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#Representative of all the people still holding on and doing everything in their power not to let go
soaringwide · 2 days
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Pick a Card: Month Ahead #01
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This was written for May 2024 but with the intention to be timeless, so even if you find it later there might be a message for your next month.
We'll look into your energy coming into the month, but also what will be the theme/area of focus and what you'll need to pay attention to, as well as the surprises that might come your way.
It's my first time doing a pick a card like this so we'll see how it turns out! I love doing those privately though.
As always, be mindful that this is a general reading meant for multiple people so it might not be 100% fitting for your situation, and that it's based on the energy you hold at the moment of selecting a pile that draws you to one of them.
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PILE 1
Cards: Page of Cups, Queen of Wands, 9 of Cups, Ace of Swords, the Emperor, Strength, 5 of Cups, the Moon, Queen of Cups, 5 of Wands rx, Ace of Pentacles, 4 of Cups, Page of Wands
For your energy coming into the month, I see you being in a state of being in tune with your heart, opening up to the possible rise of a new romantic connection. I get the sense that you're cautiously optimistic about it, because while you feel confident within yourself and in a happy place, you're also aware that it's too early to tell. But you're not letting that deter you and you're fully embracing your own power, feeling good about yourself and where you're at while looking ahead hopefully and waiting for an opportunity to move forward. I think for you the process of the month ahead has already started a bit before the start of the new month and you're continuing the process.
When it comes to the theme of the month, I see the importance of putting your emotional fulfillment at the forefront and being actively working towards it. There is a need to bring clarity about the situation, clarity that will bring you contentment and tie loose ends. You will be determined to work through that with willpower and determination by taking the lead and stop wasting time around. I think you are seeing the path forward for this connection and you're determined to go for it and not let it escape. You got four cards here and they all represent a different element, which I interpret as the fact that harmony within and for yourself will be a big theme as well. Between your feelings, your thoughts and your actions, everything will be grounded in your authentic self.
I think these past few months have not always been great for you and you're determined to leave that behind and enter the new chapter of your life. You've learned all you had to about your old ways and now you're ready for a change. So for the goal you'll have in mind, you will be focused on not falling back into the same patterns of thoughts and behaviors and keep moving forward with determination and a sense that you can't go back to what you once where.
The challenge that will arise will come from your own psyche. I get the sense that you still have unresolved issues within yourself that may cloud this great picture, so you will have to be extra careful about not letting your fears and doubts making you spiral down and do or say something that doesn't align with your truth. You might go through times where you feel irritable or anxious and you may take that as a proof that things are going to shit again and you might want to run away, but it's an illusion. It just means that you still have some inner clutter to sort out. Be careful about not shutting yourself off from others as a reaction to your inner pain.
When it comes to a surprise coming your way, it seems there will be an event that will create a shift from a confusing and chaotic situation to one of open communication of feelings, laying out a more positive base for the future. I'm getting the sense that this is what the theme of the month was referring to, and while you seek it, you don't really know how it will unfold so it will still be a surprise when it happens. When this even happens, be as open and honest as possible in order to clear out any possible miscommunication, be kind and listen to what the other person has to say with empathy and love at heart.
What you'll have gained by the end of the month will be a stable and solid start towards the future. Things are blossoming but you'll have learned that there's no point rushing into anything and that things come when the time is right. You'll be set to build on that for the months to come. Maybe the start of a new commitment although things are in their very early stage.
As a final advice, it is important not to shut yourself off from your emotions and not to stay stuck in your old ways of remaining passive. Stay open and assertive, go after what you want and I get the strong message that you need to communicate openly about everything that isn't clear in this connection. Don't just wait around for things to fall onto your lap. Be passionate and enthusiastic and again be clear about your intentions. Also, you're learning something new and important so be gentle with yourself if you don't get everything perfectly from the get go, what matters is to do your best.
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PILE 2
Cards: King of Wands, Queen of Cups, the Lovers rx, 8 of Cups rx, Queen of Pentacles, Ace of Swords, Memento Mori, 10 of Swords, King of Pentacles, Queen of Wands, 2 of Wands, The Chariot, Knight of Pentacles, 6 of Pentacles, 3 of Cups rx, 7 of Cups
For the general vibe of this pile, it feels a bit overwhelming like there is so much to pay attention to that you are somewhat disconnected from yourself as a result, because your feelings are so confusing that you get lost in them. There are A LOT of court cards, which may mean that there is a situation that brings the intervention of a lot of different people, perhaps it will be busy at work, or something involving family, creating a very messy situation where everyone has something to say and you can't hear yourself anymore. Really there is so much external influences here that I had a hard time picking up on YOU until the end of the reading.
For the energy you have coming into the month, I really think you are in a committed relationship with someone (and if not it's not your pile), but there is a big disharmony here. It seems one of you is on the way out of the relationship (represented by the King of Wands), and the fact that the Queen of Wands shows as a challenge later in the reading, I'm getting that this person already has someone in mind. It seems you are longing for the way the relationship used to be and it feels over, but you are having difficulties moving on right now. It's also possible you're just longing for the idea of Love altogether and wishing you could drop everything you have right now to run towards it. There is a choice to be made but right now at the end of the month, you are not making a move one way or another.
The theme of the month to come for you pile 2 makes a lot of sense considering what I already wrote. You will have to focus on your own clarity and get grounded in yourself, trying to find stillness in the chaos that surrounds you in order to get the answers you need, based on your own guidance. I'm also getting that you feel resistant to change and the call of life, and that you may feel a bit dead inside and numb as a result. There is a need to find excitement for the miracle of life again which has been lost due to your complex situation. ''The meaning is in the Middle'' is what's written on the card and writing down in case it speaks to anyone.
For what you'll consciously focus on this month, I'm getting just like...trying not to break down completely and at the same time keeping up with your demanding job and practical life issues. Perhaps this impending breakup is causing financial stress and you don't know how things will turn out. So your goal will be navigating that in order to stay on top of things both mentally and professionally/financially.
Okay this is where it finally clicks because I was confused whether you where the one with the third party of the one who is perhaps cheated on. With the King of Pentacles longingly looking at the Queen of Wands (the third party I mentioned before - don't take gender into account though) standing next to him, I'm getting that YOU are wondering how to welcome this new passionate connection into your busy life and how to make it fit from a practical standpoint with your current relationship. The Queen seems to be both a challenge and an opportunity, I don't necessarily get that this Queen is a bad omen, it's just a difficult situation that require a choice on your part.
For the unexpected thing that will happen this month, I'm not getting a particular event but rather, how it will change the course of what you're doing. This surprise will force you to weight your options and start pursuing what you desire, getting out of that rut you are in. There will be progress moving forward as I don't think you'll be left indecisive for too long. There is a sense of urgency here, whether it's perceived or true, you will feel it deeply and it will push you into actions. You will be surprised by how determined you suddenly feel after the indecision of the past.
What will be gained after the month ends is a newfound stability as you'll have regained your footing. From that point in the spread it's like things have cleared up a bit and there's open space. There is a new beginning on the horizon but unlike the urgency that led you to that point, there is now the need to take things slow and build strong foundations.
The advice you got was that, well, it's time to choose what you want to do with this third party. You can't keep holding things like that without making a choice. You might also need to distance yourself from bad influences around you like friends or family and again focus on yourself. The second advice is about restoring some type of balance between giving and taking. It seems someone has or will give you something and you'll have to give something in return so that not to break the flow of the relationship.
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PILE 3
Cards: 4 of Swords rx, 8 of Pentacles, 4 of pentacles, 3 of Pentacles rx, 7 of Pentacles, 9 of Pentacles, 5 of Wands, 9 of Wands, Justice, 4 of Wands, King of Cups, the Moon, 9 of Swords, Temperance, 6 of Swords, the Fool
For your energy coming into the month, I see that you might have been feeling burnt out for a while now due to over-exhausting yourself with work or your studies, something you've put a lot of care and energy into in any case. You feel stagnant and somewhat demotivated and the whole thing is weighting on you. It's like you've put so much effort into working on this issue that you feel totally depleted emotionally. However, you can't seem to let go a bit in order to get things flowing again and you remain stuck, fearing everything is going to go to waste if you relax a bit.
The theme of this month will be to find your support system and reach out for help in order to get you to find new solutions to your issue. Not everything can be done alone. Furthermore, not every project can be rushed through all the time, sometimes you have to let it rest for a bit and let it grow under the surface of the soil. You will find great benefit from focusing on your own enjoyment and pleasure for a change in order to find a new perspective on your situation.
Despite that, it seems your mind will still be set on proving yourself this month. It's like, you feel burnt out and stagnant, and instead of getting the cue that you need to slow down a bit, you look at others and wonder why you can't hustle like them. Basically you're sensing there is an issue but you're trying to solve it in a toxic way by comparing yourself to others and feeling threatened by their success, triggering your self esteem issues.
The challenged you will have to face have to do with accepting to restore the balance in your life and take a break to have a bit of fun. Sounds like a false problem but it seems it's quite difficult for you to do at the moment because you're so focused on your tasks. It's a critical point though because if you don't cut off the toxic behaviors that are burying you into the ground, you will face the repercussions of your own non-action further down the line. You might have a hard time socializing because your heart is not there and you might feel left out, even though it would do you good to get a change of scenery and get out of your cave for a while.
For the unexpected thing that will happen this month, this will have to do with some type of emotional reconnection that will lead to more balance. It's very possible that it'll be uncomfortable at first as all the negative feelings you've been pushing under the rug all this time are resurfacing, but if you manage to stay afloat you will find a greater sense of mastery over them. I'm not getting anything precise as to what's gonna happen, but it will have to do with you being forced to take the blindfolds off and finally pay attention to your mental health. This might be the inner crisis you need to get back in a better shape.
What will have been gained by the end of the month has to do with leaving behind this way of doing and thinking you were holding onto at the beginning of the month. You will finally be able to get moving again, even if it will feel somewhat bitter and hard to do, remember it's for the better because you could not keep going on like you did.
The advice for you to help you navigate things is to not take everything so seriously all the time. Don't focus too much on what's not working or what you could do better or even on what you can't control, but try to find hope and the sense that a new beginning is at hand if only you open yourself up to it. Whoever is sending you this advice really encourages you to enjoy the little things and find your youthful spirit again. Things won't stay bleak forever so the best thing you can do is let yourself move along the stream.
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chihoshisai · 1 day
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Guitarist Ace
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Ace x Reader
cw : established relationship, cursing, angst, hurt with no comfort, ace is a guitarist in a band, mention of sex, oral and fingering, drinking // wc : 1,755K words // also on ao3
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A Drowned Temper
Ace was a good boyfriend. 
Until he started drinking. 
He was a good drunk — lively, sometimes the life of the party and occasionally he would black out. Though only for a moment, as he would regain consciousness soon enough for people to assume he wasn't completely wasted. But that was on the good nights, where his band did a good liveshow, when tickets were sold out and everything seemed to go without trouble. During the afterparties, he was loving. Towards his members, towards you and even towards any strangers who happened to cross paths with him as the heat of alcohol flushed his body. And you enjoyed that — the way he would whispers hushed affection in your ears, how his hands would travel across the parts of your body he usually was too prude to touch in public, how he easily egged you into joining the fun despite your claims that someone needed to stay sober to watch river the group. Even though that someone was frequently you. 
This part of Ace was fiery, far from the heat he demonstrated on stage. A contagious side of him that left you worried as you watched him drink and drink and drink some more. With no words of concern holding the power to stop him from intoxicating his system. Only when he stopped waking up from his occasional black outs did you put down your soft drink, bid goodnight to the other members of the band, and drag him into a taxi to finally reach the destination of his apartment. It wasn't too much to handle. 
But the thing with alcohol is that once you're used to it, once your body is used to handling it, it becomes a habit. A habit that becomes harder and harder to control the more accessible drinks are to you. The more often they are offered to you. And Ace found himself a victim of all of it. He was an accustomed drinker, his body had built a tolerance. A threshold that he would often go beyond, under the sheer fortunate glasses that would be handed to him during dîners with recording companies as he pitched the idea of his group, and sometimes his bandmates who wanted to drink after a long week of practice sessions. Or by walking down to the convenience store on his day off because he simply wanted to drink. And sometimes pressure. 
Being the guitarist and leader of a four people band was fucking exhausting. Like really. It was a group effort but being the glue to the group, the representative, could be stifling. Shouldering the dreams and hopes of everyone, as they applied and auditioned to countless record companies was stressful. What with the sheer reality of being rejected once again hitting everyone like a hard heavy truck, Ace had to be the one to keep the smile going on his face. Telling everyone that it would be okay. That they would do better next time. Or that the recording company sucked ass and they're worth more than they could imagine. Most importantly that they were still doing pretty well hosting their own shows at live houses, even gathering their own fanbase. 
If he showed weakness during these times what would become of their group. What if everyone lost hope? What if they all went their separate way? He had worked ridiculously hard to get to that point. To find his members. To create the group. There was no way in hell that he would allow it to dissolve into nothing. And over what? A few rejections from power and money hungry old conglomerate bastards? Over his dead body. All that to say that Ace dealt with a lot, felt a lot and lived through a lot. 
Meaning he needed a drink.
Sometimes more than he needed you. 
Now, you were probably the brightest light of hope and inspiration in Ace's life. Being his girlfriend meant listening to his music whenever you or he pleased, witnessing their practice sessions, getting to know the other members, walking home late, hand in hand, as he shared his aspirations for the future, his eyes glazed with passion. Late night calls where he'd ask for your thoughts on this new melody he thought of while you sleepily yawned that it was 3am, but he would argue that he wanted you to be the first to hear it. On the times he would invite you to sleep over, his floor hidden underneath piles of clothes though not without empty bottles, he would sheepishly pick them up saying not to mind the mess though you assured with a grin that  you saw nothing. 
Until the curtains of night fell and he would fuck, lick and finger your cunt until you were either visibly pleased or begging him to stop while being a drooling mess. Ace would then gently stroke your hair, whisper how much you meant to him. How much he loved you, the words sweet in your ears, before he grabbed his acoustic guitar and played a ballad that would proficiently lull you to sleep. 
The next morning you would wake up, not to the soreness of your body but to the savory smell of breakfast waltzing its way throughout the house. With your eyes peeking open to the empty place next to you, your steps would instinctively lead you to the kitchen, where you'd wrap yourself around Ace, the chimes of good mornings and kisses filling the soft golden room that basked in the sun before eating breakfast together while making small talk. You were happy. You were both happy. 
Not being part of the group meant that they were hidden sides of him you got to see. Some more often than others. And some more bittersweet than you'd like to admit. Oftentimes, you blamed the industry, feeling that they were purposely sabotaging the band rather than the pressure Ace put on himself. Even as his count of drinks kept going up on the bad days, you had decided to stop by his place for once out of worry, but mostly to offer support along with a shoulder to lean on as his partner. Like a storm you always showed up banging on his door to make sure he would hear it over the rhythm of his guitar. 
The ceaseless noise, rattling at Ace's brain, irritated him. He wondered which of his band members had come and for what reason when they knew he preferred to be left alone on days like these. Though since they were a team, it made him feel like the world turned agaisn't him everytime he was having a bad day. And with each pound of the door he found himself unable to mute the sound from his mind, forcing his feets to trail towards the door, his right hand opening a crack to reveal his head while his left hand remained hidden with a bottle nestled in it.
“What do you fucking want,” he slurred, before releasing a sigh once he recognized the person behind. “Oh, it's just you,” he let himself disappear behind the dusk of his place, visibly unaware of the alarmed expression that settled on your face while he left the door to hang open for you to slip in.
“Ace are you alright?” You asked, following him inside, feeling a pit form in your stomach at the sight of bottles that lined up on the floor, the place looking messier than you had ever seen. “I heard from Marco about what happened. Do you want to talk about it?” 
Standing in his living room, a hand pressing the bridge of his nose while an exasperated sigh escaped his lips, Ace tried not to blame his member for blabbering like that. “Are you here to give me a pep talk?” He gave you a stern look, eyebags clouding his face, a tint of red blurring the white of his eyes from a sleepless night while he stood shirtless, dressed in nothing but shorts.
“No I'm not.”
“Good. Because I really am not in the mood for it,” he exhaled from his nose before swallowing a swig of his drink.
“I just wanted to make sure that you're okay,” you spoke in an hesitating voice, slightly taken aback by his attitude.
“Well clearly I'm not and there's nothing you can do about it,” he shook his head, seemingly as though to say can't you see how I look.
You tempted a few careful steps towards him while you spoke, “Ace, why don't you slow down on the drinks a little,” you reached out a hand, slowly almost as if you were scared to frighten him. “I think you've had enough for today,” as your hand further approached it was met with the empty air due to the recoil of Ace's hand. 
“Don't try to tell me how much I can drink,” Ace involuntarily raised his tone. Surely it wasn't him speaking, but the alcohol, right? “Who do you think you are?” He didn't mean for the words to sound so harsh. But they did.
“I'm your girlfriend,” your voice broke in your throat, memories of your time together flashing in your mind. “Does that not mean anything to you?” 
“Certainly not now,” he began before pointing a finger in your direction. “Look, you're not a musician, you can't understand how shitty it can be, how fucked up my reality is and how we are not in this together. You're a bystander that can only cheer for me from a distance, okay.”
The burning heat of the words that charred your skin, along with the rapid heartbeats that mingled to create a pained expression to form on your features made you question the tangibility behind the shared past that slowly turned into bitterness. “It doesn't mean I can't empathize with you,” your voice pleaded, finding itself unable to get upset at his words.
“Sympathy is not what I need right now. It is not going to do shit for me!” Ace boomed in your face. His temper had completely slipped out of his grasp. “If you want to help, go home.”
“Ace,” your voice cracked as you shook your head, tears glistening in the corners of your eyes.
“Go home!” He yelled, pointing towards the door. And as he watched you go with tears streaming down on your cheeks, relief and anger conflicted inside him, before he went to sit down on his couch and drown in the sweet toxin of alcohol. 
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tossawary · 25 days
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"Fullmetal Alchemist"'s use of fantasy elements is interesting to me because of the way it... reduces... certain horrors to these unflinchingly direct basics. (Warning for spoilers and unorganized overview discussion of canon-typical violence.)
Like, the violence and pain is depicted in hideous, nightmarish detail, and/but the pursuit of power at the expense of other people's lives is simplified at the climax into an equation so straightforward that it hurts. All previous prizes of land and resources, which are forms of power, have been stolen by the Amestris military by way of terrible, hateful bloodshed. Father's Promised Day array then throws all that aside, throws it onto the fire, and takes a step further to directly exchange human lives for godlike power.
Another example is that Roy Mustang is not permitted the false distance of a bomb, but has the effect of one using his own two hands. The result is the same, but State Alchemists are not permitted separation from their tools: they ARE the weapons of war. A gun is nothing without someone to hold it. It really underlined to me that if Roy HAD used bombs instead of alchemy, it still would have been his hands that killed an unimaginable number of people.
I don't think FMA is above criticism, but this specific aspect felt to me an incredibly effective narrative tool, especially because things like "our military was created from the beginning to do evil" are accompanied by / backed up by normal humans knowingly going along with Father's plans out of greed and fear, as well as normal humans supporting the country's crimes out of idealism and fear and hatred and selfishness and confusion. It's not just "oh, it was inhuman monsters secretly manipulating everything from the shadows all along"; it's "oh, it was inhuman monsters secretly manipulating everything, representative of humanity's most deadly sins, appealing to our most selfish desires and basic fears, and we all WENT ALONG with it".
From the very first chapters, all of the friendly adult characters were directly saying things like, "Edward, you shouldn't be a part of the military. It's corrupt. I have killed innocent people for nothing and it haunts me." In the final battle, inside the command building, the Armstrong siblings and their allies are straight-up fighting against mindless, starving, created soldiers that kill everything they come up against and stop for nothing. The fascist Amestris military, after years of violent, fabricated conquest and violent, inhumane research, is EATING ITSELF FROM THE INSIDE.
And, of course, the characters cannot use their magic system to escape reality: the Elric siblings cannot undo their mother's death. Life is so incredibly precious because some things cannot be undone. And grief and arrogance allowed to run rampant takes heavy tolls on Edward, Alphonse, and Izumi's bodies.
The only way to miss the messaging in FMA, to have the point go over your head, is to intentionally duck it, because the author is throwing it at your face like a brick. Repeatedly. There are so many bricks. It's not subtle. And I enjoyed it.
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d4rkpluto · 9 days
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ᴘɪꜱᴄᴇꜱ ᴛʜᴇ ɢʀᴇᴀᴛ
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DO NOT COPY OR STEAL MY WORK. IS A FAME POST.
PROPERTY OF D4RKPLUTO.
READ THE MAJESTIC VIRGO, well if you want.
PAID CHART READINGS, whoever is my 125 client gets everything cheaper than usual.
this knowledge has come from doing over 100+ chart readings, this is not pulled out of my ass..
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♇ this post centres around pisces, neptune and the twelfth house, and how it is an underrated home of fame.
♇ neptune rules over cameras, glamour, paparazzi, stalking, projection and film, all strong themes of the realer side of fame, specifically paparazzi, stalking and projection.
♇ [in my opinion, i think the 12H, Neptune and Pisces are the most alike compared to the other signs and their rulers.]
♇ on the other hand, ten houses from the 3H is the 12H, 10 in astrology ruling over fame, career and publicity and the 3H governs over magazine and marketing, things celebrities have to be involved in to attain fame.
♇ to understand this post, we need to get into the symbolism of pisces, and hold on tight for this for you to understand! as pisces does represent neptune/poseidon, the sign pisces also represents is Jesus. the most known man, the most known person specifically.
♇ and even though social media does joke about it now and then, he is the most known "nepotism" kid. people with pisces placements especially in their big three or those who have jupiter in pisces are known for something specific, because Pisces gives it a boost because of the connection it has with Jupiter. [in traditional astrology, Jupiter ruled over Pisces], and Jupiter is supposed to symbolise God. and in shorter terms, it gives the nepotism boost to Pisces.
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♇ before i go deeper, i am going to use examples of celebrities, their twelfth house and how fame was for them and how it impacted them.
CELEBRITIES WITH PISCES IN THEIR BIG THREE OR JUPITER. [can work with the rest of the big six, but im focusing on the big three].
⟶ examples
PISCES ASCENDANTS ⬎
MICHAEL JACKON.
WHITNEY HOUSTON
ELLEN.
PISCES SUNS ⬎
RIHANNA.
CINDY CRAWFORD.
GRIMES.
PISCES MOONS ⬎
MICHELLE OBAMA.
MARTIN LUTHER KING.
KIM KARDASHIAN.
PISCES JUPITER ⬎
MEGAN FOX.
AMBER HEARD.
LINDSAY LOHAN.
SHORT EXAMPLES OF THE 12H AND ITS IMPACT WITH SOMEONE'S FAME ⬎
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MARILYN MONROE
had cancer in the 12H, cancer is moon ruled and the moon rules over audience, and its clear that marilyn monroe had a big audience, like the moon, she was worshiped, and due to hollywood, she represented what a woman, "should be".
marilyn also had pluto in the twelfth house, and this points to her being exploited, sexualised and abused in the industry.
her twelfth house ruler is in the seventh house which conjuncts the moon, and she had a known relationship, [jupiter conjunct moon], this insinuates her known relationship was with a man in power, the moon symbolises country and jupiter can symbolise politics and leader-ship, and she had a known affair with JF Kennedy.
BEYONCE
had virgo in her twelfth house, and people always have continuous critique with her, this can also imply she has much critique for herself, but with her twelfth house having the planet jupiter, it helps her having a giant and loyal fanbase.
beyonce also has saturn in the 12h, and this implies of longevity in fame, saturn doesnt always mean something is going to be cut short! on the other hand, her 12H ruler being in the 12H can point to the distant energy she has with her, she could have fun with her fans but there is still an out of reach essence she has to herself.
the 12H ruler being in the 12H can also indicate to why people might've picked up that she might be doing drugs. this could also insinuate another way of how people are nit-picky when it comes to beyonce.
on the other hand, her 12H ruler being in the 12H shows she only shows a part of herself she wants people to see.
MICHAEL JACKSON
aquarius in the twelfth house, and was known to be erratic and unique, he also used his platform to spread awareness.
his 12H ruler being in Leo points to his excessive amount of fame, the uranus being in leo implies on how he was known everyone where in the world. his uranus in the 13°, a degree which means the first to do something; which conjuncts venus the planet of dancing insinuates of his creation of the moonwalk.
his uranus is also in the sign of children, and had many controversies surrounding kids. [along with people thinking his children arent his].
with his 12H ruler being in Leo, the house of cameras and glamours, points to how he is one of the most photographed people on earth.
ARIANA GRANDE
sagittarius in the 12H, known for her adaptability in different cultures, the jupiter influence gives her a very big fanbase.
12H ruler in libra and is known for her romantic controversies, with her Jupiter having. the 5° which shows they're known in the industry they're specifically in. her jupiter also conj moon in the 6th degree, and people critique her love life and it is always in the public, the moon ruling audience.
12H sagittarius in the 2 degrees, and is known for her aesthetic.
RIHANNA
12H in pisces and is known for her glamour, beauty and fashion.
venus is in the 12H and she is a muse for many people.
juno in the 12H and she was paired with many people, so many people expecting who and what to be her husband, though everyone was aware with who her soulmate was. asap rocky.
12H ruler in capricorn and is known for being a capitalist, rich and business oriented.
another 12H ruler in aries, and has a known controversy with the abuse she had suffered through by chris brown.
12H ruler in aries conj uranus and was known for her fierceness and come backs.
MEGAN THEE STALLION
12H aries and is known for her "sexiness" and rapping. her 12H ruler is in Leo and is known for her sexual dancing, specifically twerking, and her body shape is usually spoken about
her 12H ruler is mars and went through a scandal that involved violence, and with the 12H ruler being in the 21st degree, it entails of her being known for being a stallion, along with her jupiter in sagittarius.
neptune in the 24th degree and a lot of people think she is a liar, and i noticed a lot of people who have their 12H ruler conjunct the moon do get famous.
KRISTINA PIMENOVA
taurus in her 12H and was known for her beauty, she also has mars in her 12H and was really pushed into the industry.
12H ruler in the 1st degree and was pushed as the most beautiful girl. her neptune is in the 10H and a a lot of people wanted to be her because of her status and looks.
12H in a young sign could imply getting into the industry at a young age. she also has mars in taurus in the 12H and is also known for dancing.
MADISON BEER
12H in aries and is known for her sexiness. and her 12H ruler is in scorpio and she had plenty of controversies.
saturn in the 12H it took time for people to appreciate her music. her saturn is also in taurus.
11H in pisces in aqua 3rd degree, and had much people make rumours about her.
12H ruler in mars the 11th degree and had revenge porn against her, or you can say just had people expose her nudes.
pisces in the 11H and many people on the internet project their insecurities onto her.
DRAKE
leo in 12H and he is known for his ego, his 12h ruler conj pluto and a lot of people talk about his sexuality.
neptune in capricorn got into more fame due to a popular company, yung money. he has a pisces jupiter and is known for his multiple times to have a wife, he has proposed many times he was able to make a necklace out of them.
12th degree on his moon and is known as an incel. he has his neptune in the 3rd degree and a lot of people make fun of him.
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12H PLACEMENTS ⬎
PISCES/NEPTUNE IN THE 12H - known for music, could get a lot of stalkers, people might have a perception of who you are supposed to be and could be known for taking a specific drug, like weed; ex, rihanna.
ARIES/MARS IN THE 12H - known for their sexuality, could be bullied on social media, might get access to fame easily, but could be objectified; ex, madison beer.
TAURUS/VENUS IN THE 12H - known for your beauty, might feel like people might not take you seriously, people could be shallow towards you, you could have a less intense celebrity life; ex, kristina pimenova.
GEMINI/MERCURY IN THE 12H - could be known for your adaptability, many people might want to mimic you, could be photographed a lot and known for your style; ex, cher.
CANCER/MOON IN THE 12H - could hide their true identity to the world, is the face for something, likes privacy but are never given it; ex, marilyn monroe.
LEO/SUN IN THE 12H - easily stand out, seen as a trendsetter, are known for their beauty, people might compare themselves to you all the time; ex, bella hadid.
VIRGO/CERES IN THE 12H - people will be critical of you, nosy about your life, though you would be a big muse and inspiration for the people, majority of 12H dont like attention or responsibility due to the gain of fame; ex, doja cat.
LIBRA/JUNO IN THE 12H - people will really copy your aesthetic, most likely to be posted on social medias like pinterests and tumblr. very photogenic people, untouchable energy, which could be linked to the hera influenced; ex, lily rose.
SCORPIO/PLUTO IN THE 12H - are usually the face for something, stalked by everyone, specifically the paparazzi, could sometimes be harassed by people for not acting how they were expected to behave. have a lot of influence, they do something other people start doing it; ex, jennie kim and princess diana.
SAGITTARIUS/JUPITER IN THE 12H - have very large fan bases, are expected to be role models, have to find a specific way to sustain their popularity, and other people might want to relate to them and get upset if they cant; ex, kylie jenner.
CAPRICORN/SATURN IN THE 12H - fame can either come really quick to people with capricorn or saturn in the 12H or it could take its time. how they handle fame is their karma, could be preyed on by authority, and when they pass, they become legends and known for something specific; ex, aaliyah.
AQUARIUS/URANUS IN THE 12H - known globally, get away with a lot of stuff, known for their visuals plus aesthetic since it is unique, they have a lot of controversies revolving around love, and might feel like they cannot get away from fame; ex, michael jackson.
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YOUR FAME DUE TO WHERE PISCES AND NEPTUNE IS IN YOUR CHART ⬎
PISCES/NEPTUNE IN THE 1H - fame for being beautiful, creative, and would feel distant and would have a lot of people project and fantasise about you; ex, michael jackson a pisces ascendant, and ariana grande who has neptune in the 1H.
PISCES/NEPTUNE IN THE 2H - fame due to singing, fame for being beautiful of their aesthetic, have ways of always making money and has controversy with lovers; ex, megan fox has pisces in her 2H, and lana del rey who has neptune in her 2H.
PISCES/NEPTUNE IN THE 3H - known for their creative ideas, good writers, could have a popular relative or is the popular relative, and another musician indicator. could also be known for their philosophy; ex, jeon jungkook has his pisces in his 3H, and beyonce who has her neptune in the 3H.
PISCES/NEPTUNE IN THE 4H - famous family, controversy with family/marriage, do a project that can set them for life and could be in a famous group; ex, kim kardashian who has pisces in the 4H, and emma watson who has neptune in the 4H.
PISCES/NEPTUNE IN THE 5H - get very popular because of their looks, usually have kids within their rise to fame, can tap into anything creative and succeed. brilliant actors and actresses have these placements; ex, nicolae kidman who has pisces in the 5H, and angelina jolie who has neptune in the 5H.
PISCES/NEPTUNE IN THE 6H - amazing producers [music and film], are known for their interaction with drugs or people might have conspiracies with them taking drugs, health issues are put onto blast and usually stand out in a project that has many people and are usually the main character; ex, britney spears who has pisces in the 6H, and kanye west who has neptune in the 6H.
PISCES/NEPTUNE IN THE 7H - like to please their fans, controversy with marriage, be careful with deals/contracts that you would sign, sometimes other people might think you are distant and you guys are likely to have iconic fashion moments; ex, bella hadid who has pisces in the 7H, and mariah carey who has neptune in the 7H.
PISCES/NEPTUNE IN THE 8H - usually leave a big legacy, victim/subject to memes, or being made fun of by people in the industry, tough relationship with addiction and have a big fandom which can make them excused a lot; ex, marilyn monroe who has pisces in the 8H, and michael jackson who has neptune in the 8H.
PISCES/NEPTUNE IN THE 9H - loved due to their charisma, loud and big personalities, partake in business all over the world and are wanted by foreign companies, and have a moment when they're under fire due to the public; ex, angelina jolie who has pisces in the 9H, and rihanna who has neptune in the 9H.
PISCES/NETPUNE IN THE 10H - likely to be models, have contracts with big brands, many people look up to them and have much expectations for them, could also be people who are in political power or are connected to them; ex, victoria beckham who has pisces in the 10H, and princess diana who has neptune in the 10H.
PISCES/NEPTUNE IN THE 11H - are usually easily excused, famous due to a private circle [political power on theories like illuminati], usually say things they are not meant to say, can either be easily liked or hated by the public and this can give online fame, or could get famous because of the internet; ex, miley cyrus who has pisces in the 11H, and billie eilish who has neptune in the 11H.
PISCES/NETPUNE IN THE 12H - people usually want to be them, long-term fame, another model indicator, and can be people who get into relationships with people who are known in the industry; ex, gigi hadid who has pisces in the 12H, and zendaya who has neptune in the 12H.
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PAID CHART READINGS + CAN GET FAME READINGS BY ME
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jakei95 · 9 months
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[Post in English] Something Nyx and I want to publicly address, regarding the recent allegations in the Glitchtale Crew's Discord Server and it's moderators. I really apologize for the upcoming wall of text. These are our Twitter threads I have pasted them here, in case you don't have access to said platform. I have also added some additional notes to provide more context. All details under the line:
NyxTheShield: (Transcription from his official twitter thread) I read some mean comments lately and I just wanna be super clear: I havent been related to Glitchtale since at least 2022. I never considered myself part of the community and went through some much shit while doing stuff for it that my mental health was completely destroyed.
For people who thought I was an admin of the server, that was just in paper. I was constantly de-admin'd, demodded and kicked from the server through the years for simple stuff like asking the rest of the mod team to not say slurs or standing up against the Midnight Crew. I personally left the server for a long while because I really did not want to be around some of the people there. All of this happened years ago (from 2016~ to around 2020). On the early years, my full income came from Youtube/Glitchtale. I was a broke college student and my economic stability depended on it. Despite this, and making literally hundred of tracks and hours of music for the series, most of the income came from my own ad revenue. I was paid less than 2000 USD for all of the work. Essentially, I was paid in exposure.
This wouldn't have been an issue for me if at least I got to keep my artistic vision with the series. That didn't hold true for long.
From the second season and onwards, and in multiple instances, I would score the entire OST for the episode, watch the episode when it released, and then find out a completely new section of the episode (usually a battle scene) with music from somebody else This was completely demotivating to me because I wasn't being paid, the tracks would not fit the rest of the OST at all, and most of the income I made from the battle scenes. I had to work for weeks trying to compose music for glorified powerpoint presentations (Basically everything that's not a battle scene on the series was just still frames of characters barely moving) and do all the heavy lifting and I wasn't even let known about the guest tracks.
This added to the feeling of having absolutely no power within the community. I don't know if this was intentional or not (I don't wanna presume malice), but all of these things together contributed to me distancing myself from the community.
Honestly, there is A LOT more shit that went down these early years that are extremely traumatic to me that I would prefer to not talk about unless completely necessary, but I feel this is a good amount of context for what I wanna talk about next.
As you might be aware, extremely serious (and true) allegations were made against Camila and his partner, Veir, which was accused of grooming minors from 2015 to 2021 There are really good videos out there explaining the entire timeline of what transpired, but I specifically wanna talk about 2020.
(Jakei's note: Links to said videos are here: [1] [2] [3])
In that year, a public document was made by my head mod CrystalFlame alongside 2 other mods in the GT server, that exposed Veir and their actions. This document went mostly unnoticed. Even more, Crystal went through a lot of abuse for coming forward about their abuse and was almost ostracized from the UT AU community because of this.
Because of this, I was asked directly by one of the victims (and also representing the other victims) to please not speak up (Citing that they just wanted to move on and didn't want to involve themselves with more problems and expose themselves)
All the info was kept very vague from me, including the people who were involved, the extent of the stuff that went down, etc But I knew enough to know it was serious. I followed their request and didn't speak up publicly about this, but I banned Veir from my server, warned all of my mods and people close to me in those circles about Veir, and constantly tried to get Camila to please adress the situation. Despite this, she did not listen and we all know how stuff went down later in 2022, where the allegations came back again with full force. This time around I wasnt asked to stay silent so I spread the word around and confronted the entire mod team. I was shortly banned after that.
I needed to address this because this thing has been eating me alive for years. I was intentionally kept in the dark about a lot of context and nuance that would have completely changed my mind about speaking up or not about what happened in 2020.
Everything is easier in retrospective, and with the knowledge I now have about the situation I know for a fact that I would have spoken up about all that happened. But being asked directly to not speak up by the victims was something that goes against what I am Sorry for the long rant, but I really needed to get this off my chest. I am tired of having to deal with this kind of stuff. As a content creator/public figure I am trying my hardest to keep the communities I am active in as safe as possible.
I feel I could have done more for the Glitchtale community regarding the grooming situation, but all of the years of abuse that I endured really fucked up my judgement. I am not very good at dealing with people and I always trust the people close to help me for this kind of stuff
Sadly, in this case, those same people who were close to me were also the victims, so they couldnt have known or had a way to help me out, I should have helped them instead. Most if not all of what was described in this thread is backed up by screenshots, chat logs, and direct testimony from the people who were involved during this time.
I don't want to direct hate to anyone or start a witchhunt, I am doing this purely to decompress a bit and try to vent some of the trauma I experienced all these years.
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Jakei: (Transcription from my official twitter thread) I would also like to share my experiences about my relationship with the Glitchtale Creator, Camila Cuevas. Publicly, we appeared as close friends, but in reality, that friendship was based on bullying and mistreatment, and this affected my mental health deeply.
Years have passed, and the memories still cause me pain. I decided to remain silent, but after the revelations of grooming cases in her community, I realized I wasn’t being too sensitive. The time has come to speak up about my experiences.
During the early years of Underverse, I was dealing with a serious depressive episode. Simultaneous internal and external pressures as an independent artist amplified my mental strain. Meeting Camila felt like finding a genuine friend who shared my passion for the fandom and understood the struggles of being a content creator amidst toxicity. At my lowest, I became compliant to doing things that I didn’t want to, just to keep people around me happy. For Camila, this meant allowing her to belittle my work and make me the butt of her jokes.
Only our veteran followers may remember the 'roasting games' between us on Tumblr (consisting of mutual insults), a spectacle where she'd always win. However, it was a game she privately forced me to "play" and I ended up accepting, despite the discomfort it caused me. These 'games' would give her a cool and strong image in the fandom while painting me as the dumb, 'cringe-worthy' friend. In essence, I became her personal punching bag, unknowingly reinforcing his reputation.
Camila's favorite term to demean my series 'Underverse' was “Cancerverse”. It felt like a constant contest where she'd always position herself as the superior writer and animator simply because my story and animation techniques didn't fit her standards. Years of being subjected to her ridicule left my self-esteem in ruins. I was okay with the negative feedback by some fans, but when my 'friend' publicly disrespected my art, it made me question my abilities as an artist.
I can't deny there were times when she gave me advice to deal with hate or hurtful comments. However, her damaging comments and treatment outweighed those moments of support.
My depressive state worsened around July 2017, where I had accepted people pushing me to do things I wasn’t comfortable with, while being part of Camila's demeaning games, just to appease her ego. I was introduced to Nyx during this time, he offered his music for my series, and eventually we started dating. We met in person in Chile, where I also met Camila. I hoped our friendship would strengthen but everything felt the same. Before I moved to Chile with Nyx, Camila reached out to me in dms, attempting to turn me against him because he opposed the use of slurs in the GT server. She claimed Nyx was being 'brainwashed' by his American friends belonging to the black and LGBTQ+ communities. She made fun of my dating choices, suggesting I was entering a toxic relationship, while showing off her relationship with her then-boyfriend (later exposed as a pedophile). She even quoted her own mother assuring me that Nyx would 'get back to normal', and if it didn’t happen, she would let me live in her house, almost like if she was telling me that Nyx would hurt me or make me feel miserable.
It only took Nyx 3 months to realize that the GT server was going in the wrong way. I initially felt compelled to defend Camila due to my inferiority complex, but soon realized Nyx was right. (Jakei's note: Not only Nyx was right, a lot of people that called her out over the years were right, yet they were not listened to at the time)
Even then, I found it difficult to distance myself from Camila due to the false sense of obligation I felt towards her. My fear of her making fun of my work kept me from interacting with others in the short period of time I stayed in her Discord server. I was afraid that she and her echo chamber would talk behind my back, something that I found out was happening in private chats until recent years.
Rebuilding my self-esteem wasn't an easy task. I began noticing the red flags – Camila's lack of respect not only for me but Nyx also, the emotional manipulation Nyx was suffering from Veir (something he used to do all the time with his other victims), her attempts to 'roast' me in front of her family and fans in the Underverse/Glitchtale meetings, and her constant criticism of my artstyle not being compatible to hers in the few collabs we made.
All these 'small' instances, dismissed as insignificant by many, caused me immense pain while treating my depression. I felt it was too late to express how I felt, as I feared being labeled as attention-seeking or oversensitive by her and her fanbase. Ironically, the moment she talked about her traumas after being bullied in the past, her feelings were the only ones that mattered any time she was involved in a problematic situation in the fandom and deserved to be the only to get pats in the back.
I never expected a sincere apology, as I was convinced she didn't remember or didn't care about the hurt she caused. I tried to maintain a facade of good terms with her, both publicly and privately. Eventually, I distanced myself from her, unfriending her and banning her from my own server even if she didn't interact there. I started focusing on my own work and the people who appreciated it. Despite this, the aftermath of the bullying continued to affect me.
Everything fell into place when the grooming accusations against her former boyfriend and server mods came to light. It was a shocking revelation, but it validated all my doubts and fears about her. The purpose of sharing my experiences is not to stir up drama, but to address the concerns of those worried about my association with Camila. I want to make it clear that I will never tolerate such behavior. Although the things I did for her in the past cannot be erased, I hope Camila at least deletes the animation remake I did for her and all the collabs that boosted her views for free, though I'm not optimistic about it happening.
As I've matured, my hope is that she and her crew learn from their mistakes, start behaving like adults, and take responsibility for their actions in their future projects and with their new followers. But I'm skeptical about any real change, especially if their server continues to exist. The best course of action for me was to cut all ties with Camila and Glitchtale.
NyxTheShield (now my husband) and I have endured too much from our treatment by Camila. We no longer want to be associated with her or Glitchtale. It's a chapter of our lives that we wish to close. It's time for us to focus on recovering our mental health, as remaining silent is only prolonging our pain. We have been working to improve our mental and physical health over the past few years and this is a crucial part of our healing process.
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vase-of-lilies · 8 months
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❀ Pairing: Wanda Maximoff x Bunny Hybrid!Reader (F)
❀ Non-con, dubcon, use of a cage, captivity + using restraints, violence, mind manipulation/putting someone in a daze, guys - fun fact; ivory was chiseled and made into a dildo in the 1800’s. So, expect that lol, and more. Do not read if you are uncomfortable with very dark elements. 
❀ I am usually good with warning everything that is in my stories, but this time due to limited space and a lot of warnings, I will be only doing the harsher warnings. 
❀ Disclaimer and Authors Note: The pictures only represent aesthetic and themes. There is no certain skin color, body type, ethnicity, or description other than Y/n and “you”. Credit to who made the pictures in the banner as well. 
❀ Sigh… I feel like all of these are the same, just a little different each time. I try to change it up, but a lot of these are similar in plot, description, and ending. I want these to turn out well, but I can’t help but feel that people don’t like them because they don’t comment on them or give feedback. All I want is a funny comment, a detailed comment about something someone loved about the story, or something that they were confused about or just thought was plain stupid of Y/n. All I want is feedback! 
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Hunting season. It was the worst time of year for the bunny hybrids, yet still, you were picking berries in a bright dress your mother made you. You knew it was dangerous. However, you knew that you were fast and agile like a real bunny. But even the fastest rabbit couldn’t beat the slowest tortoise because of the overconfidence each little rabbit held in their little head. 
While you gathered the berries into your basket, you hummed to yourself, not a thought in your mind. Every now and then, your tail would twitch, something it does when you are doing something you love or when you are scared. But you loved gathering, and you were not currently scared. 
Your humming immediately stops when you hear the straining of an arrow in a bow. It was a creaky sound that every bunny could recognize. Your ears shot straight up, your head turning in all directions to try and find the source of the hunter. One last turn and it was too late; the bounce of the bowstring snapping back into place came first, then the pain of the arrow piercing through your shoulder blade. 
Falling to the ground, you frown as your berries scatter around you. You can hardly think while you scramble into the bush in front of you, holding your ears against your head so you don’t bring more attention to yourself. Your body trembles, rustling the brush you are hiding in, and you silently curse yourself at your shaking. 
“Here, little bunny… come out, come out wherever you are!” A voice taunts from outside the bush. You see the boots of your pursuer from where you crouch inside the bush, whimpering as the arrow in your back snags on a branch. 
The footsteps stop and turn towards the bush. You freeze, and your ears slip from your hands, rustling the bush even more. The hunter steps up to the bush, and she spots your gray ears. With a smirk, she reaches into the shrub and grasps them in her hands tightly, causing you to tumble from the bush and onto the ground.
Blood streamed down your back, and you tried to crawl away, only for the hunter to chuckle and reach in her pouch for something else. You look behind you, screaming as she stalks closer to you, a tranquilizer dart in her hand. 
“Come on, little bunny. Don’t make this difficult,” She says, kneeling beside your pitiful form. As you beg her not to hurt you, she ignores you, pushing your head to the side and exposing your neck. “Stay still, and this won’t hurt!” She shouts at you, still struggling to get you to calm down. As the dart comes closer to your neck, you struggle even more, but she is powerful and quick. 
The needle punctures your skin, and the tranquilizer enters your blood flow within seconds. It was initially slow, just a little dizzy, so you tried to get up. The pain in your back was the least of your worries, only getting away from the hunter on your mind. But the drug was working fast, and soon, you found yourself on the ground again, your eyes closing and your mind succumbing to darkness. 
~~~~~~~
Wanda smirks as you finally fall unconscious in front of her, your fuzzy ears flopping onto the ground with a soft thump. Your fluffy little tail was twitching again, terrified of what would happen. Wanda kneels down by your sleeping body and moves the hair from in front of your face. “You’re gonna be my perfect little pet, aren’t you?” She gently brushes her fingers over the skin of your cheek and smiles at your breaths. 
Laying a small blanket over your body, she picks you up and takes you home to assess your injuries. As she enters her home, she shuts the door and lays you on her bed. She frowns at the arrow that sticks from your back and gently tries to pull it out. You whimper, the drug unfortunately not numbing the pain. 
Wanda sighs softly and grabs her knife, slowly cutting the skin surrounding the arrow. She dabs the wound with a small cloth as it starts to bleed again, and once the last line matching the shape of the arrow is carved, the arrow slides out of your back with ease. Reaching for the first aid kit, she unties your dress and slips it off your body, dressing your wound and healing some of it with her powers. She leaves you in the right amount of pain to become submissive to her, but enough that your death will not be on her hands. 
Tying the last bandage around your chest and under your arms, she lays you on your back and grabs the chain connected to a metal collar from under the bed. She sets it on the bed next to you and goes to the closet to bring the cage out. She smirks at the bars, knowing you will never escape from her. 
Lastly, she connects the chain to the cage's base and looks over at you on her bed. She sets the collar on top of the kennel and saunters over to your naked form. She ghosts her fingers down your belly and the mound between your legs. Shaking her head, she knows she wants to wait until you are awake to hold your wiggling ears while you struggle to escape her. She loves it when her prey struggles in her hands; it sparks something inside of her.
Picking you up again, she carries you to the cage in the corner of the room, opening the door and laying you down against the thin-blanketed bottom and laying your head against the straw pillow set at the top of the cage. Before locking you up for the night, she grabbed the collar and clasped it around your neck, matching the holes together at the back and looping a padlock around it. With the collar secured around your neck, the chain connected to the bars, and the moon rising, Wanda locked the cage and put a blanket over the top to cover the whole thing, leaving you in complete darkness.
~~~~~~~
When morning approached, your body started to wake up first. Your mind was still hazy, and you felt like you were in a dream. Your ears moved slightly, your tail wiggled just a little, and your eyes moved under their lids. 
It was raining. You could hear the raindrops outside. Outside where? Where am I? Your curiosity turns to concern the moment your eyes finally open. A dark, furry blanket covers the bars surrounding you, dimming the light almost completely. You try sitting up, but the pressure you put on your arm makes you whimper in pain. The arrow wound on your back was the only thing revealing where you were. 
The tranquilizer made you sleep, but it didn’t make you forget. You remembered where you were, and you remembered who you were with. That damned human. A simple hum or chuckle could force you into submission instantly, knowing what Wanda is capable of. She has the eye of a hawk when it comes to aiming her bow at the poor little creature she sets her sights on. 
Your soft ears twitched at the sound of shuffling from outside of the covered cage, pulling your attention away from the pain in your shoulder blade. Wandas walking caused the blanket to flutter, and your instinct was to lay back down and pretend you were asleep still. You wrapped your arms around your exposed body the best you could, closed your eyes and waited. 
In anticipation, your leg started shaking, as well as your tail. The little ball of fluff just above your bum was a radar for danger. If it wiggled, twitched, shifted, or moved an inch, you could sense danger was near. This was a time when your tail was not wrong. Not by one bit. 
There was a soft knock on the bars above you, but you didn't move. Another one, this time a little forceful- still, you did not move to 'wake up.' 
"Little bunny… I know you're awake. You're shaking this whole damn thing." Wanda laughed softly at the shivering cage before her, your anxious body practically causing an earthquake around you. Your hands went to the collar around your neck, and a tear fell from your eye onto the pillow below your cheek. I'm not getting out of here.
Wanda pulled the blanket from the top of the cage and looked down at you, curled into a little ball with your fluffy ears over your face. "Oh, come on, don't hide from me," She says, kneeling in front of your prison. Aggravated, she grabs the chain connected to your collar and pulls, forcing your face to come right to the bars.
A whimper escapes your throat, and your eyes stare up at Wanda with fear. She smiles sweetly at you, her pearly white teeth giving you a shite-eating grin. “I know you're scared,” she says, holding the chain tighter. In response to your desperate attempts at escaping the collar, Wanda laughs. She leans in, her breath brushing against your face. “But don't worry,” she whispers. “I'll take good care of you.”
Your face flushed with tears, and you began to speak in a trembling voice, "I wanna go home; my momma will be worried about me." You thought of your mother, who would be excited to see you and looking forward to the pie she made for you. You missed her embrace and the warmth of her love. You wished to return, see her smile, and feel her passion. You closed your eyes and thought about what it would be like to be home.
"Don't you dare close your eyes," growls Wanda, causing you to open them wide. She looked at you with dilated pupils, clearly craving something. Something only you could give her. 
She finally releases the chain attached to your collar, causing you to fall back into the cage. You push yourself against the back of the cage, trying to distance yourself from Wanda as the pain in your back intensifies. With a chuckle, Wanda opens the door and reaches for the chain to pull you out. Yanking you out of the cage, you fall to your hands and knees, forced to crawl forward to her. 
Once you get into an arm's length of her, she grabs your ears and pulls you to her. You yelp, trying to cover yourself, but keep yourself up too. You can't feel much pain from your ears, but as she pulls you closer to her, the fear builds up in your belly, and you pull back. Failing, she wraps her arms around you and holds you against her chest. The chain is long enough to reach her bed, so as she picks you up, the chain drags behind you. You kick your legs and try maneuvering your way out of her arms, your body only being hugged tighter. 
As Wanda sits on the bed, she holds you in her lap. Her body is much larger than yours, as your hybrid genes make you smaller than humans. She only needed one hand over your belly to hold you still, your legs being pinned open by hers. Her other hand roams your naked chest, tweaking each nipple in her fingers. She buries her nose into your soft ears and hums as she feels your little cotton tail rub against her clothed cunt. 
You whimper and throw your head back any chance, but Wanda is quick. The chain is already in her hand, pulling it up and choking you. You cough, your hands going to your neck, trying to find the chain to pull down. Your strength is nothing compared to Wanda's; her chuckles fill your ears again. 
Your breaths are short and shallow, and the lack of oxygen getting to your brain becomes dangerous. Your vision starts to cloud, and Wanda notices, giving the chain some slack. "You aren't going out on me just yet," she whispers in your ear. On the bedside table, she grabs a ring of rope she had put there earlier. Grabbing your wrists, she wraps the rope around a couple of times and ties a firm knot after. She then pulls the excess cord to keep your hands next to your chest, exposing your pussy. 
She smiles against your neck, and her teeth nip at your sensitive skin. "Mmm, my little bun bun, so soft and cute," She whispers again, "I am going to do nasty things to you, and you are going to like it..." 
Pulling your hands above your head, she wraps the rope through your collar to keep them still. 
With her hands now free, she cups both breasts, kneading the ample skin and pinching your nipples every second. You whimper as salty tears stream down your cheeks, only fueling Wanda to do more. Her hand moves down your belly to your wet petals, waiting to be played with. As her other hand follows, her fingers spread your folds to expose your quivering clit. 
Even though Wanda could not see your pussy, she loved how it felt. "So fuckin' wet, and its all for me, isn't it?" You shake your head vigorously, not wanting to fall into whatever trap she had set. Her index finger slowly rubs your clit in small circles, the burning of your bundle of nerves causing you to whimper and jolt. She holds you tighter, smirking at the warmth of the skin around your bud. 
Her lips press soft kisses to your head as she rubs your clit more, her other hand prodding at your hole. A breath is stolen from you as she enters two fingers into your pussy, pumping slowly. You cringe at the squelching you hear, and your legs instinctively try to close, but Wanda's legs hold them open. You reluctantly lay your head against her chest, your ears falling limp against your head. 
Wanda quickly jumped on the opportunity to hold your head up by your ears, pulling them to hold your head up straight. Wanda's fist clenched your ears tightly, not letting go as you tried to tear yourself away from her. 
As she rubbed your clit faster, your orgasm approached more quickly than expected. Your pulsing pussy squeezes her fingers as you cum, her finger on your clit not stopping. It burned, and it hurt, but in such a good way. She continues to rub, pulling a second orgasm out of you, smirking as your juices squirt from your hole. 
The blanket before you shows a puddle of your own spend, and you whimper as she pulls your ears up again. "Good little bun bun, cumming for your master like a good girl," She lets go of your ears and moves her legs, uncaging yours in the process. Before you can scramble away, she pushes you to your stomach, turning you to the bed frame. Grabbing the rope from your collar, she pulls your hands up to the bars and ties another sturdy knot. 
You struggle, pull, fight, kick, but nothing stops Wanda from getting what she wants. She finishes securing you to the bed, and her hand harshly spanks your ass. You squeal and try to curl against yourself, but she hits you again. "Legs straight little one, or I'll tie those too." You listened, not wanting any more rough rope on your body. 
She was unpredictable. She spanked you a couple more times before smoothing her hand over the raw skin. Or she would pull your tail and ears and, shortly after, softly squeeze your fluffy tail at the base of your back. The tears had not stopped either, the pillow beneath your face soaked with the salty water from your eyes. 
Wandas' abuse finally stops after a couple of minutes, her hands softly squeezing your ass in her hands. You hurt; your ass is raw, your pussy is red and puffy, and your ears are on fire. She enters the small kitchen, washes her hands, and gets a glass of water. Setting the cup on the table next to the bed, she unties your wrists and helps you sit up. You whimper as the soft yet rough blanket rubs against the skin of your ass. 
The cup's rim hits your lips, and you look up at Wanda in confusion. Why is she taking care of you? You think to yourself. 
Not wanting to seem ungrateful, you take a sip of the cool water, sighing as it goes down your sore throat. Your screams did a number on you. Finishing the glass of water, Wanda smiles down at you and gently pets your fluffy ears. They twitch in response to her hands and instinctively move closer to her warmth and gentleness.  
"Good little bunny..." She says, reaching down to hold your hands. "Listen to me," She commands. "You are going to be good and sleep in your cage tonight. Then in the morning I can get you some clothes. How does that sound? Hm?" Letting go of your hands, they softly rub up and down your thighs. You don't answer her, only giving her a nasty look, resulting in a disappointing sigh from her. 
"Come on, lets go." She says, helping you stand by picking you up by your armpits. Once you are on your feet, she gently leads you to the cage and pushes you down by your shoulders. Your hands and knees hit the ground, and her hand softly pats your bum, hinting for you to crawl inside. You comply, moving into the cage and lying against the pillow. 
Sleep hits you like a wall, unaware the water was drugged. You see Wanda shut and lock the door, reaching through the bars to kiss your fingers. 
"Run, my little rabbit, run and play in your dreams. And when you wake up, we can get to know each other a little better." She whispers, softly holding your fingers that fall limply by the edge. Pulling away, she moves back to her bed, cleaning up the blanket with a wave of a hand. 
Stripping off her dress, she lays down and watches your sleeping body, fantasizing about everything she wants to do to you. 
 Thanks to the sun's early light, the room was bathed in a soft, golden glow, creating a calm environment. With a contented sigh, Wanda stretches her arms above her head, feeling relief as her spine cracks into place. She sits up, allowing her gaze to drift towards the cage in the corner of the room. A beautiful scene awaited her under a soft blanket—the outline of her little bunny sleeping peacefully behind the bars. 
The whisper of a soft, melodious voice fills the air, promising adventure and connection. You follow the sound, your ears twitching with curiosity. 
You dash through the meadow, encountering a figure, a large shadow surrounding it. It's an eerie, ghostly presence shrouded in an aura of ice and hatred. The figure emitted a terrifying, irresistible pull, hypnotizing you to come forward. 
As Wanda took in her adorable pet, she couldn't help but smile, knowing that her bunny was safe and sound, nestled in its cozy cage, surrounded by a world of love and care. Of course, that is what Wanda wants to create for you. Your feelings were most definitely not mutual. Swinging her legs over the side of the bed, she approaches the door to your prison, unlocking the padlock and opening the door. 
This bewitching being extends a skeletal hand, fingers adorned with grotesque, withered elegance, beckoning further from the meadow behind you. You approach carefully, drawn by an irresistible urge. The hand reaches down, petting your soft ears on your fluffy head.  
Instantly, you are transformed into the hybrid you are now, the world around you turning into a dark abyss. 
As you whimper in your dream, Wanda can't help but wonder what you're dreaming about. Is it a pleasant dream or a nightmare? She knows she shouldn't disturb you, but the temptation to playfully interact with your vision is too strong to resist. 
Tendrils of black smoke shoot from the figure, twisting and writhing like malevolent serpents, suffocating the air with dread. Your heart drops to your stomach, your naked skin pebbling with goosebumps. The figure stands there, the wind around you starting to pick up. Smoke transforms into a massive tornado above you, picking you up effortlessly and spinning you around. It pulls you towards the figure, a featureless face other than a mouth meeting your eyes. 
Your heart races with terror as the figure's mouth opens wide, revealing rows of sharp teeth. The smoke swirls around you, suffocating you, tightening their grip, making it impossible to break free. The closer you get to its mouth, the faster your heart beats and the quicker your breath becomes. 
Carefully, she reaches out her hand and gently touches your shoulder, curious to see how you'll react in your fantasy world.
Screaming is useless now, as it will only be silenced by the dream realm. Even your punches and struggles are slowed down by an invisible force. The smokey tendrils bring you closer to the figure's mouth in slow motion, and you undoubtedly know the inevitable outcome. With a sudden, horrifying lunge, the figure's jaws close around you, yet no pain is felt. Your vision is surrounded by darkness- 
You jolt awake at the feeling of Wands fingers against your skin, and your breaths come fast. You struggle to shake off the lingering fear from the dream, your eyes darting everywhere to find the source of touch. Once you see Wanda staring back at you, you instinctively shrink back, unsure of her intentions since the night before.
"Calm down, little rabbit, I'm not going to hurt you," She says, holding her hands up in a false surrender. "Come on out, bunny," Your ears twitch as her hand enters the cage, her fingers wrapping around your ankle. She pulls gently, trying to coax you from your spot in the corner of the enclosure. You don't budge.
Getting frustrated, she grabs the chain of your collar and pulls you out. Once you are out, she holds you by the ears and pulls you to her bed. "You listen to me!" She growls, crawling on top of your trembling form. In the blink of an eye, her demeanor changes completely. Her eyes no longer glaring at you, her mouth no longer degrading your behavior.
Her right hand softly caresses your tear-stained cheek, wiping away any stray tears that have fallen. Her fingers smooth over your [length, color, texture hair] hair and behind your bunny ears, which are relatively sensitive to feeling good. 
As she scratches, she smiles at your foot kicking from below her. "Aw, what did I find?" Wanda asks, persisting in scratching behind your ears. Once she stops scratching, she gently pulls your ears together and holds them in her fist. "Gosh, look how cute you are..." she chuckles at the little wiggle of your nose and looks over your face. 
She let go of your soft ears, a tender smile on her lips. Leaning down, Wandas' lips met yours in a gentle, lingering kiss. At first, you struggled, protesting to be this close to your captor. But once Wanda's fingers reached your neck, you surrendered. She gently squeezed your neck, not choking you but asserting her dominance above you. 
She pulled away from your lips so quickly you had to suck in a breath, the kiss taking your breath away, her breath also fanning against your cheek. You hate to admit that the kiss felt genuine, as if she truly loved you. Your mind told you many different things, but "run" was not one of them right now. 
In the dim morning light, her green eyes lock onto your [eye color]-ed ones, silently telling you to let her into your mind. With great reluctance, you allowed her. You opened the gates to your consciousness, your deepest and darkest secrets showing themselves to Wanda. There were the little things, like your favorite food and color. And how you like your coffee in the morning or if you prefer quilted blankets over fluffy ones. If you like to sleep in or wake up early and if you read before bed or journal. 
As she takes in all of your mundane likes and preferences, she pushes herself into a deeper part of your mind that knowing loves what she does to you. Every pump of her fingers, every orgasm and moan she pulls from you, this part of your mind will show her everything. ‘Mmm, a little rope bunny, huh? You love being tied up… now thats cute.’ Wanda speaks in her head, and you subconsciously hear everything she says. 
Wanda smiles down at your dazed and confused expression, knowing full well that you are under her spell. She takes this opportunity to undo the chain connected to your collar, letting it drop off the bed and to the floor. On the bedside table, is the rope that held your hands to the bed frame as she spanked you. She smiles as she gets to use it again. 
She moves off of your frozen body, settling you at the top of the bed with your head on a pillow. Grabbing the rope, she wraps one piece to your right hand, pulling your limp arm to the corner of the bed. She does the same to the left arm, putting you in a spread-out position. Nowhere to go, nowhere to escape. She decides right now that this is how she likes you; all tied up and at her mercy. 
But Wanda wanted more! So she reaches under her bed to grab another two lengths of rope. She spreads your legs and ties both ankles to the bottom corners of the bed frame, looking at her work with a smug smile on her lips. 
Having you still and under her control was all she needed. But now she wants your full attention. With a snap of her fingers, you are back and aware of your surroundings. Your eyes immediately find Wanda at the end of the bed, tears beginning to form. 
“Please, I- I can’t do this anymore,” You say, tears pooling in your eyes as you pull at the rope around your limbs. She sighs and moves back to the head of the bed, sitting down next to you and gently wiping a tear from your cheek. 
“I want to make you feel good, little one. You know I can do that…” Wanda says, her hand moving from your cheek, down to your neck. Her fingers gently wrap around the delicate part of your body, and she chuckles as you try to pull away. “There’s no escaping me, bunny. You’re mine now.” 
You whimper, tears falling down your temples as you look up at the ceiling. Wanda strokes your hair softly and moves back on top of you, strategically placing her knee right against your wet folds. She gives you no room to move away from her, the movement you do have only makes you rub your clit against her knee. She smirks at your failed attempt to move from your current predicament.
 “Oh my little bunny, trying to escape,” She moves her knee up and down, your slick coating her skin. “You have no idea what you are getting into, do you little rabbit,” Her voice laced with malicious intent, her eyes unreadable. Dread fills your stomach as a puff of red energy surrounds Wanda's naked waist. A leather harness wraps the way around her, a pearly, white, penis-shaped toy hooked to the end of it. “This. This is what you are getting into. Im going to fuck you into oblivion, and you are going to love it. You are going to take every little thing I give you, do you understand?” You don’t respond at first, your eyes glued to the white toy in front of you. 
Wanda's hand squeezes your neck and your gaze shoots up to her face. “I said, do you understand?” She repeats. You nod your head and a whimper is forced from your system as she moves her hand from your neck down your chest. She scoots down a little bit, settling between your spread legs. Her cock sits proudly at your entrance, your slick already gathering from the sight of it. 
With a smile, moves both hands to your pussy, rubbing your folds and spreading them open. Her thumb rubs small circles on your exposed clit, the sensation overwhelming. A moan leaves your mouth, and you scold yourself internally. You were mortified at how open and unprotected you are, yet your pussy got wetter by the second. 
Wanda's other fingers entered your soaking hole, stretching you out to fit her cock. She wanted to make sure you were more than ready. Dragging spectral moans from your throat for a few moments, she felt like your little hole was ready for her. 
She pulled her fingers from your pussy and put them to your lips, forcing them past, and held them on your tongue. “Clean up the mess you made.” Her command made you shake, but you listened, not in a condition to disobey. You sucked on her fingers like your life depended on it, making sure that every drop of your juices were gone.
The humiliation of having your body betray you, the tears continued. Wanda enjoyed every bit of that, leaning down and licking the tears from your face after removing her fingers from your mouth. 
“P-please, please stop, I- I don’t want this,” You sob, trying to move anywhere, but are unable, due to the master rope work keeping you still. 
Wanda ignored you, spitting on her hand and rubbing it along her cock. The cold ivory poked at your entrance and she leaned over you, grabbing your fluffy ears in her fist. “God, I’ve been wanting to do this forever now…” She says, pushing into your tight cunt. 
A pained moan rips from your throat, tears falling down your cheeks as her cock splits you in two. Your arms and legs pull at the rope around them, trying anything to get free but nothing works. The breaths entering and exiting your mouth are fast and dangerous, panicking at the sheer size of Wanda's cock. 
“Hey, hey, look at me. Bunny, look at me.” Wanda says, letting go of your ears to cup your cheek. She stopped moving when the moan you emitted left your mouth, and her other hand immediately went to your clit to try and soothe the pain. It helped a little bit, but not enough. Your sobs were heartbreaking to her and she pushed in a little bit more. 
“Breathe for me, my little rabbit, breathe for me. I know you can do it,” She whispers, leaning down to meet your lips in a soft and gentle kiss. As you kiss her back, you whimper as she bottoms out inside of you. “You’re doing so good for me, baby, so good.” Her words flutter the butterflies in your belly, and your tight walls squeeze her cock lightly. 
“H-hurts,” Is all you can muster out, more tears rolling down your temples. Wanda shakes her head and makes you look into her eyes. 
“Bunny, look at me… this feels good, right? It feels so good.” Her eyes start to glow a deep red, pushing your mind and body into a euphoric hallucination. She rubs your clit and continues to talk to you. “You are doing so good, my love. This feels so, so good, and you love the feeling of my cock inside of your little pussy, don’t you?” You nod, her words of hypnosis causing the pain to feel pleasurable. “Good, you’re doing amazing…” she says, starting to move her hips, slowly pushing in and out of your pussy. 
The pain subsides, as does her power over your mind. The pleasure is becoming real, and quite enjoyable. You close your eyes, balling your hands into fists as she brushes her thumb over your cheek. “Hey, look at me, honey, can you do that?” You obey, looking up into her eyes. “Good little bunny, such a good girl,” She praises you, and your tail wiggles in response. 
Your heart is racing in your chest as she starts to move faster, her other fingers rubbing circles over your clit. She pushes you closer to your release, the feeling similar to running up a hill, only to jump and see the large drop on the other side. Reaching a good speed, she slows her fingers, wanting to make you cum from that sensitive spot right inside of your pussy. 
“I know your close, bun bun, I can feel it,” She whispers, moans falling from your mouth with every thrust of her hips. She is right, your orgasm is just within reach, and she wants to see you fall apart underneath her. “Cum for me, baby, you can do it,” the praises enter your ears and hit your soul, pushing you right to the top of that hill. 
You cum hard on her cock, loud moans filling Wandas' ears like music. With your ears flopping with every thrust, she smiles and takes a mental picture of this moment, wanting it to last forever. Soon, your orgasm washes over you, leaving you in a panting, tired mess. “You did so good my little bunny, so good.” Your cheeks heat up, submission being the only thing you can think of right now. 
“P-please,” you whisper as you pull at the restraints. You had never felt this much pleasure at one time, the need to be held and taken care of was the only thing on your mind. No escape, struggle, rage, fear, nothing was on your mind. Wanda could sense this, and without hesitation she gently pulled out of you, cleaning you up with the apron of her dress draped over the end of the bed. 
With care, she unties your limbs, kissing each of them after they are free. Once the rest of the rope was pulled off of your skin, you curled in on yourself. Your ears fall back in meekness and your tail wiggles struggling to calm down. Wanda smiles, lying down behind you on the bed. She takes you in her arms kisses your neck and pets your ears to soothe you.  
Her whispers are the last thing you hear before your eyes begin to droop in exhaustion. “Its alright, my little rabbit. You’re safe with me…” 
“I- Im- Im safe…” Sleepily, you respond, knowing deep down that you are safer than you will ever be outside of these walls. 
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aslashphoenix · 9 months
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So, it’s time that we discuss GO2 ending and why I think Metatron has ASSURED the success of the INEFFABLE PLAN a.k.a, the second coming. (Or has he?)
So first things first: the obvious.
After 6.000 years together on earth, we have established, with any trace of doubt that Crowley and Aziraphale LOVE EACH OTHER. 
We’ve also learned that Demons have morals (by Crowley refusing to destroy everything Job holds dear). And that Angels can be TEMPTED (by Aziraphale accepting the food and lying not only to the archangels but to the SUPREME archangel, that those were Job’s new kids). 
So, that brings us to the declaration. 
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Crowley it’s trying so hard to make Aziraphale see that he loves him, completely and unapologetically. That they are more than Heaven and Hell, they are an US.
During that speech, we see Aziraphale very conflicted. He jumps from happy to confused, to sad and angry. He even forcefully pleads Crowley to accept going to heaven with him, using every word that he knows works, in hopes to change his mind (He was desperate when he blared that “I NEED YOU”). 
But Crowley doesn't yield, he's still trying to make Aziraphale realize he's wrong for choosing Heaven over them. Which brings me to this dialogue: 
C: “Listen, do you hear that”  A: “I don't hear anything”  C: “That's the point, no nightingales”. “You idiot, we could have been US”
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At that exact moment, Aziraphale looks away from temptation, because let's be clear, Crowley IS TEMPTING HIM. But when Crowley sees that words won't reach him, he launches into a desperate kiss, pouring all his heart. 
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When they brake apart, Aziraphale looks distressed, almost on the brink of tears. He is fighting too many emotions within himself and you can see a split moment when he almost says yes to Crowley, but instead, he resisted temptation by saying “I forgive you”
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But why you ask? Why is Aziraphale trying so hard to resist Crowley's temptation? Simple: Metatron. 
Metatron used his celestial powers of conviction on Aziraphale by using the coffee as a ploy for his manipulations, but not by spiking it. Metatron went to earth with one simple plan in mind: Make Aziraphale convince Crowley to convert into an Angel or break them apart.  
When Metatron arrived, Aziraphale was clearly uncomfortable with his presence and made quite clear that he had no intention of hearing him out, “I don’t believe there’s anything left to be said. I’ve made my position quite clear.” but then, everything changed with this conversation:
A: “You brought me a coffee?” M: ”Are you going to take it?” A: ”Shal I…?” M: “Drink it? Of course. I’ve ingested things in my time, you know.“ A: “It’s …Oh, it’s very nice”.  M: “Yes, I should jolly well hope so”
This for me, it’s the utmost form of manipulation from Metatron. The coffee represents an olive branch, offered as a ruse for Aziraphale to completely trust him and let his guard down, by implying that he is not so righteous himself and also enjoys the guilty pleasures that humankind has to offer (let's remember that Angels do not require eating for sustenance, so when Aziraphale does it, it's simply for the pleasure of it. Something viewed as a lack of strong morals for an Angel). Metatron even reinforced this by smiling at him, knowingly.
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But he is clearly FAKING THIS, because the second Aziraphale can't see him, he looks at Crowley with utmost disgust. (I firmly believe that was Metatron who Crowley spoke to, about his suggestions on God's plan for the universe. Marking him a person non grata, and by default a Fallen Angel).(Also golden star to Metatron for not just getting Aziraphale out of his safe space (the bookshop), but also for getting him away from the person that could smell his bullshit speech from miles away: Crowley)
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The next bit of the conversation is filled with pleasantries towards Aziraphale, saying that he is the only Angel fitted for the position.“ You are a leader, you are honest and don’t just tell people what they what to hear” And while you might think that those are good things, they are actually the qualities that Metatron HATES about Aziraphale. 
Metatron played Aziraphale expertly, making him VERY EXITED for the prospect of going back. Because If he can change how things are done in Heaven, that means that Heaven was not the problem but the people running it (and by default, making him a good Angel by lying just to save Job’s children). He could even make space for someone like Crowley, who is neither good nor bad. In other words, Aziraphale intends to PAINT HEAVEN IN DIFFERENT SHADES OF GREY, so he and Crowley could be TOGETHER on the “right side”.  
That’s why you can see how pained Aziraphale looked after Crowley left the bookshop and almost backtracked his decision. He didn't because his desire to fix things and create a just and truly good system is greater than Crowley's temptation.
(Aziraphale is saying: The system is unfair and I can change it. FOR YOU, FOR US. Whereas Crowley: The system works as intended. This is not a Bug, but a Feature. We should stay out of it, in OUR SIDE, TOGETHER).
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But why would Metatron, a supreme celestial being care about any of this? Because he FEARS THEM.
It was very early established that Demons and Angels are enemies and should not, under any circumstance dwell or interact with each other, because they are hereditary enemies. But what if that's not the real reason? What if Angels and Demons should not work together because they would become extremely powerful? 
Through the ages, Crowley has been making miracles for Aziraphale and vice versa, but the first time that they perform a miracle TOGETHER, the Lazarus scale went bananas, saying that that magnitude of power could only be compared to a supreme archangel. And all that happened while they were trying to perform the tiniest of miracles. Imagine what they can achieve by truly joining forces.
TOGETHER as HEAVEN AND HELL, they have the power to tip the balance and frustrate what Metatron think is the ineffable plan. 
So, with the second coming afoot, it’s only logical to eliminate that threat. Whether by transforming Crowley into an angel and getting reed off his Hell powers, or by removing Aziraphale from earth and by default, Crowley.
Metatron made a gamble and he thought he won, but he lost.
If we know anything about these characters it's that they could always rely on each other “I can always rely on you and you could always rely on me” The love and care that they share for each other it’s a crack on Metatron’s manipulations, that  will grow and shatter his plan. (At first, Aziraphale will truly believe that he is making a difference and that he can change Heaven like Metatron implied, but soon he will learn the truth: Heaven and Hell won't change unless forced to). 
These two ARE THE INEFFABLE PLAN that God designed: 
Bringing BALANCE INTO THE UNIVERSE by destroying Heaven and Hell, not their residents, but the institutions themselves. No more Heaven, no more Hell, just celestial beings going as far as they can with what they think is right. 
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myymi · 4 months
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i want to talk about the paradox prism for a minute because it's really interesting to me
[everything below is purely speculation / headcanon - please don't mistake it for canon. beware of spoilers for sonic prime part 3]
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similar to the master/chaos emeralds, the paradox prism has a level a sentience. not anywhere close to the same level as the emeralds, but there's still something there
the chaos emeralds tend to set up a line of dominos to cause a future event (ex; sonic taking tails under his wing and learning to become more responsible from it)
the paradox prism doesn't do anything close to that, but it does share something with the master emerald; it holds memories
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the prism was able to create more versions of the people it saw based on the emotions it saw them project (tails, knuckles, amy, rouge, and eggman)
the different shards / shatterspaces are made up from other major events. whether from this timeline or another is different for each shatterspace
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new yoke was created from the group's frustration with sonic + an ending where eggman's almost won (i believe this could be pulled from the events of forces, considering the enforcers)
i think the reason new yoke is the only shatterspace to have a version of eggman is because it's the only one that makes sense to have one
it's pretty well known by now that eggman will need a helping hand if he wants any chance at taking over the world
the only thing better than an evil genius is five evil geniuses, right?
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the new yoke group are, as i said, everyone's frustration
nine is frustrated with his past. reminiscing about his tormentors brings him more anger than pain, and living in solitude definitely does not help
rebel and knux are frustrated by the loss of their home (and the egg council in general). having watched their home be destroyed was more heartbreaking than anything at first, it eventually grew to an anger that spurred them on to fix it
rusty is frustrated with those who disobey/fight against the council, but her anger eventually ends up directed towards the council for the way they used her.
i could go more in depth about the new yoke group, but this post is gonna be long enough as is wefoefwof
the shard being red could simply be because that's the color that represents anger, but i'd like to think that-going back to forces-it was a bit influenced by the phantom ruby/infinite as well
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no place is formed by the underlying sadness + a devastating event that permanently changed the world (chaos' rampage)
im not connecting no place to chaos because of the fact it's flooded, im connecting it because of the way the stories parallelled
chaos' rampage begun when pachacamac attempted to steal and harness the power of the chaos emeralds for his own gain
dread seeks out the 'devil's ligthouse' solely to prove he is a legend, nearly killing his original crew trying to do so
both protagonists of these stories are selfish and caused destruction for their own gain
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dread's, well, dread comes from his failure of proving himself to be the most feared pirate to ever live.
him failing to collect the shard caused him to believe that he truly wasn't a good pirate, leaving him to spiral into a life of cowardice.
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the rest of the pirates' dread comes from their longing to be actual pirates.
because of his failure and cowardice, dread now leads a peaceful crew. they don't do any 'pirating', which leaves much to be desired
they enjoy the parties and all, but their true fun comes from being pirates, which dread deprives them of
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boscage maze comes from the protectiveness surging between everyone + a world where harmony between enemies is possible to achieve (possibly comes from a timeline where eggman simply doesnt exist, leaving mobius to grow peacefully)
boscage is the shatterspace with the most life. it's full of all kinds of plants because nobody there is destroying it (intentionally, anyways)
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thorn rose is protective over birdie and the green. she does what she can to protect both, even if it means hurting people she once called friends
keeping the jungle and birdie safe is her #1 priority, and nothing will ever change that (that's not to say something else can't join them in being her priority)
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the scavengers are protective over their belongings and, no matter how strangely they show it, each other
gnarly was nervous when sonic touched his house, immediately turning aggressive to make sure he wouldn't damage it
instead of hiding the berry, prim showed it to the others for a chance they could all share it
instead of running off on his own, mangey let the scavengers follow him as he sniffed out the berry (+ him fetching the one that fell off the treetops, showing it off to the group)
hangry allows mangey to crawl around him, which we can assume means it happens a lot off screen as well
they stick together and cover each other's backs, no matter how hard the fight gets
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while we don't know what this shatterspace was before it turned into the grim, it's pretty safe to assume that it was apocalyptic
who or whatever used to live here is long gone. the only thing standing are the purple crystal things.
my guess is it's a timeline where eggman won. he won, and the world died out because he ruined the ecosystem from building so many machines.
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while purple is usually associated with royalty or mystery, it's also associated with power, ambition, peace, and independence
whatever happened to the world before the grim, it's very probable that it was out of high ambition with a need for more power. eventually, the world found its peace and is now independent
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ghost hill is the blueprint. the time before sonic & co. make their mark on the world. a blank canvas.
maybe a timeline where they don't get a chance to make their mark on the world
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yellow is a very light, energetic color. the feeling of happiness at the chance to create something new and fun.
ghost hill and the grim don't have much in terms of characters and design, but i think the colors of their respective shards give us plenty of information about them
the paradox prism is nothing like the chaos emeralds, but is also just like them at the same time. it's powered by pure chaos with no sort of indication on how it was created or why it has the powers it does
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i wonder if eggman knew what the prism was exactly or if he only knew that it was powerful
did he know breaking it would cause the world to shatter? did he know how may memories it holds? how many lifetimes it's lived?
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i also wonder if the prism knew sonic would shatter it, and that it was already preparing the shatterspaces; hence why it glows brighter
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maybe it understood that sonic is a hands-on learner. maybe it knew he needed to experience the lessons first hand, needed them to-quite literally-slap him in the face
maybe it knew they all had their own flaws that they needed to be aware of. maybe it lived through the timeline where sonic never shattered the prism.
maybe the prism planned to be shattered by someone so it could share its memories. maybe there was some sort of pull that told sonic it needed to be shattered.
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dulcewrites · 1 year
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Fool Me Once (part 5)
Pairing: Aemond Targaryen x reader (Aegon ii x reader 👀) (wc: 6k)
Summary: As the further truths are uncovered, the battle for the Iron Throne begins
A/N: soooo, I said part 5 would be the last part, but in typical annoying writer fashion I’m not so sure now 😭. Either way, I truly cannot express how grateful I am for all the followers, and support I have received since starting it. I consider fmo my brain child but our baby with how interactive people have been. I’d love to get feedback or request on what hotd stuff you guys want to see from me. My inbox is always open so please let me know how you liked fmo (any thoughts or headcanons) and what you want to see 🫶🏽
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“We should run away to Yi-Ti.”
You look up from Aemond’s desk at Aegon with an exasperated expression. It was not the first time Aegon had thrown out the idea of leaving King’s Landing for good. There always an idealistic nature about Aegon that is as sweet as it is delusional. You know the guilt he would feel about leaving, and he knows you would too.
I have a dragon we can who can drop us anywhere. I can shave my head and we can change our identities
“You are supposed to help me be looking for this map,” Not bothering to give the same speech you tell him every time he brings it up.
Gently placing everything where you found it, you squat down to check the cabinets of the desk. Aemond kept his study annoyingly tidy, and you are sure we would notice if anything were out of place. The last thing you need is another argument.
There are multiple books, all of them relating to Westerosi histories, and a plethora of written works of poetry. Nothing stands out till you find a pile of letters. Your throat tightens. It shouldn’t hurt anymore, but now the situation has moved past just Aemond wanting to be with someone else. It affects your kids, your relationship with everyone in the family.
You are just tired, and you just want it end. Or at least to have some sort of closure through an explanation or an apology. You are not holding your breath for the later.
With a sigh, you sit, slumped against the wall. Across from the desk. Noticing you are out of his view, Aegon walks around the desk and sits next to you. The two of you sit in silence before Aegon speaks.
“We can skip dinner,” he suggests softly. “I am sure our absence will not be noticed.”
It is a lie. You both know that if you do not show up, you will be in for an earful from Alicent. Especially now that Viserys has finally worked up the strength to leave his chambers. Aegon reaches over to grab your hand. You look at the large ring on his pinkie finger. The golden scales an ode to Sunfyre. Even with all the problems Aegon has with family, he has always fully embraced his dragon. A bond you have never seen before between rider and dragon. You run your hand over the cool metal.
“You know, despite my hesitance towards dragons, sometimes I am envious of you guys for having them.” you laugh flatly. “It is not even the beasts themselves, but everything they represent. This strange strength that means you are better than everyone else. A free pass for destruction.”
The past year and a half had been a sobering one. You feel so disconnected from yourself. Depleted by actions outside of your control.
“But then I think maybe it is good I do not have a dragon; or more so I do not have the power that comes along with it. I have spent my whole life doing exactly what I was supposed to, just to still get dealt a hand of misfortune,” you murmur emotionless. “I fear that there was tiny seed of hate put in me when I first found out about Aemond’s actions, and that everything that has happened since has only made me more bitter and revengeful. I was told that fighting wrong doings with more destruction was never the answer. I do not know how much I believe that now.”
You look over at Aegon with an illegible look in your eyes. “I would go mad with the things I would do with that kind of power.”
Aegon swallows thickly. Honestly, his first instinct is to make a joke. You, the girl who got teary eyed when she learned about the field of sheep kept in the Red Keep for the dragons, speaking with such gravity. But his eyes travel to the faded scar on your arm and back up to you. The harm done to yourself, grief-stricken eyes, and tired frown. He’s only seen that type of look on his mother. The most persistent person he has ever known, and probably will ever know. She wakes up every day to tend to a man that has never done right by her and run a kingdom she did not want in the first place. There is a simmering type hate in your eyes that he is sure only comes from being around his family for too long.
He wonders if this is how his mother felt when she had him. Young, exhausted, and utterly pissed.
“You are not the only one who feels that way,” he softly. “But - you cannot let it get the best of you. Once you get in that place, it is hard to get out.”
You know he speaks from experience. Resentment leaves a bad taste in the mouth of those who feel like life has let them down.
You want to say that another worry is what will happen if you ever find equal footing with the men in your life. Would the spell wear off you were a flight risk? Would you be seen as a volatile powder keg if not a maiden to come to the defense of? Would you be seen as the prize in his eyes if you were not in the position you ate in? In that moment, you think you should tell him about what you let his grandsire do. If anyone would understand, it would be Aegon. Instead, you lean your head against his shoulder.
You do not have the words for that just yet.
————
The search for the map in Aemond’s study goes unsuccessful. You decide to change tactics. There is a slight uneasiness you get digging through his things in the chambers. Soft whiff of lavender and citrus hit you nose as you look through folded clothes of his. You heart rate spikes when you see a scroll of thin parchment. Looking back to check the door, you then unroll the paper.
There is various lines and arrows, but the words are all in high Valyrian. You have picked up and word here and there since being in the Red Keep, but not well enough translate every word. Instead, you follow the arrows. Walking around the room in a way you are sure would look silly to someone if they walked in.
You find yourself in front of the small outline wall next to your clothing wardrobe. Blinking blankly at the wall, you frown. You run your fingers gently across the fabric on the wall. The deep red and gold stitching smooth under your hands. You push harder than intended and gasp when the wall swings open.
In front of you are stairs that lead down a pathway. A tunnel. You do not venture too far, but you see where the path is leading to. Daemon had given Aemond a direct line to outside the Red Keep. And a direct line for anyone to come in.
But why?
As you walk down the tunnel, something shiny catches your eye on ground. You pick up a single earring. A gold plaited coin earring. It is oddly familiar, but you cannot seem to put your finger on who it belongs to.
All you do know is that someone has been using the tunnel recently.
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A part of you wanted to storm through the castle and find Aemond. Have him explain what the Seven Hells has been going on. Or if he even used the tunnels. But you surprise yourself when you knock on the Hand’s study door. Perhaps he is not the best person to go to in this state. You know it is not comfort you will find. But for all his faults, Otto Hightower will tell you want you need to hear or at least you will have his ear.
You are now not naive to how much Lord Hightower seems to want to keep you around.
After it was decided Aemond and you were to get married, you were not clueless enough not see the clear advantages not only for you house, but also for his. Your only naive thought being the mutual benefit would keep you safe or protected.
When you walk into the study, you find Otto sitting at his desk, staring out of the window. You know Viserys’ surprise appearance at the petition hearings rattled him as much as it pleased Rhaenyra and her family. You do not know where to begin or what you are even expecting of this conversation.
“Did you know about the tunnels,” you blurt suddenly. “The ones that run under the castle.”
In typical Otto fashion, his face does not give anything away. But he does shake his head, and gestures for you to continue.
“I…. I think Prince Daemon may have had something to do with my… problem.”
That makes Otto lean forward in his seat, the mention of Daemon clearly stirring something in him. You aren’t ready to put anything on Princess Rhaenyra yet. Partly because you are still wonder where her limits are opposed to seeing exactly how Daemon operates. And because just saw what happens when you question Rhaenyra, even if you have proof or a valid criticism.
“And if they had something to do with her, I cannot help but wonder if they had something to do with what happened to Alaric’s blanket,” you still shudder thinking about it.
You already had a deep sense of guilt since giving Otto the go ahead to find Alys. Taking a life is not something you want on your hand and conscious, and it only doubles knowing how this all could have been a perfectly plotted scheme. Your anger at your husband reaches a new level. Whether Alys was the shiny poisoned apple or a woman in love that has gone rouge, this still involves your kids.
“It seems your family’s influence is something many have noticed,” Otto finally speaks, voice gravely and tone even.
Your brows furrow. “They think threatening my son is going to make me tell my parents or uncle to back Rhaenyra’s claim?”
Your grandsire was an old man by the time Rhaenyra was named heir; your uncle took over for your house shortly after that time. And your uncle was just as thrilled as your parents when you married Aemond, clearly excited to have familiar ties to the Targaryen family. Now that you thought about it, you had never asked him where he stood when it comes to Rhaenyra being heir. But based on knowing how your family acquired their wealth and how they operate, they have never been ones to stray from tradition. Despite your grandsire bending the knee to Rhaenyra, you get the feeling everything is up the air especially with you being the good sister to the other possible claim.
“No, dear girl,” Otto sighs, eyes growing tired. “But I am sure they think you feeling unsafe here and having no love for your husband’s actions will.”
Your mind goes back to Rhaenyra’s offer. You are always welcomed at Dragonstone.
They hoped you would seek refuge in them, and in turn feel compelled to drop any allegiance you have to this side of the family. Did they know about how close you had grown to Aegon or to Helaena? Or that even through this turbulent time, you still find yourself having a soft spot for Alicent. You are sure they would reassure your safety if you ever switched side, but you know your safety was not a priority to them. Only the men or ships that would come with it.
“I am not shocked Daemon would go to such lengths, if true,” Otto says. “I would say I am shocked Rhaenyra would go along with it, but the Princess has always found a way to involve herself in things while feign innocence.”
His words make you raise a brow. You never knew if the Hand’s anger towards the Princess came from how she treated Alicent or his grandchildren, or if it came from the pressure he felt to get Aegon on the throne. Perhaps it is Alicent, even all this time and animosity, still craving a relationship with Rhaenyra that eats him up the most.
“You do not need to worry about that. Everything will be put to rest once the rightful heir is put on the throne, and any possible threats have been ridden,” his tone turns stern. You scoff sardonically in response. This is never going to end till there is a clear winner, and win to means there was a fight. War. That would only start if…
“The Queen would never let you do that. Usurp the throne or kill Rhaenyra,” you say immediately. Otto eyes narrow; the tell. It will always be Rhaenyra for his daughter, and it burns him inside. But that can be used in your favor. “Not unless she had more reason to. Rhaenyra could be a good queen for all we know, but her brazenness will always be her pitfall. Now she has Daemon at her side. Spilled blood is clearly not something he is worried about.”
You sit back in your chair and think for a second. Entitlement is like a dangerous herbal, and many members of this family get off on it.
“If you want Aegon on the throne, it may be best to take your time with this. Give Rhaenyra the chance to do what you think she does best… mess it up.”
By the time the power struggle between Rhaenyra and Daemon finally comes to fruition, maybe Aegon think differently. Your mind goes to Aemond, stewing silently about how his brother manages to get everything handed to him. You bite back a smile. Is a miserable existence to always be in the cards for him? If being with you is so terrible to him, maybe that is exactly what he deserves.
“I think I know how to start this off.”
———
You leave Otto’s study, but not before he leaves you with a long, meaningful glance and tells you he needs to discuss somethings with others. You assume it is the council, but you have a feeling his daughter is not privy to that.
The next time you see everyone is at dinner. Your eyes strained on the empty plate in front of you. A sick feeling coming over you every time you look down the table at Daemon and Rhaenyra. A large gap for the king between Rhaenyra and Alicent.
There is something unsettling about how everyone seems to think what happened in the Grand Hall was nothing. You all saw a man beheaded, and now are to sit down to a "family meal" at the behest of the King. The only mention of Vaemond comes in a prayer from Alicent; you catch the eyeroll given by Daemon. The lives of others are expendable if it prolongs or prompts up whatever claim is being fought for.
False promises do nothing to move you while that is all that makes up the Targaryen family. False promises to make up for future deceit. The gull of Viserys to plea for peace when many the broken relationships in the family can be tied to him. Tied to his indecisive, feeble reign as a king. The King That Never Should Have Been perhaps.
A sick sense of irony rushes over you watching his rioting body and empty eye socket while sitting next to Aemond. You have learned that the Gods can be deliciously cruel.
The crown not stand strong is the House of the Dragon remains divided
It’s all flowery words that seem to go in one ear and out the other for your peers. You can tell by the way Aegon’s eyes gloss over, Helaena brows burrow as she fiddles with whatever butterfly Aegon gave her, and how Aemond’s back stiffens that this final push for family unity comes too late. But it seems that all the older adults in the room are moved by the Viserys' speech, or at least Alicent and Rhaenyra are.
You and Otto, sitting across from each other, share a look when Alicent says that Rhaenyra would make a fine queen. The Queen and Princess exchange shy smiles and peripheral glances; for a moment, they look like young girls, untarnished by the world around them.
Your eyes catch Jacaerys’, and he gives you a warm smile. You try to replicate it to the best of your ability. None of Rhaenyra or Daemon’s children have done anything to make you suspicious of them, especially Baela and Rhaena. But you do notice how Lucerys never seems to look you in the eyes. You are still trying to figure out if that is a byproduct of you being Aemond’s wife or if he is privy to information.
When you were receiving offers for your hand, Jacaerys’ name had come up by members of your house but was instantly shut down by your parents. Though the idea of you being future Queen of the Seven Kingdoms was tempting, but they did want to risk the embarrassment of the worst kept secret being spoken. Marrying a bastard was not the vision they had for you, Queen or not.
But when the music behinds, you do get an idea.
“I going to dance,” you whisper to Aemond.
“You know I do not like dancing,” Aemond sighs, and Aegon gives you a look at the corner of his eye. You roll your eyes at him. You remember the lecture his mother had to give him before the wedding festivities about being a good sport, and dancing with you.
“I never said I wanted to dance with you,” you hiss at him, and get up. You feel Aemond and Aegon watching you as you walk to Jace.
“I was wondering if we could dance,” you hold your hand out. Eyes going from Jace to Baela. “If your betrothed is fine with it of course.”
Baela gives you a good-natured shrug and smile. Jace looks surprised by your offer, but nonetheless grabs your hand and leads you to the free area near the table. You turn back briefly to see Aegon and Aemond look at you with mirrored looks of disbelief and disgust. You have duck your head to keep from laughing.
“I have to warn you I am not much of dancer,” Jace smiles as you begin to dance. “But I am sure I cannot be any worse than my uncle.”
You raise a brow at the comment but say nothing. While you are dancing, you see Viserys get carried out. The fact that he has lived to this point is a marvel… and a confusion. He refuses to go away.
“I do hope after that all of this, our families can see each other more often,” he lowers his voice slightly. The sentence seemed sincere enough, but he has also grown up having pretend half of him does not exist. If it is something Alicent and Rhaenyra’s children have in common, it is knowing when to put on a front. They learned it beautifully from their mothers. “I am sure Daella would appreciate seeing Dragonstone. And the girls would love you around.”
There is that mention of Dragonstone again. Before you can even reply, a commotion disturbs you. You turn to see Aemond standing with a drink in his hand.
“I want to make some final tributes,” a small smirk comes onto his face, and his eye flicks over to you. “First, to my dear wife. A gracious mother, and always keeps me on my toes.”
Your face gets hot when everyone’s eyes turn to you. Alicent looks at her son with a nervous look in her big eyes, confused by his sudden need to speak after a dinner of silence.
“And to health of my nephews - Jace, Luke, and Joffrey,” a sinking feeling comes into your stomach. There’s a glint in Aemond’s eye that you recognize all too well, and know not to trust. You see Jace’s shoulders tense at the mention of him and his brothers. “Each of them handsome, wise…. Strong.”
Your throat tightens. Even putting aside, the absolute irony of that coming from him now, you all just saw what happened to someone who questions the parentage of them. And now he is doing here in front of everyone.
“Aemond,” you begin, not even caring to use formalities with him. He cuts you off and continues.
“Come, let us drain our cups to the three Strong boys.”
And of course, to make matters worse, Aegon confidently raises his goblet in the air. They’re imbeciles. Everything seems to happen in slow motion - Jace punching Aemond, Aemond pushing Jace with ease, to out of the corner of your eye, Aegon slamming Luke’s face into the table. You wince at the scene before you as Helaena gets up to move you out of the way of the guards restraining Jace and Luke.
Alicent and Rhaenyra both get up from the table, yelling at their boys to stop. You take notice of the roasted pig on the table; you had heard about the pink dread prank from Helaena. It was never something you pushed with Aemond or Aegon, knowing it led to a large rift in their relationship. You know they love each other; you can tell by the way they backed each other up that they do. They just do not have the words to express their love, or their pain.
A dinner that was meant to bring everyone together ruined. There will probably always be too much bad blood, and not enough honest or apologies for reconciliation. Before Daemon leaves the room after staring Aemond down, he gives you a smile filled with mirth. A chill runs up your spine.
You watch as Alicent all but walks up to Rhaenyra, eyes soft and pleading. She gently rubs her arm as they smile at each other.
With the dinner going wrong, Aemond stalking out of the room, and learning about the map - everything seems to be put into perspective. As you watch your good mother, you wonder if that is how you will be with Aemond. Always waiting and ready for reconciliation, even despite mistreatment. Foolishly dismissive to how you can be hurt again if it means just moments of reprieve. Or maybe a better comparison would be Rhaenyra and Daemon. Knowing exactly what situation you got into, but still finding yourself wanting more because you thought you would be the exception. Both scenarios mean being in a constant loop of love and hate, praying for the day you reach apathy.
Rhaenyra seems to share Alicent’s warm disposition. Everything is warm and lovely when Rhaenyra smile. She is the Realm’s Delight for a reason. Even with the little time you have spent around Rhaenyra, you see how she operates. It is the way all Targaryens are treat her like the world revolves around her, and she’s yours. Entitlement and confidence used to mask a hallow shell, a trait she shares with her husband.
The possible reconnection of old companions would be a sweet affair. Instead, you finally get the complaining Aegon does about his half-sister. To hear the praises of those who have little regard for you.
Daemon giving Aemond the map, Alys introduction into your life, Rhaenyra telling you Dragonstone will always be a place you can go, and your families ties to this family are all connected. The same way your marriage to Aemond was always leading to something.
It was always a question you pondered since coming to the Red Keep. Does the Iron Throne corrupt those who vie for it or do those who vie for it corrupt the Crown itself?
Now not only have you been caught in the crossfire, but you children as well. And who knows what will come of the rest of your family once King Viserys dies. One thing you do know is that you will not leave any stone unturned by the time Rhaenyra tries to sit the throne. If your involvement is what they want, your involvement is what they will get. If your happiness and well-being is worth the price of the throne, what would happen if it was taken away right when she had it? Like your stability or sanity, ripped away without any caution or care.
This power that Rhaenyra is sure is hers to claim. The one that those want so badly for Aegon. The seat Aemond watches enviously as Aegon scoffs at the idea of it.
“Princess Rhaenyra,” you call out after her before she leaves the dining hall. You reach out to grab her hand in a similar manner to Alicent. “I want to talk with you about Dragonstone.”
If they are willing to rip each other apart for the Iron Throne, so be it.
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Aegon and Aemond stare at you like you have three heads when you tell them about wanting to stay at Dragonstone. Aegon goes as far as to giggle at your proposal. His eyes wild and glossy from the abundance of wine.
A part of you thought maybe you should just leave, but you know them. There is nowhere you can go that they cannot find you on dragon back. Plus, you still had to explain everything to your parents. You let them in on you leaving while holding some cards to your chest. Their faces go through a mirage of expressions. Aegon's brows shooting up when you mention the tunnels and Daemon while Aemond's going painfully stoic. You know he does not want you or Aegon to get a read on what he is thinking.
"So, you think Daemon and by extension Rhaenyra knew about the Strong whore, and wanted you to be upset enough to leave," Aegon begins sardonically, and Aemond's eye flickers to him when he says whore. "And in response.... you are leaving. Wow dearest, you are really sticking it to them."
You glare at him. You know he is hurt that you are leaving, even if it is for a short time. He is upset that this all leads back to the throne. For every part of Aegon that is loyal and loves deeply, there are parts that are equally selfish. It hits you that Aegon has never had to try with relationships; the only ones he knows are with women that are his family or with ones where he can buy their affection. Those women have no choice but to be around. But you are leaving, and without him… that would be a blow he would not recover from.
"I am not going for long, and I will be taking Quinton with me," you say, and Aegon rolls his eyes in response. "They involved my son, so I will get to the bottom of it."
"I'm sure Jace will be thrilled to hear it," he scoffs.
"You have no right to be jealous; you are not my husband."
It was cruel to say, and you can tell by the way his resolve turns from anger to bitterness. "I am needlessly reminded of that, thank you."
Your brows furrow at that. Who is reminds him of that? You sigh, running your hands over your face.
“This is punishment. This is because of me.”
Aemond finally speaks up, interrupting your argument with Aegon. He looks away from the fire and at you with a look you have not seen in moons. Sadness. You are sure this news is a lot for him to take in. It would be a lie to say that you are not at least a little happy that he feels uneasy about you possibly leaving. Or a little happy that the love story he had built in his head was not exactly what it seems.
It would serve him right. He felt comfortable enough to do what he has done because there was always the expectation you would be around. Sitting in the Red Keep, taking care of your children and waiting to him to finally come around.
“Give us the room,” you whisper to Aegon. He leaves in a huff, not happy with you. You walk over and sit on the seat opposite to Aemond's.
The only noise that permeates throughout the room is the crackling of the fire in front of you two.
“It is foolish for you to think they would not harm you, especially now,” he starts to fiddle with his fingers, a tick he has picked up from his mother. “You would in place surrounded by her people… by dragons.”
“She would not hurt me. Not now, she wants my family’s support,” you rebut.
He does not answer right away.
“You would be giving her exactly what she wants. Us apart.”
Us. You two have not been an ‘us’ for quite some time, and Aemond referring to you as that makes you chuckle coldly.
“That’s the point, dear husband,” your eyes drift from him to the burning flames. “You know how your sister is. She wants everything entirely too much, and now she has a guard dog, planning and watching her every move. This just one step in her 'preparing' for the throne, and what may happen if she takes it."
“She is not fit for the throne. Neither of them is,” he says bitterly. “It would cut her up inside and out just like it did my….”
He trails off softly. Viserys was never made to be King, but then again who is. By the time everything falls into place, things will be different.
“So, we let it.”
Your conversation is stopped by Quinton opening the door for Jayne.
"Sorry, my lady but your parents were asking for you," she says softly. You notice how her eyes seem to survey the room. Taking inspection of anything and everything in it. Your parents watched Daella and Alaric for you during dinner. You nod in acknowledgment, but as you get up you notice the necklace she wears.
A gold plaited coin dangling on a dainty gold chain, perfectly matching the earring you found in the tunnel. Your blood runs cold.
"Thank you, Jayne," you stand up slowly as your eyes go to Aemond. You hope he can read something, anything from the look in your eyes. Your eyes travel to the wall where the secret door is. His eye looks at you, then to Jayne, and you watch him swallow and sink back into the chair.
"Ser Quinton, if you do not mind staying," Aemond says softly, going back to staring at the fire. "I have something I need you to tend to."
Quinton gives you a skeptical look, knowing the tense history between him and Aemond but you give him a reassuring smile.
Maybe it is time Quinton proves his unwavering loyalty to you.
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“I just need…. to get away,” it was not a complete lie. On top of having things to figure out, you were looking forward to getting away from the Red Keep. Even if it was to Dragonstone of all places.
Your father had giving you a skeptical look when you mentioned going to Dragonstone. You tell him this the perfect time for him to stay in King’s Landing in your stead. You whisper to him to stay close to the Hand and to Prince Aegon. When his resolve still did not chance, you told him about this being an opportunity for Daella to get connected to her ancestral home, and he understood. He always has a soft heart when it comes to his grandchildren.
It was your mother who gave you the most grief about the proposition. She stays in the room after your father has left.
“I do not think it is appropriate you leave your husband,” she sighs. “Especially at a time like this.”
It has always been her concern. Your allegiance to Aemond and in turn to the who she thinks should sit the throne. A part of you wants to tell her the plan. Maybe rub in her face that Aegon wants you.
But you know you would not be met with an impressed gaze or her questioning how your life has come to this place. Instead, she would ask why you haven’t debased yourself for him yet? Why haven’t you jumped at the chance to be in his bed, in his mind, under his skin the way real lovers do. Sometimes you look at Aegon and ask yourself the same questions. The most frustrating part is you know he would take you up on it. Aegon would indulge the most depraved parts of you because those of the ones he likes the most.
Your mother always manages to seep her way into things that should be good for you. It happened moons ago when you first became friends with Helaena. It is how you are in this mess now. Telling her about Aegon before the right time would be fatal. A blow to your plan, and the last remaining pieces of your heart.
“Perhaps he can come with you?”
“The point is to have some time away from each other. He thinks it would do us some good too.” Your spine feels tight as you are painfully aware of your posture in front of her, “The Princess offered, and it would be rude not take her up on it. She is till the heir till otherwise.”
Your mother stares at you for a moment. She scrutinizes every part of your face, the face she gave you wholly. Her only daughter. The person she has invested so much in.
“You always do this,” she starts coldly. “Shrivel up when things do not go your way. You have so much put in front of you, and you do so little with it. Leaving your husband when things are tough? I thought I raised you better than that.”
A lump grows in your throat. You are taken back to your wedding day. Your mother talking you through a panic attack, telling you to think of your future. That not going through with the marriage means throwing away years of work. In the end, you walked down the aisle. You followed through, and now the debt comes due. You are her biggest star, and her gravest disappointment.
Everything she could have had, and nothing she ever was at your age. You know your mother is happy with her position now, later in life. Reaping the benefits of your father’s house, but it was not always like that. There was never an opportunity to be draped in silk or have the ear of the royal family when she was your age.
“When this does not work, I hope you will not go running to your father.”
And with that she gets up and leaves you in the kids’ room.
You flinch when the door slams. As you sit in silence, you wonder if you would have gotten a different response if you told her about Alys. Maybe she would have pulled you into her arms like she did when you were younger. Deep down, you know she would have asked you what you did wrong; what did you do to make Aemond want to find comfort in another woman. Regardless of the pretenses, he still jumped at the first chance he got at something he saw as real. She would see it as a sign of failure on her part. She did not instill the right values in you to keep your husband happy. She has a funny way of flipping everything on its head, and yet you still crave any validation from her.
Your mother is as cruel as she is dutiful. As cold as she is charming. And as calculating as she is hurt and wounded by the world, she grew up in. The more your plan falls into place the more you find solace.
You are your mother’s daughter.
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sepublic · 3 months
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The Immigrant and the Colonizer
            There’s something fascinating to me about the juxtaposition of Luz as the immigrant, and Belos as the colonizer; The whole interplay of the outsider coming into a different world. The Wittebanes and Nocedas both came to Gravesfield, but the Wittebanes have the historical context of being part of a larger colonial movement that sought to exploit the Americas; By contrast, the Nocedas are of Dominican heritage, meaning somewhere along the way, they immigrated to the U.S.
         So you have Philip participating in this colonization in order to be on the better end of the power dynamic, making the outsider status into one of oppression and dominance, and this naturally translates to how he interacts with the Boiling Isles and bastardized everything about it for his own ends. Conversely, you have the Nocedas, who given their backgrounds, are inevitably submitting themselves to the power structures that Philip was a part of and represents.
         Which means with the Nocedas, it’s the outsiders who are the ‘mercy’ of the world they’ve traveled to, and they’re the ones who are pressured into assimilating into it, being measured by Gravesfield’s standards of what a proper citizen should be, etc. Camila hides parts of herself deemed 'undesirable' and even ironed her hair flat. If the Wittebanes came to dominate, the Nocedas were made to submit.
         And this just ties into Luz maintaining her own identity and still holding onto that, as do Manny and Camila. The Nocedas ultimately understand that they can’t lose themselves to be a part of something, and I find that ties in nicely with the whole interplay of wanting to be your own person, but also wanting to participate, and balancing these two things; Otherwise you end up like Eda, who for a while was a lonely outcast, or Lilith, who conformed but at the cost of so much.
         What’s also interesting is that Luz is afro-latina; Meaning she’s the descendant of those brought over as part of the colonization effort, whether they wanted to participate or not, and the natives indigenous to the Americas. So there’s Luz once again navigating two worlds as the immigrant and the native.
         So amidst the Nocedas learning to maintain their identities in a foreign world, we also have Luz learning to engage with another one in the Boiling Isles, and this is where she differentiates from Philip; She does not become entitled to this world. She recognizes by the second episode that this world and its people do not exist to cater to her whims and fantasies; If she wants to really participate, Luz needs to put in the effort to actually engage with the Boiling Isles. And with Adventures in the Elements, Luz understands that it’s not just about engaging with the isles, but engaging with it on its own terms; She realizes she can find the glyphs in nature after learning to commune with it, in the form of the Titan. And nature will respond to Luz if she shows respect.
         There’s a lot to be said about how Luz worries over whether she’ll be a ‘real witch’, and how this can parallel how immigrants in general can feel like outsiders who don’t really belong, who don’t actually partake in this local identity; There’s a parallel to real life about a white Puritan immigrating to another land, only to colonize and make it hostile to a future Latina immigrant, all while his own double standard is left unacknowledged by his government (“Go back to your world” as said by Lilith during her time in the Emperor’s Coven). But in the end, Luz manages to figure out witchhood on her own terms, while co-existing healthily with the Titan and the people around her.
         And it’s not as if this quality of respecting the land and its people is inherent/unique to people of indigenous heritage, either; We have Caleb Wittebane, a white man who initially was a part of the colonization of the Americas. But as Caleb’s story proves, he is not doomed by ‘race’ or ‘genetics’, he can choose to learn and respect different worlds and people, unlike Philip, whose ravings on humanity needing to be saved from witches and demons boils down to bioessentialism. Caleb falls in love with Evelyn, he unlearns what he was taught, and he even becomes a part of this other culture by having a mixed child, from whom Eda and Lilith are descended from.
         The Clawthornes are unambiguously witches and people of the isles, despite their human ancestry; Mixed race people are often accused of not really belonging to either race, which again connects to Luz and how she worries about being a real witch and not belonging in the Demon Realm, even as she struggles to fit into the human world, and of course her Afro-Latina identity. Because in the end, yes; These ‘outsiders’ CAN and should engage with other cultures, and even become a part of them.
         In discussing colonization and appropriation, a lot of well-meaning people have fallen into the trap of acting as if there’s some inherently, morally wrong about white people, and just outsiders in general, engaging with a culture different from theirs; And this is just segregationist rhetoric, but reworded to sound progressive. Because discouraging people from connecting to and learning to understand those unlike them is actually a bad thing that contributes to prejudice. And that’s the importance of Luz and Caleb, with Caleb especially proving that white people have no excuse NOT to be respectful; In death, his pose mirrors that of the Titan’s, signifying him as someone who understood the spirit of the world.
         Fascism and racism in general relies on the premise of Us VS Them; But with how Belos is the colonizer, it’d be easy to fall into the trap of saying that humanity and witches should be separate, period. But that just risks casting humanity, or even just white people, as separate and inherently different (and thus excuses a supposed inability to connect with Us). And yet you have Luz, who is also a human outsider like Belos, and while Belos causes no shortage of problems, Luz herself is a solution who changes so many people’s lives for the better; Outsiders have a lot to offer, actually!
         And that just goes back to the key distinction between the immigrant and the colonizer, the one who imposes, and the one who assimilates. There’s the blurring of the distinction that is categories, and the questioning of the binary, as Luz CAN still maintain a connection to her human heritage and home, while becoming a part of the Boiling Isles. She doesn’t have to abandon one for the other.
         Likewise, we don’t know much about Caleb’s process in acclimating to the isles, but it’s worth noting how he abdicates the power dynamic of the colonizer to become a part of something else. Maybe this is assimilation, but maybe it’s not, because Caleb is doing this on his own terms. And given his joyous reaction to Philip, and assumption that he was here on good terms? I think Caleb would’ve gladly maintained ties to his human heritage, if the humans he knew weren’t explicitly rejecting co-existence and making it impossible for him to do that.
         But as Caleb himself, and finally the Nocedas prove, it’s not actually necessary to maintain this segregation just to maintain one’s own identity (Caleb doesn’t hide his ears). Even Caleb’s descendants in Eda and Lilith understand it; You can be a part of something and still be your own person. Luz can still make new connections and become part of a new world without having to renounce her heritage. These things aren’t inherently contradicting one another, it’s only the belief that they do. But you can choose to make things work and adapt, just as Caleb and especially Luz did.
         Yeah, an outsider spelled doom for the isles, but an outsider was also the one who saved them. By principle, the isles should still be open to others, hence Gus facilitating contact with his exchange program. Gus is deeply fascinated by human culture, he gets to visit its world, but he also misses his dad and home and gets to go back to that two, and now he gets to make them both meet; So the reverse to this human outsider to a demonic world also applies here.
We have Gus, but also Luz’s other friends, who adapt to the human world; Eda also applies, as someone unaware that she is technically REconnecting with her human heritage when pursuing her trash collection. And of course we have Vee, who becomes a member of the Noceda family we've been talking about, as someone also an immigrant who had to blend in to survive, and suffering the consequences of xenophobia.
         There’s also the Archivists and the Collector; The Archivists came in to control another world, converting it into scrolls under their possession, under the claim of preserving and protecting things. And part of their plan relied on using the Collector as an unwitting Trojan Horse to lower the guard of the native Titans. You have the Collector genuinely loving the Titans and forming bonds with them, only to be made complicit in invasion; And when the Titan retaliated, basically under the assumption that all outsiders like the Collector were evil, it led to more tragedy. And the Collector, for all their love of Titans, still had to learn to respect them and their agency, as well as everyone else’s in the Boiling Isles.
         Sure, there’s a potential risk to letting others in, both on a personal level, and on a larger one like how the Boiling Isles –particularly the Titan herself- let in others, such as the Archivists, and later Philip Wittebane. I wonder if her regret over mistreating the Collector led to her giving Caleb, and then Philip, another chance; But even when Philip backfired, the Titan still kept enough of an open mind to let in Luz afterwards, showing a sincere repentance for how the Collector was treated. They’re clearly capable and willing to learn, it’s not inherent to their species to dominate, any more than it is for white people like Caleb or Hunter.
         And that takes us back to Gus; It’s like how he realizes with Hunter’s help that even if people will take advantage of your kindness and hurt you, in the long run, that welcoming acceptance is better for the world. You’re obviously entitled to resistance and self-defense if repeatedly exploited and hurt, but that doesn’t mean you’ll always have to. Colonization/assimilation IS a thing but it’s not the inevitable result of cross-cultural interaction, you can and should let different things coexist.
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accirax · 4 months
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Chessgram Theory: Who is Kotoko Breaking?
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While the object Kotoko is breaking in Deep Cover’s thumbnail is still certainly up for debate, many people (including myself) are of the belief that she’s snapped a white bishop from the game of chess. Given where Kotoko’s mental state is right now and what’s implied by the lyrics of Deep Cover, I think it’s likely that this MV’s theme will depict all of the prisoners as different chess pieces. Therefore, it’s worth asking: who is that? And, in a larger sense, which prisoners could be represented by which chess pieces?
Kotoko pretty clearly sees her situation as her and Es against the rest of the prison. So, I think that the characters would be divided as Kotoko and Es on one team, and everyone from 01-09 on the other. Kotoko is wearing black and appears to be breaking a white piece, so it’s pretty safe to assume that she and Es would be represented by the black pieces. It’s an interesting choice, given that, even to a non-Western audience, black can be considered a color of evil, and white a color of purity and truth. However, if the Es/Kotoko team is “mystery and anger” and the 01-09 team is “cold demeanors and death,” it fits well enough.
And that’s ignoring the most important part: in chess, the white team always moves first. This would fit with Kotoko’s vigilante worldview that everything she does is just a retaliation against others’ wrongdoing. The other characters attack first by sinning, and Kotoko is only picking them off before they can do any real damage to Team Warden.
Anyways, as for the pieces themselves, different websites seem to have slightly different opinions on what each piece can represent, with some obvious throughlines. I’ll be pulling quotes from these three articles, color coded according to which one is being used, which you can read more of if you wish. I’m also not a chess expert, so if I’m missing anything or got something wrong, I encourage you to add any of your own thoughts!
We’ll start with the Black Team, because there are fewer characters and I think it’s pretty obvious who’s who.
Kotoko Yuzuriha
Kotoko herself will probably be the black Queen. As anyone who’s played chess should know, your Queen is the most powerful piece in your arsenal because it can move on straights or diagonals for any distance.
The queen is our impulse to fight and possibly our id. It can argue based on beliefs. It can let loose and fight like a rook. It has no reason to hold back as a knight does and will often attack to the other side of the board just because it wants to.
This hyper-violent description of the Queen reminds me a lot of Kotoko. She attacks the other prisoners because, according to her beliefs, they’re criminals who deserve to be punished. Not to mention, the “id” is actually the same thing as the “es” in psychology. After we voted her innocent in the first trial, Kotoko became our teammate. She thinks that she’s the same as Es, so seeing herself as the “id” would fit perfectly with that self-assessment. Speaking of Es…
Es (and Jackalope?)
Es is most likely going to be the black King.
The king is not as powerful as the queen, but he is considered the most important piece that needs the most protection.
Even if Kotoko has more power than Es inside the prison, Es is still the one ultimately calling the shots. They’re the important piece who actually casts the votes that Kotoko can use to exact justice. The way that Es falls asleep between trials (or, at least, they did the first time) also reminds me of how the king can only move one space per turn, and often remains in the same square until closer to the end of the game.
The meaning of the Queen in the game of chess is she is plainly the closest support to the King and is often the second biggest (tallest) piece on the board, signifying her power and importance.
Es and Kotoko being the King and Queen together also opens them up to being assessed as a pair. They start the game next to each other, far across the board from the white pieces. If Es is the tallest, most notable piece in the prison, Kotoko isn’t far behind, acting as the King’s loyal fang.
I don’t know if any of the other pieces on the black team would have any sort of particular association. Maybe Jackalope could be the pawn that starts in front of the King (I think that’s the E pawn), so that he could hop out of the way on black’s first move to allow Kotoko to escape on a diagonal?
If I’m right about this theming, I also believe it’s possible that the black team would start only with the King and Queen. This would 1) make Kotoko and Es appear as rootable underdogs by having fewer pieces, 2) show how Kotoko is doing all of the work to defend justice, and 3) give Kotoko a lot of space to move around in from the start.
Now that we’re done with the black team, it’s time for the 01-09 White Team! Given that this side has many more main characters, there are several more possibilities to discuss here. I’ve settled on an answer for each of the prisoners, but there’s certainly room to be flexible with any of them.
Haruka Sakurai
Starting with Haruka… sorry, buddy, but I think you’re a Pawn.
Look, there are only eight pieces (not pawns) for each team on the board. If there are nine prisoners on the white team, at least one of them has to be a Pawn. And, especially through Kotoko’s account of the first Trial, Haruka wasn’t doing a whole lot. He didn’t get voted guilty, so she didn’t attack him, and he didn’t try to save any of the attacked prisoners, either. All he really did was get a new fit and align himself with Mu, someone who barely avoided being voted guilty in the first place.
There is a debate about whether the pawns are the peasants who live outside of the castle walls or are the soldiers protecting the royal court behind them.
Specifically, though, I think that Haruka would be the pawn that stands in front of Mu. Depending on which piece Mu is, it doesn’t have to work like this, but if you say that Pawn Haruka’s placement is basically a “if you want to attack her, you’ll have to get through me first,” that’s quite reminiscent of the threat he presented in his second audio drama.
Haruka also makes sense as a Pawn because he has a lot of potential. For anyone who doesn’t know, in chess, if a Pawn manages to make it to the other side of the board, they can transform into any other piece. Haruka’s quiet demeanor might let him slip under the radar, but if Kotoko takes her eye off of him for too long, he could wind up becoming a threat to the King (Es).
Haruka (VD2): “If you don’t forgive Mu-san, I’m going to kill you.”
In the audio drama, Es counters this plan by pointing out that, as a prisoner, Haruka cannot attack them. However, the sentiment is still there. Even if a Pawn doesn’t really stand a chance of attacking the King when Queen Kotoko is on the loose, there’s always the possibility that he could get too close and throw a wrench into Kotoko’s plans.
Yuno Kashiki
As for Yuno… well, we all know that she’s a Queen in general, but in chess, I don’t think that argument really holds up. Yuno really just isn’t… relevant? enough? to the conflicts of the prison as a whole (at least where Kotoko is involved) to be represented by such an important piece. But, if Yuno isn’t the Queen, what would she be…?
Personally, I think she would be a Rook.
The rook is brute force. It is a disregard to beliefs.
Simply put, Yuno is a Rook because she’s a pretty straightforward person. That’s not to say that she doesn’t lie, of course– her whole t1 attitude seems to have been a bit of an act, and that one section in the middle of Tear Drop makes it pretty obvious that Yuno conceals her true feelings on order to better please her customers sometimes– but that, in the end, Yuno always does what she wants. If she wants to barge forward or cut across the entire board sideways, she’ll do it. She often keeps to herself, just like how enemy pieces wouldn’t want to get directly in front of the Rook for fear of being curb stomped.
Back to her t1 attitude, though…
The rook is the castle, the walls, the protectorate of the city, and in being so, is the only piece not representative of a living thing.
While most sources attribute the Rook’s walls to protecting the other important pieces, Yuno’s walls protect herself. Yuno’s Castle keeps her true self locked behind cold and stony walls, giving her freedom from making any attachments.
Futa Kajiyama
Futa is a Knight because… he’s, uh, literally a knight.
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The knight pieces are the protective knights in the castle. The pieces are shaped like a horse because it is symbolic of what knights rode during battle.
It doesn’t always have to be that deep. (/j)
Actually, though, there are other reasons to call Futa the Knight– possibly some of the same reasons why the Milgram creative team decided to make one of his MVs themed after fantasy RPGs in the first place.
The knight represents the pure inner-warrior. If a knight starts out passive, it will always end up aggressive and vice versa. It can't move very far, but it never moves in a straight line, always preferring to be tactical and thoughtful.
Futa definitely seems to cycle between aggressive and passive. He passively lived his life as a regular guy until he unleashed his aggression and became a cyberbully. That aggression fueled him until he learned of his victim’s death, at which point he shut down and seemed to become more passive and introspective again. Arriving in Milgram triggered his aggressive tendencies, but getting voted guilty and losing an eye for it triggered his passive terror. At the time of his second audio drama, it seems like he’s returned to aggressively questioning Es again, and it remains to be seen whether he keeps that attitude into t3 or if something happens that once again makes him lose his footing (or die).
Mu Kusunoki
Much like Yuno, Mu also has an argument for being called the Queen– more so than Yuno, considering her strong Queen Bee coding in It’s Not My Fault and the titles of both of her audio dramas– but also falls short in the “being opposed to Kotoko” department. Although Haruka certainly looks to her for leadership, I can’t imagine Kotoko actually considering Mu a serious enough threat to put Mu on the same level as herself.
So again, like Yuno, I think Mu might be the other Rook. Mu also displayed a very “whatever I say goes” attitude in INMF, so she can share the same rhetoric behind Yuno being represented by that piece. The logic behind the castle aspect is slightly different, though.
Every country or medieval estate would have its royalty who were protected within the walled city or castle.
Mu is a rich, half-European girl whose dad sells real estate. Of course she would be represented by the Castle! Mu’s tactics involve consolidating her power in order to lead from a place above it all, exactly like how a castle looks over the rest of the village. Additionally, I can’t find the source of whoever pointed it out first, but I’ve seen it mentioned that the dress Mu wears in her birthday art is a reference to the one that Belle wears in Disney’s interpretation of Beauty and the Beast. It’s a fairytale with a princess (and perhaps someday, a queen), yes, but it’s specifically one where the heroine is trapped within a castle. Making Mu into a Rook would be a great way to keep up her royal theming, while leaving the Queen for a character a bit more powerful and relevant to Kotoko.
(Going back to Haruka for a moment, this would make him specifically the A or H pawn.)
Shidou Kirisaki
I really thought that Shidou might have more competition for the role of King, but the more I thought about it, the more I realized that nobody fit the role quite as well as he did.
Shidou is the perfect balance of a piece who’s very problematic for Kotoko’s win condition, while also not being much of an active threat himself. There are very low odds that Shidou would ever actually try to harm Kotoko directly or get in her way to divert an attack. However, as long as he’s alive, Kotoko can’t win, because Shidou can keep attempting to heal all of the pieces Kotoko tries to eliminate. That’s not something that the King piece can actually do in a chess game, but hopefully you get my point.
Additionally, Triage let us know that Shidou is a family man. While the white Queen will obviously not be representative of Shidou’s deceased wife, and not every other prisoner would enjoy living under his reign (cough cough Amane), the optics of him being the “head of the family” are obviously there. It’s a pretty bad look if the white King starts the game by pleading with the black King to give him the death penalty, but… Well, at least Shidou changed his mind.
Mahiru Shiina
Not to answer the theory’s main question so early into the post, but… I think Mahiru is a white Bishop. Specifically, the one that Kotoko could be snapping in half in the thumbnail.
As far as I can remember, barring Undercover, Milgram’s MVs have only shown us things that have happened in the past. There are some things that could kind of hint at the future (like Shidou’s “So hey, prolong my life / I’m indispensable” in Triage) or depict prisoner’s fears of the future (like Futa potentially being afraid that Es could declare him guilty again at the end of Backdraft). But, I think that every instance of something like that happening could be explained as something that the character did or thought about in the past as well. That might be wrong, as I don’t want to take the time to write out how everything that appears like it could be in the future is actually in the past, but it sounds right to my memory.
My point being, while the snapped bishop could be indicative of Kotoko’s plans to crush someone in the future, if the chess pieces do represent characters, it makes far more sense if her smashing the white bishop is something that already happened in the past. Thus, it would probably be one of the three characters that Kotoko attacked in the past: Futa, Mahiru, or Mikoto.
Of the three options, I think Mahiru fits the role of bishop best.
The bishop is your belief structure. This is why a bishop that starts on white, will always be on white and vice versa for the black bishop.
While not a particularly religious person, Mahiru is someone who lives and dies based on her beliefs about the value of love. No matter what happens to her, she always keeps her same perspective, believing that love is the entirety of who she is and the only thing that’s worth living for. It’s how firmly she clung to those beliefs that sent her to Milgram, and her lack of awareness regarding her actions that got her voted guilty. AKA, Mahiru’s Bishop-like beliefs are exactly what sent her to be crushed in Kotoko’s palm.
To the extent that the blood in the thumbnail is the Bishop’s and not Kotoko’s, Mahiru was also the most grievously injured of the prisoners in between trials. I saw people joking that the thing Kotoko was crushing was “Mahiru’s bones,” and, like… maybe you’re not entirely wrong? 
I hope that you continue reading the post to hear my thoughts on the last three prisoners. But, if you are tapping out here… uhhhh, 0610 enjoyers, go crazy with this one.
Kazui Mukuhara
When I started theorizing for this post, I really thought that I was going to make Kazui the Queen to Shidou’s King. The two of them are pretty close, so the idea of Kazui being Shidou’s guardian makes total sense. And, most importantly, Kazui was the one to actually intercept and divert Kotoko’s attack on Futa. He’s been established as the most muscular prisoner in Milgram, on par with someone like Kotoko, which is perfect for him being the Queen!
Wellllll… I changed my mind and decided to make Kazui a Knight anyway.
There are a lot of good arguments for Kazui being a knight too, okay? After Cat, it’s pretty clear that Kazui was once a police officer. Thus, being a member of the castle guard would be a good match for his choice of career. They’re also probably the most traditionally “manly” piece, representative of an armed man on a horse, and Kazui tries very hard to be manly.
Knights can also hop over other pieces, much like how Kazui jumped into the fight between Kotoko and Futa. In fact…
Never underestimate [the Knight] for its limited range. It’s known as the "Queen Killer" for a reason!
Knights are often a good piece to use to attack Queens because of their unique L-shaped movement pattern. Unlike every other piece, they can attack the Queen from a position that can’t be immediately reversed upon them. Thus, Kazui’s ability to beat Kotoko could be an indicator of this “Queen Killer” quality, instead of the innate power of being a Queen himself. (This logic applies to Futa as well: he can attack Kotoko from the unique angle of appealing to Es’ morals and own sense of justice. Kotoko can’t do the same because, unlike Futa, she has yet to outwardly acknowledge that her murder could have been anything less than righteous.)
Also… the Knight is the only piece that doesn’t move in a straight line. Get it? The Knight doesn’t move straight? And that represents Kazui? Because Kazui is–
Amane Momose
Amane is the other Bishop because… religion.
The bishop stands close to the king and queen because it represents the church which many royal courts held near and dear to their hearts.
The Bishop represents the church, an important and very powerful entity throughout history and even today if you think about it.
Again, not everything has to be a reach. (/j)
So… yeah, Amane’s beliefs– specifically religious beliefs, this time– are also a huge part of her life. Even if she’s changed what the cult’s doctrine means to her, she still confesses that she carried out her murders for the sake of what her religion considers right and wrong.
This is also considered the third most powerful piece on the chessboard because back in the day religion could influence many people, even without the help of the royal family.
Not so much for Mahiru, but this sentiment also fits Amane pretty well! Between the threats of potential conversions and potential assassinations, Amane was definitely one of the prisoners to watch heading into t2. From what I’ve heard, the main reason why her vote was so down to the wire was mostly because people were afraid of the power that Amane held.
Interestingly, this would put another prisoner who was voted guilty in contention for the piece that Kotoko is crushing. However, I still think it’s more likely that that piece would be Mahiru, because Kotoko didn’t physically attack Amane. If it were Amane, it would more likely be that her beliefs were crushed as opposed to her bones, but… I don’t really think that really happened, either. Amane would almost certainly be a bishop, though, so there’s certainly a possibility that that broken piece could be her.
Mikoto/John Kayano
With only one prisoner left to go, you may have already come to the conclusion that Mikoto is the white Queen. And… yeah, I can’t really deny that at this point. Like I said, I wanted to make Kazui the Queen, but I couldn’t otherwise figure out what Mikoto would be.
Because, there’s one main thing that makes me think that Mikoto has to be the Queen… John’s lack of restraints.
She is allowed to move in any direction and in as many squares as she wants.
Due to the whole situation with John not technically being a prisoner, when John is the alter in charge, John cannot be restrained, even when voted guilty. That makes him very powerful; no matter what he does, we can’t use a guilty vote to try to stop him, much like many people hoped to do with Haruka when voting him guilty in t2. The Queen can visit any square, no matter whether it’s black or white, upright or reversed, Mikoto or John. Choosing any other piece that was constrained to a much more limited set of movement rules just felt off for him.
Next, while Kazui was able to defeat Kotoko and save Futa, the fight between John and Kotoko was a draw. That means that they are also evenly matched– perfect for both being the same kind of piece. Mikoto isn’t as close to Shidou as Kazui is (anymore, I think?), but they were at least smoking club buddies, so calling Mikoto the Queen to Shidou’s King isn’t the most ridiculous proposition.
Finally, making Mikoto the Queen, a very feminine piece, is super interesting in the context of people discussing how Mikoto is often associated with stereotypically feminine roles and the girl prisoners (oboetemasuka | candckirby | purgemarchlockdown). I don’t have a whole lot else to say on this matter considering these weren’t points of Mikoto’s characterization I originally noticed myself, but I encourage you to read these posts to get a taste of what I’m talking about. I’m sure there were other posts discussing it too, but… it’s so hard to find things on Tumblr ;-;
Conclusion
Finally, we’ve been through every prisoner! Here’s a summary of what I decided on (left or right side doesn’t matter):
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The funny thing about this theory is that it could be fully disproven wrong in, like, a week, if either 1) that wasn’t a chess piece at all, or 2) the chess pieces obviously represent something else. For instance, the chess board could fully relate to, you know, Kotoko’s actual murder and not what she got up to in between trials. We are supposed to get more actual evidence regarding that too, aren’t we…?
Still, if it turns out that the chess board does represent Milgram, I will get the full satisfaction of having called it ahead of time, even if my assignments aren’t 100% correct. No matter what, I had fun thinking about it, which is (in my opinion) the highlight of theorizing! If you have anything else to add, I encourage you to communicate your thoughts in comments, tags, or reblogs. If you don’t, then I simply thank you for reading this far!
Deep Cover… soon.
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ramshackledtrickster · 11 months
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Major major MAJOR across the Spiderverse spoilers under the cut
Just an idea for Spiderverse 3 ,,,
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Ok possible idea for Spiderverse 3: bc the spot is so powerful now what if he can manifest his own dimensions? So he utilizes that to break apart the spiderpeople that try to take him down he sends them into their own pocket dimensions, and Miguel gets trapped in a dimension where everything is right and he has Gabriella.
Miguel in this movie is a well rounded character but he hasn’t undergone major change in thinking or philosophy yet (though hints to towards the end). His major barrier in the film is his refusal to accept anything other than tragedy not only being inevitable but be an absolute defining trait of what makes a hero, even when tragedy can and could be prevented. He’s grieving, he’s guilty, yet refuses to call himself the first anomaly and shoves that title onto miles, and he projects all his grief and loathing out on a fifteen year old that has no control over what happened to him (wow what a hypocrite).
Miles’ unpredictability and limitless potential is in direct conflict with the philosophy that he maintains which gives him purpose, that makes his losses more acceptable.
And Miguel lets that pain completely define and rewrite him, instead of that acknowledging that pain as just a part of him— an essential part, like everyone else’s losses, but not the *only* part. Because the true core of Spider-Man that often comes with that pain is choice. And he has yet to internalize that for himself. Though he’s the leader of the spider society, he himself isn’t a true Spider-Man yet (note how while his suit is polished, his face and skin still carry a sketchy quality,, like construction lines and all that). I believe he should get closure in the third film, and his final design would reflect that.
So, in this pocket dimension, Miles and Gwen and maybe some other spider people have to find Miguel and show him the truth that none of this is real it’s a trap— but the onky person that can truly free him from the prison is himself. Miguel has to remember that while he shouldn’t forget this event or let this happen again, he should recognize life and the future is flexible, and not shut yourself or anyone else off from those chances, despite what the numbers or the canon dictates.
He finally understands, and sees Miles for what he represents— Free will, limitless potential, and the choice that makes a Spider-Man. And he has to follow in his lead to get out.
As the world around this pocket dimension is falling apart as the truth becomes clear though, Miguel is still holding onto Gabriella— and Gabriella, though she’s a simulation, feels so real to him. He senses her fear and confusion and he refuses to let his baby girl go.
But they exchange a few final words.
And miguel promises not to let her memory be in vain.
And she’s gone.
Miguel is alone with his thoughts.
Miles reaches out, offering him another chance to get back up— like Spider-Man always does
And Miguel does so and finally chooses that path.
Now they’re going to do it Miles’ way.
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Alternative images In case Miguel is getting lost in that zone and he’s deteriorating art wise n getting broken down like Spot was if he’s there for too long
Or maybe he stays solid and Gabriella’s the one who degrades! Who knows!
Super tempted to board this out maybe but I’m not particularly good at dialogue so who knows
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celestialtarot11 · 6 months
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Astro Observations <3
My best friend has Gemini over her 12th house, and I’m a Gemini Venus. I always said to her that her spirit guides know me, and in fact they talk to me to get messages to her. It makes sense given our shared 12th house placement. She has Saturn over her 12th house and found it difficult to communicate with the spirit realm. But through me, it’s like I’m the gateway to her receiving the messages she needs to hear. Straight up, spirit talks through me like a normal person. Our connections runs deep and its easy for us to communicate spiritually. Likewise, she has dreams that are related to me and she gives me warnings of anything I need to know :)
Having sun in the 10th house composite of a relationship, the breakup/ending/issues can be public against the couples will. Be careful, people will want to leak personal information to the public even if they aren’t meant to do so. Also, major power couple vibes. People strive to copy this couple and may send evil eye their way. This couple embodies Pinterest 😤 a walking pinterest board
Pluto in the 10th and having an emotional reactive father figure. Hi 🤗✨ and then equally arguing with their father if the native has fire/earth placements. Ya’ll got facts to spit ☕️ but also thats because you guys hold in everything you want to say, so at some point it bubbles out.
Pluto in the 4th house and having an emotionally turbulent mother. Hi :) maybe she was diagnosed with BPD as well. Any moon-Pluto aspect can indicate the mother having BPD, or narcissistic tendencies.
Jupiter in Leo women will not settle for less than they deserve. They are fierce in what they want in a partner.
Jupiter in virgo indicates marrying a spiritual partner. Someone who will share spiritual awakenings with you.
Virgo’s tend to grow spiritually as they get older, and they are great at manifesting abundance/ spiritual help. They have a whole team of ancestors by their side 😤 the type to call on their ancestors after someone drops a petty comment
Also, women with jupiter in virgo are incredibly detailed when it comes to their partner and who they will date. They want a partner who will represent them, not just anyone. Even with males this can be true. Women with jupiter in virgo knows they worked hard to get to where they are at, so they want a partner who will be on their level. They know that their partner is a reflection of their healing. A reflection of them as a whole. So just like jupiter in leo, jupiter in virgo women will not settle for less than they deserve
P.S Jupiter in virgo women come up with the most funniest roasts for men they don’t like 🤡💅🏻 they’re real quick and sassy with it & blunt. Same with Jupiter in leo women.
Gemini venus, when ya’ll get your nails done just KNOW abundance is coming your way. Caring for your hands/using them to create/ scripting with them is how you manifest. You don’t absolutely need to get your nails done if you’re not a baddie like that (and thats fine ☺️) you’re still a baddie using your words to make anything come true. If you have a taurus degree on your venus, buying necklaces, rings, will also attract abundance to you 💅🏻 even getting a tattoo on your neck/hands can help greatly
Thank ya’ll so much for reading, hope you guys found it resonated and found it funny ☺️💗 its meant to be a great time reading these posts but also informative! I appreciate all the support send my way 🌀✨☕️
Book a reading with me here 🤍
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flordeamatista · 1 year
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Waves of Love
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pairing: Namor x reader
concept: When you look into the water, you see the reflection of love. 
word count: 1k
warnings:  poetic fluff, soft smut (fingering), beach soft smut, kisses, ocean love, slight angst but just amor, In k'áatech = I love you; Meent' uts= please; In yakunaj= my love nikté =flower, Itzia: = princess,
a/n: You have no idea how much I love Namor and what he is representing for my people. This is for my Latinos/Latinas amores
beta read but all mistakes are mine: @mrsmischief209
gif and moodboard made by me
line divider by the lovely @s-tarksintern
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Masterlist
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Let your love warm me up while you are here
There is peace in the blue sky, the sand, and the endless ocean.
Lost loves have moved on without you, leaving you with nothing but sand beneath your feet and a sense of being abandoned on this land. The waves wash up and down on your toes, telling you that the lost souls in this world are dead.
This beach, however, is special to you because it is the only place where you can breathe and where the ocean caresses your body.
Thanks to him. 
Ku'ku'lkán
As you called him on the shell, you got a sense of new, refreshing outlook on life. 
I will do everything in my power to bring you out of the shadows in this collapsing world
You will discover a deeper understanding of yourself and life if you give the waves a chance to speak to you.
 Namor. 
Yo daré mi vida entera para el.
From the waves you see him emerge, and here you are giving him a chance and filling your heart with love. While you close your eyes, the sunlight warms your face. As he emerges from the sea, you can hear the wind whispering his song. 
He sees you standing there and sees the dress around you, thinking of how it won't be allowed in his ocean. A smirk spreads across his face as he walks toward the shore with the sun shining on his golden spear.
There will be no one dearer to him than you and his only love. Weeping tears of loss and loneliness at the sight of the night. He promised you, when you shared your fears with him, there would be no fears allowed, as the ocean is feared, but you would become his queen, so you will be feared by all. 
Use the power as a weapon to heal everything.
There is no good to be found on the surface because of the history of greedy destruction, of love sacrificed for power, and of conquest. You give him hope for the future with your bright eyes and beautiful spirit.
The soft breezes of another world lullaby to you as you stop, sit still, and listen.. You are in his dreams, and you wave at him as sweet dreams fill your heart.
His brown eyes stared at you and let the sun burn away the fear, melting into a wave of pleasure for him. He kisses the hand of the most precious thing in his life when he lifts it to his lips. 
You. 
Your bare toes touch the deep of the ocean as he pulls you toward the water.
A laugh escapes you, "Namor."
His eyes danced as he teased, "I got you, Itzia."
"I-" You are trying to argue, but Namor is leaning forward and pressing his lips against yours, silencing you. 
Because of this, my love, you are the brightest
During the kiss as your eyes fell shut, you didn't even realize he rips your dress floating somewhere in the water, his arms around your waist, and your legs around his waist.
"My pretty Nikté." Namor murmured with a soft grin, his thumb stroking down your damp cheek. You smiled against his palm. 
"How did I get so lucky to have you, In yakunaj?" he murmured in clear amusement and kissed your forehead.
His fingertips ran down your body, leaving a gentle cooling effect. Your eyes widened in surprise as you suddenly found yourself underwater. Then, while underwater, he smirks and kisses you again.
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When you look into the water, you see the reflection of love. 
He holds your wrist against the sand tracing the bracelet he gave when he took you to his kingdom. He smirks as his hands trace down your bare legs, "Who is your amor”.
"Namor," staring up at him with an intrigued expression on your face. "Meent' uts, more"
Two of Namor's fingers slide inside your pussy, gently stroking you.The other hand traces against your stomach reverently. Gliding slowly up to your breast to caress the heated flesh.His face lights up at the sound of your pleasurable moans.
"Fuck!" you scream at the strong orgasm creeping up your body. When the heat and water cover your skin, your hands curl at your sides, begging silently for more as you try to hold on to the sand.
You may lose sand from your hands in this world, but He is not slipping away from you. A man who loves and fights for his people is Namor. 
As soon as he removed his hands from your hip, he began lightly brushing his fingertips along the skin where his lips had been before. His love for your moans grows as he watches them evaporate into the fire. He may enjoy burning down the world for you, but he loves burning your body for him.
You wanted to be around someone like him, who had a primal look in his eyes.
Your eyes shine brighter than fire and reflect broken glass. You will open your eyes to love if you let me.
He presses soft kisses on your neck as he strokes his fingers around your inside. Bringing you the push and pull in the way of a tsunami as if he commands the water to his will. 
In k'áatech
Water flowing as the love dousing the fire leaving just the love that flows between both hearts no more the physical body but the emotional
I'd like to go with you.
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eamour · 8 months
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edward art's "pharaoh/king" meditation
here goes another meditation of edward's spiritual series emphasising the importance of feeling. again, another meditation represents another way of practicing the feeling. in this meditation, you embody and feel yourself to be the pharaoh, the king and the creator of your reality.
here is the link to the original source !
steps
1 ⋮ lay down, and relax. any stresses in the body, release them with ease. breathe and release. if you have pains in your chest, gut or feeling tightness, just relax.
2 ⋮ close your eyes and imagine to the best of your ability, it does not have to be perfect: see yourself first person sitting on a throne. now imagine someone feeding you grapes. see someone massaging your feet. hear someone tell you it is an honor for them to serve you. hear them call you, “your grace.” say, “no” to something and let it be a “no.” FEEL the power of your words and the power of your presence. FEEL the calmness and intensity of being the highest. now, switch over to being pharaoh. to the best of your ability, see yourself (first person) on top of the pyramids. you are the head of this land. see the sand, the sun, see what you own. you are the highest ruler on earth. you are divine. FEEL the power of being on the highest rank. everything you say, goes. it becomes. all work for your desires being fulfilled. FEEL the calmness of abundance. FEEL majestic. FEEL like a loving pharaoh and all the people love you. even though you are pharaoh you do not have to treat anyone as though they are less. you don’t have to put anyone down because you KNOW you are pharaoh. others just by your presence are inspired. your very presence sparks light of faith into the minds of men and women. you do not have to fear. your enemies turn into joyous followers when they enter your presence. you have no enemies. if you want something, you get it. no questions asked. you are the highest. you do not feel fear, but intense confidence in every word you speak. FEEL the deepness, the stillness and strength in your breath. since you feel no fear, you speak with the highest authority. no insecurities reside in you. there is no need for insecurity, for you are abundant in everything. you fear nothing. fear fears you. evil fears you. you uphold the highest form of love to all of humanity. you do not waste time condemning but you uplift yourself. condemning, fear, guilt is for the unenlightened mind. you are far beyond and you see how this is your dream. you can dream the dream to your heart's desire and it must happen. you know there is one greater than you inside of you. the CREATOR of all, the DREAMER. you worship this CREATOR, the mind. you only put into it ALL that is loving, ALL that is the highest, ALL that is noble, ALL that is magnificent, and you only attach the highest of words to “I AM.” you worship the CREATOR and the CREATOR blesses you. you reply with gratitude and more worship. this relationship is the greatest of all relationships.
3 ⋮ focus intensely on this FEELING. FEEL that and do not allow the lowly feelings of fear trying to hold you down from your magnificence. if you are not willing to FEEL to an ever increasing degree of intensity of magnificence, then why do you even have a mind? you can do anything with your mind, then why not do anything? the dreamer is inside, let him dream, and dance a new song into existence. worship the one within, and in return it worships you. condemn it, and it condemns you. there is only one.
4 ⋮ this meditation is not just a simple "meditation." this is to actually change how you see yourself. it is to rework the clay (your mind) and shape to what you want. this meditation taught me how much i hinder myself in my mind. how much i chose my own prison instead of my exaltation. it also showed me that (fantasy) can spark creativity and the FEELING i want. this showed me how much i can actually have within. it taught me to say the words, "why not imagine this?" and gave me the confidence to imagine what i want. you can be royalty in your mind. you do have what you want in your mind. if it does not change your feeling then you are convinced you don't have it. the ONLY times i have ever changed reality and myself is when i actually do whatsoever i WANT in my mind. when i free myself, my whole feeling changes and as neville says: "a change in feeling is a change in destiny."
with love, ella.
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project-sekai-facts · 11 months
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Pspsppspspspsp…,. Any weird facts on how sekai works? Specifically wondershow if you can, but from what I know is that in general sekai will kick you out forcibly if your phone dies, school sekai has no daylight cycle, wondershow has a Victorian ages style library, empty sekai is so big you can get lost in it, and street sekai has a city
Okay I'm going 100% Wonderland SEKAI on this because I can and I have some stuff scheduled already about general SEKAI lore. And because holy shit Wonderland SEKAI is interesting.
Without further ado, 8 facts about Wonderland SEKAI...
Under the cut due to length
This doesn't display well on the desktop dashboard I apologise for that.
Wonderland SEKAI fact #1: KAITO might have been stabbed.
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This is all the same magic show, just three different references to it (and a minor inconsistency that Tsukasa gets told about it twice). These are from an area conversation, Miku's Wonderland SEKAI 2* story 1, and KAITO's Wonderland SEKAI 2* story 1. Either KAITO really is that flexible or Virtual Singers cannot die. This probably applies to all SEKAI not just Wonderland but I just wanted everyone to know about KAITO getting stabbed.
Wonderland SEKAI fact #2: Miku seems to be younger than the members of WonderlandsxShowtime.
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In an area conversation, KAITO says he thinks Emu would be the oldest if she and Miku were sisters. However, in this conversation he seems to be mainly referring to personality, so there is a possibility that Miku is still her standard age of 16 and just acts younger than she is. That said, the ages of Virtual Singers do vary through other SEKAI (particularly School), which adds a bit more evidence for this fact.
Wonderland SEKAI fact #3: Plants are sentient.
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They're alive. They talk. They sing. They have conscious thought. Alice in Wonderland type shit. (Sources: KAITO's Troupe Positions Open 3* card stories, @/pjsekai_eng's translation of 4koma #72)
Wonderland SEKAI fact #4: Wonderland SEKAI is the only SEKAI with distinguishable inhabitants (not counting Virtual Singers)
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While the Stage SEKAI has audiences that come and go, we don't know much about them and they don't seem to have any defined personalities or characteristics (it may be an instance of leaning on the 4th wall). Wonderland SEKAI is inhabited by plushies and puppets, all of which have their own individual personalities and free will. KAITO believes that these may be plushies that Tsukasa played with and performed shows with as a kid. You'll see this again in a bit.
Wonderland SEKAI fact #5: Since everything in the SEKAI is pulled from Tsukasa’s psyche, not all the plushies are based on shows he wrote as a kid
For example, Usa-chan. She seems to be based on a younger version of Saki, where she was more sensitive and would need cheering up a lot. Obviously connecting to Tsukasa's main drive being making people (specifically Saki) smile.
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One more notable example is the cat and dog plushie from Full Power! Wonder Halloween!. The dog plushie is very obviously meant to be Tsukasa (it even has a star on it), and the cat is Rui (and it has cameoed in his cards a few times). In the event story, Tsukasa and Rui had an argument due to Rui holding himself back after a stunt gone wrong, and the cat and dog plushie have a very similar conflict, albeit the cat plushie representing Rui is much more aware of it's feelings.
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KAITO's A Chat With The Lost 4* card story shows him making a different (although possibly the same, the story contradicts itself) pair of dog and cat plushies resolve a conflict and open up to each other. Yet again, the plushies very obviously represent Tsukasa and Rui.
TLDR: Tsukasa's feelings and experiences work their way into the SEKAI in real time through the form of plushies.
Wonderland SEKAI fact #6: Oh yeah literally everything in the SEKAI reflects some aspect of Tsukasa.
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I find it interesting how KAITO tells Rui that he should go and talk to Tsukasa about it but then to Emu and Nene he gives a more confident answer. It's a nice little detail that ties into Rui's character (read: he didn't have a lot of friends at this point).
Linking this back to the previous fact, it does seem like the other members of WxS do have some influence in the SEKAI, specifically over their plushie equivalents (since the cat plushie has the exact same internal conflict as Rui that Tsukasa had zero knowledge about at the time). The power of friendship I guess.
Wonderland SEKAI fact #7: Wonderland SEKAI manifests as a response to Saki asking Tsukasa why he wants to be a star.
But that doesn't sound quite right, does it? It's stated constantly that SEKAI are created by strong feelings, and this is true in all other stories (Ichika thinking about how she had drifted apart from her friends, Minori reminding herself to never give up and keep aiming to be an idol, An's declaring her dream while Kohane wished she had one, Mafuyu's depression and longing to find herself). So it really sticks out that Tsukasa's SEKAI is formed by this:
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Sorry about the wiki screenshots
There's not really any strong feelings here... In all other instances, the SEKAI are formed by a concious desire for something, and yeah okay, Tsukasa seems to want to remember why he wants to be a star, but at the same time it doesn't seem hugely important to him (not pictured but he drops the train of thought just after this) and the SEKAI isn't born from that anyway. The SEKAI is born from the feelings that he was trying to remember, which implies that the SEKAI was formed by his subconscious.
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Further supported by Miku immediately picking out the correct reason for him wanting to be a star in chapter 3 of WxS' main story.
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And in the Opening chapter of the same story where KAITO explicitly mentions that the SEKAI is nostalgic to Tsukasa, suggesting that he knows exactly what Tsukasa has forgotten. Tsukasa himself had noticed that it seemed nostalgic, although he denies it when KAITO brings it up.
Oh and then he somehow manages to remember everything by the end of the story and like I'm not a psych student but that doesn't seem right? Honestly from what I do know about psychology the situation sounds like a repressed memory but it doesn't sound 100% accurate either? I dunno, maybe it's just fantastical psychology coming into play (it probably is).
Regardless of all of that, it implies that you can somehow form a SEKAI through subconscious/repressed feelings which is really interesting actually.
Anyway they're probably never going to elaborate on any of that in the game because...
Wonderland SEKAI fact #8: the game goes out of its way to not tell you Wonderland SEKAI lore, and if it does tell you, it's usually not clear
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For example, this area conversation. KAITO doesn't tell them directly and we never find out if they learnt the answer.
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Or this area conversation (very abridged) where KAITO doesn't even know the answer.
Or the fact that Rui still hasn't had that talk with Tsukasa that he said he would have in KAITO's 2* card. Or that KAITO isn't 100% certain about the things he says about SEKAI. How do more plants grow in Spring? Does the Wonderland SEKAI have a plant lifecycle or do they just never die? How is Miku seemingly derived from Emu despite having existed before Tsukasa had ever encountered Emu? (I know Kohane and An hadn't met either but Kohane was at least watching An's performance. Miku actually mentions "others" in the Main Story Opening which means there's some more weird fate shit going on. The power of friendship I guess.)
The other SEKAI have their quirks explained (for the most part) but everything in Wonderland SEKAI kinda just exists and is never really explained beyond "it's something from Tsukasa's psyche". I mean there's stuff from other SEKAI that isn't explained but it just seems like there's a bit more here.
I mean you can infer a fair amount of stuff just from Tsukasa as a character but I want the game to talk about it to make my life easier I have a fact account to run I need evidence. Tsukasa please be less emotionally constipated, sincerely, mod.
If you made it this far I'm sorry.
Love is stored in the WxS KAITO <3
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Bonus Wonderland SEKAI Fact #9: this is a mistranslation and KAITO should be calling Tsukasa the top star-to-be and not himself. Poor TLs aside KAITO does seem to be like, Tsukasa's "ideal self" for lack of a better description. Also Len takes traits from Rui while being a foil to him, MEIKO takes some traits from Emu, Rin is a foil to Nene, Miku seems to be a mirror character to Emu but don't ask how that works and Luka is derived from ???
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