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#I know this was supposed to be dialogue but my FAVOURITE dialogue that I write is always between 2 characters
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🌤️ for the fic asks!
Cutting out descriptions etc. So I know the original ask said “PIECE of dialogue…” but it’s not. This is for a short fic I came up with, just kicked around the idea. I’ve not posted it, it’s just on my laptop.
Spoilers for The Flight of the Heron.
“Has he gone?”
WHO?
“Ardroy, did he get away?”
I HAVE NOT CROSSED PATHS WITH HIM YET.
“I see. That’s good. He’ll be safe, now.” […] “May I ask, sir, who you are?”
GUESS.
“Oh. Oh, yes, I see. I suppose there are some tells. […] Was it worth it, in the end? Was it an honourable death?”
[…] FEW HAVE THE PRIVILEGE TO DIE IN THE ARMS OF THEIR GREATEST FRIEND. BUT THAT IS JUST IN MY EXPERIENCE, OF COURSE.
“Friend… […] Are those mountains on the horizon?”
I AM AFRAID SO.
“They might almost look like… like the ones surrounding Loch na h-Iolaire. They can’t be, surely?”
NO, IT IS LIKELY THEY ARE NOT.
“Well, what is beyond this desert? Surely you can answer me that.”
I CANNOT.
“I have to walk there on my own?”
YES. ALTHOUGH, I HAVE KNOWN SOME TO HAVE WAITED.
“Waited for what?” […] “I don’t know if I’m ready, just yet. It has been a long night.”
I CAN IMAGINE.
“May I wait here a little while?”
WAIT FOR WHAT?
“A friend.”
TIME DOES NOT EXTEND TO HERE. YOU MAY WAIT LONGER THAN YOU EXPECT, MAJOR WINDHAM.
“Good. I hope it is a very long time indeed. […] “I do not know what lies beyond this desert, nor do I know for how long I must walk until I have discovered it. Perhaps it is oblivion. I should like to walk alongside my friend. We never had a chance to simply walk together before…”
EVEN IF THERE IS NOTHING?
“Yes.”
VERY WELL. YOU MAY STAY HERE FOR AS LONG AS YOU WISH. AS YOU CAN IMAGINE, I AM QUITE BUSY AT THE MOMENT AND MUST LEAVE YOU. […] YOU ARE AN HONOURABLE MAN, MAJOR WINDHAM. GOOD DAY TO YOU.
“Good day.”
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breeyn · 7 months
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An essay rebutting the “bad writing” claims of s2 ofmd. Spoilers herein.
I’ll preface this with saying you’re obviously allowed to like and dislike whatever you want. I am in no way opposing that. And your reasons are your reasons. Have at. (Also - this is a collection of observations from the past few days, I’m not calling anyone out)
I AM going to rebut the idea that season two was poorly written and lost the spirit of what the show is about.
My favourite movie of all time is Empire Strikes Back. It’s been my favourite movie since I was four. I’m pretty sure it’s a fave of David Jenkins, too. He and Taika have made absolutely no attempt to hide their love of all things 80’s - Prince, the Princess Bride, Kate Bush, Star Wars, etc.
I have ancient video tapes (that I can’t play because who has a vcr) where Lucas is interviewed by Leonard Maltin? Malkin? I dunno. Who cares. Maltin asks him about the Star Wars (original trilogy) story arc. Lucas says “in act I, you introduce all the characters. In act II, you put them in a situation they can’t get out of, and in act III, they get out of it.”
That’s how it works. This is how stories and literary structures work.
Of course you’re not satisfied with season two. You’re not supposed to be.
The arguments I have read on why s2 loses the spirit of s1 is because no one heals. No one learns anything. No one moves forward properly. The person who makes the biggest move towards healing dies. The two main characters end the show doing the exact fucking thing they had promised themselves and each other they wouldn’t do. Our romantic lead still doesn’t understand his value or make any headway on addressing his tragic flaw. It makes no goddamn sense.
My gremlins in weird: it’s not supposed to. In Act 2, EVERYONE LOSES. This is how it goes.
I’ve read a lot of people saying “but this felt like a series finale, not a season finale.” We all know that outside politics play a part here, the strikes make everything precarious. I remember the last writers strike. It destroyed tv for fifteen years. Anyone remember Pushing Daisies? Some of y’all have never had your fave show cancelled with zero resolution for the characters and it shows.
Daddy J did us a kindness. He softened the blow of a tough season. After the brutal cliffhanger of s1, he gave us a little softness and hope. All those things you’re mad aren’t resolved? It’s because THE STORY ISN’T OVER.
No one on earth thinks “stuff all your trauma into a box and ignore it” is good advice. A way to actually live. This show did not have enough screen time to throw out dialogue for no reason. There was foreshadowing in s1 for s2, and there is foreshadowing for s3 in s2. This is a well-crafted story by very smart people who care very much for these characters. There is zero chance Frenchie explained the box in his head for no reason. The reason people have not resolved their trauma and growth is because they haven’t done it *yet*.
And friends - it’s not thinly veiled. They straight up fucking tell us what they’re doing.
Luke Skywalker spends the first two movies fucking up and desperately trying to prove himself and just generally being an idiot. Sound familiar? He ignores the lessons he is supposed to be learning to go off and do what he feels like doing, and loses fucking badly. At the end of Empire, Han is gone, Luke and Leia wave goodbye to the Falcon that has Lando and Chewy - the rest of their crew - aboard. Everyone has lost everything they care about. Vader is undefeated. Yoda is pissed. Nothing is resolved.
You see where I’m going?
If you think I’m stretching this too far, welp, when Ed tells Stede he loves him - the climax of the finale - Stede quotes Han fucking Solo. Like - *it’s right there*. The story structure. The reason everything is unresolved.
So yeah. They wave goodbye to their ship because they have wounds to heal (like Luke’s hand). The people aboard the ship have things to find. Ed and Stede have *not* learned their lesson about whims and how not to be like Anne and Mary. It’s not stupid that they’re doing the same thing, and it’s not pointless that we were shown Anne and Mary. It’s all relevant.
The resolution comes in Act 3. None of these people are done. The story is far, far from over. And just in case the studios want to be dicks about it, David Jenkins was lovely enough to not repeat my enduring heartbreak over Pushing Daisies.
Thank you, @davidjenks 🖤
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winterarmyy · 9 months
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Must Be Fate
Prequel to And You're Mine. This is the story of how Y/N first met her cute, chubby alpha!bucky.
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Summary: Y/N has been crossing paths with this particularly sweet alpha all day long; this must be fate right?
Note: There was a mention of this event in 《 And You're Mine 》 so, it's only canon for me to write it.
Pairing: chubby alpha!bucky x omega!female!reader
Words: 4.2k++
Warnings: a/b/o dynamics. fluffy stuff. sort of fated mate themed because... love at first scent(?). instant love. the reader was just smitten without even knowing bucky's name, alpine making her appearance, 99.9% reader's pov because she's the one who fell in love and remembers him. Dialogue? almost little to none (I AM SO SORRY FOR THAT). And I little shout out to one of my favourite book.
P/S: Been busy these few days, i just graduated my bachelor's degree, then went through the whole job hunting process and somehow managed to land an offer (in another state btw), then went on a stressful house hunting journey and managed to get decent place. Yknow, all those "adulting" stuff (that i am not ready to face). But yeah, here's a little something from my wip that I managed to finish. Happy reading! 🤍
Read my other works here: Masterlist
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Y/N herself might not notice it, but she had been stealing glances through the pretense of the book she was supposed to be reading for quite some time now. Not that she wanted to be distracted anyway; she was rather enjoying her current read, especially the banter between main characters, Liesel and Rudy.
Yet for some reason, she couldn’t tear her gaze away from the particular alpha sitting on the park bench, right across from her.
It seemed that the man was also distracted with his own personal dilemma as his thoughts were lost within the arrangement of peonies in his hand. There was this deep frown decorating his features yet his eyes translates a different type of emotion. More gloomy, more somber. And Y/N knew exactly why.
She never meant to follow Bucky around, in fact, she didn’t. It just happened that his paths were fated to intertwined with hers; and it all started that afternoon.
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The bus was packed full, albeit it was Saturday, but thankfully she managed to find herself a seat.
Since Y/N was getting closer to her heat, in about a week or so, and her scent blockers were nearly out. She just got back from a nearby clinic to restock and now she had a full day for herself.
The thing about her pre-heat condition is that she was fortunate to not experience the normally unpleasant symptoms like any omega would; she doesn't get irritated easily and she didn't have to go through those random aches and fever.
However, she had a particular symptom that differs from the other omega; which involve the irregular increase of her scent.
During pre-heat and all throughout the actual heat, Y/N’s scent tripled the amount of a normal omega in heat. And since, she refused to take suppressants, the doctor prescribed her with a high dosage of scent blockers instead; to mask her scent completely during pre-heat.
Besides her own scent thickens and heighten, her sense of smell was also affected. It will become so senstive that she can smell everything and everyone, all at the same time.
Unfortunately for her, there weren’t any medication to combat that issue and the only solution she could do was wearing a mask to lessen affect of other people’s scents. But of course, the mask can only do so much especially when she was in a tight confinement of a bus with – what feels like – 2000 people crammed into it.
Too many potent scents coming from every direction, that her head spun into nausea.
Sure, she might be a little bit exaggerating about the amount of people in the bus, but it felt awfully like it when the bus stopped in every bus stop in its route; she can physically feel the inertia of the force pushing her to lean forward.
Thank god, she was sitting down; she managed to hold on the seat in front of her for support. Often times she would whisper her apologies to the man sitting in front for the sudden push of her hand, And most times he only nodded without looking back.
But at one of those stops, unfortunately, the teenager standing next to her bumped his head right onto the metal pole. Poor thing quickly scurried out of the bus in pain and embarrassment.
The density of people became lesser at that stop, but not enough to empty any seat in the bus. Though it worked well for her that most of the strong scents were fading into a much more bearable capacity for her to endure.
While streams of people exited the bus, only one came aboard; a sweet old lady. The moment Y/N saw her, she was already thinking of giving up her seat, but the man sitting in front of her beat her to it as he swiftly stood on his feet and help the old lady to his seat.
The old lady gushed and thanked the man, dearly patted his cheeks like any grandmother would do to their grandchildren.
And in that brief moment of time, when he moved, Y/N picked up a particularly sweet scent trailing behind him and when he came back, it hits her like a train. At first, she can sense some sort of floral; roses and jasmine but with time the smoky sandalwood and spicy cinnamon seeped through. The combination of sweet and woody notes made such a warm and captivating scent.
She never knew an alpha can smell this good.
Her eyes fluttered close as the alluring scent flooded her brain, letting his scent creates the dreamy images of his fingers lacing between hers as they walk in the rain, or him cuddling her in the heat of the fireplace during the winter, or his body trapping her by the back as she takes his huge delicious kno—whoa.
That was way too vivid and a tad too far.
She was so enthralled by his scent that she forgot to even look at the man’s face. And a mistake it was for her to take a peek because he is absolutely gorgeous. The brown locks on his head was neat and clean that she just wanted to make a mess out of it. His eyes were pretty in steel-blue and his plush lips was simply a sin to look at.
Though some would argue about the lack of shape in his jawline, the same one that was hidden between his chin; she didn’t care at all, rather she was particularly fond of the softness on his chubby cheeks. Shaved so clean and smooth that she couldn't find a single razor cut on his skin.
They look so cute and kissable. She want to kiss his cheeks, his lips, and every part of his ridiculously handsome face. She wanted kiss him so badly.
And those intrusive thoughts made her almost missed her stop.
Y/N panicked when she scurried out of the bus that she didn't even thought to ask him for his name or number; anything.
But then again, she wasn't the type to be so bold in the first place; she knew wouldn't have the courage to even speak a word to him. His scent alone almost pushed her into a frenzy, so imagine if he would look at her with those beautiful eyes of his, smile at her, talk to her?
She'd simply die. She was sure of it.
So, with regrets Y/N walked towards the familiar road right into the local bookstore that she often visits. Thinking that this encounter would probably be forgotten by the end of the day.
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Then she spent hours in that shop trying to find the perfect book to put her out of the miserable reading slump she was currently in. While her eyes skim over the covers of the book in display, in the back of her head, Y/N was almost certain of how unlikely it was for her to see the alpha ever again.
Couple of turns later, her footsteps trailed back to the space in between the bookshelves next to the huge glass window of the store. Still glancing absentmindedly at the book covers particular on the historical fiction isle. She halted when she saw it, the book that people had been recommending to her, 'The Book Thief'.
After reading the summary behind the book, she felt drawn to it almost instantly. Thinking that maybe this would be the book that will replenish her interest of reading back to its utmost glory.
But when she lifted her head up, she froze yet again. This time, not because the sight of a book. But it was the silhouette of the alpha she saw in the bus. Instinctively, her feet step closer to the glass window, to have a better look at the man across the road.
The alpha had just exited the flower shop opposite from where she was standing, with a gorgeous bouquet of peonies in his hands. Now that she looked closely, his hands were covered with black leather gloves; it intrigued her and she wondered about the story behind it.
Y/N wasn't that dense; she could see it right away from the way he dressed, to the choice of gift he went for. She knew instantly that the alpha was probably going out on a date.
And that stung her a little bit. How nice it must be to be his date, his girl, his omega.
Funny of her to think so when she never really talked to the guy. Let alone know him well enough to decided whether he's a good alpha or not. But something about him felt right to her.
But, sometimes it'll be like that. Falling in love so strongly, so instantly. And there's nothing wrong with it, as long as you know how to protect yourself; your body, your heart.
When her gaze moved upwards to his face; and her heart almost escaped her body. It was so quick, so faint. But, she saw his smile. It wasn't for her but it was so pretty. Y/N felt like a bow just struck her chest and the cupid was trying to pull it back out.
She knew full well how she probably need to move on from this delusional crush of hers yet her eyes still longingly lingered at his moving figure, walking farther away from her sight.
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When she thought that would be the last time she saw him, she was utterly wrong. Now, it felt like devilish cupid was toying with her heart as their path crossed yet again, this time at a nearby cafe.
She didn't notice him at first, at least until she placed her orders and saw him sitting alone at the far corner of the cafe. He seemed to be waiting for his date; the flowers laid perfectly on the seat next to him.
In contrast of the few looks of his that she had witness before, the alpha's demeanour indicates anxiousness.
His heel keeps tapping the floor, causing his knees to jump up and down, as he fiddled with his phone. Occasionally, he would look at the time and put it down. Just to do the same thing over again only seconds later.
And that made her wondered if this was his first date with whomever the person he was supposed to be seeing. She knew those feelings all too well. It was only canon that he felt the jitters on his first date, she'd been there too.
When her drink was served, Y/N decided to stay awhile longer. She didn't know what she was expecting from this but she wanted to make sure he was okay. Or maybe she just wanted to see who was the lucky girl. So she found herself a seat, a little bit discrete yet enough to see him from where she sat.
Pulling out her new purchase, she decided to pass the time with some light reading, maybe getting herself comfortable with the world building in the book and get to know the main characters in the process. In between those moments, Y/N would peek above the book, particularly at the sight of that beautiful stranger from across the room.
Pages upon pages she drowned herself to the words of the author that she didn't notice how time flies passing the half an hour mark; and the cafe started to get more crowded and rowdier. Certainly, the amount of potent scents had were floating around her were slowly getting to her.
Y/N knew if she stayed a longer, she'd surely throw up whatever drink she just had. So, she decided to leave. But not before glancing at the alpha – who was still waiting for his date – for one last time, then she pulled the door open and walked away.
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Certainly, that was supposed to be the last time she see him right? Nope. The universe proved her wrong when the man found a seat on the bench opposite her. With the same bouquet of flowers in his hands.
And at this point, she thought that this must be fate. There's no other explanation than this.
When she lowered her book again, she saw a white feline rubbing its head on Bucky's legs. It was too far to hear its voice but considering the amount of time its mouth open, Y/N figured it was meowing at him.
Probably to get his attention, or just wanted to comfort the alpha because just from the look of it, she knew he was stood up by his date. And Y/N was unexpectedly mad about it; maybe it was from personal experience or maybe it was just because she couldn't accept the fact that this fine, gorgeous, sweet alpha was being stood up.
Y/N watched how Bucky put away the flowers and scooped the cat onto his lap. He squinted his eyes at the ball of fur and spoke something. She hadn't had a clue what he said but it was probably along the lines, "Are you lost, little one?" He scratched its chin and neck while trying to see if it has a collar.
After so long of seeing that deep grumpy-looking frown on his face, Bucky finally graced her with another smile when the cat tried to rub its nose on his cheeks. Its whiskers tickled his nose and had trigger a laugh out of him.
God, Y/N had never been so desperate to be a cat in her life. She wanted to be that cat; sitting on his lap like she owns that place, making him smile and laugh like that. She wanted nothing more that to do so; to please him in a way that would make her own heart full.
Her daydream was cut short though, when a heavy scent of cigarettes and rum invaded her space. In fact it was so thick and potent, but considering the lanky alpha was sitting right next to her it was inevitable.
Y/N didn't want to be rude; because if she just walk away to find a different spot to sit at, then it would seem rude to the man. Her heighten sense of smell was to be blamed, not the man who was simply sitting next to her, enjoying the park as much as everybody else does.
So, she stayed.
But in those few minutes that she stayed, she might have re-adjust her mask a few times, as if it would help to lessen the scent. But, she did it anyway. And that was all she did. Yet somehow, it managed to rub the alpha in a wrong way.
"Ya got a problem with my scent, beta?" He snarled, clearly he was drunk. And a drunk alpha in the middle of the day was never a good sign.
Though she was relieved to know that the scent blockers worked just fine. Otherwise, she might push the alpha into a rut if he got even a single whiff of her scent.
The alpha growled as she put some space between them instead of answering his question. "Are you even listening to me?! Answer me, you dumb bitch!" His aggressiveness went from zero to hundred real quick when he yanked her by the hand, pulling her closer towards him.
Y/N's book fell from the force of his strength and she yelped in pain and fear. Though she usually know how to put up a brave face and fight back, but the sudden change of his action and emotion didn't gave her time to prepare her; mentally, physically.
With her omega tendencies on default, her body coward to his force and her voice tremble, "L-let me go!" She tried to twist her hand to escape but his grasp only grew stronger.
He pulled her to stand up, "You think a beta like you can look down on me? You and that omega are the same! Bunch of good for thing bitches. Gonna teach you a good lesson for disrespecting an alpha like me!" He roared with words of his drunken concerns, truth of his wounded ego.
Her blood pumped faster through her veins and her breaths increases behind her mask. When she saw his hand rose, Y/N shut her eyes, whimpering in fear as she turned her head away, waiting for the pain strike her but it never happened.
It between those short heavy breaths, she caught a whiff of Bucky's scent. And surely, it gave her the comfort she needed to calm down, guiding her to open her eyes and witness her saviour stopping the unhinged alpha's strike.
Then what happend next was so fast; the way Bucky forced him to release her, and the way the left of his gloved hand wrapped around the alpha's neck, choking the air out of his wind pipe.
Bucky growled something in the alpha's ear, but Y/N couldn't hear it over her own beating heart. She didn't need to, not when the pale look of the man's face says it all. As soon as Bucky loosen his grip, the other alpha stumbled backwards and made a run for his life.
That does tend to happened when Bucky was literally threatened to tear his limbs apart if he touch the woman ever again.
When the panic didn't die like Y/N hoped for, Bucky quickly came to her side; respectfully close while avoiding any sort of skinship. He whispered words of comfort and sweet nothings, "It's okay, you're okay. You're safe now."
His voice was like magic, especially when it managed to calm her so easily. Y/N can feel herself melting, like a marshmallow hovering over the flames; like an ice cream under the summer sun. She took a deep breath of his sweet scent and exhaled a long sigh, "Thank you. Thank you for that." she said.
Bucky bent down to pick up her book and patted the dust off, "It's no big deal, here." He handed the book. She gladly took it from his hand, gripping it tight to her chest.
Her head was still fuzzy from the rush of adrenaline, she couldn't think of a single coherent thought other than gratitude towards her saviour, "Yeah, thank you." She probably didn't even notice that she was talking to the alpha she was crushing on the whole day.
Looking at her shaken state, Bucky was worried of her, "Are you going to be okay?" He asked.
Y/N's mind didn't process his question fast enough to for a confident reply to form, "Huh? Yeah, of course. I'll be fine. Couple of deep breaths should do the trick."
"Are you sure?" Bucky was sceptical but she quickly assured him, "Absolutely!"
He nodded slowly as if she failed to convince him, yet he didn't want to push her too much, "If you say so..."
She let out a another long sigh and said, "Thank you again, really. I don't know what I'd do without you."
Bucky simply chuckled at her words, "You know, you've said 'thank you' way too many times now, doll. Plus, it is an utmost honor of an alpha to save a damsel in distress." He jest.
Which was quickly agreed by a mewl coming from his chest, "Meow!" Y/N didn't even notice the white cat nestling comfortably in his leather jacket, albeit it was zipped up until only its' head peeking out of the dark fabric.
"See? She agrees." Bucky shrugged as if the cat's opinion was the only valid opinion in this situation.
"I did say it a lot, did I?" Y/N cooed as she pet the cat on its' head, smiling at the softness of its' fur against her skin before looking back at the blue eyes of his, "Sorry." She instinctively apologized. 
Bucky shook his head and reminded her, "Don't be."
That was when Bucky's phone rang, a call from Steve, "Hey, you're here? Where are you? Oh there. Yeah, I can see you, punk. You don't need wave at me like that. Yeah, I'll be right there. Please don't let Sam join you. God stop that is fucking embarrassing." He muttered as he looked over how his friends were literally halfway out of the car window, waving at him like a bunch of kids.
Bucky snuck his phone back into his pocket and said, "I'd offer you a ride but the car's full with dumbasses and I wouldn't recommend a sweet thing like you to associate with them in any way."
He managed to pull a short laugh out of her, "Oh, no need to do so. I live close by. Don't need to worry about me just..." her trails stopped mid way.
Only for Bucky to continue with a question, "...Just??"
"Do you mind giving those to me?" Y/N pointed at the flowers in his hand. She knew he was contemplating to throw it away because he had been glancing at the trash way too many times at the first couple of minutes when he sat on that bench across from her.
Y/N noticed how his expression changed, he looked confused but didn't frown upon the idea. Her eyes sparkled with anticipation as she waited patiently for his respond. But he just continued to stare at her, almost blankly but not quite lost. It was as if he was mesmerized by something.
The silence was getting louder than the crowds surrounding them so she decided to explain, "You see, I've never received flowers from anybody before. So, I'm curious how it feels like to receive one." She tried to come up with excuses, though she was still telling the truth. No one she dated had ever gave her flower before, probably deeming it as old-fashioned.
But, she loves those old fashioned gesture the most.
Y/N saw how he hesitated when he stared at the bouquet, his face getting tense by the seconds. She recognize that expression, she knew right away he was holding back his feelings.
But it quickly shifted into a gentle smile, "Pretty flowers for the pretty lady." He whispered under his breath. Bucky didn't waste his time hesitating this time and handed the bouquet to her.
Though she was asking for it but she didn't expect him to really give it to her. This was the first time she ever got flowers from a man. An alpha that she was pretty much head over heels for nonetheless.
Letting her emotions unfiltered, "Thank you!" she squealed as she reach out her hand. As she brought the bouquet closer to her face, she pulled down her mask, inhaling the sweet fragrant of the soft pastel peonies.
Even if her lower face hidden behind the flowers, Bucky swore he saw a burst of sparkles beamed from her upon receiving those flowers. It fascinated him because he never knew that someone could be this happy just from getting such small gift, from a complete stranger he might add.
For a second there, he thought that he would've give her a whole garden of flowers just to see her shine like that again. It felt so good and somehow fulfilling to see her happy like this.
Y/N unknowingly smiled as she let herself lost in the intoxicating scent. And when her eyes fluttered open, a deep chuckle distracted her from the trance. Looking up, as he eyes peeking through the blooming flowers, she finally saw that endearing smile that she wanted to see.
But that wonderful fleeting moment didn't last long as she was hoping for when she heard a group of man shouting for the alpha, "Hey, loverboy! We have a birthday party to get to. Natasha would be pissed if we're late. Again!"
As Bucky shouted back his own sassy counter, Y/N's head was filled with thoughts of kissing him. She didn't particularly know why but she had the need to do it.
Why would she ever do this to a man – who probably currently thinking that she was a creep – that she barely knew?
Even with those unconscious questions, she found her body moved on its own.
When he turned around, Y/N was already on her tip toe, her face was so close to his, while her hand softly cupped his chubby cheeks. She pressed a tender kiss on one of the side soft sides and prayed to God that he couldn't hear how her heart was desprete to escape the confinement of her ribcage.
Y/N placed her mask back before pulling away, only to preen at how she managed to stun him into a red mess of shock, "Thank you for saving me, alpha." Her eyes curved as a sign of a smile before she turn around, almost running away.
She certainly didn't give him a chance to at least know her name, let alone get to know her.
Midway through her path, Y/N abruptly stopped and turned around, her eyes met his curious ones and her heart fluttered, "Thank you for the flowers! I love them!" she shouted with a wide smile on her lips and brightest expression of her face, even if it was blocked by the mask.
Though Bucky could probably translate her eagerness and sincerity from how animatedly joyful she was waving at him. He smiled as he watched the girl ran away with her small steps, almost resembling a hopping bunny.
As Y/N skipped her way home, her lips aches for more of the alpha's softness, her heart yearned for his comforting presense and her glands certainly burned for his mark. And even though she went home not knowing his name, or his contact number. She believed that if he was truly her fated mate, then they will surely meet again someday.
End.
Read my other works here: Masterlist
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A/N: Thank you for loving this couple as much as I do, guys. I noticed a lot of you have been requesting chubby alpha!bucky ever since I first published the first one. So I hope you enjoyed this one. More to come from them. But meanwhile, drop your thoughts?
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monzabee · 1 year
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this is a relationship, that i don’t think anyone saw coming  – cl16
masterlist
Summary: The one where you and Charles think you are successfully fooling everyone on the grid, when in reality you are the ones being fooled.
Pairing: charles leclerc x merc!driver!reader
Word Count: 5.2k
Warnings: cursing, kissing, hiding a relationship (and doing it very badly), smut elements! (in one of the scenes, nothing penetrative), idiots to lovers, sexism and racism in motorsports, pop culture references (bad and many of them).
Request: “Hello! Can I request a charles leclerc imagine where the reader is a f1 driver and they try to hide their relationship from the paddock, but everyone knows and in the end they just reveal it. Thanks xx” + “this is not a request, but, can you use a dialogue from one of your favourite tv shows/series?”
Author’s Note: hi, hey, hello!! the title comes from an episode of the kardashians, but it was very popular on tiktok for a while so here you go! the request for this one was so good, and i had so much fun writing this, so i hope you guys enjoy reading it as much as i do. the dialogue i used for the second request/promt is from season 1 episode 9 of suits, which is one of my absolute favourite tv series of all time (even though it has too many legal inaccuracies), and you can watch the scene from here. ALSO, because i can never choose one, i decided to use another dialogue from season 1 episode 18 of gilmore girls, and i think it is the best piece of television ever written, and you can watch it from here. there are a bunch of pop culture references in there, so if you can spot them, you are a star! thank you anons for your requests, and i hope you guys enjoy this one! good morning, noon or night wherever you are, xoxobee
Please also note that all of my works are protected under copyright, and not available for reposting on other platforms. 
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Charles is not stupid, in fact, he prides himself in being smart. However, as one of his best friends are looking at him with an unamused glare, he suddenly fears that he might have been stupid when he was getting ready before arriving at the venue for the party tonight.
“You are not dressed,” Pierre drawls, “What are you wearing?”
“A suit?” Charles asks, confused as he looks at his friend’s attire. “What are you wearing?” 
Pierre points to the outfit he’s wearing, which consists of brown pants with a linen shirt and a brown vest thrown over it, an annoyed look washes over his face as he explains, “I’m Indiana Jones, this is a costume party, Charles.” 
“Why would you have a costume party when you’re turning 27?” Charles’ face scrunches up in even more confusion. 
“Because it’s fun, and it’s my birthday.” Pierre rolls his eyes, “We have to do something about it; Kika, I need help!” He calls out to her girlfriend, who rushes into the room in a white dress and a very voluminous blonde wig. 
“What’s wrong?” Kika asks, her eyes falling on Charles’ outfits as she groans disappointedly, “Who are you supposed to be?” 
“I didn’t know!” Charles argues. 
“Mate,” Pierre objects, “it was on the invitation; ‘Hollywood Icons’?” 
“We can fix this,” Kika tries to offer Charles a supportive smile. “You could be… Patrick Bateman?” 
Charles’ eyes widen with shock, “From ‘American Psycho’?”
“Morbid, Kiks,” Pierre shakes his head. 
Kika shrugs, “He’s hot. What about Brad Pitt in ‘Mr. and Mrs. Smith’?”
“Does he even wear a suit in that one?” Pierre asks, still shaking his head in thought. 
Kika lets out a loud groan, “James Bond!”
“That could work–” Charles start saying at the same time Pierre objects, “The suit is not sharp enough.” 
“Then give him a tie, Pierre.” Kika frowns. “God, the two of you are like children, not even the girls had this much trouble, and the two of us almost matched.” 
You’re shivering when you finally arrive at the venue thanks to the thin trench coat thrown over your costume. You link your arm with Lily, who is holding Alex’s hand and the two of them are dressed up as Jack and Rose. “Why are we doing this, again?”
“Because we like Pierre, he is nice.” Lily turns to Alex to let him fix her ginger wig for her as she replies to you.
“I don’t know, I think I want to go back to the hotel.” You mumble, your hands nervously playing with the belt of your coat. 
“Just give it a try, Y/N,” Alex smiles at you. “We’ll take you back if you’re still feeling nervous.” 
You nod your head with a sigh as you let Lily pull you in towards the entrance of the apartment building. You’re too busy admiring the Italian architecture when you hear a squeal. “You guys made it!” Alex excuses himself to go greet some of the other drivers and you smile at Kika as she pulls you and Lily in for a hug at the same time as she chants, “I’m dying to see your guys’ costumes, show me, show me!”
You laugh softly as you take of your coat, pulling gasps from both of the girls looking over your outfit. “You both knew what my costume was going to be!” You whine, holding your coat close to your body. 
“I didn’t know it was going to be –” Lily starts, looking at Kika for help. 
“Tight,” Kika clears her throat, “it’s very tight, and your body looks amazing!” 
“You’re literally a model, Kiks,” you mumble, “can we please focus on Lily and how historically accurate her costume is? Not to mention yours, I mean, Marilyn?”
“You look amazing, Lily.” Kika agrees, giving her a warm smile. “And thank you, Y/N.”
“Thank you, Kika,” she turns to you, “thank you, Y/N. I’m going to find Alex, meet you at the bar?” 
“Sure, see you.” You tell her, smiling as she starts to walk towards the crowd. 
“Let me take your coat,” Kika leans over you. “You should grab a drink before more people arrive, Pierre made sure to invite half of the city, it seems like.” 
You thank her before she leaves to hang your coat, taking a deep breath as you start moving between dancing people, some of whom greet you as you make your way towards the bar. You give the bar tender a tight smile as you order yourself a gin and tonic, strawberry, of course. The first thing Charles notices about you is your hair, having memorised all the different tones mixed between your locks. His eyes travels down your body, his eyes linger particularly on your dress; the white bodice is connected to the tie dye skirt by a metal circle, and it is oh so tight, accentuating all your curves in the best way possible. His legs start to move towards you in their own volition when his eyes reach the leather thigh-high boots, his voice is thick as he approach you from your right. “Y/N.” 
You look at him with your lips parted in shock, your voice coming out in a low breath. “Charles, you’re here.” You let him take one of your hands into his as you lock eyes with him. “I thought you were going to be in Monaco.” 
“I was already in Italy for the car testing.” He explains, his fingers gently caress your inner wrist. “I’ve missed you. Were you back at home?” 
“I’ve missed you too,” a smile takes over your face, “yes, I’m trying to get used to changing cities.” 
“I’ll give you a private tour when we go back.” He offers, eliciting a giggle from you as you reach for your drink and take a sip from the straw. His breath hitches for a moment when he focuses too much on the way your red-painted lips close around the plastic, but he’s quick to shake it off. “Did you see the pictures on Twitter?”
“The ones with Frédéric?” You ask him and he nods in return. The pictures he is referring to being his new team principle giving your four-year-old niece some daisies. There is a teasing smile on your lips as you say, “Don’t worry, Charles, I’m not coming for a Ferrari seat. He was just giving Cecily some flowers when we were passing by.” 
“I wish you would’ve brought her into the garage, I’ve missed her.” The pout he’s sporting lets you know that he is being genuine and not putting on a show for your attention. 
“You know I couldn’t, I had to get back to my own garage before the race.” The emphasis you use makes him roll his eyes as his fingers occupy themselves with the stacked bracelets on your wrist. “Who are you supposed to be, anyway?”
“James Bond.” He replies in an unattached voice, exhaling a deep breath. “I didn’t realise it was a costume party.”
“Charles,” you laugh, head tilted to the side as you keep holding his gaze, “it was on the invitation, darling.” 
He groans, “I know that, now. Pierre was not impressed when I first showed up.”
“I can imagine.” You agree in a sympathetic voice. “Maybe we should’ve thought of something before you left last week.”
“Oh, yeah, like what? Vivian?” He smirks, his eyes going over your body once more, but without any shame this time. “Do you have any idea how great you look?”
“It was the last movie we watched.” You shrug, a coy smile on your lips. “Maybe you could’ve been a ballerina, like Natalie Portman, in ‘Black Swan’.” 
He lets out a hearty laugh. “Oh please, you know how good my legs would look in tights compared to yours.” 
“Oh, chéri,” You tut, stepping closer to him as you rake your fingers down on his tie. “You couldn’t if you tried.”
“I would crush you.” He challenges as he lifts an eyebrow.
You shake your head. “You wouldn’t touch me.” 
“Why not?” He asks, amused. 
You shrug in a nonchalant manner. “Because you'd be too busy staring at me in tights.” 
“No I wouldn’t,” Charles argues, shaking his head slightly. 
“You’re doing it right now.” You sing in a light voice. 
“You’re not wearing any.” He points out, his hands moving to rest on the bare skin of your waist, curtesy of the cut-outs your dress provides. 
You tug on his tie to draw him closer to you, his lips lingering near his ear as you whisper, “I’m not wearing any underwear.”
He is left speechless when you let him go, grab your drink and start walking towards your teammate, making sure to add an extra sway to your hips because you know Charles is watching you to confirm what you’ve just told him. 
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You have a secret, and it’s big – big, huge. And it has something to do with the Monegasque laying beneath you. Charles talks about the last few days he spent at the Ferrari factory as you listen to him, your eyes focused on the way his face moves through various expressions when he talks about the car. Your chin is placed on your hands which are placed together on his chest, giving you the perfect view of his face. His fingers are moving on the bare skin on your back, the white bed sheet pulled up only enough to cover the globe of your ass. Although you try your best to keep up with his stream of consciousness, humming where accurate and asking him questions here and there, but Charles can see the sleepy look in your eyes through your hooded eyes. 
“Are you okay, mon soleil?” He asks, his chest rumbling with his voice underneath your hands. 
“Sleepy,” you mumble, leaning up against him to bury your face against the side of his neck, “you’re warm, though.” 
He pulls the sheet up your body; interpreting the way you shiver as you being cold, when the actual reason is the pleasure the skin to skin contact brings. “You can go back to sleep; we still have some time.” The incoherent mumbles leaving your lips makes him chuckle, which in return makes you smile against him. Your fingers trace over the edge of his five o’clock shadow, and you suddenly find yourself thanking whatever deity is up there that he forgot to shave because of all the commotion of travelling over the past few days. “What did you just say?”
“It’s just funny that you tell me I should sleep after you’ve kept me up the entire night, darling.” Your breathy chuckle hits the side of his neck as he lets out a chuckle of his own. 
“I didn’t hear you complaining at any point,” he raises one of  his brows, earning him a pat against his chest and you making yourself rise enough to glare at him. 
You try your best to frown at him, locking your gaze with his, as you can feel the heat starting to rise up to your face at the mention of your not so innocent activities of last night. “You’re incorrigible, Charles.” 
“Oh, chérie,” he coos, brushing the pad of his thumb over the swell of your cupids-bow. You’re about to give in and give him a kiss when he rises up, himself, with a frown and you in his arms. 
“What’s wrong?” You ask in a worried voice, following his line of vision to your closed bedroom door. 
“Does anyone else have your keys?” Charles asks, “I heard the front door open–”
Your eyes widen as you scramble to get off him, pulling the sheet up to cover your nakedness. “Charles, hide!” You hiss, while trying to force him to move. 
“Y/N?” You hear your assistant, Margo, yell through the house. “I got those thermal things you wanted!” 
“One second, please!” You call back to her, looking at Charles with pleading eyes. Thankfully, he manages to hide underneath the sheets just before Margo barges into the room. Even more luckily, the duvet over the sheets ends up hiding his body seamlessly. “Hi, Margo.” You give her the best smile you can muster up under the situation, your hand still clutching the bedsheet on your chest with enough force to make your hand hurt. 
“Oh my god, are you naked under there?” Margo babbles, a light blush covering her cheeks. “Since when do you sleep naked?”
“Um… I heard it’s good for your circulation?” You answer her in an unsure voice, causing Charles to tighten his hands on your thighs in warning, you have no idea how he managed to squeeze between them in the first place. “Thank you for the thermals, you’re an angel.”
“N-no problem.” She smiles at you nervously, obviously stressed because of the lack of clothes on your body for the sake of professionalism. “Toto wanted me to tell you that he is meeting up with Lewis for lunch later and asked me to ask you to join them if you were free.” 
“Sure, do you know wh-when?” You stutter during the last word, feeling Charles’ fingers and breath coming closer to your center. 
Margo checks her watch, then looks back up at you. “Around three, at that Italian place the team went out for dinner the last time.” 
You nod in acknowledgement as you try the remember the exact location of the restaurant she mentioned, gasping because Charles decides to give your clit a little lick before taking it between his lips to gently suck on it. “I’ll be there!” You rush out, hands gripping the white sheet even tighter. 
“Are you sure you’re okay?” Margo asks while eyeing you up with worry, “Should I take you to a doctor, or something?” 
“Oh no, I’m fine, honey.” You wave her off with a nervous chuckle. “I think it’s all in your – head!”
“Um.. okay. I’ll see you later, then.” Margo mumbles as she leaves your room with red cheeks. 
You throw your head back in a groan over the awkward encounter, waiting until hearing the front door open and close before pulling the sheets back and glaring at the man between your thighs, who still has his mouth on you, by the way. “You are evil, Charles, pure evil! What were you thinking?” 
He draws back slightly to raise a questioning brow. “Do you want me to stop?” However, he resumes his torture when you don’t answer him, looking up at you while grinning like the devil himself as he murmurs into your skin, “That’s what I thought.”
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It’s hard, being a woman in the motorsport world, and especially in F1. While some may say it’s unprecedented, and you’d agree, you also think there’s going to be misogynistic pigs in any sector you might end up working in, so why not have some fun? The article comes out the day before the race, right before the qualifying session. You’re not the one to check your phone before going on track, but an urge to do so pokes at you when you realise people are giving you worried looks in the Mercedes garage. Your jaw tightens as you read through the article, fingers tightening around your phone as you read every single sexist comment being made about the way you dress, talk, and your entire F1 career and accomplishments being discredited just because of your gender. You’re absolutely fuming as you throw your phone onto the couch in your driver’s room and grab your helmet and balaclava as you walk briskly towards the garage. 
Both Toto and Lewis look at you with surprised, but worried, looks as you announce, “Make me go out first.”
“Are you sure, Y/N?” Toto asks, sharing a worried glance with Lewis. “You usually wait for a while for other people to–.” 
“No, I’m sure.” You tug on your balaclava as you add, “Make sure I’m on softs, please.” 
The two men watch you walk off towards your car, Lewis mumbling, “Hell hath no fury like the woman scorned.” The Austrian turns to him, eyebrows raised, which causes him to roll his eyes. “Yes, Toto, I read.”
You’re a force to be reckoned with on track during qualifying. Although having not the best start to the season, you push your Mercedes to its absolute limits, managing to outpace even the Red Bulls, and constantly asking your engineer for another lap until Toto has to ask you to retire for the day – in long story short, you are the pole sitter for the Sunday’s race. There are four people waiting for you when you get out of your car, those four people being: Toto, Susie, Lewis and Mick – though you’re pretty sure the latter was dragged into this intervention because you’re usually unable to get angry next to the reserve driver. 
“You were reckless out there, Y/N.” Toto frowns, crossing his arms over his chest (Mick copies his actions, nodding, as he does his best to give you a stern look). 
“I drove the best I have in over a year,” you argue, “we are starting on P1 tomorrow because of my driving today.” 
“I don’t care if we start P20, you know you shouldn’t have gone out there that angry!” Susie places a pacifying hand on your team principle’s arm when his voice gets higher. 
“We know you were angry about the article,” Lewis starts, but you cut him off as you grumble,
“A very astute conversation, Lewis.” You snap, not allowing him to continue as you begin ranting, “He called me a ‘Malibu Barbie’, and suggested that I should find another career, do you know how disheartening that is?”
“They called me Ken once,” Mick mumbles with a small pout on his lips, quickly mumbling “sorry,” when you give him a scathing look. 
“There will always be journalists who are against you and me,” Lewis goes on to remind you, “I told that before you signed, and before your first race.” 
“I know, but–” You stop to swallow down a sob, tilting your head back to delay the tears which are threatening to come out. “They implied that I’ve slept my way up to where I am today,” you inhale a deep breath as your voice wavers, “I’m so tired of my accomplishments being reduced to this.” 
“Men will always be afraid of women who have the ability to be better at their jobs than they are,” Susie smiles softly at you – soft, but not pitiful, you realise. “It doesn’t mean that we should give up, it means that we do our best to make sure they are proved wrong.” 
“You could’ve hurt yourself and others today,” Toto shakes his head, “you almost collided with both of the Ferraris.” 
Your entire break pauses at the mention of the red cars, mind quickly drifting to the owner of the eyes you love looking into, but you’re quick to snap yourself out, “Are they okay?”
“Both Carlos and Charles are fine,” Susie assures you.
“No more reckless driving,” Toto points a finger at you and then to Lewis, who raises his arms in surrender. “I mean it.” He pats you on the back before leaving, whispering a quick, “Good job today, kiddo.” 
“Why do I get in trouble because of you?” Lewis wonders aloud, his hands on his hips. 
“We haven’t been teammates for that long, Lewis.” You squint your eyes. 
“Are you okay, Y/N?” Mick asks with a concerned look on his face. 
You nod in thought, pointed to both of them. “I will be, but I need both of your help.” 
Mick gulps, voice tentative as he asks, “We’re not doing anything illegal, are we?”
After you’re done explaining your plan to your teammates, you say goodbye to both of them and make your way towards your driver’s room. Charles gets up, quickly, from the couch as you enter, shocked expressions on both of your faces. “H-how did you get in here?”
“I had to sneak in through the back,” he explains as he gets closer to you, hands quickly cup your cheek for his thumbs to swipe under your eyes. “Chérie, did you cry?”
“I- no!” You shake your head as you try to get him off. “I’m just- ugh, I’m just so angry!”
He lets you rant in his arms, eventually giving in and shedding a few tears of frustration, but he doesn’t comment until you’re done with your thoughts, and when he does comment, it is not to undermine your feelings. He takes you back to the hotel, and before the two of you leave your garage, he sneaks a soft kiss on your lips which has you melting in his arms. Unbeknown to you, Susie, Toto and Lewis watch the interaction from the other end of the corridor, with the latter murmuring, “Love is just a word until someone comes along and gives it meaning.” Lewis gives Toto a side-eye as the team principle looks at him with the same surprised look from before, “For the last time, man, I read!”
All the eyes in the car are on you, the next morning when you, Mick and Lewis arrive to the track in the same car. “You ready to leave?” Lewis asks you, looking at you from the rear-view mirror from the passenger seat; Mick drove to the track instead of you because you told them both there was no way you were driving with the heels you wore today. 
“It’s now or never,” you mutter, subconsciously fixing your hair.
“Give them hell.” Mick turns back to smile at you, and you give him a nervous smile as you exit the car. 
A few people around the entrance turn to give you funny looks, you reply to some of them by offering a thin-lipped smile. The real show starts when you finally enter the racing grounds, photographers turning to snap a picture of you when they realise it’s actually you. You plaster on a plastic smile, waving at them as you do your absolute best to walk in the 6-inch heels which were definitely not the brightest idea you’ve ever had.
“Hi, Barbie!” A similar voice calls out to you, and you smile genuinely for the first time as you call back. ,
“Hi, Ken!” You turn towards Pierre, pushing your sunglasses up towards your hair as you watch the Frenchman walk towards you with Carlos and Charles behind him. 
“Please tell me it’s a wig,” Carlos frowns, his eyes lingering on your suddenly platinum hair. 
“I’m having fun as a blonde, Carlos.” You shrug innocently, your arms crossing over your chest, and the pink dress you’ve decided to wear for the occasion. 
Pierre nods in support, “Blondes do have more fun, Carlos.” 
“I- Why?” Carlos asks, not getting the joke shared between you and Pierre. “I don’t understand.” 
“Fine, no soup for you, then.” You mumble rolling your eyes. However, your eyes widen when you realise he genuinely doesn’t get the reference. “Seriously- Carlos, it’s from Seinfeld.” 
“I’ve never watched it.” He admits, his frown still prominent on his face. 
“It’s okay, mate,” Pierre assures him taking him away to explain the joke to him, which leaves you and Charles alone. 
You turn to Charles with a coy smile on your face. “You like the new look?”
“I- but, when?” He asks you, more confused then ever. “You were not blonde when I left last night.”
“Mick bought the dye for me.” You explain, trying to supress a grin. “We stayed up all night trying to bleach my hair.” 
“You stayed up all night?” Charles asks, more concerned now that he learns that you didn’t have a good night’s sleep. “That’s so wrong, mon soleil, why did you do it? Is it about the article? Of course, it is.” 
“Charles, calm down, darling.” You place a hand on his chest, even though you’re hyperaware of the fact that both of you are out in the open. “I’m just going to prove something, alright? I feel fine.” 
“You should’ve slept.” Charles frowns, taking a deep breath. “Are you sure you feel good enough to be in a car?”
You nod excitedly. “Positive, I have a race to win. And wait until you see what Lewis and I are going to wear.” 
“I can’t wait, chérie.” 
Just as you promised Charles, you win the race. Your pace is even better than the previous day, but instead of being fuelled by anger, you are fuelled by determination to win. Your engineers play Aqua’s Barbie Girl as a surprise, and to make things even better, Lewis and you stand on the podium in a Mercedes 1-2 in your matching pink helmets and shoes – even Toto donned pink glasses for the occasion. Charles lets out a hearty laugh alongside you on the podium when he sees your outfits. Yeah, you decide in that moment, this one is for the girls.
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You and Charles’ relationship happened so unexpectedly, but that doesn’t mean that you regret a secret moment of it. It all started when you were moving to Monte Carlo at the end of last year’s season, and Charles was the only one available to help you in the process – not that you asked him of course, he offered you to help because he is a gentleman like that. It didn’t take the both of you long enough to go on dates as you spent more and more time together, and it was a natural transition to both of you dating each other exclusively. Despite what you expected, the first time Charles actually kissed you was on a cliff overlooking the entirety of Monte Carlo, the view was beautiful, but you were still apprehensive because of your location on the cliff. So, being the gentleman he is, Charles offered to hold you, and that’s when he decided to kiss you. 
Lewis comes back to the table after taking a phone call as he apologises, “Sorry, I was on the phone; long distance.”
“God?” You ask him, mockingly nodding, which makes George and Carmen laugh.
“London,” Lewis clarifies as he gives you a questioning look. 
You gasp as you ask. “God lives in London?” 
“No, my mother in lives in London.” Lewis replies in the calmest voice he can muster. 
“You mother is God?” You ask right back, without the appearance of joking. Your small discussion grabs the attention of other drivers and couples as the two of you continue bickering. 
“Y/N,” Lewis tries to warn you, but you continue on with your rant. 
Leaning towards Charles, Alex and Lily who are seated close together, you announce, “So, God is a woman.” 
“Y/N!” Lewis groans this time. 
“And my teammates mother, it’s so cool! I’m definitely going to ask for strategy points for the next season.” 
The table shares a laugh as you and Lewis continue bickering back and forth, eliciting laughs from people who watch you with amusement. Eventually, Pierre clears his throat. “Okay, what is everyone’s plans for the break?” he asks, trying to look over the long table. 
“Isa and I are off to Mallorca,” Carlos announces as she presses a sweet kiss to his cheek. 
“I’m going back home,” Yuki shrugs. 
“I’m going to see Chloe and Scotty,” Lance mumbles, “and probably Daniel, too.” 
Everyone goes around to announce their plans for the break, but when it comes to you and Charles, you are nervous as you announce, “I’m just going to stay home, get to know the city, you know?”
“Yeah, same.” Charles nods, thinking he got away with his evasive answer. 
“You’re going to get to know the city you were born and raised in?” Fernando asks with a knowing smirk. 
“You can always find new things if you know where to look,” Charles replies in a serious tone, trying to appear stern as he nods to strengthen his point. You’re busy squeezing his hand under the table to death. 
“Yeah, like what?” Max asks, which earns him a slap on the arm from Kelly. “What? I’m curious.” 
“Like, umm, like-like cafés, and bookshops, and you know those little stores which sell souvenirs but not the generic kind?” He rambles, trying to think of more examples. 
“Okay that’s enough,” Lewis cuts him off, shaking his head as he pinches the bridge of his nose. “We all know the two of you are dating. The entire grid, and engineers, and probably most of the team principles.” 
“What?” You laugh nervously, trying to shrug him off. “Don’t be stupid.” 
“Yeah, we are not dating.” Charles shakes his head, his octave going up as he receives looks from people around the table. “We are not!”
“Drop the act, it’s disgusting the way you two look at each other.” Checo complains from the other side of the table. 
“Yeah, and I can see him doing stuff to your hand under the table.” Lance winces. 
“He is not doing stuff to my hand under the table!” You squeal, but Charles is too busy trying to contain his laughter next to you. “Is this funny to you, Charles?” 
“I mean, a little bit,” Charles confirms, finally succumbing to his laugher, “we have nothing to hide now, chérie.”
“I knew it!” Pierre exclaims, “I told you I saw them together at my birthday!” He tells his girlfriend. 
“Toto and I saw them kissing after quali,” Lewis shrugs. 
You gasp as you turn towards him. “You did not!”
“Yes we did,” Lewis argues, “even Susie saw.” 
Charles pulls you towards himself, still laughing over people arguing whether they saw you together over the past year or not, as he wraps your arms around your shoulder, you murmur to him, “I am so crashing next to him next year, Daniel style.” You take a pause to think, “No, Mazepin style.”
“Maybe not crash into your teammate for the sake of poor Toto, mon soleil.” 
You let out an unsatisfied grumble as you hear Alex complain to Lily, “Why didn’t she tell me? I thought we were best friends!” You groan and look around the table at all the people around you, who are all surprisingly supportive of your relationship, you smile as you press a soft kiss to Charles’ lips. 
He grins as he asks, “What was that for?”
“Nothing,” you shrug, “I just think you’re pretty cool.” 
“I think you’re pretty cool, too, my love.” He mumbles and gives you another kiss despite few groans coming from around the table. 
2K notes · View notes
cielelyse · 4 months
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Favourite 5 Saezuru Scenes
I recently reread Saezuru for the umpteenth time and just needed to gush about it like a crazed person who constantly hallucinates about Yashiro being happy and soOooOOooo.................
1. Why now? (Chapter 25)
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These 3 panels kill me always... although it's the entire chapter 25 actually, and not just these panels. This broke me when I first read it nearly a decade ago, and it breaks me every time I reread it. I recently just listened to the drama CD for the first time and wanted to hear how this scene played out (a.k.a. wanted to hear Yashiro moan wkegh;ghwle) and I did not expect to start bawling and sobbing uncontrollably when his flashback appeared. WITH THE MUSIC AND EVERYTHING. THEY DID NOT SPARE ME. FUCK. What was supposed to be a tender and gentle and loving and intimate scene between them turned into Yashiro facing the effects of his childhood trauma -- that will never cease to hurt me. Doumeki saying "kashira, kashira, kirei" right before that broke me in a way reading that scene in English couldn't. I WILL NEVER GET OVER THIS and if I keep writing about it I'm gonna cry again so:
2. Car ride back from Kageyama's clinic (Chapter 4)
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This is mostly for nostalgic reasons, really. I first read Saezuru in 2013, and I wasn't used to Yashiro at first. I didn't know what to make of him.
So what happened was that I read "Don't Stay Gold" first and was like... there's a manga about this mildly threatening and unreadable yakuza dude who's Kage's friend…? Who played cupid for him in a weird way? HMMMMM dubious, dubious. Would I even like him? It took me a while, but I finally gave Saezuru a shot anyway, and I remember feeling uncertain about Yashiro up until those panels. I remember it so starkly, because this was the instant I fell in love with him. I think it was because this was the first time I understood the depth of his loneliness (since I hadn't read his high school oneshot yet at this point).
There's just something about how Yoneda Kou-sensei draws these kinds of pages that just resonates with me so well. I CAN'T EVEN DESCRIBE IT. It just connects with me the way Yashiro connects with me, and that was pretty much it for me. Obsession sealed. Life signed away. For the next 10 years I would follow the story closely and routinely check every few months for updates. Yashiro became one of my only 3 comfort characters, and rereading Saezuru always gives me a catharsis and sense of peace that I didn't know how to find elsewhere.
3. "To go on living this strained existence... no longer holds any meaning to me." (Chapter 34)
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This scene is one that I come back to every time I'm down. AM I A MASOCHIST? I really like the June translation too: "To go on living this strained existence no longer holds any meaning to me." I think the way the panels divided up those thoughts were brilliant!
This especially hurt me because for the entire manga up to this point, Yashiro has stated that he completely accepts himself and he's happy with who he is. It wasn't until his realization during the sex scene with Doumeki and how much he's said/done hurtful things to Doumeki afterwards -- who he considers pure and sweet and good -- that he thinks this.
4. "Falling in love feels like this" (Chapter 33)
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The first time I read this, I had to set my PC down, go out to my apartment balcony, and just silently stare out into the night and resist the urge to smoke (that was half a joke) (I did feel a pang in my chest though) (and I did have to fight very hard not to smoke lwkehg;hge). I love the dialogue right after these panels too, when Yashiro said, "Your sister was lucky that you were there." That, along with Doumeki's reaction, hurt.
This was such an intimate scene between them. Yashiro was so vulnerable. So was Doumeki. I hadn't realized this until I reread Saezuru this year, but these two have always had such intimate scenes right from the start. It was a slow burn, yes, but they had always been instantly drawn to each other: Doumeki thinking Yashiro was beautiful and captivating, and Yashiro doing something he doesn't normally do with his subordinates the first time he met Doumeki. And it didn't clue in for me back in 2013, but their conversations with each other were much more intimate than the conversations they'd have with anyone else, right from chapter 1. I find that so precious.
5. Dream (Chapter 40)
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I couldn't not include a scene from post-timeskip, BECAUSE I LOVE POST-TIMESKIP. I love Darkmeki and I love Yashiro and I love that the theme of post-timeskip centers around "change". Wish I could include that conversation Yashiro had with Tsunakawa about it, because I thought that drive-home was brilliant. I really appreciate that Yoneda Kou didn't have Yashiro and Doumeki get together right away after they have sex, and I really appreciate that the question was raised of: Do people change? Can people change on their own, or would you have to force them? Or are we always the same at our core? And I think the answer is of course a mixture of all of it, and that it's very much circumstantial and subjective, but I love how we're able to see the shifts in both Yashiro and Doumeki. How both men aren't quite the same people we knew pre-timeskip. Ten years ago I didn't think I would meet a version of Yashiro that wouldn't talk about sex 24/7, but here we are.
(Not to say that they're completely different now. They're still our Yashiro and Doumeki of course; I just wanted to gush about how well Yoneda Kou were able to flesh out her characters in such a complex, multidimensional way.)
ANYWAYS, I went on a rant without even mentioning these panels of Yashiro's dream. I love everything about it: Doumeki's face not showing, Yashiro running away and turning back to see Doumeki not there anymore, and that last panel of him standing in the middle of nowhere, lost and empty and lonely -- all of that was so incredibly told in pages of no words. UGH YONEDA KOU IS A GENIUS. It reminds me of that page of Yashiro looking at a mother and child in the rain; it's one of my favourite scenes too.
Honourary Mention (Chapter 4):
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I should end with a more light-hearted one. THIS WAS CUTEEEE. I remember reading this for the first time and thinking Yashiro was just salty that his roleplay got ruined. But upon second reread (and maybe I'm delusional here), I thought he might've been happy to hear Doumeki say that.
We know Yashiro gets angry and irritated whenever he's happy to hear something sweet from Doumeki (like that extra when they ate together LOL), and that he had the same reaction of kicking the chair when Doumeki said he can't touch Yashiro's hair anymore. Which was cute to say. So I thought Yashiro might've lashed out in annoyance because he was glad that Doumeki doesn't mind. (I tried putting myself in Yashiro's shoes so many times trying to imagine how I would feel if Doumeki had said this............. and somehow came up with "happy" xD)
...........or maybe this was obvious to everyone and I've just been clueless. AAAAAAAA THIS IS WHY I LOVE ABOUT SAEZURU SO MUCH. It never spoon-feeds you information and lets its readers interpret :")
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letterstotheflre · 1 year
Text
𝐘𝐎𝐔𝐑 𝐈𝐕𝐘 𝐆𝐑𝐎𝐖𝐒 (𝐀𝐍𝐃 𝐍𝐎𝐖 𝐈’𝐌 𝐂𝐎𝐕𝐄𝐑𝐄𝐃 𝐈𝐍 𝐘𝐎𝐔) || 𝐃𝐀𝐑𝐘𝐋 𝐃𝐈𝐗𝐎𝐍
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summary: it's his fault. daryl knows that. he should've realised sooner that he knew exactly what those mushroom's would do to you once you ate them.
cw: 18+ only. dark fic [ft. sex pollen, dubcon, mentions of previous noncon drugging (on daryl), outdoor sex, grinding, fingering, squirting]
a/n: soo here is my first big daryl fic! honestly, this might be my favourite fic i’ve ever written :3 it was very fun to write and somehow i really liked writing daryl dialogue/inner monologue (his accent is just so fun lol). once again, this was supposed to be a very feral smut fest and ended up having a lot of emotional moments and inner daryl turmoil </3 i still hope you like it :)) || also very unrelated side note, but i think “gold rush” by taylor fits the daryl in this fic v much (it’d be from his pov, not yours)
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“Where d’ya think we should go next?” You ask Daryl around a mouthful of the lone rabbit he hunted earlier this afternoon.
Finding food is getting harder and harder, not to mention you’re running out of your water supply. It’s obvious you need to move your camp to a better area, preferably somewhere near a lake or river. The question is, where is that exactly?
Daryl shrugs, turning the rabbit leg between his dirty fingers around. He takes a rough bite. 
He doesn’t know, and to be honest, he doesn’t really care. Now that the prison fell and with the group scattered to the winds, he doesn’t have much hope for anything. He had gotten a little too comfortable there, his first mistake, and now look where it landed him. Had he learnt nothing from his first camp with Merle, then the camp in Atlanta, then the CDC, and finally the farm? He had enough experience under his belt to know that things always took a turn for the worse, especially when everything seemed safe and peaceful. Yet he still let his guard down. 
The thing is, the prison… the prison was different. It was well protected, with several feet of fence that kept the walkers far from the main building. They didn’t have to worry about any walkers creeping into their cells and taking a bite out of them in the middle of the night since they were able to clear their side of the prison in a matter of days. They had guns and ammo, food and water. Hershel and Carol even taught them how to take care of crops. Hell, they even got their hands on some cattle! They didn’t need to scavenge the woods for some meagre squirrels any more. 
Things were looking up. He had even started to think that maybe, just maybe, they could spend the rest of their lives there. But then the Governor showed up and everything went to shit. 
So now here he is. No Rick, no Carol. Alone once again. Well, not exactly alone– he had you for company. 
It’s not that he doesn’t like you– he likes you more than just a normal amount if he’s being honest with himself. It’s just that… you’re a dead girl walking. He doesn’t know how you’ve made it this far, and by all accounts you shouldn’t have. Before all this, before the virus and the walking dead, you were a preschool teacher. You had lived in the city your entire life, in a nice house located in a nice neighbourhood with nice parents. If he had to bet, he’d say you were even prom queen back in the day. 
There had been no need for you to learn how to hunt, scavenge, track, shoot a gun or even handle a knife. Daryl had been the one to teach you how to shoot a gun in the air, volunteering immediately when Rick brought the subject up and completely ignoring the amused, knowing smile on his friend’s face. 
If he focuses hard enough, he can still hear the sound of your happy laughter the first time you hit the center of the target. Can still feel your chest pressed to his in your celebratory hug. 
“Think I saw some train tracks a couple miles east yesterday. If the others saw ‘em too, they’re probably following them thinkin’ we’re doing the same,” you ramble on, not letting his lack of answer deter you. “Maybe we could find Rick or Maggie.” You lean forward so you can reach the mushrooms you picked up today, plop one and then another inside your awaiting mouth. 
Daryl watches as you chew, eyes judging. He had been adamant that you shouldn’t eat them, shouldn’t even touch them. 
“Stupid girl,” he growled, swatting your hand away from the cluster growing on the bark of a tree. “Didn’t ya mom tell ya not to touch things you never seen before?”
“Ain’t stupid,” you bristled at his tone. “I know these, they used to grow ‘rond some plants in the garden back home. Pretty sure mom put them in our soup ev’ry now and then.”
You don’t let his lack of answer deter you. “Think I saw some train tracks a 
Daryl kneeled beside you, broad right shoulder touching your left one, and examined them closely. He was sure he had never seen them before, not in the woods from his hometown nor in any of his hunting trips since the outbreak started. “Nah, these ain’t safe,” he concluded. 
“Yes, they are.”
“No”, he enunciated the word to make it as clear as possible. “They ain’t.” 
“Yes, they are,” you scowl and plush a couple from their roots. “I ain’t stupid nor useless. I know I can eat these.”
Daryl rolled his eyes. “If ya want to kill y’self just to prove a point then fine, be my fuckin’ guest,” he snarked. Then he got up and kept walking in silence, not even sparing you another glance. 
He shakes his head firmly. “Nah, no train tracks.”
“What? Why?” You ask, surprised. “It’s our best shot at findin’ the others!”
“Ain’t no one to find, girl. S’better if ya stop kiddin’ yourself.”
“How could you say that?!” You look at him like he’s a monster. Daryl clenches his jaw. “They’re our friends, our family! We can’t just give ‘em up for dead as soon as things go south! Not after everything!”
Daryl throws away the bone in his hand and looks at you with fury. Don’t you get it? Merle, Sophia, Andrea, Lori, T-Dog, Dale, the list goes on and on. You’re the only one he knows for sure he has left and he’ll be damned if he has to add your name to the list too because you want to search for ghosts. You are his responsibility now. His voice is loud when he says, “Yeah, we should! ‘Cause if you saw those tracks y’know what it means? Means other people saw ‘em too. Bad people. And if ya go ‘round there, lighting fires and singin’ those stupid kid songs you sing all day like you’re in a fuckin’ musical or some shit y’know what they’re gonna do? They’re gon’ kill ya, or worse. So drop the fuckin’ topic and finish yer dinner.”
There really is no room for argument. You drop your gaze to the floor and gulp down the lump in your throat, bringing your knees to your chest. Everything is silent for at least an hour, the only sounds coming from the crackling fire and Daryl’s chewing. 
And then you call his name. 
“Daryl?” Your voice is different; breathier, quieter. Almost like you can barely string the letters together. “I don’t feel very well.”
He’s on his feet in a second, the argument forgotten as soon as he heard your mumbled call. In three quick steps he’s standing in front of you. He kneels so you’re the same height and cups the side of your face. “Wha’s wrong?”
You blink sluggishly, revealing your dilated pupils, and lick your lips. “I don’t know,” you slur. Your breathing gets heavier. “I think– Oh God, I’m so hot,” you complain, almost ripping the zipper of your jacket in your haste to take it off. You throw it away like it’s made of molten lava. Before he can stop you, you take off your long sleeved shirt, leaving you in just a tank top, and lean back against the fallen tree trunk with a relieved sigh. 
It doesn’t make any sense, Daryl thinks. It’s almost winter in Georgia, you should be freezing, but there are no goosebumps littering your skin that might signal you are cold in any way. In fact, you’re even trying to roll your cargo pants up to relieve your legs from a nonexistent blistering heat. 
Daryl presses his hand to your forehead and is surprised to find it slick with sweat. “Y’re burning up,” he says, though he guesses you could probably already tell. He takes one of your arms and inspects it closely, looking for any wounds that could potentially be infected. “Where ya bit?”
You shake your head. “No, no. I didn’t see any walkers today.”
Your arms are in pristine condition, save for some sparse moles and freckles and a single healed scratch on your forearm he remembers you got from running around the woods so carelessly. There’s no sign of a bite or infected cut.
“Did ya get close to anyone sick back at the prison?” He knows it’s stupid to ask– everyone had taken their rounds of antibiotics to prevent another possible outbreak, and it’s also been a week since the prison fell. If you had been infected, you would’ve showed symptoms earlier on, but he doesn’t know what else to do.
“No, I was with Beth ‘n Judy.” Suddenly, you gasp in pain and clutch your lower stomach, pressing your thighs together. “Daryl, it hurts,” you whimper.
The pain in your voice breaks his heart. You look so small, curled up in a tight ball like a wounded animal. He brings you into his lap and shushes you, “I know, I know.” He rubs your back in an attempt to soothe you. “Just lemme think for a second, ‘kay? M’gonna fix ya.”
He wrecks his brain for a solution but keeps coming up blank. He doesn’t have any idea as to what the hell caused this– one second you were fine and then the other you were bending over in pain. Did you touch something? Eat something? Was the water contaminated? Did some poisonous plant graze your skin? Was the rabbit he killed infected and he didn’t notice? 
The tip of your nose tickles his neck as it moves from his collarbone up to his jaw, your rib cage expanding beneath his broad hand when you take a deep breath. He grunts at the strange sensation. “What are y’doin’, girl?”
Your hands curl around his shoulders, the leather of his vest crinkling beneath your tight grip. “You smell so good,” you mewl, taking in another whiff of his scent.
What the fuck.
He doesn’t know where the random compliment came from. He knows you have to be lying though– it’s been weeks since his last shower. His last one was five days before the prison fell and it wasn’t even a proper shower, just a scrub down with a rag, a bucket of water and some soap they found in the last supply run. That’s why he says, albeit a little disheartened, “Y’re talking nonsense.”
You shift in his lap, pressing your chests together and Daryl has to force himself not to react to the feeling of your boobs against his chest or to the movement of your wiggling hips over his crotch. “Am not, am not,” you babble, pressing small wet kisses to his neck and trailing your palms down his strong arm. “You– you smell so good. Feel so good. So big. I–” your breath hitches when you grind against him, relief morphing your previously pained features. “I need you, Daryl.”
His hands that were previously laying limp on either side of him are suddenly held by your softer, smaller ones and moved to your thighs. He drops his gaze, watches you control his hands. Up and down, up and down. The light coming from the fire illuminates the remnants of your dinner. You shift directions and now his hands are on your ass, forcing him to squeeze and grope as you keep grinding against him. 
He stares intently at the leftover mushrooms and all of a sudden he’s 23 years old and Merle’s laughing his ass off as Daryl finishes the dinner his older brother had insisted on cooking. He remembers now, the desperation clawing at his chest when the shrooms started making effect. Remembers how Merle dragged him to a club in the city and patted his back in encouragement. “Go wild, baby brother! Lord knows ya need this.”
Misery is heavy on his shoulders. He wants to throw up– he was wrong before. He did see those mushrooms before. He had eaten them and been under their control. And now you were suffering the same fate he had all those years ago. Because of him, because he failed to realise sooner. 
You move his hands up to your waist, your stomach, your breasts. He never wanted it to be like this. He had hoped, stupid as it was to dream about something other than mere survival, that if he ever got the courage to confess his feelings it’d be when everyone was safe again. When you didn’t have to sleep in tents and cars and pray to God he found any semblance of food. When you’d finally have a house, or a room, or at least a bed. 
He’d be soft with you, just like you were with him every day. 
Now, as you grind and moan above him in a lust filled rut, that dream will remain that. Just a dream. 
He tears his hands from your grip, one settling on one side of your hip and the other cradling your cheek. Heat emanates from your skin like you’re a furnace. Daryl leans forward, lips brushing yours as he promises, “M’gonna make it better. That okay?”
You’re not in the right state of mind but he still asks for any semblance of peace of mind. 
“Please,” you whimper, little crystal beads gathering on your waterline.
After months of pining, he finally closes the distance between you and presses your lips together in a firm kiss. Your mouth is soft and plain against his, trusting him enough to follow his every command as he devours you completely. He uses the hand on your hip to help you smooth down your otherwise stuttered grinding, drinking down every sweet little moan and gasp he elicits out of you. 
That’s what you are– sweet. Sweet to touch and taste and feel. Sweet even in the way you cling to him, use him to relieve the affliction between your legs he accidentally caused. 
Daryl holds you by the back of your neck, feels the warmth of your breath as you moan his name.  “More. I need more,” you cry. The tear tracks on your cheeks glimmer in the warm fire light. “M’so empty. Need you to fuck me. Please, please, please,” you beg like a broken record, forcing your fist into Daryl’s chest and twisting his heartstrings without mercy. 
“Don’t cry, doll face,” he rasps, brushing away your fresh wave of tears. You inhale shakily, leaning into his touch and nuzzling his palm like a touch starved kitten. Your hands tremble as you unbutton your jeans, struggling to pull them down from how sweaty you are and how sticky the insides of your thighs became. Daryl silences you every whine with a kiss and helps you pull them down to your shins, not willing to risk taking off both your shoes and pants completely in case you need to make a quick escape.
“I said I’s gonna fix ya and I am. Just need a couple minutes first.” You make another noise of complaint that turns into a relieved sigh when Daryl pulls your panties to the side and teases your folds with the tip of his fingers. “Need to get ya ready first. This all for me?” He asks, gathering all the slick dripping out of you. 
“Mhm,” you hum, eyes closed in bliss as he toys with you. You nudge your noses together. “Always for you, Daryl. Only you.”
You really need to stop playing with his feelings like that. You’re talking out of your ass, he tells himself, letting your desire and need for relief control your words. Still, it’s nice to hear. He can’t deny that. Maybe he can live in this fantasy bubble a little longer, at least until reality crashes down on you both and you have to come to terms with what happened and decide to never see him again. 
He circles your weeping hole, taunting you, then plunges a lone finger inside when you look like you’re ready to pounce on him. It’s easy, oh so easy, for him to slip in. He thought it would be harder, given the fact that he knew you haven’t slept with anyone since the apocalypse started. Not that he kept an eye on you or anything, he just happened to notice how your tent and cell were always silent, much like his. But you’re so wet that your cunt practically swallowed him right in.
You tap his shoulder needily, mouthing the word “more”, and bite your lip to stay quiet when he adds a second finger and then a third. You could cry from how happy you are right now. 
“That enough for ya, ya spoiled girl?” He scoffs, rubbing circles on your swollen clit with his thumb. 
You can only nod as he buries his fingers up to his knuckles, curling them and feeling the rough calluses as he prods inside you in search of your soft spot. When your loudest moan yet lets him know he found it, he abuses it, creating loud squelching noises that have him smiling. 
Euphoria sends a shiver down your spine and makes your entire body shake as you cum, a small stream of clear liquid hitting Daryl’s wrist and dripping down to his jeans. “Shit,” he whispers, amazed. 
He made you squirt.
Daryl’s still staring at his dripping wrist as you paw at him with a heaving chest, fingers curling around his brown plaid shirt. Your nails could nearly break the fabric. “You promised,” you sob. “You promised you’d fix it. That you’d fuck me. Don’t you want me?”
He tears his gaze away from the mess between your legs in shock. How could you ever think he doesn’t want you? When you’ve consumed his every waking thought and haunted his every dream. When the only thing he wanted to do when you looked at him with those glimmering eyes was to follow your every command word for word. When he didn’t want to just fuck you– he wanted to keep you safe and warm, wanted to make sure you’d never know hunger.
He grabs your jaw, fingers tightly pressing on your warm cheeks, and snarls. “Don’t ever think I don’t want ya.” He tugs you to him so he can kiss you, unbuckling his belt with one hand and pulling down the zipper of his jeans. Your own hand joins his and squirms under the rough fabric so you can take his cock out from behind his boxers. His jaw clenches at the feeling of your soft hand around him, so different from his own. Untouched by decades of manual work, protected by dutiful applications of hand creams (he's heard you tell Beth how dry your hands are now and how much you miss your favourite hand cream. He’s been looking for some on every supply run ever since).
He spreads all the wetness stuck to his fingers over his cock, his stomach doing a summersault when he sees you biting your lower lip in want. You guide him to your entrance, gasping in unison when the mushroom tip slips past your soaking wet folds. Slowly, you sink yourself down, Daryl mouthing at your neck as you get used to the thickness of his cock as it threatens to split you in half. 
“Relax,” Daryl grunts, the scruff covering his cheeks scratching at the tender skin of your cleavage. He goes back to playing with your clit, knowing it’ll allow the tension to leave your muscles and he’ll be able to push in the remaining two inches. 
Once he’s buried to the hilt, you take a shuddering breath in and slowly start to bounce. “Wanted this for so long,” you babble. “Wanted you, Daryl. A-And now you want me,” you smile, increasing the speed of your bouncing. You chant, “You want me, you want me, you want me.”
Daryl nods, teeth gritted as he feels you tighten around him, walls pulsing. You collapse on his chest, hips still grinding in search of any form of friction. With a firm and secure grip, he grabs your ass and uses it as leverage so he can pound you down on him. For once, he’s not worried about loud noises or stray walkers or even unknown strangers stumbling into the scene. No, he just worries about you and your sweet cunt keeping his cock warm; about your lips on his neck, your hands gripping his hair and your dulcet “uh uh uh’s” ringing in his ears as you cum for the second time.
He lifts you off of him just in time to shoot ropes of white all over his shirt, biting your neck to muffle his grunts of pleasure. For once in what seems like a lifetime, the walker infested woods are completely still, only both of your laboured breathing breaking the unusual silence. 
Until you speak in a meek voice and it’s like he’s suddenly doused in cold water. “Daryl?”
He drops his forehead to your clavicle and shuts his eyes tightly, heaving a sigh. This is it– the moment where he loses you, where you run away. Forever disgusted with him. Afraid of him for breaking your trust. 
After another beat of silence, you call his name again. “What happened?”
He straightens his back and rubs his face. He clears his throat. “It was the mushrooms,” he refuses to look at you as he explains the events of the night, unable to stomach the look of disgust he’s sure is all over your pretty face. “The ones you picked up today. I thought I didn’t know them but I did. They’re some kind of… aphrodisiac or some shit like that. Merle…” he trails off, skipping over the reason he knew about them in the first place. It doesn’t matter in the grand scheme of things. “Y’were feeling so sick ‘n those things… with the amount you ate they would’ve– they would’ve killed ya if I didn’t…”
“You saved me,” you state, cradling his face so that he can see you. His face is all scrunched up like he wants to cry and he hates himself for it– he has no right to feel like shit. He shakes his head. “You did. You saved me. I would’ve died if you didn’t do as I said, as I wanted you to.” You kiss his lips chastely. “Y’know, I meant what I said earlier. While we were…”
“Nah,” he scoffs. “Y’were just saying shit ‘cause of the drugs. S’okay, ya don’t have to worry ‘bout my feelings.”
“No,” you frown, disconcerted that he always seems to bring himself down without even realising it. “I meant it. I’ve wanted you for a while, since– since the CDC, actually. When we played that card game after dinner and ya helped me get to bed since I was too drunk to even stand.” You smile as you remember the feeling of his arm around your waist and the soft pat on your head once you were resting on the pillow. You tuck some strands of hair behind his ear and his throat dries. Shrugging, you say, “I just never thought you liked me that way.”
Daryl weighs his options, wonders if he should take a leap of faith or pretend he’s never thought of you that way. This is too much for him. He’s scared to bare his chest wide open only for you to dislike what’s inside. But then he sees the earnest look in your eye and behind it, the fear that he won’t say anything at all. 
“I do,” he gets out through the fist clutching his vocal chords. “Like you. Like that, I mean. I–” He shuts his eyes at how useless he’s with words (another reason why you deserve someone better than him). However, instead of rolling your eyes at him or making a derisive sound like he expected, you simply giggle at his uselessness, reaching for him once more. 
He lets you kiss him and touch him as much as you want. You trace his brow bone and cheekbones with the soft pads of your fingers, play with the ends of matted hair and twirl them around your index. When you yawn, he makes sure you have your top and jacket back on and lets you rest on his chest. He stretches his arm so he can reach his discarded crossbow and leaves it on his side. “C’mon, go to sleep. I’ll take first watch.”
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pls reblog if u enjoyed it, it’ll make me twirl my hair and kick my feet :3
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bellaxgiornata · 1 month
Note
Ask the boys! What are Mikey and/or Matt's favourite comforting ways to decompress (with reader)?
Ohhhh, thank you for this one!! I had to sit them down for this little dialogue! As always, I'll throw everything under the cut because this'll be longer. But please enjoy this gif depicting Matt's enthusiasm levels today at me being distracted from a particular fic update he wants.
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Bella, dramatically shouting: So who's ready to play ASK THE BOYS?!
Mikey, cringing a little on the couch: D'ya really need to say it like that, pet?
Matt, raising a brow: Yeah, we're not exactly on an episode of Family Feud. This isn't a game show.
Bella: No, but could you imagine if you were? Maybe Fog could be the fourth player. And you know what? I'd actually pay good money to see that because it'd be hilarious. But now that you say that, I think I want to play Ask the Boys like it is a game show every time someone asks for it. So thank's for that, Matty!
[Matt dramatically sighs loudly on the couch beside Mikey]
Frank, shouting from the kitchen as he makes coffee: Can you just let the lady have some fun? Play along, dammit. Don't you know better than to argue with a pregnant woman, anyway?
Mikey, settling into the couch: He has a point. Best not to argue.
Matt, reluctantly: Fine. What's the question?
Bella: Okay, since you're being a sourpuss I'm asking Mikey first. What's your favorite comforting way to decompress with Reader/a significant other?
Mikey, scratching his beard in thought: Suppose I'd say...somethin' calming. Like takin' a walk, just holdin' hands and enjoyin' each others' company. Or maybe cuddlin' up in bed or on the sofa with a book and just readin' together, not even sayin' a word. I deal with enough excitement with my family, don't exactly need anymore outside o' that, y'know? I'd rather just...slow things down for a bit together. Be able to hold them and just be with them.
Bella: Ohh, I like that. You definitely do need less stress and a slower paced environment with some of the stuff your family puts you through constantly. Or like...an entire change of scenery that isn't Dublin.
Mikey, humming in agreement: Ya can say that again.
Bella, focusing on Matt: Now Matt, same question.
Matt, growing a sheepish smile: I'd have to say...in my bed with both of us not wearing clothing--[quickly holding up a hand to quiet everyone before they interject] solely because it's far too irritating if I'm trying to decompress and relax with too much outside stimulation, not for any other reasons. I'd rather just feel them over anything else. Because I'd prefer to focus in on their heartbeat and their breathing, listening to the sound of their voice as they talked. Sometimes outside stimulation just gets to be too much with my senses, and that's where I'd feel the most comfortable with a partner while trying to decompress. Somewhere without some of that extra stimulation. And uh...I wouldn't mind being the one who was being cuddled instead of doing the cuddling, I guess, too...
Bella, nodding: Makes sense. I think we're all well aware of how touch starved you tend to be--especially for a touch that isn't someone punching you in the face for once. Obviously for you to decompress with a partner, you'd want them doing the comforting. Though I highly doubt you'd ever just, you know, ask for what you wanted, so you'd need a partner that already could intuit that. But you know, there's nothing wrong with asking for what you need, Matt.
Matt, abruptly rising from the couch: Okay, I wasn't expecting this to turn into a therapy session. Are we done now?
Bella, rolling her eyes: If it was a therapy session with all of you, we'd be here for months. But yes, that does answer the question for this round of Ask the Boys!
Matt, grinning: Great, now maybe you can get back to that thing you're almost finished writing for me. You know the one.
Bella, sighing: Fine, fine. I'll let you three get back to pre-baby panicking in here for now while I finish it.
(Bella's Follower Celebration Post for those who want to join in the fun!)
57 notes · View notes
starry-nights-garden · 4 months
Text
Fuma ✧ Don’t go into the tall grass
✧ &Team Fuma x gn!reader ✧ words: ~2k ✧ genre: domestic fluff, some humor ✧ warnings: none
Desc.: In which your boyfriend Fuma teaches you how to play Pokemon and he doesn’t expect you to like it so much.
Author’s note: this was totally not written for @tomorrowxneverland who has never played Pokemon in her life <3 …yeah I got a little carried away while writing this, it wasn’t supposed to be nearly this long aklsjdöflksa but I hope you enjoyyy~!!!
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“What…?” You watch as your boyfriend’s expression changes, his mouth opening and closing several times as the shock on his face grows, and eventually he manages to form words into a sentence. “What do you mean, you’ve never played Pokemon?!”
“I… have never played Pokemon is what I mean by that.”
“Yes, no, but!” Fuma attempts to say something, but his brain fails him. He’s been excitedly rambling about the topic for almost an hour now, and it’s not that you don’t like listening to him when he gets really into it. It’s just that you never really got the chance nor had any interest in playing the games when you were a kid, and so you have close to zero knowledge about Pokemon - except for a few names you’ve memorized as he was telling you about his collection, and, of course Pikachu, because who doesn’t know Pikachu? And now that you’ve reached a point in the conversation where he decided to ask you about your favourite Pokemon, you just couldn’t avoid addressing the elephant in the room anymore. 
“So yeah,” you start talking in hopes of helping the gears up in his head running smoothly again. “That’s why I can’t really tell you what my favourite is. Or who I always had on my team when playing because… I never did.”
“Well this is a huge problem…” He lifts his hand up to his face, covering half of his mouth as he seems to be sinking into thought, surrounded by some of his Pokemon plushies that he’s spread out on the floor as he was giving you some information about them. 
“What?” you snort. “Can’t date someone who’s never played Pokemon?” Your teasing is met with a strong reaction, your boyfriend immediately waving both his hands in front of his chest and shaking his head.
“Of course not!” he assures. “But… do you want to try? I think I have my old Nintendo somewhere here…”
“I mean… sure, why not?” you agree, and Fuma immediately jumps to his feet to take a few steps towards his wardrobe. Rummaging through a few boxes stored at the very bottom of it, it takes him only a few minutes to pull out the small game console, along with the charger and a rectangular box that can only be a Pokemon game. You’re amused by the few seconds of suspense as he tries to turn it on after sitting down next to you, and the sigh of relief that follows as the two screens light up. 
“Okay… I actually didn’t make all that much progress here so… it should be fine… to start a new game…” he mumbles more to himself than you, but the distress in his voice is evident.
“It’s fine, we can also play where you left off-” you attempt to assure him, but he’s already in the process of resetting the save file. 
“It’s fine,” he repeats. “I played the other version more, so that’s the one I’m really attached to.” You don’t really get what he’s saying, but you’re at least glad about the smile he’s showing you now. And then he starts the game for you and hands you the console.
The first few minutes are pretty self explanatory. You press A to advance in dialogue and tell the game whether you want to play as a girl or a boy and what your name is. There’s some old guy explaining stuff about the fictional world you’re about to enter, and that he’s a professor of some sort, and next thing you know you find your avatar waking up in what must be their room. For now your boyfriend is merely watching what you’re doing, but you can tell he’s using everything he has to keep himself from going on an excited rant and spoiling the entire story of the game for you. 
You don’t really pay much attention to the dialogue, wanting to get to the part where you get to catch some Pokemon soon, and luckily Fuma is right there to hint at what you should do next. You reach the part of the game where you have to walk out of what’s supposed to be your home village and follow your in-game friend.
“But I wanna go over there…” you protest, steering your avatar to the right. 
“Ah, you shouldn’t!” Fuma warns you.
“Why?”
“Didn’t you listen to your mother? There’s wild Pokemon in the tall grass, so you shouldn’t go in there yet!”
“But… if I wanna catch some, shouldn’t I go there…?”
“Yes, later,” he explains. “But you don’t have a single Pokemon on your team yet, and you need one to help you catch more!”
“And where do I get that…?” you ask, causing your boyfriend to chuckle at your impatience.
“Just keep playing for now. You’ll get there soon enough.” 
And just like he said, you do. You choose your starter Pokemon solely based on which of the three looks the cutest to you - Fuma praises you for your choice and explains that the first gym will be easy to beat with the one you picked - and complete your first battle without much trouble. The game teaches you the mechanics anyway, but still you have your boyfriend next to you telling you what to do if you’re unsure. 
“Is it fun?” he asks as the game is going over to the next day. 
“Yeah,” you answer absentmindedly, focusing your attention on the device in your hands. You hear him laughing softly at the image in front of him, and then he watches you play some more.
Eventually you get to the point where you have three Pokemon in your team, and somehow the directions your boyfriend is giving you are getting on your nerves a bit.
“It’s fine!” you tell him. “I think I got it now, let me try playing by myself!”
“Okay, okay…” he says, going quiet as he observes you. You run towards the next city you’re supposed to go to, and you don’t pay much mind to the two newly caught Pokemon both fainting, as your boyfriend had assured you earlier that you can always have them healed again. 
“I think it’s about time you-”
“I know,” you interrupt his attempted warning, not noticing how he watches your next move anxiously. Thanks to your starter Pokemon you manage to win the next fight, but now you find yourself wondering whether you should go back to the last village to heal them or keep walking towards the next one.
“Uhm, actually…” you speak up. “How far until I reach the next… uh… hospital?”
“The next city is still a bit away…” he willingly helps you. “But turning back is risky too. Don’t you have potions left?” You shake your head no. “I see… then you should probably go back to the last Pokemon center.”
“Okay.” So you turn around and you move, running right into a patch of tall grass, when you hear your boyfriend exclaiming next to you,
“Nooo, don’t r-... oh.” He lets out a sound of resignation as a wild Pokemon encounter gets triggered and you hear the unsettling warning sound signaling that your Pokemon only has a couple of HP left.
“So what do I do now?” you ask.
“Well, since you don’t have any potions left you’re gonna lose the battle and faint and then wake up at the last Pokemon center you visited,” Fuma explains calmly.
“Oh… and is that bad? Like, are there any consequences, like do I lose all my Pokemon?”
“No,” Fuma lets out a short laugh. “Nothing bad actually happens, aside from the humiliation of losing at a kid’s game.” You shoot him an empty look as the screen of the console in your hands goes black and it causes him to chuckle. “I’m kidding, it’s okay,” he says, now speaking softly and he extends his hand to pat your head once. “Just so you know for next time - Pokemon tend to appear more if you run through tall grass instead of walking slowly.”
“Oh…”
“It’s fine, everyone learns the hard way that you should always carry enough potions with you and better turn back sooner rather than later to get your team healed. But also…” He puts an arm around your shoulders and then points his chin at the window in his room. “I think it’s about time we get some food.”
“No.” Your immediate response makes him chuckle.
“No?”
“Just until I’m at the first gym.” And now Fuma laughs, leaning back and stretching his back with his hands up in the air.
“That will take waaaaay too long,” he explains. “I’ll have starved by then.”
“Then you get some food and I stay here.”
“Y/N,” he calls out your name, trying to sound strict but he still ends up talking more softly than he wants. “You need to eat well if you want to become the Champ!”
“The what?” 
“Right, you don’t know what that is either…” He lets out a sigh. And then, after a second of collecting his thoughts, he reaches out to capture your chin between his thumb and index finger, turning your head to make you look at him properly. “I’ll explain that to you while we’re eating, okay?”
“Hmpf…” You pout at him like a five year old would as their mom tells them to stop playing a game, but the smile he shows you as his gaze slowly wanders down to your lips stirs up an entirely different set of emotions deep within you.
“Come on,” he says. “We can play more later.”
“Only if I get a kiss…” you try to bargain, but Fuma just laughs at you and then he gets up.
“Come get it then,” he says, walking towards the door of his room slowly, giving you enough time to rise to your feet as well and to catch up with him. He willingly lets you spin him around as you reach him, and he meets you in the middle as you lean in to kiss him. His lips move against yours gently as he sets the pace and you have your palms placed on his shoulders to hold onto him. Too soon does he pull away, shooting you a grin that tells you you fell into his trap, but when you kiss him again you catch him off guard. And then, once you part you spin on your heels and walk back to where you had put the game console.
“Go get some food now,” you say, sitting back down and returning your full attention to the game. “I’ll tell you if I get stuck somewhere.” You hear your boyfriend letting out a massive sigh of disbelief over how him trying to trick you turned into him getting tricked himself. However, he knows any effort to try and convince you one more time to put the game down would only be in vain, so he simply accepts it and disappears out the door. 
You don’t think much of it anymore, simply focusing on the game in front of you, but when a few minutes later you hear him entering the room again, you look up in surprise.
“Not eating? Oh.” He sits down right next to you with a bowl of more leftovers than he can eat by himself, and as he holds out a bite to you, you find yourself grinning from ear to ear.
“Thanks,” you mumble, accepting the food he’s holding out to you, and bumping your head into his shoulder as you continue to play.
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shaylixie · 11 months
Text
The Great Gatsby
Word Count: 2922
Genre: Fluff
Pairing: Bang Chan x gn!reader
Requested: No.
Summary: Chan throws a party a while after not seeing you.
Warnings / Contains: Alcohol consumption; language; dialogue heavy; lots of characters.
A/N: Omg, where do I start? Hi! I'm back and seemingly writing again, lol. Anyway. This is my first fic for Stray Kids. I wrote it just for fun...I wasn't really sure where I was going with it & I just ended up with this. So. Bon appétit. Not sure if you can tell, but I'm a multistan.🤣 Primarily a Stay. I wanted to write something fun and wholesome and fluffy. This is the start of something wonderful! I'm thinking of making this into a loose sort of series? Hm, we'll see. Let me know if you want a part 2, and I'll think about it! Thank you for reading, and enjoy! 💕 Feedback welcome.🤍
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You knock on the door of Chan's place, loud enough that it's heard over the blaring music. It opens, and you're faced with an excited expression.
"Y/n! You made it!"
"Hey, Sungie!" you greet Jisung, followed by a warm hug. "I had to see my favourite guy."
"Me or Chan?" he asks with smirk.
Sigh. Okay. So here's the thing.
You and Chan have been friends for...well, enough time. But a small part of you wishes you were more. Okay, fine. A big part of you. See, you caught feelings. But this is your friend you're talking about...you can't ruin your friendship after so many years. Even if you did want to risk it everytime you were with him.
You rolled your eyes, anticipating the familiar endless teasing.
Everyone knew, it seemed. But if Chan was part of "everyone", you didn't know. He certainly didn't act like it.
You walked in and began greeting the rest of your friends. The usual ones were there - that is, the members of Stray Kids, along with a few personal mutual friends - and also a handful of people you didn't know. Other idols, including but not limited to those of JYPE, and friends of friends. It wasn't packed to the brim but it wasn't a small gathering either. A decent enough crowd for it to be considered a party, and for the house to be full.
Of course, knowing the Kids for as long as you did, you knew most of the idols here so you weren't as intimidated as you thought you'd be. Sure, you still got starstruck from time to time. But you were familiar with the JYP family; had befriended them even. You suppose that's the perks of being such a close friend of the Kids. So much so that you're playfully referred to as the 9th member...except you can't sing or dance. Or rap. Or do pretty much any of the extraordinary things they do on a daily. But you still somehow platonically seduced all of them. How? You didn't know, but you didn't care either. This was your family.
After hugging all your friends who you could find at arm's length, you started settling down and adjusting to the atmosphere. Minho handed you a cup and just winked when you asked what was in it. Oh, you were in for it tonight!
"Y/n!!"
You whipped your head around at the familiar voice. There was Chan, bounding towards you with his own cup and his loose fitted tank top. He placed the cup down and lifted you up, spinning you around and sloshing half of your own drink onto the floor.
"Oops! I'll clean that up later," he laughed.
"Channie! I've missed you. How have you been?"
"Great! Except I've really missed you too."
"I know, I'm sorry. Studying has been crazy. I'm here now, though! Catch me up, guys," you say turning to the others.
He threw his arm around you as you drained your cup and then flopped onto the couch, with half of the Kids surrounding you - specifically Minho, Han, Felix and Hyunjin - and also Ryujin, Yeji and Chaeryeong.
You all started talking non-stop about anything and everything, laughing at the most stupidest things. You know, standard feature.
"Oh my gosh, Somi!!!" you suddenly burst out excitedly, leaping off the couch.
You half-skipped-half-ran to your best friend as you giggled together and embraced, jumping up and down.
"Didn't you guys hang out last week?" Hyunjin asked with a weird look on his face, hiding his amusement.
"Yeah but this is my best friend in the whole woooorld!" Somi said as she rocked you side to side, still in an embrace.
"Also how would you know, Jinnie? Do you stalk us?" you asked.
"Ooooooh, he probably stalks all of us," Chaeryeong teased.
"Eww," Hyunjin said with his classic disgusted face. "I saw it on your story, Y/n. Yours is the only one I check all the time...since we're best friends and all you know. Or maybe not..." he ends dramatically.
"Oh shit," says Han.
You roll your eyes, laughing at the constant competition between Hyunjin and Somi.
"You're my guy best friend, Jinnie. Somi is my girl. You know this."
"Yeah, I'm her girl," Somi teases, wiggling her eyebrows. She makes playful kissy faces at your cheek and you turn around last minute, making her kiss you on the lips. Everyone bursts out laughing, and somewhere in the room you hear a cat whistle. It makes you and Somi double over laughing, not fazed at all by your friendly flirty dynamic.
Chan stands up again and pulls both you and Somi into a hug.
"I gotta go say hi to a few more people, I'll be right back," he says looking at you.
"Wait!" Felix shouts. He runs to pull you, Chan and Somi into his arms. "Group hug!"
You pull him into your arms at the sight of his happy face and everyone leaps up from their respective places on the floor and the couch until your face is buried in Chan's chest and you can't breathe, let alone lift your head up. All you hear is cheers going up as people start to randomly join, and you giggle wondering how drunk everyone is. When the hug eventually ends, everyone's moods lifted even higher than before, you and Somi part as the rest do the same, all going to mingle.
"So...I saw how he had his arm around you," Somi says, bumping your shoulder.
"Ugh, it doesn't mean anything...but I loved it so much, Som! Like...I just wanna stay like that. I'm lovesick. I need another drink if I'm gonna get through this night."
"Already on it," she laughs, pouring you a drink. "But we gotta take a shot first!"
As she pours the shot, Sana and Dahyun come over with Jackson Wang from China (as you lovingly call him) and more hugs ensue.
"Shots? Count us in!" says Jackson.
You all take a shot together...and then another one. Hey, you may not party much (like, at all), but when you do...you DO.
Next you know, Sana is grabbing your hand and Dahyun is leading you outside onto the makeshift dance floor (the lawn). Everyone is vibing and jumping up and down and busting out their best (and worst) moves all over the yard and you can't help but join in on the fun. You dance (is that what you call it?) with your friends surrounding you, all letting loose and having a fun time, their idol masks surrendered. You can't remember the last time you had this much fun. At some point, Changbin and Chan join in, and Changbin grabs your hand and dips you, making you squeal. You hold him tightly around his neck and drop a hand to his bicep, squeezing there.
"I've been working out!" he shouts over the music with a huge grin. He knows how much you love feeling his muscles up, and he loves how much you do. It's become something of an inside joke between you.
"I can tell! They're even bigger than last time!"
"You're drooling, Y/n!" shouts Chan. "What about me?"
Changbin lifts you up again and you bound up to Chan, squeezing his bicep too. You make a show of thinking hard.
"It needs more work!" you say, stifling a laugh.
Chan pouts, making you fail at holding your laugh back. He laughs too then, grabbing your hand. You relish at the feeling of his hand in yours, and next thing you know, you're running behind Chan, following him inside the house and up the stairs. He stops outside one of the closed bedrooms, the both of you breathing hard.
"I really did miss you," he says softly, but loud enough for you to hear over the music and laughter. He pulls you into a tight hug then, and you blink out of shock.
"Are you drunk?" you giggle.
"A little. But I missed you when I was sober. And I'll miss you when I'm wasted. And hungover too. And then sober again."
You laugh and boop his nose. "I missed you too, Channie." You dip your head to hide your face before saying the next part. "More than you'll ever know..."
"Yeah?" He looks at you like he genuinely wants to know.
"Yeah...yeah, of course."
The two of you are silent for a bit after that, just staring at each other. It's a comfortable silence. The type you always have with him.
He clears his throat. "I, uhm. I...how drunk are you?"
"Surprisingly not drunk at all," you say honestly. "Tipsy...but I'm fine. You?"
"Not drunk enough," he laughs. "I'm still okay."
"Good."
"I'm asking because...well...I wanted to tell you something."
"Good or bad?" you ask nervously.
He laughs just as nervously, rubbing the back of his head. "It depends..."
"Yeah?"
"I uhm..." he trails off, stepping closer to you.
Your heart is beating so far out your chest, you think he can see it.
"I don't know how to say it. But I-...we're friends, right? Good friends?"
You're about to answer when suddenly-
"CHAN HYUNG!"
You're interrupted by Minho's yelling, and you make a mental note to kick him in the shin later. Chan drops his head in exasperation, then laughs.
"Give me a second," he says apologetically.
"YEAH?!" he shouts back, halfway down the stairs.
"WE GOT THE BEER PONG ALL SET UP. YOU COMING?"
"YEAH, I'LL BE DOWN IN A SEC!"
He runs back up to you then, about to say something, but seemingly changing his mind.
"Minho set up the beer pong. It's your favourite game..." he winks at you. "Be on my team?"
You shove down the anxiety of the previous moment and agree, hoping the beer will help. You hate beer, but it is your favourite game after all. Chan takes your hand again, and you go over to the living room where the beer pong is set up.
"So, who are Chan and I winning against?" you ask to the room around you, feeling much more confident because of the alcohol. Oh - confident about talking to an entire room of people - not about winning. You're always confident about that.
Seungmin walks up with Chaeyoung from Twice.
"You sure you can beat us?" he quips.
"Yeah, sorry Y/n, but I'm pretty good at beer pong," Chaeyoung says.
"Oh, don't worry. You haven't met my Y/n here," Chan says.
Your heart skips 3 beats at that - "my Y/n" - and you have to ignore the urge to check your pulse to see if you're dead.
"Let's go, Old Man! Try to keep up," teases Seungmin.
Chan rolls his eyes at the familiar nickname.
The game starts, and everyone who isn't passed out or dancing gathers round. Minnie and Chaeyoung go first, and Chae gets it in first try. The crowd goes wild. You chug down the drink as Chan goes next...and misses. Seungmin laughs and says something about "losing with the old man." It's your turn now, and lo and behold, you get it in.
"Not bad...not bad..." Chae says, and downs the drink.
Seungmin goes next and misses, which causes Chan to start teasing him back. "What's all that about an old man, huh??"
"Girl power! Yes, Queens! Slay!" shouts a drunk Yuna, and everyone laughs.
The game continues with various hits and misses, and the 4 of you progressively get drunker off the beer. Finally, it's down to the last cup on both sides. After what seems like an eternity of back and forth throwing, you land the ball in the cup. Stunned, no one reacts at first. Then the whole room erupts and everyone starts surrounding you and Chan and you think you hear Seungmin scream "FUCK!" but you're not sure because Chan has picked you up and he's spinning you around and shouting "That's my girl!" and everyone is too drunk and excited to question it and the euphoria spreads through the room. Ah, yes, you think. Beer pong is your favourite game.
-
Seated around the bonfire, spread out equally on blankets on the floor and chairs, are all of your favourite people. Well, some are missing because they went home and others are passed out in Chan's guest room and on his couches and maybe one or two on the floor. But most of your favourite people surround you right now, and a peaceful atmosphere decends over the night. Softer music is now playing as everyone sings along, swaying and sitting half on top of each other. You walk out of the house filled with people spread around drinking water and eating bread and ice cream, trying to sober up before they go home. Chan is still beside you, and he walks up to the only remaining empty seat, vacated by Jackson whose Uber just arrived. He sits down before realising you have no place to sit, and then stands up just as fast, offering you his seat.
"Just let her sit on your lap," says Somi, drunk and drowsy, half lying on Yeji on the floor.
A chorus of "oooohs" go up, and Chan's ears go red.
"Everyone is sitting on everyone anyway," Jeongin points out.
"I mean, if you're comfortable..." Chan says softly only to you before sitting down and holding your waist lightly.
You drop gently into his lap and he pulls you against him, wrapping his strong arms around you. You hold his arms back, and cuddle into his warmth. It's a warm night with a cool breeze, but you savour his body heat anyways. You shiver, and not from the breeze. You feel him hold you even tighter after that, and you're glad he can't see your blushing face. Hyunjin winks at you, and Felix smiles at you knowingly from between Jinnie's legs. Your blush deepens. You soon get caught up in the conversation, laughing and throwing comments in here and there. The topic changes and you take to just listening. But you're interrupted by a soft voice in your ear.
"I'm really glad you came," Chan says softly.
"I'm glad too. I loved- I mean, it was nice seeing you."
Chan chuckles, not oblivious to your change of words.
"I loved seeing you too."
You dip your head in embarrassment.
"I mean it. It would have sucked if you weren't here," he continues.
"Sucked? Hey, you still would have had a good time with everyone else..." you point out.
"Yeah, yeah you're right. But it wouldn't be the same without you, you know? It wouldn't have been as good. I'm just really glad you came."
"Why wouldn't I?" you ask. "It's your party, after all."
You don't know if it's because you're still both a little drunk or because of the soft, romantic atmosphere or the intimacy of everyone around you, but he admits, "Yeah, that I threw for you."
You scrunch your eyebrows up in confusion. "For me?"
"Yeah. I wanted an excuse for you to come...it ended up becoming bigger than I planned though. Much bigger," he laughs shyly.
You laugh at that then, and then start laughing harder, earning you a few looks. Pleased ones, at that.
"What?" he asks, slightly embarrassed.
"No...nothing. You just...you sound like Gatsby."
He laughs then too, his body shaking against yours.
"Nerd."
"Shut up!" You swat him playfully. "Everyone knows Gatsby." A pause. "I had fun tonight, Channie. A lot of fun."
He grins, his eyes squinting at the action and his cheeks dimpling. "I love it when you call me that."
"Channie..." you tease.
He tickles you then, and you squirm in protest.
Once you quieten down, he asks for the second time that night, "How drunk are you?"
"Uhm, not that drunk. I can Uber back safely."
"Oh," he says. Is that disappointment you hear?
"Why?" you ask.
"Oh uhm, I was just asking. I wanted to know if you'd feel better staying over. You can have my room - I can sleep on the couch. If it's not already taken..." he laughs. "I mean, the guys are staying over. I thought we could nurse our hangovers together, you know? Besides, it's too late for you to go back alone. I don't feel right about it."
You smile, hoping for this outcome.
"I'll stay. But on one condition..."
"Mhm?"
"You have to sleep in your room. I don't feel right kicking you out. Besides, I'm on your lap right now anyway. What difference does sharing a bed make? Lord knows I've fallen asleep on you so many times before..." You giggle together at the various memories.
You can hear the smile in Chan's voice as he says, "Deal."
You snuggle into him further, your head in the crook of his neck and his scent all around you, and you know it's not possible, but he pulls you even closer. He joins in on the singing around the bonfire as the song changes, and you smile at his lovely voice. Looking around you, you can't help but feel your heart swell to three times its size. Here are most of your favourite people, your deepest loved ones, sitting in the same place with smiles on their faces and love all around. You wish you could capture this feeling forever and get drunk on it every night. But you can't, so you settle for relishing in it deeply right now. You're grateful and loved and everything is perfect, and you wouldn't ask for more.
172 notes · View notes
suffarustuffaru · 4 months
Note
Hello!
A bit of a weird ask, so sorry in advance.
What methods/sites would you recommend using for reading Arcs 5-8 of Re:Zero?
I’ve almost finished season 2 of the anime, and I’m pretty sure this has become one of my new favourite anime/works of media in general. 
And considering I keep spoiling myself anyway when I look at Re: Zero tumblr blogs, I figured I should just find a way to catch up with the rest of the series. 
You seem smart, and have clearly read Arcs 5-8, so I was hoping that you would be able to provide some advice. 
Thanks!
hi there!! :D no worries for the ask, its cool to have another rezero fan join in the fandom especially on tumblr (which is a very small, curated circle of a bunch of us trading posts around a campfire HAH) and i hope youve really been enjoying the anime and your stay here so far!! :o this is absolutely one of my favorite media as well (if. if you couldnt tell by the blog pfft) and thanks for the compliments haah i am glad to seem smart.
but yes i gotchu on where to read!! ill be giving you a pretty detailed explanation/guide. (this explanation also goes mainly for english speakers / people who wanna experience rezero in english.) (and of course if any other seasoned fans are seeing this feel free to add on if i miss anything or correct me if needed)
Main Route Stuff:
witchculttranslations is where you can find the translations for the entire main route (which is arcs 1-8). this page is where youll find the main table of contents for each arc and you can find arcs 5-8 there!
note that arc 8, at the time of me writing this ask, is still a work-in-progress and the team of translators in this fandom are always hard at work to translate each chapter. also note that arcs 7-8 are "conjoined arcs" - think of it like arc 7 is part 1 and arc 8 is part 2. so if you happen to get caught up to where rezero is currently at, the rezero subreddit regularly updates chat + update threads whenever new rezero novel content comes out in general. youll find updates on translations or summaries for new chapters there.
there's also distinction between web novel and light novel - web novel are the chapters that tappei releases online, light novel are the official finished versions of the chapters that are released for sale. sometimes there's changes between the web novel and the light novel, but for the most part it's either minor changes to improve on the web novel - sometimes it's major, but for arcs 5-8 iirc there isnt any major changes that you need to worry about.
just note that in the wn translations, all/almost all dialogue is written in script-style. let me show a small excerpt from arc 5 chapter 1:
???: “Good job, Subaru, I suppose.” A small silhouette enters Subaru’s view from above. A loveable girl with long, cream hair and an extravagant outfit—Beatrice. Her fluttering dress looks out of place in the meadow as she presents Subaru with a towel. He accepts it and vigorously towels his head dry. Subaru: “Ah, thanks. Was looking to cool down so this’s perfect.”
so yeah the wn will be formatted like this by the way, just in case you didnt know this yet!! i hope thats not much of a turnoff or anything, but dont worry you get used to it - and the story is still pretty great anyway!!
also dont bother with arcs 1-3 wn. its not so important (and you already know all the major info because youve seen the anime) and also arcs 1-3 wn doesnt have the Best writing. tappei himself had to make extremely major changes for the light novel and the light novel (along with the anime and manga) is the finished and polished result.
and of course the light novel comes with illustrations for each arc. the web novel sometimes includes images as well at the beginning of each chapter, but if youd like to see finished and official illustrations for various scenes throughout arc 5-8 its easy to find them if you search them up online!!
the anime also has a few bits of Important cut content from arcs 3-4 - unfortunately i dont have any resources on hand for this ;-;;; but you can look this up on rezero reddit or online in general since a lot of people have made summaries about this. from what i remember in arc 3 (which is the royal selection/white whale/petelgeuse half of season 1!), the main thing is just the reveal that al has some sort of connection to ram (and rem by extension), some sort of connection to satella possibly, and he is ALSO someone that was isekaied into rezero's fantasy world.
as for arc 4 (which is season 2 of course), the anime got down almost all of the general important info you need to know, but there's a lot of important information in the last parts of arc 4 that the anime didnt include. the anime may include this information (and the al stuff from arc 3) later, but you'll need to know it for arcs 5-8. you can find the witchcultranslations guide for arc 4 here - scroll down and youll find the chapter called Appendix: Advent!! you'll need the info in that chapter for later.
if you want, you can also read the chapters after that - theyre sorted under One Day II and are the official arc 4 interludes that take place before arc 5. i do recommend reading through them, but theyre mainly characterization stuff, character dynamics post-arc 4, everyone trying to recover after arc 4, etc etc. the most important info in there is leadup for arc 5 (all the post-arc 4 aftermath stuff) and also some info/introduction on clind and annerose (who are characters that are briefly shown in the anime for like two seconds). these two do play minor roles in arc 4/beginning of 5, but theyre hinted to be important for later. if youre in a hurry to get to arc 5, totally fine to just skim through it, get basic info on clind and annerose then continue into arc 5 or something. or you can look at their wiki pages - totally cool to enjoy rezero however you wish. it's a LOT of reading dont get me wrong HAH.
as for the manga - this is not required reading or anything, the manga has only done arcs 1-4 atm so it's not really super relevant to you since youre almost done with arc 4 already via the anime!! but of course if you havent done so youre welcome to check it out if youd like, the manga artists are pretty great imo. im just gonna show some art from the manga artists here:
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isnt it pretty? :O very nice stuff.
anyway thats it for main route content!! now i gotta explain side content.
Side Content:
you can find witchculttranslations' side story table of contents here, which very neatly shows you Every Single Side Story and is updated regularly every time tappei comes out with new side content. and trust me, tappei makes A Lot of side content. i guarantee you a lot of rezero fans havent read every side story (and i still have a lot of side stories to catch up on myself), so theres absolutely no need to read every single side story!! honestly just read the ones you find interesting + the ones that are required reading! im not sure how much of the side content youve heard about, but ill give you a rundown:
this extremely helpful google spreadsheet here (thats also regularly updated) tells you how important each side story is and where you can find it so you dont have to go on a wild goose chase wondering which ones you need to read for the main story. rezero side stories are on a sliding scale of just silly stuff tappei wrote for fun to this is VERY crucial for the main story. that google spreadsheet should help you out with that - both the spreadsheet and witchculttranslations have links to almost every side story available.
(the spreadsheet also tells you important details and who it's centered around + when each side story is safe to read free of spoilers after a certain point - so it's easy to decide when you wanna read the side stories and WHICH side stories you'd like to read!)
also i guarantee you that if you have a favorite character in rezero that character Probably has a ton of side content theyre featured in - so i recommend just hunting down all their side content and devouring it whole because im sure youll have a fun time with that. a lot of side content also fleshes out a ton of side characters as well in general - people who Looked shallow in the anime ARENT shallow at all, i promise. many people have hidden depths, which is one of the fun parts of rezero!
witchculttranslations and the google spreadsheet also tell you what order you might wanna read in terms of when each one takes place. i recommend following that order for the most part if youd like, but if you wanna binge read side content or something later you can also do that after reading arc 6.
that's how i experienced the side stories myself (i started reading them after finishing up with the arcs 5-6 plot) and in a way, i would say that might just be the easiest way to do it given a lot of the side stories take place during arcs 1-6 or before the events of arcs 1-6. itll make you go "ohhh thats what was happening with these background characters during *insert event here that was focused on in the main story*" or "ohhh thats why These Guys are like this" a lot pfft. so its easier to just get out the most important ones / the ones thatre most interesting to you all in a row after finishing up with arc 6 👍
The Ex Novels:
these are THE MOST IMPORTANT side stories. :o theyll be extremely important for arcs 7-8 especially!! also because these are light novels the dialogue is written in normal narrative format so hooray for that!!
anyway theres five ex novels. i recommend reading these after arc 6 so you got them fresh on the brain for arcs 7-8.
however if you happen to be a crusch camp fan, you can read ex novels 1-3 at any time youd like!! these flesh out characters like crusch, felix, wilhelm, and theresia (some of the wilhelm and theresia content was shown a bit in season 1 of the anime!) so youd probably enjoy these even more if youre a fan of any of them. ex novel four also features felix, julius, and reinhard too, if that interests you! (as a knight fan ex novel 4 was my favorite akdndn and i loved ex 1!!). but yeah in general though read the ex novels in order (from 1 to 5 of course) so you dont spoil yourself for other ex novels, but as i said - you can read 1-3 at any time, and in general its best to read the rest of the ex novels after arc 6.
the ex novels in general mainly focus on important historical events in the rezero world and stuff that happens before arc 1. the ex novels are also our first introduction to the nation and empire of vollachia—this is also the country that priscilla is from (and al also came from there)!! you get introduced to vollachia's whole deal in these novels. youll need this info for later!
anyway witchculttranslations and the google sheet dont have links to them because theyre published + officially translated light novels that are easiest to access by buying them, so harder to get a free pdf of them. however i got you (and your wallet) covered because i got pdfs for all of them right here (if these links dont work let me know!):
ex novel 1 - crusch and felix-centric
ex novel 2 - wilhelm and theresia-centric
ex novel 3 - wilhelm and theresia-centric
ex novel 4 - felix, julius, and reinhard-centric
ex novel 5 - priscilla and al-centric
anyway thats the ex novels in a nutshell!! and of course if you want a physical copy of these books (or any of the rezero light novels in general) in english you can buy these online (sites like amazon has them) or at a bookstore. if you live in the US like i do, barnes and noble has them irl as well. or if you happen to live near a kinokuniya store, they also sell rezero irl. kinokuniya is also specifically for japanese media so i highly recommend giving it a try if you happen to be near one (i got a rezero keychain from there also hah, rezero merch is a little hard to get a hold of sometimes).
rezero light novels are also translated in a few other languages (iirc spanish and polish are some of the other languages its translated in) so if youd like that too you can look into it and buy some!!
The If Routes:
if youre not familiar with these by now, theyre basically "what if"/ alternate universe stories where subaru makes a different and Very Major choice at different points of the main route. theyre not necessarily required reading, but some do have some important lore regarding several of the characters and in general most of them are extremely important AUs for rezero that emphasize all the themes of the story. they also show the Insane butterfly effect of subaru’s decisions.
and if youve gotten this far with the anime already im gonna assume you probably like subaru at least a little bit? :o yeah his character gets fleshed out in Very Interesting ways in these routes. other characters also get changed in various ways due to his decisions!
new ifs are also released typically every year on subaru's birthday - april 1. so with every april 1 the entire fandom plays russian roulette because either the if will be a super silly one or a Very Important one LMAO.
also these ifs tend to be mentioned a lot in fandom bc theyre very beloved and interesting side stories, so i highly recommend choosing which ones you find interesting and just have fun reading them!! you can find them on the spreadsheet, if you want to read them in a more chronological order, or you can find them on the main witchculttranslations website as tabs on the side underneath Re:Zero If Stories. (but ill provide the links to each separate one in this post also.)
all current if routes at the moment take place somewhere in the arcs 1-6 range, so you can look at them either after arc 6, like i said, or in order as you read along with the main route. ill give a quick breakdown of each if just in case!!
Pride If - diverges from arc 1; subaru doesnt call for help when fighting the three thugs in the alleyway. slight spoilers for one part of arc 5 in like One Scene of pride if.
Wrath If - diverges from arc 2; subaru accepts beatrice’s offer to help in the loop where rem dies + subaru tries to run away from the mansion. very minor spoilers for ex novels/arc 7-8 (characters who appear in those arcs appear in wrath if).
Sloth If - diverges from arc 3; subaru gives up and runs away with rem instead of dealing with the arc 3 conflict. very minor spoilers (a character who later appears in arc 8 appears here).
Aganau If - diverges from arc 3; in the loop where rem dies in the cave and subaru carries her back to the mansion, he decides to go down another route away from the mansion instead. years later, he’s now older and still alive after almost everyone else has died. this if is one of the routes in the now discontinued lost in memories mobile game (and this is The Most Important route out of the whole bunch anyway). you can find a playthrough + english translation of it here.
Greed If - diverges from arc 4; subaru accepts echidna’s contract. major spoilers for arc 4 of course. minor spoilers for arc 5+ (small plot beats are mentioned iirc). a bit of important lore for characters like echidna and clind. the first edition of it can be found here - make sure to read this first. this is because this if was also given a longer and polished light novel version of it (it was a special that came with some of the season 2 blueray dvd packages?) and you can find an english translation for the extended + final version under the Blueray Novels and Databooks section of witchculttranslations' side content page.
Gluttony If - diverges from arc 6. major spoilers for arcs 5-6.
Mimigau If - this is just a genderbend au that tappei made that starts from arc 1!! almost nothing is changed besides the characters’ genders, biological sex, names, etc. i sadly dont have a link to this one, but iirc this hasnt been fully translated yet? and it's also very much not that important of an if lore-wise so you're not missing out on much. the genderbent character names are really fun though!
Lust If - this is, supposedly, an if that tappei wrote in one sitting and then decided to delete off of the official rezero wn site. this if is just an april fools joke where subaru gets a harem of various rezero girls. and imo its not Particularly Good, but it was meant to be a joke and tappei just wrote it for no reason so ig the quality makes sense haah. and also sadly that harem includes petra iirc which. yeah. not what id call great.
Vainglory If / School If - basically a canon high school au for all of rezero! not a necessary read at all but it's super silly and fun. and if you like anastasia and/or priscilla they have a lot of Fun Interactions in this one. im not sure if all of this if is english translated yet, but you can find chapter one here.
Other Various Ifs from Lost In Memories - i dont have the links to all of these, but lost in memories has a lot of other more minor aus as well, aganau if is just the most important + the darkest one. the other ifs are more lighthearted and just extra stuff for funsies. other big examples include a julius if (subaru calls for help in arc 1 and julius is the one who comes to help), a reinhard if of sorts (takes place around arcs 1-2, it's a sillier story where reinhard just keeps appearing out of nowhere to help subaru every time he needs help), and also an otto if (arc 1 divergence; subaru gets involved with otto and the two of them decide to start a mayonnaise business).
A Side Note About Rezero Video Games:
ok i know your ask is mainly about how to READ rezero but i figured i might as well explain this really quick just in case!!
there are a bunch of rezero video games and none of them are really Necessary, so dont worry about it. theyre either like - silly alternate universe stuff or theyre a bit more of the serious au variety (like aganau if, as mentioned earlier. i dont know every single rezero video game out there (and i think theres still new ones in the works at the time of me writing this??) and also almost none of them are english translated so its hard to experience them if you dont understand japanese.
the two most important ones (aka the ones with more story in them) are gonna be prophecy of the throne and lost in memories (which i mentioned earlier!). and again, these games are not necessary content - theyre mostly just side content that you can look at/watch/play through for fun and if you just wanna see more of your faves. you can check them out at any time since they dont have any major arc 5-8 spoilers.
Prophecy of the Throne - this is visual novel + a divergence of arc 3 where a new and sixth royal candidate emerges and it looks like emilia is the fake royal candidate here.... so yeah the plot is just. it's like a game of among us. but it's a fun story with a lot of different character interactions (so if you really like the entire cast of rezero youre in luck!!) and features a tiny bit of lore about some powerful groups in the fantasy world. a few of subarus failed loops in this one are also Particularly Brutal. you can watch gameplay of it on youtube or play through it yourself (i know that the game IS on steam too) since it's fully english translated (and all the jp vas and english vas reprised their roles as well).
Lost In Memories - as mentioned earlier, this is a now discontinued mobile game. iirc it was a gacha game? a sort of fighting game? and also it's narrative driven with a bunch of different routes. you can find the wiki for it here - it summarizes a lot of the main story beats. theres no official english translations for this game, but theres a lot of fan translations that you can find on stuff like youtube if youre ever interested in any part of the game. also it has a really fun opening song and animated sequence. nonoc's rezero music is great <3
A Side Note About Rezero Youtube:
theres a lot of summary videos for both main content chapters and side stories on youtube. im not sure how accurate these videos are, but i know that at the very least they can give you a brief rundown on the main points for certain chapters/side stories if thats something youd like to have!
theres also an entire team of people making a fan-run audiobook for arc 5. ive given some of their episodes a listen, and i can confirm that theyre absolutely great. you can find their readings of chapter 1-47 on spotify, and on their youtube channel theyre up to chapter 62. i think theyve also expressed their interest in branching out into other rezero content as well? :o so if thats also something youre interested in you can check them out there!
In Conclusion
anyway, that should be all you need to know - thats a summary of basically all important rezero content from here on out!! i know this is like. Super detailed. so i hope that this was helpful and didnt scare you away or anything hah. and i hope you have fun reading through rezero :o !! you got a lot of content to choose from thats for sure!!
but yeah ty for the ask, i hope i explained everything clearly enough :o !! and if you need any clarification feel free to ask!!
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dalishious · 1 year
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The infamous roof scene... My favourite Sera scene in the game.
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#LowElfEsteem is a series on Sera’s romance with an elf, discussing both the well and poorly done aspects of her writing, while also examining her character on a deeper level.
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Sera invites the Inquisitor up onto the roof to eat cookies together. She then opens up a bit about her backstory, though in a typical Sera fashion, tells a lot by just focusing on one specific thing.
Sera: I got caught stealing when I was little, yeah? You get alienage or worse for that, but the "Lady Emmald" took me in.
Sera: She was sick and couldn't have children. I had no parents. It worked out.
Sera: Anyway, she gets a year sicker, so I ask her about cookies. Because moms make cookies. I can pass that down or something.
Sera: Turns out, she couldn’t cook. She missed that talk with her mom. The ones she "made" she bought, and pretended.
Sera: Aww, right? Well no, she was a bitch.
Sera: She hid buying them by keeping me away from the baker. She did that by lying that he didn’t like me; didn’t like elves.
Sera: She let me hate so she could protect her pride. I hated him so much, and I hated...
Sera: Well, she died. And I hate pride. Pride Cookies.
Sera: But this is great, you’re great, so I thought, maybe me and you could make some.
Sera: I don’t know, "Us Cookies."
Sera: Because then I could like them again. Aww, it’s stupid…
Inquisitor: I don’t understand, this Lady Emmald was just trying to be good to you.
Sera: She hurt people.
Inquisitor: It was just cookies.
Sera: It was not just cookies!
Sera: Lie to herself, fair play, only hurts her. But she made me think there was something wrong with me!
Sera: And the baker? I made his life shit! Why not? It seemed like he deserved it. I mean, if you don’t give a child a cookie because of appearances, you’re a monster. Stupid, pride-whore noble.
Let's get the obvious out of the way, first: When Sera says, "I hated him so much, and I hated..." trailing off, she means she hated herself. That much is obvious by Sera's further explanation, "she made me think there was something wrong with me!"
Why would Sera pick this moment of all things to talk about? Well, remember that Sera would have been less than 10 years old when this happened; the most formative years of growing up, and this incident clearly stuck with her. It taught her she couldn't trust someone she thought was looking out for her, all because Emmald cared more about maintaining appearances than her adopted child's self-esteem. She taught Sera that she would be hated for being an elf, but neglected to teach her that it wasn't Sera's fault.
Was Emmald racist herself? I'm not sure, but she certainly did use racism as a means of control. And maybe that's almost just as bad.
After this talk, the Inquisitor has the opportunity to ask Sera a bit more about herself, this time, Sera being honest. She talks about her history with the Red Jennies a bit, how she got the chance to learn how to use a bow, etc. But I want to highlight this bit of dialogue in particular:
Inquisitor: I think that, after our rooftop chat, I get why you're not like other elves.
Sera: Well, don't. How about we dig into what you are? Or what you're supposed to be?
Sera: Do you know wall about elfiness? What it takes to keep our ears all perky?
Sera: Because you could be more than just that. To me, anyway.
The romance dialogue response is "Whatever I am to you, Sera, that's all I need." And that's cute, but I want to complain about Sera's response if you answer with, "We should all be examples of our peoples, and understand how others will judge us."
Sera: Right, well, good on you. Have fun.
Sera: Don't forget to whine about the past. All elves do that.
Sera: Heard that once. From an "example".
Fucking yet again, Kristjanson can't resist the urge to have Sera denounce systemic racism as something you "whine" about, without any chance at rebuttal. We get it, buddy. You don't know how to write internalized racism in a way that's not just offensive.
If it were up to me, I'd give the Inquisitor the opportunity to challenge Sera with this, to teach her that everything she's regurgitating from what she's heard the humans say is wrong, and that hating her own people accomplishes nothing except doing half the work of her oppressors for them.
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yoddhasblog · 2 months
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Mahabharat is and will always be my favourite tale to reflect upon and talk to people about. This book was immensely hyped up along with the author. I have now read three of her books. The Last Queen, which admittedly I adored. Then, the Forest Of Enchantments, the book I'd been looking forward to for such a long time. That one left me in a rage.
I went into this book expecting to be pissed off and disappointed. And I wasn't let down on that assumption.
The Palace Of Illusions is a retelling of the great Indian epic-Mahabharata. A tale incorporated so deeply into our hearts that everyone has their own takes and beliefs and opinions about it. I sincerely believe that you cannot write a retelling without angering a number of people. Well, I'm one them.
The writing style:
I didn't have too many issues except i did not get why there were so many rhetorical and philosophical questions? Literal, paragraphs that were nothing but questions.
Draupadi, the enigma, the fire-born, the one person I would fight for as long as there is life in me, why was acting as though she was a little more than a sullen child? In the book that was supposed to be from her point of view, the person, the author did the most injustice with was-Draupadi.
The plot assassination:
As I mentioned above, most of everything in the plot of the epic was butchered and mangled to fit into the author's narrative of women, good-men,bad. It is common knowledge that women's position in society was as downtrodden as depicted here. Don't get me wrong, horrific crimes happened against women and justice was also delivered adequately but the author pulled apart the entire social structure only to be able to say that every bad thing happened to Draupadi was because she is a woman.
~ In the very first chapter, Draupadi said it was egoistic of her father to give her a variation of his own name when her brother, Dhrishtadyumna got an original name. In Vyas Mahabharat, her birth name was Krishnaa but like many people in Hindu beliefs, she was also known as Draupadi, though that is the most commonly used name. So, no points to the author trying to convince everyone that this was sexist.
~ Draupadi was highly educated and trained in many things including economics and she was the one who was in charge of the treasury of Indraprastha. She was a finance minister of sorts. So, saying that King Droupad refused to let her train because she is a woman is stupid.
~Also, I've grown up listening to that Draupadi stepped out of the fire as a young woman. She wasn't a child. Some sources say she was around 16 some say around 25.
~ Are we still stuck about 50 years ago that we're going to be okay with authors portraying that all women in power are evil? Kunti and Draupadi viewed each other as rivals? Draupadi throwing temper tantrums over other women? wtf
~ Draupadi as a pick-me? Half the book Draupadi's internal dialogue is nothing but I don't know how to socialize with other women, they're jealous of each other, they're always giggling, I won't survive the world of women, I can't dance, people don't find me pretty because of my dark complexion(where did white supremacy even came in this conversation) but suddenly out of nowhere Draupadi just knows that every woman is envious of her. She adores the saris and jewellery that she used to find impossible to handle.
~ Maharishi Vyas giving Draupadi Divya drishti to see the battlefield of Kurukshetra came out of nowhere. It felt a forced action done only to show Draupadi's emotions about the deaths.
~ Draupadi harbouring hidden feelings for Karna and him secretly returning those feelings felt like a teenager's fever dream. A teenager who's hellbent on sexualizing everything they come across.
~Bhagvat Gita was witnessed by everyone on kurukshetra including the Virat roop? Again, it felt like a move forced that was done in order to show Draupadi's internal dialogue. How did the author even think she could fit Bhagvat Gita in half a chapter?
~The Pandavas just had no personality whatsoever outside of being obedient to their mother and scared of Draupadi's temper tantrums.
~Krishan ji was told to be this charismatic, carefree, silvertongued diplomat but he was simply shown as someone who randomly showed up and gave unsolicited advice.
~And I don't know what that ending was but you can't be serious telling me that Karna and Draupadi somehow end up together in heaven?
~WHAT WAS THE AUTHOR'S PROBLEM WITH RESEARCHING ABOUT MAHABHARATA???
There was no way the entire plot of Mahabharata could've fit into one book. She tried too but this book sucked. I understand it's a retelling and sometimes had to change but everything here felt so forced. The author broke everything in context to fit into her supposedly feminist ideal. Don't get me wrong, i dislike the Pandavas, the Kauravas and their elders with all my heart but they all had one dimensional personalities. They had caricature-ish depositions. I had no emotions attached to anyone in this book whatsoever. This was a headache.
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morallyinept · 6 months
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A full transcribe of JAVI GUTIERREZ'S dialogue/lines from the film THE UNBEARABLE WEIGHT OF MASSIVE TALENT.
Includes full dialogue, and dialogue from any deleted/additional scenes available.
I've created this as a point of reference when writing for Pedro's characters, and I hope you find it useful. Even if you just want to read the dialogue. 🖤
FULL MASTERLIST OF PEDRO CHARACTERS DIALOGUE
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☝🏻Dialogue has been fully transcribed by myself using reference to original scripts (if available), audio subtitles and using my own two ears. Therefore, mistakes can be made, however I have tried to be as fully accurate as I can. If you spot an obvious mistake, please kindly let me know. Where audio is not clear, I have marked with *inaudible* Scenes are separated for ease of reference.
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FULL SCRIPT DIALOGUE:
Of course.
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Mr Cage, I’m-
Javi. 
I’m not sure I understand. 
I think so. 
I am Javi. 
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It was fine. Normal. No big deal. 
He was incredible. But also like, super cool. He was taller than I imagined because they say actors are pretty short. 
No. 
He was… just right. 
No, we didn’t bring it up. I didn't bring it up. It wasn’t the right time. 
I don’t know, Gabriela, maybe I am living in a fantasy world. I mean, look who we are talking about here, the man is a legend! 
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Hi. 
Huh? 
Oh no, I’m sorry, I thought that… did you say? No, I… Oh, never mind. Yeah, so along those same lines, I was wondering, and it’s totally okay if you haven’t, but I was just wondering if you had a chance to read my screenplay? 
Mr Cage, this is Ms. Gabriela Lucchesi. She runs all of our agricultural operations. And this is uh, my cousin. Lucas Gutierrez. 
What? What do you mean “retired”? 
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Gabriela said you are really excited about the cliffs. 
Oh, shit! Shit! 
We must go now! 
Faster! 
The General! 
The General! The General forbade me to see his daughter Matilda. But we defied his orders! And now, he wants to end my life. Can’t you see him? 
Stanislavski? Is he part of the resistance?  
I’m sorry, but you can’t quit acting! You can’t! 
Whether you like it or not, you have a gift. And that gift brings light and joy to an increasingly dark and broken world! 
And to turn your back on that gift, is to turn your back on the entire human race  
I’m afraid so. 
If we don’t go now, they will fucking kill us! These people smell blood and they come running. They are almost to the edge of the forest. I can hear them! And Matilda, she is waiting down the coast. We have to go now! We have to jump! 
I’ve always loved her. 
Oh, shit! 
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Are you two close? 
How did you meet Olivia?
Beautiful film.
So what happened? 
No. There's one woman, but uh… sometimes circumstances get in the way of love. And that's just the way it is. Anyway, Mr Cage, what is your favourite movie? 
Number one, Face Off. 
Number two, let me think… uh. The Cabinet of Dr Caligari. 
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It’s hard, like you said, 100 plus years of rich cinema. 
Paddington 2. 
I cried through the entire thing. It made me want to be a better man. 
I fucking told you. 
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Truth, or dare, Nick? 
Did you hate my screenplay? It’s okay if you did. I just need to know. 
I sent it to your agent. He was supposed to give it to you. 
Now? Like, right now? 
I sent it. 
No. Honestly I’m too nervous. My heart is beating so fast. I think I need to go to bed. 
__________________
I just want to thank you all for coming tonight. It means more to me than you can know. And I would like to tell a story. A few years ago, my relationship with my father had deteriorated to the point where we were no longer speaking. He could be extremely difficult, my father. And to be fair, maybe I am not that much better. Haha. But when he got sick, I realised I didn’t want to lose him before we could repair our broken relationship. 
But I didn’t know how. And then one day, about a week before he died… it happened. A miracle. I looked up and I saw on a tiny little hospital TV… Guarding Tess. We disagreed about literally everything, my father and I. Except for this movie. We both loved it. We would quote it back and forth. In a way, my father was Tess. The former first lady, and I was Doug Chesnic, the secret service agent charged with taking care of him. That movie brought us together. So, on behalf of my late father and myself, I want to thank you.
I bet you didn’t know Doug Chesnic could have such an impact on someone. 
Well, thank you for your sacrifice. It was extraordinary. 
So, does that mean you want to be in it? 
I say, yes. Yes. 
__________________
Mr Cage. 
Nick. I realised that if we are going to create a work of art, we can’t just sit and stare at a screen. We have to open our minds to the infinite possibilities of what the cosmos has to offer. 
Divine inspiration. LSD. 
So, I was thinking that maybe our movie would be character-driven. 
Right. Or like big explosions. 
And work on multiple levels. 
And maybe it's just the drugs talking, but what if we had, like a big drug scene?
Fuck, man (In Spanish)
It’s going to be so fucking good! But like, what's it about?  
__________________
In terms of genre, I-I like comedies. But not when it’s just two people sitting around, talking. 
Oh. 
Nick. Listen. You know what I was thinking? Maybe we could have, like a paranoid, thriller-y angle. 
Right. Right. Wait, have they been watching us? 
Fuck! Did you see that? They just looked over at us. 
No, no. Maybe it was just a coincidence. I will look again. Are you ready? 
No, that’s how you spook a bear. 
A fake laugh? Okay, good. 
Oh, no. 
__________________
Do you see them? 
Here. Use me as a human stool. Do it! 
I have a very big head. I’m not gonna make it, am I? Will you tell Gabriela I will miss her? 
No. It’s okay. You go live a good life. 
But then, we will both die, and I could never live with myself after that, so you let go! You let go! 
Goodbye, Nicolas Cage. 
I’ll never forget you. Now you get the hell out of here, you go!
Mr Cage? 
Hey. 
Oh. Yeah… turns out we could have just walked around. 
Whatever. 
There they are!
__________________
Ow! Ow!
You have to drive on acid, you are a better driver than me. 
Because I read that you did all of your own driving stunts in Gone in 60 Seconds. 
The wheelies are amazing. Now drive the car! They’re coming, let’s go! 
Oh! Holy shit! 
Holy shit!
No, Nick. I have an idea. Maybe this movie… maybe it’s about this. About us. Our relationship. 
__________________
You want me to let you in there, huh? 
Regardless of what the consequences are? Because once you go in there… it could change the way you feel about me. Our entire relationship could change, Nick Cage. 
Is it too much? 
I know, I am sorry if it is weird. 
The Rock. 
Con Air. Heh. 
No, it's not creepy. 
Mandy is a masterpiece. 
Of course they are real. 
Made especially for the film. 
Just look at the guns. 
Hmm. About 6,000. 
I am sorry, Mr Cage, but this is not for sale. 
__________________
Hold on, hold on. Your daughter gets kidnapped? 
But who kidnaps her? 
The barrel is definitely not warped. Who kidnaps her? 
It feels like a completely different movie. 
And then what? The finale is about two men saving the girl? That’s terrible. 
Give me the gun. You know the key to shooting well? Controlling your breath. Do you know how to control your breath, Nick? Your heart. Your heart must be still. At peace. My heart… is not still. My heart is not at peace. Do you know why? 
Because you’re lying to me. 
Don’t fucking lie to me. 
Don’t fucking lie to me! 
I know why you keep on talking about this kidnapped girl. You feel guilty about your relationship with your own daughter. 
You are blocked. Creatively. Because you feel guilty about what kind of father you have been. 
Pull! 
__________________
Nick, I need you to come with me. 
I’m sorry to have to take this step, Nick. 
No, it is the only option. 
What? There’s no need to call them. They are here. 
Unfortunately, I can’t do that. You left me no choice! 
Yes. Creatively. 
No, physically he is tremendous. I mean, he will probably outlive us all. 
Ha!
Look, I have grown to care very deeply about your father. And ex-husband. We are working on a movie together. A beautiful character-driven, adult drama. But, he has so many unresolved issues with you, that it is beginning to bleed into the work in a negative way. Isn’t that right, Nick? 
Well, you see he has so many regrets. 
Well, I had a cat die in the kitchen. And my grandmother was never able to get rid of the smell. I am very sorry for the inconvenience, but this is an emergency. Have lunch with us. And let him say what he has to say. Don’t you think that is a good idea, Nick? 
__________________
Wow. That was fucking pathetic. 
No, no, no. I am honestly speechless.
Shit. I think we have more work than I realised, but this is good. This is very good. This is a good first step. 
Gracias. 
__________________
(In Spanish) Well, Lucas. What was so urgent you came all the way up here? 
(In Spanish) Sergio Baldassari? The head of the Calabero crime family? I thought he was dead? 
(In Spanish) You’re the boss. It’s your call. 
(In Spanish) Wait. The election? That means you… You kidnapped Delgado’s daughter. 
(In Spanish) What? Who’s being betrayed? 
(In Spanish) Lucas, what's wrong? What does any of this have to do with me? 
Oh, bullshit. 
(In Spanish) What? No. Lucas, no. I had no idea. 
(In Spanish) Lucas. Calm down! Calm down!   
(In Spanish) Lucas, please don't do this. I swear to God, I didn’t know. No! No! No! No! No! 
__________________
Hi. 
I’m sorry. I should have asked you before bringing them down. 
And I was thinking maybe a kidnapping would work. Our movie would start out as a beautiful character piece, and then slowly change into a more thrilling… 
Would you like to drive out to the cliffs? Clear our heads and think through the third act? 
__________________
So… 
Yeah. 
These? No. I’ve had these. 
I don’t wear them very much. I don’t think they're really me. 
Do you wanna try them on? I think they would look amazing to you. 
Oh, wow! Those look incredible on you. 
Yeah. 
Like, permanently? 
Okay. 
I totally agree. It’s just… easy. 
Well… I guess it’s time to figure out how this thing ends. 
__________________
Nick… I meant what I said back there. Which is why this really hurts. 
I’m sorry, Nick. 
Wait. You were gonna kill me? And are those my golden guns? 
Why the fuck would you kill me? 
My cousin Lucas is the head of the organisation!
The whole world thinks I run it. When my father died, Lucas took over. He forced me to be the figurehead. 
You don’t just leave this world, Nick. You, and everyone you care about, is in constant danger. Why do you think I cannot be with Gabriela? 
Are you fucking kidding me? I can’t be with Gabriela because that would put a target on her back. Wait, you seriously didn't realise that we liked each other? 
You're in the CIA! 
No way. You go first. 
I don’t wanna kill you.
I fucking love you! 
It’s my cousin. He must've known I wouldn't kill you. 
__________________
Faster! 
Okay. You just run out there. You get the truck. You come back and get me. I will keep a lookout. 
I love that plan. I do. But, you are a faster runner than me, even in subpar footwear. I saw how fast you were in National Treasure. 
Not according to the Making Of featurette. 
Wait! So you’re gonna go? I’m going with you. 
There they are! 
__________________
He’s coming up on us. 
On your left! On your left! 
Holy shit! 
Hit the brakes! Hit the brakes! He’ll hit the back of the truck. 
Yes it will, yes it will! Just do it, do it, do it, do it! 
Don’t worry, he’s totally passed out. 
Fuck! 
I’m okay. Are you okay? 
__________________
There are more soldiers coming. We have to go. 
His people could still be in the area. We have to go. 
I have a place. Let’s go. Come, come. Come now. 
I bought this house 10 years ago for a situation just like this. It has everything we need. Food, passports, materials for disguise. We’ll be safe for the night. 
Olivia. I promise you will get your daughter back. 
__________________
The girls are likely being held in my cousin’s compound. It is a monastery that they use as a cover, but it is a fortress. It is impenetrable. There are walls on every side. 
Tunnels. But with metal doors that only open from the inside. Even if it weren’t for all of the armed guards, it is impossible to get in. 
We are going to walk straight in through the front gate. 
Lucas is trying to form an alliance with Sergio Baldassari, the head of the Calabero crime family. 
Exactly. And since no-one has seen him, no-one knows exactly what he looks like. Olivia. Nick says that you were an incredible makeup artist when you met. So, with some prosthetics and a little makeup…
__________________
Wait. Where is Nick? 
He will never make it out if there alive.
Hey! 
Shit, come on. Nick, go. Go! 
Oh, shit! 
Olivia, hand me the guns. They’re right in there. 
Okay, stop the truck. I will slow them down. 
Yes! You are two kilometres from the embassy. If I slow them down you will all make it. 
No! 
I'm never going to have any kind of a life unless I stand up to my cousin! I need this. Now, go. Go!
You stayed. 
__________________
Nick. 
Oh, no, I couldn't watch. I was, uh… I was too nervous. How did it play? 
Really? Oh, wow!
This is… Nick. Thank you. 
Do you wanna ride to the party with me? They want to interview us. Uh, Vanity Fair. 
__________________
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DELETED SCENE:
I just want you to enjoy yourself, have fun. You will have the rest of the day to unwind, tomorrow to explore. And the big party on Sunday.
N.A.T.I.O.N.A.L.T.R.E.A.S.U.R.E.2
Colon. Book of Secrets. All caps.
I mean, I can change it, if you want.
I should have changed it. I apologise.
You are right, why would I? It is a wonderful film and a phenomenal password.
Welcome to Mallorca, Mr Cage.
__________________
DELETED SCENE:
Okay. You ready?
What do you say we cut the chit chat, A-hole!
Yes, I'm sorry. 
What do you say we cut the chit chat, A-hole?
What do you say we cut the chit chat, A-hole!
What do you say we cut the chit chat, A-hole!
We cut the chit chat, A-hole!
Chit chat, A-hole!
A-hole!
What do you say, what do you-what do you say- fuck, Javi! What do you say-what do you say-what do you say we cut the chit chat, A-Hole!
__________________
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FULL MASTERLIST OF PEDRO CHARACTERS DIALOGUE
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thesparklingwriter · 1 year
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a gift from a dragon
"Was I ever going to be told about this, or was I supposed to accidentally discover it myself?"
tags: pet names, fem!reader, established relationship, reader is preganant, dragon!zhongli doing dragon!zhongli things because im a simp, nesting, tooth rottingly fluffy
ao3 link | taglist | masterlist | next
hello everyone ^^ this segment of the zhongli flufftober that is now just 31 fluffshots is inspired by this ask! i recommend checking it out so you know what the original context was :) i had so much fun writing this, i was literally kicking my feet and giggling like an imbecile... anyway I've been told by a couple of betas on some other works that i may have a slight over reliance on dialogue so I've been working on setting the scene a bit more through description, please tell me if this slays or not.
i am down so astronomically bad for family man zhongli be still my beating heart and ovaries cause wtaf
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Zhongli's favourite part of the day is easily six pm when he can hurry home from the funeral parlor to see you. But over the few weeks, he's been becoming more on edge as the clock tends to the end of his work day. He's never particularly enjoyed being away from you for long, granted, but he always wants to be at home now.
On his way home, he passes through the market stalls and finds himself drawn to a couple of stands, musing over how the wares would suit your home perfectly. Before he knows it, he's bought a ridiculous amount of goods and is staggering under the weight of it as he returns home to you. He'd only meant to buy the vase, but then he'd been drawn to some woolen blankets and pillowcases with golden threads, and how could he ignore his instincts when they were calling out to him so loudly?
"You're finally home," you smile when he comes through the front door. You dare not ask about the ridiculous amount of things he's been buying recently–when you do, he looks at you with confusion, as if you're supposed to know what he's doing. You don't. At all. When it comes to Zhongli and his instincts, you've learned to ride the wave and accept whatever you're told.
Zhongli lowers his head to kiss you, manoeuvering his pile of goodies out of your way. "How are you feeling?"
"I'm great. How are you?" You shoot back snarkily. You know that's not what he's asking—he's asking about whether the baby's been good today or whether you've done anything particularly exciting with the sudden excess of time you've been granted since taking maternity leave.
"I'm well, thanks," he replies, chuckling at your evasion of his question. You do this almost every day, withholding the details of your day from him until he sits down and gives you his full attention—something he can't do while carrying a whole mound of knitted goods.
"I'll tell you more after you put that away. Where are you stashing all that stuff anyway?" You ask, and Zhognli shrugs.
"Places." he smiles, heading upstairs. The aforementioned place is your room—not that you spend much time in it. In fact, Zhongli's been in your old room more often in the past three months than you have since you moved in. As your pregnancy progresses, you seek him out more than usual, desperate for his comfort. And so, his room has become a shared room. Not that he particularly minds.
When he returns downstairs, he lies down, resting his head in your lap, and you tell him everything you've done today, absent-mindedly braiding his hair as you talk. He likes being close to your stomach, even though you're barely showing, and listens attentively, asking questions about your adventures. Nine times out of ten, you both fall asleep like this, and you awake in the morning in your bed. But today, you wake up before Zhongli does, having napped earlier in the day, and carefully slip away from him, slipping a pillow under his head where you once had been.
The sheer amount of knitted things Zhongli brought today has made you want to revive your old hobby of crocheting in the hopes you might be able to make something for the baby. If you remember correctly, the last time you crocheted anything was when you still used your room for its intended purpose—and not as a walk-in wardrobe. And so, you march yourself to your room, ready to check under the bed for your trunk of supplies.
Or rather, you would be if Zhongli hadn't replaced your bed with what feels like thousands of pillows and blankets.
Oh, Li, you think, wrapping a blanket with golden threads around your shoulders.
Sometimes, it's easy to forget that the man wasn't always human—that even though his body is that of a man's, his mind and soul aren't, and that sometimes old instincts kick in. Was he embarrassed? Was he worried that you'd think he's weird?
You walk towards the large pile of comforters out of curiosity. If he put this much work into it, you might as well test if it's any good, right? You sink into the blankets, curling up with one of the pillows in your hands. It feels like every part of your body is being hugged by him and you can swear the blankets smell like him. Before you know it, you've fallen asleep, a golden pillow clutched close to your chest.
When Zhongli wakes up and finds you replaced by a pillow but the house silent, he's slightly concerned. Have you injured yourself while he's been sleeping? It can't be. He would have woken up. And so he decides to search for you. Just to make sure you're alright. He can't be too careful. But you're not in his bed, and you're not in the bathroom, the study, or the small makeshift library he'd put together for you.
The final place to look is your old room, but you'd had no reason to go in there before, so why would you go now all of a sudden? But of course, that's where he finds you, curled up in the middle of the sorry attempt of a nest he'd put together to try and curb his urges. He wishes he'd had enough time to finalise his preparations, but seeing you sleep so happily makes his heart swell. He sits on the floor beside the bed, carefully taking your hand in his as you stir, resting your hand on your stomach as you sit up.
"Good evening," he smiles, and you stare at him blankly as if you don't understand, a sign you've slept well. "Are you alright?"
You nod, wrapping your arms around his neck and pulling him into bed with you. When you've finally woken up enough to talk, you look up at him and ask: "Was I ever going to be told about this, or was I supposed to accidentally discover it myself?"
"I had intended it to be a gift for you and the baby when you were further along, but I have no objections to you getting an early present." His smile is excited and bright as he pulls you closer to him, suddenly overcome with the feeling that you can never be close enough.
"This is not what I expected when I found out dragons nest." You smile against his chest.
"Well, I can't exactly bring you feathers, can I? You'd slaughter me the minute I step over the threshold, so this will have to do."
"I can think of worse places to sleep," you smile, kissing him lightly. "Thank you. I love it."
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© 2023, thesparklingwriter. please do not copy, edit, repost, or translate.
taglist: @ainescribe @thelonelyarchon
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artemistalkstoomuch · 4 months
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All of My Opinions on the Mean Girls Musical Movie
Firstly, loved all the original film references. Of course the obvious ones like having the same lines, the thing about fetch being slang from an old movie, but also!!
. Janis' suit being purple for spring fling!! and omg let's not even talk about how pretty Aul'il Cravalho was throughout the entire film. Her eye make-up was so impressive
. that part in Sexy where they're cycling through potential outfits and one of them is the white shirt with the purple bra holes cut out !!
Slightly upset about the fact they cut out Meet the Plastics and it ended up being more like, Meet Regina, but I get that. On the topic of songs, I understand a lot of them were cut out because they were "too theatrical" but I can still miss em!! Truthfully when I heard the new Stupid With Love I was devastated because it's one of my favourite songs and they fucking tiktokified it, but I actually think it works really well in the film- it gets the "cringy first proper love" aspect across, which is its purpose, so I'm happy.
THEY GOT RID OF "WHO HERE HAS EVER FELT PERSONALLY VICTIMISED BY REGINA GEORGE" which was absolutely criminal
AND THE PRINCIPAL AND MS NORBURY ARE TOGETHER which was actually adorable, and I didn't think about the fact that could be something that happened, but I'm very happy it did.
The bus at the end of Rather Be Me was such a jumpscare but also so funny. THEY MISSED OUT THE DIALOGUE TO DO IT THOUGH SADD. Plus she was so goofy that entire song?? Why was she running in and out of all of those random rooms.
The rumours spreading via phones looked half cool, but it's dated the film imo, which is what Tina Fey originally set out to avoid! Like "fetch" was made up slang so in years to come the film wouldn't seem cringy for having slang teens actually used to use at the time.
Big drum-roll: We did not see enough of Regina's meanness to actually justify her being a mean girl. A lot of it got filtered out through songs, and the majority of stuff was just her, like, responding badly to sexism?? Also tell me how I'm gonna villanise Renee Rapp she fucking SLAYED what a queen.
Also WHERE IS COACH CARR'S SEXUAL ASSAULT. THAT'S THE WHOLE REASON MS NORBURY GETS ARRESTED!!?? That, to me, is one of the biggest indicators in the original film of just how powerful the "Mean Girls" are, they know about this, and the other teachers don't. Not only that, but it highlights just how immature they are, because they don't do anything about it. They're girls who run the school, without having any sympathy or context to do something about bad stuff they know happens. It's just "a funny thing to write". Not having that made me sad tbh.
Changing the line to "you wrote this" in World Burn was clever but I wish we got to see more of the girls turning on each other, rather than direct fighting.
KEVIN G BEST SONG IN THE MUSICAL
Where was the 4 way phone call, DEVASTATING. We literally did not see the plastics actually interact with each other. There was no meanness, no impact, all we got were the "events" when OTHER THINGS HAPPEN. You could say it lost a lot of filler, but the filler was actually context! And part of what makes the film so good!
Devastated she doesn't say "damn you're mine" in Someone Gets Hurt. I do think it's hilarious they just didn't make the actor guy for Aaron sing at all lol
"That filter you use looks just like me" WHY. I appreciate the change from the line about weight but like, this DOES NOT MAKE SENSE. at least say "that filter you use has nothing on me" THE WHOLE POINT IS SHE'S ABOVE IT
I didn't like the extended version of Revenge Party, sorry, too used to the old version
And I did not like the girlbossification of Sexy. I get it's supposed to be powerful like "watch me as I run the world in shoes I cannot walk in" but I feel like the whole point of "I expect to run the world in shoes I cannot walk in" is supposed to point out the irony, like, being slightly critical of "modern feminism". I will say though that the wobble from avantika as she says that is superb.
Overall I thought the film was enjoyable and a nice blend of the original film and the musical, but I think both ended up losing individual meaning because of how much they intersect. You don't have time to appreciate the lyrics and power of the musical because you don't hear them all, and some of them get cut, and you can't follow the plot in a meaningful way because the songs are happening, and they skip a lot of context to fit them in.
Would totally watch it again though, if only to see Renee Rapp say "get in loser" cos she actually nailed that
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aspoonofsugar · 3 months
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hey! Good day :) here to ask a question!! I was wondering about your process for analysis, character analysis, theme analysis- do you just write or are there specific things you look for? I suppose I’m curious if you have an idea/general gist of what you’re doing or steps you take to do your breakdowns. I’m trying to do something similar out of interest and your works are simply fascinating to read. I look up to your writing a lot!
hello!! Can I ask how you started analysing shows, how you went about it? I’m learning literary analysis and trying to do the same for hunter x hunter but I find it infinitely harder to analyse shows. Especially since I most notably consider diction in literary analysis lol
Hi!
Thank you for your nice words anon(s) and yay! I love meta-asks <3<3<3
So, it depends on the meta. In general, I try to focus on a specific topic, which can be:
a character (arc + foiling between characters)
a theme
the use of a specific motif, when it comes to a character or a theme
These are my three favourite kinds of analyses, but there are other types, as well. For example, some people are really into plot theories/predictions. Others prefer to focus on characters from a psychological viewpoint. Some other writers like to use philosophical lens or to compare different works. It really depends on your preference.
My preference is mostly for thematic analyses. This means that my character metas too tend to use a thematic lens. So...
WHAT IS THE THEME?
In short, the theme of a story is both:
the topic the story is exploring
the moral of the story, aka a phrase which summarizes its message
Stories explores topics through characters and plot, while the way the conflict is solved tells us the moral.
Some examples:
RWBY's main topic is humanity in both its weakness and strength and its moral is that victory is in a simple soul
Madoka's main topic is wishes and its moral is that it is worth to want things and to fight for them, even if it is painful
HXH is strange structurally, but its main topic is self-search, with its moral being that a person should not focus on the goal, but enjoy the journey
All of these messages and ideas aren't just things stated in dialogues (even if someone saying the theme helps). They emerge from the story itself.
RWBY's main conflict is about a destroyed world (remnant) surviving the anger of an evil witch (Salem). If humans let hate divide them, they lose. If they unite, they win. The main thematic question is then... can humans make the right choice? And the answer is that they can, as long as they remain simple souls (Ruby, but also Pyrrha at Beacon, Blake in Managerie, Yang in Mistral, Weiss with her family, JNR when they tag along and Penny in Atlas). The main message is that several people making the right choice leads to change. And that is humanity. This is why the characters keep being asked to give up their idealism and to embrace a more utilitarian way of doing things. And this is why every time they refuse and stick to their idealism. The conflict itself keeps testing their resolution.
Madoka's power system works through wishes, so the girls' powers and their backstories are all defined by their wishes and by how they relate to them. Madoka doesn't know what she wants. Homura's wish turns into an obsession. Mami makes a wish too early and thinks only about herself. Kyouko and Sayaka make a wish for someone else and have opposite reactions to their wishes ending poorly. Finally, it is revealed the girls' wishes are literally the force that keeps the world at balance. So, the plot, character arcs, conflict and worldbuilding are all about wishes.
HXH is made up of several arcs and each arc has its own theme. That said, the overall structure conveys the main theme. Gon's objective is to find Ging, but he keeps taking detours and getting engulfed in unrelated conflicts. However, the moment he meets Ging he realizes it is not his father who defines him, but rather it is all the people he met in his journey and his own experiences. Basically, HXH's strange structure conveys the main theme.
So, the theme (both topic and moral) should emerge by the characters, the worldbuilding, the conflict and sometimes even by the structure itself. In order to find it, one should start with the topic and ask themselves "What does the story really talk about?". The answer to this question will let you understand the theme as topic. The second step is to see how the story explores it.
DIFFERENT POINTS OF VIEW ON THE TOPIC
There are different ways a story can explore a topic. Still, the best stories have different perspectives clash with each other. Very often these different points of view are embodied by different characters.
Here are some examples, with some linked metas that explore the respective stories more in depth.
Madoka (topic= wishes):
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Homura is determined to fulfill her wish no matter what
Kyubey is her opposite, as they are unable to wish since they lack feelings. This is why they need to recruit girls into creating energy through wishes
Madoka is in the middle, as she wants to wish for something, but doesn't know what
Mami, Kyouko and Sayaka all explore negative effects linked to wishes, which are connected to other secondary themes. Specifically, Mami explores the consequences of an immature wish, while Sayaka and Kyouko explore the selfishness/selflessness inherent in wishes
The conflict is solved through Madoka learning about the price of wishes, but still choosing to make a wish and to sacrifice her whole self for it. This ending conveys a specific moral: despite the pain and sacrifice that comes with them, wishes are still beautiful and worth it all. If Madoka had chosen to give up being a magical girl and had ended up the series without making a wish, the moral would have been the opposite: that a normal life is better than grandiose and dangerous dreams.
Monster (topic = the value of life)
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Tenma believes that all lives are equal, which is why he chooses to save Johan as a child, despite being ordered to operate a far more influential patient.
Eva and Nina believe that not all lives are equal. In particular, Eva thinks that social status and importance in society influence the value of one's life. Nina instead believes that people who commit crime should be punished and lose their lives.
Johan believes no-life has value, including his own. In his words, the only thing all humans are equal in is death.
Here, the moral is conveyed through the Tenma/Nina vs Johan's conflict. Tenma is tested in his beliefs, but ultimately does not abandon them and ends the story by saving Johan. Nina instead is asked to change her mind, as she ends the story embracing Tenma's point of view.
RWBY - The Atlas Arc (topic = trust)
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Ozpin lacks trust, as he is unable to trust others, no matter how loyal or dedicated to his cause they are
Ruby wants to "trust safely". She wants others, like Ironwood, to prove themselves to her before disclosing the truth to them
Ironwood is initially on Ruby's same page, but he spirals and comes to embody the "enemy of trust" aka control. He doesn't trust others, but wants to control them.
Oscar embodies trust, as he wants to trust Ironwood since the beginning. Even later on, he keeps on trusting people like Hazel and Emerald who are his enemies.
Cinder embodies another "enemy of trust", aka manipulation. She doesn't need to trust others to work with them, as she can use their feelings and wishes against them.
Penny embodies faith, which is a more extreme form of trust. She sacrifices herself and leaves the maiden power to Winter. She has no proof Winter will be able to save Weiss, Jaune or the relic, but she entrusts the future to her.
All these characters struggle with trust and its dangers. Some, like Ozpin, Ironwood and Cinder decide that trusting is too dangerous. Others, like Ruby, Penny and Oscar realize that to trust is the only way to move forward. Moreover, they learn there is not way to trust safely. As a matter of fact the moral of the arc is that "trust is a risk" and risks mean that things can end up badly. Still, not to take risk means to give up hope.
Hazbin Hotel - You didn't know song (topic= knowledge)
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This song explores the idea of knowlege. The characters are after all in the middle of a questioning, which leads to several secrets coming out. Moreover, throughout it all the characters either admit or realize how ignorant they all are. The way they deal with this lack of knowledge establishes different thematic stances.
Charlie and Emily are both naive and ignore the darkest sides of their loved ones. Charlie doesn't know Vaggie used to be an exorcist and Emily has no idea Sera ordered the exterminations. Still, their answer to ignorance is to keep on questioning. They have no idea why only certain souls are admitted in heaven. Still, they think it is important to investigate the phenomenon and use it as evidence that there might be hope for the spirits in hell.
Lute and Adam don't know why some spirits end up in hell and others in heaven. Still, they do not bother to question it. So, Adam is caught by surprise by Charlie's question and has to improvise an answer. Not only that, but even later on the duo insist that Angel not being in Heaven proves he is unholy. And that's it.
Sera does know about the extermination, as she knows the system is unfair. Still, she refuses to question it and forbids others to do the same. She is the only one whose sin isn't ignornace, but knowledge.
There is no a clear thematic resolution to the question posed by the song. This is because the series is not over yet. However, the scene sets up the theme and the way characters will deal with it in later seasons will give us the moral.
As you can see, not only whole stories (like Madoka, or Monster) have themes, but also arcs (RWBY) and even episodes or scenes (Hazbin Hotel). That said, the way to go at it is always the same. Pintpoint the main topic and start investigate how the characters or the worldbuilding deal with it. You are gonna get several stances. The one which emeges victorious is the moral.
Let's highlight that the moral is not always embodied by the protagonist. For example, in the Madoka and RWBY's examples, Madoka and Ruby are initially at a loss and come to learn the moral by the end of the story (for Madoka) and arc (for Ruby). Similarly, Tenma initially does believe the moral, but doubts it throughout the story, only to be reminded and helped by other characters (like Nina).
In any case, the way the protagonist and characters in general relate to the main theme and to secondary themes is key for their arcs.
CHARACTERS AND THEME
When it comes to theme a character can either:
Believe the moral since the beginning
Not believe the moral since the beginning
In the first case, the character either stops believing the moral by the end (negative arc) or keeps believing the moral until the end (positive arc). In the second case, the character either learns the moral (positive arc) or doesn't learn the moral (negative arc).
In short, the story keeps challenging the character on their beliefs and they must either stick to their point of view or change it, depending if they believe in the moral since the beginning or not.
Exhibit A:
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Charlie's belief that sinners can be redeemed is right. Still, in the beginning nobody else agrees with her, so she is challenged by the world around her. Her objective is not to lose faith in the Hazbin Hotel and to inspire others to change their mind too. Throughout her journey, she is bound to grow too. She starts as sheltered and naive with a simplistic idea of what redemption is. By the end, she will gain a deeper understanding of redempion and will grow as a result.
Exhibit B:
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Eren's journey is about realizing what freedom (the main topic) is about. The problem is that he fixates himself on the idea that freedom means no boundaries, either natural nor humans. This leads him to embrace destruction and nihilism and to lose himself. In the end, the character who realizes what freedom truly is is Mikasa. She doesn't discard her bond with Eren, but is still able to make independent choices and to live as herself. In short, Eren doesn't learn the moral, hence why he spirals instead of growing.
Charlie is a protagonist who knows the moral and will grow with it in a positive arc. Eren is a protagonist who doesn't know the moral and never learns it. This is why he has a tragic negative arc.
These are just two examples, but there can be different combinations. By interrogating yourself on how characters relate to a theme, you get better a better understanding of their role in the story and of their overall arcs.
Still, how to find themes in a story? Luckily, each text is full of hints that are there for us to interpret them.
MOTIFS
Motifs are repetitive details within a story, which are used to communicate themes.
Anything can be a motif: a line, a musical tune, a specific imagery, an object. By repeating them in key moments throughout a narrative, they become symbols, which means they can lead to bigger metaphors and convey specific meanings.
In the song More Than Anything, dream is one of the main topics. We realize it because the characters keep mentioning it. At the same time, light keeps popping up. Lucifer summons light and throws it away, Charlie rememebrs a light show Lucifer imrpovised for her. Lucifer and Charlie start the song in the shadow and they end it in the light. This means that "light" is a motif throughout the song and by seeing how it is used we better understand the theme and the relationship between the two characters. We understand that light is a metaphor for dreams. Lucifer gives up on it, Charlie is inspired by it and eventually Lucifer summons it back as he has decided to believe in Charlie's dream. By looking at the way light is used, we can see that Charlie teaches Lucifer the moral that it is worth it to fight for dreams and not to give up on them.
In the CAA of HXH, gungi is a motif that comments both the topic of humanity and Meruem and Komugi's relationship. Their matches become a metaphor of monstrosity vs humanity, as humanity slowly conquers Meruem to the point he himself chooses to live and die as a human, rather than the King of the Ants. Similarly, Kokoriko symbolically becomes Komugi and Meruem's child, in the sense they give birth to this move and evolve the game.
Sometimes, their meaning is unique to the story. For example, gungi is a motif that makes sense within HxH and can't be brought outside of the series, as it is not a real world game. It only exists in that universe. Some other times, a motif can tie to bigger sets of symbols. For example, light and shadow are universal symbols that bring with them several additional meanings:
Good and Evil
The Jungian persona shadow
In the Hazbin Hotel song the first dychotomy doesn't fit, while the second one does. Initially both Lucifer and Charlie hide things from each other (shadow), whereas by the end they show who they are (light).
In short, to analyze a story, you should find its key motifs. They are hints to better understand the theme and the characters. Different stories will use different motifs and tie them to different wider sets of symbols. To find the right ones can help a lot in better understanding a story, as a whole.
Some examples:
RWBY uses fairy tales and alchemy as its main motif, so these two sets of symbols are the most useful to analyze the series
HxH is a shonen and uses its powers and fights to convey character arcs and themes, so to analyze one's nen abilities helps a lot
Hazbin Hotel is a musical series that takes inspiration from religion and mythology. So, it is probable that the best understanding of it will come from analyzing its songs and from looking into its religion inspiration
Of course this doesn't mean you should only use one motif to analyze a story. For example, you can use RWBY's semblances to look into the characters, as well. And there are some fairy tale allusions in Hazbin too. In the end, it is about using what best helps you understand a story as a whole.
What is more, there are general sets of symbols that can be useful in most stories, such as jungian archetypes. Finally, you might want to start from other aspects of the story itself, rather than theme or characters or plot. For example, you might be drawn to the world-building and realize it is used in a special way to explore the theme. Or you might be curious about character designs and see that they have their own symbolism (for example, I believe RWBY ones do and probably Hazbin Hotel ones, as well).
SOME PRACTICAL ADVICE
I have linked in the title of each paragraph, but this last one an article by @septembercfawkes. Her posts are great to better understand narrative structure and I found them enlightening.
I think the best thing you can do is to start with focused metas. Choose a scene, a character, a motif that intrigues you and start exploring it. It is better to start small and to narrow your focus, it would be easier to organize your article.
I usually outline the contents of the meta before starting to write it. Still, it sometimes changes as I keep writing.
It can be useful to write at the beginning of your analysis what you are gonna do. It will help you remember what the point of the meta is. For example, in my RWBY allusion meta or HxH nen meta, I always start with the motif I am analyzing. I summarize the fairy tale (even if many people know it already) and I explain what the character's ability is about. It helps organizing the flow and the contents.
The more you analyze the better you become at it, so it is just a matter of starting :)
Thank you for the asks, I hope this was helpful and not too much confusing!
Have a nice day!
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