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#why do i lose everyone tragically
futureless · 2 years
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honestly bro i have no fucking clue what to do w my life & it’s so weird but growing up suicidal i always just had this idea that one day i’d finally succeed & end it all so i didn’t really plan for a future & now i’m 24 & still have no desire to do this shit & i feel like im just existing in a world where nobody understands me & i always get the shit end of every stick & always end up with the broken parts of people that i didn’t break & i never even planned or wanted to be here …
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toestalucia · 1 year
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what if i lost it and made a sinoalice multi anyway
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pippin-katz · 9 months
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6 Little Faces Alex Makes That I Love - Part 1
(not ranked in any order)
No. 1:
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There is no other word for this expression than starstruck and it’s adorable. ✨
No. 2:
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I’m completely obsessed with the way he watches Henry come closer. It’s so clear that he’s not done something like this, and he’s a little out of his element, but doesn’t care cause he’s so enamored with Henry. There’s just a bit of nervousness and curiosity in his eyes, like he doesn’t know what Henry is going to do next. I think he was already surprised by the way he pushed him.
One of the things that drew Alex to Henry in the first place was the sparks of personality he hadn’t been expecting from a prince. It looks like Alex was genuinely surprised by how forcefully Henry pushed him, like he wasn’t expecting something like that, and he probably wasn’t. Like he told his dad later, “he’s tougher than he looks” and you can also substitute that “tougher” for all the other traits that surprised Alex, like his sense of humor, his authentic and deep compassion for others, and his ability to stand up for himself.
There’s this little trace of awe within the surprise and curiosity. I see that expression and I can feel the way his heart is pounding.
And then of course he starts to get that smile on his face, that somehow still maintains a level of disbelief or admiration. It’s like he just had the brief thought of “I can’t believe how lucky I am”.
I am completely obsessed, how dare you Taylor Zakhar Perez, you adorable, talented, and attractive bastard.
No. 3:
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This is like the look he had when Henry first arrived at the dinner, but even more unabashed. You can see the nerves, and the way he takes a deep breath as soon as he sees him. It’s like his mind is going, “wow, he really is beautiful, and now we’re alone”. It’s like he’s thinking “don’t freak out, stay calm” while also being completely blown away by how handsome Henry is.
It is so cute, I hate it.
No. 4:
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It’s fast and a bit hard to see, but he gets this quick smile on his face that’s like “oh, okay, we’re doing this then”. He still has that little bit of surprise too, like “damn, alright”, cause Henry pins him hard against that wall.
It makes me think of that moment in the book when they first hook up and Henry tells him why he kissed him on New Year’s, and he mentions being jealous, and Alex says: “You were jealous. You want me.”
And he’s teasing him, so you know he has a shit-eating grin, but also he’s registering the fact that Henry has wanted him for a while, like he’s a bit surprised that he actually wants him, and that the kiss wasn’t just a drunken impulse, or Henry being lonely, but something Henry was wanting to do, with him specifically, even while sober.
That’s kind of the vibe I get from that smile, like “oh, Henry really wants me like this, alright, this is fun, I’m down with this”. I don’t know if I’m making any sense for this one, but hopefully you get what I mean.
No. 5:
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This is a sweet moment because you can see the change in his eyes. Henry is explaining why he was a prick to him, so he's still primarily thinking about himself and how Henry's behavior bothered him. But here, you can see the moment he actually registers what he said about losing his dad, and the crown using him, and it's not about him anymore.
Even if you've never experienced the loss of a loved one, you can still understand the gravity of that situation. You may not know exactly what it feels like, but everyone knows it feels horrible.
You can see Alex thinking, and realizing that it had nothing to do with him. He's thinking about the fact that Henry had to deal with the loss of his father, which is already tragic and heartbreaking, but then on top of that, he hears that the crown used him for the attention his grief would bring them. Alex quickly goes from being mad about Henry's attitude to feeling so sad for him.
No. 6:
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He laughs a little bit about Henry's quip about him being "ghastly", but it shifts into a small, almost unnoticeable smile. He's so content and happy to be talking to him. Henry probably is too, but both of them are kind of aware that there's no reason for them to stay on the phone any longer. There's a pause before Henry finally says he's going to hang up, and Alex, being the little shit he is, wants to be the one to hang up. Henry lets him, but it takes him several seconds of silence, and Henry making a comment about what the red button was for, before he actually turns over and hangs up. It's so obvious that he doesn't want to, but he subconsciously knows there's no reason to keep talking.
Sometimes when you're on the phone with a friend (or partner), you fall into this rhythm and comforting space of having a friend with you, even if they're not in the room. It's a nice feeling, and when you have to hang up, it can bring about this little wave of sadness. When you hang up, you're suddenly very alone again. I've had it happen to me tons of times after talking to friends on the phone.
The way he smiles softly tells me he's feeling that comfort and relaxation that I described. Then he's reluctant to hang up, because even if they're not talking, they can feel each other's presence through the phone, and that makes him feel like he's not alone.
That's all for now! I might make a part two, we'll see! Thank you for reading if you got this far! :3
part 2 | part 3
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impyssadobsessions · 2 months
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DPXDC Prompt: Who is Danny Fenton?
Warning: This one will be dark as it contains character deaths and violence.
Danyal replaced Danny Fenton a long time ago. As in the original died and Danyal needed a place to hide.
He could have killed him or maybe there was an accident. But he's been masquerading as Danny Fenton for a long time.
But imagine Danyal Al Ghul did kill a kid to take his place. Or at least might have put him out of his misery of something tragic that happened.. as if he wasn't stalking homes to try and pretend to be someone's else's child after leaving the league.
Wasn't "his" fault the kid was stupid enough to cross paths and get hurt.
Though guilt does follow him as he pretends and easily slides into the kids life. Reason he "starts" to drift from Jazz, she's the only one that eyeing him too closely and he doesn't like it. Blame it on her being a nag.
Its why he survived the portal incident. He was already contaminated.
All this to avoid having to fight his brother and being kicked around by his grandfather.
Only to have karma bite him in the ass. Not only he failed to come back fully- unlike the pit rage that made you forget yourself- this form seems to make every regret and terrible action dig its claws deeper in every painful way.
Even worse if you play the whole phantom is a ghost combined with Danny.. so phantom is danny fenton.
Now he's lost anything he could have pride in. Thanks to his accident, he's had harder time controlling his body.. especially with his powers. Clumsy. Uneven. He knew he was out of sorts from not practicing but he doubt he be this bad.
His life forever now half of either existence. He couldn't pretend anymore. Once his new parents find out- they would try to kill him.
Back to square fucking one.
And this time. He doubt even his brother or mother would lend a pity hand. Not like he would want it.
AMG just now thought maybe he would go to Gotham after he killed Vlad and was caught by the Fentons.
He warned Vlad and told him he was getting onto his last nerve. Even told him that Jack wasn't his dad and Maddie wasn't his mom, hell he wasn't even Danny Fenton. But if he had to tell him who he was he was going to regret it.
Vlad went even harder losing interest in Danny- only for Danny to make a sword with his powers and show Vlad WHO he was.
He was trying to be like his father- batman. He is the grandson of the demon king- and former member of league of assassins.
Vlad begging when he realizes Danny been holding back and actual death is on the horizon. "I'm Danyal Al Ghul. And I'm tired of you."
Danny did do it to save everyone permanently but after brutally killing Vlad- is when first his friends show up to warn him about his parents just to see what he done.
Danny laughing awkwardly like.. you-you saw that.. didn't you? heh- Then Fentons barge in. Jack is emotional wreck.
Actually getting a few good hits in, before Danny decided to play dead again and let Jack think he destroyed him.
Flying back to gather his stuff to leave permanently. He couldn't take the guilt of looking at Jack's face. Danny Fenton is dead anyways.
Only to be confronted by Jazz later who shakily asks if Danny is her brother.
Danny being honest, "no."
"For how long?" Jazz saying she knows it had to be before the accident.
"…we we're 8."
Jazz asking trying not to sob did he kill him.
"Mercifully." Then explains he was going to die anyways-
"You don't know that-"
"Actually I DO. I know what it takes to KILL someone, what could allow someone to live. That's something I DO know. And if he had managed to live he would be a vegetable." Explaining how the injury to his spinal cord was not recoverable. just imagine its so bittersweet, because Jazz does love her brother still. But Danny has been a lie this whole time.. or at least being Fenton was. Most of the laughs have become real, jokes, the friendship.
But Danny knows he can't fix this.. so he leaves.
Jazz torn whether to beg him to stay or to go.. and just ends up choking up watching him leave.
thus Danny not sure where to go decides its bout time he at least sees his father.
whether he let him see him or not is undecided.
Jack will either be blame for the murder of Vlad, or Phantom will be exposed.
Either way. Danny knew he royally fucked up.. again.
Ooo what if Danny does join the bats but insist he just wants to be a normal teen. Has a fully researched and planned backstory… mostly leaving out things because its "hard" to talk about. How he lived from foster home to foster home pretending to be different children until he just escape.
Until Jazz , Sam , and Tuck come to find him. Having audio where Danny stated he was the son of batman. Danyal Al ghul. So they figured if they find batman. They might find Danny.
Sam and Tucker want answers.. also mixed about Danny.. but dammit they been through so much.. HOW COULD HE keep that from them? They're not going to let him runaway from this. Tucker also adds unless he threatens to kill us.
Jazz had resolved her feelings. Analyzing everything since Danny was 8. When the switch happened. What was him acting and when the real Danyal appeared.
And had decided she didn't care. Danny was her BROTHER. And honestly is the only thing she has left right now. And she wants him back. Wants to help him heal, wants to help him.
Sam and Tuck want their answers then decide what to do from there. They don't WANT everything they knew to be a lie.
And now Batman is aware of more of his son- Damian knowing more of what his twin been up too.
Its a race to get answers out of Danny before he figures it out and disappears for good.
Can see Damian being the best to help Danny through this. Especially since Jon and Dick helped him not feel so bad about the league.
Danny though pointing out- "Difference, the league didn't make me kill a kid, nor a pathetic billionaire."
"You're right. It would have made you kill me."
Danny just breaks.
Thus finally able to admit all his guilt and how terrible he feels about himself. How he TRIED to be like Father but.. he failed so hard. He failed. He failed EVERYTHING. Just a loser. A failure. A waste. Only to be reminded that if he was one- he wouldn't have so many people wanting to know him. He's scared to face his friends' and sister. He knows its gonna hurt. And it does. But even though he isn't forgiven there is hope things can move on from it. Sam and Tucker will have some serious trust issues and take a while to decipher what part is Danny and what isn't. Meanwhile, yes Jazz feels betrayed. She understands and mostly just want to get to know HER brother more.. Danny more. Hope this opens up the wall she wanted to break down this whole time. And as long as Danny shows her who he is, and tries to work on himself. She doesn't care who he was or how he got there. Also he has to show her what he done with her little brother's body and give it a proper burial. Which Danny happily will- giving it a proper burial.. not showing jazz. He's still afraid she'll immediately hate him once she does. Also can see Bruce being so conflicted but Damian, Dick, and Jason all standing up for Danny. Especially Jason once hearing why Danny killed Vlad was to PROTECT his family and town. He gave him fair warning.. So imagine Bruce and Danny having hard time getting along after everything is revealed. But more so just Bruce unable to comprehend the conflicted emotions. Danny tried to emulate him.. but failed. But he tried to do good.. yet he still killed. So its more so awkward than anything. Bruce still wants to give his son the best. Then I can see Danny helping out- though he keeps phantom a secret from the public. He's always invisible or barely seen.
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twobluejeans · 9 months
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HEARTBREAK ON TOUR!
charles leclerc x famous!reader
summary: in which the lavender haze has been lifted. or in which america’s it couple splits.
part 8: you’re losing me, part 7: revenge dress, series masterlist
faceclaim: madison beer
ally’s radio 📻: PART 8! taylor swift deserves jail time for creating you’re losing me. taylor swift also deserves jail time for not officially releasing it. def recommend listening to it reading the chapter! (might have to stream illegally bc mother is being stingy 🙄.)
INSTAGRAM, july 17 (midnight)
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liked by paulwesley, ninadobrev, and 13,333,112 others
yourinstagram and just like that, the final chapter of Midnights, is out now. this is my most personal body of work that i'm putting out into the universe, and i'm so scared yet excited to share her with u. thank u to my team, my producer jackantonoff turned dearest friend of almost 7 years (woah!!!) we spent many noons & midnights on this album and i'm forever in debt n grateful. thank u to all my other friends who i didn't mention, yk who u are. to everyone else, thank u for your persistent patience and support. it does not go unnoticed. from my heart to yours, midnights (till dawn edition), is available on all streaming platforms. i love u. thank u 💗.
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leclerccharl ain’t that the teddy bear charles won for her at the fair forever ago??!
y/nsfeverdreamhigh leclerccharl o em gee yeah..
fernandoalonso_offical Proud of you cariño
barbie 🥹🥹💗💗
landonoriss screaming crying shaking throwing up
danielricciardo gagging choking ascending to god
authur_leclerc Love you always, Proud of you always ❤️
INSTAGRAM STORIES, july 17
zendaya 30m
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badgalriri 2h
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viewed by harrystyles, bellahadid, and 3,262,128 others
sabrinacarpenter 5h
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TWITTER, july 17
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The song’s big question: “Do I throw out everything we built or keep it?”
BY: ALLY PUBLISHED: JULY 17, 2023
Y/n L/n’s lyrical candidness is what has always made her standout as a songwriter. Whether she was writing about young love, relationships, or breakups, her songs never flinched from trying to paint a full picture, even if it was one that was hard to look at.
It’s been a while since the super star has released a breakup song, but it was only a matter of time; since the singer split with Charles Leclerc, fans have already began anticipating the inevitable breakup album. But it turns out they didn’t have to wait long. At Midnight (July 17), L/n released a second deluxe edition of her 2022 album Midnights, which included four new songs, among them the release of “You’re Losing Me,” a song fans have deciphered as ostensibly about her split with Leclerc.
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via @yourinstagram on instagram
The nearly 5-minute track is a devastating relationship ender if we’ve ever heard one, as it details the hopeless and tragic dissolution of a relationship. Though L/n doesn’t include any names or details, it’s not hard to see why fans are interpreting it as being about her and Leclerc. 
When Entertainment Weekly first broke the news of their split in April, sources for both parties diplomatically described the breakup as amicable, and that “it was not dramatic.” “The relationship had just run its course,” one source told ET. However, that story was debunked as L/n herself, stated Leclerc had an affair with Australian Youtuber Lola Ransdell, in one of her Eras Tour Shows.  With the release of “You’re Losing Me,” L/n seems to offer a window into her perspective of how things ended while also releasing one of the most devastating songs she’s ever written.
Its lyrics don’t waste any time getting into the tragic heart of the matter. “You say, ‘I don't understand,’ and I say, ‘I know you don’t’/ We thought a cure would come through in time, now, I fear it won’t/ Remember looking at this room, we loved it ‘cause of the light/ Now I just sit in the dark and wonder if it's time,” she sings in the first verse, painting a portrait of two people who are unaligned and have seemingly grown apart in their relationship.
The pre-chorus lays out the song’s big question: “Do I throw out everything we built or keep it?” But waiting for resolution feels like something L/n doesn’t want to do anymore: “I'm getting tired, even for a phoenix/ Always rising from the ashes/ Mending all her gashes/ You might just have dealt the final blow,” she sings.
The most heart-wrenching part of the song comes in on the chorus, as she warns her other half, “Stop, you're losing me/ Stop, you’re losing me/ Stop, you’re losing me I can't find a pulse/ My heart won't start anymore/ For you/ ‘Cause you're losing me.” The lyrics mirror the song’s production which sounds like a quietly pulsing heartbeat, driving the knife’s blade of the song in even deeper.
Perhaps L/n’s biggest skill on this song is being able to convey all the heartbreak and roiling emotion without actually providing any specifics into the breakup. 
“You’re Losing Me” is rife with frank, confessional lyrics, but still keeps many of the exact contours of the split obscure. There are no accusations or fingers pointed at who’s at fault. There are no mic drop moments or explosive gossip; The closest L/n gets to revealing any details is on the second verse, when she seems to suggest that the relationship hadn’t been OK for a while now.
“Every morning, I glared at you with storms in my eyes/ How can you say that you love someone you can't tell is dying?/ I sent you signals and bit my nails down to the quick/ My face was gray, but you wouldn't admit that we were sick,” she sings.
On the bridge, L/n reveals that she “wouldn’t marry me either,” perhaps offering the tiniest, sliver of hints into one of the other reasons why they ultimately fell apart: “And I wouldn't marry me either/ A pathological people pleaser/ Who only wanted you to see her/ And I'm fading, thinking/ Do something, babe, say something (say something)/ Lose something, babe, risk something (risk something)/ Choose something, babe, I got nothing (I got nothing)/ To believe, unless you’re choosing me.”
It’s the lack of details, the palpable restraint despite L/n’s clear heartbreak behind its lyrics, that makes “You’re Losing Me” perhaps the most devastating song in her catalog (yes, even more so than “All Too Well.”) Amid the grief and sadness of the song, there’s also a feeling of inevitability, of sorrow that nothing more could be done, of pointlessly waiting for action when you know nothing is coming.
 In some regards, it’s one of L/n’s most mature breakup songs in her catalog, regardless of whoever it’s about. And if this is just a “from the vault” track, it makes one wonder what an albums-worth of these songs would sound like.
SEE MORE RELATED POSTS:
• Lola Ransdell Cancelled over resurfaced racism tweets
• Lola Ransdell loses brand deals over Y/n L/n drama
• Charles Leclerc finally breaks his silence over Y/n L/n Breakup
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ally’s radio 📻:a filler chapter im sorry😞 but anyways, the related stories r a sneak peak of the next chapter🤫 if u asked me to tag u and i didn’t, pls send me a message or inbox me bc it might’ve gotten lost 😭 i try to stay up-to-date but sometimes i miss people so pls lmk!!!
taglist 🦢🪩: @incoherenciass@dakotali@405rry@topaz125@sassyheroneckgiant@hevburn@itsmytimetoodream@ivegotparticulartaste@crowdedimagines @asterianax @haydee5010@scenesofobx@christinabae@magical-spit@dessxoxsworld@myareadsbooks@honethatty12@hopefulinlove@diasnohibng@gentlemonsterjennie1@hummusxx@eugene-emt-roe@taestrwbrry @perjarma @cxcewg@chimchimjiminie16@glow-ish@allywthsr @millyswife @mrsmaybank13 @black-swan-blog27 @stargaryenx @lilsiz @ohthemisssery @leclerclvr @slytherinjimin3nthusiast @shessthunderstoms @cool-ultra-nerd @ncentic @playboykenz @canvashearts @tinyhrry @xeliaaaa @ifionlywould @gaviypedrisbride @callsignwindow @dhhdhsiavdhaj @chasing-liberosis @laneyspaulding19 @a-daydreamers-day @saikikusouswife @motorsp0rt @lifesuckslife @shessthunderstoms @drewsandsebastianswife @sainzluvrr @ietss
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breeyn · 6 months
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An essay rebutting the “bad writing” claims of s2 ofmd. Spoilers herein.
I’ll preface this with saying you’re obviously allowed to like and dislike whatever you want. I am in no way opposing that. And your reasons are your reasons. Have at. (Also - this is a collection of observations from the past few days, I’m not calling anyone out)
I AM going to rebut the idea that season two was poorly written and lost the spirit of what the show is about.
My favourite movie of all time is Empire Strikes Back. It’s been my favourite movie since I was four. I’m pretty sure it’s a fave of David Jenkins, too. He and Taika have made absolutely no attempt to hide their love of all things 80’s - Prince, the Princess Bride, Kate Bush, Star Wars, etc.
I have ancient video tapes (that I can’t play because who has a vcr) where Lucas is interviewed by Leonard Maltin? Malkin? I dunno. Who cares. Maltin asks him about the Star Wars (original trilogy) story arc. Lucas says “in act I, you introduce all the characters. In act II, you put them in a situation they can’t get out of, and in act III, they get out of it.”
That’s how it works. This is how stories and literary structures work.
Of course you’re not satisfied with season two. You’re not supposed to be.
The arguments I have read on why s2 loses the spirit of s1 is because no one heals. No one learns anything. No one moves forward properly. The person who makes the biggest move towards healing dies. The two main characters end the show doing the exact fucking thing they had promised themselves and each other they wouldn’t do. Our romantic lead still doesn’t understand his value or make any headway on addressing his tragic flaw. It makes no goddamn sense.
My gremlins in weird: it’s not supposed to. In Act 2, EVERYONE LOSES. This is how it goes.
I’ve read a lot of people saying “but this felt like a series finale, not a season finale.” We all know that outside politics play a part here, the strikes make everything precarious. I remember the last writers strike. It destroyed tv for fifteen years. Anyone remember Pushing Daisies? Some of y’all have never had your fave show cancelled with zero resolution for the characters and it shows.
Daddy J did us a kindness. He softened the blow of a tough season. After the brutal cliffhanger of s1, he gave us a little softness and hope. All those things you’re mad aren’t resolved? It’s because THE STORY ISN’T OVER.
No one on earth thinks “stuff all your trauma into a box and ignore it” is good advice. A way to actually live. This show did not have enough screen time to throw out dialogue for no reason. There was foreshadowing in s1 for s2, and there is foreshadowing for s3 in s2. This is a well-crafted story by very smart people who care very much for these characters. There is zero chance Frenchie explained the box in his head for no reason. The reason people have not resolved their trauma and growth is because they haven’t done it *yet*.
And friends - it’s not thinly veiled. They straight up fucking tell us what they’re doing.
Luke Skywalker spends the first two movies fucking up and desperately trying to prove himself and just generally being an idiot. Sound familiar? He ignores the lessons he is supposed to be learning to go off and do what he feels like doing, and loses fucking badly. At the end of Empire, Han is gone, Luke and Leia wave goodbye to the Falcon that has Lando and Chewy - the rest of their crew - aboard. Everyone has lost everything they care about. Vader is undefeated. Yoda is pissed. Nothing is resolved.
You see where I’m going?
If you think I’m stretching this too far, welp, when Ed tells Stede he loves him - the climax of the finale - Stede quotes Han fucking Solo. Like - *it’s right there*. The story structure. The reason everything is unresolved.
So yeah. They wave goodbye to their ship because they have wounds to heal (like Luke’s hand). The people aboard the ship have things to find. Ed and Stede have *not* learned their lesson about whims and how not to be like Anne and Mary. It’s not stupid that they’re doing the same thing, and it’s not pointless that we were shown Anne and Mary. It’s all relevant.
The resolution comes in Act 3. None of these people are done. The story is far, far from over. And just in case the studios want to be dicks about it, David Jenkins was lovely enough to not repeat my enduring heartbreak over Pushing Daisies.
Thank you, @davidjenks 🖤
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the general of the luofu has a habit you've picked up on. a habit in which when he finds himself in a place of predicament, he will gracefully place his hands atop each other at the small of his back. that is why you also decided to develop a similar habit of standing just slightly behind him.
never when you had first relocated from a separate xianzhou alliance ship to the luofu's exalting sanctum did you imagine you'd be standing within the seat of divine foresight on a near regular basis. of course, the notion was not unheard of since it is the office of general jing yuan, but then again you hadn't expected yourself to eventually be working so close to him either.
working nearly in step with jing yuan was not in your relocation papers. when you first arrived and he was always on your heels, it nearly made you lose your cool more than you'd care to admit. the way he would just smile your lack of alone time off irked you further. you figured he was just doing it because he could, because no one would demand the general to knock it off aside from the master diviner and- more often than not- her nags were brushed aside unless absolutely dire.
but with that same, insufferable smile and persistence of his, jing yuan did what he did best and used it to his advantage until you were absolutely smitten with him, and he knew it.
you had attempted moving your work to central starskiff haven where all the hustle and bustle of the main hub for all things imaginable could take your mind off the dozing general, but it was a useless feat.
the bond between general jing yuan and yourself was something precious yet unnamed. it was seen and noticed, but you both refused to adapt to the way of labels- another thing jing yuan had a habit of. superstition about labels and them ruining everything he holds dear to him was a belief he had yet to be proven wrong.
the labeling and eventual tragic fall out of the high cloud quintet was more than enough proof for him. he would not risk you slipping away from him if he were to try and repeat the mistake. jing yuan was more thankful than you could ever imagine when you told him you understood.
"labeling a relationship with you, general, would surely bring unwanted gossip."
a rather poor excuse to try and ease his mind, since you both would float around each other's orbit, but it still worked nonetheless. thus, the nameless, labelless, and unspoken relationship that everyone aboard the Luofu knew about grew.
"he's like a weed," you had told fu xuan when she was once again pleading with you to try and convince him to do his job behind his desk and not run around avoiding it. once successfully coerced, fu xuan admitted she had no idea how you could withstand his stubbornness. "he's persistent and tough to get rid of. i just kind of let him be after getting too tired of trying to fix my garden."
jing yuan was easily within earshot of the jab, whether you meant to hurt his ego or not, you did bruise it. how could you not when you were calling him a weed just 20 feet away from the very desk he was confined to?
time can be both noticed and unnoticed by long-life species. on one hand, the passing of time seems so endless it just flits by seamlessly. 100, 200 years are nothing short of youth to them. until you reach the gate of older age where you then worry about when the mara will eventually strike.
jing yuan did not speak much of his past to you, and you never found a reason to harp and pry on it. you knew more than enough from texts and scrolls recorded in the halls you were fortunate enough to work in; no need to reopen old wounds he is too stubborn to admit still bleed.
the general who cares for the luofu cannot decide if he fears being stricken with mara himself and slowly losing his sense of identity to the point he cannot recognize you, or you being marked as an enemy for him to strike down because the mara struck you first more. should the former ever come to pass, he has faith that what needs to be done will be and you will stay safe with yanqing.
now, as you stand in the seat of divine foresight with the newly arrived trailblazers from the express also occupying the office with jing yuan, you notice his hands neatly folded behind him.
a slight advantage to the many layers of clothes he puts himself through dressing every day is that his two-tailed half-cape that rested on his shoulders and flowed down to his hips can offer some peripheral coverage.
like clockwork, when you noticed his hands placed in the small of his back, you took half a step closer to his diagonal and placed the pads of your fingers in the middle of his open palm. his fists would never fully curl behind his back, left open and lazily sitting on top of each other.
jing yuan's shoulders would drop just a fraction- hardly noticeable to anyone even if they were looking directly at him- every time you did so. the tips of your fingers were warm, a reminder of the present and also a teether to not let his mind wander too far.
he could feel the callouses on them, the rough skin so accustomed to battle ingrained into the skin of your hands and it brought him such comfort. his eyes gently shut and a smile lifts his lips, not one to mask behind, but one brought about naturally.
and just like always, when he felt your fingertips push lightly into his palm, his hand opened further, fingers pulling apart before he was curling them into yours.
yes, the general of the luofu has a habit you've picked up on. but he has also picked up a new habit of waiting for you to hold his hand when they're behind his back.
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sophsicle · 1 year
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Sirius and Remus stare at one another. On either side of the room. Battlefields between them.
Maybe it's been years since they last saw one another.
Maybe it's been minutes.
You can never tell with them.
James watched his friends fall in love before any of them knew what that meant.
He watched them after, when, tragically, they did.
Sirius and Remus have never been able to get comfortable with their relationship. Have never relaxed in one another's beds.
He'll get bored of me, Sirius had said to James once. When the novelty wears off. Everyone does.
I'm too much trouble, Remus a few weeks later. I can't expect him to put up with this forever.
James never knew what to say when they got like that. It's not that Sirius and Remus didn't know that they were loved. Only that they both saw love as something flimsy and delicate and easily broken. As something they would one day lose between the sofa cushions. In the crack between the wall and the bed. In the back of a cab.
Remus coughs, clearing his throat. He looks old. And tired. Nothing like James remembers.
"Listen," Sirius, who looks worse somehow. "Dumbledore told me to lay low here but...you know I can...I can find somewhere else if...I don't want to put you out, is all."
James and Remus both scoff.
Idiot.
"Don't be ridiculous. Of course, you're staying here."
Sirius gives Remus a look, pouting in that way he does. And through the dirt and the years and the ragged clothes, James sees the boy he used to know. Used to wrap himself around until you couldn't tell them apart. Until you swore they wore one skin. Shared one beating heart.
"You don't owe me anything," Sirius says stubbornly.
Remus gives him an empty smile. "Don't worry. I know."
Sirius screws up his face. "I'm not staying if we're just gonna snap at one another the whole time. I -" he sighs, running a hand over his face. "I'm too tired to fight Moony."
The nickname makes Remus flinch. "Too tired to fight? Sirius Black? Never."
Sirius huffs. "That's notorious mass murderer Sirius Black to you, thank you very much."
There's a twinkle in Remus's eye. In Sirius's too.
Go on, James thinks. Go on, cross the Rubicon. Touch each other. Hold each other. I can't anymore. I can't. I can't take care of you anymore. Which breaks his heart. Breaks his heart more than almost everything else. I need you to do it for me. Please.
Remus motions down the hall. "Why don't you take a shower - or a bath - I'll get dinner started."
There's a small pause before Sirius eventually nods his head. The motion jerky. Awkward. "Yeah, alright."
Take care of each other.
For me.
Please.
Please. Please. Please.
"Sirius?" Remus calls to him before he disappears into the bathroom. Sirius turns around, arching his brow.
Please. Please. Please.
Remus hesitates for a moment before stepping forward, before closing the space between them. Sirius's eyes go wide but he doesn't say anything. Doesn't move. When Remus reaches him he holds out his hand, stopping before he touches the other man. The pair looking at one another and nowhere else.
"Can I?"
A rough sound comes out of Sirius's mouth, James thinks it might be a laugh. "Yes. God yes."
Remus is gentle, hand cradling Sirius's face, thumb swiping over his cheek. Sirius trembles, like even this is too much. Too tender. Too loving. After a few seconds Remus leans forward, placing a delicate kiss on Sirius's forehead.
"I've missed you," he murmurs against the other man's skin.
Sirius's eyes flutter closed as he sways into Remus. A second later the pair have their arms around one another. Clinging. Holding.
James smiles. Even if it's a little sad. A little scuffed. A little cracked. He smiles. Hoping they understand now. Hoping they see.
That this love has roots.
{inspired by this song }
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silver-horse · 7 months
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if we are talking about the lost dream lover/daisy scenes from act 1 then we should talk about why those scenes were so good and why the loss of that storyline is so disappointing. because it's not just "oh those scenes looked better or whatever" it was a completely different character and storyline.
even though the companions pushed back way more and the whole narrative was telling you to resist the dream lover, it was somehow far more tempting. you were constantly tempted in dialogues to use your powers and if you did, you slowly started to lose yourself, the narrator said you could feel something slipping away, something you will never get back. You were giving yourself over to the fantasy, a mindflayer illusion
the game asked you during character creation "who do you dream of at night?" obviously meaning "what are you attracted to?" rather than just "you need a guardian. choose one." there is already a different implication there. I wonder how people interpret "guardian" if they don't know about the original dream lover. they might not even create someone they find tempting. a guardian sounds more like a mentor figure, rather than your ideal fantasy partner.
During early access the dream lover not only offered us power, they also showed us a tempting future where we are powerful and important and beloved and we are ruling the world. such universal temptations and desires. and we were resting on a peaceful field with the person of our dreams. it was peace in the dream world vs the real life struggle.
In the end it seemed obvious where this was leading... if you use the tadpole too much, you would have turned into a mindflayer. and whatever is left of your individuality and consciousness would have stayed in that fantasy world with your perfect fantasy partner. the mindflayer illusion forever trapped you. the song "Down by the River" was written about this fantasy dream lover. and what a banger and creative storyline this could have been. what a tragic ending! to just give up, lose yourself in the fantasy, the easy way out. choose this beautiful fantasy over the imperfect real world. and choose your perfect imaginary partner over the flawed real people, your companions. truly I mourn what an incredible storyline this could have been. It would have resonated with basically everyone.
and you would have been constantly tempted. to avoid this fate you would need to struggle constantly while the easy fantasy is dangling in front of your face with a zero difficulty ability check.
turning into a mindflayer wouldn't have been something you have the option to choose. and you can get cured no matter how much you indulged in the tadpole powers. lmao I kinda hate that there is no consequence for any of that now
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pirateprincessblog · 6 months
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Daddy Chronicles
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𝘾𝘼𝙐𝙏𝙄𝙊𝙉! 𝙏𝙃𝙀 𝘾𝙊𝙉𝙏𝙀𝙉𝙏 𝙔𝙊𝙐 𝘼𝙍𝙀 𝘼𝘽𝙊𝙐𝙏 𝙏𝙊 𝘼𝙋𝙋𝙍𝙊𝘼𝘾𝙃 𝙄𝙎𝙉'𝙏 𝙎𝙐𝙄𝙏𝘼𝘽𝙇𝙀 𝙁𝙊𝙍 𝙋𝙀𝙊𝙋𝙇𝙀 𝘽𝙀𝙇𝙊𝙒 𝙏𝙃𝙀 𝘼𝙂𝙀 𝙊𝙁 𝟭𝟴。
𝐋𝐨𝐬𝐭 𝐲𝐨𝐮𝐫 𝐰𝐚𝐲? ↳ Go Back ↳ Nah, I'm good
The boys are all aged up, I do not mention the exact age anywhere, so you are free to imagine whatever you want.
𝐍𝐨𝐰 𝐭𝐡𝐚𝐭 𝐲𝐨𝐮 𝐚𝐫𝐞 𝟏𝟎𝟎% 𝐬𝐮𝐫𝐞 𝐭𝐡𝐚𝐭 𝐲𝐨𝐮𝐫 𝐝𝐞𝐬𝐭𝐢𝐧𝐚𝐭𝐢𝐨𝐧 𝐢𝐬 𝐜𝐨𝐫𝐫𝐞𝐜𝐭, 𝐈 𝐰𝐢𝐬𝐡 𝐲𝐨𝐮 𝐡𝐚𝐩𝐩𝐲 𝐬𝐜𝐫𝐨𝐥𝐥𝐢𝐧𝐠 𝐚𝐧𝐝 𝐬𝐢𝐦𝐩𝐢𝐧𝐠 𝐟𝐨𝐫 𝐝𝐢𝐥𝐟!𝐚𝐭𝐞𝐞𝐳!
read for me
park seonghwa ➳ bookworm!reader, ceo!seonghwa, bestfriend'sdad!seonghwa
synopsis: best friend's father has a rather big book collection, and you are a big bookworm who has started losing touch with reality. he shows you just how real it can get away from the covers and pages.
one
two
three
in vino veritas
kim hongjoong ➳ artist!hongjoong, dilf!hongjoong
synopsis: hongjoong loves art, wine, and pretty girls. how convenient that on the opening night of his art gallery, as he sips his red wine, his eyes land on you.
one
player 9
jeong yunho ➳ footballplayer!yunho, coach!yunho, aunt!reader
synopsis: you always thought that your nephew's football coach was handsome, and when he invites all the parents and families to come watch him play a big match, you struggle to keep your cool while watching his clothes stick to his body and his face and muscles glistening with sweat.
one
three is a crowd
kang yeosang ➳ swimminginstructor!yeosang
synopsis: a tragic event in your childhood created an aquaphobia for you. at pool parties, beaches, and camping, you are always the one to stay out of the water. until your father finds you a swimming instructor, who solves one problem, but creates another one.
put on a show
song mingi ➳ ceo!mingi, fashiondesigner!mingi, model!reader
synopsis: your ceo is to die for. drop dead gorgeous, aged like fine wine, a figure you’d kill to have. his only problem? he might be the meanest person you’ve ever met in your life. then why are you enjoying his degrading words as he makes you take every inch he has to give you?
silver band
choi san ➳ collegeprofessor!san, student!reader
synopsis: choi san is a married man, and the hottest professor you’ve ever seen. you feel unnatural amounts of jealousy and hatred each time he opens his laptop to start the lesson, showing everyone through the projector the desktop picture of his wife while he opens the files he needs to teach. you want a taste of him so bad, but he shows zero interest towards you. or anyone else. so how will you pull this off?
white dress
choi jongho ➳ dad’sbestfriend!jongho, bride!reader
synopsis: you don’t love this man at all. he is a cheater, he hits you, he flirts with other women in front of you. what has gotten into your father’s mind and is forcing you to marry that bastard? maybe his best friend has a little more compassion and will notice your silent cries for help.
20% off next buy
jung wooyoung ➳ cashier!wooyoung, pervyneighbour!wooyoung, innocentexploring!reader
synopsis: never in your life did you see a dildo this huge. it’s so… big, so purple, and it’s staring right back at you. the cashier seems to notice your horrified face with each isle you walk down, and he can’t help but offer you help. how can he help, when even you don’t know what you’re looking for?
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mcmactictac · 1 year
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I love bbc merlin so much because despite the variety of plot points that drive me insane they’re all needed for everything to play out correctly.
I hate that Merlin’s magic isn’t revealed till the very end but also recognize how incredibly powerful he is that if everyone knew their external threats just. Wouldn’t be a threat anymore.
And I hate that Arthur never repeals the ban on magic but if he did than Mordred wouldn’t have had a reason to turn and the finale would fall flat.
I can’t stand Agrivaine but I understand that Arthur being betrayed by him is necessary in order to make Merlin’s perceived betrayal hurt more. That it serves to break down Arthur’s confidence in a time where he only trusts Merlin, who brings him back to himself. Then to realize that foundation of trust he’s had has been wrong and that he has literally been deceived by every single person he lets get close to him.
I hate how they ruined morgana’s character and while I still think it could have been done with more nuance, there is literally no major antagonist besides her. Plus she’s such an interesting one because of her connections to everyone before she slipped.
I hate that merlin tries to kill her, especially like that, and so early on. I get why he does it, and I get that it’s necessary to break morgana’s trust in him. I get that the whole point is that every choice he makes is to try and stop things and he does the best he can every single time, and it’s still never enough.
I don’t always like how we get there but GOD do I love the tragedy of it. For a show that’s so happy on the surface the tragedy of knowing there’s nothing any of them can do to stop the ending is SO GOOD.
It’s devastating to watch merlin lose huge pieces of himself, watch his morals change and shift, watch as the lines he won’t cross get pushed farther and farther away. He loses so much of himself to save Arthur and he STILL LOSES ARTHUR.
And listen I can and I will complain about some of the goofy ass plots but it’s so important to me that people recognize the seriously tragic narrative at the Center of it. I could go on for AGES about how each and every one of the leads is doomed by the narrative.
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futureless · 2 years
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the most soul-crushing thing on planet earth is when someone you love passes away & you try to do everything in your power to preserve their scent for as long as you can…
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starcurtain · 27 days
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Interpreting Aventurine's Situation
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(HSR 2.1 spoilers, watch out!) I think one of my favorite things to come out of Penacony is that the plot has left us with two completely opposite but equally valid interpretations of Aventurine's character. Is he a chosen child or just a "lucky" dog? The story leaves the door wide open for both possibilities.
Under a read more for space:
One Interpretation: Unfortunately for Him, Aventurine is Actually Blessed by an Aeon
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If you work from the assumption that the Avgin mythology is correct, and Gaiathra Triclops is actually real (possibly a minor aeon of an unknown path or Ena, if you're on that train), then it's entirely possible, in game, that Aventurine has been blessed by a goddess to the point that he functionally cannot lose any gamble he makes. The odds are, literally, ever in his favor. In this interpretation, it doesn't matter how many gambles he takes with his life as the chip because he will always succeed. Despite how risky his behavior looks to everyone else, he's actually been perfectly safe all along.
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But this is especially tragic because it means that, despite his mother's and sister's belief that his blessing will help everyone in their tribe, Aventurine's blessing has only ever extended to himself. He's not an omen of good fortune for his people. His luck was never going to protect his parents, sister, or friends. The goddess of the Avgin chose just one person and left the rest of her people to die.
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This is where Aventurine's doubts stem from. He asks repeatedly: If the goddess can bless people, then why is life so miserable for the Avgin? Why do they have to live in pain, suffering, fear, and abject poverty if she could make them lucky enough to thrive? Why do people live if it's just going to be horrible?
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(To be honest, I don't think this is out of line for the behavior we've seen of aeons so far. Even with aeons like Yaoshi, described as gentle and benevolent, with no intention to cause harm, their gifts often create horror in the human world.)
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Aventurine's hands still tremble when he bets. He doesn't really believe he's blessed and still expects his own downfall at every turn--but it's never going to come because he is one of the few human beings in the entire universe with the direct favor of an aeon. Even Ratio, a skeptical, evidence-based genius, seems to think this might be the case.
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(Choosing the Chinese because the text is a little clearer than the English, but basically: "This guy always has a way of dragging himself up out of the abyss, which can't be explained by just 'good luck.' Everyone is waiting to see him fail... Maybe even he's waiting too. But as time passed, I couldn't help but wonder: Will that day really come?")
This means Aventurine has lived a life of fear and uncertainty for nothing. He's spent his entire life awaiting a failure and painful death that will never come. He can't recognize the love of his own goddess nor trust in the faith of his own family.
The central question of this interpretation becomes "What does it mean for a single human to be favored by an aeon?" Can Aventurine really be called lucky after losing every single thing that has meaning in his life--all because an aeon chose him and only him? Should that be called a blessing or a curse?
The Opposite Interpretation: Aventurine Isn't Lucky At All, He's Just Skilled
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On the other hand, the story leaves the door open to interpret Aventurine's situation in the complete opposite manner too. If, as the IPC seems to think, Gaiathra Triclops isn't real and Aventurine isn't blessed at all, then that means every single risk Aventurine has taken has actually been life-threatening--and that every single achievement he's reached has been by his own merits alone.
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If Gaiathra's blessing isn't real, then Aventurine's life becomes one long self-run psyop: Everyone tells him he's blessed, he's lucky, he's favored--so young Kakavasha starts gambling early. Banking on this idea that he's favored, that he's chosen, he starts paying attention, he learns the tricks of the trade, figures out how to slip cards up his sleeves, how to word things just right so people will take his bait--he practices, practices, practices, until he can spot winning odds a mile away, until he can predict every possible outcome, until he's seen it all before.
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In this situation, every single gamble he's ever made or will make carries a very, very real risk of failure--but Aventurine continues to succeed because he's just that quick-witted, just that aware, just that good at reading people. (He's been doing it for so much longer than everyone else he meets, after all.) He is the gambler extraordinaire, the archetypal charming rogue who can squirm his way out of any tight spot he gets into, time and time again.
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He fears every gamble he makes because he has good reason to--there's literally never any guarantee that he will succeed, and he's constantly just flipping a coin to see what outcome he'll get. His personal skill and quick wit continue to turn things in his favor, but it's inevitable that one day he'll meet a situation that outwits him, a gamble where only a supernatural force could have saved him. And if you take this second interpretation, Gaiathra isn't real, so there won't be one.
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This story choice would be interesting because it implies a greater degree of responsibility for everything that happens. If it's Aventurine's own quick wit and skill that continually save him, shouldn't he be able to help others with that skill? Shouldn't he have been able to help himself? How was he able to save himself from death but not from slavery? If it was skill, not luck, all along, then who do you blame for all the misery he still experienced?
This interpretation leads to greater questions of self-doubt and anxiety: Is it actual skill or just sheer dumb luck? Does Aventurine have what it takes mentally, psychologically, emotionally, and even physically to always come out on top by his own merits, or is he just the benefit of the wheel of fortune--statistically speaking, a one in a million chance still has to come through for that one, right? And when it all comes crumbling down eventually, will he have only himself to blame?
A Life of Uncertainty
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The story doesn't actually give us any firm indication whether Gaiathra is real or not, or--even if she is real--if Aventurine is actually genuinely blessed. We just don't know, as players.
And Aventurine doesn't know either.
His faith in the goddess of the Avgin is shaky. He seems to want to believe and hold on to his people's mythology, but he has valid doubts that a goddess would choose to bless one person while leaving everyone else to suffer.
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Is he the chosen of an aeon? And if he isn't chosen, then what meaning does any of it have? Is he just unbelievably skilled? Has he merely been lucky up to now? When will this blessing or luck or skill finally fail him?
Aventurine's most defining character trait is the extreme uncertainty that has plagued his whole life. What is true? What should he believe? Is he blessed or cursed? Does he have the talent to back up his massive boasts? Should others put any faith in him--should he put any faith in himself? Should he cling to his people's beliefs or reject the goddess that left him the sole survivor of a cultural extinction?
He can't trust anything. He can't trust his family's faith; he can't trust that he's actually a "chosen one" (because how could he chosen and his family be left to die?). He can't even trust that he's lucky because maybe it was just the years of suffering practice he put in. Then again, he can't trust in his own skill because maybe he's just blessed?
Which is it? Which is it? Which is it?
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Nothing is certain. Nothing can be taken for granted. Nothing can be proven empirically true or false. There are no guarantees for Aventurine.
Every single thing in his life is a gamble, and none of that is his fault.
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What an amazing character. What a great story. Thank you for the treat, Hoyo!
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littlemonday · 29 days
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Ansur and The Emperor
I need to share my thoughts on the worst-of-all takes from this fandom regarding the Emperor
I remember texting my brother once I completed the Emperor’s quest, learning that he was once Balduran and the love of his life Ansur attempted to murder him. I felt heartbroken reading the final letter he gave to Ansur telling him to fly away and be free of the torment of trying to find a cure. My brother told me this was the quest that made him decide to side with the Emperor in the end. There was such tragedy and loneliness to the Emperor’s story. First, there was the tragedy of Belynne’s condition and death, a condition I believe he’s either partially or largely responsible for, and then the tragedy of being turned on by the one person he loved and who was the greatest thing that ever happened to him.
You can then imagine my absolute shock to find so many players repeating over and over the outrage that the Emperor murdered his best friend, that he “chose” to become an illithid by choosing to live, that they (the player) would have sided with Ansur if they could, that this was the moment they decided to betray the Emperor, and (my favorite) he should have let Ansur kill him.
I’m hardly the first and only person to remind everyone that Ansur takes over your body against your will, he admits to trying to bring the Emperor a “merciful death” but the Emperor “chose to fight,” that Ansur doesn’t care why you sought him out, that he wrongfully calls you a thrall, and that moments after meeting him we are forced to kill him out of self-defense in much the same way the Emperor had to.
HOW do so many players misinterpret this scene so badly? How do so many players get basic facts wrong and frame this like it was a straight up murder and not self-defense? And, how do so many players take from this scene the belief that “the Emperor should have let Ansur kill him?”
This post is not me saying that you have to like the Emperor. Liking a character is purely personal, but I genuinely take issue with so, so many players seemingly unable or unwilling to engage with a text in a meaningful way and perpetuating this worst-of-all takes that the Emperor should have accepted death at the hands of his lover because of who he was without any further thought as to the implications of what they’re saying. This comes from the same fandom who absolutely loves Omeluum who also needs to kill people in order to feed and survive.
Something to consider with monsters in fiction, particularly modern fiction, is that monsters represent something about the anxieties and fears of the audience, but monsters are often, in the same text, meant to challenge our prejudices and fears, and invite us to see their humanity. That is: to see ourselves in them. This can be difficult with a character like the Emperor because he’s an unreliable narrator and his morality is messy, but his motivations are understandable, sympathetic, and his needs are quite human. The Emperor does represent our fears of losing our humanity, of losing ourselves, and the body horror of being transformed against our will is an extension of that. But we are also invited to see ourselves in him. That is: to see his humanity.
Others have already pointed out that the Emperor mirrors the player. If you dehumanize him, he dehumanizes you. If you empathize with him, he is kind back to you. But even if you’re kind to him, so often through the game you’re unsure what to think of the Emperor; you’re unsure of his sincerity, and you don’t necessarily know the extent of his manipulations, or how truthful he’s being. I think that’s what makes this scene with him and Ansur so interesting and so humanizing: there’s no mirroring going on, and there are no little bread crumbs of his life you’re trying to piece together. You’re just a witness to his tragic story of his greatest betrayal and loss. I found it heartbreaking, and I was surprised to find that for so many others all this scene did was solidify their belief that the Emperor is nothing more than a monster.
Edit: Rewrote a sentence since it didn’t say what I meant it to say.
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jedimasterbailey · 8 months
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SPOILERS IF YOU HAVE NOT WATCHED THE THIRD EPISODE OF AHSOKA
PRO JEDI RANT DOWN BELOW
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This Loth Cat is a good representation of me not losing my mind on how badly the Jedi Order is being completely defiled by Feloni. Okay…so apparently according to Feloni anybody can just be a Jedi if they try really, really hard and believe in them because the Force resides in everyone when we all know that that’s not fucking true according to Lucas. Yes, the Force resides in all things HOWEVER it is the Force sensitive (I.e. the Jedi and Sith) that are able to wield the Force because they’ve got the blood to do so (midocholorians… I’m sure I’ve butchered the spelling forgive me). So with that being said, does anything in Star Wars even matter anymore? Like honestly.
By this logic…anybody in the OT could have just destroyed the Sith if they tRiEd HaRd EnOuGh. So I guess fuck the importance of Luke Skywalker and all the other survivors of Order 66? And I suppose by this logic none of the prequel Jedi or hell even Anakin doesn’t matter because anybody can just wield a lightsaber and tap into the Force if tHeY jUsT bElIeVeD iN tHeMsElVeS? Why does Rey matter when apparently anyone could have taken down the First Order and destroyed Palpatine when some fucking Mando could have just done the job of being Force sensitive doesn’t matter?
Like believe me guys, I am TRYING so hard not to be a hater but it truly makes me sad to see the one element of Star Wars I love so much (I.e. the Jedi Order and everything they do and stand for) just get picked apart and trashed over and over and over again. I just don’t understand it and I know I can’t be the only one feeling like this.
Also Ahsoka’s character right now is reminding me of Luke’s in TLJ where I feel like I’m seeing and hearing a completely different character and it’s heartbreaking when you’ve looked up and loved these heroes so much. Like for Gods sake can we settle the score in where Ahsoka stands with the Jedi? Is she or is she not? Because right now she’s doing a poor representation of all her mentors who have lost their lives staying true to themselves, Jedi who gave everything to protect and save lives. Now she seems to just go out of her way to scoff at the Order that raised her, similar to Luke dismissing the very thing that gave him hope in the OT.
As these new shows go on, it just makes the fall of the Jedi Order all the more tragic just seeing how their sacrifice and good will meant absolutely nothing. That’s why characters like Cal Kestis and Cere Junda are incredible. They stayed true to their Jedi values no matter what because that’s what the galaxy needs, heroes who care. Not heroes who have personal agendas.
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Listen, do I love a good sad ending? Yes, a tragedy, a bittersweet ending, a well written horror, villains winning, heroes losing, you know, all that edgy stuff. I don't believe everything needs to have a happy ending and I think for some stories, a tragic ending just makes more sense. I also love when writers go against the viewer's expectations because it's interesting and can really be impactful if done well. However, I still need Stranger Things to have the happiest, cheesiest, sweetest ending of all time.
No one is allowed to die besides Vecna and some demogorgons. They kill Vecna with the power of love and friendship. The world is saved. Everyone gets their happy ending whatever that may be and no matter what, they all stay friends because they are basically family at this point. Bonus points, if the last scene is everyone hanging out and everyone just being happy. I won't even cringe if the last line is one of them saying "well, we've definitely seen stranger things."
Like make it goofy and funny and sweet, the rest of the season can still be dark and serious without there being any more tragedy. I don't think the ending being happy will take away from that.
I know this has probably already been said but it's so important to me that the show isn't a tragedy. You know why? Because it's a mainstream show about outcasts in the 80s. A show about gay kids, black kids, disabled kids, kids that are considered different just for existing. If you take away the supernatural and the sci-fi elements, at its core, that's what the show is about.
So if the show that from day one has been about being different and being who you are, turns around and kills off half the cast and has either a bittersweet ending or just a plain awful ending just for shock value or because it makes the story more "realistic" (and yes, that includes having Will be rejected by the person he loves and being killed off. El sacrificing herself because she's a superhero and that's what she feels she's supposed to do or Max and Lucas having a tragic love story.) It'd be throwing away everything the show stands for and personally, I think it would be god awful writing.
That kind of ending can be done well but I don't think that's the kind of ending ST needs.
There's been enough tragic stories about minorities in both the past and present. This show has evil crispy undead wizards and giant lanky mind controlling spiders, I don't think poc/queer/disabled/female/etc characters being happy and alive is gonna make the show unrealistic.
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