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#how to handle grief
authorlakisha · 5 months
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Holiday Grief
Grief will make you curse and hate the holidays. Grief will have you contemplating staying in bed. Grief will make you feel guilty about enjoying the holidays, you love. Grief – a deep feeling of sorrow. Grief is heavy enough on its own without you adding anything to it. Instead, think about your loved ones who are no longer here. How did they spend the holidays? Truly think about it. How…
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starry-bi-sky · 30 days
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my body's aching like a knock-down drag-out
and my poor heart is an open wound A Childhood Friends Au snippet that very briefly delves into Danny's life post-accident. CW: Mild Mentions of Blood, Violence, VERY mild gore ig. Danny briefly recalls getting impaled during a fight.
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What they don't tell you about being dead is that it hurts. That it can hurt. That it can hurt more than when you were alive. That when you die, the emotions you die with stick with you like a leech that just won't let go. That emotions are ugly little thorns that stick their barbs into you and grow beneath your skin; or, at least, whatever’s left of it. 
Danny is familiar with anger. It kept him warm in Gotham, when his parents weren't home from work and he and Jason were crowding Crime Alley with their presence. It kept him warm in Amity, when the fresh sting of moving was still needling into his heart and he wanted nothing more than to rip and tear into the closest person next to him.
He's familiar with violence. With fights. With death. He's seen people die in Crime Alley probably every day. From overdose, from gunshots, from stab wounds; anything that can kill, rest assured he's seen it. He's familiar with getting his own knuckles rough and bloody when other kids turn and bare their teeth at him and Jason; they're all just starving dogs stuck in a fighting pit, primed and ready to rip out each other's throats. 
Black eyes, stomped hands, bloody noses. You name it; he’s had it. Gotham is paved with the blood of her children, and Danny likes to imagine that when he was born, the doctors handed his mother a file and told her; “Take it. He’s going to need it for his teeth.” 
Danny’s mom (and dad, for that matter) was too busy trying to keep him and Jazz fed, so Danny stole the file from her drawer with Jazz’s help, and did it himself.  
He’s familiar with anger, he thought he was getting better at it these days. It doesn’t come to him as easily as it did before. Of course, that was before Jason died. 
Danny is less familiar with grief. Caring kills and Gotham kills the caring, so Danny cares very little about other people. Or he tries to. But grief hurts. His grief hurts. It hurts too much. It hurts like a bug trying to crawl out of his chest; like a rat chewing a hole through his heart. Some days he wants to dig his hands into his hair and split himself down the middle. Some days he just wants to scream. 
He’s dead. He’s dead. He’s dead. 
He wants the whole city to hear him wailing, some days. It sticks itself in the back of his throat like bile, and Danny is one wrong retch away from letting it loose. It sticks in his lungs like all the tar he’s smoked in since he was nine. It pushes and aches at his temples, in his head, like his brain is trying to swell out of his skull. His thoughts becoming so loud they threaten to commandeer his tongue.  
He has no mouth, but he must scream. 
Something they don’t tell you about being dead is that it hurts. That it hurts more than when you were alive. Something they don’t tell you about being dead is that it’s violent. That it’s bloody. Or as bloody as it can be when everyone has no blood. 
Another thing they don’t tell you about being dead, is that it’s a lot like Gotham that way.
With no threat of death, Danny’s enemies forget death itself. Blood comes easy, like water, and teeth are encouraged. Bring your own fangs to the fight. Dying is something you can just walk off. 
Danny’s been dead for three months. He can’t say he’s been walking it off easy. He’s perfected the art of turning his nails into claws since his heart was still beating, but he can’t say he’s perfected fighting other ghosts. 
Scrappy is just not enough. 
He feels like he’s back in Gotham again. Back in her death-shroud alleyways, fighting someone bigger than him. But there’s no Jason to watch his back, and Danny has to get himself out of there alone. Or he might just not get up at all. 
Black eyes, busted lips. It’s familiar to him like an old scent, Danny isn’t quite sure that he’s missed it. It’s more familiar than his fights with Dash. 
But there’s no one else who can do it but him. Not Sam, not Tucker. He can’t lose them too. He can’t. He can’t. He can’t. His heart can’t take another break, he already feels like he’s going insane. 
With no threat of death, Danny’s enemies fight like death themself. He learns why when Technus puts a street sign through his stomach one day. It pins him to the asphalt like a moth pinned by its wings. 
Danny claws at the metal like how an animal caught in a trap chews off its leg, and every move is blinding pain. He thinks he was howling, but it’s hard to tell. He couldn’t recognize the sound of his voice. 
He bleeds green. It mixes in black with the pitch blackhole in his heart, which throbs and twists and cries in time with his reckless panic. The finger-choking terror of dying again strangles out the air he doesn’t need. His blood evaporates, only to reabsorb into him. It just bleeds out again, cycling like a snake eating its own tail. 
Danny breaks his nails clawing at the metal, and eventually gets it in his mind to pull it out. So he does, and the end drips ectoplasm green as he gets to his feet. In red-vision, Danny sends the sign back with snarling, vicious fervor. The pain is irrelevant in his rage.
Only after the fight does the hole the pole left start to close. Danny doesn’t shift human until it’s gone. Unlike other injuries, a scar stays behind. Ugly; mottled, it aches for a week with every twist and stretch his body makes. He hates it. 
Being dead is agony. 
Every part of him is in pain. Every step, every word he speaks, everything he does, it is prerequisite with pain. The body is temporary, but the soul is forever, and death has carved into it with its freezing green hands and left him with never-ending heartache. It has torn from him and stolen what of him it could, and in return it’s left him with sorrow. 
His pain is his grief, and he’s sobbed in the safety of his room more times than he can count. It’s still as fresh as the day he heard the news of Jason’s death. He knows, instinctively, that it will stay fresh forever. 
In his room, Danny shoves his hands over his mouth and shrieks in whatever, muffled way he can into his pillow. It’s not enough. It’s never enough. He needs to be louder. He needs to be heard. He refuses to be. 
Being dead hurts. 
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tragedy-for-sale · 2 months
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Just thinking about how Umbara, Kadavo, the Rako Hardeen arc and Maul's returns are all back to back chronologically too not just in release.
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where-dreams-dwell · 2 months
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Dexter is a cautionary tale of the need to accept discomfort as a part of life, with Emma as his contrast and aspirational example.
Throughout the show Emma embodies determination and self assurance. The only reason she thinks she can change the world is.. because why couldn’t she? In contrast Dexter has no idea what he wants and kind of resents having to even think about it, hence his jumping between careers and looking for purpose for the whole show.
While Em knows what she wants emotionally (the satisfaction or having made a difference, the achievement of doing what she always wanted) but isn’t sure on the specifics of what that will look like (I’ll write plays, no write poetry, no I’ll teach, okay no I’ll write a book), Dexter knows the specifics (I’ll be rich and famous) but doesn’t know what he wants emotionally (‘what will that look like?’ ‘I don’t know’).
While Dex is always running from uncomfortable feelings Em faces then head on and comes out the other side, able to learn from them.
As Dex is travelling to put off making long term decisions, Em has taken the first opportunity to do what she wants: writing, be it books, poems or in this instance plays.
On holiday Dex can’t allow himself to admit that he fancy’s Em and to leave it at that, he has to run from the honesty and vulnerability of that moment by adding on ‘but I pretty much fancy everyone’. In doing this you could argue that he looses his chance with her for several years, where as Emma’s confidence could have resulted in them getting together much sooner.
Dex misses his mothers last birthday because he doesn’t want to face reality. Instead of reacting to the fear and anger and pain of her diagnosis by spending every moment he can with her, or sitting down to have heart to heart talks with her, or helping her out in any meaningful way Dex runs away and numbs himself with substances, and is passed out for the little time he is in her presence.
When he’s nervous people won’t (or already don’t) like him on TV he again turns to substances to numb his feelings, and (instead of taking Em’s advice to ignore them) looks for reassurance from hangers on who don’t actually know him that well. He can’t sit in that worry/fear/discomfort so he finds a way to stop feeling.
When Dex’s marriage falls apart we see him running away to Paris to visit Em. And sure there are ulterior motives here (his hope and assuming that this could be the start of their romantic relationship) but the writer shows him literally traveling away from the country where his failed marriage, child and previous life were as he is show to be angrily talking about his divorce. As an image it appears like he’s running away from the reality of the divorce or running to Em for a distraction. It definitely supports Ems assumptions that he’s not serious about a relationship with her; she’s seen this behaviour in Dex before.
It’s even funny how in small ways we don’t see him handle upsetting things until the very end. Talking about his first marriage and the production the day became? Dex admits he didn’t want to rock the boat so he didn’t fight anything/reject anything/ have much say at all in his wedding. Sylvie drops off Jasmine? Dex is still at the cafe so Em is the one managing slightly awkward small talk. Jasmine practising her violin? We get a brief moment with Dex too but mainly it’s Em sitting through the recitals. In that last episode when they’re struggling with fertility, Em is the one who sits down and talks out her anger and fear and worry, where as Dex (who probably knew what the root of it all was) was happy to leave her to process it how she need to and support her while she did. If she hadn’t brought it up he wouldn’t have said anything.
That’s not becisarily a bad thing (Dex could have known that Em needed to process it herself before talking to him) but it is interesting that the writers engineer Dex to avoid all these moments of emotional discomfort. It reinforces his characterisation of being avoidant when confronted with conflict.
In contrast we kind of constantly see Em having to face hard moments and working through them.
Don’t know what to do with your life? Move to London to try and aim to work in your dream field. London life and restaurant job not going the way you planned? Commit to Dex’s suggestion of teacher training. Time to confess a secret? Here’s a hugely personal one about my past feelings for you. Past crush admits he kind-if fancy’s you? Stick to being honest about your past feelings and don’t take the opening to downplay them. You feel shit about your life and your secret affair? Well let’s turn that into motivation to finally write that book.
Not happy with your long term partner? End the relationship.
Emma’s whole confrontation with Ian is a masterclass in facing difficult conversations and emotions, being vulnerable and open and honest about your feelings, and finding empathy for another outside your point of view. And look what she gains from facing that hard in comfortable conversation? Closure, and a kind of friendship, one that lasts even after she dies.
When Dex confessed that he hoped they would start a romantic relationship in Paris, Em sits him down and starts that hard conversation about how she doesn’t think that is 1) what he even wants and 2) would work between them. She doesn’t brush off of hide from the conversation. And then when she has more information and time to think she commits to Dex.
Even after they sleep together there’s a scene of Em laying the ground rules, making it clear to Dex what she will and won’t stand in this relationship. That’s an awkward conversation to have but Em doesn’t hesitate and makes sure he knows from the get go what she expects and deserves. The writers are constantly showing us ‘Em doesn’t run from uncomfortable feelings’.
And then the tragic twist of fate: Emma is gone and Dexter finally has to learn to live with emotional discomfort. He can’t keep running because there is no escaping this, not like he did with his mum. Like he says to Imaginary-Emma ‘why would time change anything’. He is going to feel like this forever, there is no escaping it. Finally he is learning to face it, manage it, and work through it.
Of course Emma is far more than a literally device and is her own layered and well established character. But in this regard for Dex it’s almost as if she’s the final lesson for him to work through to grow up enough so he can eventually choose to return to the place they met.
And it could even come across as a reward for him; in learning to live with those difficult emotions, his reward is being able to remember Emma fondly, and to return to the place they met to seek out those memories. The memories are bittersweet, but now he remembers Emma as she was and not how she never got to be.
Like his dad said, he is eventually able to ‘live [his] life as if she were still here’ but in order to do that he first had to accept that she was gone.
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@priellan COME GET THE BOY!!! ✨
Some different ideas for how that could go down >:D And me picking something personally self indulgent again asdlfjsdLJSDGLDSJG I wanna see him with a Tangled rapunzel length hair braid... it would be so pretty...
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cult-of-the-eye · 21 days
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Ok listen, Gwen being killed off would be interesting because the rest of the OIAR would have to grapple with the grief and the underlying feeling of suspicion in the way she died. Like she'd be a warning that would be ignored and I think it would switch up the dynamics in a really cool way.
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chepib3 · 1 month
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"bruce stopped dick from being a murderer!" so close it was the other way around
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metrixnos · 1 year
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I did enjoy my stay, techno. I did.
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wikipedie · 1 year
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The train is late and your family is dead
I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it. ― Jodi Picoult, Leaving Time
Joan Didion, The Year of Magical Thinking | The Mentalist season 1, episode 7: Seeing Red | Linda Pastan, The Five Stages of Grief | The Mentalist season 2, episode 23: Red Sky in the Morning | teashoesandhair, grief | The Mentalist season 1, episode 5: Redwood | Lemony Snicket, A Series of Unfortunate Events (for Beatrice) | The Mentalist season 4, episode 23: Red Rover, Red Rover | The Mentalist season 5, episode 2: Devil's Cherry | Anne Carson, Glass, irony and god | Jamie Anderson | Anne Carson, Grief Lessons: Four Plays by Euripides | The Mentalist season 7, episode 13: White Orchids | Glennon Doyle Melton, Love Warrior
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quinneleanor · 11 months
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Lately I've been contemplating the vast differences Sam and Dean display when one brother loses the other.
When Sam was murdered in AHBL, Dean crash dives into suicidal ideation. Bobby tells him, "Something big is going down. End-of-the-world big." And Dean snaps, "Then let it end." When faced with Sam lying dead and ice cold in that cot, Dean would more likely lie down and curl around Sam's corpse and starve to death than live without him. I believe Dean would have done it, too, if he hadn't struck up that deal with the crossroads demon.
On the other hand, Sam goes into serial killer mode. When he lost Dean the final time in "Mystery Spot" Sam metaphorically died with his brother. Sam's transformation is unsettling; he's stripped away the blood and bones of humanity, leaving a feral, blood-thirsty super solider behind.
The idea is so interesting to me. It's been said before, but it's true: when faced with the loss of his brother, Dean becomes suicidal while Sam becomes a straight up serial killer.
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librarygf · 2 years
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the interview as a confessional. hm
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johns-prince · 6 months
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Now and Then (the demo and this completed version by Paul) falls in perfectly with the group of songs like Dear Friend, Jealous Guy, [Just Like] Starting Over, and most definitely Here Today, that I can only listen to every once in awhile blue moon, because if I'm not careful playing these songs on repeat, one after the other, I could spiral into a sad ball of grief and palpable secondhand regret and longing from these two fools
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hotdogmchiggin · 1 year
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King and Eda are fucking pissed.
Both of their reactions throughout this whole scene in Watching and Dreaming fucking destroyed me man. Their complete, wordless shock followed by unbridled grief-stricken rage just…. hit hard. Havent really seen art for this moment so wanted to take a crack at it.
Also since I’ve been experimenting more with procreate, I learned that it automatically saves a TIMELAPSE. So now YOU TOO! Can see my abysmal drawing process. I’ll either add that in a reblog or in a new post, so just keep an eye out if you’re interested in seeing that I guess.
Anyway tumblr’s gonna fuck up the quality so I’m putting CLOSEUPS under the cut.
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saphushia · 1 year
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I would pay so much money to Oda just to know where the remnants of the Spade Pirates are. We know they integrated into the Whitebeards, so they were there at Marineford and possibly at the Grudge War afterwards too. So if so….then where are they!?! 😭😭
Are they alive? Have they met Luffy? Do they want to? What about Deuce? 🤔
REAL. deuce has made a couple brief anime appearances but they seem to all be flashbacks... after the whitebeards dissolve i could see skull going back to his informant gig solo, maybe mihal settles down to teach kids full time without the pirating stuff, but deuce... with how the manga ended i want soooo badly for him to show up again
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i need him to meet luffy so fucking bad. AND I ACTUALLY ONLY JUST NOW NOTICED THIS BUT. HOW DOES HE KNOW ABOUT SABO??? he specifically mentions the revs chief of staff what is up with that!!! i need deuce to reappear soooo fucking bad
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starheirxero · 14 days
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Wouldn't it be fucked up if Bloodmoon resorted to trying to alter how Jack works and acts in some feeble hope that he will get a result closer to his twin. hoping that he can live in denial a little longer by changing his speech patterns, his personality, his movements, anything that makes him seem closer to what's been lost. yk?
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sunmoontruth-stiles · 23 days
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I need a completely rewritten teen wolf series with Derek Hale as the main character. I think it would heal me.
#we follow Derek from New York. Laura left for beacon hills. it’s been six years since he was back but he hasn’t heard from her#and hes going stir crazy waiting. he packs up and travels back. it’s almost too much immediately. he still can’t get a hold of Laura#he can’t resist going home. it’s like a natural pull that guides him back. all at once he’s 16 again. staring at the wreckage of his life#deputy stilinski is sherrif now. it’s reassuring in the slightest that the police force seems to have moved on from how corrupt it was#he catches her scent and it’s putrid. bile catches in his throat. he seeks it out. still in denial to what he knows it means.#when he finds Laura it’s like the world ends all over again. he can’t stand to see her like this. he gives her a proper burial.#the best he can do at least#he visits Peter. he’s not the man Derek remembers- so full of fire and cunning. their relationship may have been strained at times.#often Derek felt more like Eve being swayed by the snake than a normal friendship#but this isn’t the sharp tongued uncle who guided him. this is a broken shell. all that remained of his family. he was so lost.#22 but he barely knew how to function without his family- his pack paving the way#Laura handled everything. she got the apartment. she made sure they had food. Derek looks back and feels so useless#he was so lost in his grief. Laura must of felt the same way but she never let them drown in it#she made sure he got his GED. even got him to enroll in community college classes.#he took them online. he never was able to warm up to people the same way. he used to be so full of life. now he just wanted to be left alone#he studied English. never finished his degree. doesn’t look like he ever will now. he can’t go back to Laura and his shared home.#can’t bare to see another shell of a home#he vents to the vacant audience of Peter and his cold fixed eyes#Derek leaves. he wants to promise he’ll return soon#but promises feel costly these days#he decides to go back to the reserve. maybe he can find some clue as to what happened to Laura#someone lured her here. someone who knew them and their history here#his mind went to the worst. Kate. why would she go through the trouble six years later. why wait so long.#Derek couldn’t stomach the thought of facing her. he focused on the woods. the scents were all over the place.#clearly multiple people had been through here recently. two scents were much stronger. Derek follows them#but when he hears the crunch of leaves he realizes why the scents are so strong. they’re still here#he ducks behind some trees. listening in on their conversation. but an echo of their scent catches his attention#he spots an inhaler on the ground. he puts two and two together and swipes it from the leaves.#he comes out once they’re closer. tossing over the inhaler- he figures they’ll leave. dumb kids messing around in the woods#he reminds them this is private property. though that may not be true anymore. he recognizes the scent of a new beta. interesting.
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