First, your entire premise is flawed. Thereās no objective way to interpret a piece of fiction and what youāre claiming as objective fact is being filtered through you, a subjective viewer. Youāre starting with a conclusion, interpreting, ignoring, and in some cases inventing body language in a way which suits it, and both villainizing Phee and infantilizing Tech in order to do so.
You donāt have to ship Tech and Phee. You donāt even have to like her. You could just dislike her and let it be. I donāt even care. The point this starts being a problems is where youāre bending over backwards to morally justify your dislike.
Second, Iām a 3D generalist and animator. That is my day job. I know exactly how much work it is. Keep the hard work and intentionality that goes into making a show like this out of your mouth if youāre going to twist it to argue that the autistic, outspoken, opinionated, highly skilled combat veteran is a helpless baby who needs to be protected from a black lady.
Alright, clearly some of you guys are just not getting it. So no more emotion from me; I am simply going to write in factual terms.
It takes a VAST amount of work to go into creating a series like Bad Batch. You have to go through writing, scene painting, 3D modeling, rigging, lighting, SFX, voice lines, editing, final production, etc; just to name a few. It takes hours upon hours upon hours of work for those animators to create all of the nuances in a scene, let alone in Bad Batch where there is an extremely high level of attention to detail. Itās not like anime where a character and background are mostly stationary while they talk. Thereās constantly stuff happening in the background and they intentionally make choices that provide extremely little to the overall story and, in all honesty, take up a significant amount of their time and can be argued that theyāre wasting their time and money and effort (I donāt think so, but Iām sure people could argue it if they thought that effort should be allocated elsewhere). But they do it because it provides a deeper sense of realism to the story as a whole and make it feel like a living, breathing world. For example, when a character trips a little bit or they animated them doing something slightly harder than it would have been otherwise or eyes darting around and studying someone. These are all very little things that take them hundreds of hours to get perfect. And those are the kinds of things that go unnoticed by the vast majority of people watching the show. Either because they donāt noticed the little detail that was put in at all, or they donāt understand the level of work that goes into creating little minute decisions like that. And all of those decisions that they make, both big and tiny, are given to them in specific instructions by the directors. When you think about the insane amount of work that goes into creating a show like Bad Batch, you realize that every single little detail that they choose to add in is intentional and was given to them via specific instruction. Itās not like in live-action shows where the actor can choose to make a subtle decision on the fly. There are hundreds of thousands of hours of work that go into this and every choice that they make is intentional. The lighting dept. has even confirmed this for us, saying that all of the lighting that they did was done very carefully and intentionally and to pay attention to whatās happening in the scene. Because thereās an extremely high level of detail thatās put into the show, based off of very detailed instructions that were presented to them.
Now. Taken all of these points into account, itās critical to look at all of the little choices that were made when it comes to her character and the way that both she interacts with the world and the people around her, as well as how they, in turn, respond to her. Because, like the lighting dept. has already made very clear to us, every design choice they has been made in the creation of the show is 100% intentional. Even if thatās not something that they had said or wasnāt something you were aware of, when you focus on the aspect of animation, itās sometimes hard to get a clear grasp on just how long it takes them to do these things. And that every little choice that they made was carried out under specific instruction. And thatās not even getting into the nuances of voice acting and understanding the subtle distinctions in the way someone talks and being able to discern the meaning behind their words based on dialect and the instructions they were given. And for someone who just casually watches the show, absolutely none of these are important. Theyāre watching it to watch it and no further thought is put into it. And thereās nothing wrong with that. People are allowed to watch things at a surface level and get enjoyment out of it.
For every character, they can be broken up into various parts:
ā¢Their visual appearance
ā¢Their behavior
ā¢Their interactions with others and the world
ā¢How others respond to their character
ā¢Their small, subtle behaviors (such as a particular twitch or repetitive body movement that can be used to convey a deeper meaning)
ā¢And their internal motives
In that order from the least to most complex. And these topics can also be used to understand the complexity of a character. For someone like Cid, all of these topics are touched on in a variety of ways.
ā¢Sheās different from them
ā¢Sheās gruff and money hungry
ā¢She speaks to the Batch like theyāre a bunch of kids and she knows better than them
ā¢They never fully bring themselves to trust her and, at times, they see her has a burden
ā¢Towards the end of their time together, she gets snappier, and whenever sheās around them her movements slow ever so slightly and she furrows her brows slightly a lot more than in the past
ā¢And in the end, she betrays them
And thatās putting her character into a single sentence for every bullet point, which, for well written characters like Cid or Hemlock or Rampart or Nala Se, cuts a lot of things out.
When it comes to the way that Phee is written and what she contributes as a whole to the show, she is not a very complex character. Iām not going to go into every single scene with her, but I am going to touch on a few. And if I need to continue the discussion further to cover more scenes, then I will. On multiple instances, she puts the Batch into very dangerous situations, and overall appears to care very little for them as people unless it gets her something that she wants. This is made very evident when, for example, she gets Omega, a child, excited about a big grand adventure and Omega then convinced the Batch to go along with it. Even though they were very adamant about not doing it. This is said with both their words and their tense body language. They donāt want Omega to get hurt and they know itās a bad idea; but in the end sheās able to convince them. Then, when they get to the site, she shows clear lack for them or their safety and proceeds to put them in a very dangerous situation where someone could have gotten seriously hurt or killed. And she shows no remorse for it. Her language, both verbal and bodily, are very loose and nonchalant, assuring them that she had everything under control and that they were able to handle it, despite their very clear frustration. This type of behavior is shown again and again and again as they continue to interact with her. Her actions relay to the viewer that she does not respect their boundaries, or arguably, them as people. Her words are designed to be rocks with a pretty bow on them. And again, this is not personal opinion or speculation. Every single word and action was carefully designed by the team. All the tensed muscles were created by a team of people working very hard to convey that to the audience. Every thinly veiled word was guided by a director when the VA came in to record the sessions. Every single choice was intentional for a very specific reason.
Tech likes things in a very specific way. He likes his ship to be in a particular order and takes very good care of its maintenance and upkeep. He prides himself on being able to maintain a good ship. He spends a lot of time on his data pad. Itās how he was designed on Kamino. Thatās his link to his role in the group. He can do everything he needs to from there and, in certain scenarios throughout the show, you can see it provides him with a sense of comfort and stability. You can see this, not only in his subtle body language, but also in his fairly obvious body language with how he hunches over it. Itās reminiscent of a child hunching over a toy to bring it closer to them and protect it. It comforts him. You can also see, when he interacts with the rest of the Batch, his aversion to touch. Itās not significantly often that you see it, given that the rest of the Batch knows him better than anyone, but there are still times when physical contact or even just very close proximity happens and he either has a reaction by tensing up slightly or leaning away from it, or sometimes he doesnāt react to it at all and almost seems to not register it; such as when heās focused on his work. Every little reaction that he has with his brothers was scripted and orchestrated for a very specific purpose. It conveys the nuances of who he is as a unique and individual person.
Keeping that in mind, when it comes to the way she interacts with Tech specifically and the Batch, itās very clear to understand the dynamic behind them when you look close enough. To recall a few instances, there was a time when she was recounting a story about finding a big treasure and Tech says something along the lines of āshe changes this story every time she tells itā. Heās conveying to both the people in the show and us as viewers that she is a liar. She is either changing the story to make herself seem cooler, or maybe it didnāt happen at all and sheās making the entire thing up. Which, I will briefly mention again, are traits synonymous with narcissists. In another instance, Tech, Omega, and Wrecker were having a conversation where Tech is reprimanding them for bringing items back from a junkyard that they were in that they thought were cool instead of what he asked them to go find and bring back for him. Iām this conversation, Phee inserts herself and tells Tech that itās not junk; also, in that same instance, not calling him by his name, which I will get to in a minute. Tech, in that moment, is trying to work, and his conversation with the other two was interrupted and fizzles out as Omega gets excited about the idea of a treasure map. A third is when the group is on Pabu and Phee is trying to get Tech to converse with her. His body language is hunched, tense, and he averts eye contact with her. When she prods him further, he is unsure how to engage in the conversation. And when he doesnāt respond in the way that sheās wanting him to, she talks about him to the rest of the Batch as he stands there around him and says to them how he ādoesnāt know how to have funā. And then they proceed to laugh at him. And again, you can see in his body language that he is confused as to why theyāre laughing at him as well as uncomfortable being in that situation. And going off of that for another small fourth instance, there is another moment when they are getting ready to leave Pabu and she approaches Tech, who is working alone and trying to avoid contact with anyone, and says to him āSo youāre just going to leave without saying goodbye?ā His body language immediately tenses, he hunches further in on himself around his datapad, and his words make it clear he is both unsure and unwanting of the conversation. And when he does not respond in the way that she wants him to, she moves the datapad away from him to make him focus on her. She removes the item that brings him the most security to force him into engaging in a conversation he is uncomfortable with having. And again, these are all very intentional choices. They are not left up for interpretation. They are there to tell us what the character is feeling in that moment. They are trying to convey to us that he is uncomfortable. Not that heās shy around a girl he thinks is pretty. And given on other scenarios that have happened throughout the show, itās very clear that interpersonal relationships with anyone outside of Omega and the Batch is not something that heās interested in. If they wanted to convey that he found her attractive, there are routes they could have taken to ensure that that comes across correctly to the audience, such as a faint little blush or rubbing a hand through his hair. But they didnāt do that, and instead chose for him to shy away and hide from certain situations or tense up and keep his head down in others. They are conveying to us that he does not like being around her. Because every single action they made him carry out took hundreds of hours of work to execute, and they would not go through all that trouble for no reason.
Branching off of that, we reach the topic of Techās name. When you watch the series as a whole, you can count on one hand the number of times that Phee refers to Tech by his actual name, while she refers to the others as their actual names. This is different from Cid in the way that Cid made that intentional choice to call them different things as a way to maintain distance from them. Itās clear from both her body language and her words that she did not want to get close to them. And really, wanted nothing to do with them unless they made her money. These are intentional choices. Pheeās character is designed to be flighty and unbothered. And she wants what she wants when she wants it. The choice to call Tech names and refer to everyone else by their names is an intentional choice. Him not understanding why she does that is an intentional choice. She does not respect him, which is why she does this. She can see that he doesnāt know what to do about it, so she keeps doing it. Like when a person presses on a bruise. These are all intentional choices made by the directors.
There was also a comment that said she behaves exactly like Crosshair does. And there are a few things I think did not entirely process when they made that comment. The first being that Crosshair was written to be one of the main antagonists for the first two season. I know they appeared in Clone Wars as well, but Iām talking specifically about Bad Batch. He was designed to be a bad guy that goes through a redemption arc; just like Zuko did in ATLA, for those who enjoy it. They both started out as antagonists, had horrible things happen to them, realized along their journey that maybe they were wrong, and are able to redeem themselves in the end and side with, or in Crossā case, return to, the protagonists. In the beginning Cross was very sharp and defensive and thought he knew what was best. But he grew over time and learned how to care for people and share his weaknesses instead of putting on a facade all the time. And thatās the difference. We are reaching the end of the series and Phee has never had character growth to the level that Crosshair has and softens and opens up to the rest of the group. She hasnāt had any character growth at all. She is still the same exact person she was when we met her. There have been characters who have appeared for significantly less time that her, and if you pay attention to them, they have had significantly more growth than her as well.
The problem that I have begun to notice with people who are so quick to defend her actions is that they seem to be focusing more on her than on anything else. When you focus on just her, I can see how someone could mistake these interactions for being positive. Because all theyāre focusing on is someone whoās having fun, and of course that would translate to something positive for him. But for the people who focus on Tech, it becomes very evident that these interactions are not positive. When you watch Tech, and I mean actually pay attention to him and not just watch him, you see all the subtle signs that you would otherwise miss. Him being annoyed and uncomfortable and confused and tired and generally not enjoying being around her. And this, unfortunately, happens a lot in real life too. People donāt take the time to absorb both sides of whatās happening. And since we as humans are quicker to pick up on people who are happy as opposed to people who are not, itās so easy to miss the signals and just assume that what youāre watching is a happy interaction and put forth no further effort into making sure thatās actually whatās happening.
There is no other way to say that these things are all intentional. They wrote, designed, and sent out something that they have spent the past few years creating. When you understand the level of work that was put into it all, there are a lot of things that become very clear. And sure, headcanons exist and people can speculate what happens between the episodes. But headcanons can only go so far before it becomes ridiculous. We cannot confirm that Echo didnāt run off to go have a quiet life with Cid, but that doesnāt automatically mean that itās true. Inferring things that are not within the realm of possibility is not conducive. Assuming that Phee spent a lot of time talking about her adventures that she may or may not have had with the Batch between the episodes? Thatās conducive and we have clear evidence that would support that. Assuming that her and Tech had a very close relationship and she always listens to what he had to say between episodes? As much as some people want it to be true, itās just not. There is no evidence that supports that line of thinking, and, in fact, there is a vast amount of evidence that would actually conform the opposite; such as Phee talking over everyone and commanding the conversation, not respecting things that Tech says, etc.
Iām going to wrap this up by talking a bit more personally now. There are plenty of people assuming that Iām a racist or a misogynist or that my literacy skills are lacking or whatever, but because youāre upset that someone is calling out the awful behavior of someone you like doesnāt make it any less true. And that applies to both this type of situation and in real life. I know who I am and what I stand for, and you trying to tell me that Iām otherwise changes nothing. And defaulting to assumptions like that shows that either you do not watch the show with a more attentive eye, or thatās all that you see Phee for. A black woman. Both of which are issues.
People are allowed to not like black characters, even if they are black.
People are allowed to not like Asian characters, even if they are Asian.
People are allowed to not like female characters, even if theyāre women (or AFAB people).
People are allowed to not like LGBTQ characters, even if they are queer.
People are allowed to not like neurodivergent characters, even if they are neurodivergent.
People are allowed to not like characters that display particular traits or thought processes, even if they share those same traits or thought processes.
People are allowed to not like characters if they think that the character is bad.
Also, for the people saying Iām using my autism as a shield clearly donāt understand how autism works? I donāt say that to be an excuse. I say that to provide context and reasoning behind the things that I say. Like many other neurodivergent people do. You all are getting pressed about the wrong things. If you want to debate the time and study Iāve put into the show because I genuinely enjoy it, then be my guest. But donāt throw out petty insults and waste everyoneās time. At least put forth some more critical thinking behind it and try to figure out why someone could be saying the things that theyāre saying
178 notes
Ā·
View notes
Guys, Iām gonna need the fandom to stop being weird about Phee.
Okay, so, first off, Iām not back. Iām still on break; I just logged in to check on the DMs? Made the mistake of checking the tags, and happened to see some real hot takes about Pheeās line about Tech and wrote this out before my better judgment kicked in. Two things:
1. From a narrative perspective, a NARRATIVE perspective, not a character perspective, a narrative perspective, Pheeās line has the exact same function as every other mention of Tech by the characters and visual reference to him through the season so far. We havenāt seen any single character process Techās ādeath.ā And by processing Techās death, I mean that we havenāt seen a single character come to terms with it the way we, for example, saw Omega and Tech come to terms with Echoās departure, or the entire ghost crew come to terms with Kananās death in Rebels.
In refusing to show us this, the show refuses to allow the audience to internalize Techās death as an actual event that has consequences and is expected to stick. In addition to this, the show pokes at us at least once an episode, whether by a single line or by visual cues, to remind us of Techās absence. In so doing, the show refuses to allow the audience to fully let Tech go; this only makes sense from a writing perspective if the absence is temporary and the much needed catharsis after an event like the first five minutes of āPlan 99ā is going to come from something other than processing the characterās deathāsomething like letting him come back. Pheeās line is just another one of those jabs reminding us that Tech is absent.
(Before anyone comes in here saying that theyāre probably mourning Tech off-screen: They probably are. Thatās not the point. The point is that there is purpose in what writers choose to emphasize. They have had plenty of opportunity to show us Omega or someone coming to terms with what happened, and plenty of time to do even more than that, because not only are they willing to stop for emotional momentsāhalf the season so far has been Crosshairās extended emotional moment and catharsis from two seasons of buildup. Iām actually not willing to argue about this at this point.)
2. The way Phee talks here is the way that every character has been talking about Tech the whole season. Sheās not unique. The Tech mentions have largely been informative and impersonalājust enough to hurt, not enough to derail a conversation. The emphasis has not been on the loss of him as a person, but instead on his absence and how that makes life difficult. Once again, from a narrative perspective, this is because getting personal with the Tech mentions leads directly into the characters actually processing their loss; and since the show is not allowing that processing to happen since itās almost definitely bringing him back, the little, slightly impersonal mention once an episode is as far as it can go in bringing Tech up. And since it doesnāt want us to forget about him either, thatās what we end up with. Itās not bad just because Phee did it too now.
3. From a character perspective generally speaking (of the whole cast), the way the mentions work reads to me as ambiguous grief. Remember that Hunter and co. never recovered a body, never really saw any evidence, and donāt really know what happened to Tech in the end. And, speaking from personal experience, not knowing can be emotionally paralyzing and can leave you incapable of processing your loss, because you donāt know if itās a loss or not. They come across to me as stuck and unable to to anything that we see besides noting that heās not there. Heās gone, they donāt know where he is; he might be dead, and he might not.
4. And, speaking of Phee specifically: Pheeās mention of Tech wasnāt overtly sad, but neither was Omegaās mention of Tech back in āShadowās of Tantiss.ā Not everyone cries every time they bring up someone they lost. I donāt. Donāt expect everyone to outwardly react the way you want them too, please.
And, frankly (this IS a hill I will die on) Phee brought Tech up out of nowhere. They werenāt talking about him. She brought him up completely unprompted in an unrelated conversation, meaning heās on her mind, meaning that, no, sheās not over it.
PS: Do not come into my notes and bring up Fives and the lack of Fives discussion in TBB. I love Fives, I love the domino twins, but Fives was a secondary character on a completely different show with a completely different kind of narrative structure. Not bringing him up in this show is not the same as not allowing the characters or audience to process the happened to Tech.
PPS: Iām sorry if I sound salty in this. I am. This isnāt really directed at anyone I follow or interact with on her, or really anyone who follows me; this is directed at certain parts of the larger fandom that are kind of exhausting.
PPPS: If anyone comes into this post to call me delusional for still thinking Tech is coming back because thatās literally what theyāve set up on screen, theyāre getting instablocked.
PPPPS: Donāt @ the cast and crew on Twitter, guys. Just donāt. Think about what theyāre doing and what youāre doing, and donāt.
86 notes
Ā·
View notes
I know that Iāve touched on the harassment that people are getting for posting theories about Tech being alive, but there is another element that I believe we should discuss: the fact that the harassment is being disproportionately lobbed at autistic fans. Now, Iām not trying to imply that all of the people leaving these nasty comments are sitting around thinking about how much they hate autistic people, but whether they realize it or not, the types of posts that they tend to leave nasty comments on tend to be posts made by people displaying what might be autistic traits. In fact, a lot of posts that have these harassing comments are made by people who make it no secret that they are autistic and sometimes even mention it in their bio.
So what do I mean when I say that a lot of these posts may hint at OP being autistic? For starters, autistic brains tend to latch onto things with a great deal of intensity, and sometimes our brains latch onto specific fictional characters. We know logically that these characters are not real and that there are objectively more important things to worry about, but our brains simply do not care. Focused autistic interests are a source of a lot of comfort and stability for us in a world that is often overwhelming, and they are important to us as a result. A lot of the people dogging the Tech posts seem to take issue with how āobsessedā people are with the character and his survival, which in some cases, is due to OP simply being autistic and having a focused interest.
Another trait that can manifest in autistic people is difficulty with emotional regulation, meaning that even āsmallā things can make us more upset than our peers. The people leaving harassing replies seem to have picked up on the fact that people are ātoo emotionalā over a fictional character and sometimes even make their replies extra graphic (ie. āheās rotting at the bottom of the chasmā, āheās flesh pasteā) in order to get a rise out of the OP. Obviously, not everyone who makes posts like these or has these challenges is autistic, but I believe that my point still stands that going after people with these traits will cause autistic people to be disproportionately targeted, which is an ableist pattern.
Sometimes, however, the harassment feels more intentionally targeted at autistic fans. A lot of Tech fans really value Tech as autistic representation and feel like killing him off in our current popular culture environment where a fair chunk of autistic portrayals are negative is in poor taste. The āTech is dead, get over itā harassers blatantly ignore or ridicule these statements, showing zero empathy to the people who feel seen because of this character. I have seen people bulldoze into posts where autistic fans talk about how much they hope he survives because they see themselves in him with comments like āheās dead, get over it.ā In one instance, I saw an allistic fan tell an autistic fan that Tech was āforced diversityā and that if Disney was going to attempt autistic representation, then the character shouldnāt be āboringā like Tech. I donāt think I really need to explain why this is inappropriate.
Itās fine to disagree with a popular fan theory or debate about it in good faith with someone who is up to it, but what I am seeing goes well beyond that. Harassment is never, ever okay, and you should know better than to leave replies like the ones in these screenshots below when you see a fan theory that you donāt agree with.
107 notes
Ā·
View notes