Anyone who has or even hasn’t seen Dragon Ball should know that series is famous for infinite power scaling. There’s always someone stronger, always some new secret powerup to unlock with the power of Screaming, always some new Super Sayan color that we promise is more powerful this time, for realsies.

That show is so dedicated to the bit that it’s gone full circle to being loved, not despite it, but because it’s so ridiculous.

You did not write Dragon Ball. Do not do this.

Instead of the infamous clashing multicolored power beams, what other ways can you up the ante of this new threat after your heroes have conquered all they thought stood in their way?

Give a damn good reason why this villain, who is no different than the last schmuck, is unbeatable by the macguffin this time.

As stated above, there’s no need to make the villain More Powerful* if your heroes have lost the world-saving abilities that helped them last time.

Exploit the hero’s other weaknesses

More Powerful* is never as exciting as you think it is. Often times, especially in superhero sequels, the villain isn’t necessarily stronger, but the niche power that they do have finds the chink in the hero’s armor that they didn’t have to worry about last time.

Make the hero’s niche skillset completely irrelevant

This time, the threat might not be something they can punch or shoot or smack with a hammer. This time, it’s their reputation at stake, or the villain is un-punchable because they’re simply unreachable, causing havoc the hero is helpless to stop.

Make the issue not the villain at all, but the hero or their team

Maybe the villain is just a schmuck that would be beatable on any other day, but team infighting means that they make utter asses of themselves and the villain doesn’t have to lift a finger to win because they’ve taken themselves out.

This can get very dramatic like in Captain America: Civil War or the Teen Titans epside "Divide and Conquer". Or, to comedic effect in the Spongebob Episode "Mermaid Man and Barnacle Boy V" (the one with the International Justice League of Super Acquaintances).

Some would argue that the above options aren’t power scaling at all if it’s not linear, and that’s fair. You’re telling a story though—is your story going to be about the superpowers and how cool they are, or the people who wield them?

3. It’s not actually power scaling, it’s about stakes

Supernatural began to feel so stale because even though we were told the villain this time was bigger, badder, bolder, the stakes were always the same. OSP has talked about this, how threatening to end the world has a foregone conclusion of “never actually gonna happen” because what author is crazy enough to let the world get blown up and all their characters murdered?

Raising the stakes, too, is not linear. Last time it was the world, this time, it’s the life of the love interest, it’s someone’s sanity, it’s a ticking clock on a secret that’s about to go public.

That’s why the first five seasons of Supernatural were so engaging. Were Demons the problem every time? Yes. The Demons were causing the problem, but they were causing five different problems. It was finding and saving their missing dad, then it was uncovering the sinister plan of the psychic demon children, then it was trying to escape Dean’s deal, then it was trying to stop the rise of Satan, then it was trying to stop the apocalypse. It was not five seasons of demons trying to destroy the world.

The more personal the stakes, the more likely your audience will believe the hero could actually lose this time. That’s what will keep them engaged. Dean died at the end of season 3! They lost! There was no escaping that deal. Sure he came back in the pilot of season 4, but the entire 4th and 5th seasons are haunted by Dean’s PTSD and new pessimism about the world given what he’s seen and done in Hell.

4. Threatening the world without destroying a legacy

Covered in this post about timeskips and this post about sequels but it’s too important to not keep repeating.

So. The Star Wars sequels. Rain down your wrath like snow on a hot desert—these movies were a giant mess. The audience sat through six entire movies following the rise, fall, and redemption of one man who died to save his son and the galaxy.

Then, what, twenty years later, absolutely none of it mattered? New space Nazis are out for blood with the same equipment, same weapons, same soldiers, same reach, same motives. Within the theatrical release (because I am not paying money to buy content to do homework to understand a movie made for a layman audience) these movies undermined the legacy of the six that came before it.

It didn’t have to be a new galaxy-ending regime and the same rebels still rebelling for the same reasons—how the heck did they let another empire rise so fast?—it could have started small, inconsequential, and then the actions of the new cast then undermined everything Anakin worked for.

I feel like Mr. Incredible wondering why the world can’t just stay saved for ten minutes.

All of this is salvageable. End the world again if you want. There will always be bad actors out to do bad things, you can’t expect a utopia to last forever. But that bleak reality is for the real world, not fantasy. In fantasy, the sacrifice of beloved characters must matter. Otherwise, what’s the point of their story?

How do you do this?

Make the utopia the old characters died for last up until the new inciting incident, and make sure it’s the new characters’ fault, not just due to the passage of time

Make the villain threaten something other than their legacy

Make that legacy the banner behind which the new cast rallies, determined to make sure it wasn’t in vain

5. Or, burn the world down this time

Some of the best middle beats of a story feature a “did we just lose” moment a la Infinity War. The villain has won, fan favorites are dead, their home is in ashes, and now they’re not only starting from the bottom, they’re doing it with righteous vengeance.

Then the loss of the original character’s legacy *is* the tragedy, instead of a side effect. Then, in a way, they’re still part of the story, a ghost on the sidelines cheering on their successors, and we, the audience, are right beside them.

—

I have a shiny, fresh-off-the-press Insta @chloe_barnes_books now for this blog and my upcoming novel. Go check it out!

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #fantasy #sci fi #heroes and villains #power scaling

[tippenfunkaport]

Bow's Character Arc

There was a discussion on Twitter from people who were confused about Bow’s character arc and whether he had one (he very much does, and it’s actually one of the clearest / most spelled out in the entire show!). To help anyone experiencing that confusion and because it’s never a bad idea to understand how character arcs work if you want to be a writer/storyteller, I might as well break Bow’s character arc down for anyone who might find it helpful.

Buckle in, it's nerd time!

At the most basic, a character arc is a change (usually growth) a character goes through over the course of a story. Usually good (positive change arc) but sometimes bad (negative change arc). It’s very often a reversal aka the character is often in the exact opposite state by the end of the story than how they start it out. It can be trickier to follow in an ensemble story like SPOP because there are a lot of characters with parallel story lines going on and multiple arcs colliding in different ways, but She-Ra does a really good job of giving each of the four leads arcs (with Catradora as the main leads, Glimbow as the secondary) near equal time.

Yes, including Bow.

What I think throws people about Bow’s arc is it’s based on hypocrisy.

Meaning…

He encourages his friends to talk it out and share their feelings… while hiding his own feelings from his dads and repressing his frustrations with having to be the middle man between Adora and Glimmer (Season 4)

He declares that average people (such as the kitchen staff at Dryl) don’t need the princesses and are just as capable of fighting the Horde themselves… while he believes himself and his abilities inferior to Princess Entrapta’s

He reminds the others (esp Adora) about the need to accept help… while refusing any help for himself (think about “Don't worry about me. I'm the one who worries about you. Can we go back to that? Please?” in Pulse through to that moment when he agrees to let Glimmer take him to check on his dads in Return to the Fright Zone and literally leans on her)

I think a funny way to sum up his character issue is: Not me, though.

This arc progresses across all five season as he gradually changes. He starts the series out repressing his feelings from both his family and friends while doubting his abilities and refusing to ask for help (he IS Adora’s mirror, after all!). Over the course of the series he learns to express his feelings instead of bottling them up (The Beacon > Reunion > really all of Season 4 but it comes to head starting with Boys Night Out through Beast Island > Stranded), gains more confidence in his tech skills (The Frozen Forest > Signals > Flutterina > Mer-Mysteries > Corridors), and starts to learn to ask for help (The Beacon > Pulse > Return to the Fright Zone).

Which of course all culminates in The Heart Parts 1 and 2 where he finally wraps up all threads at once by

a) asking Scorpia to trust him (putting faith in someone else to help)

b) completing Entrapta’s program to unchip everyone (proving he IS as good a scientist as she is)

c) giving the speech to everyone on Etheria rousing the common people to fight Prime (average people can make a difference… which he now fully believes that includes him).

And while you can make the argument that confessing to Glimmer is part of his arc to share his feelings, the fact is that he completes a full character arc without ever behind reduced to just someone’s love interest because none of his character growth is tied to his romantic relationship at all (which was what the original tweet claimed). It's all his inner journey to have faith in himself and his abilities and how they relate to his friends and loved ones.

And thus the guy who starts the series as “only one around here who’s not a princess” with doubt in his tech abilities ends the series as confident Tech Master and future King of the regular people he sought to inspire, which is about as textbook a reversal as you can get.

Does it come out of nowhere?

His character arc progresses and takes significant focus in the following episodes….

S1:E6 System Failure

S1:E10 The Beacon

S2:E1 The Frozen Forest

S2:E3 Signals

S2:E7 Reunion

S4:E3 Flutterina

S4:E4 Pulse

S4:E7 Mer-Mysteries

S4:E8 Boys Night Out

S4:E10 Fractures

S4:E11 Beast Island

S5:E3 Corridors

S5:E4 Stranded

S5:E9 An Ill Wind

S5:E10 Return to the Fright Zone

S5:E12 Heart Part 1

S5:E13 Heart Part 2

That’s 17 episodes out of 52 which means his character development gets approximately 32% of the focus of the entire show… which for an ensemble cast like this where he’s one of four leads is just about dead on as it's over a quarter of the episodes.

That's a significant chunk of screentime with multiple episodes devoted specifically to his character journey.

Is his journey as flashy and action sequence-y as what Adora, Catra and Glimmer get? No, but it's a) a show marketed to girls so it makes sense they get the more cinematic scenes and b) his arc is more emotional and thus didn't need to hinge on big action like theirs did. Though considering the culmination of his arc is him as a 100 foot tall hologram speaking to the entire planet, I personally feel like that was pretty hard to miss.

If you look at all of this and still want to say that Bow did nothing or had no character arc, I think the thing to ask yourself is: why is it so important to you to discount the accomplishments and character growth of this character specifically?

In conclusion, this is the face Bow makes when he spent five season growing, changing and kicking butt as Tech Master and Voice of Reason and you say he did "literally nothing"...

#spop #shera #she ra #bow #meta #literary analysis #if I had more free time I would do a whole series analyzing the writing in this show #because it's so well done #spop bow #glimmer #adora #entrapta #tippen's posts #you all forget I'm a writing nerd until I bust out the craft talk don't cha? #i would like the record to show that I put the picture sets side by side #to show the start and end of each part of his arc #but tumblr ignored that layout

[mayasdeluca]

Stuck between trying not to complain over every little thing as we get closer to the end but also feeling like we shouldn't have to settle for crumbs but the fact that Maya and Carina finally get the moment they've been waiting for and are in the process of getting pregnant (Carina may actually be pregnant now?) and it's another wordless montage and we don't get to hear their reactions or hear them say I love you or any words to each other...that was a bit disappointing. And no kiss again either. I guess everyone is against their mouths having contact this season. (I did really enjoy the head kiss in the lounge though and that scene was lovely.)

But aside from that, seeing them so happy to get to that point of the IVF process and seeing them show it in general was still nice and after all their failed tries, they finally made it. ❤️

I thought the episode was pretty good overall and really touched on a lot of important topics. The clinic stuff was incredibly important and I absolutely loved how Carina is also fluent in Spanish. (It was sexy as hell too. 🥵)

I really thought Liam's bio dad was going to be a problem but then again, there's only two episodes left and it's mostly wildfire stuff so it makes sense they already wrapped it up and I'm glad Liam gets to stay where he belongs but that he'll get to know his bio dad as well. Seems like a good solution for all involved.

Seeing protective Maya at the clinic with Carina was everything and I'm glad we got that moment since I'm not sure we'll have much more time for any more of it. I just knew that's how she would be once finding out Carina was pregnant and it's adorable.

I found Ross' sister entertaining for the most part and enjoyed seeing her relationship with Ross and how it progressed by the end of the episode. It was funny how she reacted to Sullivan and Andy at first. But also the way this show tries to spin this narrative about how epic of a love story Ross and Sullivan are will forever make me side eye. They just aren't that couple no matter how much they try to force it.

And trying not to be bitter about the fact that they are the couple to get an engagement party (are we also seeing their wedding too still?) and getting this much focus when they haven't even been one of the main ships of the show for long. It's not surprising though given how obsessed the writers have been with them.

It was cute how Maya and Carina told everyone the update about Liam and his bio dad at the party and everyone was excited for them. As expected we didn't get much of them in those outfits after all.

Now onto the wildfire stuff and promo...I'm trying not to get my hopes up but the potential of Maya getting seriously injured with Carina now being pregnant?? They can do so much with that and you just know Carina is going to be a nervous wreck and they have a moment in the promo. Between them now getting to adopt Liam and now having another baby on the way and Carina potentially losing Maya? I NEED Marina to exchange I love you's in these last two episodes. We need to hear Carina say it to Maya. It's been so long and it's so fitting for this kind of scenario. I really hope they don't let us down.

Just seeing the promo and seeing the words series finale really hit me for the first time, I'm not going to lie. Despite all the frustration and sadness this show has brought, especially recently with the unfair treatment, just knowing that we are so close to the end and so close to not having this couple on screen anymore...I've been trying not to think about it and get too sad before it happens but it's starting to become real and it's definitely going to be hard watching these last two episodes. I'm truly going to miss Marina and everything they represented.

#station 19 #station 19 spoilers #carina x maya #two more episodes...fingers crossed we get quality marina content