#worldbuilding exercises

[redd956]

Worldbuilding Exercise 8

Take a work district from a village, city, or town, and show the kinds of jobs and employees someone would see running around.

List a few common jobs What do they do?

How important to the district are they?

How do they travel into work and where from?

#world building #worldbuilding #worldbuilding exercise #worldbuilding exercises #writing exercise #drawing exercise

[rogue-rook]

I have SOME THOUGHTS about equal rites ushering in early era discworld by giving us eskarina, a girl who becomes a wizard with granny weatherwax's help, and now shepherd's crown is ushering out late era discworld by giving us geoffrey swivel, a boy who wants to become a witch with tiffany aching's help, neatly closing the narrative loop

#I'm not slandering colour of magic/light fantastic but they are very clearly just worldbuilding exercises #while equal rites is more of an actual discworld book #discworld #the shepherd's crown #gnu terry pratchett

[theminecraftbee]

fish person lizzie and mezelean joel are just cosplaying the idea of a gendered relationship like theyre playing house. they drew straws for who gets to be the husband and who gets to be the wife.

okay but like NO ACTUALLY like. okay so lizzie DOES have a societal concept of what her role in this relationship should be, she is In Charge. her gender isn’t like… non-existent, it’s that her gender has nothing to do with sex and therefore our word for gender probably isn’t the right word. like, her gender is Queen, and she has translated that into our grammar by using she/her pronouns, if that makes sense. people outside her culture see her as a woman and she’s fine with that because she translates that back to her gender as a Queen. she would be offended if someone treated her as like, a Provider, or worse, someone with Dull Scales. she is not those things; she is a Queen. that’s not a gender in our conception but it’s sort of equivalent right? that’s what I’m imagining is happening there. like, she’s not nonbinary or agender or trans, she’s effectively cis in an alien gender system.

meanwhile, joel Is A Man Who Uses He/Him, because That’s What He Wants To Be. that is his presentation and choice of how to adorn himself. that gender is a way to adorn himself; it’s all performance to joel, sure, but in a society of people who are literally built and painted and then who paint themselves to make themselves individuals in their weird hivemind. it’s one of the only ways they’re individual but it’s a slight against them to deny their choices of adornment. so, he’s a man, because in other languages, gender is a type of adornment, right? and he’s chosen this adornment for how he talks about himself and other people should talk about him with.

so like this is a good thought but what I’m ACTUALLY going for is more like. no listen they both have STRONG options about gender, opinions that are typical for their culture, but they aren’t our opinions. because I think that’s neat!

#answered #empires smp #<- because I think this explains my headcanon here better than the first post in some ways #LIKE AM I MAKING ANY SENSE #anyway obviously this worldbuilding is a LITTLE orthogonal to canon but this was for fun as a thought exercise

[antlerpunk]

insects of inferno

#character transplant from one indie to another #fun design exercise #bc Team Cherry's designs are so simple and distinct #and New Blood's worldbuilding and visual language are so well defined #my art #antlerspawn #ultrakill #hollow knight #character design

[novlr]

#worldbuilding #fantasy worldbuilding #writers #creative writing #writing #writing community #writers of tumblr #creative writers #writing inspiration #writeblr #writerblr #writing tips #helping writers #writing science fiction #fantasy world building #writing fantasy #writing games #writing exercise #writing exercises #let's write #resources for writers #writers on tumblr #how to write #writers and poets #writer's block #beat writers block #writers block #story inspiration #writer #writing advice

[nuttynutcycle]

"Professor,” the student thrust up their hand, “Why can’t we utilize the heroes as makeshift police? It worked in Europe.”

 “Europe has a different political and geographical space,” the professor scribbled on the whiteboard. “And better pay for its teachers. Who can tell me anything about Venetian law enforcement?”

Several hands waved in the crowded lecture hall. The professor pointed at random.

“Venice utilizes water-based heroes. They use the canals and ocean to have an advantage over lawbreakers and are held in line through their enforcement collars.”

The student sounded like they were reading out of a textbook. “Excellent answer. Now,” the professor clapped their hands, “Could that work here?”

The same student beamed at the compliment. “Absolutely not. We have no cities based on canals or built on evenly distributed rivers to give water-based heroes an advantage. And sir,” the student continued, stifling a laugh. “Can you imagine trying to put a bracelet on an American hero? The government would never make it past congress.”

Chuckles half-heartedly rippled across the auditorium. Many students pretended they were listening or taking notes while Instagram reflected in their glasses.

“Wrong.”

The professor frowned at the interruption. “In this class, we raise our hand and explain our reasoning.” He turned toward the owner of the voice, a boy in a denim jacket in the back of the room. “Care to elaborate?”

 “They already have them.”

The professor pushed his glasses up his nose, a trickle of curiosity rising against his better judgment. He reached over to his computer and paused the lecture recording. “Do you have evidence to support this theory?”

The boy looked up from his computer and shrugged. “Does anyone here think our illustrious government would let a group of highly powerful individuals run around untethered?”

The auditorium quieted. A few hands raised in a sea of hundreds, before slowly lowering. 

The professor had to admit, that was a good point. Still... “Most heroes don’t comprehend the notion of modesty. Trust me, there’s nowhere to hide a bracelet that the cameras wouldn’t see.”

“What about MagniBoy?” One student asked. “That costume covers everything except-“

“Unfortunately for MagniBoy,” The professor interrupted before the lecture became decidedly less PG. “There was an incident last year. We now know for sure that there is absolutely no possible place for a bracelet.”

Several students nodded, some in disgust and others with smiles.

“It’s not on their bodies.” The boy in the denim spoke again. “American heroes are controlled as soon as they join a force, but they just don’t realize it.”

This was quickly verging into Reddit board theories. The professor felt a headache coming on. “Let’s not get off track- “

“Where is it then?” Another student asked.

“Did they swallow it?”

“Why wouldn’t anyone say anything about it?”

The professor sat down in his chair and prepared for the ride. If the class wanted to waste precious exam review time with theories, their loss.

“Twenty years ago, the government started investigating bracelets and mood alteration. Two years later they stopped due to public protests.” The boy smiled bitterly. “We love our heroes, and we love our rights even more. Three years after that, our heroes were injected with a tracker ‘for safety’.”

“Those trackers were removed when a hero retired.” The professor interrupted with a gentle smile. “If what you’re saying is true, retirees would notice a significant difference in mood.” Several students nodded in agreement.

The boy looked at him in near pity. “Sir, do you know what the original bracelets were made of?”

The professor remembered. His back straightened.

“Nanotech.” The boy savoured the word, savoured his captive audience. “Bit backwards, isn’t it? They found that heroes were more likely to have more health defects with the experimental tech, so they changed it to computerized ones. But,” he tapped his chin, “What if our generous government decided to inject their puppets with this same nanotechnology. What would happen?” The boy tilted his head innocently. “On a completely different note, how many heroes die from radiation poisoning? Illness? Cancer?”

The auditorium was silent.

“There used to be hero-turned-vigilantes or villains. Where did they all go?” The boy was picking up speed. 

No one was on Instagram anymore; all eyes were on him. 

“And isn’t it interesting that fifteen years ago, the cases of heroes breaking the law dropped by 80%? As did the destruction of vital buildings?”

“Oh,” another student whispered.

“They have thousands of powered people, sacrificing their lives without realizing it. Heroes sign away their personality, their life, their future.” The boy choked on a laugh. “When was the last time a hero made it to 60?”

“Young man,” the professor found his voice, “That’s enough.”

The boy’s gaze sharpened on the professor. “Sir, you were a hero before teaching. What do you think?”

#my writing #writing #prompt #writing prompt #hero #hero villain prompt #villain #heroes and villains #drabble #writblr #flash fiction #worldbuilding exercise #mind control #if mind control lets me wear spandex in socially appropriate ways #im down #writing snippet

[camgoloud]

i’m pretty sure this was done on the tlt subreddit once before but i haven’t seen it here and i’m curious to know tumblr’s opinions on the topic! personally i like the second two much more than the first—gtn didn’t really grab me that much and i wouldn’t have even called myself part of the fandom until i decided i might as well give htn a go and immediately got sucked in—but i’m guessing that most people’s experience is different, since the first book seems like the most popular based on the impressions i’ve gotten. also feel free to put in tags where you’d rank the short stories (as yet unsent and doctor sex) relative to the books! i would have stuck those in the poll too but there are. 120 different ways to order 5 unique objects

#personally it’s always going to be ayu >/= htn > ntn > dr sex > gtn for me #i do think that gtn might have had a chance against ntn if i had read gtn in the same mindset that i read nona (i.e. already completely 100% #obsessed with the world and characters) but there’s no way either of them could possibly hope to compete with the EXPERIENCE that is htn #and ayu is absolutely perfect for what what it is (character study of judith subtle worldbuilding exercise etc.) #like that short story more than anything else to me is where it’s clear that muir has written fanfic before because in the best possible way #ayu feels like one of those extremely high-quality 10-15k oneshot fics that you read and find your entire life permanently changed by #also the night that story leaked on this website was my destiel night so i will always have a fondness for it tied to that experience #the locked tomb #polls #if this HAS been done on here then i’m sorry and i’m not trying to steal anyone’s thunder! i just really want to know

[thatonebirdwrites]

DEO: Department of Extra-normal Operations

This will be an essay that looks into the ethical problems of the DEO. For the purpose of this essay, I am not concerned about the showrunners reasons for their decisions for how the show presents the DEO. I care only about examining the worldbuilding and stories inherent within the world created. So let's dig into some philosophy and theory. Whee! [Minor spoilers]

To start, this department was first created within the Superman/Supergirl universe in order to analyze alien activities after Superman reveals himself on Earth. It's made in retaliation to the appearance of powerful aliens that those in power deem possible threats. Already, the DEO's beginnings are rooted not in true protection but in stopping and eradicating what those in power deem a threat. It's roots start with dubious ethics.

Let's examine it's history:

It was led by Hank Henshaw, who is vehemently anti-alien. Henshaw is also slated to have ties to Cadmus, which experimented on aliens and attempted several rather horrific and genocidal attacks on aliens. (Note that in Supergirl: Season 2, Kara and Lena thwart Cadmus' activities. Lena Luthor saves the day by modifying an alien killing virus to be harmless to all living creatures. Bits and pieces of the worldbuilding around Cadmus showed that the aliens experimented on came from DEO facilities.)

Henshaw dies when Jeremiah Danvers "kills" him when saving J'onn J'ozz, who then takes Henshaw's place until exposed. He recruits Alex sometime before his exposure (Season 1). After J'onn is exposed in Season 1, Lucy Lane takes control. Then after J'onn helps Supergirl defeat the murderous Kryptonian Non, J'onn received a presidential pardon and was reinstated as director. He kept Henshaw's guise for publicity sake.

The show makes it clear that J'onn choses to be the Director to change the DEO. Yet, what evidence is there that this actually happens?

So that's the basic history.

We have a clandestine agency that has unethical procedures that doesn't change under a new director.

The DEO picks up aliens and throws them in a cell to never be seen or heard from again. This would likely terrorize the alien neighborhoods. This is never truly address in any meaningful manner by the Superfriends or Kara.

In fact, if anything, the show positions the DEO as being Good if Alex, J'onn, or Lucy are in charge (Kara, ironically is not in charge of the DEO at any point). However, the DEO becomes Bad if Lex Luthor or Lauren Haley or the real Hank Henshaw are in charge.

This creates a rather large ethical problem.

First of all, the worldbuilding builds up the argument that certain people are good and certain people are bad. The person we see skirting between those two extremes, and living in a morally grey area the most, is Lena Luhor. For the purposes of this essay, I'll put a pin into Lena's characterization and focus only on the DEO.

Secondly, we are told again and again what Kara/Supergirl's ethics are: justice and truth. Yet when we examine Kara's actions within the context of her DEO Supergirl duties, we are confronted with the following:

She must hide her identity, even from her best friend Lena, and thus deceives regularly. Her reasons for not telling Lena are rooted in the pressure from those at the DEO to not tell Lena but also in Kara's intense fear of loss. However, Kara will demand truth from others despite her hypocritical actions. This doesn't seem to fit solidly in the "good" category.

Her "justice" is defeating criminals. Humans go to the police to eventually have a fair trial. However, aliens are not afforded that same right. Her justice for aliens becomes judge and jury. Since she professes to "not kill," she at least doesn't extend that to executioner. This again doesn't fit solidly in the "good" category.

Thus, by examining Kara/Supergirl's actions, we see a disconnect with what the show claims is "good:" truth and justice. Yet, there is no true justice for the aliens fought and captured; their rights are rescinded (if they had any at all).

This is why the show must tell us who is "good" and who is "bad," because people's actions do not fit the show's claims of what "goodness" is versus what "badness" is. Thus the worldbuilding ends up defining Kara's actions as always "good" even if those actions cause harm to those around her.

[Side note: This isn't to say that Kara is "bad." It is to say that the binary within the show's worldbuilding lacks nuance for the complexity within Kara's understanding of the world and how she acts within that understanding. This binary simply cannot allow for such a complex examination as there is no room for it.

Because of this binary, the show actually butchers Kara's character to make her past "not good" actions as somehow "right" and "good" in the end. We see this with how Kara's harmful actions toward Lena (the lying, duplicity, deception etc) is turned into "I did just one mistake" when it wasn't one mistake. It was years of harm, but because the show paints Kara as "good," Kara is not allowed growth.

This binary of good versus bad is already nonsensical in the worldbuilding since Lena Luthor's very existence throws this entire frame out the window. Her actions, always with the intention to do the least harm and try to improve the world, don't fit neatly into the binary. The story often punishes her for this. (She breaks the binary too much I suppose.)

Yet when other people's actions fail to fit neatly into the binary, the show whispers: "Hush, don't look or think, believe us when we say this person is good and this person is bad.']

To reiterate: It's okay to capture aliens and disappear them without any right to trial If the Superfriends are doing it. This good/bad definition collapses ethics into meaningless words since the activities and procedures of both the "good" people and "bad" people don't differ in terms of impact on alien communities. This lack of differentiation is why we must be told who is good. Otherwise, how would we know?

To dig a little deeper, in Season 4, when Kara is on the most wanted list, she learns very little about the true plight of aliens. During this time, the DEO becomes "bad" under the control of Lauren Haley. Lena Luthor and Alex Danvers, who are both working with the DEO still, also work against the DEO but only to clear Kara's name. So justice is done for Kara's sake but not for the other impacted alien communities.

Once Kara's reputation is restored and she's no longer deemed an "enemy of the state," Kara returns to working with the DEO, as it is now labeled as "good" again because Alex is back in charge.

Ironically, the only person in Kara's friendgroup that questions the DEO is Lena Luthor. (Who in Season 5 will have her 'villain arc' only to be redeemed to the good side again at the end of Season 5. She's the only character, who is labeled a villain at one point, that is allowed true redemption.)

We learn very little about what alien communities actually think about the DEO and about Supergirl in particular. The most we get is the Children of Liberty plot line of Season 4; however, this plot line doesn't ever give us a solid viewpoint from impacted alien communities. Instead, we are confronted with:

We are told what alien communities are like and how lacking in rights they are. Very little of this is shown directly outside of "criminal aliens." Or the brief glimpses within Manchester's arc. However, Manchester is viewed as 'in need of redemption' despite having very real grievances with the state of things. The show then tells us that Manchester is 'bad' and the 'good' J'onn and friends must stop him.

The second time we see alien daily lives is Nia's return to her hometown, which is attacked by supercharged humans. This blended town of aliens and humans serve as an outlier. Nia actually admits that the town is unique and not representative to most aliens' experiences. So again, we don't see a direct experience of alien life in National City or other major cities.

Aliens either have significant powers that humans can justifiably find scary or they are human-like with little to no powers. Both are treated the same for the sake of the Children of Liberty plot line, which serves as an immigrant allegory. @fazedlight and @sideguitars did excellent analysis on this and the problems of these allegories based on the worldbuilding and story itself. (Note: thank you to fazedlight for finding the post in question! Click here o read their analysis.)

This makes it easier for the show to pretend that the DEO is "good" when the Superfriends are in charge. Since we don't meet alien families harmed by the DEO's actions, we never truly get an alternate perspective. Even Lena Luthor's critique of DEO is spat upon by the story, where her alien friends fail to truly counter her valid points. Instead, it's presented in the good/bad binary, which erases all nuance and ethical considerations.

Let's also consider the start of the Supergirl career. Kara is captured by the DEO 12 years after her initial appearance on Earth. However, prior to this moment, we had learned that Kara had nearly been taken by the government -- specifically Henshaw's control of the DEO. Jeremiah Danvers agrees to work for the government in exchange for Kara's freedom from being a government asset.

However, her saving Alex's flight puts her in the crosshairs of DEO, and eventually she is captured. Upon which she learns J'onn is in charge (not the original Henshaw), and J'onn's goals are revealed. He allows Kara to fight her first alien fights as Supergirl. Here we see that J'onn's methods have not actually changed anything about the DEO. The alien fight results in that alien being captured. Supergirl/Kara never hears what happens to the alien she fought and captured. No thought is given to the rights of that alien or if a fair trial will be given. Instead, we are told the alien is a "criminal' as if that somehow justifies the brutal treatment.

After Alex reveals she's an agent with the DEO, Kara fully trusts the agency.

So Jeremiah gave up his life to make sure Kara wasn't being used by the government, only for Kara later on working for the DEO, which is part of the government. Thus Kara ends up used by the government after all. The irony here.

Kara's blind spot here is:

she's privileged. A white-passing, human-passing alien. It's easier for her to hide as a human and not be clocked as an alien. Also, she's white, so less likely to deal with the complications of racism. The most she has to deal with is sexism and the DEO's procedures. This means she doesn't experience the worst the DEO and the systems that uphold it dish out to aliens.

Kara hasn't really interacted with aliens outside her friend group. She's relatively sheltered since coming to Earth due to Kal placing her with the Danvers and having to hide herself. She has no real knowledge of how aliens survive on Earth. This means she has nothing in which to compare the DEO's claims.

She blindly trusts Alex when it comes to DEO.

We don't see Kara questioning what happens to aliens until Season 3 (if it happens in season 1, I apologize as that season is a bit hazy for me). Here Psi saves Kara's life during a perilous mission. Kara then asks about her accommodations and finds out she has no window in her cell. She then demands Psi be given a cell with a window.

However, notice who Kara takes with her on that Season 3 mission: LiveWire (human but due to an accident became Livewire, so she's not an alien but a meta-human) and Psi (who is labeled a meta-human). So the two incarcerated people that Kara chooses are meta-humans and not actual aliens.

So again, we never see Kara interact with aliens outside her friend group unless she is interrogating them. Once the DEO is done with interrogations and the case "closed," those aliens disappear into these windowless cells. Which, need I remind that solitary confinement is labeled as torture for a reason?

Yet that is where aliens that are dubbed "too dangerous" end up by those with power. No rights given; left trapped in solitary confinement with (likely) no windows to never see the light of day again. Of course, because we are told the "good" people do this, it is thus "okay," despite it not differing in methodology with what the "bad" people did.

2. DEO's procedures don't match law. This is especially true when alien amnesty is put into law.

DEO changes NOTHING about their procedures after alien amnesty is put into law. This means that although aliens now have a legal right to a trial, the DEO does not provide this for them. No captured alien is given this right.

This means the DEO doesn't operate within the law.

So if the DEO can disregard laws if they so desire, then what is to stop them from terrorizing any citizen regardless of whether that citizen or alien or human?

What exactly is the ethics of the DEO?

Is the ethics dependent on who is in charge? But if one compares the tenure of the directors: Henshaw, J'onn, Lucy, Alex, Lauren, and Lex -- we see no difference in how the DEO acts.

They all target aliens and give them no rights. The aliens vanish into the cells never to be seen again. This includes some meta-aliens.

Some will claim that while the Superfriends are in charge only criminal aliens are thrown into solitary cells with no hope of release.

But that begs the question: Why do the Superfriends get to be judge and jury and/or executioner? What makes their decisions good but Lauren Haley's or Lex's or the original Hank Henshaw's decisions bad?

Why do the Superfriends get to decide that criminals get no right to a fair trial? Why do they not interrogate what is causing the criminal behaviors in order to change the conditions to avoid aliens resorting to "criminality" as defined by them?

In the end, it does not matter why an alien or meta-human engages in what the state has deemed "criminal" behavior; the methods used in capture and the end result is the same regardless.

The families of captured aliens see the same results regardless of whether "good" people or "bad" people are in charge of the DEO.

While alien amnesty is in law, the DEO, who is under Superfriend control at the time, does not alter their procedures to give the aliens they capture any rights. We never see the aliens or meta-humans captured ever given a fair trial. Nor do we see any programs to reform "criminals" or give them any chance at parole or redemption.

The only method for dealing with aliens and meta-humans uses a carceral prison system that is based in solitary confinement torture. Even the interrogation procedures used have elements of torture to them. In fact, many of the "interrogation" procedures use leading questions to entrap and force a confession under duress. None of these methods are conducive toward reform or fixing a system that deprives those captured of all rights.

Alternate systems for dealing with criminals are never explored. We never see transformative or restorative justice utilized. Both systems would require extensive dialogue with the communities harmed by the "criminals," and if there is one thing the DEO fail at consistently is dialogue with the impacted communities. Instead, their approach is top down, where their ideas of what is right and best is pushed down upon the communities they claim to serve.

Part of this lies with the fact the Superfriends can't engage in dialogue as long as they adhere to the oppressive methodology and practices of the DEO. Reform has failed to alter the ethical violations within the DEO. Alex Vidale wrote an excellent book called The End of Policing, which digs into the attempted reforms for police and how they have consistently failed. Vidale writes:

“At root, they [reformers] fail to appreciate that the basic nature of the law and the police, since its earliest origins, is to be a tool for managing inequality and maintaining the status quo. Police reforms that fail to directly address this reality are doomed to reproduce it.”

The DEO at its root was created to manage the inequality inherent between human rights and the lack of any rights for aliens. It was also created to control aliens and maintain a human status quo. The Superfriends attempt at reform fails to address this reality, and thus were doomed to repeat it.

Vidale continues:

“Police argue that residents in high-crime communities often demand police action. What is left out is that these communities also ask for better schools, parks, libraries, and jobs, but these services are rarely provided.”

Services to better the conditions of so-called "high-crime" communities are not shown to be rendered in the Supergirl world, while the Superfriends are in control of the DEO. It is not more policing that is needed, but more services which do not get provided for most of the show's story and worldbuilding. Thus, the communities that struggle with survival, who often must resort to "illegal" or "criminal" ways end up with only punitive measures that continue the cycle.

It's only in Season 6 when the Superfriends are no longer with the DEO that we start to see them engage in dialogue with the community in general (Kelly's arcs in particular touch on this for the lower income area that she tries to help, which is shown to be a mixture of nonwhite humans and some aliens).

If J'onn and others truly are seeking to reform the DEO, then that requires them to be in dialogue with the affected communities and to put forth new procedures that provide rights to those impacted. This is never done.

3. The DEO suffers no consequences for its actions.

The "Bad things" that happen under the "Bad" directors -- original Henshaw, Lauren Haley, Lex -- aren't ever addressed. Nothing really changes; instead the "Good" guys get back in control and things continue.

Was any reparations made for those harmed by the bad actors? Are the families impacted ever given compensation? We see some aliens rescued from Cadmus in Season 2 and Lex's Power Plant in Season 4, but what of the families of those murdered by Lex and Henshaw? The show fails to address this.

Instead, we are told that the "good" people are now in charge again and only "criminals" are being taken and incarcerated with no rights.

The concept of "criminality" depends entirely on who is in a position of power to dictate what constitutes "criminal" acts. One of the biggest problems with "criminality" as a concept is that it fails to interrogate the why these behaviors happen. What led to the "criminal act?" Are the people engaging in the act just "bad" people?

Often when basic needs are not being met, people may engage in acts of desperation to meet those needs. These actions may fall under what that society deems as "criminal." However, if the people's needs were met, then they wouldn't need to engage in desperate acts to meet their needs.

Another reason for "criminal" behavior stems from people who lack rights in a society. The oppressed will often fight against their oppressors using a mixture of methods (sometimes nonviolent, sometimes violent) in order to win their rights and transform society for the better. Until they win that fight, their actions are labeled as "criminal" by those in power.

Some rarer individuals may engage in acts of harm because they enjoy it such as Lex. However, this is actually very rare. Property crime and burglary is far, far more common. Yet, even those engaging in horrific violent crimes are still afforded a fair trial. Something aliens in the Supergirl universe are never given.

There's quite a few scenes where the aliens fought by Supergirl are engaging in robberies/burglaries or other property crimes. Those that seek to violently mass murder is actually rarer, and often the big villain of the season. At no point does anyone in the show reckon with the reasons someone may choose to engage in "criminal" behavior. Instead, all "criminals" are painted as "bad" regardless.

J'onn professes to be "reforming" the DEO to stop its reign of terror among alien communities. Yet, the most crucial components in changing an oppressive system? We don't really see him utilize them until Season 4, but by then the DEO is in the hands of Alex, who continues the procedures put into place by J'onn,

Paulo Freire writes in Pedagogy of the Oppressed concerning the "radical" as in the person seeking to end an oppressive system:

"The radical, committed to [human] liberation, does not become the prisoner of a 'circle of certainty' within which reality is also imprisoned. On the contrary, the more radical the person is, the more fully he or she enters into reality so that, knowing it better, he or she can transform it. This individual is not afraid to confront, to listen, to see the world unveiled. This person is not afraid to meet the people or to enter into a dialogue with them."

J'onn recognizes that the DEO's methods are wrong and unethical. When he takes over and poses as Henshaw, he wishes to transform the system. Except, this is where he fails, because he justifies his changes by claiming that now the DEO only locks away forever criminal aliens.

No thought is given as to why these aliens are making these decisions. What pushed them to rob a store? What pushed them to attack? Did they feel like they had no other choice? Was there no opportunities other than to rob for what they needed? Or to fight against a system that they deem is harming them and their communities?

These questions are not analyzed at all by J'onn or the Superfriends. They do not listen to those most impacted by the DEO. The only time we see J'onn seem to listen is when he is trying to work with Manchester in Season 4, but that results in Manchester being presented as bad in the end, while J'onn is shown to be good. Where he tried to redeem Manchester.

Yet Manchester had valid points about the treatment of aliens. His methodology in fighting back against what he saw as oppressive system is problematic, but he listens far more than Kara and the Superfriends to those being harmed by the systems that created the DEO.

So J'onn and the other Superfriends are failing to engage in dialogue with those harmed by the DEO. They fail to unveil what is truly horrifying with the DEO: incarcerating aliens in solitary confinement with no fair trial and no hope of ever seeing the light of day again.

The justification that because they are "criminals" this is somehow okay erases all the contributing factors that may make up the circumstances that lead to the "criminal" behavior. Nothing is truly done to remedy the situations that may drive someone to what the state labels as "criminal" behavior. It also unveils a horrible truth. Any alien (or meta-human or even human) can be marked an "enemy of the state" and thus a "criminal," where all rights they had prior be rescinded. We see this happen to Supergirl in Season 4. The only reason she isn't locked away in a cell with no windows is because Alex and Lena don't allow it. Unlike most aliens the DEO fights to find and capture, Kara has people fighting for her. But what about every other alien? Who is actually fighting for them?

J'onn's attempt to reform the DEO falls into the biggest trap for all radical liberators: it is all too easy to become complicit with the system at be and justify this than it is to actually change it from within.

As Paulo Freire puts so succinctly:

“Oppression is domesticating. The gravest obstacle to the achievement of liberation is that oppressive reality absorbs those within it, and thereby acts to submerge human beings' consciousness.”

Thus the DEO fails to be reformed. It's reign of terror in alien communities is not truly diminished. Nor does those fighting to "reform" the DEO engage in any dialogue with those communities to determine their needs or ways to improve conditions to decrease the need to resort to "criminal" activities.

In the end, the DEO stays an oppressive, clandestine agency that has no transparency, answers to apparently no one, takes away the rights of those they catch, and disregards laws as they please.

What the Superfriends have failed to learn and understand is that oppression cannot be defeated by reforming the system that causes the oppression. In other words, liberation cannot be achieved be reform alone.

This is why the destruction of the DEO in Season 6 is perhaps the best result at least within the rules of the Supergirl world. The Superfriends could not reform it from the inside, and by trying to do so, they ended up complicit to a harmful system. As long as they were tied to the DEO, the Superfriends would never be able to live out justice and uplift the rights of aliens and humans alike.

ADDENDUM: However, the Superfriends decision to go full vigilante is a whole other can of worms. They do attempt to be transparent in their actions for the communities they serve, but is there a way for people to hold them accountable? That isn't fully addressed. However, that would require a full essay, and this essay is only about the DEO.

#I know it's CW who failed to ever think about these topics #I wanted to get philosophical about this #if I had more energy I'd give the good/bad problem further depth as it deserves more examination than I gave #The simplification of ethics to good/bad based on who the show labels as 'good' and 'bad' is a bastardization of ethics #I love me some paulo freire #trying to reform a corrupt system from within runs the danger of becoming part of that system #Liberation cannot be achieved by reform alone #I wrote this mostly as an exercise in examining worldbuilding within a liberatory framework #I'm solidly in the DEO cannot be redeemed or reformed camp and needs to be completely taken down #A new method for dealing with dangerous aliens that respect their rights is needed #Restorative or transformative justice is my jam

[hauntedmoors]

the funny thing about the sanderson drama is that I think it could be fixed if somebody sat him down and explained to him very slowly that television production involves hundreds of creatives and that no single creative is going to be offered the absolute authority to execute their vision despite their (perhaps self-supposed) superior expertise. it's a collaborative project, not a fucking dictatorship or an individualistic exercise in creating art. and that it's not even his fucking book series.

#he won'ttttt shut up about his stupid expertise on magic systems my guy worldbuilding is a *tool* used for storytelling not a juvenile #exercise in coming up with the most creative fake science system. but okay. there's a reason your books are bad. and your advice is so #insufferable if not completely incorrect. it's an ego problem! #text #even jeff vandermeer has beef with this guy... and that is funny to me. #wheel of time #brandon

[sisterdivinium]

It’s the questions that keep us going, that taunt us so we’ll come back again and again, whether we’re given any “definitive” answers which we might each interpret differently or left to wonder and imagine possibilities all on our own.

“I’ve been waiting a long time for this, warrior nun.” Doesn’t this line invite us to ask who Adriel might be talking to, exactly?

Of course Ava currently occupies the rank of warrior nun that gives the show its name… But we also know Ava is not a nun and that her qualification as a warrior is recent (setting aside the psychological fortitude she surely possesses as a survivor of the traumas that have shaped her past, to be sure). Even from his prison, Adriel was aware of the happenings in the outside world, be it from his connection to the divinium once used in his armour, be it thanks to informants such as Vincent in whatever modes of communication they might have had between them — so Adriel knows this, he knows of how unconventional it is for Ava to be the warrior nun. Isn’t it possible that, in this moment, he’s not talking to her, at least not as Ava Silva, the individual?

“I’ve been waiting a long time for this, warrior nun.” Only a couple of months have elapsed since Adriel has been freed of his tomb and made Ava’s direct acquaintance. Why would he make a reference to the millennium spent beneath the Vatican to her while calling her by her title rather than her name? It certainly cannot be a mention of those two months, as those are negligible in the conscience of an immortal being who has already waited a thousand years for reckoning.

He isn’t hinting at a vengeance against Ava Silva, as herself, even if she is the one standing in front of him in flesh and blood; he’s orchestrating a vengeance against “the warrior nun”, the abstract class of those responsible for his captivity in the first place.

It’s hard to say he necessarily sees Areala in Ava when he says “warrior nun”. Perhaps so, perhaps not. But he does seem to see in the current halo bearer an avatar of someone (or multiple “someones”) he intends to defeat, the echoes of the past embodied in a single woman, a vessel through which their voices may yet ring after they are long gone. Perhaps he can see more than any of us can — just as he sees the wraith demons and passes the ability on to Lilith, might it not be possible for him to see something else when he looks at Ava or, at least, in the direction of the halo?

Could the halo, as once suggested to me by @ghostofcatscradle, carry some of its previous bearers’ “essence” — providing one explanation to Ava’s “meetings” with Shannon or Areala in season one — preserving some portion of them even as it inhabits another woman’s flesh? Could that be readily visible to a being of Adriel’s species and provenance, as the wraiths are?

Or could he think he saw something? Adriel is posed as a much more powerful creature than a human, with much more knowledge at his disposal. He mentions how no human can carry the halo for long before becoming somehow twisted — but what if there is truth in the reversed idea as well and his own long stay on Earth has warped him? Sometimes we find that those deemed “mad” are the most lucid, but would it be such a strange inversion to consider that this amazing being who boasts of his greater lucidity might be the greatest madman himself? He barely attempts to solve the contradictions so clear to Ava when she points out how his discourse of wanting to save the world from Reya's oppression is unaligned with his own forceful, violent methods of combat which cause suffering to the same creatures he claims to champion. Perhaps he comes from a pre- or post- logic realm. Perhaps he is insane. Maybe he is just a power-hungry sophist who will use whatever justification is at hand to legitimate his own selfish cause.

“I’ve been waiting a long time for this, warrior nun.” Vindication, yes, but in what form? At the end of season one, Adriel sought to seize the halo, yank it out of Ava and be done with it. In season two, he wants a fight instead of just trying to reach for it and accomplish his goals. Yes, his plans concerning Reya had just been spoiled… But if he had been “waiting a long time”, then this battle is not about what just happened in regards to Reya and the ark. It’s ancient, it’s personal. It’s not just the halo anymore — was it ever?

When Ava resurrects, is that the halo’s doing? When Mother Superion is brought back to life, is that the halo’s handiwork? Could it be sentient as some like to hypothesise it is? Or, as an object said to have been stolen from Reya, is it accomplishing her mysterious will by manifesting such powers? Or could it be that the equivalence between Reya and God made by Michael after a lifetime under the former’s spell is not as true as he was led to believe and there might be another, grander, perhaps even will-less entity pulling the strings?

Or could it be that the miracle is not divine, but Ava’s? Perhaps not even just hers, but something available only to humans, that Suzanne might carry as well, something that recognised her as it recognised Ava while she was brought back. There are no records of the halo resurrecting people…

… But it is said to give different bearers different powers. How or when does a bearer develop a new ability? Is there a limit to how many she can find and use? Might they not overlap sometimes?

Moreover, in an environment that firmly believes the halo is a weapon against its enemies, did anyone ever bother to ask whether it could do the opposite of slaughter, if it could be used for purposes unrelated to war against so-called Hell? It takes Jillian, an outsider to the Order, to voice that curiosity.

For each possibility listed above as far as who is behind performing miracles, what accompanying conclusions might there be?

The halo as a sentient object seems to open less interesting consequences than a world where a higher force has confusing aims or is truly neutral and both favours and hampers the living; or one where even common people, even “freaks”, as Ava calls herself more than once, are capable of miracles, of changing their world given the right support and tools.

We don’t actually need hard, official answers.

It’s the suggestions, the maybes, the could bes that really hook us in — is it any wonder that the more dedicated avatrice shippers are so focused on the potential for that time period spent in Switzerland, off-camera, which we did not witness?

The questions are inexhaustible — even with just eighteen total episodes, even when there was yet so much to see. If we can keep asking questions, if we see the beauty in them and how much more enticing they can be compared to a creator’s answers or incomplete plans (Mary taking vows and replacing Superion, really?!), we’ll have perhaps even more on our plates than another season would have given us. Which isn’t to say we shouldn’t mourn the loss of a continuation but merely to duly cherish what we have effectively received and give it its due attention.

It’s what’s left unsaid or unexplained, it’s what even creators might say isn’t set in stone and still open for debate (such as the halo being sentient or not); the blanks, the doubts and possibilities are where we come in with our understanding or our own stories. Why? How? What if?

Keep finding questions to ask... And Warrior Nun lives on.

#warrior nun #this has been sitting here for weeks on end lol time to post it #my plea so that you don't move on i guess #exercises in observation #sometimes when i express surprise at the amount of aus i see floating around it's because i think the show has enough questions #to warrant fics that hover a bit more close to home. not necessarily canon-compliant but just more in tune with it #if that makes sense. i'd give an example of something i myself have written but #my big au that changes One Detail is yet to be written. it's all in my head just not on paper. #i also express surprise at how little we talk about all of these things and more -- the worldbuilding the lore the what ifs #but anyway. if you follow me you probably knew that already #i suppose this also classifies for that other tag of mine #meta fandom talk i guess

[honourablejester]

I’m watching Pathfinder lore videos, because I just enjoy looking at other people’s worldbuilding, and a tiny little nugget stuck with me. I was watching this video on the demon lords of the Abyss, and it came to Angazhan, the great ape demon of jungles, apes and tyranny. And it just mentions that his realm, Ahvoth-Kor, is formed in a great ravine in the Abyss, with jungles on either wall, but gravity pulls towards the walls, so as you stand on the ‘ground’ in one jungle on one wall, you can see the other above you. Trees and rope bridges cross the gap, which must be fascinating as you cross the halfway point and gravity abruptly reverses itself. And I just. I mean, Angazhan doesn’t do much for me as himself, but his realm caught my attention the most in the entire video, just for that one detail. Because it’s so cool. He lives in a folded realm. You can climb a pillar to the sky and then fall up the top half of it to the ground on the far side.

And it just made me realise that I love the Abyss, or rather the potential of the Abyss, in both its D&D and Pathfinder incarnations. Because chaos gets all the cool world states. Because chaos feels free to break the rules and get weird, and therefore give you fantastic landscapes like Ahvoth-Kor. Which is actually quite normal, aside from the fact that it’s folded double on itself. You could go so much weirder.

But, at the same time, I also hate the Abyss, just slightly. Because you can’t get weird, apparently, without also getting evil. Because, while I have seen the chaotic good and chaotic neutral planes mentioned, they don’t get anywhere near as much attention. How many people even know the names of the good-aligned chaotic planes? And, yes, Limbo and the Maelstrom are more of a thing, and the Maelstrom at least is fantastically cool, but they’re not focused on really either. Because they don’t have cool themed villains hanging out in them. Which is, granted, another excellent selling point of the Abyss. Demon lords are a lot more idiosyncratic than archdevils, more, again, weird and wonderful. On the D&D side, which I’m more familiar with, I do adore Juiblex, Zuggtmoy and Fraz-Urb’luu. When you are shaping your realm out of raw chaos to match your personality, it gives you a degree of wild customisation that more lawful, rigid planes just don’t allow. The demon lords are exciting, in a way archdevils just aren’t for me.

But. It means that if you want really cool fantastic landscapes and batshit world states, you have to go to an evil plane where everything is trying to kill slash torture you. The good aligned chaotic planes of the respective ttrpgs, Elysium and Arborea and the Beastlands, are to a large extent just ‘unchecked nature’, the extremely pastoral idea of untouched wilderness. If you want to see truly cool and alien and fantastic things, you have to get tortured for it.

Or, granted, try the Maelstrom in Pathfinder. The Maelstrom is really cool.

Like. If they’re both formed from raw chaos, why can’t good be equally as batshit? Why can’t you have, I don’t know, a chaotic good sea god whose ship sails upside down on the surface of a vast ocean of air, and whose sea sprite petitioners venture down in diving bells to marvel at the stars? (Sidenote: there could also be more good-aligned sea gods, just as a general note). Why isn’t there a heaven for the souls of subterranean travellers and explorers where they get to spend eternity spelunking absolutely mind-boggling and impossible caves that open out into the raw foam of chaos? Why couldn’t the chaotic good plane also be a nested stew of personalised bubble worlds shaped from raw fundament by strong-willed but mildly-to-majorly batshit themed entities, that are just in this case also friendly and unlikely to torture you out of hand?

Why is good so tame? Even at its wildest, it’s so tame compared to how batshit and weird evil gets to be. Like, yes, good means safety, but safe doesn’t have to mean ‘bounded’. It could mean ‘I will touch my grace upon you so we can witness wonders together’. It could mean ‘let me make a place where fire does not burn so I can turn a sun inside out and let you experience the strange geometries of its interior’.

I just. The Abyss is really, really cool, this strange bubble realm of nested psychoses written onto reality by larger than life beings. I do love it. But. You could have that, and not have it built on suffering. Not instead of, but as well. With equal weight.

Let good be weird too. Let chaos in general just be the place where both horrors and wonders beyond imagining are explored.

As another, related complaint, I know it's to do with game balance and player capabilities, but it's also a bummer that the outer planes in general are something most PCs will never experience first hand, owing to being in general fantastically lethal and/or hard to get to. I just wanna wander Zuggtmoy's fungal fields, and climb rope bridges across the gravity line in Ahvoth-Kor!

Anyway. Carry on.

#pathfinder #d&d #worldbuilding #the abyss #chaos #alignment #i get that the aligned planes in general is dodgy worldbuilding to start with #but also it's such a waste of chaos not to go full weird with it #if this is the exercise we're doing #how are we conceiving chaos in relation to morality #why is good considered inherently less chaotic #also just let me explore some weird-ass landscapes #i just really want to

[redd956]

Worldbuilding Exercise #9

What are three factions/organizations that all have the same goal, but are completely different still via goals, aesthetics, behavior, or other?

How do these factions differ from each other? What makes them so alike? Do they know each other, and if so how does that typically go?

How do these groups recruit newer people? What would life be like in them?

#worldbuilding #world building #world building inspo #worldbuilding exercises #writing exercises #worldbuilding inspo #worldbuilding inspiration #world building exercises

[fallenstarzz]

would love to know more about Stuart and wip #4 <3

I have so many thoughts about Stuart it's not even funny. I remember always being a bit fascinated with him in my original read of AFTG in 2019 because he is, and I say this with all the love in my heart, kind of an Uncle Ex Machina. And this year when I came back and did my reread (re-listen?) of the books that fascinaiton returned tenfolds.

The thing about Stuart that keeps getting me is that his original revenge plan against Nathan was insane. And the way that he went about it was even worse. Like, here is the list of steps he went through: 1) Found out Kengo was diyng, calculated that he could deal a blow to Nathan as long as it doesn't piss off the Moriyamas too much 2) Allied himself with the FBI, a foreign government agency, despite being himself the head of a criminal syndicate, even though that could have very easily gotten him branded as a narc 3) Planned to wait until Nathan was released, invade his house while he was killing someone, massacre his inner circle, and probably deliver a dramatic speech as he beat up Nathan and left him for the FBI to find 4) Upon getting to point 3, found his nephew being tortured, confirmed his sister was dead, and promptly changed his plans to kill Nathan on the spot 5) Has now broken his deal with the FBI and permanently removed a Moriyama asset instead of just incapacitating him 6) Left his recently-tortured 19yo nephew to sort things out with the FBI and dipped back to England fully expecting to be executed by Ichirou 7) Somehow managed to talk himself out of this and not only stay alive but become an asset to a syndicate bigger and more powerful than his 8) Profit.

That is insane. He cannot keep getting away with this. How can a man with three appearences have this much chaos going on.

So this WIP is mostly an character study, following Stuart as he grieves Mary and tries to adjust to the changes being part of the Moriyamas bring. It is also about him trying to find out how far he can Manipulate Manspain Manwhore out of situations.

Reason number two behind this WIP was that I was actually surprised to find out that this entire fandom was sleeping on Ichirou/Stuart. They have like 19 tagged fics! That is a crime! Have we lost all respect for toxic yaoi?

I really like playing with foils and parallels and contrasts and in the process of plotting this fic I found a lot of them in the Stuart and Ichirou dynamic. For one, they do have a pretty big age gap (14 years in this fic), but while Stuart has all the experience, it's Ichirou who has all the power in their relantionship. Ichirou who has inherited an empire but is stuck in his father's shadow and Stuart who has an established reputation but lost all his autonomy. Stuart who risked everything to avenge his sisters and Ichirou who killed his brother.

Also, I have a pretty strict Death of the Author stance and thus don't consider Nora's tweets or the EC canon, but I do find the fact she said that eventually Ichirou gets Stuart killed in a suicide mission so he can get a younger head on the Hatford branch (and that Stuart knew that it was going to happen eventually and was fine with it) very intriguing. They are two very ruthless, manipulative people, and I want to play with them like barbie dolls.

#their evil chancelor/young tyrant dynamic has enchanted me #i love writing about terrible people doing terrible things the power games these two are playing are on another level #literally. there is a scene of this fic that is labeled as 'shrimp power games' on my docs. like shrimp colors #i also created a lot of worldbuilding for the Moriyamas in this fic and it was a great exercise on my political romance loving muscles #its probably going to be a chonky oneshot #and im considering a Ichirou POV companion oneshot too but that one isnt a guarantee #stuart hatford #ichirou moriyama #my wips #this one's a fave #fic: the art of failing up

[lorcandidlucienwill]

about the dawn court people being east Asia inspired - feyre says something when she sees Nuan at the high lord meeting about how Amren must have chosen a fae form similar to Nuan's bloodline. If Amren is east-asian coded, so is Nuan and thesan too, having at least one parent hailing from xian (am i reading too far into xian sounding so stereotypical, maybe, do i care rn, no). they also say that a majority of the dawn court hails from xian. thesan is supposed to have brown skin (again, please give a better descriptor) so he's mixed.

no one's clothes or architecture reflects anything concrete regarding their inspiration and its such a hodge podge it's so painful to try to discern where the differentiation between courts are. Spring court - because of the name tamlin correlates to a myth about a guy named tam lin who is kind of being held captive by the queen of faeries who needs to be rescued by his mortal lover that he met like suuuper recently, I'm placing the spring court in a place that reflects a medieval scotland. clothes are fairly accurate not in detail but in the sense of material and idk just general existence (women wear dress, man wear breeches, idk) I love that! so simple! Everything makes sense! So then why in dawn are we having technological advances in a steampunk sort of way and similar "old fashioned" clothes to spring, but then in the night court (velaris, the other's i think are fairly period accurate), there are all these advancements in fashion like leggings and pullover sweaters and whatever else she's wearing in the last two books, yet they have the same tech as everyone else barring dawn. (Doing a small pass on the bodysuit armor things because I'm just assuming that's people's artistic interpretations of her visions)

ALSO, how are they self sufficient if they're a closed off city? They aren't harboring secret technology that helps their city run, they are one city and also A CITY so like, no resources, no agriculture. who tf are they getting their things from if they are an invisible city that no one knows about? same thing with how they're getting trades that they wouldn't have been able to make themselves. Also, at this point I would like to propose the idea of wing armor. you have siphons which can idk make shields. HAVE YOU TRIED SHIELDING YOU'RE VERY SENSITIVE AND MASSIVELY TARGETED WINGS FROM DANGER?? in conclusion I'm tired and also a fashion/history nerd, okay bye

Ahhhh yes I see what you mean about Dawn now! Yeah, I always imagine Spring to be like medieval Scotland, and I'm guessing Autumn is medieval England? Rhysand is a Welsh name I believe, so Night is supposed to be Wales??? But the Illyrians are also supposedly POC and there's some evidence of Indian influence there too (barf, night is NOT indian at all), so I'm stuck on that one. Dawn is East Asian while Day is...Middle Eastern? Winter maybe Norway or some Scandinavian country? And Summer I'm assuming is supposed to be from some place in Africa, but it's all very vague. Also more points about Velaris: how is their fashion sense so...modern? Since everything is so closed off...shouldn't their fashion be stuck in the 1600s or whenever they closed their borders? Why don't they open their borders to Dawn since they're sooooo close to the Solar courts supposedly??? Has it not occurred to them that Nuan, who made Lucien's metal eye, could also construct new wings for the Illyrian ladies who got theirs cut off? Or do they just not care? They don't but SJM is trying to convince us they do.

Yeah how in the flying fuck is Night surviving on no industry whatsoever? No trade? No agriculture, nada? Because we have no evidence of the Illyrians producing anything either, besides "warriors." My explanation for this is kind of inspired by @kateprincessofbluewhales 's headcanon, but what if the Illyrians are like mercenaries? They're hired to fight for other courts and in exchange they receive all of their necessities and more which the Illyrians then send back home to their wives and children. This still doesn't explain how Velaris operates, but I'm sure Rhysand crutches on the Illyrians' profits to keep shit going and that's part of why they resent him. I'VE BEEN SAYING IT FOR AGES. WINGS ARE SUCH A VULNERABILITY. THEY MAKE YOU SUCH AN EASY TARGET. WHY IS THERE NO WING ARMOR??? THAT WOULD BE SO COOL TOO. BUT NO, WE'RE SUPPOSED TO JUST ACCEPT THERE'S NOTHING COOL ABOUT THE WINGS AT ALL AND MOVE ON.

#anon asks #sjm critical #acotar #worldbuilding #acotar worldbuilding #acotar thought exercise #acotar headcanons

[strixcattus]

The Slagzogg

I have a guess as to the real identity of this one. I will not purport it to be a good guess, but it checks out, I think, with at least one aspect of the original description. But enough of that.

The Slagzogg

Slagzoggs (genus Slagzogg) are a kind of bird native to Europe and North America. There are several species of Slagzogg, most of which are grey or primarily grey in color, and several of these species have been domesticated and bred to produce striking appearances. Nearly all species of Slagzogg have a crest of long feathers on the back of their head, though it is often sparse in wild breeds compared to that of a domesticated Slagzogg.

Slagzoggs can be active at any time of day or night, but they are primarily crepuscular. During the evening and early morning, they will call out to other Slagzoggs with a distinctive, loud "cackle." While Slagzoggs also possess songs unique to each species, which they use to find mates, their "cackle" is shared between all species, wild and domesticated, and seems to be a means of sharing information about the state of their environments, with unique calls to indicate dangers, abundances of food, and the death of other Slagzoggs.

A Slagzogg's diet consists primarily of grains and seeds, though they will also eat insects when the opportunity arises. They are social birds, and flocks of them will often all nest in the same location, with different individuals staying up at different times to keep watch over their nests, eggs, and chicks.

Slagzoggs were first domesticated for use in tracking down quarry—both animals and humans. Their sharp sense of smell and ability to find their way in any level of light made them ideal companions for such a task. In modern times, however, this use has been lost to all but a few hobbyists, and domesticated Slagzoggs are more often bred for show, creating such extravagant breeds as the French Short-Billed Turkey Slagzogg and the Northeastern Starship.

#figuring out what the French Short-Billed Turkey Slagzogg could possibly look like is left as exercise for the reader #slagzogg #bestiary #worldbuilding #fiction writing #strix draws things

[lemonhemlock]

am i the only one thinking that george's targ pandering is gonna backfire in the end?

gonna backfire? what's the worst that could happen that hasn't already happened when dany's ending was revealed?

#ask #anon #anti targ stans #also i don't think writing backstory about the targs is 'pandering' lol #people love to knock FB like it's their day job but it's an interesting writing exercise #presenting backstory and worldbuilding via writing fictional textbooks #not every piece of writing craft has to be fandomized #esp for boomer writers like him who don't even understand fan fiction