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fuckyeahizzyhands · 4 months
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harveyguillensource · 9 months
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In an interview with Den of Geek, Harvey talks about the prosthetics work used to realize Guillermo's transformation-in-progress on WWDITS season 5:
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jocia92 · 7 days
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With Godzilla x King: The New Empire, Abigail, and Cuckoo on the way Dan Stevens is having a hell of a year!
📸 Check out our exclusive photoshoot by @nickmorgulisfilms celebrating one of Britain’s finest actors.
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invisibleicewands · 1 year
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thenightling · 2 years
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New Sandman art by J. H. Williams III for Den of Geek.
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girl4music · 6 months
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You know what I really love about ‘Slayers: A Buffyverse Story’? The fact everyone in it aside from Laya Deleon Hayes are returning to their characters and roles because they really miss playing them.
Like I’m maybe being a bit presumptuous with this because it’s a small company but I can’t imagine the pay is very good. But I don’t think it’s about pay for any of them. They’re doing this because they truly want to. They miss their characters enough to want to.
Especially James Marsters. I swear that guy just does not quit with being involved in absolutely everything to do with the Buffyverse when it comes to the fandom and fan service. He is honestly there for everything. It’s a bit mad actually but I love him for it.
As I said before. You won’t see the big names joining because they’re all about the money and that’s their right. There’s nothing wrong with that of course. But I do have a lot of love and respect for this rag tag lot that has been put together to do this project primarily because they want to. Because they’re passionate.
INTERVIEWER: “Why and why now?”
AMBER BENSON: “I think the world has gone kind of bananas recently and, (and I say recently - I mean the last 5 years) I think we need more stories of powerful women on both sides of the dark and the light. And I think it’s really important that we, that we sort of - we show women doing powerful things. Taking control of their own destinies and making the world a better place. And I think that sometimes you just need to leave your cruddy, like cruddy day and live in this world with us. And I think that’s the best you can do with entertainment. You can take people and give them a wonderful experience where they feel magic and power and they just want to live there with us.”
I also love what Christopher Golden said about Druscilla’s goal in this story is that she just wants to make the world a better place from her perspective of it. You know - giving all vampires this paradise where they can all thrive in the sun together as a society. That’s kind of lovely in seeing it from her perspective. And yeah - it’s totally something both Spike and Dru would do. Not try to destroy the world but “save” it.
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smol-and-grumpy · 2 years
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Hello, no. Can he stop
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muppet-facts · 1 year
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Muppet Fact #529
Twelve prototype puppets were made for Pepe the King Prawn before the design was finalized.
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Source:
"29 nerdy things we learned on the set of Muppets Most Wanted." Simon Brew. Den of Geek. February 19, 2014.
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brian-in-finance · 1 year
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Video 📹
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Video: dumspirospero67 on Twitter Photo: lulitaflor on Twitter
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How the Outlander Season 5 Finale Uses Easter Eggs To Tell Its Story
There were so many references and Easter eggs in the Outlander Season 5 finale.
The Outlander Season 5 finale was much more self-referential than most episodes of this TV show, as we delve into Claire’s subconscious as she dissociates to avoid the reality of her abduction and abuse at the hands of Lionel Brown. Instead of staying in the present, her mind brings her to a 20th century home filled with her 18th century family celebrating American Thanksgiving. The modern house is populated with references to things we have seen Claire experience in previous seasons of this show.
It’s a clever, visually-specific way of telling us about Claire: what matters to her, what she’s afraid of, and what she’s desperately trying to avoid. It is also the kind of episodic writing and direction that wouldn’t work for a less fervid viewership. The creators obviously had faith that fans will have been paying close attention, and the clues to Claire’s past will therefore mean something to them. Let’s break down all of the references and Easter Eggs in the Season 5 finale…
The House Painting
In the dissociation scenes, we see Claire looking at an abstract painting of a house, done in oranges and reds. No, this is not a painting of the house on Fraser’s Ridge on fire, as some people have understandably guessed, but a painting of the house on Fraser’s Ridge totally not on fire.
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The Song
The song playing on the record player during Claire’s dissociation scene is 1967 tune “Never My Love” by The Association. It also gives the episode its name.
The Orange
One of the first Easter eggs in Claire’s dissociation sequence comes in the form of a lone orange, which is a call back to the orange that the King of France gives Claire back in Season 2’s “Faith.”
“After Claire sleeps with the King of France to save Jamie’s life, when she leaves Versailles Palace, the last thing she does is pick up the orange and take it with her,” executive producer Tonia Graphia told Elle. “It was a small gesture by Claire, a choice that symbolizes that she’s leaving with her dignity. Matt and I included it on purpose in Claire’s dream-escapes in 612: The orange being visible in the opening shot in her living room, then, when faced with the choice of whether to kill Lionel in revenge, Claire flashes on the orange—and then her walking out with it—a symbol that she takes the high road. She’s got a piece of herself that no one can ever take from her. We’re hoping the fans who remember the episode in Season 2 will get it!”
The Vase
The vase we see in Claire’s “dream home” is a callback to the very first episode of Outlander. In “Sassenach,” Claire wonders in voiceover how her life might have turned out different if she made different choices, like buying a vase she saw in a shop window.
Strange, the things you remember. Single images and feelings that stay with you down through the years. Like the moment I’d realized I’d never owned a vase. That I’d never lived in any place long enough to justify having such a simple thing. And how at that moment, I wanted nothing so much in all the world as to have a vase of my very own. — Claire as narrator, S01E01 Sassenach
The Dragonfly Toy
At one point in the sequence, a child is playing with a dragonfly toy. The second book in the Outlander book series is called Dragonfly in Amber, as is the final episode of Season 2. Both titles are a reference to the eternal strength of Jamie and Claire’s love. Like a dragonfly in amber, it can withstand even the forces of time (travel).
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Claire’s Red Dress
Claire’s bright red dress seems to be a callback to the gorgeous dress that Claire wore in Season 2 when she and Jamie were in France. Or maybe red is just Claire’s power color?
Ian’s Uniform
Ian is dressed in a military uniform in the 20th century dream sequence. This is not a reference to anything that has happened on the show—other than Young Ian leaving home for a long while—but seemingly a reference to the Vietnam War, which would have been going on in late 1960s/early 1970s when this scene seems to be “set.”
While much of Ian’s uniform is a historically accurate U.S. Army uniform, he is wearing a patch on his shoulder that has a silhouette of a Native American, which is a reference to the character’s time with the Mohawk. Also, the medal ribbons are actually made out of Indian wampum beads,” Outlander costumer Trisha Biggar told Town & Country. You can read more about the clever costume choices she made for this sequence via Town & Country.
Jamie’s Outfit
While it might seem like Jamie’s outfit is strictly circa 1770s, Biggar told Town & Country that they made some 20th century adjustments, such as “narrowing down the fullness of the shirt” and “making his breeches look more like a 20th century pair of trousers.”
“Breeches go into the boots, so we just made the trousers go into boots, too,” shared Biggar, “and we made his trousers out of a black denim, so it was a contemporary fabric, but still gave him his 18th century silhouette. He sort of fits in to the 20th century, but is still very much of his own century.”
“You’re Shaking So Hard…”
There were certain lines of dialogue that were direct callbacks to lines of dialogue from earlier seasons. At one point, Dream Jamie says “You’re shaking so hard, it’s making my teeth rattle,” which is something the character said to Claire back in the Outlander premiere.
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Murtagh & Jocasta
While Claire doesn’t imagine other deceased loved ones in her dissociation sequence, she does interestingly imagine Murtagh, who died earlier this season, as part of the Thanksgiving Day scene. Murtagh, who mentions Prestonpans at one point in the “day,” is seemingly in a happy relationship with Jocasta, who is noticeably not blind in the sequence. Fergus also seems to have both of his hands, which is also a change from the reality Claire knows.
The Beatles and Ringo Starr
We get several Beatles references within this episode. First, it’s part of dinner conversation during Claire’s dissociation dream. Then, we hear Wendigo Donner use it as a way to confirm that Claire is from the 20th century. He asks her who Ringo Starr is (interesting choice of Beatle), and she tells him that he is a drummer.
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The Plaid Blanket
The scene that sees Claire wrapped up in Jamie’s blanket after Jamie has rescued her from Lionel Brown is a call back to the scene in the Outlander pilot that sees Claire wrapped up in Jamie’s blanket after he has rescued her from Jack Randall.
Did we miss any Easter eggs? Let us know in the comments below…
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Photo: Annie Leibowitz (provided in comment by Ray Renati)
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Den of Geek
Remember… for I remember Easter morn, and life and love and peace are all new born. — Alice Freeman Palmer
In the third example in the photo collage, comparing the monstrance to the clock, the monstrance is from the Boston church in S05E05 Perpetual Adoration. Several photos of the monstrance at Blacklanderz
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psalm40speakstome · 2 years
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“Bellamy has spent seven seasons and literally over a hundred years fighting alongside Clarke, believing in her when no one else did and helping her bear a truly incomprehensible burden. He loves her, he trusts her, and he has proven time and again that he’s willing to sacrifice almost anything for her. The idea that he would suddenly put her daughter at risk in the name of a newfound faith he essentially just read off the back of a cereal box is ludicrous in the extreme.”
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laraleecupcake · 2 years
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Aw man. Not Rhys getting choked up mentioning his mum on Den of Geek’s podcast. 😭
[ full interview here ]
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jocia92 · 27 days
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Hunter Schafer and Dan Stevens star in wild new film CUCKOO | SXSW
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Nice interview at SXSW 2024 with Dan Stevens, Hunter Schafer, and Tilman Singer about their movie 'Cuckoo'.
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invisibleicewands · 1 year
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richdadpoor · 8 months
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Blue Beetle Director Wants Family Sequel Before Big Crossovers
The BBC might have slip just when Ncuti Gatwa’s first Doctor Who season will begin. Could there be even more of Ahsoka and The Acolyte on the way? Futurama goes festive in new pictures. Plus, get another look at Invasion’s return. To me, my spoilers! What’s Next for Blue Beetle in the DC Universe? | io9 Interview Blue Beetle 2 During a recent interview with Collider (via Coming Soon), Blue…
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Seven years ago today, Bryan Fuller talked about Richard as Francis Dolarhyde in an interview for Den of Geek.
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i-want-my-iwtv · 2 years
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That you for being supportive of people criticizing the new show! All is see when I go into the tags is what feels like toxic positivity while Lestat's "it wasn't that bad, Louis was making shit up" narrative that show is adapting is literally typical abuser rhetoric, and as an abuse victim this whole "Louis is a liar and Lestat wasn't that bad" narrative makes me really uncomfortable and angry and I hate that with this show it will probably only become more prevalent in the fandom, as I'm already starting to see it.
[Tha[nk] you for being supportive of people criticizing the new show!] 
You're welcome, Anon! *hugs* 💗 (I assume you meant “thank” 😅) 
This response got very lengthy, my apologies, I can’t edit it down further. Also, I’m using brackets for your message clips, and italics for things I’m quoting later on, I wanted them both indented.
[All is see when I go into the tags is what feels like toxic positivity...  and I hate that with this show it will probably only become more prevalent in the fandom, as I'm already starting to see it.]
Yes, I’m seeing it pushed harder in both directions, as more pics, clips, articles, and trailers come out, the side that is super excited about it is going to intensify, and the side that wants to criticize it is going to do that, too, as they get more material to evaluate. There’s tons of criticism about fandom and canon, that’s the way some ppl happily engage, especially if they’re writers/artists themselves, by trying to unpack what the showrunners/writer’s goals are and how they seem to be achieving those goals (or not). 
If you need to take a break from fandom, you might want to do it. You can also block my #iwtv amc tag, bc I’m still going to be posting about it, but this way you can block seeing content about it from my blog, at least. I am sorry, though. I don’t think there’s any chance of ppl agreeing to use one unified tag so that others can blacklist it if they need to. I’m trying to navigate how much I want to engage, myself. Fandom is supposed to be a happy place, an escape from reality, not a battleground... but this is a historic moment in the fandom, so I’m documenting with as much capacity as I am able, and advocating for people to express themselves.
TL;DR: All this to say, I can understand where you’re coming from, that the changes to the story seem to disrespect the actual suffering Louis reported as a victim of abuse. Perhaps they’ll take that part out. It seems like they’d prefer to mold Louis into a better companion for this revised, softened Lestat. 
(Anon, I’m going to need to keep going with this response a bit more, I hope that’s alright with you. You can skip this from here if you’d prefer.)
The fandom seems to be on the brink of war over this show and some ppl have said that I have also spread “toxic positivity” myself, not about the show, but by running the fandom gift exchange last year, when the fighting was at a fever pitch, and my few statements basically saying: “Let’s try to be kind to each other.” I have friends on both sides, which makes things difficult, and I’ve chosen not to engage in those discussions. Maybe there are issues in the fandom, but no one has any obligation to enter a discussion with strangers on the internet. This is the case even if one of your friends has chosen to fight about it, but I have on rare occasions stepped in when it was needed to stop a fight from escalating. A person can ask for peace even when their friends, with their own agency, choose to engage in public discussion and even fights.
But because of those fights, I’ve stopped asking for peace. I’m instead trying to state the obvious that there’s enough room in fandom to criticize the show (as we would ANYTHING else), and be hopelessly in love with it, and everything in between. 
Hit the jump for more, cut for length.
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I think some of the friction we’re having currently is that the new series uses all the familiar canon tags, and I’m seeing a growing trend that at least some of the fans who are excited about it want it to subsume previous adaptations and canon. Rolin Jones re: essentially hopeful that this will in fact replace the (much beloved) 1994 film: (Den of Geek, July 22, 2022)
What are you most excited about for this adaptation?
Most people have this image of Tom Cruise and Brad Pitt. In this, the emotional stakes are super high. It’s Love with a capital L and Hate with a capital H, Remorse and Regret, and mostly reverence and respect. I gotta say, I’m really mostly excited for everybody to see Sam and Jake. You will not be thinking about Tom and Brad, ever again. Of that, I am supremely confident. It’s a very big, grand show. AMC is taking all the right risks on this thing. They are putting something very aggressive out there. They put more money into this than they thought they would, and I don’t think that they’re upset about it. There’s a big, big thing coming.
So this reads like he definitely wants the AMC show to replace the ‘94 movie. Again, I think some fans are thrilled about that. RJ has big shoes to fill, and he knows the comparisons are already being made, so as a showrunner I think he’s probably obligated to address it and show confidence that his adaptation will overcome the previous ones, but it does come across as smug, to my mind. 
[while Lestat's "it wasn't that bad, Louis was making shit up" narrative that show is adapting is literally typical abuser rhetoric,]
I think you make a very good point here. More on that in a bit. 
[and as an abuse victim this whole "Louis is a liar and Lestat wasn't that bad" narrative makes me really uncomfortable and angry and I hate that with this show it will probably only become more prevalent in the fandom, as I'm already starting to see it.]
I’m sorry you’re an abuse victim, and I can’t begin to understand how belittling it must feel be to see, essentially, an abusive character softened/defanged, “washed of his sins,” and therefore make the victim look like a liar. Jacob!Louis certainly looks terrified of Sam!Lestat in some of the promo stills, but is he afraid of Lestat as a vampire, as an abusive person, or is he frightened of being in love with Lestat despite those things? Or, and I hesitate to even call it out, is it none of those, but instead, “gay panic,” because this is the first male person that Jacob!Louis is attracted to romantically? “Bless me Father, for I have sinned. I have laid down with the devil” maybe he means it metaphorically? 😬 That’s another topic for discussion when we see the show. I hope they handle that respectfully. 
Rolin Jones seems to have made this Louis a more confident person, he’s not wallowing in depression when Lestat meets him. I think they’re taking out the abuse entirely, and skipping to the shipping.
Will the new adaptation be able to explore the fluid sexuality of the books? 
It’s aggressive subtext in the first book, but by the time you read books eight and nine, it was the love affair of the century. Without spoiling too much, subtext becomes text in our show.
Why is Louis’ situation changed from the book?
...I’ll say this, we’ve given Louis a little bit more of a spine.
Rolin Jones re: inserting later canon Lestat back into IWTV:
How does the contemporary setting affect the timeline?
One of the things AMC asked when they tasked me with the gig was: here and now, how does it change?... The timeline is not going to be wildly different. Lestat was born exactly when he was born. He might meet Louis a little bit later than in the books. We’d go into a big hole if we were to write the Lestat from book one because book two and onward is the “Brat Prince.” We wanted to quickly establish the Lestat that she settled on and put him back into the first book.
Canon Lestat of IWTV has only been a vampire for 10 years in 1791, and he’s been abandoned by his only 2 fledglings, one of which was his mortal lover Nicki, and the other was his own mortal mother. He’s barely 30 years old in mortal years. He’s already gone to ground to deal with these losses, and not much time passes before Marius scoops him up, makes him feel like he might finally fit in somewhere, and then Lestat’s fiasco with waking Akasha gets him kicked out of Marius’ life. AND he has his mortal father to take care of. 
But in AMC’s timeline, which I think starts in 1910, if we keep Lestat as being turned in 1780ish, then he’s 130 years older. Maybe he slept through all that time, and was frozen psychologically. 
So he comes to the New World fairly battered by all he experienced in his first 10 years as a vampire*, and in the novel, Louis has been inviting death so much that the state of his health seems to pressure Lestat into turning him sooner than he might have preferred.
*Of course, all this is a retcon because of TVL being written after IWTV, it’s up to the reader to decide what they want to accept as canon, and how. 
Either bc of Anne Rice setting Lestat up initially as an exciting, beautiful, but also horribly cruel antagonist in IWTV, or bc of Lestat’s backstory revealed later, (or both), the Lestat of IWTV era is cagey, secretive, abusive, and dismissive of Louis in many ways. He acts impulsively to create Claudia (as I always believe, to save Louis from the ultimate shame/guilt of giving into his own vampiric nature to kill an innocent child, which Louis might never have recovered from) to keep Louis with him. Would later canon Lestat have made that same choice? Knowing Armand’s suffering as an immortal teenager? 
Also, there seems to be a sort of flip flopping between this Lestat and the original. In the clips we’ve seen, he seems to be this almost kind and generous teacher that canon IWTV era Louis would have adored. Then in one scene, he tears a priest out of the confessional with Louis in the adjacent booth, to brutally murder the (innocent?) man in front of Louis, to terrify him? Into compliance? I’m confused about what the showrunners want here. Is Lestat the angelic wonderful person (debatable lol) that he tries to be as the Brat Prince in later canon? Hearing disputes and trying to resolve conflicts? Or is he the brash and frightened young vampire who was terrified of revealing too much about himself or showing weakness for fear that Louis would leave him, like Gabrielle did? Or hate him, like Nicki did? 
It looks like this Lestat is a confident, at ease, more generous, more compassionate (or trying to be) like later canon Lestat. We’ll see. 
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