#i think i need someone to be very very violently angry at me. i think there’s a deep part of me that can’t understand why nobody’s been

[afieldinengland]

.

#thinking about how it felt last winter to sob before the impassive. it’s easier than sobbing before the empathetic— good god!! isn’t it #i think i need someone to be very very violently angry at me. i think there’s a deep part of me that can’t understand why nobody’s been #cruel to me for so long— and more than that why no one’s ever beaten me within an inch of my life like i probably deserve #angry gods are so simple in their own way. really really primitive. you know where you stand #He sits there and smokes i cry and shake and starve and throw up vodka and occasionally he grinds my face into the ground with his heel. #right? and now i’ve come away from that. obviously. and pan’s rage is never aimed at me— the sun’s displeasure is never taken out on my body #but some desperate part of me— well that’s all he understands. why? #i didn’t live on a diet of that rage for more than a winter. did i? #but yes. to be actually brutally treated— yelled at until i wept by a complete impassive— the terror of the concept feels so way-off #it’d be terrible and despicable and horrible obviously. but i think some part of me feels like i’m getting away with something now there’s #no god who wants me to cane my back open— and a tender lover who’d patch those same wounds up #‘a burnt child loves the fire’ i suppose. you want the tenderness and not the initial torture that must precede the bandage. i don’t know #i want to be taken care of. i want to apologise over and over to someone i’ve angered whilst crying. who doesn’t?

[vaguenotions]

Oh, yes, I just love your unannounced sleepover where you both come back from the bar after carefully avoiding telling me that's where you were going, and also neglecting to tell me when you'd be home! I definitely do not want to knock you on your ass and take a bat to your dome! That would be rude and unnecessary :)

Oh yes, please do start talking about shit amongst yourselves and make me feel isolated and othered in ny own room! These moments are what I live for, of course. Naturally. Who would ever have any issues with this arrangement at all?

#txt #might delete this later but i also might not because my irritation and rage is real and i shouldnt have to so constantly discard it #i am so tired of constantly putting it aside #i want your blood in my fucking teeth. and it's your fault i want it there- certainly- because I TRY. I try so hard not to feel this way #but eventually you get tired of those little games too #okay I drafted this for a minute bc idk if this fucker is actually spending the night or not i just know he took off his belt. BUT THEN ONE #+ OF THESE FUCKERS DECIDED TO START TALKING ABOUT SPIDERS. A THING THAT I HAVE A VERY BAD PHOBIA ABOUT. I AM GOING TO FUCKING KILL YOU #thinking of killing and maiming and maiming and killing and killing and shredding and tearing and killing and- #seriously though what. the fuck. you even go ''oh they're not gonna like this'' THEN HOW ABOUT YOU DONT FUCKING SAY IT #ohh and now you're sitting here making plans for when you go out without me next! I'm going to make you a bloody smear on my fucking floor #i am going to Dissect you. I'm going to rip you apart and feed you to the local strays and csrrion birds. #not even getting up and leaving right fucking now would assuage me. i wish i wasn't so full of fucking hate but you just keep adding fuel + #+to the fire #im so tired. I'll come back with a ''im fine now'' if he fucking leaves but im going to seethe now. im so fucking angry. #how do you fucks continually just bounce between the topics that makes me feel Most Violent Towards You? literally how do you not realize i #+ want you dead at this point? how do you not realize the grave you've dug for yourselves in my mind? #i dont fucking mask it that well. i know i dont. and still you fucking do this #((part of why it being a bar specifically that bothers me besides the very deliberate and careful avoidance of mentioning it to me is that #+*one of you is at serious risk for becoming an alcoholic. why the fuck are you being enabled this way?*)) #((if i was dating someone with a genetic predisposition of alcoholism i would make your regular dates nights- idk- NOT THE FUCKING BAR + #+ DISTRICT. DO YOU EVEN FUCKING CARE ABOUT THEM? DO YOU? This fucking boils my god damn blood.)) #(ultimately its their decision if they want to fucking drink yeah sure whatever YOU DONT NEED TO REGULARLY AND READILY ENABLE IT. BASTARD.) #(If they want to drink so fucking bad- if they push for the bars- JUST BUY SOME ALCOHOL AND BRING IT FUCKING HERE. It limits how much they+ #+can have for one- and it would isolate me from you two less! just as an added fucking bonus! but no very unreasonable of me. what was i + #+thinking? clearly not about them 🙄) #i might be a little out of line here. i can admit that. but if anyone spent a week in my fucking shoes back when they first got together + #+and then now? you would fucking understand. #and they just. keep. talking. to eachother. no attempts to include me. not even glances my way. like always. #''oh nothing will change'' IT FUCKING CHANGED. I want to hurt you so bsdly for that lie with ever passing day. do you even know it was a li #do you? anyway was abt to post this and noticed a gif i have of a woman ripping her shirt off so im going to stare at that until im calm ig.

[qlossytbh]

𝐢𝐧 𝐨𝐫𝐝𝐞𝐫 𝐭𝐨 𝐩𝐫𝐨𝐭𝐞𝐜𝐭 𝐲𝐨𝐮 - 𝐬𝐩𝐞𝐧𝐜𝐞𝐫 𝐫𝐞𝐢𝐝 𝐱 𝐛𝐚𝐮!𝐫𝐞𝐚𝐝𝐞𝐫

𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬 so what if instead of JJ you were the one who kept emilys identity a secret and spencer is giving you the cold shoulder.

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬 mentions spoilers for 6x18, spoilers for 7x2, mentions of drugs, mentions of addiction, very brief mentions of consuming alcohol to cope, fighting, pining, angst :(, but then fluff :D, not proofread

𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭 2.7k

𝐚𝐮𝐭𝐡𝐨𝐫𝐬 𝐧𝐨𝐭𝐞 so i had this idea while watching szn 7 and i got carried away lol

𝐬𝐩𝐞𝐧𝐜𝐞𝐫 𝐫𝐞𝐢𝐝 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 | 𝐦𝐚𝐢𝐧 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

“Spence,” You called, following hot on his trail, frustration welling up in every single fiber of your body. “Spence, look, can we talk about this?”

Spencer had been giving you the cold shoulder throughout the whole day. Dismissing you cruelly, brushing off your every input in the case— you knew you deserved it, if you were being completely honest.

It was only a matter of time before the team found out that you had covered up Emily’s whereabouts, and you knew they had a right to be mad but the only person who was still mad at you was Spencer. The one person you didn’t want mad at you.

Hell even Derek was willing to talk to you and hear you out, but Spencer— God.

And it wasn’t even like he was taking it out on Hotch as well. He was just getting a hit at you and you were growing impatient because he refused to talk about it, just like he was now.

“I don’t wanna talk about it,” He responded contemptuously. You held yourself back from groaning, you placed an angry hand on your hip and faced him.

“You’re angry and disappointed— I get it,” He scoffed, low enough for you to almost miss it but you didn’t. You watched him, completely baffled as he continued grappling at his files. “With the way we handled Emily we—“

He whipped around, nearly bumping into you. You stumbled back momentarily, taken aback by his hostility. “Listen, I have a lot going on, all right?”

“What? Spencer—“ He was halfway out the door, before your stuttering words stopped him in his tracks. He turned on his heels, facing you with the coldest expression you’ve ever seen him wear around you.

You and Spencer never fought. Like ever.

“You know what I think it is?” You started.

“What?” He responded, in a way that made it seem like he was testing you. Like he was warning you not to push him past his limits.

“You’re pissed that me and Hotch were able to control our micro-expressions in the waiting room that night and you weren’t able to detect our deceit.” Spencer looked away, seemingly not being able to face you.

You had definitely gone far, but the exasperation was driving you off the wall and you weren’t beginning to think straight.

Maybe it was the desperation to just be okay with him. Just the thought of this lasting more than a week filled you with dread, you felt helpless.

“You think this is because of my profiling skills?” Disbelief filled his voice and for the millionth time in these twenty four hours, you felt shame. You opened your mouth to continue but he cut you off by saying your full name— Not the nickname he usually called you.

He said it harshly and full of condescension. “Listen, the only reason you were able to manage my perception is because I trusted you— I came to your house for ten weeks in a row crying over losing a friend and not once did you have the decency to tell me the truth.”

You looked down, guilt ripping at every single fiber inside of you. You knew it wasn’t okay, and you felt horrible for the repercussions your secret inflicted on the team. It was gut wrenching, to hold someone you loved so much while he violently sobbed with grief and not be able to tell him the truth, not being able to protect him from the pain you swore you’d always shield him from.

But you did it to protect Emily and to protect them. And Spencer didn’t need to understand it, he was allowed to be pissed, but god forbid he talked to you about that anger. Instead he just let it bundle up until he was ready to rub it in your face.

“I couldn’t,” Your voice was unstable.

“You couldn’t? Or you wouldn’t?” There was that goddamn derisive tone again.

“No, I couldn’t!” You seethed, eyes beginning to burn with tears.

It wasn’t logical that you end up crying, and you didn’t want anyone— much less Spencer, to notice he had that effect on you. But he was your friend and he was being cruel.

“What if I started taking dilaudid again, would you have let me?”

You clamped your mouth shut, eyes widening slightly. The tears just began getting harder to blink away, mind flashing images and memories back to when Spencer was struggling with Dilaudid.

“You didn’t.” You weren’t sure if you were saying that to convince yourself or even ease yourself from the thought of the possibility that Spencer had relapsed. It was feeling harder to breathe.

“Yeah, but I thought about it,” He said finally.

No one, not Derek, not JJ— No one, had been by Spencer’s side when he was struggling with his addiction. As his best friend, the second you caught on to him, you encouraged him to get the help he needed and you held his hand every step of the way.

So how dare he throw that into your face right now, as if the consequences of your decision may have led him to potentially relapse. How he made it seem like his suffering was your fault.

For some reason you couldn’t help thinking that in a certain way, it was. And that killed you.

“That isn’t fair,” You whispered, trying to swallow down the tears that were causing your throat to close up.

“You’re not exactly allowed to talk to me about fair,” Spencer turned, giving you one last glance before turning and leaving the room. You stood there, frustration and tears heavy on your trail.

“Reid,” Prentiss called out, to which he completely ignored, waltzing past her without a second glance. The whole team looked over at him and then turned to you.

You sucked in a shaky breath through your nose, trying to prevent yourself from crying. The tears welling in your eyes were completely rooted by all types of anger.

You rushed out of the room and past the team, heading in the opposite direction that Spencer had stormed off to, desperately needing a minute to breath.

“But careful not to burn the onions,” Hotch inquired, keeping his gaze on the pan.

“Bravo Aaron!” Rossi exclaimed. You let out a low huff of amusement, rolling your eyes at your two co-workers.

Hotch had suggested hosting a dinner party where Rossi teaches the group how to cook like a ‘true Italian’. It was a bonding experience he thought would benefit the team.

Everyone was watching Rossi as he cooked his infamous Carbonara recipe, laying out all the essential steps and rules of a true pasta dish recipe. A glass of wine sat temptingly in front of you, but you knew that if you were to lay a single hand on it, Rossi would rip said hands off your body.

You really needed that drink though.

Once the jet landed after solving the case today, Emily came up to talk to you, mainly just to ask how you were holding up. You told her that you were fine, but she clearly gave you zero satisfaction in believing your white lie.

You were not fine, because since your fight with Spencer you hadn’t talked to him all day. Not during the case, not after it— Not even on the jet ride home, which is when you and Spencer would usually sit together to play poker or to read a book together.

Your mind had been running its gears near exhaustion, both worried and incredibly frustrated with him. It was when Emily informed you that she wasn’t entirely sure if Spencer was going to make an appearance tonight when you realized that you may have potentially ruined one of your most valued relationships.

So yeah, halfway through cooking dinner and no sign of Spencer. You needed that glass of wine— maybe even three more.

The sound of the doorbell ringing busted you from your thoughts. You turned to look at the door. When you looked at Emily she was just as confused as you were, shooting a perplexed shrug your way. Rossi glanced over at the door, before Derek stood. “I got it,”

“Grazie Mille!” JJ reached for her glass beside you before Rossi scolded her profusely.

“Should’ve given you a heads up,” You whispered, resting your forearms on the marble in front of you.

Rossi continued, blabbering passionately about pasta and the true art behind it. You couldn’t help but feel the familiar fondness nestle in your chest. It had been a while since everyone had come together like this. You missed it, but you couldn’t help but feel like there was still something off.

Probably because there was.

“It’s all about timing and rhythm,” He said, hands working on the pasta in front of him. You watched curiously, pursing your lips in concentration. “And if you don’t feel yourself doing it properly, please, order a pizza.”

You laughed softly, not feeling it quite reach your eyes as they fell down to the marble counter. “Sorry I’m late,”

You turned around, straightening your back to see Spencer making his appearance in Rossi’s kitchen. Your mouth hung open, just barely, and you could practically feel your breath hitch into the back of your throat, when he smiled widely.

He walked up to the counter, standing in between you and Emily. The two of you made eye contact and he opened his mouth to speak, but closed it shut, not entirely sure what to say— much less to you. Your eyes nervously left his, cheeks beginning to buzz with heat as Rossi continued explaining how this whole cooking dynamic was going to work.

You hadn’t mentally prepared yourself to see him tonight since Emily said that he was possibly not going to make it. But you weren’t about to deny how happy it made you to see him, and to have him close to you— even if he was angry.

About fifteen minutes and a wine glass later, you stood next to the stove, eyeing the pancetta and onions that sizzled away with another glass of wine in your hand, swirling the dark liquid around.

“The onions are starting to burn,” A voice beside you said. You snapped out of your trail of thoughts, turning to see Spencer making his way towards you, hands shoved deep in his pockets.

His chin jutted towards the pan and you noticed that in fact the onions were beginning to burn. You cursed silently, hands fumbling between the wine glass and the wooden spoon. You quickly downed the remaining wine in your glass before setting it on the counter next to the stove and removing the pan from the heat, all in a mildly frenzied panic.

Spencer took an odd notice that you had consumed two glasses of wine in a span of 15 minutes.

“Don’t tell Rossi,” You groaned, mixing the crisp pancetta and onions around lamely. Spencer chuckled, taking a step closer to you.

You glanced up at him, and quickly averted your gaze back to the pan, blinking rapidly. Garcia and Morgan were laughing away as they chopped up some more parsley while JJ and Hotch were in charge of setting down the plates. Rossi and Prentiss were— drinking wine and chatting.

You were weirdly nervous and found yourself thinking of ways to get away from the situation at hand. “So uh— How are you?”

You bit back a spiteful reply, not wanting to make this worse. However, it was ironic that now he was the one wanting to talk and putting you in a position where you now wanted to give him the cold shoulder.

“Good,” You quipped, mixing the pancetta around. Spencer cleared his throat, shifting on the back of his feet. “I thought you were ignoring me.”

It did no good to beat around the bush, and honestly bringing up the topic at hand filled you with less anxiety than whatever small talk the two of you were attempting to make. Spencer sighed heavily. Your brows were furrowed, eyes drilling holes into the crisping pancetta.

“Can we talk outside?” He muttered. You nodded, informing Emily and Rossi that the pancetta was done but you needed to head out for a bit.

“What you said back at the station,” You started, closing the door behind you. “Were you actually thinking about relapsing or were you saying that to get at me,”

His brows furrowed. “Wha— Yes! I wouldn’t ever use that to spite you,”

You crossed your arms across your chest. “It felt like that was the intention,”

“It wasn’t, I promise I—“ Spencer peered to his side. “I was really mad— I still kind of am,”

“Then let’s talk about it,” You exasperated, voice growing weak as you finally turned to face him. “We talk about it Spencer, you don’t give me the cold shoulder and then lash out on me when I try to talk about things.”

Spencer knew he could be harsh, especially when he was angry and especially when that anger was rooted by betrayal. He had a hard time opening up about what was going on inside of him constantly, but that wasn’t an excuse to lash out on you the way he did.

“Can I ask you something just to get it out of the way?” Spencer nodded immediately.

“Anything,”

“Why does your anger feel personal? Why aren’t you shutting Hotch out the way you’re doing with me?” Your eyes were mixed with layers of all sorts of complicated feelings

“Because it is personal Y/n,” You looked at Spencer. “You are my best friend, probably one of the most important people in my life and It makes me feel stupid having gone to your house crying countless nights when you knew this whole time that she was alive.”

“I feel like an idiot..!” You felt a pang of guilt. You never wanted Spencer feeling stupid for feeling anything.

“I know! I know—“

The room suddenly felt heavy and you wish the back of your eyes weren’t burning the way they currently were. You really wanted this to be a good night.

“You’re allowed to be mad at me Spence,” You closed your eyes, drawing in a deep breath. “I’m not expecting this to be fine immediately, because whether or not my lie has justification, it was still a lie and I’m sorry,”

His eyes scanned yours slowly, both of your faces etched with regret. “I’m sorry for lying,”

“I really wish I could say I shouldn’t have done it, but I truly didn’t have another choice,” Spencer watched you dig your teeth into the plump flesh of your lower lip.

“Yeah,” He sighed in defeat. “I know,”

The two of you shifted in the uncomfortable silence, not knowing how else to act or what to say. You cleared your throat and looked up at him. “If you need some more time I get, just let me know,”

“No—“ Spencer shook his head instantly, looking down at you. “I really don’t want that.”

Spencer was miserable with the distance he put between you these past couple of days. It was hell to him, having felt so betrayed by someone he loved so deeply the way he loved you, but talking things out with you, it made things better. Not fixed, but better.

He reached out, grabbing your forearm and pulling you close to him. Your arms immediately flew around his neck, hands tangling into his hair while his arms wrapped themselves snugly around your waist. He buried his face into the crook of your neck, breathing in your scent and relaxing against your body. He missed having you like this.

“I’m sorry,” You muttered. Spencer communicated back by giving you a tight squeeze and the two of you stood there, engulfed in each other's company for just a while longer.

When you pulled away, it was only a few inches, just enough for your hands to remain on his shoulder while his hands sat on the curve of your waist.

You watched him, the hairs on the back of your neck suddenly standing up when you noticed his gaze flicker upon your lips. Your face burned and a million unconscious thoughts started barging into your head and—

“Reid! Y/N!” Derek shot from inside the house. You jumped, pulling away from Spencer and turning to the door.

“Uh—“ You pointed back. “We should, you know—“

“Y-Yeah!—“ Spencer squeaked, face turning red. “Yeah, uh, definitely— we definitely should—“

Yep, you definitely missed whatever this was.

#fanfic #fic rec #fiction #criminal minds #spencer reid #spencer #spencer x reader #spencer x you #criminal minds fic #criminal minds x reader #criminal minds fanfiction #criminal minds fluff #criminal minds angst #criminal minds fandom #spencer reid x fanfiction #spencer reid x you #spencer reid fandom #spencer reid x fem!reader #spencer reid x self insert #spencer reid x y/n #spencer reid x reader #spencer reid fluff #spencer reid angst #spencer reid fanfiction #spencer reid fic #dr spencer reid #spencer fluff #spencer reid x fem!readr #spencer reid x oc #criminal minds x you

[stevie-petey]

episode eight: the gate

“Drop me and die.” Your knuckles are white as they clutch the rope, your body shaking with exhaustion as you try to ease your way down without further injuring your ribs.  Steve laughs and tightens his grip on your waist, steadying you as you finally inch the rest of the way down and land with a gentle thud onto the ground. “Like I’d ever dream of letting you go.” This time, you know it’s his words that cause you to shiver, not the exhaustion and pain.

Summary: you encourage nancy to take your place (everyone is shocked), you and steve are the newest babysitters in town, billy ruins things as always, tunnels are weird when youre concussed, you remind jonathan of an old promise, and when the snowball comes you make your own promise with steve that you know you can keep.

Rating: general, although very violent

Warnings: use of y/n, fem!reader, intense violence and blood, weapons, monsters, probably more im forgetting

Words: 20.1k (no one speak to me)

Before you swing in: this is it ,,, the final episode of season two <3 this chapter was both the easiest and hardest one ive ever written. there are scenes in here that i put so much into, and im so proud of where everything landed. handling so many relationships and dynamics was so incredibly difficult, but i adore where they ended up. i hope you guys do, too :)

-

“Eleven,”

“Mike.”

The two kids embrace, Mike holding desperately onto El as if he’s afraid she’ll disappear again any second, and she’s holding onto him just as tightly as their tears mix together. 

You watch them with a hand over your heart, your own tears spilling over. You can’t believe this is real, that El is standing in Mike’s arms alive and real.

The way they cling to each other brings more tears to your eyes. It’s obvious to everyone how much they love one another. You think about the endless batches of brownies you baked for Mike, how many nights you spent in his basement standing watch, looking for any sign of grief, in case he needed you there to remind him that it’s okay to cry. 

“Is that…?” Max asks Lucas, and he nods. 

“She’s back.” You exhale, feeling Dustin’s fingers slip between yours. He knows how much you missed El, he’s spent just as many nights keeping watch over you, reminding you to cry as well. 

Mike pulls away, his eyes shining with tears. “I never gave up on you. I called you every night. Every night for–”

“353 days.” El finishes for him, you’ve never heard so much emotion in her voice. “I heard.”

You think about the nights you found Mike huddled underneath the fort he once built for El in his basement, clutching the radio to his chest, passed out from exhaustion. You never mentioned it to the boy, knowing he’d simply deny and tell you it was nothing, but hearing El confirm what you already knew still hurts. 

“Why didn’t you tell me you were there?” 

You look around the room now, wondering the same as Mike, and then your eyes land on Hopper. While everyone looks surprised or confused at El’s reappearance, Hopper’s face is one of resignation. 

Everything clicks. 

He knew.

Hopper sees that you’ve pieced it together and steps forward. “Because I wouldn’t let her.”

You step forward as well so that you’re next to Mike, knowing that this will only upset him more. “You knew.”

“What the hell is this?” The chief ignores you, now speaking only to El. “Where’ve you been?”

“Where have you been?” El’s eyes darken, but she immediately melts when Hopper pulls her into a hug. By watching their body language, you can tell that they love each other dearly, and distantly you remember hearing about the daughter Hopper once had. 

Though you’re angry he hid El from you, you’re thankful they found one another in the end. You’ve never seen Hopper so tender with someone, and El seems to feel safe within his embrace, far from the skittish girl you found in the woods last year. 

“You’ve been hiding her!” Lost in your thoughts, you momentarily forget about Mike, who launches himself at Hopper and punches the man’s chest. “You’ve been hiding her this whole time!”

Hopper flinches away. “Hey–”

“Mike,” you grab his shoulders, knowing his anger will only do more harm than good, but he struggles against you as he tries to continue hitting the man. “We can all talk about this–”

“Let’s talk,” Hopper grabs at Mike’s shirt, finally forcing the kid to stop. Then, looking directly at you, he adds. “Alone.”

You look at Mike, silently asking him what he needs from you. You know the two of them need to settle their differences, that he feels Hopper’s betrayal the deepest and you trust him to make his own choices. However, with one headshake from him, you would prevent Mike from being alone with Hopper in a heartbeat. 

Mike knows this, he doesn’t have to even have to ask what you mean when you gently nod your chin at him. Taking a deep breath, the boy sighs and nods at you, indicating that he’ll talk with the cop. 

You let go of Mike and gently push him towards Hopper. “He’s all yours, but try not to kill him, please? I unfortunately like the kid.”

Hopper doesn’t play into your words and promptly grabs the back of Mike’s hoodie and marches him towards Will’s room. The door closes behind them, leaving you to deal with El.

Her nose is bleeding and she looks upset having Mike taken from her, there’s an exhaustion behind her eyes that you’re all too familiar with. You wrap an arm around her waist and pull her into you. “C’mere, sweetheart.”

El leans into the kiss you press upon her cheek and closes her eyes, relishing in the tenderness after the night she’s had. “Missed you.”

“And I missed you.” You place another kiss on her head. “The hairstyle suits you, by the way.”

This seems to lighten the girl up a bit, who giggles and quietly thanks you as she wraps her arms fully around you now, securing you into a hug. You allow her all the time she needs to collect herself. 

When you hear Mike’s heartbroken screams at Hopper, calling him a liar, you squeeze your arms tighter around El. “They’ll be fine,” you promise her, feeling the need to reassure her of this, though hearing Mike’s screams breaks your heart.

You understand why Hopper hid El, it wasn’t safe for anyone to know about her being alive, but Mike spent the entire year grieving for her. He lost a year of his childhood mourning the loss of a close friend, of someone he loves, and it isn’t fair to expect him to accept this. 

El nods at your reassurance before you’re suddenly shoved away from her. 

“You’re hogging the former dead girl, Y/N!” Dustin exclaims as he engulfs El into a hug. 

Lucas flashes you an apologetic smile before hugging the girl as well, focusing his attention on her. “We missed you.”

“I missed you too.” She responds, squeezing both boys tight. 

“We talked about you pretty much every day.” Dustin pulls away before pointing at you. “Y/N usually just cried.”

You elbow your brother, causing him to wince. “You say that like I don’t normally cry over things.”

Dustin opens his mouth to argue, but suddenly El’s fingers are pinching at his lips as she pries his jaw open. Your brother looks at you in alarm, and you’re too stunned to do anything besides watch in bewilderment. 

“Teeth.” El finally says,

You giggle, while Dustin simply stares at her as if she’s insane. “What?”

“You have teeth.”

Dustin breaks into a smile. “Oh, you like these pearls?”

When he makes an obscure purring sound with his mouth, you scoff at your brother and roll your eyes alongside Lucas. “Please, never do that ever again.”

“Eleven?” Max now approaches with a warm smile on her face, the most open you’ve ever seen the girl, and extends her hand for El to shake. “Hey, um. I’m Max. I’ve heard a lot about you.”

El looks at you and tilts her head, which you assume means she’s unsure what to do, so you step in. “Max is a friend, sweetheart.”

She eyes Max’s hand, looks up at her again, before bypassing the girl completely and going straight into Joyce’s arms.

You frown, confused by El’s unusual dismissiveness, and look over at Max. Her head is ducked down, embarrassed, and you make a mental note to remind yourself later to ask El what happened. Max is a good girl, they deserve to be friends and you know they’d get along if given the chance.

Joyce cradles El’s head and greets her with tears, and the girl responds the same. After they’ve hugged, El pulls away, her tears now ones of worry. “Can I see him?”

Joyce’s eyes flash to you, and the two of you seem to realize the same thing: it’s no coincidence that El arrived when she did. You think about what Dustin and the kids deciphered in morse code, Will’s hidden message. 

Close the gate. 

El is the only person you know can do it. 

“Go take her to him,” you tell Joyce. “I’ll catch everyone else up.”

The woman nods, her eyes appreciative, before gently guiding El towards Will’s room. 

“I’m assuming I’m ‘everyone’.” Steve says as soon as Joyce and El have left. 

You laugh, finally rejoining his side. “Yeah, pretty much.”

“Alright, catch me up then. Who was the girl and why does she have a bloody nose problem?”

“Her name is Eleven, or El. Besides the Demogorgon, and Demodogs, did we ever discuss El?”

Nancy speaks up from the corner, timid. “I, uh… Didn’t tell Steve a lot. We kinda just, we–we didn’t ever really–”

“I never let Nancy explain, and I was too afraid to ask.” Steve kindly saves Nancy, and something both you and Jonathan take note of. 

“Well,” you clap your hands, dispelling away any remaining tension for both your sake and the kids’ sakes. “El has these powers, she can make things move with her mind, and when she uses them she gets nose bleeds.”

Steve stares at you. “Okay…”

“Mhm. It’s just as insane as it sounds. Remember the whole Upside Down story Dustin and I told you about yesterday? Well, she can travel there and has a connection to it. With her mind. Somehow. I don’t actually know the logistics of it.”

“You’re doing great, bug.” Jonathan’s voice drips with sarcasm, but Dustin hits his chest to shut him up. 

“Thanks, Dustin. Anyways, El has these insane powers and she’s the sweetest, softest person I’ve ever met. We…” your voice trails off now, still getting used to the fact that she’s alive. “We thought we lost her last year, when she killed the Demogorgon and helped bring Will back.”

“But she’s alive.” Steve concludes. 

You nod, a natural smile spreading across your face. “She is.”

“If you say she’s the sweetest person you’ve ever met, then I definitely believe you.”

Steve’s words make you blush, the pure and honest way he says them, and both Dustin and Jonathan cringe. The two boys share a look, both for once on the same page in a long time, and make gagging motions. 

You see this and flick both of their heads. “I know where you both sleep.”

Both boys stick their tongue out at you, and for a moment everything feels normal. Jonathan and Dustin are teasing you, Jonathan’s eyes are lit up, and your brother is carefree again. 

Then Joyce returns to the living room with El and the mood becomes somber again. 

They stand over the kitchen table, El stares down at the piece of paper with the “close gate” on it, and Joyce asks the question you’ve all been wondering. “You opened this gate before, right?”

“Yes,” the girl responds as you and everyone else now join her and Joyce. 

“Do you think if we got you back there, that you could close it?”

El looks between you and Joyce, her gaze stony and resigned. You wonder what else she’s gone through to put such a void within her; like all the other kids, she no longer has a sweet naivety to her.

Then, slowly, El nods. 

– 

“It’s not like it was before. It’s grown. A lot.” Everyone stands in the kitchen, circling around Hopper as he explains exactly what the gate now is. “I mean, that’s considering we can get in there. The place is crawling with those dogs.”

You grab Dustin’s shirt and yank harshly at it. “Don’t you dare–”

“Demodogs.”

Hopper looks at him, sighing. “I’m sorry, what?”

“Please just ignore him.” You plead with the officer, knowing he’s already in a bitchy mood. 

Dustin doesn’t pick up on the anger, though. “I said, uh… Demodogs. Like Demogorgon and dogs.”

“Oh my god,” you groan, rubbing at your temples. You’ve heard this explanation of the word play a million times within the last twenty-four hours. If you have to hear Dustin explain what Demodog means one more time, you think you may murder the kid.

Dustin, unfortunately, continues. “You put them together… it sounds pretty badass–”

“How is this important right now?” Hopper snaps at the boy, which only makes you more annoyed. 

You put your hand up at the old man, closing your fingers together to mimic a mouth being shut. “One more aggressive comment to the thirteen year old and I will show you that Nancy isn’t the only one who can shoot a gun.”

“Uh, Y/N…” Jonathan nervously mumbles, unsure what Hopper’s reaction may be. 

However, the chief simply raises an eyebrow at you, stares you down for a few seconds, before finally seeming to decide that he’s impressed with your bold comment. “I’ll make sure to remember that.”

“I can do it.” El suddenly voices from the other end of the table.

“You’re not hearing me.” Hopper’s shoulders slump. You can tell by his now defeated stance that he has yet to win an argument against El, something that you’re incredibly proud of her for. 

“I’m hearing you. I can do it.”

“Even if El can, there’s still another problem.” Mike speaks up, looking around the table to ensure everyone is listening. “If the brain dies, the body dies.”

Max frowns. “I thought that was the whole point.”

“It is, but if we’re really right about this…”

“Will,” you breathe out quietly with dread, understanding where Mike is going with this.

Mike continues explaining. “I mean, if El closes the gate and kills the mind flayer’s army–”

“Will’s a part of that army.” Lucas finishes as he looks over at you, now knowing why you’ve just exhaled the boy’s name with grief. 

“Closing the gate will kill him.” 

Jonathan tenses at Mike’s words, and you place your hand against the back of his neck in a grounding manner. You can feel his rapid heartbeat against your hand, even from this position, and you play with his hair to try and soothe him. 

He’s terrified of what may happen to his little brother, once again struck with pure terror that he could lose him. You’re not sure how many more times Jonathan can grieve his brother without losing a piece of himself.

Steve, standing on your other side, sees the way your fingers intertwine in Jonathan’s hair. The same way they did earlier with his own hair as you hugged him.

He frowns, looking away. 

Everyone else falls silent as well, Mike’s words hang in the air. Your gaze shifts to Joyce, who has a deep frown on her face, and before you ask her what she’s thinking, she stands up from the table. “Follow me.”

No one says anything as you all follow the woman to Jonathan’s room, where Will lays motionless on top of the bed you’ve slept in for years. His body is stiff, the hospital gown swallows him, and the sight disturbs you. 

You walk over to the boy and kneel next to the bed. It’s in your nature to take care of Will, you do this without even thinking about it. Stroking his forehead, you place a kiss against it as you watch his mom in the doorway.

“He likes it cold.” Joyce mumbles, eying the open window in the room. 

“What?” Asks Hopper, standing behind the woman. 

Joyce looks over at her son now. “It’s what Will kept saying to me. He likes it cold.” Then, as her voice grows stronger, she walks over to the window and slams it shut. “We keep giving it what it wants.”

Nancy and Jonathan walk over to you now, the girl remains standing while Jonathan kneels down next to you. The two of you take turns caressing Will’s forehead as Nancy starts to speak. “If this thing is a virus, and Will’s the host, then…”

“Then we need to make the host uninhabitable.” 

You turn to Jonathan, not at all liking what he’s saying. “What does that even mean? He’s a kid, how do you make a child’s body uninhabitable?”

“He likes it cold.” Nancy says, as if that explains everything. 

“But–”

Joyce clenches her jaw and spits out, “We need to burn it out of him.”

Everything about what Joyce has said makes your stomach twist. You look down at Will’s body, at how small he still is despite a year of trying to get him to recover, and his pale skin is almost translucent in the bedroom’s lighting. 

You hate everything about what’s happening, but you hate the way Will looks lifeless even more. 

If making his body uninhabitable can save him, then you have to try; you’ll simply be there to pick up the pieces when it’s done, as you always are. 

The kids begin planning now.

“We have to do it somewhere he doesn’t know this time.” Mike says. 

“Yeah, somewhere far away.” Dustin adds on. 

“Last I checked, none of us have a hidden hut in the woods.” You say, at a loss for where else to possibly take Will. Then, Hopper clears his throat and shifts his weight. “Oh, no fucking way. You would have a hidden hut in the woods.”

“It’s a cabin.” Hopper corrects with annoyance, though there’s a slight glint in his eye as he looks at you. “Joyce and Jonathan will take Will there.”

“Well, go show them the cabin, then.”

Jonathan grabs your hand. “You’re not coming with?”

As if there’s a string tugging at the back of your head, you turn around and catch Steve’s eye. He’s standing in the doorway, eyes alert yet sad, and you know with everything within you that you can’t leave him behind. 

Not when he was shaking in your arms only twenty minutes prior. 

Steve doesn’t want to be alone, especially not when you’d be leaving him behind with Nancy after it’s become clear that she’s with Jonathan now. 

Now, as Jonathan’s open and expecting eyes stare into yours, you do something you’ve never done before. Something you’ve needed to do ever since you were twelve and grabbed the boy’s hand on the Wheeler’s porch that fateful night.

You let go of Jonathan. 

“I can’t,” you tell him, the words of denial feeling foreign on your tongue. You’ve never told him no before, never left him behind, but saying the words isn’t as difficult as you once feared. “I’ll stay with the kids, I’m better with them anyways.”

Jonathan watches you, his eyes trace over your face again and again as if drinking it in for the very last time. When he seems to find what he’s looking for, he takes a deep breath and nods. “Yeah, okay.”

His understanding of everything you don’t say almost makes you take it all back, but you don’t. Instead, you squeeze his hand and nod towards Nancy. “Why don’t you take Nance?”

Something shifts when you say this, you know Jonathan feels it as well. There’s an ease within the shift, almost akin to a soft exhale in December’s cold. It parts you with a gentle farewell, strokes your cheek as it departs, and you can faintly see its outline as it floats away. 

A thread, one that has tugged within your chest in a painful ache since last year, finally loosens. 

Nancy looks at you, her eyes wide. “Me?”

“Mhm,” you nod at the girl, a kind smile on your face. 

It’s a monumental shift, you’re willingly encouraging Nancy to be next to Jonathan’s side rather than you. It’s an exchange of powers, trusting her to take care of the boy you love so dearly. 

For once, it doesn’t feel like you’re tearing off a piece of yourself. Instead, you’re simply sharing the weight of it, of this trust, rather than losing it.

“I… I think I’ll stay here.” Nancy finally says, looking away in shame.

You don’t blame her, you know she carries a weight of guilt within her for things she couldn’t control. There’s a lot you want to say to her, a lot you have to say to her, but for now you simply nod at her, understanding. “Then I’m happy you’re here.”

And you mean it.

Steve, still quietly standing in the doorway, sees everything. He felt the shift, too.

– 

“You should go with him.” Steve picks up a spare heater, he and Nancy have been sent outside to retrieve whatever they could find from the Byers’ yard. 

The shift weighs heavily upon him. Your words ring in his ears. 

Nancy spares Steve a glance. “What?”

“With Jonathan.” He bends down to dig through some old Christmas lights, and seeing them reminds him of you. Everything reminds him of you. “Y/N’s right. You should go with him.”

“No, I–” Nancy scoffs, uncomfortable. “I’m not just gonna leave Mike.”

Steve thinks about you, about how you’re always the one who stays. “No one’s leaving anyone.” He walks over to Nancy and helps her with a radiator she’s struggling with. “I may be a shitty boyfriend, but… I realized I’m actually a pretty damn good friend and babysitter.”

Though he never says your name, Nancy can feel it hang over the two of them. The unspoken confession that it’s because of you that Steve now accepts what has happened between them. It strikes her then, how different he is now. How differently you and the girl came to know Steve.

Nancy stares at him, her eyes are filled with more remorse than he’s ever seen from the girl. It hurts, seeing her so upset, and he wishes that things could’ve been different. He recognizes now that they didn’t stand a chance, though he’s happy they tried anyways. It was always going to end like this between them.

Steve doesn’t hold any anger towards her, he doesn’t hate her, because he still loves her. 

How could you possibly fault the person you love for finding their own love?

“Steve…” His name comes through as an apology.

“It’s okay, Nance.” Steve means it, he gives her the same blessing that you did. She’s allowed to be happy, you both want her to be happy, and you have each other to lean on now. “Y/N and I will be okay.”

He leaves Nancy standing there.

– 

You’re waiting to say goodbye to El, standing patiently behind Mike as the two of them make promises about coming back. It’s sweet, watching them, until they slowly start to lean in for what you fear is a kiss, so you intervene. 

“Hate to ruin the moment, but I’d like to say goodbye to El, too.”

Mike glares at you. “Couldn’t wait five seconds?”

“A five second kiss is shameful, Wheeler.”

El giggles softly and pulls you into a hug. “I will be careful.”

You kiss her cheek. “Come back this time, okay?”

“I will.” 

Hopper calls the girl over to get in the car so they can leave, and you quickly run over to Jonathan’s car before he can get in. 

When he sees you approaching, he extends his arms out and pulls you in as he always does. No words are needed, he simply holds you so that you’re chest to chest and he can feel every breath you take. “I’ll come home to you.”

You bury your face in his neck, inhale the scent you’ve come to associate with your childhood and warm, sunny days. “I love you.”

“I love you, too.” 

The words ease between the two of you, finally warm after months of being cold. 

Nancy then appears, and when you notice her you break away from Jonathan. “I see you’re joining?”

“I am.” She nods. “Seems I have you to thank.”

You smile and grab her hand. Your grip is firm, but sincere. “Don’t make me regret it, okay?”

Your words are teasing, but Nancy senses the undertones of a warning. Jonathan is your best friend, she has always known this, and she knows how much weight has gone into your trust for her. Nancy understands that you’re giving her something precious to you, and she will forever be indebted for it. 

“I won’t.” She promises. “And good luck with Steve and the kids.”

“Oh, I’ll need it.” You laugh, and any remaining tension that has hung over you and Nancy finally disappears. 

Once Jonathan and Nancy get into the car, you stand on the porch with Steve and everyone else as you watch the cars drive away. 

– 

 You poke around the Byers’ kitchen for some food; your stomach has been rumbling for hours and you’re sure the kids are hungry, too. However, like usual, you come up with nothing. As you dig through a cabinet, Dustin walks into the kitchen and starts clearing out the fridge. 

“What are you doing?” You ask, knowing that this can’t be for anything good. 

Dustin doesn’t answer, continuing to carelessly throw racks of food onto the floor.

“Hey, stop!” As you walk over, Steve suddenly comes rushing in, holding a very dead, and very disgusting, Demodog. 

“Is this really necessary?”

“Absolutely not.” 

Dustin groans at you. “C’mon, Y/N! This is absolutely necessary, it’s a groundbreaking scientific discovery.”

“It is a dead creature, from an alternate universe–” 

“We can’t just bury it like some common mammal, okay? It’s not a dog–”

“Oh, so now it’s not a dog after you’ve stated a million times that it’s a Demodog–”

Steve steps in between you and Dustin. “Alright, alright, enough!” He begins to shove the Demodog into the fridge before you can stop him. “But Dustin, you’re explaining this to Mrs. Byers, alright?”

“You both are idiots,” you mumble, watching as Steve and Dustin pathetically try to make the giant Demodog fit into the fridge. “I’m leaving.”

You’re seriously starting to regret their friendship. 

However, you know when to pick your battles, and as you watch the two boys try to maneuver the body into the fridge, you know that this is not a cause worth fighting for. 

Instead, you exit the kitchen and instruct the rest of the kids to start cleaning the house. It’s a mess, glass shattered everywhere from the dead Demodog and papers thrown haphazardly around during the morse decoding. 

The mess will only add more unneeded stress to Joyce’s life, so as Lucas and Max groan at you for making them do work, you stand your ground and shove a broom into their hands. 

“You suck, you know.” Lucas grumbles, but Max hits his shoulder and holds the dust pan as he sweeps.

As they get to work on the shattered glass, you figure it’s best that you call your mom before you forget again. You know she’s probably worried sick about you and Dustin for disappearing so suddenly without a word. 

However, when you walk over to the wall where the phone normally is, it’s gone. 

“Hey, uh. Where did the phone go?” You ask Dustin, who has finally left the kitchen. “I need to call mom.”

“Oh, Nancy threw it when it rang. She went kinda berserk.”

You look towards where Dustin is pointing and see the phone, in fact disconnected, on the ground across the room. The sight makes you snort. “Guess she really likes throwing phones, huh?”

Your brother doesn’t understand the joke. “What?”

“Nevermind,” you shake your head. There’s no use explaining to the boy about a quick, five second moment from last year. Nancy had done the exact same thing when Steve had tried to call the cops when the Demogorgon originally attacked you. 

Dustin mumbles something about your blood loss making you delusional, but you ignore him and begin sweeping the hallway. You order him to help, and soon the two of you are cleaning the Byers’ home. 

You’ve just finished sweeping when you notice Mike pacing around the room. He’s anxious, that much is obvious, and whenever he begins to pace: trouble soon follows. He’s brewing up a plan, you can feel it. 

After the fifth time the boy has paced the room, Lucas has finally had enough. “Mike, would you just stop already?”

“You weren’t in there, okay Lucas?” Mike stops pacing. “That lab is swarming with hundreds of those dogs.”

“Demodogs–oomph!” Dustin corrects, only to be cut off by your hand clamping over his mouth. 

“Say it again, I dare you.” You warn him before turning towards Mike. “Look, I know it’s nerve wracking, but all we can do right now is trust El’s abilities and wait.”

Lucas nods. “Yeah, the chief will also take care of her.”

“Like she needs protection.” Max quips from the floor, dustpan still in hand.

You feel a hand place itself on the small of your back. The weight of the palm is starting to become familiar to you, the length of the fingers and the way they splay across the span of your back are slowly becoming recognizable. 

Without turning, you know that Steve has joined you. 

“Listen, dude,” he says in a placating voice to Mike. “A coach calls a play in a game, bottom line, you execute it. Alright?”

You wince. While you’re impressed that Steve is trying to intervene and reason with Mike, you know immediately that his approach will fail. Trying to reason with the kid using a sport analogy is like trying to explain magic to a mathematician. 

“Okay, first of all, this isn’t some stupid sports game.” Mike rolls his eyes, which you expected. “And second, we’re not even in the game. We’re on the bench.”

“RIght! So–so my point… My point is…” Steve stumbles over his words and Mike’s unwavering insistence. When he can’t think of a better response, he lets out a defeated sigh. “Yeah, we’re on the bench, so–uh, there’s nothing we can do.”

You pity Steve, honestly. It takes years of careful analyzing and strategic planning in order to prepare yourself for an argument against Mike Wheeler. 

Patting his shoulder, step in to help. “What I’m sure Steve means is that while we may be benched, that doesn’t mean we can’t keep the homefront secure.”

“That’s not how sports work, Y/N.” Steve whispers obscenely loud, but quickly shuts up when you glare at him.

“Stupid sports analogy aside, there’s nothing we can do besides keep watch here and wait for everyone to return.” Even though you know you’re saying the right thing, that it’s best you follow Hopper’s order of staying put, even you don’t believe the words you’re saying. “We may not be able to help right now, but later, I promise we will be the best damn homefront ever.”

Dustin clears his throat. “That’s not entirely true.”

You turn to him and a sigh escapes you when you see the plan already forming behind his eyes. “I can’t argue with you, can I?”

“Nope.”

“Great, go on then. Share with the class what you’re thinking.”

“I mean, these Demodogs, they have a hive mind.” Dustin begins. “When they ran away from the bus, they were called away.”

Lucas thinks about this. “So if we get their attention…”  

“Maybe we can draw them away from the lab.” Max concludes, and you take a second to marvel at how seamlessly she’s integrated herself into the party.

However, you then remember what Lucas said. “Wait, what do you mean by ‘get their attention’? Why do those words scare me so much?”

Mike talks over you. “We can clear a path to the gate.”

You have a multitude of questions and Steve seems to be thinking exactly what you are when he loudly exclaims, “Yeah, and then we all die!”

“That’s one point of view.”

“Dustin, that’s quite literally the only way to look at it.” You flick his hat and he swats your hand away.

Steve points at you, nodding in agreement. “That’s a fact.”

“Thanks, Steve–” Mike’s body slams into yours as he runs past you. “Christ, Wheeler!”

“I got it!” The boy shrieks, running out of the room as he wordlessly instructs everyone to follow. He kneels in front of the fridge and points wildly at one of the pictures Will has drawn. “This is where the chief dug his hole, this is our way into the tunnel.”

“Into? What do you mean into?”

Mike shoves past you again and runs into the living room. “Here, right here.” He stands in the middle, where all the pictures have interlocked together to form a center. “This is like a hub. So, you got all the tunnels feeding in here. Maybe if we set this on fire…”

“Fire?” You shriek as Steve quickly follows with, “Oh, yeah that’s a no!”

Dustin, however, is on board with what Mike is planning. “The mind flayer would call away his army.”

“They’d all come to stop us!” Lucas waves his arms madly at you, as if saying this will get you to agree to the plan that’s forming.

You throw your hands up in surrender. “Look, I recognize that we could maybe do something–”

“Hey!” Steve looks astonished that you’re even considering this. 

“I mean, if we can help then I don’t see why we can’t just–”

Mike shakes your arm now, deciding that your hesitation is an agreement. “We then can circle back to the exit! By the time they realize we’re gone–”

“El would be at the gate!” Max now also is looking at you. “C’mon, Y/N. You have to admit that it’s a solid plan.”

You bite your lip. It is. That’s the problem with the Wheelers. They come up with these insanely dangerous and insane plans, yet they’re also always brilliant. You know it’s risky, Hopper could barely even explain the tunnels to you without shaking in fear, but… Who’s to say that the Demodogs won’t simply go after Will and Jonathan at the cabin? Or kill Hopper and El before they even reach the lab.

It’s obvious you can’t just sit here and wait. 

El has to close the gate, that much is certain, and because of this: you have to help her. You have to help everyone, keep them safe. 

“It’s a solid plan,” you finally breathe out, and all the kids start to cheer.

“I knew you were my favorite sister!”

“Dustin, I’m your only sister–”

“Hey! Hey–” Steve pushes himself in between you and the kids, clapping his hands to break up any further conversations. “Hey! This is not happening.”

Mike tries to argue, “But–”

“No, no, no!” Steve places his hands on his hips like a disgruntled father. “No buts. I promised I’d keep you shitheads safe, and that’s exactly what I plan on doing.”

You don’t like the way Steve is speaking to the kids, commanding them as if he’s their parent. “Hey, no. We aren’t doing that.”

“Doing what?” He looks at you, eyes wide as he quickly gathers that he’s upset you. The fight in his voice is gone, replaced with quiet guilt.

“We don’t ever command the kids, not like that, anyways.” You step away from them and pull Steve aside with you to give the two of you some privacy. “Look, I know you promised Nance you’d take care of them, but I also promised Jonathan. We have to help, Steve.”

His face twists with confliction, and the two of you are caught between what Nancy wants and what Jonathan wants. They both want the kids to be safe, but they have different viewpoints of how they expect you and Steve to do so.

Nancy wants to keep her brother out of it, Jonathan wants to save his brother’s life. 

“Y/N…” Steve breathes out, begging you to change your mind. 

The confliction on his face hurts to look at, you hate that you’ve made him feel this way, but you can only shake your head at him. “I’m sorry, but we’re doing this.”

“Yes!” Mike rushes over to you and surprises you with a hug. “This is why I keep you around!”

“Okay, no.” You push the kid away and hold him by the shoulders to ensure he listens to you. “That doesn’t mean I think we should all go down into the tunnels. I’ll go, and Steve will stay here with you guys–”

“What? No! You’re not going down there by yourself, Y/N.” Steve doesn’t understand how you would expect him to ever let you do that. “We’re all on the bench, okay? We’re waiting for the starting team to do their job.”

“This isn’t a stupid sports game.” Mike groans in annoyance before focusing his attention back to you. “And no one in the party gets left behind. If you go, we all go.”

The sincerity in Mike’s voice warms you. He’s defending you, protecting you how you’ve always protected him, and you’ve never been more impressed with his bravery; it’s because of this, his bravery and admiration for you, that you know you have to go into the tunnels alone. 

It would kill you if Mike got hurt, if any of the kids got hurt. 

Steve sees the way your eyes shine at Mike’s words and his stomach twists. He knows he can’t change your mind about going alone, he knows you’d never, ever let anyone get hurt. That you’d lay down your life for these kids and those you love. 

The bloodied cloth wrapped around your rib cage reminds Steve that he’s a part of it all now. You have laid down your life for him.

And he’s never, ever going to let you get hurt because of him again. 

Steve steps forward and gently grabs your arm, he needs you to understand how much your selflessness terrifies him in this moment. “Y/N–”

The revving of an engine cuts him off. 

It’s a familiar sound. You’ve heard this car before. The sound of it has seared itself into your memories. The hair on your arms stands up, and within seconds Max is at the window, looking out in fear. 

“It’s my brother.” Max’s voice is terrified. Not even in the junkyard, when Demodogs had been raining down on you and the kids, had you heard such terror in the girl’s voice. “He can’t know I’m here.”

You’re at her side in a heartbeat, tugging her away from the window. You’ve seen the way Billy acts around Max, you remember the harshness he displayed in the parking lot. The same harshness that left bruises on your waist when he had you pinned against the wall on Halloween. “I won’t let him touch you.”

Your words have a bite to them. Max hears the oath within them, she has never believed anyone when they’ve told her this. “He’ll kill me. He’ll kill us.”

“He won’t.” You promise her, trying to control the pure rage you feel because of her brother. He can do whatever the fuck he wants with you, but he’s hurt Max for the last time. 

Steve watches your exchange with Max and feels his hands clench into fists. Anger fizzes through his body. As you console the girl, your eyes meet his and he nods. With one simple head movement, the two of you have silently agreed to do whatever it takes to ensure that Billy never hurts Max ever again. 

–

“Am I dreaming or is that you, Harrington?”

You’re standing behind Steve. 

Billy hasn’t seen you yet. 

“Yeah, it’s me. Don’t cream your pants.” Steve’s hand tightens around your arm as he guides you further behind him. He doesn’t like that you’re here with him. He hates the way Billy’s eyes roam over your body without any shame. 

But you insisted on coming outside, and Steve has never been able to tell you no. 

You step out from behind Steve and force your hands to rest by your side in nonchalance. “God, I was hoping you’d be allergic to milk.”

Billy raises his eyebrows when he sees you; you’ve surprised him. “Why, it’s always a pleasure seeing you, sweetheart.”

Steve’s clenched fists only tighten when he hears Billy’s nickname for you. He hates the implications behind it, the way he says it with such sickly sweetness that leaves Steve’s stomach feeling raw. 

He can’t imagine how you feel whenever you hear it, and it only makes Steve hate Billy more. 

“It’s never a pleasure for me.” You cross your arms as Billy now stands in front of you and Steve.

The teen laughs darkly and eyes Steve up and down. “What are you doing here, amigo?”

“I could ask you the same thing… Amigo.” His voice carries an air of indifference, but you know that tomorrow there will be indentations in Steve’s palms from his fingernails. 

“Looking for my stepsister.” Billy lights a cigarette and smirks at you. “A little birdie told me she was here.”

“Huh, that’s weird. I don’t know her.”

Billy smirks at Steve’s words and motions over to you. “Yeah, but this little lady does.”

“Max isn’t here.” You say, forcing your anger down to play along with Steve’s indifference. “Have you checked the quarry? A lot of kids like to hang out there.”

Smoke surrounds you as Billy responds, “Don’t know what the hell you’re talking about, Henderson.”

With every dodged question, you’re only angering the teen more. If you and Steve keep this up, you’ll only make everything harder to manage. You try to think of something to distract Billy, but all you know about him is that he’s a sleazy pig with a cigarette addiction. 

Then, it hits you. 

His weird fascination with you. 

If you use it against him, maybe you can get him away from the Byers’ house long enough for Steve and the kids to leave. 

You step closer to Billy, ignoring every part of you that screams in rejection. You’re covered in blood and your hair is probably a mess, but you bat your eyelashes anyways and quirk your head up at Billy with an innocent smile. “I could show you, if you want.”

Just as you hoped, your sudden interest in him catches Billy’s attention. He presses his chest against yours and looks down at you, a pleased smile on his face. “And what would you be showing me, sweetheart?”

“The quarry, silly.” You giggle, trying not to gag at the reek of cigarette smoke. “It’s secluded… No one really goes down there. It’s, well–this is embarrassing.”

You duck your head down and act as if you’re blushing. Billy takes the bait and uses his fingers to lift your head up to look at him again. “Go on, tell me.”

You make a show of biting your lip. “Well, it’s where every teen in Hawkins goes to… Be alone.”

Billy’s eyes darken again, even more interested in what you have to say. He leans down, his lips inches from yours, and you know you have him right where you want him. 

Please, you think. I just want to protect the kids.

His breath fans across your face and he’s about to agree, to have you lead him away and forget all about his bitch of a sister, when Steve roughly pushes him away from you. 

“Max isn’t here, man.” He spits out, his once controlled anger now spilling over the edge. 

You want to scream at him, you almost had Billy. He was seconds away from agreeing, and the stupid idiot pushes him away from you? 

Billy looks between you and Steve and lets out a low chuckle. “Sorry, Harrington. Forgot that she’s yours.”

Steve moves as if to hit him but you quickly grab at his jacket, stopping him. Billy sees this and laughs again. 

“You know, I don’t know… This whole situation, Harrington.” He shrugs, exhales more smoke. “I don’t know. It’s giving me the heebie-jeebies.”

“Oh yeah, why’s that?” 

You’re silent, hand still clutching Steve’s jacket. 

Billy exhales more smoke. “My thirteen year old sister goes missing all day, and then I find her with you in a stranger’s house, alongside Y/N Henderson, the town’s darling, all bloodied and bruised. And you lie to me about it.”

From an outsider’s perspective, you hate how much Billy makes sense. 

To anyone else, this would look incredibly incriminating against Steve.

Yet, Steve still tries to deny it all. “Man, were you dropped too much as a child, or what?”

“I’m assuming he was.” You voice, looking nervously at Billy as he seems to grow more and more volatile. 

“I don’t know what you don’t understand about what Y/N and I have told you. Max isn’t here.”

Billy leans in close to Steve and points with his cigarette towards the house. “Then who is that?”

You and Steve turn, and your heart drops when you see Max and the boys all quickly duck their heads out of the window.

“Shit,” you breathe out, knowing it’s over.

You really hate those kids sometimes.

“Listen,” Steve tries to make up some excuse, but Billy roughly shoves him to the ground.

“I told you to plant your feet.” Bully sneers as he looms over him. You try to help Steve up, but you’re pushed aside as Billy then stomps on Steve’s ankle with a sickening crunch that makes your own wounded ankle sting.

As he storms towards the house, you quickly help Steve up, He pushes you away. “I’ll be fine, go help the kids!”

“But–”

You can’t just leave Steve while he’s hurt, but every time you try to help him up, he bats your hand away.

“Go!”

From inside the house, you hear the kids start to scream, and you reluctantly leave Steve behind and run inside. When you enter, Billy already has Lucas pinned against the wall as all the kids scream at him to let the boy go. Lucas is hitting at the teen’s chest desperately, but nothing is working. 

“Stay away from her.” Billy spits in the boy’s face, who is paralyzed with fear.

“Lucas!” You all but throw yourself onto Billy’s back as you begin hitting and pulling his hair. Anything you can think of, you try, but it’s no use. With Billy’s size and build, you’re nothing but a fucking bug to him. 

“I said get off of me!” Lucas kneels Billy in the groin, sending you and the teen flying back, but at least he’s let go of Lucas. 

You let go of Billy and place yourself between him and the boy, your breath comes out ragged. You don’t know what you’re supposed to be doing. All your mind can think of right now is protecting the kids, but in the midst of screaming and exhaustion and blood loss, you can’t think of anything. 

Billy tries to get to Lucas again, his teeth bared with fury. “You’re so dead, Sinclair. So dead!” 

In your exhaustion and fear, you call out for the only person you can think of. “Steve!”

He’s at your side in a heartbeat, quickly looking at you to make sure you’re okay, before he flings Billy away from you and Lucas. “No, you are!”

Steve’s punch lands perfectly, with a precision far from his pathetic punches thrown last year against Jonathan. It’s incredibly hot.

Billy begins to laugh in a manic manner that frightens you, but all of his attention is now on Steve, so you use this opportunity to drag Lucas over to the rest of the kids and make sure everyone is okay. 

You trust that Steve has everything else handled, but you make sure to keep an eye on him anyways while you take care of the kids. 

“Are you okay?” You check Lucas over for any injuries, who numbly nods as he’s still in shock, while Billy screams something about always wanting to meet King Steve. 

“Get out.” Despite Steve’s leveled voice, his tone is vicious. 

Billy swings again, but Steve manages to duck just in time before he lands yet another punch to the boy’s face. 

“Yes!” Dustin shouts with glee, but you remember the fight from last year. How Steve had lost miserably against Jonathan. A boy half of Billy’s size. 

While you’re impressed with Steve’s fighting improvement, you’re not sure how longer he’ll be able to keep this up. When more punches land on Billy and all he does is laugh menacingly, you know you don’t have a lot of time left.

You’re fucking terrified. 

The kids are still cheering Steve on when you turn to them, panicked. “You guys need to leave. Now.”

“What? But Steve’s winning!” Dustin says as Steve’s fist connects with Billy’s jaw. 

The sound makes you feel sick. 

You’re pleading now, terror clawing at your throat as you do so; your words slur together. “Leave, sneak out, and–and go through the front door and hide. Get help, okay? Just, go and find someone while Steve and I handle this–”

The sound of glass breaking against Steve’s head alerts you that your time is up. 

Billy hadn't been fighting back before. But now? He’s angrier than you’ve ever seen him. 

As Steve stumbles back in pain, you try pleading with the kids again. You don’t want them to see any more of this, of what might be about to happen. This isn’t just some fight between two teen boys. You know Billy better than that. 

He’s out for fucking blood. 

“Dustin, take everyone outside now!”

“We can’t just leave you!” Mike shouts and the others all nod. 

You want to cry. “We don’t have time for this, just–”

“Shit!” Dustin knocks against you as he dodges a punch meant for Steve. 

Steve crashes into the Byers’ bookshelf and you’re practically shoving the kids out of the door so that you can go and help, but they refuse to leave you and Steve behind. 

Billy has Steve by his jacket. “No one tells me what to do.”

With a sickening thud, he bashes his head into Steve’s and sends him flying to the ground. 

“Steve!” There’s blood pooling from his head and you’re gripped by fear so intense that you’re afraid you’ll pass out any second. 

Billy is relentless, now standing over Steve as he lands punch after punch. Every time his fists slam against Steve’s face, you feel them land against yours as well. Billy’s screaming like a fucking maniac and none of the kids are listening to you and Steve is getting bloodier by the second.

You’re torn. 

Dustin and the kids are staring at you, eyes wide with fear, and the front door is open; you could take the kids and run, but Steve is lying motionless on the ground.

It’s either him or the kids.

And yet it’s the easiest decision you’ve made all night.

“Get off of him!” You throw yourself onto Billy’s back for the second time tonight. 

You yank at his hair and try to scratch his face, but within seconds Billy throws you over his shoulder. “You demented bitch.”

Your head catches on the edge of a coffee table and you land with a thud on the ground. Almost immediately you feel blood drip from your eyebrow and you groan. Fuck. Definitely another concussion, but when you look over at Steve, he looks worse than you feel, and you force yourself to get up. 

Billy watches as you pathetically try to stand, and he laughs with cruelty. “What, want some more, sweetheart?”

More blood drips down your face and you feel the scratches on your rib cage re-open. Every bone in your body aches, but you pull out your switchblade and extend its knives. Your fingers skim over the engraving on its handle, reminding you to use the weapon with love. 

“This is your last chance.” You clutch at your side, hoping you look more intimidating than you feel. “Leave my family alone.”

Billy sees your knives and laughs at you. “Am I expected to believe that you’d actually hurt me?”

Your grip tightens around your switchblade. No one ever believes that you could be so cruel, so vicious. Billy is looking at you as if you’re some pathetic little girl, as if you haven’t killed Demodogs and Demogorgons. He’s looking at you as if you aren’t the sole reason everyone you know and love is alive.

You were once told to use the switchblade with love, that there was never any room for love when it came to violence. 

Now, as the kids are screaming at you to run and the pool of blood around Steve continues to grow, the onslaught of love that is always within you overtakes the fear. 

“I warned you.” With one quick movement, you swat at Billy and cut deeply into his shoulder.

He lets out an enraged scream and instinctively his fist goes flying. Pain erupts in your left eye and you know that you’ll have the worst time ever trying to explain to your mom later how you got a black eye. 

“Fuck!” You groan, dodging every other punch that Billy throws your way as he starts to approach you. With one eye quickly swelling up and the other blinded by blood, you do your best to stumble away from Billy, but it’s no use. 

Your foot catches on the carpet and almost as quickly as you fall, Billy is right there to wrap his hands around your throat and squeeze. You inhale sharply and panic overtakes you as you claw at his hands, drawing blood from him as well, but his fingers only tighten. 

“Y/N!” Dustin’s vocal chords strain from how loud he screams your name.

Billy seems to get a kick out of hearing your brother plead for your life, and he squeezes even tighter as you flail. “Not so tough now, are you?”

You struggle to free yourself, to do anything, but you can’t. 

For the first time since Will went missing, you truly believe that you’re about to die.

Steve is practically dead on the ground below you, he’s bleeding so much from his head that you’re terrified he’ll never wake up, and the kids are defenseless as they scream with tears in their eyes. 

Your baby brother is about to watch you die. 

Spots begin to form in your vision and it’s getting harder and harder to move your limbs. To make them do as you command. 

You know it’s your brain shutting down from the lack of oxygen. 

I hope Jonathan doesn’t blame himself.

Your world fades to black. 

Billy screams.

And you feel your body drop to the ground.

– 

The first time you wake up, it’s to Dustin huffing as he tugs at your arm. “God, you’re heavier than you look.”

You promptly pass back out. 

The second time, it’s dark outside and you register that you’re cold, but your eyes sting and you’re out again.

You wake up a few more times, always in a daze, and never more for a few seconds at a time, before the feeling that you’re moving wakes you up for good. 

It takes a moment for your eyes to adjust to the dark, your left eye barely even opens, and the pounding in your head is blinding in itself. Blinking a few times, you look down and finally notice that Steve is sprawled on your lap. You’re in the backseat of someone’s car. 

Your head is resting against someone’s shoulder. When you try to lift it to see who it is, you feel someone gently guide your head back down. “Shh, it’s okay. Don’t move too fast, alright? Don’t want you yacking on us.”

“Dustin?” You immediately regret trying to speak. Your voice comes out hoarse and raw and the pain is so intense that it only makes your head pound more.

“Right here, sis. Try not to speak, you sound like a frog.”

You try to sit up again, forgetting that Steve is sprawled on top of you, and your movements cause him to wake up. When his eyes manage to blink open, he tilts his head at you and mumbles, “Nancy?”

“Wha–” Again your voice cracks and you feel so delirious. Are you Nancy?

Steve attempts to wipe away the blood on his face but Dustin stops him with a gentle chiding. “No, don’t touch it.”

Steve brings a shaky hand up to your face and carefully rests it against your cheek. “You’re… You’re bleeding.”

Dustin puts the hand down. “Hey, buddy. Y/N is bleeding, good job. You’re bleeding, too. It’s okay though, you put up a good fight. I mean, he kicked your ass but you put up a good fight.”

Your brother’s words ring in your ears. He’s saying so much and you’re trying to swallow down the vomit that threatens to spill out. 

“Okay, you’re gonna keep straight for half a mile, then make a left on Mount Sinai.” A voice rings out, one different from Dustin’s. 

Was that Lucas?

“What’s going on?” Steve slurs, trying to process everything happening. He blearily looks back up at you. “Who’s driving?”

“Not me,” you manage to croak out.

A beat of silence passes. 

Then, at the same time, you and Steve realize: Max is the one driving. 

You’re more awake now and you try to say more, but your throat has swollen shut from speaking and it feels like it’s on fire. 

Thankfully, Steve is here to say everything you can’t. “Oh my god!”

“Just relax, she’s driven before.” Dustin reassures, slapping your hand away when you try to reach over to the driver’s side. 

“Yeah, in a parking lot.” Mike says, and you notice he’s also here now. 

“That counts.”

You want to scream at Max to pull over and demand the keys from her, but your bruised throat prevents you while your bleeding rib cage traps you in. While you can’t say anything, all Steve can say is, “Oh my god.”

“They were gonna leave you guys behind–”

“Oh my god.”

“But I promised that you’d be cool, okay?” Again Dustin slaps your hand away and all but shoves his leg over you so that you remain seated. 

Max then presses down on the gas pedal and the car increases its speed, which only makes the entire situation worse. 

Steve, rightfully, freaks out. “Whoa, whoa, whoa! What’s going on? Stop the car, slow down!”

You twist in your seat and blindly grab at Steve’s hand, both thanking him for voicing all that you can’t and also to try and prevent the poor boy from passing out again. 

“I told you he’d freak out! At least Y/N shut up!” Mike shouts over at Dustin. 

While you’re flattered that you’re officially cooler than Steve in Mike’s eyes, if you had a functioning throat right now, you’d be letting out some very choice words. 

“Stop the car!” Steve screams again, but the little rainbow bandaids on his cheek take away from his commanding nature. 

You hope that Dustin at least chose some pretty bandaids for your face. 

“Everybody shut up! I’m trying to focus!” Again, Max doesn’t at all help the situation at hand. 

“Wait, that’s Mount Sinai. Make a left!” Lucas points to where Max needs to go and you wonder why they trusted the girl, who just moved to Hawkins a week ago, to know where to go. 

“What?”

“Make a left!” Lucas screams, and Max quickly yanks the car to the left.

You, Steve, and the kids all scream as she hits what you hope is a mailbox. As the car jerks, you topple onto Steve and let out a painful, weird mix of a croak and shriek as the car continues to turn. Dustin tries to steady himself against you as he screams and Steve fully grabs your waist and uses you to shield himself from danger.

What a hero. 

Then, you almost go flying out of the windshield as Max suddenly stops the car. 

“Hello!” Steve exclaims, gripping you tightly still. 

Dustin giggles. “Whoa!”

“Incredible,” Mike breathes out. 

Meanwhile, you think your heart fell out of your ass about five blocks ago. 

“I told you. Zoomer.” Max smirks with pride. 

“She terrifies me,” you whisper, and Steve nods in agreement. 

The kids begin getting out of the car and seem to have some unspoken plan being set into motion. Dustin pats your shoulder before leaving you behind with Steve as the others go towards the trunk. 

Not knowing what the fuck is happening, you kick Steve so that he falls off of you and onto the grass so that you can follow after your brother. When you get out the car, you march over towards where all the kids are standing and silently demand an explanation. 

Mike notices you first. “What? Cat got your tongue?”

You refrain from shoving his face in the mud and point towards the goggles he’s holding. He sighs and hands it to you while Dustin ties a bandana around your neck and Max grabs a gallon of gasoline. 

Seems like they’re sticking to the plan from earlier, then.

When Steve realizes this, as he is gripping onto the car for dear life, he whines. “Oh, no. Guys.”

Everyone ignores him and he continues to try to stop what’s happening. You hobble over to him, a new wave of nausea and pain washing over you, and lean against him helplessly. There’s no use trying to explain to him that the party won’t listen. For now, you simply relish in his presence and enjoy how he feels against you. 

“We are not going down there right now!” Steve, though gentle to not jostle you around too much, waves his hands in the air as he screams at Max. “I made myself clear. There is no chance we’re going to that hole, alright?”

Similar to last year, Steve begins to spiral in his fear. He wraps his arms around you and places you against the car before he runs over to Dustin and throws that backpack that’s in the kid’s hands. “This is not happening!”

You slowly walk over and grab the thrown backpack, hoping that Dustin can reason with the teen. 

“Steve, you’re upset. I get it, but the bottom line is that a party member requires assistance and it is our duty to provide that assistance.” When you join Dustin’s side, he helps you put the goggles on and brings your bandana up over your mouth. “Now, I know you promised Nance that you would keep us safe. So keep us safe.”

He hands Steve the backpack you retrieved. 

Steve looks between you and your brother. You both look absolutely ridiculous in your get up, and he knows he has no other choice but to agree. His eyes meet yours and he silently asks if you’re sure about this, he will always look to you for the answers. 

You nod, hoping that the small head shift is conveying what you physically cannot say.

I’m here, the kids need us, and I need you with me.

Steve hears it, sighs, and grabs the backpack from your hands. 

“Well, let’s get going.” He motions for you and Dustin to lead the way. 

– 

“I got you,” Steve’s voice is soft as his hands graze your waist. He’s standing below you, already having jumped into the tunnels so that he can help you climb down the rope safely. You’re not sure if it’s his touch, or the way his voice drips with promises to protect you, or the simple fact that you’re bleeding and bruised that makes your body weak. 

“Drop me and die.” Your knuckles are white as they clutch the rope, your body shaking with exhaustion as you try to ease your way down without further injuring your ribs. 

Steve laughs and tightens his grip on your waist, steadying you as you finally inch the rest of the way down and land with a gentle thud onto the ground. “Like I’d ever dream of letting you go.”

This time, you know it’s his words that cause you to shiver, not the exhaustion and pain. 

“Ahem.”

Turning around, you see Dustin glaring at you and Steve while Lucas is stifling laughs. You roll your eyes at them and step away so that you aren’t standing so close to Steve, and he seems to think the same and distances himself as well. 

“Holy shit,” Steve breathes out, now finally examining the tunnels. 

It takes your breath away as well. The tunnels are terrifying, but oddly kind of cool. There’s a dim light within them, almost ghostly, and yet it’s beautiful in a way that you can’t quite describe. Small particles float through the air, and you reach your hand out to feel them against your skin. It tickles, akin to snowflakes, and the reminder makes you yearn for winter again. 

Mike’s flashlight distracts you as he shines it towards a random section of the tunnel. “Yeah. I’m pretty sure it’s this way.”

“You’re pretty sure, or you’re certain?” Dustin asks, doubtful. 

“I’m 100% sure, just follow me and you’ll know.”

As soon as Mike’s declaration of leading leaves his lips, you and Steve share and look and immediately stumble towards the boy. 

Like hell you’re letting him lead. He’s a child, and he’s also incredibly horrible at navigating. Last time you let him guide the way, you ended up finding El in the middle of the woods. 

“Whoa, whoa, whoa!” Steve flashes his light at Mike. “I don’t think so.”

“What?”

“Any of you little shits die down here, I’m getting the blame. Got it, dipshit?” Steve takes the map from Mike’s hands and then looks over at you. “I guide, you take the rear?”

You nod. “Good luck.”

Steve smiles, his sarcastic bravado now gone, before he suddenly clears his throat once more and shouts. “From here on out, I’m leading the way while Y/N makes sure none of you idiots get lost. Come on.”

The kids groan and roll their eyes at him, but they fall into line and do as they’re told. 

Dustin walks in front of you and offers you his hand. He knows the uneven terrain will only increase the chances of your ankle acting up. “How’s the ankle?”

“Hurts,” you rasp, accepting his hand as you hobble along. He hums and helps you navigate, the goggles covering his nose makes him sound nasally. “Did I put up a good fight at least?”

Your throat strains to get all the words out, but Dustin seems to understand what you’ve said and laughs. “Yeah, you did a much better job than Steve–What the hell?”

Dustin stops walking and suddenly looks up. Unsure what he’s seen, you look up as well and gasp. Above you rests a giant flower-bud looking thing, except it’s pulsing in a very concerning and gross way and is the size of a car. When it starts to expand even larger, you realize before your brother does what it’s about to do; you tug at his hand and try to run away, but Dustin doesn’t move.

Then, in one grand blow, the bud explodes and releases what you can only imagine are pollen spores, and they spray all over Dustin. “Shit!” He falls to the ground, screaming and rolling around as if he’s just been shot, and all you can do is stand there and silently wait for him to calm down enough for you to talk to him. “Help! Y/N, help!”

You motion to your throat, but Dustin gags and scrambles to stand up before promptly falling back down again in his haste. 

Steve and the others have now joined and everyone is crowding over your brother with worry. “Dustin? What happened?”

“Pollen.” You croak, and Steve looks even more confused now. 

“It’s in my mouth!” Dustin spits onto the ground and coughs, wheezing every few breaths. “Some of it got on my mouth. Shit!”

Mike points his flashlight at you. “Any more useful insight from Kermit the frog?”

You glare at him, although the nickname is funny and you hate that it’s clever. You clear your throat, cringe at the sting it sends down your body, and respond, “Rose-bud thing. Exploded. He’s fine.”

Everyone tilts their head at you, not at all understanding what you’re trying to say, and you groan. It’s incredibly frustrating that Billy left you unable to say a goddamn thing without immeasurable pain. You honestly would’ve preferred that he stab you or something, because your intelligence and wit are so crucial to who you are as a person. 

Plus the whole Kermit the frog thing kind of sucks, regardless of how funny it will be later. 

“I’m fine.” Dustin gasps out. “As Y/N said, a rose-bud thing sprayed me.”

“You guys serious?” Max shakes her head, at a loss for why she’s even here. 

“Very funny, man.” Steve looks at you and teases, “And Y/N, I expected more from you.”

You give him the finger. “Dustin, not me.”

“Mhm,” he’s starting to walk away again, resuming his leader position through the tunnels, but he sends you a wink. “C’mon, Hendersons.”

The rest of the kids follow after him while you help Dustin up and wipe him off. He’s a mess, and he’s clearly still frightened, but he seems reassured by your presence and begins to calm down. When he’s ready, you and Dustin follow.

The tunnels are long, windy, and incredibly disturbing to be in. You can’t believe that something this intricate and vast has been laying underneath Hawkins for god knows how long. The ground beneath your feet is squishy and it takes both Dustin’s hand and immense concentration to not trip. 

Steve leads, his flashlight serving as a beacon to focus on despite the pounding in your head. The bandana tied over your nose only makes the ringing in your ears worse, but you’ll leave inhaling mysterious Upside Down particles to your brother. 

After a few minutes of walking, you’re starting to fear that the poorly drawn map from Mike really is just a poorly drawn map. Then, Steve stops. “Alright, Wheeler. I think we found your hub.”

You flick your flashlight around and your eyes widen. It’s huge. In the center lies a mound of what you hope is just mud, but you see a bone or two stick out from it and look away. To your left, there’s easily five or six more tunnels, each varying in width and height, and to your right is the same. 

Seeing how vast the tunnel system is, you’re thankful for Mike’s genius little brain. 

“Let’s drench it!” Except the vigor in his voice frightens you and you consider that he may be the world’s next mad scientist. 

However, a plan is a plan and you’ve already made it this far, so you set to work on spraying the area with gasoline. Between you, Steve, and the kids, within minutes you’ve created the world’s most flammable labyrinth. 

When you’re done, Steve guides the kids back towards the exit and you make sure everyone’s behind the two of you. He kneels, flicks out his lighter, and turns to everyone. “Alright, you guys ready?”

“Ready,” Max and Lucas say.

Dustin tightens his hand around yours, preparing to help you run as fast as you can with your ankle. “Light her up.”

Steve flicks his lighter open. “I am in such deep shit.”

“Together.” You nudge him with your shoe, and even though his face is hidden, you know he smiles. 

He takes a deep breath, winds his arm back, and flings the lighter into the center of the hub. 

Immediately everything bursts into flames. In the blaze, the strange roots that had been lying dormant on the ground now come to life as they flail against the heat. They twist and whip around, writhing in pain. The tunnels themselves almost seem to come to life as it writhes in pain. 

“Go, go, go!” Steve yells, pushing everyone back to start running. 

You stay behind with him, making sure all the kids have started to run before you finally let Dustin tug you along as well. The boy is screaming, hopping and dodging roots as best as he can while squealing, “Oh my god, oh my god, oh my god!”

Steve takes the lead now, having somehow memorized the way out. “Let’s go!”

You’re disoriented. Dustin’s hand is gripping yours so harshly and it’s taking everything within you to keep up, but your ankle throbs and your left eye has only continued to swell from the punch earlier. It’s becoming increasingly difficult to follow along, and in your disorientation you lose track of Mike. 

When he falls, everything within you snaps back into focus. You tear your hand from Dustin’s and you’re at Mike’s side in a heartbeat, but already the roots have started to wrap around his leg; he screams. “Help! Y/N, help me!”

Your hands shake as you reach for your switchblade, adrenaline runs through you so violently that you feel lightheaded. Mike’s screams are the only thing keeping you grounded right now. As he panics, you roughly grab his shirt and force him back before you start to hack at the root with your knives. 

“Pull him back!” Steve instructs the kids, who have now joined. “Y/N, watch out!”

You have just enough time to cut through one root before dodging Steve’s bat as he hits at the other. It takes a few swings, but with one final blow, you and the kids are able to pull Mike free and help him stand back up. 

“You good?” Lucas pants, patting MIke’s shoulders for any injuries while Dustin asks, “You okay?”

You pull Mike into you and quickly hug him, damning whatever time constraint you currently have against you. Your hands are still shaking, which Mike feels, and he gives you a quick pat before pulling away. “Glad you care, but–”

“We gotta go!” Steve steps between you two, bat still in hand, when a growl erupts from behind him. 

Dustin shoves everyone behind him before you can stop him. He’s recognized the growl before you have. “Dart.”

The Demodog growls again. He’s bigger than ever before, now practically fully grown. His growth distracts you long enough to miss Dustin slowly starting to approach him. When you do, you immediately try to stop him. 

“Dustin–” Fear overtakes you.

“Steve, hold her back.” He orders. “Just trust me, okay?”

Steve’s arms wrap around you and you try to fight back. “No–”

“Y/N,” he whispers into your ear, keeping an eye on your brother as well. “If you freak out now, Dustin will get hurt.”

He’s right, you know he’s right, but your brother is only a foot away from Dart now and he’s now smaller than the creature. One wrong move, and he’s dead.

Dustin kneels in front of Dart and you feel your heart drop. You don’t dare breathe as he takes off his goggles and mask and leans in closer to the creature. “Hey, it’s me. It’s just your friend, it’s Dustin.”

Dart slowly inches forward as Dustin continues to talk. “You remember me? Will you let us pass?”

This time, Dart’s entire mouth opens as he snarls at Dustin.

Again you struggle in Steve’s arms, but he only tightens his hold on you as you watch your baby brother, terrified, face off against the Demodog. 

“Okay, okay, I’m sorry.” Dustin lowers his voice, unwavering against Dart’s malice. “I’m sorry about the storm cellar. That was a pretty douchy thing to do. I blame Y/N, she’s always the one who makes me do the right thing.”

The little shit has you scared out of your fucking mind, and yet he has the nerve to somehow make this your fault.

If he gets out of this alive, you’re never, ever letting him go again. 

Dustin reaches into his backpack, eyes never leaving Dart. “You hungry?

“He’s insane,” Lucas whispers in awe. Both you and Steve tell him to shut up, scared that any noise will cause Dart to attack.

“I’ve got our favorite.” Dustin waves the candy in front of Dart’s face. “See? Nougat.”

As soon as the Demodog sees the candy bar, his demeanor shifts and he happily approaches Dustin. Within seconds, your brother has managed to re-tame his weird Upside Down pet, and for a brief second you feel bad that Dustin can’t keep him. 

“Look at that. Yummy!” He places the candy on the ground as a peace offering and he starts to motion behind him, waving for you and everyone else to start moving. “Eat up, buddy.”

Steve guides Lucas, Max, and Mike past Dart and through the tunnel that was previously blocked by him, but you stay behind. Your knives are drawn; you’re not leaving your brother’s side. 

“There’s plenty,” Dustin coos to the creature, placing down one last candy bar before standing up. When he sees that you’re still there, he grabs your hand and starts to walk away with you. Feeling his hand, warm and alive against yours, is enough to calm you down enough to follow. Before the two of you leave, however, Dustin turns around one last time to look at Dart, a sad smile on his face. “Goodbye, buddy.”

Dart doesn’t show any reaction, too busy devouring the candy he’s been given, and you gently tug Dustin along to safety, albeit with some guilt. He really loved that little lizard thing. 

As soon as the two of you are out of danger, you pull Dustin into a bone crushing hug. “You’re stupid.”

“Stupid brave,” he mumbles against you, though his arms are tight against your waist. He had been scared, too. 

You snort and pull your bandana down so you can kiss the top of Dustin’s head. “Just stupid.” 

“Guys, we gotta go.” Steve whispers, feeling bad for interrupting your moment with the kid. He can still feel the way your body shook in his arms, how he could hear your terrified heartbeat as he held you back. He felt horrible for doing it, but he promised Nancy he’d keep the kids safe, and Steve knows that she also wanted him to protect you, too.

At Steve’s urgent whisper, you reluctantly nod and pull away from Dustin. With one last shoulder squeeze, you pat his back and tug at his hand to start running. As you run, the ground trembles beneath your feet. You’re the first one to fall, Max and Lucas not far behind. “Fuck!” 

Steve has your hand within his in seconds and he gently pulls you up. His face is obscured from the goggles and banana, yet you can see the concern when he looks at you. When he stands you back up, he pulls you close and whispers, “You okay?”

You nod, about to tell him to keep running, when you hear the first screech of the Demodogs. 

“What was that?” Max inches towards your side, now long familiar with what the screeches mean. 

As if almost in response to the girl, more screeches follow as they echo through the tunnels. Only this time, there’s more of them; more than you’d even want to imagine. The hair on your arms stands up as the screeching continues. You know that if you don’t run now, none of you will stand a chance. 

“They’re coming.” Mike realizes. “Run! Run, let’s go!”

You snatch Dustin’s hand and practically throw the kid forward with how harshly you begin running. Lucas and Max run past, while Mike follows after Steve. Your footsteps fall harshly against the tunnel’s earthy ground and it takes everything within you to keep going. When you round the corner and see the rope, you almost sob with relief. 

“Kids first!” You shout, damning whatever further damage it’ll do to your vocal chords.

Steve understands immediately and kneels beneath the rope to give the kids a boost up while you hold the rope taught and help lift them. Max is the first up, both you and Steve more so throwing her rather than helping her.

“C’mon!” Steve encourages her, and with one final shove from you, she makes it over the edge and is safe. 

Everything happens so fast, it’s a blur as you help Lucas start to climb out, then Mike, and as you’re hauling Dustin up next, you hear the Demodogs drawing near. 

“Oh, shit!” Steve hears them as soon as you do and he grabs for his bat and starts to place himself in front of you and Dustin, but you stop him. 

“No!” You yank him back and then grab your brother, shoving him underneath the rope. The shadows of the Demodogs cast against the wall, you know you only have seconds before they’re here. “Throw him up!”

Dustin realizes what you’re about to do. “Y/N, no–”

But Steve already has a grip on him. “You’re going home.”

“No!” Dustin screams and tries to stay behind, wriggling and thrashing, but with Steve’s help, you’re able to lift him to safety before the first Demodog appears. Dustin, now safely above ground, sees this too. His heart stops. “Y/N!”

“Steve! Y/N! Climb up!” The kids begin to shout now, urging you and the teen to get out of the tunnels, fear alive in their voices. 

You look up at them, see their faces alive with youth, and then turn to Steve. He seems to be thinking the same thing as you. You’ve both run out of time. He nods, you do as well, and together you’ve accepted your fate. Steve draws his bat as you raise your knives. 

“Y/N!” Dustin’s voice rings through clearer than the other’s, the despair evident. You close your eyes for a second, wishing that there was more you could’ve done, but at least he’s safe.

Jonathan will take care of him, Nancy will, too. 

He won’t be alone, and you have Steve with you, who is holding your hand as if it contains all the secrets of the world.

It’ll be okay. 

You open your eyes. 

The Demodogs, miraculously, start to run right past you and Steve. They weave between you two, not at all paying any attention. You stand as still as possible, not wanting to wake them from whatever trance they seem to be in. 

However, one particularly large Demodog crashes against your leg and sends you into Steve’s side, who wraps his arms around you with a fierce protectiveness. You duck your head down, unaware just how desperately you’d been craving his presence, and he buries you further against him as the monsters continue to run. 

The two of you cower, curling into one another, steadying the other, waiting for something to happen. Steve has his feet firmly planted and stands his ground as more monsters run past, and without him you would’ve fallen minutes ago, trampled by the creatures. 

When you can’t hear any more Demodogs, you slowly lift your head from Steve’s chest and look around. 

They’re gone. Each and every one of them has left. 

You’re still in Steve’s arms, your chests are pressed tightly together and you’ve never been this close to him before. When you look up at him, you can feel his breath against your skin. There’s an odd look in his eyes, he’s studying your face as if seeing it for the first time, and his gaze makes something deep within you stir. 

“Thank you,” you whisper, needing to say something. He’s once again saved your life, and your eyes can’t seem to leave his. 

His fingers dig into your side, it’s the only way he can respond. The sensation causes you to shiver and your eyes slowly drift down to his lips. They’re a lovely shade of pink, flush and full. You wonder what they’d taste like, if he’s wondered the same about you. 

Steve stares down at you and feels every breath you take, the rise and fall of your chest matching his. The two of you stand like this for a moment, hearts beating together as you cling to one another, until Dustin clears his throat. 

“Ahem,” he draws your attention. “There are kids here, ya know.”

Lucas, Max, and Mike all snicker when you frantically pull away from Steve in embarrassment. Both of your faces are red, the air between you still hangs with something you’re not quite sure how to name. 

“We’re coming.” Steve mumbles to your brother before turning to you. “Ready?”

You take a deep breath and nod, your nerves still shaky from being so close to him prior. When you’re ready, you grab onto the rope and feel Steve’s always gentle hands grip your waist. You’re slow climbing up, being the most injured out of everyone, but he’s patient with you and murmurs encouragement as you climb. 

Once you’re safely up, you help the kids with Steve. The moment his feet touch solid land, he lets out a low whistle and claps his hands. “Well, I’d say that went well–”

Suddenly, Billy’s headlights begin to shine obnoxiously bright. The light increases in its intensity, glowing brighter and brighter, so much so that you and everyone else have to shield your eyes. Then, just as suddenly as it began, the lights shut off. 

It’s quiet. No one says anything, unsure of what’s just happened, but you know.

“El,” you whisper, somehow knowing it’s her. Mike nods, understanding as well. 

She did it. 

She closed the gate. 

You pull the kids into you, dragging them all in your arms in a giant hug. All you feel right now is disbelief. The plan worked. You’re all somehow still alive. 

Steve stands behind you, his chest firm against your back, and you allow yourself to gently lean against him. To accept all that he’s silently providing you; there’s no point in fighting it any more. He’s here, offering you anything you need from him, and you’re exhausted from pretending that you don’t see it. 

After a few moments of silence, you finally release the kids and nudge them towards the car. 

It’s time to go home. 

– 

“So what exactly did you guys do with Billy?” Steve’s driving and you’re in the passenger seat, waves of exhaustion crashing upon you. From the rearview mirror, Steve sees Lucas, Dustin, and Mike all turn to Max slowly. He frowns. “Why are you all looking at her?”

Max shifts uncomfortably in her seat. “I handled it.”

“She sedated him and we left him on the floor at Will’s.” Dustin fills in the information that Max opted to omit, which she elbows him for. 

Steve blinks, turns to you, and asks, “You heard that too, right?”

“Mhm.”

“Cool.”

When you get to Jonathan’s, Billy is sitting hunched over on the porch, waiting. He looks rough, his eyes bleary and his hair matted. When you see him, you feel your throat constrict in pain and a sense of panic builds within you. You look towards Steve, see his bruised cheek, then notice the way Max squirms in the backseat being near Billy, and the panic is replaced with anger. 

He’s caused enough pain and turmoil to those you love. 

Steve parks the car and turns in his seat so that he’s facing everyone. “Alright, we all see that Billy is awake, so you guys stay here while I go and–”

“We.” You correct, swallowing down the pain you feel. 

Steve inhales and looks as if he wants to argue, but he just shakes his head and continues. “Okay, we go and talk to the guy.”

“I want to come.” Max says, though she still refuses to look in Billy’s direction. 

You rest a hand on her leg. You understand what she’s asking for, to handle her brother herself, take her life into her own hands. Max is a brave kid, she’s shown you that much tonight, and while you trust her to make the right decision, you’re still hesitant. “Are you sure?”

She thinks for a second before nodding. Her eyes harden and she juts her jaw out. She’s made up her mind, and you get a kick out of seeing the fire within her. Max Mayfield is an incredible young girl, and you’re honored to know that she trusts you. “I’m sure.”

“Then let’s go.”

You, Steve, and Max walk side by side towards Billy, though you make sure to place the girl slightly behind you in case her brother tries anything. 

When Billy notices you approach, he lifts his head up and waves lazily at the three of you. “Back already?” His words slur together and his eyes are glossy; the sedative must still be wearing off. 

Max steps forward. “Take me home.” 

Billy eyes her, looks between you and Steve, and then sighs. “Fine. Any other demands?”

The girl shakes her head. “I’ll wait in the car.”

And then she’s gone, leaving you and Steve alone with Billy. 

He eyes you, sees the bruises on your neck, and a languid smile drawls across his face. “Seems I left a mark, sweetheart.”

Steve steps forward, but you put your hand out and stop him. You appreciate him, you do, but this is something you have to do yourself. You swallow again, feeling the tender flesh within your throat constrict, and try to make your words come out as neutral as possible. “Seems I did, too.”

Billy looks down at his shoulder, the wound from your knife is still bleeding. “So you did.”

Lucas and the other boys stand off to the side now, having left the car alone for Max. When Billy notices them staring, he sighs and wipes his hands off on his jeans and slowly gets up. “Well, my bitch of a sister awaits.”

As Billy leaves, Mike runs up the steps and unlocks the front door. “Y/N, think you could make those cookies again? I’m starving.”

You glare at him and Steve laughs. “I’m not sure she can even walk up the steps, dude.”

“Yeah, look at her.” Dustin waves his hands in front of you. “She looks like a zombie.”

Lucas makes zombie sounds and pretends to eat Dustin’s brains before Mike joins in. The three of them chase each other into the house, screaming “brains” and “die” as they mess around, leaving you and Steve alone outside. 

He steps in front of you, his back towards you and he crouches down. “Care for a ride?”

You want to argue, but it’s becoming harder and harder to keep your eyes open. It’d be a miracle if you even manage up the first step on the porch. Hesitantly, you place your hands on Steve’s shoulders and jump onto his back.

“Atta girl,” he laughs, standing back up so that he can carry you inside and join the boys. You wrap your arms around his neck and nuzzle your face as you close your eyes. You’re seconds away from falling asleep. Steve seems to sense this and slows down his footsteps so as to not disturb you. 

He navigates the home, remembering where to go from his time here last year. You’re warm against him and Steve’s fingers draw lazy circles onto your ankles. The boys are in the kitchen, scurrying around for any food, and Steve relishes in this small moment with you.

You’re placed down into a soft bed and the smell of Jonathan overwhelms you; you open your eyes and realize that Steve has taken you to the boy’s room. The bed is warm beneath you, the scent soothes your wounds. 

“Jonathan’s?” You ask, confused as to why Steve would take you here.

“Figured it’s where you sleep when you’re here.” He shrugs, as if it’s no big deal, before grabbing the blankets and tucking you in. His movements are careful and he makes sure your head is resting on a pillow and that he takes off your shoes. 

The gentleness of his touch soothes you. You’ve never let anyone take care of you like this before. You let him play with your hair, wrap the blanket around you so that you won’t get cold, and when he finally seems pleased with his work, he flicks your nose and smiles. “Get some sleep, dork.”

“Everyone is safe?”

His eyes melt. “They are. They’ll be home soon. In the meantime, I’ll rustle up some grub for those heathens outside while you sleep. Doctor’s orders.”

You giggle and grab his hand to bring to your lips. They linger against his knuckles, you inhale and breathe in his scent, and Steve’s breath hitches at the touch. “Thank you,” you whisper against his skin before placing another kiss. 

There’s such a lovely buzz within your chest, holding Steve’s hand fills you with this syrupy warmth like honey, and you’ve never felt it before. It drips down your skin and into your bones, healing wounds both old and new with its kisses. 

Steve squeezes your hand with his. He feels it, too. You both do. 

–

A body slides in next to yours, rousing you from your sleep. A hand wraps around your waist and the fingers, long and lithe and familiar, skim your skin lazily. The sensation almost lulls you back to sleep, you know whose touch this is, whose body lays next to yours. 

You open your arms and engulf Jonathan into a hug. His body lays atop of yours, reminiscent of the night a few days ago when he snuck into your room before he left with Nancy. Your body has long since come to anticipate his weight against yours, it’s become accustomed to how he lands upon you. 

“What time is it?” You rasp, stroking Jonathan’s hair with your fingers as he breathes steadily against you. You’re not sure how long you’ve been asleep, but the pain in your throat has lessened, your voice is slowly returning to normal.

“Early morning,” he mumbles, pressing a kiss against your shoulder. “Steve took Dustin home, no one wanted to wake you. Apparently you had a rough night.”

You laugh, then wince at the pain it draws from your throat and ribs. “You could say that.”

Jonathan places another kiss upon your skin, this time against the base of your throat. He litters kisses up and down your neck, his breath tickling as he does so. “I’m sorry,” he says in between each kiss, as if his words will make the bruises fade faster. 

Rather than respond, knowing nothing you can say will make him believe that none of this is Jonathan’s fault, you simply hum at his kisses and lean into them. “Will?”

“He’s okay, he’s safe. Mom is with him now.”

You hum again, relishing in the knowledge that Will is okay and that Jonathan is once again here with you. The house is quiet, everyone else asleep, and the two of you lay like this for a while. No more words are said, Jonathan presses kisses against your skin as your fingers interlock through his hair and you run your hand up and down his back. 

Somehow, you know this will be the last time you ever have him like this. 

Just the two of you, uncrossed in any boundaries. Skin against skin, kisses to wounds and fingers intertwined. You hope that your body never forgets the weight of his. You hope that it will always anticipate his impact, welcoming it after a long day. Jonathan’s touch will soon become ghosts lingering on your skin, and selfishly you never want this moment to end. 

Uncrossed boundaries, threads and strings and lines. 

They’re here. You can see them now, they almost glow faintly within Jonathan’s room, the same room in which you grew up in. 

“Bee?” You whisper, nudging him gently to get his attention. He lifts his head from your neck and looks at you, eyes open and listening. “We have to talk about it.”

The early morning light streams through the curtain and illuminates Jonathan’s face. His eyes are a mixture of browns and reds and ambers and you try to remember what they look like now, before the words are said and nothing will ever be the same again. 

“I’m scared,” he admits. You’ve made him into who he is today, with all of his quirks and humor and love. Jonathan doesn’t know who he would be without you, and he’s terrified that he’ll say the wrong thing and lose you forever.

“I know,” you stroke his cheek. “I am, too.”

“I don’t want to–I can’t lose you.”

“You’ll never lose me, Jonathan Byers.” You’re firm in your words, now grasping at his face with your hands. “We’re connected, remember? String theory, you and me.”

Jonathan has tears in his eyes. “But I slept with Nancy.”

His confession only makes you sigh. “I know, bee.”

“I–I think… I think this time it’ll turn into something more. I… I think I love her, bug.” His voice cracks, terrified of his own words. He recognizes now, far too late, all that he’s missed. “But bug… I know there’s–that there’s some things we should’ve talked about. A long time ago… but I just…”

“I know,” you know everything he’s trying to tell you. There’s no hurt in your voice, only resignation, but you knew this would happen eventually. “We missed our chance a while ago.”

“Did we ever really have a chance?” He asks, thinking back to the day the two of you met. How easily you accepted him into your life, the role you unknowingly assigned to him as your best friend. How, for years, he’d been so in love with you but terrified it’d scare you away. 

You play with his fingers, thinking for a moment. “I’d like to think that we did. I think we just… We missed each other, along the way.”

He smiles, bittersweet and somber. “We would’ve been something great, huh?”

“You’re my person,” you tell him, a certain sadness creeping into your voice. It’s the truth. No one will ever know you like he does, no one can unravel you the way he can. The love you have for Jonathan is unyielding, it transcends everything else you’ve ever felt. “Of course we would’ve been something great.”

“And now?”

You bite your lip, unsure. “Now we just… We let go.”

Jonathan tightens his arms and presses himself further against you. “I’m never letting you go, Y/N Henderson.”

You feel tears beginning to form in your eyes, both from grief and acceptance. “You don’t have to, but we have to let go of our claim to one another. You’re Nancy’s, now. It wouldn't be fair otherwise. To anyone.”

“And you’re Steve’s?” He asks, hesitant to bring the boy up. While you watched Jonathan fall in love with Nancy, he’s watched you fall for Steve. 

“I think I could really love him,” you admit, breathless. “I think I’ve already started to fall for him.”

Jonathan’s heart twists at the breathlessness in your voice, though he knows he’ll have to get used to this. To no longer being the reason for your bashfulness. It’ll take time, but he knows in the end that it’s for the better. “You deserve to go for it, bug.”

“Really?”

“Of course,” he playfully pokes your side. “Nancy fucked up with him, and I fucked up with you. The two of you deserve better than us, and I… I want you to be happy, you know that.”

“I know, but…” you turn to him now, needing him to understand all that you still don’t know how to voice yourself. “Remember our pinky promise from last year?”

Jonathan wiggles his pinky at you, unsure where you’re going with this. “I do.”

“We’ll always stay like this, right? You and me?” You know it’s selfish to ask, to expect everything to stay the same between you, but losing Jonathan would be the one thing you’d never recover from. He’s in your bones, now. He’s grown up alongside you, patched up your wounds as a child and now holds your hands through the nightmares you face together. 

It doesn’t matter how you and Jonathan end, whether you’re lovers in this universe or simply the best of friends. Regardless of what’s happened, he’s the most important person in your life. He always will be.

Jonathan presses a kiss upon your forehead, his lips warm. “Always, and I’ll always love you the most, bug.”

“I’ll always love you the most, bee.” The words come easily to you, an exhale after being inhaled so long ago. 

The world stills. Then, as slow as the sun rises after a harsh winter’s night, the strings and lines finally settle between you two.

“Let’s go to bed.” Jonathan whispers, wanting to hold onto you for at least a few more hours. 

In the late morning hours the two of you will wake up, and it will be the last time you do so in each other’s arms. 

– 

When Jonathan drops you off at home the next day, your mom freaks when she sees you. Dustin had tried to prepare her, making up some lie about how you’d fallen down at the Byers’ house and that’s why you couldn’t come home for a few days. However, your mom still had a heart attack when you walked through the front door with a split head, black eye, bruised neck, and a bloodied side. 

“My baby!” She took you into her arms and immediately set her eyes on Jonathan. “What, did you have a bear in the house or something?”

Jonathan looked over at Dustin with a helpless look on his face and your brother had sighed. He figured he’d have to be the one to take over. “Like I said, mom. Y/N just got really into our campaign and fell. She’s fine, I mean, look at her!”

You did your best to appear very fine and healthy, despite your concussion forming a horrendous headache. You forced a smile on your face, all teeth. “All fine and dandy, mom.”

Claudia Henderson hadn’t bought it.

You were placed under house arrest for two weeks. 

During these two weeks, you were only allowed to leave the house to either go to work (somehow Mrs. Waters still hasn’t fired you despite missing three days of work), and go to school. It wasn’t so bad, though. You had needed the rest, and Nancy visited you a few days into your house arrest.

You’re not sure when she officially began her relationship with Jonathan, but the first time she came to see you, she had brought a giant basket full of baked goods and comics she had asked Jonathan about. 

“You didn’t have to get me anything, Nance.” You had informed the girl when you saw her struggling to carry the basket. 

“I stole your boyfriend, it’s the least I could do.” You stared at her, eyes so wide that your black eye almost fully opened, and Nancy had let out a loud laugh. You’d never heard her laugh so openly before, and it was a beautiful sight. “It was a joke, Y/N. It’s okay to laugh.”

“Ha, ha, Wheeler.” You took the basket from her and inspected its contents. There were more comics than you could count and the muffins smelled delicious. “This is a good haul.”

Nancy had smiled, relieved that she’d done something right. She had bugged Jonathan all day yesterday, anxious to do something nice for you because she felt this crippling need to make you like her. He had reassured her a million times that you did already like her, but Nancy has never been the best at making friends, and she knows the history between you and her is tense. 

“You really like it?”

“I love it, dude.” You saw the way Nancy’s body relaxed, as if she had been terrified you’d burn the basket in front of her face. It’s only then that you realized why she was there. “You and Jonathan finally seal the deal?”

Nancy blushed, still unused to how well you perceive others. “We did.”

“Took you guys long enough!” You squealed and threw your arms around her, elated for your friends. Sure, it still stung a bit, but Nancy was trying, so you were too. “But can I say just one thing, and then we’ll bury the hatchet for good?”

“Of course, Y/N.” Nancy said, though you felt her body tense underneath your hold. She had been bracing for impact, and it broke your heart to imagine how she was feeling in that moment. 

You grabbed her hand and looked her in the eye. “I’m happy for you two, I really am, okay? You know my history with Jonathan, and I’m sure he’s told you everything, but I need you to listen very carefully to what I’m about to say.”

“I’m listening,” she whispered, gripping your hand tightly. 

“If anything, and I mean anything, bothers you about my relationship with him, I need you to tell me. Don’t let anything simmer, don’t swallow down any hurt. I need you to know that I will always respect your guys’ relationship, and if you ever feel that I don’t, please tell me.”

Nancy, to your surprise, had laughed. “That’s it? Geesh, Y/N. I was expecting you to threaten me with your knives or something. I understand your connection with Jonathan, I know what I agreed to.” She paused, and then added with a sly smirk, “Besides, I know you wouldn’t cross any boundaries because you’ve spent practically all year pining after Steve.”

“I did not!” You gaped at her, shocked that she would say such a thing, and Nancy laughed so hard that it took both you and her another ten minutes to say anything else. It was lovely, laughing alongside the girl you once held so much resentment over. Now there you were, rib cage aching with glee.

And that’s how Nancy Wheeler became your best friend.  

After that, things seemed to settle down during the month that followed the events of Hawkin’s Lab. 

While you healed your wounds at home, Jonathan and Nancy came to visit you whenever they could. It was weird, at first, being in the same room as them now that they were together, but within minutes the three of you formed your own dynamic. You and Nancy teased Jonathan while he simply shook his head at the two of you and did whatever you asked. 

It was a good dynamic, really. 

A week into house arrest, your mom let you finally return to work.

Of course, on your first day back, Steve was standing inside of Bookstrordinary, waiting for you. 

Seeing him there, hair messy and smile warm, felt like coming home. 

“Back so soon?” You had teased, walking slowly up to him. 

His smile widened and he grabbed your hand and tugged you closer, impatient with how long it was taking you to come to him. “Like I could wait any longer.”

“I stack and you sort?”

“Let’s get to work, Henderson.” He winked and spun you around, causing you to giggle, a sound he’d come to adore, and the two of you set off to work. 

Steve becomes a regular at Bookstrorindary again, and one day you come home from school to find him sitting at your kitchen table with Dustin and your mom. They were eating an after school snack together, chatting as if they were old friends. Your mom was even blushing as Steve charmed her. It was a disorienting sight, to say the least. 

“Is this going to be a thing now?” You’d asked, setting your backpack down to grab your own snack and join. 

“I invited him.” Dustin said with a mouth full of apples. “He’s cool, and mom likes him, so. Yeah.”

Your mom pinched Steve’s cheek and giggled. “He’s just so charming!”

Steve sent you a wink, basking in your mother’s praise, and in that moment, seeing him with the two people you loved most in this world, you knew.

It hit you like a warm, soft summer breeze. It swirled around you, kissed your skin the way only the sun can do, and you could almost smell the fresh summer honey that your dad used to buy for your birthday. The feeling was serene, it felt as easy as exhaling.

You were in love with Steve Harrington. 

Only this time, the realization made you smile; you accepted it with open arms. You walked over to him and ruffled his hair before sitting next to him at the table. Biting your own apple, you winked at your mom, agreeing with what she had said. “He is indeed very charming.”

Dustin gagged while Steve draped an arm across your chair and stole your apple. “That I am, Y/N.”

Maybe love wasn’t so bad after all.

The following week, both Steve and Nancy asked you to attend Barb’s funeral, and of course you went. 

It was a small service, and Jonathan held Nancy’s hand throughout all of it. While it hurt to see her cry, you can’t help but think about how incredible Nancy is. She’s the reason that Barb is even getting a funeral in the first place, having brilliantly exposed Hawkin’s Lab and giving her friend the justice she deserves. 

Steve stood next to you, stoic and guilty, and after the service ended you had to pull him aside and remind him that none of it had been his fault. He listened, but you know he hadn’t necessarily heard you.

It’s similar to how you feel with Will, and how Jonathan feels with you, and Nancy with Barb. 

You all hold a heavy weight within you, of guilt and shame and despair. There’s nothing that specifically can be done to lessen it. All you can do is allow the ones you love to carry the weight with you, to share it and accept the help that they offer. 

Time can’t heal all wounds, you recognize this now, so you do things for those you love and see the good that’s still there, even if it’s hard sometimes. 

And that’s what you do.

You start stopping by Hopper’s cabin to see El.

He hated it at first, but when you showed up one day with a box of nail polish and comics, El had been so overjoyed that he simply sighed and let you in. 

You teach the girl how to read, having her say words out loud as you paint her nails, and it’s lovely. It’s rare to get the girl all to yourself, so spending time with her is always the favorite part of your day. Plus, she starts to get really into Spider-Man, so you’ve done your job as an avid fan. 

As for Will and the boys, you start to make it a point to partake in their DnD campaigns whenever possible. While it’s hard balancing work, school, El, and the party, you don’t regret it for a single second. It’s exhausting, but a good kind of exhaustion. One that leaves your bones aching in a rewarding way at the end of the day.

You’ll never tell Jonathan this, but he had been right a few months ago. You’d been burning yourself out, running away from everything you didn’t want to confront, from your feelings to your crippling worry for the kids. You’re not sure how much you had left in you, looking back now.

You had been drowning for a long, long time. 

But as you pick up Dustin and Will from Mike’s, Jonathan by your side as always, your nails painted a messy shade of blue thanks to El, and Steve waiting for you back at your house, you’re finally able to breathe. 

– 

It somehow takes you the entire day to get Dustin ready for the Snowball. 

He’s running around the house, frantically trying to find his bowtie that he’s misplaced, and you’re currently digging through the endless supply of hairspray that Steve dropped off yesterday. There’s so much hair products within the bag that he delivered, and it actually scares you a little. 

No way this much chemicals can be good for a kid. 

“Did you find the bowtie?” You yell from the bathroom, finally managing to open the bottle of hairspray that Steve specifically told you to use first. 

“Yes!” Dustin runs back into the bathroom and throws the piece of fabric at you. “Quick, put it on while I spray my hair!” 

You roll your eyes at him but do as he asks, securing his bowtie to his baby blue button shirt. However, as he sprays his hair, he almost blinds you in the process. “Christ, Dustin! That’s practically a weapon.”

He continues to spray. “You’re the one who insisted on helping me get ready.”

“I wanted you to look handsome,” you coo at him, straightening his bowtie one final time before stepping back and admiring your handiwork. “All done, and look at you!”

Dustin sprays even more product into his hair and tries to shove you out of the bathroom, but he secretly preens. “Am I really handsome?”

You admire him and you can’t believe how grown up he is now. He’s grown another three inches since last month and with the way he’s styled his hair, he looks like a teenager. Your heart stings a bit, seeing him no longer look like the little brother you know and love. He’s changing, growing up. “The handsomest.”

He smiles at you. “Thanks, Y/N. Now go get dressed while I finish my hair. Steve will be here any minute!”

You salute him and run to your room. Nancy had asked you to chaperon alongside her at the dance, and you figured it’d be fun watching Dustin and the party failing miserably with prepubescent girls, so you agreed. However, because it somehow took five hours helping your brother get ready, you run around your room in a hurry.

You’ve just finished applying some mascara when the doorbell rings, and your heart skips a beat.

“Y/N, Steve is here!” Your mother calls, a slight glee in her voice. She’s quickly come to adore the boy, something that Steve milks whenever he can. He’s incredibly proud of it, honestly. 

You run to the door and open it, Dustin is still spraying his hair to death in the bathroom. 

When Steve sees you, he forgets how to speak. You’re dressed in a soft white dress and you’ve pinned the front two pieces of your hair back. You’ve dotted your lips with a berry-red lipstick and your cheeks look more flushed than usual. 

You see the blush that immediately forms on Steve’s cheeks and you giggle, suddenly shy. It’s awkward, but a nice awkward between you two. “Hey.”

“H–hi.” His voice squeaks and he clears his throat. “I–I mean, hey. You, uh… You look. Wow. I mean, not wow, but also wow–”

“Dude,” Dustin now joins and looks disappointedly at Steve. “Get it together, man.”

He pats his chest and starts heading towards the car, and you can’t help but snort. “He’s so lovely, isn’t he?”

Steve holds out his arm for you to take, the momentary awkwardness now gone. “The Henderson charm is a fascinating thing.”

During the car ride, the closer Steve gets to the school, the more you see Dustin fidget in the back seat. He had been so excited earlier, but now you notice the doubt in his eyes and the way he keeps patting his hair, unsure. 

You tap Steve’s hand to get his attention. When he looks over, you motion towards the backseat and he realizes what you’re trying to tell him. He nods, and the two of you silently agree to give the kid a pep talk once you get to the school. 

“Alright, buddy. Here we are.” Steve parks the car and tries to give Dustin a reassuring smile, but your brother looks out the window and exhales nervously. “Remember, once you get in there…”

“Pretend like I don’t care.”

You interrupt. “Okay, no. I thought we abandoned that idea last month.”

“Technically you abandoned it, I didn’t.” Dustin responds, and Steve shrugs his shoulders at you. 

“Dustin, I really want you to be yourself, okay?” You turn to face the kid. “What did I tell you last month, huh?”

“That we Hendersons are charming people.” He grumbles. 

“Exactly, and I meant that. Use your charm, buddy.”

Dustin isn’t listening, instead he tries to look at himself in the rearview mirror to once again fix his hair. Steve sees this and stops him. “Hey, listen to your sister, alright? You look great, okay?”

“Such a handsome lad.”

Steve puts his hand up to stop you. “Okay, ignore her and listen to me. Now, you’re gonna go in there…”

Dustin nods. “Yeah.”

“Look like a million bucks.”

“Yeah!”

“And you’re gonna slay ‘em dead.”

“Like a lion.”

You cringe. “I’m not at all liking this language use in relation to women.”

Dustin purrs, just to spite you, but now Steve cringes and shakes his head, “Yeah, don’t do that, okay?”

“Okay.” Dustin deflates, but when Steve offers him his hand to shake, his face lights back up and he accepts it. 

Steve winks at the kid. “Good luck.”

“You got this!” You shout as Dustin exits the car. He gives you a thumbs up and starts to walk towards the school, leaving just you and Steve alone in the car. 

With Dustin gone, a tension creeps within the car. You look over at Steve and he catches your eye, and your stomach flutters. You can’t deny that there’s nothing there, and it’s… it’s nice, honestly. 

You don’t feel the same fear you did with Jonathan. You can look at Steve and admire his beauty and all you feel is warmth. His smile doesn’t hurt you, and the way he’s looking at you so unabashedly no longer scares you. 

“You look beautiful, Y/N.” Steve says, his voice honest and dripping with honey. 

You blush, and he wants to kiss the pretty red until it colors his own lips as well. “Thank you.”

There’s more you both want to say, but for now you simply enjoy each other’s presence. It’s too soon, you know this. He’s still in love with Nancy, and you don’t blame him. Instead, you bask in his gaze and he admires how lovely you are. How lovely you always are.

He feels it, too. He knows what you’re thinking, and for once he feels comfortable with where he is. You’re here, next to him, expecting nothing but what you know he’s ready to give you. 

You press a kiss to his cheek, and Steve’s heart aches. “Drive home safe, okay?”

As you pull away, he catches your arm and stops you. You look up, confused, and Steve’s gaze softens. He doesn’t know how else to say it, how else to ask you to stay. “Be patient with me, okay?”

You don’t have to ask what he means; you know. 

Whatever he needs, you’ll give it to him. You place a hand on his face and stroke his cheek, he leans against the touch and closes his eyes. This is the easiest promise you’ve ever made. “Take all the time you need, I’ll be here.”

The words cause Steve to sigh, you’re too good for him. You’re everything lovely and beautiful and kind, and Steve can’t believe how lucky he is to know you, to have you in his life the way no one else does. That you’ll wait for him, trusting him with your heart, and he can’t believe that you’re real.

“You’re an angel.” He breathes out, feeling everything constrict within his chest when you smile. 

“And you’re sweet honey.” You press one last kiss to Steve’s face and get out of the car. No other words are needed. 

Steve watches you as you leave, your kiss still burning his face, the same burning warmth he’s come to love about you. He watches as you walk up to Nancy inside the school and she hands you a drink, the two of you laughing. You both look so different standing side by side. 

A girl Steve loves and the girl he knows that in time he’ll come to love more than anything else. 

He’s already falling for you, he thinks he has been ever since he first saw you all those years ago when you were twelve and he was thirteen. He’s falling for you, but he won’t rush it. It wouldn’t be fair to you, not after everything you’ve been through. 

So Steve admires you, he watches the way your hair dances as you laugh and the way the kids around you smile in admiration. He forgets that Nancy is even there, his eyes only on you, and for the first time in a long time, Steve smiles a real smile. 

Your kiss on his cheek lingers, and he presses his fingers to it and feels his body warm. You’ll be waiting for him, and that’s more than enough for now.

Take your time, I’ll be here.

And Steve believes you.

[END OF SEASON 2]

-

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#steve harrington x henderson!reader #steve harrington x reader #steve harrington x you #stranger things #steve harrington fanfic #stranger things rewrite #slowburn #angst #wtlws #m's writing #behold: the nickname reveal #i told yall itd take till the end of season 2 #muahahahaha #also im so sad its done omg

[gffa]

Did you know I’ve probably cried like a dozen times from BATFAMILY fic over the last two weeks? I’m not a big cryer, so that’s saying something for me, by which I mean, I realize I have some incredibly intense feelings about fictional characters, but also fandom is phenomenal about hitting those feelings dead on in exactly the way they mean to do. And it’s great, hell yeah make me cry buckets in emotional catharsis!! And then balance it out with comfort or humor because my soul needs soothing, too! I have been reading so many comics lately (so many good comics, what is this, I’m not used to having comics I actually think are good) and I love the canon so very much, but part of the draw towards this fandom has always been the enthusiastic fic response, the willingness to explore things the comics themselves don’t always have time for, whether aftermath of events or psychological effects that aren’t necessarily intended but are fascinating to consider or just straight up downtime that’s not about a case because fic doesn’t need to make people punch things in every issue. The two go hand in hand for me and getting fun comics to read and fun fic to read has been really meaningful to me in a time when I’ve really needed that in my life. I hope that I can return the favor even a little by shoving a bunch of fics at you and only making you scroll a little to get through my Dick Grayson Problem. BATFAM FIC RECS - BABY DICK IS THE CUTEST FERAL ROBIN I’M NOT HEARING ANY ARGUMENTS: ✦ May Our Memories Light The Way by sElkieNight60, dick & bruce, time travel, 1.9k      Bruce travels into the past and serves up an apology long over-due. ✦ Late Spring by halyordan, dick & bruce & alfred, 3.5k      Dick gets in his first ‘fight’ at school. Luckily, Bruce was an angry boy once. He knows how to deal with it. ✦ the color violet by TheResurrectionist, dick & bruce & cast, 2.6k      The address – 1007 Mountain Drive – told Alex two things: one, their patient was either going to be someone unreasonably wealthy or an unlucky service worker, and two, getting to the actual patient was going to be a bitch. ✦ as i was walkin’ by oh_fudgecakes, dick & bruce & alfred, 3.6k      Bored and chased out of the kitchen by an irate Alfred, a young Dick Grayson falls through a loose floorboard while exploring the attic and ends up in an locked storeroom housing an interesting set of journals. ✦ help me fill this hole in my soul by renecdote, dick & bruce & cast, 5.9k      Dick nearly drowns on patrol one night. He’s fine, except that he really isn’t. Alfred and Bruce take care of him when he gets sick and let him know that even though his parents are gone he isn’t alone. ✦ medio by newsical, dick & bruce & alfred, 2.1k      Loss, again. This loss was by his hand, by his own tongue, with words so sharply edged that they tore apart his mouth and left his lips bloody. The manor was silent, and he was alone. And Alfred’s half birthday was in three days. ✦ My Little Bird (is a Troublemaker) by sElkieNight60, dick & bruce & clark & cast, 10.9k      No, not good enough, thought Bruce as he gripped the boy’s shoulders in his hands. Dick still didn’t move and the man had to resist the violent urge to shake the answer out of him. This wasn’t his little bird. This wasn’t his Robin, he would never do something like this. Dick gets caught drunk, Bruce loses it. ✦ things kept hidden by emavee, dick & bruce & cast, 9.7k      “Better hope the Batman doesn’t catch wind of you. Batman hates metas. He’ll make you disappear. That’s what he does.” “But I’d never hurt anyone,” Dick stammers. He doesn’t know very much about Batman, but he’s a hero, right? He fought crime, like Superman, and Superman was a hero. Right? ✦ (Not) Enough by daringyounggrayson, dick & bruce & alfred, 2.3k      After the training simulation goes wrong, Bruce takes his kid home. ✦ i can’t promise (it’s not written in the stars) by konan_konan, dick & bruce & alfred & cast, 7.3k      Batman is following him, surely, but he’s smaller and faster and he’s not going to let someone take him and lock him up again. Wayne Manor, he’s learned, is just another kind of prison. It may be big and fancy but it is also empty and cold and he’s not going back. Tony Zucco dies tonight, he tells himself. It is the only thing that matters. ✦ what’s needed most by dizarys, dick & bruce & alfred, 1k      Dick wants to fly. Bruce would like that to not involve giving him a heart attack for once. ✦ two sheep counted, but not enough to sleep by batofgoodintent (crownedcrusader), dick & bruce, 1.8k      Dick hasn’t been sleeping. It’s a problem Bruce should have addressed by now. BATFAM FIC RECS - ADULT BATSON AND BATDAD ARE MY KRYPTONITE, I FOLD LIKE WET CARDBOARD FOR THEM: ✦ (At the Very Least), I Can by sElkieNight60, bruce & dick & jason & tim & damian, 3k      “… something is wrong.” That was Bruce’s voice, he would know it anywhere. OR, Dick Grayson + Full Body Paralysis ✦ Catch by sElkieNight60, bruce & dick, 2k      Raptor has Bruce in dire straits. Nightwing catches Bruce as he falls. Then it turns out Bruce never fell at all, he jumped. “Dick. I didn’t fall. I jumped. I jumped because I knew you’d catch me.” Childhood trauma never truly goes away, it seems. OR, the emotional aftermath of “Better than Batman.” ✦ Call Me if You Need Me by LiterallyThePresident, bruce & dick & alfred, 1.1k      “Master Bruce is rather distraught, you see.” and now Alfred sounded pained, “The dose he received was not enough to render him immobile, but it is causing some paranoia and unpleasant hallucinations. He… Well, he appears to be rather convinced that something has happened to you.” BATFAM FIC RECS - EVERYBODY LOVES DICK: ✦ Sons and Fathers by FabulaRasa, dick & bruce & jefferson & dick/babs, 4.9k     Dick has three conversations that needed to be had, at the end of season three. This is blatantly a “there I fixed it” fic. ✦ The Best Medicine by JpegDotJpeg, dick & bruce & jason & tim & damian & alfred & cass, 2.2k      “I’m dying.” “You are not dying.” “This is it. It’s the end for me. I bet I have some exotic viral disease with no known cure and now I’m going to waste away into nothingness.” “I highly doubt that, Master Richard.” ✦ Look to the Stars by Zephyrra, dick & bruce & jason & hal & alfred & cast, lantern!dick, 8.3k      After Batman fires Robin for the last time, Dick becomes a Flying Grayson in an entirely new way: by becoming a Green Lantern. But no matter what kind of mask he dons, Dick Grayson has a way of (accidentally) changing history irrevocably. This is only the beginning. ✦ the courage of stars by theragingstorm, dick & clark/lois & jon & cast, 1.8k      When he really needs somebody, Dick goes to Metropolis. ✦ a great honour (to hold you up) by dizarys, dick & bruce & jason & tim & damian & cass & steph & duke, 2.6k      “For the last time, I’m not getting sick!” Jason and Tim exchanged skeptical looks behind Dick’s back. “You’re pale, shivering, and wince every time your bare skin touches the cold metal desk.” Jason ticked off on grease smeared fingers, “Sounds sick to me.” “Wonderful observations, Holmes.” Dick muttered, still looking through the microscope. “What does Watson have to add?” “That first of all, I’m Sherlock.” said Tim, “And my associate is correct. You should go get some rest.” ✦ i am tired of all these motherfuckin’ bombs on these motherfuckin’ spaceships by konan_konan, dick & bruce & damian & titans & background dick/kory & justice league, 4.5k      “Those generators won’t last long,” barks Batman. “We’re losing our window. What other plan do you propose, Nightwing?” He huffs. “I’m gonna blow up the ship.” or: when the justice league gets stranded in space, the teen titans come to the rescue. it doesn’t exactly go to plan. BATFAM FIC RECS - JASON TODD IS AN ASSHOLE CAT, I’M GONNA THROW HIM AT HIS SIBLINGS BECAUSE IT’S FUNNY: ✦ abyssal plain by glassofwater, dick & jason, 3.5k      “What did you do?” “Exactly what he said. I killed him.” ✦ Bang, bang by Ididloveyou_once, tim & jason & cast, 5.5k      ‘You shot me!’ Jason gasped, stunned, ‘Holy shit, you actually shot me.’ Tim’s eyes widened and he froze. They stared at each other for a second, dumbstruck and then- ‘Don’t tell Bruce.’ ✦ Break the Ice by dizarys, dick & jason, 1.5k      He felt the blades pierce his body. It was at the height of his leap, back arched as he sprang backwards over the car. A bolt of searing hot pain shot through his side then thigh. But Nightwing still landed with grace and flung his escrima sticks straight into two gang members’ heads. BATFAM FIC RECS - DICK AND DAMIAN WERE THE BEST BATMAN & ROBIN, I’M NOT HEARING ARGUMENTS ABOUT THAT EITHER: ✦ Not Quite Saudade by Wisptheraccoon, dick & damian & bruce & jason & tim & alfred & jon, 3.1k      Aka. The reason Dick is no longer allowed to leave on long missions without Damian. ✦ Scorpion-grass by Ididloveyou_once, dick & damian & bruce & tim, 2.9k      Damian gets hit with fear toxin and is forced to relive Dick losing his memories… Dick could’ve gone without knowing how the kid reacted to his amnesia. ✦ what’s waited till tomorrow starts tonight by theragingstorm, dick & damian & john/mary & cast, time travel, 63.4k wip      After an argument with his Batman, Dick Grayson, Damian finds himself in Dick’s past, with one of his greatest tragedies fast approaching and no easy route forward for either. As long as he risks being stuck seventeen years in the past, all he can do is live at the circus, with a family he never knew — and just maybe learn from it all. BATFAM FIC RECS - BATKIDS ALL HAVE MANY SIBLINGS AND THEY’RE ALL PETTY ASSHOLES AND/OR WONDERFUL BABIES AND I LOVE THEM WITH MY WHOLE BEING: ✦ When Wisdom Must Go by AnicomicQueen, bruce & dick & tim, 5.1k      Bruce experiences taking his children to get their wisdom teeth removed. Chapter 1: Dick (Age: 17) Chapter 2: Tim (Age: 16) ✦ So you’ll know where I’ve been by victoria_p (musesfool), jason & steph, 2.1k      “I just noticed your scars.” “We all have—Oh.” Jason drops his gaze again, runs his fingers along the faded incision on the left side of his chest. “No one else has one of these.” ✦ and when you’re in the trenches by dizarys, jason & tim & dick, 4.3k      When Jason stumbles across a shocking discovery, he’s forced to decide how much he truly cares about the people he used to call family. ✦ The Kids Are All Right by Browniesarethebest, bruce & dick & jason & tim & damian & cass & steph & alfred, 11.4k      Dick and Tim are de-aged. It goes about as well as anyone would expect. ✦ World’s Saddest Breakfast Club by motleyfam, dick & jason & tim & damian & bruce & cass & steph & duke & cast, 7k      Following a couple of Very Bad Weeks™ (which may or may not have involved being kidnapped and mildly tortured), Jason decides the best way to cheer himself up is to break into the Manor for a 3 a.m. snack. Turns out he isn’t the only one awake. BATFAM FIC RECS - I CUT MY TEETH ON DICK & TIM AS CLOSE BROTHERS AND NOT EVEN CANON WILL NOT TAKE IT FROM ME: ✦ Not So Large but Definitely In Charge by dottie_dc (dottie_wan_kenobi), dick & tim & bruce & alfred, 6.7k      Alternate universes suck so much. Tim has always known that, but he’s never really grasped it, not until he and Dick were forcibly thrown into one a week ago. ✦ there’ll always be a few things, maybe several things by incogneat_oh, dick & tim, ~1k      Tim breaks the silence, half-glancing over his shoulder to murmur, “Pop-culture has taught me that you’re supposed to seek out your parent in the middle of the night. Not your sibling.” “Pop-culture isn’t a perfect teacher, Timmy.” ✦ will we ever get to the other side? by dizarys, dick & tim, 4.8k      Blockbuster is dead and Dick is lost. Haunted by that night and no longer Nightwing, he flees Gotham only to find himself back in Bludhaven on mob business. Now Robin is the city’s new protector and Dick is determined to avoid Tim & his old life. That is, until he finds Tim bleeding in an alley. ✦ World Gone MAD by Havendance, dick & tim & justice league, 5.5k      Ask the GCPD about the Joker’s death, and they’ll tell you he died of natural causes. Ask the Justice League, and they’ll tell you that it’s a matter that’s been resolved internally. Ask Batman and he won’t give you an answer, because he’s Batman. The truth of the matter, however, is this: Dick Grayson beat the Joker to death. ✦ Wake Me Up Before You Go Go by incogneat_oh, dick & tim, ~1k      He’s already halfway up the stairs, towards the window on the second floor landing, when Dick says, “Tim.” He turns back, says wide-eyed and guilty, “Mhm? Can I– I’ll get you a blanket? If you want?” – Or, Tim visits Dick in Bludhaven. ✦ unleash the beast (with a kiss on the cheek) by InkpotSprite, dick & tim & bruce & jason & stephanie, 1.3k      Dick’s chest tightened as his lips parted to say something that he’d truly regret. Before a soft pair of lips pressed against his cheek, then disappeared so quickly that Dick was almost sure he’d imagined it. If it weren’t for Bruce’s fractionally wide eyes, Dick would think he had. Slowly, he turned his head to the side. Tim smiled back at him. BATFAM FIC RECS - I WILL DIE ON THE HILL THAT TIM DRAKE’S TRUE LOVE INTEREST IS CONNER KENT AND NOBODY CAN STOP ME, NOT EVEN GOD: ✦ cat tactic of healing by CarrionCarnival, tim/kon, 2.1k      Kon finds a moderately sick Tim, and decides that it’s his problem to solve. feline style ✦ In the Corner Taking up Space by Louis_the_Snake, tim/kon & cast, NSFW, 5.1k      Tim gets roped into doing a simple modeling gig for Wayne Fashion with some of his siblings and realizes that everyone he knows is way hotter than he is. And the hottest thing about him is his ass. Which ends up plastered in every major city in the U.S. ✦ Thief by rotasha, tim/kon, NSFW, 1.8k      Kon walks in on Tim wearing his leather jacket. ✦ only touched you once by distracted_dragon, tim/kon, NSFW, 1.8k      Kon decides to tease Tim a little with his TTK. ✦ Missing Words by Violet_Witch, tim/kon & cassie, 6.9k      It takes Tim years to realize what’s always been there. ✦ What’s Real and What Isn’t by JpegDotJpeg, tim/kon & bart, 2.3k      Kon’s eyes almost glow in the dark, a luminescent blue so vivid Tim almost can’t stand looking at them, though he has a harder time trying to look away from them. “I thought you were having a nightmare or something. Your heart was beating so hard it woke me up.” Tim feels himself a flush. He can’t even sleep without bothering someone else. “Oh,” He replies, voice small. “Sorry. I’m fine, you can go back to sleep.” “You’re shaking,” Kon points out and Tim curses internally. ✦ you taught me the courage of stars before you left by popsunner, tim & kon & bruce & damian & lois & jon & cassie & cast, 6k      “He loved you, you know,” She says wistfully, meeting his eyes. Tim looks away. “I loved him too.” “Love.” “What?” “Love,” she repeats. “Not loved. He might be gone, but we don’t love him any less.“ BATFAM FIC RECS - TAKE THE ANGST DIAL, TURN IT UP TO ELEVEN, AND BREAK THE KNOB OFF, THAT’S WHAT I’M HERE FOR: ✦ Arguments with the Recently Deceased by JackHawksmoor, dick & bruce & clark & tim & cast, 7.9k      Dick just got back from a lousy, week-long adventure traveling in time. When his ride drops him off at the cave the morning after he left, Dick isn’t expecting to find Bruce in the middle of a complete meltdown. Dick realizes there’s been a mistake- Dick hasn’t been gone six hours, he’s been gone six months, and everyone thinks he’s dead. ✦ Solar Flares by glassofwater, dick & bruce & jason & tim & damian & alfred & cast, 46.1k wip      Personhood, noun: the quality or condition of being an individual person. Son, noun: a man regarded as the product of a particular person, influence, or environment. Dick Grayson, noun: oldest son of Bruce Wayne, first son of Batman (i.e., a sum of parts, not a whole) ✦ Starlings in Winter by FromStarstuff, dick & bruce & clark & alfred & cast, 14.3k wip      When Dick was eleven years old he ran away from Gotham. No one could quite figure out why. Take your pick; there was a fight at school, a circus in town, and a song he can’t remember the melody of. Eleven-year-old Dick Grayson was flooded with grief, swimming in it, perpetually drowning. One day it was too much. ✦ Going Nuclear by wrsttballplayer, dick & bruce & jason & tim & damian & barbara & cass & steph & alfred, time travel, 15.3k wip      Dick looked at his younger self; the way his brow twisted up in so much anger and his was chest heaving with pure vitriol. Dick remembered what fury like that felt like. He remembered the way it burnt in his throat. He used to spew that poison at Bruce all the time, hell even the Titans had gotten the bad end of his temper more than once. And yet, Dick couldn’t place the last time he had been mad like that. Nowadays, all his anger died into withering flames of resignation and compromise more often than not. ✦ Why Is Tim the Only One With Any Tact? by CamsthiSky, dick & tim & wally, 4.1k      In which Tim tries to mediate an argument between Dick and Wally. Things don’t go so well. ✦ You Won’t Wake Up Alone by DawnsEternalLight, dick & bruce & jason & tim & damian, 5.2k      Dick’s captured and drugged and probably about to die. The last thing he wants to do is die in front of his family, especially not his baby brothers, all he wants is to be with Bruce and feel safe again. ✦ Hold Me Dear and Close to Your Heart by sElkieNight60, dick & bruce & cast, 3.8k      Dick Grayson leaves his whole life behind when Bruce Wayne kicks him out. ✦ the flute of your whole existence by LovesFrogs, bruce & dick & jason & tim & damian & alfred, 4.2k     He could voice his greatest fears, weaknesses, or most secret dreams at the drop of a hat; all the things he’s never put into words before and keeps tucked close between his ribs. What kind of ammunition is his son going to ask for? What will he make Bruce admit, knowing he is incapable of a lie? ✦ The Kids Are(n’t?) Alright by avengemyheart, dick & bruce & tim & alfred & cast, rape aftermath, 3k      Dick saves a young rape victim from his babysitter and in the process reveals his own trauma. The problem? Dick is Batman at the time, and kids are blabber mouths. ✦ Cursed Silence by TheSilencer, dick & bruce & jason & tim & steph & cast, 3.4k      Dick Grayson is given a gift - to seal away his emotions. No one has a good time. ✦ Peeking Through the Tunnel Beyond by sElkieNight60, dick & bruce & cast, read the tags, 2.4k      Or, Dick Grayson just can’t seem to free himself from his past. And this time, Bruce is there. ✦ soft clocks by dustorange, dick & bruce & damian & jason & tim & alfred & tiger & cast, 35.2k      Dick has amnesia during his time at Spyral. The family grapples with finding out he’s alive. Dick grapples with finding out he has a family. ✦ Never Say That by JackHawksmoor, bruce & dick & jason & damian & cast, 9.6k      "Calm down, I’m not aiming for anything vital,” Jason said irritably. Batman turned away from the man he’d just floored. “We agreed-” he began sharply. “I didn’t promise anything,” Jason snapped. He lifted his gun, muttering under his breath. “You ought to be grateful, it could be worse-” Or: the Bats have an extremely bad night in Gotham City BATFAM FIC RECS - SOMETIMES YOU JUST NEED TO TAKE ALL THE SERIOUSNESS OUT OF THE ROOM AND STAY SILLY FOR AWHILE: ✦ there but for the grace of god by TheResurrectionist, hal & dinah & ollie & flash & j'onn & bat-kids & young justice & justice league, 3.7k      A Justice League fic where everyone argues about who’s the most beautiful and intimidating sexy from the Big Three and everyone has valid points. ✦ The One With The Bat’s Son by Maximum_Quinn, bruce & dick & wally & hal & billy, 3.4k      “Batman has seven kids.” Wally blinked. “You’re shitting me.” “Not even a little, I just overheard him and Supes talking.” “Oh my god,” he breathed, staring at Hal incredulously. “You don’t think -?” Hal nodded, slowly and seriously. “Batman could be Captain Marvel’s dad.”

#lumi.txt #dc #batfam #bruce wayne #dick grayson #jason todd #tim drake #damian wayne #cassandra cain #stephanie brown #alfred pennyworth #conner kent #timkon #fic recs #batman fic recs #long post

[sixstepsaway]

so here's the thing

i've seen a bunch of people say on twitter and stuff how... ed's behavior is very abusive and his anger is dangerous and he isn't romantic lead material because of it

and i get where they're coming from

but to me the main issue isn't putting ed in the position of a romantic lead, but not crafting the narrative around his characterization so that it allows for a spicy romantic pirates-in-love narrative instead of...whatever this is.

i'm going to try and explain this. idk if i'll do well but i'll try

the way she show presents stede is as an innocent baby who isn't really equipped for pirate life. he goes into a fugue/disassociative state whenever there's any real violence, apparently, and needs protecting by other characters when things get too rough - for example when ed is telling ned lowe not to take the poker to stede.

that's fine! it's honestly adorable to see a masc character being so soft around the edges and being protected by other characters this way.

(i'm not going to touch on stede's... eh... not great characterization this season rn)

then there's izzy, who is shown as a bit violent, a bit rough around the edges. he's more likely to draw a sword or throw a punch or hit someone with a chair or take a punch like a champ. violence is just part of life for him and that's okay, it just Is, from small things like smacking stede on the ass to bigger things like being wall slammed, it's not all that big or bad for violence to happen around and with him, he tends to give as good as he gets (there's some nuance here but i'm talking the macro themes not the micro of what izzy does vs is done to him)

and finally there's ed

ed is presented as violent (stabbing knives at guys, telling fang to use the snail fork etc) and used to a life of violence, and then in season 2 he's presented as really violent, his anger coming out in dangerous and terrifying ways

and frankly, i'd be super into it if he and izzy were the main ship and that twisted dynamic from the first two episodes of s2 was explored and fleshed out into something deeper

friends to enemies to lovers who fight and fuck. angry pirates who lay hands on each other, who break the whole ship with each other in the heat of passion.

except instead, s2 gives us... abuse. it gives us izzy cringing and lowering his head and trying to protect the kids crew from ed's angry outbursts.

so when stede comes back and he's still soft around the edges and ed headbutts him and it's deliberate, it's... not a great look, and the vibes are a bit skewed

if stede fought back, if when ed struck out at him he struck back, if they fought rather than it being one-sided, if it was friends to enemies to lovers and not presented as healthy, but maybe they can work their way there, who knows, maybe even more like anne bonnie and mary read because hey, they were doing something very similar?

except they were both into it. they were both enjoying the fighting and the fucking and the burning down the house.

stede's not enjoying it.

i cannot describe how much i hate this sequence just because of the way stede flinches

anne and mary don't!! mary jumps at the unexpected bang but she doesnt flinch, she doesn't cover her face like she thinks the vase will be coming for her not the wall and anne? looks so into it

and the thing is that in real life, no, you don't want to date someone who throws shit around, or headbutts you

but in fiction when it's two fucked up people doing this shit together like anne and mary?

that can be fun.

but instead what we've been given is stede flinching and apologizing to ed and then all of ed's...what, semi-redemption???? is done away from the other collection of people he abused, and then he spends some time on a fishing boat wearing a dog collar and everything is fine because he's good now and won't be doing anything bad ever again

and it's just... poor writing. the vibes are rancid.

i spent a really big chunk of time between s1 and s2 defending ed. i kept saying how what he did to izzy by making him eat his toe wasn't abuse, it was a one-off and abuse isn't a one-off thing it's a pattern, and then s2 made it a pattern.

explicitly. explicitly a pattern.

not just one toe but three.

jim saying "you're in an unhealthy relationship with blackbeard"

and all ed offered izzy was a "sorry about your leg" which might've been fine if izzy survived and they could work on this more, but instead that's all the apology and closure izzy will ever get

ed threw a chair and a vase and made stede flinch in fear and stede was right to do that. what part of any of this implies this will never happen again? that stede won't press the wrong button at some point and be on the receiving end? none of it

and if we'd been presented with a s2 stede bonnet who could handle himself and stand up for himself and fight back, then maybe i could imagine that turning into a weird sexy fucked up anne/mary like thing and maybe that could be why they put that episode in, but instead it feels like that episode was going, "look, see, ed's violence is fine because these two are fine with it with each other"

but stede isn't

ed and izzy or ed and stede in an unhealthy battle of a relationship could be such a fun, interesting and downright sexy thing to watch unfold on tv, and could honestly end somewhere far more down the chill end of the spectrum, but that's not what we've been given here

i cannot argue that ed isn't an abuser anymore, and not just of izzy but of the whole crew. he terrified frenchie.

it's not good writing to try and lean into the idea that ed and the pirates are violent and live a life of violence, so it's okay that ed's been violent, while simultaneously presenting his violence as traumatic and abusive, and then less than three episodes later saying oh it's fine now, he's just a little meow meow who can do no wrong, see?

especially considering they had him murdering people at the end of the season. and sure, you can say the english are just cannon fodder and they dont 'count', but they did before. ed explicitly did not kill before, and that included the english, or the spanish, or anyone else. so either they count or they don't, but flipping him on a dime makes no sense.

ALSO

having ed be the son of an abusive man who threw plates at his mother and made her cringe and then having ed kill his father to protect his mother and then a season later having ed become the kind of man who throws chairs and vases and makes his love interest cringe is, again, not bloody optimal

i want to say again i dont CARE about tv always presenting healthy relationships or tv always giving us aspirational goals. i want messy fucked up dynamics and terrible people making terrible choices, and still, to this day, i fucking love ed teach. i would honestly love to have seen them continue with ed's darkness and bring stede into it and see where they went with that, to have stede kill ned lowe and not just bury his feelings in ed but get off on it, enjoy the violence, and see where that led, but no

and so instead all we end up with is a protagonist who is being set up for a lifetime of abuse from an intimate partner, and a romantic lead who abuses his love interests (and yes. izzy is a love interest, he is set up like one and positioned like one and treated like one), frightens his love interests with his violence, is erratic and most of all inconsistently written. he was so sorry about scaring fang as though he hadn't been deliberately terrifying the whole crew for fuck knows how long? what?!

the whole fandom has spent so long saying, "no no, i know stede bonnet irl was a slave owner, but ofmd is using the names and not any real piracy, it's more disney piracy, you know? so that kind of stuff doesnt exist!" and then they flipped around and went "blackbeard is blackbeard and so he is evil and does all these horrible things" and i dont know how to rationalize the two sides of that because it feels so out of place

i'm getting rambly, this isnt a particularly well constructed thought process, i just feel like we were robbed both of a toxic, violent relationship that could be fun to see explored on tv and a soft and sweet love story between two middle aged men exploring their first loves in one fell swoop and there's no way for s3 to bring either of those things back because they got utterly torpedoed by making ed a horrible person

ugh

#ofmd critical #i hate that i'm using this tag now :c #edward teach #ed teach #ofmd s2 #ofmd season 2 #our flag means death #ofmd spoilers #ofmd meta #i guess #izzy hands #stede bonnet

[ozzgin]

I just read the yan!bodyguard pt.3, and I love it so so much 💗💗💗 thank you for always feeding us well :3

now it got me thinking… maybe some fans started flirting with the bodyguard and got the reader jealous? how would the reader “punish” the bodyguard for such heinous crimes!?? collar him? make him walk on all fours? have fun with this, I really need more scenarios of the bodyguard getting all submissive for an idol!reader who’s annoyed. <3

-🫧 anon

I'm very glad the violent boy hasn't been forgotten, haha. It’s been a while since I last mentioned him.

One thing you have to keep in mind is that the bodyguard can be quite intimidating to everyone else. He might be a humble servant for Reader, but to the masses he's not just stoic and quiet, but downright rude and sometimes even aggressive. The fans that found his chivalry attractive will be swiftly put in their place. If I had to compare him to someone, I'd say he displays the same attitude as Jotaro.

So, a bunch of people flocking to him would be met with an angry, nonchalant shove and a barked threat such as "get the fuck out of my way before I bash your head in". He's not kidding. Which doesn't allow for much flirting opportunity, you know? Besides, you don’t need an excuse to order him around. Just say the words, and he will comply.

I do like the ideas you suggested, the imagery I always have when writing him is that of a mean, collared dog. Although a literal dog collar worn at all times in public might be a little too obvious. Personally, I'm a big fan of the Sid Vicious padlock necklace as a way to showcase ownership. Thus, I present you the doodle below. The little "S" stands for Sunny, a little extra lore from star anon. :D

#yandere bodyguard #yandere #yandere x reader #reader insert #yandere boyfriend #doodle

[redhoodinternaldialectical]

Every time I learn something new about Batman: War Games I lose my mind a little bit more cause just, just fuckin, look okay so here's the thing:

Stephanie Brown tries to implement a contingency plan of Bruce's just after he fires her from being Robin and because of that gets tortured to (almost) death and no one knows she survived.

THIS STORY RUNS IN THE NEWS:

So, you know, anyone who might be paying even half a fucking ounce of attention to news about ROBINS would definitely absolutely notice this!!!

And then very very soon afterwards Jason comes back and specifically targets Black Mask to ruin the criminal empire he tortured Stephanie to get

As a way to torment Bruce about the fact that he doesn't take care of the nastiest criminals and they continue killing people

And how Jason should have been the last to die

and SOMEHOW

these two things are in no way related and Jason has nothing to do with or say about Stephanie Brown, fellow Robin, fellow martyred soldier, fellow child dead due to Bruce related villains.

HOLY DEAD SIDEKICKS BATMAN, DO YOU COMPREHEND THE MAGNITUDE OF MISSED OPPORTUNITIES HERE????

please walk with me down a timeline in which:

Lost Days Jason at first just tries to go after the Joker and can't because who he's really mad at is Bruce.

Then he sees Who Really Killed Stephanie Brown and the utter horror of another Robin dying on Bruce's watch (not just dying, but tortured to death!) is what convinces him to try to straight up kill Bruce via car bomb

Roman Sionis is no longer merely a tool against Batman, but another figure to demand vengeance be brought upon, another attempt to give Bruce a chance to right his wrongs and do what needs to be done

The confrontation with him and the Joker being all the more tragic due to how obvious Bruce's answer would have to be once Jason knows Bruce isn't going to avenge Stephanie either

Does Jason, once he escapes the rubble after UtRH is over, kill Black Mask anyways? Does he decide to avenge her himself? Or does he think that she too would demand that of Bruce, and find his death by a different hand unsatisfactory?

If he doesn't kill Black Mask, then when Steph is back, I feel confident he approaches her, tries to reach out to the other dead Robin, almost certainly makes the offer now that he can ask her. Does she take him up on it, gaining an ally and slipping into a far darker role? Does she instead refuse, either appealing to forgiveness or far more interestingly refusing both vengeance and forgiveness? How would Jason handle a refusal, which I gut instinct feel is more likely?

If he does kill Black Mask, then when Steph is back Jason drops his corpse at her feet like a loving housecat with a dead lizard and she has to grapple with her feelings about having someone really and truly avenge her!!! Like how DO you react to someone who you have been warned is wildly dangerous and mentally unstable coming up to you and saying, "I'm glad you're back, like me. I'm sorry you're back, like me. I made sure you could rest knowing he was dead, because I know what it feels like."

Like no matter how each character reacted to this happening there would be so much high stakes emotional shit to explore with both of them!! Revenge I feel like is such a pivotal thing for both characters, they mirror each other in so so many ways, they could be really interesting together if DC would just fucking let them!!!

Jason had a criminal father who he missed and wanted to avenge. Stephanie had a criminal father who she wanted vengeance on.

Jason started off as a fairly gentle soul who progressively became more violent and more hopeless as he was exposed to genuine horrors during his time as Robin. Stephanie starts off violent, angry and rash and finds her own courage and hope through her time as a crime fighter despite of the horrors she's been through.

Jason went to Africa and died there after Bruce failed to save him. Stephanie was taken to Africa via a fake death in order to save her from Bruce and the vigilante lifestyle.

I just...

There's just...

There's SO MUCH HERE I am genuinely fucking confused as to how this is not all deliberate?? And it's all just left on the cutting room floor because for no reason apparent to me they all just decided Stephanie and Jason were not gonna interact!

AAGHHHH!

#jason todd #stephanie brown #dc comics #damian's tomfoolery

[diagonal-queen]

Omg you're backkkk<3 I hope uni's going well for you!

Maybe the Hunting Dogs with a s/o who's kind of mean/petty?

Hunting Dogs with a mean S/O

♡ pairing: Fukuchi Ouchi, Jouno Saigiku, Tecchou Suehiro, Teruko Okura (platonic), Tachihara Michizou x gn!Reader

♡ synopsis: How are the Hunting Dogs with a mean and petty S/O?

♡ cw: Swearing, u r a BULLY >:((, dw it's pretty chill though, non-graphic NSFW with Jouno, teensy bit of NSFW with Tachihara, mentions of violence, crime and torture

note: ahhh hello yes i'm back! uni's pretty great actually. i love being able to tell people i go to law school lmao, it makes me feel smarter than i am. uhh but i've been swamped and a bit busy, and i'm going back home for a week so i might not be super active over the next couple weeks, i'm so sorry my babies </3 but i'll still be lurking in case you wanna chat! as always, apologies for errors and i hope you enjoy x

Fukuchi:

Mf you think he cares?? He hired Jouno and Tachihara because they committed crimes, and he's more than happy to keep Teruko around. Bro doesn't give a FUCK that you're mean

If you're dating Fukuchi you clearly do give a shit about the welfare of society and world peace, so your individual quirks are just that. Quirks

He will fully let you just be a dickhead sometimes, because...like, why not?

I feel like Fukuchi is obviously often a very intimidating individual who strikes fear and commands respect from everyone else. But you? You just walk all over him

In some ways for him it's probably kind of refreshing to have someone around him who doesn't idolise him at all, or look up to him as a superior. It gets exhausting, for sure. Sometimes he just wants to be humbled and that's so okay Fukuchi, you deserve it actually /mean-spirited and condescending

Don't get me wrong it's not like you're an abusive partner! You're still obviously nice to your partner and you love him, but you definitely don't go out of your way to sugarcoat things or try to avoid any necessary confrontations

And Fukuchi genuinely really respects that about you. He's pretty similar like that, though still definitely goofier than you

I mean he won't want you sitting around with an RBF when he's at formal events and whatnot, because that really wouldn't have the best impression, but he's usually very gung ho about letting you be yourself

You're lucky he loves you man...lmao

Jouno:

He loves it. Full stop.

You two are just sadist central over here. Like he'll be torturing a suspect and you're just watching. Bored. Not a care in the world

(Jouno, I don't think you're legally allowed to invite your partner to watch you do your job- much less one like this, but...eh...)

You two are always just talking shit about people to each other, and like when you're out in public on dates you're just whispering to each other and judging people T-T

Lowkey kinda gets turned on when you guys argue. He thinks it's hot when you get heated and angry. Usually it ends in rough "passionate hugging", and the pillowtalk is when you both actually resolve the issue (dumbasses)

He might even purposefully rile you up sometimes because mf is just THAT much of a horny degenerate. You guys can call him classy and gentlemanly all you want, but we all know he's secretly deranged

Like an angry, horny goblin with a knife...someone stop him

Tbh you should probably bully him a little bit every now and then. I think he needs to be taken down a peg sometimes

Hey, he's more likely to listen to you than Tecchou, isn't he? Besides, it's nothing genuinely malicious. Just couple's banter

Oh, you guys are fucking LEGENDS at the couple's banter. Though you never do it in public, because a lot of the times the things you both tell each other as jokes can come off as really cruel jabs

Nah your senses of humour are just not family-friendly (violent and malicious)

You guys have very strange ways of showing your love and affection. But, hey, it works for you and that's what's important :)

Tecchou:

Ah yes, arguably the least meanie of all of the Hunting Dogs. Yeah uh he doesn't really like you at first

Tecchou doesn't understand being mean just for the sake of it. I mean like, for Teruko, she uses it in her career, and Jouno is sadistic and weird and also uses it in his career. You're just petty because you can be

But the more time you spend together the more he realises that you're really not that bad- you're really just more of the loveable asshole type

An acquired taste, yes, but this is Tecchou we're talking about! That's his thing!

He learns to appreciate the things about you that many others would probably consider flaws. He influences you for the better definitely...

...BUT you also kinda make him worse

He will adopt your 'deal with it bitch' attitude sometimes, but it doesn't hinder his relationships or work so it's fiiiiine

(Jouno isn't a huge fan of it though...but at the same time he kind of respects you)

Tecchou probably won't admit it but he really likes to listen to you rant and bitch about people you don't like. He just likes to listen to you be angry about trivial things, he finds it equal parts endearing and entertaining

If you're mean to someone who deserves it? Well I mean...who is he to stop you?

At the end of the day you're definitely emotionally self-sufficient, so that's one less part of you for him to fret over. All's well that ends well or some shit idk

Teruko (platonic):

You guys are literally the best of friends

She's the loud fiery kind of mean and you are the 'I will straight up meticulously ruin your life' kind of mean

You on some r/nuclearrevenge type shit and she fucking loves that for you

Like she's fully willing to plot and scheme with you and do whatever mean shit you suggest. You two are menaces and she should absolutely not be a military soldier

Teruko WILL smite your enemies. And by smite your enemies I mean she will actively do what she can to ruin the lives of people you don't like, with absolutely no remorse (pretty sure she actually commits crimes to do this)

She LIVES for your cruel one-liners and clever insults. Every time she hears one she absolutely hollers

Teruko enjoys it when you're mean to the other Hunting Dogs (except Fukuchi). They can handle a couple bitchy words so it's not a huge deal, but she's just extra amused by it

For the record you're not *mean* mean, you're just...humbling them (which let's be real they could use from time to time (Jouno, again, looking at you))

Nobody is surprised by your guys' friendship really

You're a dangerous pair. Please stop

Teruko kinda likes that you hold grudges so frequently because she'll never tire of hearing you shittalk the same exact people and events over and over again

She'll shittalk them too

Dia doesn't approve of this friendship

Tachihara:

You guys know that scene in B99 where Jake says that he can't decide if he's scared of Amy or turned on by her and then decides that he's both? Yea, that's Tachihara with you

He is a good person at heart, and outside of his mafia gangster persona he's really not that mean, and as such he does not encourage mean behaviour. But like, when you do it? Mm...

Bro is WHIPPED

Lowkey he probably gets some of his mafia persona ideas from you 💀

His mafia coworkers have no questions about how you two get along, and they generally like you. The other Hunting Dogs have a few more questions

Tachihara isn't some shy, quiet introvert, but he is generally pretty chill and a nice person. They like to playfully tease him about how different the two of you are (though if it gets too far he knows he can count on you to rip them a new one with no issue)

Dw they still like you though! Especially Teruko

He has absolutely no problems with you for being cold and blunt. It's nothing he himself can't handle, and in some ways it actually makes talking to you easier

Again, I'll stress that you're not mean to him, you're just not the most lovey-dovey person out there. But you DO put effort in and that's what Tachihara cares about, even if it isn't in a stereotypical way

If anything else, you're certainly loyal!

Tachihara loves you for all of your different eccentricities, and he's also kinda turned on by them. Win-win? Win-win.

taglist~ ♡ @gettinshiggywithit, @fyodorhatr, @flower-of-darkness, @bejeweledgirl, @kokoenjiandco, @pinkiipeachiikeen

#bsd #bungo stray dogs #bungou stray dogs #bsd fanfic #bsd fanfiction #bsd headcanons #bsd hcs #fanfiction #bsd fluff #headcanons #bungo stray dogs headcanons #bungo stray dogs fanfic #bsd x reader #gn reader #bsd x gn reader #bsd fukuchi #fukuchi ouchi #fukuchi x reader #bsd jouno #jouno saigiku #jouno x reader #bsd tecchou #tecchou suehiro #tecchou x reader #bsd teruko #teruko okura #bsd tachihara #tachihara michizou #tachihara x reader

[igotanidea]

Voices: Jason Todd x reader

Dreaming was good.

Dreaming was nothing less of a perfect when she could feel his warm body next to her. The strong, protective embrace of his arms wrapped around her.

Or even if they got into a fight and were angry at each other - it was calming knowing that Jason was right beside, just a touch away. Even if he flinched and scoffed at the gentle move of her fingers on his back or shoulders. sooner or later he always relented and they worked through whatever shit was going on.

Together.

But dreaming was not always good.

Not when she woke up in the middle of the night, brutally torn from the very vivid and very real nightmare of Jason's dead, lifeless body in her arms. His blood on her hands and face. His empty, cold eyes. His emotionless face.

NO!!

The jolt was so sudden that even her cat, sleeping peacefully in the foot of the bed run away form her, leaving poor girl completly alone.

alone.

Going to bed alone. Every night.

Waking up alone. Every morning.

Deprived of his touch, his kisses, his love and affection.

Any affection.

And maybe she was acting like a whiny baby, but she needed him with her. Not out there. Not fighting crime lords or whatever villain might have shown his face at Gotham.

3 am....

Please come back home....

4 am,

5 am.....

Was he injured? Was he bleeding, hurt, scared? Maybe he took off running? Maybe he got back together with one of his exes? Artemis? Kori? Rose?

Maybe she wasn;t good enough for him? Maybe he realised he actually wanted some badass vigilante chick with toned muscles, sharp tongue, fiery attitude? Maybe he wanted someone hot?

She wasn't hot.

She was a wimp, shuddering in the cold, empy bed desperately craving her boyfriend presence. Be it bruised or in bad mood, but please --

Please come home.

I'll be better, I'll do better, I'll improve.

I'll be what you want me to be, just please don't leave me.

So far from what a modern woman should be, right? Codependent, fragile, weak, vulnerable, pathetic.

Or maybe just in love with a vigilante.

How did it happen that she got from worrying about him to questioning her whole lonely exsistence in 10 minutes?

He doesn;t want you.

You're ugly.

You're fat.

You're unnatractive.

You really thought he would stay with you? did you already imagine the real-life play-pretend with him? White dress? Picket white fence? Familiy?

You stupid little girl.

He doesn;t want you, he never wanted you, he won't ever want you.

"SHUT UP!!!" she cried out in frustration, tears rolling down her face as her demons started to prey on her like on a Goya painting "Shut up! shut up! shut up!" she shook violently.

"Are you talking to me now?" a familiar voice and the sound of discarded red helmet echoed in her head "Damn Y/N! If there's anything you learned during those years it's definitely developing a good hearing-- Baby?" Jason became alarmed the second he took in her state. "Baby? Y/N? What happened? WHO HURT YOU?!"

It was impossible for Jason to keep his cool when he saw her crying. The first thought popping into his head being someone did something to her. Someone caused this. And the fact that it was 5 a.m. and most people were sleeping and that there was no one but them in their apartment slipped his mind, clouded by the incoming wave of rage

"Give me the name baby.' he took a few step forwards, kneeling on the floor next to bed and cupping her chin forcing her eyes on him "tell me who did this to you."

"You did!" she sobbed

"I--" holy fuck! In his blinding fury and the sudden need for revenge he didn't realise she could be sheding those crocodlie tears because of him.

"Why are you leaving me?" she sobbed

"Why am I --?" Y/N was not making any sense right now "I'm not--"

"Liar!" the girl yelled with surprising strength given her fragile state "You think she's hot, don't you?"

"Who?"

"Your ex!"

"My ex? Y/N, princess, why don't you calm down and--"

"I AM COMPLETLY CALM!" now Jason was almost sure that the neighbours were already up, ready to impale them both on pitchforks and uncovering his secret identity.

"Ok, ok, baby..." he raised his hands in surrender, observing her every move and slightest change in face expression.

This was new. This was something he wasn;t entirely sure of how to proceed with. Out of all the opponents he had to fight never in his mind would he thought that his girlfiriend would be the most challenging.

Was this an attack of hysteria? A panic attack? An anxiety fit?

Jason was way too familiar with all that.

What if it was him? What would she do if he woke up in the middle of the night, jittery for no particular reason? What could possibly be helpful?

And then it dawned on him.

And it all happened at once.

Bed dipping, his weight on her, his hands on her body, his breath on her face and the all-encompasing smell of blood, gunpowder and cigatettes.

Soft caress of her hair.

Gentle peck on her nose.

Developing too fast to give her any time to object, not that she wanted to.

"I got you." he whispered pulling her closer to his chest, not caring about the bruise that was already forming on his right side and that cut on his forearm. She was more important now. "I got you, baby, I got you..." he kissd her forehead warming and calming her by the mass of muscles and bythe rapid but steady beating of his heart.

she was still shaking but the firm yet gentle grip on her refused to let go untill it all subsided. Steading her, anchoring her in reality. Helping her realise that whatever her traitorous mind suggested had nothing to do with actuallity. Even if it took days, weeks, years, Jason was not going to move, keeping her pinned to his chest until being full certain she was back to him, having her full attention.

"Do you think I'm ugly....?" she muttered causing him to laugh, the movement of his body causing vibrations.

"I think you should get some proper rest. Otherwise the next thing you're going to ask me is going to be that "if i was a worm..." question."

"Bbut if I was a worm would you--?"

"Hush, woman!" he cut her off with the cheesiest smile "I had a rough night and need to sleep. Which means you are stuck with me for as long as I please."

"are you--?"

"I said, hush woman." he tightened the hold on her, preventing her from squirming and moving too far. "you're my body pillow now, accept your fate."

"are you hurt?" she whispered

"I'm perfect." he whispered back, closing his eyes and drifting off to sleep.

Making all the hateful voices in her head shut up. Bringing in the silence and peace.

But the talk he was going to give her in the morning would be a capital letter one.

Ugly.

Huh. She had no idea what measures he was going to resort to proving her wrong...

#jason todd x reader #red hood x reader #jason todd x you #red hood x you #jason todd x y/n #red hood x y/n #jason todd fluff #red hood fluff

[sunshine-jesse]

The Incest End is Not The Bad End, Part 2: The Sane Ending Is Still A Bad Ending

In the first essay I wanted to deconstruct the idea that Ashley was the sole perpetrator of abuse. I wanted to take a look at how unhealthy their dynamic actually was and lay out clear indications that Ashley could, at the very least, fix her own problems, and wasn't a lost cause. I also wanted to show that them ending up together, be it romantically, in death, or even platonically (although I'm not convinced the Sane Burial ending can lead to that) was inevitable.

Here, however, I want to make a more difficult argument: That their relationship turning romantic is not just Not That Bad, but actually Good, at least in the context of what's best for the two of them in the long run. And to do that, I'm going to draw comparisons to the common narrative that it's the bad ending, again. I think it's the easiest way to explain my points, even though it might make me seem like I'm being contrarian or playing the Devil's Advocate.

But I'm not. I actually do think this is the only way they can heal. Why?

WELL.

My biggest driving factor for this belief is and always has been the difference in tone between the two endings. The 'correct' ending under conventional understandings of morality and relationships would be one where he breaks away from Ashley, but the only ending in which that's shown to be possible is the Decay ending. In the ending where Ashley has bullets in the gun (and therefore has control over the situation), she has to yield control over the situation to Andrew, and (going off the reading I established in the last essay) he understands and accepts just how much their dynamic means to him and how important Ashley really is to him.

In a sense, he self-actualizes in the same way he does in the Burial ending: Ashley yields control where it matters the most in both, resulting in him he fully understanding and accepting himself and what he wants, because Ashley's controlling nature no longer prevents him from seeing the truth. Ashley no longer casts a shadow that allows him to be blind to his true nature- his true desires.

In the Burial ending, he wants her either romantically and sexually (in the questionable ending) or as a friend (in the sane one). He lets go of his own need to control her, and accepts the fact that he was never better than her to begin with. In the Gun!Decay ending, he wants her dead. The damage has been done. Whatever final line was crossed made him realize that he can't control Ashley, and a world in which she cannot be controlled is one better off without her.

But in both, he can't live without her.

The tone of the Decay ending is tense. It's dismal. It's emotionally ravaging. Andrew is not acting like someone who wants to break free, he's acting like someone who has given up. He's angry and he's suicidal, but he no longer has any reservations about making intimate physical contact with Ashley.

…and Ashley looks terrified and sad, especially in the last screenshot, which gives off some seriously dark implications about what Andrew might do to her in the Decay route.

He's given up on healing. He's given up on being normal. His heart and his mind both Decay as he's dragged along by an Ashley who's doing whatever she can to try to not allow a murder-suicide to happen and only making it worse in the process, because SHE has no foundation through which to improve or change her perspective on the world, either (more on that below).

In the NoGun!Decay ending, we don't know what he does after. He fails to self-actualize because Ashley never yields that need for control, and he follows the same pattern he always does of resorting to violence the moment he thinks he's losing control. I highly doubt that the ending would be much different- he'd probably just mirror Ashley's reaction of violently kicking the body at first, but he probably wouldn't last long after. Both, in an attempt to regain control or save their own lives, feel temporary relief at the death of the other, because they no longer feel trapped and afraid of what will happen if they leave.

But they also both fail to come into their own as people. Their dynamic- of Ashley being the morally bankrupt one willing to do anything to further their own survival, and Andrew being the one who's careful and calculating and preventing her short-sightedness from causing unintentional consequences- was the only thing that allowed them to survive in the first chapter, and more than likely the second (we don't see the consequences of them not having the trinket's power in ep2 so it's impossible to say for sure). If they don't kill themselves after losing the other and failing to self-actualize, it's almost certain that the world will eat them alive. They're outlaws, on the run, and have nobody to lean on but themselves. Without each other to lean on, it's only a matter of time until they fall.

So. The Decay ending is very obviously bad. There is no freedom to be had from them breaking away from the other; only despair and death. There's catharsis to be had in miserable people meeting a miserable end, sure, but the story goes out of its way to show us that the path to that end will be miserable and unfun and horrifying with the only joy to be derived from it coming from pure schadenfreude. But the story itself makes it clear that this is not intended to be a happy ending and thinking of it as such means you're fundamentally incompatible with what it's trying to convey. It's just a horrifying tragedy of two people who never gave each other what they needed to heal and tore down everything around them in the process.

So, how is the Burial ending better?

The lighter tone is immediately obvious. Ashley trusts Andrew to believe in her, and Andrew goes up to bat for Ashley even in the face of an arguably superficial offer to improve his life; to start it anew. The two just generally have a good time together afterwards, joking around, having fun, and ribbing on each other in a way that comes off as playful rather than hurtful. Andrew, finally, makes progress towards -healing,- because he finally stopped lying to himself about how important Ashley is to him. Why do I think it's a sign of healing, exactly?

Because Andrew, for the first time in the story, is comfortable with what he's doing.

He's comfortable with dismembering their parents. He's rarely tense, hesitates much less, and comforts Ashley instead of just seeking comfort from her. He gives more than just temporary emotional validation; a lot more. So much more, in fact, that it makes ASHLEY uncomfortable. She has difficulty processing not having their push and pull dynamic. She thinks something is off, something is wrong, because she's never seen Andrew so comfortable around her before, or at least lacking reservations in showing that comfort.

She still thinks about the idea of controlling him, of trying to get him to stay. There's internal monologue about it. But that's the difference. Before, we rarely see any internal monologue of her thought patterns- she just acts. Not thinks. But here, she's unsure. Here, she has to look inward. She has to self-reflect. She still frames it as her trying to keep Andy around, but Andrew is making it obvious in both words and actions that he will always be there for her, and he's so COMFORTABLE about it.

Regardless of what her actions in episode 3 end up being, it's still clear to me that the foundation for her to heal is there. She's safe, because she has a warm, comfortable place to return to while she figures herself out.

"So," you might be asking, "doesn't this imply that she'll heal no matter what? Doesn't that make incest technically unnecessary?"

Yes and no. Yes, in the fact that we still see a marked improvement in their dynamic in the Refusal path.

No, in that the Sane ending's tone is still much different.

After the dream sequence, Andrew reveals that he never fell asleep. He never sees that vision. He still self-actualizes to some degree, probably, but he never has his desires laid so bare for him because he doesn't dream. But you have to place sunlight on the left side to see this, so it still leads me to believe that they still grasp the importance of their relationship in that ending. It's just that…

I don't think that they ever, truly heal. I think that they just grow distant. I'll elaborate on what I think that means later down the line.

In the Sane ending, they have much less fun with each other. They don't playfully rib on each other as much- the eulogy in particular seems more spiteful than playful- and they're much less physically affectionate towards each other. It's not dismal. It's not dark or depressing. It's not tense. It's just… there. It's boring. Nothing has changed, and neither has Andrew, which Ashley views him not sleeping as a sign of.

But in the Questionable ending, he -does- sleep.

So what does sleep mean here? It means he can't sleep if he feels he's missing something. It means something is lacking in his life. Something is missing. Is it Ashley's affection? Well, yes, but also not just that. Ashley is just a representation of what he needs: Comfort. Someone to rely on. Someone he know won't leave him. I believe they have the same needs, and those needs just manifest differently. Andrew never had to worry about Ashley leaving him because Ashley was so obsessive that she managed to fill in the all-consuming void that mental illness creates.

But I think in the Sane ending, he starts to doubt that. In the Sane ending, he starts to shake his desire for Ashley. Which is great, right? It means they can finally go down a more conventional, safe path and have a relationship that's societally acceptable. The safe, boring ending that normies would enjoy.

But the fact that he doesn't sleep means that, even if he shakes that desire, he can't shake the need for what she provides.

Because he never sees the vision, he never gets that confirmation that he can pursue a more physically affectionate relationship with Ashley, and given that physical affection is a huge part of the equation for making him feel comfortable and happy (see: the couch scene, where he's the happiest he is in the whole game before the Burial route), he never truly believes he can seek it from her. He never gets it from the one person he trusts to always be around. He never gets that final affirmation that it's okay to be with the one person who has always mattered to him the most, and always will.

If we're to take the scenes at the end of episode 2 as metaphors for what will happen- or has to happen- for the siblings to get the best outcome for their well being (even at the expense of others), then the Questionable route involves Ashley loosening her grip on Andrew and having him naturally fill in the roles she wanted him to all along. But in the Sane route, Ashley bottles up every soul see shes, aside from what's commonly assumed to be Andrew's, who she is uncharacteristically cavalier about letting go.

She's still the same. She still wants to entrap people, and never let them go. She just happens to no longer want to do it to Andrew. She never fundamentally changes. And Andrew?

His soul has nothing to say. It's pitch black. It almost looks demonic, having literally the same color scheme as the Entity and Lord Unknown. If it's already demonic, then it stands to reason that a demon wouldn't want it, because it's just more of the same. Nothing special, nothing they would want, nothing that would be useful to them. In other words… just like Ashley?

He has- or will have- a tar soul.

And what does tar do?

It sticks.

It's the Sane path to take because it involves them conforming to societal expectations. It involves them fitting in, acting as they should, and doing what's expected of them without much fuss. But in the world they're in, they're expected to harm everyone around them. To kill or be killed, eat or be eaten. To never become themselves, and never be truly happy. To never ask questions.

And they'll do all of that, whether they stick together or not. The only difference is how many people they stand to hurt, and whether they're truly happy at the end of it all.

There's a reason the souls of one of the parents- commonly thought to be Mrs. Graves- was unhatched. She probably wanted to love her children. Even Ashley. She just never did, because the world never let her be herself. She never became whole, because it would've resulted in her being too dark to fit into society. But the siblings have a chance to do so. They have a chance to truly focus on each other so they can heal and become better, happier, more complete people in a world that's doing everything it can to incentivize otherwise.

It's just a bit unfortunate for some that Andrew has to fill a hole to become whole.

#the coffin of andy and leyley #andrew graves #ashley graves #coffincest #i am absolutely doubling down on this #nay #quadrupling down

[justmenoworries]

some unorganized thoughts about Vox and Valentino Hazbin Hotel

Spoilers For Hazbin Hotel episode 2

TW: Discussions and depictions of abusive relationships, sexual assault, extortion and financial abuse

So going by the promo material shown to us, a lot of fans seem to think that Vivzie has changed course on VoxVal and that it's going to be a much more healthy relationship than previously implied.

Not gonna lie, that disappoints me.

Because depicting an abusive romantic relationship with an imperfect and unexpected victim would have been extremely interesting. We already know Valentino is a piece of shit who doesn't care about anything but himself and profit.

The "Addict" music video and the prequel comic "Dirty Healings" make that very clear.

Valentino regularly assaults Angel, keeps Angel's earnings for himself and tries to keep Angel in the studio as long as possible, even getting angry when Angel goes out by himself. Even if it's to get money for Val.

And for all of his faults, it's very easy for the viewer to feel sympathy for Angel. Angel is a likable character who's been shown to have a much kinder side to him via his friendship with Cherry and him trying to comfort Charlie in the pilot after her pitch for the Happy Hotel flops.

Vox though?

Vox is slated to be a main antagonist. He's a fellow Overlord of Hell. Someone for whom it'd be much harder to believe that he'd let anyone treat him like Valentino treats Angel.

And yet...

To be fair, this artwork is from the in-character Instagram accounts, which were already confirmed as non-canonical. (The accounts themselves are sadly archived now due to some really messed up stuff that happened with the Octavia and Stolas accounts.)

Still, depicting Vox as one of Valentino's victims would have been pretty intriguing. It shows that this kind of thing can happen to anyone, no matter the gender or financial or social situation. It would also acknowledge that just because someone is a victim of abuse doesn't mean they're pure, innocent or weak. And that no matter the circumstances, no one deserves to be treated like Valentino treats Vox and Angel.

I'm honestly hoping that this aspect of the VoxVal relationship isn't entirely gone and I kinda think it isn't.

In episode 2 we see right off the bat that Vox doesn't really like Valentino. And it's easy to see why.

Valentino is a spoiled angry manchild with no self control. He needs Velvette and Vox to reign him in, otherwise he's going to do stupid shit like waltz up to the princess of Hell's doorstep with a gun in hand. Because he can't handle the idea that one of his employees is living somewhere he didn't approve.

If Vox hadn't stopped him and talked him out of it, Val would have gotten the VVVs into some serious shit. His violent streaks can also not be talked down completely, they need to be satisfied somehow. Vox needs to offer Val the lowest earners to shoot at and work out his aggression on or Val's going to continue to go on a rampage and most likely tear apart more of Velvette's models.

Speaking frankly, Valentino seems way more trouble than he's worth. Vox and Velvette appear to be doing all the work in their shared empire while Val just throws tantrums and forces them to go out of their way to calm him down.

So if that's the case, why do the other Vs puts up with Val?

In Alastor's and Vox' duet in episode 2, Alastor has this very interesting thing to say about Vox and his relationship to Valentino and Velvette:

"Is Vox as strong as he purports? Or is it based on his support? He'd be powerless without the other Vs."

What's also interesting is Val's and Velvette's reaction to it.

They're smiling. Like they agree.

Alastor also reveals that Vox was trying to get Alastor to join the Vs. Alastor declined.

Vox of course tries to deny all of that, but in the process gets so worked up he short-circuits himself and causes a city-wide blackout.

If Alastor is telling the truth here (and we don't really have a reason to believe he isn't), that puts everything in a whole new light.

Vox is he brains of the operation but is he also the only thing that's keeping it together? Val and Velvette don't really get along (Velvette insults Val behind his back, Val rips apart her models when he's angry) and both don't seem to respect Vox that much. Velvette lets him deal with Val's bad moods, Val doesn't hesitate to throw stuff at Vox when he's pissed (the fact that Vox nonchalantly dodges the glass Valentino throws at him implies this is not the first time). They both have a look of disdain on their faces when Vox hugs them during "Status Quo".

So why does Vox go to all this trouble to keep these two assholes in line if he doesn't really care for them and they in turn have no love for him?

Maybe for business reasons, but Vox already has a giant multi-media empire, right? So again, what does he need the other Vs for?

I think it has to do with Vox's need to be admired and liked and at the top.

See, another thing this episode tells us about Vox is that he's deeply, deeply, insecure.

He has a dozen different programs where he changes his outfits, approach and demeanor to cater to every single sinner possible, he throws out new business ideas on the fly so he'll always be the newest trend everyone follows. If something (or someone) comes up that cracks his cool confident businessman facade even a little he can't handle it and literally breaks down.

Really, Alastor puts it best:

"Is Vox insecure? Pursuing allure? Between this fad and that, is nothing working? Every day he's got a new format."

So Vox doesn't just want to be powerful and popular, he wants to be the most powerful and the most popular and his shows alone aren't going to cut it for that.

That's why he needs Velvette and Valentino. They provide the content that draws the viewers Vox so desperately craves. Without them he'd be all on his own, might lose large chunks of his viewership. And that's something I think Vox is deeply afraid of.

So no matter how little he might actually like them, regardless how shitty Valentino treats him, Vox needs these two. In his view at least, he can't afford to lose them.

#hazbin hotel #voxval #staticmoth #hazbin vox #hazbin valentino #tw rape mention #tw abuse #tw rape #hazbin hotel theory

[suffersinfandom]

Alright, I’m gonna talk about Ed and abuse.

“Why, V? Why are you spending your precious time on Earth typing about some dumb fandom stuff when you could be doing literally anything else?”

In short, seeing all of these “Ed is an abuser who’s inevitably going to hurt Stede” takes have been driving me absolutely bonkers since I first noticed them. They’re not going away, so I’m going to bang out an essay. 

In less-short: it’s because abuse is a serious thing and, as someone who’s experienced it, I get a little feisty when it becomes a topic of discourse in my silly pirate fandom. It’s because it’s upsetting to read meta after meta accusing an indigenous man of being an abuser. It’s because a lot of the abuse discourse in the fandom fails to separate real-life abuse from violence in a show. It’s because the vast majority of the abuse talk only acknowledges physical abuse which, while terrible, is not the only kind that hurts people and utterly destroys their lives. 

It’s because calling Ed abusive or insisting that he’s a future abuser can harm people who are like him -- people who have suffered abuse or get angry sometimes or have hurt people when they were hurt. Victims of abuse, especially those who dealt with it in childhood, often fear becoming abusers themselves. They bottle up their anger for fear of hurting someone. They hurt themselves in a misguided attempt to protect others. They don’t need to see fandom meta that enforces their fears.

And it’s because, frankly, I am unemployed and I promise I’ll stop if you give me a transcription or copyediting job, please and thank you.

Before I get into it…

I may as well come clean and say that I’m on team Ed absolutely isn’t abusive and it’s weird that people are getting that from a show that’s full of violence. 

Plenty has been typed in Ed’s defense by POC in the fandom, so I’m not going to go into how deeply unfortunate it would be to make an indigenous main character an abuser. I’m just going to say that, when you consider OFMD’s genre and attitude towards violence, it seems clear to me that you can’t call Ed abusive without calling out other characters (unless you have some kind of bias against Ed). His actions are deplorable in the real world, a bit much in OFMD’s world, deeply unhealthy, not okay by any means, and shitty and traumatizing for his crew, but they aren’t abusive.

I’m going to try to keep things polite and respectful. I’m also going to try to stick close to what the text is trying to say; I truly do want to present an honest, earnest analysis of something that I love. 

The arguments in favor of Ed as an abuser.

We can’t defend an idea without knowing what we’re arguing against (with brief counterpoints that I hope to expand on later). For this section (lol, sections, that feels pretentious and weird and I’m sorry), I’ll be lightly rephrasing things and omitting sources.

“Ed has anger management issues that disqualify him from being a romantic lead.”

Counterpoint: Ed does not have anger management issues. (Even if he did, I can think of a few very successful franchises with shitty and violent romantic leads. Ew.) He gets angry sometimes, as we all do.

“I defended Ed making Izzy eat his toe because that was a single instance and abuse is a pattern. Season two made it an explicit pattern.”

Counterpoint: First, feeding people their toes isn’t a biggie in this universe. Second, Ed fed Izzy that initial toe because he stepped out of line and demanded Blackbeard; it’s likely that additional toes were the victims of Izzy not being obedient. (I’m not saying this is right or that it’s cool to feed people body parts when they disobey, btw. I hope that doesn’t need to be said.)

“The first two episodes of season two set up the cycle of abuse so well, but the show never follows through. It doesn’t even acknowledge that it set up that storyline. If they’d wanted to end the season on a happy note without spending a lot of time fixing Ed’s relationship with the crew, they could have just made Ed’s behavior in the first two episodes less dark and abusive.”

Counterpoint: Ed’s behavior in the first two episodes isn’t abusive. It’s a bit over the top and it hurts people, yeah, but Ed’s definitely not following in his abusive father’s footsteps and systematically abusing his crew.

“Season two gives us straight up abuse. It gives us Stede, still soft around the edges, being deliberately headbutted during their reunion.”

Counterpoint: There is no abuse between Ed and Stede. The headbutt was not a case of a violent person intentionally hitting their passive partner; it was a confused, unwell, and nonverbal man reacting to the presence of someone who hurt him. Also? Stede has no problem setting boundaries or speaking out. Good for him!

“As bad as the season finale was, I’m glad the crew’s safe from Ed. Now that Izzy isn’t there to protect them, any little trigger could set Ed off and lead to him hurting them. Stede, though… Stede’s stuck with Ed and the corpse of Ed’s last victim, and it’s only a matter of time before Ed destroys him too.”

Counterpoint: This take is so far removed from the text of the show that I don’t know how to address it quickly, but here we go: Ed is not a threat to the crew after episode two, Izzy did not protect the crew from Ed’s moods, Ed does not have a hair-trigger temper, Izzy is not Ed’s victim, and -- vitally -- Stede is in absolutely no danger. Ed is not destined to be an abusive partner in season three.

And an overriding counterpoint to everything is this: Our Flag Means Death is a comedy with tons of over-the-top violence. If your theory is unrelentingly grim or looks at violence and its consequences in a real-world light, consider stepping back and remembering what genre the events of the show are happening in. If you think that only the violence committed by the indigenous lead is abuse, look at the actions of the other characters and ask yourself why Ed doesn’t get the same grace you’ve granted the others.

With that quick and dirty rundown of the arguments I’ve seen, let’s move on to the next important step in building an argument: definitions.

What is abuse in the real world?

In the real world, abuse is extremely serious and not something to be taken lightly. But what is abuse? We can’t say much about it in any world without knowing what it is in ours, so here’s a simple explanation:

Abuse “includes [a pattern of] behaviors that physically harm, intimidate, manipulate, or control a partner or otherwise force them to behave in ways they don’t want to. This can happen through physical violence, threats, emotional abuse, or financial control.” (1)

“Emotional abuse includes non-physical behaviors that are meant to control, isolate, or frighten someone. These behaviors are often more subtle and hard to identify but are just as serious as other types of abuse.” (2)

It’s important to emphasize that not all purposeful harm to another person, physical or otherwise, is abuse. “What abuse really means is control. When a truly abusive situation exists, it’s because one party is seeking to control the other through abuse.” (2)

To summarize, abuse is a pattern of behavior that involves one person intentionally harming another. That harm is meant to control, and it can take on more forms than just physical. 

That said, I’m mostly concerned with physical abuse here, as that’s the only kind that I’ve ever seen discussed in relation to Ed. Going into mental and emotional abuse will involve talking more about a specific non-Ed character and I don’t want to go there. Possibly ever.

In our world, all abuse is terrible. Vitally, our world -- and this is very important, so underline it twice if you’re taking notes -- does not operate by the rules of a pirate rom-com.

Okay, so what is abuse in the silly pirate world of Our Flag Means Death?

First, we have to understand what the show is. @piratecaptainscaptainpirates lays it out nicely:

“1. This is a rom-com.The central romance between Ed and Stede and comedy are therefore the two most core parts of the show, with Ed and Stede's romance taking priority over everything else. That's not to say OFMD doesn't have dark themes, it absolutely does; it's to say that comedy is always important to how the show is written, acted, and filmed.

“2. This is not a subtle show. That's not to say it's a simple one [...]. It's amazingly layered and emotional responses by characters are often extremely complex. However, when the show is trying to tell you something, it's not subtle and it never tries to hide it.” (3)

Did you jot that down? Our Flag Means Death is a romantic comedy with one core romantic couple, Ed and Stede, whose story takes priority over everything else. It can be dark, it can be serious, but it is, at its core, a comedy, and not a subtle one at that.

Some things are just funny and that’s it.

As a rule, the most obvious reading is going to be the one to go with. The show’s meanings aren’t hidden under layers of red herrings and subtext; if you’re compelled to bring out the conspiracy corkboard, you’re probably in too deep.

But this isn’t just a rom-com: it’s a pirate rom-com, and that comes with gratuitous violence. Here’s a short, fun list of examples of things that we can consider canon-typical pirate violence:

Tying hostages to the mast and letting them cook a bit

Wanton murder during a raid (“Note the gusto!”)

Pirate A threatening his crush at gunpoint until Pirate B gutstabs him

Whippies and yardies

Cutting off toes and feeding them to people “for a laugh”

Pirates who are madly in love stabbing and poisoning each other

Literally any violence directed at a racist (this violence is, in fact, good and encouraged)

There’s also the pirate-typical killing of other pirates. Duels don’t seem entirely unusual, and Izzy outright tries to get Stede killed at several points in season one. When Chauncey Badminton and the English navy show up after being summoned by Izzy, Stede’s life isn’t the only one on the line; the rest of the crew is also put in potentially life-threatening danger. Izzy is forgiven, so I think it’s safe to say that attempted murder is the kind of thing that pirates typically move on from. Eventually. If the attempted murderer is pathetic enough.

In short, Our Flag Means Death has a lot of violence, and very few instances of violence (looking at you, Hornigold) are treated as anything other than socially acceptable. But do you know what’s really important in the show?

Feelings.

The way characters feel as a result of something is given an immense amount of weight. All of the show’s subtleties are in the realms of the mental and the emotional, and that’s where the real pain is too. 

Nigel Badminton’s death was bad because it was emotionally and mentally devastating for Stede. Ed’s father’s murder was bad because it hurt him and forced him to create a monstrous alter ego to cope. Both of those men -- Nigel and Father Teach -- are totally acceptable casualties; their deaths would be net positives if they hadn’t had such strong impacts on our leads.

Feelings are everything in Our Flag Means Death, and the feelings of our leads are the heart of the show. That’s where the story is; that’s where the complexity and ambiguity is. 

So what is abuse in this context? The casual treatment of physical violence and the seriousness of emotional distress tell us to adjust our own moral judgments accordingly. Physical violence is everyday, straightforward, and often comedic; emotional violence is devastating and complicated. Physical violence is cartoonish and, half the time, part of a punchline. Emotional violence is real and raw and not a joking matter. Attempted murder can be shrugged off; ditching your boyfriend after experiencing a traumatic event is more complicated.

When we ask ourselves if something in OFMD is abuse, we have to consider the act in the context of a rom-com that’s all about the feelings of two guys, set against the violent backdrop of piracy, and absolutely packed with people getting maimed and murdered in casual, comedic ways. 

Awesome! Now we’re a little clearer about definitions and genre and how we should adjust our expectations! Unfortunately, we haven’t jumped into the real meat of whatever the hell this essay is…

Is Ed abusive in the context of the show?

No.

Aaaand we’re done!

Joking, joking. Obviously I’m going to pick out the examples of “abuse” that people cite and discuss each one, but first: we need to talk about Ed, violence, and anger. 

Ed is not a violent person. He’s not full of rage that’s threatening to erupt at all times, and he’s not some kind of sadist that revels in hurting people. The violence of Blackbeard is a fuckery: the theater of fear, an illusion of cruelty calculated to terrify enemies into surrendering. 

Ed has his whole thing with murder that's rooted in childhood trauma. Killing his (canonically, decidedly) abusive father to protect his mother scars him so badly that he distances himself from the situation -- blames Father Teach’s death on the Kraken -- and can’t bring himself to directly kill anyone else after that. Blackbeard orders murders and causes deaths and maims and maintains his image as a bloodthirsty murderer, but Ed doesn’t do “the big job” himself until the end of season two. When Stede’s life is in the balance, Ed can kill to protect him. 

Edward Teach kills only to protect.

But that’s killing, and we’re talking about general violence. Ed is casual about the day-to-day violence of piracy. He participates in it, incites it, and doesn’t feel bad about it. No one does! It’s part of the job! 

That leaves us with the "anger problem." Ed is frequently characterized as an angry person who lashes out when enraged, and I don’t think that canon at all supports this interpretation. Ed gets mad, yes, but his anger is always at least understandable. It isn’t a constant, simmering thing that turns him into an abusive monster when he’s triggered. He doesn't always deal with his anger (or any of his other feelings) in a good and constructive way because both of our leads lack emotional maturity, but I think it's a mistake to characterize him as an angry person.

Hopefully I can elaborate on this idea -- the idea that Ed is only violent and angry in a normal and canon-appropriate way, and anger is by no means one of his defining characteristics -- by doing a run-down of all of the times Ed is accused of being abusive or showing signs of being an abuser.

Sooooo...

Ed loses his shit on a falling snake during his nature adventure with Stede (S1E7). In this scene, he’s embarrassed about the whole treasure hunt thing and annoyed by the very existence of nature. He is not relaxed. When nature takes him by surprise by falling on him, he stabs the crap out of it in a scene that is played for comedy. There’s the important part: this is comedy. Ed is grumpy and his childish tantrum is harmless and silly. It isn’t a red flag. Overreacting while irritated isn’t an indicator that someone will be abusive.

Ed punches Izzy after the English have taken the Revenge, captured Stede, and turned Ed over to Izzy (S1E9). Honestly, I think the fact that Ed lets Izzy talk before punching him demonstrates a great deal of restraint on his part! This is justified anger and fear for Stede’s life. This also isn’t some sign that Ed hits Izzy on the regular.

In his post-pillow fort era, Ed is cleaning up his cabin when that one highly contentious Izzy scene happens (S1E10). Izzy insults Ed, tells him that he’d be better off dead than as he currently is, and says that he serves only Blackbeard (Ed better watch his fucking step). Ed reacts by grabbing Izzy by the throat and telling him to choose his next words carefully. This, in my opinion, is a valid way for a pirate captain to react to insubordination. At the very least, it doesn't tell us that Ed is Izzy's abuser; there's no indication that this isn't a one-off provocation and reaction.

Which takes us to The Toe Scene.

In real life, it would be extremely fucked up for a boss to remove an employee’s toe and make him eat it. OFMD is not real life. One episode earlier, Ed was talking about the life he was glad to leave behind -- the life where The Toe Thing was done “for a laugh.” Not as punishment, but for fun. It’s set up as something that’s gross (“yuck”), not a grave punishment. When Ed feeds Izzy his toe, he gives Izzy what be asked for: he gives him a violent captain. He gives him Blackbeard. He gives him the guy who fed people toes for fun.

But what’s important here is that Ed is not having fun. He’s having a hell of a lot less fun than Izzy is, going by their expressions in the scene. This isn’t who he wants to be, but after having the possibility of a better life snatched away, Ed throws himself back into the sure thing. He becomes the Kraken -- the captain Izzy wants, the violent monster that Ed thinks he is and tries to distance himself from, and the only thing Ed thinks he can be. It’s sad. It’s desperation, not anger and abuse.

In the second season, Ed headbutts Stede after he’s revived from his coma/death (S2E4). In the next scene, Stede is holding a cold steak to his face and calling it an accident. Roach says “that’s what they all say” -- a line that alludes to domestic violence. The thing is? It’s not, and the crew has expectations of Ed that Stede doesn’t.

Ed is freshly out of a coma (or newly alive). He’s nonverbal. His brain is, medically speaking, couscous. He still has one foot in the gravy basket. When he sees the man who left him hovering over him -- the man he loves, the man who just appeared to him as a mermaid -- he tries to say something then, when that fails, resorts to a headbutt. This is a single violent action perpetrated by a confused and hurt man who doesn’t know what to do with all of his feelings. He can't talk. He can't push Stede away.

Stede understands all of this, even if the other characters don’t. He sees the headbutt for what it is: a bit of a bitchy move. He isn’t afraid of Ed. He never is. 

Stede also isn’t afraid of Ed when he acts out later that episode (S2E4). When Ed learns that Stede went back to Mary, he excuses himself from the dinner table, smashes a chair against the wall, and knocks a vase to the ground. In this entire episode (this entire season, tbh), Ed is having intense feelings that he doesn’t know how to express or work through; the reveal that Stede returned to his wife is the final straw. He takes his tangled feelings out on an acceptable target (a chair, a vase) instead of Stede because he doesn’t want to hurt Stede.

This looks a little like displacement -- when “an unacceptable feeling or thought about a person, place or thing is redirected towards a safer target.” Displacement is an “intermediate level coping mechanism.” That is, it’s more sophisticated than the ways children deal with intense issues, but it’s still not entirely mature. In an adult, it indicates a level of emotional immaturity. (4) Ed is emotionally immature, not inherently violent. He gets overwhelmed by his feelings and lashes out -- not at a person, but at something that can’t get hurt. 

Displacement is not an indicator that someone is an abuser. It’s a coping mechanism. It’s an attempt at emotional regulation. It’s not the best coping mechanism, but it’s definitely not a sign that someone is going to go into a rage and assault people.

Stede cringes when Ed smashes the chair and sends the vase crashing to the ground, but he’s not afraid of Ed. He is never afraid of Ed because he knows that Ed isn’t a real threat to him. He cringes because sometimes that's what a person does when a loud thing happens. That's what people do when chair shrapnel starts flying. Also? It's kind of embarrassing behavior on Ed's part. They're guests enjoying a mediocre dinner! That's no way to act!

And this leaves us with the first two episodes of season two, which are an absolute mess.

Ed is fully in his Kraken era. He has no hope that Stede will return, he no longer trusts the crew, and he feels trapped in a life he absolutely doesn’t want. He thinks that he has to perform Blackbeard until death sets him free. He sobs in his cabin when no one’s looking. Publicly, Ed fades into the role of remorseless and bloodthirsty pirate captain.

Needless to say, this makes for a shit work environment. Ed works the crew too hard. He drinks and does drugs and runs everyone ragged. He’s an absolutely terrible boss, but he isn’t abusive.

That isn’t to say that the crew left on the Revenge isn’t traumatized. They are! They’ve been thrown off balance by the sudden change for the worse in someone who was their friend, and they’re traumatized by the neverending violence that the constant raids -- raids that were bloody and deadly, not the fuckeries of the past -- demanded of them. They’re traumatized by that final night in the storm when Ed did everything in his power to goad them into killing him, almost murdering everyone in the process. They’re traumatized by their own attempt at murder.

In S2E4, Blackbeard’s crew has flashbacks to the violence they perpetrated under the Kraken: Jim fighting Archie, Fang breaking a man over his knee. They’re also haunted by guilt about what they did to Ed, as evidenced by their Lady Macbeth-style scrubbing. Their own violence is a significant part of their trauma in this episode.

No, that doesn’t absolve Ed. He drove the violence -- demanded it of both the crew and himself. He hurt other people because he was hurting, and that’s terrible. 

Ed’s behavior in the first two episodes of season two is horrible, but he’s not abusive. Not all bad or violent behavior is abuse.

(We also have to ask ourselves just how bad Ed’s behavior really is. Archie, someone from the pirate world who has no idea what the Revenge was like pre-Kraken, tells Jim “that’s how these things usually go” at the height of Ed’s violence. She doesn’t act like she experienced anything out of the ordinary which is, if I may be honest, kind of worrying. But ultimately, whether or not Ed’s actions when he was at his worst are normal for pirates doesn’t matter a ton here.) 

But what about Izzy, I’m sure you’re asking!

What about Izzy indeed. Ugh. Okay, let’s just… let’s walk through the first two episodes.

One of the first things we see Ed do in season two is shoot a man. At first this seems like the show telling us that Ed is embracing the kind of violence he couldn’t manage before, but if we pay attention, we can see that he’s still following his “not a murderer on a technicality” logic. The man he shoots has a sword through his chest; he's as good as dead. He also falls offscreen before Ed shoots, making the action less impactful.

OFMD is not subtle and this is a quick way to communicate what’s going on with Ed. He’s not doing well and he’s more violent than he was last season, but he’s still himself under the Kraken’s makeup. He hasn’t done a moral one-eighty. If the show wanted us to think that Ed's a monster, they would have made him a hell of a lot more violent.

So. Izzy.

Immediately after Ed tells Izzy that he’s replaceable in S2E1, we reach the scene that people point to and say, “That’s domestic violence!” This is where Izzy breaks down because he has just been told in no uncertain terms that he’s not Blackbeard’s special little guy. That’s devastating to him, and he cries when the crew shows him kindness. 

Jim tells Izzy he’s in an unhealthy relationship with Blackbeard; Frenchie describes their relationship as “toxic.” 

A toxic relationship is “any relationship [between people who] don’t support each other, where there’s conflict and one seeks to undermine the other, where there’s competition, where there’s disrespect and a lack of cohesiveness." (5) And you know what? Yeah, Ed and Izzy definitely have a toxic relationship. Well-sussed, Frenchie! And is their relationship unhealthy? It sure is -- for both of them! But the crew is, understandably, more sympathetic towards Izzy because they’ve never been present when Izzy was hurting Ed. 

(Only tangentially related, but the crew must have really liked Ed pre-Kraken. As far as they know, the man went dark with no warning or cause. They deal with his bullshit for approximately three months (assuming one raid a day), and he has to go so far before they put an end to him. Remember when they were ready to toss Izzy overboard after, like, twelve hours under his command?)

Even though they only have one side of the Izzy and Ed story, the crew isn’t accusing Ed of domestic abuse. The term doesn’t apply to the mutually fucked-up thing that Izzy and Ed have and, beyond that, the scene is played for laughs. Jim and Frenchie use comically modern language; the whole thing feels like an intervention for a stressed-out middle manager with a shitty boss. It's funny. It's a comical thing in a comedy show.

Moving on.

Izzy returns to Ed and tells him that the crew won’t throw treasure overboard to make room for more treasure. Ed says, “And that’s another toe.” Losing a toe is the penalty for failing the captain.

Which is more likely: that Ed cut off Izzy’s other toes on a cruel whim, or that Ed cut off Izzy’s toes after other perceived failures? I’m going for option two. It’s obviously not okay to punish an underling by taking toes, but we’ve already established that toe-removal isn’t a cruel and unusual pirate punishment. It’s done “for a laugh.” 

(Specifically, toe-chopping is the cost of Izzy’s failure. Frenchie disobeys and lies to Ed in his short time as first mate and he doesn’t lose a single toe. Izzy bears the brunt of Ed’s cruelty because he’s the one who demanded it.) 

This is not who Ed wants to be, but it’s who he thinks he has to be. It’s who Izzy told him to be.

Izzy makes the mistake of invoking Stede and Ed storms above deck. He holds the crew at gunpoint, one by one, and asks them if they think that the vibes on the ship are poisonous. No one gives him a positive answer and Ed turns the gun on himself. He works himself up until Izzy interrupts and the following exchange happens:

IZZY: “The atmosphere on this ship is fucked. Everyone knows why.” ED: “Well, I don’t. Enlighten me.” IZZY: “Your feelings for Stede fucking Bo--”

 [Ed shoots Izzy in the leg. Ed steps over him on his way back to his cabin.]

ED: “Throw this shit overboard and get suited up.”

I don’t want to go into speculation about the true cause of the fucked up vibe on the Revenge (it’s clearly not just Ed’s feelings for Stede) or why, exactly, Ed shot Izzy. What’s important for this post is this: Ed's actions are not unusually cruel for a pirate captain who considers his first mate out of line. This is the kind of thing that the idea of Blackbeard that Izzy worships does to maintain his reputation.

Fang cries when Ed shoots Izzy because he knows Blackbeard. He has been with Blackbeard longer than anyone else, and this isn’t Blackbeard. Blackbeard doesn’t work his crew this hard. Blackbeard doesn’t disregard the deaths of long-time crewmates like Ivan. Blackbeard doesn’t shoot his own crew. Fang is off-balance and distraught because his captain of twenty years is acting far, far more cruel than the Blackbeard he knew.

This is not Ed as he usually is. Ed at his worst is breaking all of his past patterns. He’s behaving like a different person. His actions at this point in time are not typical of his past actions or predicative of his future actions.

When we reach S2E2, Ed is chipper. He’s cleaning up, he’s tying up loose ends, and he has decided that, no matter what, this is the day that he dies. He’s determined. First, he’ll give Izzy a crack at killing him; next is the storm, the destruction of the steering wheel, and taking increasingly desperate actions to get the crew to stop him. He tells Jim and Archie to fight to the death. He goes to blow the mast away with a cannon and doesn’t react as nameless crew members are being washed overboard. 

Ed is stopped only by Izzy’s reappearance and the violent mutiny that follows.

None of what Ed does here is abuse. This is desperate violence. This is an unwell man begging everyone around him to send him to doggy heaven.

And finally, we have the big murder party in the season finale. A surprising number of fans interpret Ed’s willingness to cut down naval officers as a sure sign that he’s gotten worse and he’s more violent than ever. This is, in my opinion, a take that completely ignores everything we know about Ed and his relationship to violence.

I said it before, but it bears repeating: Edward Teach kills only to protect. He murdered his father to protect his mother. He mows down colonists for Stede. He kills for love, and by the end of season two, he has made some kind of peace with the Kraken and his own capacity for violence.

It’s sweet. Like, it wouldn’t be sweet in the real world, but in this world? In a world where physical violence is funny more often than it’s serious? In a world full of pirate characters who all have hefty body counts? It’s growth. It’s Ed healing.

Ed is doing better. He’s not a threat to the man he loves, and now he’s not a threat to himself either.

Anyway!

No, Ed is not abusive. No, there’s no indication that Ed will become abusive in the future.

“Okay, but many abuse survivors take issue with the irresponsible message that Jenkins is subtextually sending with Ed’s story!”

That’s fine. Take issue with things. Feel whatever you want to feel, but remember that abuse survivors are not a monolith. Consider, just for a moment, that the abuse you think you see in the show is not textual. Ask yourself if Ed is truly worse than all of the other characters or if you have some bias warping your view of him. 

Finally: please keep in mind that I’m not trying to present The One True Interpretation. I’m just rolling all of my arguments and thoughts into one big ol' ball and throwing it out into the wild. You don’t have to agree with me but, if you don’t, I hope you’ll at least have a bit of a think.

If you read this and liked it, please consider validating me with a like! If you read it and didn’t like it, I’m sorry for wasting your time. If you skimmed the first part and decided to dismiss me as soon as I said I don’t think that Ed is abusive… idk, peace and love and goodbye.

#ofmd #ofmd meta #edward teach #long meta #like too fucking long #abuse #tw abuse #cw abuse #me typing things #fandom critical #kinda?

[appleblueberry-pie]

More yandere 42 Miles Morales

I can see Miles having increased courage and confidence when he's with you. He'll say anything and everything that he thinks is important for you to hear, and he loves you too much to not tell you whatever is on his mind.

He wants to hold you so close to his side, feel your body heat radiate onto him. He wants to stare at you forever and wants you to stare at him too. He's dehydrated and you're his only drink of water, his salvation. He needs to have you, every part of you to himself and will remind you everyday.

You swear he's an insomniac with how often you catch him up at night when you guys text. But when he sleeps next to you, he's out and will stay out for a damn while. Hell, he'd wake up acting like he's in a fucking raisin bran commercial just cause you there.

Loves to whisper how he feels to you just to make you squirm. A romantic and flirt, only times ten because it's for you. Caresses your side, face, leg, head, whatever he can get his hands on. He loves you and will show you and tell you.

It definitely gets worse when you reciprocate it. He tell you a little flirt joke and you wholeheartedly/seriously respond back with confidence? He doubling down on you and won't stop cheesing. Don't run away, it's too late for that, he'll pull yo ass back and make you finish what you started.

If you text him, he'll text back in under a minute, no matter the circumstance. Nothing stops him from reaching out to you ever. If somehow you two end up arguing and god forbid you end on a bad note, he'll blow up your phone.

Another call starts up as soon as the last one ends if you don't answer. Sweet nothings of him begging you to answer the phone turn into threats to pick up(without him realizing it because he's too scared and angry to care about how it sounds) very quickly.

I'm laughing at you if you think turning your phone off and going to sleep will work. He will break into your house and wake you up.

"Fuck you turn your phone off for? Pensabas que esa mierda era graciosa? (You thought that shit was funny?) Huh? Don't ever fucking play with me like that." Doesn't care if everyone else is asleep. Just wants to get his message across to you.

That's probably the worst he'll get when he's "mad" at you(he will never truly get mad at you). Don't even ask about how he get when other niggas try to fuck around with you. oh my god. You tell him someone tried to touch you?

"Baby, look at me." Eyes stern, yet frantic. His shaky breathing is scaring you, but you can't let him see that. His hand grabs your chin, his hold making it hurt. "I need you to tell me that that's the only thing he did to you. Are you sure that's all he said? All he did?" He whispers it as if a hundred people surround you both wanting to listen in on what's being said. You nod and he shakes his head. "Cause I'm gonna kill that motherfucker. You hear me? Nobody fucking touches you."

He stares deep into your eyes, you can't tell if he's hyperventilating or not. All you want is for him to calm down, because seeing him like this is too much for you. You don't know if telling him was even worth it at this point.

"NOBODY!" He shouts it in your face and you violently flinch. He immediately consoles you and apologizes constantly. "Lo siento, lo siento, lo siento. Por favor, perdóname, cariño. Te quiero muchísimo. Solo quiero mantenerte a salvo.(I'm sorry, i'm sorry, i'm sorry. Please forgive me, darling. I love you so much. I just want to keep you safe.)" He whispers it in your ear and rocks you side to side. He can't stay still for the life of him. He sits you down on the bed and begins pacing.

Whispering to himself and clenching his hands. He then sits down next to you and holds your hands tightly. "I'll be back in at most 2 hours. I'll do whatever you what when you come back. But you gotta eat and catch up on your rest, okay, mi amor? I love you. And I care for you. And I want you to know that whatever happens out there?.....it ain't ever gon' break what we got. Alright?"

He slams his lips onto yours, kissing you passionately in a way he's never done before. A mix of emotions fill you and you can't find the words to make him stay. To make him stop. When he separates the kiss, he rests his sweaty forehead on yours. "I fucking love you." He whispers before leaving.

He would never ever isolate you or lock you up. He heavily prefers seeing you as the best YOU that you can be. He is obsessed with your personality, talents, hobbies, desires, speech, the way you walk, scent, everything. Taking that away from you is like murdering you. He can't live with himself if he did that to you.

Your family loves him, so it'd be hard to escape the relationship when they love him almost as much as they love you. He could give less of a fuck about your friends. You don't need them like you two need each other.

Try to mention anything bad he's done "for you" in the past? Will "assure" you to not worry about it and will justify his actions. "Don't worry about that nigga anymore, mami. I dealt with it. Y'all gon be cool now, okay? So don't worry your pretty self about it anymore and lets get you home. You look tired."

He LOOOOOVES when you coddle him or take care of him. His dream is to lay in your comfortable bed together while you hum him a song and you rub his back while his head lays on your comfortable chest. Every advantage is in his hands when he's sick because he has you to take care of him. He just becomes more delusional when he's sick, basically. Getting fed, maybe praised, cooed at, extra attention and care. Please. He leans into your warm hands like a touch-starved puppy.

Hates it so much when you lead him on strongly but then just shut it down entirely. Flirting with him, pulling him in by his jacket, constantly glancing down at his lips while giggling at his stupid fucking jokes. Then you just turn your head and walk off??? Man, fuck you. Follows you around whining constantly.

Eats absolutely anything you make. I canon he has a humungous appetite. Know how to make gumbo? Half of it's gone in 30 minutes. You'll have to feed him 4 servings every time you cook. That nigga eats everything. "Baby, this good as hell." Yeah, I bet! Knocks out when he's done. Good luck waking him up.

Anyways, he can get really bad at times. But most of the time, he's everything you could ever ask for.

#yandere #yandere x reader #yandere x you #yandere character #reader #across the spiderverse #atsv #yandere atsv #atsv miles #atsv miles morales #yandere miles morales #earth 42 miles morales #earth 42 miles morales x reader #earth 42 miles x reader #earth 42 prowler #earth 42 miles x you #prowler miles #miles morales #miles x you #miles x reader #atsv imagines #yandere atsv imagines #yandere prowler miles #yandere prowler miles x reader #miguel #yandere miguel x reader #miguel ohara x reader #hobie brown headcanons #hobie brown x reader #hobie

[linos-luna]

Bts Yandere Profiles 🔪

Yandere!Bts x Reader

Warnings: Yandere!, obsessive behavior, possessiveness, gaslighting, manipulation

—————————— 🔪 —————————

Namjoon

Manipulative and possessive

He tricked you into this. In fact, he gaslights you all the time! You live at his house now because he convinced you to do so. He didn’t kidnap you. You’re here on your own volition… right?

• He says your family is abusive and not to see them. So you believe him

• brings up your confidence but then suddenly takes it away

• you don’t need a job because he’ll take care of you!

• He wants you to be dependent on him.

• hates when other people look at you.

“Babygirl, your parents are so mean to you. Why do you put up with that?”

“I’ll take care of you, don’t worry about stressing at some job!”

“Who was that talking to you?? Don’t lie!”

“Your friends talk behind your back. I’ve seen it!”

“I’m the only one that loves you!”

Jin

Unhinged but loving

Jin is a loving yandere but can’t help being unhinged. He’ll have random outbursts and threaten suicide if you try and leave. Of course… he’d never actually do it…

• he’s calm when he’s suddenly not

• all of the sudden he yells at you then takes it back, then takes the apology back and yells again.

• doesn’t hurt you physically but always puts you on edge.

• doesn’t hide his stalking tendencies.

• in fact, he’ll come straight out of hiding and make himself known. It’s embarrassing for you. But he doesn’t care.

“Ok wait! I didn’t mean it!”

“Don’t leave me! Or I’ll kill myself!”

“Forgive me!”

“Jagiya!! Where are you?!”

Yoongi

Strict but sometimes sweet

Yoongi hates that you make him weak in the knees. He’s not sure why he has such a soft spot for you, but he does. He feels the need to shield you from everything.

• comes off as cold

• keeps you inside all day. Sometimes takes you out at night

• very strict. Don’t talk back to him!

• kinda scary when mad

• but he’s also really sweet. Brings you gifts all the time.

• not much of a cuddly guy but will sometimes allow it. He knows girls like that kinda stuff…

• you want to love him and he can’t seem to resist you…

“What’d you just say to me?!”

“Better watch your mouth, kitten!”

“Do you like roses? I brought you some.”

“Come here, baby. Next to me.”

Hoseok

Bipolar emotions

One moment he’s happy and loving then suddenly cold. Being with him was like walking on eggshells. Half the time you didn’t even know what set him off. But then he smothers you with love. It made you feel bad

• he wants you to have fun and do what you want but also.. doesn’t?

• paranoid that you’re cheating

• constantly accuses you then immediately apologizes

• he’s a little suffocating

• constantly clinging to you

• will threaten you at random then act like nothing happened

“Cheater!!”

“No sorry! I don’t think that!”

“No it’s okay, go have fun…”

“I bought a cake! For what? Our 3 month anniversary!”

Jimin

Psychotic

Jimin is a psychotic yandere. He loves you deeply and will do anything to have you and “keep you safe”… Anything

• very outwardly expresses his love for you

• threatens people around you

• has probably killed someone… who knows 🤷‍♀️

• has a hard time controlling his emotions, whether mad or happy.

• sometimes he laughs when mad, that’s when you know you messed up

• don’t make him angry. He WILL get violent

• he’s stronger than he looks…

“jagiya, stop hiding from me! Don’t make me mad!”

“Don’t be scared, baby. I’m sorry.” *pouts*

Taehyung

Hopeless romantic but also delusional

Taehyung wants the relationship to be something out of a kdrama or romance novel. Everything must be perfect! He loves you even it he’s yelling at you for not doing something right.

• relationship means hugs and kisses. So he gives and expects them daily

• when out, you must ALWAYS hold his hand.

• when out, Taehyung will make sure to dress you so that the both of you match

• call him cute names like: Tae, Baby, Love

• don’t call him Taehyung

• He’ll call you Baby, darling, love, sweetheart, etc

• if you don’t do these things he’ll be not mad but frustrated.

• he will throw a fit..

“That’s not how it’s supposed to be!”

“Sweetheart, look at the new outfits I got for us!”

“No no no!! It’s all wrong!!”

“Why aren’t you holding my hand?? Are you mad?!”

Jungkook

Loving but… obsessive

When you started dating him, everything was great. He spoils you. He texts you every day and is always there when you need him but… he’s also a little weird.

• love bombs you.

• texts you everyday all day. And if you don’t respond right away he freaks out

• stalks you although you didn’t notice at first

• constantly thinks someone is gonna hurt you.

• he’s a strong guy, he might hurt you. But not intentionally!

“I’m sorry! Sorry! I didn’t mean it!”

*on the phone• “Baby, where are you?? You haven’t answered my texts!”

“Baby I brought you some gifts!” 😁

#kpop #kpop x reader #kpop imagines #fanfic #kpop smut #yandere bts #bts yandere #bts x poc reader #yandere namjoon #yandere suga #yandere jhope #yandere jimin #kpop yandere #yandere jungkook #bts smut #bts angst #bts fic #Bts yandere headcannons

[luvvyouforever]

suddenly, neville {n.l. x reader}

↳ three times that neville is there for you when heartbreak strikes and the one time he decides to do something about it.

↳ content: sadness, feelings of self-doubt/insecurities, slander against almost every hogwarts boy, fluff, friends to lovers, pining, neville being a shy sweetie. word count: 1684

1.

"and then he," sniff, "he told me he never liked me. that him and dean were just joking." you wiped tears from your eyes violently and neville felt his heart tearing in two for you. "i thought they were nice! why would seamus lie like that?"

"i don't know," neville answered honestly. he knew that his friends were pranksters, sometimes taking jokes a step too far. but he had never expected his best friend to come to him crying over a stupid idea the two had devised. he felt angry with them. how could they have done that to someone as beautiful as you?

"i just don't get it! why does everyone else get to have crushes and first kisses?" you huffed frustratingly. neville's first thought was that he should have kissed you then but his second thought was much more controlled and much more him. he reached out, patting your back and trying to inject as much comfort into the touch as he could. you stayed like that for a few minutes as your tears subdued. one final sniff and you were rising from neville's bed. "i'm sorry for this. you're the first person i wanted to come to."

neville rose immediately after, coming to stand at your side. even at thirteen years old, he towered above you. "don't apologize," he said in a serious tone. "it's okay. i'm here for you. always-oof-"

neville's voice was cut off by your frame crashing into his, pulling him into a tight hug. he wasn't used to the touch or the affection and after immediately tensing, he relaxed and wrapped his own arms around you. something bloomed inside neville's chest and though he tried to push it down, you couldn't help but hear his heartbeat quicken.

2.

neville's experience at the yule ball wasn't as fun as he had hoped for. ginny was a great date and he danced through the entire night but something in his chest didn't feel right. you weren't there, enjoying the once-in-a-lifetime experience with him. he thought that, at first, you were just late or maybe he couldn't spot you among the crowd. but two hours into the night and he hadn't seen you once.

he left the ball eventually and his first and only mission was to seek you out. he slipped through the halls of the castle, narrowly avoiding snape's patrol, in search of you. his feet took him toward an empty stairwell which echoed with quiet sounds of crying.

"y/n?" he called out timidly. the sniff from further up the stairs told him all he needed to know and eventually, he was standing before you. your dress was beautiful, your hair was done in an intricate updo that he knew must've taken hours, and yet you were sobbing alone. "what's going on?"

"cormac...he stood me up. didn't show, didn't owl me. nothing," you said, voice barely above a whisper. he could tell that you had been crying in this very same stairwell for a while based on the puffiness of your eyes and the rasp in your throat. gingerly, he took a seat by your side.

without thinking, your head leaned on his shoulder and the pins in your hair poked his skin. something about his presence visibly eased your pain and he was so glad that he could offer you that.

really, neville wanted to be the one to take you to the yule ball. to be the one that watched you walk down the stairs in your dress. to be the one that danced with you all night long, breathless and laughing. but he was too nervous to do such a thing and instead asked ginny. neville silently reprimanded himself for not being more brave and said, "you look beautiful, you know?"

he could feel your smile against his shoulder. that was all he needed.

3.

"hey neville...did you hear that y/n broke up with zabini last night?" seamus whispered. "apparently it was a whole big scene."

neville didn't know about that actually and hearing it from seamus first hurt him more than he wanted to admit. instead of answering his friend, he poured his attention in to brewing his potion to hopefully get out of snape's class unscathed.

a few hours had passed until he entered the greenhouse for his advanced herbology practices class which he had begged you to take with him. and there you were, carefully plucking weeds out of a venomous tentacula pot. "hey!" he said, coming up behind you.

you turned and he saw the night's effects on your face. dark circles, puffy eyes, a warm sweater covering your body instead of your usual perfect uniform. something tugged at his heart and if he could, he would've wrapped you up and swept you away immediately.

"hey nev," you said with a forced smile. "i'm assuming you heard the news since you're looking at me like i'm a kicked puppy."

he didn't respond but nodded, pulling on his own gardening gloves to assist you in your task. he knew you'd tell him about it without him having to pull it out of you.

"he was nice and all...but he was really mean sometimes and his friends didn't like me. i figured i was too good to put up with more comments about my hair and my uniform and my house but now i'm not so sure." there was a crack in your voice that you cursed.

this time, neville didn't hesitate to pull you into his arms. he had gotten taller, stronger, braver. he was still a gangly mess of limbs but now he knew how to control them and how to offer the best hugs he could. his arms were tight around your shoulders and a few tears slipped from your eyes. his head leaned down and laid upon yours.

"you are too good for that, y/n. you're too good for all of them. i just wish you could see that," neville whispered against your hair. you took in his words, digested them one by one, and felt slightly better. you pulled away and looked at him with watery eyes. from that moment forward, neville knew he would do anything to preserve your happiness and bring a smile to your face. he knew that he was in love with his best friend of six years.

4.

"i don't know what you want from me, draco! i've tried to please you and make you happy a hundred times but it's never good enough!"

"no, it never is and it never will be! god, can't you see i stopped liking you weeks ago? with your nagging and neediness and crying, i don't think you'd ever be good enough for anyone."

neville stopped in his tracks outside the greenhouses. two voices yelled back and forth at each other and he easily distinguished them as y/n and presumably her now ex-boyfriend. neville's fist clenched at the words draco spat at his best friend.

suddenly, he heard stomping and draco flew by him in a rage. quickly, he rushed to where the voices were coming from and found you on the cold ground, upset but not crying. you didn't even look up when he came over and he took it upon himself to sit down next to you. no words were exchanged until-

"i don't know why i try. i don't know why nothing ever works for me. why i keep crying over boys, stupid boys. i don't know why i feel so worthless when those stupid boys break up with me. the worst thing, i think, is that i believe every word malfoy just said. that i won't be good enough for anyone. i will just graduate, work, live alone in a cottage, and watch everyone else fall in love around me but never with me," you rambled. words of self-doubt kept coming from your lips but you didn't know how to stop them. it was a ever-flowing stream of consciousness that neville bared for you. finally, your lips stopped moving and your mouth stopped producing sound. you took in a shaky breath and began to stand. neville's hand flew to your wrist and pulled you back down to the ground.

there, his eyes met yours with such an unwavering intensity that kept you planted. "listen to me, y/n," he started, "i have watched you cry over too many boys to deal with this any longer. not a single one of them deserved you or your love. you give so much and it crushes me that you get so little. do not believe draco, or zabini, or cormac when they make you feel like you're not good enough because you are. you're beautiful, so beautiful, and intelligent, kind, caring, witty, and anyone would be lucky to have you. i know because i have fallen so in love with you the past seven years and even in your ruined yule ball dress or your messy gardening clothes, i feel lucky to be by your side."

your eyes were wide at neville's confession but he didn't back down or take back his words. in fact, he felt relief knowing that his feelings were in the air now. after seven years of growing, he felt brave enough to admit things like that and do things like this.

"maybe the reason nothing ever worked is because i was always seeking you in everyone else," you finally whispered. neville's hand gravitated towards yours and like a moth drawn to an achingly beautiful flame, his lips found yours.

the kiss was everything you had been looking for. sweet, firm, passionate, but gentle. neville would never be mean to you, never degrade you, lie to you, stand you up, or do anything but offer peace and happiness as long as you live.

after a minute of pulling apart then reconnecting, neville leaned his forehead against yours. "i didn't know you had gotten so cliche, blossom." seven years of holding you had led to this and neville wouldn't change a single part of the journey.

#harry potter #harry potter fanfic #neville longbottom #neville longbottom x reader #neville x reader #harry potter x reader #draco malfoy #blaise zabini #fanfic #neville longbottom imagine #friends to lovers