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#you have to understand and stop stigmatize the young ones and the old ones
ivvmell · 9 months
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ive never understand people who calls the 20.y.o guy a dilf only bc of kid he looks after
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alexbkrieger13 · 10 months
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Magdalena Eriksson on taboo in the sports world: "Working for many"
It is 2023 and we are still working to remove the stigma and taboo around talking about periods, Magdalena Eriksson tells a group of 15-year-olds one afternoon.
A stigma she herself did not wish existed when she grew up as a young soccer player.
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It is during a training session in the middle of June that Sickla IF's 15-year-old girls are visited by Magdalena Eriksson. The Swedish national team player, who plays for Bayern Munich every day, grew up in a time where periods were somewhat embarrassing and therefore not discussed. Something she wants today's young girls not to have to go through.
- We must dare to talk about this. We must educate girls and coaches in how the menstrual cycle can affect girls' sports performance, says the 29-year-old.
The subject has been on the table for a few years, but despite that, Eriksson believes that we are "far from finished".
- Clubs and associations must start taking responsibility. You have to understand as an association that you have a big responsibility in training your coaches.
The Sickla team's coach Olle Linder, who is surprised that there is not much talk about the subject, felt that the training initially had a "closed atmosphere".
- Even if a famous woman comes here and says the word period, the girls still think it's shitty. It just shows that it is important to dare to talk more about it, says Linder.
Magdalena Eriksson's experiences of talking about periods changed when she came to Chelsea. The English team has been at the forefront by adapting training to the players' menstrual cycle for a few years now. 
This is thanks to the team's coach Emma Hayes.
- I was 24 years old when Hayes made me understand how all these things are connected. When we started talking about Chelsea, we were very unique. We were probably among the first to start talking about periods and sports performance.
The national team star believes that the topic is still taboo, even though you can see that more and more national team players have raised the issue and more teams have embraced the topic.
- It's probably old habits and customs that live on in our culture. Menstruation is also taboo in many cultures.
Research shows: Many people stop playing sports
By collaborating with Libresse's initiative Befriend your body, the national team star wants to participate in the fight for increased self-esteem as well as breaking taboos and normalizing menstruation for young girls in the sports world.
Through several different surveys, the initiators of the project have been able to see that many girls stop playing sports when they are around 15 years old. 
- It is important to become friends with your body, accept it and hopefully love it so that you can continue playing sports, says Oda Mustorp, brand manager at Libresse and one of the initiators of the project.
The goal, according to Oda Mustorp, is to be "the big sister who guides how to get to know your body and can maximize training during the four phases of the menstrual cycle".
More and more club teams and national teams have also chosen to replace their white shorts with other colors, so that the players don't have to worry about bleeding through. It is something that 29-year-old Magdalena Eriksson sees as the simplest solution of all.
- Changing from white shorts should not be a problem. Many have thought it was difficult but did not dare to say anything, and now they have finally done it.
Something else that more and more club teams and elite athletes have begun to understand is how injuries are connected to the menstrual cycle. 
- We have had serious injuries in women's football that can even be linked to the menstrual cycle. We need more research so we know how to both train and treat women, says the national team star and continues:
- We need to make society better for girls to live in. 
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emiliocarrasco · 4 months
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➵  BASICS
NAME: Emilio Carrasco GOES BY: Emilio, Deputy, Deputy Carrasco AGE / D.O.B. 3rd June, 1963 [60 yo] FACECLAIM: Benjamin Bratt GENDER & SEXUALITY: Cis-Male, hetero. HOMETOWN: Lima, Peru. CURRENTLY:  Queens, NYC. AFFILIATION: NYPD. / Law Enforcement.  JOB POSITION: Deputy Chief of Police EDUCATION: High School Diploma / GED, Police Academy. RELATIONSHIP STATUS: Involved. ➵ Amelia Carrasco, wife; thirty-three years married. ( m. 1990 ) CHILDREN: ➵ Luis Carrasco, eldest son; thirty-one. ➵ Alex Carrasco, eldest daughter; twenty-seven. ➵ Oscar Carrasco, youngest son; twenty-five.
➵  TRAITS
POSITIVE: Focused, Decisive, Dedicated, Passionate, Determined. NEGATIVE: Controlling, Temperamental, Aggressive, Harsh, Stern.
➵  BIOGRAPHY
"We are not here to create disorder, we are here to preserve disorder. We are not the enemy, we never were; we serve to protect. We are justice for you, not the desperate revolution. I am - pardon the cliche - the arm of the Law tasked with keeping New York safe. And I will do that until it no longer stands; and I'll make it be long after I am gone." Emilio Carrasco, 1996, NYT.
Carrasco cringes at least once a month at his old pre-written statements given as a young officer. Feeding the wolves what they wanted to hear in order to quieten the howls.
Everything had to stop being pre-written after '97, and then '01... and then '07-'10 where Emilio's faith in Law was shaken. '18 seemed to be the reality check within the force, shortly followed by '21. When did it stop? Promising impossibilities?
From one tumulus country, to another. Emilio had grown numb to the viciousness, and vile corners of humanity. He had spent years of his early life clawing out of stigmatic labels, keeping his head down and studying to be the change he wished he could be in the world.
He was naïve then. A young boy convinced with one right voice; with good intentions he could change it overnight.
The clawing never stopped. Thirty-four years later, and he simply moved one position closer to that change. Maybe it was still a little foolish to think that he could keep stability after everything Carrasco had seen. After he had balanced a working life, and an outside life so precariously that he wasn't sure which life would crumble first.
Emilio's problem always was that he put the job first; he put the criminals ahead of his wife, of his children. Fiercely defending them in a way that was suffocating whilst being entirely too absent. But he was making the city safe for them, and every citizen who called New York a home.
The media could write one right thing about him, out of twenty. It would always mean very little to him. But reputation; a standing was part of the fragile clockwork that ran the city. He understands that, and he'll put on the face of severity. He will continue to put individuals behind bars, and bring justice - because, without them, who else would?
The gangs?
An unholy kind of justice. Emilio would see righteousness reign first.
➵  CONNECTIONS
AMELIA CARRASCO | Wife; 55, freelance editor. (m.1990) LUIS CARRASCO | Eldest son; 31, casino pit supervisor. (b.1992) ALEX CARRASCO | Eldest daughter; 27, poli-sci graduate. (b.1996) OSCAR CARRASCO | Youngest son; 25, graphic designer. (b.1998)
➵  HEADCANONS
If you attempt to corrupt him, your efforts will be solely wasted.
Has worked for NYPD since 1989; academy; rookie; detective ['13-'20]; captain['20-'22]; deputy chief.
Married the love of his life; a teenage whirlwind over the course of a crazy summer, in 1990. It was one year after Emilio began his pursuit of law enforcement. Were happily married, turning toxic and unhealthy due to Emilio's determination to clean up the city.
Two years after they married, their first son was born; Luis.
Mentions of divorce in '18, during rife gang war.
Children have some resentment for him due to missing familial commitments due to work - however, Emilio loves them dearly, and would never encourage the animosity. He does his best.
Loathes the media, of course. Has a special place in his heart for dismissing them. Has been photographed previously getting aggressive with those waving microphones, and cameras in his face. It was followed by public apologies.
Motivated by the belief that one day New York will be safe; the streets will be safe to walk on at all hours. Crime will be at an all time low before he retires. As it stands; a pipe dream.
Bilingual, from his parents - and few years as a child in Peru.
A man that does everything - mostly - by the book. Throwing himself headlong into danger is not by the book. But he won't miss an opportunity.
Self corruption is a different kind of trouble.
Listens unironically to Beyonce albums in his office, accompanied by a glass.
Where his limits stretch, is often with his children; he knows they can get into trouble. But it isn't a good look. It makes bad headlines, and looks worse when the prosecutions are light.
There have been rumours in the past about his marriage, and adultery. They are not true from Emilio's side. ( He has not the time. ) And Amelia has denied them too. Emil assumes it is a personal attack on the force to try and unstable him, and he will not allow it to cloud his judgement. But it affects his children.
He is stern. Because he feels like he can never really drop the jacket of the law, even at home where he can be softer - and loving, he finds it difficult to switch off.
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dustbinflower0 · 2 years
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What do you make of 14 year olds on tik tok self diagnosing with bpd and ptsd? I was admitted to a short stay unit this
one time (unit from hell) and the doctor assigned to me told me he was putting bpd in my file as a “warning to a future staff who have to deal with me.” It’s probably what happened to me- being thrown of out hospitals and dumped by my long term therapist- that make me feel this way, but I think doctors who refuse to diagnose patients with bpd are doing a service- I’ve been refused care several times because of this label. And I haven’t even done anything “crazy”. I’m non-violent, I avoid conflict. Doctors refuse care because I’m a suicide liability. I can’t stop being suicidal it’s wired in my brain from being a child
Sorry to unload :/ I’ve been following you for years and I feel like you would be one of the only people to understand
It's all so fucked up. 14 year old are definitely susceptible to thinking they have or wanting to identify with mental health label. I think many are looking for a community an identity, a way to get attention, which can be normal. But I think it's extremely harmful. Especially if older teenagers and young adults are glorifying "symptoms" and hospitalizations ad a fun place. I think it really gets fucked up when people self diagnose of make an arbitrary diagnosis they're whole identity and intentionally seek and film IP stays like summer camp. We live in a very difficult time but making everything a symptom, a mental illness, isn't the solution. And it trivialize people who are truly suffering with something very stigmatizing such as DID.
The glorification of anorexia is a huge problem too. With this ultimate goal of being tube fed lol
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paranormalrealism · 2 years
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Author To Author Interview
Orville Burch
To
Sabrine Elouali
 Orville: How long have you been writing?
Sabrine: Since I was around 10 years old, I started off writing random stories but then I began writing poetry and have stuck to that genre ever since.
Orville: What got you interested in writing?
Sabrine: It’s hard to say really, I’ve always been a lover of writing, the English language and reading so I suppose it was only natural that I’d end up writing somehow.
Orville: How many books do you have published?
Sabrine: I have one book that’s self-published at the moment, but I also have a second book that’s all ready to go - I just haven’t officially published it yet!
Orville: Are your books self-published or traditionally published?
Sabrine: My first book is self published and I’m torn on whether I should try to traditionally publish my second.
Orville: Where can the reader find your books?
Sabrine: My book can be found on all worldwide Amazon platforms, the link is: https://amzn.to/2SXySXz
Orville: Are you a plotter or pantser?
Sabrine: Definitely a plotter I think, I always have to have everything planned out and structured right, I’m kind of a perfectionist!
Orville: What makes your writing unique?
Sabrine: My writing is very personal and comes from the most vulnerable of places. I don’t hold back with my words and try to convey everything I feel into my writing.
Orville: What are your hobbies outside of writing?
Sabrine: I absolutely love music, so I’m always listening to it, can’t go a day without it. I’m also into watching thrillers and documentaries in my spare time. I just love puzzles and having to figure things out, as well as cliffhangers and a good hook.
Orville: Who was the greatest influence in your writing career?
Sabrine: I would say it’s a what rather than a who. My personal struggles had the most influence with my writing, I don’t believe I’d be the person I am today if I hadn’t gone through those hardships. And I certainly don’t think my writing would be the same at all.
Orville: Do you have a favorite quote?
Sabrine: I used to hate quotes when I was in the darkest place in my life, I thought they were all overly positive and cliché but now I love them! One of my favorite quotes would probably have to be: “Whether you think you can, or think you can’t - you’re right” it just shows how much power and control we actually have over our lives and situations when it can sometimes feel like the complete opposite.
 Orville: What genre do you write?
Sabrine: I write poetry
Orville: What are your book titles?
Sabrine: My first book is called “Where darkness meets light” and my second upcoming book is called “The shadows speak”
Orville: Is your work on Kindle Unlimited?
Sabrine: Yes! My work is available on Kindle Unlimited
Orville: What are you currently working on (when will it be available)?
Sabrine: I’m currently in the midst of deciding whether to self publish or traditionally publish my second book, it’ll hopefully be available by the end of the year but possibly early 2023.
Orville: Who is your target audience?
Sabrine: My target audience is anyone who’s gone through struggles and hard times with their mental health, people looking for comfort, understanding and advice. As well as those who wish to learn more about the realities of how it feels to live and experience mental illness.
Orville: What advice would you give a young person planning a writing career?
Sabrine: Just put your heart into it and don’t stop trying. If you’ve put your all into creating something and fully believe in it, that’s 90% of the battle.
Orville: Do you think there are writing themes that are underrepresented?
Sabrine: I definitely feel like the topic of mental health is still somewhat under wraps and stigmatized so I hope my books can contribute to opening up the conversation and understanding of mental health issues.
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dolugecat · 3 years
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On some Japanese social issues I had learned about at uni and abroad):
(Rb ok!)
Legit had an epiphany about the true hidden meaning of the last arc of Mob Psycho 100. It’s hella projection but for real there is nothing neurotypical about Mob or Mob Psycho. I do not wish to enforce my interpretation on others (ironic bc I do that all the time but this is a serious social theory). There are some interesting and very sad social issues in Japan that the west really doesn’t understand but would I think help people understand a lot of context behind not only Mob Psycho, but also a lot of other anime. I learned this at my shitty university (prestigious but horrific) and while studying abroad in Japan and talking with Japanese peers. Get ready here we go (and tw for bullying and darker things):
Unfortunately in East Asian education systems, bullying can be extremely intense. Growing up I assumed it was over exaggerated extremely in anime for drama but it really can be so horrific. From what I’ve heard, there is often a single kid or so who is just shit on by everyone else, even the teacher. Mogami land *is* the reality of some Japanese kids. I’ve read that in Korea, this social punching bag sometimes is just the darkest skinned person (yayyy colorism /angry) and or someone who does not fit in. I mean, we have that in America too, but maybe not as common for the bullying to be as focused on one misfit rather than several. These kids just can’t escape the stigma too, kids from other schools find out they were a major victim at their old school and it starts anew. Thus there is so much stigma and incentive to join in on bullying so you aren’t the one. Sadly, this also ofc leads to higher suicide rates. That’s where the “shoe on building roof” anime trope comes in, bc somehow taking off shoes is relayed to death (I forgot why sorry)
There is a difference in how intense in general high school vs college is too. In the West, commonly college is the more intense curriculum and is harder than high school, but in Japan it’s usually the opposite. Grind suuuupppeeerrrr hard for entrance exams (huge standardized tests that determines what college you can qualify to) bc unlike the ACT or SAT here, that test is by far the most important factor for college admission. Then chill and relax a bit in college. Can’t relate. Name and prestige is very critical for job application, more important than here. That’s why planning out your future is sooo much more intense for Japanese high schoolers than in America, and why there is sooo much more pressure to excel in high school than here. Japanese school years and holidays are done different than ours, I’d suggest looking it up.
Social prestige of going to an American high school or college is nuts. Like whyyy do you value our shitty education, Japan’s is much higher quality (it’s bc we neo colonized them). Being able to speak English is very, very highly valued and any association with Americans make you cooler. From my experience, some Japanese students got very excited to practice speaking English with us, and their biggest issues with learning it is pronunciation, lmao. Wasai english is unique slang that is indeed English words but it’s kinda different and it’s kinda jarring to remember lol. So, Teru having parents that are working overseas isn’t too uncommon, idk about leaving him absolutely alone, but I did have a ex-friend who just came from Japan in middle school who’s situation probably wasn’t too far off from that. Empty wealth with no love, it’s no wonder those kind of people can end up being huge bullies (minori?)
I did a presentation on 引きこもり(hikikomori) for which means “shut in”, (like Serizawa) and it’s fucked up. It’s a social phenomena where according to some Japanese researchers a mix of undisciplined parenting, guilt/not living up to expectations, and hopelessness makes an alarming amount of youth/ young adults literally never go out side their house/room. Often a parent is “enabling” the behavior by supporting them, but idk the articles seemed a bit victim-blaming to me when I read it, but I don’t think I should make a judgement too hard, not my place. I will say I do suspect and believe I read something to support that ASD might play a role in hikikomoris (there is pitiful resources for autistic people in Asia, much much less support than even here, to the point I don’t think most know it exists). Like come on, with the other points I laid out my personal opinion as an Asian American with autism is that it really seems it’s unknowing ableism against autistic classmates, but I didn’t grow up in Asia so I don’t want to say.
Mental health in general is tragically quite abysmal in Japan, and with it being so hyper competitive and brutal work culture, it’s no surprise birth rate in Japan is so low; some Japanese young adults say it seems unethical to bring a life to such hostile world. Suicide rate is of the highest in the world. It’s fucked, I’ve interacted with some of the locals in Tokyo and they were so nice, but the business men just looked dead inside, it’s so sad.
Relationships between child and parent is also strained bc of this intense work and school culture. Quality time is too scarce when you gotta work so much. And the pressure from parents to do well in education or else you might end up socially stigmatized is rough. Bc your job is who you are, it’s hyper capitalism (thanks us for making them do this)
With autism being so unknown, support for parents in raising autistic kids is almost nonexistent. What happens if the “darker” side of ASD shows up in kids? I used to be a menace when I had meltdowns, I felt so bad but really just became so indiscriminately violent. See where this is going? Legit, I think ESP is a sort of metaphor for neurodivergance to ONE. There is so much stigma around it, and even less way for kids to understand why they are different than the others. My Korean family can’t admit we all got ASD, too much fear and internalized shame.
I got finally diagnosed with ASD as an adult and I’ll tell ya, I relate too much to Mob hurting Ritsu. I felt so bad, but also not in control, I knew what I was doing but not how to stop. Luckily, is was blessed in that my hyperfixations involved science and logic, so I did well at school. Sadly, our boy Mob just don’t got the passion or ability to do well at school. His kanji is very bad, even to point of not being confident he wrote a kanji (世) they learn when they are 9, in elementary school (thanks @katyatalks). Him being a bit berated by his parents for having bad grades and bending spoons seems harsh to Westerners I think, but IMO it’s pretty tame from what I’ve seen of some Asian parents (I get to say that lmao). Ofc, however the shaming is very real and Mob just agreeing with them about how weird and stupid he thinks he is so sad. There is even more pressure for the eldest to be better than here, I feel from some interactions. Nonetheless, it’s implied Mob is quite emotionally detached from his parents, even though he loves them, which also adds to his emotional complex. Combined with originally fragile self esteem and feelings of worthlessness, we got one emotionally stunted boy. However, contrary to common belief people with ASD are sometimes hyper empathic and experience emotions very intensely. We are prone to having “meltdowns” which if not assisted with can be quite violent if very intense. For me, my worse meltdowns as a kid came from when I didn’t understand why I wasn’t getting what I wanted, it seemed selfish and cruel of me but I couldn’t control it. I wanted to be a good kid, so why did hit my moms leg at target when she refused to buy me Pokémon toys? I couldn’t come up with a good reason for why my mind just commanded my body to do bad things, just a single thought was controlling me, I want I want I want I want I want ____. Which I argue could be what ???% represents… bc well…. Yeah….. hmm….. not in control of self (mob unconscious), selfish (not actually, I’ve forgave myself but my “normal” kid self was so ashamed), destructive, hurt family, wanting to stop but can’t, that’s kind of…. Too relatable.
But legit, since realizing my new HC, I’ve started to think of the last chapter of mp100 when I “explode” and it helps me feel better and I do gain “control” a bit easier. I don’t feel so bad anymore either, Mob!
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soap-ful · 3 years
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Art advice from someone who needs art advice but the specific kind that only I know how to give
A 2am write up by a burnt out artist with nothing better to do :)
Okay so let’s rate the typical tutorials people will look up (generalized)
Anatomy
Features (hair, eyes, lips, etc)
Bodies (in terms of shape)
Anatomy is one of the MOST IMPORTANT things when drawing!! It comes before stylizing and basic features - you need to know anatomy before you branch off into your own style! (Take as long as you need. I started out without any knowledge regarding anatomy - it’s how it goes. You’re never perfect.)
Second to anatomy is FEATURES! Eyes, hair, lips, clothes/folds, shading - those are second. I once asked a professional painter how she got things so perfect, and she said she would just repeat what she needed to understand. She filled an entire sketchbook with eyes, another with lips, another with hair, and so on. (She additionally did this with anatomy - one for hands, one for feet - then onto more complex shapes with heads, arms/legs, torsos). She would then fill an entire sketchbook with everything added together - basically she would redraw puzzle pieces until they ‘fit’.
Now, body shape is a rather stigmatized thing in the community of young and growing artists. I’m sure you have seen the classic ‘women are round/men are square’ or the ‘hourglass vs. rectangle shape’ or the ‘girl eyes vs. boy eyes’. While I do believe these help with basic anatomy skills and helps artists convey the cookie cutter gender alignments, you need to remember that boys have eyelashes and girls can be square. Don’t be too worried about conveying yourself properly! It comes with practice!
REMEMBER! Learning is a mess! You can learn in so many ways - I’m still learning, Picasso was still learning, that two year old with crayons is still learning.
Find your own rhythm. It’s frustrating and you’ll cry and the pictures in your head won’t come out as beautifully as you imagined, but you need to realize that not all tutorials work for every person, and that you don’t need to hyper fixate on a singular piece of advice from one artist.
There’s no holy grail of knowledge on how to make things look ‘good’. Time and patience and lots of crying is the only grail you’ll get - and that’s okay! It’s okay to rip your paper and throw your book and scribble over something and throw something out. It’s okay to give up and do something else, it’s okay to discard an idea you really liked, it’s okay to never get to an idea you really liked.
It’s okay to say that you can’t, but you need to also think that you’ll be able to someday. ‘I can’t, but someday’ gives you something to look forwards to. I cant colour clouds the best, but someday I will and boy howdy they’ll be tasteful.
HOW DO I GET INSPIRATION?
This is something specific to me - it doesn’t have to be followed religiously. But I like to watch things. Sometimes a mild existential crisis brings me ideas (I.e. wow, I’m here and breathing and the universe is expanding a billion times over but I’m touching scratchy grass rn and the temperature is just right and look at the fuzz on that bee). Recognize the things around you and how you’re present to recognize it.
Visualize the colour wheel! Where would damp grass sit? A blush on the skin? A honey bee’s yellow? One of the most surprising things I’ve found from colour picking is that purple clouds in an orange sunset almost always get picked out as grey. Lighting is important to your colours and you need to consider that! Sunset grass is different from morning grass!?
I’ve also found that watching people’s sped up art processes have helped me develop. You get to watch their ways of blocking in shapes and making things look natural, no matter what style it’s in.
WHAT DO I DO IF IM IN AN ART BLOCK??? HELP??????
Do a daily doodle. I know you want to draw that masterpiece you have in your head and the pencil just won’t work and maybe you just suck - no, open a notebook book or file, and draw something simple. Something to smile at. A frog, a flower, an eye, a stupid face, a dinosaur - draw with the aim of satisfying your need to put pencil on paper. Write your masterpiece idea down for later. It can wait.
Just remember that all tutorials are to help you grow and not for you to base your entire art life on.
If you don’t like how you draw your eyes, try something else you come up with. Don’t like your shapes? Try something different. It won’t hurt you, it won’t make you stop drawing. If you mess up on something new you’re trying, that won’t end your hopes and dreams, even if it may smush them. (I try so goddamn hard with my clouds that I can’t even begin to explain how badly I NEED TO GET IT RIGHT)
It’s not easy! You’ll hate everything you do!
But I think the moment you draw something, even if it’s a tiny part of the piece, and you say ‘huh. what a pretty thing.’
That is what you’re supposed to aim for. Creators usually see nothing truly beautiful in their pieces, so relax, go with the flow.
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bitchesgetriches · 3 years
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Hi bitches, I'm a bit nervous to ask this but I'm being genuine I promise. I don't want you to think I'm some biggoted old fool.
Could you please help me understand how sex work isn't exploitative? I hear a lot of people saying "it's just the same as normal work, it's better than my job at Amazon/target/wherever and no one is calling that work exploitative" or "well you wouldn't do YOUR job if you didn't have to either" but like, checkout work IS hella exploitative??? Most work IS hella bullshit that only exists to feed the capitalist machine. I DO fight for a world where work is a choice. I understand why The Right would love onlyfans, but why is The Left lining up to defend it?
Sex work - especially things like onlyfans - is overwhelmingly done by the poor or as a way to escape poverty ("I was being paid shit in my previous job, now I can afford an apartment" is something I hear a lot). But in doing so it transfers all the risks to them, it's essentially turning sex work into the gig/hustle economy, isn't it? You end up on a zero hour contract with no union, health, benefit, maternity protection, in a job that can be hella dangerous and have serious emotional repercussions and requires huge emotional labour and/or disconnect and I don't really understand why we're just cheering this along?
I don't object on moral grounds. Sex is sex. Consenting adults do what you want. People are well within their moral and legal rights to choose to sell sex, (or the emotional labour that comes with it), or photos, or whatever they want - just like they are free to go work for target. I absolutely understand the need to - and support - decriminalisation of sex work, the need to make it safe and secure for sex workers, but I just can't see why ~the world at large~ sees huge numbers of young 18 year old women being herded and encouraged into joining Onlyfans - in several cases with people saying "can't wait for you to turn 18 so you can have an OF" so the patriarchy can pay £3-4 a month to see their tits and people cheer this along? One or two get rich, I'm sure, but who is getting REALLY rich? It's the old white men that own onlyfans and take a 20% cut, as always. It's the patriarchy working as it always has. Allowing one or two women to succeed while holding the rest down for exploitation. Except now it's mixing with the worst bits of 21st C capitalism, too. Surely all OnlyFans is is Uber for Sex work, using the gig economy to de-unionise and isolate workers, strip them of benefits, make them into independent contractors and profit off them?
Sure, it's a step up from kidnapping girls from Romania to have them do porn, but is that really the bar? Can we maybe just stop for a second and imagine a world where rich white men don't get richer off the emotional and physical labour of women? Where the other available work options aren't so shit that a zero-hour career with no employment protections, a limited lifespan, in a dangerous industry doesnt look like heaven in comparison? Sure, you can work for three years, sell your emotional labour, and pay for college. But why are we cheering that instead of asking why this has to happen in the first place? We're fiddling around the edges of the system, giving it a makeover, and rebadging it "female empowerment" instead of actually changing anything fundamental. Poor women sell sex. A few are allowed to break out. Men get to leer at naked women for pennies a year. Rich men get richer. Plus ça change. Not even to mention that because of the ~emotional~ connection that onlyfans gives beyond porn, we're embedding the idea that women are "money in, girlfriend out" machines. I know several girls that won't even *talk* to men in any situation without a minimum $50 fee. And apparently the fact we also have a crisis of men so lonely they're willing to pay this isn't a problem either? Where's our luxury communism dreams bitches?
Bitches, I trust you. What am I missing?
I don’t think you’re a bigoted old fool. Nor a prude! I think you’re incredibly enlightened about the dangers of unfettered capitalism and labor exploitation.
Almost all of the issues you highlight about exploitative sex work can be said about exploitative labor in any industry. Poor people taking shitty jobs that don’t pay enough and enrich capitalist, patriarchal corporate overlords? That happens all over the world in industries from meat packing to clothing sweat shops to, yes, sex work. The exploitation of a person’s body for labor is an ethical stain on our culture at large. It’s why we’re so in favor of labor rights advances including a higher minimum wage, unions, and humane work environments. 
Raising the Minimum Wage Would Make Our Lives Better 
Are Unions Good or Bad? 
Coronavirus Reveals America’s Pre-existing Conditions, Part 1: Healthcare, Housing, and Labor Rights 
Sex work is not unique in that it opens desperate and poor people up to labor exploitation. It’s not even uniquely dangerous to the bodies of workers--John Oliver did a bit on the US meat packing industry recently that made me faint with body horror. 
So we agree that labor exploitation is bad. And it’s something that we should work towards ending in every industry. But I can see why some people would view exploitative sex work to be a different kind of bad. Because sex is sensitive! It can be used to punish and hurt. See revenge porn and the way synonyms for “sex worker” are stigmatized and used as insults throughout society. 
Now, a few clarifications. When I refer to sex work, I’m not just talking about cam work on OnlyFans. There are lots of other outlets for many different kinds of sex work. And I’m also not just talking about women sex workers. People of all gender identities and sexualities do sex work, and we should advocate for fair labor practices and safety for all of them. I am firmly pro- decriminalizing sex work so that the industry can be made safe, regulated, and destigmatized in an effort to reduce exploitation. I want sex workers to have the power of collective bargaining! I want them to be protected by law enforcement and our justice system, instead of targeted by it! I want them to pay taxes and have the privileges associated with all tax paying workers! I want them to have the power and protection of a regulatory industry that will purge abusive and violent clients from their field!
I also disagree with the characterization that choosing sex work freely, even out of desperation, is a “step up from kidnapping a girl from Romania to have them do porn.” Human trafficking is not sex work. It’s slavery and torture. Even when the choice is between making $7.25 an hour working at WalMart and making $7.25 as a cam girl, there’s still a choice involved, even if it’s a shitty one. There’s consent. Trafficking victims have no choice, no consent, only violence. 
I honestly don’t want to start a debate here. We’re all on the same page that labor exploitation is bad. So I’ll just end with this: not all sex work is inherently exploitative. Which I guess is your real question!
I’ve mentioned before that I have friends who are former sex workers. Specifically strippers and a specialty dominatrix. As with any job, they had their ups and downs, their good nights and bad nights. But they all agree that they freely chose the work not out of desperation or a lack of other options. And they even enjoyed the work in some cases. If someone prefers sex work, thrives in giving that emotional labor to others, I’m not going to judge and I’m certainly not going to tell them they’re being exploited. It would frankly be insulting, condescending, to tell someone that their choice of work (when it truly is a choice) is bad for them. 
It’s a fine line, but the line does exist. Sex work CAN BE exploitative. But it is not inherently exploitative, as far as I’m concerned. 
222 notes · View notes
pinkhairedlily · 3 years
Text
Chapter 8 - Student Council President Sakura
SCPS AO3 | PREVIOUS CHAPTER
“Oh, hello there Sakura.”
She almost lost her balance when she saw her next customers. Standing beside Kakashi with her arm entangled in his was a brunette, a spitting image of Dr. Aki Nohara, a giveaway that this was her sister. Sakura’s surroundings dimmed out of focus, and her hearing became muffled as if she was submerged underwater.
“Couldn’t mistake that green eyes for anyone,” Kakashi continued. “I’ll have a caramel butterscotch with extra whipped cream – make it super heavy – and Rin –“
“That’s supposed to be my order, you dummy,” the woman replied beside him. He chuckled in fascination and tightened his hold on her arm. “Besides, you don’t like sweets.”
“You’re still on a specialized diet so allow me to eat and drink whatever you want while you stick with – “ Kakashi glanced at Sakura, and she immediately mustered a tight-lipped smile. “One iced americano in your smallest size please. Thanks, Sakura.”
She took in a deep breath, suddenly aware that she wasn’t able to acknowledge her teacher and his companion, but so many things have been running through her head – like how did he know it was her? Why was he with Rin? Did he propose already? She hasn’t even confessed yet.
Somehow, in the dragging silence in her ears, she heard Sasuke cleared his throat. That was enough to break her from the spell, and she put on her bravest mask. “Hi Kakashi-sensei. Nice of you to drop by! I’ll have your order ready in a jiffy.”
Kakashi turned around and waved lazily at Sasuke. “One of my students is here too. Are you on a red eye advance study?”
“Can’t sleep so might as well have caffeine.”
“You’re too young to have this energy.”
Rin jokingly slapped Kakashi on the arm. “You talk as if you’re old already.”
“But aren’t I?” The pair slowly drifted away to find a table, but Sakura noticed the flash of recognition when Rin took a long good look at Sasuke, but her friend stared at them like he was throwing sharp draggers.
“He looks happy,” Sakura noted as she fixed their drinks.
“I want your favorite coffee,” Sasuke quipped out of nowhere.
“There’s a thing called palpitations. It’s caramel macchiato.”
“Might do me some good while I wait for you to finish your shift.”
Sakura sighed, feeling the tiredness come upon her all of a sudden so she relented. “Just take it to-go. I want to get out of here.”
She quickly asked permission from the manager, saying she felt sick and fatigued, and with her clocking overtime in the past few weeks, her request was immediately approved without deductions. The mixed winter and spring air hit her lungs as soon as she stepped outside. Sasuke waited for her across the street, a gesture that implied she could go to him or separate ways right now. As she vied for time to decide, she took one last look through the window.
It was a foreign sight. She has never seen Kakashi’s attention torn apart from his books. Even if he was talking, there would be an open page on his side, stealing glances on passages when the conversations got boring, yet there he was, fully attuned to whatever Rin was saying with no book around him…like she was his favorite book and he enjoyed reading every letter of her.
And Sakura realized she could never be the story he would even want to pick up.
She felt the tears coming so she started her pace on the same road. Across from her, Sasuke got the signal and went the other way.
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The last term of their second year came like a bazooka. Sakura threw herself on her pet project as a sort of coping mechanism. The announcement was done during the general assembly which did not generate the intended buzz or reaction. After all, it was a tricky topic to handle and many facets of which were still stigmatized when talked openly in public. Naruto, ever the people magnet, broke the agitated atmosphere in the auditorium with a slow clap and was soon joined by many others.
The council created a Google form which allowed students to anonymously register, and they get assigned a schedule on the day their contracted psychiatrist comes to visit. All they had to do was provide their designated client number. The council further complemented this with short programs that serve as mental health breaks for the student body. Sometimes, this would be as light as a block screening of a coming-of-age film or heavy like a conference with faculty and teachers and questions and concerns are remotely flashed.
Then came Valentines’ Day, and the council organized this some kind of literary showcase that presented the opportunity to mingle woes of personal sadness and griefs with confessions that would have been left unsaid. Naruto and Sasuke both helped in constructing the makeshift stage in the middle of the soccer field that would be used later that afternoon.
“Cookie points for my crush,” Naruto grinned as he hammered away. “Thanks for picking the poem I will be reciting tonight, grumpy. Didn’t know you were into literature.” He jokingly elbowed the raven-haired beside him, and he got a death glare in return.
“Do it properly. Look at that nail sticking out like your porcupine hair,” Sasuke grumbled. “And yes, I’m not as uncultured as you are.”
“But I still don’t understand it though.”
“Ugh, just use the internet to search its meaning, idiot.”
“Meanie!”
A fellow runner peeked into their work area and knocked on wood. “Hey Uchiha. Some girl is looking for you.” Her face expressed grimace, having done this for more than five times already within the span of an hour. If it wasn’t Sasuke, it was one of Naruto’s fan girls or boys.
Sasuke went to her and fumbled around for cash in his pocket. “Next time someone looks for us, tell them we went home for the day. Here’s money for your date later. If you have anyway.”
“Whatever grumpy.” The runner replied, still half-angry, half-frustrated, but she took the money all the same and told the girls that ‘They told me to tell you they went home for the day so shoo shoo.’
Naruto laughed at Sasuke’s successful attempt at bribery. “Look at that rich money. I wonder whether Sakura will give us chocolates.”
“Have you seen their office?” Sasuke flipped open the curtains that will be hang as backdrop. “Their desk is filled with chocolates from her admirers – platonically, romantically, whatever. Some people from other schools dropped by too. You got serious competition.”
Naruto chuckled nervously. “As if I do not know that already. Haven’t you told me before- she likes everyone and everyone likes her.”
Not really true at all now, Sasuke thought to himself. But ignorance is bliss, Naruto.
--------------------------------
The three sat on the grass beside the stage, having full view of the student body listening to the reciters. Throughout the program, Sakura went through each package given to her, visibly stressed with evident signs of sleepless nights under her eyes.
“Before I forget, happy Valentine’s day you two. My council-mates told me you didn’t get any chocolates,” Sakura gave each of them a pouch of small chocolate bars. Sasuke didn’t have to guess if it was store-bought or homemade based on the cuts on her fingers.
“Sakura, stop eating. I almost gagged at the seventh chocolate,” Naruto complained. He tried to get the basket of sweets from her, but she just moved it away from his reach.
“Everything tastes bitter,” she muttered under her breath. “I need sugar. My energy can’t keep up with the countless interviews. I understand that the school board liked the exposure, but the burden falls on me. At least have a teacher back me up?”
“Heard Kakashi-sensei volunteered to accompany you in interviews?” Sasuke was too late in shutting Naruto up, but the most that question got out of Sakura was an eyebrow raise.
“I need more sweets.” She proceeded to jam the rest of the Hershey’s kisses in her mouth.
“Okay, we have a submission from Uzumaki Naruto,” the announcer said. “Shout out to our rookie MVP!” A round of applause. “And who might be the recipient of this poem? We heard through the grapevine that he hid from his admirers all day. I know several people are waiting to confess to him!”
Sasuke instructed him earlier to send the poem anonymously and address it to Sakura, but the dumbass blonde mistakenly exchanged it. He rubbed his forehead in annoyance, but he can’t bring it up right now.
“Just read the poem!” Naruto shouted on the side, clearly embarrassed now. Sakura looked up at him, genuinely curious now, and her sticky chocolate-filled mouth was on the edge of firing him questions.
“Sasuke and I sent in poems! Just to support your program, nothing really too deep into it ehe.” Naruto glanced at Sasuke with slightly widened eyes. “Right, Sasuke?”
“Sonnet 18 by William Shakespeare,” the person started.
“Shall I compare thee to a summer’s day
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature’s changing course, untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st,
Nor shall death brag thou wand'rest in his shade,
When in eternal lines to Time thou grow'st.
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.”
Sakura slapped Naruto on the arm. “Didn’t know you read Shakespeare! What a romantic!”
“Isn’t it a tragedy?” Sasuke remarked, a look of disgust in his face when Sakura mindlessly offered him a toblerone. “No sweets for me.”
Sakura guffawed at Sasuke’s remark, and her laughing was a rare sight recently. She was in too deep in her student council functions that they barely see her. And when they did, she’d be a little bit closer to fatigue.
“What’s funny? Who’s Shakespeare? Let me in on the joke!”
“Let’s call on Kakashi-sensei, our very own student council advisor and youngest teacher in the university. He’ll be reciting a poem by Pablo Neruda. A man of culture, we see,” the emcee announced.
Sakura stopped laughing as soon as she heard his name. If Sasuke could glean into her thoughts, she’s probably making up excuses to escape right now.
Kakashi stood in the middle of the stage, holding an open book. “Let me just ramble on here for a bit. Neruda is a Chilean poet and a politician, but just as much as he is a revolutionary, he is a romantic and a worshipper of ideals and ordinary things. He often compared his muses to earth and nature – basic providers of our existence. It’s interesting to see. Now, this poem is what I would have wanted to say to someone who is fundamentally part of my existence, but she won’t listen to me.” Kakashi smiled even more at the onset of outburst of giggles from the students. “So you’re gonna be the audience whether you want it or not.”
I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
like a puma in the barrens of Quitratue.
A thundering applause followed Kakashi’s poem and random shouts of, “Drop her name sensei!” “Good luck to your love life!” “Happy for you, sensei!”
As the lights went out on the stage, Sakura fished another pouch from her vest pocket, and Sasuke knew at once that it was Kakashi’s. She popped a bar into her mouth, staring blankly ahead.
“God, it’s so bitter.” Her lips started to quiver, and she started to cry.
Naruto threw a worried glance at Sasuke, but his expression must have given something away because the blonde didn’t prod, and he looked as if all the puzzles fell into place.
Sasuke just didn’t expect to be confronted about it as soon as the program finished. He was carrying blocks of wood to the shed when Naruto dropped the question – a question he already knew the answer to.
“You like Sakura.”
Sasuke inhaled sharply and halted his steps. “I don’t know what you’re talking about.” He stacked the wood against each other and turned to face the blonde. “Besides, shouldn’t you be worrying about exams?”
“What exams? We’re exempted from it,” Naruto bristled.
Sasuke smirked. “No, you’re not. You didn’t qualify for finals.”
“Oh shit.”
--------------------------------
“What do we get in return?” Sakura asked as she munched on her bento box. Shouts of the practicing dragonboat team filtered through their space.
“But last time you volunteered!” Naruto said.
“We’re friends so my services don’t come free anymore,” she chided back.
Naruto glared at Sasuke. “If she’s not gonna do it, you’re gonna do it.”
Sasuke nonchalantly shook his head as he skimmed through Naruto’s notes. “What she said.” They weren’t notes per se, but doodles of Sasuke and Sakura and interestingly, projections of different batting stances. “I’m also not gonna forgive you with the duck butt hair.”
“But you have a duck butt hair!” Naruto crossed his arms and huffed menacingly. “Ramen?”
“Same old, same old.” Sakura finished her lunch and started to sip her cranberry juice. “Give us something new.”
“Ramen and…..karaoke?”
Sakura brightened up at the prospect. “Deal.”
“At least add snacks to your place,” Sasuke interjected. “And not just ramen. Put some nuts or fruits in your fridge.”
Naruto grumbled but raised two thumbs up in defeat. “Deal.”
--------------------------------
Sasuke has thin patience when it came to teaching Naruto, Sakura observed. She didn’t know how these two managed to do the supplementary math lessons when she wasn’t a part of their group yet. She didn’t mind teaching, but Naruto’s short attention span was a devil of its own. He would be attentive to her for 15 minutes and then drowse off so Sasuke and her agreed on non-negotiables.
“No ramen break for you if you don’t finish this set of problems,” Sakura told him.
“You’re demon spawns,” Naruto cried out in defiance.
“If you don’t get a passing score on this sample test, no kani toppings for you.” Sasuke raised the stakes.
“Demon spawns,” Naruto repeated.
“You won’t call us demon spawns if you see your name on the list of passers.” Sakura started the stopwatch on her phone. “Now go.”
This took her mind off things, from Kakashi’s public confession to the blank career form hidden within the pages of her history textbook. It was a good distraction until the penultimate exams day. Naruto came in with a bandana on his forehead with FIGHTING written in the middle of it. Sasuke, as usual, breezed through it, already finished by the thirty-minute mark.
And she? Well, she liked exams. The time limit and the pressure allowed her the reprieve to shut the rest of the world out so she relished answering each number until the bell rang. It was a moment where she can focus fully on the paper in front of her, the sound of her pen scribbling, and her mind working full force to cull out the answers in her memory. Her utmost concentration on questions suspended her own questions on her feelings for a teacher, on her parents’ divorce, on her future.
When the school plastered the results on the bulletin board, she couldn’t help but release a satisfied chuckle. She turned to Sasuke who was surprisingly stoic about the results. “First place! The bonus point really helped.”
“Why should I bother with a teacher’s middle name for the bonus question?” Sasuke grumbled back. “Congrats. Stop rubbing it in my face already.”
Naruto was too busy pointing his name on the board and bragging about it to the student body, most especially the freshies. When he found them on the back of the crowd, he rushed to them and placed his arms around their shoulders “Drinks on me!!!!!”
--------------------------------
“He really shouted drinks on me in the middle of the school, sauntered in here like he’s loaded, and ordered two pitchers of iced tea.” Sakura kept bringing this up since they entered the karaoke room ten minutes ago.
Naruto was preoccupied with inputting song numbers on the machine to respond to Sakura’s banters. “Technically, they’re still drinks!”
Sasuke was on the phone with the kitchen, and from what she could hear, he was ordering almost everything on the menu. When he sat down on the adjacent couch, Sakura leaned forward to him. “Are you gonna finish all of that?”
He jutted his index finger to Naruto. “No, but he will.”
The first notes of Michael Jackson’s Thriller wafted through the room, and the blonde made a quick impression of the artist’s famed moonwalk.
“Why are you opening with that?” Sakura cried out in amusement. “It’s not even Halloween!” Sasuke watched Naruto try to dance with a straight face, but she thought he was itching to face palm the whole time.
Naruto kept beckoning Sakura to join him in the middle of the room, but she was busy laughing at him and taking videos. “I’ll send these to Haru as a pick-me-up. I think this is the best remedy.”
Next was Sakura’s pick – Heaven is a Place on Earth by Belinda Carlisle. She couldn’t contain her laughter in between verses when the two boys finally heard that she was tone deaf. Naruto joined her with the other mic, trying to drown out the off-key notes. By the bridge, Sasuke stood up with them, a glass of juice in his hand, and mouthed the words.
“You know this song!” Sakura said excitedly.
“I don’t live under a rock!” He yelled back amid the loud music.
“OOOH BABY DO YOU KNOW WHAT THAT’S WORTH OOH HEAVEN IS A PLACE ON EARTH. THEY SAY IN HEAVEN, LOVE COMES FIRST. OOH HEAVEN IS A PLACE ON EARTH!”
“Okay who’s next?” she asked when the next number flashed on the screen. Sasuke silently took the mic from her and faced the monitor with a hand in his pants’ pocket.
Naruto gripped the mic harder when the song started. “I’ll be your second voice, grumpy!”
She immediately went to the front and started recording. “One for the road.”
“No videos, Haruno,” Sasuke warned.
“Come on, it’s my remembrance,” she whined. He wasn’t able to clap back when the lines started to move.
“Turn around…” Naruto sang.
“Every now and then, I get a little bit lonely and you’re never coming ‘round,” Sasuke’s baritone voice filled the room like an empty coliseum.
“The fuck. You can sing?” Sakura gasped out loud. “How can you have that voice and not sing - like you know, every day?!”’
Sasuke gestured her to stop as he belted, stoic-faced, through the chorus with Naruto singing like a slaughtered pig in the background. Sakura stopped recording and joined them for the rest of the song.
Two hours and three pitchers of orange juice later, they finally settled on the couch and munched on Naruto’s leftovers of fries, buttered chicken, nachos, and calamari. On the karaoke monitor was David Bowie singing Heroes.
“Can’t believe we’re already seniors two months from now.” He stared at the ceiling, his eyes following the tag game of disco lights. “Elections of officers will be tomorrow which means Captain Haru will be formerly stepping down.”
Sasuke reached out and shook his hand. “Good luck next captain.”
Naruto immediately pulled out from his grasp. “What do you mean next captain?”
Sakura chuckled and patted his back as assurance. “Everyone knows it’ll be you. Have you seen how your teammates look at you when you’re discussing strategies?”
In the dimness of the room, she saw the flush on Naruto’s cheeks, and she found it amusing how he cannot take compliments.
Naruto scratched the back of his head. “Well, everything is possible, right? That said, I still haven’t filled out my college form, but I’m really set on getting an athletic scholarship and eventually be part of the national team! How about you grumpy? Changed your mind yet?”
“About what?” Sakura glanced at the silent raven-haired guy beside her. To be able to see this much of him was a nice privilege.
“I’m moving away after high school.” Sasuke fiddled with his half-empty glass, his eyes trained on the slushing juice. “I already sent applications to some universities in Europe.”
“We also have good medicine programs here. I don’t get why you have to move away so far. I’m so bad with converting time zones.”
Sasuke scrunched his nose in annoyance. “Are you dumb? The schools you listed are also out of this district.”
She seemed to be moving farther and farther from their exchange. Like an outsider peeking in, she understood the frailty of the moments in front of her, and by the time the next two months set in, the stopwatch would have started running its last lap. The bonds she has made so serendipitously were in danger of being cut off by dreams. She breathed in, engulfing the noise and scent of this room, panning every color and shape assembled like supercut in her head, praying that someday if she would lose herself, she’d come back here right at this frozen memory and relive the wonderful indecisiveness of adolescence and the chance to say I don’t know without repercussions.
“Sakura to earth?” Naruto’s voice.
“Idiot. It’s earth to Sakura.” Sasuke’s voice.
She blinked fast, returning to the moment that wasn’t finished playing out yet. She quickly brushed her hands on her eyes as if something got into her eyes, hoping they don’t see the small droplets of tears that have formed. “Oh uh, I have a list of prospects, but I’m not quite sure what to take.” The form was still blank actually.
“That’s a usual problem of anyone who’s too good at everything,” Sasuke replied.
“Are you complimenting me?” I wish I was.
“Should I take it back?” He proceeded to gulp down the remnants of his glass.
The monitor suddenly turned off, indicating their time has run out. “Hey guys, for our last term, let’s make the most out of it, all right?” Naruto asked. “I’m so happy we became friends.”
“No hugging please,” Sasuke said, but it was too late. Naruto’s arms were too strong to pull away from so the two allowed him a few seconds of skinship.
Naruto’s words struck a chord in Sakura; it was a resolve she tried to form and disfigure for several months now. Before they could stand up to fix their things, Sakura blurted it out loud before her courage took the best of her.
“For our last term.” She flexed her fingers and curled them up against her palm, placing weight on her lap as she ground her fists onto it. “For our last term, I’m gonna confess to Kakashi.”
AO3 LINK | NEXT CHAPTER | CHAPTER 9
30 notes · View notes
dysphxtric · 3 years
Text
Mental Illness - My Mental Health Story
TW: Depression, Anxiety, Self harm, Suicide, Sexual Harassment
“You should smile more.”
“It could be worse.”
“Just don’t think about it.”
These were the phrases I heard throughout all of my elementary and high school years. There was never a time when my peers and teachers, would not mention some bizarre, ignorant statement revolving around mental health. Not to mention, my family also contributed heavily to the stigmatization of mental health issues. Essentially, my family approached the subject of mental health with extreme hesitation, they refused to talk about how it affects people of all age, gender, ethical background (etc.) Every time I would say “I’m feeling lost” my family would automatically dismiss my frantic worries and it was not any different when I went to school. My peers would continuously remind me that my pain was not valid and that I need to stop being so sensitive. My primary parental figures, my mother and brother did not have the adequate knowledge or tools to be able to hold space for me. I would frequently hear my mom say, “I could understand someone suffering from PTSD feeling upset or sad but you’re so young and healthy honey, you have nothing to worry about” or the old classic “Someone else has it worse than you”. Whether I was at home or at school, I heard the same ignorant statements spewing out from what felt like everyone. And I could never comprehend what was the point of these falsely “encouraging” statements and why profusely use them? These kinds of statements do not uplift, nor do they empower those struggling with mental health issues, if anything it makes it extremely debilitating when your emotions are not acknowledged nor validated. One cannot expect to simply brush away another person’s emotion, thought or feeling as though it means nothing.
With that being said, growing up, I lived in a dysfunctional household alongside my mother, my older brother, and my grandmother. My mother would always be juggling work, schooling, and her dating life. My brother was very reluctant about staying home so he would always vanish after school, hang out with friends, party hard and engage with various street substances. Now my grandmother? It was not long after she immigrated that she began to immerse herself within the Jehovah’s Witnesses ideology and “religiously” strayed away from us as my mother likes to say. My mother was never fond of religious practices that were not “orthodox”. My grandmother wanted to indoctrinate my mom, brother, and I into joining her religious little club but failed which resulted in countless fights, yelling matches, and multiple dents left in our walls. The back and forth with the yelling was what scared me most in my childhood even if it was over something as small as not closing the cabinet door. I think it was around this time period I experienced violence/ trauma at home and truth be told I was extremely stressed and anxious all the time as a kid. My mother would cover the punched indents by taking magazines and sticking pages onto the indent. Often times my stomach would turn as I looked at the pages covering the area where my brother punched the wall with brutal force. Moreover, I felt impending sadness because all I ever wanted was for everyone in my family to be able coexist and not argue. I was trying to keep the peace between everyone, yet I was always the one that got caught in the middle of everything whether I liked it or not. I would get blamed a lot for trying to mend things for everyone. Even though all I wanted was the best for all my family members.
Fast forward to my pre-teen/ teenage years. By this point, my brother and grandmother were no longer living under the same roof as my mother and I. My brother was living with his ex-girlfriend while working as a security guard meanwhile my grandmother was living in her own little subsidized apartment preaching the word of Jehovah. At that particular time, my mother and I lived in a marvellous urban semi-detached house in a peaceful neighbourhood. My mother’s boyfriend had moved in with us and for the most part I was really happy because at least it was not just me and her.
My mother’s boyfriend lived with us while I was going to school. He was a really nice, caring and warm-hearted individual although I could never understand why my mother argued with him so much. I once told him “You should propose to her, I can see you two together forever” to which he replied with a welcoming smile.
But eventually just like with all good things, there comes an end. The inevitable breakup my mom went through was very bitter and I had to be there for her. Afterall, I was technically the only child that was around to emotionally comfort her. Ironically, the breakup occurred during the time I was being bullied in school. And it was difficult to be fully present for my mother while dealing with a lot of negativity at school. I had been experiencing cyber bullying on MSN by a bunch of peers calling me “weird”, “ugly” and “different”. To make matters worse, the group of kids that bullied me online ended up following me everywhere I went for recess which posed as a big obstacle for my well being. I had to eat inside the portables when teachers weren’t around or inside the girl’s bathroom stall just to avoid being teased. I never felt like I had a safe space to myself where I could be vulnerable and open up. Not to mention, it was a difficult time and there was practically no one I could confide in. I didn’t have a social circle of supportive friends, after all I was an antisocial person. Fear washed over me as I worried about disclosing my unpleasant experience to my mother because she was already dealing with so much, the heartbreak, the bills, work problems (etc.), it was then and there that I decided to lie instead of telling the truth. Ultimately, lying became my cooping mechanism to deal with the ongoing pain.
I kept up the lying for a long time in order to make it seem like everything was okay. I lied to everyone from family members to school peers to the teaching staff to principals to counselors.
For the longest time, lying sheltered me from all sorts of unnecessary questions. No one could really tell whether I was truthful or disloyal because I was able to make it sound believable. When I was a teenager, I continued to go down the same destructive path by being dishonest with myself and others. Many times, the thought of suicide crossed my mind and when I started to think about it and plan/coordinate the intricate details it did not hit me that something was very wrong, and I needed urgent help. A big part of the problem was that I was so used to downplaying my pain, given my family circumstance and stigmatization I experienced growing up with. There is no denying that I would engage in negative self talk convincing myself that I deserved the pain and suffering for not being likeable enough or for not being smart enough.
Sometimes I think that is the thing… people do not understand that I lied because that was what I was required to do in order to survive my childhood. I, myself do not tolerate lying and I think it is a form of betrayal and if I were to be completely honest, I would have NEVER lied to my mom had it been safe for me to express myself authentically in my household.
I did not live in a household where it was safe to speak my mind freely and disagree with my mother. Disagreeing was always the last thing I wanted to do, disagreeing meant I got the belt, my devices would get confiscated or that I was going to get grounded. They say, “Honesty is the best policy” and I do not disagree however, it is not as black and white as one may think. In my situation, lying was not only an adaptive coping mechanism but it became a survival mechanism to keep me safe from harm/threat.
I did not have very much individuality growing up. I felt as though having an opinion of my own was bad. In order to perpetuate this fixated mindset that I had, my mother constantly deemed certain attributed behaviours or thoughts as “good” or “bad”. So, say you were upset about a recent breakup with your partner, my mother would scoff and say, “You know life isn’t just about love right?” and play it like it means nothing to the person affected by the situation.
The first time I ever felt depressed was when I was 13. At that age I did not understand why I was feeling what I was feeling. All I knew was that there was something wrong with me. It did not help when I was being picked on by my classmates telling me “Go die”, “You belong in a ditch ugly bitch.”
The moment when things started getting out of hand was when I was first started my Art and Family Studies class in the same semester. In both classes I was placed into groups amongst other students. In Family Studies I had to be in a collaborative group that would divide responsibilities and tasks accordingly. When it came to cooking, my group consisted of four snobby, rich yet immature peers who were unwilling to help and contribute in any shape or form, I had to become the bigger person and sure enough I took all the responsibilities on myself. Though, it was not a smart move. But I was super shy and felt anxious to do anything different least to say speak up and advocate for myself, so I did what I had to do which was prepare meals, clean, and wash the dishes. At the end of the day, none of my peers thanked me, the only thank you I got was getting groped while washing the dishes and getting laughed at.
After what happened I ran to my best friend in tears to tell her what happened just to find her say “It’s not that bad, you’ll be fine” I felt like my blood was going to boil and I was about to start fuming. I stood thinking “Huh, that is so weird, is this how you comfort a person after being sexually harassed?”
Not to sound all grim but that experience showed me that no one really cared about me. No one cared that I got groped or how I felt in that moment. Let alone not even my “best friend” who was supposed to fulfill her role and be there for me. All I wanted was comfort and to be heard out. I could not even tell my mother about this experience until I turned 21 because of how ashamed I felt carrying around that experience and not having the ability to open up and mourn what happened that day and to be able to heal that damaged part of myself. I carried that incident with me for 7 years in silence because I was scared of being honest.
That specific experience was very detrimental to my mental health. Everything began to spiral out of control, I sprawled into a dark depressive state. I began to have intense panic attacks, insomnia, forgetfulness (etc.) After a certain duration of time, I had thoughts of suicide lingering at the back of my head. I questioned my worth, my identity, my culture, my everything.
The bullying and name calling persisted and became so intense that I ended up missing weeks of school time. Some of the boys in my Art class found it funny to make fun of my last name and call me “Prostitute”.
One day in the early springtime, my Art teacher noticed the marks on my wrists as I was painting and had not said anything until I made it to my last period class. I was called down to the guidance counselors office and was interrogated with questions.
“It has come to our concern that one of the staff members noticed cuts on your arms.”
I sat in silence trying hard to contain my anxiety.
“Are you struggling with depression or low mood? Is everything okay at home?”
It came to the point when I got so tired of lying about my pain that I admitted “Yes, I am struggling, I need help”. I dived into the bullying occurrences, the cat calling, my low grades, my self-esteem, the groping, my home situation (etc). After that, I was told that my mother would have to be called down to the school for “safety” reasons even though my counselor promised not to disclose any personal information to my mother. My greatest fear was that I did not want my mom to know that something was wrong.
Of course, my mom came to my school. She was told everything that had happened. I met her at the counselor’s office just to find her wailing in distress “You are such an embarrassment” and “Your counselor told me what you did, how could you do this?”. When the counselor gave us resources for help, my mother grabbed the papers and shoved them into the trash, got up and yanked me out the office.
The next three days that followed, my mother withdrew into her room not saying a word to me. I felt really uneasy and upset. She had her right to be alone but locking herself away from me and avoiding communication altogether? Didn’t make much sense.
I felt extremely guilty for not opening up to my mother sooner. But instead of choosing to be compassionate and caring she chose to resort to anger. She furiously blamed me for being “quiet” and “not trustful” which all landed on my shoulders again. It was “my” fault I thought.
Bottling this up resulted in a full-blown mental breakdown. I could not focus or concentrate because of everything building up. It came to the point where my mom had to choose between living in a toxic community or starting fresh elsewhere.
And even though my mother kept subjecting me to her harmful stigmatizations, the transition from my old school to my new one helped me greatly. When we moved away, I gradually started to feel better emotionally, mentally, and spiritually. Very quickly, I ended up adapting to my new high school where I finally made friends.
One thing I cannot deny is that there definitely was a silver lining to all of this. Although I went through severe bullying and torment at school and home, I managed to reclaim my power and through that I discovered my inner peace after being extracted from my toxic high school. The new school that I ended up attending completely changed me and inspired me to become a more authentic version of myself. It was almost as though I did a complete 180°
My new peers and teachers were enthusiastic, open-minded and caring. The new community I was surrounding myself in was a very positive one that broke down stigmas and encouraged deep understanding and acceptance. My mind was blown when I found that it was easier to conversate with girls and guys at my new school, I was gradually becoming confident and more vocal, and I liked the feeling of not hiding myself away from the world. It felt rejuvenating to finally be heard and seen by others.
Slowly but surely, I began to partake in various activities at my school. I joined the Poetry Club which I would have never considered joining had I stayed back in my old school due to fear of how I was perceived. Ultimately, I started caring and nurturing myself more. My new friends supported me, and teachers began to openly listen to my stories and encouraged me to write. When I started writing, I realized that I could use this medium to cope with my depression and anxiety. The acknowledgment made a major difference in my life like never before.
If it were not for the transition from my old high school, I would have not made progress in developing into the woman I am today. I know that I am not my pain, I am not my mistakes.
Do I still struggle and have bad days? Yes, of course. Just like any human being I have my days when I am not feeling the greatest however, I am more open to learning about how to engage with my mind, body and soul in order to soothe myself during turbulent times. I still have that inner critic however, I have been engaging with activities such as bike riding, painting, drawing, and reading to help occupy my mind which as a result has reduced the time that I spend ruminating. Occupying myself has worked magic, I am now able to reduce and control how much time I spend self-loathing, criticizing, and judging myself. Rather than judging every thought, I’ve learned to slow down and observe.
If you stuck along until the end of my story, I want to thank you for reading through my experience. My hope is that my story can shed some light on the myths and stigmas surrounding mental health, especially within the Eastern European community. I want you all to know that you are ALL valid and I wanted to be able to share my story so that my readers know that they are not alone.
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violetren · 4 years
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ANOTHER thing about what made Booker’s betrayal in The Old Guard so wonderfully written, because apparently my brain ain’t done with this topic yet.
Everyone. Elses. Reactions.
Because as I talk about ~here~ Booker had some very clearly laid out and understandable reasoning behind his actions, and his reactions. TLDR/cbf with a link, the dude is depressed, traumatised, and has a fierce love for both his families (despite one of them being long dead) with no love left over for himself. And all of that goes a long way to making his betrayal come across effectively even if you called it as happening way in advance.
But the way the immortal family reacts to it? That really cinches in.
You’ve got Andy who starts the movie seemingly as ready to die and be done with it as Booker seems to feel. When the betrayal first happens she is, unsurprisingly, fucking pissed. She screams at him, she physically distances herself from him. Because of him Nicky and Joe are in danger. He SHOT her in the back. He was gonna hand her over to the enemy... and himself along with her... huh. And then she listens. Doesn’t let him close, but listens. And instead of more anger we get that heartbroken. “Not like this, Book.” and just all the fight drains out of her. And its not just the blood loss because she still struggles quite energetically against the henchmen who step forward to sedate her. Andy is tired, and now actually dying, and she gets it. Doesn’t mean she isn’t still pissed, but in minutes she goes from fire and brimstone to, I Need Space To Process Because Rage Won’t Get Us Anywhere. And by the time they’re escaping the lab she’s reached a certain level of acceptance even going so far as to acknowlegde that both of them have been doing a shit job of living, implying that they have been promoting an unhealthy dynamic between themselves.
Then there is Joe. Who is vocally fucking pissed. Even after he hears the reasoning, and getting personal his is the reaction that felt most familiar to me. His outbursts of anger are just as intense as his outbursts of love. When he hears Booker’s reasoning of “feeling alone” he scoffs at it and calls him pathetic, and points out that his actions have just made things worse. And there is this undercurrent there, this subtext that comes from the fact that we KNOW Joe loves his family, that his anger is also defensiveness and self directed anger. His brother in immortality was feeling this alone and Joe didn’t know. He makes a flippant anger fueled remark about leaving Booker in Merrick’s clutches, but the second Nile and Andy put their foot down he stops. Yes because they’re right and its not the time, but also because its a largely empty threat. Oh Angry!Joe might have been willing to let him stew for a while, Booker’s actions led directly to Nicky being hurt, he earned some pain, but it would have burned out fast and resulted in a “oh for fucks sakes I have to go back and get him moment” in pretty much any other movie if it weren’t for the fact that the rest of his family have already brought him along.
And the Nicky, who is also very relatable to me, but in this really intangible I’m not sure I get him kinda way. Like honestly Joe is how I wanna react/do react internally, Nicky is how I actually react externally but also Not... Anyways. He is like the most accepting go with the flow member of the group, while also being super pragmatic about the whole thing. His reaction is mostly just tempering Joe’s reaction. It’s very much “Babe I know you’re mad, but later you’re going to be less mad and start thinking of how broken our brother is and get sad about being mad, so lets just take it down several notches until we’re literally ANYWHERE else.” I have no doubt Nicky is just as hurt, betrayed, and angry about Booker’s actions, but he’s also very aware that They Need To Escape before they can deal with any of this.
And finally there is Nile. The baby of the group. The one who comes in with the outsiders eye and can see just how tired and broken Booker is compared to the others. Who can see where their blindspots are. And who is also just a very gentle person. She can get shit done just as violent as the rest, but when she commited her first kill despite the fact that it was like the text book definition of a “clean shoot” and despite the fact that he also killed her, she realised she really did not enjoy killing. She’s the one who from the get go falls back to her “no man left behind” training, because no way is what he’s done worth leaving him to be a lab rat, and she’s the one who is willing to just let him off with an apology. Probably because she’s the one raised in a time where therapy is an increasingly less stigmatized thing and as the outsider can see that Booker needs help not punishment. Tbh if Nile isn’t trying to find ways/hasn’t already been secretly reaching out to Booker then what even was the point of this first movie?
They all have their own very specific reactions that all fit with their character and their place in the overall immortal family dynamic. There is no caricature like exaggerated rage where everyone stays angry just to be angry and make bad decisions because of it just to create extra drama. The Old Guard have lived through too much to react like that, and the only one who is too young to have the experience the others have is both too new to feel the full sting of the betrayal, and too kind to hold it against him once they’re all safe again.
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aion-rsa · 3 years
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Why Evil is the Only TV Procedural Worth Watching
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This Evil article contains spoilers. You can read a spoiler-free review of the show here.
Who knows what evils lie at the heart of CBS’s Evil? Shadows know. We consulted a book of shadows (not the one Leland Townsend (Michael Emerson) skims, too many spoilers there) to cut into the left ventricle of the darkness feeding the network’s supernatural series, now in production for season 2. The blood of the police procedural pumps through the veins of the paranormal investigation show, but Evil transcends the statutes of those limitations. Occasionally by papal decree. The series is intelligent, filled with symbolism, and its main character, who is training to be a priest, drops acid on a semi-regular basis. And he’s not microdosing. Look at those baggies.
Evil doesn’t debunk demonic possession, which is the main thrust of the team’s investigations. It never treats it as campy. The series believes demons are real, even giving the audience a breakdown of the six different forms possession take. But it deliciously stops short of giving full commitment. The show also explores how to parse out personal responsibility when there’s a supernatural being to blame. In episode 7, “Vatican 3,” we learn “the court does not acknowledge demonic possession” in determining guilt or innocence. The series further muddies the waters when the crew has to take a hard look at a murder committed by someone who wasn’t possessed, such as when the parents of what they believed is a demonically possessed child kill him. The series further turns the screw because the kid they killed to save their other children was born evil. It was literally in his genes.
Evil shares DNA with The X-Files, and David Acosta, played with charisma and empathy by Mike Colter (Luke Cage), is the new show’s Fox “Spooky” Mulder. He is looking for answers beyond the veil, which has the same letters as evil, and he is putting the pieces together like a hidden map of old Manhattan. There’s a truth out there and he’s willing to do whatever it takes to understand it. He’s not in it to solve any crimes against venal sins. He is looking for deeper meaning, and this alone puts the series above most procedurals. David’s got a bit of the scientist Dodge from original The Planet of the Apes film in his cinematic character. One of the first astronauts to delve so deep into the outer reaches of space, “He’d walk naked into a live volcano if he thought he could learn something no other man knew.” David is the same. He was a foreign correspondent in war-ravaged Afghanistan who got to know the soldiers whose stories he reported. Truth and knowledge are the most noble of callings, and ultimately come before his religious calling.
While the basic premise of a spiritual believer teamed with a dissenting psychologist is procedural trope, Evil is out to debunk the law of its diminishing returns. First, the show teams David with not just one skeptical voice, but two. Katja Herbers’ Dr. Kristen Bouchard plays the same role Agent Dana Scully played to Mulder, and with a similar arsenal. She comes from a different perspective, though. Bouchard does indeed believe in miracles, but thinks they all have scientific explanations. She is confident the only reason something might defy natural principles is because science hasn’t been applied properly yet. Scully, who wore a cross and took her faith seriously, accepted miracles on faith. David and Kristen rarely come to the same conclusion.
Ben Shakir, played by Aasif Mandvi, brings common knowledge, and shades his skepticism with cynicism. The former Daily Show correspondent takes on the weight of all three Lone Gunmen but with more constructive skills. Before joining the paranormal team, he was a carpenter, just like Jesus. Ben knows how things work, and when everyday mechanisms like sinks or faulty wiring are the root cause of supernatural phenomena, he can turn the screws, and spot the mold. Ben, “the Magnificent,” as Kristen’s children call him, is also tech savvy, and quite capable of hacking hackers.
Evil also throws things at Ben which he can’t easily spackle over with even the best of tests. Try as he may, and he tries, he can’t explain the light of an angel in the frame of a surveillance video. There is no evidence of doctoring, even at the most expert levels. “The world is weird,” David passes off as dating advice when Ben asks about potential girlfriend Vanessa (Nicole Shalhoub), who wants to know she if she should detach from her dead sister before committing to a new relationship. Vanessa thinks she is “tethered” to her phantom sister by the right arm.
Supernatural science is bizarre, creators Robert and Michelle King (The Good Wife, Braindead) believe. They push the show to diagnose causes the external evidence of exorcisms and stigmata, the bleeding wounds which correspond to the wounds on Christ’s hands when he was nailed to the cross. Because stigmatics display their wounds as they are portrayed artistically, rather than how the Romans historically would have done the crucifixion, it proves it comes from a psychological source. Internal belief causes the phenomena, not external spiritual forces. Evil explains that, allowing ample room for skepticism, belief, and even poetic reasons for spiritual incursions. David quotes Shakespeare to enunciate his faith. The concept of free will doesn’t come up in most procedurals. Neither does the way sociopolitical issues are turned into supernatural questions and tied to the origins of evil.
Evil is almost a character in Evil, and has relatable entry points. Real demons first get to Kristen’s four young daughters through an augmented reality videogame. A little girl who never takes off her Halloween mask almost gets the sisters to bury one alive. We don’t know how much of the characters’ perceptions is the result of a demon character’s influence on them. Each character is slowly being tempted by the dark side.
Kristen joined the team as a rational thinker but has had to accommodate uncomfortable ideas and adjust her comfort zone accordingly. In her usual line of work, she’s analyzed the criminally insane, but the show has pushed her into close contact with people who are evil in the Biblical sense. She is being pushed incrementally by forces in and out of her control. Her own mother Sheryl (Christine Lahti) sides with a manipulative competitor, Leland, over her daughter, and he’s made direct threats. The first season can be seen as Kristen’s slow corruption. The second season may see Kirsten apply her skills to her own situation, which will delve further into the dichotomy between the spiritual and pragmatic.
This is because Kristen may have already fallen. The final episode includes a telltale blood stain, which she wills Ben to unsee. On any procedural this is considered a clue, but here on Evil, the evidence actually points further than a mere homicide. It is the first sign that a main character has gone to the dark side. It is confirmed when the touch of a crucifix blisters her hand. There’s no such thing as an original sin and Kristen has been flirting with temptation long before this.
Kristen is a married nonpracticing Catholic who lost her faith. She’s sexually attracted to David, a man on his way to becoming a priest. When this subject was broached on the classic 1970s cop comedy Barney Miller, a prostitute who was supposed to be a young priest’s last fling before he entered a monastery said “I break laws, not commandments.” It feels like Kristen reminds herself of this every time the two of them are on screen alone together. Their sexual chemistry is that palpable. Yes, this is very similar to the long-gesticulating romance between Mulder and Scully, but he was no priest and she wasn’t married. Not only is Kristen married, but she’s got half a brood of daughters. Annoying things, really, but at least one of them has an excuse. Another reason Evil is the only procedural worth watching is because everyone on it just might be cursed. That’s not found in the manuals.
Evil towers over contemporary procedurals in how it’s going dark. Most procedurals chase a morally compromised arc, but Evil treats it like an encroaching corruption. Kristen, who is sworn to uphold the law, may have gone more than rogue vigilante. Besides the crucifix-burning season closing, David has visions of a goat demon waiting for Kristen with a scythe. She’d been tormented by her own personal demon throughout the season but when the George, the demon-like creature who visits Kristen during sleep paralysis, falls on the knife, it changes nothing. He is just one of many demons. One of them set up practice and is taking office hours with Leland.
The Demon Therapist is an all-male Goat of Mendes, or Baphomet. The show gets into how different biblical angels look from how they’re perceived artistically and by the contemporary faithful, but won’t present a faithful representation of Baphomet. It’s as patriarchal as Chilling Adventures of Sabrina. Evil keeps it vague whether the goat demon is real or in Leland’s head. The Demon therapist appears in Kristen’s dreams as well. Lexis (Maddy Crocco) disabled the house alarm for the visiting devil therapist when he invites her to “the next level,” making it seem she is at least susceptible to underworldly influence. The kids are irritating, but they are a bargaining chip and their father, Adam, put them up for grabs when they chanted together offering an exchange of souls. Kristen was co-opted into evil through protective motherly instinct. She doesn’t see the mark of the devil as a badge of honor. When Kristen puts the cross in her palm, she doesn’t look like she expected it as much as feared it.
While the network show will never have the freedoms afforded cable series, the acting is top notch all around. Series like HBO’s Perry Mason or even Showtime’s reimagined second incarnation of Penny Dreadful: City of Angels, provide a wider range of emotion and carnality. But Evil gives us muted, for the most part believable performances, very often underplayed. As are the special effects and use of technology as a narrative device. Too many procedurals treat high tech surveillance and other investigative tools like they are all-seeing eyes which can count nostril hairs.  It has become normalized. Evil doesn’t waste intellectual space with unreasonable gadgets. The tools Ben or Leland use to their computerized ends are believable. At one point, Kristen asks Ben to record a cell phone conversation which is already halfway over. She is surprised he can’t with all his special skills.
The series incorporates real world horrors into mundane life. Even some of the most normal looking settings carry a sense of unease, to underscore the show’s thesis that the supernatural is natural but never quite normalized. Many of the scenes are shot vertically, drawing the viewers’ eyes upward and inferring something is always going on above. The series’ many wide-angle shots put a distance between characters even in close-ups.
The show isn’t afraid to wear its influences on its sleeves, and on several occasions has a lot of fun with it. For Dr. Kurt Boggs’ (Kurt Fuller) arrival at an exorcism, they recreated Father Merrin’s introductory scene in the horror classic The Exorcist, shot for shot, even getting an exact replica of the light post and the same make car, though different year, from the film. They gave nods to Rosemary’s Baby, Misery, Cabin in the Woods, and Children of the Corn.  The climbing ax which Kirsten grabs on her way out to do damage on the serial killer Orson looks like it has teeth. As did the walking stick Lon Chaney’s Larry Talbot carried in The Wolfman. The demon George looks like Freddy Krueger’s good-looking cousin. The tonality of the show is reminiscent of Charles Laughton’s immeasurably influential Night of the Hunter.
The main reason Evil shines above most procedurals is because it is scary, and those scares have been building slowly and deliberately. Commonplace settings feel off, and the world around is filled with conspiracies and coverup. The Vatican asks the team to determine whether a woman who knows the hidden history of the church is a false prophet. The fertility clinic Kristen and her husband Andy used when conceiving Lexis corrupts fetuses with satanic insemination. A witty but innocuous internet meme, Puddy’s Christmas song, is a hummably foreboding earworm. Anything can go evil on Evil.
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Evil season 2 is currently in production. Read more about that here.
The post Why Evil is the Only TV Procedural Worth Watching appeared first on Den of Geek.
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sarahilsley4 · 3 years
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YA books to read if you like topics related to identity, social justice, and equality
SoI have always had an interest in contemporary books where characters overcome hardship and work through social issues, feminism, mental illness, LGBTQ+ individuals, identity, etc... Here is a sample selection of some must read books in my opinion! (in no particular order)
1. Eliza and Her Monsters by Francesca Zappia
I connected with this book in many ways. It tells the story of a teenage girl named Eliza, who expresses herself through her famous online personality (one in which no one in her real life knows about), she draws famous comics online to be specific. She then meets a boy, Wallace, who draws fan art for his favourite online comic. Both individuals are quiet and distant from others, but Eliza struggles with much more than that. This is a lighthearted yet heavy at the same time introduction to mental illness. It is a wonderful book to begin reading within the topic and a definite recommendation, Ive read it three times.
2. Simon vs. the Homo sapiens Agenda by  Becky Albertalli
A staple LGBTQ+ novel that many have probably already heard about. The novel tells the story of Simon, who is a closeted gay and falls in love with an anonymous individual on his schools gossip webpage, who had just submitted a coming out post through an anonymous name. but... someone finds out and blackmails Simon. The novel is an amazing light hearted story that many have fallen in love with, and everyone should make an effort to read it at least once, you may also recall the movie Love, Simon. Well your at it, Becky Albertalli’s writes many other LGBTQ+ books that are definitely worth the read.
3. Dumplin’ by Julie Murphy
Dumplin’ explores self love towards body image, along with stereotypes about body image. Willowdean is the daughter of a famous beauty pageant winner, who feels resentful because her mother seems to care more about the “skinny” pageant queen contestants then her own daughter. She decides that she should sign up and rallies together some other friends who do not fit the definition of a “beauty pageant girl”, ie. another plus size girl with a fun personality, and a classmate who does not act “girly” like she is expected to for a pageant. This story is full of finding yourself, overcoming gender and body stereotypes and standing up for your own rights. And yes, there is a movie for this one too.
4.Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz 
This story is highly recommended by many YA readers, it is an LGBTQ+ story which takes place in 1987, which gives a different angle of LGBTQ+ topics than many of the other books listed. The story follows the development of friendship, family and identity. It also includes many themes and the views of society during the time, discovering sexuality, family disapproval of a sexuality, transgender people, and teenagers questioning their sexuality all play a prominent role. the story encompasses many important social issues and is almost positively going to make the reader cry, maybe even more than once. It is a story in which I would recommend to anyone.
5. Darius the Great is Not Okay by Adib Khorram
This novel discussed many themes related to mental illness, culture, family and self identity. It also has an LGBTQ+ aspect similar to that of Aristotle and Dante in fact many say this book reminds them of Benjamin Alire Sáenz’s novel. The book follows Darius, who is of Persian culture but lives in America, and struggles with his cultural identity. After learning the condition of his grandfather, who is fatally ill, his family makes a trip to Iran to visit them. Through this journey Darius meets Sohrab, who helps him understand his culture, and overcome is antisocial tendencies. Throughout the novel Darius also struggles with clinical depression and a disapproving father. This novel is a great read that I would give a strong recommendation of any day. 
6.The Hate U Give by Angie Thomas
I don’t think I need to say much of this one, most readers and humans in general have probably heard about it. There is also a movie, although it is less commonly known. The story discusses racism through a 16 year old girl named starr, whose childhood friend is brutally shot by a police man. the story discusses social justice, which is very similar to current activism against the police and in order to fight for the right of individuals of all races. 
7.I Wish You All the Best by Mason Deaver
This story discusses gender, LGBTQ+ inequality, with a touch of mental illness. Ben is non-binary, living with two very old fashioned parents. On christmas they decide to tell their parents who kick them out. Their sister who left 10 years prior comes to the rescue, accepting ben and helping them find theirself in the world. Ben then meets Nathan, who supports them through school and family problems. At the same time, Ben is competing with an anxiety disorder. Overall, a quick heartfelt read (read it all in one sitting) that encompasses many important topics.
8.The Way I Used to Be by Amber Smith
I am currently reading this novel but already know it should appear on this list. The story is by far the most trauma related I have read in terms of inequality, so word of warning before you decide to pick it up. The story follows Eden, a teenage girl who is sexually assaulted by her college age brother’s lifelong best friend. So far the story exhibits the feelings associated, the terror induced by the event, and the struggle of overcoming such a horrible circumstance. Although it is a heavy read, so far I see it as a staple for understanding inequalities and terror associated with assault, specifically assault on women.
So there are some of my must read books. This is by no means the end of the list but they are in my eyes the ones with the highest level of social justice related themes. I would highly recommend them to everyone, not just those who have an interest in understanding these topics. These novels provoke emotion and a level of understanding that can only be told through stories and examples. they also all include a wide range of topics that many can relate to. Everyone needs to read these novels, or similar novels since I understand there is a stigmatism around young adult and teen fiction. So, Share these books with your friends and family, read them for yourself, share this post on your socials and tell the world how important these topics are.
Although word of warning, remember that some of these topics are heavy, it is understandable to stop reading. I have had this case many times, finding the anxiety and depression described in the stories caused me some second hand stress in my own struggles, so look after yourself, and read at your own risk.
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haeddoti · 4 years
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This is my first blog-post and it is about some of the books I read between year 7 and 11 in my German high school. These books aren’t in a particular order, I just wrote all of them down and took some notes to guide me along. I’ll give a brief summary and then my thoughts about the books.
Without further due, let’s get into the series!
Nr. 1 “Hexen in der Stadt-Ingeborg Engelhardt”
We read this book in seventh grade and immediately after reading (actually during reading as well) we asked ourselves how and why someone thought “Hell yeah, that’s a topic for 11 year olds” since the book is originally listed for grade 5 and 6.
The story takes place in a German town during the Thirty years war, the witch hunts are running wild and the church is all over the place. The story follows a family of four who live in this town, the father is a doctor, one daughter is read-headed and the other a sleep walker. And although the father is greatly needed in this time, the towns people are really suspicious of the family, and they have to flee the city.
First of all, the book was so dense, it was almost unbearable. Definitely not something for children and yet the book won the “Youth literature award” in Germany, so I guess it wasn’t too bad after all. I honestly don’t remember a lot from it, I know we watched a horrible movie about it and I also remember that the pacing(?) in the book was weird, because the first 80% or so took reaaaally long to read through and virtually nothing happened and then in the last 20% everything happened all at once and it was just too much.
Nr. 2 “Am kürzeren Ende der Sonnenallee-Thomas Brussig”
The only (apparent) reason why we read this book was because we had our final class trip to Berlin in year 10.
 The setting is the DDR, East-Berlin to be precise, somewhere around 1970ish. Our protagonist Micha lives in a street which was cut in half my the Berlin Wall and he, unfortunately enough, lives in East-Berlin. He frequent meets with his friends in a nearby park where they listen to West-Music and swoon about Miriam, the neighborhood beauty who is kinda a not-like-other-girls-girl.
All in all, the books is about searching happiness and thinking about how it is so very close and yet never being able to reach it.
It was comfortable to read and overall it was an okay novel. I don’t remember much about it, although I literally read it a year ago. The insight about east-Berlin was cool, and the author definitely implemented own experiences and as someone who grew up in post-split Westgermany it was rather informative and interesting. The quote on the back of the book was also pretty.
“Happy people have a bad memory and rich memoirs”
Nr. 3 “Frühlings Erwachen-Frank Wendekind”
(Springs Awakening)
Oh. My. God. This whole topic was such a BS and I hated every second of it.
The book takes place, once again, in a German Town in a time where there is no Sex-Ed, aka 1900th century, which is also the topic of the book; Sex-Ed gone wrong. Our first protagonist Wendla grows up in a home with a loving, strict mother and far, far away from everything unholy like sex. Our second protagonist, Melchior, is a really smart, really handsome boy who is the top of his class and who likes to read provocative literature which makes him think about masturbation. His best friend is also handsome but really stupid but the social pressure keeps him from dropping out of school- that and his strict, abusive father. Melchior and Wendla fall in love (he hits her with sticks after she metions that she has never been hurt before), have Sex(he rapes her) and after Wendla gets pregnant and dies after an attempted abortion via poisonous plants her aunt have her, Melchior is only mildly devastated. He turns sad, and kinda crazy, after his best friend commits suicide. He has a rendez-vous with the ghost and death itself, he is happy again? I dunno, the whole book was all over the place.
Worse than the book was the discussions we had in class afterwards. One time we had to argue whether it was in-fact rape or if it was just sex. Second discussion we had was about Wendla being a masochist.
The worst thing about the whole topic was the stupid ass movie adaptation.
You think Percy Jackson has it bad? Oh boy. Ohhh boy. The movie plays in the 2000s, graffiti, cool skater boys, rapper-wannabes and early 2000s fashion included. The names stayed tho, cause why not name the male protagonist Melchior in 2001. There are scenes where teenagers, TEENAGERS, go to a brothel. Ah, I forgot.
They are 13-14, book and movie alike.
10/10 would NOT recommend.
Nr. 4 “Der Besuch der alten Dame-Friedrich Dürrenmatt”
(The visit)
(No, not the horror movie)
Oh my goodness, I loved this book.
Picture this. A small town in a German province far away from any major cities with a single trail connection between Hambourg and Zurich, aka the whole length of Germany, where virtually nothing happens. One day, a former resident, comes for a visit. But not just anyone, Claire frikking Zachanassian comes for a visit.
And for blood, because this sixty-something, badass multi-billionaire who got her fortune by marrying a bunch of men who died coincidentally one after the other proposes to the town an offer.
One billion for the head of the man, Alfred the third, who expelled her out of the town after getting her pregnant and lying about it in court after she sued him.
They sent her away in the train, called her a hoe and laughed about her. She lived in a brother for a little while, her son died, and a horny, rich man decided to marry her because why not.  
At first the towns people are disgusted by the offer, outraged by the immoral offer and they straight up deny it. “I’ll wait, Claire says”.
You see, the town is really, really poor. Not only because it is in a terrible location commercially wise, but also because Claire bought every factory in the town and brought them all to a stand still to slowly dry the city out. She planned this revenge.
And you see, the proposal of 500 million split between the inhabitants and 500 million for the industry of the city sounds great if you are on the brink of disaster and hunger and misery. But surely, with such an immoral offer, no one would want to commit a crime? Or would they.
Because, now that I look at it, Alfred really did something horrible… maybe, just maybe I can allow myself to stack up some dept.
And Alfred grew more and more paranoid. Begging Claire to stop this, apologizing on his knees, crying and sleeping with one open eye at all times.
We discussed in our class what we would do. We didn’t really came to a conclusion since we had nothing to compare, not one of us was ever asked to make such a decision. “It depends” was our final answer.
They do kill him in the end. It doesn’t end happy, Claire isn’t happy, but she does give the towns people their money. I really enjoyed reading this book. The female “antagonist” was refreshingly bad-ass and the moral despair was entertaining to read.
We learn that Claire is rich and powerful, but that she lost so much innocence, so much energy to enjoy her life in such young years that, as a reader, you cannot not sympathize with her.
Nr. 5 “Das Versprechen-Friedrich Dürrenmatt”
(The pledge)
Hands down the best book I’ve read in school.
This book is originally a critique by Dürrenmatt about the emerging detective novel genre where everything always works out.
The setting is in a Swiss town, 1950ish, and in the beginning the reader takes on the role of an author who meets a certain Dr. H who works for the police. They become friends and take a ride through the mountains. Upon taking a stop at a gas station, Dr. H introduces us to a seemingly old, smoking, alcohol-reeking man and a scruffy looking girl. The narrator is confused, asks who these people are, and back in the car, we learn that this is the former detective, no-one-escapes-me, super-brain Matthäi.
From that point on the narrator switches and we are now in a third person narrator perspective.
Matthäi is introduced again, this happening in the past, as a hard-working, clean, structured man who doesn’t smoke, drink or disobeys rules. No one really likes him in the office, but they value that he just so good at his job. But because he is so unapproachable, they want to sent him away to Jordan.
The week he was planning to travel there, a young girl is raped and then brutally murdered in a small town nearby. And because he is Mister Superbrain, he goes there to help investigate.
The other officers at the crime scene are (understandably) uncomfortable, they don’t want to talk to the family, or the people there in general. So Matthäi talks to everyone. He is a very calm, collected, cold man. So he meets with the family, tells them what happened to their daughter and is utterly, completely shocked when the mother just blankly stares in his face, and asks him to promise her to find the murderer of her daughter. He is shocked by the lack of emotion in this moment and sees himself in this cold visage of the mother. He promises her, just to get away from her as fast as possible, and drives back to be office.
I don’t want to spoil too much because this book is just so good, but oh my god
I’m in general a sucker for drastic changes in character or demeanor (hence why I liked The Visit so much as well) but his book takes everything to another level. They “plottwist” is so incredibly frustrating and nerve wraking to read, the perspective changes provide so much more depth.
And for the first time I finally read a really intricate, morally gray character.
Nr. 6 “Nathan der Weise-G. E. Lessing”
(Nathan the Wise)
This book was kinda eh. If I had so summarize it as fast as possible it would probably be “Religion and accidental incest”. It is about the three world religions and stereotypes between them, about genocide and also about stigmatization. It ends on a nice note, tho.
The only really remarkable passage of this book is the so-called “Ringparabel” in which Nathan answers to the question which religion is the real, big OG of them all. It is pretty nice and the symbolism is really fitting as well. The beginning of the book is incredibly boring but it does get better in the end. All in all not a total waste of time and money but nothing I would read again.
Nr. 7 “Die Leiden des jungen Werther- Goethe”
(The sorrows of young Werther)
Ah yes, no German class without Goethe. This book is written in a way that lets the reader really seep into Werthers emotion because it is written as a letter-novel. Werther is a young, nature-loving guy who (in the beginning of the book) is just really happy, go-lucky and over all nice. Then he meets Lotte, a young, pretty, smart and book-loving woman who is empathic to all those around her.  He falls in love with her, despite knowing that she is literally engaged and about to marry. She knows he loves her, her fiance know he loves her and literally everyone knows he loves her and they are ok with it? I dunno. Werther has a severe Seasonal-affective-Disorder. He kinda makes it through the first winter after meeting Lotte but never really recovers, even during summer. In the second winter, he can’t take it anymore and he commits suicide.
I liked the book (not only because I can identify with the SAD). In the end we learn that Lotte isn’t as good as we originally think she is; She is actually really possessive of Werther and although she wants him to be happy, she doesn’t think anyone is good enough for him and thus he should just stay close to her. She enjoys the attention given by her husband, who is actually really nice and whom she does love, and by Werther who is utterly and completely obsessed with her.
Opinions on this book split 50/50 with my friends. Some of them think like me and they see the heart break and the desire to move on but ultimately, the way attraction is so so strong. Some other friends, more specifically my Help-with-Maths-Go-to-Guy hated this book with a burning passion. I can see why. The imagery is sometimes a tad too far-fetched and the wording is, in true Goethe-Fashion really hard to read and the sentences are kinda messed up as well.
But in the end it is still the book which opened the way for Goethe to be one of the greatest writers in Europe and I can see why.
Oh wow. This concludes all the books I read thus far. There will be definitely more to come next year and maybe I’ll do another post like this once I read some more.
I hope you enjoyed to read my thoughts and maybe felt inspired to look into one of these as well!
See you soon!
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pigeoncentric · 4 years
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i did an A:TLA rewatch and took notes because that’s just what i do, and here’s the notes if anyone wants to see my thoughts
i haven't watched atla since about a year before korra started airing, so like, around 2011. i should also mention that i never watched korra through to the end, but i guess i'll do that after this. if i feel like it. i do know that the biggest bottles were never popped
i have such a clear memory of the first episode. it must've been on nickelodeon pretty often, even though when it was airing, i only watched it occasionally. i remember they also aired the library episode super often.
aang's voice is so tiny and sweet
i gotta turn off my dumb adult brain and put my dumb kid brain back on so i can better appreciate the nickelodeonness of it all
sokka and zuko's first interaction.......
zuko's intimidating approach and then his tiny teen voice
SOKKA AND ZUKO'S SECOND INTERACTION............
zuko's like "i'm going home." with aang. he must be feeling an incredible mixture of feelings, thinking he has the avatar and can reclaim his Honor. but he also must be terrified to go back, and in disbelief... fortunately he's not going home like he said and there are even more confused feelings in between
i just remembered that iroh's voice actor dies between seasons :(
thinking a lot about dante basco... no thoughts in particular, just a lot of them... and how he shipped zutara lmao
"my troubles cannot be soaked away!"
hei bai looks like a ben 10
mounts list (added to as i progressed through the series): zuko's rhinos. earth armored ostriches. metal noshing mole. north pole goatyak. azula and friends' fur geckos. sabertooth moose lion if you're not a wimp. appa-sized beetle. moose with aquatic features. Eel Hound.
you can't out-mom-friend katara. even when she's yelling and being reckless
it's true... airbenders are weak to nets.
the n*tfli* captions are making several mistakes. eat my ass ne*f*ix and hire me to do flawless captioning instead you dumb fucks
YEAH! even by episode 13 in season 1 we already know zuko is a good boy! well also by episode 12. and earlier. well i've seen the series before.
i've just learned that zach tyler eisen is the voice of aang and i have to give him huge props for having the perfect voice. i pay a lot of attention to voice acting, usually in a nitpicky way, and i've never heard an english voice actor whose voice is perfect on the level of ikue ohtani... and when he was like 12 years old. incredible. i'm not being remotely sarcastic
i gotta be 100% honest. i had completely forgotten the existence of zhao and that he's actually a pretty important character, at least in season 1. also his voice actor is pretty good. generally the voice acting is good in this show, and i'm picky.
god the animation where aang makes one catapult catapult the other is so good. also appa just picked up and grabbed a guy. with his fist. wait how many toes does appa have? is that 18 in total? also appa has scutes on his ventrum. anyway i love that appa can pick up and grab a guy but generally chooses not to. gives it more weight when he does choose to
zuko tells turtle seals to be quiet and then touches them unkindly :(
zuko busted out of katara's ice orb instead of melting it :\
zuko put his hood up like iroh told him to but aang just has his naked bald head in the snowy cold :(
seeing zhao grab and bag the moon spirit fish made me feel sick. such a foul act
god. the quality rope. i noticed sokka mention it and was like, "was this a chekhov's gun or a red herring" and then a few minutes later there was a pointed pan over to the quality rope.
anyway examining the quality of the voice acting here leads me to a thesis i might gather evidence to prove: american english voice acting for cartoons is far higher quality than american english voice acting for anime dubs. or is that just something obvious that everyone already agrees on
anyway anyway, the episode ended without the quality rope being put to use. unless i missed it, which is entirely possible.
jesus i heard azula's first lines and got an instant flashback to all the tumblr drama about grey delisle and her tumblr account and how she pretended it wasn't hers or something let's just erase all of this from my brain right now
this is kind of out of nowhere and borderline inappropriate but i'm glad characters in avatar are illustrated with nipples when they're shirtless... it always disturbs me a tiny bit when shirtless characters are depicted with zero nipple, not even a hint of nipple. (Aladdin.) not just because it implicitly stigmatizes something everyone has, but also because this scenario always plays in my head where it's like, a little kid sees a cartoon character without nipples and they think, "so i'm not supposed to have these..." and they start feeling weird and bad about themself... all you need to depict a nipple is a single unobtrusive dot. nothing visually offensive or explicit about it.
even to an audience who doesn't understand any cultural context, you can't not see the significance of zuko and iroh cutting off their topknots...
fandom seems to see sokka as the silliest one when in fact at least 40% of his entire role as a character is to be the tsukkomi
underrated moment: "you've got an elbow leech." "WHERE?! WHERE?!"
zuko should be a good boy and only steal if it's from pirates
stealy zuko stealing money and buying iroh a teapot !
god i forgot what a tiny baby voice toph has... so tiny
zuko trying really really hard but doing a bad job hammering (tears)
azula set up zuko and mai for a lucky sukebe...
when zuko's mom told him not to forget who he is, she didn't mean to remember that he's a prince and an heir as he revealed to the unsuspecting earth kingdom village. she meant to remember that he's someone with at least the base level of empathy and compassion, unlike most of his immediate family...
i still think aang's voice actor did a great job but i bet it sucks to be a young boy doing an excellent young boy voice and then when you grow up a little and presumably experience some puberty you just Cannot do the young boy voice anymore. hopefully in most cases where that happens, it's at least not abrupt
placing a bet that the writer for episode s2:e10 (the library) is different than most of the other episodes. i don't like it very much, at least in the first several minutes. if it's a name i recognize from the credits of several other episodes, i might be a bit disappointed in them. seriously, there's one stinker after another. and with such a great concept of an episode...
i didn't recognize the name of the guy who wrote this episode so i thought i was right but no, he wrote a bunch of episodes. must have been off his game for this one... either that or i'm in a very unforgiving mood and don't realize it... also when i went on wikipedia to look at who wrote which atla episodes, i learned that the animation for the show was split between two animation studios, and they're both korean. ah, i guess that doesn't mean all the animation took place overseas, as DM movie has a headquarters in the US. according to wikipedia.
oh, they're BUZZards... i get it... i gotcha.
aang with a vengeance is both scary and sad to see. but he does understand that property damage is nothing compared to a life
people who love azula are the exact same as people who love vriska: [comment redacted]
they have american birds in the avatar world. i keep hearing an eastern wood-peewee going "pee-pee-uwee" in the background :3
the serpent's pass seems geologically implausible.
sokka should really get face paint all over his face when he kisses suki. or like, the cartoonish image of when someone is covered in lipstick lip smacks, but it should be suki's makeup color
appa's been through so much and now he has to meet a boarcupine?!?! fortunately he still knows how to pick up and grab... but still :(
he touched appa's scutes and read them like a palm...
longshot translated his meaningful stares into out-loud words for katara and friends
zuko forgot that azula always lies :(
zuko should know that being redeemed in his father's eyes is the opposite of what he wants...
i LOVE aang's passionate tsungi horn dance
there are spring peepers in the fire nation
god the dripping of the rotten clams is so excessive
you know how ultrasonic humidifiers can create water vapor without heating it into steam, by vibrating it super fast? let's try that with waterbending, it'll be cool
two different bad guys have been skipped across the water like a rock
i love the fake time lapse of cleaning the river... and it showed how with pollution in real life, stopping the source of the pollution is not enough. it needs to be removed as well
sokka deserves LOTS of credit just for being able to handle a boomerang.
GOD THE SLOW PAN OVER THE BEAUTIFUL SWORD (in 3:4)
sokka also deserves LOTS of credit for being able to admit he doesn't know everything.
i managed to forget that zuko turns his back on iroh, while remembering that at some point, iroh gets buff
the voice of sokka's master is the voice of the boulder. right? right? no? are you kidding me? i suck at this
seems like kissing azula would have immediate consequences, like something melting
zuko is poorly socialized
zuko still forgot that azula always lies. even when she's being somewhat humanized in an episode like this.
so avatar roku had earthly attachments he did not let go of, presumably. such as his wife. did he have unfettered access to the avatar state? that's what i would ask him during this expositionfest if i was aang.
so sozin could do heatbending... that's amazing. i think i missed that the first time around.
that's right, zuko came back and his hair is long enough, but he hasn't recreated his topknot.
hawky is the only atla animal that poops on camera.
if you're gonna bend sweat, you might as well bend spit, and it's a little easier to obtain
wait so... is combustion man also a heatbender? i'll have to look into it later. [looked into it later: the avatar wiki has termed it "combustionbending?" are you shitting me?]
ooh it's the bloodbending episode! i'm pumped.
someone made a post about how when they watched this show and they were a kid they were thinking about how the characters are hot, and now they're watching as an adult and the characters are all tiny children... that's how i've been feeling. also season 3 episode 8 aang's voice sounds a little bit pubertous.
anyway damn this bloodbending episode is outright traumatic. good shit
oh, now zuko's topknot is back.
appa's armor covers each individual toe <:3c
i seriously misremembered the course of zuko's character development. and the timeline of the invasion in general. but now i understand that zuko has to tell his dad to eat shit face to face.
watching zuko's "zuko here" practice speech hurts 100% as much as it did the first time i saw it. and when he's delivering it to the gaang it's impossible to watch. i didn't put my hands on my head-- they just went there unbidden.
i kinda can't help picturing dante basco's face every time i hear zuko talk. the whole time. it's sometimes not optimal to know the faces of voice actors. especially when you're like me and you're not good at pushing out unwanted mental images.
what the fuck, combustion man? he just loves assassination so much you can't take back any orders. also i can't help but imagine that if you put a slice across his third eye his combustion would be fully inhibited. well i guess that's not a problem anymore.
i like that the gaang are a variety of heights, and that they're all noticeably shorter than most of the adults they meet. it just makes it feel realistic
if it was a US max security prison and prisoners were escaping they'd probably just fucking murder them
i love how when mai starts up the gondola again and azula is like "what is she DOING!" and ty lee just makes an "iunno" noise
tfw your best friend abandons you because you wouldn't let her murder her own brother
chit seng didn't get to free his girlfriend and best buddy :(
funny how azula seems almost docile when she's getting everything she wants. typical narcissist. well ok not the least bit typical.
sokka ate the rose. i remembered this scene Too clearly. but i didn't remember that.
um... was that the full moon? when katara bloodbent that guy? i should've looked at the sky... i went back and looked and still didn't see if it was the full moon. maybe the wiki knows. i don't care enough to look it up properly.
i was wondering when the melon lord would show up
none of the teens understand the obvious solution of defeating the fire lord by beating him INTO SUBMISSION (or oblivion) instead of killing him. just like in every anime fight ever. it's over when you acknowledge you've lost or you can't fight anymore, not when you die. (for the #1 best example of ending a fight the right way, see the way luffy defeats crocodile.)
so i know aang's gonna defeat the fire lord by essentially hitting him with a forced purification beam to the face and make him realize the errors of his ways or something. the fun part is how we get there
bumi bending entire houses through the air
aw i forgot the turtle island didn't have a cute face.
jyong jyong firebent a jet platform to fly around on?!
i guess the firelord can fly around like bakugou katsuki
i forgot that aang took away his firebending... and sokka hops up to him like "well, look at you, buster"
i'm glad i decided to watch this again. even if i didn't do a great job paying attention tbh. well i did spend a bit of time carving a little wooden spoon while i was watching. anyway i was thinking i wouldn't move right on to korra but rather read some of the atla comics that i know exist but have never read whatsoever. i wonder if i can find them in some kind of library...
  i found the comics illegally on the internet and read a whole bunch (up until the end of the "zuko finds his mom" arc). i didn't write my thoughts down as i was reading, so i don't remember them. that's how my worthless brain works. i do remember that i found the comics satisfactory as an accurate extension of the show, and that i feel ambivalent about how azula is written/treated in the comics.
i don’t know if i feel like rewatching korra yet.
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m-quint · 5 years
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The Correlation Between the Alternative Music Scene and Suicidal Risks.
Happy Spooktober everyone!
Halloween’s not just about fear, it’s also about fun, so let’s start with a joke:
‘An Emo goes to the library and asks if they have any books on suicide. The librarian replies “Well, we used to, but you guys never bring them back!”’
As I’m sure you’ve guessed from the title and the joke, today we will be talking about suicide in alternative subcultures (i.e. metalheads, goths, emos, etc.)  As I said in previous posts, my project is on the satanic panic, and one of the reasons parents were a little bit on the edge back in the 1980s was the rise in suicide rates among adolescents. Heavy metal was obviously blamed, and Ozzy Osbourne was even taken to court in 1984 after 19 year old John Daniel McCollum killed himself while listening to Ozzy Osbourne song ‘Suicide Solution,’ a song Osbourne claimed was about the struggles of alcoholism.
Moral guardians are always quick to accuse anything they do not like or understand (read: anything that developed after they hit their 30s) of the worst offenses, and I understand why grieving parents would be grasping for any possible explanation for the loss of their child. Are they right though? Is heavy metal responsible for adolescent suicide? The simple answer is no, heavy metal is not responsible for kids killing themselves.
The more complex answer is “Well, it’s complicated...”
Now, let’s make this clear, there is absolutely no evidence that heavy metal is responsible for higher suicide rates in adolescents and young adults. However, if you paid any attention to the title, you will note that I used the word ‘correlation,’ and that’s where things get complicated, because several studies have indeed found that young people who listened to heavy metal (or similar music genres) were at a higher risk of committing suicide, suicidal ideation and self-destructive behavior.
A 2018 review of 12 English-Language papers published in the British Journal Of Clinical Psychology found that several of these papers showed that there was indeed a positive association between suicidal behavior and young people who self-identified as being part of an alternative subculture such as goth, emo, punk, etc. Similar results were found on the relationship between self-harming tendencies and alternative subcultures. However, none of the studies found conclusive evidence that there is a causal relationship between listening to alternative music such as heavy metal and suicide/self-injury. In fact, it is important to note that several of the studies reviewed in the paper found that “participants who identified with alternative subcultures (through self-identification or music preference) also had experiences of adversity, including bullying or victimization, difficult family relationships, and prior emotional and/or behaviour difficulties.” Furthermore, the review also noted that teenagers that were part of these subcultures may suffer from victimization because of their association with these specific subcultures. It is important to note however, that these studies were mainly conducted in western countries (Australia, Canada, Germany, United Kingdom, United States) and that the only two conducted in non-western countries were qualitative studies which relied almost exclusively on internet forums and were found to be of somewhat questionable reliability, as was noted in the review. That fact is especially important as one of the papers (Lacourse et al, 2001) reviewed, a study conducted in a high school in Quebec, noted that schools with lower percentages of immigrants tended to have higher suicidal rates than those with a higher immigrant population. That specific study also found that girls who listened to HM were more likely to express felling of alienation and anomie, and presented a higher suicide risk than their same-sex peers compared to boys who listened to HM, adding that “one possible explanation for these results is that it may be more socially acceptable for boys to listen to HM music and to be attracted to its morbid and aggressive symbolism than it is for girls.”
I think it is important to repeat that none of these studies claimed, or even implied, that metal, or musical preference in general, may be in any ways responsible for a young person’s suicide. What they did find, however, was that there is a correlation between listening to alternative musical genres and suicide risks/self destructive behavior in young people. From that we can conclude that if, instead of stigmatizing heavy metal listeners during moral panics, parents had made the effort to talk to their kids, asked them about their problems, showed them understanding and support, and if the adults around them had stopped that stigmatization instead of fostering it, then perhaps heavy metal could have been used as a way to help these kids, to connect with them, instead of an added problem they had to handle alone.
I’ll end this post with the same quote that I started my first post with:
“- If you were to talk directly to the kids at Columbine and the people in that community, what would you say to them if they were here right now? - I wouldn’t say a single word to them, I would listen to what they have to say and that’s what no one did.”         Marylin Manson answering to Michael Moore in Bowling for Columbine (2002)
Have a nice holiday, and a happy Halloween.
Edit: Links to the sources used below.
Hughes, MA, Knowles, SF, Dhingra, K, Nicholson, HL & Taylor, P 2018, 'This Corrosion: A systematic Review of the Association between Alternative Subcultures and the Risk of Self-Harm and Suicide', British Journal of Clinical Psychology, vol. 57, pp. 491-513. https://doi.org/10.1111/bjc.12179 https://www.research.manchester.ac.uk/portal/en/publications/this-corrosion-a-systematic-review-of-the-association-between-alternative-subcultures-and-the-risk-of-selfharm-and-suicide(8f25577b-9258-4e2a-bdac-0faf3c50baf3).html
https://www.blabbermouth.net/news/young-heavy-metal-fans-are-at-increased-risk-of-suicide-self-harm-study-finds/
https://www.suicideinfo.ca/resource/musicandsuicide/
Lacourse, E., et al. (2001). Heavy metal music and adolescent suicide risk. Journal of Youth and Adolescence, 30(3), 321-332.
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