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artist-issues · 5 months

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If you haven’t seen Wish yet and you love Disney, do not go see it. I am telling you now. It is ripping out the hearts of the Disney movies you love and then waving their corpses around as if celebrating those hearts.

I’ll explain why, again: the message of Wish? Awful. Anti-Disney.

But they've been doing this for a long time. Saying one thing with their movies, and saying another with their PR and Disney Parks Soundtracks.

I'll explain.

Main Idea of Disney's Wish (and the You Are the Magic theme park song and merch): "The power to make your wishes come true is in you."

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Most Disney Movies' Idea on How to Have Wishes: "Do what's right, (trust a higher power) and something even more wonderful than what you wished will happen."

Don't try to argue with me about this. You have to look underneath the slogans and the sweater designs and the song titles to what the stories actually support to acknowledge this.

Because you can’t say “do what’s right” has power unless you answer the question “who gets to decide ‘what’s right?’” (Which, coincidentally, is a question Wish brings up and then doesn’t answer.)

Audiences of Disney used to accept that wishing on a star was much like prayer; there’s something you long for, and it’s out of your hands, but you wish for it and you do what you know is right in the meantime. And you’re not crushed, you’re not downhearted, because somewhere in your mind you trust that the combo of those two things—wishing on a higher power and diligence to do what’s good—will be what makes your wish come true.

Trust in a higher power—COMBINED WITH:

—diligence to do what’s good.

The Blue Fairy (higher power) gave Geppetto his wish specifically because he had demonstrated commitment to do good, whether he got what he wanted or not. The Fairy Godmother (higher power) gave Cinderella her wish specifically because she kept on being kind and good to low creatures like mice and wicked stepsisters, whether she got what she wanted or not.

Do you know why that combo (higher power + diligence to do good) is impactful? Timeless? Important?

Because it’s selfless. You want something, but you’re not going to sacrifice doing the right thing to get it. You’re not going to focus so hard on making what you want a reality, on your own, that you miss out on things that could be more important than what you want. And, you’re not so self-focused as to believe that if you don’t do it, it won’t get done.

Jeez, that’s the whole point of The Princess and the Frog!

Tiana wishes to have her own restaurant, and she believes that only her own hard work will grant that wish. She misunderstands her dad’s advice before he dies. She isn’t willing to trust a higher power combined with her own diligence to do good—she only trusts her own ability.

It’s not until she realizes that Ray, the character of faith, was right all along that she learns—what she wished for was too self-focused. It wasn’t complete without love. Something bigger than herself. And getting that was never going to happen just based on her own hard work.

But you know what? It was never going to happen just by a “higher-power” flavored shortcut, either. Because Facilier offers her her wish if she’ll just trust him, no hard work needed. But what does she say?

Trust in a higher power + diligence to do what’s right = selflessness, and getting more than you could have ever wished for. And if your wish is selfish, doing those two things will change your wish into something selfless.

More examples? Get ‘em while they’re hot, in case Wish made you forget, just like the current #NotMyDisney executives have forgotten, what real Disney wishes are for.

Belle wishes to have adventures in the great wide somewhere--but when she's imprisoned and that chance is taken from her it's not reversed because she worked hard to make her wish come true. It's granted because she gave up her wish for her father: she just did the right thing, regardless of her wish. And in the end, she does get what she wished for, which is adventure in an enchanted castle...and much more, because she gets true love, a throne, and a castle full of friends.

How about the One Who Started It All? The one Wish is failing to pay genuine tribute to?

Snow White wishes for someone to love her, and he does--but when they're separated, she does not exercise power to make The Prince come back to her. Instead, she loves who she can where she’s at—the Dwarfs. In the meantime, she has faith that he will keep his promise, and that pure trust in a higher power outside of her control is a big contributing factor to why the Dwarfs come to love her, and learn from her...and in the end, even more than she could've wished happens. He does take her to his castle, but she also has seven new friends who also love her, and the Queen is dead. And she didn’t need to use “the power in her” to work harder and get it done. She just needed to not focus so much on herself at all.

How about a male main character? One who’s wish starts out selfish, but after learning to wish on a higher power and be diligent to do the right thing, gets more than he could wish for?

Aladdin wishes to be somebody different (somebody he believes Jasmine could love, somebody who lives in a palace and is respected and “never has any troubles at all.”)—but doing everything in his own power for that wish proves that it was selfish all along; so he switches to doing the right thing, regardless of if his wish comes true, and he gets even more than he could’ve wished. He gets real love with Jasmine, he gets his friend Genie, and he gets to be free from feeling “trapped” because he doesn’t have to hide who he is anymore.

Or Simba?

Simba wishes to get to do whatever he wants as King—but when Mufasa dies and he’s convinced it’s his fault, it isn’t for that wish that he goes back to Pride Rock to confront his past and his Uncle. It’s because he had an encounter with a higher power—his father—that helped him to realize his wish was selfish all along. He gives up the selfish wish, and he goes back to take his place as king, not so he can do whatever he wants, but so that he can take self-sacrificial responsibility that comes with ruling. And because he just does the right thing, finally, he gets more than what he wished for.

How about something more recent? Zootopia.

Judy wishes to make the world a better place by proving she can be what she wants to be and catching bad guys—but when she tries to make her wish happen on her own, in her own abilities, she fails and is forced to realize that she should’ve been looking for help by understanding “bad guys,” like Nick. It’s only after she humbled herself, admits she’s wrong, and changes her wish from “proving I can be what I want and catching bad guys” to “proving that understanding each other makes the world a better place” (much less self-focused) that her wish comes true—and so much more. She does make the world a better place, and she does get to catch bad guys, but she also gets to befriend one who was a good guy all along, and become all-around more effective at her dream job.

This is how Disney always has been. Because it’s at the heart of good storytelling, and even life (not to get too dramatic.)

The power is not in you. Because it’s not about you. Self-sacrifice, faith, and doing the next right thing regardless of if you get your heart’s fondest desire is what makes more than just your wishes come true. And there has to be belief in a higher power to make that message powerful.

But Wish?

Not only is it bad at showing instead of telling. Not only is it lazy and soulless.

But it’s characters rip the Star out of the sky and say “don’t wish on this. Wish on yourself, to get what you wish for. You don’t need a higher power. You don’t even need to sacrifice to do what’s good—whatever you do is good, because you are the one doing it.”

That is wrong. That is not true, and it is not powerful. There’s no sacrifice in focusing on or placing your trust totally in yourself, and it undoes every good thing Disney has done up until now.

And it undoes it on the 100th anniversary, and it flaunts Easter eggs of the very things it’s undoing.

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duke-daemon · 3 months

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hazbin hotel redesigns wooooooooo

okay so. i'm gonna discuss my thoughts about them n shit, putting under a readmore bc it's gonna get long and rambley. sorry in advance for the shit formatting, i'm on mobile </3

just some general shit about how i would rewrite it. i think the premise of redeeming sinners is entertaining but is executed horribly. i also am a fan of the "heaven isn't great either" idea but again, executed horribly. i'd make the hierarchy of angels more accurate because it's cool as hell and i have autism about it. the characters from hell would swear still (albeit not as much), but the angels would outright refuse to swear or make vulgar jokes ever. this would be partially to further the gap between heaven and hell and make the differences more stark.

hell would also be more like dante's inferno (again because i think its cool). the ars goetia would get a full redesign and would be more prevalent in demonic society.

now for the characters!

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VAGGIE VALTIEL:

starting off with vaggie, or Valtiel as i've renamed her because let's be honest her original name sucks. Valtiel (Val for short) was an aspiring power angel who wanted to be an exorcist. she looked up to lute and thought the idea of killing demons was really cool and badass. however when she actually was on the field for the first time she discovered how awful this actually was. she tried to help a few demons but lute figured it out and felled her right then and there. the rest of her story is relatively the same. personality wise she's more stoic and less prone to all-out aggression. she still get angry, sure, but it's in a quieter and more menacing way. you DO NOT want to fuck with Valtiel.

CHARLIE:

next up is charlie! i had two ideas for her. the first one (unsettling drawing) has her as a mannequin/doll type demon. lucifer and/or lilith was unable to conceive and as such they built a kid from scratch. she's overall similar to og charlie personality wise, very kind and cheerful despite her unsettling appearance. she struggles with empathy sometimes but really does mean well. her motive for rehabilitating sinners is so they get to see their family again. being able to see heaven from where they are in hell must make them sad, so she wants to help make them happy again!

the second idea for charlie has her as an angel. specifically i casted her as a dominion angel due to their reputation as holy judges. she was once a demon but has been rehabilitated and has risen into angelhood! she now wants to help her former kin do the same and redeem themselves in heaven's gaze. again, similar cheery personality, but a bit more prudish in this rendition

tangent time!

as a side tangent, valtiel and charlie would have a different relationship in this rewrite. their relationship felt shoehorned in in the original show, like it was just there for the hell of it. we didn't see much development between them and it just felt kinda bland. so in my rewrite, charlie and valtiel are amiable exes. they tried dating when valtiel first fell (when charlie was still a demon in the charlie-angel version) but realized their feelings for each other were much more platonic than romantic. they ended things off on good terms, deciding they were much better as friends. they are still besties to this day! later charlie ends up with emily (or 'ellie' as i plan to rename her)

back to the characters

Alastor:

note: i made alastor mixed-race, which could be seen as bad by some due to vivzie saying he's black. however, as many have pointed out, he has no ethnic features whatsoever and i honestly wouldn't be surprised if she said that just to get away with using voodoo symbols (a closed religion) in his imagery/design. like viv, i am incredibly white and have little to no knowledge of voodoo, and even if i did i would not use it for something like this anyways due to the stigma the religion already has and (again) it being a closed practice. as such i removed it from his concept altogether, but made him mixed race (white passing) because.. why not i guess, i forgor my actual reasoning

with that being said...

alastor is by far my favorite of the redesigns and i'm honestly tempted to turn him into a legally distinct oc. i imagine he's somewhat reserved, along the lines of norman bates albeit a bit more extroverted. during his life he was a serial killer with a day job as a radio announcer. he took pleasure in reporting about his own murders on the radio, but that is eventually what got him caught (ie accidentally letting slip info that wasn't released to the public). as a result he was sentenced to death. upon arriving in hell, he quickly rose through the ranks to borderline overlord status and is a feared presence by demons and sinners alike. why is he bothering to assist in the hotel project? who knows... his motives are a mystery, like the rest of what he does

(he isn't actually alastair crowley i just thought the naming convention was ironic. however he may have also dabbled with satanic magic in lifetime..)

Angel Dust:

TW: brief discussion of SA

this is definitely my second favorite redesign. i loooove insect themes and wanted to do more than just Extra Arms, so he now has fucked up legs and a lot of eyes too! story-wise, angel used to be a criminal mastermind, hated by both the mafia and the feds. he was a gentleman thief, arranging massive heists under the cover of night while also partaking in the occasional drag show. he ended up a cocaine addict later in life, which caused his work to become sloppier. eventually he was killed in a heist gone wrong, specifically shot by the police.

i'm not gonna go too in-depth on the SA part of his story, but he is hypersexual due to being assaulted in both his life and afterlife. it would be something he'd be working on in the rewrite. his reason for coming to the hotel in the first place may have even been for help with this trauma. underneath his sultry exterior is a broken guy who really just needs someone to care about him for who he really is and not for what his body can do.

LUTE:

so lute and adam are some of the characters i have the most gripes about. the biggest one being why viv chose adam as the leader of the exorcists in the first place. if she wants a biblical figure tied to demon killing, Archangel Michael is RIGHT THERE, aka the one destined to kill satan during the events of Revelations. if she wants the first human to die, that would be Abel, not Adam. and i kinda doubt abel would want to do the stuff that HH!adam has been doing. if she wants an angel related to torture, Dumah is her guy! an angel that rules over wicked souls and tortures sinners every day except sabbath. so many better options...

with that out of the way, Lute is still the lieutenant of the exorcist, who are a specially chosen group of powers sent to purge hell once a year. think navy seals. she's pretty much the same as in the show, albeit more muscular and visually different from other exorcists (seriously why do they all look exactly the same?????) she's a very repressed lesbian who hasn't had time to work on that due to her duties

i also redesigned the exorcist uniform/armor because those LED purge masks are fugly as hell and their clothes don't even look remotely like armor.

Adam + Final Thoughts

i did start a redesign of adam but got bored of it. regardless, i think he'd be the head of C.H.E.R.U.B. instead of the exorcists. he doesn't want his children to make the same mistakes he and eve did, so together they started C.H.E.R.U.B. to help lost souls stay out of hell

final thoughts uhhhh i'm tired. show sucks, it had so much potential but viv ruined it by being a shitty writer and an even shittier person. the designs are fine i guess but they all look exactly the same and are in desperate need of variety. the humor is dogshit, saying dick and balls and penis over and over and over again doesn't make it any funnier than the first three times you made that joke. anyways that's it, i hope you liked my inane ramblings. gonna go vanish for another forty years or so, adios

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xamag-draws · 13 days

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BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

#my art #xam rambles #the black brick road of oz #long post #ohsees tag

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roxygen22 · 3 months

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FAMILY BUSINESS

"My Little Cocoa Bean" Series

Willy was absolutely smitten by his "little cocoa bean," Benjamin. You called him Ben for short, but Willy affectionately called him Bean. He stayed home from the factory for a bit to help you recover and bond with the baby. He made the most of his limited time off doting on you both. Unless Ben was feeding, he was in Willy's arms. He was truly a devoted, loving father and husband.

Willy went back to work when Ben was about three weeks old. It was an adjustment to be alone with the baby all day, but it made Willy's returns in the evening all the more sweeter. After about six months, he came home with an idea.

"Now that he is a little older and more sturdy, why don't I take Bean with me to work one or two days a week so that you can have some time to yourself?" Willy not-so-secretly struggled going back to work, often lamenting how much he missed you both, but he knew he had to provide for his family.

"Oh my. I love the concept, but how are you going to handle business or have your hands free to make chocolate?" you asked as it took both of your hands to keep Ben from launching himself out of your lap to get to his papa.

"Easy!" Willy exclaimed as he scooped up the baby. "I saw Lottie today, and she had little Georgie tied to her chest with a wrap. Then it clicked - I could do that, too! Besides, babies are good for business! He's so cute, he'll draw a crowd," he mused as he squished his nose against Ben's chubby cheek, then turned to you with a pouty lip.

"I guess we could give it a try. Maybe start with a half day?" you said, excited about the potential but nervous about its execution. You loved your husband, but you were not sure he fully understood what he was in for. You did, however, always admire his determination to get what he wanted in life, even if he resorted to playing on your sympathies with a pout.

"Great! I already went by the store to get fabric to make a sling." You shook your head fondly and went about your evening routine.

Thanks to his mamma's teachings, Willy was handy with a needle and thread. A couple of nights later, his contraption was ready for testing at home. Ben was quite cozy snuggled up on his father's chest, gently babbling while Willy washed the dishes after dinner. Everything was going swimmingly. "Tomorrow would be a good day to try this out for real," he said. "I don't have any business meetings, so I'll just be splitting my time between the stores and the factory."

"Ok," you said tentatively. "I'll get his bag ready and write down his daytime schedule." The next morning, you loaded Willy down with everything he would need - extra clothes for both father and son, burp cloths, bottles, diapering supplies, etc. "So he'll need to eat again in a couple of hours. That will probably be when he needs another diaper change. And he'll need to go down for a na..."

Willy put a hand on your arm to interrupt you, rubbing up and down to calm your nerves. "I've got this. Okay? I want you to focus on enjoying your alone time." Admittedly, you were looking forward to a chance to curl up with a good book without intertuption for a few hours.

"Alright, Bean, ready for some adventure?" The baby cooed and raspberried spit all over Willy's hand. "I'll take that as a yes. Allons-y! Wave bye to mamma!"

"Bye bye, my boys. Have a good day!" You stood at the front door and waved them off.

<><><><>

Willy stopped first at his flagship store in the Galeries Gourmet to ensure things were in order. Mrs. Pennington, a regular customer always in the company of her granddaughter, spotted the chocolatier. "Well, hello there, Mrs. Pennington, Miss Hannah," he greeted and tipped his hat at the ladies. "Are you finding everything okay?"

"Indeed, Mr. Wonka. Thank you," the grandmother smiled. "And who is this handsome little one?" Ben babbled and cooed.

"This is my son, Bean. I mean, Benjamin," Willy replied with a proud smile.

"Oh, how lovely. Learning the family business early, eh?"

"As my mamma said, 'It's not the chocolate that matters. It's the people you share it with.'"

"I remember when my children were that little. Soak it up, Mr. Wonka. It doesn't last long." She patted the baby on the cheek and then continued her shopping. Willy turned around to wipe away a tear and kiss his son on the head.

Ben seemed to enjoy interacting with customers, smiling at their baby talk and staring around the store with wide eyes. But after a couple of hours, he started to fuss. The cashier was on break, so Willy was working the register, bouncing the baby in an attempt to silence his whimpers until he could break away to make a bottle. "Would you like your change spendable or edible?" He practically had to shout at the customers to be heard over Ben's fussing. Luckily the cashier came back before fussing became screaming.

"Okay, Bean, give me just a second and we'll silence those tummy grumbles," he said as he made his way to the stockroom. He deftly prepped a bottle and freed the baby from the sling. Very soon, Ben was reclining in Willy's arms and greedily sucking down a bottle. "See, I told your mamma I've got this."

<><><><>

Once Ben was fed and changed, Willy packed up the diaper bag and set out for the factory. Lulled by his father's swaying, Ben stayed asleep for a good while even after being transferred into the bassinet Willy had set up in his office. Inventing and chocolate making weren't exactly quiet endeavors, so Willy caught up on a bit of bookkeeping instead.

Ben eventually started stirring, alerting Willy with his soft coos. "Hi, sleepy head. Are you ready to go make some chocolate?" Willy set him back in the sling and made his way to the Idea Lab. Feeling refreshed from his nap, the little one was very alert, so Willy thought it would be fun to make this an interactive experience.

"Alright, Bean, I need to come up with something new, and you're going to help me," Willy announced while holding up two jars. "Which jar should I start with?" Of course, Ben's attention was grabbed by the brighest color of the two. "Ooh, essence of rainbow. Good call. What next?" he asked, continuing to hold up two jars at a time for the baby to choose from until he gathered enough.

Willy added the ingredients to his travel factory, which he still used for small batch experiments. Ben stared in wonder as the brightly colored liquids flowing down the spiral tube and giggled at the production noises. Willy was busy pressing buttons and pulling levers when the first chocolates came out of the machine and didn't pay close enough attention to Ben's stray hands. Willy looked down to see the baby's tiny hand grabbing and mashing melted chocolate into the fabric of the sling, his hair, and both of their shirts.

"Well, now I understand why your mother sent spare clothes for both of us." He wiped chocolate off his son's cheek with a finger and licked it. "Tastes good, though! I need to write that concoction down."

<><><><>

You were sitting on the couch with your book when Willy came home at lunchtime. Both boys and even their spare clothes were covered in chocolate. You had to stifle a giggle as you tried to figure out how to best grab the sticky baby without getting covered yourself.

Willy gave you a tired look but also huffed a quiet laugh. "I may have overestimated my ability to keep things under control. I don't know how you get anything done, my sweet. I always knew you were amazing, but you must have superhuman powers."

"Perhaps," you winked as you stripped Ben out of his clothes and started rinsing him off in the sink. "Are you sure you still want to make this a regular occurrence?"

"I would do it again in a heartbeat. But not before I have a bath."

<><><><><><><><><><><><><><><><><><><>

MASTERLIST

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talaok · 5 months

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hi!!! request for joel being readers first kiss. He won’t go any further than kissing but they have a LOT of fun kissing

thx

post outbreak jackson pls

Pairing: Joel Miller x f!reader

Warnings: very brief talk of some sexual themes at the end, but the rest is... you guessed it, kissing!

a/n: 1000/10 idea i literally blushed when you sent it. idk about the execution tho

You were so incredibly embarrassed when you told him, when you finally had to confess that you had no experience, and by that I mean really none, absolutely zero.

But then again what could he have expected?

perhaps he knew right from the moment he set eyes on you, and perhaps... perhaps he liked it.

It oozed from your every pore... your innocence, it was in the way you couldn't meet his gaze, in the way you shivered when his hand grazed against your arm, in the shyness in your voice... it was in everything... it was all of you.

But he nicked at it, piece by piece, brick by brick, he had gotten to know you... maybe a little too much.

He had realized at one point, too late he'd grow to admit, that he liked you, really liked you, in a way he hadn't experienced in ages, in a way that made him feel sixteen all over again.

And yes you were young... much too young for him, and yes you were complete opposites, him, a rough man with enough blood on his hands to make a serial killer's skin crawl, and you, you a pretty little thing who'd lived her whole life in Jackson, safe from the atrocities of the real word... but still, still he he couldn't stop his old heart from beating faster when he was with you.

And that's why one day, one cold, windy day, as snow fell to the ground and you held onto his arm as if it was a life jacket, while he walked you back home, he couldn't do anything but tell the truth.

"Joel" you had said right outside your front door.

"yes sweetheart?" he asked, watching your pretty face fill with dread

"Joel I... I like you"

You'd told him so casually, so simply, that for a moment he wondered if he had imagined it.

But you had misinterpreted his pause all wrong

"I-I'm sorry nevermind, pretend I didn'-"

"no, no I'm sorry" he shook his head, forcing himself out of his trance "You said you like me darlin'?" he asked, taking a step closer to you so he was right there before you, looking down at the gorgeous girl who'd just made all his wishes come true.

"mh-mh" you nodded shily

And at that, he smiled, placing a hand on your reddening cheek, as his thumb gently stroked it

"well then we're in luck" he'd murmured "cause I happen to like you too sweetheart" he promised "a lot"

"r-really?" Your eyes sparked with joy

"of course baby" he breathed, bending down to meet his lips with yours instinctively before your voice stopped him

"wait-" you said

"oh, I'm sorry, I'm going too fast"

"n-no you're not it's just that..."

it was getting harder to meet his gaze again

"if you wanna wait that's ok, sweetie"

"n-no I don't wanna wait, Joel, it's just that-"

"what is it?"

A loud sigh left your mouth before you could respond

"I've never... I've never kissed anybody"

His mouth fell open slightly at the confession, but he recovered quickly, now both his hands holding your pretty face.

"oh" he breathed "that's ok sweetheart, we can wait"

"no I want to kiss you Joel, I really really do... but- but I'm scared I won't be... good at it"

"oh baby" he couldn't help but let out a soft chuckle "You'll be great at it, don't you worry"

Your heart was racing and your breathing hitched as you looked up into his hazel eyes

"do you think- do you think you could... teach me?"

Now Joel Miller didn't deem himself a romantic, but the way you said that... the way you gazed dreamily and both anxiously into his eyes as you spoke those words... he had to stop a moment to thank whoever was up there for having allowed him to meet you.

"of course I can" he said

"yeah?"

"there's nothing I'd like more baby"

And that was it, you were smiling like a kid in a candy store

"s-so what do I do?"

His hands were still on your face, holding you in a way that made your knees weak

"just follow my lead, I'll go slow, don't worry"

You nodded at that, and before you knew it, his lips were on yours and you were- you were giving your first ever kiss.

You got up on your tiptoes and held onto his arms as you closed your eyes and got lost in the feeling- and wow- you had only read in books about it and seen it in a couple of the movies they showed in Jackson, but this... this was just amazing, it felt like you were dreaming, like you had ascended to another universe.

He had kept his promise, he did go slow, but it felt heavenly for him too nonetheless.

He leaned away after what was probably an eternity, to look back at you and confirm this was all real

"so?" he asked, "how was it?"

You couldn't help but giggle as you almost jumped out of your skin from the happiness.

"good" you grinned "very very good"

"mmmhh" he hummed, moving one of his hands to your waist to bring you closer to him "'s that right"

"yeah" you breathed so lowly he wouldn't have heard it if he hadn't been an inch away from your face

"well I'm glad" he smirked, kissing you on the cheek this time "Hopefully we'll do that again then"

"yes please"

He chuckled at that, not leaning away

"would you like a goodnight kiss?"

Not a split second passed that you had already answered

"yes" you nodded, leaning up already "yes please"

And that was how it all started.

That was the night you found your true calling... kissing, and not only that, but kissing Joel Miller.

God, there was nothing better than it,

feeling his beard stroke your cheek, the way his strong hands held you as he did, the way he tasted, the way his warmth spread all over your body, it was all just... perfect

And the coolest thing was that when he said he was gonna teach you, he meant it.

Who knew there were so many ways you could kiss someone?

There were the French kisses, the kisses on the neck, the "special kisses" aka hickeys you loved giving him and that he loved pretending not to like, then the kisses standing up, laying down, and your personal favorite: kissing him while sitting on his lap, and then of course as time went on you both found out (although him especially) how much fun it was to kiss in public, at the bar, on patrol, you name it, it didn't matter, what mattered was that his lips were on yours and his arms were around you (and even if he would have never admitted it, he loved it because he loved showing everyone you were his, and he was yours).

If it were up to you, you'd spend your whole life like that, diving your fingers into his hair as his hands explored every inch of your body, your face, your hips, your ass, your belly (above clothes of course), making you shiver and whimper with every movement.

But it was only just kissing, Joel made a promise to himself he was gonna wait, and it's not that he didn't want to go further, god only knew how many times his dick got hard just by giving you a chaste kiss on the lips as he felt your body pressed against his (and yes that did make him feel like a hormonal teenager again, but then again, everything about you did), so no it definitely wasn't that, and he didn't know if it was because he felt guilty or in some way, like he would be doing something wrong, but for now, all he knew was that he needed to wait, wait until he was sure you were sure about him, and about you.

And for now... for now, you were more than happy with it, counting down the seconds until you'd get a taste of him again.

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livixbobbiex · 2 years

Text

12 ADHD hacks that are actually helpful

Record EVERYTHING in your phone's calendar app the moment you find out about it. Mine gives me an alarm automatically before the calendar time - has saved my ass many times.

Get a little bowl or equivalent for objects like keys. That's now your key bowl. You will not lose them ever again.

Write down deadlines as early before they're actually due as you can justify. My ADHD ass never remembers the actual due date. I get all of the stress fuelled productivity with none of the actual danger.

Handwrite notes. I have no idea why, but the process of pen and paper makes me remember things much better.

If you have to be somewhere like class or work, set aside time to go for a walk first. Honestly would be great all days, but I can't even make myself do this, so it's good if you have to be out anyway (and maybe would have been in waiting mode). Burning off energy helps my brain.

When retrieving laundry (ie its dry and you have to fold it), dump it all out in the most inconvenient place possible. I like the bed. It forces me to deal with it, rather than letting it sit there.

Turn on subtitles when you watch anything - even YouTube and live TV. I didn't realise how lifechanging this was until last year.

The Breath of the Wild soundtrack is weirdly the best background music ever. It's the perfect level of stimulating without distracting

Use text to speech for long walls of text. It's great.

Did I mention phone alarms? I use it for everything - ie when I know I might hyperfocus on something for too long.

There's literally no obligation to eat 3 meals at set times. If eating snacks throughout the day works better for you, then do that. There's also no shame in things like pre chopped fruit/veggies.

I struggle with transitions sometimes. A way around this is keeping a ton of water next to me. When I get frustrated about being stuck, I just drink as much water as I can. Eventually, this means I have to pee, and physically cannot ignore it. The act of going to the bathroom is sometimes enough to change activity.

Disclaimer that this is my own experience with ADHD, which may be totally different to someone else's. But hey, these are some things I've always found useful.

EDIT because this has a lot of reblogs wow! Please feel free to share even if you're a different type of neurodiverse, or even straight up neurotypical. At the end of the day most of these are focus/executive dysfunction tips, and I'm glad they're useful no matter what your situation is!

#adhd #neurodiversity #actually adhd #neurodivergent

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risuola · 8 months

Note

Please hear me out!

i’ve been thinking about this for a while, and I wanted to write it myself but I can’t write for shit 😭 Here’s my idea, reader (she/her) is close friends with Satoru and Suguru. She takes Suguru’s place instead, and Suguru ends up not going insane, and decides to stick around in Jujutsu High. But because the reader takes his place in this story, she spirals and abandons the idea of being morally good. (She’s a sensitive softie at heart 🥹 the cruel reality of being a sorcerer really took a toll on her). She commits so many crimes that the higher ups urge the strongest duo to finally execute her after dismissing her for nearly a decade. She dies in their hands, and doesn’t get a proper burial. Kenjaku takes her body and uses it as vessel. When Shibuya arc finally unfolds, she shows up right in front of Satoru and Suguru, alive and well. Soon reveals that it’s Kenjaku who has full control of her body. Of course their guilts eats them alive, and the reader (more like kenjaku) rubs salt on their wounds by taunting them about how she’s a great vessel and also a waste that she had to die so soon.

LOST CAUSE — F. READER x GOJO SATORU + GETO SUGURU, but there’s no romance whatsoever, guest appearance of Kenjaku

cw: an au where SatoSugu have another close friend; spoilers for Hidden Inventory/Premature Death arc and the very beginning of Shibuya arc, so much angst and the usual that comes with JJK – blood, hurt, tears and depression : D also, possibly inaccurate references to the original plot, reader's death — 5,5k words

a/n: I’m hearing you out dear! Thank you for the conception, it certainly fulfilled my need to write long and angsty <3

It was stupid. All of it was stupid. Why? Which decisions led you to where you now stood, all of your mind and body filled with devastation as you stilled in time – above the piles of little corpses, disfigured and permanently contorted in a grimace of dread and suffering. A stench of blood and burned bodies irritated your nostrils, your eyes were teary from all the smoke that still was filling the air and as you looked down at your hands, they were covered in blood and purple goo. Sticky. Repulsive. And the screams. In the dead silence of your surroundings, your head was still filled with an echo of those, who were now dead at your feet. Those, who you were unable to save. The imagery of them running, begging, dying carved itself into your mind. Why were you here, again?

* * *

“Hey, y/n, you’ve lost some weight. Are you alright?”, Satoru asked, playing with pencil that just a moment ago he asked you to throw at him. A showcase of his new skills, the techniques he’s been perfecting for the last year after encountering Toji Fushiguro. You forced a smile, squinting from the blinding sun of the summer at its peak.

“Yeah, sure,” you replied, patting Suguru’s shoulder, because his attentive eyes were scanning you already for any sign of disorder; you could hear his analytic brain cranking up, his golden pupils drilling holes in your head. “I’m good, it’s just too hot you know?”

“Wanna go grab some ice cream later?”

“Always.” No, you didn’t wanna go grab ice cream with them. You didn’t wanna grab anything with anyone for that matter and already you had come up with some half-baked excuse to sell later to your two best friends.

You, Shoko, Gojo and Geto were all in the same year in Jujutsu high. You joined them a little late, but quickly found yourself inside the love triangle with the two boys. You called it love, but it truly was nothing more than just a bonding friendship that you wished will last forever; a really close one and you couldn’t imagine your world without their chaos. They were like brothers to you, the ones you’ve never had and Ieiri was like a sister, but she was smart enough to keep her distance from the mess of SatoSugu. You were not as bright in that matter, but for two years, you couldn’t appreciate enough the yin and yang that they created, the casual bickers and deep talks late at night, the cuddles and pinches, the pats and smacks, the tears and laughs, sleepovers, sleepless nights and everything between. You loved them, you couldn’t think of your future without them.

That’s until not that long ago. Few months, maybe. You felt like you’ve been spiraling slowly into something that could only be named depression, because if not that, then what else? Why would you randomly tear up nowadays, zoning out completely in the midst of sentences. Why would you spend nights, blankly staring at the ceiling instead of sleeping, isolating yourself from your friends more and more? And why would you still hear that? The screams, the pleads of hysteric, the soul-tearing sounds of pain and frighten that you’ve been carrying inside your brain since that one mission.

Everything went wrong then, and you were alone. Shoko stayed at the campus, working her way towards becoming a doctor and you, Satoru and Suguru were assigned only to solo missions since the plasma vessel failure. You were strong, it was stated that your year was exceptional, that all of you have a chance to become special grades soon, but you hated that. Being strong came with a burden that you were not ready to take, and when you realized that, most of it was already heaving on your shoulders.

When you got to that school, it was already too late and it wasn’t your fault. You rushed there as soon as you were assigned with the job, but when you dropped the curtain and looked at the building, there was already smoke coming from the window holes, that some time earlier had glass in them. And when you kicked your way inside the little indoor sports arena, the view struck you in ways you couldn’t possibly prepare yourself for and certainly, you couldn’t process it as well. The school was primary, those people were just kids, but the curses pay no mind to age of their victims. This one was particularly playful – or rather, eagerly violent – spreading hellfire around, burning these children alive one by one, causing chaos, suffering and bloodshed. When you finished exorcising it, it was over. For the curse, for your job and for the lives of all of those children. None survived. Not even one.

Not always we can save everyone, Suguru always told you, rationalizing the sacrifices sorcerers have to make and you tried to repeat that in your head when you got out. You tried to play it over the screams, but eventually, the soft tone of your friend’s voice got lost in the catastrophic cacophony of sorrow, sizzling skin and burning death. And that, maybe wouldn’t be enough for you to lose your mind. Maybe you could recover from that, but soon after the incident you witnessed the group of people that stood behind the assault. A band of grown humans, men and women, who were convinced some of those children were possessed by devils or some other shit, so in all hypocrisy known to race, they hired a curse user to fight fire with fire. Quite literally. Those people were so blinded by their fear of unknown that they sacrificed lives of dozens of little children, they shattered so many innocent lives only because they believed in something absurd. And then, they tried to push the blame on you, on sorcerers despite the fact they hired one to do the dirty job. And then, they killed the user, fearing him too. When you’ve got to see the body of a sorcerer that you’ve never got to meet, or at least you thought so, you realized that probably, you wouldn’t recognize him anyway. You’ve seen corpses barely reminiscing of humans, twisted and broken as curses often chose the most petrifying, violent ways of killing, but this? This was something you’ve never seen before – a cruel, ruthless exhibition of pure hate, evidence of deliberate torture, the picture painted in stabs, burns and bruises. All of which, caused by people, who frankly, showed no remorse nor regret as their faces were painted in pride, origin of which you failed to notice.

Those humans. Used jujutsu to commit mass murder only to blame it on your people and kill them. Animals. No. Worse. Much worse.

“Y/n, please, let’s talk it through,” Suguru tried to reason, as you stood up against the two of your friends, in the middle of Shibuya’s scramble crossing. People were passing next to the three of you, unbothered by the way your worlds were colliding right here, in the busiest part of Tokyo. People didn’t care of others, they wouldn’t react if someone next to them would get stabbed to death, only caring about their own shoes to not get them stained in the dirt of blood.

“Don’t be stupid, it’s not who you are,” Satoru raised his tone, but all you felt was nothing. The emotions you’ve seen on his face were real, you knew it. Satoru wears his heart on his shoulder, he pours everything he feels into the words he aims at people that are close to his soul, and you were no exception, but at this moment, you felt nothing. “I know you couldn’t do that.”

“Couldn’t I?”, you asked, thinking back on the last Friday, during which you executed those same people that used jujutsu sorcerers to wipe the floors of that primary school. To wipe the blood and burned bodies. You remember how they knelt before you, how the women cried begging for their lives, yelping that they have children, families and yet, those same children and families were nowhere in their mind when they ordered a mass murder in the primary school. “And why would that be exactly? Because you two think so?”

“Y/n, I get it,” Geto stepped forward, but stopped as you glanced at him. “I really do. You know me, we talked about it. It was hard for me too after Riko, I know what you’re going through.”

“I know Suguru.”

“I thought you keep his side, y/n,” Gojo threw his hands in the air, helplessly trying to find the words to dress his mind with. “I thought you believe in doing good with your powers. That people won’t understand so we shouldn’t look at them and just do what we do. Wasn’t that what you’ve told me?”

“I did, yes,” you gave it a nod and exhaled. “But it changed. Yes, they won’t understand. Anything that they can’t comprehend is pure evil for them and yet they believe in such absurd like gods. They will use us to do their dirty works and then blame us for it, because they cannot understand a single thing. And then, they will kill us, one by one and we, the strongest, cannot do nothing about it. We’ll have to go through life through the corpses of our friends. People don’t deserve what we do for them.”

“Y/n, please, let’s talk about it. Let’s get back to school-“ Geto tried, but you cut him off.

“You two, get back to school. I know I have a sentence already, there’s no point for me to get back there only to get executed. And frankly, I don’t want to get back there, to take part in what they teach us is right when we die for those people. We give our lives for them and they have no idea,” you said, taking a step back. You could tell the lights will soon switch. “Look around, Satoru, Suguru. They crawl around us unaware of our sacrifice and yet, even if they are so fragile a single blow can kill them, they think we deserve to be killed. I’m not gonna take part in this anymore. I’m sorry.”

“We can’t let you go, you know that, we-“

“Then attack me. I’m sure any of you can take me down. I’d rather die by your hands, than on a job of protecting them.”

You turned your back on them, and Satoru raised his hand, pointing at your silhouette, blue already on his mind as his cursed energy gathered in front of his fingers. Suguru’s curses sprawled out of their dimension, but none of them pursued with the attack, unable to do that. They couldn’t kill you. You were too dear to them. They loved you too much to take your life like this. So they let you go, and soon enough, they lost the sight of you in the crowd.

* * *

Nine years. It's been almost a decade and many things changed. You changed your ways completely, making a point of protecting sorcerers from people, even if that meant killing them, but care for humans was something you’ve lost many years ago, having it slowly replaced by disgust. Your once soft heart turned hard and dark and all the good in you vanished as you time after time solidified your beliefs that humans are simply not worth saving, therefore there was no need to keep them alive the moment they became useless. Over those years, you used those people to your benefit, raising money and gathering intel and then, the second their use to you has become nonexistent, so were them. Blood burned permanent stains on your hands but screams of hurt didn’t phase you at all. Have you become a monster? You might have. But for the lives of sorcerers, it was worth it.

It’s been almost a decade since you’ve been dismissed from jujutsu community for crimes, that over those years piled up rapidly and during this time, both Satoru and Suguru tried to stay out of this, whilst Yaga turned a blind eye to the corrupted path one of his students went down by. The now principal felt responsible for not doing enough, for not saying enough, for not noticing soon enough and though the rest of his students, now teachers in Jujutsu high told him that some things were inevitable, it wasn’t that easy to switch off the thinking. Same went for both the strongest, but for years, they waited in hopes for something to change.

That was until you killed someone seemingly important. A politician of sorts, high government pawn that you learned was funding a unit of so-called sorcerer killers, ones that modelled after Toji Fushiguro in cold blood were meant to take down a menace that jujutsu users were, as if it was them who were the ones to fear. Opposite to little no-one’s deaths, this one was loud, this one was medial and this one, Yaga couldn’t let slip. So, an order was given.

Kill on sight.

Almost ten years, and yet Satoru still couldn’t believe what happened. Whilst young, the three of you were almost inseparable and you, out of the whole group, were the most sensitive person he knew. You were soft and full of smiles, kind above all else and yet, you were strong enough to hold back the tears he knew were threatening to roll down your cheeks on many occasions. You were soothing, an oasis that was easily able to turn any darkness into light, and what Satoru couldn’t forgive himself was that once that same darkness started devouring you, he didn’t notice. Too focused on his own missions, on lighthearted shenanigans, on perfecting his usage of limitless and six eyes, he had no idea about your state of mind and when he realized, you have already been sentenced. Suguru didn’t notice either. Or maybe didn’t want to notice, because you talked through many nights about the doubts you both had. He knew about the utter devastation that was slowly consuming your soul but hoped you’ll overcome it, because you always were a sunshine, and a sunshine couldn’t die down to shadows. Turned out, this shadow was pitch black and no light made its way through it.

“Y/n,” they called you and the beautiful music that their voices created brought back memories of your youth. Ten years, almost, had passed since you’ve seen your best friends the last time, and with curiosity sparkling through your system, you turned to face them.

“Satoru, Suguru,” addressing them, your lips curved up slightly in a manner of soft joy. Your heart fluttered at the sight; your pulse raised just as it would for person who’s just seen the love of their life. “Long time no see.”

“It’s not as pleasurable as we would like it to be, y/n,” Suguru sighed and you took a moment to absorb the view.

Both of them changed. Suguru, still tall and broad, seemingly even buffier than he was before stood there with his hair now longer and partially knotted and partially left loose on his back. His facial features sharpened, jaw got more edge to it, eyes turned more narrow and focused, but still, some softness remained from what you remembered and probably he would seem even more familiar if not for the tough expression he had going on. Satoru, right next to him, became even taller. His white hair was now pointing up, kept by a white wrap that completely covered his eyes – something that he probably adapted during the time of usage of his six eyes. Not much of his face you could see, but with ease you noticed his features matured. Both were dressed in uniforms that you could only tie to their unbreakable bond with Jujutsu high.

“You’re now teachers, the two of you, huh?”, you asked, smiling softly, but keeping their moves in mind. “I’ve heard this year’s students are exceptional, now it makes sense. Good they have such amazing senseis.”

“You could have been one of the teachers too,” Gojo snapped.

“How could I teach anyone something I don’t believe in?” a chuckle rumbled deep in your chest as you thought of the image. Abstraction of it made you amused. “How’s Shoko? Is she a doctor now?

“She is,” Geto muttered, unsure why is he answering your questions. “Yaga is the principal.”

“Oh, is he? Look at him, climbing up that ladder,” you laughed, “so, it’s on his orders that you two are here?”

“You killed a fucking politician, y/n,” Satoru spoke, sounding calm but you could tell his blood was boiling. Both of his hands hidden in his pockets were visibly clenched in fists and even though you couldn’t see his eyes, you knew his brows were furrowed. “Almost a decade we allowed you to do whatever you tried to do, but this time, higher ups stepped in. The sentence is decided, we cannot let you pursue your goals further.”

“And why are you both here? I’m sure just one amazing special grade would be enough,” there was a certain amount of poison in your words, though it wasn’t directed at your friends and both of them knew it. “Are the higher ups so desperate to get me off the board because it’s them who give green lights to those assholes that kill us? Did you know that that pathetic politician I’ve killed was in midst of creating an army of little Toji Fushiguros? How do you think he even knew about the dude, huh?”

“An army of Toji?”

“Yeah, remember that guy, that cut both of you into slices? Yea, that one. And who’s giving away the cursed tools to said army? Well, it’s not me and I assume not any of you as well.”

“Y/n,” Suguru made his way to the side in what seemed like an attempt on surrounding you, because in that same moment, Satoru began shifting to the other side. “I agree with you. People don’t deserve what we do. But no one else can do it. You’re killing those whom we swore to protect.”

“Tell me, Suguru… how many bodies of our friends did Shoko cut open?” you asked and the question made the dark-haired man tsk. It was the truth that hurt the most, he hated how precisely it hit the spot. “How many of our allies were spread across her metal table after Haibara was there? Well, half of Haibara?”

“That’s not the point,” Satoru scoffed and with an exhale, he raised his hand up to loosen up the bandages around his eyes. “We die just as people die. Sorcerers are not above death. You know that, right?”

“We’re not above that, but we are above people and we risk our lives, which we just like them have only one of, for them. And they fuckingstep on it. If I have to pick who’s gonna die from a curse, why would I pick a sorcerer, when a loss of a mere human will be much less tangible than the loss of one of us?”

“Because they cannot protect themselves from curses, and we can.” Geto replied and in a whiff, you felt the appearance of his curses around him. Both him and Gojo were getting ready for a fight, so you had to get ready as well.

“But can we really protect ourselves from them?”, you glared back at him; your tone calm but laced with icicles that pierced through Suguru’s mind as he struggled to see you inside of you.

All of the softness he had always equated you with dissolved into something he couldn’t quite place. Image of you killing someone just for the sake of killing somehow couldn’t materialize inside his mind and it pained him, breaking his heart to think that he will be the reason of your death. And it’s true that probably, just one of them would be enough for that fight, but there was no way they would be able to chose and no one else could do it. You were the strongest, you grew into a special grade quickly after leaving and your technique proved to have no flaws or holes. You were a threat above abilities of others, stepping down only to the two of your friends, if not being equal to them.

“Let’s do it quickly, Suguru,” Satoru sighed, tucking his wraps into one of his pockets.

“Oh, where’s your playful attitude, Satoru?”, you teased, but somehow it hurt you as well. It was your friend you were talking to. Both of them, that came here to kill you and only way for you to get out of it was to kill them.

And killing them, turned out, you couldn’t do. Even hurting them came with difficulty not physically, but mentally. But you fought them both at the same time, keeping a defensive stance, searching for an opening to vanish. From them, you wished to run away, to not make them take the burden of your death because you could see it in their eyes, you were just as dear to them still, as they were to you. But they left you no opening to run away, so you fought. Using everything you’ve got to immobilize them, because instead of taking their lives, that would give you more time.

The way you stood against them, with your cursed technique of energy manipulation, it gave them the hardest time since Toji, and considering they were both taking part in the fight now, ten years after and significantly stronger, just showed how much work you’ve put into your own development. And with pride you noticed, how strong both of your friends became as well. You countered all of their attacks, slashed away the curses and blocked the blues and reds, albeit it really was a matter of time and you knew that. And so, you pushed through, materializing in your hands weapons made from pure, solidified cursed energy, using swords and needles and creating armor around your body that effectively, shielded you from any attack. Your weapon was different from cursed tools. It was made only from energy, strong and unbendable, changing shapes and forms as you deemed it necessary, allowing you to use it in close combat and on long distances. Any curses Suguru summoned stood no chance against what you wielded, but the sheer amount of them was just short of overwhelming you. On top of that, Satoru’s constant offensive, his fists saturated in limitless abilities, the sheer strength of both bodies that were attacking you, slowly rendered you weaker. And it didn’t surprise you.

The end has come when one of the curses stopped you mid-way, engaging in a fight that distracted you enough for a hollow purple to reach your body. The blast threw you away as your body pierced through three buildings straight, through thick concrete bocks and hard steel reinforcements like it was tearing through wet paper and it’s only thanks to the full body coverage of your cursed technique, that it didn’t kill you on the spot. But it hurt. All of your body felt broken once you finally stopped, back pressed against the wall that still cracked underneath the impact of your frame hitting it. Blood covered your vision and a cough shook your body with painful wave overtaking your entire nervous system.

“So that’s the infamous hollow purple, huh?”, you muttered, leaning your head back against the cold solid behind you. There wasn’t much in your body that wouldn’t be fractured at least, you could tell without a mistake that your heart was still beating only because of the cursed energy that still circled throughout your frame.

Both men appeared in front of you, jumping from above – Suguru coming from one of his flying curses and Satoru, probably just teleported here.

“I’m sorry, y/n,” Gojo whispered, squatting in front of you and Geto followed his motion to level his vision with yours.

“’ts alright, ‘toru,” you muttered, feeling the dizziness taking the best of you. After the hit you took, you were certain not even a genius like Shoko could save you. “Sugu… both so strong.”

Exchanging a quick glance, both sorcerers sat down, on your sides, paying no mind to the puddle of blood underneath you. They took your hands, so small in comparison to theirs, now red and wounded severely, but the pain you couldn’t feel much of anymore.

“I’m sorry I didn’t take this mission for you. Back in our days. It was meant to be mine, but I was training,” Satoru confessed, squeezing lightly the fractured bones in your palm, reminiscing of the day that was the beginning of your end. The elementary. That day engraved itself in his memory as one of many days that seemingly mattered nothing. Yaga told him about the issue, the curse and fire in school for the youngest, but he brushed it off, focusing all of his mind on perfecting the last touches of his technique. He still remembers how sensei was mumbling profanities, but couldn’t care less because he was that close from teleporting.

“’ts okay, ‘toru.”

“I’m sorry I wasn’t there either,” Suguru added, his voice barely a whisper as you leaned your head against his shoulder, desperate to ease the heaviness. What Geto remembered from the day in question was that he had an issue with his own technique. Little difficulty, as he was absorbing one of the special grade curses he just caught. It wasn’t severe, it wasn’t even that important, he could have fix this on another time and take the god damn mission, but instead, he declined. “I thought if I don’t take the job, Satoru will, but turned out, it got to you.”

“Sugu, ‘ts ok.”

“Remember how we used to sneak out the dorms to get ice cream in the middle of the night?”, Satoru changed the topic completely – a defensive mechanism to lighten up the mood, to prevent him from crying. And you hummed in response, lowering your heavy lids.

“And how Satoru got drunk after three sips of a beer? That’s when we all knew he’s the lightest head in the history,” Suguru added and faded images of how Gojo discovered that he cannot drink to save his life rushed to the front of your mind.

You had no idea how long it took, was it few minutes or merely few seconds, but you listened to both men rambling above your head, reminiscing of your school days and everything that you did together. Of every prank you witnessed that they took on poor first years, of every little mischief and menace they performed, following Satoru’s lead, because it’s always him who stood tall in the name of chaos. You were humming softer and softer, quieter and quieter.

Until you were not.

“And then we put those cupcakes in Nanami’s bed and-“

“Satoru,” Geto cut him softly, looking down at your stilled frame. At your frozen chest and softened features, sensing no more heartbeat. And Gojo turned his eyes towards you as well, taking in the last picture of you, who he loved as his little sister, even though there was no age gap between you and him. And then they both cried in silence, spending another hour with your dead body before gathering you and taking home.

* * *

October 31, 2018

21:18

Only word that could describe what was happening in Shibuya at this moment would be chaos. Pure disorder, people frightened and running, some unconscious on the ground and some other hiding from what was happening in the Shibuya station. Most of them couldn’t see it but felt the terror, saw the blood, smelled the death in the middle of which, two men were standing.

Both Satoru and Suguru, when they came down here to fight whatever the hell was attacking people, couldn’t move; their heads void of any logical thoughts as memories rushed to the fronts of their minds. Stunned to the core and frozen, they looked into the eyes of the person in front of them, distrusting their own vision. The person that wore the familiar look of you, the energy of you and what seemed like – the same cursed technique, and voice, and face, and hair, and everything. Not one thing betrayed trickery or deception as there you stood, facing them both with a smile on your face – one of those soft ones that had melted their hearts on the spot a decade before. Your features relaxed, genuine, borderline joyous as you breathed the air around them once again.

“What…?”, Suguru snapped first, forcing his own body to move and smacking his friend’s shoulder. “How?”

“Who the hell are you…?”, Satoru whispered, voice stuck in his throat as all of the information that his senses were receiving contradicted with what his soul was telling him.

“Aah? It’s been few months, but do you not recognize me anymore?”, your voice flew through your mouth, the very same gentle and bright tone they used to fall asleep to. “It’s hurting my feelings.”

“Cut it,” Gojo snapped, now putting more pressure on his vocal cords, a groan escaping his throat in effect. “Cut the bullshit, you’re not her. You cannot be her. Y/n is-“

“Dead? Yeah, that purple really messed me up,” you chuckled, shrugging your shoulders slightly and stepping forward. “I have to admit, restoring the body wasn’t the easiest of all.”

“Reveal yourself,” Geto took the defensive stance, ready to pursue with attack if needed and his curses floating behind him on standby. “You’re not fooling us.”

“Ah, how stubborn,” another laugh brightened your face, only now more menacing, more teasing as your dainty fingers reached up to gather the lose hair out of your forehead, revealing a line of thin stitches across your skin there. “See, you really did me a favor by burying her body oh-so traditionally. Isn’t that the procedure to burn every deceased sorcerer?” your mouth was moving, spilling the words interlaced with taunt as the, what looked like, thread was pulled out of the horizontal line above your eyebrows and soon after, grabbed by the hair, the top of your head was lifted, revealing the terrifying image of a brain. With mouth of its own.

“What did you do to her?!”

“Oh, I just took what you two threw away,” you replied, slowly putting the upper skull part down on its place, matching the lines as the thread went through the holes by itself, securing the head together. “And I have to thank you for your little sentiment. If not for that, I wouldn’t have my perfect vessel. Ah, but it’s sad, isn’t it? Such a young, pretty girl had to die so early, and more so, killed by her own best friends. What a waste to jujutsu community, don’t you think?”

Both the boys stood there in shock, guilt eating them alive as the salt and acid was being rubbed into the wounds that just opened. The scabs of the past were ripped away, revealing the gushing pain and Satoru growled in anger, realizing that once again, he might have been responsible for what happened to you. This time, Suguru kept up with him in terms of fury, feeling his own blood boiling in his veins, unable to watch your body being possessed like this, used like a toy.

“Y/n, I know you’re there-“ Gojo called, but got stopped quickly by another pilfering laugh.

“Oh, but she’s not. Her soul is long gone and dead. You made sure to have her soul dead, and you have to know I nearly teared up reviewing her memories when I took the body. Such a poignant story, oh, so heartbreaking.” The teasing had no end as more and more poisonous venom spilled through your mouth, contradicting the carefree and joyful tone of your voice.

“What makes you believe that even if you take her body, you can win here? We’ve defeated her already,” Suguru narrowed his eyes.

“Oh, you’ve won but that’s because she let you two won. Wasn’t that surprising how easily you finished her? A special grade? How she didn’t even try to dodge the hollow purple, like the little curse that she was fighting with was really that much of a struggle? Oh, don’t be silly, you two. It wouldn’t be that easy if she tried.”

“We won’t let you-“

“You must understand your situation. What you’re standing in is a special grade cursed object. A prison realm, and to say it simply, you’ve already lost,” you pointed at the floor, from where the four corners of a cube stretched into a mass of flesh, with an eye – giant and bleeding, staring at its target, as the next stage of sealing began before either of sorcerers reacted. “And what’s more interesting, the prison realm can seal only one person at the time, but with the incredible technique of my current host, I was able to fuel its capacity to two occupants, by manipulating the cursed energy it used. Marvelous!”

The cursed object began enveloping both men, rendering them helpless and immobile, as their cursed energy became unavailable for their use.

“We’ll save you, y/n, you hear me?”, Satoru yelled in unison with his friend and the lone tear rolled down your face, before your hand reached up wiping it in amusement.

“Gate close.”

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merakiui · 4 months

Text

simply business.

yandere!azul ashengrotto x (female) reader cw: yandere, unhealthy behaviors/relationship, slight nsfw, misogyny, power imbalance, workplace misconduct, abuse of authority, ceo azul, secretary jade note - you'll do anything for this job. mr. ashengrotto wonders if there are limits to your anything.

“It’s a pleasure to meet you in person, Mr. Ashengrotto. Thank you for making time for me today. I can’t begin to imagine how packed your schedule is,” you admit with a gentle laugh.

Just as you practiced with Trey and Riddle, you shake his hand firmly and confidently. Even if most of your poise is feigned to hide a mountain of anxieties, it manages to fool the CEO of Mostro, for he mirrors your amiable greeting with one of his own. Or maybe he sees right through your act and is choosing to remain quiet. You’re not going to think too deeply about that.

“The pleasure’s all mine. You have no idea how startled I was when your application found its way on my desk. Why, I thought I was dreaming.”

If he brings up childhood memories, talk about it. Why not? Trey advised hours earlier, serving you and Riddle individual slices of strawberry tart. Friendship is just as good a connection as the one made through sweets.

Which is very solid guidance coming from a baker.

Even so, she shouldn’t rely solely on past connections. In business, that means nothing if the connection itself isn’t stable and worthwhile enough, Riddle, ever the realist, added with a grimace. We should know. We went to school with him.

Hey, don’t sweat it. You’ll do great, Trey added when he noticed the despairing look you’d given your tart. I’ll bake you something to celebrate, so do your best, be yourself, and bring home good news.

With his and Riddle’s encouragement, you had been so certain of your abilities before, in which you proudly proclaimed you’d get the job and charm Azul in the process, but now you’re not sure. Standing here in his office, thirty-something stories in the clouds, you can’t escape the suffocating fear as it saps the oxygen from the room and renders your lungs vacant.

“I aim to surprise.”

“And surprise you have. Pleasantly, might I add.” He motions for you to sit, to which you comply and lower into the seat across from him. A mahogany desk separates you from a sparkling future. Your gaze pans from him to the man standing a few inches behind, a clipboard and pen held in both hands. Standing isn’t the right word, actually. With his height, all lithe limbs dressed darkly, he looks like a bodyguard ready to escort you to your execution should you make the wrong move. You can handle one pressed suit, but another is too much. And this one looks even more intimidating than Azul with his sharp, stoic stare. “Pay him no mind. Jade’s merely here to make note of our discussion.”

“Ah, I see. Nice to meet you, Mr. Jade.”

He nods his silent acknowledgement, two-toned eyes filling with light.

“Shall we begin?” Azul gathers a few documents, straightens them, and then dives right into the rigmarole. “I must preface this by stating our past friendship has no influence on my decision or the outcome of this interview.”

“Completely understandable,” you blurt, trigger-happy with agreement.

Don’t be a yes-man, Riddle’s words from before float through your head, stern like a parent. You’re human, not some gear meant to strengthen their corporate machine. If they can’t see that, then that’s no environment for you.

“I… Actually, it feels a little awkward talking like this,” you add with a nervous sigh. “With the stakes being so high and everything… It’s been a while since we’ve seen each other, but I’m happy you’re doing well for yourself. Oh! I’m not saying that to butter you up or anything! That’s my honest opinion.”

He chuckles. “I’m also pleased to see you again. Although going forward I would like to keep this matter separate from the task at hand.”

“Right. Sorry. We got off topic.”

He flips through the papers—likely your resume and application and any other information he has on file—and hums. “It says here that you have experience managing an online platform. Would you care to elaborate?”

“Oh, that. It was for my friend’s family business. He’s a baker. The shop has a nice reputation in the neighborhood, but they don’t really have any social media presence. My friend and I thought his family could benefit from a website and a Magicam account, so we put both together. I was in charge of creating and managing the website.”

“I see.”

You notice Jade scribbling something and your heart drops into your stomach. “S-So I have experience in design and…stuff.”

Relax. Don’t pay attention to him.

“Then may I assume you’re passionate about photography and graphic design?”

“Very.”

“It’s good to have an eye for aesthetics. I can clearly see that from the samples you submitted. Your portfolio is impressive.”

“Thank you, Mr. Ashengrotto. I take pride in all of my work.”

“In that case, would you mind walking me through your portfolio?”

“I’d be happy to.” You scoot closer to his desk without thinking, gesturing to the prints he’s laid out for you. “That’s the website I designed for my friend. He wanted something simple, family-friendly, and easy to navigate. I had to appeal to both customers from the neighborhood and customers who might be visiting for the first time. Finding a balance was a little difficult, but I made it work after lots of dedicated effort.”

He gestures to another sample and you delve into the lore behind it. This carries on twice more before he indicates his satisfaction with a beaming smile.

“Aren’t you diligent?”

The delivery is more backhanded than you’d care to hear, but you choose to brush it aside. “Thank you.”

“Your baker friend… Are you employed?”

“Oh, not currently! It was just a side gig. A one-time thing.”

“Is that all?”

You open your mouth to reply and then stop. Did you hear him correctly? “Is… Is what all?”

“You may not work for him in that capacity, but you might in another capacity. ‘One-time things’ could snowball into—”

“It didn’t and it never will,” you interrupt. You realize your error seconds later and smooth out the abrasiveness in your tone. “My apologies. I meant to say that I’m not affiliated with him in any of those ways. I’m merely a friend who helped out where she could. Nothing more and nothing less.”

Azul hums flatly, as if disappointed. Jade scribbles. You swallow mounting dread.

What was that about?

“Very well. Moving swiftly on… Can you tell me about yourself? What drew you to this job?”

“I’ve always wanted to manage a social media account for a business like yours. There are so many branches. I think it’d be a very fulfilling experience.”

“Is there a particular branch you’re interested in?”

“Definitely one of your restaurants. I’ve worked with food websites and accounts before, so I have the necessary qualifications you might be seeking.”

“Social media is no easy task. It can be stressful to manage any platform in which you have a following. With that in mind, may I ask how you normally handle stressful or challenging situations?”

“I don’t get stressed very easily. I’m normally very level-headed.”

Liar. I’m so stressed right now. Sweating like crazy and everything!

As if listening in on your thoughts, Jade drags his pen across paper.

“But in the event that you might face such a situation?”

“If such a thing were to occur, I’d take a step back, analyze everything objectively, and see what I can do to mitigate the stress or difficulty that’s cropped up. If it’s a team effort, I’d gather everyone involved for a meeting so that we could discuss together.”

“And if it was an individual effort?”

“It depends on the severity of the stress. If it comes down to it, I’d have no problem notifying my supervisor or manager of the issue firsthand. The sooner you’re made aware of something, the easier it is to draw up a plan of action, right?”

“That can be true, yes.” Azul shuffles his files. “How would others describe you? From the perspective of a friend, perhaps? Or a spouse? Are you married?”

That’s…way too personal. Is that even an interview question? So far he’s asked everything Riddle went over in our mock interview. What’s up with this sudden shift?

You force a stiff laugh. “Not married yet, no…”

“Do you plan to be?”

“Um… I…don’t know. I’m focused on my career right now.”

“Ah, a career woman. Most women your age often settle down. Not you, though. Ambitious thing, aren’t you?”

Your lips twitch into the beginning of a scandalized grimace, but before you can allow your tactful façade to slip you hurry to paste an unruffled grin on your countenance. “I’m passionate,” you smoothly correct. You don’t miss the way Jade’s pen halts before he continues his duty as scribe. “If I may, Mr. Ashengrotto, did you not say you wanted to keep work and personal matters separate?”

“Forgive me. I was only testing you.”

Just what kind of test is that?

“O-Oh. Well, I hope I passed.”

“With flying colors.” He clears his throat. “Now then, what motivates you, Miss (Name)?”

“My friends and family. Myself. The food waiting for me at home.” He quirks a slight smile at that. “I always strive to do my best.”

“A fine attitude to have.”

“Mhm! I like what I do. Every day’s exciting and I love a good challenge.”

No, I don’t. I almost cried on the way here. This is too much of a challenge for me. I didn’t even think I’d get an email back from you…

“You seem like quite the optimist.” He straightens the papers once more and then clips them together. “I appreciate your insightful, honest answers.”

“Oh. Oh! Yes, right! Of course! Thank you for your time.” You practically jump out of your seat to shake his hand.

That was good, right? It felt so fast, but I did well. Right?

“If I may ask one final question…”

“Sure thing!”

Azul smiles. “Just how badly do you want this job?”

More than anything. I need this job. I’m unemployed and desperate. Please, Azul. You have to help me out.

Obviously you can’t phrase it like that, even though the spineless side of you wants to.

“I…would benefit greatly if I was hired. Working for you and your successful company would be an amazing honor.”

“Is that right?” He releases your hand. “All right. The job is yours.”

You blink at him, shocked. “Wait. It is?”

“On one condition.” Azul sits back in his plush office chair. It’s the expensive type. The one with cushions and reclining abilities. “Strip for me.”

Your blood crystallizes in your veins; your heart almost stops. “Excuse me?”

Surely he didn’t just say that. Surely he meant to say something else. Something like…strip all of your worries and accept this position? Your eyes drift over to Jade. He blinks back at you, a razored smile hidden behind his clipboard.

“If you’re willing to go to extremes for this job, prove it.”

“Mr. Ashengrotto… I…” You laugh, but nothing about this is funny. Bile rises in your throat, scalding with sickening acid. “I…”

“Go on then.” Azul waves his hand impatiently, deceptively youthful features twisting with annoyance. “I haven’t got all day.”

Your hands curl into fists, and you dig your nails into your palms so roughly that you break skin. He can’t be serious. He really can’t.

And yet he’s watching you like he expects it.

Again, you look to Jade for help. He lowers his clipboard. “It’s not polite to make one wait, Miss (Name). We pride ourselves on timely efficiency here.”

“But…” You swallow thickly, your hope slowly waning. “But this… This is absurd! I… You must be joking. I can’t possibly—”

“You can,” Azul interjects. “If you want this job, you will do just as I’ve said. Well? The choice is yours. I’ve played my hand.”

Warmth drains from your person until all that’s left is creeping cold.

Oh, you think with devastating resignation, it’s this kind of management. So this is how everyone survives here.

Inhaling through your nose, you steel yourself. Your fingers twitch towards the buttons on your blazer.

“Will I truly get the job?”

“That depends.”

“On what?” you ask, dreading the answer.

“On how far you’re willing to go.”

“C-Can he leave?”

Azul glances at Jade, a sticky smile spreading his lips wide. “Oh, you’ll hurt his feelings with that. How cruel. I can already see the tears brimming in Jade’s eyes.”

“Heartless,” Jade echoes with a sniffle.

You school your scowl into something friendly. “I… I’m sorry, but I don’t feel comfortable with him here…”

“And you do with me? I’m flattered, but our past has nothing to do with this. I’m grateful you bothered to give me a Valentine every school year, but those days are behind us. So stop wasting my time. It’s money, and every second you spend stalling is a Madol lost.”

Your lip trembles, but you don’t cry. You won’t give either of these rotten monsters the satisfaction.

“H-How much do I have to undress to get the job?” You toy with a button, regret pooling in your stomach.

It’s not worth it. I should leave.

You should, but can you?

“We’ll see. I’m feeling generous today, so your fortune may just be favorable.”

Hopeless, you shut your eyes, exhale a defeated breath, and harden your features into something unshakeable.

I’m sorry, Riddle. I’m not a gear here. I’m not even human.

Slowly, while holding unbreakable eye contact, you undo each button on your blazer. You shrug out of it seconds later, dropping it to the floor unceremoniously. Azul and Jade follow your movements like expert predators ensorcelled by prey.

Here, in this hellish bathyal zone, I’m just a whale fall.

From there, you move to your blouse next. You untuck it from your pencil skirt, allowing the fabric to fall freely. Deft fingers work at the buttons, traveling further down until there’s nothing left of the garment protecting your nudity. That, too, joins the slowly forming heap on the floor. The action leaves both men transfixed, and they eye your lacy white bralette as if attempting to sear the sight into their retinas. At one point, Jade decides to write something down. You fondly contemplate all the ways in which he should die.

“Will that be all?”

“Keep going.”

“Haven’t I done enough?”

“If you have room in that mouth to voice complaints, you can stuff it with my—”

You yank your pencil skirt down, silencing the sin that was ready to spill from Azul’s lips. Jade doesn’t muffle his snicker. Again, you fantasize about pushing him out the window.

I hate you. I hate you. I hate you. I hate you.

With trembling hands, you reach behind your back to unclasp your bra. It’s peeled from your chest then, exposing your tits for their ravenous leering. Their silence says enough. After what feels like an eternity, Azul stops you when you start to slide your panties down.

“I’ve seen enough.”

“On the contrary, I’ve yet to have my fill.” Jade smiles at you, hiding behind his clipboard like the coy bastard he is.

You stand there, clutching your bra so tightly your knuckles ache. “Is… Is it over?”

“For now.”

At that, you fall to your knees, wrap your arms around your chest, and suck in great gulps of air. Fixing your stare on the floor, you find yourself unable to meet his azure hues. If you do, you may just vomit. Footsteps click their way over to you. He pauses; you can feel his gaze burning through you. And then his fingers ghost over your bare shoulder, dancing like playful puppets.

“You start Monday. Bright and early,” Azul says. There’s a detached, clinical edge to the fluff. “I expect wonderful things from you, Miss Marketing Manager.”

As if his words have materialized to topple you—to shatter what’s left of your dignity—you almost collapse. Your arms shoot out to catch you; your palms press against the icy tiles. Still, you don’t cry. Jade’s leather shoes enter your line of sight, which immediately dries your ducts. You don’t have to look to see the satisfied smirk sharpening on his lips because you hear it.

“I must thank you for the entertaining show. Perhaps you should have considered a career in acting.” He drapes your blazer over your shoulders for added effect.

It’s the loudest fuck you in the quietest sentence.

I hope you die a million painful deaths, you despotic, disgusting dickhead.

When you finally stagger out of the building—fully clothed and gutted—dropping thirty-something floors from heaven to the sensible earth below in a compact lift, you fish your phone out of your bag. You’re moving on autopilot when you press his contact. Trey answers on the third ring.

“I was waiting for this call. So what’s the news? Am I baking a celebration cake or a consolation cake? I’m ready for either one. Just say the word.”

The tears are already streaming down your face. You wipe them away, smudging your makeup in the process. “No consolation needed. I… I got the job…”

“See? I knew you’d get it. This’ll be the best celebration cake you’ve ever tasted. Just you wait and—hey, you okay? You don’t sound good.”

You open and close your mouth, unable to pull a reply from the dry depths of your throat. For one minute, Trey listens to your soft, hiccuping sobs. “I’m just—” you sniffle— “I’m so happy… I can’t wait to eat cake.”

#yandere twst #yandere twst x reader #yandere twisted wonderland #yandere twisted wonderland x reader #yandere azul #yandere azul x reader #yandere azul ashengrotto #yandere azul ashengrotto x reader #n/sfw

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writingwithfolklore · 3 months

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A Note for New Writers

When I started this blog, one of my goals was to compile advice that I hadn’t really seen online anywhere. Stuff a little bit beyond the foundations I was already very familiar with. I took university courses and different approaches to writing combined with my own experience and lessons from the mentors and teachers around me, and began to write it all down to share with you.

The idea was never that you would start writing your first character with Character is Plot say. However, I noticed there are a lot of new, beginner, or learning writers on here, and there’s a great value in really nailing the foundations, so here marks the start of a short series of foundational advice for you new writers (or for writers who have been around the block and may need a refresher. I know I do!)

I see a lot of new writers in the tags looking down on yourselves or your ability. Stuff like, ‘why can’t I seem to do this’ or ‘if only I could actually follow this advice’. My posts were never meant to make you feel like you aren’t good enough. It was written with over a decade of experience behind it. It takes time to build those instincts in knowing what to do. Unfortunately you can’t just build writing skill by reading and collecting articles—they can be a guide, but they aren’t meant to instantly come naturally to you “if only you were a good writer.”

No one can automatically learn how to write just from reading some advice because writing skill isn’t about the knowing, it’s about the practicing.

And it takes a hell of a lot of practice.

Writing is mostly intuition—we practice certain skills to get them to a place where we can just do them without really thinking about it. It’s kind of like when you were learning to type, and you had to constantly remind yourself to put periods at the ends of your sentences. Then, over time and a million reminders, you started to just do it on instinct without really thinking about it.

It’s muscle memory, it’s trying again and again, it’s a lot of struggling and tears and feedback and more tears and a million and one false starts and unfinished drafts and finished drafts that are really bad and lost contests and rejections. I have been through it all. I’m still going through it all. Only recently have I been published—it took me over a decade of practice to get there. Oh, and in the same month one of my pieces was published, another was rejected.

That’s how it goes. It’s not some switch that will one day flick where you’re ‘good enough’. And the timeline isn’t so set. While I was working on building up skill, I was also working on building up confidence. In the right publications, with enough confidence, I probably could’ve been published years ago. In the right place, and if you’re brave enough to submit, you probably could too.

It’s about who sees it, very rarely does it really depend on how ‘good’ it is (and you can tell from all the published work that can’t possibly be better than your unpublished work, right?)

TL;DR, writing isn’t about the knowing, it’s about time, patience, and practice. If you’re reading advice and don’t feel good enough to execute on it, just take a little bit more time and get a hundred thousand more words under your belt. One day, it will just become intuition.

You will get there.

#writing #creative writing #writers #screenwriting #writing community #writing inspiration #filmmaking #books #film #writing advice #new writers #advice for new writers #a note for new writers #beginner writer

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scandinavianfairytale · 2 months

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Old feelings die hard

Pairing: Jamie Tartt x Reader

Warnings: None 💙

It was his first match back at home. Manchester. He knew it'll be bad. He knew no one besides his mom and Jerry would be happy to see him.

Though his mind kept thinking of you.

Would you spare a kind word? A flash of a smile for him? Or maybe even a hug. But he didn't dare to hope. All he knew was that he wanted to find you. See you again.

Apologize.

So before the team got up for the morning practice, he put on his hoodie and jogged all the way to the café he knew you owned.

And there you were.

He stopped at the big window and stared at your smiling face as you prepared the shop to open. It was amazing to see you so content, and he was so proud. You really made it - you had your own coffee shop and a good one, according to Google reviews. It was a cozy place, walls lined with books and plants, all your favorite things. His will was wavering and his anxiety was rising, his chest heaving. But he needed to do this. It was now or never.

He entered the café carefully, and he heard you humming to yourself as the steamer made its normal high-pitched noise. You busied yourself around the coffee machine, completely oblivious to the fact that you had company observing your every move.

Jamie was trying to think of a way to pull you out of your world, but he couldn't think of a justifiable reason. You looked so happy, reaching for cups and different coffee beans. That is until you finally turned around to fill the cookie jar on the counter and let out a shriek of surprise as you found a person standing inside the still closed coffee shop.

"Jamie fucking Tartt. As I live and breathe." You finally smiled as you realized who was standing in front of you. Making your way around the counter you wrapped your arms around him. Jamie was taken aback by the sudden hug but once the initial shock wore off his hands grabbed your torso and brought you even closer to him.

"Matcha latte?" You asked as you sat him down at one of the tables at the back. With just one look at him, you knew feeding him coffee would be a bad idea.

"Sure."

"How have you been?" He asked as he waited and stared at you.

"Busy. You know how it is." You flashed him a smile, but didn't linger. "How have you been? I saw that Richmond is making stride, congrats!"

"Yeah..." Jamie didn't sound as confident or cocky as you were used to, so your head immediately snapped back from the matcha and you finally took him in. Properly this time. Before, you just assumed it might be before-game-jitters.

"Jamie, what's wrong?" You asked concerned.

"I've been meaning to contact you for a while now." He paused and met your eyes. "I've been a shit person. You didn't deserve it and I never got to say it when I got the chance, but...I love you. I always have. Since that day that you pushed me down in the forest and sat on me because I was being a cocky little prick." You smiled at that.

"I wish I could take all the bad stuff back. I wouldn't have hurt you. And I wouldn't have left. I am so sorry." Jamie hung his head.

"That must've been weighing on you for a long time." You replied with a pause. What he was talking about was something you didn't think about that often. Of course being the girlfriend of a young football star and then being left very abruptly phased you and impacted your future relationships, but therapy helped a lot. It's not just that Jamie was a prick, no sugarcoating needed there, but you weren't a sunshine either. "Jamie, we both weren't great people - we were still basically teenagers. You were going pro in football and I was going abroad for university. We would have broken up eventually or someone would have cheated and I think while the execution was not great, you did the only right thing. So, I hold absolutely no hard feelings for you." You smiled and he finally lifted his head to look at you.

"As for the confession about love...why don't you first get into the good graces of Manchester and then we can talk, I don't plan on jeopardizing my entire life because the man I want to date is hated by the whole fucking city."

"Wait...would you want to go on a date with me?" Jamie asked, looking shocked.

"Well, I'm single and the only guy I ever really loved in my life just said that he still loves me, so I guess so?" You grinned.

"Can I kiss you?" Jamie stood up from his seat, with a little more pep and you nodded, stepping closer to him with a ridiculous smile on your face. It was like muscle memory when your lips met and suddenly all the other guys made sense - you never liked kissing them as much as Jamie. Your therapist offered that idea to you but it dawned on you just now.

Thank you for reading! 😊💙

The GIF belongs to the amazing creator 😊

#phil dunster #ted lasso #jamie tartt #jamie tartt x reader #jamie tartt imagine #fluffy #old feelings die hard #short story #fanfic

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mvltisstuff · 6 months

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Heyy, i love your fics so michh, can u make Buck x reader, they have a newborn girl and reader is stressed because the baby won't stop crying and buck helps her. Take your time!💋

close to you - e.b

summary: request

evan buckley x reader

gif

a/n: this is such a great idea, and i’m so happy you asked me to execute it <3 madeline is also inspired by the name maddie, as i feel like that’s so cute for buck :((

madeline was a gift from the moment y/n took time off work because of her pregnancy. she was a gift the moment they decided on a name. she was a gift the moment she entered the world in the small hospital room.

however, y/n despised herself for thinking part of it was a curse. she loved her daughter more than anything in the world despite the short amount of weeks that she had arrived. buck had gone back to work, but y/n needed more time to recover from the birth. she got the pleasure of staying home with her baby, and she genuinely thought so.

it wasn’t until the constant screams came through madeline’s mouth that y/n started to get more and more tensed. her head was pounding, her body was sore and she just wanted to give her baby peace.

she felt like the worst mother in the world, not being able to comfort or secure her baby girl. she figured it would come naturally. in reality, it’s never been harder.

she cried when she was hungry, needed a diaper change, sleepy, or she just cried. it seemed like it was always that she just cried and screamed. it burned in y/n’s ear painfully as she listened to the squeals of her daughter. she just wanted her to be happy, and buck wasn’t there to help.

“mad, please.” y/n begged when her eyes started to water again, and the quiet squeaks left her baby’s soft cheeks. “i’m so sorry, i want to help you.”

y/n sighed as she rocked the baby in her arms, the bags under her eyes only getting darker as she stayed up with madeline. buck was exhausted when he came home, so he just went to sleep. y/n was fine with that as he did everything he could for his girls, all the time.

she’d be lying if she said she didn’t miss buck every hour.

he had some type of paternal magic to him that eased madeline. it brought her down to earth, and it gave y/n time to relax. her hormones were all over to place. every time her baby cried, it flooded her body was sadness and exhaustion. she was deeply jealous of buck secretly because of the ease he seemed to have with handling their child.

“hey, dad,” hen smiled, seeing buck walk back into the station after a few weeks with his wife and baby alone. “how’s y/n and the baby?”

“they’re good, i feel so bad leaving them though.”

“it’s hard to leave, that’s the last thing i wanted to do when we first got denny.”

“it’s just- i talk to you about anything, right?”

“of course, buck! what makes you say that, though.”

“madeline cries a lot, and i can just tell in y/n’s face that somethings wrong. i mean, i get that babies cry, but it just seems like it’s taking a huge toll on y/n. i don’t want her thinking she’s a bad mom, and if what happened to maddie happens to her,” buck thinks back to his sister, who went to hell and back trying to be a better mom for jee-yun. it breaks his heart to even consider y/n feeling left in the dark the same way. “i can’t handle that.”

“listen, buck,” hen lands a hand on his shoulder. “it’s going to be ok. you could even go for a little longer off work, you came back really soon.”

“y/n said it’d be good for us, and make me happier.”

“but is it making things easier? you both need to be doing this together. y/n’s saying a lot of stuff she doesn’t mean, and her mind is running at a 100 miles an hour.”

“i know,” buck says. “i’m gonna see her after the shift, i’ll talk to bobby. see what i can do.”

y/n continued to pace around the kitchen for hours, her lower back beginning to ache and her ears hurting from the wails of the baby in her arms. she tried everything from feeding her to rocking her in her swing, but nothing seemed to stop the cries of her daughter.

“madeline, please, i’m begging you,” y/n whines, practically on her knees for her child to stop crying.

the cries quickly started to blend in, y/n realizing that they’ll never go away. she wasn’t sick or anything, y/n repeatedly checked, but madeline still was just simply unhappy. and, y/n swore she was the problem.

buck arrived home late in the night, hours past dinner and inching closer to the bedtime of their casual family. when he opened the door, he just knew that y/n was in there with their baby, struggling to hang on and fix the problem.

“y/n?” he calls out, wandering around their home and finally landing in the nursery. the light purple walls and decorations were darkened, y/n and madeline sitting in the chair together. y/n’s shirt had been pulled down so she was able to feed madeline, but it seemed like no use. the baby in her arms was still weeping and throwing her tiny hands around. “oh, y/n.”

her blank expression told it all, along with the dark bags under her eyes. “she’s so upset, buck, i don’t know what to do.” y/n murmurs slightly over the cries of the baby.

“it’s ok, honey, we’re gonna figure it out.” y/n’s eyes just water with each tear that drops from madeline’s eyes. “no, no, it’s okay, y/n.”

“i’m sorry, i’m just so tired.”

“i know, i’m here now. we can fix this, okay?” y/n swipes under her eyes, taking in sharp breaths and trying to steady herself. “hey, honey, listen to me. you’re ok, madeline’s ok, i’m ok. we’ll be alright.

she nods as his arm touches her side, the baby wrapped in his other arm. “alright. why don’t you hold her, and i’m gonna go see if our noise machine is here yet.”

buck rustles through packages and gifts from their baby shower and tries to find anything that might help their girl sleep, and anything that will bring relief to y/n.

“i found it! it’ll be white noise, which we should’ve tried sooner. i don’t know if it’ll work, but it won’t hurt to try.”

buck allowed y/n to place the baby in her crib, letting her tiny body rest against the soft mattress. they turned the lights off and plugged in the machine, which sang out the staticky white noise that calmed their daughter.

her crying started to come to a halt after a bit of hearing the noise, her adorable little eyes shutting after a bit to finally rest. y/n could feel her whole body relax under seeing her baby finally sleep, as it had felt like days.

she felt like crying, she felt like sleeping, but she also felt like she had so much to do. the house was a mess, her baby had finally gotten to sleep, but she also wanted to sleep. it felt like one thing after another, and buck looked over again to see a y/n staring at the ground.

“what’s the matter? talk to me, y/n.”

“i’m not cut out for this,” her shaky voice comes out, his hands on the sides of her arms.

“what? of course you are!”

“i can barely manage to keep this house together, let alone keep our baby happy and i haven’t even been able to go back to work! i feel like shit and i just want to be happy with my baby, but i don’t even know if she’s happy and-“

“alright, i know,” she allows herself to fall into bucks grasp, as he worries silently for her in his mind. he can feel the exhaustion venting off her body, begging for sleep and somewhere to lay in peace and quiet. “i don’t want you worrying about anything else. let’s go to sleep, and i’m gonna help you, i promise. i’m never leaving either of your sides.”

his arms warmly grasp her body clad in a soft set. he leads her to their shared bed, pulling the blankets out and holding her as she finally gets her deserved sleep.

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targaryenluvs · 4 months

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ok hear me out w this dark!finnick idea; post-74th everlark, snow’s trying to do damage control and tells finnick to date another victor, and finnick’s hesitance to date his former mentee— means ofc she’s picked :( it’s not like finnick would ever put on a show to get her purposefully picked, he’s totally a good mentor and he’s defiantly never thought of ruining her, but, might as well make the most of it

alternatively omg image finnick living through the rebel’s victory— but the aftermath of the takeover meant a lot of the ppl involved in the games (no matter how small apart they played) get to executed,, including the little capitol girl who was (barely) part of his team n helped him get ready (or mb his district escort, or just like a stylist idk). helpful, helpful finnick steps up n tells her he can totally help her but it’s going to involve her losing her capital ties n taking up his name (plus they really have to sell it, so good knows how far they’d have to go, but he’s always so willing n helpful)

these aren’t requests or anything, i haven’t slept in 30 hours and I watched like my nth finnick edit whilst procrastinating prepping for my applied physics final

first of all i know i always sleep at wild times but THIRTY HOURS?? BABY GO TO SLEEP!!!

second of all, i wish you the best on your physics final ❤️

third of all your mind works wonders!!

can you imagine him seeing her again for the first time after she’s picked?? imagine nervous finnick for the first time 😭

“just our luck huh? two idiots make fools of the capitol and we end up on damage control!” your voice was as always sweet and pretty. finnick wanted to bottle it up all for himself.

“who would’ve thought?” finnick smiled, the charm may have been turned on but god was he a mess inside.

“you look good finn, grown. how’ve you been?”

i’ve been patiently waiting for the next time i see you. he wondered if that would scare you off so he smiled instead, “waiting for my lovely mentor to show and she’s here now so great.” you giggled as your touched his bicep, and his pants felt tighter, god you were adorable. you may be older than him but he has grown, and now he towers over you, dwarfs you in comparison and he adores it.

“you look stunning per usual.” you grinned and took your dress in, a gorgeous baby blue dress, with tiny straps on each side and a slit on the right side. your neck looked oddly markable to finnick but he’d refrain for now. “and you look handsome, when’d that happen?” you teased him before pinching his cheek.

you still thought of him as the same little boy from four. he could tell, but he wasn’t a boy anymore and he’d show you that.

“who knows. now, we have people to see.” he linked his arm with yours as the two of you made your way from the foyer and into the den of the capitol, hungry eyes and touchy hands pounced at the opportunity to feel the capitols darling and diamond.

he would snap every hand if he could, you were his, even if you didn’t know it yet.

“yes. i’ll do it, i don’t want to- no i can’t die.” you were crying now and finnick felt bad, but you’d just agreed to marry him so he couldn’t care less.

“no tears honey, you get to live.” his voice was sweet and comforting, looking up at him you felt happy. you watched him grow up, you helped him through it and now he was helping you, you couldn’t help but feel grateful.

“thank you finnick really, you don’t have to do this.” he shook his head and wiped away your tears, “you’ve been by my side for so long it’s the least i could do y/n.” your teary eyes should’ve made him feel bad but the idea of your marriage had his own heart racing. and as you hugged him he felt his worries melt away.

you were locked in for life.

#kira and anon chat <3 #dark!finnick odair x reader #finnick odair x reader

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susansontag · 9 months

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studio ghibli ranking list let’s go

(will include nausicaä and the red turtle)

the these-are-actually-bad section:

24. earwig and the witch

actually the only one I haven’t watched so it’s cheeky to put it here. but I won’t be watching it and no one will blame me.

23. ocean waves

who sincerely cares about these teenagers they’re so annoying. if the boys had been gay it would have honestly been homophobic.

22. pom poko

this film is about shape-shifting raccoon dogs waging a war on humans and there’s copious jokes about their testicles. so on paper a perfect film. execution wise it’s so long and so boring and you care about none of them.

the cure-for-insomnia section:

21. tales from earthsea

hayao miyazaki was right to walk out of this one even though he probably is a terrible father for having done so. some of the animation was really nice but these protagonists made me yearn for the ocean waves cast because at least they have semi-personalities.

20. castle in the sky

proof miyazaki was judging his son too hard for earthsea because this is basically his version of the same thing: a nice idea with good animation and the most boring boy/girl protagonists imaginable. has got that whimsy he does so nicely however.

the passable-films section:

19. the cat returns

but should he have? was that really necessary? has a scene of cats walking in a procession on their hind legs though so that’s a plus.

18. arrietty

visually gorgeous but otherwise a very run-of-the-mill adaptation of the borrowers, which in something that should feel wondrous is less than ideal.

17. my neighbors the yamadas

some harmless and inventive fun that you can put on in the background whilst eating lunch or doing some light yoga stretches.

the don’t-harm-me-I’m-right section:

16. howl’s moving castle

yes I do in fact understand the intricacies of the plot and I still don’t care. this is one of ghibli’s messiest films for sure, it can’t decide what it wants to be or focus on and the plot just seems to happen and then not happen for no good reason. I also think howl’s a whiny bastard and hate that sophie has to mother him and endure his contemptible man tantrums. a shame because she’s actually cool.

15. grave of the fireflies

it was sweet but I’ve watched more moving animated films set in war-time, even. I don’t have much desire to watch it again honestly but maybe I will at some point.

the this-is-getting-there section:

14. the red turtle

I liked it! an acquired taste but I really felt the harshness of the elements and the cruelty and the love. it's also very beautiful to look at, one of the most visually arresting ghibli productions.

13. only yesterday

a tale of two films with this one. the parts where she's a young girl are much more interesting, but if this had stuck the landing and it'd been more even overall, could have potentially been a favourite. alas.

12. the wind rises

a genuinely weird one in ghibli's lineup, in which miyazaki meshes two different stories together (one of inventive 'genius' and a doomed love story, respectively) in a likely attempt to try and grapple with his having chosen his career over all else, including family (noteworthy is that his wife was not able to retain her career as an animator). as a piece of art it's less whimsical and more mature than many of these films, but I struggle to not let my distaste for what it potentially represents get in the way of my appreciation for it as a film, but it's so blatantly personal that it's impossible.

the that-was-just-a-good-fun-time section:

11. nausicaä of the valley of the wind

aesthetically one of the coolest films on this list but I don't remember the story as well. great protagonist too. must have been great to experience when it first came out in the '80s.

10. porco rosso

I love this film about a tomboy mechanic and some pilot guy who went off to war and was so changed he is now a pig. watching it feels like if the mediterranean was so small it fit into your back pocket and was also populated by all your friends all your enemies and your ex-lover also.

9. from up on poppy hill

I found this one boring the first time I watched it but it really grew on me with subsequent rewatches. I really like her predominantly female household and the community they share in the backdrop of the rest of the drama is sweet. the bit of drama midway through is still batshit though but in a loveable, disney-would-never way.

the near-perfect section:

8. the tale of the princess kaguya

probably takahata's magnum opus with the studio, if slightly overlong. folktales are tricky because they tend to feel moralistic and the characters one-note if you're not willing to build on them but kaguya herself feels very spirited and alive. the prettiest on the list too I'd say.

7. my neighbor totoro

cozy late summer comfort film. perhaps even more special now because I was able to see the london production. cute!

6. when marnie was there

surprised this one has ranked so high for me but that's the power of tomboy lesbians heck yeah etc. also the fantastical element of this one is so up my alley and touches upon a particular kind of childhood nostalgia I have of being in old houses and imbuing them with magical qualities. the image of anna facing the house across the marshland is burned into my retina.

the I'd-die-for-her section:

5. princess mononoke

aesthetically too cool for school and has one of the best ghibli villains and female characters (lady eboshi). they really said all the spirits of the forest are going to die in this one but well it was a nice thought.

4. ponyo

my comfort movie of all-time! heartwarming! with another great female ghibli character in lisa, sosuke's mum who is legally allowed to drive like that apparently. also one I actually watched for the first time in my childhood when I was around 7 or so at an after school club. the subtitles taught me the useful and now underused gem of a phrase "bog off".

3. kiki's delivery service

asks the important questions such as: what if you were a young witch from a dying tradition who moves to a gorgeous town in sweden? what if your remarkable gifts were no longer appreciated due to rapid advancements in aviation technology? what if you could live in a bakery?

2. spirited away

when you're just a timid child who is scared of admittedly a lot and your parents manage to mess everything up spectacularly so now you're forced to work at the age of twelve for people who steal your identity. still one of the best honestly they may never top this as the peak of their artistic achievement.

1. whisper of the heart

have you ever been a struggling artist? have you ever been in love? have you ever been obsessed with john denver's take me home, country roads? in all seriousness love a story of two artistically inclined people inspiring each other and this has a unique feel compared to other ghibli films forever favourite probably. it feels like basically no one has watched it and that's a shame. rest in peace yoshifumi kondō.

#this took fucking ages #I welcome discussion #studio ghibli #moth.txt #moth rankings

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lvrtwn · 4 months

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venus if she was awesome

speedpaint and more thoughts under the cut

venus has always been one of my favorite characters, though i feel her design is pretty underwhelming with a lot of wasted potential. this is kind of a redesign, kind of my own personal headcannon, and kind of how i imagined venus in my head as a kid.

this is supposed to be my version of g1 venus, more similar in facial features and keeping the straight hair. i absolutely love her new hair and face in g3 but im hesitant to call the new outfit an improvement. both g1s outfit and g3s outfit are bad in their own ways. i dont want it to seem like im shitting on the new design. again i think the face sculpts, hair, and body types of g3 are so awesome. its great to see more diversity being included in the designs. i just decided to go with g1 venuses look because thats the venus i grew up with

i definitely took some inspiration from g3s outfit for this design. i like the idea of it but the execution is just not great, not to say her original outfit is any better. i feel like out of all of tge original monsters she was the one with the most waisted potential. i love her personality and the abilities she has but the way she was styled has always bothered me.

in the movies shes described as “eco-punk” which is SUCH a cool style to go with a plant monster character. i just feel like the “punk” in “eco-punk” was never really represented in her outfits. i personally love punk music and clothing; ive been an active member in my local diy scene for many years and i love seeing all the outfits people put together.

i thought i would give her an outfit that shows off a couple of my personal favorite staples of punk style. big chunky leather boots with lots of straps and buckles. kept the shoe mouths from the original because they cool as hell. lots of leather, studs, spikes. i gave her denim cutoff shorts inspired by her gen 3 outfit, same with the torn black top. punk style has a big focus on comfort, practicality, and making things yourself. i imagine she cut a pair of old pants into shorts, roughly cut her “undead kennedys”band shirt tank into a crop top, and probably repurposed the remaining fabric. i also totally didnt draw this whole thing as an excuse to use that pun. i included asymmetrical leg accessories, with one fishnet stocking and one torn up sock. i also feel like she repurposed these, continuing to wear her old torn up socks instead of just throwing them out. i gave her a big chunky studded belt matching one of her cuffs with a recycling symbol belt buckle. i feel like it communicates an important aspect of her personality just at a glance, plus i just love big belt buckles. lastly i added piercings because 1. theyre cool and 2. i for some reason remembered her having an eyebrow piercing but i guess she never had one.

i mostly kept her body and hair the same. changed her ears and hair color slightly but thats just personal preference. i decided to make the vines on her body look more like tattoos instead of being 3d. i imagine she can make them grow into real vines, but when shes not using her powers theyre just flat against her skin. gave her a facial expression that made her look a little more unhinged. she might only do things for the good of the earth but she can still mind control people at will.

i wish i leaned a little bit more into the plant theming but im overall still super happy with how this came out. maybe ill made more monster high redesigns in the future

#monster high #monster high gen 1 #monster high redesign #venus mcflytrap

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positivexcellence · 26 days

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Is there garlic on this pizza? An oral history of Supernatural's 'Monster Movie' episode

THE BEGINNING

What started as a simple enough idea — a black-and-white episode — was then put into the hands of writer Ben Edlund, who’d already crafted some of the show’s more creative hours, including “Hollywood Babylon,” which marked one of the series’ first meta episodes, and “Ghostfacers,” which was shot like a cheesy ghost-hunting reality show using handheld cameras. Alongside Edlund was director Robert Singer, an executive producer on the series and a massive movie fan himself.

ERIC KRIPKE (Creator): I was an obsessive fan of The X-Files and in their prime, they got really bold and adventurous with their format, and they had a black-and-white episode. I was always hoping that we could start taking those same kinds of swings. I remember saying, “I want to do a black-and-white episode where Sam and Dean are up against the classic movie monsters.” But I think Ben came up with the shapeshifter. We were trying to figure out: How do you get a mummy and a werewolf and a Frankenstein and a Dracula in the same episode? That makes no f---ing sense. So this idea of a shapeshifter who loved those movies and was ultimately just a fanboy was the secret to cracking that one open.

ROBERT SINGER (Director): I think that script was Ben at his best. I was really happy that I was in line to direct because I really loved those old movies, so it was fortuitous that I got to do it.

JENSEN ACKLES (Dean Winchester): It’s all just paying homage to the old-school ways of doing things, which having Bob at the helm, he’s seen all those movies time and time again, so he was the perfect guy to direct this episode.

KRIPKE: Bob has an encyclopedic knowledge of movies, especially older films. He’s a classicist and his directing style is a lot of that kind of beautiful, elegant Hollywood style, and I think he just really relished it.

SINGER: I shot generally with wider lenses than I would normally do with Supernatural to try to give it some of that old-time feel. I really took pains to make it look as old fashioned as I possibly could. I’m a big fan of James Whale, who had done Frankenstein, and there are a lot of great crane shots in those movies, so I did a lot of crane work in this. We did a lot of shadow play.

JARED PADALECKI (Sam Winchester): You put Ben Edlund on writing and Bob Singer on directing and magic is bound to happen.

But there was another piece of the puzzle that needed to come together for the magic to truly work: Who would play the shapeshifter (and therefore spend the episode doing their best Dracula)? The answer was Todd Stashwick.

TODD STASHWICK (Dracula): They wanted a full-on replication of Bela Lugosi’s performance. I had the DVD of the 1930’s Dracula, so I was watching that just to get the mannerisms and vocal intonation down so that I wasn’t doing a Xerox carbon copy but rather actually trying to get that Hungarian dialect that he has. I went in [to the audition] and just swung for the rafters.

SINGER: We had him do one of the Dracula scenes and then do the speech where he’s telling her how he became the way he became and Todd just killed it. That was an easy call to cast him.

STASHWICK: They wanted to know that you were going to be able to bring both sides to it, the full-on studied Dracula performance and then to let that mask drop and see the wounded man that is the monster.

KRIPKE: We needed someone who could stick the landing on the Dracula part and that’s really hard. It’s hard to do it and have it not come off like a bit. Todd is a remarkable mimic of Bela Lugosi and brings humanity and soulfulness and depth to it. There’s something in his eyes that made it deeper and sadder than had you cast someone who was just going for an impersonation.

PADALECKI: That episode belongs to Todd Stashwick. He’s so damn good.

Alongside Stashwick was Melinda Sward, whose character Jamie, a local waitress, caught Dean's eye and marked a first for the show.

KRIPKE: At the time, there was a young female fan named Jamie. She and her mother would write us letters and they were super fans, and we were still early enough that we’re like, “I can’t believe there’s fans.” Jamie had medical issues, so when the season was coming up, I wrote her a response and said, “If you concentrate on getting better, we’ll name a character after you.” And she responded and said, “That’s amazing, but can you just do me a favor? Can you make sure it’s a character that doesn’t die?” So the female lead in this one we named Jamie. That was one of the only times we ever named a character after a real person and a fan. The happy ending is she was thrilled and she grew up healthy and now tours around with a replica of the Impala.

ACKLES: Jamie was one of my favorite Dean Girls. Melinda was so good and so fun.

From the instant the episode began, fans knew they were in for something special as the old black-and-white WB logo kicked off a very old-school credits sequence.

SINGER: Right from the opening of the Warner Brothers shield, you know where you’re going. It set the tone perfectly.

KRIPKE: That and “Changing Channels” are the only two episodes where I’ll sit down and just watch the credit sequence. The font, the way you list every crew member, and it just goes on forever. And [composer Christopher] Lennertz wrote real orchestral music for it. I just love the opening of that episode and the way we did that title sequence. But changing subjects, what that reminds me of is the singular genius of Ben Edlund to set this episode during Oktoberfest. Suddenly everyone looks like European villagers and everything becomes a real monster movie.

SINGER: And that location was a party site, but it worked perfect for us.

PADALECKI: It was like an amusement park in the outskirts of Vancouver that we rented out. It ended up unfortunately getting torn down and turned into condos or something.

THE MIDDLE

With the setting and the cast locked, the brothers set out on their hunt, arriving at Oktoberfest to help solve a murder. And when the investigation made Dean late to his first date with Jamie, he found himself face-to-face with Dracula. So naturally, Dean punched the shapeshifter in the face. A fight ensued, one that ended with Dean holding an ear and Dracula ... riding a vespa?

ACKLES: I believe one of the many reasons this show lasted as long as it did is because it can be scary but then at the same time, you throw something like the scooter in and it layers in comedy with horror, with drama, with romance. It touches it all. Bob said it early on and it became a mantra of ours: “No joke is too cheap.”

STASHWICK: That’s the infamous assault scene. I’m in full crazy mode and I’m supposed to clock Jensen in his beautiful face with my elbow, and for whatever reason in that moment — I perhaps leaned in, he perhaps leaned in — we closed that gap and I clocked him. So what you see on the DVD extras is me being all Dracula and then me being mortified that I just hit their billion dollar baby in the face.

ACKLES: He caught me with an elbow but he probably thought he hit me harder than he did. It was a mix between a good shot and a graze, but he immediately broke character. He was like, “Are you good?” And I was like, “Yeah, that one woke me up.” [Laughs]

Dean made it through that fight, but the shapeshifter had already planned its next move: While Sam checked out an eccentric local that they thought was the killer, Dean and Jamie shared a drink back at the bar where she worked. Her friend Lucy (Holly Elissa) then showed up just in time to spike their drinks. By the time Dean woke up, he was wearing Lederhosen while strapped to a table in a dungeon.

SINGER: Jensen was like, “Oh god do I have to wear this?” So to make him feel better, I put on the Lederhosen top. I didn’t go with the full shorts but I did direct that day in the Lederhosen top to take the edge off it a little bit for him.

ACKLES: I remember that! He directed in that shirt. [Laughs] Those were authentic leather Lederhosen from Bavaria. Only the best for Dean.

PADALECKI: When Jensen’s first getting strapped to the table, cause he’s a big guy, I remember them talking about how for the visual's sake, they wanted it to be like he’s a quote-unquote damsel in distress, so if they used a normal-sized platform, it would’ve looked comical, but not in a good way. So they had to make it a little bigger cause he’s kind of big.

Dean wasn’t in the dungeon long before Dracula left him to go answer the doorbell. It seemed the shapeshifter ordered a pizza … and he had a coupon.

KRIPKE: I just love how there’s the monster lab in the basement but then you go upstairs and it’s this mid-century ranch house. That’s almost a direct ripoff of the Steve Martin movie The Man with Two Brains.

SINGER: [Set designer] Jerry [Wanek] did a great job in building the dungeon set, and then when the doorbell rings, you realize it’s in the bottom of a suburban house with a pizza guy showing up at the door.

KRIPKE: When Ben wrote the script, we talked about that scene more than any other scene in the episode. We were so specific about how we wanted the Dracula shapeshifter to react to the pizza guy and the way he’s scared when he says, “Is there garlic on the pizza?” And then the way the pizza guy’s so bored and over it: “Did you order garlic?” And then he says, “No!” It’s the way that he’s so bored of this Dracula at the door.

PADALECKI: I think Jensen and I must’ve watched this episode together in 2008 because I remember us looking at each other and going like, ”Oh my god, [the pizza guy] is way better than he needs to be!”

ACKLES: That line, because of the way that Todd delivered it, we used that line on set many, many times. Whenever somebody asked a question that had an obvious “no” to it, it’d be like, “Hey, did you want the big light on in the distance?” And Bob would be like, “Is there garlic on it?” So that became a little ism on set.

STASHWICK: I’m a Second City guy, so “yes, and” is drilled into my head and yet the two memes I’m most known for, I’m saying the word “no,” and that is Supernatural and Star Trek. I have the no's that are heard around the world.

In the end, the brothers came out victorious and another monster was dead, but not before this one made you feel a little something (and gave one heck of a final monologue quoting King Kong).

KRIPKE: Ben gets all the credit, and rightfully so, for writing the crazy episodes, but where I don’t think he gets enough credit is what a disciplined screenwriter he is in terms of character consistency and rule consistency and just the emotion and pathos he brings to every single story he does. No matter how crazy, he always has such a talent for capturing humanity. I wasn’t counting on the shapeshifter to have pathos but when he gives that speech at the end, it’s so sad. I give him all the credit in the world for that.

SINGER: Eric used to say, “Every villain is a hero of his own story,” so we always tried, as best we could, to give the villains something to do and learn more about them and give them full characters. So even with all this fun, we managed to give him something a little more to do.

PADALECKI: He becomes an almost sympathetic character — I stress almost because he did kill a couple people — but what a great character arc all inside of one episode.

STASHWICK: Because this character wasn’t just a cartoon Dracula and he had that human moment, I think it made him stick in people’s minds more. This monster just really loved the movies. He was the ultimate cosplayer. It might be the thing I’m most known for outside of Star Trek, that one episode of TV.

THE END...?

Although Dracula didn’t make it out alive, the episode seemed to breathe new life into the series, marking perhaps its biggest risk yet, though not the biggest risk the show would ever take.

SINGER: It kind of laid a template for other big swings that we took that were out of the ordinary, whether it was “Changing Channels” or “The French Mistake.” This was the first of our big swings of being totally different than what the show was generally week to week.

KRIPKE: I remember it getting a positive reception. I think people appreciated the swings we were starting to take. I just love that this small little supernatural show that’s arguably a Buffy ripoff on The CW got so experimental. I am really proud that we were doing legit avant-garde stuff, really experimental filmmaking, of which this was one, and then we just kept pushing it.

PADALECKI: It’s such a great episode of television and I think we have a few in our 15 years that could stand alone as something fun to watch and out of the box, and it's certainly easy to argue "Monster Movie" is at the top.

ACKLES: This was really when we were hitting our stride. We were in the pocket with these characters, with the storytelling, with the writing. The first year was really finding our feet, the second was like, "Okay we somehow survived a network merge, let’s not mess this up." And then third season we started playing a little bit. So by the fourth season, we’re like, "Now we know where we need to be." This was the perfect time to do one of these outside-the-box episodes. This is definitely one of my top 10.

SINGER: I directed 48 episodes and if somebody asked me which is my favorite, I would probably say this one. I just had the best time doing it.

Entertainment Weekly

#supernatural #spn 4x05 #jared padalecki #jensen ackles #robert singer #eric kripke #tom stashwick

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