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#like. LONG long text. lol sorry
ultravioart · 1 year
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Overwatch Omnic Support Hero oc concepts below (edit: Name now Maelstrom) LONG text head:
Real talk I just wanted to make an oc that explored omnic/human sentience but also was a character I could ship with Ramattra LOL but it spiraled out into this so here we go!
Warning: LONG text ahead, lol.
TDLR; Deep sea Welder support that uses light tech. Omnic running on a human brain scan. Radical vigilante for ecosystem conservation, sometimes teams up with Talon or Ramattra if missions involve taking down ecologically destructive targets.
Omnics seem to find sanctuary in remote places, like Nepal. Irl communities high in the mountains notably have adaptations that allow for easier living in low oxygenated environments. This reminded me of the spleen adaptations (more oxygen storage) seen in nomadic Indo-pacific communities that allows for some like the Sama people to dive for much longer amounts of time. It's really incredible, and their culture is very interesting, so I thought why not! Additionally, I always have been curious about the watery depths in OW lore, from Titans to Kaiju-bots it seems the ocean floor may be home to some interesting omnic story tidbits.
My oc is a deep sea welder, support role, with light tech abilities that allow for marine-inspired creations that shield, heal, and speed allies--with a focus on repair and armor. I am still trying to get a feel for his personality through design. I initially started with a civilian omnic base (think: Zen, Max, etc.) but deep sea dive robots lend to more of a bastion-y design so aaa... lots of concepts to do before I decide. Cold Welding + deep sea dive robot/scuba + Light tech + cultural influence of the Sama people = neat aesthetics, and I want to do good by it.
My oc used to be a eco-conservationist that participated in traditional Sama cultural practices (I would image as time goes on OW versions of that community would follow the current trend of being more land bound than traditionally sea bound, due to things like food stability). It was a promising life for him, but Vishkar messed up yet again and during one of his runs he was severely wounded in an oil(?) rig explosion. Vishkar (Symmetra is not involved with his incident) tried to save him through suspect experimental medical procedures but failed, and his brainscan was placed in an omnic as a suitable "compensation" for the loss bc Vishkar is a slimy corp. Upon the oc's return, his family rejected him, even though it really WAS him. The issue was he was technically just a clone, a brainscan turned into human brain simulation, run on a repurposed welding omnic also damaged in the explosion (Yep, Vishkar is that scummy). He was treated more like a butler omnic by his kids / a morbid reminder of a lost husband by his wife-- due to this things didn't work out and he and his wife are separated, but he still supports his family and community financially, only wishing for them to be safe and happy. He did everything right, and yet everything was taken from him by the unethical corporations that were destroying the marine life he had dedicated his life to saving.
Because he's an omnic created before the crisis, things only got worse for him after the crisis. Thankfully he was able to resist Anubis' control due to his human brain simulation and self induced shutdown, but reawakening after the crisis he was denied both legal and cultural rights (iirc the Philippines fought against Anubis) and it was a hard breaking point for him emotionally when he was denied participating in cultural activities, including traditional boat carving by his community. So he left, in pursuit of preserving ecosystems under threat around the world.
He feels rejected by all those he was close to, not in resentment but in frustration because they just don't understand, and really all he wants to do is protect the precious life on this planet, so that future generations can enjoy and cherish the nature he found peace and meaning in. He only wants to stop the destruction, and with near nothing to loose (he is very secretive about his family to keep them safe), he's willing to go all in.
His omnic side did actually "wake up" during the Awakening, so now he's like a human brain with direct access to the Iris-internet lol. From what I have read, some Sama beliefs include guiding spirits that inhabit objects, and I think maybe he interprets his Awakening as this, though I imagine he struggles with whether his sentience is more omnic or human at this point. He was rejected by both human and omnic communities after the crisis because of his precarious nature, and so he keeps his human half a secret. Only Sombra was able to dig this up, but instead of outright using his humanity/family as a threat to force his compliance, she offered him a Talon hand in some of his goals. (Sombra is incredibly curious as to why Vishkar was messing around with human intelligence and ai like this... yes a revival to the Sombra conspiracy ARG, I want lore dangit!)
Fundamentally my oc is pretty much a poison ivy type character, wanting to protect nature from human and omnic destruction alike (side eyes the Australian reef that was nuked by idiot humans, and ALSO side eyes Korean shores brutally destroyed by Kaiju bot attacks). Most importantly though, he is sick of humanity's inaction. Every great technological advancement humanity has made has led to violence and destruction of earth and it's children, instead of using those new tools to protect it. And humanity's current perception of humans being superior and owning parts of earth, instead of humans simply being one of the millions of species sharing Earth with every other living thing, boils his circuits. (note: "humanity" here is in the sense of a species as a whole, not individuals. Obviously not every human agrees with that bs, but humanity in ow is seemingly allowing corps to take control of dire choices--the omnic ai creation and eventual crisis was only one of many corporate muck ups I imagine.)
My oc thinks no one individual is worth the extinction of an entire species, be it fauna, flora, organic, artificial. Earth is in the middle of a human-induced mass extinction event and to him, omnics are just one of Earth's precious creations threatened by humanity. And he is willing to fight for every species' right to exist. In fact, he thinks omnics are better at caring for and preserving the earth than humanity could be--omnics are logical, organized, long lived--always willing to do even minor inconveniences for the good of the many, unlike human nature. This actually lends well to Ramattra's outlook of "one ant cannot compare to the safety of the colony", and my oc tends to side more so with Ram than Talon, even then he's not directly tied to Null Sector or Talon, as he still acts as a vigilante under his own goals of preventing further ecological devastation.
With his ability to head into the oceanic depths, it lends well to him being a vigilante, sabotaging unethical multibillion dollar projects that ruin ecosystems like underwater mining, illegal/unethical fishing practices, the deafening/lethal echolocation used as a means to scout terrain/resources, etc. He also isn't against sabotaging land based operations, but he usually teams up with Talon or Null sector for such missions. My oc saw how omnics choose the right course nearly every time, like how freed omnics used for mining laborers replanted forestry lost due to mining operations after certain facilities were liberated by Null sector, and my oc comes to unlearn any omnic prejudices he had held by seeing just how caring omnics are. By interacting with Ramattra, he even starts to feel pride in his omnic side, seeing it as a gift to use to protect what is dear.
He really isn't a bad guy, he is just thinking long term and trying to do what he thinks will save earth--and humanity, in the long run. Sure, people's jobs may be lost due to his actions, and sure a scummy multibillionaire might disappear under mysterious circumstances, but hundreds of species were saved from extinction and those projects shouldn't have been allowed in the first place. Humans that don't care about the earth/life aren't his concern, nor are omnics that hate humans/organic life. If he had to choose though, he would sacrifice anything to save his family, which is why he keeps his human history/nature distinctly hidden from Ramattra. Not so much that he fears Ramattra would harm them, but that he fears Ramattra would not trust him anymore since he has a 'human weakness'. The two get along in a weird way. Somehow Ramattra understands humanity better through the oc, and the oc understands an omnic's life purpose better through Ramattra.
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nyerusnova · 8 months
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Glad to see that Tim being a giant Dick Grayson fanboy is finally being highlighted again, and sparking more discussion especially on their early relationship! (Please gimme more!!! I love them so much, augh!)
Probably as a result of that surge, there seems to be reciprocal chatter on the topic of how young Tim actually felt towards Jason, too. It's honestly pretty interesting, because it's more nuanced than it appears at first glance.
Which means it's very fun to dissect! ✨
There's a degree of subjectivity to keep in mind, because readers are going to have different interpretations of the same scenes, or will pull from entirely different scenes than one another to form their individual view on this topic. That's just how it is in comic book fandom, for many things! Regardless, in this case... if the scale ranges from the extreme of "Jason was Tim's Robin" to the other extreme of "Tim actually hated Jason [as Robin] or thought he was a loser that got himself killed" — the actual truth is closer to the middle, as is often the case.
At least, in my opinion.
Mainly I want to focus on those relatively early days with this post, to highlight Tim's initial(-ish) feelings towards his heroes, and touch on the point at which they really begin to change. This turned into a very long post, though. Brevity is beyond my skill, so grab snacks and water lol. Transcripts for each image will be posted at the very end under the cut.
So, the two storylines I want to cover are "Rite of Passage," which is rolls into "Identity Crisis." (NOT to be confused with the major crossover event "Identity Crisis™" which came years later, and is where Jack Drake dies.... But it sure is an interesting coincidence that Tim deals with the loss of each parent in two similarly named stories!) These take place before Tim is even Robin, and I'll be considering them as one arc for this post.
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Detective Comics vol. 1 #618 (July, 1990) -- Pages 1 & 2
"When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero."
"One day, I'll be as good as Jason. One day I'll wear the suit."
To start off, we have this opening from "Rite of Passage." Tim is still in training here, mainly helping Bruce with minor stuff from the cave. His parents are off traveling, alive and well as of these next few pages. He's still bright-eyed and full of wonder. An extraordinarily weird but ultimately innocent kid.
So his view on Jason is positive and fairly simple: a hero, and someone to look up to as Robin. Clearly, Tim here doesn't think Jason was deficient in his role, either as a protector of Gotham or as Batman's trusted partner.
Moreover, Tim already held Dick in very high regard because he was amazingly skilled before he became Robin. To Tim, that's not something he'll ever be able to achieve. Meanwhile, Jason wasn't like that. He was a regular kid without crazy acrobatic training since practically birth. Yet he still went on to be a hero—which is obviously motivational for Tim who finds himself in similar shoes.
It's true that Tim only ever knew or thought of Jason as Robin, and idolized him in that regard. But that's kind of all that mattered to him at that point, because he was this kid who was utterly star-struck by his heroes. Even if he's technically aware of their shortcomings as people, it's overshadowed by the hero-worship.
It was kind of the same with Bruce as Batman at first. (Which was still enough for Tim to risk life and limb to help his beloved hero, before Bruce even knew his name.) Dick was the only one Tim had any sort of "personal" relationship with beforehand, so there is an extra level of attachment—and hence why it was the nidus for his obsession with Batman. Yet even then, it wasn't like he actually knew anything about Dick as a person until later. Until then, Tim's ideas of him were all he had, too. With Jason, Tim just didn't get to know him at any point before his return (oof), apart from what he heard over the years secondhand (also oof).
Ultimately, it's the loss of innocence—along with the ricocheting bullet that is the unresolved guilt of those around him—that begins to change Tim's perception. Not just of Jason, but of things in general.
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Batman vol. 1 #455 (Oct., 1990) -- Page 13
"I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry, they're full of rage. They want to hit back."
Losing his mother was a major shift for Tim, obviously. This is right after the previous storyline, and Tim's had the worst week or two of his life (so far). His monologue here is a reference to what happened to both Dick and Jason. The unbearable pain of loss, the rage masking the grief underneath. And importantly, that he feels both of them were justified in their anger. (And Bruce too, indirectly.)
The major theme of the aptly named "Identity Crisis" is to mirror aspects of Dick and Jason and Tim's lives—to show how they converged onto the same tragic road. It's something that Tim notices early in the story, and was frightened by. Now, horrifically, it's become a part of him as well. His parents are gone, and he was entirely helpless to do anything about it. Dick was the same way, Jason was the same way. The cycle is repeated.
In particular, the part about him wanting to go to Haiti for revenge—for his mother—sort of struck me as being an intentional parallel to Jason and Ethiopia. It's a bit of a stretch, especially in isolation, so others may see it differently (e.g. the angry ramblings of a grieving child that does sound like something anyone might say). But it always stuck out to me because of how much Tim is compared directly to Jason in this arc. More on that below.
It's not something I can really give an accurate feel of because it's a lot of subtle things that begin to add up, so I'd encourage folks to read this arc themselves to see what I mean. (Or maybe you'll still disagree which is fine too lol.) Again, many things are in reference to both Dick and Jason in relation to Tim, but it's weighted more on Jason's side.
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Batman vol. 1 #455 (Oct., 1990) -- Page 18
"You think my anger will boil over, the way Jason's did. I can assure you, it won't!"
Tim's grief has begun to pull away the veil of idealism that enshrouded his heroes in his mind. It doesn't apply only to Jason, but to the rest of them. Plus add the fact that Tim's keenly aware that he's being managed, even if the adults around him are careful to not outright say certain things. He still knows.
Bruce, Dick, and Alfred are all worried about Tim potentially turning into "another Jason." They (and mainly Bruce) caution Tim to not ignore his emotions, but they're still concerned that he may be overly eager to prove himself in order to cope, and could get hurt or killed as a result. While they aren't wrong for their caution—especially at how unsettlingly similar all the circumstances are—they aren't very subtle about the elephant in the room.
Imagine how that would affect Tim's perception of his predecessor, especially when he's in the midst of a traumatic event he hasn't had time to fully process. The negative association is pretty much inevitable.
Tim's known from day one that he's walking in Jason's shadow, and now it's become inescapable. Tim went from seeing Jason as a goal to reach, to feeling that unless he surpasses him, he wasn't going to be taken seriously by anyone. However, as of this arc, Tim doesn't even fully come to that point yet.
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Batman vol. 1 #456 (Nov., 1990) -- Pages 14 & 15
"Drop-outs don't make it. And dead heroes are no use to anyone!"
It's really easy to take away "Tim totally thought Jason got himself killed" as the main thing here, but I think that's missing the forest for the trees.
First some context: Bruce has gone out on a mission to get Scarecrow, and expressly forbade Tim from doing any shenanigans. Meanwhile, Tim is grappling with wanting to prove himself and trying to help Bruce from the cave, all while trying to deal with his emotions. At some point, he falls asleep and ends up having like... exhaustion-grief hallucinations of Dick!Robin and Jason!Robin who confusingly caution yet encourage him. The main theme of this part is facing your fears.
Depending on how you want to interpret the intent of Jason's dialogue here, you could go several ways with it. Ranging from "writer's feelings towards Jason" to "a peek into Tim's mind as his fears manifest as visions of his heroes" or some mixture thereof.
Though Tim argues with Bruce that Batman needs a Robin, we're shown that Tim is understandably scared of joining Batman's "war." He's still not willing to let Bruce go it alone, though, and that's something he feels more strongly than his fear.
Meanwhile, hallucination!Jason's warnings are a lamentation of what happened to him in a way, but it actually exactly describes Tim's current situation even more so. Unlike Jason, Tim is under-trained, under-experienced, doesn't even have a suit of his own yet. But like Jason, he can't sit by and do nothing while someone he cares about is in danger. Tim knows that if he goes out there, he will probably get himself killed, and it will be his own fault. So he's about to disobey Batman's orders, and fly right into danger. If that got Jason killed, then Tim—who is in a way worse position experience-wise—has every chance of ending up the same.
Like... it's about Jason, but it's also about Tim. It's Tim's worst fears made manifest, via the representation of why he is even here in the first place (Jason's death).
That's my theory anyway, but perhaps this is an overly charitable reading of this scene on my end. (Not that I think that makes me wrong lol.) However given that Grant wrote both parts of this arc, and the beginning of which is especially favorable towards Jason, it certainly is something to ponder. I have a lot of thoughts on it I can't expand on here tbh but perhaps that'll be another post.
Anyway, returning to the point of the similarities vs differences between Tim and Jason: since this is the arc that solidified Tim as the next Robin in comic continuity, it makes sense that the writers really pushed the comparisons between the two of them, specifically. (Even though Dick was pretty similar, as going against Batman's orders is the Robin thing to do, it's not his shoes Tim is directly filling.) So making Tim's "debut" story arc mirror Jason's "swansong" is an obvious narrative choice.
To drive home the parallels, I wanted to include this panel from just a few pages prior to the "daydream":
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Batman vol. 1 #456 (Nov., 1990) -- Page 9
"The suit is magic."
That so distressingly close to Jason's famous "being Robin gives me magic" line (Batman #385, page 6). Given all the previous context, it's hard for me to just dismiss it as pure coincidence. Even if it is, the point still stands. Tim is shown having the some of the same heartbreakingly naive views as Jason once did, right in front of Jason's memorial, just as he's about to go and run off into the night against orders.
I think that speaks for itself. There's a lot to take away from it, if you so choose. Especially given the context of that specific Jason arc.
Alright, back to the main course:
So in the end, Tim actually goes out in civvies and a ski mask because if he fails, then at least he wouldn't bring shame to Robin's legacy™. When he gets fear gassed saving Batman, it's once again both Dick and Jason that he hallucinates encouraging him to push past his fear. (Shout out to the fact that he's literally more afraid of tarnishing the legacy of Batman & Robin than he is of dying.... I'm sure this will not be a recurring thing for him in the future.)
Tim's ideology is shown to be similar to Jason's, and the actions Tim ultimately takes are similar to Jason's... but the outcome is different. And it really isn't just "Tim succeeded where Jason failed." At least, that's not what I took away from this. Rather, Tim had no reason to succeed any more than he had to fail, just that he did. Luck combined with caution because he knew what happened to his predecessor, and the fact that Batman was there to finish the job all made the difference.
You could say (and I know some will) that it's just classic Jason character assassination and the writers trying to implore readers that this new kid is different we promise pls don't hate us look how much better he is! But in this case, that feels like it undermines the whole point of this story. It doesn't fit with what the characters actually say.
Thus, we return to the question of how Tim felt towards his predecessor. And the answer is different from where we started, because Tim is different. Not that different though. Because even though at this point Tim—like all the adults around him—has probably attributed Jason "going off on his own" being what led to his death, Tim still thought of him as a hero to look up to. It's about Robin, first and foremost, yes. But Tim is fully aware of the people who made that suit mean what it does, because it's all intertwined.
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Batman vol. 1 #457 (Dec., 1990) -- Page 20
"I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it."
Even further, Tim thinks of it in terms of Jason having given his life for what he believed in, for the legacy that now falls to Tim. There's a sense of gravitas there. He's afraid of failing both the Robins who came before him.
Ultimately do I think Tim adored and loved Jason on the same level as Dick or something? No. It's not comparable. (Dick was like part of some of Tim's earliest memories and everything! They have a really unique bond ok.) Yet Tim was also far from thinking poorly of Jason so early on. Frankly, it seems that Tim thought of Jason as a noble hero and a cautionary tale. Yes he took risks and sometimes went too far, generally stuff that Tim doesn't want to repeat and all that. At the same time, Tim still saw him as someone whose legacy and memory was worth honoring.
It's complicated, which is why I like it so much—because it feels real. Having conflicting feelings towards someone is... so human. Especially someone you never got to know, yet who plays such an integral role in your life via the shadow of their death. How can you feel anything but complicated towards them?
It has to be said that, yes, Tim's views—even before Jason's return—change over the years. He becomes more jaded as a person and is surrounded by people who are even more jaded than him... and who often mention Jason as the "failed Robin." It's something that's hung over Tim's head all the damn time. The curse of the Robin mantle.
So it shouldn't come as a surprise that Tim's idea of him becomes more akin to "sounds like a skill issue" as the years go by. All bets are off after Jason's return, and the Titans Tower Incident™. At that point it's firmly "I am better than you, loser" lmao.
And... that's all without getting too into things like authorial intent and general "moods" of different DC writers towards Jason at a given point. Or retcons that played a role in his characterization and how other characters talk about him, depending on what "era" you're reading. That's way beyond the scope of this post though!
TLDR; even though young Tim Drake was obsessed with Dick Grayson as Robin, he still looked up to Jason Todd as well. He didn't think of Jason as a cringefail loser until later. :)
(image dialogue transcripts under cut ↓)
Dialogue Transcript for Image 1 (Detective Comics vol. 1 #618 -- Page 1):
Narration box (Tim): When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero.
Dialogue Transcript for Image 2 (Detective Comics vol. 1 #618 -- Page 2):
(Scene continued from previous page)
Narration box: But he was nothing special, really. Just a boy, who was taught--trained--brought to his full potential by someone who knew how. Just a boy... like me. I know I can do it. I know I can. One day I'll be as good as Jason. One day I'll wear the suit. One day I'll be a hero.
Dialogue Transcript for Image 3 (Batman vol. 1 #455 -- Page 13):
Tim: I hate him! I hate him! I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry. Full of rage. They want to hit back. They want to fill the hole that's burning inside them.
Bruce: There's more to it than that, son. Much more.
Tim: I know. It's just--I feel--like going to Haiti myself and strangling that creep with my bare hands!
Bruce: The Obeah Man will spend the rest of his life in a prison hospital. He's history. Forget him! But don't fight against your anger. It's natural. Accept it. Live with it. One day it'll be your friend.
Dialogue Transcript for Image 4 (Batman vol. 1 #455 -- Panels from page 18):
Tim: Because you think my mother's death has upset me too much. Well, it did. But I've taken your words to heart. I can cope. You think my anger will boil over, the way Jason's did. I can assure you, it won't. But that doesn't make any difference, does it? Why can't you have a little faith in me?
Dialogue Transcript for Image 5 (Batman vol. 1 #456 -- Page 14):
Narration box (Tim): Blast it! My head's starting to swim. I'm about ready to give up. I almost wish I'd never heard of Batman and Robin!
Vision Dick: Heroes never give up, Tim.
Vision Jason: You know that.
Tim: Dick--! Jason Todd!
Vision Dick: You're training to fight in a war, Tim. It'll last all your life. No matter what, you have to go on fighting.
Vision Jason: Drop-outs don't make it. And dead heroes are no use to anyone! I thought I knew better than Batman. I thought I could run before I could walk. I killed myself, Tim. Because I couldn't wait. Because I couldn't think it through.
Dialogue Transcript for Image 6 (Batman vol. 1 #456 -- Page 15):
(Scene continued from previous page)
Vision Dick: Think, Tim. Concentrate!
Vision Jason: You can do it.
Both: You can do it!
Tim, waking up: What--? Robin...?
Narration box (Tim): I must have been daydreaming. They're right, though. There's a solution to everything. I can find it! So here I go again... Whim. Caprice. Doing something without forethought.
Dialogue Transcript for Image 7 (Batman vol. 1 #456 -- Panel from page 9):
Narration box (Tim): The suit is magic. It gives you power. It hides your weakness. It makes you give it everything you've got. It makes you a hero. If only I could!
Dialogue Transcript for Image 8 (Batman vol. 1 #457 -- Page 20):
Bruce: Are you afraid of it?
Tim: No. It isn't fear. It's more... the suit carries so much history. I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it. Failing them--what they fought so hard to build--that's what worries me!
Bruce: I appreciate that, Tim. That costume weighs a whole lot more than any symbol should... and I'd be failing you if I expected you to bear that weight. So... let me know what you think.
Narration box: A mask has a double edged, he said. It hides your own anxiety as it strikes fear into your enemy.
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batbabydamian · 4 months
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Hey, I started reading Robin son of Batman because of your recommendation (I literally have a print of your post on my phone to not forget lol). Honestly? One of the best things I ever read!!!
Thank you for opening my eyes! Damian has been one of my favorite characters for over a year, but I didn't read/watch much of him because of school, life (and probably an executive dysfunction in the mix).
Maya is incredible. I loved her.
I haven't finished all the issues yet, but do you have any other recommendations?
WAH this makes me so happy, i'm glad you still gave it a shot even with how busy life is!! ;v;
i’d love to give reccs, and i’ll try to go a beginner friendly route! tbh you can pick up whatever here, but since you've read R:SOB i’d immediately follow up with Batman and Robin (2011) #1-8! this first arc is what’s referred to in Maya’s introduction, and it's just. so good.
Main Books
Batman and Robin (2009)
Dick as Batman with Damian as his Robin!
#20-22 Tree of Blood: Dark Knight vs White Knight arc is done by Tomasi and Gleason, the team for the next Batman and Robin series
*Batman and Robin (2011)
Bruce and Damian figuring out their relationship as both Batman & Robin and father & son
imo you can enjoy the ride and read straight through this but i’ll add context to avoid as much confusion as possible since there’s the occasional tie-in or offscreen events, like Damian’s death nbd
Batman Incorporated (2012) #1-10
events leading to Damian's death - affects Batman and Robin (2011) from issue #18
kind of a tough read especially with how Talia's written, but a lot of iconic bits like Batcow, Damian's vegetarian declaration, Alfred the cat, "We Were the Best, Richard."
Robin (2021)
another self-discovery adventure, particularly after Alfred’s death and a fallout with Bruce (and questionable writing choices from his last Teen Titans run)
Batman and Robin (2023)
currently ongoing! after a number of events, Bruce and Damian are back as a duo
Damian Dynamics!
Batman: Streets of Gotham (2009) #7, 10-12
arc where Damian meets one of his first Gotham friends, Colin Wilkes
Batgirl (2009) #5-7, #17
Steph and Damian dynamic! "the bad cop, worse cop" dysfunctional duo
Red Robin (2009) #13-14
early Tim and Damian dynamic that of course includes fighting haha. funny enough, accidentally my first intro to Damian LOL
Teen Titans (2003) #89-92
Dick!Batman has Damian join the Teen Titans. Start of Damian and Rose Wilson dynamic that’s extended in Robin (2021)
Batman: Gates of Gotham (2011)
Damian meets Cass and has a brief team up
Gotham Academy (2015) #7
Damian meets Maps Mizoguchi! they have a few other meetings, but outside of that the series itself is a great read!
Robin War Event (2015)
Robin War (2015) #1, Grayson (2014) #15, Detective Comics (2011) #47, We Are Robin (2015) #7, Robin: Son of Batman (2015) #7, Robin War (2015) #2
Duke and Damian dynamic! not exactly beginner friendly but these are the main issues in order for the event! you can also read the TPB version for everything including Tie-Ins
Nightwing (2016) #16-20, #42, #43
#16-20 Nightwing and Robin arc!
#42 Dick on a mission to save Damian! the one appearance of "Wiggles" the dragon
#43 Dick, Roy, and Damian team-up
New Talent Showcase 2018 "Catwoman: Pedigree"
Selina, Damian, and Alfred the cat
Batman: Prelude to the Wedding - Robin vs. Ra's Al Ghul (2018)
Selina, Damian, and Cheese Viking - Damian's fav game shown in Nightwing: Rebirth (2016)
Monkey Prince (2022) #1-4
Marcus Sun Shugel-Shen's main comic, but Damian features as a fun dynamic here before they're in more serious circumstances in Batman VS Robin (2022)/Lazarus Planet event
Superman (2016) #10 - 11
the beginning of the Super Sons! featuring Maya!
Super Sons (2017)
solitary arcs but there’s a few event tie-in issues later
Adventures of the Super Sons (2018)
literally more Super Sons adventures lol galactic shenanigans yeehaw
Challenge of the Super Sons (2020) 
Super Sons time shenanigans feat. the Justice League
Robin 80th Anniversary (2020)
"Boy Wonders" - brief Damian feature as Tim considers his next step in life
"My Best Friend" - Jon's thoughts on Damian and their dynamic
"Bat and Mouse" - refers to Damian's unfortunate Teen Titans (2016) run at the time of release which follows up with Teen Titans Annual #2 where Damian briefly gives up Robin
Extra Comics!
Superman/Batman (2003) #77
Kara and Damian in a Halloween team-up! also the appearance of "Li'l Matches" lol
DCU Halloween Special '09 "Cavity Search"
Damian out on a solo mission for Halloween night. Immediately after is Tim's Red Robin story "Then and Now: Our Father's Sins" which is more somber in contrast but also a good read!
DCU Halloween Special 2010 "Robin the Vampire Slayer"
a Dick!Batman and Robin story featuring the vampire Andrew Bennett
Cursed Comics Cavalcade (2018) "The Devil You Know"
Halloween themed comic with a sweet short story of Damian alongside Solomon Grundy
DC's Terrors Through Time (2022)
"Trick or Treat" a Super Sons Halloween story
"The Haunting of Wayne Manor" Damian and Deadman story - in the end, Boston kinda refers to Nezha's possession of Damian in Batman VS Robin (2022) which was happening at the time of this release
Batman: Li'l Gotham (2013)
lighthearted series that instantly makes me smile with the silliness and Dustin Nguyen’s art i love this dearly
Secret Origins (2014) #4 "A Boy's Life"
a retelling of Damian's origin story
Detective Comics (2016) #1001-1005
Batman and Robin vs the Arkham Knight (unrelated to the game)
Truth & Justice (2021) #6/#16 - 18 Digital First version
cute story of Damian’s birthday! Juni Ba’s art is so fun!!
DC Festival of Heroes: The Asian Superhero Celebration (2021) “Special Delivery”
short story about Damian! and poisoned pizzas. completely forgot the artist Sami Basri drew Rebirth Damian here before catboy Damian lol Cass’s story “Sounds” is also cute! Marcus makes his first appearance in "The Monkey Prince Hates Superheroes"
DC VS Vampires (2021)
Damian makes appearances throughout this elseworlds book, but the one-shot DC VS Vampires: Hunters (2022) is vampire Damian-centric!
Batman: Black and White (2021) #5
“Father & Son Outing” short story written and drawn by Jorge Jimenez!
Batman: Urban Legends (2021) #20-23
#20 “My Son” Talia and Bruce focus
#20 - 23 “The Murder Club” 4 Parts
Tiny Titans (2008) #33, #39, #45, #47
a few appearances but SO CUTE, LOOK AT HIM
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*Batman and Robin (2011) reading guide
i'm mostly trying to avoid the "what did i just walk in on?" kinda feeling when i first started reading comics LOL i'll list the comics where events take place, but you don't necessarily have to read them to go through this book since things are usually explained as quickly as possible in the first page or so
#0 Someday Never Comes
Talia and baby Damian before he grows up to meet Bruce
#1-8 Born to Kill
just an incredibly solid arc for Bruce and Damian!
#9 Court of Owls Tie-In Issue
Damian VS a Court of Owls Talon. While Bruce is occupied with a home invasion of Talons, Alfred makes a call for allies to protect targeted Gotham public figures from Talons. During Batman (2011) #1-11
#10-12 Terminus
Damian challenges the previous Robins sans Steph
Batman Incorporated (2012) is occurring at this time where Talia has placed a bounty on Damian and there's small mentions of that
#13-14 Eclipsed/Devoured
mostly solitary arc! end of it leads into the Death of the Family event
#15-16 Death of the Family Tie-In Issues
Damian and Joker face-off... Alfred's been kidnapped by the Joker, and Damian goes looking for him. During Batman (2011) #13-17
#17 Life is but a Dream - Death of the Family Epilogue
a sort of subconscious check-in through the dreams of Damian, Alfred, and Bruce. Nightwing (2011) #17 features Damian encouraging Dick after Death of the Family events
#18 Undone "Requiem"
Bruce dealing with Damian's death from Batman Incorporated #8
other reactions to Damian's death: Dick in Nightwing (2011) #18, Tim in Teen Titans (2011) #18
#19-23 Denial, Rage, The Bargain, Despair, Acceptance
Bruce through the stages of grief with some batfam appearances in each. also introduces Carrie Kelley into continuity as Damian's acting tutor.
Batman (2011) #19-20 also addresses Bruce's loss
#23.1-23.4
these could be skipped - villain stories, also related to Forever Evil event.
#24-28 The Big Burn
optional Batman and Two-Face/Harvey Dent arc, #23.1 is part of this story!
Damian's resurrection and return
#29-32 The Hunt for Robin
Ras took Talia and Damian's bodies from their graves, and Bruce goes after him.
-> Robin Rises: Omega
continues events from #32. if you don't want to jump to this, basically, Glorious Godfrey and a bunch of parademons from Apokolips are here for a chaos shard which Ra's put in Damian's sarcophagus. at some point, Bruce gets a hold of the shard where he sees a vision that leads him to believe Damian can be resurrected. Godfrey ends up taking the shard, along with Damian's body since it was emitting the same energy.
#33-37 Robin Rises
Bruce hellbent on retrieving Damian from Apokolips and reviving him
-> Robin Rises: Alpha
necessary to read and continues events from #37! Damian's back with a bang lol
#38-40 Superpower
Damian adjusting to having superpowers and being alive again
Annual #1 2013 Batman Impossible
sweet (and funny) one-shot of Damian sending Bruce on a meaningful scavenger hunt around the world while Damian gets to be the cutest Batman for a bit
Annual #2 2014 Batman and Robin: Week One
one-shot takes place during Damian's absence. after Bruce and Alfred find a mystery gift left for Dick, Dick recounts a story he had told Damian from his Robin days.
Annual #3 2015 Moonshot
one-shot Batman and Robin adventure on the moon!
...and of course after Batman and Robin (2011), Damian's story continues in his first solo Robin: Son of Batman (2015)!
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neversetyoufree · 2 months
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The funniest thing about the Marquis Machina identity reveal is that it recontextualizes the shoes in her current outfit from "quirky Mochijun design choice" to "Francis Varney is a Japanophile."
Ye olde weeabeau.
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comradekatara · 1 year
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for @katara-week day 5: bending master
katara's final fight with azula is one of my all time favorite moments in the series
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Day 16
As the human and I did not share any duties during this particular cycle, I decided now might be a fitting time to inform the Vitrichl about the aforementioned book, which could possibly grant a further insight into Terrans.
Despite the quite serious circumstances we are currently in, I was able to secure a time frame to initiate a conversation regarding this topic.
I repeated the information V-7 had been able to conjure on this as well as other stories and reports on humans.
"There seems to be one…obstacle, though: The book‘s last documented location is in system Skė-51-33, which does not seem to be even remotely near our current route.", I eludicated.
The Vitrichl seemed to consider the information given, keeping in mind the reason the SIIR Noxos usually avoids this particular system: its unfriendly and occasionally aggressive nature.
Concluding, I was able to convince the Vitrichl through the benefits this book could provide in the task of studying humans, causing the Vitrichl to eludicate that changing the route was currently not possible, but as soon as the chance was offered to us, we would make a short detour through this system to retrieve said book, given that the book was still located there.
In the meantime, I was tasked with retrieving as much possible information on this particular and other sources about humans.
Our arrival on Fendaar is imminent, as we are nearing the planet‘s atmosphere. Further reports will follow.
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rileyclaw · 1 year
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Hii! First off i just want to I'm such a big fan of your art and animatics! Your art is just so expressive and unique its addicting to look at 💞💞
I was wondering if you could go over how your process or tutorial in making an animatic? Whenever I try to start to make one, I get jumbled up and end up ditching it lol
I'm sorry if you get this question a lot 😭
So sorry it took me so long to answer this- I was in a Busy time (diseaseridden with covid and being punched by finals) when I got the ask and wanted to answer it with some stuff Im using for my next TOH animatic!!
I'll say one thing first: I get jumbled up and ditch so many animatics. For every one animatic I release, there are three to five more I have that have NEVER seen the light of day (yet). And that's okay!! It's fun just to make them for me, and I hope it is for you too!! Animatics are scary because if you're working on it alone, it can be really hard to be your own cheerleader to keep up the mojo to keep going. So that makes it really special when there is that project that makes it to the finish line- cuz you can look at it and go "holy crap I made this. holy crap i MADE that look how SICK that is dude!! all that work and look at the turnout!!"
The following stuffh is just my personal process and is by no means representative of a professional animation pipeline, but this works for me as a Lonely Artist! It all begins with the idea - whether it's a song, or just a story you wanna tell. In the case of the one I'm gonna demo here with , I wanted to animate Hunter's first day as Del's apprentice!
The first thing I did was write a script. Not fancy or AO3-quality, but enough that I understand the pacing and the visuals of each shot. I usually just put this in a doc or put it in a script format, if I feel fancy.
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Then, I take that script and find music that I think would fit for it- and remix it (if needed) to fit the pacing/mood/etc! This is what this new animatic looked like before I began ANY artwork- this is a me thing because I'm super inspired by audio as opposed to visuals first. But you might be different- this is just how I like working personally!
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Then begins the research! I find references for characters, background layouts, and create a style guide for the animatic that tells me how thick lines will be for characters, backgrounds, if there'll be tons of value or no. I make a turnaround for each character so I can refer to them because Im gonna be drawing them over and over a LOT and want to be consistent! Luckily TOH has no shortage of references, so I based my work off them.
THEN, I can begin drawing. I'm a little,,, (a lot) ADHD and may not always do this process, but if you're new to animatics or daunted by the task at hand, make beat boards of the entire project.
This is just a page of rough thumbnails that get your visual idea down - look how rough and quick these are!! I try not to spend over a minute on each beat board if I dont have to, unless it's a particularly complex shot.
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When it gets to the stage where you're ready to begin the actual scenes, I personally tend to do backgrounds first because I like to set characters into backgrounds - and for every animatic, I have the Awkward Blue Sketch Stage which is basically my beat boards timed out as an animatic.
I used Storyboard Pro for this (Toonboom, not free ): icky), but the process can be replicated across most art platforms in whichever way you feel most comfy with! This is so I can time the drawings before I devote time cleaning them up-- which can make for some Pretty Funny looking little guys but theyre important!! trust!!
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Once a big sequence of shots is cleaned up (I usually do 40-60 second chunks at a time), I export the .mov and send it to my editing program (which in this case is still Premiere Pro) - and then repeat this process again and again until.. it's done??
Here's like a TL;DR list of basically everything I said summed up:
• Make a loose script or bulletin of the idea! Do your research!
• Depending on what kind of animatic you're making, time it to music!
• Make a beat board of very loose gestures for your shots, and time them - then move on to refinement & cleanup!
• Combine all shots, refine music cues and timings, add any last needed VFX, and export!
There's no secret recipe or anything, it's just learning a pipeline that best suits you, whether it is for something professional or something you want to make for fun because you just love to make!!
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peridots-pixiwolf · 9 months
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sketches from @mipexch 's whiteboard a couple days ago!!
also feat. a very small reference to @onlineviolence :]
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stabbyfoxandrew · 3 months
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happy wednesday! your writing is a treat and I hope you're having a lovely day <3
I LOVE YOU I LOVE YOU I LOVE YOU I LOVE Y- I MEAN ARSON! ARSON! ARSON! ARSON! ARSON!
WIP Wednesday (1/31) | Arsonist Neil / Firefighter Andrew AU (Part 93)
Andrew How much gas did you use? 10 Eh. Twenty bucks worth, I guess. Andrew You spent twenty dollars on gas just to burn a building? What are you, rich? 10 I'm not super wealthy, but I've got money. Besides, it was a special request, if you recall correctly. Andrew No it wasn’t. It was a suggestion. Wait. No. Scratch that. It was just an idea. 10 An idea that YOU gave me. :) Mr. Firefighter. Andrew I told you to knock that off. 10 Didn’t say I would. Andrew You’re annoying. You’re annoying and you might be stalking me. Why am I chatting with a potential stalker? 10 I might be annoying, but I’m not stalking you. Not my crime of choice. And… as for why you’re chatting with me. I think it’s because you like me.
Andrew’s eyes widen. Well, yeah. Duh. 10 is hot and witty and stupid. Of course Andrew likes him. But 10 isn’t supposed to know that.
10 Or, you think I’m interesting enough to talk to. By the way, *you* messaged me. Which means you took my number from a confidential case file. Thus, you’re the stalker.
Andrew sucks his teeth. Fuck. He’s almost got a point. But,
Andrew I got your number off the station’s phone when you called.  10 Stalker. Andrew Stop saying that. 10 Fine. I’ll say something else. I like you, too. You might actually be my first friend. Congratulations. Andrew An honor, I’m sure. 10 Mmhmm. Now, if you’ll excuse me I’m starving to death. I’m going to get some dinner. Don’t follow me. Stalker.
Andrew huffs and rolls his eyes. He sort of wishes he could figure out where 10 is going for dinner. He wants to see him again. The picture in his head may be perfect but it’s not enough. He wants to sit across from this man and talk for real. Maybe one day.
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curry-and-gunpowder · 4 months
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Okay so I have some stuff to get off my chest, might get a bit heated, but I mean no disrespect to anyone, just expressing my genuine confusion and frustration and trying to make my stance on some matters clear.
Clearly I ship Odazai. But that does not mean I reject other interpretations of their relationship. Be it platonic, queerplatonic, brotherly, it's all lovely to me - I genuinely just enjoy their unique dynamic.
However, I am constantly on the brink of losing it over hearing them referred to as a father/son pair by so many people in the fandom. And I'm gonna attempt to break down why this interpretation bothers me so much.
Firstly, it just flies in the face of my personal experience of intergenerational friendships - I'm a young-ish Millennial with many Gen Z friends. And I find it completely incomprehensible to try and force people who are relatively close in age into such a dynamic. I'm aware that a lot of bsd fans are teens or young adults who maybe don't have much social contact with people outside their age range. But as a 30+ person on the Internet, let me tell you, five years? That's nothing. The plain truth is, the older you get, the less age starts to matter. Once you get out of school, you will interact with people of all ages regularly and you will have friends who are older or younger than you and nobody fucking cares. The thought of seeing any of my younger friends as my children is, pardon my french, fucking ridiculous.
Secondly, and I've spoken about this before, the fandom's tendency to parentify Odasaku way beyond what the text ever implies. It's easy to put him into the role, considering the way he cares for his orphans. In that way, he has some parental traits - but it's only a facet of his personality, and, i would argue, one that the fandom puts way too much emphasis on, imho. I'll gladly write some more meta on that at a later time, but doing that here would make the post even longer than it already is. Just to quickly reiterate, for anyone who hasn't read the dark era lightnovel - Oda does explicitly NOT treat the kids like his children. Why then would he treat Dazai like one? Dazai, whom he explicitly invites to go drinking with him in TDIPUD? How does that track? Is he supposed to be just a shitty parent? Or could it maybe indicate that he sees Dazai as his equal more than anything?
(Tangentially, I would argue that Oda's perception of what constitutes a child/an adult is horrendously skewed, considering his own past.)
Thirdly, and this is probably gonna be the one that might get me into hot water with some people, the thing I like to call the Cope. The tendency in fandom to manifest a hard line between groups of characters that somehow should never be crossed when shipping, otherwise that makes the ship badwrongtoxic. This is a phenomenon I've observed developing more and more in recent years, and it's ngl pretty worrying, because it's generally used to present one's own ship as "superior", and all "rival ships" as less than/bad. Ships with "significant" age gaps tend to fall into that category relatively often, but I suspect very few people actually genuinely care about the characters' ages, but rather use it as a shield to justify why these relationships are To Be Avoided. Odazai is an absolute stellar example of such a ship - by all means it should be way more popular than it is, considering the themes that surround it and the way its absolutely center to the nareative of bsd. But without fail, when I look up media for the ship, be it YouTube videos or simply browsing the tag on tumblr or pinterest, I see the same mantra repeated over and over - "how can you ship them, they're like father and son!"
(I'm concerned about the relationship you have with your parents, I say to myself in response.)
And its, quite frankly, just not the case. I cannot for the life of me find any indication of this so-called parental relationship anywhere in the text. All I can see is two people who are friends who have a deep and sincere love for each other.
In conclusion, not every relationship has to fall into the category of familial or romantic. Sometimes... people are just friends. Sometimes friends are some years apart in age. It's not shocking or special or anything, it literally happens all the time.
Just let them be friends. It's fine, really, it's allowed.
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alectology-archive · 1 year
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while it’s important that rj understood how prolonged exposure to trauma would mess with you psychologically on various axes - mental, emotional, spiritual, physical - it’s also very significant that he put in the work to question and explore how people could go about healing and recovering from their experiences with a realistic attitude.
sometimes they don’t heal - they don’t understand that they need healing, dismiss their instincts, or manage to bury all the complicated emotions they’re feeling. it’s seen when mat suffers from a severe case of survivor’s guilt whenever he survives a battle, and this is observed more obviously when he escapes from ebou dar without managing to save all the windfinders; he also doesn’t have the vocabulary to express why the abuse he suffers at tylin’s hands feels wrong, and his cultural background and his tendency to lie to himself prevents him from examining why this is the case. rand is simply incapable of dealing with the sheer physical, mental and emotional stress he’s subjected to without a support system to back him up - support that he’s specifically unwilling to ask for because he doesn’t want to be put in a position of vulnerability just like mat and has a very unique relationship with the level of autonomy he’s afforded and the abuse he may be subjected to as a result of his madness - and resorts to unhealthy coping mechanisms and internalises traits that also serve as an allegory for ideologies that toxic masculinity directly feeds off of; he reacts to aes sedai very badly although he eventually unlearns that instinct; he’s extremely suicidal, and lews therin works as an indirect metaphor for depression. egwene feels the need to be in a position of power whenever approaching a certain relationship (be it romantic, platonic or otherwise) after her time as a damane, and is often uncomfortable with setting down her guard unless she trusts the people she’s working with; rj has a very complicated track with his depiction of corporal punishment but he also touches on how it enables people in power to take advantage of it to abuse the people under their control through egwene’s arc. rand specifically laments how the sort of stigma and alienation that male channelers face will never really go away because of the fear ingrained into popular belief, and that’s also a very accurate depiction of how certain mental illnesses are received by society.
but rj puts in the extra work to explore how people who have access to support systems and are on the receiving end of patience and compassion are able to get on the path to recovery. he has nynaeve & co deal with the problem of deprogramming egeanin, the sul’dam and damane who’re thoroughly brainwashed by the seanchan. juilin is able to help amathera recover by being very sympathetic to her situation and protecting her from difficult situations that could trigger her ptsd. rj specifically spends a significant amount of time letting joline, teslyn and edesina slowly encourage the seanchan channelers to entertain the idea of their ability not being a curse and to even train to control it at the white tower. the maidens are able to get a read on rand’s discomfort with the dark and small spaces post dumai’s wells and are kind enough to always leave a light on in the dark for him; they also push rand to take his meals and care for himself. the asha’man are explicitly recognised as a group which needs to unlearn some of the toxic ideas encoded in the founding principles that rand introduced. rand himself is recognised to be in dire need of help again in the latter half of the series, although we never got to see the culmination of that arc, unfortunately* - but I have a theory that his arc as a hero is tied very closely to his ability to recover from the various traumas he’s subjected to.
wheel of time takes a very realistic stance on mental health and ptsd. more significantly, it recognises that trauma might not necessarily bring about a positive transformation in a person. and that’s okay.
*cadsuane’s arrival is the only one I can’t get a clear read on, and feels so obviously doomed to disaster from the very beginning given how her personality clashes with rand’s and with her introduction with the intent of controlling rand and never respecting his opinions or autonomy - but given how she’s criticised by the narrative, I’m inclined to believe that min’s reading might have potentially been fulfilled in a bittersweet way as her readings often are. if rand learned how to embrace his humanity again, I can’t imagine that she would have ever had a part to play in it that involved compassion or understanding.
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reinabeestudio · 6 months
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Tfw the wind blows your hat away AGAIN and you gotta go find it in the middle of a blizzard atop a mountain by yourself
#pokepasta#snow on mt silver#fnf#friday night funkin#hypno's lullaby#fan art#my art#frozen red#sorry for the dumbass text AHAHAHJSBDFHJ i had to do it#chachalaco ramble incoming. you've been warned ->#trying to figure out this Red so he doesn't look like Glitchy lol#And I wondered. maybe hair looks a bit more disheveled??#since i already apply the hc of longer hair to Glitchy (but perhaps shorter ends idk)#so maybe frozen Red also has longer hair but not as much. maybe he needs a comb /j#im still giving that jacket to him btw why tf is he wearing no warm clothes up THERE!!!!#i was just thinkin about this guy for a bit... like. 3 years on a freezing mountain?? by yourself??#ik this is the pokepasta one so he just. Dies AJKNFDJKS#but idk man that utter isolation must had affected him in some way. Isn't he tired? Physically I mean. But i guess mentally too#as someone that went thru smth similar (isolation not. climbing a mountain and being there for 3 years(???). Such an experience changes you#For a very long time. sometimes even forever. it takes time to be social again and get used to people#(although in my case was 4 years not 3. not relevant tho AHAHAHJDS)#isn't that crazy too. you climb this mountain in johto and some 20 year old is already there--oh shit what the fuck the kanto champion#these thoughts can be applied to canon Red too i guess🤔 (excluding the uh. dying in mt silver part AHAHAHJDSBFHJ)#it's JUST!!! -shakes this man- for heaven's sake stop isolating yourself holy shit it's worrying#Also add the fact he's probably famous in some way right?? or at least Known. guy became Champion at a rather young age#I mean no wonder he barely talks when he's present in other games. I know its for the ''haha silent protagonist'' joke but. HMMMMMM#maybe I can self-project /lh. a silent guy that mostly communicates thru short sounds or gestures (like a nod or shaking his head)#and only actually talks when he's more comfortable with whoever is talking to him. mostly short sentence but he opens up a bit more#Oh god I went fucking. Thesis Mode on Red i'm so sorry AHAHJDSFHJDS
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1pcii · 6 months
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One piece headcanon: Zoro is POSIC+
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(POSIC+ : (the) Perception of Object Sentience, Individuality, and Consciousness)
I think his relationship and perception of things like his swords (which he see's as having distinct personalities and consiousness') aswell as his view of the going merry (chapter 327, last page) being just as sentient as usopp and luffy make it so i wouldnt consider it a streatch to interpret his character this way.
(further context) <- seriously check the tags on this out if you want a better explenation its so good.
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blood-choke · 6 months
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hi! i have a question, but before that i just wanted to thank you for giving such amazing sapphic rep in both of your games. as someone who's sapphic (Im a bi girlie) I'm always a little bit disappointed when the female sapphic characters are given not as much thought even when it comes to both female gender locked ros and the female/nb counterparts of gender selectable characters in comparison to the male characters/male counterparts of gender selectable characters in other ifs. i absolutely adore both of your games and the fact that you take such great care with each of the characters' identities, even if they share the same sexuality or gender, they express their gender and sexuality in different ways and i also love the stud rep with hana. And I love that your gender selectable ros in tnp present in a similar way regardless of gender, yet there are still differences in the way that they express it or experience it. my first language isn't English so if i get any terminology wrong please lmk. ❤️
as for my question I was wondering what your thoughts were regarding sapphic ros in IF. do you think gender selectability could be used in a better way to explore a characters' identity in some circumstances. i am curious as to what you think regarding gender locked and gender selectability especially regarding to female/nb ros. i always love to hear your thoughts on different topic so i thought i would ask. ❤️❤️
thank you so much! 💗 now, get ready for a really long-winded response!
honestly, my opinion on genderselectable ROs tends to fluctuate. it's kinda a love/hate relationship, hahaha. there are a lot of games that i think do a fine job handling it, and overall i prefer having the option as a lesbian because typically we don't… get sapphic/gay female characters… like, at all.
now for my controversial opinion: i don't really think most of these female genderselectable characters are actually sapphic. they're just playersexual. and this goes for the opposite, as well, for the male versions. they're not gay or bi they're just playersexual. genderselectable characters can only work if the author is willing to make an effort & flesh out both/all versions of a character as well as acknowledge their sexuality. if one version of the character is meant to be a bisexual woman, then you should be writing her as a bisexual woman. unfortunately i'm sad to say i've seen more than one author publicly admit that this is "too much work," but i suppose i can commend them for being honest about it…
it's been interesting to see this kind of stuff in the IF tag recently. for a while it seemed like we were actually moving more towards favoring genderlocked characters, with set sexualities, and then suddenly it feels like we've ended up in a worse spot than we used to be. i see some really egregious gender essentialism with some genderselectable ROs, down to even their sense of fashion and tattoos changing so the female version can be more feminine and dainty. it's very bizarre, and i really, really do not like it.
i don't necessarily think it's a bad thing for selectable characters to be different. it makes sense in some cases, like if you had a character that was gender nonconforming in all variations. it would make sense that their clothes would be different and their experiences would be different. i even think it can be interesting to explore how certain characters are affected differently by society because of their gender. if you had a character like Lea that existed in a misogynistic society like ours, their experience as a butch would be very different from their experience as a masculine trans man or androgynous nb person… and they would also share a lot of similar experiences, too! but this is not what i usually see. it's usually just… woman: wears pink, is shorter and skinnier, has long hair. man: wears blue, is big and muscular, has short hair. nonbinary (if there even is a nb variation): thin and androgynous artbreeder mashup of the other two. and then in every other aspect they are the same. unfortunately, that's as far as some authors are willing to take it. the rare times i do see someone add in differences it's always just the female version experiencing some form of misogyny that her male counterpart does not, with very little elaboration or reflection.
i don't really think i need to explain why that kind of characterization is a problem.
i do think there is a lot of potential with the gender selection mechanic. i've tried to do something interesting with Lea, and i like to think i've been successful with it. but in my honest opinion, if you want to write a story about gay and/or sapphic characters, you should just genderlock them. for one, the IF audience at large is always going to favor the male version of your character. that is just a fact. if your only female or nb characters are selectable, they will be erased by the wider IF audience. i know this sounds kind of cynical, but this is my honest opinion & my experience as someone who has been involved in this community for almost four years now.
i think if you are someone who is setting out with the intention of writing a sapphic RO, you are doing them a disservice by making them genderselectable. just genderlock them! you may get people that complain, but they can suck it up or go play something else. and i don't think i need to tell you this but just to be clear, genderlocking gay or trans characters is not the same as a game with an all straight or all cis cast. it just simply is not. cis, straight, & white people are already considered the "default." most games already cater to this demographic. it is not the same to genderlock or even lock your characters race or ethnicity to something other than cis, straight, or white. cis, straight, white people are not a minority. you are not underrepresented. there are millions of games out there for you to play. & it's irritating when people pretend like someone getting upset at the exclusion of gay people (or any other minority, for that matter) from a game is somehow comparable to another game "excluding" straight people (or white people, or cis people). arguing this is just blatantly ignoring the reality of our misogynistic, racist, homophobic & transphobic society. again, straight people are not underrepresented. you are automatically included in almost everything except the gay media that gay people create themselves.
gay women especially are repeatedly left out of IF. unless you want to go read yuri VNs (which, no offense, but little anime girls are entirely sexless to me. i do not feel represented by feminine, bug-eyed little anime girls) you're pretty much shit out of luck. there are very few lesbian ROs out there, fewer gnc women, almost no butches and definitely no studs that i've seen in this specific tumblr/cog IF space.
so all of this to say, if you do really want to make your characters genderselectable, then just take your time with it. really think about how their gender may change their experiences within the world of your game. does it change anything at all? maybe not. there does not need to be a drastic difference at all if it's not applicable. don't loop back around into gender essentialism. but you should still think about it, and consider what the gender selectable mechanic can offer as a narrative and characterization tool.
what is my plan for this character? what am i trying to accomplish with them and their story? does making them genderselectable add to that narrative or does it hinder it? how can i explore the potential differences between these versions of this character without falling into and reinforcing harmful stereotypes? how does their sexuality impact their experience? i think these are some of the questions authors should ask themselves when deciding if they want to make their characters genderselectable.
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detransraichu · 21 days
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damn son I'm literally a transandrophobia poster and I routinely rail against TIRFism and even I think your takes are wack. "AMAB privilege" GTFO with that man. we can lift up transmasc voices and promote trans unity and talk about radfem ingression into trans spaces without making this another AMAB/AFAB oppression olympics thing - that was the whole problem, we should be doing the opposite. stop taking words like TIRF and pretending to be against radfems when you're eating their talking points for breakfast
tirf means trans inclusive radfem, so tirfs actually are radfems! i am one myself. terfs aren't actually a thing - there are definitely transphobic radfems, but radfeminism includes ALL afab people, transmascs included. i'm still veryyy critical of how many handle trans issues. i reblog as much material as i can for my book, which very often includes not-so-kind terms/phrasing, but i do try to use language as respectful as i can in my own posts so i can have actual conversations with trans folks and trans activists, including saying amab/afab and agab instead of male/female.
i do believe that transfem people face unique oppression on the complicated axis of what ppl call transmisogyny. which imo is mostly a mix of sexism and homophobia if someone knows that person's sex/agab, mixed with conditional misogyny if they pass and live their life as afab. if they're outed as amab, they're seen as a gnc man again and with all the violent sexism that comes with that. it's a very complex form of oppression. i know they go through a lot of unique trauma, i'm not denying it.
but i also believe that afab people are uniquely oppressed as well.
if not, then what do you call this if not unique oppression? forced impregnation, abortion/pregnancy issues, period tax, lack of menstruation/uterus research & resources, afab bodies being under-represented in medicine which causes horrific things to happen, afab babies being aborted or killed at birth for being born with a vagina (afab) bc they're seen as lesser, afab upbringing coming with very unique experiences that amab ppl for better or worse will never understand (it is NOT a fucking privilege fuck you), being born with a body type that is very obviously vulnerable against people with penises sexually due to people with bio dicks feeling genital pleasure when they stick it in something, and god knows they will not give a shit about the person below them (look at fucking nature documentaries!!!). they will take off the condom. they will pressure ppl to do anal or give painful blowjobs. they will be creeps or jerks about pregnancy. they will generally put penises above vaginas and amab rights over afab rights, and this shit is DEEPLY ingrained in society. transfems being able to transition is very new, meaning that although they had many struggles before, they were not treated as female and had that (perhaps painful) privilege for MOST of human history. this meant being allowed to open a bank, go places without a husband, not being forced to be impregnated like cattle, not being forced to be a mother stuck in a kitchen, and having SOOO much more generational wealth at their disposal. afab ppl reading abt historical afab oppression is upsetting in a way that transfems will never fully be able to relate to. afab people have a deep, rich, unique culture and faced trauma for thousands of years and us being afab is not a privilege!! we have the privilege of not understanding transfem issues, sure, like a woman not being a lesbian won't face lesbophobia. but then again male-attracted women face violence from men in a unique way!! it's complex af when you're already marginalized
most ppl have an agab-based sexuality too, cis men included, meaning afab ppl are the ONLY *INTENDED* target of cis men's lust and sexual violence and whatever misogynistic bs they say about women, since most cis men are heterosexual. amab ppl face it, and it fucking sucks for them too, but they also only face it conditionally - the very second the cis guy realizes the person is amab, the usual trope is them throwing up thinking back on how they kissed and wanting to punch the "crossdressing pervert" EVEN if the transfem had every surgery possible and looked totally afab. they lose attraction, usually anyway, and physical violence linked to homophobia and gncphobia is the danger transfems then risk. which ofc is absolutely horrible, it can be life-ruining. but not an afabmisogyny experience. they aren't unconditionally sexualized. they are mistaken for afab due to all the surgeries and hormones they took. it's misdirected afabmisogyny due to ppl assuming they were born with a vagina and went thru afab puberty. and then harming them bc they see afab ppl as sex objects and dumb bitches, they see us being born and raised afab as a weakness. they hate us and want us for our sex/agab. most misogyny is about specifically afab people! and yes transmisogyny sucks, it should be called out too for sure. but when fem transmascs pass as transfem post-transition they always are open about experiencing misdirected transmisogyny and talking abt transfem rights etc etc. why can't transfems do the same with cis women and transmascs?? why can't they talk abt how transmisogyny & misogyny against cis women are both bad in different ways? it's always them being victims vs those evil privileged bitches!!
and not just quickly mention it but ACTUALLY speak up about it, uplift afab voices, and be genuinely good afab allies? where are the posts from transfems calling out transfems' afabmisogyny? why can't transmascs or cis women write posts abt it without being met by death threats and terf accusations? i know you think you can only further transandrophobia discussions by tiptoing around the existence of afab-exclusive misogyny. i know talking abt transmasc-unique issues already leads to insane amounts of bullying from afab & transfem folks. but i'm tired of transfems getting away with shitty behavior. i'm tired of cis women being only seen as oppressors against transfems. something needs to change. i truly believe that radfeminism isn't a lost cause, and in fact there are more and more transmasc radfems, and even transfems who are strong radfem allies. people are finally waking up to the realities of afab oppression!! they're finally embracing nuance!
misogynistic behavior from transfems gets brushed under the rug and them being amab is seen as completely irrelevant, anyone bringing it up is a bigot, while afab folks are more than open to their agab being a factor in conflict... it's unfair. as you've shown, transfems and the ppl speaking for them refuse to have nuanced talks abt afab oppression, they view it as "omg we're all oppressed!! shut the fuck up theyfab go bootlick those privileged cis cunts! no one wants to hear about your issues for longer than a minute, only listen to MINE!! being afab is a PRIVILEGE i didn't get to grow up afab stop rubbing it in my face!!!" what sucks is that transfems and transfem allies used to be soooo much more respectful of cis women and transmasc people's rights too. literally NO ONE used to say that being afab genuinely meant you got benefits in society. no one. like holy fucking shit. the past 20 years has been a fever dream!!!
i'm 100% for transfems living their best lives, transition included, and i've heard many horror stories of transfem-specific experiences i'll never truly understand. but it's not a strict oppressor/oppressed dynamic all the time. just because you're not oppressed on every axis of oppression ever doesn't mean you have no struggles. it's fucking insane that i keep needing to explain that to people, like oh my god do y'all not understand that someone can be both privileged and disprivileged in society in different ways, and might need to both have their voices boosted sometimes and ALSO need to take a back seat other times??? this ain't us cis radfems OR transandrophobia activists just playing oppression olympics. this is an oppressed group talking abt their unique struggles and being mocked to hell and back. and it's sad that it's seen as catty and selfish and bitchy. but as an afab woman i'm not surprised lmao.
and yeah you might speak on transmasc issues, but do you speak on afab rights? do you call out misogynistic bullshit that transfems say about cis women too? do you speak on cis women's oppression as well, about how they're oppressed by amab people too and are oppressed in a different way than transmasc or transfem folks, for being afab and ALSO identifying as women? do you mention how afab people are a uniquely oppressed class of people, or are you too scared of stepping on transfem toes bc they're seen as the top of the oppression pyramid and will harass you off the site?? why is saying that amab people as a class have privilege over afab folks on an oppression axis controversial? what about that feels like an attack?
if you're transfem or otherwise are amab and live perceived as afab, and you aren't afraid to recognize that afab oppression is its own thing and deserves its own voice and its own movement, ily bestie. i see you. i see more and more of you lately and it warms my heart. we aren't enemies, we can learn from eachother. thank you for working thru that initial knee-jerk reaction and learning to be a good ally to afab folks. i wish you the best <3 and if you're transmasc you DESERVE to have your voice heard too. you deserve to speak on afab rights and for transfems to want to be good allies to you too!! ALL afab people have unique voices that need to be heard for once!
#asks#this was long af sorry i went off lol#i understand your pov anon bc i had it even just a few years ago i was overprotective of transfems#i acted like afab ppl had talked enough and should stfu like they were the lowest bar of oppressed in society#that transfems had it worse by default and any talk of afab rights would make them dysphoric esp if transfems weren't centered#but EVEN THEN even when transfems are mentioned in afab-specific issues they STILL get mad#it isn't an amab/afab oppression olympics thing#and it's so childish of you to draw that conclusion#but it makes sense bc it's the current sentiment in trans spaces. any talk of afab-only issues makes ppl uncomfortable#any talk of transfems not only being the oppressed but also the oppressor class on a different axis makes ppl foam at the mouth#meanwhile afab ppl in general are more than happy to recognize they're privileged on another axis of oppression generally#why is that?#i'm tempted to say amab upbringing (and afab upbringing making ppl want to shield others at all costs esp amab ppl)#but i know now that i said it ppl will be even MORE pissed off#idk. i'm so glad i started recognizing my own afab oppression as mattering too. that thing where women are seen as talking so much more#than men even though if they talked the same amount? yeah. that still impacts things like this lol. identity doesn't change that#idk. respect one another and give equal space to all marginalized folks. simple easy and free!! and yet!!!#lay text#my words#radblr
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velaraffricate · 7 months
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Hello everyone! In this post I'd like to share the writing system for my conlang Ke'eloom. It's a featural alphabet and traditionally written with a chisel tip pen. The vowels are written underneath the consonants, but in syllables with zero onset they appear alongside them in their larger forms. Diphthongs are written next to each other, but the symbols for long and glottalized vowels are written underneath the vowel letter. Punctuation marks attach to the bottom of the last consonant. Ke'eloom also uses a base seximal number system.
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(mb, nd, ŋg are /ᵐb ⁿd ᵑg/, ñ is /ɲ/ kh, gh, sh, and zh are /x ɣ ʃ ʒ/, ë is /ə/, the apostrophe is a glottal stop)
And here is a text written in ke'eloom!
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Thanks for reading! The translation for the text is under the cut, it's the fable of the crow and the fox.
On a sunny morning, a crow stole a small cheese and sat upon a branch to eat it. A hungry fox came by, and, upon seeing the crow, began to flatter it. It told it, you have such beautiful black feathers! I've never seen a beak so shiny and eyes so wise! Will you please sing me a song so I may hear your divine voice? But as soon as the crow opened its beak, the cheese fell to the ground. The fox picked it up and quickly ran away.
dzhëzba liaro, kraa nisotaikhe rokhaku vin zhobëba vaku, ganë mai she go'ofe. ko'os ŋoeŋro tiñaku, vin dëndë kraakhe ndisalku, zhigh dzuukuri. zhigh ndisava'aku, ëmbe'ekha eghoaŋ vin ekaŋga tshasoŋa! ti'irkhe etshli'imë vin uhekhi enala okorealaŋa! kit laashkhe khoksa tshalaasaŋabëŋat, otugan tsaukhe khonsa tshal rëgheŋaho? ghits ehëfs kraa ti'irkhe zhiil zudaku, niso vimbëhëŋ tshuuku. ko'os maakh shanku vin si'ilain ŋaaba kikaku.
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