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#its like. this time around i actually Perceived them. and not watched them like. every time liv looks at el its like. she cant believe it
ohtendril · 3 months
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two of you. always in sync
#you know what i wasnt gonna do this but i rewatched prodigal son and uh. some of the frames made me crazyyyy this time around#and i love imagery it has to be said#its like. this time around i actually Perceived them. and not watched them like. every time liv looks at el its like. she cant believe it#like she's looking at a ghost. like he's gonna disappear any second#and at the same time. she can barely look him in the eye. she looks at him when he isnt watching. lest he sees. lest he recognizes her#and what shes feeling. lest she recognizes that he still knows her and *sees* her even after all this time. and she cant have it. she wont#so she watches him and observes him like shes both memorizing him and recognizing him.especially in that interrogation room... fuck me bro#that metaphor. of her standing right between el and the suspect. up against that mirror. and we're seeing her reflection.#the present liv the captain watching like a hawk and the past liv. right behind her back in the room with el sensing him and seeing#him getting ready to pounce. like the shot of her with el's fists in the background. oh mama. she just knows “do you need a break detective#and then them being literally divided in some of those shots. by the window binds by kathy and space and actual doors#(and her sliding those doors in the first place and then watching from the other side and the cut to her again watching through the door an#OPENING IT???)#and i havent even talked about el lmao. but it's svu it's supposed to be liv centric (well) but anyway#i havent essayed in the tags in so long i forgot to tag this in the beginning oopsie daisy#svuedit#bensleredit#eo#lawandorderedit#svu#benson x stabler#*mine#*svu
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writingseaslugs · 2 years
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Diasomnia Romantic Headcanons
Writing Diasomnia was a struggle. I even read up to the first chapter of Book 6 and all their Vignettes and still had some trouble. I love them all, though. Also big shoutout to @treysimp for helping me with Sebek. They explained their thoughts on him, which helped me get the writing flow going. 
A quick heads up when it comes to Lilia’s last bullet point…this is a headcanon. It’s how I perceive the character going off what he says in-game. I go into a little more detail in my post about how I see the world, but ya. Just a heads up, I think Lilia can change his form, and the one he presents in the game isn’t indeed what he looks like.
Disclaimer: All characters in this series is aged up. For more information about my version of this world and the type of reader you can expect, please do a quick read of THIS post. Beta read by Grammarly and it’s trying its best.
Heartslabyul | Savanaclaw | Octavinelle | Scarabia | Pomefiore | Ignihyde | Diasomnia (You’re Here)
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Romantic Headcanons
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Malleus Draconia
Malleus is originally going to find you interesting in the fact that, unlike every human on campus, you hold no fear in your eyes when you first see him. To you, he was just another mysterious student on campus. You even gave him a nickname that, to most, might’ve been embarrassing, but to him, it just meant you didn’t know who he was. He can just talk to you freely, which is like a breath of fresh air for him…he almost doesn’t want you to find out who he really is at first, but that feeling would probably quickly leave him. If this child of man was afraid after hearing his real name, it isn’t worth his time.
Your nightly conversations outside of Ramshackle dorm are going to slowly evolve into walking around campus with Malleus under the cover of shadows. You never run into any students on these walks, and Malleus is more than happy to tell you about every single Gargoyle there is on campus during your walks. He even points out a statue or two that’s supposed to imitate the Gargoyles to create symmetry but doesn’t actually serve any purpose. You’re going to be finding out a lot about the school, but that’s fine. His voice is so soothing you could probably listen to it all day. You find it odd when he begins guiding you in a different direction on your walks, almost as if he’s trying to avoid someone.
Malleus is going to realize he has it down bad for you at the festival when you discover who he actually is, only to immediately continue calling him by that silly nickname you gave him. He’s more than happy to let you continue using it, don’t get him wrong; he finds it wonderful that your demeanor didn’t change. His feelings for you only begin to increase, especially when he forges a nightly visit, only to have you at the door of his dorm asking to see if he has time for an evening stroll. It was then that he realizes that this child of man is something else.
Malleus has an imposing aura surrounding him at all times, which wards off anything from trying to cause you any harm. You’re one of the most protected students at the school at this point. Of course, Lilia will also be watching over you from the corner of his eyes when he spots you in the hallways. Silver and Sebek will also be careful around you and stop anyone from trying to cause a ruckus. Nobody at the school knows why these three members of Diasomnia are now so protective over you since it’s not exactly common knowledge that you’re one of Malleus’s close friends.
Despite Malleus knowing he seems to like his child of man, he probably won’t be doing anything about it. Lilia had always spoken about fleeting crushes and how they develop, and this is what Malleus assumes it will be. A simple “crush” that he will soon get over and continue being friends with you. He’s mainly going to be thinking this way because he simply doesn’t know the first thing in courting a human or how they show their affection. To him, you’ve never once shown romantic interest, and he’d rather not push that on you if you weren’t interested. Lilia is the one that has to point out to Malleus that the human is very clearly interested in him and almost breaks out a power-point of all the times you’ve seemingly done something to flirt with him, only for him to think of it as a friendly human gesture.
Once he’s made aware of this fact, he’s going to begin courting you in a more fae-like manner, which can be very confusing for you. Once again, Lilia is going to have to jump in. It’s almost painful for the “old man” to watch this awkward flirting where neither party realizes what’s going on. Lilia will probably corner you and explain flirting with the fae, and once it clicks, it’s go time. The easiest way to let Malleus know you return the feelings is simple. Either flat out tell him or ask him to lean down closer so you can tell him something, then grab the lapels of his jacket and give him a kiss. It’s very clear in the message you’re sending.
Malleus is going to always have some form of physical contact going with you when you’re together. Normally it’s a single hand on you, on the small of your back, as he guides you places. Sometimes he requests your hand, or he lets you hook your arm around his as you two continue. When you’re sitting there, one hand might be on your thigh, mindlessly rubbing circles into it. He enjoys holding these small moments of contact with you, and feeling your warmth radiating gives him a sense of calm.
Since Malleus is normally never seen outside of classes, people don’t know you two are going out. Even if you mentioned dating Malleus, students would laugh in your face and call you a liar. Not like it really matters to you whether they believe you, but if they were going to laugh, then why ask if you were seeing someone? Everyone sings a whole new tune one day when you ask Malleus to walk you to class since you wanna see him more in school. He always holds his arm out like a gentleman for you to grab onto. Everyone in the hall is going to be staring in shock until Sebek begins shouting and biting their heads off while Silver tries to reel him in. Despite all that, it still makes for a pretty cute scene in your mind.
He is very much in love with giving you kisses all the time. Sometimes just quick pecks when he sees fit or a kiss on the hand or forehead. His favorite is bending down and tilting your chin to meet his own. Leaning over for a kiss and barely brushing your lips before standing back to his full height. Nobody is taller than Malleus (and if you are, praise be). So there’s a good chance if he teases you with a kiss and then stands up, you’d have to climb that man like a tree to get a proper smooch for him. If you actually attempt that, he’ll be laughing at you before helping support your weight as he picks you up and smothers you in kisses.
He’s very much into physical touch, so cuddling is going to be something to get used to. He might bring one of his special pillows and keep it over at Ramshackle for his horns. Either way, he’ll be pulling you against him, either spooning you, letting you spoon him, or his personal favorite, laying on his back with you pulled on top of him, your head resting on his chest. His chin will be right on your head while he holds you and talks about his day, or he partakes in his favorite activity, which is listening to whatever crazy shenanigans you’ve been up to. He’ll do this until you’re asleep on him and just spend the night. He knows Lilia will deal with his overprotective bodyguards.
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Lilia Vanrouge
Lilia was intrigued by you at first. This little human is now taking residency in the old abandoned building with no magic and a monster as their only friend. Not to mention how easy it was for him to scare you the first few times with your lack of knowledge of magic. Teleportation was a new concept to you, and Lilia loved to use it to spook you. He had been serious the first time he met when he offered you a spot at the table to talk to them. He just never expected that this jumpy human would soon be the object of his affection, but when Lilia realized the feeling inside his chest, he knew he couldn’t deny it.
At first, nothing is going to change with him and how he acts around you. The only real difference is coming over to you more and more often. Popping up behind you and teasing about how easy it was to startle you. Even playing mind games and sometimes tricking you. He founds your reactions to always be refreshing, especially your problem-solving skills. While most students would default to using magic to solve their problems, you had to actually use your head and figure them out. So riddles and mind games were a personal favorite of Lilia’s to try out with you.
Soon Lilia will be inviting you to the dorms more and more often. Normally under the guise of how it’ll be fun, and maybe you could try out some of his newest creations. Not to mention Malleus has taken a liking to you, so of course, it makes sense to visit the dorm where it’s safe. Just be expecting that whatever Lilia offers you that day, whether it be a board game or him cooking…that’s going to happen. So on days he offers to prepare you a home-cooked meal that he slaved over…maybe avoid visiting. Or do and try your luck and not die. Maybe you could convince him to let you cook with him and try to salvage whatever atrocity he’s trying to whip up.
You’re not going to realize it until it’s too late, but Lilia has been slowly making you swoon this entire time. Even those soft and lingering touches will be melded inside your mind for quite a while. Once Lilia notices that you’re finally falling, he’s going to keep teasing you more and more. He’s going to make it so obvious that he’s clearly in love with you that even if you’re the densest person on the planet, you’re going to know. He won’t confess, though. No, he’s going to keep this up until you reach a breaking point and confess yourself. Just expect him to call you cute and squish your cheeks before kissing you in a response to your heartfelt confession.
Be prepared for even more teasing once you’re in a relationship with him. His biggest source of entertainment is to make you as flustered as possible. He finds you too cute to not tease you all the time. He’s also going to make fun of how you’re clearly into older men and will verbally ponder if he needs to be worried about you being around Trein since you “Clearly have a thing for Dilfs.” It’s okay to smack him for that, or you can just go along with the teasing and inform him that you’ve only had “fleeting thoughts” about doing that. Those responses are why Lilia fell for you in the first place, after all.
Depending on his mood for the day, he might offer you up his arm in the hallway when walking with you to classes. On other days, he might be the one clinging to your arm. It really does depend on a day-to-day basis. If you’re shorter than him, he might make it difficult to walk by being right behind you with his chin on top of your head. Your feet will practically be on top of his as he guides the way and laughs at your struggle. If you’re taller, then he’s going to be floating to do the same exact thing, but he might float just a bit higher to rest his arms on top of your head as well. Might even pinch your cheeks if you’re frowning at his antics to get you to laugh along with the ridiculous scene.
Lilia is going to be playing a game with you where he tells you some outlandish story from the way in the past and then asks if he was telling the truth or not. He’ll be on his toes as he awaits a response, wondering if you’ll guess right. The trick is that he’s always telling the truth. All those insane stories, you sit there thinking, “No way this happened in history.” Did indeed happen. He might even have a few photographs to show you. His stories never cease to entertain you, but you wish he wouldn’t tell you random facts about a period of time when you’re also learning the same thing in history. Not because they’re not fun stories…but when you take the test and realize you have to struggle between written history and Lilia’s memories…well, it can get muddles in your head.
Upside-down kisses. The bat dad is going to sometimes pop up upside down in front of you only to give you a smooch before leaving. You’re always going to be in a daze when this happens, and if it’s in front of your friends, they’re going to be so confused as to what they witnessed. Lilia is very much into PDA, but he does remember to keep it appropriate. He won’t be stealing breathless kisses that leave your legs feeling like jelly in public. Small kisses, though, or wrapping an arm around you are on the table.
He’s big into cuddling with you. At Diasomnia, it’s either you’re in his lap, or he’s in your lap. The same goes for Ramshackle, and his favorite moments are getting to go to bed with you while you’re in each other's arms. Lilia tends to cling to things in his sleep, so even if you are asleep on opposite ends of the bed, in the morning, you two will appear more like a pretzel. Sometimes you’ll even go to bed alone, and in the middle of the night, Lilia teleports into your room and crawls under the covers with you. Waking up to his face when you know for a fact he wasn’t there when you went to bed can be shocking, but not unwelcome at how peaceful he looks asleep (even if he’s a big faker because we know he woke up the moment you shifted).
It’s known that Lilia likes to use his boyishly good looks to get things, and most of the time, he’s just playing around. When he mentions he can change up how he looks at will, it makes you wonder a few things. Mainly if this cute boyish look he’s got going on is what he really looks like. Voice it, and he’ll laugh before dragging you to his room and making you close your eyes. When they open, you’re going to notice a few things. Number one, his hair is surprisingly long. Number two, his features are a lot sharper, and instead of boyishly good looks, he now has a more regal appearance. The most notable difference? Lilia…are you the same height as Malleus…or are you taller?
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Sebek Zigvolt
He’s not going to realize he likes you at all. He just assumes that his heart races when he’s around you is an adrenaline response since normally when he’s with you, something always happens. He just assumes his body has adapted to it. Is his face going red when you compliment him? Clearly, you have some sort of cold, and you’ve managed to give it to him in .5 seconds, and now he’s ill. It’s not a blush, he’s burning up from a deadly fever that you give him whenever you’re around that also happens to go away when you disappear. Perhaps it’s a curse of some kind. Clearly, it’s not his own infatuation with you.
Oddly enough, it’s not Lilia who has to interfere this time around; it’s Silver. It’s painful for everyone close to Sebek to watch the utter denial he is in at having a crush on you. So Silver is the one who explains to Sebek that you don’t have a fever curse cast on you, and it’s not adrenaline that he keeps blaming it on. He simply has a crush on the Ramshackle prefect.
Even more denial over the fact that he’s crushing on a magicless human. How could he fall for someone like you? I mean, sure, you’re amazing, always in his corner, don’t tell him to shut up (might ask him to lower the volume but never in a rude way), and is fine when he trails after them like a lost puppy. He’s realizing maybe this is how his mother felt when she met his father. He’s also in a conflict about how being in a romantic relationship would drag him from his duties of being Malleus’s bodyguard, but Lilia is quick to explain even Knights are permitted to have a love life.
When he decides to finally try to “make you swoon,” as Lilia so kindly refers to it as he’s going to be awkward. It’s almost like a mission he’s just accepted where he has to win you over. He’ll try to hold doors for you but use a bit too much force and make the door slam against the wall as he awkwardly shuffles out of the way to let you pass. He might even try compliments, but they’re going to be the weirdest thing. “Ah, the cowlick on the back of your head is extra springy today!” He is trying.
Sebek’s confession will most likely be accidental. You two are just hanging out, and you ask him why he scared off that group of Savanaclaw students that, in hindsight, were trying to pick a fight with you, but you didn’t notice the hostility due to being used to it at the school. He’ll comment about how “If a knight can't even protect the love of his life, how can he protect his own master?” before realizing what he said. Want to make the poor boy malfunction? Grab his tie and drag him down for a quick kiss and tell him you love him, too, as your lips are still brushing against his own. His brain might stop working for a while. You might need to call Lilia because you broke him.
What he lacks in experience, he makes up for in spirit. He is always honest with you, even if you don’t want him to be. The good news is, most of the time, it’s very good things he’s commenting on. He’ll comment if you look breathtaking one day or how your eyes have a spark that he adores. He’ll also comment that the drool on your cheek when you wake up compliments your drowsy expression, though, so just be prepared for those awkward compliments. The good news is he is loyal to you, so you never have to worry about him hiding something.
PDA is considered inappropriate in his eyes, but he sees no harm in escorting you to your class after he finishes making sure Malleus is safely on his own. Might even have you tag along on his duties protecting Malleus, which you never mind since Malleus is also a good friend of yours, so it’s like a mini group hangout. Once Sebek’s master is gone, though, he’ll shyly offer his arm for you to hold onto and takes you to your class. If you give him a quick peck on the cheek, he won’t bite your head off, but expect to have his staring with wide eyes as you enter the classroom, a hand on the cheek you just kissed, and cherry red in the face.
Overnight cuddles are almost exclusively set in Diasomnia. Sebek needs to be close to Malleus if he needs protection, and he feels like he can’t do that if he’s always staying the night over at Ramshackle dorm. This is fine, though; his bed is more comfortable than your dorm's. The only issue is sometimes when you’re talking late at night, his volume might rise to a shout and disturb other residents. Lilia might gently urge him to visit you at Ramshackle and assure Sebek that he will personally guard Malleus that night, so there’s nothing to fear. Since it’s only Grim in Ramshackle, it’s fine to be a bit noisier as you talk about your day, so that’s a bonus.
He’s now going to be the guard dog of two people, and students are going to realize this very quickly. If Sebek isn’t with Malleus, then he’s going to be right next to you. If someone looks at you wrong or treats you with disrespect, they get an angry crocodile to deal with. Thankfully, he’s easy to reel in when worked up if you just place a hand on his arm and tell him it’s fine and to go somewhere else. He’ll always respect your decision and leave the student with a warning that if he tried that again, he wouldn’t let it go so easily.
Sebek is going to be stiff and awkward with the display of affection. Compliments come easy to him. He just speaks from the heart. Wrapping his arms around you and nuzzling his face into your neck? That’s something he isn’t used to doing and will take some warming up. Be the one to initiate it the first few times in private, and he’ll be better. Might even be the main instigator when it comes to kisses when it’s just you two. They’re always gentle as well; he enjoys cupping your face in one of his hands and drawing you in. You can always feel his smile against your lips as he pulls away from you.
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Silver
Silver is going to slowly realize that he’s falling for you. The first sign that he might like you more than a friend is when he realizes he’s a little more awake around you. He doesn’t find himself growing as tired and getting into one of his sleepy spells. He’s just going to be a little more alert hanging out with you, almost like he doesn’t want to miss a single moment of your time together by falling asleep. His body's unconscious way of informing him that he likes you.
This isn’t to say he’s not going to be napping around you. Whatever condition he has won’t magically disappear once he falls in love; it just isn’t happening as often if you’re in the room. When it does happen, he feels comfortable enough to lean against you and doze off. If you offer your lap for him to sleep in while you’re reading or studying, he’ll be grateful and take you up. He’ll be out like a light but definitely dreaming about you. Run your hands through his hair, and he might even find himself nuzzling into your touch while still asleep, something that is honestly adorable.
Lilia is the first person in Diasomnia who realizes that Silver is in love with you and fully supports his son’s decision. Lilia has seen how you treat Silver, and he couldn’t think of a better partner for his son. This doesn’t mean Lilia won’t be teasing Silver about his crush. He’s even going to be inviting you over to the dorm for some tea and snacks after class as he tries to wingman for his son. Not that Silver needed it, but he doesn’t appreciate having more time with you. However, Silver is going to warn you not to try the snacks if Lilia made them. He doesn’t need you dying on him.
Cuddling is a step that will be happing before you enter a relationship with him. Yes, he’ll be asleep on your lap, but sometimes it’s more than that. If you two are studying in your room, sitting on your bed, and he grows tired, he might wrap his arms around your waist and drag you down for a nap. It’s a much-needed one, in his opinion, with how much you’ve been pouring over your books for the last few hours. Besides, he’s great at cuddling and will drag you against his chest and prop his chin on top of your own as he falls asleep. His soft hair might tickle, but honestly, he has a faint scent of lavender on his skin that lulls you into a deep sleep as well.
His confession is going to initially be an accident. You’re going to be at the dorm, and he’ll be leaning on your shoulder after falling asleep. He’ll murmur your name, and you think for a moment he’s woken up but looking at his face, he’s still passed out. He’ll murmur a small “I love you” in his sleep that is sure to set anyone’s heart pounding. Later on, when he’s awake, if you ask him about it, you’ll notice his cheeks becoming a bit pink as he explains he meant to tell you properly sometime in the next week, but this works as well. It’s a cute and genuine way of confessing.
He’s still a well-trained bodyguard, so expect him to have a protective side for you. When he’s not guarding Malleus, he’ll be more than happy to hang out by your side. He’ll be like your own personal escort to and from classes and even offer to walk you home at the end of the day. You want to go shopping, but it’s getting dark outside? Don’t even think about it unless you’re calling up Silver to see if he’ll be able to go with you. He likes protecting you, which gives him a little pride whenever you ask him to go with you places. He knows you’re probably perfectly safe on campus, but he still enjoys doing it. Maybe put his training to work when you get in a small scrap with students in another dorm.
Silver is a little indifferent when it comes to PDA. He doesn’t like or dislike it; it’s just part of the relationship. Or so he says, but he will melt when you hold his hand walking through the school. Small but lingering kisses are also something he adores, and the small pink tinging his cheeks is enough to let you know he’s not totally indifferent to those things. He might even initiate them himself, but he definitely prefers most things behind closed doors. He doesn’t like it when others can see those flustered expressions you make when he wraps his arms around you and drags you close, cupping your head and pulling you in for a series of small kisses. Those are for his eyes only, and he’s planning on keeping it that way.
Come spend time with him while he’s training. He might not be a showoff, but he won’t be opposed to you seeing his skills with a sword. It’s something to swoon over, and Lilia always is telling him that people like others who have special talents. Not to mention he’s a different person in training; you can’t keep your eyes off him. The way his body moves in instinct alone is impressive. He’ll also see if you want to join him for his club activities and go on rides with him. He’s going to find the most sturdy horse, so it’ll have no issue holding the two of you.
He’ll often find himself going to bed with you. It’s a calm and peaceful time; he really likes it when he can stay awake longer than you and just see how peaceful your face is. He’s been told by others that he has a certain beauty to him when he’s asleep, and he always thought it was odd. Seeing you like this changed his mind. He can see the appeal of how relaxed your body and face are. He also loves early mornings, especially if you wake him up with small kisses along his cheeks and neck, maybe a few on his lips. You being the first thing he sees in the morning while the sunlight is beaming down on you? Best wake up.
You’ll be dragged to his table for lunch at least once or twice a week. He understands you have friends and won’t pull you away from them, but he does enjoy you having lunch with him and his other dorm members. The Diasomnia dorm is his family, both literally and figuratively. He wants you to be close to the people he loves most. He always gets the same thing for lunch since it’s his favorite, but he doesn’t mind if you offer him a bite of whatever you’re having. He still wants his favorite meal, but a bite or two of something different helps expand his palette.
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yanderedbdimagines · 4 months
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Hi dear, i have a special request. What about yandere Entity with a reade who find a way to escape. The Entity obvious don´t whant them to leave. <3
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Creative ask! Underneath normal circumstances, I believe that it’s basically impossible to escape the Entity, so I had to get creative xD I hope that the method of escape I picked is lore-friendly enough! And I hope you like it as result!
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The Entity
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The Entity is a mysterious force that lures unsuspecting souls into its realm. Souls that have often been tainted- touched by death’s essence.
To the outside worlds- past, present and future, alternate reality or not, it is but a myth. A whisper in the dark. But to most of those who find themselves trapped within its grasp, it is a nightmare made into reality.
You stumbled into this otherworldly domain after the death of a loved one, drawn in by an eerie curiosity just outside of the crematorium center that soon swayed you into the unknown through a trick of the eye.
Little did you know, your mere presence instantly awakened the Entity’s interest, and eventually its possessive nature, after you started traversing though the fog- eventually trying to find a way out. 
At first, the Entity appeared as a benevolent guide, offering solace and shelter in its strange realm from dangers you could sense, but never see. Yet, behind the veiled kindness laid a sinister desire to keep you captive, to possess your every thought, whim and every little part of your being. Your soul especially.
You quickly realized the Entity’s infatuation, its twisted affection made further prevalent after you accidentally stumbled upon a haunting replica of your own past. A memory made physical, but never real. The people you cared about weren’t there, and the animals you did see just didn’t look alive. As if they lacked heart. 
As the night stretched ever endlessly, you came to yearn for freedom- for a way out of this suffocating imprisonment. With every attempt to escape, the Entity's affection morphed into perceivable fury from the surrounding environment, its once soothing whispers turning into menacing warnings. You knew the risks, the danger of crossing such a mighty being, but the desire for freedom burned brighter than any fear. Even though you were still unaware of the realm's true purpose, its minions, and the actual victims trapped within.
Through sheer determination and cunning, you eventually pieced together forgotten fragments of lore and ancient whispers, not only revealing to you the realm’s true nature, but also uncovering a hidden passage that promised escape after a long time of searching. With a pounding heart and trembling hands, you set your plan into motion, long since haven found a way to evade the Entity's watchful gaze by using a strange yellow flower that oozed with a fluorescent yellow substance.
In the distance, near a tunnel made up mostly of stone bricks and various human body parts in different states of decay, you eventually found this potential way out. And it was made further evident as the yellow ooze’s potency sharply reduced after you jumped through the black mists that originally blocked up its entrance.
The escape was fraught with peril, every step echoing with the Entity's enraged cries and your nose tormented by the constant scent of decay. Shadows and mist alike twisted and writhed, attempting to ensnare you, but you pressed on, fueled by the flickering hope of freedom as you warded it with the unusual flower’s nectar. As you neared the exit, the Entity's desperation peaked, unleashing its full wrath upon you, a whirlwind of dark energy and desperate pleas. Even the unspoken threat of using the killers against you as you heard the rearing of chainsaws and the bone chilling screams of monsters echo from all around you.
With a final surge of willpower, you broke through the threshold, a familiar world outside welcoming you with open arms. Gasping for much needed air and a heart pounding wildly, you glanced back at the realm- a large hole in the surrounding morning mist that seemed to collapse in on itself. The Entity's form flickered beyond it in the distance, a mix of fury and heartbroken anguish etched upon its fading shadows- writhing in on itself.
You had escaped the clutches of the Entity, but its haunting presence always lingers in your memories. The chilling whispers and phantom touches serve as a constant reminder of the harrowing ordeal. Yet, with each passing day, you have found some solace in the newfound freedom, vowing to never forget the haunting dance with the possessive being that may almost have claimed your very soul, and to make sure that you’d never fall into its shadows ever again.
After all, despite your escape, the Entity persistently seeks ways to reclaim its hold, attempting to ensnare you from afar—a chilling reminder to remain ever vigilant against its unseen clutches.
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dumbbitchenergy17 · 9 months
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Clan of Three - Chapter 21
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Chapter Twenty-One: The Spies
Plot: A Mandalorian, an infant with a history of the jedi, and a teenager with similar powers and a heavy role to bear. Now reunited their journeys across the galaxy are just beginning to complete their final mission.
Word Count: 8K
Pairing: Father Figure!Din Djarin x Platonic!Teen!Reader
Warnings: fighting/violence, injuries, some wholesome moments, father-daughter moments, character death, massive angst, PTSD, just really fucking sad and depressing
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An evil out in the galaxy, the remnants of a destroyed empire forced to hide in the shadows slowly rebuilding until they can make their return. A man in imperial armor flanked by several soldiers wearing white armor and red sensors. He enters a laboratory full of tanks holding deformed and growing lifeforms, entering a conference chamber that was already going on via holograms.
“The New Republic is vulnerable, but we must be cautious and show no sign of our true strength.” One of the imperial officers states.
“Easy for you to say, Captain. There’s a fortune to be had plundering the hyperspace lanes,” A bald male commander disagrees as the man in the room actually watches the disagreement.
“Commander, your hit-and-run operations are gaining too much notice,” Captain Gilad Pellaeon reminds the commander, “If we are perceived as anything other than a group of unorganized remnant warlords, the New Republic will increase their efforts to hunt us down.”
“There are citizens loyal to the Empire on every planet in this galaxy,” A female officer speaks up, “They’re already getting sick of this New Republic and its rules and regulations.”
Another bearded officer nods agreeing to the woman’s statement “And if we give them a show of strength, they will rally behind us.” The woman nods but Pelleaon shakes his head
“But that strength must not be wasted. Grand Admiral Thrawn’s return will herald in the re-emergence of our military, and provide Commandant Hux enough time to deliver on Project Necromancer.” Pelleaon mentions the formidable Admiral. Hux smiles and the imperial warlord steps forward and Hux motions to speak.
“Captain Pellaeon, you always speak with much authority, and yet, I see,” He scoffs looking around, “Once again, that Grand Admiral Thrawn is missing from your delegation. Any word on when he will be able to participate in the Shadow Council?”
Pelleaon scoffs before replying, “With respect, our one hope for success relies upon the secrecy of his return.”
“Captain, secrets are my stock-in-trade,” The warlord reminds him, “I hear whispers from one end of the galaxy to another, and never a word of Thrawn. You have spoken of his imminent return…perhaps, it’s time we look to new leadership.”
“Hear, hear.” The female imperial officer agrees and Hux nods, “Project Necromancer is in place for that.” He asks the warlord.
“Yes, Commandant.” “What has become of Doctor Pershing and the research you promised us?” Hux asks and the warlord is silent, “Doctor Pershing was captured by the New Republic. His research is lost. For now, at least.” He says and Hux nods,
“I also hear whispers, Gideon. You held Pershing and were attempting your own experiments on Nevarro.” He questions the warlord, Moff Gideon. 
“The creation of clones is your obsession, not mine. I account for what goes on in my sector, no more, no less,” Gideon looks around at the council, “The same can be said of every member of this Council.”
“Yes.” “Of course.” “That’s right.” “Yes.”
“And yet, we individually scrape and claw resources awaiting the grand plan to take shape, while you and Pellaeon amass countless resources and equipment which should be shared,” Gideon observes each warlord and Hux nods holding a datapad, “Oh, we already received your request. Three Praetorian Guards,” He scoffs, “Sounds like someone is concerned about an assassination attempt.” Gideon is silently his hand scratching his chin feeling the scars that litter his face. It was more of a second chance of an assassination attempt.
“And he thinks I’m being the flashy one,” Pelleaon remarks, “But following your first attempt it’s remarkable you’re still standing today.” The news had spread quickly through the empire of Gideon’s capture before he was soon rescued. The warlord with control over Nevarro and eyes all over the Outer Rim. But he had a key asset to taking control of a vital planet that could bring the return of the empire and it was thwarted by a man in beskar armor but the scars that would stain his skin forever caused by a young girl with abilities assumed to be extinct.
You stand over him the Darksaber in hand ready to deliver the killing blow. The rage and wrath you were going to enact your revenge.
“And reinforcements for your TIE interceptor squadron,” Hux asks and Gideon lowers his hand from the scars marring his face pushing away those memories, “And… bombers.”
“Yes, I see. And what is your security concern?” Hux asks and Gideon moves towards the middle of the room, “Mandalorians.” The council is confused by this information.
“What? They continue to be an issue?” An officer asks and Gideon nods, “They do. I am increasingly confident that they are preparing to retake their home world of Mandalore. They have a Jedi among their ranks as well that is Mandalorian too.” The council knew of this Jedi girl that had been involved with Moff Gideon but the news she is Mandalorian as well the pieces connected. The name whispered in alleys, through bounty hunters, even the New Republic was looking for her, is seen as the person who took down the Warlord Moff Gideon. Of Mandalorian and Jedi blood. The granddaughter of Jedi Master Obi-Wan Kenobi and Duchess Satine Kryze and current wielder of the Darksaber.
“A resurgent Mandalore would hamper our efforts.” Pelleaon remarks and the warlords a nervous about this news.
“Which is why we need to stamp them out now.” The others agree as he meets Pelleaon’s gaze, “You’ll have your reinforcements and your guard.”
“We shall be rid of the Mandalorians once and for all,” Gideon turns around looking at his fellow warlords, “Long Live the Empire!”
“Long Live the Empire!”
All repeat as Gideon leaves the council with only one thought in mind. While the Mandalorians were a threat to him only one stood out to him, a man who was willing to tear the galaxy apart for two individuals and his daughter that wouldn’t let someone stop her from finishing off the warlord. Din Djarin and Y/n Kenobi-Kryze were a threat to him but to finish this once and for all both parties need to be separated. The young princess would have wished she accepted his offer so long ago…
The planet Nevarro is serene and peaceful when the loud rumble and citizens look at the sky in shock, High Magistrate Greef Karga works in his office when he notices the tremor seeing a shadow overcast his city. “High Magistrate! High Magistrate!” The protocol droid enters the office, “An Imperial shuttle is advancing over the city.”
The Magistrate moves to the balcony viewing the large fleet over Nevarro City, “First, that’s a light cruiser. And second, it’s not Imperial.” “With apologies, sir. According to my data, it is.” The droid says from its information, and it wasn’t wrong technically.
“No, no. It was an Imperial ship. Look at the markings,” On the bottom of the light cruiser is the large design of the mythosaur, “See, those, my friend, are Mandalorian privateers. I’ll bet you, half that fleet was captured from the Empire.”
“So, they’re on our side then?” The droid asks and Greef nods, “I should hope so. They’re our welcomed guests. Come.” From the Mandalorian covert, the Armorer emerges from her tent other members of the Tribe gaze at the approaching Mandalorian fleet in wonder. On the Gauntlet the four of you fly before the fleet approaching the covert,
“I hope these two groups get along. They’ve never met, and what little they know of each other, they hate.” Bo-Katan says warily, with the new fleet and the new owner of the Darksaber a lot of pressure was on her.
“They will if they wanna survive.” You say trying to soothe her worries as the Gauntlet and the rest of the fleet land. Exiting the ship Bo-Katan led followed by her followers as they move forward as the Mandalorians of the Child of the Watch stand on opposite sides.
“Take the children inside.” Paz Vizsla orders his son and the boy is leading the children away from the situation between adults. You spot amongst the tribe the copper and white armor relieved to see him again. Bo-Katan and her followers remove their helmets as silence fills the area the tension between two groups of different beliefs. You were certainly a fight was to break out when a clanging fills the air you sigh of relief as the Armorer lowers her hammer and tongs.
“Welcome, fellow Mandalorians,” She greets the newcomers, “We invite you to make camp. Let us prepare a feast for our guests.”
It was uncomfortable and tense leading to the feast of the animosity between two tribes as you were pulled away, meeting the new IG-11 when Din and Grogu returned inside the droid while you were with Bo-Katan and the Armorer. You caught glances of the Mandalorian you wished to see but you were too far apart and when he left to join the hunting party for the feast you didn’t see him until night. A large bonfire was used to cook the animal but also to light the area, the two fractions divided a very awkward meal with only half eating the other not allowed to eat before others. They talk amongst their own clans before Bo-Katan rises to stand knowing she has to say something,
“Mandalorians. It is time to retake our home world. Even though the planet is not cursed, there are still dangers. Dormant species have been awakened from the bombings. The remaining magnetic interference has made it impossible to scan the surface from above the atmosphere.” She explains as they all listen in, “Which is why I’m proposing that we leave Nevarro and move the fleet into orbit above Mandalore. We send down a small recon party. We’ll scout the surface, find out what remains of the Great Forge, and establish a safe perimeter. Only then, will we bring down the others. I need volunteers from both tribes.” She says and silence fills the encampment of those averting their eyes from their technical leader’s gaze. You look around before making eye contact with Bo-Katan who tries hiding her nerves but you can feel them.
“I will go,” Din speaks up and Bo-Katan nods gratefully, “Y/n and Grogu as well.” He says and Grogu coos while you nod. It’s quiet once again before you see Koska Reeves grab her helmet holding it to her side as she stands.
“I will go.” She says and Bo-Katan nods now having two from each tribe, “I will go.” Woves says with a nod rising to stand.
“I will go.” Paz Vizsla states standing up as well his gaze meeting Woves as they watch each other. “I will go.” You hear Kaz’s voice and you spot him standing his gaze meets yours and he gives a small nod and you return one back. Soon others are standing volunteering themselves before the Armorer speaks up, “I will go as well.” The scouting party created the rest of the night a bit tense but lighten up.
You don’t even wait for Bo-Katan to return to your small group, you’re already up moving away from the adults towards the person you’ve been dying to see since returning to Nevarro. Din sighs watching you disappear amongst the Mandalorians seeing where that boy Kaz once was is now gone from his spot too. Bo-Katan pats his shoulder as she takes your seat, “She’s going to be alright, besides it’s good for her to be a normal teen for once well I guess adult.” It didn’t seem real that you were an adult, just yesterday Din met the girl on Arvala-7 and Bo-Katan didn’t know it was her grand-niece while helping hijack an imperial cruiser.
“I know..” Din sighs breaking apart pieces of meat for Grogu to eat who accepts it with open hands, he spots you and your Mandalorian off to the side beside the tents your hands holding the sides of Kaz’s helmet. You speak to him with a large smile across your face as he presses his helmet against your forehead. “I don’t want her to have her heartbroken…I wouldn’t know what to do. I barely got her back from Gideon.”
“Kid…hey cyar’ika..will you please look at me?”
He calls out to you, he feels like he lost two of his children, one with the Jedi that had long left and the girl in front of him but seemed to be millions of lightyears away. Moff Gideon was removed from the light cruiser going off with Boba Fett, Fennec Shand, and Cara Dune on the Slave I. Leaving himself, you, Bo-Katan, and Reeves as they went to meet up with the other Mandalorians. The female Mandalorian that was apparently your grand-aunt had allowed you two to stay willing to bring them anywhere in the galaxy before they went off for their plans to reclaim Mandalore though without the Darksaber that was now in your possession.
Your eyes were glazed over but they seemed to be focused on an item gripped in your hand as your breathing suddenly picks up. Din looks realizing the weapon in your grasp, prying from your strong grip and throwing it off in the private room you two were given. Din still hadn’t put on his helmet there was no reason to try to hide at the moment, he had already done the worse thing any Mandalorian of his creed could do. Remove one's helmet in front of a living person and he did it for you and the child.
“It’s gone..okay it’s gone.” He whispers holding your face between his palms forcing you to look at him and you barely even register him tears welling in your eyes. The blood drips to the floor from your fingers as it freely bled, your knuckles were shattered no doubt just drenched in your blood and the Moff’s. Your clothes were bloody parts of them ripped and tattered a large open hole was at your stomach and on your back and he assumes it was from…he didn’t want to think of that. He still wasn’t sure how you were standing before him and he thanked his gods and the Force that comes from you. Blood speckles your face and your messy hair as he tries swiping at the dried blood as a tear slides down your cheek wetting some dried blood before another one and they pour down your face like a waterfall. Din felt helpless seeing your innocence completely stripped away from you. Your lip wobbles as a strained whine like a wounded animal is held in your throat as you try not to break down. Din feels his own eyes burn but forces his own sadness to be pushed down as you choke back a cry. It was repressed as you hold in your cries your shoulders shake and before Din can try comforting you hit the ground a cry of pure terror comes out. Din hits the ground with you as you frantically start rubbing at your arms tearing at your skin blood spewing from your deep scratches.
“get it off…get it off…Get it off!” You scream as you try to rid the blood that marks you and Din has to wrestle with your arms to pull them away from each other and from you to stop causing harm to yourself. “Stop it Y/n! Stop!” Din yells fearfully of you being so terrified of Moff Gideon’s blood on you that you were hurting yourself in your panic. Tears blind your vision as he looks over you forcing your hands into one of his and cups your cheek with the free one. He could only describe pure fear in your voice and your face as Moff Gideon continues to plague you despite the fact he was lightyears away from you. “He tried to…” You break down as he pulls you into his arms holding you in the crook of his neck your arms clutching his cape.
“Oh cyar’ika…I got you…you’re safe..it’s just us.” He reassures you blinking away the tears from his eyes as you sob in the safety of his arms, “Din.” You whimper as he presses a kiss to the top of your head whispering into your hair.
“You’re safe…you’re alright. I’m not leaving…I got you cyar’ika.” It was a promise…a vow to always protect you to make sure this never happens again. To never see another tear be shed, shelter you from the harshness of the world, to keep yours in his embrace safe in his arms. He would put his life on the line, let himself die, and break his creed a thousand times over to make sure you never go through this kind of pain ever.
Din watches you speak to that boy as he holds you in your embrace Bo-Katan sees the nervousness and fear coming off the bounty hunter, “She can’t go through it again. That kind of pain isn’t meant for her…this life isn’t meant for her.” He voices his worries. He would bring you away from here, hide you away from the world even if you would hate him for the rest of your life if it keeps you safe he was willing to. But he couldn’t be selfish…he couldn’t live in a world where you hated him, and they were so close to the end. Returning home to Mandalore, start anew and when that time came he would hang up his blaster and sit back and watch you grow older and be a father, not a bounty hunter. So he watches you be happy in this moment of serenity praying to the highest being to keep that boy safe for the sake of your heart.
The next morning after bidding goodbye to Magistrate Greef Karga, the fleet, and its Mandalorians depart from Nevarro to Mandalore. The Mandalorians sit in the hull for the drop while you, Grogu, Bo-Katan, and the Armorer sit in the cockpit. Both the N-1 and X-Wing left on the light cruiser and R4 sadly stays on the cruiser. He was a bit disappointed but you reassured him, he would be the first person you bring when you return from the scouting party. All the ships exit hyperspace reaching Mandalore as the Gauntlet heads towards the stormy surface, “Scouting party descending to surface. We’ll lose comms shortly.” Bo-Katan says speaking to the people in the back as the ship rattles entering the thunderstorms that surround the planet’s atmosphere. Soon you’re breaking through the storm flying over the destroyed cities of your homeworld.
The doors slide open as Din enters holding onto your seat to stabilize himself, “They’re ready.” Bo-Katan presses on a keypad, “Secure infill zone.” Soon the Mandalorians depart to the planet you remain hovering over before you hear a transmission come through, “Gauntlet, landing zone secure.” Woves announces and the ship lands the five of you disembarking. Grogu controls IG-12 as you touch the glassy surface.
“Somewhere below is where our ancient capital once stood,” Bo-Katan tells the other Mandalorians, “We’ll survey the surface until we find the Forge and create a safety zone. Only then will we begin to bring down the settlers. We start scouting in that direction.” She points in the direction of the sunset.
“Form up.” Your expedition begins walking in pairs through the terrain, you walk beside Kaz in front of Din and the Armorer. A large distance is covered before you sense something. You pause and Kaz and Din look at you confused.
“Kid?” “Something’s heading towards us.” You comment to the Mandalorians sensing a large presence looking out and seeing something on the horizon, “There, on the horizon.” You point out as a large land ship with wheels approaches.
“Nite Owls.” Bo-Katan commands and the Nite Owls quickly get into position the rest of you holding your weapons ready for whoever it was. “Flanking left.” You were more surprised about the fact that people were actually here and if so how did they survive the Purge? The ship comes rumbling to a stop a distance away before a voice shouts out.
“Do you have food?” “We do.” Bo-Katan replies and another man onboard shouts, “You wear the crest of the Nite Owls?”
“I should hope so.” Bo-Katan says, “They’re Mandalorians.” The Armorer says.
“Is that the voice of Lady Bo-Katan Kryze?” Your party is silent as Bo-Katan decides to confirm, “It is.” Suddenly three Mandalorians activate their jetpacks leaving their ship and landing in front of the scouting party. They remove their helmets revealing tired but hopeful faces.
“We knew you would not forsake us, Lady Bo-Katan. We have failed you, but our blasters remain in your service.” They lower their heads slightly bringing a hand to rest over their hearts. Your group found itself on the ship eating dinner only those who took off their helmets at. You sat between Din and Kaz with Bo-Katan at the head of the table.
“They intercepted any ships they saw leaving. They took no prisoners. They bombed every surface twice over. They punished us as a warning to the whole galaxy because we refused to surrender.” The Captain of the landship explains and Bo-Katan grows quiet.
“That’s not true….I did surrender.” She says and the Mandalorians went silent before whispering amongst each other, “After our forces were annihilated in the Night of a Thousand Tears and defeat was imminent, I met with Moff Gideon. The ISB had reached out to me to negotiate a cease-fire. In exchange for submitting to the Empire and disarming, all remaining cities and Mandalorian lives were to be spared. That is how Moff Gideon came to possess the Darksaber. I didn’t trust him, but it was the only chance I had to save our people. And then he betrayed me and we were helpless to resist the Purge of Mandalore.” She explains. The air is tense as the truth of the destruction of this planet is revealed.
The Captain swallows harshly turning to the still helmet Mandalorians, “How did these others survive?” “We were hidden on the moon of Concordia.” The Armorer explains.
“Are you Death Watch?” The Captain questions a bit suspicious of the terrorist group that went into known hiding on Concordia, “Death Watch exists no longer. It shattered into many warring factions.”
“Our people have suffered time and again. From division and squabbling factions,” Bo-Katan says looking over the table, “Mandalore has always been too powerful for any enemy to defeat. It is always our own division that destroys us.”
“And what does a Jedi have involved amongst our kind? The last time Jedi and Mandalorians fought side by side was the Seige of Mandalore during the Clone Wars,” The Captain says remembering fighting there as well, “I thought the Jedi were all killed off?”
“That is true…I make no sense here. To some, I am an enemy..to others a reminder of the past allies you once fought alongside,” You say holding your hands over the table, “I am here to return to my home planet and see the rise of Mandalore and its people. My father once wished for Mandalore to be a planet for all Mandalorians despite which fraction or division they came from to have a homeworld, no matter if you are Mandalorian by blood or Mandalorian by Creed.” Your gaze meets Bo-Katan's and then Din’s.
“Though I no longer wield the Darksaber….I fight alongside my grand-aunt for the chance that we and the Mandalorians scattered across the galaxy may all return home.” The table is silent surprised and shocked by the words coming from you. The diplomacy and leadership exuding from you, Bo-Katan sees her sister in you with your words.
“You’re…her grand-niece.” The Captain says shocked many of the Mandalorians stuck on this planet see the resemblance between you and the redhead. “I am Y/n Kenobi-Kryze.”
You leaned against the railing of a secluded part of the land-ship it was stationed the traveling continuing in the morning. The breeze cooling on your skin as your elbows rest on the wood looking out on the destroyed planet that was the home of your family. “That was a good speech…told you I can see a leader in you.” Kaz’s voice comes from your side as you glance over at him. You hum returning your gaze to the open space of Mandalore, you only wished you could have seen this planet in all its glory.
“Do you ever wish you were here on Mandalore when it was still standing and in all its glory,” You ask and he leans against the railing beside you as he thinks for a second, “I think it would have been nice being on a planet of our people, but I don’t think I would have survived the Purge of Mandalore.” He says honestly and you give him a look.
“That’s morbid.” You say and he chuckles slightly, “No but it also meant we wouldn’t have met. I mean if you were here you would be in the capital as a princess and me just a lowly commoner.” He says teasingly and you shove him producing a laugh from him.
“I am definitely no princess. Maker imagine me in a dress and those uncomfortable shoes!” You ramble and you notice him silent watching you, “What?” He keeps looking at you before shaking his head and looking away, “No you can’t just not tell me!” You grab his arm and he looks down at you.
“Does my princess command me?” You hear the smile on his tone and you roll your eyes, “Yes she does now tell me.” You cross your arms across your chest and he’s quiet before leaning forward and pushing a piece of hair that gets in front of your face.
“I think you would like quite pretty in a dress.” He says and your face flushes and you turn away making him laugh, “What you told me to tell you!” He says between laughter before he spins you around to look at him and he presses his forehead against yours and you close your eyes slightly.
“Naboo.” You say and he leans back looking at you confused, “What?” “I will only wear a dress on Naboo. I was told that it’s the most beautiful planet in the galaxy. And there are lakes and waterfalls and fields of flowers and plants as far as the eyes can see. So if you want me to wear a dress it has to be on Naboo.” You explain and he nods.
“With the uncomfortable shoes?” He asks and you smirk, “We’ll see.” The two of you stare at each other a silence falling over you two its two magnetics coming together. His hand covers your eyes the other pulling off his helmet then his lips meet yours. He drops his hand seeing your eyes closed his hand wraps around your waist and pulls your closer while the other holds the back of your neck. Your hand plays with the back of his hair the other holds his face as you kiss him. It’s gentle but filled with passion as you both pour in your affection for each other. There wasn’t any room left between you two as he slightly bends over and you push yourself on your toes. You both pull away holding your face against his chest trying to catch your breath and you feel the rise and fall of his own chest. A pair of lips press against your hairline and you smile into his chest before you hear the metal hiss as his helmet is put back on. You pull back staring at the copper and white beskar as you feel his gaze on you his thumb strokes your cheek.
“I should go before Din starts his own hunting party.” You say a small chuckle comes from the two of you as he nods. He leans forward his forehead meeting yours, “I’ll see you tomorrow then mesh’la.” You pull away giving one last glance at him before you head back toward the group. You spot on the second level of the ship just before the group is you see the flash of silver beskar under the moonlight. Heading up the stairs spotting the familiar armor of Din and you’re silent as you join his side. He seems to have the same idea of lean against an object and pondering.
“You alright?” You ask and you can feel his brief glance at you before you both stare forward. “That boy…Kaz, is he your partner?” He asks and you're surprised by his question and more of his phrasing.
“Kaz and I aren’t together like that! I mean I don’t think so…we haven’t really talked about it.” You ramble as he looks over at you, “But you do like him.” You’re quiet now that you think about it you two discussed what you two were. Sure he said he liked you and you liked him but did that make you two together? It was all strange new territory that you had no guide to help you.
“I do...It’s just...I’ve never had this before..people like me like that,” You felt embarrassed what if you had it all wrong and this was just a big thing you thought it was. You bury your face in your hands, “Maker I’m so stupid..” Din leans on his arms on the railing looking at you.
“Look, I have no idea what that boy’s intentions are, but…I do know that he would be lucky to have you.” Din says and you lift your head up looking at the older man, “Really?” You ask and he nods and it grows silent once more before you speak up.
“Do you feel like everything is going right that it’s meant to go wrong?” You voice your fear for only him to know, “I mean everything we’ve been through, Grogu and I get rescued by you and the Mandalorians--we get the bounty hunters to come after us, we get to meet Ahsoka and she can’t train us, we go to the seeing stone--the empire gets us, even on Tatooine we got Cobb and the people of Freetown and he almost died. Every time we get close to winning something horrible goes wrong,” Your tone gets slightly frantic all the possibilities making you more nervous.
“What if something happens to the Mandalorians, to Grogu, to Bo-Katan, or you!? I don’t know what to do if you’re gone-” “Hey calm down nothing’s going to happen,” Din grabs your shoulders making you look at him, “I promised you I was never leaving you and I’m not. Ever.” He reassures and you nod before he pulls you into his arms just holding you there. His chin rests on the top of your head nothing is said between the two of you but you could tell he meant every single one of his words.
“I love you, dad…” You say and he freezes slightly before his arms squeeze you tighter to him, “Love you too, kid.” He responds his voice thick with emotion. He was glad to have the beskar helmet on his head covering the tears in his eyes. Hearing the title you called him and the meaning of it to both you and him. Din would always be there for you, to protect you and care for you as a father would.
The following morning the landship returns to the Gauntlet so the Armorer and the weak Mandalorians can return to the fleet to be taken care of while the others lead you to where the Forge is. “Onward, Mandalorians! To the Forge!” The Captain yells to his crew as you set off. Sat on a crate beside Din you see most of the Mandalorians resting or waiting for the arrival of the forge. Two however play a game of chess. Vizsla grabs his enforcer making a flank jump and Woves sighs, “You can’t move an Enforcer like that.”
“It’s a flank jump. And you’re about to submit.” Vizsla says and Woves gives him a look, “But only the Wing Guard can flank jump.”
“The Enforcer moves like a Wing Guard when it’s flanking.” Vizsla retorts and Woves sighs shaking his head and turning to his companions with a laugh, “These primitives make up their own rules for everything.” Insulted by his accusation of cheating Vizsla draws out a vibroblade.
“Seriously?” “Submit or fight.” Vizsla demands to Woves who looks at the Mandalorian, “Can you believe this?” The two suddenly break into a brawl with their blades, punches, and kicks both getting their fair licks in.
“Should I step in?” Din questions and Bo-Katan shakes her head, “Neither side can step in. It was bound to happen sooner or later.” The two continue fighting both ready to strike each other with their blade when Grogu comes between them with IG-12 breaking up the fight as he spams the droid’s vocabulator,
“No. No. No. No. No. No. No.” The two men are silent before retracting and heading off to different sides of the deck, “You taught your apprentice well.” Bo-Katan comments and Din looks over at the child who is looking at the three of you,
“He didn’t learn that from me.”
A sharp whistle fills the air as the Mandalorian in the highest peak shouts down to the Captain, “There, on the starboard bow!” The ground crackles ahead of you all seeing the green glass shatter and some dragon-like monster appears from the ground its tail swinging down on all of you
“Abandon ship!” The Captain shouts and you feel arms wrap around your waist you quickly wrap your arms around their neck as you’re sent up into the air as the tail smashes into the ship it exploding in a ball of flames. Landing a distance away, Mandalorians land haphazardly around you as debris rains down on you and Din covers you with his body. He pulls back looking over you as people around you shout, “This way! This way!” “Hurry up! Faster!”
“You good?” He asks you and you nod you’re brought to slightly underneath the surface but the rocks above you shake falling around you, “We’re not far. We need to go further down.” The Captain yells and you’re all sent underground the rumbling of the creature that attacked you recedes the deeper down you went. The cave leads to a tunnel that opens up to a large open space.
“Where are we?” You ask looking at the enormous machines that lined the deep trench, “This is what’s left of the Great Forge. This was once the heart of our civilization. But the fires have been extinguished since the bombings.” Woves says as you walk alongside the small outlook showing the forge.
“You lived here?” Vizsla asks and Reeves glances at him, “We all did.”
“We never left,” The survivors’ captain adds, “Survived by migrating along the surface until the war ended. Some tried to explore below, but none survived.” The distant sound of jetpacks echoes through the cave and you see a multitude of them heading toward you all.
“Jet packs?” Din says confused, “More survivors?” Woves comments when you notice the design of the armor and a wave of panic rushes over you. That bad feeling of being close to winning and something going horribly wrong starting.
“Those aren’t Mandalorians.” You call out as they immediately take fire, ambushing you all, “They’re Imperials! Take cover.” All the Mandalorians take cover firing at them. Your saber pulls from your belt instantly deflecting blaster fire it hitting the armor in return but making no impact as they continue firing.
“They’re wearing beskar armor!” You shout as a few land before you and you dodge blaster fire spinning your blade around and aiming at spots not covered in the lightsaber-resistant metal. It’s harder combat against them, one grabs your hair pulling you towards the edge and a vibroblade is stabbed in the trooper's neck releasing you. Kaz’s hand pulls you to your side as you go back to back fighting against troopers that try to get the drop on you.
“We’re pinned down. We need backup.” Din shouts while fighting his own pair of troopers. Casualties happen on both sides as many questions run through your head through the battle. Where had they even come from?! You thought you were the only ones on Mandalore unless they were tracking you and followed.
“I can make a run for the fleet and get us reinforcements.” Woves volunteers firing at the troopers that are up in the air raining down on you all. “No, it’s too far.” Bo-Katan disagrees not wanting to lose any more men and women.
“I can make it. It’s our only shot at taking the planet back.” Woves pushes.
“There’s a split in the ceiling there.” Vizsla points at the opening leading to the surface and moves forward with his large machine gun, “I’ll lay down cover.” Blaster bolts are fired at the troopers some getting hit fatally as Woves takes off. One tries attacking him mid-flight when its armor is crushed quite violently and send falling to the ground. Making brief eye contact with you he continues and flees to the surface. You spin around stabbing your saber between the gaps of armor your free hand pushing out Force pushing them into the cavern. The dwindling troopers against the resistance you show make them retreat into another tunnel.
“They’re retreating!” Vizsla shouts as Bo-Katan reloads her blaster before rushing forward, “Advance.”
“For Mandalore!” The Mandalorians shout as you run alongside Kaz firing after the troopers, Din reaches your side as you suddenly leave rocky terrain and enter imperial flooring and walls. That sense of nerves adds weight to your chest the deeper into their base. The troopers fly off on the jetpacks leaving you all in the base. You take in the TIEs and Bombers that wait patiently to be deployed your fear only growing stronger. The Imps didn’t follow after you…they were here on Mandalore all this time, and with how much was here they must have been here since the Purge.
“What is this place?” Bo-Katan says as you look around when a door hisses shut and you spin around seeing all of everyone minus, yourself, Kaz, Din, and one other Mandalorian on the other side of the blast door. You raise your saber to cut through the door when you hear Din shout and an alarm goes off.
“It’s an ambush!” A squadron of Imperial commandos lands on the platform firing at the four of you. Spinning your blade to deflect blaster fire but it was too many as one takes down one of the Mandalorians. Din and Kaz fire their blasters at them when a fibercord whip wraps around Din’s neck yanking him back. “Din!” You shout barely dodging a blaster fire blocking the attack as he fires another cable wrapping around his wrist and he sends a wave of flames. You thrust your hand out crushing the trooper that was choking Din, his limbs snap in a horrid position as he crumbles to the ground. A loud cry fills the air and you feel the life drain from your body. Spinning around and seeing Kaz holding his hands to his side as he crumbles to the ground, you release a yell raising your saber to attack his perpetrator when a blaster rifle slams against your temple. Stars blind you as you hit the ground your saber falling out of your hands and your quickly jumped by three troopers. Their hands grab your arms and pin them behind your back as you thrash violently.
“Let me go! Kriffing let me go! You son of a bitch!” You shout feeling cuffs being placed around your wrist and you try calling your lightsaber but it remains laying on the floor. Your shouts fill the air as you see Kaz on his side his hands pressed to his side blood quickly spilling from his side, “No! stop it. Stop it! Kaz!” You cry out struggling more and your face is slammed into the ground and blood spills from your mouth and nose.
“Don’t you touch her!” Din roars seeing three of them manhandle you to the ground. He fights against his own restraints, the cable tightly around his neck and one on each wrist forcing his arms to cross his chest so he couldn’t use them as three troopers for him bringing him to his knees. Your gaze is focused on Kaz as he bleeds out, alive but losing blood too quickly. Someone lands on the platform seeing a person in Dark Trooper armor, the Mandalorian-style helmet with spikes on the crown similar to the Armorer.
“Disarm them.” A modulated voice calls out and you struggle in your assailants’ grasp as they remove your blaster and vibroblade from your holster. The Dark Trooper motions to the troopers restraining you and you’re pulled from laying on the ground to shoved on your knees as you fight in their grasp. You watch them grab their helmet removing it and the air leaves your body and it’s silent as you stare back at the man. Who tormented you, ruined your life, kidnapped, assaulted, and tried to murder you, the man you tried to kill but failed. He wasn’t meant to be here…this wasn’t real you would open your eyes and be back on Nevarro or at the Great Forge and you never got into a fight with the Empire. He wasn’t real..this wasn’t real. But when he spoke your worst nightmare was confirmed,
“Thank you for gathering the Mandalorians into one place,” He says, and you are unmoving. Moff Gideon was back. He finds delight in seeing the horror and pure terror in your expression as the Mandalorians behind the blast door has no choice but to watch. “You were a talented people, but your time has passed. However, as you can see, Mandalore will live on in me. Thanks to your planet’s rich resources, I have created the next-generation Dark Trooper suit forged from beskar alloy and the most impressive improvement is that it has me in it,” Gideon holds his hands out showing his suit off. If looks could kill Din would have killed Moff Gideon a billion times over, his gaze kept moving from Gideon, to Kaz who continues bleeding out, and you who was paralyzed in fear.
“You see, every society has something to offer. The cloners. The Jedi. And even the Mandalorians. By aggregating the best of each, I will create an army that will bring order to the galaxy.” Gideon felt power knowing his plan had worked and he had everyone where he wanted them to be. “Why don’t we take your fleet off the board while we still have the element of surprise? Activate the interceptors and bombers.” He orders and Bo-Katan slams her fist against the glass.
“No!” The Klaxon alarm blares as the Interceptors and Bombers are activating, “In but a few moments, the Purge of Mandalore will be complete.” Gideon grins and a harsh cough fills the air he looks down and spots the weak Mandalorian a few feet from you still kicking. You see Gideon’s gaze on Kaz and you go feral fighting harshly against their hands.
“Don’t you kriffing touch him! Leave him out of this!” You shout blood mixing with tears and your words and emotions reveal the one weak card he was willing to fully exploit. “Strip him of his armor.” He orders and the pair of troopers keeping guard moves forward as you scream for mercy they pull up the Mandalorian to his own knees as one holds him the other being pulled off his armor.
“Let him go! Stop it, please! If you want your heirs you can have them! Please let him go…please!” You shout out as Kaz cries out in pain as he’s stripped of his armor leaving his helmet on Gideon strides forward kneeling before you admiring the tears in your eyes and the blood that comes from your injuries. You hear Din yelling from behind you and Bo-Katan as well. Gideon grabs your chin forcing you to look at him and you feel sick staring at the man his touch sending you into shock.
“Unfortunately that offer is now off the table,” He rises back up and you see him walk towards Kaz not before reaching down and grabbing your saber as you scream and cry out realizing what he was going to do. Grabbing the Mandalorian by the chin of his helmet he rips it off him and you’re staring back at the man you had cared for, giving your heart to. His skin was pale but not sickly, his features sharp with a few cuts littering his perfect face. He was beautiful with short straight black hair you had felt in your hands but didn’t know the color of anything and his eyes piercing and blue like the clearest waters. They were filled with pain but also sadness as he looks at you and you see the acceptance in his gaze that sends you into a panic.
“Kaz, get up. Kaz, kriffing get up and fight. Please stop! Please don’t do this…I’ll do anything please don’t. I beg you!” You shout as he takes in your features one last time though tear-filled and bloody you still look beautiful in his eyes, “Kaz, please get up!”
“I love y-” The blade cleaves through his body and a scream of anguish rips through your throat. Kaz keeps staring at you until you see the life fade before you and Gideon as the boy you loved crumples to the ground.
“Nooo!” You were dead this wasn’t real. Screams and cries tear you apart as you hunch over in the troopers’ arms sobs raking through your body as the air is ripped from your body gasping for air. The Mandalorians behind the blast door and the one behind you are silently looking in horror as Gideon kills the love of your life and worse with the saber that was the symbol of your kind. The weapon of a jedi used to slay your lover. Your gaze was focused on Kaz’s lifeless one as he stared at you with those empty eyes already glossed over. “I’ll kriffing kill you...No! No...I’ll kill you.” You shout not a threat a promise with hatred in your voice. As Gideon holds your weapon in his grasp attaching it to his person.
“Take him to the debriefing room and bring the dear princess to the command center.” Gideon orders and Din is forced to his feet struggling in their grasp seeing the lifeless look in your eyes as you scream out into the air. He failed you, to keep you safe, to make sure you’re heart would never be broken. Din had seen you lose everything important to you and he knew you had lost a part of yourself with this final strike.
You’re pulled to your feet but you can’t stand weak and nauseous as they hold up your weight, “None of this would have occurred if you had accepted. He’s dead because of your actions, princess.” Gideon mocks you as you’re sent into a spiral sobs racking your body and hyperventilating from the shock that has taken over. You’re pulled as you cry out whispering to the man you failed. “i’m sorry…i’m sorry…i’m sorry.”
You didn’t see the meaning of waking up in the morning, a reason to smile, to eat, to breathe, to live. You had lost greatly and your heart could only take so much. His love with haunt you like a phantom, his touch burns and scars your skin, his kiss a mere memory, and his death will drown you until you too leave this plane of existence. You didn’t deserve happiness…you would never love again. You had nothing left in you to love. Your happiness, your love, and yourself had died right alongside him held in his arms with dead promises to visit the far-off planets you dreamed of.
A/N: I'm sorry🫣 Also for those wondering the face claim for Kaz is Freddy Carter. I live for Kaz Brekker so just picture that gorgeous man. One more chapter left!!
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ero-heart · 11 months
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Alright alright while I am making your request
Imma request another Reader x Ruv
A funny one i guess
Ruv getting attacked by Reader's pet crows (probably like 20-30 crows)
THIS IS AMAZING YES
This fic can be perceived as either platonic or romantic
It ended up being another hurt/comfort- Ruv has a lot of inner struggle
Cw: self harm, light description of violence
THE COUNCIL
(Ruv x Reader + crow army)
Ruv didn’t knew you very well, he was curious though, something about you just seemed to spark curiosity in him. Sarvente budged him to speak to you, eager to make him socialize, he begrudgingly complied. Now he was on the church’s stairs, trembling, waiting for you to arrive to your weekly visits. Quietly preparing a conversation starter on his mind.
“Hey, I want to be your friend!” This sounds stupid; “I find you cool let’s hangout!” Also stupid. Everything he came up with was stupid, everything would work with anyone else but him.
Ruv takes off his hat and throws it on the ground in a fit of anger, grabbing fists of his hair. Taking deep breaths to calm himself down. Ruv curls in a ball as he dig his fingers into his head. Still taking deep breaths, he didn’t notice the dark creature slowly approaching to peck on his hat, another flies down to also inspect the object. When Ruv opened his eyes, there was five crows picking on his hat. Ruv got up to retrieve his hat from the creatures before they flew farther from him, with his hat in one of their beaks, loudly cawing. Ruv sighed before charging at them, granting more cawing as they flew away farther. He felt something grabbing at his hood, discovering another crow with its claws secured on the fluff, pushing Ruv while it flies. He tried to shoo the crow away but another one rapidly flew in front of him, getting caught off guard and falling on the ground. More cawing.
“Tsk”
Ruv was ready to break those bird’s necks when he realized, in mild horror, the quantity of crows surrounding him. On the church’s stairs, the trees, the sidewalk, everywhere.
What. The fuck.
Soon his moment of shock was cut off by a familiar voice, quickly turning around to see none other than y/n, face filled with confusion. A crow flew past them, dropping his ushanka right on their hands. Realizing what was happening, y/n came running towards Ruv.
“Shoo don’t bother him! Shoo! Shoo!”
Some crows went away while others remained to watch y/n apologize profusely for what just happened.
“I am so so so so soooo sorry! I really am! They are such menaces! I am really sorry-“
Y/n kept on as they put Ruv’s hat back on him and brushed some dirt off his clothes. Ruv just looks at them, why are they apologizing.. for the crows?? His adrenaline still ran high with doubt and shame, but he managed to speak up.
“S’ ok..”
Y/n grabs his hands and pushes up, it took a while to Ruv to realize that they were trying to help him get up, so he lifts himself from the floor, immediately towering over y/n as they smile up at him.
“Are you sure? Are you not hurt?”
“I’m.. no I’m not”
“Then I am glad!”
They sighed as they continued:
“They do that all the time! Every person in my life has gone through that!”
Were you murder’s caretaker of some kind? Those birds were yours? That was interesting, that was actually a great way to start a conversation.
Both of you sat on the church’s stairs as you told your story with your crows, Ruv was a great listener, intrigued with your experiences. Sarv eventually went outside, worried with y/n who until now hasn’t showed up yet, to find both them and Ruv circled by crows, telling stories and jokes as the crow laughed with you.
Ruv could get used to that.
Haa that was it!~ it was a small one but I really hope you liked it! I’m sorry if it’s too ooc haha stay safe everyone ❤️ happy pride
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crazylittlejester · 1 month
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I come forth with some fluffy headcannons this time around.
Groose has already planned Sky and Sun's wedding without either of them realizing. The entirety of Skyloft is currently holding their breath for when Sky proposes, some even are holding bets for when he does.
Time cries every single time a baby animal is born on the farm. No matter how many times he has seen it before, he is a mess of sobs as he lovingly praises the mama and holds himself back from cuddling the newborn baby. If Malon seen him cuddling Epona and the mare she had, she never mentioned it.
Warriors and Artemis love each other so much that they are oblivious to the other. It not even funny, and Impa is forced to witness them be idiots all the time. Somebody save that poor woman.
Twilight goes to Wind for pointers on dealing with a little sister since at this point the daughter Uli and Rusl had would be 4. He just wants to be a good big brother.
Wind collects all kinds of trinkets and collectibles to give to Aryll and Grandma. His bag is just full of them.
The fight Hyrule and Legend had when they first met (the one Jojo talked about) Hyrule won.
Four likes watching the sunrise, so he often takes last watch to do so.
(I hope you're doing good! You better be having a great day and taking care of yourself.)
These were wonderful to read!! Thank you!!
- I think its so funny that all of Skyloft is probably just so involved in those two, they probably have bets placed on when Sky will propose
- Time is SUCH an emotional guy when it comes to baby animals, I can see him carrying around little guys because he loves them so much (and he definitely gets super sad when he can no longer physically carry them)
- Poor Impa is probably sitting there ripping her hair out, those two are idiots 😭
- THATS SO CUTE, i imagine Twilight is one of the best at handling kids, he’s already a big brother to like all of the village kids, but the idea of him asking Wind for pointers is so cute
- Wind and Legend are the biggest trinket collectors, they just have HOARDS of trinkets
- Oh Hyrule definitely won that. To me, Hyrule looks like a thin 15 year old, but he’s actually 18 and has quite a bit of muscle hiding where you can’t see it because his clothes are a bit baggy on him at first (he definitely fills out more during the journey and grows into them), making him look much smaller than he is. So when Legend runs into what he perceives as a child who looks small, he underestimates him and gets his ass handed to him. Hyrule is deceptively strong, him and Wars both, they don’t look it, but they’re just as strong as the others, and the other members of the group don’t doubt their strength at all once they actually get to know them
- I can see Four battling people for that last watch so he can watch the sunrise, and I can see some of the others joining him sometimes :)
I hope you’re doing good and taking care of yourself as well!! :)
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sauriansolutions · 5 months
Text
Here's a little snippet thing to get myself started at having a blog with, like, content.
I was inspired by the absolute silliness that is the class of TWST item called "Secret Snacks." I just adore the concept that you can boost your friendship with game characters by, apparently, stealthily feeding them illegal snacks during class?
All my (excessive number of) Jade cards have full vignettes *cries* but I just want to keep feeding him forever... help...
"Secret Snacks"
You are sitting next to J.ade in class before lunch. You can hear his stomach growling and whining every few minutes. 
You occasionally catch him frowning down at himself after a particularly egregious rumble, like he's trying to scold his belly into silence. You can't help but let out a quiet giggle at his stern expression, and Jade, realizing he's been perceived, shoots you a sheepish grin.
"So sorry," he mouths, sotto voce.
You reassure him that it's alright. 
Towards the end of class, you notice Jade reaching down to fold one arm around his middle. His stomach's complaints have gotten quieter, but they've also become more frequent, to the point that the gurgles have become a near-constant background noise. 
As you watch, Jade looks up to check the clock for the umpteenth time, then sighs quietly and slumps forward a bit in his chair, lips pressed tightly together in a disappointed pout. You look up, too, and note that here's still about fifteen minutes before lunchtime.
Poor Jade. Since agreeing to switch seats with Leona (who wanted a spot behind the tall student so the professor couldn't see him as well), you've noticed that Jade gets distractingly hungry like this every day, around the same time. 
Jade is usually perfectly attentive and studious during class. But you've heard he also has, what he terms, "poor fuel efficiency. So, you guess that this is around the time his energy reserves from breakfast are nearly depleted. 
His empty, grumbling stomach clearly makes the mer student unhappy and fidgety, shifting in his seat, shuffling papers aimlessly, or doodling in the margins of his notebook. 
You've seen Jade's actual sketchbook, so you know the eel is quite artistically talented. But, humorously enough, as lunchtime draws near, Jade's sketches seem to inevitably devolve from nearly-photorealistic drawings of mushrooms, trees, and plants, to simplistic and almost cartoony renderings of his favorite foods. 
Octopus dishes, you couldn't help but notice, feature prominently. 
You've even caught Jade gnawing on the decorative filigree around the edges of his magestone pen, once or twice. Thankfully, the pens are apparently spelled to be highly durable and shatter-proof. Still, the grinding sound of Jade's razorblade teeth on stone or metal makes you wince every time you hear it. 
Jade, now nearly drooling, is putting the finishing touches on a drawing of what appears to be a steaming plate of grilled octopus. 
... Not for the first time, you find yourself wishing you had something to feed Jade. 
Students technically aren't allowed to bring food into the classroom, but you've seen your fellow classmates covertly munching on candies, meal bars, and the like enough times during class, that you feel like sneaking in a snack or two couldn't be *that* big of a deal. 
Maybe tomorrow, you think, you'll slip Jade one of those packets of barbecue-flavored dried squid that are on sale right now at the Mystery Shop. 
Smiling, you jot down a quick reminder to yourself in your planner. Next to it, you draw a little cartoon eel. You give it a big, toothy smile, and add lots of cute little sparkles in its eyes. 
Satisfied with your work, you close your planner and wait for the bell to ring. 
Classes have been getting increasingly more difficult, as midterms are approaching. 
But now, you think, you have at least one reason to look forward to tomorrow's lesson.
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fakeosirian · 1 year
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"house of anubis has bad writing"
so i have a bit of a pet peeve when it comes to critical discussions about tv, and i'm going to use house of anubis as a vehicle through which to talk about it since i think it's a very good case study of this particular problem.
it's pretty simple: "x has bad writing"
saying something has "good writing" in passing is fine -- not every conversation needs MLA citations -- but for the sake of this post not being a million words long to account for every nuance possible, let's discount those situations and suppose that this is in the context of an extended critical discussion about something, and specifically calling out the "writing" as the culprit.
the funny thing about "writing" is a lot of the time, that...isn't what's being identified in a statement like this. this is where i'm going to start talking about house of anubis so i can give you an actual example
house of anubis has what i would call strong writing for most of its run, with a few notable exceptions (that i'd like to note are localized, specific problems!). when i say this, i'm thinking about specific parameters: the coherency and structure of the story, the pacing, the tone, the consistency and fidelity of the characterization, the quality of the dialogue (doing everything possible to only consider the words themselves, not the performances from the actors), and bells and whistles/creative choices that elevate it past functional narrative and into a piece of art. that is writing.
things that aren't writing that have a huge impact on how the writing/story is digested and are heavily influential creative choices in their own right BUT are literally just. not writing. that get commonly conflated with writing: ACTOR PERFORMANCES (i would write this one 100 times if it made a difference), shot composition, editing (both cut-to-cut and structural editing), and in some cases production design (so sets/props/costumes).
house of anubis is a great case study for this because oftentimes (especially in this VERY cynical phase of pop culture we're in) people conflate things that are earnest, low budget, or camp (especially when talking about elements in the "not writing" category) with "badness" when, while you don't have to like it, if you changed the lens through which you observed them, "bad" would be...not apt as a description. that being said, house of anubis isn't a great case study just because it's camp, but because, as the strongest example here, sometimes the performances are just Not Good. i will not name names (especially since everyone has their moments/odd line reads AND you can see clear improvement over time). but hopefully you know what i mean. it CAN affect your opinion of the story as a whole in a way that like...okay if you were watching season one for the first time as an adult, i wouldn't blame you for being turned off by the pilot, or hell, even a solid 80% of the entire first season.
i've attempted hoa watches with rl friends 3 times now, very recently finished s1 with someone actually, and noticed that more often than not, it was the acting (either because it's a very characteristic/camp/borderline theatrical style that takes getting used to or because it's...roughest at the beginning) that was turning them off. sometimes that was highlighting existing writing issues, but especially during arcs like the play/patricia's kidnapping that are structurally sound, perceived "cheesiness" in the acting would leach into the perception of the writing. we actually skipped the first 5 episodes entirely to try and mitigate the parts that are a bit hard to sit through without prior investment (i showed them the recap portion of the video essay i'm working on instead because they'd seen the pilot before and quote "could not handle that again" LMAO) but i noticed something interesting: while it took them a while to come around to fully enjoying the show, there was a period before that where i could tell that something shifted -- they were invested in the story, but they were still reacting like we were watching a neil breen movie. once the acting picked up, "oh this is garbage" (affectionate) turned to "wait a minute this is good."
that is the difference between bad writing and bad [something else].
this is a post about how house of anubis has good writing more than anything, but i do have to talk about the actual bad writing to make this point. early s1 has a particular type of writing flaw that's both INCREDIBLY interesting to break down, requires good writing ability to make in the first place, and unfortunately, is a KILLER for interest in a show like house of anubis, especially when it's taken out of its original context of being released every couple weeks in runs of 4 days of a new episode each night (which side note: COOLEST release schedule i've ever seen a show do. BRING THIS BACK) and binged instead.
quick interjection because i realized that how i define the plots in this show is not at all universal and i haven't talked about it before/released that damn video yet so you won't know what i'm talking about: until episode 9, season 1 has TWO A plots -- whatever nina/fabian/amber are doing (A1), and whatever patricia's doing (A2). at episode 9, they converge, so it's a more conventional singular A plot, but the reason i insist on it being 2 A plots before that instead of the show having an A/B/C/D plot and then A/B/C is a) for clarity's sake since the other plots don't change at all so why shift their categorization b) calling patricia's plot the D plot so you don't have to do that would imply it's the least important when it's easily the MOST important (it gets all the coolest reveals let's be real) + the C plot usually changes every episode/couple of episodes so putting a long-running plot after what is usually just a runner in the hierarchy makes things needlessly complicated c) they DIRECTLY converge in a way that's well telegraphed from the start. you KNOW whatever nina's doing is related to what patricia's doing from the pilot, and that's good.
so let's be real here: the A1 plot kinda sucks. not because the content itself is bad on its face -- that part of the writing is fine -- but because the individual scenes and what information they drip-feed the audience are poorly paced. the most egregious scene is the one in episode 5(!!!! FIVE) where fabian finally notices the eye of horus in the stair railing (by getting his shoelace caught on the doorknob somehow -- don't get me started), shows nina, and they come to the EARTH-SHATTERING realization that robert frobisher-smythe was really interested in egypt! 💀 it's not so much about them...coming to an obvious conclusion...even if that was what caused my ??? kneejerk reaction, but more that we spent an entire scene on this information (that even to a kid wouldnt bear stating), and it's not the first (nor the last) time that something like this happens in the A1 plot. meanwhile, in the A2 plot, patricia is learning something LEGITIMATELY earth-shattering once or twice a scene, and with multiple scenes in an episode for her, it's difficult for the A1 plot to keep up in terms of intrigue/information weight. the audience can tell that nina's the main character and that whatever she's doing is the "main point," but it gets increasingly difficult to make that case when patricia is getting gangstalked while they're visiting sarah over and over without learning anything new.
the real rub here isn't even in the comparison itself but in the fact that they're still, ultimately, both the A plot, and the characters in each need to get to specific places in the information they have/things they've experienced before their plots can converge properly at victor kidnapping rufus. when you compare them, there's a discrepancy pretty quick: patricia has way more things she has to piece together than sibuna do. thus, the sibuna plotline is artificially sandbagged with repetitive scenes, reveals that don't deserve the fanfare they get relative to the actual content of the reveal, and contrivances (see: fabian shoelace doorknob scenario) so it won't outpace things going on in patricia's plot and undermine the reveals there. when you add in how the B/C plots tie in and have impacts on the A plots or vice versa, it makes sense that something would end up being sacrificed in the pacing department. it seems kinda nuts that it'd be A1, but at a certain point of fiddling with events/moving stuff around, i can see why it had to be A1 that got this treatment.
i'll add that while it was airing, i didn't mind that and even liked how things felt ""sort of normal"/not that supernatural relative to where it was going to end up for a WHILE so when, say, the elixir is introduced and alfie gets trapped in the cellar and they REALLY start using their effects budget, it feels like a considerable shift in the setting. a mystery story that lets you get used to some sense of normal first before yanking the rug out from under you is the best kind, but striking a balance between "something weird is going on here that needs my urgent attention" and "but it's still not THAT weird" so the reveal is both shocking but entirely appropriate and satisfying is VERY difficult. (it's also a move that improves the rewatch at the expense of the initial watch, which i can't help but have a soft spot for as a certified Pretentious Bitch.) that's what i mean by it being a problem that comes from a good writer -- they're trying something! it might not be working perfectly but they're trying and to me, that's far more interesting than technically "clean" but very unambitious writing! but i digress lol
something neat that scene i ragged on early does do is the presentation of the information, though, and it makes me trust this was a particularly thorny structural issue and not amateurish writing. it seems to us that the takeaway is that they need to look into egyptian mythological sources for further information, and that the rollers likely belonged to the frobisher-smythe family. what ends up actually being relevant, though, is a) the naming of the eye of horus for the scene later where rufus asks patricia to look for them (specifically the locket, as we find out later, but he doesn't give that away, same as the scene not giving away why it used the eye of horus in the railing to clarify ^ the above dubiously useful information) and b) the subversion of the audience's attention. i'm not sure if this was intentional, but there's something magical about the way it primes the audience to be dismissive of nina and fabian's discoveries and investigative ability early on. for one, it makes the scenes where nina makes fun of amber for investigating every nook and cranny extra ironic in a way that i love (yes! giving your prototypical blank slate audience insert main character hints of a personality that ends up commenting on the nature of blank slate characters/how their behavior would actually come off if they were real people later down the line!), it makes the audience more likely to get invested in making connections/speculation independent of the characters solving the mystery (audience engagement is critical in a good mystery!), and by hiding the "most important information" in plain sight, it reinforces the illusion that this is a living, breathing world where everything is interconnected in unexpected ways. sure, it's cheesy and may feel cheap, but through that, it hits something real.
to sum up, i can see why if you're just turning this show on expecting a straightforward supernatural teen drama you wouldn't see this stuff first (especially since that genre is predominately cynical in tone right now and house of anubis is reminiscient at first blush of the type of show that a lot of other shows in the genre are...making up a guy like and parodying (badly)) and feel inclined to call it bad, especially without watching season 2. if you're someone new to the show, hi! i hope i haven't scared you off! if you don't mind spoilers, i did a writeup about a scene in late s2 that's an example of both good acting and EXCELLENT writing, both in dialogue but most importantly on a structural level. while it is a standout phenomenal scene, it's only that good because of the writing around it supporting that level of subtext in the first place, and the bones of that are present even in early s1.
i'm holding myself back from writing about cynical vs. earnest media because that's better saved for another post (specifically the fabled s3 writeup i will do someday i promise), but i cannot overstate how much of an impact that has on this, too. to state that conclusion as concisely as my verbose ass can manage: you need both cynical and earnest media in your media diet, elsewise your taste and critical skills will just Be Bad. too much cynical media, in particular, can trend towards a lack of appreciation for the earnest media it needs as reference material to respond to, and at that point, you're just adulating hatred ("intelligence") over loving, y'know, love. earnest media can suck, but at the very least, it's less insufferable to argue with.
(also, sidebar that's been said a million times, but these are TEENAGERS!! so many teenagers on tv are written like adults who make bad decisions, but there's an inherent corniness to being a teen that IS sorta "cringe," and you can't take that out without ruining the experience. i'm a super risk-averse person, but i'd be willing to bet a considerable amount of money that if you wrote up some early-ish s1 dialogue in script format (incl. action lines, etc.) of a scene with all kids and compared that to a scene of just adults, so stripping out the performances/keeping those from interfering in your interpretation, the dialogue that comes off "cringe" would read like perfectly fine, age appropriate language/cadence. i HEAVILY respect a show that doesn't pretty that up, even at the risk of coming off "amateurish.")
in conclusion, i asked my friend when their opinion of the show shifted from essentially "well i'm having fun watching it with you at least" to "ok wait a minute this is actually good," and they said the last four episodes of s1. while i'd place the "officially Good" marker for myself somewhere around episode 9, maybe a little later, i can see exactly why it'd be far later (and at that point specifically) for someone else, particularly someone that hasn't taken...extensive notes on every single moment of s1 and poured over them like it was my job for a solid couple years.
episode 23 and onward has: jerome and alfie getting more complex material to work with AND get to play off one another (and thus two of the show's best actors get to show us that), the rube-goldberg-machineification of the plotlines is setting in (the scene where mick and mara are playfighting while doing the dishes (as a result of their relationship turmoil up to this point??) and spill water on victor right when jerome chases alfie into the kitchen with the drawings of the ankh pieces?!?!?!??!?! LIKE!!! YOU CAN'T CALL THAT BAD WRITING...); reveals are paying off; stakes are high without spiraling out of control; actors in general are refining what elements of their characters work the best/need highlighting; beyond that the characters have weathered enough conflicts that their choices are cropping up to be consistent and solid characterization with a direction; it's clear that this is a campy endeavor with writing chops to back up the cheese.
the way that manifested in my friend's reaction was "wow, that was a good scene." "wait, that was acted really well. everyone did a good job there." "oh my god, they're not. theyre not doing this. oh my god, they are."
that is the essence of house of anubis, i think. it's not for everyone, but "bad writing?" a bit unfair, if you ask me.
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iron-sparrow · 25 days
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List 5 things that make you happy, then put this in the askbox for the last 10 people who reblogged something from you! get to know your mutuals and followers (ू•‧̫•ू⑅)♡
In no particular order!
LIFTING BIG WEIGHTS. It is a mental and physical struggle I absolutely enjoy, and very few things on this green(ish) earth can give me the same high lifting does. My current highest number is 253 lbs/115 kg for 2 on sumos. The other day I did 227/103 for 3 without pausing. Also, depressed queer lifters are some of the best people you could know!
I freaking love anatomy. Sorta ties into why I'm so into lifting weights + watching others lift. I am obsessed. We all joke about our shitty our meaty flesh suits are, but have you ever just sat and thought about how intricate they are and how long it took nature to evolve us into such efficient sweating endurance machines despite our other shortcomings? I mean, I hate running (flat feet suck), but the IDEA of how long we can hypothetically go for because of how our bodies work mechanically is mind-blowing. And have you seen how an Olympic lifter utilizes momentum and balance with their incredible strength to lift as much as they do off the ground and above their heads? The breakdown of every single limb's motion and muscle movement is SO beautiful that I can't even... WHEEZE...
I don't consider myself a writer, but I really love writing more than drawing sometimes -- no offense to my art degree that definitely wasn't a waste of time or anything. Something about processing images through words just hits different. A freight train slowly crawl by on the tracks versus a bullet train zipping across its rails; a horse breaking into full sprint; bird beating its wings against the air in very specific patterns; houseplant slowly changing directions as it seeks light. My heart feels so heavy that it's threatening to slip from my ribs down into my stomach in search of an escape from the pressure building inside my skin; I think if it burst, I would see it turn my breath into the same abyssal blue we perceive the ocean to be.
I guess music is another sure way to feel anything, including "happy." Some friends of mine talk about stimming with specific types of music, and I think back to how often I find myself unable to function at all without something playing in my ears. I'm actually prone to sensory overload (high ceilings WHY), so I will always carry around headphones or earbuds with me to help! And really, I'm content to listen to the same tune on repeat for 12-14 hours to stabilize my mood. This fucks with my Spotify statistics in the funniest way. Plus, people are more likely to leave you the fuck alone when you got headphones on, and I like being left alone. (Social misanthropes, rise up.)
My friends make me happy, and I am incredibly blessed to have friends that love me. When they can't support me directly, they walk alongside me so that I can still see their shapes while I traverse the fog. They ask me how I'm doing when I change medications. They tell me my muscles look nice after I've finished a gym session. They watch my OCs turning on the hot dog warmer with me. Some nights, when I'm struggling, I remind myself that I'll be able to talk to them again when I wake up. ♡
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sjsmith56 · 8 months
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How I Really Feel About You
Summary: Bucky’s writer girlfriend moves into the Tower with him. He questions her about her love for Jane Austen’s novels, specifically Pride and Prejudice. For the next movie night he insists they watch Bridget Jones’s Diary and Pride and Prejudice. His reaction and the reaction of the other Avengers surprises her. First person POV.
Length: 3.25K
Characters: Bucky, unnamed OFC, Sam Wilson, Yelena Belova, Kate Bishop
Warnings: Imagine Bucky walking across the field as Mr. Darcy (sigh), implied smut.
Author’s notes: I love Pride and Prejudice and while watching the movie again envisioned Bucky Barnes as Mr. Darcy. This is the result.
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The movers were scheduled to arrive the following day and I still had so much to pack for my move to the Avengers Tower. After a year of dating when Bucky Barnes, current Avenger and my boyfriend, finally asked me to move in with him into a larger apartment, I said yes. He was everything I ever wanted in a man; just old-fashioned enough to treat me with courtesy and respect, but modern enough not to be threatened by my career that took me away every so often on research trips as I flew around the world, becoming familiar with places I would write about in my novels. Sometimes, he even came with me for a time, or met me there after finishing his own mission. There wasn’t much writing done during those times but his presence certainly added to the romance of those locations, which always made its way into my books.
Being drop dead gorgeous didn’t hurt either, as I still couldn’t believe this man with the body of a god and the face of an angel, had eyes only for me. I could spend a lot of time listing off my own perceived deficits, but Bucky didn’t want to hear them from anyone’s lips. In his eyes, I was perfect, beautiful even when I was on a tear while writing, had bloodshot eyes and stringy hair, while wearing my sweatpants that were a little too tight, so my muffin top was visible. Maybe it was part of his being a 1940s man, but he seemed to like a little padding on a woman’s body, and he certainly liked mine.
Right now, he was helping me finish packing for the move, something I had procrastinated about for several weeks as I finished a final draft of my latest novel before sending it to my editor for fine-tuning. He offered to pack my bookcases, filled with my eclectic and diverse collection of books, memorabilia, and knickknacks, doing a good job until he came to the last one.
“How many different versions and souvenirs of Pride and Prejudice do you need?” Bucky asked.
He was standing in front of what I called “The Shrine,” my collection of all things related to Jane Austen’s masterpiece. It included several different collector book editions; a hardcover one, in dark brown leather with gold gilded letters, a cloth bound edition in red with silver lettering, a special illustrated hardcover edition with protective sleeve and my paperback edition that I actually used to read whenever I felt the need to resume my acquaintance with my favourite title. There were DVDs of all the movie and television versions, including the special collector’s edition of the BBC/PBS series starring Colin Firth, and Jennifer Ehle. Then there were the literary texts about Pride and Prejudice, followed by the knickknacks, souvenirs, and the photo album with the photographs of the various actors that I always took with me to comic cons, premieres and any other occasion where I might run into one of said stars, in the hopes of getting their autographs. It was my obsession and until Bucky started packing the individual items into boxes, I don’t think he realized how much I loved the book, the series, and the movies that I couldn’t watch enough times.
“Says the man with a bookcase full of Hobbit and Lord of the Rings books and the DVDs,” I replied from the linen closet. “But I’m fine with that because I know you love them and they’re good books, good movies, and your Gandalf action figure is pretty cool.”
He appeared in the hallway, leaning against the wall, with his arms crossed. His face was so serious and for a moment I wondered if he was offended that I brought up his own obsession. From the floor I looked up at him.
“What?” I asked.
“How come you’ve never asked me to watch any of the movies?” he asked. “I know you’ve seen all of the Tolkien movies. Yet, you’ve always saved your Pride and Prejudice movies for girls’ night. Is there something I should know? Are they like Bridgerton and you watch them for the sex scenes?”
“No, there are no sex scenes in Pride and Prejudice although I’m sure there is a porn version somewhere if I Google it.” I shuddered. “I would hate to think what they would do with it. Have you never read it?”
His eyes rolled. “Of course, I’ve read it, well some of it,” he clarified. “What’s the big deal?”
“What do you know about Jane Austen and the times in which she wrote?” I countered.
“Not much,” he admitted. “Enlighten me.”
I stood up as this required my full attention. “She was born in 1775, one of eight children of a clergyman,” I replied, knowing the famous author’s background well. “Well educated, she was also born into a social structure that saw a woman of her status as suitable only to be the wife of a gentleman, and mother of his children. Most marriages of the time were arranged, although her parents were a love match, and a woman was considered the property of her husband. The only women who worked for a living were in the working class. If a higher-class woman had to work because of circumstances it was seen as a drop in her social status, as governess was likely one of the few suitable jobs for her. Jane Austen began writing as a child but by the time she wrote her first published novel in 1811 it is known she had been engaged once but changed her mind and never seemed to be involved with anyone after. It doesn’t mean she wasn’t; it just was never made public. Yet her stories of life for a woman in her social sphere gave a real insight into the pressure women had to marry well, and not necessarily marry for love. Most of her heroines did just the opposite, marrying for love.”
“She didn’t write about sex at all?” asked Bucky, puzzled.
“She didn’t have to,” I explained. “It’s referred to in very genteel terms. A character in Pride and Prejudice runs off with a man who has no intention of marrying her, and although it’s not said that they did the deed, they refer to her ruination, and how that will affect the marriage chances of her sisters. In another novel, there is a reference to a teenage girl who runs off with a man, is discarded by him, and finds herself pregnant after. Because he’s a gentleman, and of a higher status than her, his standing is considered more important than hers. She’s the guilty party even though he sweet talked her into bedding with him.”
“I would have kicked his ass,” said Bucky, his face set in stone. “Talking a young woman into sex then leaving her behind with his child. Too many guys like that even in my time.”
Running my arms around his muscular middle I squeezed him hard until his face softened and he kissed me. He was my knight in shining armour with his still strong belief in how men should treat women.
“There were plenty that would but rich, handsome men of a certain status in those days often took advantage of sweet young girls that they saw as objects to satisfy their desires,” I replied. “It’s a universal truth even now, and Jane Austen was well aware of it. That’s why there have been so many versions of it in both books and movies.”
“How many books did she write?”
“Six major novels, all of them adapted into movies or TV series. There are many shorter novels, I don’t quite remember the number and one of them called Lady Susan was turned into a hilarious movie called Love and Friendship.” I placed my hand on his cheek. “Would you do me a favour and read Pride and Prejudice all the way through? Then, when I’m moved in with you, we’ll watch the most recent movie together. It’s a good adaptation, although it cuts out a lot, but it brings some aspects to the story that I like, and we can talk about the differences. Then someday, maybe on a rainy day, when I’m not writing, and you’re not on a mission we can binge watch the BBC series. It is the definitive version and delves so well into the characters. It’s what made me fall in love with Jane Austen’s writing, and certainly pointed me in the direction of writing as a career.”
That beautiful smile of Bucky’s broke out and he tilted his head at my admission. Ever since we met, and he found out I was a writer, he had often shared his admiration of those who lived by the creation of the written word. Of course, his favourite author was J.R.R. Tolkien, but he was also open to many others, and we often spent time on the couch reading together. One of us would be on their back with their feet or head on the lap of the other; it was interchangeable who was where. It was one of the many things I loved about James Buchanan Barnes, that he considered reading an important part of his life.
A week later, I was completely moved into the large apartment in the Avengers Tower. We had three bedrooms, one for us with our own ensuite, one for guests, as my family liked to visit New York at least once a year, and one to use as my writing office. We had a large living / dining area with a kitchen, although we took most of our meals in the communal kitchen with the other Avengers, some with spouses and significant others. Sam had just made a big pot of jambalaya, and everyone was crowded around with a bowl, eager to get some of the culinary treat.
“So, movie night tonight?” asked Kate Bishop as she walked away with her full bowl. “I’m feeling like we need some action movies.”
“Pride and Prejudice,” stated Bucky. “I want to watch it and then watch Bridget Jones’s Diary.”
Sam nearly spit out his drink and I threw a kitchen towel at him. He grinned at Bucky, ready to unleash his wit on him.
“You want to watch some chick flicks? The human cyborg, former Terminator, the Tin Man wants to watch a couple of romance movies?”
“Asks the man who hasn’t had a girlfriend in how long? Maybe you’ll learn something.”
Bucky didn’t even look at Sam when he said it. But you know when two guys are sizing each other up in the school yard and they begin with low level insults then one says something that the other can’t respond to? We were at that point. If Sam’s skin was lighter toned, I’m sure he would have been blushing. Everyone watched the two of them to see what would be said next. Bucky looked Sam in the eye, almost daring him to say something.
“Alright, White Panther, we’ll watch them,” said Sam. “I’m sure they will both be very informative on how to get a girlfriend. The bigger deal is how to keep one.”
Bucky put his arm around me and with a shit-eating grin looked at Sam. “I seem to be managing quite well in that department as well. Don’t I, Darling?”
I grinned at Sam then gave Bucky a long kiss. “You’re a wonderful boyfriend. Why don’t we watch the Bridget Jones movie first then watch the source material second.” I looked at all the others. “Everyone has to watch both movies. If I have to watch all of the Fast and Furious movies, you can watch two versions of Pride and Prejudice.”
I have to admit that I wasn’t expecting everyone to laugh so much at the Bridget Jones version. They especially seemed to enjoy the fight scene between Mark Darcy and Daniel Cleaver, hilariously critiquing the fighting styles. By the time the movie ended even Sam admitted he had been mildly entertained.
“Take it,” whispered Bucky. “It’s likely all he’ll admit to.”
“What about you?” I asked, quietly. “What did you think?”
“I gained some insights into modern dating that I could have used before I met you,” he said, as he gazed into my eyes. “Maybe I wouldn’t have floundered so much. The double standards certainly haven’t changed from the 1940s.”
We kissed as Kate brought up Pride and Prejudice in the TV menu, noting there was a movie version and a series version. As she looked at the series information, she recognized Colin Firth from the Bridget Jones movie.
“Wait, he played Mr. Darcy in two different versions of the story?” she asked. “Maybe we should watch the series.”
“That’s a whole rainy day of watching that you would have to commit to,” I stated. “It’s more faithful to the original book and it’s best viewed with others who want to watch it with you. The movie is a good adaptation and there is a scene near the end that should take your breath away. If it doesn’t then perhaps Jane Austen isn’t for you.”
“Who’s Jane Austen?” she asked.
“The woman who wrote the original book in 1813,” interjected Bucky. “You should read it.”
I wanted to kiss him again for that. With a shrug she queued up the start of the movie and everyone went to the bathroom, refilled their drinks, and restocked their popcorn and candy. Then Kate started the movie and I let myself become immersed in it.
“He’s hot,” I could hear someone whisper, when Matthew MacFadyen first appeared as Mr. Darcy.
“Isn’t she on Yellowstone?” Someone else asked that when Kelly Reilly appeared as Caroline Bingley.
“Shhh,” was the answer and I inwardly grinned.
When Mr. Collins arrived, there were groans at how awkward and clueless he was.
“Reminds me of some guys I grew up with,” deadpanned Kate, then she yelped when Yelena elbowed her to keep quiet as she leaned forward, taking in everything.
There were some comments at the incredible music score, which I had the CD for, as well as a digital version on my playlist. Finally, we got to the scene between Elizabeth and Lady Catherine. There were whispers of “Bitch” at Judy Dench’s portrayal of Mr. Darcy’s aunt. When Elizabeth sent the old woman on her way I settled back, knowing that my absolute favourite part of the movie was coming. Sure enough, there was Lizzie walking in the early morning mist in her nightgown and housecoat. Intellectually I knew it was highly unlikely the daughter of a gentleman would do that but visually and romantically I could feel the emotions in the scene when she turned to see Mr. Darcy walking towards her in the same mist, his overcoat flaring out as he walked, his chest partially visible through the open top of his shirt. His manly stride was just … perfect.
“Damn,” Sam’s voice was loud enough that I almost giggled.
Several audible exhaled breaths showed the scene had hit the mark and I looked up to see Bucky watching the TV screen intently. There wasn’t even a kiss between the characters while they were silhouetted in the morning sunrise, just them touching their foreheads together. It was magic. When the final scene ended, and the credits began to roll I started to turn around then felt Bucky’s face next to my ear.
“That was good,” he whispered. “We’re going to our room right now.”
Before I could respond he pulled me up and practically dragged me down the long hallway to our apartment where he pressed into me against the wall, kissing me feverishly. It wasn’t until we were both laying on the messy bed after, our legs splayed across each other, that he finally said something about the movie.
“I never knew how romantic it was,” he said, then he shook his head. “It’s not even that. They were so constrained by the morals of the time and the expectations to marry at or above your station, but all of their desires just raged under the surface.” He sighed. “That part at the end when Mr. Darcy comes out of the mist. Did you hear all the gasps? Even Sam was affected. I know that it was in the script but it just ….”
His voice trailed off and I lifted my head, propping it up on my hand as I gazed at him, while running my fingers over his chest.
“Do you remember when we met?” I asked. “I was driving all night to get to New York, and I had the flat tire. There I was, out on the highway, in the dark, the fog coming in and not a vehicle in sight. There was no cell service, and I couldn’t even get the first lug nut off the flat tire.” He raised himself to look at me, propping his head up on his hand and gently caressing my arm with his other hand. “Then out from the dark there you were, dressed all in black in your combat gear, your rifle slung over your shoulder. I should have been afraid, but you just strode right to me and looked at the flat tire.”
“It’s not safe for you here,” he stated. “That’s what I said, isn’t it? I remember. Somehow you had suffered a flat tire right in the middle of our stakeout and I just wanted to get you to safety.”
“Every time I see that scene of Mr. Darcy walking through the mist I’m taken back to that night when you helped a lady in distress. You walked me back to the quinjet and told me to stay there until you were all done with your stakeout. When you had your suspects, you changed the tire and strode through the mist just before dawn to get me. It’s how I really feel about you, Bucky. You’re my Mr. Darcy, in the flesh, except we liked each other from the start. We didn’t have to get through our prejudices to find out that we belonged together.”
“That makes you my Lizzie Bennett, doesn’t it?” He smiled. “My beautiful, smart, incredible girlfriend.”
We slept in each other’s arms, secure in the certainty that we were meant for each other. In the morning, after a quick shower, we headed out to the kitchen and found everyone else already up. As Bucky poured us each a coffee, Yelena came up to us and gestured out the window.
“It’s a rainy day,” she said bluntly. “Perhaps we can watch the miniseries of Pride and Prejudice. You did say it is more faithful to the original book.”
I looked at all the others, who had obviously delegated Yelena to the task of getting our participation. Even Sam was there, looking a little sheepish. But she was right. It was a rainy day and the episodes, if we ran them without interruption would take over 5 ½ hours to watch. There were perhaps better ways to spend the day but to me, there weren’t many. Bucky heated up several breakfast sandwiches for himself while I grabbed a muffin, some yogurt, a banana and a coffee. We settled into a spot on the sofa, as did everyone else. Then Yelena started the playback, the lights dimmed, and we all lost ourselves into the life of a Regency family with five unmarried daughters once again.
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reapersbayif · 1 year
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Quick commission for @stephschoices for her heir, Fallon, and RO Striker!
“You know,” Striker murmurs from where you both were crouching behind the shipment crates, “If you told me who upset you so, I could’ve killed them by now. For free, too.”
“You, doing something for free?” You whisper back, keeping your eyes pinned to the creaky docks beyond, “Pardon my disbelief.”
“C’mon, Ghostie,” His tone turned playful, “Your happiness is my currency.”
Finally, you look at him, one eyebrow raised slightly despite the fact that he couldn’t see it. He stares at the darkness that cloaks your face for a moment before sighing.
“As you can see, I’m a very poor man right now.” He gestures at your entirety.
Though his face is covered from the nose down, you can see the amusement in his dark eyes. Striker’s eyes had always been expressive and, though you’ve yet to see his face in its entirety, they told you all you need to know.
You hum slightly, turning back to your post, “And poor you will remain.”
The dark cloth that covers your nose and mouth does well at muffling most noises, but he can hear you regardless. At the very least, you know he can not read your eyes as you do his. 
Where Striker relies solely on his mask, you prefer a cowled cloak that drapes over the rest of your clothing, creating a formless shape in the darkness of night. 
No one sees you, no one hears you. That’s how you like it, and so it shall remain.
You are a ghost, the phantom of the Ellende. Sometimes better known as Ghostie, at least to Striker. No one else even dared to try and call you that.
Their best assassin, the one who’s never missed a mark. Striker had been surprised when he first met you, given that you were actually quite quiet, all things considered. Not what one expected of a perceived heartless, cold-blooded killer.
“At least tell me if you need help.” He continues, “You were…off. Earlier. I called your name three times and you didn’t even move.”
The nightmares will do that. It had been your sister’s corpse who’d haunted you last night, bloated and grey and collapsing. Brackish water had fallen from her mouth each time she parted her lips, but you could still imagine her pleading.
“I shall be certain to inform you if the need arrives.” You speak drolly, before quieting as a faint groan of wood catches your attention.
It catches Striker’s, too. 
Your mark, meandering down the docks alone, not another soul around. A too wealthy boat captain who someone wanted dead. 
He brought spices and goods across the border and sold them to the many vendors in Norwick. More illegally, he also brought people to sell. Particularly the young of Navra’s seafaring villages.
Perhaps you cling to your past, perhaps you can never truly kill the Princess of Navra you’d been raised as, but you know you’ll relish seeing him die regardless of the reason.
Striker draws his blade, but you’re faster. The knife sails across the open, empty space and lodges in the center of his forehead. He makes no noise, has no time to react, and is dropping to the ground in seconds. 
You emerge from behind the crates, Striker at your back. You wrench your blade out, wiping the bloody remnants off on the captain’s nice jacket.
When you look up, brown eyes are following your every move. When Striker notices your attention, he turns his own back to the body below. He nudges it with his foot, taking the man’s watch from his pocket as proof before he sends the body into the dark water below with a swift kick.
“Quite a deadly little thing, you are.” He says as you tuck your blade away beneath your cloak, “Faster than a bullet.”
“Quite.” You agree, “Now let’s get this watch back and collect our coin.”
“Hardly know why I tagged along.” He stretches his arms out, stiff from hours of waiting on the mark to make his appearance, “I was no help.”
“You were entertainment.” You disagree, “Absolutely vital.”
“Entertainment,” He chuckles, “Well, at least I might provide in some small way.”
He takes a step toward you, but his foot catches on the slick wood below. He teeters to catch himself and you hold a hand out too late. He goes flailing into the water below, disappearing just as fast as the body he’d put there only moments ago. 
You panic, briefly, your heart fluttering rapidly in your chest. You like Striker, quite a bit more than you care to admit, but you don’t know him all too well. Can he even swim?
He can, apparently. He bobs back up to the surface, gagging and spitting water as his mask hangs around his neck. He’s…
He’s cute. You hate that he’s cute.
His nose has a pleasant, strong slope to it. His lips are full, and you could almost imagine them tugging up into a grin. A dusting of stubble lines his chin and upper lip, and his hair hangs in damp black curls around his forehead and ears.
“Eugh, Gods!” He gasps, “I can taste the blood!”
“You can’t.” You immediately deny, “All you taste is salt.”
“I taste copper,” He defends, dragging himself back onto the dock with both hands. 
It’s graceful. How is he horribly clumsy at one moment, and the exact opposite not even minutes following?
“Do you need help?” You ask, hovering slightly at his side as he climbs up from his knees.
“Nah,” He denies, a laugh escaping him, “Not my first dip.”
You can’t stop the matching grin on your face and, though he cannot see it, he must sense your amusement.
“No chance we’ll forget that, hm?” He asks. “Not a one.” You say, “Nice try, however.”
He only shrugs, “I figured. Well, Ghostie, you’ve seen my face. Don’t go exposing the competition.”
“And get fired?” You scoff quietly, “Hardly.”
It’s quiet, briefly, and you can read the tension in his expression. Your fingers twitch at your side, and you suddenly need him to know he can trust you.
You exhale sharply, “What do they say about mutually assured destruction?”
He has no time to parse out a response before you’re glancing around, ensuring you’re still alone. Then you tilt back your cowl and tug your mask down in one smooth motion. 
He stares at you, and you stare at him. Your long, dark braid had fallen across your shoulder with your actions, and your face feels oddly bare under his gaze.
Softening, he spares you a small smile, “Well…nice to meet you, Ghostie.”
“Nice to meet you, Striker.” You respond softly, fiddling with the fabric of your cloak.
He shakes his head in disbelief, “No, trust me, the pleasure’s all mine.”
You remask yourselves and return swiftly after that, him waterlogged and you reeling from someone who knew your occupation seeing your face. Striker didn’t seem hardly as concerned, but you suppose he didn’t have to worry about people recognizing him.
Not like you do.
The secrets threaten to burn a hole in the back of your throat, his concern from earlier tasting like ash in your mouth, and you remind yourself again of why you exist.
You are a tool for revenge. A tool to make things right. Nothing more, nothing less. Fate had decided that long ago, and you can do nothing but hold your breath, resigned, as the waves sweep you under.
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tlbodine · 1 year
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Socializing 2.0 - Talking to People Who Are Upset
I was trying to write this as a reblog to my other "how to socialize" post and it keeps glitching out, which is very irritating. So here, let's try it on its own post.
Last time I talked about some tips for making small talk, and some scripts/talking points for how to show interest in what people are saying even if the topic doesn't excite you.
Now, I want to talk about a different scenario that can be really challenging for everybody (but, I think even harder for folks who don't come by empathy easily). Which is: How do you talk to somebody who is upset or having a tough time? How do you express sympathy without making the thing about you and your feelings?
While I'm by no means an expert at this, and I can't claim I've got the solution for every scenario you might encounter, I do have some tips and techniques that have helped me along the way and hopefully they can prove useful to you, too.
STEP ONE: Identifying that a person is upset
Sometimes it's very easy to tell that someone is upset, because they will yell "ARGH I AM SO MAD ABOUT THIS!!!" or they will be crying or some other obvious outward sign. Other times, though, it can be kind of tricky to tell. It's even harder in text, where you sometimes have to guess whether someone is jokingly mad or mad-mad when they post keysmashes, all caps, angry emojis, etc etc.. Folks also sometimes deflect from their actual emotions by joking them off. Or they'll say something you feel is alarming, but then don't act like it's a big deal.
People are complicated, in other words. So it's OK if you get this wrong sometimes. Everybody does.
In general, some signs that people might have something the matter:
Obvious outward expression of emotion (yelling, crying)
Acting more withdrawn or subdued than normal
Appearing distracted or disengaged
Looking more disheveled than usual
Acting unusually rambunctious or like they're compensating
If you notice somebody seems upset but you're not 100% sure, you have a few options:
Politely ignore it.
Let them bring it up if they want to. This is a safe bet if you are not very close -- ie, they're strangers, coworkers, acquaintances etc. HOWEVER, if you choose this route, you can still do this person a kindness by not imposing on them.
For example, if your coworker seems upset about something and you have a question about the job, could you ask someone else instead of approaching upset coworker? Could you quietly do them a favor? For example, could you offer to take over for them at the register and let them work in the back? Offer to watch things while they take a break? Small kindnesses can make a big difference in someone's day. It's not always possible, but it's nice when you can!
If nothing else, try to avoid dumping anything on them while they seem upset. If you're also having a shit day, you can probably find someone else to rant to.
Ask if they're okay.
This is more appropriate if you have a rapport with the person. If they are your friend or romantic partner, or if you have a rapport with them and want to express that you care, it's probably best to acknowledge that you've noticed something is wrong. Avoid saying anything that might be perceived as aggressive; don't way "What's wrong" or (even worse) "What's wrong with you?" Instead, try, "Is everything okay? You seem a little down today."
They may respond:
I'm just a little tired
I'm kind of distracted
What? Oh, haha, no, I'm fine...
Sometimes they mean this at face value, but more often what they actually are communicating is "I'm not OK but I don't feel comfortable talking about it."
That's fine. Don't pry. Drop the subject, and proceed as above -- politely ignore their perceived signs of discomfort, but be kind to them and avoid dumping anything on them unnecessarily.
Do not be surprised or alarmed if, after some time has passed, they come back around to reopen the subject and start to open up about whatever is bothering them. Then again, don't take it personally if you never figure out what the deal was. Maybe they really did just have a headache. Maybe they had an issue they figured out on their own. Either way, it's no longer your problem.
(note: this is a little more complicated if it's someone you live with and it goes on for a while, but that scenario is out of scope for this post).
STEP TWO: They Told Me They're Upset
Okay! So whether you started here with them, or this just came up after you asked if things were ok, you now have confirmed that a person is upset!
If they tell you the gist of what's going on, it's a good idea to acknowledge it. But stay fairly neutral about it and avoid value judgments.
For example: "My grandpa died"
An appropriate response might be, "I'm sorry to hear that" or "Oh jeez, I'm sorry :("
Some other great all-purpose responses when someone says something bad happened are: "Dude, that sucks :(" and "oh no!" or "oof."
Next -- and this is really important -- you should follow up by asking, "Do you want to talk about it?"
(you can also use that question any time someone says something vague like "I had a shitty day today" or "I'm so pissed off.")
If they say no, they don't want to talk about it, follow up with, "Well, let me know if there's anything I can do." And then, ideally, volunteer a couple options of things you can do, depending on your relationship and what you are capable of doing: cover their shift, approve their time off, take care of a chore, listen if they change their mind.
If they DO want to talk about it, by all means, let them talk.
Ask if they would like advice or if they just want to get it off their chest. If they don't ask for advice, don't give them any.
Use your active listening skills and ask questions. Avoid prying or traumatic questions, but don't be shocked if you receive more intensive answers than you expected. A safe question to ask when someone says someone died is to say, "Were you close?" or if a pet died, "How long did you have them?"
Validate their emotions, but avoid bringing your own judgments to the table unless they ask for your honest opinion. For example, if someone is ranting about their romantic partner, it's cool to say, "I'm sorry that happened. You shouldn't have to put up with that." but it's not so cool to say "Your SO sounds like a dick, you should leave them."
Ask if they would like a distraction or to be cheered up. If you're in person, and you're amenable to the task, "Do you want a hug?" is also acceptable. (just respect whatever they said).
You'll want to be mindful of your energy. I personally have the best luck with projecting calm, neutral, slightly joke-y vibes. "It do be like that" and "Dude, that sucks" delivered with some genuine warmth in your tone or an empathetic emoji can go a long way.
STEP THREE: How to Not Make It About You
There are a few ways you can unintentionally make something be about you when someone else brings up something that's upsetting them:
One-upping them. "That's nothing. This one time, I had...."
Invalidating them or passing judgment. "That's not a big deal" or "What an asshole!" (you can agree with them that someone is being a dick, bit they need to be the one who says it first)
Trying to relate to them by telling a story about your own experiences, which ends up taking a really long time, or puts them in the awkward position of feeling like they have to comfort you.
OK. So a couple things.
Relating to people with relatable experiences is not a bad thing! In fact sometimes it can be really helpful! HOWEVER if you go that route you need to be really cautious of a couple points:
The story needs to be brief and stick only to the most relevant details. it's FINE if you don't provide the full absolute context of the entire scenario. You just need to tell them the relatable part, and then relate that back to them and how they are feeling.
For example:
"I'm so sorry to hear your dog died. I had to put my cat to sleep last year and I remember how guilty I felt, worrying whether I waited too long. Did you have a lot of time to prepare with your dog or was it pretty sudden?"
This is good! Here you are relaying information that you understand some of what they're going through, introduce an emotion that may or may not resonate with them, and then hand the conversation back to them with a question. Now they might tell you all about how, yes, they worried about that same thing too! Or no, their thing was really sudden and unexpected. Or whatever they tell you!
Then you can respond to that thing like, "Oh wow, I can't imagine how rough that must have been." or "Jeez, that's so hard. How are the kids taking it?" or whatever else seems appropriate in that moment.
STEP FOUR: OK But Now They Won't Shut Up About It?
One downside to expressing concern in other people's affairs is that this can sometimes mark you as their new confidant, purely because people so rarely just listen and care about other people.
If it's just the occasional bit of ranting, it's probably fine to just let them do their thing. And if they're coming to you to rant and off-load their stuff, then it's probably fine and expected that you can respond in time and maybe you guys are just ranting buddies.
But if you end up in a scenario where they can ALWAYS complain about their thing, but you can NEVER complain about your thing, that is a toxic dynamic! That requires some intervention! Friendship cannot be built on that foundation.
If you've expressed your condolences or listened to someone rant about whatever is pissing them off and you feel you have nothing more to offer the conversation, you can just say that: "I don't know what else to say, really. It's a tough situation and I hope it gets better for you."
And then you can just. Exit the conversation.
Some additional lines to keep in your back pocket include:
"I think that's beyond my pay grade to help with. Have you spoken with (a therapist/counselor/clergy member/whatever)?"
"That's so frustrating! You should definitely go talk to (the person they are complaining about) about that."
"Well, if you ever need someone to (specific thing you actually are willing to do), let me know."
Being kind to people and showing concern for their problems does not mean you have to become an unpaid therapist or doormat. You get to maintain boundaries about that stuff.
Anyway! This is super long! There is so much more I could get into here but I'll leave it at that. I hope this is in some way helpful to you.
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pioneer-10 · 1 year
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Can I Exist?
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@lackablazeical​‘s addams family au has a chokehold on me, so I wrote a fic about Usagi for it.
Content warnings: Unreliable narrator, cognitive dissonance, manipulation, [perceived] physical abuse, and gaslighting. Please let me know if I missed anything and I’ll add it as well.
His room is not how he left it. 
Usagi knows this because he’s checked the closet seven times now, and his kimono is just as missing from its place as it was the first time he looked. 
“No,” he murmurs to himself. “No no no nonono no, it can’t be.” 
Except it is. 
His last piece of his family, of his life before this never-ending nightmare that’s become his existence since, gone. Gone without a trace, without any idea of…
Usagi’s stomach twists as a cold chill of realization settles over his shoulders. He does know who stole the kimono, because there’s only one yokai that could…
Him. 
Leo. His stalker - no, his tormentor, who’s been messing with him for several months now - leaving notes in blood on his desk, sliding skin-crawling letters under his door, spray painting the entire building outside his window with horrifying declarations of his "love." Nobody else could have known about the kimono's importance - even Leo shouldn’t have known, but Usagi’s more or less gotten used to that bastard’s ability to find out about things he has no goddamn business knowing. 
It has to have been him.
Usagi’s running before he can stop himself, adrenaline turning his veins electric as he flings open his apartment door and bolts outside. Leo had written instructions on how to get to his home on the back of one of his many letters, instructions that Usagi had never in a million years thought he’d actually be following. 
But he is, because he can’t just lose that kimono, not after everything he’s been through. It’s the one thing he has left of home and goddammit, he won’t lose that too. He tries not to let his mind rest on the chilling thought of Leo stealing it from his room while he was asleep, either. 
The Hidden City's streets are as alive as ever, but Usagi hardly notices the crowded alleys or the smell of smoke as he winds his way towards the human world and what lies just beneath it.
The sewers.
His heart is pounding, and his throat feels like sandpaper by the time he finally reaches the sewer tunnels. The smell alone is nearly enough to make him turn back, nose turning up at the awful stench as he gingerly takes a step into the dank air. He’s never been up here before - it’s not safe being this close to the human realm, not to mention…well, everything about the sewers, really. Usagi hates everything about them already - the smell alone is enough to make him want to crawl out of his own skin, and the fact that he didn’t think to bring a flashlight in his mad dash to the surface hasn’t helped matters at all. The shadows feel like they're watching him, and he can feel hidden eyes on his back with every step he takes.
A sound like a muffled shout echoes toward him, and Usagi freezes with a jolt of fear that briefly roots him in place. He doesn’t know that voice, and his mind screams danger danger danger when he forces himself to move again, pressing against the tunnel wall with a shaking breath. 
Of course Leo’s not alone up here, he thinks. Of course there’s more of them. Usagi slinks forward, even more cautious than before as he feels his way along the wall, listening to the shouting grow louder and louder…
He turns a corner, and the scene he finds himself witness to is one of the most horrifying things he’s seen since…
Since…
Kenichi’s screams echo in his head, and Usagi’s skull throbs like someone’s hitting it with a hammer as his back burns and burns and burns and his brother’s blood drips onto the cold stone floor before his eyes. The knife digs through flesh and then bone, and his brother's screams turn to whimpers as the blood flows more freely, and all Usagi can do is - 
Watch.
Three other turtle yokai are gathered around Leo, who’s been strung up by his arms like some kind of horrifying pinata as they take turns swinging at him with a metal bat. He’s unconscious, eyes closed and body limp as it swings from the ropes tying him to the ceiling. 
“It’s Raph’s turn!” the biggest of the three tears the bat away from the hands of the smallest, and before Usagi can stop himself he bolts forward. Leo’s sword is laying haphazardly on the ground and he reaches for it, grasping the handle and swiping it upwards in a single swift motion. 
“Get away from him!” The other yokai stumble back, blinking in surprise as Leo’s limp body drops to the ground - Usagi reaches out to catch him before the concrete can, mind whirling with a thousand thoughts. 
But there isn’t time to think, as the smallest of the brothers swings a fist at him with a snarled curse. Usagi lurches backward, struggling with Leo’s awkward weight in one arm as he lashes out with the sword he still grips in the other. To his surprise, he’s answered not by the howls of the yokai brothers, but by a whoosh of glowing blue. Usagi’s eyes go wide, and in a panic he stumbles through the open portal as the largest brother reaches after him. It snaps shut behind him with a pop, and then he’s…
Where is he?
It looks like he's back in the sewer tunnels somehow, and he's far enough away from Leo's brothers that he can't hear the echo of their voices anymore. Usagi sinks to his knees, tearing away the last of Leo’s bindings and carefully adjusting his hold on his shell as his head lolls against his chest. 
I did it, he thinks, equally horrified and proud as he carefully gets back to his feet. I saved him. I saved him. He half-expects Leo to snap his eyes open and laugh at him; tease him for being so gullible and funny - but he doesn’t, just as still as he’d been when Usagi first found him. 
And he hadn't even found his kimono…Usagi’s heart sinks as he begins making his way back to the Hidden City, stopping every so often to readjust his grip on Leo. Maybe that was why Leo had stolen it, he reasons with himself - maybe he was the way he was because his brothers were so horrible to him that he knew nothing else. Maybe, if he could get him away from that, maybe…
Maybe he wasn’t a monster, not really, not beneath the surface. Maybe Usagi could help him, maybe he could fix this and do something good, something right. He’d already failed his own family, but maybe…maybe this could make up for it, in some small way. 
Maybe helping Leo could make the pain of leaving his family hurt a little less, a part of him thinks, desperately.  Maybe he can prove to himself that he isn’t completely useless after all if he can help someone, anyone, even…
Even him. 
His mind is made up. Usagi is careful to support the turtle’s head as he carries him back through the Hidden City, ignoring the stares he gets from other Yokai and the kaleidoscope of neon assaulting him from all directions. He’ll have to take the next couple of days off work, he thinks tiredly, as his apartment building reveals itself in the smoke. He'll have to make sure Leo is okay after…
After…
Usagi remembers the sound of the bat hitting his plastron and shudders. How long had Leo been strung up like that? Why were his brothers hurting him? Did it have something to do with his kimono, somehow? Had they made him steal it?
Usagi has far too many questions, and not nearly enough answers. 
His apartment is exactly how he left it when he returns, and Usagi hates that he can’t stop himself from checking everything anyways, from the items on his nightstand to the drawers in his kitchen just in case something moved even though Leo’s right here, there’s no way he could’ve possibly done anything while he was gone - 
He carefully lays Leo down on the small sofa in his living room, locating a soft blanket to cover him with so he doesn’t get too cold. He feels on edge even though the turtle is still clearly unconscious, as if he could at any second jump up and make his life hell all over again.
And what if he does? a terrified part of him asks. Usagi stands in silence for a long time, staring in silence at the stalker-reduced-to-
Reduced to what? A victim? A reasonable person twisted into unrecognizability by circumstance? 
Usagi hesitates, then takes a seat on the chair across from Leo. 
It’s going to be a long night.
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flowerstardrops · 2 years
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( BEGONIAS ) kozume kenma x gn!reader
this is actually a one-shot containing an intimidating!reader. i thought the idea was cute but it's also lowkey self-indulgent due to my past experiences.
WORDS: 1689
GENRE: romance ( crush stage ), fluff
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AT SOME POINT IN OUR LIVES, we come to the realization that life was never fair to anyone. It just is, what it is in its most objective form, meaning that it simply moves continuously without waiting for anything or anyone. But the people living within it is what makes us so unsatisfied.
Subconsciously, we are shaped by experiences that nudge the beginning of our evolution. And we reach the highest forms of development when in contact with other beings that are also growing, similar to ourselves. When our experiences interconnect, it creates external ripples that accordingly creates impacts within ourselves, and thus, creates learnings. Learnings that we will all eventually internalize.
The process of developmental evolution occurs to everyone, and you are no exception.
Perhaps it’s your face or the way you stare off into space when thoughts run through your head, but when subjective beliefs come in contact with objective knowledge, one is left at a standstill. Placing labels plucked by one's' views on the face of an object is what causes the dissatisfaction to emerge. Society is no exception, in fact, the abstract concepts that make up a community is what makes the society itself. While, the technical aspects are what makes an individual alive.
Perceptions are what makes an object and an individual exist after all.
But that doesn’t necessarily mean that you have to appreciate how you are viewed. Because for one, you can say that the way you are perceived doesn’t fit within the boundaries of what society would call “friendly”. And it frustrates you almost to no end because making friends is the same as making pie for people who suck at baking: it’s not easy.
So, you live life unintentionally isolated for the most part. Sometimes there are people around you that don’t seem to mind you the way you are, but they don’t hold enough appreciation or bond with you to stay. But as a person, you have grown accustomed to watching others from afar; them inviting others in but never happening to include you. Either way, they all come and go.
“(Last Name)-san,” He spoke quietly and paused as if unsure, “Do you have the notes for yesterday’s lesson?”
But there is this one person that seems to approach you at random times. He isn’t necessarily always with you to be considered a friend, but he isn’t far away as to be considered a stranger. He isn’t a prominent-enough imprint in your life, but he is always there and hasn’t truly left.
In the smallest ways, Kozume Kenma became the pebble to the silent and unmoving puddle of your life.
You nodded curtly, “Yes. Do you want to borrow it?”
“Yeah, thanks.”
“It’s no problem.”
He’s your seatmate and every single day, he doesn’t fail to interact with you at least once. You aren’t entirely sure why because he doesn’t seem to be keen on talking with other people. Similar to you, he’s typically alone but the difference is that he does so intentionally. But gathering the circumstances, you assumed that he was doing this out of pity.
He probably noticed the way you tried your best to open yourself up to people but still failed with awkward laughs and short-word responses. If he was doing this out of pity, you wish he’d stop because you just feel pathetic.
────────────────────────
Kozume Kenma is aware that he’s an introvert through and through, and sometimes, it’s difficult. More so because he likes someone. And even more so because he has difficulties outwardly expressing.
He isn’t like Lev who could wear his heart on his sleeve and not care too much about it, and he isn’t like Taketora who could just pounce on a girl he likes, confessing his love. Because he is Kenma, and Kenma finds it hard to show his appreciation for the person he likes. Without them finding out about his liking. Without them finding out about his liking yet still making progress.
But Kozume Kenma is lucky because he likes you. You, who were similar to him yet quite different at the same time.
“Thinkin’ about (Last Name)-san again?” Kuroo teases him with a sly grin.
Kenma settles for ignoring him and continues to gaze at you from afar. He and his team had just finished running laps and he could feel the sharpness of his breath everytime he breathed. But as he watched you sit on the other side of the field, sitting on a bench with a book in hand, the uncomfortable exhausted feeling in his chest blurs out.
“How about we run there and say hi?” Kuroo suggests and Kenma immediately shakes his head.
“No.”
“Why not? (Last Name)-san looks kind of serious all the time but they seem nice. I’m sure they’d greet you back.”
“They are nice, but it’s not because of that.” Kenma responded and shook his head once again.
“Then what? If you think they’re going to figure out that you like them with just a ‘hi’, then you’re being silly. We’re just gonna run past them and give them a wave, okay?” Kuroo pushes persistently.
Kenma let out an annoyed sound and grumbled before sipping on his jug, “Do what you want.”
Kuroo claps his hands together, earning the attention of the other members who were taking a break, “Okay! Instead of running back and forth here on the side of the field, this time, we’ll run around it. Five laps, let’s go!”
As Kenma’s teammates began to run, he decided to stay behind as per usual. With every step and every sharp breath released through his mouth, he finds himself closer to where you were, until eventually, he runs right past you. He sees the way your head tilts up to look away from the book you were reading, and all in the span of a few milliseconds, he sees the way your lips curl upwards a little and your eyes making contact with him as a form of greeting.
His face suddenly feels hotter and it isn’t entirely because of the run.
He runs past you four more times, and each time, you seem to be observing him and his teammates. You don’t smile nor do you give any form of encouragement, but he feels your eyes on him the entire time. He imagines that you’re the prince or princess to be saved right after the boss level, and with each lap he accomplishes, he comes close to saving you. And that is sufficient encouragement to get himself going.
Right after the final lap, he stands on the other side of the field from you once again with his chest rising and dipping deeply. He sees that you have set the book down once again, but this time, you were clapping silently while looking at them.
“Seems (Last Name)-san is impressed with you.” Kuroo comments right beside him.
Inside, Kenma hopes that the claps were for him, but instead he says, “It’s probably for all of us.”
“Yeah, yeah. Whatever you say…”
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The weeks go by and every single day without fail, Kozume Kenma talks with you with his usual quiet voice.
“(Last Name)-san.”
“Yes?” You ask, flitting your eyes away from your Science worksheet to look at him. You weren’t exactly a big fan of Science-related Mathematics.
“Do you need any help?”
“Yes, please.”
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“(Last Name)-san.”
“Hm?”
“Do you have an extra eraser?”
“Here.”
“Thank you.”
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“(Last Name)-san.”
“Yes?” You pause, looking up at your seatmate before adding, “Just call me (First Name).”
“A-Ah, okay. Call me Kenma, then.”
You nod then speak up, getting straight to the point, “What do you need?”
You see him flinch slightly and you tilt your head curiously at the rather strange reaction. You were sure that you hadn’t said anything offensive—or maybe did you? You replayed the previous scenario inside your head before coming up with none that might’ve caused him to react this way. So, you waited. You watched as he turned his gaze away for a second before looking back at you once again, piercing light honey irises staring into yours.
He purses his lips then quietly asks, “Can… Can we be friends?”
You might’ve missed his words due to how silent it is, but the proximity helped you in hearing him. You concluded; he was quite shy.
You frowned and he immediately bit his lip awkwardly, turning to face the board once again. You catch the way the tips of his ears had begun to turn red.
“Sorry, d-don’t mind what I just—”
You cut him off, “I thought we were already friends. Or maybe I was just getting ahead of myself?”
His head turned to look at you rapidly with his eyes wide. He waved his hands a little frantically right in front of him with furrowed brows representing his worry.
“No. No you weren’t. I just…” He paused unsurely, “I just didn’t want to be rude if I declared us to be friends all of a sudden. I was considering— maybe you didn’t want to, s-so I asked.”
He waited.
A second later, he heard a silent “pfft” and eventually it had grown to a fit of quiet chuckles.
“Am I really that scary?” You asked, your laughter dying down as your eyes turned serious. Your curiosity and perhaps a little bit of anticipation for his answer were flooding your mind at the moment.
He didn’t like it. He didn’t like how you looked at him at the moment. It was the same expression you had when there were times that other people from class didn’t necessarily try to include you, even if they knew that you were trying hard to fit in. Your lips were twitched to the smallest of frowns and your eyes had grown dull.
“No, you’re not.” He shook his head, “You’re easy to talk to. Besides… I’m surrounded by hyperactive volley-crazed giants during matches. Now, they’re scary.”
He sees your lips curl up to a smile and he took this opportunity to ask once more.
“So. Friends?”
“Thanks, Kenma. And yes, I’d like that.”
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© flowerstardrops — do not commit any acts of plagiarism. i do not condone anyone stealing or copying my works, and especially posting these on another platform.
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narcissusbrokenmirror · 8 months
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Caleb said "our gifts are so rare, so special" as if not every ghost can do it, plus when Willie looked surprised after Alex said he could become visible playing with Julie.
However, my vision on Caleb is that he is a liar manipulative predator. so obviously he'd try to make the boys feel special and unique before trapping them into a spell.
So i think ghosts can have tons of abilities that all they need is time and practice to control, like when Alex learned how to hold things properly. So here is a list of things i think ghosts can do in the jatp universe:
Transportation: ofc. we've seen it. they poof in. They poof out. No biggie. Except how far it goes? How many ghosts can they transport? Can they transport lifers? it's probably the easiest ghost skills to have.
Objects Summoning: sure they can summon their instruments bc is attached to their souls but i doubt they can't learn to summom any object they put their mind to, if they can play it, they can conjure it. Could be learned through concentration, bc it might sound easy like poofing from place to place, but it'd involve traveling actual material objects through space, and since touching and holding stuff is also something u need to put your mind to it, certainly it also needs concentration.
Energy Control: Willie can flick the cop's vehicle lights. and flicking lights has always been a ghost thing. They could definitely learn that skill for special stage effects, watch the tv w/o touching the remote, pass messages, freak someone out, create a distraction, infinite possibilities. I also think they could absorb that energy within themselves and release it somewhere else.* It could be learned through concentrating and finding the right timing (i think Alex would master it.)
* if ghosts are made of energy and air there's no way they can't interact with other kinds of energy. magic and science are just like batman and bruce wayne.
Levitating: Caleb can levitate, other ghosts might as well. i think they could achieve by meditating and learning to clear their mind. (Reggie would kill it y'all) they could also lift other objects without actual touch them. imagine their final battle with Caleb and just as they are going to lose, Caleb falls on his face bc someone (reggie) tried to catch a heavy object and it accidentally hit Caleb's head?
Becoming Visible/Tangible: They can do it, we've seen it. ofc it was a magic move after a power of friendship moment, But, i believe they could figure out how to control who can see/touch them and who can't, my guess is that they'd have to visualize and wish to be perceived by someone. same goes for being heard or not. (Luke can work this one easy bc he has a need to be perceived) and since Caleb can make a whole bunch of ghosts appear and disappear, im sure Alex could make Willie visible for Julie.
Possession: im gonna guess this is some unethical shit bc u can actually damage someone's soul by trying to hijack their body. but im sure they could impersonate someone and absorb their energy, so u can control them better. Caleb is putting it off tho.
Energy Sharing: this one is very oc if im being honest. but imagine a ghost having such positive or negative energy from feelings he suppressed or expressed vividly before they died, so they could project that energy in a way that could affect people and ghosts around them? It might not be the best power bc its kinda nonconsenting, but it can also be hard to acknowledge they have a power like that.
That's mostly it. I dont think Willie knows all of the ghosts skills, i guess Caleb just lied to him as he did to the others, but he can groq out of it and learn. Sure some of these requires some focus and that might be hard for Alex, but learning skills can go different for everyone. sure one is gotta get it easier than others but these boys are musicians, they're used to combining their different skills together.
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jeanmoreaux · 9 months
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one thing i have been thinking a lot about (very fleetingly yesterday while i was watching, but quite a lot today) is the way nick’s “coming out story” contrasts with (and partly) mirrors kit‘s own. i cannot even imagine what it must have been like for him to play that role, given everything he went through not so long ago. i think this season really reflects on kit’s experience within the fictional context of the story and its characters. i’m not even sure if they actively chose to do that or if it just unintentionally happened as a consequence of exploring the facets of modern queerness (and the source material—an example of life and art bleeding into each another). and it’s so weird because you’d hope that people would be better about respecting someone's right to share information in their own time (or, frankly, never). but like charlie’s dialogue in the last episode mentions, it is surprising how queerphobic people still are… especially the subtle queerphobia that goes on in plain sight and people’s latent queerphobic attitudes are definitely things they've played with as an occasional backdrop this season.
it’s probably most obvious when you look at how they used the background characters this season (e.g., truth/dare scene, prom preparation scene, online comments etc.). they are used to indirectly call-out a subset of viewers who have major issues with respecting people’s boundaries. while there is lots of queer happiness and joy, there are always those few moments where we see someone invading the privacy of a queer character that ground us in sober reality. because believe it or not there are still people out there who treat us as if we solely exist for their entertainment and consumption, as a piece of interesting decor in their heteronormative world. there is nothing inherently wrong with being curious about people or their experiences as queer individuals, but curiosity becomes a problem when it pushes against the outlines of someone’s humanity. when people ask invasive questions, when peers think they are entitled to every piece of information about your love life simply because you are queer, when people believe you owe it to them to tell them about your queerness because they equate not being out with dishonesty—that kind of behaviour disregards an individual’s right to privacy and agency. and that’s dehumanising. that’s the problem.
you’d think people would understand this basic thing about human decency, but they sometimes don’t. the questions & comments about your identity and the demands to explicitly state your queerness for the sake of straight people never stop—whether you are actually queer or just rumoured to be. being bullied into visibly displaying your queerness for everyone to see is a very messed up way of social control that only serves to make straight people comfortable. because that way they don’t have to fear queerness—it cannot surprise them. and if their perceived safety comes at the cost of queer people being uncomfortable or forcefully outed or made to feel unsafe that’s a price they are willing to pay. and some of this season's heartstopper background characters do create uncomfortable and potentially unsafe situations that leave the queer characters feel worse. they show that even people who might not even think of themselves as queerphobic contribute to hostile environments that dehumanises and ostracises queer people. and if you see your own behaviour reflected in any of them you need to take a closer look at how you treat the (queer) people around you.
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