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#you know what's interesting? the day I saw the original post with the questions i had to pick up and put away some lances at work and
bryngmemoney · 4 months
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✁FASHION FLIRT✃
Megumi Fushiguro x Reader
⭑story masterlist link
tw: death joke, worms (maybe?)
lots of Writing between Messages!!
🪡Chapter Twenty-seven: Fixing him
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“Megumi,”
“hm?”
“Are you okay?”
“Why wouldn’t I be?” you didn’t notice it , but he tightened his grip on the wheel, his other hand that was by his side he used to pinch the fabric of his pants.
“You just seem quiet, what’s on your mind?”
“Nothing, but you never told me where we were going.”
“Oh right!” to be honest you had completely forgotten you hadn’t told him, and you did promise you’d say where the morning of. “It’s a little book cafe! My friend recommended it to me, I thought it seemed fitting.”
“So, you’ve been here before with them?” he questioned. “Nope, we can try it out together.” He smiled a little, and you did notice that, happy to at least get a little more emotion out of him.
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“Hi! Welcome in,” A girl with a short brown bob looked up to you and Megumi walking in, adjusting herself at the front of the counter next to a bakery display waiting for you to approach.
“Hi,” you greeted back.
“Do you two need help with anything?”
“Not looking for anything particular, thank you though,” you answered, turning to look at Megumi only to see him already looking around the place, specifically staring off towards a shelf of books.
“Ok, well let me know if you need anything.”
You nodded as the girl went back to her previous task. There were only a couple of other people inside the place, probably less than ten. It was larger than you expected it to be from the outside exterior, but still very homey. You had just begun to take a few steps in, only for Megumi to grab your hand and lead the way.
“Look,” he said once stopping in front of a shelf, picking a book out and handing it to you. “One of my favorites.” You were a little taken aback, but just smiled looking at it, front and back, trying to figure out what it was. “How is your eyesight that good you saw this from the entrance?”
“Can you do that again?” You looked up, only to see him pull out a smaller camera from his jacket’s pocket. Smaller than the one you had seen him with before. How did you not notice he was carrying that?
“Uhm, okay,” and you repeated your action, feeling slightly strange, but at least he seemed more alive now.
“Thank you.” His smile at that moment was contagious, seeming genuinely happy.
“Was that just for you or for your project?” you asked, mirroring his expression.
“Do you want your hint for the day?”
“Yes please.” He leaned his camera towards you, showing you the four photos he took, “They are for the project,” he informed.
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“What’s wrong with your loaf?”
“What?” Megumi looked up from his page, eyes wide full of confusion.
“The pastry you ordered, you took two bites and haven’t touched it since.” You had been watching Megumi for the past thirty minutes he’s been sitting across from you. Although you both originally started with conversation that had slowly filed down into you guys reading what you had chosen. You thought back to what Nobara had said over text and couldn’t help but think maybe she was right. He’d probably be happy if you had just taken him outside then given him a book.
“Oh,” he looked down next to him, starring at the piece of bread on the small plate, “It’s just.. too sweet.”
“Too sweet?”
He looked back up at you, shrugging before picking up his mug taking a sip of his dark coffee. “I’m not really a fan of sweets.” He placed the cup back down, then went back to reading.
“You’re such an interesting man Megumi.”
“Really?” he questioned looking back up to you.
“You’re interesting to me.” He just looked at you, both of you making eye contact for a few seconds, and he failed to look away on time so you wouldn’t see the pink dusting his face. “Thanks I guess.”
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Author’s Note: concrete🎀
um so complications irl, am not able to finish the next chapter today, will post two chapters for tomorrows update promise 😊🤞
hope you guys enjoyed!!
Taglist below, feel free to comment or dm me to be added!!
TAGLIST
@iridescentrays @gumimegz @maya-maya-56 @mamafly @lunavixia @swissy23 @coltsgf @m00nglad3-mp3 @etsukis @xosren @qtnfer @oengleli @harek89 @y-sabell-a @morgyyyyyyy @getolvr @liliumaraneae @k3lbade @aiieera @dancedancey @get0sfav @chuyasthighs0 @hyssoplampflickers @kpopanimen @sad-darksoul @vivi-loves-penguins @kasumitenbaz @talkingsperm @nymphsdomain @inlovewithlondonn @rzcnlb @enchantingkitty @fuyuzemi @lysaray @ni-ki-ismyluv @renemy @frumira @mixzimi @miralunaela @dreamxiing @p3achiee @anianurst @nishii28 @arguendo @samutoru @hallothankmas @invisible-mori @aiserex @all-in-the-fandoms @milza12 @nyxlai @daintyminho @tokyodarlng @molovs
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silly-circus · 25 days
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★SillyString’s story/background★
(Way long overdue lmao and long I’m so sorry guys, also made some edits because I wanted to word some things better)
I want to start off by saying she is me, me is she(Im not sure if I made it clear or not so apologies I’m kinda dumb🫰). I say “her” in my posts instead of “me” because idk it feels right since I make her look differently than I actually do. Even so, we share the same name and I do the clown look all the time when I go out to places that I get an excuse to🧍‍♂️so really it is just me but anyway,,, time to begin! This is my first time actually writing this out so I’m sorry if it’s formatted and explained terribly
First off, Silly String is my persona’s clown name. She came up with it herself, everything else was Pennywise’s idea. She was originally a human, and still looks like one and has the appetite of one(when she changed Pennywise assumed she would want to eat people. He was wrong.) She lived in texas(yee-honk) before moving to Maine literally because she thought “why not?” and ended up in good old Derry. Her life growing up wasn’t terrible, but it wasn’t the best. She was always into odd and strange things, or things that most would find creepy(clowns. Love clowns. They’re so cool) so she was kinda outcasted from others at a young age but soon people learned to just let her live in peace which of course she was happy about. She did manage to make some friends, solidarity. After moving, she continued pursuing freelance photography and painting, but her full time job is as a barista in a local coffee shop(wow, how interesting💀).
The way that she met Pennywise was kinda stupid. All she was doing was taking photos of the local wildlife and next thing you know a kid is running by before she notices a fucking weird ass clown creature from hell charging straight towards her(she still snapped a photo before running). He does catch up to her and jumps her. How she managed to not get away, but the kid did, don’t ask me. She survived, her camera unfortunately did not(he gets her a new one eventually guys trust).
since then, they kept bumping into each other. He does try to kill her again but she kept managing to escape him(pissed him off more and more each time) but soon enough he starts to chill out and basically decides to learn more about her. The more she realized he was going to not continuously try eat her every time he visited she would start asking him questions about who he was as an entity and where he came from. It does start out as a weird friendship where he would mess with her at work or appear out of literally no where to hang around. He does start to enjoy her company and watching her do normal, human things since her doing it made it seem entertaining. After a while of slowly getting closer and closer they become loving parters yay(she was still human at this time).
Fast forward and they get “married” which they really call their “eternal binding.” Basically what it means is that she became a part of him. As in if he dies, she dies. She unfortunately didn’t gain any cool shape shifting and such, she just gets to live and thrive as long as he does. When it first happened she was having a hard time with it simply because she’s going to outlive everyone she knows and will continue to, but over time she made her peace with it and saw it as a privilege to watch the world change around her and of course stay with her beloved.
Also the year they met was set in the 1980s, or honestly it could be any time after that or something I don’t know yall get creative I’m just going with the flow.
That is it :) sorry again this is long, and I hope every one has a good day/night(it’s 3 am why do I do this to myself). I also hope you guys continue to follow along with me on their lover clown journey :D
AND- little sneak peek of an upcoming piece I’m working on for Mermay 😙
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Thoughts on Echo as amputee/disability representation
First and foremost, I am not disabled or an amputee and I don’t claim to speak for those communities. What little I do know mostly comes from this youtube channel (@oakwyrm), this post, and other research I’ve done for my writing (and like one amputee I kinda knew in passing). By all means correct me and add to the conversation, I just have some thoughts I want to share because I haven’t really seen this discussed anywhere
Overview
So Echo is interesting. He is a triple amputee which is pretty rare in media. His disabilities come from extremely traumatic circumstances: injured in a near-death experience, imprisoned and dehumanized as an experiment with no autonomy over what happened to his body.
There are a few moments in the shows where Echo is treated… questionably. Like this bit where Rex uses him as an example of the Separatists' evils to convince the locals to fight back:
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To be fair, yeah Echo’s treatment does prove that the Techno Union is not neutral like they claim. The modifications that everyone is gasping in horror at here obviously weren’t made with comfort and accessibility in mind, nor with Echo’s consent. But you still just want to be sure that “They took away his freedom, his humanity, they tried to turn him into a machine” is about using him as a living computer, not the fact that he is missing limbs. 
The Batch is also pretty insensitive toward him and his trauma imo, which is weird considering they've supposedly also faced discrimination for their mutations
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Disabled people do have to deal with stuff like this in this day and age so I guess it can speak to those experiences. I think especially him being mistaken as a droid (and Hunter going along with it (bruh)) might resonate with some people. 
Aside from that stuff, Echo isn't really treated any differently as a character/person which is really good (as low of a bar as that is).
We get this moment in CW where Echo contemplates that yeah things are gonna be different now
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While also (imo at least) showing that he is still the same person regardless, evidenced by the fact that he just echoed Rex :,) I also think it's significant that he joins the Bad Batch on his own terms and we're given a really emotional scene to specifically show that he's not just like 'lumped in with the other misfits' but that it is his choice to go where he feels his place is.
A lot of people, myself included, are disappointed that TBB didn't have more time to explore Echo's PTSD, but I think the one panic attack scene we did get is really good. Even thought it's minor it at least is an appropriate reaction from a guy who was medically tortured (which is more than I've come to expect from Star Wars shows lol)
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And it's really sweet to see Omega showing Echo some empathy and consideration.
It would have been nice to see more of his adjustment period, and other side effects like chronic pain and maintenance, but there’s a lot of daily life stuff the show never had time for (i.e. we don’t know if he removed his prosthetics to sleep, but we also never saw him sleep anyway). His disabilities might take on a background role (much like the character himself sadly) but for the most part they aren’t invisible or erased, nor do they define his character and arc.
Physical Appearance
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Okay this one is bit dicey, bc on the one hand, yes complaints that Echo’s paleness (caused by burns from the explosion or chemical burns from the cryo-chamber) is whitewashing are totally valid. But I also think you can draw comparisons to real life conditions that affect pigmentation/complexion (like you know burns). So while I understand why a lot of fanart will depict him with his original skin tone and with hair, consider that there are real people who have to live with temporary or permanent changes to their appearance, and the idea of “fixing" him by making him look more like his old self can be problematic.
It's also interesting to note that Echo could act as a reversal of the 'disabled/disfigured = evil' trope. He's pale and bald and wears black and red, which is so often visually associated with villains, but we all know Echo is the bestest boy™
The Headpiece
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Echo’s headpiece is interesting because within the show we don’t actually ever learn much about it (idk if there is more info in books or whatever bc i don’t have them so?). He didn’t have it in CW so we know it didn’t come from the Techno Union and therefore Echo probably had more choice with it. We don’t know its exact purpose but it’s most likely related to his scomping abilities. When he is hacking with his scomp in CW, before he has his headpiece, it’s clearly very mentally straining:
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We don’t see him struggling like this in TBB once he does have it (though that could be bc he got more used to it over time). There doesn't seem to be much of an impact when he removes his headpiece in s3 ep14-15, except that he gets stuck in the ports every time he uses his scomp which is not something we’ve seen before: 
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There might not be an exact real-world equivalent, but the headpiece is some kind of accessibility aid. It means that someone specifically designed a device to help him adapt to the changes the Techno Union made, as well as a helmet that integrates it. It’s removable and visually very present, much like a cochlear implant would be. (A lot of people actually headcanon it to act partially as a hearing aid, since it makes sense that Echo’s hearing would have been damaged in the explosion, but there isn't really any indication of this in canon.) The headpiece is never really acknowledged in the show, but I think that's a good thing. It's something he needs/wants and it just exists, completely normalized, and that's pretty cool 👍
Legs
Sigh... So from the very first episode of TBB I was really disappointed that the animation team or whoever completely visually erased Echo’s prosthetic legs (I think we all were, honestly, if fanart is anything to go by). It’s one thing when he’s in armor because he would probably want to protect his prosthetics, but we literally see him in his blacks and there is no indication whatsoever that he lost his legs even though it was not left up for debate at all in CW:
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Like ??????!?
This is just really strange to me! Idk what went on behind the scenes with this decision but I don’t really see why it would be that much harder to animate or anything since it’s 3D and they've done it before. We do see some pretty sophisticated cybernetic technology in Star Wars canon that mimics real limbs:
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But Luke’s fancy hand is technically 20ish years from now, so Anakin and Maul are more of a representation of what level we could expect here
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So yeah, for no apparent reason, his leg amputation is effectively, visually and narratively nonexistent. Which is not great 👎
Arm!
The scomp on the other hand (uh lol!) is the complete opposite and I kinda love it!
At first I, like many others, thought it was a bit odd that they didn’t give Echo a prosthetic arm. Losing hands is basically a Star Wars tradition at this point, so robotic arms/hands are well established within the worldbuilding: 
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We aren’t necessarily given a canon reason for why Echo doesn't get a cybernetic arm (again unless it's in some lore book I haven’t read, sorry). General fanon explanations I’ve seen are that he either couldn’t because the Techno Union wired the scomp too far into his nervous system, and/or the resources to give him one were deemed too expensive for a clone (what about his legs tho?), or that he chose not to, usually because he thought the scomping was useful. 
Regardless, I actually really love this choice (and it's the whole reason I made this post), because here's the thing: There’s a lot of problematic tropes out there that either erase/cure disabilities or compensate them with perks (like how pretty much any blind character is actually not blind by some sort of magic power). With amputees that is done with robotic arms. The character is still an amputee or course, and there is still value in that representation, if this story from Mark Hamill that makes me tear up is anything to go by:
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but for the most part these characters function like anyone else, just with a limb that looks a little different. It’s no more than a video game skin, an able-bodied actor with a green screen glove. It “cures” the disability, or it actually makes the character even stronger than usual: 
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It usually makes sense within the world of the story, but the reason it’s not so great in my opinion is that in the real world we just do not have technology anywhere close to that yet. Prosthetics can more or less replace any mobility from lost legs, but not for all the complexities of a hand (and even if they could the average person wouldn’t be able to afford it).
So
I think it's actually really super cool that Echo’s scomp bypasses the canonically-established amputee erasure and functions much like a stump would irl. He integrates it into his movements and everyday life and it’s (as far as I know) a lot closer to an everyday amputee’s experience. 
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It doesn’t define his character, it doesn’t hold him back, he lives a full life, the other’s don’t treat him any differently, and he’s still a total karking badass 
The only additional thing is that he sometimes uses it as a weapon (which given his story, I think it’s cool to see him taking back autonomy in a way, and we only see that like twice)
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And also the scomping, which could be seen as the 'added/compensating superpower' trope. But narratively it's no different than if he was plugging in with a hacking gadget of some kind (he didn't necessarily "need" to lose his arm for it) and it’s not like Echo is completely defined by this skill. Personally, I think it's well worth the positives of him actually having a visible and realistically impactful amputation. 
I see a lot of posts or comments out there that say stuff like “how come Echo doesn’t get a hand?” or fanworks that do give him one and I just think it’s a bit of a shame. If he did get a robotic hand, it just would have disappeared the same way his legs and Anakin’s arm did (aside from that one time he got yoinked by a magnet). When Echo did “get a hand” in the last two episodes there were comments like “yay he finally got a hand! but it doesn’t even work” but I was actually so relieved that it didn’t! Bc for one thing that wouldn’t make any sense, he grabbed it off a droid, it wasn’t designed to implement with his scomp, that would be really complicated. But more importantly because it again refused to erase/cure his disability! It functioned like a real-world cosmetic prosthetic (useless beyond appearance) which is exactly what he needed it for, so that he could blend in better with his disguise.
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And he continually took it off throughout the episode and ditched it at the end. He only used it for the necessity of a stealth mission, he doesn’t feel the need to visually “fit in” in his daily life. 
And, last but very much not least, he made a dad joke and from my intel that is very accurate representation!
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TLDR: Echo’s scomp is actually really cool from an amputee representation perspective, especially within Star Wars, and I think that deserves some appreciation 
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king-paimon · 1 month
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Houseki No Kuni Chapter 108 Thoughts: Everything Stays....
Hello all. I hope the month of April was good to everyone. It was alright for me, though I'm just in awe by how fast it went! Time really goes by too quickly as you get older.
Speaking of time, would you look at that? The final chapter of Houseki no Kuni was released! 108 chapters over the course of 12 years. And I've been following it for nearly 5 of those years! Wow! That is quite the feat, Ms. Ichikawa.
I'd been waiting for this day for a long time, and the feeling is bittersweet, with the overlaying feeling of relief. This emotional rollercoaster that Ms. Ichikawa had sent us on has finally reached it's dock.
Phos's story is finally complete. What a ride it had been!
Now the question is: Was I satisfied?....
I'll do my best to answer this. I don't know how long this post will be, but I'm hoping that it won't be too long (edit: Oops. I was wrong.) And as always, please feel free share your own thoughts if you're interested!
Here we go:
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Phos's True End: Was It Satisfying?
I reread this chapter a few times to answer this question and to be honest, I still reach the same conclusion: It was fitting. Not absolutely bad or 100% amazing, but in terms of Phos's whole journey throughout this story, I think this was a fitting ending for Phos, and that's good. And if anything else, it's a little ironic.
I mentioned in my last post that I thought it was funny that the remaining piece of Phos had become the youngest/newest member of the pebble species much like how they originally were at the beginning off the whole manga. It seems though, the similarities don't end there because of this little interaction between Eyeball/Pita-pat and Pebble Phos:
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I'm sure this was supposed to be a little cheeky conversation and Eyeball/Pita-pat didn't really mean it. But still, this was an interesting exchange to include in this final chapter, especially right before it's implied that Eyeball/Pita-pat passed away.
One intriguing story choice Ichikawa made was having Pebble Phos continuously fall apart near the end to the point that they become a small spec. To be honest, I was not sure how to feel about this part when I first read, especially considering how now there's hardly any of Phos left now. Like, after Eyeball/Pita-pat saved that last bit of Phos so they could have a nice life away from humanity, it'd be unfair for them to break apart again to nothing after all of that. But I did like how the pebbles decided to view Pebble Phos' changes; that their fragments surely became beautiful comets that would brighten someone's day. And that shot with original Phos was nice...
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Also, I saw the post that implied that Ichikawa released this final chapter around the same time that a rare famous comet was supposed to be seen on Earth. I want to say that I think it was a pure coincidence, but I'm not putting anything past this author!
This chapter made me think of that one song from Adventure Time: Everything Stays. If you haven't heard of it, please give a listen. It's a song about life and the course of change. It focuses on how even if things appear to stay the same over the course of time, changes still occur, even if subtle. Phos certainly changed a lot throughout their story through intense mind and physical altering events. But I also think they changed subtly even during the less intense moments. I think the moments in this final chapter fit with this song, too. Phos was always evolving, even when it didn't appear so. Through their interactions and lack thereof with others and their environment, Phos was always changing and growing, ever so subtly. And even in this last chapter, Phos is still evolving and that'll likely never end.
Interesting... after thinking about it some more, I think I feel a little more satisfied with how this chapter/story ended. I'm glad that Ms. Ichikawa didn't pull some other twist near the end; that certainly would have ruined it for me. Am I 100% happy with how Phos's story ended? I don't think so. But to me, it's a fitting end.
But what do I think about the series as a whole?
When The Journey Ends: Was It Worth It?
There are very few manga or written stories that had me wanting to see how things end because more often than not, there aren't that many stories that I've read to completion. Part of it is because I don't want the story to end; basically, I'd have the thought process that if I don't know how the story ends, the story doesn't end! Perfect logic (sarcasm). Though this usually happens because I lose interest or because the story goes in directions that I don't like, I'd say one of the main reasons I end up dropping a series is because of how a story ends. How a story ends can completely change one's opinion of a story, and I've seen my fair share of stories that end badly. Sometimes the ending is abrupt and not satisfying, especially if it was lead by a big build up, or the ending is a result of a jarring story pivot that seems to come out of left field. It just seems that many creators don't know how to end their story well. And if I like a story a lot, sometimes I'm too scared to see how it ends. Partially because I don't want the story to end, but mostly because I don't want the end to ruin my experience.
Houseki no Kuni is a unique case for me. I know I've mentioned this before but I'll state it again: I don't think I've ever been so invested in a story like this before. Though that investment had dwindled over time, partially due to me developing new interests, life, and being occasionally dissatisfied with certain story choices, I wanted to see this how this story would end no matter what. And now that it's done, I'm glad I stuck it out.
Was this story perfect? No. There were several story decisions that I wish was either told differently or completely omitted that could have made the story stronger in my opinion.
Did I get a too invested in this story? During certain points, most definitely haha. I remember getting very emotional about certain chapters when I first started making this series of meta posts. I remember seeing some posts from people stating that they no longer liked the manga because of the direction it was going and in some cases, I could see where they were coming from.
Do I regret getting so invested in this story? No. No I don't. Despite not liking certain story aspects, I do not regret getting invested in this story. Though the story was not perfect, this was such a unique experience that I'm grateful to have gone through.
I plan on talking more about how I feel about Houseki no Kuni as a whole in another post. I intend to delve into what I loved about it and what I wish was different. While I could include that stuff here, I think this post is long enough. I've already started working on it, but I know it'll be a while before it's done; you bet there will be some parts with me ranting a little haha
But long story short, despite some grievances I have with some parts of the story, I feel satisfied with how it ended. And I'm glad that I read this series.
What Happens Next: Thank you, HnK Fandom
I want to thank those who've read, liked, and even commented on my posts! I didn't think so many of you would like, let alone read, my longwinded messy posts. I loved every feedback I got, even the ones that didn't agree with me. You made me love being part of this niche fandom. Like I said in the previous section, I have at least one more post that I want to make detailing everything I feel about Houseki No Kuni as a whole. I might make another one that's more for fun, but we'll see. I encourage anyone who's interested to share your own thoughts on the post! I seriously love reading different perspectives.
But after those posts, I don't know how involved I'll be in the fandom afterwards. I may repost some art and other people's meta posts on occasion. But when it comes to meta commentary, these will likely be my last posts about HnK. I have other fandoms that I like to follow, though I don't make posts about them. Perhaps I will, though I know they will be nothing like the posts I've made about Houseki no Kuni. This was the only series I've ever felt compelled to analyze so deeply, which makes it special for me. If I were to post anything about the other stuff I'm into, it'll most likely be of fanart that I made for my own personal enjoyment. I know scare many of my followers away since they'll not be HnK related. But who knows? I haven't made any HnK art in a long time... Maybe one of these days, I can try to make some HnK art again. I have some unfinished pieces on my computer that's now years old. Yeah, I should finish them when I have the time. That'd be a fun little send off.
Anyhow, if you are interested, please hang around for my final HnK meta posts! And when it's out, please please PLEASE share your own thoughts in it! Don't be afraid to share your opinions. I promise I don't bite.
So that's it. These are my thoughts of the final chapter of Houseki no Kuni. I might add more to it, but I'm fine with what I put out. Wow... I still can't believe I got into this series 5 years ago! So much had changed in my life since then. Despite everything, it was worth it.
Thank you again for reading my jargon. It means a lot and I can't wait to post my true final meta posts about Houseki no Kuni.
What a ride this was.
Until next time...
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AITA for editing my friends cover letter and then telling him I wouldn’t give him my employee number for a referral if he used the cover letter he wrote? (Emojis to find this whenever it posts)
✍️🧠
For some context… I work for a HUGE university that is extremely hard to get a job at. I have friends in HR here now and they said pretty much every job posting (and the postings are pretty sparse) gets a minimum of 250-300 applications. I got extremely lucky securing my job and truly do not take that for granted. And now that I’m an “insider” I have the ability to make referrals for my friends so that they can at least get an interview and hopefully a job here too and hop on the good pay and excellent benefits train especially since we’re all coming up on 26, therefore, we are all losing our health insurance (yay America).
So, one of my friends finished his masters degree recently and was looking for jobs in my area and saw something at my place of employment he was interested in. I told him I would be more than happy to look over his cover letter and resume before he submitted his application because I know what they look for in those. He said if there was any major changes he would pay me for edits too. I agreed because why not help my friend out. Give him a shot at this place.
And as much as I hate to say it… his cover letter was just… bad. It was so bad I reread it a good 5 times before I was fully able to comprehend just how bad it was. I had to go for a walk around the block to collect my thoughts on it. It literally made me question how he got a masters degree if I am being completely frank. It was also just so atrocious I offered to edit it for free because I felt so bad.
I don’t want to give specifics but think, half a paragraph on things he explicitly states that he has not done and will never do in his masters program, saying “folks” instead of colleagues (which is fine in conversation but like. Not for a cover letter ya know?), talked more about his experience in retail than he did his actual masters program, and just so so so much more.
So to just give him as fair of a shot as I could, I asked him for his thesis and service work that he did in his program, and asked permission to pretty much start from scratch on his cover letter. He excitedly agreed and told me to “go to town and do what you have to” and said “you know better than me what they’re looking for” and once I returned the final product to him he wasn’t exactly enthusiastic about the amount of jargon I inserted and the amount of changes I made to his “flare”. I had my friend in HR at the specific department I work at read it over and he said it was spectacular and he would interview someone with the cover letter in a heartbeat. I told my friend that and he still felt like I “robbed it of his personality.” I told him he’s welcome to edit it however he wants but my friends in HR said it was really strong how I wrote it and I would highly recommend not making any changes before he applies if he wants to get an interview and told him to just think on it for a bit before throwing in his application.
He didn’t respond for a couple of days and then called me out of the blue and told me he was working on his application now, was planning on using his original cover letter unedited, and needed my ID number for the referral. And I said… no. I am super super lucky to have my job and as jobs here are in such high demand I was scared to stick my neck out for him because I felt it might stain my reputation and reflect poorly on me. And he yelled at me and accused me I was being selfish and uppity about my job and that I needed to just give him the number because “if doesn’t matter anyway”. I tried to explain to him that any referral an employee makes gets added to their file regardless if the person got hired or not.
I did not want to stand by his original cover letter because I felt like it would’ve knocked him out of the running LONG before the interviews would’ve even started getting scheduled. I also feel it is important to add, I never told him his cover letter was garbage. I just told him it needed some work/jargon/fine tuning to the job description. I would never EVER say something like that to someone because I would never want to hurt someone’s feelings
I feel horrible. I didn’t want him to be hurt by the advice and changes I was making but I am in a very interesting and delicate position with my job in that I am one of like 5 people in any kind of administrative role at the entire institution that doesn’t have a bachelors degree. I secured my job because I worked as a temporary assistant for a few months and they loved me so much they made an exception to hire me in fully. I am deeply loved in my department and I truly love my job with all of my heart. It is wonderful and incredibly rewarding to do the work that I do so I really do not want to fuck this up for myself. I have had other friends apply and get jobs here with a little guidance and they love it too. I absolutely want that for my friend I was trying to help. I truly do. But he was not willing to take my advice and I just couldn’t risk sticking my neck out for him. So… AITA?
TL/DR: I work for a hard to get into place. Spent a lot of time fixing my friends app bc he writes like a 14 year old despite having a masters degree. He said he was using his shitty cover letter and asked for my referral number anyway and I told him no it’s not gonna happen because I can’t afford to stick my neck out like that since I got my job in a non traditional way leaving me a bit more vulnerable than most. I never explicitly told him “your cover letter is garbage” because I didn’t want to make him feel bad but warned him it would most likely not make it to the interviews and the one that I wrote him was applauded by my friends who work in HR.
What are these acronyms?
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factual-fantasy · 3 months
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24 ASKS! :D THANK YOU!! 🧀
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Not in my AU she's not! For 2 reasons-
For 1, my AU is built from Mario games and media I personally know/am familiar with. I know a little bit about Mario sunshine and saw a comic where Delfino island was Daisy's vacation island. So I took that info and crafted it into my AU lore! My Daisy's kingdom is populated by Delfino's, and it sits along the coast nearby the Mushroom Kingdom.
The other reason is I only heard of what Sarasaland was like two days ago. I've never played any of the games its from and had no idea it existed. So I didn't add it to my AU and I definitely cant add it now-
But even if I did, I'd have the same problem. Why is Daisy the ruler of these little.. dancing.. skeleton.. guys..?? If she isn't one of them?
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@neo-metalscottic (Post in question)
AAA THANK YOU SO MUCH!! :DD And yeah, that was Wendy and Roy! Though her exact reasoning for crying hasn't been fully thought out yet. I was thinking that she was having trouble putting on her make-up and ribbons.. maybe that was something the Koopalings mom would help her with before she.. well.. :( (Also, I do intend to finish/expand on that comic/idea very soon! :}} )
As for Iggy and Lemmy, they're not twins in my AU! Though they are close, they are very apart in age. I don't know what "older lore" you're talking about.. if you're referring to a game or a show, I have never seen it. :( All the Koopalings personalities and dynamics are just going to be made up/decided by me :)
As for their closeness, what brings them together is their eyes and their love for magic/Kamek.
I had this idea that Iggy was born blind, and Lemmy was born with a lazy eye/cross eyed. Kamek was able to use his magic to restore a fair bit of Iggy's sight and reposition Lemmy's eye. The result is their eyes and faces have unusual colors and patterns.. but they can see! And they are very thankful to Kamek for that.
Also that exposure to magic at such a young age has really drawn them into it.. they're both supposed to be really interested in magic and learning how to use it. Thus their closeness with each other and Kamek!
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@tallchest13-blog (Sent after this post I believe..?.. orr was it this one-- maybe this one??)
XDD Thank you so much!! I'm glad to see so many folks are interested in my interpretation of the Mario bros!! :DD And good luck with your discord RPG! :}
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Well since there are a ton of pirate/seafaring cookies in the game, I assume water isn't a problem. :0 Though it is for Louis becuase he cant swim- (His claw arm is very heavy so he sinks-)
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(Link in question)
GOLDEN FREDDY??? XDDD
Tbh that gets a bit of an eye roll form me. I miss the old days when Golden Freddy was just a terrifying Easter egg in the first game.. things were so simple back then.. 😭
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@jaybleu25 Ah no worries, I understand. Here, take a look at my 1:AM red scribblings XD
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And if its not clear, the last 4 images of that post are all Roy and Wendy :} Hope this helped!
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(Post in question)
AAAA THANK YOU SO MUCH!! :DD And yup yup! That's Wendy! :DDD
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(Link/video in ask)
Oooo :00 what a beautiful song! :DDDD
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(Post in question)
I can see the braid refusing to stay together and eventually unweaving itself. Its all flowy and free~~💫💫
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<XDD ?? Huh??
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I suppose in the actual games the treasure is like that. But I like to imagine my crew finds actual gold treasures 🤩✨✨
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The only version of Robin hood I'm familiar with is the Disney Fox version. I'm not sure what you mean by his "merry band".. 😅
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Hmm.. I don't think so. But maybe Tuna has..? Or maybe that's how Louis could have lost his original arm-
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@raven-bearden-the-interviewer42
Probably Seafoam's love.. 🥺💙
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(Link in question)
I feel like Coco would be the one to get pied trying to protect Red. And Tuna would have been the one to set up the trap XDD
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@couchwow
XDD All I could think is of how terrifying the brown creature in the second image is. I MEAN LOOK AT HIM!-
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WHAT IS THAT??? XDDD
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@neo-metalscottic (Mario bros post in question) (Princess post in question)
AAA THANK YOU SO MUCH!! :D I'm glad you like them! Though I wonder what about the old designs I would combine the new ones.. I fixed/altered all the flaws I saw with the old designs. I'm not sure what I'd keep-
As for Luigi and the Poltergust, he doesn't ever get that. Since Mario is never captured by the Boos, why would he need it? And I haven't decided what to do with E.Gadd yet, if anything at all..
As for Mario and Bowser.. I was thinking that Mario kind'a just said that in the heat of the moment. But he would be willing to take him down permamntly if he ever showed his face again.. but right now Bowser is definitely not causing any more problems for a while.
Mario and Luigi scared the daylights outa him. The hero's of Legend are real, and they're here. Bowser is probably scrambling for means of defense atm and wouldn't dare send anyone over there to cause trouble.
As for the Chain Chomp.. even if Bowser wanted to release it and wreak havoc on the bros/the mushroom kingdom.. I don't think he could. Kamek was unable to control Petey Piranha and rein him back in when he escaped. What make's him think they'll have any control over the Chain Chomp if they release it? It'll probably just turn around and eat Bowser's castle instead- and once its out, how will they trap it again?
And oh yeah, they could beat it. All they'd need is 1 super star and the Chain Chomp would be flattened in a matter of seconds. ⭐💪
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@yoylecake420
I know absolutely nothing about him or the game he's from. :( He's made of wood I think..?
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@astaherussy (Post in question)
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WAAAHAHAGH THAK YOU!! :DDD
And don't worry! I don't intend to rush anything <XDD --I'm trying to take my time thinking the lore through and filling in plot holes-
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(Post in question)
<XD Well I don't wanna ramble about the lore until its a little more set and stone. I don't wanna say "this is my idea!" and then 15 minutes later go "well actuallyyyy...."
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Maybe so! XD I wonder if its like that in the games.. 🤔
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Ooooo I could see that! :00 That could be Urchins weapon maybe!
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(Post in question)
XD I guess great minds think alike? That, or Rosalina is just really cool-
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@sparkdrawsstuff
I'm sure they've faced all that and more! :00 Also thank you!! :))
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bettyfrommars · 9 months
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The Nightmare Factory: Origins
nightmare!eddie x Reader
Masterlist
a little peek into how Eddie got the job
Sigh, yet another blurb that turned into 2k. There is mention of Reader in this, but no actual interaction. We get to meet the notorious Kevin and get a glimpse at the inside of the building where nightmare!eddie works, as well as run into a few of his future co-workers. I love those of you who have shown interest in this; let me know if there are certain things/events you'd like to see. wc: 2.2k
18+ONLY, mature themes, horror, nothing bad happens but there will be mention of gore and scary things. Nightmare!eddie, Gareth, a ventriloquist doll, liminal spaces, mention of spiders and creepy dolls. A severed foot. I write these like a fever dream and then post them, so I hope it makes a decent amount of sense.
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When Wayne told Eddie that there were positions open at the Nightmare Factory, it just so happened that he was tired of slaving over a grill every day and ready for something new.  But he wasn't interested in working at a desk or on the janitorial team—he wanted to travel and scare the shit out of a few people.
From the trailer park, he could see the tall stacks in the distance, jutting up into the sky, pumping out industrial black smoke from somewhere inside the factory. He never realized how much elbow grease went into producing nightmares.  
The Nightmare Factory had not always been there.  One day, it just appeared, as it was prone to do in various locations all over the world.  Months ago, he was having a smoke out behind the diner where he worked the kitchen, when a creepy doll head fell from the sky and bounced to the ground.  It rolled to the edge of the nearby dumpster and wedged there.
He yelled for Gareth to come out so he could tell him what just happened.
“It’s raining heads,” Eddie blew a raspberry laugh after he said it, and the two of them bent to get a closer look.
The plastic doll head had long, patchy, auburn hair that fell over its face, and it was missing a glass eyeball.  Eddie picked it up and stood to full height, turning it around to give it a look.  A thick, slimy centipede slithered out of the empty eye socket and crawled over Eddie’s finger, making him yelp and throw the thing.
He shook his hand out, making sure the centipede was not still on him.  Not too far away on the pavement, the head now looked molded and rotten, as if it had been made of living tissue.
“It’s that fucking Nightmare Factory, I’m telling you,” Gareth insisted, wiping his hands on his apron. “It just showed up a couple days ago, and yesterday I saw a frog walking on its hind legs with a mouth full of vampire teeth.”
Eddie licked his lips, thoughtfully.  
Soon enough, he was driving to the factory in question with his resume next to him in the seat, wearing the nicest shirt and pair of jeans he owned, and he even had his hair tied back—at Wayne’s urging.  “You’re not a drug dealer anymore, son, you need to look presentable.”
Upon arrival, an ornate, iron gate opened at the entrance, and he followed in what appeared to have once been a car.  The metal was dented all over like a piece of balled-up paper, and the blue paint chipped in areas to expose the dull yellow underneath.  The passenger window was nothing but saran wrap secured with duct tape, and there were a few aluminum cans tied to the bumper with string.  The cans were pock-marked and rusted, and the vehicle drove at a tilt as if the tires on one side were too small. 
On the back window, there was white writing, scrawled as if with a non-dominant hand.  Eddie squinted at the lettering, saying it out loud as he read: JUST DEAD.
He parked the van in front of one of the visitor placards right next to a wood-paneled station wagon.
On the outside, the factory looked like an old, abandoned steel mill you might see from the freeway as you passed, but inside—it offered the aesthetic of a pristine, marble floor museum.  A museum without any artifacts or art—just bare, cream walls, one long hallway of doors, low, fluorescent lighting, a reception desk, and a pair of mysterious double doors to the right.
Eddie’s footsteps echoed in the empty hall as he made his way over to the reception desk.
The secretary was bent over behind the desk, possibly jotting down a note, when Eddie cleared his throat to get her attention.  She had on a light blue, pillbox hat from the 60’s with a matching suit, and wore her hair in a short, platinum blonde bob.  
When she looked up at him, he realized her face was made of fiberglass—her pink lips and wide, a tiny, sharp nose, and blue eyes frozen in time.  There was a lightning-shaped crack down her cheek that feathered out down her neck, and he realized then, with one glance down at her stiff hands, that she was a broken mannequin.
“Do you have an appointment?” She asked without moving her mouth; lips slightly parted and turned up at one corner.
“Um, yeah, no,” Eddie stammered, taken aback when a few small spiders crawled out of the crack on her face.  “I’m here about the job opening.”
“Ah, well then you’ll need to meet with Kevin,” she confirmed, running her beige, plastic hand down some scribbles on a big appointment book.  “He is the only door on the 3rd floor.  I’ll let him know you are on your way.”
“Oh great, thanks,” Eddie moved his hand to flash her the devil horns, but then he realized that might not be appropriate, faltered a bit, and then chose a thumbs up instead.  “I like that color blue on you, it matches your eyes.”
The receptionist couldn’t blush, but she did give a high-pitched giggle at the compliment.  
There were two sets of elevator doors, and while he waited in front of one for it to open, the one next to it dinged, and a group of tall, thin men in black coats with no faces and hooks for hands stepped out. They seemed to glide on the air more than walk, and he wondered if they had any feet.  One gave a wave of his hook to Eddie and mumbled, “morning,” as they moved to enter one of the doors across the way.  
The hallway to Kevin’s office had a clear, aquarium floor with colorful fish fluttering around in Eddie’s path, and he stopped to admire them for a minute as a smile stretched around his face.  There was mellow jazz playing from a speaker somewhere overhead it reminded him of the waiting room at the dentist office. It wasn’t long before a severed foot that looked like it had been sawed or bitten off at the ankle floated through the aquarium beneath him, and Eddie’s smile dropped.  The toe was nearly bitten off by little fish nibbles.  
“This fucking place,” he whispered to himself, one fist in the pocket of his leather jacket, as he took note of the portrait painting on the wall from the early 1900’s of a woman in a dress sitting in a chair, and it looked like her eyes had been cut out, offering two perfect ovals for another pair of eyes to peep out.  
The door to Kevin’s office was open, so Eddie rapped his knuckle on the wall and stuck his head in. “Hello? Kevin? I’m here about the job?”
When he didn’t get a response, he pushed in a bit further, with caution.
The inside looked like the library of some distinguished gentleman; a big oak desk backed by floor to ceiling rows of books; a globe on a brass stand; oil paintings with ornate frames; a cigar smoldering in a glass ashtray near the cream-colored phone with the blinking red light on it.  
Eddie made one last attempt: “Hello?”
“I’m right here, you knob,” a tiny, irritated voice said.
Eddie turned to follow the sound, and the chair behind the desk spun around to reveal what appeared to be a ventriloquist doll in a blue and white sailor suit, sitting atop a few thick encyclopedias so that he could reach the top of the desk.  It had a big, abnormal grin on its face that hinged at the chin, and eyebrows too high on the head, as if he were eternally shocked, framed in a swirl of brown, plastic hair.  
“That's me. I am Kevin. Go ahead, sit,” the doll extended his arm, motioning to one of the two chairs in front of his desk.  They were both small, plastic chairs meant for children, and Eddie eyed them with trepidation.  Before he could sit, he had to move a thick book titled “Ruling the World for Dummies” and set it on the desk.  His hips barely fit as he shoved down into the seat, angling his head all the way back to look up at Kevin.
He slid his resume forward on the wood as if he were a middle school kid handing in his homework.
Kevin hopped from the stack of books onto the desk in his shiny black shoes and looked over the piece of paper—his featureless fingers flexing.
“A mechanic and a line cook,” Kevin’s eyes clicked as he looked at the typed out words, and then found Eddie’s eager gaze over the top of the page.  “So, no nightmare experience?”
Eddie’s brain scurried for the correct answer. “Well, not professionally, no. But I’m a quick study, and my life is kind of one big nightmare, if you know what I mean,” he rubbed his sweaty palms up and down on the knees of his jeans while Kevin returned a blank—albeit perpetually alarmed—expression.  
“Can you work weekends?”
“Yes.”
“Evenings?”
“Sure. Well, except some Fridays and Tuesdays.  My band, we—” 
“What about portals? Do you experience motion sickness during interdimensional travel?” Kevin interrupted.
“I don’t think so, but I’m not sure.” Eddie moved his eyes around the room, keeping his head still.  
“Are you willing to sign an NDA in regards to this facility, and any activities that take place herein?”
Eddie considered that for a second, wondering how strictly they enforced the non-disclosure agreement.  At the end of the day, he really didn’t talk to many people, but it was hard for him to keep his mouth shut around those he did interact with.
“Sure,” Eddie shrugged.
“Great. Swell.” Kevin dropped the resume, letting it slip off the desk and flutter to the ground without a second thought. He bent down to pick up the cigar that was still smoldering and stuffed the fat end in between his grinning lips.  The smoke he inhaled came out his ears.  “You’re hired.  Benefits start after 30 days. Come back tomorrow around the same time and someone will give you a tour and set you up with a locker.”
Eddie moved to stand up and thank him, but his ass was stuck in the chair, so he sat back down for the time being.
“Do you know what type of nightmares you want to specialize in?” Kevin asked.
Eddie hadn’t considered any of that.  “Um, what are my options?”
Kevin rolled his eyes and put his cigar back down.  “Do you even have any idea what we do here?”
“I’ll be honest, man,” Eddie raised an eyebrow, offering a bit of a smirk. “I'm just looking for a paycheck. But I’m a hard worker, I’ll take anything you throw at me.”
What Kevin didn’t tell him was that Eddie was the only applicant they’d had all week.  Work conditions were rather dismal at the factory as of late, and the turn-over rate was astronomical; there were Nightmare Scholars with several degrees still slumming it as closet monsters and ghosts that tapped on windows pretending to be a branch.
But, Eddie was fine with it.  He wasn’t interested in a career in nightmares—his music was all that mattered to him back then.
Back before your nightmares were all he cared about.  
“At the end of the hall on the first floor, there’s a bulletin board with the positions that are available.  You’ll need to pick one, and then Walter will get you enrolled in whatever classes you need.”
“Walter?” Eddie asked, looking around, as if the Walter in question might appear at any second from out of the bookshelf.  
“You’ll meet him tomorrow,” Kevin’s head turned to the side, but his body stayed facing forward.  “He’s a swamp monster; big guy.  He’s in charge of all the new trainees. Man’s got a particular foul odor about him, but damn his wife is a great cook.”
Eddie’s wallet chain clinked against the plastic chair as he forced it off his hips like popping out a cork, and he thanked Kevin with a wave.  
Little did he know then what a pain in his ass Kevin would be.
Little did he know that, some 2 years later, he’d be so dedicated to the work that they’d be offering him a promotion.  
They offered to put him in a training position, or behind a desk sorting dream journal entries, but he had no interest in such things.  They could keep their promotions.
He needed to stay on the ground, in the trenches.
Until he could find a way out of your dreams and into your arms.   --------
This is dedicated to my darling Kiya and their generous donation to my Kofi...it meant the world to me 🧡🧡
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dearheart42regenerated · 11 months
Text
MOTORCITY SEASON 2 MASTERPOST
once upon a time, over 10 years ago, just a few months after the announcement that Motorcity was officially canceled...the creators of the show took pity on their heartbroken fandom and gave us several glimpses of what season 2 might have been like. they saw how much we loved Motorcity and gave us every scrap of info they could at the time, so that we could use those scraps to imagine our own personal "Season 2" - whether it continue on in our fics, our fanart, or simply our own heads.
I'm making this masterpost so that none of this material will be lost or forgotten, and so any fanartists/fic writers still hanging around today can use it for inspiration. if there's any related material I've missed, PLEASE feel free to add it in a reblog or let me know in my inbox! I want this list to be as complete as we can make it! :)
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The Season 2 That Never Was: A Comprehensive List
Motorcity Season 2 Rough Intro "Scratch audio by our very own Chris P." (x)
youtube
-> backup download
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Season 2 Writer's Wall posted (and later deleted) by @chrisprynoski on twitter, and shared on tumblr by @peopleofmotorcity, these pictures of the writer's wall showed us a "rough sketch" of what could have been, and gave our imaginations SO many fun theories and possibilities to play with. every blurry sticky note was a treasure to us. :')
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-> original tumblr posts: x x x x x x x x x x x x -> image masterpost -> google drive folder
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Chris Prynoski's Fan Interview + Tumblr Q&A's this whole interview on youtube is a delight to listen to, and Part 2 in particular has some interesting bits about season 2. (skip to 17:10 for some good stuff about Texas and Chuck's backgrounds!)
youtube
-> Part 1 -> Part 2
Chris P also answered several juicy season 2 questions on tumblr. sadly his blog is deactivated now, but you can still read through all of them at the links below!
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-> image masterpost -> google drive folder
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Capri Chilton - Mike Chilton's long lost big sister! I can't remember where or when it was first revealed that they were considering giving Mike a secret older sister, and I haven't been able to track down the origin. that being said, when it was revealed, the fandom loved the idea so much that they begged the creators to make it canon. Chris P busted out the "magical canon stick", gave us this delightful concept sketch, and "Capri Chilton" was born!
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The Motorcity Series Bible "To help you all understand what it is you are reading, this is the material that Titmouse used to help pitch Motorcity, and it was also a tool for writers to use when coming up with episodes to help understand who the characters were before there was any other reference. That being said, this was one of the very first documents about Motorcity, so many things have changed or evolved from these early concepts." (x)
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-> original tumblr posts: 1 2 3 4 5 6 7 8 9 10 11 12 13 -> image backups -> PDF download
EDIT: the COMPLETE series bible has now been leaked by Lost Media Busters on X (Twitter) and helpfully shared by @waksworldrebooted!!
--> here is a google drive download for the full PDF file!
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Motorcity Series Bible - Redacted Version (Pages 1, 2, 17, 19, 20) funfact: @peopleofmotorcity was the official? unofficial? tumblr blog for Motorcity, and it was run by a guy named Mac - an animator for the show who loved to tease and joke around with the fandom. before revealing the actual first 13 pages of the series bible, he posted this censored version as a prank - a mix of truth and trolling! it's up to the fandom to decide which is which. ;)
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-> original tumblr posts: 1 2 17 19 20 -> image backups -> PDF download
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MTV Era Motorcity Masterpost a fantastic collection of glimpses into the original pilot/pitch trailer that would evolve into the show we know and love today, found and compiled by @waksworldrebooted. "In 2000, Chris Prynoski pitched a cartoon called Motorcity. He made a card and a website promoting the show, which wouldn't see the light of day until the Walt Disney Company got their hands on it."
youtube
--> tumblr masterpost (including wayback links to the old website) --> twitter sources from Chris P himself :)
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Motorcity Unaired Pilot - 2009 Disney Version Originally aired during Comic Con 2012, the pilot was recorded and then posted on YouTube by Allison Simmons in July of 2012, later being privatized in 2022. The video was re uploaded onto VKVideo 22 days after its original posting to YouTube and is still currently available to watch online. (x)
youtube
--> backup download --> also viewable here!
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if I find more material, I will add it here! :)
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slvt4em1lyprenti2s · 11 months
Text
First day
Originally posted on my Wattpad @MayaBishop_is_myWife
Alex Vause x reader
!!TW: mention of murder and vague drug mention!!
Work count:: 1.2k (not proof read)
Alex POV: (Alex and Piper aren't together in this)
I walked into the cafeteria and joined the que to get lunch, another day of sloppy something, mashed potatoes and corn on the cob. Yum, I can't complain though because it's better than nothing and if I do complain Red will starve me out. Brushing off hat thought, I get my food and saunter over to a table with some of my friends on it, Morello, Chapman and Nicky.  I take a seat and listen in on their conversation. 
Nicky - "No c'mon, she's hot."
Piper - "I agree, I mean have you seen her. The eyes, hair the hair!" dragging out the r sound at the end as if to make a point.
Alex - "Who you talking about?"
Nicky - "That new girl that showed up in the van this morning, she's very good lookin' although she's been crying in the bathroom since she got here so maybe not the most stable girl in here."
Morello - "There's worse trust me, and besides why are you all getting so worked up about this? Yeah she's nice to look at but what if she has someone outside of here? You know, like a boyfriend or girlfriend or someone, she might even be married for all you know?"
Nicky - "Yeah but you said it, she's nice to look at tuts, she's gunna be getting looks from all over. If she stops crying of course."
At this point my interest was piqued and I wanted to see what all the fuss was about so once I'd sat, had a tal and eaten my food I was going to go find this mystery girl and find out if they're actually telling the truth.
Y/n POV:
I can't believe I actually did that. I killed her. I killed my own mother. I keep telling myself it was the only way out but everytime I think about it the guilt and self resentment creeps back in. My mum had munchausen by proxy and she made me believe I was sick and could walk or do practically anything by myself. I really didn't see any other way out so, one night I just did it. Obviously I feel terrible and wish I'd never done it but, there really was no other way out. Anyway, it's done now and I'm in jail, thankfully not maximum security because people could see my side of the story and saw I wasn't just a cold-blooded killer. 
I've been at Litchfield a little over 5 hours now and as soon as I was allowed to go off and do my thing, I went straight for the bathroom and I've been crying ever since. Somehow, I managed to get the only stall with a door so thankfully people can't just watch me cry, hear me yes but watch, no.
All day people have been staring and I don't know why. Maybe they think I'm fucked up for what I did or something. I'm snapped out of my thoughts when I hear a soft knock on the door. 
Alex - "Hey, you okay in there? Stupid question I know because well, you're crying but I still feel like I have to ask."
I bite my lip and sigh before responding, I didn't expect anyone to actually care.
Y/n -  "Uhm- yeah, I guess I'm okay. Not my ideal situation but you know, life goes on."
Alex - "Yeah well you got that one right."
After that a not awkward but not totally comfortable silence fell over us. I slowly stood up and unlocked the door. I stepped out and tried to dry my face from the copious amount of tears I'd shead in the past hours of being here. Instantly this woman picked up on it and gently held my face in one hand and helped me wipe my tears with the other.
Alex - "You'll be okay, I'm going to be brutally honest with you, the first few days are actual hell, you'll miss everything and everyone but, I'll be here is you ever want to talk about it okay? Oh, and I'm Alex by the way, but everyone calls me Vause, it's my last name." 
I smiled at Alex and nodded my head a small thank you leaving my lips. She pulled me into her embrace and held me tight. 
Alex - "You know, they were right."
I was confused because I had not a single idea what she was going on about. So, I pulled my head slightly away from her shoulder and looked at her.
Y/n - "What do you mean? Who's right?"
Alex - "Oh just my friends, they said some stiff about how you were really good looking and what not."
You felt a blush creep across my face as you looked into her gorgeous green eyes only now just realising after looking a her properly just how beautiful she really was. A sly smirk found it's way onto her lips before she spoke again. 
Alex - "Hey, don't get all shy on me now."
A she said that her hand found it's way to my waist as she pulled me closer again. Whilst she trailed her other hand up my body and hooked a finger around my chin so I'd look her in the eyes.
Y/n - "You really mean it?"
Alex - "Of course I do, I mean I've known you what, like 2 minutes and I'm already calling you beautiful I think that speaks for itself ." 
I giggle a bit and looked down in an attempt to hide my flustered face yet again, knowing she was right. I looked her in the eyes again only to see her eyes had never left me and she had a wide smile of her face. 
Alex POV:
I looked down slightly because I was a bit taller than her and just marvelled at this gorgeous girl in front of me she had glowing y/h/c hair and shining y/e/c eyes, her smile could light up a room and her laugh was so fucking adorable. Normally, I'm not the one to fall over small stuff like this but she was different,  I don't know why, she just was.
She looked me back in the eyes and I couldn't help myself anymore, I leaned in and captured her lips in mine. They fit together like puzzle pieces. Her hand found their way into my hair while mine rested on the small of her back keeping her safe in my arms. I swiped my tongue over her bottom lip asking for entrance and she happily agreed. She tugged on my hair a little so in return I grazed my teeth over her bottom lip and she let out a small breathy moan which was almost silent but, I could still hear it. We broke away for ir and as soon as we separated we crashed our lips back together hungrily. She was almost as addictive as some of the things women in the jail used to do. 
Just as things were getting heated someone burts into the bathroom.
Healy - "INMATES NO LESBIAN ACTIVITY ALLOWED!"
We both untangled ourselves from each other and apologised. As he left I whispered in her ear. 
Y/n POV:
Alex - "He won't catch us tonight sweetheart don't worry. I'll have you all to myself, I'll make you feel better."
She then gave me a final eck on the lips and walked out the bathroom. Oh man, I was not going to get much sleep on my first night in prison.
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jadedxhearts · 1 month
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𝐋𝐞𝐭 𝐇𝐞𝐫 𝐊𝐧𝐨𝐰
Monet seems to ignore the fact that Law is your husband, constantly flirting with him and insulting you. One evening, after she gets too bold, you and Law make a plan that will let her know he’s yours and only yours.
originally posted on Feb 27, 2023
Please note that this is an old work and isn't representative of my current writing skills!
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When you’d joined Law on his trip to Punk Hazard to begin the execution of his plan, you really didn’t know what to expect.
You knew to expect cold weather, at the very least. Or even extreme hot temperatures. But you wouldn’t be heading over to that side of the island.
You also knew that there was some strange scientist guy who lived in the once abandoned laboratory. Law had mentioned him being rather annoying. 
But what you did not expect was for the scientist’s assistant to be such a bitch. The green haired woman seemed to have a vendetta against you from day one, constantly acting passive aggressive and treating you as though you were inferior to her.
One of the incidents, you couldn’t even remember what the conversation had been about; all you remembered from before the incident was that you’d been sitting with Law in the lounge room, waiting for dinner to be ready.
The bird-woman was reading a book, as was Law. You simply leaned against your husband, occasionally looking into his book and reading along. But truthfully, you weren’t very interested.
“Law,” Monet called, “this book is rather interesting, I think you should read it, as a fellow intellectual being. You’d understand it more…”
“More?” He questioned, not even looking in the woman’s direction.
“Hm,” she hummed as though she were giggling, “well, no offense, but I don’t think somebody is smart enough to truly know what this book’s deeper meaning is.”
You knew it was a dig at you. “Excuse me?” You piped up, glaring in her direction. 
“Oh, did I let that slip?” she laughed. “You’re just… you know…”
“I don’t know what the hell you’re implying, but you can fuck off, Monet,” you snapped before turning to your husband. “Law, can we please eat in our room tonight?”
“To think such an intelligent man would want to share a room, let alone his life, with a woman like her,” she muttered. “Odd.”
“Shut the fuck up!” You yelled, grabbing Law by his wrists and pulling him up from the couch and dragging him out of the lounge. 
That was a couple weeks ago now. You’d been avoiding the woman like the plague, seeing her maybe twice since that evening. 
Tonight though, you’d have to face her and her bullshit once again.
Caesar had demanded all the “important” people come have dinner together, with drinks and excellent food promised. Some sort of party, you supposed. For what reason though? It wasn’t like any of you had anything to celebrate.
Regardless, you followed your husband to the lounge room, which you found to be more decorated than usual when you entered the room. 
There was a table put out in the middle of the room, plates and wine glasses at each seat. Along with name tags. Apparently there was a seating chart. Great.
You went to check it out, only to look at the arrangement in horror. 
Of course, you’d been placed next to Law. But… directly next to him, on the opposite side from you, was a little card that read “Monet” in a fancy font.
“Absolutely not,” you protested, gaining Law’s attention.
“What’s wrong?” He asked, turning to look where you were.
Then he saw it. “Great. Bet that asshole did it on purpose, too.”
“This is so stupid,” you pouted. “Why can’t we just eat where we want?!”
But it seemed as if you had no choice, so you sat down.
Halfway through dinner, and you found yourself somehow not being verbally attacked every five minutes. In fact, Monet hadn’t said a word to you or Law. Really, you were shocked she was capable of keeping her mouth shut for more than five minutes. Maybe she’d finally learned to do so?
Until right as dessert was being brought out. You’d assumed wrongly.
“Oh my,” the green haired woman mused, picking at the pastry with her fork, “this looks delicious, doesn’t it Law?”
“No,” he deadpanned. 
“No?” She echoed, “Not a fan of sweets?”
Law didn’t respond. 
“That’s too bad, I was hoping to maybe take you out on a date, treat you real sweet. Much sweeter than that tramp over there could.”
You slammed your hands onto the table, accidentally gaining everybody’s attention. 
“What’s you’re fucking deal, bitch?!” You screamed at her, staring with an amount of hatred you didn’t even know you were capable of feeling. 
You were shaking, your throat feeling as though it were closing up. And why were you about to cry? Because some jealous woman called you a name?
Monet only laughed, though. “Oh goodness. It seems I’ve upset her.”
“I’m sick of your bullshit, Monet! Stay the fuck away from me and my husband,” you yelled, putting emphasis on the fact that Law was already yours; just to spite her.
Before she could react, Law stood up and pulled you away from the table, out of the room. 
“L-Law! What are you doing?! I need to tear that bitch’s hair out!” You protested.
“As much as I’d love to see that,” Law grumbled, “there’s something else I want to do.”
You had no clue what that could mean. Until you reached the room you shared with Law, and he promptly pushed you onto the bed, suddenly kissing you.
“What’s your deal, Law?! Why are you- oh,” you whined as he sucked on the skin around your collarbone. 
“I’d be a liar if I said I didn’t find that hot,” Law smirked into your skin, “my husband,” he repeated your words from before.
“H-huh? You what-“
“I like it when you’re jealous, y/n-ya. It’s cute.”
“J-jealous?! No, that’s not it-“ you denied his words.
“Don’t lie,” he nipped at your skin to make you shut up. “I see the way you glare at any girls who look my way, how you move to sit in my lap when we’re at taverns and random women approach. And now this…
“It’s hot,” he said, kissing you directly on the lips. “But now… I intend to let her know who’s mine. Whom the only person that can have my heart is.”
“What?” You questioned. His statement was rather sweet, but you were confused, “how? We’re locked away in here…”
“Don’t forget who our neighbor is,” Law reminded you.
That’s right… Monet did sleep in the room to the left of your’s and Law’s. If you were noisy enough, she’d hear, even through the thick metal walls. You knew this because one morning she’d insulted you for talking so loudly the previous night. Naturally, you’d been talking about your dislike of her after she’d made yet another comment about you earlier that day.
Law’s tattooed hand cupped your face and pulled it toward himself, deepening the kiss, and then he began sucking on your tongue. When his other hand brushed against your breasts only to land just above them, holding you down, you let out a soft whine.
“I’m gonna make you scream so loud that Caesar asshole will kick us off this damned island,” Law muttered, biting down on the already marked skin on your neck. 
“Law,” you whined, leaning into his touch. “Please…”
“Please what?”
“Please… fuck me,” you panted, feeling dizzy. 
You didn’t have to ask Law twice. He made quick work of pulling everything you wore off, stripping you down to only your panties before he threw the long fuzzy coat he wore off of himself. 
He began palming at your breasts, squeezing them and brushing his thumbs over your hardened nipples. All the while kissing you again, only this time he was fully making out with you, leaving your mixed saliva all around your lips, the loud wet noises filling the air every time your mouths reconnected.
One of his hands left your chest to begin rubbing your covered cunt, pressing his fingers into the fabric of your panties and pushing against them so hard they turned wet with your slick. 
“L-Law!” You gasped, grabbing his hair and turning your head to the side. 
Removing his other hand from your breast, he grabbed your face and pulled it back towards his, locking you in place. 
Deciding you were wet enough, Law pushed your panties aside, gathering your wetness around two of his fingers before inserting them into your tight cunt. 
You moaned into the kiss, bucking your hips into his hand. 
“So impatient,” Law sighed as though he were disappointed. 
He scissored his fingers within you, seeing if he could stretch you enough to insert a third so soon. 
Feeling the third tattooed digit enter, you cried out louder than before. 
Law fingered you at a quick pace, encouraging you to come on his fingers and cry for him. “Come on, cum, you little slut. Cum around my fingers so you’ll scream even louder when I shove my cock in your sore pussy.”
His words were enough to send you over the edge for the first time. You pulled on his hair and moaned into his mouth, lifting your hips up into his hand as you came. 
“Good girl,” he praised, pulling his fingers out of your soaked cunt and licking the juices off.
Once he was satisfied with the cleanliness of his hand, he pulled his jeans down and prepared himself for you, revealing his hardened cock as he freed it.
He moved to position himself between your legs, but you snapped them shut. “N-no, it’s too much,” you whined. “Too sensitive.”
“I don’t care,” Law spat, shoving your legs open with his free hand. “That’ll make it better, don’t you see? This way you’ll scream louder, and that stupid woman will hear you. She’ll finally know who owns me.”
You shuddered. You’d expect Law to say possessive things like “I own you”, but you owning him? That was new. But… you liked the way you’d felt when he’d said it.
“Beg for it,” Law demanded, rubbing his cock along your wet folds.
“Ah, fuck- I need you, Law-“ you moaned, “need you to fuck me, fill me up with your cum, please!”
“Fill you up? That wasn’t discussed before,” Law chuckled, the hand that wasn’t holding his cock moving to brush against your clit.
“Y-yes! I need to be bred like a bitch,” you shouted, surprised you could even speak like this. “Breed me so that brat knows who I belong to, please, Law.”
Without another word, Law lined himself up with your hole and began pushing in, stretching your velvety walls. You whined as he began filling out more, before purposely moaning as loud as you could;
“Oh, fuck, you’re so big, Law! I can’t take it-“ you threw your head back into the mattress, squeezing your legs around his hips.
“Yes you can, you’ll take it like the stupid little slut you are,” Law pulled your legs off of his hips and moved them to his shoulders, pushing further into you and deepening his cock so far that you were afraid he’d somehow break you.
As he began thrusting at a quick pace, he used the hand that wasn’t gripping your hip to wrap around your throat. 
“Cry for me, tell me how much it hurts.”
“L-Law! It’s- mmh!” You whined, feeling light headed from the pressure on your throat.
“What? Can’t breathe?” Law taunted you, fucking into your hips even harder now.
After another moment of slowly cutting off your air supply, Law released the hold on your throat and you gasped for air, choked moans sputtering passed your lips. 
“Law,” you moved your hands to grab his hair again. “I can’t do it anymore, I’m gonna-“
“Shh. It’s alright, cum for me, baby. Cum around my cock as I fill you up and stuff you full of my cum.”
“Please, Law- fuck… I-,” you choked out through moans that were nearly screams.
Law grunted loudly, growling in your ear as he bit down on your shoulder, shoving his cock as far into your cunt as possible before holding himself there and letting his hot seed spill into you, filling you to the womb.
You screamed his name, tugging on his hair as you sobbed from the overstimulating amount of pleasure. 
After holding you as close to his body as possible, Law finally let go of you, pulling himself out of your aching cunt. 
“Shit, look at the mess you made,” Law chuckled, turning to grab a cloth from the bed table and wiping the mixed juices away from your trembling body. “We’re gonna have to request new sheets.”
As you regain your composure, you lifted your head up to smirk at your husband. “I know somebody we can ask… they’re right next door, after all.”
“How convenient,” Law returned the smirk, before moving his head to kiss your lips once more.
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Now, I’m not sure if anyone in the TOA fandom has ever mentioned “Tongs A Lot, Dad”, a short story found in Camp Half-Blood confidential, but I strongly believe it adds (or perhaps reinforces) a lot when looked at with the additional context and characterisation the Trials of Apollo provides. 
An almost diary entry like addition in the short book, the story is told by Connor Stoll, following him and his brother as they poke around the old attic where the Oracle of Delphi remained for decades in the interest of scoring loot. At this they are semi successful, as they are made almost ridiculously vital to the canon plot of HoO with the find of celestial bronze tongs, which are inscribed with the instructions “for plucking the Tartarus Napkin from fire”. And if you are reading this post, you probably have a pretty good idea of why that’s important.
Now, what does this have to do with Apollo? Well, I find it highly probable that this was Apollo’s doing, for multiple reasons. 
1. The tongs were found in the oracle of Delphi's old abode, which is obviously Apollo’s domain, a place you would think he’d be very familiar with- the original place of the Oracle of Delphi was sacred ground, in fact, and even if that doesn’t quite translate to modern day... there is that theory about him being Camp Half Bloods Patron, pioneered by @tsarisfanfiction, I believe. Whatever hold the ancient laws have on the gods, I think we can somewhat assume that places such as these allow more wriggle room. 
 2. This notably happened basically simultaneously with Rachel becoming the Oracle, as seen here, “While everyone else was waiting to see if Rachel, the new Oracle, would survive....we made our move around to the back door of the Big House.” At this point, we’ve just wrapped up PJO. How would Apollo of known to set this up now? Well, we already know from Octavian in SoN that Apollo talked to him personally, and that their talk must of happened before Olympus closed, because he was stuck on Delos after. So if Apollo can put that into play, why not set up this? After all, Apollo is the god of prophecy - he could of understood it was needed. He obviously knew there was a threat. 
3. In the books (before ToA) we only see Apollo in Camp Half Blood twice- once to take Percy’s group and the hunters there in TTC, and once at the end of PJO to, as Conner so delightfully puts it, wait to see if Rachel would survive the Oracle. He was right there. And if that’s not enough for you, the reason Conner picks out the bag with the tongs? A “beam of golden light, shot upward from the floor” startles him. We find out later in another story that Apollo is directly confirmed to have been the one to do this- gifting Rachel the famous tripod stool of the Oracle. It fits almost to well.
“But!” You might say, protesting, “The title confirms who did it! I mean, it’s not like Apollo is Connor Stoll’s dad!” And to that I say- although the title does suggest that Hermes is responsible, it’s never confirmed, and more importantly- it’s in Connor’s POV. Why shouldn’t he assume it’s his dad? And why would he know otherwise? Perhaps you could make another connection with Hermes due to his shrine in Tartarus and point at that as his involvement, but wouldn’t it make more sense if Apollo knew it was a Child of Hermes who had to have the tongs, and acted accordingly? Afterall, last we saw Hermes he had a significant grudge against Annabeth, and more importantly has done nothing to suggest he’s capable of such foresight, especially at this point.
Now that I have (hopefully) convinced you of Apollo’s involvement, another titular question must be answered- why does it matter? What’s the ramifications of this? Well, considering that this napkin basically ends the civil war between the Greeks and the Romans... a lot, actually. Specifically, it allows Annabeth to communicate that reconciliation can be reached if Reyna, a Roman, returns the Athena Parthenos, an important Greek statue to the Greeks. (Also interesting to note she addresses this to Rachel, Apollo’s Oracle... another subtle connection). 
In ToA, Zeus punishes Apollo mainly for two stated reasons: Revealing the Prophecy to soon, which becomes pretty clear is not how prophecy works. And encouraging Octavian to declare war on the Greeks. But wait? If the Napkin succeeds due to Apollo, that means that he is trying to stop the war, which in my opinion follows more along with his characterisation in ToA. So what happened with Octavian? The fact of the matter is, people more clever then me have attempted to solve this question, such as @zazzander and @fearlessinger (Highly recommend this post if you are interested in the topic!) 
The tongs (and thus the potential for the Napkin) was put into place months before any true threat would be realised by most characters. So it wasn’t a frantic backpedal of trying to fix his mistakes to avoid punishment by Apollo. It was deliberate. Premeditated. Now, it could be that Apollo just knew the tongs would be needed, but not what for. Unfortunately, we don’t know how his powers work. But that’s boring. However, if you take the view that Apollo’s communication with Octavian was part of a larger strategy to reunite the camps... (again, see the linked post). Well. Funny thing, because that’s exactly what the Napkin facilitates. The two camps stop fighting because of this one, simple message, and the effect it had. They focus on the true enemy. Gaia.
What does this tell us then about Apollo, then?
Well...not much new, surprisingly. ToA does it’s job well. We know Apollo cares, deeply, about his kids and demigods as a whole. We know he often acts subtly, through quiet actions that he’ll never admit to. It’s maybe the final piece of evidence you could point to and say definitively that Zeus’s punishment was unjust, but we already knew that (although funnily enough, Zeus doesn’t- and even if he did, he’d probably just point to the violation of the interference laws and punish Apollo anyway.) What it does is add on to a very firm characterisation that ToA finalises, and showcases how once again Apollo is so much more then he first appears. 
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ay0nha · 1 year
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Some Unholy War | Theseus Scamander (II)
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SUMMARY: You could feel the warmth of your frustration start in your chest, only to spread across your skin as goosebumps.  The windchill was harsh, but you appreciated the way Theseus noticed—always so attentive. His desires were written on his face; in any other circumstance, his jacket would become yours.
PAIRING: Theseus Scamander x f!reader  
WORD COUNT: 2.4K
WARNINGS: canon-typical things, smoking, angst, morally gray reader, mutual pining, semi enemies-to- lovers, always a protective Theseus, SLOW burn, etc.  
A/N: If you saw this originally posted...no you didn’t...I didn’t love the flashback I wrote, so I wrote a different one (which is semi-inspired by this post/idea because I love it, such accuracy @star-writes4​). Thank You @kalllistos for your patience with me <3 I have such a cute idea for the next chapter, so stay tuned hehehe...Let me know if you want to be tagged. Enjoy.
PART I, PART III, PART IV
— Years prior —
“You can join me inside, you know…” You spoke to your shadow, lighter illuminating your face in the dark alley. On your exhale, you continued your invitation, “...You’ll catch a cold out here.”
After a few heartbeats of hesitation and avoiding the growing puddles, Theseus came into the dingy reflection of the neon sign. “Not convinced my kind is welcomed…”
“Like that’s ever stopped you…” Your tinted lips perked. Theseus' apparel was enough to give away his position. Always so poised. “There are some people I’m sure you’re dying to meet...”
“I’m out of my jurisdiction here.” His hands remained in his pockets, a nervous tick that seemed to run in his family. It was a deceiving behavior, as it came across as a part of his confident stature. “...and overdue for a holiday.”
“Of course.”
Theseus’ hair perked at the humidity. The gel struggled to keep the curls at bay while rain pelted the architecture. The heavy pattern created a cool draft through the outside entryways and a whistling that challenged the music emanating from within the small club.
“Don’t look so stiff, Theseus.” You teased, but he had yet to seem very receptive. “You can be anyone you want here.”
He hummed with genuine nature that briefly peeked out. “And who are you tonight?”
Your eyes were always sharp, cutting through him easily. When you were kids, it was enough to scare him off, but Theseus became fortified. Yet, you knew how he worked just as well. He had a knack for easing you into a conversation riddled with hidden questions and desires. It was as if he softened the blow for something that he knew would end poorly.  Your frown began.
“I haven’t decided yet.” Unwavering in your response, you flicked the remnants of your cigarette into the street. Theseus swallowed his scoff at the action, but it only fueled your conviction. “Add it to my list of grievances.”
His gaze was determined, dancing around something obvious. The stack of papers on his desk most likely doubled in his absence. When he saw your name, he was ready to pass it off like any of the others. It hadn’t caught his attention until it ruminated in his mind so long that he spent hours digging through files to confirm that it really was you.
He reminisced about the old school days, expecting clues to reemerge to explain your behavior. Yet, all he could remember was how you were a few years younger—your nose always pointed to the sky in hopes of finding something more interesting than what was before you. The faded memories merged together the longer Theseus dwelled on them.
“You want to know what I think?” He prodded, waiting for your hum of encouragement.  You wore a dress made for dancing, and your lips were painted a sinfully alluring shade of red. Theseus almost succumbed to the distraction. “You’re someone out of their depth.”
There it is, you thought. The pleasantries would only last for so long until Theseus tallied your faults. You knew it was part of a greater protective character, but you’d evolved, and he favored ignoring your independence.
“Oh, Theseus…” You tutted with a sore smile, arms locked together with defensiveness. “...and here I thought you missed me.”
“What have you gotten yourself into?” He moved closer to you, trying to soothe your frown. Holding back from reaching out, Theseus persisted, “If you have a time-turner—
“We’re not in school anymore.” The argument felt juvenile, but you spat your words quickly, unwilling to meet your sentence. “I can handle myself.”
The situation was ironic due to how time ruled the very encounter. It was only a matter of time until Theseus latched onto the rumor that brought him here. And there was only so much time left before his warning would become a threat. The possession of such an item had added weight to your shoulders. It was a new sensation, and the buzz of adrenaline that came with it was irredeemable. It only worsened when you learned it came easily to you. It was a genuine skill.
You could feel the warmth of your frustration start in your chest, only to spread across your skin as goosebumps.  The windchill was harsh, but you appreciated the way Theseus noticed—always so attentive. His desires were written on his face; in any other circumstance, his jacket would become yours. But you cut him off before he could offer, clipping the argument with the truth.
“It is nice to see you, Theseus.” Just not like this, you omitted. “How’s Newt?”
“Still finding himself in all sorts of…well—you know how Newt…” His hands returned to his pockets as he shuffled slightly. “...those creatures…His creatures are doing well, I suppose…it’s always a fine way of passing time…”
Theseus wasn’t one to ramble nor participate seriously in small talk. Yet, with you mitigating the conversation, it was hard to ease back into what he had come for. Your change in topic wasn’t a distraction at all, just another dig at Theseus’ character.
“You should learn to take people more seriously.” You bit at your own defense veiled by his brother’s prospects. “Maybe then, you’d get what you want.”
The forgotten rain began to pick up. A soft spray that snuck past the protection of the awning begged for you to find warmth inside. You refused to curl into yourself. Instead, you pushed yourself off the brick wall to brush everything into the past.
“Enjoy your holiday, Theseus.”
“Look—” Stopped by your arm, Theseus paused with thought. “I just don’t want to see you get hurt.”
“I know what I’m doing.” You were softer this time, but your furrowed brow still exposed your upset. But it relaxed as Theseus's hand trailed your arm to find your hand.
“I don’t doubt that.” He spoke earnestly.
Quietness followed the slight embrace that you broke after a small squeeze. The contact allowed Theseus to speak freely, but you wouldn’t listen to more. You knew what he would say, and that was enough.
“Let me buy you a drink.” You blamed the barflies stumbling out the door beside you for your sentimentality. Theseus gave you a tentative look you knew you could break. “Just the one…And if you’re lucky, I’ll tell you what I know.” It was a promise. “I’m feeling charitably inclined tonight.”
The tips of Theseus’ fingers continued to tingle despite their loneliness.  His pockets felt cold. “And why’s that?”
“I’ve met someone.”
— Present Day —
You hadn’t believed in love, and you were ready to carry that grudge—until him.
Avery Sinclair.
It wasn’t proper love, proving your skepticism in the emotion correctly. But it was the closest you’ve ever been, would ever be. He charmed you with his intelligence but decidedly made pearl dust a main ingredient in your relationship. It ensured your vision was so muddled you were willing to sacrifice yourself for him. Avery determined your demise before you could even pick up a scent.
The auror, he had told you. Rid us of him.
To this day, the memory was disillusioned by your coerced fidelity. The memory was more of an overlapping feeling. It was like your body wasn’t your own, stepping into an event without an invitation. You could still feel the heat of the fire you started and the desperation of your scream when you were pushed to your knees. Even then, you failed to remember things coherently.
Yet, when your vision finally cleared, only Aurors surrounded you. Theseus fronted the brigade with a grimace that reflected his disdain. You hadn’t known the expression was a mix of pity and guilt due to the fact that his name would be inherently tied to your public conviction. You just felt like you could finally breathe without a struggle.
“Did you hear me?” Theseus prompted you again, pulling you out of a shared past. He noted your gaze drifting, a thousand-yard stare replacing a genuine exchange. “Listen carefully; we only have so much time until—
“This is what your promotion got you.” You observed the spacious office you’d been in. Your tone asked if it was worth it. Your value was reflected in the fine leather seats, the expensive wood desk, and the plaque that named Theseus’ higher position.
Those who transported you expected catastrophe, but you entrusted your silence. You were calculated enough to know when to hold your tongue, but once in the atrium of the Ministry, you could no longer sit so stoically.
Theseus went to say your name, imploring you to focus, but you only challenged him. He held your stare just as strongly, “You underestimate the scale of this.”
“As if that matters...” You frowned only to follow with deeply rooted sarcasm, “...in a system that is so fair and competent.”
Your words were your only defense against something so factual. Although you were in danger, it had yet to actualize and frighten you as it had Theseus. To him, you were ready to give up, engage entirely with the peril Sinclair would unleash. Your indifference only confirmed his sentiments.
Theseus began to pace. With each step, he attempted to restrain his insults. How you looked at him only provoked a wave of pent-up anger, “You have always been so cruel…”
“If I'm cruel, then what does that make you, Theseus?” You were ready for the conversation; your thoughts honed and practiced. “If I'm cruel, then you must be something much worse.”
“I'm trying to help you.” His voice was low, afraid those whispering about your presence—capture—would overhear his admission. In time, you’d learn that his words were genuine, that he was risking more than you realized.
“No.” You spoke definitively, head shaking with refutation. “What you do is selfish. You help with a suffocating hand—
“You don’t get to make this my fault. You chose him.” The silence to follow echoed his regret. You eyed his uncharacteristic agitation as he tried to rectify his mistake.
“Theseus!” A voice boomed, entering the office. Torquil Travers. “There you are, now—This is her?” With a passing look of disgust, he let out another booming statement. “Have you located Sinclair?”
“Yes, sir.” Theseus’ bluntness evaporated the previous argument. Yet, his eyebrow twitched. The micro expression revealed too much. His body contradicted his words.
You rolled your eyes at the formality. After all these years, Theseus still couldn’t shake the nickname that followed him during his younger years—Schoolboy hero.
Suck up, you thought.
“Ensure this gets done.” Travers’ attitude indicated he felt the time in Theseus’ office was already wasted. “Quietly.”
Theseus held a tight-lipped smile. “Of course, sir.”
Time, too, was his concern, and it became obvious the longer Travers remained in his office. You wanted answers of your own, but you could be patient as there were more pressing desires.
“These come off.” You said evenly, gaining the attention of those in the room. Yet, Travers looked around as if your voice was foreign and your presence was no more than a nuisance.
His posture straightened with arrogance, prompting Theseus, “Handle that.”
That. Your position was clarified. You were no longer a person, no longer a witch. You were—that. Theseus felt ill, agreeing once again to his boss’ request before he left. Theseus intentionally kept his back to you, trying to form the words that explained what he had to do—what he was assigned to do. Handling that meant telling you the cuffs were to stay on.
Emotion flooded your chest; you missed your isolation. Solitude made things simpler. Though now there was no choice. You were to be bait; you were meant to lure Sinclair in. It was Theseus’ idea, only as a form of protection and to bide time for him to figure out something more promising.
With a hand tucked in his waistband and the other rubbing across his jaw in thought, Theseus stared ahead at his desk. He seemed at a loss and could only resort to honesty. “I want you to trust me.”
You did. You had. You relied on him in the past. At one point, you would have considered him the only one that had the privilege. You thought he had understood that. Your relationship had naturally ebbed and flowed. It was required when you were such opposites, but mutual respect helped it remain.
Theseus promised he wouldn’t follow you that night, but that was the same night he was no longer a man of his word. For your own good, his own remark nauseated him. It had felt so right at the moment, a moment of long-coming justice, but it was not only a trap for you but for him.
He would never fall for it again. With a weak rasp of the knuckles to his desk, Theseus’ mind settled.  His side was chosen.
Coming close, he crouched down to your seated level. You remained still, his motions far too interesting to pull away. He began trailing your arms until he reached the metal at your wrists. “...You’re not safe with them on.”
You'd grown so accustomed to the weight of the bracelets on your wrists. They weighed you down in every way you could imagine. You learned to move with them smartly, using your magic so strategically that it felt like a chore rather than an extension of yourself. And now, seeing your wrists empty, you fought off a misplaced nostalgia.
You had never meant to become the villain. You just didn't know what else to do.
Theseus watched as your eyes welled with emotion, knowing you’d never let actual tears form. He thought to move forward and bring any sort of comfort to the situation, but you moved quicker than the thought was formed.
“No!–Don’t—”
His breath was lost, the world around him dissolving into a deep color. Your hand gripped his collar, but it felt like he was being pressed hard from all directions. The journey was nauseating and familiar. The surroundings no longer reflected the Ministry, the marble flooring was replaced by puddles, and the air was no longer crisp but heavy with humidity.
Your laugh bubbled, starting slowly with the feeling of surprise that evolved into pure joy. You refused to be tracked by your magic, so you typically abstained. The feeling of magic again was like a feeling of renewal—an electricity that scratched a phantom itch.
You glanced at a flushed Theseus, “...Remember this place?”
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Birmingham | Tommy Shelby x Reader (Part 20)
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Previous Part
Pairing: Tommy Shelby x reader
Summary: Plans of taking over the tracks get thwarted quickly for the Shelbys as trouble makes its way into Birmingham. Tommy tells (Y/N) to stay away, but of course she can't for too long. Everything gets laid out on the table after a scary experience shakes the both of them.
Warnings: drinking, series typical violence, canon death, injury, blood
Word Count: 4426
A/N: here it is everyone…the final chapter of Birmimgham! Thank you so much to those of you who have stuck with this story…through the break and the drawn out postings. I finished it for you. I’d love to know what you think of how it ended (since I went with the winner of the poll; which was giving a ending that felt finished). Enjoy! :)
A/N 2: the italicized dialogue is taken from the show. I’d also like to give a special thanks to @alicent-targaryen for making the amazing gifsets that helped me write this chapter so quickly — they gave me so much inspiration! :) also if you’d ever like to know what the original ending for this was…feel free to reach out to me…if I get enough interest, I may just write it as a short.
PLEASE LET ME KNOW WHAT YOU THINK!
The story is finished! — I hope you enjoyed!
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"Is Tommy here, or has he left already?" (Y/N) asked Polly after she entered the Watery Lane home. She found the older woman working on cleaning the mantle in the living room, and she couldn't stop herself from blurting the question out.
"He should still be upstairs," Polly answered, not even bothering to turn and properly greet (Y/N). It seemed as though she was deep into working on something.
"Can I go up?" (Y/N) asked hesitantly, not wanting to cross any lines.
Her question made Polly turn and look at her. The older woman quirked an eyebrow, probably wondering why the question was even being asked. "If you wish to. His door is at the end of the hall," she answered (Y/N)'s question. (Y/N) nodded, saying a quick thank you before she made her way to the stairs of the home.
She walked down the hall, stopping at the last door and taking a pause before she knocked on it. "Come," his voice came from inside the room, making her twist the knob and open the door. She saw him standing at the dresser, finishing up shaving.
"Hi, Tommy," she said softly, making him stop what he was doing and turn to face her.
"It's early, (Y/N)," he commented, surprised by her presence.
"I know, but I was unable to stay away...ever since you told me today would be the day; my mind won't stop," she explained her reason for being there. She'd been worried about everything that would happen today and couldn't stop herself from going to see Tommy before he left for the races.
Tommy finished up what he was doing, grabbing a rag so that he could wipe his face off before he then gave his attention to (Y/N). He could see the slight bit of worry behind her eyes, and he hated that it was there. For a moment he felt bad that he'd been the one to create it, but worry or not, he knew that she understood what had to be done.
"When will you go?" she asked him, breaking the silence that had fallen in the room.
"In a few hours," he gave a vague estimation, "I need to touch base with my brothers. There'll be a family meeting at half ten; there we'll discuss what will be done. I'd say that we'll be leaving shortly after that," he explained what had been on his list to accomplish. "You can come to the meeting, if you'd like," he then extended an invitation.
"I'll come," (Y/N) nodded, making her decision rather quickly. She figured that hearing his plan in full might serve to give her some solace.
"Good," Tommy nodded, a ghost of a smile teetering on his lips, "we'll be set after this, (Y/N)," he said to her then, his words riddled with confidence. (Y/N) smiled upon hearing it. She loved how self-assured he was; it was almost contagious.
"I'm worried," she said then, retreating back to her own way of thinking. She was itching to reach out and take hold of him from the second she'd walked in, but she didn't know if that would be received well or not. The last thing she wanted was him upset with her as he embarked on this big scheme.
"You shouldn't be," he assured her, "we've got the Lees on our side thanks to John and Esme, and Kimber will think that we're going to fight that family instead of taking to the pitches. He won't expect what'll actually happen," he gave her the rundown of his plan, still holding a great deal of confidence in it. Things were going to go his way today; he could already feel it.
"Ok," (Y/N) nodded along, trying to switch her thinking for his, "and I'll stay here...with Pol to make sure everything runs well on this end," she addressed her part in the plan.
"Good," Tommy nodded. He paused then, pulling his timepiece out so that he could check it. "Love, I should go now," he said as he slipped the watch back into its pocket.
"Ok," she repeated what she'd just said, "I just wanted to see you before you left."
"Come to the meeting," he said to her, a slight smile on his face.
"I will," she assured him, smiling also as she nodded her head.
"Come on," he said then, moving forward and placing his hand to the small of her back as he led her out of the bedroom and over to the stairs. She descended them first with him following behind. "I'll see you at half ten," he told her, walking to the door as she decided she'd stay back and see if Polly needed any help before then. It wouldn't be long until the time for the meeting came anyway; she might as well stick around.
Polly did in fact need help with minor things, and the women quickly got busy with them, passing the time between the meeting like (Y/N) hoped they would. It wasn't long until everyone was gathered in the empty betting shop; all eyes focused on Tommy as he explained the plan (Y/N) had got a preview of in full detail.
"Any other questions?" Tommy asked once he was finished explaining the plans. He looked around the room, waiting for anyone to speak up.
"Yes," it was Polly who answered as she made her way to the door that separated the betting floor from the home, "does anyone object if I bring a newcomer to the meeting?" she asked, looking around the room. Silence came in response, making her move over to the door so that she could open it slightly and whisper "come on," to whoever it was on the other side. She then opened the door wider to show Ada, who had Karl in her arms. "I'd like to introduce the newest member of the Shelby clan," she announced, a smile on her face.
(Y/N)'s cheeks were hurting from the wideness of her smile as her friend took a step further into the room. It was so good to see her back with her family again. Arthur was the one to start the clapping, and soon the room was filled with applause as Ada walked into the room. She stopped where (Y/N) was standing and gave her a smile, to which (Y/N) sent one of her own back.
"Welcome home, Ada," Tommy said to his sister, a smile forming on his lips. It warmed (Y/N)'s heart to see the progress being made.
She then explained the baby's name, earning some laughs from the group that was gathered around her. Arthur then went over to see the baby, taking him from Ada's arms and placing his peaked cap on top of his head. (Y/N) laughed along with the rest of the group as John poked fun at his older brother. Ada sent (Y/N) a smile before Tommy addressed her, asking if he was forgiven. (Y/N) stayed behind and watched Ada move over to him, telling him he was. She felt her heart swell as they shared a hug.
"It's so good to see you back with your family," (Y/N) said to Ada once she'd come back to her side. Tommy and the other men had gotten together to talk finer details of what would be going down. (Y/N) decided to stay with the women instead of learning more of the plan, feeling more comfortable watching Esme make exaggerated faces at the baby than hearing about how they were going to take over the races.
After things were finished at the shop, Tommy and the men decided to go to the Garrison to have a drink before they hit the road for the races. (Y/N) offered to join and help out, knowing that things would go smoother if there was another set of hands - hands that knew what they were doing - behind the bar pouring drinks.
Things were going well. (Y/N) was pouring with Tommy and the two had slipped into a comfortable routine. She wasn't going to lie, she quite enjoyed working in these close quarters with him. All was well...until it wasn't.
Arthur entered the Garrison with Jeremiah trailing close behind him. Both men were walking like they were on a mission. "Tommy," Arthur called for his brother, his gruff voice making just about all of the celebrations stop. "I need to talk to you," he said, his seriousness holding as he nodded his head to the stockroom that was behind the bar. Tommy glanced at (Y/N), who was becoming more confused by the second, before he followed his brother and friend into the room.
They were only gone for a matter of seconds before coming back out. "(Y/N)..." he started, coming right over to her, a sense of urgency in his movements and vocal tone. "(Y/N), I need you to leave now, ok?" he said to her, his eyes wide as he spoke; a tell-tale sign that he was now under pressure and needed things to be done timely and in a certain way.
"Wha...why?" she asked, her brows furrowed in confusion.
"Billy Kimber and his men are coming this way," he told her, "I need you to stay clear of here, you understand me?" he searched her eyes then, his hands blindly searching for hers. It didn't take much to find them, and when he did, he squeezed them for added effect, "stay away from here," he told her again.
"Ok. Ok, I will," she nodded her head, sensing his urgency and falling in line with it, "I'll go and be with Pol and Ada, and I'll wait there for you," she then told him where he could find her.
"Good," Tommy nodded lightly, feeling relieved that she wasn't going to be mixed up in the middle of this developing plan. He was going to need to fight Kimber on his own turf now. It was something he could do, but he wanted to make sure that the people he cared for the most were out of harm's way. "Go on," he said then, dropping her hands so that he could let her leave.
(Y/N)'s heart dropped slightly at the abrupt loss of warmth his hands were giving her, but she didn't have much time to dwell on it as she was following his orders, exiting the Garrison at a hasty speed so that she could get to Watery Lane before all hell broke loose.
Tommy watched her as she went, keeping his eyes on her until she was out of his sight before he focused on the men that had gathered in front of him, waiting for their leader to give them direction.
(Y/N) was out of breath when she finally got to Watery Lane. She entered the house promptly, hoping that either one, or both, of the women that she was looking for would be present. To her relief, they both were sitting in the living room.
"Where have you run from?" Polly questioned her, a look of confusion forming on her face.
"I...I just came...Tommy told me to..." she stammered out, resting her hands on her knees as she tried to catch her breath, hoping that doing so would allow her to get out a complete sentence.
"Come, sit down, love," Polly coaxed her over to the open chair and (Y/N) listened, moving over to sit and take a few more calming breaths. "Tell us when you're ready," she said to the younger woman, both her and Ada waiting intently for the news it seemed she had.
"I ran from the Garrison. The plans have changed...Billy Kimber's on his way here to make a stand. Tommy told me to stay away from the tavern. He thinks that it's going to happen there," (Y/N) explained once her breathing was normal again.
"Bloody hell," Polly hissed, exhaling a sigh as she heard the news, "they're going to get themselves killed."
"I don't know any of the finer details...I just know that they're going to fight them here now," (Y/N) stated, trying to push down the worry that was bubbling up inside of her.
"I've got to go," Ada finally spoke in the midst of her rushing to stand from the couch.
(Y/N)'s brows furrowed as she watched her friend move around the room, grabbing the carriage she'd brought with her so that she could transfer a sleeping Karl into it. "Ada, wait...what are you doing?" she asked, confusion present in her tone.
"I'm going to go make these bloody men see sense," Ada spoke through gritted teeth, making it apparent that anger and frustration were coursing through her. She moved over to the archway that led to the door before stopping and looking at the women, "because I know the finer details of the day, and I refuse to stand by and let this happen," she didn't wait for a response to her pointed statement after uttering it, instead turning and walking through the archway and out the door.
"What does she mean?" (Y/N) asked Polly as soon as the door shut. She was so confused right now. Polly just looked defeated.
"Freddie was to be broken out of his transport earlier today...he was going to come home and help with the effort at the races, and this was all to be done in accordance to Tommy's plan," Polly filled (Y/N) in on what Ada was getting at.
(Y/N) sighed as she heard what the older woman had to say. "She's going to go and confront them, isn't she?" she asked in a blank tone.
"She very well may," Polly didn't give a straightforward answer. Ada was a Shelby after all...Shelbys did what they wanted and rarely cared about the dangers that stood in their way.
(Y/N) knew this all too well. Ada was going to go and confront these two gangs of men. She stood from the chair with an exasperated sigh. Tommy's voice echoed in her mind as she stood; warning her not to go anywhere near the Garrison. She pushed it back, knowing that that was exactly where her friend was going. "I'm going to go and try to stop her, Pol," she informed the other woman as she walked towards the archway.
"Be careful, (Y/N)," Polly offered some words of advice, making (Y/N) nod before she walked through the archway and out of the Watery Lane home.
"I want you all to look at me!" (Y/N) heard Ada's voice echo through the empty streets as she ran as fast as she could to the Garrison. Upon turning the corner, she saw two lines of men, the groups facing each other. Ada was smack-dab in the middle, addressing both lines as they had their guns pointed at each other. She's going to get herself killed! (Y/N) thought to herself as she picked up her pace. "Who will be wearing black for you? Think about them. Think about them right now...and fight if you want to, but that baby ain't moving anywhere, and neither am I," she continued, her voice raw and full of emotion.
"Ada!" (Y/N) called to her friend as she made her way through the line of men whom she recognized to be the Peaky Blinders. "Ada, you can't be doing this!" she exclaimed, her eyes frantic as she rushed out into the middle of the standoff in hopes to get her friend to see some sense. "This isn't your war to get into the middle of. This isn't the place for you, or for your baby," she insisted, her eyes locked onto the other woman's as she tried to get her out of the middle of it all.
"I won't move, (Y/N)," Ada stayed persistent.
"If not for your own safety, do it for Karl," (Y/N) didn't back down, "this isn't your war to try to stop," she repeated her previous statement, trying to keep her voice steady as adrenaline started to fill her. She tried so hard not to think of what was standing on either side of her at the moment, putting her sole focus on her friend. "Come on...move for Karl," she said again, her voice softer now as she nodded to the carriage that was off to the side. They held each other's gaze before Ada just barely nodded her head. (Y/N) saw it though, and she moved Ada off to the side, hyper-aware of all of the eyes following her.
"She's right you know..." Billy Kimber was the first to speak up once the women were off to the side, "why should all you men die?" he asked the men surrounding him before looking forward, "it should just be them who've caused it," he accentuated his statement by brandishing his weapon and firing it twice.
(Y/N) squeezed her eyes shut and spun to shield both Ada and the carriage as best she could as pandemonium broke out in the street. Several men were screaming and Karl's cries had intensified before there was one more gunshot.
Tommy was the next person to speak. "Enough!" he yelled, causing everything to halt at once. (Y/N), even though her eyes were still closed, felt relieved that he was still speaking, because that meant he was still alive. "Kimber and me fought this battle one on one. It's over. Go home to your families!" he addressed the men standing across from him.
Nothing else was said as the sound of footsteps rang out, signaling to (Y/N) that people were walking away. She heard Tommy mumble something to someone, and more footsteps were heard then. She stayed by Ada and Karl, unable to really move as she took some steadying breaths.
"Ada..." a man's voice came from the women's left.
"Freddie," Ada breathed, moving from the carriage to go to the man who had approached them.
"Don't scare us like that," he said to her, allowing her to fall into his arms and cling to him. He closed his eyes and rested his chin on the top of her head as he held her tight against him.
(Y/N) smiled softly as she watched them reunite, feeling the emotion radiating off of them. She finally looked back at the street then, seeing that everyone else had cleared off of it. Worried about the rest of the men - especially one in particular - she left the couple's side and hurried to the doors of the Garrison.
She was met with agonizing screams as she opened the doors, and immediately realized that they were coming from Tommy. Hearing them made her heart drop to her stomach. Had he been shot? she wondered, worry immediately filling her body.
Arthur was the one to notice her presence amidst trying to help get the bullet out of his brother's shoulder, "go and wait in the stockroom, love, you don't want to be seein' this," he told her and she nodded, swallowing the lump in her throat and not asking any questions before she made a b-line to the stockroom behind the bar.
She waited there as time passed painstakingly slowly. Hearing Tommy scream out in pain was breaking her heart. She wished there was something, anything, she could do to help.
Then everything became quiet again. She heard some talking, but it was muffled by the door that she'd closed. She decided to stay in the room even though it seemed that the worst of it was over. A few more minutes passed before the door opened to reveal Tommy.
(Y/N) didn't wait for another second. She was walking over to him the second she saw him, her hands raising so that she could take his cheeks into them and bring his lips to hers. She kissed him passionately and with everything she had in her. Tommy's hands found the sides of her waist so that he could hold her against him, prolonging the kiss...as if she was going to pull away anyway.
"What was that for?" he breathed out once they'd pulled away.
"For scaring me," she answered him, an involuntary shudder coursing through her as she let her eyes drop to the bloody shirt that he was wearing. He's ok...he's standing in front of you, she told herself, her eyes finding his again.
Tommy chuckled at her statement, squeezing her waist slightly before he leaned in and kissed her again. (Y/N) happily accepted it, slipping her hands from his cheeks to the back of his neck as she reveled in the feeling of their lips moving together seamlessly. Nothing ever felt this good.
"And that was for?" she asked once she pulled away, breathless this time. She couldn't stop the smile from forming on her face as she looked at him again.
"An apology for scaring you," he told her, his words making her tip her head back slightly as she let out a laugh.
His eyes were still on her when she looked at him again. His gaze made butterflies dance around in her stomach, and she couldn't help but encircle her arms around his neck so that she could hug him; her head resting against the uninjured side of his chest as she did so. She brought one of her hands down from the back of his neck to gently lift his jacket where the blood was present on his shirt. She couldn't see much, but she still had to ask: "you're ok, are you?" Her voice was much softer now, worry creeping back after the excitement of the kisses faded.
"I'm fine, love," he answered her, his voice coming out in a similar tone. "Come on...have a drink with me," he said then, loosening his hold on her waist. She got the message, dropping her hands from his neck so that he could step away and lead her out of the stockroom and back into the bar area. "Under the bar should be a bottle of champagne..." he started off as he walked around to the opposite side of the bar so that he could stand across from her.
"Going for fancy today, are we?" (Y/N) couldn't help but grin as she grabbed the unopened bottle from one of the lower shelves.
"Figured we should...since we're celebrating," Tommy grinned right back at her, watching as she set the bottle on the bartop before going to grab two glasses. As she did that, he turned and rested his back against the bar, taking some of the weight off of his feet. He let out a sigh as he tipped his head back, reveling in a moment of peace after so much chaos.
"Is everything ok?" (Y/N) asked after she turned around and found him.
"Yeah," he breathed, pushing himself off of the bar and turning around to stand straight and face her again, nodding his head then for extra effect. (Y/N) nodded back at him before she uncorked the bottle and worked on pouring it into both of the cups. She tried her best not to mess up under his gaze. She smiled at him once she was finished, handing him a glass before she picked her own up and took a sip from it. "How is it?" he asked, his eyes not leaving hers.
"It's good," (Y/N) answered with a nod and a soft smile.
"You know..." he began then, pausing a moment before continuing, "someone I trust once told me, and I believe they told me here; in this very spot...that people fall for people that they know; people that they've been around and feel comfortable with..." he trailed off, and (Y/N) felt her throat go dry. Those words sounded all too familiar...like the words that she'd told him when he was grappling with Ada being with Freddie. He took a deep breath before continuing, "I want you to help me, (Y/N). With the business, the family, with the whole fucking thing. I want you, no, I need you in my life."
"Tommy this is, wow..." she couldn't finish her sentence, taken back by what he'd just proclaimed. All of the dancing around her feelings for him had led to this...the moment she'd been secretly hoping for for so long. But now that it was here, she was fumbling. "I'm not sure of what to say..." she blubbered out, her nervousness shining clear in her words. She'd never wanted something more in her life...why had she chosen this moment to be awkward?!
"Yes would be a good thing to say," he said, cracking a grin as he noticed her trying to fight back her nervousness, "it'd be a great thing to say, actually."
"Then yes," she breathed, a smile breaking onto her face.
"Then yes," he repeated what she'd said, smiling also as he leaned across the bar to kiss her. She caught his chin, holding him there and making the kiss longer than he intended...not that he was complaining.
"I think we'd ought to leave," (Y/N) said after they'd pulled away from each other, "we've had enough excitement for one day...you should get home," she suggested.
"And what will you do?" he asked her, wondering if they'd now be parting ways after all that just happened. He really didn't want that to be the case.
"I thought that maybe I'd come with you...someone's got to make sure that you keep clean bandages on your shoulder," she answered him, unable to stop the smile from creeping onto her lips.
Tommy caught that, knowing what else she could be thinking that would make such a smile form on her face. "I like the sound of that," he said to her, also grinning before she walked around the bar to come to his side.
The day had truly been won. Not only had Tommy defeated Billy Kimber, but he'd finally let (Y/N) know how he felt about her...and to his relief, she'd felt the same about him.
And for (Y/N)...she had a feeling that she wasn't leaving Birmingham any time soon. That was something she was perfectly ok with.
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jhkfan123 · 5 months
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enchanted- tom blyth | ch. 9
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✦ix.
A/N: this chapter is so me when-
2nd A/N: guys i KNOW the oscars aren't directly after the golden globes but pls ignore its for the plot. 😁
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you felt like throwing stuff. just throwing everything in sight. the two of them cannot tell you everything is fine, and then pull a stunt like that. not only did it confuse you, it only fueled the fire of the relationship rumors even more. at this point, you were considering deleting social media altogether. you did not want to deal with it. at this point it made every day worse. it sucked you in like a vacuum, and you couldn't escape what you didn't want to see. no matter how many times you clicked "not interested" on a post, it would not help the amount of rachel and tom content you saw. it wasn't healthy. 
you had the impulse to archive all of your social media posts and just take a break. maybe it would help. help you get away from all the things you didn't want to see. you reminisced on your actors on actors with jenna ortega. everything the two of you had said. maybe it was a good idea. you were feeling impulsive anyways. 
just to be petty, the only posts you archived were the ones that were hunger games related. at least, for now.  why not be petty? they seemed to have lied to you, anyways. 
you felt they were treating you like a child. like you couldn't handle the truth. yes, it would be hard to hear, but it's not like you wouldn't understand. you weren't a little kid. you were an adult. a petty adult? yes. but an adult nonetheless. you wouldn't have been so angry if they hadn't lied. if they had said it to your face, you wouldn't be reacting like this. but you just felt anger. 
you felt like you wanted to break something. break something like he broke your heart. you weren't going to slash his tires or anything, nothing to him. just something to destress. but there was nothing in your house that you could. so you just decided to scream into your pillow. easy solution. then, you continued to archive your posts. every single one that included tom. it was fun. so much fun. you felt a little immature, but it was definitely making you feel better. then you went through you instagram highlights. took them all down. you changed your profile picture, which was originally a picture of you, rachel, josh, tom and hunter, to a solitary picture of you. it felt so good. you knew your social media team would be mad, but who cared. 
then you cried. the situation was giving you major mood swings. angry, sad, angry, sad, really angry, sad. this went on for hours. you rotted in bed. you called your best friend and cried to her for about an hour. you just listened to olivia rodrigo. she seemed to have songs that fit every situation. you listened to get him back! and lacy on repeat. 
then making the bed came on. and then you realized. in 2024, you should not be rotting over a possible dating situation. you should not be crying for hours over a situation that you can easily question. you are the only one who is making you feel like this. you were doing this to yourself. this could easily be solved by talking to them, and even better, you had your final red carpet event of the season, where both of them would be in attendance. this event just so happened to be the oscars. it was very exciting, and even though none of you had been nominated, just going would be an amazing experience.  you had to deal with the truth, and that was, if they are together, there was absolutely nothing you could do about it. you could not go back in time and do something differently. and if they weren't together, great. 
you had to stop being immature, and start being rational. you had to prepare yourself. you glanced up at your door. your stylist had picked out a white dress. there was no way. you scavenged in your dress closet for anything better. 
...
after a lot of slow skincare, a shower, and digging through your closet, you eventually picked out a black, elegant, silky dress with a very high slit. you paired it with a layered pearl choker, and a black garter. the garter was visible, but not totally out there. you put on the highest black heels you owned, did you hair nicely, created your daily bracelet stack, and prepared to leave. you paired your outfit with a black clutch, and made your way out the door. you knew people would be dressed in gowns, and other elegant things, and your dress might now be as big and showy, but you had a point to make. again, it was based on princess diana's revenge dress. you really admired her, and this look made you feel empowered.
when you arrived on the red carpet, you walked with confidence. you had been on a lot of red carpets these past few weeks, so you had developed a strategy. get on, say hi to a few fans, strike a few poses, more fans, and then walk in. so that's what you did. stepping out of the car, there was an immediate reaction to your outfit. it was a mix of shock and surprised gasps, along with cheering. you went over to the crowd and began to say hi to a few people. you took a photo with one young fan who was so adorable. then, you did two short interviews. next it was time to pose. you were going to make sure there were lots of photos. on your way to the carpet, you caught sight of tom. he was maybe 25 feet away from you, posing on a different background. 
However, you accidently made eye contact with him. he looked at you, glanced down at your outfit, then up to your face once more, then down to your outfit, then up to your face. he couldn't seem to get enough of you. he seemed to be shocked at your outfit, which is what you were going for. you didn't know wether to smile at him, or to look away. 
you ended up doing a combination of both, which looked very odd. you had hoped no one caught that on camera. you saw him smile slightly, but then he turned away and posed again. you took the hint and went back to posing again. you had not found rachel yet, or any of your other castmates. still on the red carpet, a security guard gave you a fifteen minute warning to the top of the show. you decided maybe you should go find your seat. at the oscar's there was not as much of a guarantee you would be seated with the members of your movie as other events. the only guarantee was if you were nominated. 
you walked past the coat check, and over to the seating chart. the theater was huge, so finding your seat took a while. you sighed when you found that your seat was next to tom. and tom was next to rachel. on your other side, hunter schafer, and josh. you were glad to know you weren't seated in the middle of them again. you had hunter to talk to if things got weird. 
shuffling through people, you finally approached your seat. you gave hunter a tight hug, she was being so unproblematic in this whole situation, and you were here for it. you sat down in-between hunter and tom, and the second you sat down, your mind blank. you had no idea what to say to the boy next to you. do you ask him now? wait till the party? go outside? don't ask at all? that one was definitely out. you probably wouldn't be able to sleep until you asked. rachel was next to him, and while you smiled at her, you didn't say much. hunter complimented your outfit, and you returned the compliment. you noticed tom listening to the conversation between the two of you. you had a feeling he was going to butt in anytime now, but nothing yet. 
finally, you heard him take a breath, coincidentally at the same time the show started. you heard him say something, but loud music came on, and you couldn't make it out. 
"what?" you asked him to clarify, but he shook his head. well that was going to bug you. you focused on the show, still dying to know what he said. it stuck in your head the entire duration of the ceremony. 
...
the final award was given, and the lights came back on. it was a great show. you knew that you needed to talk to tom. you had to make sure you didn't lose him in the crowd. when everyone was making their way out, you made sure to not lose sight of him. he was walking in front of you, and also much faster. figured, he was much taller than you. 
when you finally caught sight of the exit of the building, you started calling his name. he heard you the second time. he stopped walking, and waited for you to catch up to him. you began walking again, this time with him. you made your way outside, finally, where there was fresh air. you took a deep breath, and pulled him off the driven path. 
"what, y/n?" he asked, seemingly ok with everything.
"tom, i need to talk to you. right now." 
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zahri-melitor · 8 months
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hi hello if it's not too much trouble, what comics would you recommend for someone trying to study the batfamily characters and dynamics for a project? I don't know which writers to avoid or which runs are considered bad characterization. I know this varies with opinion but you seem super familiar with the differences between fanon and canon stuff. don't worry about keeping the list short or anything, I don't have a problem with reading a lot
Honestly, this is a ‘how long is a piece of string’ question, but I can give you some pointers.
Which 'family' characters are you looking at, and which dynamics do you want? Because the thing is, this varies significantly over time. What I can do for you is roughly discuss a bunch of different eras, and what's good content to look at in each of them.
A shortcut - you're often well served by looking at a Gotham-wide Event during the period you're interested in. Sure, people often have some objections to some of the characterisation, but if you're looking at how characters interact, they're the best place to see lots of variations.
In addition 'bad characterisation' is largely in the eye of the beholder. There's actually less agreement on what is and isn't 'bad characterisation' than you might think - it depends on who you're talking to and what stories they like. Characterisation with comics characters is best thought of as a sliding spectrum - there's a range that most people will accept, and when characters go outside it people start getting unhappy. I'll try to note major shifts or universe resets or retcons along the way though.
Pre-Crisis:
Look there is very little in pre-crisis you need to look at for this. Sometimes people will pull stuff forward for Dick and Jason as Robin or Barbara as Batgirl, but largely things stand without this.
Post-Crisis:
I'm happy to walk you through post-crisis up to 2011. I'm still getting a handle on 2011 to present myself.
The Early Days: Bruce as Batman, Dick as Robin, Barbara as Batgirl
In the beginning, there was Batman. One day he went to Haly's Circus where he saw two acrobats falling and their devastated son...you know how this one goes.
Pretty much everything set in this period is flashback stories, so they frequently retread the same ground over and over. Want to see the Graysons fall? You're in luck! Choose one of the more than a dozen versions! (I'm not going to list them all even though I like many)
Quality stories looking at this period include:-
Batman Year One (1986) - Batman #404-407. I am recommending this, yes, even though it's Frank Miller, because it gets referenced a lot. It's a decent retelling and the best work Miller's ever done for the Bat books by a long shot. Bruce's origin story.
Robin: Year One (2000) - Chuck Dixon and Scott Beatty. This is probably my preferred version of early Bruce and Dick stories, and it's conveniently got a sequel in...
Batgirl: Year One (2003) - Chuck Dixon and Scott Beatty. Barbara's origin as Batgirl and the only one worth reading. These two update the Dick and Barbara as Robin and Batgirl dynamics into post-Crisis.
Batman Chronicles: The Gauntlet (1997) - Bruce Canwell. This is a single issue about the 'final exam' test Dick took to become Robin. I really enjoy it.
Robin & Batman (2021) - Jeff Lemire. A very recent update of early Dick as Robin. If you want something recent and quick, this is the pick. The characterisation is good but I have a bunch of quibbles with the details.
World's Finest: Batman/Superman (2022) - Mark Waid & Dan Mora. Here's a current ongoing for you! A rarity in that is set reasonably late Dick's time as Robin, and it also doesn't repeat identical beats to those above. Lots of Bruce and Dick, strong Silver Age vibes in relationships, and a lot of fun. A great intro to the wider DC simultaneously too.
Robin II: Bruce as Batman, Dick as Nightwing, Jason as Robin, Barbara as...around
Honestly this is a period I'm weaker on. Jason's post-crisis run as Robin is pretty compact: Batman #401-428 and 'Tec #568-582. Jim Starlin's the writer who wanted to kill Jason off.
Batman #408-411 (1987) - Max Collins. The original post-Crisis 'Dick Becomes Nightwing' and 'Jason becomes Robin' story.
The Diplomat's Son - Batman #424 (1988) - Jim Starlin. This is the issue everyone talks about, where Felipe Garzonas dies. You should read it just to understand the debate, if nothing else.
A Death in the Family - Batman #426-428 (1988) - Jim Starlin. Jason's death.You should read this if you want to understand the dynamics surrounding these events and what actually happened.
The New Teen Titans - look I can't get my head around the numbering of NTT, but if you want to go into this there are eleventy million guides. NTT is very popular. This is Dick as Nightwing during this period, Marv Wolfman and George Perez working together, and considered by people who like Nightwing during this period as the definitive version. Jason appears in a few issues.
Nightwing Year One (2005) - Nightwing #101-106, Chuck Dixon. Now this is going to be extremely controversial, but I do actually recommend people read Nightwing Year One. It's a retcon, but it's an important retcon because it lays out the dynamics of Jason's time as Robin as comics writers have changed them to be following his death. If you want to see how comics writes Jason as the 'angry' and 'risky' Robin following his death, this is the most compact way to see how the narrative changed.
Batgirl Special #1 (1988) - Barbara Randall. Barbara's last appearance as Batgirl. Randall is Barbara's best contemporary Batgirl writer, and this is a loving sendoff for a character who was about to get shredded.
The Killing Joke (1988) - Alan Moore. You should probably read it. Barbara is shot in the spine. However if you want to skip it that's completely fine as the relevant beats have been retold almost as many times as the Graysons have fallen.
Gotham Knights #43-45 (2003) - Scott Beatty. This is probably the best telling of the fallout of Jason's death on the family, particularly Barbara's reaction. If you want Batfam dynamics this is what you should look at.
New Beginnings: Bruce as Batman, Dick as Nightwing, Tim as Robin, Barbara as Oracle, Helena as Huntress, Steph as Spoiler
This is an interesting period in that it's the first threads of what we now call the Batfamily, but they're only just starting to come together as Tim picks each one up. (No, seriously. This era is 'Tim meets people and works with them')
Also as will be the case for a while from here on, at least 50% of all content is written by Chuck Dixon. Now Dixon has his downsides - he's notoriously a conservative homophobe and his views can be seen in the text quite frequently, but he is really good at writing relationships between characters, and he loves a crossover. If you love the modern Batfam, you do have to acknowledge Dixon for his work.
A Lonely Place of Dying (1989) Batman #440-442, New Titans #60-61 - Marv Wolfman & George Perez. Tim's origin story. Very clear on the outset dynamics between Bruce and Dick.
Identity Crisis (1990) Batman #455-457 - Alan Grant. Tim's first night out as Robin in his own costume, plus early dynamics between Bruce & Tim. A tear jerker.
To the Father I Never Knew (1992) Batman #480 - Alan Grant. If you want to actually understand the foundation of Jack and Tim's relationship and how he contrasts it with his relationship with Bruce - look no further.
Robin III (1992) - Chuck Dixon. A very early Tim team-up with Huntress. This is a good place to start for how her relationship with the other Bats evolves in Gotham.
'Tec #647-649 (1992) - Chuck Dixon. Steph's original time out as Spoiler. Again foundational dynamics.
Oracle Year One (1996) Batman Chronicles #5, John Ostrander and Kim Yale. The story of how Barbara became Oracle. Stunning. Essential.
Knightfall: Bruce as Batman, JPV as Azrael and Batman, Dick as Nightwing and Batman, Tim as Robin, everyone else keeping out the way
Knightfall is huge and messy and all over the place but there is magic in here. You just have to dig. Parts I particularly like for family dynamics:-
Batman: Sword of Azrael (1992) - Dennis O'Neil. This is an excellent intro to John-Paul Valley, and get comfortable, because this is what Denny's going to write for the next 10 years.
Batman #488 (1993) - Doug Moench. JPV starts working at Wayne Corp. Tim is assigned to teach him the ropes as a crimefighter in Gotham.
Batman #500 (1993) - Doug Moench. JPV becomes Batman. Dick turns up to complain to Tim about Bruce being insufferable. It's all here.
Bloodbath #1 (1993) - Dan Raspler. This is a terrible comic BUT it also contains some gold dynamics between JPV, Dick and Tim.
Knightsend (1994) - team written. Bruce, Dick and Tim work together to help Bruce rehab from his injury and take down JPV. Legends of the Dark Knight #63 in particular is stunning.
Prodigal (1994) - team written. Dick as Batman and Tim as his Robin. The final issue, Robin #13, has Bruce and Dick's reconciliation over both the fight when Dick became Nightwing AND their fight after Jason died. Essential.
Welcome to the Family: Bruce as Batman, Dick as Nightwing, Tim as Robin, JPV as Azrael, Barbara as Oracle, Helena as Huntress, Steph as Spoiler
I will fight to convince you that this is the first true 'Batfam'. Everything prior to this is Bruce and his Robin, with occasional associates. This is where it goes from the Dynamic Duo to a network who intersect constantly.
Writers: It's a lot of Doug Moench and Chuck Dixon still.
Nightwing: Alfred's Return and Batman #521 (1995) - Alan Grant & Doug Moench. Alfred quit during Knightfall due to what Bruce was doing to himself. This is how Dick got him to come home, and the reunion.
Contagion (1996) - team written. The Event where Gotham gets the Clench (aka Ebola). Massive teamup storyline featuring Bruce, Dick, Tim, JPV, Helena, Selina, and Barbara.
Legacy (1997) - team written. Oh no, it's the Clench Round Two. Here we go again. Basically the same team, but JPV doesn't get invited after he proved he'd forgotten was a fax machine was last event, and Helena gets a more significant role.
Robin important family issues during this period: #17 (with Helena), #29-30 (with Barbara), #34 (with Helena), #35 (with Steph), #45 (with Jack Drake), #47 (with Dick)
Nightwing important family issues during this period: #6 (with Tim), #7 (with Babs), #13-14 (with Bruce), #16 (with Babs)
Birds of Prey important family issues during this period: Birds of Prey Manhunt, as it sets the tone for Barbara and Helena's relationship for a WHILE.
No Man's Land: Bruce as Batman, Dick as Nightwing, Tim as Robin, JPV as Azrael, Helena as Huntress and the Bat, Barbara as Oracle, Steph as Spoiler, Cass as Batgirl
The earthquake where everything goes wrong. The most notable addition to the writing pool is Greg Rucka. Honestly this is a 'so many parts of this are worthwhile, read it all' sort of period, but to help navigate there's a handful of really important points:-
Nightwing #20 (1998) - Chuck Dixon. The Dick, Babs and Tim reunion issue during Cataclysm. The world's fallen apart but they're back together.
Nightwing #25 (1998) - Chuck Dixon. Dick takes Tim trainsurfing
Brotherhood of the Fist (1998) - Chuck Dixon. This is a teamup with Connor Hawke involving Bruce, Dick and Tim. I love the dynamics here.
Huntress/Spoiler Special - Blunt Trauma (1998) - Chuck Dixon. The one Helena and Steph team up during Cataclysm. Get a dynamic you won't see anywhere else.
'Tec #725 (1998) - Chuck Dixon. Dick tells Bruce that he's going to become a cop.
'Tec #727 (1998) - Chuck Dixon. Another Dick, Babs and Tim teamup to take on Firefly.
Mark of Cain (1999) - Kelley Puckett. Cass's intro story.
Birds of Prey #8 (1999) - Chuck Dixon. Dick and Babs visit Haly's Circus
Robin #67 (1999) - Chuck Dixon. Tim and Dick break into No Man's Land.
Legends of the Dark Knight #120 (1999) - Greg Rucka. Team reunion in NML at the Clocktower.
Nightwing #38-39 (1999) - Chuck Dixon - Babs looks after an injured Dick in the Clocktower.
Legends of the Dark Knight #125 (1999) - Greg Rucka. Bruce and Jim finally discuss their issues. Barbara and Tim wait upstairs.
Endgame (1999) - various. Whole team works to track down Joker and some kidnapped babies on Christmas Eve.
A New City, A New Team: Bruce as Batman, Dick as Nightwing, Tim as Robin, JPV as Azrael, Barbara as Oracle, Helena as Huntress, Cass as Batgirl, Steph as Spoiler
This is the final Chuck Dixon era, the Rucka & Brubaker run on Batman and 'Tec, Devin Grayson on Gotham Knights, and probably my favourite era of comics ever. It's hit after hit after hit. Pick up any comic here. You won't be disappointed.
Major highlights not to miss:
Gotham Knights #1-12 (2000) - Devin Grayson. GK is my favourite Bat anthology book ever, but this run includes Transference. The overarching plot is Bruce analysing his team in a series of case notes. Unmissable.
Hunt for Oracle (2000) - Chuck Dixon. The US government tries to track Oracle down. Babs, Dick and Dinah make sure they fail.
Officer Down (2001) - various. Jim Gordon is shot. This is the consequences as people search for his attacker.
Joker Last Laugh (2001) - various. Joker thinks he is about to die and breaks out of the Slab. Chaos ensues. This is the one where everyone thinks Croc kills Tim, and reacts accordingly.
Bruce Wayne: Murderer/Fugitive (2002) - various. Bruce has been pushing everyone away for a while, so when he's accused of murder, they must ask the question, did he do it? Everyone tries to solve the mystery of who killed Vesper Fairchild, and Bruce goes through one of his 'am I Bruce or am I Batman' periods.
Batgirl #18 & #20 (2001) - Kelley Puckett. Cass' first team ups with Tim and Steph respectively.
Batman/Huntress: Cry for Blood (2000) - Greg Rucka. THE definitive Batfam Huntress book.
Hush It Looks Like War: Bruce as Batman, Dick as Nightwing, Tim as Robin, Barbara as Oracle, Helena as Huntress, Cass as Batgirl, Steph as Spoiler and Robin
Among the drama of Murderer/Fugitive, almost every single book gets a new writer. Jon Lewis takes Robin followed by Bill Willingham, Devin Grayson takes Nightwing, Birds of Prey gets fills until Gail Simone picks it up, Dylan Horrocks takes over Batgirl, Jeph Loeb writes Hush on Batman, Scott Beatty takes Gotham Knights. Personally I endorse basically all these runs but Grayson on Nightwing is controversial.
Hush (2003) Batman #608-619 - Jeph Loeb. Famous for a reason, this is a Bruce story that touches on his relationships with almost EVERY major character in his life (Cass and Steph miss out).
Gotham Knights - Scott Beatty. I don't know what to pick here but #47-49 is a team story of Bruce, Dick, Tim and Cass following Bane to a Kobra stronghold which shows off the developed family-like relationship between the 4 at this point.
Robin - Jon Lewis. Your highlights here are Tim and Steph on a date together (#111), and the 16th Birthday Story (#116-120) because it's essential to understanding where Tim and Bruce are at.
Robin - Bill Willingham. Jack finds out Tim is Robin. Tim quits. Steph becomes Robin. It's an essential arc.
Nightwing - Grayson. This is widely disliked but #81 is a great Dick, Bruce and Cass issue.
Birds of Prey - Simone. Helena joins Barbara on the Birds of Prey. They very, very slowly work through their issues with each other.
Batgirl - Horrocks. #38, Steph and Cass play tag. #45, Cass tries on Barbara's old costume. #50, Bruce drugs himself and Cass with Soul and they fight. #54, Barbara and Cass argue over her reading ability.
And then lurking in the background...War Games hits and tears the Batfam apart, with a doubletap from Identity Crisis.
Leaving Gotham: Bruce as Batman, Dick out of costume, Tim as Robin, Cass as Batgirl, Barbara as Oracle, Helena as Huntress annnnd Jason as Red Hood
Steph is dead. Barbara and Helena leave Gotham for Metropolis. Tim and Cass move to Bludhaven. Dick runs off to join the mob. And in Gotham, Red Hood appears.
Writers: Well we've added Judd Winick on Batman, and now have Andersen Gabrynch on Batgirl. Gotham Knights is now mostly A.J. Lieberman and no longer a good Batfam book (it's now a Hush book). 'Tec honestly isn't worth it during this period. Willingham on Robin has a handful of decent issues to start out then increasingly gets weirdly conservative with some very odd plotlines.
Fresh Blood (2005) Robin #132-133, Batgirl #58-59 - Willingham & Gabrynch. This is a Tim and Cass team up as they move to Bludhaven and mourn together.
Under the Red Hood (2005) - Batman #635-650. You know what this is. It's the Jason returns story.
Nightwing - Grayson. #100 - a strong reflection on Dick's past plus the most heartbreaking part of the Dick/Babs breakup as Dick just runs from all his problems. #110. Tim and Dick meet in Bludhaven and fail to tell each other all the bad things happening in their lives. #112. Dick and Helena run into each other both undercover in the mob. #117. Dick finally talks to Bruce about Blockbuster, and proposes to Babs.
Robin - Willingham. #134 is the pick of the bunch - Bruce offers to adopt Tim and Tim reflects on his time as Robin, though it's a solid little story out to #138 as the truth about Uncle Eddie comes out.
Birds of Prey - Simone. #76, the Babs side of the breakup. #83-84, Helena with the mob and encountering Dick. #90, Helena gives Bruce the new compiled mob data handbook and Bruce compliments her.
Batgirl - Gabrynch. This is a strong well loved run for the build up to Cass' final fight with Shiva, but for Batfam you can't go past #67, when Cass reunites with Babs. Also Cass hallucinates Steph twice in this run (#61 & #72).
Then Infinite Crisis arrives and we all move a year into the future.
One Year Later: Bruce is Batman, Dick is Nightwing, Tim is Robin, Jason is Red Hood, Damian arrives, Cass eventually returns to Batgirl
At this point Barbara and Helena are largely doing their own thing with the Birds of Prey and won't return to the Batfam until Reborn.
New writers all around! Adam Beechen and Fabian Nicieza on Robin, Marv Wolfman and Peter Tomasi on Nightwing, Adam Beechen on Batgirl, Grant Morrison on Batman and Paul Dini on Detective Comics.
Face the Face (2006) Batman #651-654, 'Tec #817-820 - James Robinson. The Bruce and Tim story that set up Tim's adoption.
Batman and Son (2006) Batman #655-658 - Grant Morrison. Damian's introduction to the family.
Resurrection of Ra's Al Ghul (2008) - various. Ra's tries to kidnap Damian to steal his body. Bruce, Dick and Tim go to rescue him. Dick and Tim's subplot involves the highest point of their brotherhood as Dick talks Tim out of trying resurrect his lost dead.
Robin - Beechen. #156, the suicide prevention issue, for Tim and Dick. #163, Tim and Bruce on their first Father's Day. #165, Tim and Bruce working on a car together.
Robin - Nicieza. Steph's return as Spoiler. #177, where Jason thinks he can recruit Tim (and fails miserably).
Nightwing - Wolfman. You know what? #117-122, the 'Jason dresses as Nightwing and harasses Dick and turns into a tentacle monster' saga. Does everyone like to say it's out of character? Yes. Is it Jason being just as annoying as he will proceed to be all the way to 2011? Also yes. That's Jason's post-Crisis character.
Nightwing - Tomasi. Freefall, #140-146. This is just a beautiful encapsulation of Dick's many connections, of his teamwork with Bruce and Tim, and of what makes him tick.
Heart of Hush (2008) 'Tec #846-850 - Paul Dini. The premise is ridiculous, but it's about Bruce and Selina, and about Dick and Tim helping track down Hush.
Batgirl (2008) - Adam Beechen. Beechen after squiffing it with the Evil Cass saga, gets to undo the damage to Cass's character and return her to the family. I think it's a pretty successful job, despite Dick spending the entire book holding the idiot ball so someone can be unsupportive. Cass gets adopted. Tim and Barbara never lose their faith in her.
Battle for the Cowl: EVERYONE IS FREEFORM
Everyone will tell you this is all horribly out of character. They're wrong. Come for Fabian Nicieza doing hard work to actually set up characters in the places they need to be for Reborn.
Battle for the Cowl: the Network (2009) - Fabian Nicieza. Oracle and the Birds of Prey have returned to Gotham but for reasons they're not calling themselves the Birds of Prey, so it's the Network.
Oracle The Cure (2009) - Kevin VanHook. Early set up for Wendy Harris' future plot. Babs gets the mentoring itch again.
Azrael: Death's Dark Knight (2009) - Fabian Nicieza. A new Azrael for a splinter faction of the Order of St Dumas appears. Dick and Babs are immediately suspicious (and Dick has to be talked out of immediately kicking the Azrael's butt just on the SUSPICION it might be JPV).
Also the main event books happen and everyone yells at each other a lot about who should be Batman.
Batman Reborn: Bruce is missing, Dick is Batman, Tim is Red Robin, Damian is Robin, Jason is Red Hood, Barbara is Oracle, Steph is Batgirl, Cass is Black Bat
New titles! New writers! Things all over the place! People who like Jason are going to claim all of Jason's appearances are once again out of character, but Jason fans claim that about every time Jason breathes outside of UTRH, Lost Days and a small handful of very select stories after Flashpoint. I'm just saying, villain Jason is pretty consistently irritating between 2007 and 2011.
Red Robin #1-12 (2009) - Chris Yost. Not only Tim's new costume arc, but a great look at Tim's centrality as a character to the Batfam in the number of contacts he calls in at the end of the run.
Red Robin #17 & #25 (2010) - Fabian Nicieza. Tim and Cass working together as siblings and backing each other up.
Batman & Robin #20-22 (2011) - Peter Tomasi. I would strongly argue this is the best arc in B&R with the best characterisation.
Batman & Robin (2009) - Grant Morrison. Look, a lot of people like the foundation of Dick and Damian's relationship found here. Also Jason shows up to be a pain.
Streets of Gotham (2009) - Paul Dini. There's a bunch of good storylines in this anthology book, but #5-6 with Dick, Helena and Kirk Langstrom is one I particularly like.
Batman #703 (2010) - Fabian Nicieza. The best Dick, Damian and Tim team-up issue of Reborn.
Gates of Gotham (2011) - Scott Snyder. The masterpiece of Batfamily content. Dick, Tick, Damian and Cass all feature in this and all 6 possible relationships are shown in different parts.
Batgirl #3-5, #17 (2009) - Bryan Q. Miller. Damian and Steph team ups, plus a look into the tension in the Dick and Barbara relationship at the time.
Birds of Prey #10 (2011) - Gail Simone. Barbara discusses her new realignment of how she's working as Oracle and focusing on the Bats.
The Black Mirror (2010) 'Tec #871-881 - Scott Snyder. Some of the best writing of Dick as Batman during this period, and a look into his relationships with Jim Gordon, Barbara, and Tim particularly.
The Return Home (2010) - various. Bruce comes back to Gotham after his 'death' and checks in on everyone.
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factual-fantasy · 4 months
Text
24 ASKS!! AAA THANK YALL SO MUCH THIS ONE WAS VERY FUN :}} ✨💖✨
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Ah no worries about not understanding! I would prefer no fanart was drawn of my cookie ocs.. thank you for asking to double check though! :}}
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(Post this ask is referencing)
I explain it all in this post! :00
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:DD Thank you so much!! And yeah, I just didn't have the heart to keep Papyrus suffering 😭😭 as much as it really seems like I don't-- I do love Papyrus as a character. And I felt like he really deserved some kind of salvation after everything I put him through.. Also it'll make for some interesting dynamics in the group! Looking at Seam and Jevil.. 👀👀
Oh yeah, and poor Coconut. If I hadn't drawn angst of Octo already she wouldn't have been the subject this time! <XDD And thank you!! :DD I'm glad to hear that she's your favorite!! :}}
And yes! I always saw the other koopa kids- especially Ludwig- to be older than JR. Maybe its the bib-- and who knows! I tend to loop back around to old fandoms from time to time so I can see myself drawing the koopa kids again XDD
As for the Mario Movie,, shockingly enough I still haven't seen it. What can I say? I have some kind of problem upstairs I'm sure of it--
Though its interesting to hear that the movie blue shells are similar to mine! :0 And I'm honored to hear that you like my version more than the movies! :DD 💖💖
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XD Its been a while since I've seen those movies. So I cant really remember much of Jack Sparrow.. but I trust that you are right! XD
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@foxythefox11
XD If I do that Jangles will probably super bounce her into the sun-
And thank you! And hey, I'm sorry that you're not very confident in your artwork right now.. Just keep in mind, all it took for me was time. Your art will improve with time. Try your best to cut yourself some slack. Understand that you're still learning. We all are! Remember that your art will continue to improve if you just keep drawing!
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I don't play it or know anything about it either <XDD but I'm glad you like them!! :}} ✨💖✨
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(Post in question)
AWW! THAT SOUNDS ADORABLE!! 😭😭🥺💖
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@solst1ce-sketches
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@komikudikentalendo
Its actually the 3rd option. Usually when I'm in some kind of fandom I prefer my own AUs as opposed to others AUs or even canon. :00
That's probably becuase most of my AUs consist of removing things from canon I don't like and adding in random things that I do like-
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@abaroo (Post in question)
AWWW THAT WOULD'A WORKED TOO THOUGH :(
I guess I was thinking that Frisk fully trusted Papyrus instantly. And so did not hesitate to give her cape to him 🥺💖
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@natewithacake
ASKSAKSFDJ THANK YOU!! :DD MEGA HIGH FIVE VIBES FRFR!!
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@skulls-and-cypresses (Post in question)
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WHW- WAHG??? THAK YOU?? THANK YOU SO MUCH!! THAT'S SO KIND!! PROBABLY THE KINDEST THING ANYONE HAS EVER SAID ABOUT THE WAY I DRAW PAPYRUS!! ME?? REPRESENT HIM PERFECTLY??? WAAAA THANK OU!!! 😭😭💖😭💖💖
THANK YOU!! THANK THANK THANK YOU!! FOR EVERYTHING!! 😭😭💖💙😭😭😭
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@dementia27
Aww! How cute! That might work! :000 Why do I want one now- XDD
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@khoiazo
Aw, I'm sorry! <XDD I don't mean to make you sad :(((
AND YOOO!!! Its Friday when I'm answering this but the Wednesday dude is welcome any day of the week! :DD
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Yeah, both canon Jevil and Spamton would be pretty dangerous to have around XDD But out of the two I think original Spamton would be interesting.. 👀
Not really for the personality, because my Spamton's personality is actually a bit similar.. but more for the visual aspect. I headcannon that canon Spamton's body shrunk when he fell into an acid pool. My Spamton fell into an acid pool as well, but it didn't shrink him. It destroyed the structure of his body and elongated him. Making him much taller and extremely deformed..
Imagine the two of them standing side by side. Original Spam would be up to my Spams knee! <XD
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@minnesotamedic186
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Evil voice: ehhehghehe... noted... hehehghehee
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@pythecyberguy
Me when someone compliments me on the characters design that I was least confident about:
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(fr tho THANK YOU!! THAT MEANS A LOT TO MEEEE😭😭💖💖😭💖 )
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@nunyabusiness459 (Post in question)
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Whoopsies! <XDD (jk jk light hearted--)
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SHE WOULD THO XDD
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I wouldn't say near-death.. Spade King didn't want to kill Jevil. So any injuries he inflicted upon him were injuries he could recover from..
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@beryl-shade
Yeah :( their value to him was that of a grain of sand..
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@neo-metalscottic
AAAAA THANK YOU SO MUCH!! I'M SO GLAD YOU LIKE THEM!! :DDD
As for what kind of monsters they'd face,, I'm actually unsure- I haven't played either game and I don't know any of the lore or characters.. so I'm not sure what kinds of dangers the real cookie run pirates face.. :( But what I DO know is that Blue Beauty is their main form of protection.
She's not exactly threatening to a lot of creatures I'd imagine.. She is just a Mer-whale. No teeth or stingers to make her more intimidating.. But what she is, is huge. And incredibly strong. She's a real power house and uses tools and weapons the crew taught her how to use to defend herself. And I imagine with her thick blubber, it takes a really deep wound to actually hurt her. So she doesn't fear getting a couple scratches here and there.
When it comes to the other cookies, most everyone stands up and fights. Only a select few retreat to the lower decks to protect their goods or hide. Those likely being Ellie, she's too old for this crap- and Coco and Red, though don't be fooled! Coco can fight! She's just retreating with Red in order to protect him. Everyone else though is up there duking it out with who ever dares cross their ship! ⚔⚔
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@lildiaperboyjake
Ah! Sorry for the late reply, this ask got buried--
I'd like to think Funtime Freddy would have a really hard time deciding on a favorite song. California girls, call me maybe,, wannabe?? But after a loooot of careful thinking, he'd pick all star by smash mouth XD
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Hello hi yes this ask was sent weeks ago but then it got lost and buried but then revived in a way that I cant explain but my intended response was--
Awwww.. imagine her in tears after drawing a picture of a little girl she remembers. She holds the drawing up to the night sky, trembling.
"S-She dreamed of seeing the stars one day.." 💔
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