when people (i am people. it’s me.) imagine Nico having powers over grief i think of Will’s never discussed fatal flaw, and i think that it’s that he can’t let go
i think his flaw is something with grief, and being stuck in the past almost. it’s being stagnant and static and unable to properly have especially negative emotions because he has to be people’s rock. he’s sunshine boy and he’s your doctor. He needs to be reliable, he sees his friends die every day, if he breaks down then nothing is stable anymore, nothing is keeping anything afloat.
but the idea of nico, a son of hades, who’s experienced grief like he has and was unable to move on and unable to do what Will can’t do, helping him come to terms with his loss and to “accept his darkness” like persephone said to him.
A first nudge from nico and some support from Kayla and Austin especially (and maybe Drew, the Stoll’s and Clarisse if you headcannon them as friends) he’s able to to it, he cries over the people he lost and he’s angry and selfish about the fact they’re gone and starts to grieve properly.
He starts to change and starts finding little moments of progress everywhere he looks. even though his demons aren’t little actual creatures following him around unlike his boyfriend, he does start comming to term similarly. He’s begun tearing the walls down and talking and letting himself cry on someone else’s shoulder. he lets go and starts to let himself be not okay.
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you'll have one joke post complaining abt old misogynistic scifi blow up and years later you'll still get people reblogging it with tags like "why i don't touch scifi." hey. im at your door with a pile of scifi in my hands. i'll lovingly read ursula k le guin or octavia butler to you aloud myself. let me in let me in please please please please hello
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it drives me bonkers the way people don't know how to read classic books in context anymore. i just read a review of the picture of dorian gray that said "it pains me that the homosexual subtext is just that, a subtext, rather than a fully explored part of the narrative." and now i fully want to put my head through a table. first of all, we are so lucky in the 21st century to have an entire category of books that are able to loudly and lovingly declare their queerness that we've become blind to the idea that queerness can exist in a different language than our contemporary mode of communication. second it IS a fully explored part of the narrative! dorian gray IS a textually queer story, even removed from the context of its writing. it's the story of toxic queer relationships and attraction and dangerous scandals and the intertwining of late 19th century "uranianism" and misogyny. second of all, i'm sorry that oscar wilde didn't include 15k words of graphic gay sex with ao3-style tags in his 1890 novel that was literally used to convict him of indecent behaviour. get well soon, i guess...
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I was wholly unprepared for the experience of watching the untamed in 2023. I’ve seen the gifs! I’ve read some character analysis! I vaguely knew the plot but I did not expect a.) the show to be a lot more tragic and nuanced and funny than what I thought possible and I cannot stress this enough b.) for Wen Ning to also be there on that damn boat
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Im sick with flu so naturally I picked up my newly bought copy of Howl's Moving Castle which includes DWJ interviews in the back.
And im in love with the way she tells these stories feels like a part of her books.
And my favorite:
The magic in the mundane :)
edit: I'm copying the ID by @princess-of-purple-prose below, thank you!
[ID: Excerpts of printed text which read:
I suppose there's also a biographical element in that Sophie is the eldest of three sisters, and so am I. The idea for Sophie grew out of the time I discovered I had a very severe milk allergy. I almost lost the use of my legs and had to walk with the aid of a stick. I was moderately young, but because of this I suddenly became old.
I had to wait until I knew what Wizard Howl was like. I began to discover Howl about the time when one of my sons took to spending several hours in the bathroom every morning and I got really, really, really annoyed with him.
Where were you when you wrote it? I wrote the book the way I write everything, stretched out on the big sofa in my sitting room, in everyone's way. This often annoys my husband rather a lot.
which made me burst out laughing. I laughed and laughed at the seven league boot, and when I came to the bit where Sophie accidentally makes Howl's suit twenty times too big for him, I laughed so much that I fell off the sofa. My husband was really irritated by this time. He snapped, "You can't be making yourself laugh!" And I gasped, "But I am, I am!" and rolled about on the floor.
Are any of your relatives or friends included in the book? Yes, well the thing that started me off writing the book was a friend of mine who never does her laundry. She has it around the place in huge bags for often as much as a year. When she does tip it all out and try to wash it, she discovers all sorts of clothes that she has forgotten she had.
Which is your favourite part of the book and why? I like the book all over, but I suppose if I had to choose a bit, I'd choose the place where Howl gets a cold. It so happened that when I was writing this bit, my husband caught a bad cold. He is the world's most histrionic cold catcher. He moans, he coughs, he piles on the pathos, he makes strange noises, he blows his nose exactly like a bassoon in a tunnel, he demands bacon sandwiches at all hours, and he is liable to appear (usually wrapped in someone else's dressing gown) at any time, announcing that he is dying of neglect and boredom. So all I had to do was write it down. End ID]
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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Okay so I just realized that The Lightning Thief was published in 2005. You tie that into the whole "cell phones attract monsters" thing and now this detail is just fucking hilarious to me. Like imagine if Percy got attacked by a monster just because he tried using one of these things:
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it’s so interesting how gloreth is seen not only as some great noble hero, a warrior who bravely slayed the monster, but also as an adult. a grown-up knight who knew what she was going. when in reality she was just a little kid. a kid who didn’t know what she was doing, not really. a kid with a wooden sword. a kid under her parents’ influence. a kid who only started seeing nimona as a monster because that’s what she was told. and yet she ended up depicted as an adult in the statue, in the storybooks, in the scroll used to justify trying to kill nimona again.
at the beginning of the movie when she’s being introduced via storybook, she says “go back to the shadows from whence you came” in a courageous, commanding voice, even though that’s not quite what happened! in reality her voice was scared, and a little bit uncertain. the narrative was always twisted in her favor because she was seen as the hero.
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