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#tossawary fma
tossawary · 23 days
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At the end of "Fullmetal Alchemist", Ed Elric quits the military, has given up his ability to "play god", and is (as he has been since he burned his fucking house down as a tweenager) homeless, disabled, and crashing at the Rockbell place to help his very sick brother recover.
And it's easy and funny to imagine Edward Elric essentially becoming the house husband of successful and innovative automail mechanic Winry Rockbell (and later a stay-at-home dad). Small family businesses are pretty much always a mess of needing an extra hand just to answer phones and the mail, to schedule appointments, to deliver and pick up parts, to organize stock, to "just hold this for a second for me", and so on. Pinako is not getting any younger and could use someone to cook dinner and fix the roof while she rests her back!!! Winry is busy!!!
There is also always a lot to do in a rural community, so I'm sure that Ed would find another hobby in the absence of alchemy and could turn it into a gig if necessary, if he really doesn't like automail. He has a lot of skills that he could potentially turn towards an income. I've also generally assumed that Ed made a pretty decent amount of money as a State Alchemist and still has some generous savings on that front.
But I was also thinking that it would be kind of funny if being a State Alchemist came with incredible retirement benefits. Like, the military wants to lure people in with wealth and power and resources - and then make alchemists desperate enough to keep these things that they become walking weapons of war, commit horrible crimes against humanity in the name of "research", and/or resort to human transmutation and become viable sacrifices. Ed never had to worry about getting kicked out (and presumably losing his benefits) because he was a perfect human sacrifice from the get-go (although he didn't know this). I'm guessing a lot of State Alchemists were never actually able to retire between dying in wars, failing out of the program (the brass finding excuses to save money! Bosses are always cheap!), getting arrested for speaking out or actually getting caught publicly doing bad shit, and being murdered for their crimes against humanity.
But, in theory, maybe the State Alchemist retirement benefits were absolutely incredible if you could somehow survive long enough or get permission for an early, "honorable" retirement, because King Bradley (who let's say set up this financial bait) somewhat reasonably assumed that Father would completely destroy the country before he'd ever have to pay out a pension. Which means that Ed could be out of the military for years and somehow still costing Roy Mustang a lot of money.
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tossawary · 23 days
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"Fullmetal Alchemist"'s use of fantasy elements is interesting to me because of the way it... reduces... certain horrors to these unflinchingly direct basics. (Warning for spoilers and unorganized overview discussion of canon-typical violence.)
Like, the violence and pain is depicted in hideous, nightmarish detail, and/but the pursuit of power at the expense of other people's lives is simplified at the climax into an equation so straightforward that it hurts. All previous prizes of land and resources, which are forms of power, have been stolen by the Amestris military by way of terrible, hateful bloodshed. Father's Promised Day array then throws all that aside, throws it onto the fire, and takes a step further to directly exchange human lives for godlike power.
Another example is that Roy Mustang is not permitted the false distance of a bomb, but has the effect of one using his own two hands. The result is the same, but State Alchemists are not permitted separation from their tools: they ARE the weapons of war. A gun is nothing without someone to hold it. It really underlined to me that if Roy HAD used bombs instead of alchemy, it still would have been his hands that killed an unimaginable number of people.
I don't think FMA is above criticism, but this specific aspect felt to me an incredibly effective narrative tool, especially because things like "our military was created from the beginning to do evil" are accompanied by / backed up by normal humans knowingly going along with Father's plans out of greed and fear, as well as normal humans supporting the country's crimes out of idealism and fear and hatred and selfishness and confusion. It's not just "oh, it was inhuman monsters secretly manipulating everything from the shadows all along"; it's "oh, it was inhuman monsters secretly manipulating everything, representative of humanity's most deadly sins, appealing to our most selfish desires and basic fears, and we all WENT ALONG with it".
From the very first chapters, all of the friendly adult characters were directly saying things like, "Edward, you shouldn't be a part of the military. It's corrupt. I have killed innocent people for nothing and it haunts me." In the final battle, inside the command building, the Armstrong siblings and their allies are straight-up fighting against mindless, starving, created soldiers that kill everything they come up against and stop for nothing. The fascist Amestris military, after years of violent, fabricated conquest and violent, inhumane research, is EATING ITSELF FROM THE INSIDE.
And, of course, the characters cannot use their magic system to escape reality: the Elric siblings cannot undo their mother's death. Life is so incredibly precious because some things cannot be undone. And grief and arrogance allowed to run rampant takes heavy tolls on Edward, Alphonse, and Izumi's bodies.
The only way to miss the messaging in FMA, to have the point go over your head, is to intentionally duck it, because the author is throwing it at your face like a brick. Repeatedly. There are so many bricks. It's not subtle. And I enjoyed it.
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tossawary · 1 month
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I like the "settle down, get married, have kids" ending for Ed in "Fullmetal Alchemist" because it suits the themes and the character arcs well. But also because there's still plenty of room for adventure beyond the joys of a simple life (it is fun to imagine Ed picking up a million homesteading-related hobbies with all his usual competitive spirit); Winry has a thriving career! She and Ed can travel around the country, visit people, and probably even visit Xing before kids or when their kids are old enough for travel.
But I also like it fine because I feel 100% certain that Edward Elric would not have children unless he was 100% certain that he wanted them and was ready to be a good dad. He would not bring life into this world recklessly. I feel like he would have asked himself, "Is there any chance I might be a deadbeat dad?" and that he was absolutely ruthless with his analysis of his character, like, to the degree that it quickly stopped being funny or embarrassing and started being sad. He'd try and get his own Riza Hawkeye about this: "If it ever looks like I'm being a shitty father or husband, I need you to kill me," he says, sleep-deprived and panicking, and Alphonse can only be like, "Brother... No..."
Also, I feel like we shouldn't leave Winry out of this. This woman is driven and successful and was orphaned because her parents left her for a good cause. She and Ed would sit their asses down and have an excruciatingly thorough and detailed conversation about parenthood and their future. I could buy an AU where they mutually decided to be childfree, sure, but I cannot be fully convinced that they as a team would be reckless about children and parenthood.
I'm sure they'd make mistakes, of course, as all parents do. (I also feel like they would try and make plans with the same focus as automail schematics and alchemic circles, which would often be immediately ruined upon contact with the "enemy". And that Uncle Alphonse would shamelessly and mischievously spoil his niblings against parental wishes whenever his brother's back was turned. Traitor.) But they're also one of those couples where I see them in the cliché "happily ever after" and I can genuinely be like, "Yeah, they're fine."
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tossawary · 5 months
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I love when live-action adaptations (both official films and amateur cosplay) add new dimensions and texture to costumes. I love seeing that kind of effort and thought go into character creation.
Like, Ed Elric's red coat? Why couldn't that thing be covered in patch jobs where the shade of red doesn't quite match? Especially around the automail arm? (Especially if he's going to be tearing it off in dramatic fashion after letting himself get chewed on?) Is he buying new coats everywhere he goes (hilarious) or is he spending his train rides sewing (cute!) rather than writing reports? Show me that! I love to see it! It's a fun idea to have his coat obviously be wool to reflect both his rural background and the fact that this world doesn't seem to have developed plastics yet! And to be warm even in rain!
I love it when people turn away from perfectly smooth, cartoon-perfect adaptations of costumes and props in favor of exploring a more interesting reality.
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