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#is never really dealt with narratively
t4t-lumpygrab · 2 years
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Thinking about Lemongrab 1 as Pb’s narrative foil and a living testament to her mistakes as a person and ruler in that she created a society where people like him can go unpunished purely by virture of being ruling class, because by legally protecting the ways that she mistreats her subjects she opened the door for people like Lemongrab to thrive in the systematic inequality she created. Gumbald who?
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lisbonsteresa · 1 year
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#tm#thinking several things. none of them coherent.#it's wild that this season starts with her stance pretty much being 'i'm the actual cop here. i can handle the danger. (i'll protect you)'#(and that continues here obviously) and then the season ends w/ (...*part one of the finale has) her in the most danger she's been in so fa#kind of similar to 6.01 where she insists on dealing with red john like any other suspect and then she gets into 'the most danger she's...'#and it's not so much that she's being....punished by the narrative for thinking/dealing with things in that way#(although there are shades of that i guess you could kind of read it that way too)#it's just red john is NOT like any other suspect he's not even like the worst suspects she's dealt with he's just on a different level#also wild that her version of fixing this is at great (professional and personal really) loss to herself#they said 'never forget; lisbon is an eldest sibling (eldest daughter at that)#idk it hurts to see her do it and take the punishment so naturally but i do appreciate that they never let you forget how#that informs her as a character that's great for me personally#meanwhile that little blonde moron (affectionate) is over there again like 'i don't want you in danger' 'i don't want lose you'#he's EXHAUSTING but ON THE OTHER HAND this makes me crazy too because like#he's the civilian here and he KNOWS he's the civilian and the show makes sure YOU know HE knows#he is not a 'stay in the car' [immediately leaves the car to come help in the fight] kind of civilian#(like he IS but not in this way...you get it)#he runs away from fights; he shrinks and cowers when threatened/seeing a weapon; he still gags and uses a hanky at some bodies#like he's just a GUY and he fully embraces that and yet STILL#his first instinct - demonstrated most physically in the s1 finale and....most of s7 but verbally/emotionally throughout#is to protect her; in whatever way he can#and most times that's lying to her; keeping secrets; going off and doing stupid shit; putting himself at risk without telling her anything#but that's ok in his book (....maybe not ok but it's better)#him hurting her is one thing; it's something he might be able to come back from; he can work towards her forgiving him#(even if he does a piss poor job of it sometimes alskdj)#but her getting hurt because of him is not something he can fix; it's something neither of them might come back from#and no matter how strong and capable and smart (and amazing and pretty we get it you're in love with her) he thinks she is#he can't risk her getting hurt....so sometimes he hurts her instead#just kind of....spiraling over them. doing great. clearly.
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dailyadventureprompts · 3 months
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Monsters Reimagined: Yeenoghu, Demon Lord of Insatiable Hunger
It's been some years since I did my overhaul on the lore of the gnolls and how they embody the weird de/humanization that goes on with various monsters over d&d's history. Ever since I've had more than a few folks write in asking about how I would handle the default Gnoll God Yeenoghu, who exists in a similar state of "Kill everything that ever existed" to Orcus and a good portion of the game's other late game threats, thematically flat and not really useful for building stories around.
For a while I've avoided doing this post because I thought it might skew a little too close to my personal philosophy, and risk going from simply being influenced by my views to an outright soapbox. I personally hold that despite being part of our nature hunger is the source of the majority of human cruelty, and if society and cooperation are the tools we developed to best fight against the threat of famine, it is fear of that famine that allows the powerful to control society and secure their positions of privilege.
I've also dealt with disordered eating in a prior period of my life, alternating between neglecting my body's needs and punishing myself for needing in the first place. I'm well acquainted with hunger and the hollowing effect it can have, though I'd never claim to know it so well as someone who went hungry by anything other than choice and self hatred.
Learning to love food again saved saved my life. The joy of eating, of feeling whole and nourished, yes, but there was also the joy of making: of experimenting, improving, providing, being connected to a great tradition of cultivation which has guided our entire species.
If I was going to talk about an evil god of hunger, I was going to have to touch on all of that, and now that it's out in the open I can continue with a more thematic and narrative discussion on the beast of butchery below the cut.
What's wrong: Going by the default lore, there's not much that really separates Yeenoghu from any other chaotic evil mega-boss. He wants to kill everything in vicious ways, and encourages his followers to do the same. He's there so that the evil clerics can have someone to pray to because the objectively good gods are on the party's side and wouldn't help a bunch of cannibalistic slavers.
This is boring, we've done this song and dance before, and the only reason that there are so many demon lords/evil gods/archdevils like this is because the bioessentialism baked into the older editions of the game's lore was also a theological essentialism, and that every group had to have their own gods which perfectly embodied their ethos and there was no crossover whatsoever, themes be damned.
Normally I'd do a whole section about "what can be salvaged" from an old concept, but we're scraping the bottom of the barrel right from the inset. Likewise my trick of combining multiple bits of underwritten d&d mythology to make a sturdier concept isn't going to work as most of d&d's other gods of hunger or famine are similar levels of paper thin.
How do we fix it: I want Yeenoghu to be the opposite of the path I found myself on, a hunger so great and so painful that it percludes happiness, cooperation, or even rational thought. Hunger not as a sumptuous hedonistic gluttony but a hollowing emptiness that compels violence and desperation. More than just psychopathic slaughter and gore, it is becalmed sailors drinking seawater to quench their thirst, the urban poor mixing sawdust and plaster into their food because their wages are not enough to afford grain.
This is where we get the idea of Yeenoghu as an enemy of society, not because violence is antithical to society ( I think we've learned by now how structured violence can really be) but because society fundamentally breaks down when it can't take care of the people who provide its foundations. Contrast the Beast of Butchery with one of my other favourite villainous famine spirits: Caracalla the grim trader, who embodies scarcity as a form of profit and control in to Yeenoghu's scarcity as suffering.
Into this we can also add the idea of the hungry dead, ghouls yes but also vampires, anything cursed with an eternal existence and appetites it no longer has the ability to sate. A large number of cultures across the world share the idea that the dead cannot rest while they are starving, which is why we leave offerings of food by their graves or pour out a glass to the ones we lost along the way.
On that topic, there's also a scrap of lore involving Doresain god of ghouls, who has been depicted as an on and off servant of Yeenoghu. Since I'm already remaking the mythology, I'd have Doresain act as a sort of saint or herald for the demon lord, the wicked but still partially reasonable entity who can villain monolog before the feral and all consuming demon god shows up.
Summing it all up: Yeenoghu isn't a demon you wittingly worship, it's a demon that claims you, marks you as its mouthpiece and through you seeks to consume more of the world. It gives you just enough strength to keep on living, keep on suffering, keep on filling that hole in your belly and feed it in turn.
The greatest of these mouthpieces is Doresain, an elf of ancient times who's unearthly hungers elevated him to demigod status. Known as the knawbone king, he dwells within a dread domain of the shadowfell, and is sought out only for his ability to intercede with the maw-fiend's rampages.
Signs: Unnaturally persistent hunger pangs, excessive drool and gurgling stomach noises, the growth of extra teeth in the mouth, stomachs splitting open into mouths.
Symbols: An animal with three jaws, a three tailed flail or spiked whip. A crown of knawed bones (Doresain)
Titles: Beast of butchery, the maw fiend, the knawing god
Artist
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hey bff! can u do percy x a daughter of psyche? who has the gift of empathy and can heal emotional pain, but it drains her so percy is really protective!
⋆⭒˚.⋆ percy jackson x daughter of psyche! reader hcs
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content: percy jackson x daughter of psyche! reader hcs warning: none this one is too soft for any warnings author's note: okay okay i did my research on psyche for this one and just...awwwwwww wtf its so sweet her and eros like wtfffffff why can't i have a tragic greek love yall doom me with the narrative i beg
you have bewitched him, body and soul
drawn in instantly
im sorry but you would be too if you heard of a girl that could basically heal all of your trauma
very popular among the demigods for that reason
borderline harassed and forced into help ease the emotional pain that a lot of them suffer from
and you wanted to help, truly you did, but it was hard when it took so much out of you
but you just pushed through, wanting the others to feel peace even if it cost you your own
you did it out of your cabin, as you knew chiron would try and stop you, scheduling times for them to sneak in and out
you were on your eight demigod of the day, your vision fuzzy but your hands out stretched as you needed a point of contact to heal them
but then instead of grasping your hands, the fuzzy blob in front of you gripped your shoulders
you could just make out dark hair and what looked to be green eyes before your body gave out on you
after what felt like hours, your eyes fluttered open, and you could feel your ladybug pillowpet under your head, which you turned towards the door of your cabin
there percy stood, shooing away another camper
"but-"
"look at her. she'll kill herself to keep you all happy. let her rest. i won't ask again," percy hissed before closing the door, shaking his head as he approaching you, kneeling beside your bed
"welcome back to the land of the living."
"who was that? are they alright?! i'm sure i could-"
"and i'm sure you could, too. but i won't let ya. you're off for the rest of the week," percy argued and raised a brow at you as you opened your mouth to argue.
you swallowed your argument, nodding your head and offering him a soft smile, which he returned
that was the first time you met and from that point on, it was hard to find one without the other
it got worse once you two started dating
percy might as well have glued his hand into your back pocket of your jeans, as it seemed to never leave
and no matter how much you offer, percy refuses to let you use your powers on him
he thinks it would be an abuse of his position as boyfriend
what he doesn't know, is while he sleeps with his head in your lap and you comb your fingers through his dark hair, you do little spurts of it
nothing major or serious enough for him to notice, but just to give him a little peace of mind here and there
but, for her birthday, once everyone else had left, you offered your services up to sally
percy had told you enough about gabe to leave you, every the pacificist, raging and seething with anger
sally was hesitant but agreed, you two sitting criss cross apple sauce in her bedroom on some rug paul had insisted on
you took her hands into yours and talked through the process, which you typically didn't do with the demigods
you walked her through her own emotions, why she was feeling that, why she dealt with that the way she did, how she might do better next time
you were both crying not even half way through
she pulled you into the tightest hug after, thanking you so many times you lost count
then she sent you home with a boat load of cookies, which she made percy swear on his father not to steal
you were sweet enough to give him a third of your ration, but that's it!! (he ended up with a half, bc you love that boy far too much)
he finds it very amusing to be like 'she's an empath ' at inappropriate times
"she just killed two monsters"
"she's an empath"
"percy! you're girlfriend is crying bc mr. d won't give her another marshmallow!"
"what can i say, she's an empath."
"hey, is that your girlfriend?? she's currently hugging a tree and refuses to let go because she thinks it was a lover in a past life."
"she's an empath- wait, what?"
idk but you are very jane austen coded, you just are
soft and ancient loves are sooooo you!!
those kind of loves where their souls are clearly tied in a neat little bow
percy buys you all those fancy cover versions of the books, making sure they match your aesthetic and all the things
just a boy being protective over his soft babygirl idk what to tell you
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haunted-xander · 3 months
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I think one of the (several) reason for why Shadowbringers is so good is because the narrative is more about the individual characters than it is the Greater Conflict.
Like, the Greater Conflict is definitely there, obviously, it's what keeps the story going, but the focus is always on the people, much more so than the other expacs. HW and STB also have some level of character focus ofc, but it's very selective and even then the focus is based on them in the specific context of the current conflict.
But in SHB, the story bends around the characters' narratives, rather than the other way around. The story forms to put them in situations that challenges their flaws and limitations, by forcing them to confront it and actually deal with it. Even just at the very beginning, you see the twins being dealt a terrible hand that very neatly clashes against their faults.
Alisaie is confronted with a situation that she can and could never do anything about. She has no means to help the patients (at the time at least). The only way for her to help them is by eradicating the source of the affliction itself: the Light. But the Light isn't just some Big Bad she can kill and be done with. Even when all the lightwardens are down the Light is still there, it's just more manageable. Alisaie learns to not only see the bigger picture, but to care for it for her own reasons. For all that she has participated in Big Operations, it has always been because that's what others were doing, what others cared for to be done. She feels for the people of Doma and Ala Mhigo, but she didn't set out to liberate their homelands because she has any personal investment in it. But other people do, and she cares about what other people- be they strangers or friends- care about.
Caring about other peoples feelings and opinions isn't a flaw by itself of course, but doing things without any sense of personal purpose, is. This is what SHB helps her fix and confront, because it is personal now, she does it because she cares.
Alphinaud is forced into a situation where diplomacy and negotiations does and would never work. He can't talk himself into Eulemore, and he sure as hell can't convince Vauthry or the free citizens to let go of their life of ignorant luxury. The problem here also isn't as straightforward as a corrupt ruler, because even after Vauthry is revealed for the bastard he is, it takes considerable effort and convincing to get them to get off their asses and get to work. It's one thing to change the minds of people who wanted the same outcome just in a different way (like Ishgard- they rejected unity with the dragons, but they still wanted an end to the war), but it's another thing entirely to convince people that another way of life is even worth it.
And this is what SHB teaches Alphinaud, that words and deeds can achieve much, but that there is much more to diplomacy than appealing to their wants and/or sensibilities to convince them of an alternative outcome. His development may not be as immediately noticable as some of the others (largely bc he had a lot of it already from HW), but it is still very much there.
Urianger's development had already been build up and sort-of started already, but we don't really get to see it until it near explodes in his face after we kill Vauthry. Even after he swore off secrecy, he's forced to confront his morals when the Exarch bids his assistance. Urianger has always been looking at the greater picture, to the point he'd almost lose himself in it if it wasn't for the overwhelming guilt he feels. He works with the Exarch, because he knows he's the only one capable of it, and he hates the very fact that he is. When the climax of the plan is about to be executed, he is pained to the point that even he can't mask it anymore. He has betrayed their trust once more and once more it will result in the death of a friend.
But it doesn't, and that's what's needed for him to confront himself. As terrible and unexpected as the circumstances around it was, it did show him that there are other ways. There is no one way to solve a problem, the first choice doesn't need to be the only one. And he would find those other ones of he had just talked to the others.
The pay-off doesn't quite come until EW, where we see him actively make the choice to go against his first instinct of acquiesing to the Loporrits' plans, and instead chooses to consult us, but that scene wouldn't have made sense or even happened had it not been for his development in SHB.
Now, Y'shtola is a bit of an odd one because while she does get her due focus, she doesn't quite get the same amount of development as the others. Rather, it shows how she thrives when not held back by others interests and (often somewhat needless) bounderies. Her intelligence and charisma have the chance to shine, her independence and confidence now rewarded rather than punished. In ARR, she is constantly annoyed by the Maelstroms way of dealing with things, and how no one bothers to actually listen to her. Her advice and reprimands are almost entirely ignored until the problem blows up in their faces and they have no choice but to concede that she was right.
Being independent and confident aren't flaws by themselves, but her sometimes aggressive approaches to telling others off does her few favors. In SHB, she has the Night's Blessed who actually heed her word and respect her, they listen to her and actually take what she says- be it advise or reprimand- to heart.
She does also, however, have to deal with Thancred who, much like the Maelstrom, ignores her reprimands and doesn't listen to her. The difference here is that her bluntness actually serves a purpose. In ARR, her bluntness lacks tact and meaning, simply a result of frustration. The Maelstrom won't listen to someone who doesn't come up with fleshed-out arguments and solutions, but Y'shtola doesn't bother giving them any until she knows they'll listen. But with Thancred, she does give him the solution. It's just that the solution is him. His words, to be precise, and his acceptance. And he needs to be reminded of that, and she does. It doesn't automatically solve anything, but that's simply how it is with complicated situations like that.
Speaking of Thancred, his narrative is probably the most important of all for SHB. He's always been shown as a capable, but ultimately self-destructive man who genuinely does not know how to deal with himself in a healthy manner. Theoretically speaking he knows, he recognizes that he is self-destructive, but he still has no idea how to actually fix it. It's been shown as early as ARR when it results in him getting possessed, but it's not really made a point of until it almost ruins his relationship with Ryne. Up until now he could just ignore his problems, but with Ryne he can't because now The Problem(s) aren't just his anymore. Anything that would hurt him now would also hurt her, meaning that if he wants to continue doing the one thing he actually cares about (protecting his loved ones) then he needs to get his shit together.
But Thancred doesn't know how to. And for all that his friends try and try to help him, he doesn't know how to. He's paralyzed. Thancred is so deep into his self-destructive habits that it takes the threat of both his and the person(s) he loves the most in the worlds deaths to get him into action. He doesn't know if it's Minfilia or Ryne who will return, and I'm not sure he expected to survive Ran'jit. He only has this chance, and if he wants to die without (as many) regrets he has to do something now.
And he does. He does and what it is he does is tell Ryne that whatever happens, it has to be her own choice. That he will accept any outcome, that he will still care about her no matter what, that as long as she lives or dies as she wants to, that he still loves her. He still loves her. And it works, because that's what he's needed to do all this time, to be able to just tell her that she matters. That he cares.
He tells her to live her own life, and he learns to live his own too.
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utilitycaster · 6 months
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Wizard Breakdown Tracker: Echoes of the Solstice
You know it, you love it, it may return on an as-needed basis for Campaign 3 now that Allura has entered the narrative and we know the fate of Caleb, but no promises: it's the Wizard Breakdown Tracker! As a reminder, I now include PCs because I make the rules; wizard NPCs are included on the very scientific basis of "do I have something I think is kind of funny or meaningful to say" so as always, if I left someone off, it was on purpose specifically to annoy you.
Astrid Becke: well her boss is missing, Caleb has expressed concerns in private to Beau about all of the Assembly, apparently the king is bedridden and has been for some time, and I suspect news of unsealed things being unsealed gets to her quickly; even if she isn't aware of the events in Blumenthal yet, she's about to be. Also, it's the apogee solstice. 8/10; ever the opportunist, it is a good time for her to try to become head of the Assembly, but also shit's gone real sideways.
Eadwulf Grieve: lost his title of hottest mage (men's division) to one Fjord Stone during the last Nicodranas County Fair and has been sulking ever since but more importantly the temple of the Raven Queen is doing Not Great Bob as of like an hour ago so a rare Eadwulf stress moment. 7/10.
Planerider Ryn: just lost her arm...but is unaware of it, so that's probably helping. technically cannot be calculated because she is a rock but spiritually like an 8/10 and that's only because she is remarkably unflappable; she just witnessed the Malleus Key and that should drive anyone up to a 10.
Allura Vysoren: has absolutely sensed a disturbance in the force weave and I'm sure Kima's feeling some bad vibes from Bahamut right now, but rather like Ryn she actually has some degree of sangfroid, a concept unheard of in the entire continent of Wildemount. 6/10.
Yussa Errenis: have you ever dealt with like, an ER Nurse, and unless something is actually exploding or someone is actually bleeding out they're like "yeah it be like that sometimes"? After you've been sucked into the Cognouza Hivemind while trying to do your silly little arcane investigations nothing short of the Calamity will ruffle you. He's an elf; he knows this solstice is wonky but also he knows this is Someone Else's Problem. Also Jester's left him alone for a whole 24 hours? Incredible. 2/10 and that's really just because he's still a little cranky about the disappearance of his blast scepter. As always: never change, king.
Prism Grimpoppy: by my calculations she's discovering that she's actually fucking incredible in combat right now. 0/10, she's doing GREAT.
Pumat Sol and sure, fuck it, Oremid Hass: I suspect the Zadash Wizard Contingent is dealing with some wild unsealed shit from the time of the Julous Dominion and they can't get in touch with anyone in the capital, but it's probably manageable. 4/10. On edge but not too bad.
Ludinus Da'leth: oh did your little plan to unleash the god-eater go a touch sideways? were you unprepared for the possibility of fucking all of magic? did you think it was going to be easy? did level 9 "Fuck Up Airship" and level 8 "Shield Against Werewolf" fail to save your bitch ass? As we've seen, he'll scramble and recover, unfortunately, but it's a well-deserved 9/10 right now. I love to see a plan fall apart.
Trent Ikithon: OH this motherfucker has LOST IT in prison. Like...he was able to put together a pretty elaborate situation, to be clear, but also he's gone bugfuck nuts and does not really improve. I think he's already broken down from the start having clearly been planning this exact scenario from the moment of his imprisonment honestly given that he appears to be going off of the frissons he picked up from Caleb and Essek shortly before he was captured, but regardless: he definitely ends it at a 10/10. Stuck in an egg for eternity, if he's even still a separate entity from Omentis. A well-deserved fate if ever there was one. Get fucked lol.
Veth Brenatto: hahahahahahahahahahahahahahahaha 10/10 you know she watched Luc leap through the teleportation circle as it closed and has been shrieking loud enough to be heard at the Chateau.
Luc Brenatto: the arrogance and naivete of youth insulate him initially, but Aggy's demise probably spikes it to a solid 6 minimum and it's definitely 9 during the battle. It goes back down pretty quickly though; see Caleb's entry.
Caleb Widogast: he keeps it together pretty well, honestly! Still I have to imagine he's kind of at a 7 or so this entire time with occasional spikes to 9 (NEIN) throughout, and I wouldn't fault him for finishing up the Blumenthal Brunch and then quietly locking himself in a soundproof tower room to scream, cry, and throw up for a while. Indeed, I would encourage it; Caleb should go have a good cry and hug a magic cat for a couple hours until he feels better, and then come back down to find that everyone except the clerics but DEFINITELY including Luc has implemented Spontaneous Apogee Solstice Oktoberfest to celebrate the demise of Trent, the engagement of Fjord and Jester, and the general experience of being alive, and is varying degrees of extremely wasted. This will of course bring him back up to like 7 as he realizes he has to return a hungover teenager to Veth and then goes down to a 4 or so when he realizes the clerics can fix that and Veth will probably be so glad that Luc is alive she'll ignore the rest of it.
Essek Thelyss: Our international drow of mystery looms large in the narrative, but does not make an appearance, which makes this premise extremely funny. I assume he's feeling kind of rough given that the Dynasty wizards are well-attuned to leylines and I would imagine he picks up that Sending isn't working and was broadly aware Caleb was going into danger, so he's certainly stressed, but Trent doesn't actually seem to know Where in Exandria is Essek Thelyss and is merely threatening blackmail. Honestly while we're at it, we don't know where Essek is because I wouldn't put it past Mr. Geometer Owner to have been at a solstice nexus and to have possibly experienced his own Solstice Shunting. In fact I assume Essek is blissfully unaware of these specific goings on re: Trent and is just experiencing The Anxiety for all of the previous reasons. (1d6+3)/10.
Known Gem Wizard Hotsauce Lutefisk: Hmmm. Things becoming unsealed, you say? The uninvited guest list (The Real Gelidon, Isharnai) for The TusktoothStone-Lavorre wedding may have gained an extra entry.
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panlight · 1 month
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Bella wanting to be a vampire and loving it when she becomes one isn't inherently a bad narrative choice. It's just weird compared to the tone with which vampirism is portrayed like, literally up until the second Bella wakes up and is like 'wow this is amazing!'
Everyone else is talking about it in terms of being frozen, of fighting dark instincts, in rising above the hand you've been dealt, of loneliness, of stagnation, of longing for things you can no longer have, of the monotony of eternity. Even characters who have the kind of true forever love that Bella has with Edward talk about it at best as "hell's not so bad if you get to keep an angel with you." They talk about the thirst being painful and never fully satiated. SM talks about how the vegetarian vampire diet is almost as hard as starvation would be for a human, and that animal blood only dulls the pain, never really makes it go away (granted this was on the Lexicon not in the actual text. She may have changed her mind at some point, IDK).
So with all of the above, Bella's insistence that this is what she wants, not just because it's the only way to be with Edward but because of the "perks" and how she "wants to be Superman, too" seem like a weird choice. She's hearing from actual vampires that being a vampire kind of sucks, and she's like 'la la la la I'm not listening' and then she's . . . right, somehow?
It's like SM wanted to have her cake and eat it, too. She wanted the brooding vampire, the 'good' vampires who struggle and sacrifice and deny their darker nature. She wanted the tragic vampire, forced to exist as a monster but trying not to behave as one. The endless dark midnight. But then she also wanted a Happily Ever Fairytale and power fantasy where her protagonist realizes her full potential as a vampire while also finding a forever family. Edward's vampirism makes him feel like a monster; Bella's makes her feel like a superhero.
And it's just . . . it's just hard to make these two things work together in my head. Their worldviews seem completely and utterly different, and Bella being happy doesn't change the decades--in some cases centuries--of 'suffering tragic vampire' stuff the other vampires have been through.
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aerequets · 1 year
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i very much appreciate how Yor, the strongest character, is so feminine
she’s obviously the physically strongest, and arguably the most mentally and/or emotionally strong. what i really appreciate is that this strength and her femininity are complements, instead of the two being treated as mutually exclusive like in many other media.
yor is soft spoken and gentle and kind to others. she feels emotions strongly and cries in front of others and shows her happiness. she has a natural inclination to take care of others. she is good with children, she is great at housekeeping. she may not be good at cooking but by gosh she tries; she wants to get better. she assumes the best in others and finds other women pretty and kind and admires them. she’s family oriented. 
yor is also insanely strong. she’s gone through extensive physical training since childhood, has multiple scars, has dealt with all kinds of people. she can kick a moving car, incapacitate a whole cow, take down a whole fleet of assassins, etc, etc. the list goes on. but despite all this and all that she’s been through, she didn’t become a tough, sardonic, mean-lean-killing-machine kind of character.
 what i’ve noticed in a lot of media is that there seems to be this kind of tradeoff that people think needs to happen in order for a female character to get “truly strong”. basically feminine = weak and masculine = strong. the character cries? not anymore she will never crack that poker face ever! the character cares for others? psh what no, care for yourself she’s not your maid. homemaking skills? useless, all she needs is the strength of her Fists and Harsh Words. she’s not like other vapid girls, she actually cares about the Real Important Fight which, undoubtedly, is also male-dominated. 
of course, all of this is set up as an opportunity for the male love interest to come in and “break down her walls” because women are just waiting for the right man to change them, but i digress.
why? why are the things that are inherently feminine deemed as inferior? 
a good example i can think of is cinderella, or to be more specific, an opinion about cinderella that was popular (and may still be, i dont know tbh): she is weak for needing a prince to save her. 
lets break this down: this girl gets emotionally, phyiscally, and mentally abused from her childhood into young adulthood by the people who are supposed to care for her. despite all this, she remains kind towards others and attentive in what she does. she seizes what she believes could be her one and only chance at freedom, however fleeting, and ends up catching the attention of the person who is ultimately able to pull her out of her situation.
yes, she didn’t bust herself out of the house and shank the stepfam with her glass shoe. but does this mean she is weak? is that kind of emotional resilience within someone after years of abuse what can truly be categorized as weak? 
anyways, all this is to say that yor is built up as the strong one in multiple ways, and the narrative doesn’t act like her nonmasculine qualities are somehow reductive or lesser, and i very much appreciate how rich her character is. i like so many things about this series man im just
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stressfulsloth · 1 year
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I really do think it's interesting that the way DE discusses ableism gets ignored by a lot of the fanbase. Because Harry is undeniably disabled and that's a core conflict of the game. He's living in an impossible situation that so many disabled people get caught in; he's physically disabled, even more so by the end of the game after being shot, but even at the beginning of the game he struggles with nerve damage, post-polio syndrome, partial paralysis in his jaw, withdrawals, and that's not even starting on the mental illness. He is sick and cannot ever properly heal under these circumstances because he cannot stop moving forward or he will start to sink. He's living in poverty. He has no safety net. No way out of the RCM. That night in Martinaise before the beginning of the game, he tries to quit- throw everything away. He tries to end his own life and drive his car into the sea because he cannot fathom a future where he's able to get out of this alive when he's so intrinsically bound to this abusive institution that he can't escape from.
And then comes Jean, deliberately forbidding anyone from jogging Harry's memory out of spite and anger, refusing to allow anyone else to help, calling him a fucking idiot and a psychopath, asking if he can go to the toilet on his own, telling him that he doesn't deserve his disability pension because it should go to cops who gave a shit instead (nevermind that Harry has been working at burnout pace for years, he's an addict so his contributions are essentially worthless, right?). He has a conversation with Judit, right in front of Harry, on whether or not he has learning disabilities.
This guy is a very interesting character! And I'm not denying that he's likely dealt with consequences at work from Harry's illness. But he also fulfils the narrative role of being a mouthpiece for the suspicion and even outright aggression that addicts face even while trying to recover. He fulfils the role of a representative of the RCM, with the ability to approve or deny Harry’s return and in turn essentially sentence him to a slow death in the seaside village. He is not there to help; he is there to judge and observe, and then blame Harry when things go bad even though his inaction is at least in part responsible for the deaths during the tribunal. And this is all very deliberate! The RCM, and by extension the Coalition, as an organisation is failing both its officers and its citizens- Jean, by extension, is one of the officers being failed! They are underfunded, overstretched, overworked, and shouldn't even exist in the first place. The expectation on partnered officers to provide emotional support to each other is ridiculous. But instead of directing his anger upwards towards the Coalition airships or superiors at the RCM, he directs it outwards, towards 'the liberals' or towards Harry, who as a disabled addict is a pretty convenient punching bag.
His vitriol towards Harry is not supposed to be sympathetic! At least the way I read it, you're not meant to look at him and think 'oh wow Harry's struggle has been so hard for him.' You're meant to question his language, to think more deeply about how society treats addicts, how punitive measures are never going to help someone get sober, about the importance of safety nets.
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lostyesterday · 5 months
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There’s an ethical question in Star Trek I’ve seen several people here talk about that I’ve thought about a lot. Basically, what are the ethics of having a romantic or sexual relationship with a non-sentient holographic version of a real person? This issue is brought up several times in canon, but never dealt with well, in my opinion. The main canon discussions of this topic that I remember (and it’s possible I forgot something) are in Booby Trap (TNG) where Geordi has a very brief romantic relationship with a holographic version of a real woman he’s never met, in Hollow Pursuits (TNG) where Barclay presumably has romantic/sexual relationships with extremely out of character holographic versions of Deanna and Beverly, in Meridian (DS9) where a guy wants Quark to sell him a holographic version of Kira to have sex with, and in Human Error (VOY) where Seven has a semi-long-term romantic and sexual relationship with a holographic version of Chakotay.
So, first of all, I don’t think that any of those instances mentioned are morally okay. Booby Trap is the most complicated case morally speaking since, to my memory, Geordi didn’t intentionally initiate anything romantic, though he didn’t stop it once it started either. I don’t want to imply that what Geordi did is morally as bad as the other examples I’m discussing, especially since Geordi is the only character of color being discussed here and his actions are not really equivalent in intention or impact to the other characters’. As an episode, Booby Trap doesn’t seem to have a clear idea of whether or not what Geordi is doing is unethical. In fact, it felt to me as if that question wasn’t something that occurred to the writers at all (until Galaxy’s Child, but that’s a whole other thing and the hologram portion of it is arguably the least messed up thing there, so I’m ignoring it in relation to this topic). Hollow Pursuits does portray what Barclay does negatively, but I feel like the episode is much more concerned with the negative emotional effects this has for Barclay rather than for Deanna and Beverly. Meridian, from what I remember, is the only episode to portray this situation as definitively bad, and Kira is portrayed as justified in being angry. However, the episode is a mess in other ways and does not explore the topic with nuance, making light of it with humor when I think it needed to be taken more seriously. Human Error is in some ways the most baffling case here because what Seven does is portrayed almost positively, as something that is a potentially good step in Seven’s “social development”. Apparently, there is no thought given to what Chakotay would think of the situation. I’ve seen people suggest that the narrative and fandom treatment of Seven versus the other characters is a gendered double standard, which I do think makes sense.
But the problem here isn’t having a sexual/romantic relationship with a hologram, the problem is that the person didn’t consent to having their holographic image used this way. There’s obviously nothing wrong with having sex or a relationship with a hologram not based on anyone’s image, or based on the image of someone who gave clear consent to have their image used in that way. But using someone’s image this way without their consent is pretty obviously analogous to making nonconsensual porn of someone. Do the ethics of this situation change if the hologram is of a historical figure? What about a famous person who is still alive? I don’t necessarily have answers here, but I do think the situation can become more complicated.
And then there’s another factor to consider – is the sexual/romantic relationship the biggest issue here? In the cases of Hollow Pursuits and Human Error, Barclay and Seven’s simulations of the crew are much more extensive than just the romantic/sexual portions. Would it have been all right for Barclay to create potentially offensive and demeaning holographic versions of his crewmates if there was no romantic/sexual component? Would it be okay for Seven to recreate a version of every Voyager crew member and live out an intricate alternate life with them without any of their consent if she never had romantic/sexual relationships with any of them? Is it any less a violation of someone’s rights to use their image without consent for, say, a propaganda campaign for an issue they disagree with, or a story that portrays their holographic version as a horrible person? That second scenario is the plot of the Voyager episode Author Author. This episode seems to take the moral stance that it’s bad for the Doctor to use the images of his fellow Voyager crew members to portray horrible characters, but there are other questions it doesn’t raise. Would it have been okay for the Doctor to use their images without consent if he had portrayed their holographic versions positively? What is the line between an acceptable and unacceptable usage of another person’s image without their consent? Is it ever okay to use a person’s holographic image without their consent? Is such consent implied when a person agrees to holographic scans of their body? What exactly is one consenting to when they consent to have a holographic version of themself created? I don’t necessarily have answers to these questions, I just wish any of these episodes had explored these issues with more nuance. And I do think that it’s important to consider extending the question of consent here beyond sex and romance.
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sarucane · 6 months
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OFMD Spiral Parallels 22: Ed Leaves Stede
Intro: What I love most about how season 2 builds on season 1 of OFMD is the spiral narrative structure. Ground is repeatedly and explicitly re-trod from season 1 to season 2, but in season 2 everything goes deeper than season 1. Meanings are shuffled, emotions are stronger and truer, and transformation is showcased above everything. The first season plucks certain notes, then the second season plucks the same ones--but louder, and then it weaves them together to create a symphony.
---
While the big break-up of OFMD happens when Stede stands Ed up in S1E9, Ed actually breaks up with Stede twice. It's just that those break ups are smaller: both times, Ed is entirely serious about leaving, and both times, he's back within 25 minutes of screen time. This happens because Ed is bailing out to pre-emptively avoid rejection, trying to protect himself. Trouble is, he doesn't actually have a firm understanding of who "himself," is, or why he thinks he's unworthy of Stede's care. However, he does have a firm understanding of how much he cares about Stede, and that brings him right back both times.
When Ed leaves Stede to go with Jack, he does so because he thinks it's true to his "nature." Jack's carefully brought out some of the worst aspects of Ed, including his carelessness about pain and his desire to avoid meaningful relationships. Ed's insecurities about being "unlovable" transform Stede's earlier expressions of concern about Ed's behavior into a condemnation, justifying his departure. It was never going to last, he was never "right" (good enough) for Stede, so might as well break it off now.
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In contrast, while what Ed feared before was his identity was too fixed, in season 2 he runs from Stede in the fear that his identity is too fluid.
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Rather than deal with that and the uncertainty it creates in their relationship, Ed conjures a new identity out of thin air, and again uses that to justify the idea that he and Stede shouldn't be together.
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Ed's identity issues are serious things that need to be dealt with, but him cutting off his relationship with Stede is really just a display of insecurity. He doesn't try to talk about what's happening, he just panics. He gets caught up in himself and his insecurities, and too scared to trust Stede to love "everything about him."
Until something knocks him out of this anxiety loop.
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Because underneath all that insecurity, Ed does love Stede very deeply. And while Stede is confused Ed's departures, both times he forgives Ed easily.
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Because when Ed comes back, it's as an expression of concern. And what that shows is that neither of these break-ups were about Stede or Ed's feelings for him. Stede knows a thing or two about insecurity and what it can drive people to do. Those lessons were hard to learn--but that knowledge, along with the confidence that Ed loves him (as demonstrated by how hard he works and how much he pays to get back to Stede) make it easy for him to forgive, and move forward.
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the-suns-a-tube · 6 months
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How much of Jonny's backstory I think is true:
This is what Jonny has to say about his backstory:
"Seriously? Fine. I was born a few hundred years ago on New Texas. Don’t bother looking for it, I made it up. I think. It’s the story, though, and that’s what matters. Standard ne’erdowell youth: cards, whiskey, women and murder. I’m told I had a good heart, but the Doc dealt with that after the whole patricide thing."
What I think is true:
-Jonny Grew up on a Texas like planet
-Jonny killed his father
-There was a casino in the story involved somewhere
What I think is untrue:
-Any of the dialogue. Jonny definitely rewrote everything to have better flow, be more dramatic, and make himself sound cooler.
-That Jonny's Father forgave him. I think Jonny had retold what he wants to have happened. Bonus Points for trans jonny, If he is trans I dont think his father accepted him as his son. The "I forgive you, Son." would be jonny's imagining of what happened.
I don't think jonny even remembers what really happened, and what bits are real and what bits he made up. Its been so long of him telling his rewritten story, what really happened has been lost to him, not entirely on accident either.
What I'm not sure about:
One Eyed Jack. He could have been a real person, or he could have been a symbolic character Jonny made up to represent multiple people. Or he could be taking the place of Carmilla in the story, and maybe it was Carmilla who convinced him to kill his dad. The One Eye symbolism is there.
Again, Jonny doesn't seem to even remember. "New Texas. Don't bother looking for it, I made it up. I think" and "I'm told I had a good heart."
and the
"Standard ne’erdowell youth: cards, whiskey, women and murder."
Cards ✅
Whiskey ✅
Murder ✅
Women (?)
There aren't really any women in his youth that we know of. Carmilla only came in later, so the only thing we have is his Mother who I think was a Tailor (am i remembering that right? idk where I saw that) and Himself, if you have the afab jonny hc. But the women thing sorta implies that he was having relations with women, so perhaps that was another thing that his father disagreed with? Im totally speculating here, but if his dad found out that he, being afab, had been going out with women, he perhaps did not react well to that, either hurting jonny, hurting jonny's partner, or separating them. Perhaps Jonny Killed his dad in self defense or in revenge?
Ok Ok im going to formulate a narrative of what I personally think happened:
-Jonny was born afab on a backwater planet possibly named New Texas
-He grew up with his emotional abstinence mother and either physically or emotionally abusive father
-Started hanging out at the local casino, where he can present as male. Hangs around with the prostitutes and working women, maybe even gets a job bartending or something.
-falls in love with one of the working women
-His dad finds out about the sapphic looking relationship/presenting male stuff and freaks out, going after the woman for corrupting the "Nice Christian Girl" he wanted his daughter to be.
-His Father does something about it, and arranges for the woman to be sent away, killed, or married off.
-Jonny goes to the casino looking for her, only to have One Eyed jack tell him what happened in a not so subtle ploy to get Jonny to get rid of his dad for him.
-Jonny is unsure, but goes after his dad, getting into a fight that ends with Billy dead and Jonny sobbing on the floor
-Carmilla finds Jonny, offers to take him with her. With his partner gone, Jonny has nothing left, and agrees. But he wants to have one last farewell to the casino.
-Either carmilla tips him off or he figures it out himself, but One Eyed Jack helped orchestrate the killing or sending away of the Working Woman in his employ,
-Jonny realizes Jack never wanted to help him, he just wanted someone to do his killing for him.
-Jonny burns down the casino and leaves with Carmilla.
I think him being motivated by a lost lover makes a lot of sense with the whole "used to have a good heart" thing. Jonny is very romantic in his storytelling, even when the couple always tragically dies. I think he chose to write her out of his past because it was too painful for him, and he didn't want a reminder that he used to have a heart. He has blocked it out, and now genuinely doesn't remember anything other than how he wrote the song.
What do yall think?
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mswyrr · 15 days
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i find stories with long-term romantic relationships fascinating - especially marriage. and what i see in barb and cooper is that... she despairs first and stops caring what happens to other people, because the only thing she thinks she can do succesfully is protect the ones she loves. (and, given how bad things had gotten, can we say for sure she's wrong? can we really say if she had tried to fight Vault-Tec she wouldn't have ended up a ~mysteriously dead~ whistleblower? do we imagine nobody in the company tried to get the truth out?? did the majority of people in the America of 2077 even want to hear the truth? side note they didn't give barb the iconic "war... war never changes" line for her to be 100% evil - we will learn more and see dimensions of what went down in the past imo) and then cooper becomes lost to despair and stops caring about others too. they mirror each other - or, he follows her down the same despairing path.
there's also the level on which what barb loved about cooper--his sweetness, his loving, romantic nature--was ultimately the thing that she came to believe was good reason to treat him like their child and make major decisions for both her husband and their little girl without consulting him. their separation while he was at war and then the way he understood things radically different from her when he came back (how wilfully blind and naive he must have seemed) probably played heavily into this.
but i see both insight into how a couple can lead each other astray - down the path of despair - and how a major way to do that is to start thinking negatively of the very traits that drew you to someone instead of continuing to engage with those and let that person cooperate with you to shape your shared path forward in life.
(barb started seeing the sweet heart that had drawn her to cooper as a liability rather than an assert, to use corporate speak lol)
i'm genuinely excited for what more we'll learn about how this romance went tragic and in seeing barb and janey in the present storyline. i'm a multishipper and there's a lot neat to explore and all of that is valid - but i think, speaking in terms of what the narrative is doing with the canon ships, those are neat in the sense that we've got a tragic romance in the past that symbolically represents the world being broken -- and then a present day romance that's about two young people trying to make something better than the cruel hand they've been dealt
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andy-wm · 8 months
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When Love Reveals Itself
The intersection of public and private in life and art.
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A few years ago I watched Her Private Life, a k-drama starring Park Min-young and Kim Jae-wook, both of whom I love seeing on-screen, and ONE (Jung Jae-won) who is adorably cute in this series.
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If you haven't seen it, here's a synopsis...
It's ostensibly about an art gallery curator - Doekmi - and her relationship with Ryan, the newly appointed director of the gallery (a position she deserved but of course didn't get). That part of narrative is a highly satisfying but predictable rom-com.
Doekmi is also a secret fangirl, and tries desperately (hilariously) to hide this side of her life, but that doesn't work out. I love the way this is dealt with and the understanding of the complexities of fan culture shown by the writers and cast. It's very relatable.
But maybe most importantly, this was one of the first k-dramas I watched that had an overtly queer narrative strand. I wont spoil anything but Ryan (Kim Jae-wook) is an absolute fucking legend in his efforts to be an LGBTQIA+ ally, even if he gets EVERYTHING wrong.
So how does this relate to our photo of Jimin, knee deep in water and smiling like this?
Episode 5 of Her Private Life has one of the most poignant scenes I've ever watched in a k-drama.
The scene isn't part of a major plot point but there are SPOILERS here.
The scene centres on an unpublished self-portrait taken by (deceased) renowned photographer-Yoon who was famous for his landscape photography. The portrait was his final photograph, taken just before he died.
The portrait was gifted to a reclusive writer who was lifelong friends with photographer-Yoon. He owns the rights to the photo, and he won't release it for publication.
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The portrait in question
Deokmi and Ryan are trying to convince the writer to allow the portrait to be displayed in an upcoming exhibition of work by photographer Yoon. The writer adamantly refuses.
Why?
Yoon is looking at someone he loves.
As Deokmi observes, the portrait shows Yoon smiling not at the camera, but at someone in front of the camera.
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He is looking at someone he loves.
For the writer, the portrait reveals too much. It exposes photographer-Yoon's feelings for the person in front of the camera, who is of course the writer himself. The writer knew of Yoon's feelings for him but could never acknowledge them while his friend was alive.
Lets go back to the photo of Jimin.
Something that really struck me about this photo of Jimin is the context of it. It was during the LGO MV shooting. He was splashing Jin and laughing, creating a small, happy moment for the music video (for us).
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But covid was rife and the world was at a standstill. Jimin was personally and privately devastated during this time*. It was part of the MV brief, I'm sure, to show that you could still find joy in simple things but we know he himself was not happy.
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So the happiness we see in those images is not his personal happiness. Even though he does genuinely look like hes having fun, that happiness is manufactured for us.
And then he looks up at the photographer and this we get this poignant, beautiful smile. Open, unguarded, and holding nothing back, his expression is so soft, so genuinely glad to see the person behind the camera.
He is looking at someone he loves and who he knows loves him in return.
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"I see you, and everything is better. The sun comes out because you’re here with me," It says.
There's a stillness in this image, as though Jimin -singled out - stopped what he was doing to look back at the photographer, shutting out all the activity surrounding the two of them and stealing a quiet moment with that person.
And that stolen moment would have remained secret and private forever, had the photographer not shared this photo.
But they did.
The photographer gave it to us.
Was this just for aesthetic reasons?
I don't believe so.
Of course, it is a beautiful portrait of Jimin. Aesthetically and emotively it's a striking photograph, but there must me HUNDREDS of beautiful photos of Jimin. The photographer could have chosen ANY of them. But they chose this one.
Now we have this moment on record.
We get to see Jimin feeling this love. We see him the way the photographer sees him. And yes, we know who he is looking at.
We know who was behind the camera.... because the photograher shared this with us too.
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Jungkook makes sure we know who took that photograph.
His Private Life becomes Art
In the drama series, the writer relents and takes Doekmi and Ryan upstairs to show them a locked room. It is full of photographs of himself, taken by photographer-Yoon over many years. In all of the pictures, he looks happy. Deokmi describes it as 'a love letter to the writer, from Photographer Yoon'.
The writer admits that he is ashamed that he never acknowledged Yoon's feelings. He didn't dislike them but he didn't have the courage to respond to them, which is why he can't release the portrait now. He can't reveal to the world how Yoon felt, when its too late to tell him that he knew, and that he didn't reject that love.
Ryan looks around at all the photos and says "Did you really ignore his heart? This smile does not look like it. You did not know your own heart, but photographer Yoon could have known it. As a photographer, how could he not notice it. He knew."
Their Private Life becomes public
That photo of Jimin is everywhere. Jungkook made sure of that.
The reticence of the two men in Her Private Life is nowhere to be found here.
Jungkook took this photo of the man he loves and one look at Jimin's face tells us that love is returned.
Just like photographer Yoon, Jungkook saw it and he knew we would all see it too.
But instead of hiding the picture in a locked room for decades, Jungkook published it in the most public forum imaginable. He put it into the music video for Life Goes On.
He consciously chose for us to see that photo.
Don't forget, he was the director of that music video too...
That private stolen moment, full of love and fondness, shows Jimin at his softest and his most vulnerable.
And maybe that's a side of Jimin only Jungkook sees. Maybe Jungkook wants us to know the Jimin HE knows. The open, unguarded Jimin who wears his heart on his sleeve the way Jungkook does. The most authentic, unafraid, beautiful Jimin.
The Jimin he loves the most.
💛💜
°~☆~°
*He told us in his Vlives, he told us in his album, he told us in his interviews. It was a hard, hard time for him.
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celestialtarot11 · 1 month
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8h synastry with romantic partners
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Hi friends! I wanted to discuss the 8h synastry with romantic partners. It is mixed with my subjective experience, so please keep that in mind! I’ve had this placement twice with two people, so let’s talk about it and misconceptions! ✨💗☮️ Please like comment and reblog to boost 🌹
🌹 Why is 8h synastry so likable in the astrology community?
For many reasons, one being it’s described as a strong sexual desire and tension between two people. It feeds into a fantasy of control. Some people may actually enjoy this synastry and that’s completely okay, no shame here. But this post is meant to go deeper psychologically in this synastry placement.
People may like it because it offers a sense of control from the start. The common enemies to lovers trope can easily start a competition between the two, and it usually leads to behaviors to impress the other person involved, even if both are not used to seeing themselves in this light. Stalking to know ones personal life and every detail is common with this synastry.
People also think it’s a sex placement, ruling things that happen in the bed. But in my previous post I discussed this in detail and provided my thoughts. The 8th house is associated with loss and grief, the metaphysical death of one’s ego and wounding. This does not sound sexy at all and the 8th house has nothing to do with bedtime pleasures. It can talk about our deepest desires that we shame ourselves for, however. See here for more: Discussing the Misconception of Pluto + More
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🌹 So, what really is 8h synastry?
According to textbooks and traditional astrology, the 8h is associated with metaphysical death, loss, transformation, and release of the old. In Vedic astrology it’s associated with past lives and karmic debt. All the houses are associated with profection years, but 8th house years are about losing stability to gain stability, and losing what was causing the imbalance in our lives. Including ourselves.
In relationships from subjective experiences, 8h synastry included a false sense of control over each other. Controlling perceptions, manipulating how one saw the other. It also created a feeling of entrapment, being infatuated with the other person that no one else mattered. Or no one else could break the bond. This synastry appealed to our darkest fears and attachments from the start. All abandonment wounds, codependency, triggers slowly unravel itself in the relationship. Usually the connection lasts as long as the two remain infatuated. At some point, it will end with the real authentic truth. The truth that we cannot hide ourselves from, and neither can the other person. It has barely anything to do with the actual connection, and more so our psychology and how we replayed our past.
The point of 8th house synastry is to help break both people away from the past and become a transmuted version of themselves. To release the baggage and narratives controlling them in their relationships. For example if you have been codependent, the 8h relationship will highlight a lot of those patterns to heal it. The 8h relationship is mostly an ending, not a beginning. It’s an end to our pain, our suffering and the shame we experienced in childhood.
A disclaimer not all relationships with 8th house synastry has to end horribly or will end horribly, I’ve known people who have created beautiful lives in this. The two just have to keep healing in the connection.
8h synastry can be so difficult because it involves the parts of us we are ashamed of to come out. It involves rawness, authenticity, and release. Both people can see each other’s triggers in the light and it can make vulnerability difficult. Especially when both people came in wanting to preserve their image to be the best.
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In my experience, the people I dealt with had so many triggers and truths come out, things I never expected to see from them. Also from myself. It gave me the opportunity to heal something that kept controlling me. 8h synastry is truly complex. It gives us awareness not everything is as it seems. Not everything can be taken at face value.
I’ve known someone who rather live in denial and delusion than to face reality. It was too difficult for him to acknowledge the healing I had done, especially when I asked him about the truth. Instead of giving me one truth, he gave me many confusing and contradictory ones. The only thing I could trust was my intuition and what I needed to do: heal.
Would I ever want 8h synastry again? No! It did all it needed to do and 5h synastry is better for sex 😭 The 5h is all about fun and pleasure anyway! I never want to romanticize the feeling of control in those partnerships again. Eventually it all came down and crumbled.
Lets not romanticize trauma and false sense of control these relationships may present to us 💅🏻✨ Thank you for coming to my ted talk! Please share and comment or like! 🌹❤️
Paid Readings ☮️💗
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jlfletcher · 2 months
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All I Really Want Is You
Pairing: Miguel O'Hara x fem!reader
Warnings: bullet wounds, mentions of potential death (no one dies, just a small injury during a mission). This is told in 3rd person limited POV (of Miguel, mostly?). One-sided kind of. Reader can speak Spanish (is that considered a warning?).
Summary: This is how it all began for Miguel. From mere coincidence to something more. (Fluff/Romance)
Excerpt: "He realizes something and it’s arguable in his mind... Out of all the Spiders, you’re the anomaly."
A/N: This narrative is actually repurposed from my friend's spidersona story. It didn't have any romance in it originally but my version does and the more I wrote, the more it diverged from their initial story. They said they liked this version and gave me the go ahead to post it because they'll probably never share their's anyway.
Special thank you to my friend who edited this thing. I'm grateful that they were able to help me turn my messy notes and ramblings in a cohesive story.
I get really inspired by music. So, if I do continue to publish installments of this story, they'll most likely be written with songs included.
Also, I'm sorry if there are any mistakes. I've never had to format such a long post like this on here before.
Word Count: 13.9k (This is a slow burn)
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Breakdown
I'm overworking 'til the sundown
Don't see the light inside my head now
There’s a faint buzzing sound that fills Miguel’s workspace. His eyes are a bit bloodshot and itchy from his lack of blinking. He’s grown irritated by now after hours of surveillance and Lyla badgering him to just take a break already. He keeps swatting her away with languid flicks of his wrist while sighing and rubbing his temple. There’s an ache in his head that’s dull yet ever-present but he feels like rest will not come to him anytime soon. He also remembered that he wanted to run diagnostics on a few of his lab’s systems that would ultimately take a while. The testing is usually run automatically but he’s disabled the scheduled maintenance cycle in order to have tasks to do when he's restless like now. Unfortunately for Miguel’s overactive mind, things have mellowed out in the multiverse for the time being. He's been trying to fill his time as he waits for something, anything to happen. It's caused him to grow a bit on edge as of late. Yes, there are still plenty of anomalies to be dealt with but he’s found the late hours to have grown more quiet. It seems that the uncharacteristic silence has planted an eerie feeling in him that he just can’t shake. What if the moment he steps away, something arises? Lyla calls him paranoid but truthfully, he can’t take the risk of complacency.
Eventually, he plops into his chair and prepares to stare at the monitors for another who knows how many hours. He glances over the society’s various CCTV displays in a sluggish attempt at monitoring the building. Yet, something catches his attention. His eyes zero in on a lone figure in the engineering lab. He blinks a bit slowly and scoots closer to take a better look while disregarding the buttons on the control panel in front of him that actually allows him to zoom in on the feed. The thought had completely escaped his foggy brain thanks to his chronic sleep deprivation. Languidly, his eyes flicker to the time and back up. 4:13 am.
I need to see you in my window
There’s not a doubt in Miguel’s mind about what or more accurately who it may be. It’s your form hunched over the workbench. Your signature pair of shoes gives you away entirely. Frankly, it’s not a surprise at this point. This may be the fourth or fifth time he's noticed your presence at such an unorthodox hour. You always tend to stay late at HQ because of your own odd sleeping schedule. He’s overheard you mention to Jess that your universe has a slight daytime shift compared to the others but he didn’t consider it to be by this much. This was nonetheless a preferred choice of company, albeit in an entirely different area of the building from him, because you're quiet and focus on your work. He's not entirely sure if the two of you have interacted for more than a single minute. Perhaps, that's why he prefers you over others. He's never actually spoken to you outside of very few mission assignments and reports. You've caught his eye before. At first, he noticed you were a bit too quiet. It initially caused suspicion to sew itself within his brain. However, after a brief investigation into you performed by Lyla, he concluded that it's simply the way you behave. Now, when you catch his eye he assumes it's due to how you carry yourself relative to others, professional and efficient. Despite the distance between you two, both figurative and literal in this moment, he finds himself watching you through one of the many floating windows before him. His fingers finally slither among the control panel to switch to a different camera in the lab. After flicking through a couple of feeds, the screen changes to an angle that shows your face. Perhaps he's a bit too tired in this instance because his hazy brain barely registers the way his breath hitches in his throat momentarily.
He's seen your bare face only once before and it summoned the same reaction from him. He's taken aback by how you look. It's a bit of a surprise in all honesty. You're so, for lack of a better term, different. And that's not claimed in some common colloquial way. You are literally different. Here at the society, a handful of faces are circulated between the Spiders. However, yours is unique and undoubtedly you. He's only ever come across one of you, the one that's sitting and tinkering in one of his labs. The last and only time he saw your bare face was a fleeting glance before you quickly shoved your mask back on. He assumes you're a bit shy because of it. However, now he can take his time to really analyze your features. He sees how your brows pinch in concentration and how your eyes look a bit red. Ah, it appears you haven't been blinking properly like him either. He sees how your tongue gently swipes out from your mouth before you nip at your bottom lip. Your hands work on repairing a circuit board with your eyes focused on the corrosion you wipe off. He watches you for a while as you work, finding intrigue in the way you do such mundane tasks as repairing a PCB and reassembling a gadget. Eventually, you sit up and stretch a bit, before rubbing your face in what he collects as either exhaustion or boredom. He understands the feeling, truly. Yet his eyes widen a bit as your eyes look at the camera and he finds himself perking up when he sees you smile. He then zooms out to see that you’re conversing with Lyla. Despite the quick misunderstanding, he finds himself enjoying the scene before him. You speak to her so calmly and casually. Do you often speak with her? Many thoughts start to pop up in his mind about you and your overall enigmatic behavior. Your smile triggers hyperactivity to blossom in his mind, his thoughts reeling at the way you look. Your lips pinch together softly as one side of your mouth curls a bit more than the other. Your brows raise as you speak with Lyla, your contentment is evident. He's caught up in the details of your face and it's nearly instinctual the way the corners of his lips twitch in a subconscious attempt to mirror yours.
And I whisper
All I really want is you
What would you do?
He has formed this habit of watching you in the late nights and early mornings. At first, it was mere coincidence when his eyes lingered on you, maybe even out of some sense of caution, but now he finds himself seeking you out after a month of noticing your constant presence. Lyla teased him about being a creep but he usually just replies with a grunt or the occasional snarky comment. Every night you’re working on something and his curiosity is piqued. However, it appears you work efficiently given how it seems to be a new project every few nights or so. His eyes flutter a bit as he sees Lyla appear next to you. Judging by the way you react to her arrival, it’s just for a chat. He notices how your hands rest over one another in front of you as you nod at what Lyla says, laughing and blinking softly at her. You’re polite when listening, putting down whatever you’re working on to give her your attention. The only assumption he's made from it being that you're simply kind. His eyes are attracted to the way your thumbs twiddle around one another absentmindedly. Do you often fidget like that? He tries to think back on the previous times he witnessed your hands when they were not busy, which is not a common occurrence. And as he watches you, he strokes the panel button under his own thumb subconsciously as if it were the back of your hand. He’s only managed to conclude one thing about them and it’s not about how you fidget.
He mutters to himself deeply in observation, “Pequeñas.”
He looks at your hands, pixelated by the monitor, and then down at his own much bigger ones. He ponders momentarily about just how small they truly are. He's certain that if he were to measure them, the entire length would barely reach 7 inches while his are well past 9, probably even past 10 in actuality. If you placed your palm against his, his hand would completely dwarf yours. If you placed your palm against his... what would it fit like? What would it feel like? What would you do if he held your hand? Wait… why is he thinking about that?
“But,” he mumbles softly as he watches you walk off with Lyla in tow, “I think…”
Laying in the rain with you
Middle of June
It’s been two months since he fully took notice of you that night with his full attention; the night he seen you truly as yourself for the first time. From what Lyla has mentioned, you’ve been here almost every night since you joined the society. It doesn’t bother him that he hadn’t noticed you for so long. To him, it made sense. He often found himself drowned in work. Things were hectic for a while, a long while, but luckily during these past few months, things have been relatively easy. Emergency missions in the middle of the night have been few and far between and usually required only one person to complete them which is why Miguel has been manning the fort all by his lonesome for some time now. However, the only other spider permitted to be at HQ during the overnight hours is you thanks to your completely reversed day-night schedule. The two of you have been on a handful of late night missions together throughout this time but he has yet to speak to you about anything not regarding work. It’s a bit strange if he’s being truthful. You may be the only spider that has never spoken to him casually, ever. Sure, he’s suspected you are antisocial but he hadn’t anticipated it to be by this much. You don’t stand out, you stay focused on your work, and you never talk to anyone. Well, that last one isn’t too unbelievable given the fact that you’re only ever here when everyone else isn’t. Miguel can’t help but wonder if you have ever spoken to anyone in the Society without the intention of completing your professional duties? The closest to such an instance was the one time he heard you speak to Jess which was also the first time he had ever seen you. Jess was going to introduce you to him but he was busy having an argument with Hobie. It never grew to be physical but his shouting certainly must have put you off considering he never saw you around again after that. It makes sense, truthfully, since that was your first impression of him. You must think he's always shouting, irritated, and highly intolerant of disobeying his instruction. That is what he was yelling about at the time after all. Well, that is until he noticed you lingering around the building at night. Honestly, you weren’t even a thought in his mind until Lyla sent him a debriefing of you just before Jess officially assigned you to the night shift. He was going to protest, citing that you have no meritorious experience to do so or something like that but he found out that you don’t actually bother him like everyone else. However, he’s grown very aware of your presence as of late thanks to his more unoccupied overnight schedule.
He even has time to just sit and think about anything other than the multiverse now. Usually, this spare time is occupied by observing you. He likes to sit back and watch all the tasks you do with no one around. He finds it relaxing in a way, which is something he’s grateful for. He’s discovered many things about you through this newfound hobby. You tilt your head with a small pout when you’re confused. You often have music stuck in your head which is made evident by the way you nod your head rhythmically. You rub your face with both hands when you’re tired and only one hand when you’re bored. You like to take power naps under the workbench specifically in the left corner of the lab, closest to the door. You usually wear civilian clothing around HQ at night but always wear the same shoes. You don’t like coffee. You drink tea but it has to be hot with steam billowing from the cup. You drink water more often than tea though, but only at room temperature. You crack your knuckles in 30-minute intervals when you type or tinker for long periods of time. You yawn frequently when the air-conditioner is pointed at you… The list could go on. Honestly, he’s a bit taken aback by how much knowledge he’s retained of your behavior and mannerisms. Why is that exactly? He can’t just claim outright boredom. Watching you is something he avidly chooses to do because he likes it. Bored certainly isn't the word he'd use to describe how observing you makes him feel.
“Why am I doing this?”, he mutters deeply as his eyes watch you type away on a computer. Maybe it’s like a child with an ant farm. It’s simply interesting. No, that doesn’t quite sound right. Even ‘interesting’ doesn’t truly capture how he feels watching you every night.
Soon a bright search window pops up in front of him, making him flinch aggressively. “Lyla!”, he shouts in annoyance as he rubs his stinging eyes; already knowing the culprit.
She pops up next to him with a shrug, “What? You asked a question and I’m answering it.”
He squints softly, his eyes focusing on the window presented to him. There are multiple articles listing words that make him furrow his brows. Intrigue, infatuation, sonder, escapism, comfort-watching. To Lyla’s surprise, he mulls them over but she chalks it up to his sleep deprivation. Some words stick out to him, finding himself unfamiliar with them.
“Comfort-watching.”, he states slowly as he selects the article. It explains what it is and what it stems from, denoting its connection to escapism. “The habitual diversion of the mind to purely imaginative activity or entertainment as an escape from reality or routine.”, he reads aloud, words muffled by his hand stroking his chin. Well, that didn’t make sense, watching you is his routine at this point.
He wouldn’t describe what you do as entertainment in theory and it’s certainly not imaginative. It’s just him watching how you do normal things. He softly chews his lip as he glosses over the other articles.
Lyla mimics his actions and strokes her chin, opening another article in front of her form. “Oh? This’ll be interesting.”, she thinks before speaking to Miguel, who’s now distracted by both the articles and his occasional glances at you. “Why do you like watching y/s/n?” [your spider name]
He replies with a sigh as he waves his hands around, positioning the articles around him, “That's what I’m trying to figure out, Lyla.”
“Just think for a moment. Off the top of your head, what’s one thing you like about doing this?”, she gestures to the monitor containing you. The two of them glance at you through one of the screens standing from your seat and stretching your whole body in an attempt to reduce your exhaustion.
Miguel’s inquisitive eyes soften a bit as he responds earnestly, “It’s familiar.” Lyla’s face flashes a bit in curiosity as she observes his expression. Before she can speak again, he continues, “This is calm and… warm.”
“Warm?”, Lyla asks curiously, her eyes fluttering over the chart in the article she opened. She's notated a couple of checkmarks now, in places she hadn't expected.
His eyes just can’t leave you as he thinks about what he’s said. It’s hard to put exactly into words, “I… appreciate her presence. She’s always there and it makes me feel comfortable.” There’s a strange feeling that stirs inside him upon hearing the words he formulates in response. You, a complete stranger, have somehow become a totem of routine in his eyes. Because after watching you nearly every night, you are always there working. Always. Despite the strange and unpredictable multiverse the two of you reside in, you sit in one of his labs, typing away on a computer. In a sense you’ve become the embodiment of normal.
Lyla repeats quietly but not lacking the casual tone she usually holds, “Her… Do you ever want to talk to y/s/n?”
He hums in thought before replying with an unsure shrug, “Honestly… I never even considered that. I don’t think I need to.”
Lyla glances back at the article and then back to Miguel, “But do you want to?”
His movements stall as her question hangs in the air. He takes a moment to apprehend what she’s asking. His eyes trail slowly from the articles floating around him to you on the CCTV display. You're crawling under that specific workbench in the left corner of the lab for what he knows is a power nap; he finds himself almost smiling at that. Does he want to talk to you? He ponders a situation in which he finds himself conversing with you casually. What would you talk about? He knows you like tea. Would you talk about your favorite kind? What is your favorite kind? How would you pronounce it? How do you pronounce certain words like caramel or aluminum? Maybe like aluminium? Maybe you say it differently than he does. He can imagine a light-hearted debate over phonetics, the two of you drowsy from the late night hours. Maybe you’ll tease him about the way he says it. How would you say… his name? You’ve spoken his name before on missions with a professional tone, always addressing him by his surname. It irks him a bit but he's never gotten around to informing you to just call him Miguel… How would you sound calling out to him in a tone that's amicable and familiar?
He’s broken out of his thoughts by Lyla waving her pixelated arms in front of him and a shout of his name, “Miguel!” He jolts at the sound of an alarm beeping around him. Bold words pop out in front of him, “ANOMALY DETECTED”. He hears his family name called out and straightens at the sound. That’s not Lyla's voice. He turns around to see you in your suit, tucking the hem of your mask into your collar as you trek to his platform. His hand waved behind him, minimizing the displays floating around him to hide the clues to his distraction with a single motion.
He hears you speak in a sober tone as you stand before him, “Lyla informed me that we’re both needed for this one. There’s an anomaly running around a metropolitan area on Earth-26. It travels quickly so we'll have to chase after it. Also, there doesn’t appear to be anyone to help.” He nods quickly, navigating through the multiversal map on his watch to open a portal. He nearly flinches as you gently grasp his forearm, looking up at him slowly.
“O'Hara,” you said calmly, which made him look at you curiously, “full stealth on this one. I’m uncertain how this universe would respond to… our kind.”
His lips nearly press into his natural pout under his mask as you address him by his family name but quickly absorbs what you're truly saying to him. He’s had a couple run-ins with a universe like this before and understands your concern entirely. He slowly pulls your hand from his forearm. The size difference doesn’t skip past him and makes something buzz in the back of his brain. Yet it’s subconscious, the way his fingers linger around yours before he releases them and states firmly, “Stay close to me.” You nod in understanding which he reciprocates before opening a portal. You flip open your watch and quickly calibrate your interface and send sync data to his watch to stay connected during the mission. It’s strange how ready you appear to be but it’s greatly appreciated. He hadn’t realized that he was staring before you turned towards him. You tilt your head softly and unbeknownst to you, he knows without a doubt that it’s out of curiosity. He gives you a nod, hoping it didn’t look as strange as he felt doing it. You step through the portal first and he’s quick to follow after as Lyla observes it all with an inquisitive squint.
All I really want is you
This was an uncommon feeling. You two chased after the anomaly, zipping through the sleeping city's skies quickly. Luckily, you both haven’t been spotted by anyone as you swing through the late-night drizzle. He started feeling a bit… he supposes ‘at ease’ is the best way to put it. He’s not foolish enough to grow complacent mid-mission but being on mission with you, working so seamlessly with him, made this feel easy. You’re professional, giving clear cues and staying on the same page. It’s as if you can hear what he’s thinking. Sure lego Spider-man is a good teammate but you’re a good partner.
The anomaly made its way to a rooftop with you right on its tail. You landed quickly with a soft roll before keeping low to the ground while Miguel landed behind you with a soft grunt. You crouched a bit as you tiptoed around gently, trying not to alarm the anomaly located somewhere nearby. He waits on standby, keeping a lookout for anyone who might see you two while you try to catch the small creature. You freeze as you see the silhouette of it, patting the ground with stubby limbs, seemingly ready to take flight again. That is until you squat down and pat the ground too. It looks at you and tilts its head, another action that you mimic before removing your mask. It slowly walks to its right and you gently shuffle to your left. You release a chuckle as you can see something that looks like a tail wagging. The noise meets Miguel’s ears and he turns to find you squatting and maskless. His eyes widen at the sight, fighting the hitch in his breath as he sees your h/c hair, it looks much softer in person. His eyes narrow is realization as he quickly replaces his intrigue with his usual pragmatism.
Crossing his arms over his chest, he speaks monotone, “What are you doing?”
You release a slow and soft, “Shhhh.” You then gently raise your hand, motioning him to approach you. His fingers twitch instinctively as he looks at your flopping hand and surprises himself by reaching out for it. However, his mellow emotions are doused in confusion as you tug him down quickly. He nearly falls on top of you, clearly not anticipating such sudden strength from you. Luckily, he manages to brace himself, kneeling behind you, and leaning a bit over your shoulder. He’s about to ask what the hell you’re doing when you point to the far corner of the rooftop. His eyes widen as he watches the dark creature slowly slink toward the two of you.
You breathe out quietly to Miguel, “Deactivate your mask.” He turns to you in shock despite you not looking at him. He’s about to protest before you whisper, “It needs to see your face.”
He acquiesces your command and slowly retracts his mask. The air nips at his warm face as he spies the creature tilting its head. You tilt your head too while whispering to him, “Mimic what it does.”
Miguel begins to protest but you quickly cut off his words, “Why-?”
“Just do it.” He nearly rolls his eyes at your sudden command but finds himself following suit as he tilts his head too. He watches curiously as the creature pats the ground with its left paw and you mirror it with your right hand. He grows a bit amused watching the two of you continue this little dance until it slowly crawls closer to you both. Miguel can hear your breath hitch as the creature steps into the light shining from over the door to the rooftop you all are on. It’s dark and covered with scales, with large blue eyes and bat-like wings. Your hand is still placed on the ground as the creature cautiously closes the distance between you. You cautiously turn your hand palm up, Miguel is confused by this but continues to watch nonetheless. The creature's eyes look up at you warily with tightly constricted pupils. You then turn your head, facing away from it and toward Miguel quickly. He barely manages to lean back enough to avoid you smacking your head into his shoulder.
He looks at you quizzically as you whisper to him, “Keep your eyes on me.” His brows furrow which indicates his clear confusion at your command. You respond cautiously yet softly, “Don’t look it in the eyes. It’s still scared.” Miguel slowly nods in understanding as his eyes stay on yours. 
There’s something that fizzles in his ears as he stares at you. Your eyes are oddly… calming. He’s never thought of looking at them before. At least not in an intentional way like this, unlike the usual polite eye contact you’re obligated to give someone you work with. It's so strange seeing you in person up close like this. He also has to fight the heat he feels making its way onto his cheeks at your close proximity. Your eyes sparkle a bit from the dim moonlight and there's drops of rain littered around your hair. You look so soft and inviting. There's not a sliver of malice anywhere across your features. He's sure this small anomaly is smart enough to come to you.
Soon he feels his lungs quiver in his chest as he watches your eyes crinkle as you smile. You’re chuckling. Why are you chuckling? His ears are roaring by the time you turn back toward the creature. His gaze lingers on the side of your face before looking down at the little one who’s currently licking and nuzzling into your hand, giving it playful nips. He smiles at that, grateful that this mission will end easier than expected.
The creature jumps on you and licks your face with a happy warble. Miguel tenses, worried that it may be attacking you until you release a giggle as you coo warmly, slowly standing with the creature wrapped in your arms. The sound tingles in Miguel's ears and he can’t help but watch you almost mesmerized as you carry the creature carefully before he stands back up next to you.
You comfort the creature with soft words as your nimble fingers quickly fashion a tracker to the little beast then click your watch. You speak calmly as you stare down at the baby creature with a smile, “Lyla, may you please check for any residual anomalies?” Lyla appears behind the creature and gives you a little salute before her visage flits around and scans the area. Miguel approaches to inspect the animal but leans back when it attempts to sniff at him which makes you chuckle at his stiffness. Then, you gently scratch between the animal’s horns as you walk closer to him to let it smell him properly. He stands awkwardly, watching its nostrils flare with each sniff of his arm.
You look around at the skyline behind him with a sigh, “What a view. Do you ever-”. Your voice fades off quickly as you squint, looking at something in the distance. Miguel notices as your hand stops moving and you cradle the creature protectively. Before he can even look at you, you shout while shoving him to the ground roughly, “Sniper!”. You yelp as something pierces your forearm violently, making your knees wobble. The creature jumps out of your hold, having sensed your body going limp before you slump into Miguel’s arms. The creature nuzzles into your dangling hand with a sad whine.
Miguel immediately enters high alert. He stays low as shots ring out above you, dragging you behind a structure to obstruct you all from whatever the hell is attacking. You're slumped against him as he shakes you softly with a tense voice, patting your face anxiously, “Y/s/n? Y/s/n wake up!” He sees the creature standing on its hind legs pawing at your thigh, looking up at him with scared eyes. Miguel shouts out into the air, “Lyla!” Immediately, a portal opens in front of you three.
Lyla speaks in a rushed tone, looking down at you worriedly, “I didn’t detect any more anomalies. Hurry.” Miguel scoops up both you and the anomaly, holding you tight as he jumps through the portal quickly.
What would you do?
Sleeping outside, the moon
Tripping with you
Miguel’s quick as he carries you to the med bay, the anomaly’s little legs trying to keep up with his long, wide strides. He places you on a bed and pulls up a med pod. He runs a full scan of your body and finds a bit of relief when it is concluded that you got dosed with a tranquilizer but he’s still tense. Usually a tranq doesn’t work that instantaneously; nor does it cause a strong shift in your blood pressure like this… It’s almost as if it’s thinned your blood. He sanitizes and gloves up quickly before grabbing some supplies to remove the projectile lodged in your arm. Fortunately, it doesn't take too long to remove all the pieces of the dart that broke apart. There's a bad feeling in his stomach as he does. He's never seen a tranq dart do such a thing. Why is it so fragile? Miguel has Lyla analyze the fragments while he cleans the wound.
He steals a glance at the little creature sitting in the doorway, its eyes watching you intently. He speaks evenly as he floods the wound with saline, gently patting it dry, “Don’t worry, she’s okay. She’s just sleeping.” He finishes wrapping your arm gingerly with a bandage and pulls the bed sheet over you, raising each of your arms to rest over the sheet. He stares at your hand in his for a moment. It’s warm. Your hands are warm and tiny compared to his. So, that’s how they feel… He blinks himself out of his thoughts and gently sets your hand down by your side to let you rest.
“You can come over. I’m done but she won’t be awake for a while.” Miguel says before looking over at the little beast. He’s almost surprised when it appears to understand what he’s said. After all, you did mention during the mission that it seemed highly intelligent relative to other wild animals. It stands, slowly trudging over before hopping onto the bed beside your leg. It looks at you and then turns to crawl on you cautiously as if it’s afraid of hurting you. After a few moments of hesitation, it pats the bed, circling a few times before settling down between your feet. Finally, it rests its chin on your leg, looking at you with large eyes while its tail curls around itself, and releases a soft bleat.
The display of how gentle it acts with you nearly makes him scoff in disbelief. It’s hard to believe that this is the same angry little beast that tried to claw at him earlier in the night. He's almost offended, truthfully. Why was it so mean to him? It seems to act like a cat, aggressive one moment then clingy the next. Miguel's eyes drift back up to look at you as he works around the room. He thinks for a moment to himself, "I guess between the two of us, I'd go to her too." He shakes the thoughts from his head. Miguel plops back onto the stool beside your bed with a sigh, having just finished cleaning up the soiled supplies. He yawns and scratches his jaw tiredly before he crosses his arms over his chest. The adrenaline that was once in his body is now long gone and his prior exhaustion floods him tenfold. However, he’s able to mutter with droopy eyes that watch your peaceful sleeping face, “What were you going to ask me?” He soon couldn’t keep his eyes open any longer, his body feeling heavy and slowly slumping over as he drifted off to sleep. 
Head down
Miguel groans as he feels something slimy on his forehead. He squints harshly at the light that penetrates his eyelids but before he can get up to stretch he freezes at what he hears.
"Hey, hey. Don't do that, little one. He needs to rest."
He's about to just sit up to explain that it's too late but your voice breaks through with a gentle coo. "Oh. Look what you did, honey. You messed it up…"
Before his mind can propel itself into countless thoughts of hearing you say the pet name in such an endearing way, he feels something gently card through his hair. There's something that erupts down his spine at the sensation and that faint fizzling in his ears returns. Especially when he can feel your fingers graze against his helix as you sweep some strands of his hair behind it. He feels his body melt at your ministrations.
Now, he chooses not to move or open his eyes. He pretends to be asleep on what he can blindly tell is the edge of the bed you’re resting in. He enjoys this, the sound of your voice as you comfort and hush the little anomaly the two of you caught. He hears sad warbling and feels the bed move a bit. He manages to cautiously crack an eye open to peek at you cradling the creature close as it sniffs and licks your bandage gently.
You speak softly to it, "Hey, shh-shh. It's okay, I'm okay. See?" You poke the bandage, not where the wound is but the edge of it, to prove that it's fine. You point at Miguel which causes him to shut his eyes quickly before you speak again, "He protected me and helped me get better. So, it's okay." He feels the bed shift as you quietly chuckle, "Ah, ah. Don’t do that, love. I don't want to wake him up, he was really tired." He can sense you stopping the creature from approaching him further as you stand.
There's a soft shuffle that can be heard around him before he feels something drape over his shoulders. You speak so delicately near his ear as you cover him, “Thank you for taking care of me. Sweet dreams.”
He hears the rustling of fabric and the soft plodding of your feet along the floor accompanied by your voice, "Okay, baby. Let's go." Miguel's eyes peek open to see you walking out of the infirmary with the little creature trotting next to you.
Once you’re gone he turns his head, pulling the fabric off his back. It's your cardigan. The one that you were wearing earlier before the mission. His eyes still feel heavy as he bunches up the fabric under him. His nose is flooded with a scent he's unused to. It smells warm and comfortable and soon he drifts off again with his arms wrapped securely around your cardigan below his head.
That’s what you are, he thinks. Warm and comfortable.
I don't know when to come up for air now
It's been a couple of days since your e-26 mission together and you haven't spoken since. Like usual, you spend the night in the lab and Miguel busies himself with some backlogged reports. However, his eyes still glance over to the monitor displaying you occasionally. He's noticed that you haven't worked as much as before. Sure, you’ve tinkered with a few things but you mostly just write in a notebook and slump over the workbench now. He pauses to inspect your face then switches to a camera angle that shows what you're writing. Oh. You're not writing, you're sketching something. He zooms in to see a picture of the anomaly you two sent back after Miguel woke up that morning. Just as he thought, you were depressed because your little friend had to go back home. That’s a lie, he hadn’t actually thought of that at all. Truthfully, he was starting to grow concerned that something was wrong with you… He watches as you add detail to the eyes, the tip of your pencil faintly tracing along the paper to simulate each streak across its irises. It's this that reminds him of when he stared into your eyes. They're much richer than expected, drowned in a color that is so… you. It's you because it's comforting and relaxing and deep. Comfortable and warm. He remembers the words with a soft hum.
He catches something bright appearing next to you. It's Lyla. He's found that you two converse almost every night. What do you two talk about? How many things have you discussed? There’s something unknown that bubbles in the pit of his stomach as these thoughts fill his head. Eventually, his curiosity gets the best of him and he switches on the audio feed. The thought of this being a violation of your privacy, completely slipping past him. He gently sits down as he listens to the two of you talk.
"Raon? What does it mean?", Lyla questions curiously.
You rest your chin on your hand as you lean against the table, looking up at Lyla with a warm smile as you reply, "It means joyful. He looks just like… ah, it’s nothing." You trailed softly but soon chuckled with a wave of your hand.
The scene before him makes Miguel smile softly to himself. It’s such a mundane conversation yet he finds enjoyment from it. Especially from the soft chuckle that comes from you. 
"Hey, did you ever get around to-" Lyla begins but is cut off by your quick response.
"Nope… sorry.", You apologize with a bow of your head, realizing you interrupted her, "I should probably soon, huh?"
"Uh, yeah. The window of validity is closing, bud.", Lyla conjures up a window beside her before shutting it slowly as she raises a brow at you.
You nod and sigh, standing from your seat before turning to leave, "You're right. Thanks for reminding me, Lyla."
She hums to you before disappearing off the screen. She soon pops up next to Miguel who’s watching the feed of you walking through a corridor. She leans over his shoulder and speaks near his ear, "Stalker much?"
Miguel jolts at that and quickly exits off the camera display. He grunts and pulls some reports in front of him in a feeble attempt to cover up what he was doing, "I'm not a stalker."
She smirks and sings with an almost smug tone, "Ah, c'mon. It's just a joke, Miguel. Don't pout."
He states evenly as his eyes glance over the files presented before him, “Not pouting.”
“You never answered my question, y’know?”
“What question?”
“Do you want to talk to y/s/n?” She emphasizes her words with raised brows as she slowly orbits around his head to face him.
He blinks in thought, recalling the recent mission. You’re unfinished words wading upon the surface of his mind and truthfully they have been in his thoughts ever since you first uttered them into the night air. It wasn’t in your usually professional tone. It sounded more casual and unfortunately, you were cut short before finishing your sentence. “Do you ever… Do I ever what?”, he muses as his fingers rub at the side of his chin. He nods slowly before mumbling, “Yes… I think I do.”
Lyla bends down to smirk smugly at him with her arms akimbo, “Good.”
He squints at her and voices his confusion, “What do you mean? Why are you looking at me like that?”
“O’Hara?”, he stiffened as his eyes went wide at the sound of your voice. He composes himself quickly with a low grunt before turning to you.
Unfortunately, you misunderstand this, “Oh, I’m sorry. I didn’t mean to interrupt you.”
“You’re not interrupting me. I just remembered something. Did something happen?”
You absorb his fast-paced sentences, “No, I just wanted to talk to you.”
He’s shocked by this but his face doesn’t show it. If only you knew of the discussion you just interrupted by coming here.
“I wanted to formally thank you for taking care of me.”, you spoke calmly while looking up at him on his platform. He noticed your hand resting over your bandaged arm, confusion taking over his features. You noticed this and looked down at your arm too, nodding before your gaze returned to him. You subconsciously rub the bandage as you speak, “Ah, this. I don’t… heal as quickly as the rest of you.”
He mulls over your words, the rest of you. You speak in a way that alienates yourself from the Spiders. It’s a phrase he can understand due to him constantly being put in his own category relative to the other spider-people. Other… He supposes he speaks about himself the same as you. So that’s that sense of familiarity explained, albeit partially. He asks with his naturally stoic expression, “Why is that?” He watches with furrowed brows as you think of how to respond.
You softly shake your head with a shrug, “I just don’t.”
Before either of you can speak again, Lyla questions while pointing at you next to Miguel. There’s a small smirk on her face, “Hey, y/s/n? What’s that?” Miguel looks at her curiously before looking down at the box in your hands.
“Oh, this is just… This is for you, O’Hara.”, you take a step forward towards his platform. Miguel’s brows shoot up not only at what you say but at his now descending platform. He looks over to Lyla who smirks at him, clearly the cause. He clears his throat as his workspace reaches your level, “Is it something to sign off on?” He thinks that maybe you’re ready to beta-test new equipment that needs approval first.
You shake your head and hand the box to him with a small smile, “No. This is a thank you.”
He furrows his brows again as he slowly opens the box with his words trailing off, “A thank you?...” It’s… they’re empanadas. You just gave him a box of empanadas as a thank you? 
“I heard Jess mention you liked empanadas. Sorry, they’re not the ones from the cafeteria though.”
He stares at them for a few more seconds. They’re warm. Are they fresh? How? It’s almost 3 am. Did you pick them up from your universe? “You didn’t have to give me this. I didn’t really-”
“You saved my life.” His eyes widen a bit as they meet yours. Ah. So you found out…
Your hands wring together nervously as you speak, “Lyla showed me the analysis of the fragments you pulled from my arm. Etorphine is a strong agent as is but it was formulated into a high-dose soluble projectile. If you hadn’t helped me so quickly, it would have dissolved into my blood and…”
“Thank you.”, Miguel all but whispers with his head down.
“You don’t have to thank me for thanking yo-”
“You took that shot for me.”, he quickly cuts you off. His eyes slowly trailing up to meet yours with firm sincerity. “Why did you take that shot?”
You rub your nape as you avoid his gaze and reply in an almost soft voice, “Ah. I didn’t really think about it… my body just moved on its own.”
There’s a bit of an awkward silence that spreads between you two as you both avoid each other’s eyes. Miguel stares back down at the food before speaking, “You really didn’t have to give me these.”
You speak with gentle hand gestures, a trait he didn’t know you had until now, “No, no. Please take them. I made them to thank you. It’s how I show proper gratitude. Honestly, I don’t think it’s enough.”
He looks at you in thought before looking back down at them with raised brows and a gentle smirk, “You made them?”
You tense, eyes darting to Lyla but she only offers you a quiet snicker. You sigh before nodding slowly, “Yes, I did. I’m sorry if you think they taste bad.”
He’s amused at your word choice. You didn’t say if they taste bad, you said if he thinks they taste bad. So you cook. And it sounds like you cook well given how confidently you speak about what you make.
Before he speaks, Lyla asks you something and motions you toward the control panel, “Y/n/n, come take a look at this.” [your nickname]
You bow your head briefly at Miguel with a modest smile before making your way to the screen Lyla opens for you. That’s another habit of yours he wasn’t fully aware of. He stands back and watches as you point at the screen and discuss it with Lyla. Your arms cross as you stand before the monitors, your face morphed from your inquisitiveness as you inspect the blueprint Lyla shows you. This makes him calm again. Watching you always made him calm and relaxed. However, it feels a bit stronger when you’re standing just a meter or so away from him. With you here now, so close to him, he actually feels warm. There’s a heat that surrounds him that he just can’t really explain. He continues his musings before taking a bite of the empanada absentmindedly but his eyes shoot down at the food as he tastes it. These aren’t like the ones from the cafeteria, they’re far better. The cafeteria carries standard beef empanadas. Beef and seasoning, it’s hard to mess it up. But these? Is this stew? This is honestly the best thing he's eaten in a long time. His foot stutters as he prevents himself from stepping closer to you and swallows the delicious bite before mumbling, “Are these-”
“Salteñas, sí.” His eyes travel up to see you looking back at him with a warm smile and nod. The way you say it is so natural. It rolls off your tongue so smoothly. Do you speak Spanish?
“Wow, it eats!”, Lyla cheers sarcastically.
“Lyla!”, he groans in annoyance.
“What do you-”, you unfurl your arms and look at him with what he recognizes as concern, “Sir, are you not eating properly?” You turn to face him completely and approach him slowly when all he returns is silence.
Lyla floats over to you, her voice laced with a haughty tone as she tattles, “No. No, he is not.” He grunts and tries to snatch her holographic form. His hand just misses her as she teleports to your other side with a giggle.
“O’Hara,” you call to him in a tone that’s so soft while still holding firmness. That’s new. It’s not as casual as he imagined and you’re still addressing him by his surname but he’s still pleased with how it sounds coming from you in that tone. “How often do you eat?”
He tenses a bit and looks away from your eyes before he gets lost in more of his thoughts. “I eat.” His brows furrowed as he mentally berates himself for his obvious statement. Of course, he eats. Estúpido. His embarrassment quickly triggered his next words despite how unexpected they are, even to him, “What does it matter to you?”
He feels an odd sense of uneasiness as he notices your lack of reaction. He’s quick to attempt to amend his words, “It’s appreciated but it’s none of your concern when I do and don’t eat.” Then there is more silence. It weighs heavily in the air awkwardly. He realizes his words may seem a bit harsh given how tense his voice is. He’s unsure what to say now and for once the silence from you isn’t so comfortable.
“O’Hara.”, you say more sternly as you cross your arms. He can’t help the way he feels like a child being scolded by their teacher. What truly catches him off guard is how firm your tone is despite how gentle you look at him, “Stop deflecting.”
It all makes him feel a bit small despite him being the one looking down at you due to your apparent size difference. He’s never been fond of his height. It’s annoying and cumbersome but the way your body positions itself to stare at him makes him think that it’s not that bad. Your head has to tilt back for your eyes to meet his. Those rich eyes of yours… The e/c encompasses your pupils in such an inviting way [eye color]. And each time you blink he catches a glimpse of how your lashes flutter against your skin. His eyes slowly travel along your features. Your forehead creases softly as your brows raise. The action makes your eyes appear larger as you look up at him. Then he sees your lips moving slowly. They’re not shiny nor are they chapped. But they do look smooth as he sees the tip of your tongue softly curl behind your teeth as you speak. Your words slowly grow less foggy before he flinches at the feeling of your hand gently holding his forearm. There’s a slight ringing in his ears as your voice finally reaches him.
“Mr. O’Hara, are you okay? You’re flushed.”
“What?”, he breathes out in a rushed tone before his eyes focus out to see the entirety of your worried expression. He gently tugs at the collar of his suit uncomfortably. He actually feels the heat now, it’s more intense than before.
“You’re burning up. It’s warm in here too…”. You quickly grab the box of food from his hand and place it on a nearby tabletop before pulling him toward the entrance of his work area. “Here, come with me.”
You take my hand like there's a way out (way out)
And we're escaping through the window
Miguel isn’t sure how but he now finds himself in a rather unfamiliar situation. You’re dragging him around by the wrist. However, it’s apparent that he follows seamlessly behind you. It feels natural for him to just maintain your lead, especially when there’s very little energy within him to resist. He watches how you walk in front of him. You walk in a way that makes you look smaller than you actually are. It’s as if you’re trying to hide. Why is that? Your shoulders are slouched a bit forward as you guide him through the corridors. His eyes drift to the back of your head, watching the way your hair gently bounces with each one of your steps. You halt for a moment which causes him to nearly stumble into you. Your grip on his wrist falters briefly before sliding down to take him by the hand. The action completely slips past you as you decide where to walk next, but it surely does not get past him. He has to fight the urge to squeeze his hand around yours but utterly fails. He’s not too upset about this. Truthfully, most of his awareness was occupied by trying not to let his claws protrude from his fingertips. You turn back to look at him but he’s quick to avoid your eyes, oscillating his head mindlessly.
You must have taken this as a sign of his unwell state because soon you're tugging him through the cafeteria with a firm whisper, “Over there. You need fresh air.”
His red face and his lack of words must make him appear as though he won’t be able to last the trek to the infirmary. You gently squeeze his hand which makes his eyes snap back to you quickly. Making your way to the large terrace, you push the glass door open. The air sweeps past you both as you guide him to sit on one of the patio chairs scattered among the outdoor area. His eyes are dazed as he looks up at you standing in front of him but they haven’t left you for even a moment since you squeezed his hand. But now your hand is no longer in his. He’s surprised to find himself a bit annoyed at that. You’re moving too fast, he thinks. All your actions are slipping away from him thanks to his hazy mind and he doesn’t appreciate it. You pull a handkerchief out of your back pocket and pat his sweaty forehead. His eyes watch you as you do. Your lips press into a line as you gently bite your bottom lip. Your eyes are full of concern as they roam over the sight of his flushed face. You remove your hand from his space as you step back a bit, wanting to let him feel the light breeze.
He spies how your hands start to reach out but retract back to your side, settling on your hips instead. You speak evenly as you look at him, “Are you okay? Does that feel better?” It’s gradual as he breaks out of his cloudy stupor, the wind finally cooling him down. He nods slowly before something slithers out of his brain and past his lips.
And I whisper
“What?”, you tilt your head curiously.
“Miguel….”, he breathes out, “My name is Miguel.”
You blink at him and speak with a bit of concern, “I know tha-”
“I don’t like being called O’Hara or Sir or Mr. O’Hara. Call me Miguel.”
You nod softly as you take in his words before giving him a small smile, “Okay. From now on I’ll call you Miguel.”
He almost smiles at the sound of his name rolling off your tongue but catches himself before it’s too late. His brows furrowed in confusion as you gently extended your hand toward him. You smile softly as you gently grasp his hand and shake it with a kind tone, “My name is y/n. It’s only fair that you address me as such.”
His brain stalls for a few moments, absorbing your name. It’s so fitting in a previously unknown yet expectedly pleasant way. Of course, that’s your name. He looks up at you in thought as you gently pull your hand from his, “Y/n, huh? It’s… pretty.”
He tenses in realization for a moment before slowly speaking, ensuring that his own curiosity remains undetectable, “The other night on e-26, on the rooftop. What were you going to ask me?”
You’re taken aback and stand back up, your lip jutting out in a pout as you try to remember. Your eyes wander to the table beside the two of you in thought but Miguel’s eyes stay on you. He takes in the sight of your face morphed in contemplation. It’s the same look he’s seen countlessly through the late nights. Except this time, it’s not pixelated or blurry from his monitors. Now, he can see you up close. He can see clearly how your chin softly wrinkles as you purse your lips and the way your eyes crinkle at the outer corners. It’s almost comical how earnestly he takes in such ordinary features with the same scrupulousness as a lab experiment.
“Do you ever look out at the skyline… and feel at peace?” The words flow out of you softly as you move to sit on the patio table next to him. Your eyes glide up to look at the lights below that decorate the horizon.
Miguel finally tears his eyes from you to look at the skyline before you both. It’s hard to hear the vehicles from up here but he knows they’re there. He can see the lights flicker and wane in the distance as his body relaxes into the chair. He realizes how familiar he is with the scene and breathes out lowly, “Yes. I do.”
He can see you smile in his peripherals before your voice fills the space between you, “I’ve always found comfort in the horizon and the view of the land below. The sunrise and sunset. I think Raon would have been mesmerized by this view of the city lights.”
He turns to look at you curiously, “Raon?” Truthfully, he was a bit curious about the word you mentioned to Lyla earlier.
You nod with a hum, crossing your legs and propping your chin on your elbows as you get comfortable. “The baby creature from our mission. Raon.”
Miguel notices how the word our rattles around his brain but pushes that feeling aside. He attempts to overpower it with a wry remark, “Did you name the anomaly?”
You release a breathy chuckle and nod, “Kind of. There’s a story from my universe that had a baby dragon named Raon Miru in it. Looked exactly like him too, blue eyes and all.”
He finds relief now not just in observing you but in your close presence and words. He’s intrigued by what you say. He can’t quite place the origin of such a unique name. He knows Japanese but he’s unsure if that is its correct origin. He takes a moment to look at you in thought, certain that he wants to hear more, “That name, what does it mean?”
“It’s a bit on the nose, truthfully. It means ‘joyful dragon’.”
“Raon Miru.”, he repeats to himself as he turns back to look at the skyline with you. There’s a comfortable silence that swells between you both. It takes a few more moments before your voice slithers into the empty space.
“Do you truly not eat well?”
He turns to look at you again but immediately regrets it. Well, not really. Your eyes are full of concern as they meet his. He sighs and shakes his head, “No. I don’t.”
“Why?” You ask so simply as your eyes never leave him.
He bites the inside of his cheeks and contemplates whether he should brush this off and lie or just tell you the truth. He chooses the latter, citing that he genuinely enjoys your consideration. “I’m busy. I lose track of time and just forget.”
Lyla finally decides to pop up next to you, “Hey, y/s/n. You actually remember to eat stuff. Mind keeping Miguel in check for me?”
Miguel stiffens quickly shaking his head to protest but before he can, you respond. “Sure, I don’t see why not.”
“Cool.”, Lyla nods and disappears having completed her job as instigator.
His eyes travel to yours in question only for you to smile gently at him with a tilt of your head. “I need to make sure you’re properly taken care of.”
Need, you say. Not want. The way you say it so matter-of-factly makes his lungs quiver, just like that night. His mouth shuts as he slowly leans back in his chair. The way you look at him lets him know that there’s no room for debate. You nod with a smile as you watch him acquiesce your response. “Good. So, did you like the salteñas?”
He nods and speaks with a low hum, “Yes, they were good.”
You beam at that and lean toward him unconsciously, “Really? I was worried there for a second. By the way you heated up, I thought you had a bad reaction.” You straighten up as your features quickly morph in realization of something before speaking, “That reminds me. Lyla?”
“Yo.”, she appears in front of you like a pop-up ad.
“What’s the temperature in Miguel’s work area?”
She conjures up a thermostat and squints at it, “Yeesh, 85°F and climbing. At the time of reporting, it is approximately 20 degrees higher than average. Excessive heat appears to be emitting from a ground-level display console.”
“Oh, may you please-”
“Filtering and cooling as we speak, captain.”, her little hand bumping her forehead to salute you in assurance. “I’ve shut off the machine since it’s under minimal usage priority. Consider this a work order.”
You chuckle at her antics, “Thank you, dear. I’ll be sure to repair it asap. It also sounds like your active monitoring is on the fritz, I’ll check that too.” You then turn to Miguel, leaning in inquisitively to see if he’s cooled down enough.
He questions absentmindedly with an almost gravelly mumble, “Hablas español?” [Do you speak Spanish?]
You're taken aback but smile softly, “Sí, pero no lo hablo con fluidez.” [Yes, but I’m not fluent in it.]
He finds the corners of his mouth gently lifting at your words, “Me suenas fluido. Tu acento es natural.” [You sound fluent to me. Your accent is natural.]
Your smile seems to grow ever so gently as you nod, “Thank you. I grew up in a diverse place. Lots of people spoke languages other than English.”
Miguel found himself completely relaxed as he spoke with you about anything and everything. Like that, the conversation flowed between you for a long while.
All I really want is you
What would you do?
Your brows shoot up in shock before a small smile blooms on your face. “Good. Let’s meet out on the terrace at 3 am. You better not leave me hanging.”
He smirks at your warning in amusement, you said it in such a way that carries no real malice. He nods in understanding as you two walk side by side languidly, back to his work area. The conversation hasn’t stopped. Miguel thinks this is the longest he’s ever talked to someone, speaking more words in these last couple of hours with you than he has to anyone in months. It’s odd to him how easy it is to talk with you. It makes him feel like he’s conversing with an old friend.
He’s lost in content conversation with you as you two enter back into his lab and continues even after you begin to work. He leans against the main control panel on his platform as he watches you repair the display console that practically turned his work area into an oven. Miguel’s arms are crossed over his chest, somehow unsure of what to do with his hands. He speaks with a more calm tone, “So you’re the one who does repairs around here? You’d think I, of all people, would know that.”
“I actually did think you already knew that but I suppose me coming in here and working on your tech while you’re out during the day is a bit of a clue as to why you didn’t.” You calmly respond to him. Your voice is just a bit louder than normal in order to ensure he can hear you properly. After all, half of your body is inside a relatively large electronics console.
“So what’s the issue here then?”
"Just a basic issue. Overclocked GPUs and faulty heatsinks don't really mix well.", you sigh with a shrug after gently crawling out of the unit to drop some screws into a small tray beside you. You present a damaged PCB to him and point at a burnt section of it with the tip of your screwdriver, “See, a few of them have blown fuses.”
He’s tuned into what you say and nods in acknowledgment. He knows what you’re talking about and enjoys it because it’s not rushed and not frantic like during the day. It’s calm and comfortable.
"Although I told Pete to run manual diagnostics on this which he said he did. Liar." 
Miguel is amused by your annoyed grumble as you work. He’s a bit curious as to why you refer to Peter by nickname when you’ve only started calling him by his given name a couple hours ago but he figures it’s fine since Peter is the one who initially recruited you from what he can recall. 
Miguel leans a bit over to peek at the mess that is the internal hardware before you crawl back inside. "I'm going to guess that he didn't even look at this at all."
"Yeah, pretty safe to assume that. I should have known better than to ask him. He's been preoccupied lately.", you groan from inside the panel. You look a bit funny like this, with half your body inside the console.
“Why did you ask Peter to look at it then?”, Miguel asks a bit curiously.
“Um, my arm was still messed up, Sir. I couldn’t really pronate it without feeling uncomfortable.”
He hears how nonchalantly you say it and senses that you don’t want to bring up the injury again. He nods curtly to himself and continues while changing the subject, “Don't call me Sir. It makes me feel old.”
You smile softly to yourself as you respond, “Sorry, it’s a hard habit to shake. I mean, you are the boss. But you shouldn’t worry, you’re not old by a long shot. In fact, I’m your elder…”
Your last few words are muffled but he manages to pick them up. His brows raise in intrigue as he asks, “Is that so?”
The way you tense at what he says doesn’t slip past him but you soon answer in a calm voice, “My universe’s present year is several decades earlier than here. So despite being biologically younger than you, I am chronologically n/y years older than you.” [number of years]
Miguel turns to work on some reports as he says, “Well, you still look spry enough to handle the duties of a Spider.”
You nearly snort at his comment. You must have not expected it, judging by your reaction. You continue to work, your eyes focused on the components you inspect as you jest in a sardonic tone, “Thanks, jefe. I’m glad to know you think my body is still young enough to be thrown around on missions.”
He has to bite his lip to contain the chuckle that he feels vibrate in his chest. He didn’t expect you to respond so sarcastically but he’s glad that you did. If anything, it makes him want to continue talking with you, “So why haven’t I been formally notified of your work here?”
“Well, if something breaks or needs general maintenance, Lyla is informed and she then passes that information to me. She typically deals with software issues and I’m the hardware person. We don’t usually bother you with these things because you’re always so busy as it is.”, you offer with a shrug as you crawl out and sit on your heels, inspecting yet another PCB.
“It wouldn’t be a bother. I need to know about these things.”
You look up at him and chuckle quietly with a soft shake of your head, “There are reports on file of every single repair I’ve done but… the last thing you need to worry about is a coffee maker gone haywire or someone’s empty web cartridges.”
“Aren’t you busy too? You take missions yet you still pull the Society’s odd jobs. Why?”
“Not really. I’m active mostly at night or in the early morning hours. Even when there is an active mission, I’m D-team at best.”
“D-team? Why do you think that?”, Miguel is genuinely confused by what you say. After all, the two of you worked so well together during the missions you have been on with one another.
“I’m just not that capable when compared to the Spiders.”
There’s that phrasing of yours again. It paints a clear separation between you and the society. Why are you so unwilling to include yourself with them? What exactly makes you speak this way? Miguel then thinks back to your first mission together, when it was just the two of you. Although it felt foreign at first, you two completed it quickly and efficiently. He speaks in a tone that leaves no room for rebuttal, “You are very capable.”
“Yeah, you think so?”
“You wouldn’t be here if you weren’t.”
You sigh casually as you stand up, carrying a small tote against your hip of damaged hardware to be further inspected, “Well, I could just be pleasant to be around.”
He releases a breathy laugh at your arch remark with a shake of his head. If only you knew how important your presence has become to him over all these late nights.
You perked up at the sound as you placed the tote on a nearby desk, turning to him as you asked, “Did I just make you laugh?” 
He was about to groan in annoyance on instinct but caught the look in your eyes before he did. Your face didn’t show a single sign of ill intent. Rather, it carried what he identifies as wonder. His lips purse a bit as he looks away from you, trying to avoid your gaze to spare himself from how overactive he’s found his mind becomes when gazing upon your bare face.
“Oh, now you’re pouting.”
“Not pouting.”
“Yes, you are.”
“No, I am not.” 
Miguel’s brain stalls as his ears pick up a previously unknown yet gratifying sound. Gentle giggling slips from you and it makes that buzzing sensation in his ears return. But he's not upset because he knows you're not laughing at him. It’s that kind of laughter that isn’t rude nor teasing. It’s kind and full of joy. He can’t help the upturn of the corners of his mouth, finding your delight somewhat infectious.
“I’m sorry, I’m sorry. It’s just too cute.”, you wave your hand softly as your other hand attempts to muffle your chortling before grabbing the tote of hardware to repair again. You turn to leave to your usual lab to work but your joyful sounds have yet to cease.
Miguel’s frozen by your comment. Cute? In reference to him? That’s not… that’s implausible and honestly, unprecedented. The more he speaks with you, the more he learns just how strange you are. You’re different in not only appearance but behavior as well. He's sure now that you are unique to the Society in such an eccentric way. He realizes something and it’s arguable in his mind. It makes sense why you exclude yourself from them all. Out of all the Spiders, you’re the anomaly.
Laying in the rain with you
Middle of June
“Miguel O’Hara! Get your butt out here now!”
He groans and rolls his eyes with a smirk as he looks at the time. 3 am, on the dot. It’s time.
The two have grown very well acquainted with each other over the past 8 months. There was a stint of anomalies surfacing during the early overnight hours. For a while, it seemed you and Miguel were dispatched nearly every night but now the instances have slowed to every week or so. You’ve learned a lot about each other and have acclimated well to each other’s presence. His hands swipe away the monitors floating around him as he calls over his shoulder, “Yeah, yeah. Just a second, needy.”
“Needy?! Puh-lease, you would waste away without me.”, you chuckle as your body swings around the entrance to his work area. You cross your arms and lean against the doorway, “Ven a comer.” [Come eat.]
“Sí, Mami.”, he mumbles amusedly, stroking his chin as he stares at the monitors in front of him. [Yes, Mom.]
You chuckle and walk over to him, “Don’t make me drag you out of here.”
He closes the floating screens around him with a flick of his wrist before turning to you with a smirk. His hands rest on his hips as his platform descends to meet you. The soft fizzling in his ears returns as you look up at him with a small, playful smile. The sensation is no longer foreign to him. It’s welcomed now. Warm and comfortable. “Yeah, uh-huh. And how do you suppose you’d do that?”
Your grin is almost mischievous as he finally stands in front of you, “I’d figure it out. I’m very resourceful, you know?”
He nods and begins to walk with you to complete your late-night ritual. “Oh, are you now?”
“I wouldn’t be here if I wasn’t.” You repeat the words he told you from your first night together. At this point, it’s more of an inside joke; a reference that often appears as you two converse.
“I thought you said it was because you were pleasant to be around.”, he hums amusedly.
“Well? Am I?”, you look up at him through your lashes. Your eyes gleam with warmth and he’s not sure if you truly know just how beguiling it is.
He mutters as he avoids your gaze, knowing damn well he wants to say yes, “Don’t fish for compliments.”
“But you would compliment me.”, you state in a way that’s laced with playfulness. You bend a bit at the waist to catch a glimpse of his face with your hands resting neatly upon your lower back.
He meets your teasing gaze for a moment before rolling his eyes, “What’s for dinner?”
He sees your lips curl up in his peripherals before you state nonchalantly, “It’s a surprise.”
“A surprise? What do you mean? What for?”
“What? Don’t you trust me?”, you chuckle in amusement after he rambles a bit. You managed to identify that habit of his despite his general seriousness after the many nights you've spent working together.
“I trust you as far as I can throw you.”, he replies collectedly, or so he hopes.
“Liar.”, you hum with an amused smile on your lips, “Nonetheless, I suppose it’s good that you’re an incredibly strong man that can throw me very, very far.”
You chuckle again as he groans beside you. You’re far too sharp for your own good, having seen right through his strategic word choice. You two enter the terrace and something feels different. The air is a bit warmer tonight. Miguel supposes it’s just that kind of summer night. One where the heat from the day lingers into the late night and rekindles the following morning. His eyes shut for a moment as he absorbs the scent floating around. It’s familiar, it’s… enticing. He blinks softly before turning to you, eyebrows lifting in surprise as he sees that setup you’ve made. Upon the ground is a large blanket with a couple of small pillows. There are a few containers of what he knows is your cooking placed in the center. It’s not extravagant but something does stir in his stomach as he sees you turn to him. You almost look coy as you gesture behind you but your eyes never lack that warmth he knows as yours. “Yeah, it’s a bit silly but… happy 50th successful mission, partner.”
He stiffens at your calm yet happy proclamation. The word partner rattles around his brain for a few moments before the gears in his brain turn again. 50 missions? Have you two truly been on 50 missions already? Oh, who is he kidding? Of course, he knows that already. The two of you have actually been on 58 missions to be exact but they can’t always be successes.
You walk over to pull him gently by the wrist to the blanket, “Come on already. Food’s getting cold.”
He rolls his eyes with a smirk as he indulges your command with reluctance, but only externally.
You let go of his hand and sit at one end of the blanket, “Mira, I made some of your favorites.” You remove the lids of the containers presenting a small variety of his preferred dishes. There’s a smile on your lips as you pull out the final container, presenting it to him with a kind tone of voice, “I even made Stobhach for you. And I’ll let you know I’ve perfected my recipe.”
He can’t help the small curl of his lips as he sits opposite of you. You seem so excited to show him all that you prepared for tonight. It all almost makes him blush. He’s learned fairly early on in your acquaintanceship-turned-friendship that you show affection through care. Especially, by giving someone a home cooked meal. He stares down at the food and hums, “Thank you.”
You return with a hum of your own. Besides the banter and wry humor, words aren’t really necessary between the two of you. You’ve learned to read each other well. Body language, quirks, and even the noises that rumble from each of your chests. It’s almost animalistic in its simplicity. Miguel has come to realize how truly perceptive you can be, similar to himself. You two actually share a lot of similarities like your inquisitive nature and reclusive behavior. And he’s come to the conclusion that that is why you two can exist so harmoniously together. It’s not hard to be around you. To him, your presence is easy.
All I really want is you
What would you do?
You two have been talking for a while, the food long gone and your bellies satiated. There’s a bubble around you two as you converse like you’re in your own little world. 
“Come on. Lay with me.”, you look up at him with warmth in your eyes as you pat the space next to you. He truly can’t find it within himself to deny such a gentle command. He moves to lie next to you and stares up at the few stars that manage to make it through the city’s light pollution. It’s times like these when he ponders upon his actions and realizes how easily he finds himself following your instruction. He’s not upset about it. He just finds it odd although certainly not unwelcome. Truthfully, he’s grateful that he can take your lead and not have to be in charge, even if only for a moment. But these moments fill his chest with something warm. Warm and comfortable are his two choice words to describe you in any situation. Whether it be as you two work in silence in one of the labs or when you patch each other up after rough missions.
Sleeping outside, the moon
Tripping with you
He hears a sweet sigh from your lips as you relax on the blanket next to him. You whisper into the night air with the same gentleness one speaks a secret, “This reminds me of one night when I was a teen. In my universe…”
Miguel’s ears perked a bit as you began. It was very rare for you to speak of yourself, your experiences, or your universe. Every time you did, he was sure to pay attention and commit each word to memory because if you ever spoke of it like this, earnestly and unprompted, it meant you were revealing a part of who you are. That you were trusting him with a part of your very essence. To keep it safe.
“California isn’t gone. There’s a coastal city there called San Francisco that my friends and I traveled to. We spent hours there. We watched the sunset on the bay and the evening fog that rolled in. And eventually, we laid back on the sand and looked up at the stars. Just like this.”
He didn't say anything or make a noise. He just stared up at the stars with you, listening intently.
“I felt so calm that night. I knew in that moment that nothing else mattered. And for the first time, I felt at peace. My whole life I didn’t do much. I stayed at home filling my time with random knowledge and tricks. I avoided people and kept to myself as best as I could because I had learned very young that people were not to be trusted.”
Miguel feels his chest tighten at your words but keeps silent. There’s a darkness that barely laces your voice but it is there. He picks up the sound of hurt in your tone and it grips him tightly. There’s a tumultuous feeling in his stomach. He’s eager to preserve the pieces of yourself that you delicately hand him but it doesn’t change the feeling of helplessness that floods him. Your honesty is encased in sadness, a build-up of fears and insecurity that he’s far too late to have prevented. So he listens because maybe, just maybe, something you reveal to him in these genuine passages of your lore can help him protect the parts of you he keeps.
“I learned that family was everything because family would never hurt you. It’s funny now… Now, I think I’m nothing but a memory yet to be forgotten by them.”
He turns to look at you curiously but the concern is unmistakable in his eyes. Of all the countless nights you’ve spent together, you’re finally revealing why you are the way you are. Why he feels like he knows you without words. Because loss and loneliness radiates off you like bittersweet perfume yet you contain it with walls built of sufferance and capability. He’s always held a certain affinity to you that he could never quite describe until now. Before his thoughts submerge his consciousness, he notices how your eyes are screwed shut and the way your fist is squeezed tightly around the strings of your hoodie. Your clenched fingers resting above your heart almost as if you're quelling pain into passivity.
You sigh quietly as if to prepare yourself for what to say. “Things happen. At one point you think you know where you are. Then you blink and wake up somewhere else entirely.”
There’s a brief pause before your next words. Your eyes slowly flutter open to look up at the stars with glossy eyes and a gentle yet certain voice, “I’m here now and I’m actually very grateful for all that has happened. I’ve learned things I never thought were possible, about reality and the world. About people and about myself.”
He’s a bit surprised as you speak to him with sincerity, “I know I’m strange, Miguel. I know I don't make sense and that I don’t really fit. But you make me feel understood. And you make me feel like I’m not really alone… Thank you.”
You turn to find him staring at you in surprise. Your smile is small but your usual warmth has returned, and truthfully, he thinks that it never left. “Sorry. That was a bit heavy, huh? Just forget I said anything.” You offer with a chuckle before laying back.
All I really want is you
Your eyes are closed as you bask in the moonlight and his eyes travel over you. He takes in the soft curl of your lips and the faint flush on your cheeks from the cool air and candid words. The temperature isn’t too bad but thanks to the extreme altitude of the building, it’s crisp yet foggy. It’s an odd feeling, the air is damp from the clouds rolling through the skyscraper but Miguel feels warm. So soothingly warm. Especially, with you laying so close to him. So earnest and so true. He finds it odd how comforting this feeling is despite it being foreign to him, or rather dormant. He’s astonished by your trust in him. It fills him with something that he wasn’t entirely sure he was missing. Suddenly it's apparent what exactly this feeling is. The same feeling that he's felt for months. And it finally sparks in his mind as you look at him with tired eyes and a warm smile.
I love you. 
All I really want is you
What would you do?
He can nearly taste the words on his tongue but he remains silent as your eyes stare into his. Suddenly he feels very awake as his own thoughts dawn on him. Managing to tear his gaze away from your familiar e/c eyes, he finally speaks as he closes his eyes with a coy smirk.
“Never.”
It’s you. Now, it’s something that’s as certain as fact in his mind. He feels the heat of your hand resting on the blanket between the two of you, right next to his. Right where you belong, he thinks. Right next to him.
All I really want is you
Is you, is you, is you
Appearing near you two and out of sight is Lyla. She watches you two and makes a final checkmark on the chart she pulled from an article months ago, when Miguel was initially questioning his interest in you. She smiles to herself as she looks over the chart then back at you two as you exist in your own little world. The words softly illuminated in the window beside her, Infatuation vs. Love, with all her markings under the latter.
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Thank you, thank you, thank you to everyone who took the time to read this! Also, big thanks to everyone who voted on my poll regarding this fic. I am open to your opinions and questions! Please feel free to ask me anything!
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