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#they’re so disney-coded
fidisart · 6 months
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"I love you... I love you." "I know... I know that."
Omg they were co-captains 🥹
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been actually playing twst instead of just reading everyone’s lore (shocking I know) AND HOW COME NO ONE MENTIONS THE VIGNETTE WHERE IDIA GOES NONVERBAL AND USES HIS TABLET TO TALK???
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jklinges2003 · 9 months
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Just a Ghost of a Girl You Once Knew and Loved
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A/N: Hey guys I decided to make my first short fanfiction on here. Even though I’ve made a lot of fanfics on Quotev, this is my first time writing one on tumblr, so if I mess up, don’t judge lol! Anyway, I started watching “The Summer I Turned Pretty” with my mom, including watching season 2 this summer and I swear it just leaves me intrigued, makes me laugh, makes feel like I’m actually in it and I wish I really was. And I am so team Jeremiah all the way! So, after I watched 2x06 and 2x07, in episode 6, Jeremiah and Belly almost kiss while at the end of episode 7, they finally kiss, but I can’t find the GIF from episode 6 from when they almost kiss cuz that’s what I want this short fanfic to be about and take place in. And I also might switch POVs.
codes: Y/N = Your name
Y/EC = Your eye color
SUMMARY: So, I imagined what would happen if a girl in the show (Y/N) was best friends with Belly for a long time and had a huge crush on Jeremiah at first, and even Y/N hooked up with Jeremiah in the first season but after him and Conrad’s mom Susannah died and after Y/N has been seeing signs of Jeremiah having feelings for Belly, they broke up before the events of season 2, but Y/N’s feelings for Jeremiah have never faded and as the group reunited in season 2, Y/N has been holding onto hope that something could happen with her and Jeremiah because she’s missed him so much. And even Jeremiah feels the same, but he just wouldn’t admit to her or even to himself since a part of him still has feelings for Belly. And throughout season 2, Y/N has been trying some casual attempts to get Jeremiah’s attention but failed every time. So, one night as the gang throws a party at the beach house to honor Susannah, and while Y/N was hanging out with a couple of friends, she witnesses something that just pushes her to her breaking point, increases her insecurities and her anger/jealousy towards Belly while she’s been trying to keep her friendship with her intact, and Y/N’s heartbroken behavior strikes a chord in Jeremiah and hits him with guilt.
SONG: “Part of Your World (Reprise II)” by Halle Bailey from Disney’s live-action Little Mermaid. I feel like the song matches Y/N’s situation really well, and I love Disney songs, so I wanted to choose this song.
Y/N’s POV:
The party for Susannah has been going great! It’s fun, loud, and it was a beautiful way to honor Susannah. I hoped I’d get closer with Jeremiah this time because out of all the attempts to try and get his attention while he’s been going all lovey-dovey on Belly even though they’re not even dating, I’ve failed. Jeremiah and I had something special last summer, we bonded really well, he brought out the best in me, and there’s nobody like him. He’s irreplaceable. At first I’ve always been a very shy and self-conscious girl, but after bonding with Jeremiah, his childish personality and his sweetness and fun energy is just so contagious that it just makes you wanna have fun and laugh with him. So, he brought out the fun and confidence that I never knew I had in me. And we even felt a strong connection and spark between us. Being with him always made me feel safe, he’s easy to talk to, he’s relatable, his light blue eyes just take my breath away and you can easily see the emotion in them. But, unfortunately, I regret us breaking up in the first place after Susannah died. And I could see it in his eyes that he does, too. Whenever he and I would talk, I could easily see that he feels lost and confused, like he wants to be with me again as if us breaking up was a mistake for him, too, but also another part of him wants to be with Belly since his feelings for her never faded while my feelings for Jeremiah have never faded. And every time he’d be affectionate and sweet towards Belly, my close best friend and who’s like a sister to me, I can’t help but feel nauseous as if seeing the sight of them together just makes me wanna puke, even though they’re not dating, but I respect their close friendship since they grew up together, and I have been trying to be strong and understanding and nice, but inwardly I just feel sick and it’s suffocating me, like I’m tired of bottling it up. And I have no one to talk to about it since I feel like they wouldn’t understand and that they’d think of me as just a sad pathetic ex-girlfriend who can’t get over her ex-boyfriend.
After watching Taylor and Steven’s talented dance moves for the song “Party In The U.S.A.”, I went back to hang out with Nicole and Dara. We laughed and talked for a bit until one of the girls brought up a relationship she’s in, and that immediately made me think of Jeremiah.
Since Jeremiah has always brought out the confidence in me, I have been thinking about it for a while and I have been waiting all summer to tell him my feelings and that I’ve never stopped loving him even though I was scared to since I didn’t wanna stand in the way between him and Belly. But, I realized I’ve got nothing to lose, and that it’s now or never.
I excused myself from the girls and walked into the crowd to look for Jeremiah. I looked and looked and looked. Until I saw something that just hit me in the heart. I saw Jeremiah and Belly sitting together closely, talking and looking at each other that way. I stood and watched worriedly as I glanced at Jeremiah and then Belly. The way they looked at each other was the same way me and Jeremiah looked at each other last summer when we hooked up and fell in love. I felt like I just wanted to run out of the room and throw up. Then, they stopped talking while still looking at each other with smirks, and then they both slowly leaned in, almost about to kiss until a girl yelling “Fight! Fight!” in another room interrupted them and gathered a crowd. Seeing Jeremiah and Belly almost kiss just hit me in my breaking point. I was about to tell Jeremiah how I felt and that I never stopped loving him, but after seeing what I saw…my chance was ruined. I was too late. The hope I had in me all summer was broken and turned into dust. And I felt ignored after all the tried-and-failed attempts to get Jeremiah’s attention, like as if I were a ghost of a girl he once knew and loved. Like as if what we had before was just nothing.
While the fight between Taylor’s ex-boyfriend Milo and Belly’s brother Steven was occurring in the other room, some other kids didn’t bother to watch the fight and just stayed behind, wanting to stay out of it. And also they were also either drunk or high. I’ve never been one to drink or do drugs or smoke or any of that stuff, I’ve made a vow to myself that I’d live life in a clean state of mind. But after witnessing Jeremiah and Belly together, since it hit my breaking point, I was at that stage where I didn’t wanna feel anything anymore.
I walked over to the group of kids in the kitchen, not wanting to talk to them, and instead just opened the fridge and grabbed a bottle of beer. Since my emotions were shut off, I let my impulsiveness get the best of me and I started to open the bottle and chug the alcohol drink. I didn’t care that it tasted bad, I was just tired of feeling this way. After finishing half of the bottle already and walking around the party, trying to avoid Jeremiah, I then saw him and Conrad standing outside with Belly stuck in the middle of them and the two brothers were arguing, and I could easily tell that it was about Belly.
Ever since Belly has been hooking up with Jeremiah at first and then Conrad and then having to choose between them, I felt bad for her but I also got irritated at her because every time they would be loving and sweet to her, instead of listening to her heart about who she truly wants to be with, she just kept letting it happen and kept throwing herself at them, playing both brothers. They both don’t deserve that. Especially Jeremiah since after he and I got together, Belly and Conrad got together temporarily, and then since Jeremiah’s been crushing on Belly while he was really in love with me, and he was angry at Belly for hooking up with Conrad since her and Jeremiah kissed before while he and I were together which also caused our relationship to go downhill. The love triangle between Jeremiah, Belly, and Conrad is just stupid and annoying since Belly won’t make a decision about who she truly wants to be with, and now with me in it, it has turned into a love square. And the last thing I wanted was to be involved in a love triangle, let alone a love square. And now I got dragged into it due to my feelings for Jeremiah never leaving me. Could things get any worse?!
I continued drinking the rest of the bottle of beer, trying to numb everything inside me and to just escape from the pain. I started to get a little tipsy and even though it felt wrong, it also felt good since it helped numb the pain. Then while stumbling around the party and then sitting on the floor in a corner of a room, taking a few more swigs of the beer bottle, I started to lose myself into sorrow and despair.
The bottle of beer was then almost done. I was now really drunk. I kept accidentally bumping into people while stumbling and trying to keep myself standing. But, I started to hear Nicole ask me if I was okay since she saw that I wasn’t myself. My facial expression was blank, my eyes looked like as if something inside them had died, my face was tear-stained which caused a bit of mascara to run down my face, and my hair was a little bit untidy. When she asked if I was okay, my vision was blurry, my hearing was distorted and echoey, and my head was spinning and fuzzy. I didn’t respond to Nicole and instead just accidentally lost my balance near another kid who was carrying a glass of a drink, causing that kid to accidentally drop his glass which broke when it fell. And when I fell, the palm of my hand landed on the broken glass which caused my hand to bleed a little, but I didn’t feel the pain since I was numb and drunk.
A tiny crowd of the people gathered around me and started to look at me in concern, worry, and confusion all at once, and that was the last thing I wanted. I didn’t wanna be viewed as someone who was fragile and vulnerable, even though I knew that it was okay to be vulnerable once in a while since everybody has strengths and weaknesses. But, I just didn’t care anymore.
While there was a few people gathered around me, I kept reassuring them that I was okay, but the one person who I definitely didn’t want to check on me was none other than Jeremiah himself, but he checked on me anyway.
“Y/N? Y/N, are you okay?” Jeremiah asked as he kneeled down beside me to try to help me up, but I kept brushing him off and tried to pretend that I wasn’t hurting, both emotionally and physically. Emotionally from witnessing Jeremiah and Belly almost about to kiss, and physically from losing my balance due to my drunken state and falling to the floor and the palm of my hand landing on broken glass. So I even tried to hide my drunken state from Jeremiah since I didn’t want his pity.
“It’s f-f-fine. I’m…fine, Jer.” I tried to reassure, my voice slurring a bit as I tried to help myself up and stand on my own feet without losing my balance again and without Jeremiah seeing my bleeding hand.
But, he was looking at me that way with concern and worry. I finally managed to stand on my own two feet and then walked away from the crowd, stumbling and limping.
Jeremiah’s POV:
Seeing Y/N like this had me worried. I didn’t know what was going on with her, but she seemed pretty drunk and she looked upset for some reason. She shouldn’t be alone. She could get hurt or end up doing something stupid.
I followed her as she stumbled out of the room, but I lost her in the crowd. I looked around for her until something caught my eye. I saw her outside on the patio, walking away from the beach house and just heading down to the beach, still stumbling and limping.
I walked outside to the patio and follow Y/N down to the beach with the dark night sky in the view. She didn’t look like herself. I was really worried.
“Y/N! Y/N, what are you doing?” I asked her in concern as I caught up with her. Her pupils were dilated, her hair was untidy, she could barely walk, and she even had mascara running down her face so she looked like she had been crying. But why?
“Going to the beach. What do you think I’m doing?” Y/N asked sassily, her voice slurring. She was definitely drunk. I’ve always known her to be a goody-goody girl who would never want to drink, do drugs, or smoke, but she was actually drunk. What changed?
“But, y-you’re drunk. Are you sure you’re okay? And you fell back in there. Are you hurt?” I asked as I stopped her from walking any further towards the water since she’s too intoxicated to go for a swim. When I asked if she was hurt, I looked all over her body for any cuts or bruises or anything, until I spotted her hand bleeding. I took that hand gently and looked at her worriedly. But she immediately yanked her hand away and glared at me for some reason before stumbling to walk further towards the water. I stood in front of her and put my hands on her shoulders, preventing her from doing so.
“Y/N, your hand is bleeding. We need to clean that up and put either some band-aids or gauze on there. Let’s just go back inside, okay?” I said to her calmly, but sternly and worriedly before I put an arm around her shoulders to help her walk back inside the beach house. But she immediately refused and put up a fake smile, and her fake smile looked angry.
“No! No, no, no, no. I’m fine, Jer. You don’t need to help me. Why don’t you go and help Belly instead, hm? I’m sure she’s probably going through a lot after being stuck having to choose between you and your brother. So go ahead, why don’t you go help her and be her shoulder to cry on? I can take care of myself.” Y/N said while slurring before letting out a hiccup at the end of her last sentence. She was being stubborn as hell. And this was also a side of her that I’ve never seen before. Why was she acting this way, especially towards me?
“Y/N, I’m not gonna leave you out here by yourself, especially with your drunken behavior. I’m not gonna let you do something stupid. Like, what were you planning to do out here at the beach? Why were you walking towards the water?” I asked her, trying to be calm and gentle, but I had a bad feeling about Y/N’s intentions that it built worry inside me which caused me to raise my voice a little bit.
“None of your business. What is this, 20 questions or something? Just leave me alone, Jeremiah.” Y/N spat out, still slurring before she walked past me, still stumbling. I watched her about to go into the water, but her legs were shaking as if she could barely stand. I wanted to stop her and go get her, but I wanted to see what she was planning to do first so that I can really know what’s going on. She stopped for a second as the water reached to her knees, then she kept going until it was at her waist and she started to cover her mouth with her hand and then cover her nose with her other hand before she began to dunk her head into the water.
I widened my eyes as it immediately clicked. Y/N was about to kill herself by drowning while drunk! As I finally knew what she was about to do, I immediately took action and rushed into the water, grabbing Y/N by the waist and dragging her out of the water. She started screaming protests at me to let her go, but I couldn’t let her do this. I care about her so much. And…I actually love her, even though a part of me loves Belly. I just don’t know what to do. But after seeing Y/N like this and after us reuniting along with the others, I was actually really glad to see her. She’s a sight for sore eyes. She’s beautiful, she’s kind, caring, warm, honest, sweet, sassy, headstrong, authentic, moral, the voice of reason, and a talented singer with a beautiful voice. She’s even a better singer than I am. I did like her when she was a shy and introverted girl, though, I thought she looked adorable whenever she’d blush. But after we bonded last summer and fell in love, I started to see a more confident and silly side of her and I couldn’t help but love her even more. I miss what Y/N and I had together, even though I love Belly, too, but it’s not really the same with Belly actually. Y/N’s the one I feel something strong and loving for. She’s even tried to be there for me after my mom died, but I was too blind in my own grief and in my own conflicted feelings for Belly to even see it. How could I have been so blind?
Seeing Y/N acting like this was just heartbreaking and shocking to me. I was even more worried about her, especially since she just tried to kill herself by drowning in the ocean while completely drunk.
As I dragged her back to the sand while she was screaming protests at me, I ignored the protests and looked at her in shock, anger, heartbreak, and worry all at once.
“Y/N, what the hell do you think you’re doing? Why are you trying to kill yourself?” I asked her sternly as I held back tears in my eyes since I was trying to be strong for her.
“Why did you just help me?! I told you to go be with Belly!” Y/N snapped while slurring as tears filled her eyes. Why is she bringing up Belly while I’m focusing on Y/N and her safety?
“Y/N, this isn’t about Belly, this is about you. You’re drunk, you look like you’ve been crying, you’re acting like a different person, and you tried to kill yourself! Why are you acting like this, Y/N? Did something happen? Talk to me.” I said to her sternly, but calmly as I tried to keep myself together.
“No, if you wanna go be with Belly, be with her! She’s all yours! I won’t stand in the way! So, just leave me alone!” Y/N snapped as a tear rolls down her cheek, her voice still slurring. Why is she talking about Belly like this? She’s Y/N’s best friend and they’ve always been like sisters. This wasn’t the Y/N I knew and loved.
“Y/N, what are you talking about? What do you mean you won’t stand in the way and that Belly’s all mine? Where’s all this coming from?” I asked her in concern, hoping to get her to talk. But, she immediately exploded the truth about the cause of her problem while slurring.
“I SAW! I saw everything! I saw you and Belly almost kiss back in there before the fight between Milo and Steven broke out!” Y/N shouted through her slurs and through her tears. She even had her eyes either looking down or her eyes closed as if she could barely look at me.
When she admitted that to me, I started to remember when me and Belly talked back in the house during the party, and we talked about the flings I had from last summer and through the whole year after me and Y/N broke up and when Belly got together with Conrad. Then I remembered telling Belly that she’s a better kisser than out of all the girls and guys I’ve kissed, including Y/N. I can’t believe I actually said that because Y/N was a good kisser, too. She really was. And I even remembered during this whole summer when me and her and the rest of the gang were hanging out and Y/N tried some attempts to get my attention since she must’ve had hope for us and I didn’t even realize it. I’ve been ignoring Y/N all summer and I didn’t realize it till now. How could I have been so stupid?!
I felt such a pang of guilt and regret for how I’ve been treating Y/N. I’ve treated her as if she weren’t around and as if she were second and I’ve been putting Belly first. I realized Belly’s not the only one stuck in the middle of a love triangle and between me and my brother, I was even stuck between two girls who matter so much to me. With Belly, it was real and I really loved her, at first it was like a brother and sister relationship, but…ever since I saw her last summer, I was done for. She took my heart with her. But then, at that time, Belly brought Y/N to Cousins for the first time and introduced her as her best friend, and Y/N just took my breath away. I know that I started to feel something for Belly, but when I met Y/N, I knew there was something special about her that was just so magnetic to me. I wanted to know her. And what we had was real and strong, too. And I realized now that it was stronger than what me and Belly had because even if Belly liked me back a bit, it was always gonna be Conrad for her, even if she wouldn’t admit it. It finally hit me.
Y/N’s the one for me.
I looked at her with guilt, regret, and sympathy as I realized what I put her through and what she had to witness tonight. I put a hand on her arm, trying to be as comforting as possible.
“I’m really sorry, Y/N. I-I-I didn’t realize that you…” I was just at a loss for words as I still kept trying to process this.
“That I what?! Huh? That my feelings for you still haven’t faded and that I never stopped loving you?! I’ve tried to get your attention all summer and tried to get you to realize that I’m still here, but you just kept pining for Belly and acting all affectionate to her while you ignored me and acted as if I wasn’t the room, like as if what we had together has been forgotten! And you and her aren’t even dating, yet you act like you are, even though you two are best friends, but why can’t you just admit it to yourself that…that you still love me, too? I’ve seen it in your eyes, they can easily tell what you’re feeling. And when you were around me this summer, I had hope for us! But you just won’t open your eyes and realize what’s right in front of you! I was about to tell you how I felt, and yet I catch you and Belly about to kiss! I just…I just couldn’t bear the sight of that, so I’m actually glad the fight between Milo and Steven broke out and interrupted you and Belly. I know that’s rude to say, but I just can’t pretend that I’m okay anymore! All this time ever since everything that’s happened, I haven’t been okay! And neither have you, and I’ve tried to be there for you and reconnect with you at least, but…you didn’t want anything to do with me and the only person you’d talk to was Belly! I’ve gone through enough hell. And so has Belly, so I’m just gonna go…have a little ‘chat’ with her.” Y/N explained everything to me through her tears and her drunken slurs about the hell she’s been going through ever since me and her broke up and ever since my mom died.
And as she said everything, it was all true and I didn’t even realize it all till now. And what she said struck a chord in me. I’ve been leaving her all alone and I shouldn’t have done that. Well, not anymore. I’m not gonna leave her alone anymore, no matter how much she stubbornly tells me off. I’m gonna make up for my mistakes. Then, as Y/N says the last part, she stumbles as she stands up on her feet, holding her fingers up like quotes. I knew she wasn’t just gonna have chat with Belly, she was gonna confront her. I couldn’t have her do that. Her friendship with Belly has always been so important to her so I couldn’t let her be the one to destroy it by having a confrontation and argument with Belly.
“Y/N, no. Just…Just come back to the house, I’ll let you stay with me, okay?” I offered kindly as I tried to help her and not let her be by herself in her drunken state and in her painful heartbreak.
“No! I don’t need saving, Jer. I’m not some piece of glass who’ll end up breaking. I’m fine. Just let me go.” Y/N protested as she tried to walk away from me and walk back to the house. I wanted to stay with her, but I had to respect her decision if she could handle it. I watched in concern from behind as Y/N kept stumbling up the small wooden board steps that would lead up to the patio of the beach house, her legs started to shake again as if she could barely stand and walk.
She then took another step until she tripped and fell down to her knees, making me immediately rush up to her side and try to help her up and help her walk.
“Y/N, let me help you.” I offered while trying to help her stand, but she pushed me away and kept protesting.
“No! Just leave me alone, Jer! If you don’t walk away right now, I’m gonna have to beat the shit out of you!” Y/N threatened drunkenly while she was holding back tears again and trying to stand up on her own.
“Oh, yeah? Let me see you try. I’m not gonna leave you, no matter how many times you push me away. I’ve pushed you away already, I’m not doing it this time.” I responded with sternness and determination in my voice.
As I challenged her to see her try if she can fight me off and push me away, I knew she didn’t have the guts to do it since I knew she still had love in her heart for me. She sat on her knees while I was kneeling next to her, and she turned around and tried slapping my chest and shoving me away, but her pushes weren’t strong enough. She kept trying and trying through her frustrated grunts as if I were her punching bag, but I didn’t let it affect me. She needed to take it out on anything or anyone. And since she was mad at me, I already took responsibility for how I treated her, so I felt like I deserved to be slapped and pushed since I was actually such an asshole.
Then after a few failed shoves and slight slaps from her, she started to get frustrated and feel defeated since I wasn’t going anywhere. Her shoves and slaps started to weaken and she immediately began to finally let out her tears even more. She broke down sobbing as her attempts to push me away and slap me were weakening and slowing down, and she started to lean her head and body against me while sobbing in defeat, frustration, and heartbreak. I wrapped my arms around her securely and protectively, holding her close to me and never wanting to let go of her.
“Shhh…it’s okay, it’s okay, Y/N. You’re okay, you’re okay, I’m here. I’m right here and I’m not going anywhere, okay? Shh…” I whispered softly while holding her tightly but gently, trying to comfort her. She still kept crying in my arms, one of my hands rubbing her back and my other hand caressing the back of her head and her hair. I held back tears as the sound of her cries just broke my heart.
“Y-You left me, Jer…! Why are you still here? Why aren’t you leaving me now? You…You love Belly…!” Y/N said through her drunken sobs as if she was expecting me to just walk away from her after I’ve been ignoring her all summer that she was used to being walked away and abandoned. My heart was just absolutely breaking for her even more. She didn’t deserve this at all. How could I do this to her?
“Because…Because I…I-I-I still—” I was about to respond to her that it was because I still loved her, but before I could finish, I felt her body go limp and she was breathing normally and peacefully, her eyes were closed while her face was tear-stained, and she still had mascara running down her face. She was passed out drunk in my arms.
I sighed guiltily and shamefully, and yet in relief that she was finally out cold so that she wouldn’t do anything stupid while drunk. Then, I put a hand under her legs while I put another hand under her back, lifting her up and carrying her bridal style.
I walked back in the beach house while carrying a passed out asleep Y/N through the party in the house, hoping everyone wouldn’t gossip or be concerned about it since I was already taking care of it. And also some of the kids were drunk anyway, so I’m sure some of the other kids didn’t care.
Then, I carried Y/N to my empty bedroom which only had my sleeping bag since me and Conrad’s bitchy aunt Julia removed everything from the house since she was selling it. And I hated that the beach house was being sold. It held too much memories of me and Conrad’s mom. But now that all the furniture is gone, it’s like memories of our mom are gone, too.
I gently laid Y/N on another sleeping bag that I had laying next to mine and I tucked her in, making sure she was comfortable. Then, I stood up and looked at her sleeping figure. She looked so peaceful and beautiful, despite that she was a drunken mess tonight and despite the mascara running down her face, she still looked beautiful to me. Then, I started to hear a girl crying coming from the bedroom next to mine. I leaned against the wall and heard Belly drunkenly crying in her bedroom. She was trying to call her mom, Laurel, for help since she had nowhere else to turn to about the situation with her having to choose between me and Conrad which is causing tension between me and my brother and also she told Laurel about trying to get the house back while everything she’s trying to do to help just keeps going wrong and she needed help. Her cries even broke my heart. A part of me wanted to go in there and hold her. I couldn’t bear to have my best friend upset like this. But, after what Y/N has been through not just tonight but throughout the whole year?
I thought about it for a moment again and I looked over at a sleeping Y/N, and I told myself again that I’m never gonna abandon her again. I’ve been focusing on Belly and putting her first all summer that I’ve been ignoring Y/N, so it’s time to make up for my mistakes and put Y/N first this time.
I slowly walked over to her and laid down in my sleeping bag right next to the sleeping bag that Y/N is sleeping in. I stared at her sleeping face again and after what happened tonight, I can’t get it out of my head. I could’ve lost Y/N tonight and it was my fault. As I looked at her with remorse, guilt, care, and sympathy, it felt as if a magnet was pulling me. I sat up and leaned forward and down, planting a gentle loving kiss on Y/N’s cheek before laying back down, getting ready to go to sleep.
Y/N’s POV:
As I was passed out asleep from being drunk tonight, I had no idea where I was at the moment. But, I opened my eyes very slightly in which my vision was very blurry and the room was dark since it was nighttime and my hearing was ringing and echoey as the party was going on downstairs. All I could see was someone’s sleeping face in front of mine, but I couldn’t tell who it was. Instead, my eyes just closed again as my eyelids just felt too heavy to be open and my head was pounding.
The next morning, I started to feel like crap. I opened my eyes slightly as the ringing in my ears started and then finally faded away. My head was pounding, I felt a bit nauseous, makeup was running down my face, and my hair was untidy. I looked around the room and wondered how I got here. I also noticed a gauze wrapped around one of my hands. I couldn’t even remember a thing about what happened last night. I could only remember that I was dancing and hanging out with a couple of girlfriends, and then I was crying for some reason, and that I took a walk on the beach. But the rest was all just a blur.
As I slowly sat up, I immediately heard a familiar voice next to me.
“Morning, Y/N.” Jeremiah said to me sleepily but with a concerned and sympathetic look on his face. I looked over at him and seeing him lay there next to me startled me and left me in surprise. What was he doing here laying next to me while he ignored me all summer? What the hell happened?
I furrowed my eyebrows in confusion as my head was still pounding a bit.
“Jeremiah? Wh-What are you doing here? What am I doing in…in your empty bedroom? What happened last night?” I asked nervously and in confusion, my voice slightly slurring since I was hungover, and I needed answers.
“You don’t remember?” Jeremiah asked in concern as he sat up, sitting next to me. I tried to think hard and see if I could remember anything about what happened last night, but I couldn’t remember. I looked over at him and shook my head.
Then, the moment was interrupted when me and Jeremiah heard Belly and her mom Laurel arguing in the room next door, their voices muffled until we heard Belly’s bedroom door open and close. Jeremiah helped me stand up to my feet before we both walked over to the door and opened it, only to see a crying Belly walking past us and past Conrad in the hallway. She looked behind her and glanced at us before continuing to walk away and walk downstairs. I wondered why she was upset. But whatever it was, I was concerned and felt bad for her.
Then Conrad looked over at us and glanced at me before looking at his brother as if he were encouraging him or something. Jeremiah nodded softly at him before taking my hand, closing the door behind us as we’re still in his empty bedroom. He sat us on the sleeping bags as I looked at him in confusion and in concern. He looked like he wanted to tell me something.
“Y/N…are you sure you don’t remember anything about last night?” Jeremiah asked me in concern in which I shook my head slightly before responding.
“All I remember is dancing and laughing while hanging out with a couple of girlfriends and then…I was crying for some reason, and then I took a walk on the beach. And the rest is all just a blur. And now for some reason I ended up here. What happened, Jer?” I explained all I could remember before asking him in concern about what else happened last night.
He took a deep breath while trying to find the right words to explain to me about what else happened last night. He looked as if he didn’t wanna bring up what happened last night since it would bring back the pain and heartbreak.
“Well, um…you, uh…you were pretty drunk. And…you were at the beach to go in the water to…to commit suicide, but I stopped you and asked you what was wrong, and you…admitted that you, um…saw me and Belly…almost kiss. And…you also explained to me the hell you’ve been going through ever since our breakup a few months ago and ever since my mom’s death. And…also that I’ve been ignoring you all the summer since I’ve been focusing a lot on Belly and I was too blind to see that…that you were still in my life and…” Jeremiah explained everything to me before he trailed off and paused as he could barely finish the sentence. His eyes were tearing up as he felt huge remorse and guilt for what he put me through and he wasn’t sure if he could ever forgive himself.
“God, I’m so sorry, Y/N. I’m so, so, very sorry about how I’ve treated you like as if you weren’t in the room. I’m so sorry I ignored you and didn’t put you first and didn’t realize what you were going through. That’s a mistake I won’t make again. I feel like I don’t deserve your forgiveness, but…I realized that…that I also never stopped loving you.” Jeremiah apologized sincerely as a tear rolled down his cheek. As he explained everything, I started to remember a little bit even though it was still a blur. I felt embarrassed that I vented to him about how I’ve been feeling the night before and I didn’t wanna drag him into my problems. But when he said that he also never stopped loving me, I widened my eyes and looked at him in surprise.
“I…Oh my God, I feel so embarrassed for my behavior. I’m sorry. I’m sorry that I dragged you into my problems. But…But what about Belly? You love her, don’t you?” I asked, unsure if he was just playing me if a part of him is gonna feel something for Belly and I didn’t want him to choose between me and her. But I was unaware that he already made a decision.
“Yeah, about that, I thought I felt something for her since…last summer when I saw her new glow up and when she first brought you to Cousins for the first time…I thought I was done for. Like, I really felt something for her, but…when I met you and bonded with you and also she’s always gonna love Conrad, even if she won’t admit it to herself…I realized I was lying to myself. I thought I liked her, but…Belly’s not like you, Y/N. You’re irreplaceable. And I’m so sorry that I didn’t see that sooner. Ending things between us was a mistake. I miss what you and I had just as much as you do. And…I don’t know if you can ever forgive me, but I—” Jeremiah said honestly to me as he took my hand. But, I was actually proud of him for finally making his decision. And I just hoped that Belly would soon decide who she truly wants, too, and I hoped it would be Conrad she’d choose because they were actually good together, even though they were opposites.
So, as Jeremiah kept talking, I immediately cut off him off by quickly leaning in and kissing him on the lips, taking him by surprise until he kissed me back. Our kiss was passionate, loving, and tender. His lips just felt so soft and smooth and he was a very good kisser. Then, we pulled away as we gazed in each other’s eyes, his bright blue eyes staring into my Y/EC.
“So…does…does that mean you…forgive me?” Jeremiah asked while he was still in shock from me making the first move and kissing him.
“Of course I forgive you, you lovable doofus.” I responded while smirking and tousling Jeremiah’s golden curls, messing his hair up and making him laugh.
“Hey!” Jeremiah whined playfully through his laughter before flipping his short golden curly hair, making it still look the same as it did before. I giggled before he smirked and tickled me on my waist as revenge from when I untidied his hair.
I squealed and laughed and squirmed around as he tickled me. Then I waved my hands up in surrender.
“Okay, okay! I give! I surrender!” I protested through my laughter before Jeremiah stopped tickling me and smirked. Then he leaned down as I was laying down on my back on the sleeping bag and we giggled again before we shared another tender, loving kiss.
I felt my heart beating out of my chest. I was so ecstatic and relieved that I was actually back together with Jeremiah! I felt as if the darkness inside me has been taken away and then the light has risen inside me again.
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tsams-and-co-memes · 1 month
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TSAMS Sunrise Canon Info
Updated - 5/11/24
Sun's likes:
Cats (he owns two)
Dressing up his cats
TF2
Listening to/watching documentaries while he cleans
Red Dead Redemption and Baldur's Gate 3
Cult of the Lamb
Yellow (his favorite color)
Snapple (his favorite drink)
Hamburgers (his favorite food)
Spiderman
Sun's dislikes:
Squids
Insects
Balloon Boy
Hot water
Sea water
Taylor Swift
Garden gnomes
Sports
Salads
Kids (this was implied)
Eclipse
The creator
Bloodmoon
Roxanne
Minesweeper
Miscellaneous:
Sun tends to get very competitive with gaming
He’s watched the entirety of Dragon Ball Z
He has an obsession with cleaning and stacking the toy barrels/tumble barrels in the daycare. If they’re not adequately cleaned or stacked in a very specific way, he gets upset
He’s bought stilettos and tried on a dress before, while saying that he’s a pretty princess
He used to have a crush on Roxanne
He’s not good at dancing and really only moves the upper half of his body
Sun is pansexual (check for sources). He's not bisexual, so him being pan is slightly more likely
Sun has a car and knows how to drive
He isn’t very good at acting
He has a habit of cheating when playing competitive games
It’s been implied numerous times that Sun occasionally enjoys cross dressing
Old Moon has made a statement before, suggesting that Sun has kleptomania
Sun can read bar codes
He apparently knows the history of gravel and can talk about it for hours
He was programmed to know how to drive
His rays are made of plastic
He plays D&D and his character is a warlock
Sun grooms his rays like they’re his hair, and he uses ray polish to do so
Sun knows the history of Windex
Sun knows how to play Yu-Gi-Oh
Cleaning is one of the things that calms him and helps him focus
Sun panics sometimes when he's not doing anything, because he feels like he's not doing enough. Apparently this was triggered by Eclipse's return
Sun can't calm Moon down whenever Moon gets seriously upset, and Sun finds that "kinda scary" (<- exact wording from the therapy video). This means that on some level, Sun is afraid of Moon's anger, and of Moon acting irrationally when he's upset
Sun is the only janitor in the daycare
Sun's had a bird fly in his face before, and according to him, it's more annoying than scary
Sun's not good at bowling
He's eaten glitter glue at one point as a coping mechanism. He may or may not have also eaten sparkles
Sun knows how to grind coffee beans
He turned his basement into a cat den, and his cats have their own TV
Sun drinks (we don't know how often)
If he could be an animal, Sun would be a stingray
Sun doesn't clean the bottom of the ballpit
Sun received an offer to replace Glamrock Freddy as the face of the pizzaplex, but he refused. A lot of the refusal stems from him not wanting to be on a stage in front of so many people
Sun's never watched any classic Disney princess movies that occurred before Beauty and the Beast and Mulan. This would include ones like Snow White, Sleeping Beauty, and Cinderella, although he's had Cinderella play passively in the background before (knowing Earth though, she'll probably make him watch all the original princess movies eventually)
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faelapis · 8 months
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despite some concerns raised by the trailer/marketing, i am still excited for the wish movie. a lot of that has to do with king magnifico.
that being said, i approach it from a different direction than a lot of other people excited for a “classic disney villain.”
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first of all, yes. i, too, love the camp and melodrama of classic disney villains. i love that they express their wishes through big bombastic musical numbers, and said musical numbers are often the best in their movies. i like how queer-coded and fun they often are. i like the sass, the drama, the energy.
where i disagree with a lot of people is with this notion that disney movies “don’t have villains” anymore. i don’t think the likes of hans (frozen) and tamatoa (moana) are less evil than "classic" villains - they’re plenty willing to kill with a smile on their face.
i think what people ACTUALLY miss is the big performance around it all. the aesthetic. someone who does these things while being a major character (so not tamatoa) and deliciously, obviously evil while having fun with it the whole time (so not hans). i think it’s that specific combination people are missing. we still have villains, they’re just either not as “fun” or not as “important.”
of course, that take is less punchy than saying disney doesn’t have villains because "steven cringeyverse destroyed western animation and now companies are too scared to make real villains >:( !1!!!"
yeah i never understood where that came from. if anything, redeeming villains is more controversial than killing them. especially in america, being punitive is the norm. forgiveness is cringe. yet so many act as if there was some big consumer and/or corporate pushback against the idea of villains…? at some point?? i guess????
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someone must've forgotten to tell that to disney tv animation, where you’ll find everything from bill cipher to belos in the modern era. (also, other companies exist? dreamworks is not some indie studio, they’re fully willing to have big, campy villains.)
but yknow, people like to feel like underdogs. they like to feel like they're somehow oppressed because some animated media don't have classic villains anymore... despite there still being plenty around. you can’t just like villains, you have to make it everyone else’s problem. like disney is obliged to do the same character tropes in every movie. or villains are "dead."
what actually happened is just… some writers at disney decided they wanted to do different things. that’s it. so you now have a handful of movies where the villain is either a minor character, or nonexistent.
it’s not a conspiracy, it’s not a concerted effort to destroy villains. it’s, at most, a trend. because some writers wanted to push against the previous status quo. and now other writers who grew up with that want to have more classic villains, because that’s what they see as exciting and new. it’s just a cycle of trends and countertrends.
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anyway. long tangent aside, i’m actually very excited for king magnifico. in part for a classic villain performance (he gets a song!!) - but also, it sounds like he might scratch a particular itch of mine.
which is to have a big, dramatic, irredeemable villain… who is still a human and has an understandable pov.
yes, you can combine these things. it’s not common for disney, but a lot of what we consider “great movie villains” throughout history have been this exact combination. they have to be defeated, they refuse redemption, they are 100% committed to their goals and will not budge - but they also GENUINELY BELIEVE in those goals.
what i’m really asking for here is a sincerely motivated character. someone who is a villain, but doesn’t SEE himself as a villain. someone who isn’t lying when they try to endear themselves to the hero or promise to make the world better if they join forces. it’s just that they are completely misguided about what would be good for the world, and nothing will persuade them.
whether someone is a villain, a hero, or anywhere in between, i think asking a character’s motivation - and playing those motivations straight, rather than just as a mask for plain selfishness - is key.
as i’m saying this, you might notice that it’s not actually too far off from what i like in other characters. jasper in SU is basically this in her "main arc” in season three. she refuses help, she’s a huge dick to everyone… but she also 100% believes in homeworld as an institution and is actually, genuinely selfless. even if it means her own corruption, she refuses help, because that would betray her cause. which she values above her own life. and by rebecca sugar’s own words, jasper doesn’t even believe she deserves help.
the common thread here is really tragedy. someone you can root for and against at the same time.
so how does this relate to king magnifico? well, jennifer lee (writer for this movie & also the frozen movies) just had an interview where she talked a lot about wish, and in specific, having a classic disney villain in magnifico.
she illustrates a lot of what i’ve been talking about - that there is no grand conspiracy at disney against villains. they just had different stories they wanted to tell. there was no mandate either for or against villains, not in this movie or any other. they just did what they wanted to do with those stories. (btw, that’s not me saying there isn’t pressure at disney to tell certain stories and not others. it’s just that the concept of a villain isn’t as important to the corporate side as, say, not making elsa gay.)
anyway. what makes the king magnifico portion interesting is how lee talks about exactly what i’ve been saying. they knew they wanted a classic disney villain, but it sounds like they still want him to be different from other such characters. namely, they wanted to find the benevolent side of him, how he genuinely believes what he believes and DOES want what he thinks is best for the city of rosas.
and the plot totally checks out - basically, he decides whose wishes come true. and that’s really interesting, because a wish can be anything, good or bad. it sounds like he really wants to prevent what he sees as bad wishes from coming true, and is too conservative in what he allows or not. and his way of being kind about rejection is to remove those wishes from people’s hearts if he cannot fulfill them.
that’s SUCH a great concept for a villain. it speaks to issues of control, of agency, of being in the paternalistic position of deciding what is “best” for everyone else. it gives me a little bit the wizard of oz (as in the wizard himself, who is a charlatan trying to maintain a pleasant status quo, even if it’s a lie), and a little bit white diamond (controlling the lives of others, but genuinely believing you are being selfless and heroic about it / steering people on the “right” path).
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reading that interview, my excitement for this movie went from like a 2/10 to a 8/10. jennifer lee seems to have a real interest in creating characters, not just stock tropes. elsa is one of the best disney princesses (fight me) for exactly the same reason.
another great concept talked about here (which you also see in lee’s frozen, with anna and elsa as opposites) is that of duality. there’s a lot of talk about magnifico and asha being two sides of the same coin, both initially believing in this system and wanting what’s best for the city. and from there, they divert to their opposite paths in what specifically they think is right. the interview talks about them as if they were this thesis and antithesis about what’s right for the city, needing to reach a synthesis. in talking about this concept, they included this illustration:
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notice the similar poses. both have their hands behind their back (commonly used to convey a character is hiding something), their feet pointed out, and give the world a pleasant smile. asha has a darker color palette in a world of light, magnifico is a ray of light in a dark space. it's interesting for its duality.
so yeah. all in all, i’m still excited for wish. i want to take alan tudyk goat out back and shoot it for a quick, humane death… but failing that, i’ll just pray his role was hammed up for the trailer. please tell me it’s not that insufferable. please.
because i do really like everything else i’ve heard about this movie!! i like that asha is described as this idealist with “dumb courage”, like maybe she’ll actually have some character flaws and need to learn?? (maybe? hopefully?) i like everything i just said about king magnifico. i like that we have this blend of 2d and 3d animation, that’s such a clever concept for a “100 years of disney” celebration.
so yeah. i will be watching. never have i ever prayed for chris pine to save a movie, but today might just be the day!
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mistydeyes · 7 months
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a collection of random late night thoughts from a high reader: pt ii
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summary: You're back at it again but this time following a joint Air Force mission in Colorado. Price and Gaz learned their lesson so Ghost and Soap are here to entertain your texts.
read part i here!
pairing: 141, laswell, konig x platonic!reader
warnings: swearing, implied drug use
a/n: okay just a lil something something as I make my way through my inbox! you guys have such cool ideas I SWEAR
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r/n: guys i’m upset you didn’t show me these pictures of you :(
ghost: what the fuck are you talking about
r/n: these :((
r/n:
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r/n: @ghost @soap i'm making some snack do you want some?
ghost: if it’s that crap you bought from walmart i’m good
soap: I SMELL POPTARTS
soap: TOAST THE STRAWBERRY MILKSHAKE ONES
soap: IM COMING DOWNSTAIRS NOW
ghost: please go the fuck to sleep
r/n: do you guys think that if we had a show about us it would get a movie?
ghost: you know half of our missions are top secret
r/n: I KNOW but imagine if it was like marvel and i got to be played by a celebrity
gaz: they're all hotter than you, no one can channel that ugly mug of yours
r/n: FUCKING FIGHT ME YOU ACTOR WANNABE
r/n: if we were a family:
price would be the dad falling asleep to the history channel
laswell is definitely the fun aunt (she sneaks me wine during holidays)
ghost is your angsty older brother who listens to screamo
soap is the middle child who sets fire to things
gaz is the baby brother and is always sticky🤢
r/n: alejandro and rudy are those uncles who you only see on facebook and they’re either at disney or on vacation abroad
soap: correction i set fire to dolls and make them into one supreme action figure
r/n: alejandro you never told me you met lady gaga (*questioned by alejandro*)
r/n: spotify link to alejandro by lady gaga
ghost: i cant see the links
r/n: ofc you’d be the asshole who uses apple music over spotify
r/n: i miss farah
farah: i miss you too <3
r/n: too bad you’re far-ahway
farah: 😐
r/n: i’ve figured it out
r/n: price is lana coded, gaz is hozier, ghost is a mix of artic monkeys and the 1975, and soap is ajr coded (derogatory)
soap: why do you always shit on me
r/n: just listen to bang! that’s so you
r/n: can we get matching tattoos?!?
ghost, gaz, price, soap: no.
r/n: too late, i already sent an artist these
r/n:
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ghost: I SWEAR TO GOD IF YOU DONT STOP SINGING THE STATES AND CAPITALS SONG I WILL MURDER YOU
r/n: but i was just getting to delaware :(
r/n: you should use this link, price
price: okay, yeet
gaz: he’s becoming too powerful
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lopsicle · 1 month
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Okay,like a couple minutes ago I learned that it is actually trans day of visibility today soo woohoo! Kind of hard to celebrate in this shithole called the UK though, so I’m going to hide on tumblr and talk about which characters I think are trans coded or just Headcanon as trans because it’s my day I can do that now heheheh-
Also, I’m just tryna do a little thing for trans visibility day, I like being opaque, I ain’t trying to start any arguments, if you see a Headcanon you disagree with, just scroll. And if you think I’m biased towards transfem characters, it’s because I am and I ain’t apologising for that, they’re underrated in terms of fandom and obvs I’m transfem so I love them and relate to them more. Transmasc characters still will be on this list though as there’s so many that I love.
Characters That I Think Are Transgender Because Fuck You
Number one: Hunter Noceda (The Owl House)
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This was probably the easiest and hardest pick for the list, for a couple reasons. Number one, I don’t think there’s a single person who agreed this pathetic wet cat is cisgender. Whether you think he’s transmasc, transfem, something else entirely, he ain’t cis. It’s clear why the fandom clung to Hunter as the resident trans character, him having a secret identity via The Golden Guard (seriously, any character with a secret identity is immediately trans, I don’t make the rules), the overconfident attitude mixed with deep insecurity and his arc about finding a way to ‘like who he is right now’ in Thanks To Them really just sealed the deal. Other little details like how his hair cuts helped him find his new identity did not help his case.
While I personally think he’s transfem, and am just using he/him because that’s his canon pronouns, Hunter is one of those characters that a lot of people can identify with which is what The Owl House is really about so I kinda had to include him on this list. The reason it was a hard decision is because holy fuck, every single character in this show is trans. Deciding between him and Amity was the hardest choice of my life because transfem Amity is heavily underrated and I love her, but you really can’t compete with Hunter, he’s had an amazing influence on the fandom and the character has probably helped a lot of people come to terms with their identity.
To summarise, Hunter is a great character, I miss him everyday, I miss The Owl House everyday, he was cool as fuck and a lotta people identified with him.
Anne Boonchuy (Amphibia)
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This is one that I feel is heavily underrated, and that’s coming from someone that took two years after the show ended to watch Amphibia. With Amphibia, pretty much all of the human characters are Headcanonned (is that a word?) as some part of the trans umbrella but Anne is the one who does not get enough attention, especially for a main character.
At least to me, Anne was very transfem-coded in the show, everything from her raggedy appearance, to her essentially assuming a new life in Amphibia to the arc about accepting who you are to THE SONG ABOUT ACCEPTING WHO YOU ARE-this was the most in your face, trans-coded rep I could ever ask for. But she is criminally underrated in terms of being viewed as trans rep even though I’ve found her story one of the most compelling in terms of trans coded storylines in nearly any piece of media I’ve ever seen. Give Anne more attention, she’s literally the best. Marcy and Sasha are cool too but Anne’s writing deserves so much more praise than it gets.
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Dipper Pines (Gravity Falls)
If you haven’t realised it yet, this entire list so far is just one massive fuck you to Disney because fuck Disney. Dipper was the closest we got to having a canon trans main character in a mainstream animated show and it was taken from us, fuck Disney y’all. But still, Alex has all but confirmed Dipper’s identity as trans masculine, you can see remnants of that arc with him learning that he’s a man in his own right and masculinity being something he can define for himself, the whole thing about Dipper actually being a nickname, and him bonding with the men in his life, like Stan.
Even though I didn’t notice it when I was a kid watching the show, rewatching it now with the knowledge of Dipper’s identity makes the experience a bit more personal, I can see bits of myself in Dipper and I think that’s the whole point of his character. Watching it as a kid you can relate to him because of his sarcasm, his bluntness, his comedy but also because of how heroic, adventurous and curious he is, he’s basically the idealistic role of the viewer. But as you get older and think more critically about him, you can see more of his flaws and that makes him so much more real and so much more relatable. Obviously being trans isn’t a flaw, that was just me doing a side tangent because Dipper means the world to me and is only the standard of writing a cartoon protagonist in some ways, I just think he’s a really cool character and Disney robbed us.
Also Pacifica is transfem because TfT couples are hecking adorable
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Sallie May (Helluva Boss)
Guess who just realised that (other than Dipper technically) I haven’t put a single canon trans character on this list. Headcanons are better, I don’t make the rules, but Sallie May is amazing. No matter how critical you are of Helluva Boss, one thing it unapologetically does well is queer representation. The amount of characters that the audience can relate to makes it almost addicting to watch as you get to watch these characters live their best lives. Well, their lives are kinda fucked but you get what I mean, they just get to live as queer people, most of the time.
And Sallie May is proof that trans people will eat up absolutely anything, even if it’s a whole thirty seconds of screen time of a trans character. Being fair to her, Sallie May eats up every moment she gets on screen, her dialogue can be equivocated to just a middle child acting like a middle child and I think it is partly that, I feel like we have a lot more to learn about Sallie May and in turn her sister Millie. At least I hope we do, Millie’s writing needs to improve, their family dynamics can be so interesting because every other one of their siblings is a boy, their parents can be judgemental, I feel like even if Sallie May can be a bit taunting to her, those two are probably really close, especially since Millie is one of the people Sallie May would have to go to for girl advice.
To summarise, since I went off on a bit of a tangent, Helluva Boss brings out the worst in me, give Sallie May and Millie more screen time, they’re the best, we love healthy sibling dynamics.
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Double Trouble (She-Ra)
Jesus, they’re hot. Anyway, the first non binary entry on this list, the fabulous Double Trouble who stole the entire show from the moment they were introduced. Throughout the entirety of the last season, I can remember just waiting for the point that they’d show up again and nearly screaming when they did.
Double Trouble was one of the most charming members of the She-Ra cast and became effortlessly iconic, conning every single character, playing both sides of a war so that they’d come out on top, and they did win in the end. DT basically had zero consequences and even got to flirt with Sea Hawk when they were reintroduced so they got a win really. Double Trouble was mean, condescending and a liar and I love them so, so much, them being a shapeshifter is just absolutely perfect and fits their character so well. It was nice to see Non-binary rep in a cartoon and have it not immediately be cancelled, looking at Disney and thank God it wasn’t because She-Ra really wouldn’t be the same without this manipulated, child of a bitch
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Crowley (Good Omens)
You know the gender’s hitting when you don’t even know what the fuck the gender is. Crowley is a delight of the character from the moment they’re introduced to the end of the show, which nearly broke my heart since I watched it just recently, if anybody would like to send me tissues, that would be greatly appreciated.
From my vast research of one google search, I’ve concluded that they’re gender is up to viewer interpretation which is actually what mine is too so I can respect that. This literal demon stole the show whenever they were on screen, whether it was David Tenant’s acting, the moments we saw softer sides of him, her pinning over Aziriphale of them just being an actual demon, Crowley is a wonderful piece of representation and I hate that because it makes me sad, let them get together, please.
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KFC
Not to be confused with that one place that makes pretty good chicken, I’m talking about the protagonists of two of the best RPGs ever made, Undertale and Deltarune.
For those unaware, KFC is the trio name of Frisk, Undertale’s protagonist, Chara, Undertale’s narrator and Kris, Deltarune’s narrator. Despite them being the main characters, they’re not characterised too strongly as you are in control of them for most of the game, minus Chara who specifically says you aren’t in control of them. Due to it being canon to the games that you are playing as these characters, the Internet started a rumour that they are whatever gender you want them to be, which was just never true. Undertale is packed with trans representation, and these three are no exception. It’s the whole reason I added them to the list actually, just to get the message across if anyone was unsure; they’re all Nonbinary.
Frisk and Kris, despite only having glimmers of their true characters in the game, are still very lovable and intriguing with their actions. Even just the idea of these two being controlled, which is more of a heavy theme in Deltarune, is enough to make you interested in their characters, especially when Kris starts fighting back against you. This entire section is just gonna be a couple paragraphs of me fighting back the urge to yap about Undertale lore so you’ll have to forgive me. Chara, being the only one not under your control, has a much stronger character through the lines of dialogue from them or said about them, the latter usually being more interesting as it gives you insight to their tragic life.
Undertale is one of my favourite and given the amount of rep it’s given us, I had to pay homage to its own main characters on this list. Even though I’m hungry cause now I’m thinking about KFC.
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Jake Peralta (Brooklyn Nine Nine)
I think it’s been a year since I finished tumblr’s favourite sitcom and while Jake was lovable, he didn’t stand out to me too much. Still, this guy suffered from that overconfidence but riddled with insecurity personality which lead to him being inevitably headcanonned (it’s a word I decided) as trans masculine. I don’t know what the correlation is between those kinds of characters and the transmasc headcanon, maybe it’s the desire to present as being that confident, maybe it’s being that confident but still held back by struggles about your gender identity but that’s neither here nor there.
What is here and is there is that this show was amazing for trans people, even if only in small ways and Jake was no exception to that. He was funny and watching him grow through those eight seasons gives you one of the most satisfying and heart throbbing conclusions to a TV show, largely due to his presence as the main character. Even though it’s not canon that he was trans masculine, the Headcanon is so popular that I had to pay homage to him and add him to the list.
Jack Kennedy (DSAF)
Is this fandom so dead and so unpopular that I couldn’t find a good gif? Yes. Am I gonna talk about it anyway because I love these games and I want an excuse and this is my day? Yes.
Anyway, Jack Kennedy was the main protagonist of the Day Shift at Freddy’s games and if you don’t know what those are, there’s a 50% chance you had an alright childhood. DSaF is obviously a fan game of the more well known horror franchise Five Nights at Freddy’s and I think they are some of the best fa games ever made. They’re hilarious, they’re so low budget it’s insane, it can give you the hardest tonal whiplash of not taking itself seriously to one of the hardest stories you’ve ever went through seamlessly and I don’t even get a fuck. The story told by these games is done so well and evokes so many emotions but one important thing it’s done is actually be really great for queer rep.
Despite it being played for more of a joke in the earlier games, the two characters Jack and Dave Millie clearly have romantic chemistry and that was so important back when the games released since they became so mainstream due to being attached to a popular franchise. Many fans headcanon Jack Kennedy as being non binary, which is a label that I think really works for them, mainly because it fits for the protagonists of roleplay games to be non binary. I can’t explain why, it just makes presenting the character to the audience so much easier and makes them a lot easier to play without having to worry too much about the gender of the character.
Anyway, Jack’s a self described asshole with a noble goal, and playing as them really gives you a feel of their character and makes you understand why this little known indie franchise snuck into so many people’s hearts.
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Bridget (Guilty Gear Rising)
You know I had to end off the list with one of the most iconic, canon, transfem characters out of there. Pretty much every single transfem has heard of Brisket and not a single one has played Guilty Gear Rising, I had to look up the name of this game just before this to make sure I got the right one.
Bridget has recently become a meme on the Internet, with every other transfem having her in her pfp, Bridget became a staple in the community. As stated, I can’t talk too much about her character but seeing the Internet come together to just appreciate this one transfem character, despite their being obvious hate and pushback and claiming her being canon transfem was a ‘mistranslation’ (to my knowledge) was actually really heart warming.
I didn’t really get trans day of visibility too much, I was happy for it, thought it was cool we got a day but it didn’t really help us all that much. But the more I thought about Bridget is the more that I saw just how good it can feel when people come together. It doesn’t have to be a movement or a call to action to save trans people from another bill trying to wipe them out, which is just depressing to listen to, it can just be as simple as joking about this character that barely any of us know. That level of community made me understand what this day was actually about; finding common ground and letting at least one other person know that they’re not alone, that there’s so many people just like you out there, that went through the exact same thing as you did at some point. And to let you know, those people turned out fine, so you’ll be okay too.
Happy trans day of viability everyone, even if this list only reaches one person to let them know they’re not alone, I’ll be happy with that.
Anyway, ignore the emotional stuff there, here’s my honourable mention of
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EVERY SINGLE SPIDERMAN, SPIDERWOMAN, SPIDERPERSON, TO EVER EXIST, THEY’RE ALL TRANS, YOU CAN’T CONVINCE ME OTHERWISE
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starplusfourletters · 7 months
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Dark Force Rising rant incoming
So I’m open to the possibility that I am Enjoying the Media Incorrectly buuuuuuuuuuuuut Dark Force Rising is a comedy, right? Like, approaching a farce? If I were in charge of turning this into a movie my first step would be to get Chuck Jones on the line. But in that way I think it captures the OT energy perfectly because, like, the OT is very campy. I’d low-key started to forget that. Hey Disney I just remembered this is supposed to be fun
Come to Dark Force Rises we have:
Mara “No Really I’m Still Going to Kill Luke Skywalker” Jade. Mara “Imperial Policymaker” Jade. Mara “But I Thought I Was the Emperor’s Special-est Killing Machine” Jade. Mara “The Problem With the Modern Empire Is No One Trusts Each Other Anymore :’(” Jade. Mara “Exotic Dancer???” Jade. Mara “Has a Backdoor Access Code to All Imperial Star Destroyers and Is Somehow Still Bitter About Losing Her Position” Jade. She is nothing like what I expected and I love her
Luke “Lesbian Energy” Skywalker [Stand aside, Multiday Character Bonding Hiking Trip – Multiday Character Bonding Road Trip (in what I’m picturing as a Toyota Corolla) is coming]
Leia “What to Expect When You’re Expecting Everyone Else to Get on Your Motherfucking Level” Organa Solo
Han “The Clever One” Solo
Wedge “Fundamentally Just Some Guy” Antilles
Lando “Please Let This Be a Normal Field Trip” Calrissian
Taron “Work Friend Accidentally Becomes Real Friend” Karrde. Unfortunately he’s the only killable protag currently on the field soooooo
And then we have Thrawn. Poor sweet Thrawn. My guy. He’s playing 3D chess and everyone else – they’re not just eating the pieces, they’re losing the pieces entirely on accident. He’s always two steps ahead, but the protags have wandered off the trail because they saw something shiny. He sees the other characters start acting more and more erratic and he’s like “at last! My adversaries have developed a more intricate strategy!” and goes veering off in a different direction, and then smash cut to the protags being like “…wait he literally had us that time where did he go?” He’s flying circles around a New Republic plot that straight up doesn’t exist. He manages to capture the Falcon but ends up handing it to Luke as a gift-wrapped getaway car because of shenanigans he simply had no way to predict. He just wants an int-build playmate and every other character min/maxed charisma. He’s rapidly becoming my scrunkly meow meow
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wisteria-lodge · 6 months
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SORTING DISNEY VILLAINS (1937-1989)
For  *spooky season.* I suspect this will be easier than sorting the heroes, who tend to be reactive while villains are very clear about what they want and what exactly they’re going to do to get it. Let’s see if this ends up being the case. 
I go into a lot more detail about this character analysis system here, and talk about the move away from the HP terminology here. But here are the basics: 
PRIMARY (ie MOTIVE)
BADGER ~ Loyal to the group.
SNAKE ~ Loyal to yourself and your Important People.
LION ~ Subconscious Idealist. Ideals are linked to feelings and instincts.
BIRD ~ Conscious Idealist. Ideals are linked to built systems and external facts.
SECONDARY (ie METHOD)
BADGER ~ Connect with the group. Make allies, work steadily and well. Be whatever the situation calls for. If you find a locked door, knock.
SNAKE ~ Connect with the environment. Notice things. Tell people what they want to hear. If you find a locked door, get in through the window.
BIRD ~ Collect skills, knowledge, tools, personas, useful friends. If you find a locked door, track down the key or learn to pick the lock.
LION ~ Be honest, be direct, speak your truth. Either the obstacle is going down or you are. If you find a locked door, kick it in.
THE EVIL QUEEN (1937) - BURNT BADGER / BIRD
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So. I know that in Snow White the Queen's Thing is Vanity, but.  The ‘Vain Villainess’ trope is about the fear of becoming less powerful in a world that only values you for your looks.... which doesn’t actually seem to be her issue? The Queen seems pretty darn unchallenged in her universe. That’s almost part of the problem - there’s an addiction/obsession/paranoia flavor to the way she’s constantly checking in with the Mirror.
I don’t think the Queen is actually obsessed with Snow White’s beauty. I think she’s obsessed with her innocence, her “heart” (that’s literally what she asks the Huntsman to bring her, Snow’s heart in a box.) Snow White isn’t just the “fairest” as in the prettiest, but the fairest as in the most fair-minded, the most honorable. The presence of Snow, with her optimism, kindness, and trust is an existential threat, proof that the Queen is going about things all wrong. Her power definitely has a edge of sadism: She forces Snow to wear rags (none of the other princesses wear *rags.*) And I’ll be haunted by this image of the Queen’s dungeons forever.
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So even though my first instinct was to go Hedonist Snake primary for the Evil Queen, that’s not right. She’s not focused on enjoying herself. She doesn’t seem conscious enough of her own desires to be a Bird, and Exploded Lion is possible… but I’m going with Burnt Badger. An obsession with being “Fairest of them all” seems to suggest a group-focused, External-facing primary, and I absolutely see how the extremely UnBurnt Badger Snow White would really get under a Burnt Badger’s skin. 
Obviously a Bird secondary. The Evil Queen is Mad Scientist coded, even has a literal evil laboratory. The “Old Crone” plan features a transformation, a costume, and is very much an Actor Bird persona.  
THE WICKED STEPMOTHER (1950) - SNAKE / BADGER
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While she does seem to get some sort of sadistic pleasure out of controlling Cinderella, the Wicked Stepmother’s main motivation is her daughters. Her daughters kind of suck, but that doesn’t actually matter. The Stepmother is going to make sure they get that happy ending, with all the targeted loyalty of a Snake Primary. There’s a Badger secondary in there too, which you can see in the way she’s… subtle. The Stepmother takes away Cinderella‘s privilege bit by bit… but never actually goes after her directly. She manipulates her daughters into doing her dirty work (like the way they tear up Cinderella’s dress) so she can always maintain plausible deniability. She’s prim, she’s proper, she’s Lady Tremaine. Dark Courtier Badger, all the way. 
THE QUEEN OF HEARTS (1951) - LION / LION
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This Queen’s thing is that she’s childish. She wants what she wants NOW. Doesn’t matter if it makes sense, doesn’t matter if it’s impossible. The Queen of Hearts functions as both a lesson to Alice (authority figures don’t always know what they’re talking about) and as a warning (this could be you if you don’t navigate the transition to adulthood properly.) I see a very young Glory Hound Lion primary in the way she forces everyone else to cheat so she gets the emotional reward of winning the croquet game. I also want to attribute the Queen of Hearts’ extremely short fuse to her Lion primary - she acts on what she’s feeling the *second* she starts feeling it, and never questions this. Also she's a Lion secondary. There’s no plan. She lives in Wonderland. She’s living moment to moment.
CAPTAIN HOOK (1953) - BADGER / SNAKE
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Unlike the Queen of Hearts, Captain Hook does not seem to be *of* the magical land he lives in. He is this outside force trying to impose order on Neverland, leading the only rigid organization there and constantly tying up/imprisoning the main characters. Hook is also the only one th threatened by the concept of time (the ticking crocodile.) *Peter* will never grow old. But somehow Captain Hook will? Or feels like he will? Tradition also says that the actor playing Wendy’s controlling father should play Hook as well, so there's definitely something about toxic order or toxic control going on (the Disney film uses the same voice actor in both roles.) So in the world of Peter Pan, Hook/Father becomes representative of adulthood/society/the Man. That makes him an Authoritarian Badger primary, defined by his organizations.
For his secondary - Hook’s not much of a planner. He’s most effective while he is talking an angry Tinker Bell into helping him, and in that scene he’s charming. He flatters her, pivots according to what he thinks she wants to hear, and while Courtier Badger secondary is possible, I think this feels more like Snake. (I also think you have to be some kind of Improvisational secondary in order to hold your own against Peter.) It makes sense - Hook has to be appealing and seductive as well as threatening, because that's kind of what adulthood is.
MALEFICENT (1959) - BIRD / LION
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Maleficent’s feels socially slighted in a very *abstract* way. She doesn’t seem to have an emotional response to either the other fairies OR the King and Queen OR Aurora. Her curse doesn’t have anything to do with with her social standing, or her power, or her role in the kingdom. We actually don’t know what Maleficent’s deal is. Maybe by not inviting her to the christening the kingdom has broken some important Rule of hers. Or maybe she’s just torturing people because she’s bored, and this is a fun Project. (That is her plan with Phillip after all, and this image will ALSO always haunt me.)
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But either way, she’s a Bird primary. The only question is if she’s more of a System-Building Bird, or a Project Bird. 
Unusually for such a cold villain, I think I want to give her a Lion secondary. She’s patient, and her plans take place over long time-frames, but the plans themselves are direct - “When your daughter turns sixteen, I will kill her.” Done. Also, when Maleficent is threatened, she turns into a giant dragon who certainly does not plan, and her goons (while useless) are very loyal. So another point for Inspirational secondary.
CRUELLA DE VIL (1961) - LION / LION
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Cruella wants a coat made out of Dalmatian puppies. That’s  it. So I'm putting her in the same category as Hannibal Lecter, someone doing this for the *art,*  the ~*~aesthetic~*~ of the thing. But unlike Hannibal, nothing about Cruella is cold or considered. I don’t think she’d be able to tell you why she wants that Dalmatian coat apart from “It’s fabulous, darling.” So instead of going Bird primary (the typical Weird Villain sorting) I’m saying she's a Lion. Cruella seems to have an aesthetic-based morality: "fabulous" and "non-fabulous," instead of "good" and "bad." She’s a Fay Lion primary, like Jack Sparrow.
Her secondary is harder. She definitely has goons, but they’re useless, and don’t seem to like her much. She doesn’t plot or face-change. She clearly likes Anita and doesn’t like Roger, and never bothers to mask this. Cruella first tries to buy the puppies - then sort of seems surprised when this doesn’t work? Honestly, the main impression I get from her is that she’s… not trying very hard. She only really starts to care right at the very end, when she’s driving with wild hair and crazy eyes, as her roadster falls apart around her. I’m going with Lion secondary to reflect that tendency she has to operate at either 1% or 100%.
MADAME MIM (1963) - LION / SNAKE
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Madame Mim has a sort of a professional rivalry going on with Merlin, and dislikes that Wart calls him “the greatest wizard in the land.” So of course she challenges him to a wizard duel. She wants to be the best, she wants to win… and that’s all there is to it. So we have another Glory Hound Lion primary. 
It’s very clear that Madame Mim loves transformation. She switches between her different faces as many times as she possibly can over the course of a single conversation. Notably, she has a sexy version of herself that she uses to charm people into doing what she wants… and there’s no reason she couldn’t wear that all the time. But she doesn’t want to. Mim gets a lot of joy out of her fluid Snake secondary, and when she’s not solving a problem she just wants to chill out in Neutral. 
PRINCE JOHN (1973) - EXPLODED SNAKE / BIRD
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Prince John’s motivation has a couple of  layers. Obviously, he’s a *little* bit too excited about taxing on the citizens of Nottingham… but that’s because he’s overcompensating. His main visual design element is a crown that doesn’t fit. He’s not King John, he's Prince John, only in charge until his other (better) brother Richard comes home from the Crusades. That’s why he’s so easily flattered - he’s incredibly insecure. But his conflict isn't with Richard, exactly. It’s really... mommy issues. Everything John does is to please Mummy (an off screen-character.) Very Exploded Snake primary. 
Secondary is hard because John is incompetent. He mostly solves problems by pointing the Sheriff of Nottingham at them. It’s a running joke that he doesn’t actually listen to his advisor Sir Hiss, who generally has the right idea but isn't a suck-up. I guess John does lay kind of sophisticated traps for Robin Hood?  They don’t work, but the intent at least is Bird. So I guess I would have to go with that - a pretty incompetent Bird secondary. 
PROFESSOR RATIGAN (1986) - BURNT SNAKE / BIRD
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Unlike Madame Mim and Merlin, whatever Basil of Baker Street and Ratigan have going on does not feel like a professional rivalry. Technically Ratigan is plotting a coup… but he spends approximately 85% of his on-screen time entirely focused on Basil. They are at least ex-friends who now hate each other (and it’s really easy to read them as straight-up bitter exes.) Even his hatred of being called a “rat” seems to be linked to Basil - that's an insult Basil uses, implying that Ratigan is motivated by hedonism and ego, and not by the purity of the puzzle the way that Bird Primary Basil is. Really, he’s criticizing Ratigan for having a Snake primary motivation. 
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Ratigan is very obviously a very loud Bird secondary. He loves lists, he loves Rube-Goldberg devices. He’s based off Professor Moriarty, it's Snake Bird all the way down.
URSULA THE SEA WITCH (1989) - SNAKE / BIRD
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So Ursula wants to take over, be the new monarch of the sea… which is usually a Glory Hound Lion motivation. But there's the implication the she's doing this to specifically screw over Triton... which would make her more of a Snake. Ursula also has a *very* hedonistic approach to life, something you often see in Snake primaries with small circles. It's just her and her “babies," the eels Flotsam and Jetsam. He eels also seem very emotionally important to her, as far as villain minions go. This could be another example of Snake primary loyalty.
I don't know, I just think a Lion primary Ursula would be angrier, more of a Scar. She’s doing her own thing, an makes use of an opportunity that falls into her lap. This is structurally a story about King Triton (who has the big emotional arc and the most character change) so it makes sense that she is specifically a Triton villain, and Ariel was just unlucky enough to get in the way.
I'm actually going to say Bird secondary for Ursula. I agree that she gives off Snake secondary *vibes,* and absolutely might model or perform it for fun. But the way she wins over Ariel is by spouting facts very fast and very confidently, then getting her to sign a bad contract. It’s a Corrupt Lawyer beat more than anything. Vanessa, Ursula's alternate form, is more an Actor Bird transformation (Wicked Queen style) and less a Snake secondary playing around (Madame Mim style.) Vanessa is Ursula's version of Ariel - she even speaks with Ariel's voice - and that's a Bird secondary approach. When Ursula‘s plans start falling apart, she doesn't pivot. She starts looking very Lion secondary - exactly like Bird secondary Ariel does when she’s overwhelmed.
Tl;dr 
Double Lion -  Queen of Hearts, Cruella De Vil
Lion Snake - Madame Mim
Snake Bird - Prince John, Professor Ratigan, Ursula
Snake Badger - Wicked Stepmother
Badger Snake - Captain Hook
Badger Bird - Evil Queen
Bird Lion - Maleficent
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plaguedocboi · 6 months
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It has been brought to my attention in the notes of the Disney villain post that there is a new villain in the movie coming out this year that’s being advertised as a Traditional Disney Villain so I got a little excited and looked it up and. No. Where is his gothic swag. He’s not even wearing eyeliner for gods sake. Tell him to step his pussy up and check back in. You can’t just slap a musical number onto an animated Chris Pine and call it a trad villain. If you want to advertise him as an “old school Disney bad guy” he better be the scariest most evil guy they’ve ever come up with to make up for his complete lack of Vibes. I realize they’re trying to make the point of “in Real Life most villains are just rich mediocre white men” but this is a Disney movie I’m not here for a dose of reality. Give me the queer-coded gothic freaks or give me death.
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signed-sapphire · 3 months
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The Fallen Star ✨
A Wish rewrite
Cielo design 💛
The boy is here! The most ever! The Fallen Star’s very own Starboy!
So I lied and don’t have the finalized designs for King Maggie or Queen Ams yet soooooo *throws confetti at you* take this Starboy reimagining in the meantime!
Eugh boy the name gave me trouble. I didn’t want to use Aster since that’s the name of a a couple popular Starboys already (@annymation/@gracebeth3604/ @mythartist21) and while the Greek name is cool, I wanted something a bit different.
SEE-EH-LO, for anyone wondering. He/they pronouns <3
I was heavily considering choosing Estrella and making Starboy a Stargirl, and then we’d have a gay romance. But this is supposed to be SOMEWHAT of a homage to early Disney. This may not be KoW, but… idk. Cielo is a gender neutral name. Literal manifestation of light. Go ahead and draw them as a female-presenting figure and it’s still TFS!canon~
Aaaaaaanyways. Here’s the actual rewrite!
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First of all! Cielo is NOT the Northern Star! He’s a baby star like… in the bottom right
However, the Northern Star? Evangeline? Yeah, she’s gonna be in my rewrite
But Cielo is NOT her
For now I’ll just say Evangeline is sort of a mentor-figure to Cielo and leave it at that
So not all stars are wishing stars, and similar to Kingdom of Wishes, a wishing star is born when first wished upon
Once a wishing star fulfills their first wish, they become Stars (capital S), and are free to help anyone that needs it
The more wishes a Star fulfills, the more powerful they become
Idk maybe it’s like a Rise of the Guardians thing, where the more people that believe, the stronger your magic is
Sparkles and hope and glitter and shit
Until, as explained in my rewrite… the Stars grew bored and started simply granting wishes
Then people grew lazy and started demanding wishes
And all this belief made the Stars go overpowered
Basically it became Wonderland, everything coming true, kingdoms burning and villages destroyed
Yeah. So Magnus god rid of them eventually
Though who would suspect that it would be the king’s own daughter that would bring back his greatest fear?
Yep, Asha brought Cielo down
Not purposely, but even if she had done it purposely, she wouldn’t have chosen Cielo
He’s a little baby, a dwarf star maybe
Only ever gotten one wish in his life…
Huh never seen that before *side eyes KoW*
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Personality traits
Optimistic
Very Anna-coded
Probably ADHD tbh (autism x adhd duo unite)
Stubborn
HE’S the quirky Disney princess
Although more Flynn than Raps
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Backstory
Fuck around and find out
(And by fuck around I mean wait for my rewrite to come out bc I haven’t slept in two days and I’m too tired to articulate their story accurately)
Design
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Due to popular demand, Cielo now has the Charlie Morningstar cheek thingies
Also @gracebethartacc got an ask about canon!Star being marketed with a star over their right eye so… vitiligo mark, anyone?
Yeah I don’t have many colored refs but basically Cielo’s star eye mark and cheek thingies turn into vitiligo marks when in their “human form”
Uh take this
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Ye sort of like this^
Heart shaped face! His part is also supposed to resemble a “V” shape to make the top of the heart
My sister said they looked like Viva and I’m crying but too late to take it back
I guess they’re both Spanish? Ajdjajhsjajajs
Thin slutty waist. Imagine Lucifer from Hazbin Hotel bc Jeremy Jordan is Yes.
Like I’m obsessed with that wet cat of a character I’m thinking about Cielo’s voice being Jeremy
Although his younger VA days as like Varian would better suit Cielo…
ANYWAYS
Design by @mythartist21 save for the Trolls hair and cheek thingies! Those were my additions
Uhhh pointy ears, poofy sleeves
Idk is the star eye mark AND the cheek thingies too busy? Lmk and I’ll try to post a colored ref of that helps
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rmwb-fanfics · 1 year
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How to remake Harry Potter:
(A step by step guide)
We’ve already had one god-awful adaptation that way too many people think is good. This is our one chance to have the book characters represented correctly, along with the plot they support.
I’ve put YEARS of thought into this. I’ve written scripts for episodes of a hypothetical tv show. I’ve drawn concept art. I’ve done shit. So I figured I’d share my thoughts.
1. Stick to the books*.
Stick to the books has a massive asterisk next to it because I mean the plot and characters. Some stuff (as you’ll see later) should be changed.
Nothing in this show should feel out of character. Harry should be closer with Ron than he is to Hermione. Snape should be a real d*ckhead. Hermione should be judgmental of those who don’t think like her, etc etc. The way these characters navigate their relationships is why the fandom is still relevant. It’s why canon-compliant fic is popular in the first place. We like their dynamics. SHOW THEM APPROPRIATELY.
Plot is a sticky thing because I’d say there’s wiggle room, but not too much. Certain characters have to die. Certain events must happen. You cant change that stuff.
2. Use the Medium.
You’re using film as a format to tell your story. Ideally you’d us animation, but I know Warner Bros has less creativity than Disney’s remake department, so I won’t even try and pitch that.
Use colour and saturation. It can help contextualize emotion. It can make us subconsciously recognize things. For instance, the scene growing more saturated when Ron walks into the room when Hermione is wearing the horcrux, or any multitude of other uses this could bring.
Bring in costume design that (actually fits the world) but also helps show how that character is feeling. What they’re thinking, their personality, their future, etc.
Make magic fun™️. The books sort of sidelined magic in 5-7. Don’t do that. Divert from the books. Magic should feel alive. Colour-code them so we as an audience can recognize spells and what they might do before we see it. Implement sound design to make each spell unique and vibrant. Make this world subtly bursting with magic like it was in the first few books. Have it weave around characters, wrap them up. Be creative with action scenes. Force transfiguration into battle scenes. Choreograph your duels. Show don’t tell us that a wizard/witch is powerful. Turn people into portraits. Lock them up as mice. USE MAGIC.
Your set design should reflect this. Everything should be bursting with personality. Don’t just use the shitty movie sets. Inject some colour, have the surroundings aid you in telling the story. Get weird with the camera. Use these tools to their fullest potential.
Actually fucking try.
3. Utilize Music.
Music is just… such a massive part of film. It’s frustrating how often even the best filmmakers overlook its use. Characters should have themes that mature and develop as the series goes on. Have action arrangements of the themes to play with heroic moments. As the series progresses, we grow attached to these themes. When they appear, the audience FEELS something. Don’t reuse great pieces to force emotion. (Dumbledore’s Farewell in The Prince’s Tale. Are you fucking kidding me?)
For example: Have a theme for Neville that starts out timid and uses very shy instrumentals, but we first hear a change when he stands up to the trio at the end of PS. Then it gains more instruments until OotP, when it grows again. Once we get to DH, it can be used in this heroic swell as he chops the head off the snake in front of Voldemort and everyone watching. The audience, consciously or not, will feel that moment even more.
Have a theme for Ron and Hermione that might not even be romantic until HBP when it gains that element. PLAY WITH MUSIC.
Themes for mystery, adventure, loss, love, friendship, LOCATION. Let them come back throughout the series to highlight various moments. See Lord of the Rings and The Hunger Games, as well as (surprisingly) the Fantastic Beasts films.
Let music affect the visuals. Magic can bend and swivel with the music. Use it to tell the story. Use it to show emotion. Use it to progress a character’s arc. USE CONSISTENT MUSIC.
4 . Be Bold.
This is the big one and it may seem like I’m contradicting myself but I’m not. Rowling’s work hasn’t aged crazily well to modern fiction standards. This is your chance to rectify that. Fill plot holes, actually think through the politics. Introduce world-building elements that enhance the story/characters. (The house system, and how Slytherin fits in. The logic behind avada kedavra???) Get creative with solutions. Contradict the original work when it comes to description of location. If it doesn’t work for the film format, don’t force it to work here.
Spend more time with characters we know are relevant, but maybe not to the plot. These are your Ginny Weasleys, your Seamus and Deans, Nevilles, etc. Really fill them in. Give them more scenes. Ginny has two phenomenal arcs that play completely off-screen, explore them. Show us her friendship with Hermione. Show us her insecurities and her faults. Give us more of her and Harry’s friendship. We know they get married, so maybe fix the whole “Rowling wrote the epilogue first, but didn’t realize she was waiting too long to introduce these characters until HBP”.
Add scenes. Add jokes. Add smiles and covert looks. You have more time, which means you have a chance to focus on friendships, and romance, and world building.
Tell multiple storylines. Give Remus and Tonks a cool spy/thriller subplot interjected with the main story in OotP. Show us more of Fleur staying in England. Give us more of Harry and Sirius bonding. All of this stuff can fit loosely into canon, and be welcome creative additions.
BE BOLD.
And finally,
5. This is your chance to not only retell the story, but to do it better.
RECOGNIZE THIS. Take advantage of this opportunity and enhance canon, don’t fight it.
Don’t add Hermione and Harry dancing because *YOU* don’t like where the romantic pairings went. Don’t add Draco sympathy because you want him to have a redemption arc. Don’t dumb Ron down because you don’t like the fact that he’s just like the teenage boys you dated in High School, and he was a bit immature.
Make changes, be bold, use music, stick to the books*, use the medium, but take this as the opportunity that it is to enhance what came before.
Thank you.
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dwreader · 8 months
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A Meal to Remember by @iwtvfanevents
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Part 2: I am suddenly Megan Ellison, a wealthy lesbian, my father is a billionaire who has allowed me to start my own production company to make films I want to see. Money is no object. Here are the fics I would adapt and who I would hire (bully into) directing.
1. Reformation by verseau - first of all, I would pay $1 billion to acquire the rights outcompeting Amazon, Netflix and Apple and I would make Betsy adapt the screenplay. I maintain this must be cinematic because Ldpdl’s hole needs to be experienced in 70mm imax AND I would not allow any countries to censor like they did to Florence’s boobs. This would be like an Eternal Sunshine/Blue Valentine/Two for the Road type romantic dramedy that jumps back and forth in time to show the couple’s struggles and progression, and the non-linear storytelling means it automatically becomes an Oscar frontrunner. I would try to hire Barry Jenkins first but he is occupied with The Lion King 2 at Disney so then I would go to Mia Hansen-Love to direct. Beyoncé does the soundtrack. I didn’t even have to ask her she just wanted to.
2. Part of Your World by weathermood - I will imprison Mr. Monsterfucker himself Guillermo Del Toro until he agrees to direct this film like I am Kathy Bates in Misery. He will read it and then be like okay I agree you don’t need to kidnap me I will make this movie. We are going full Avatar 2 level budget to make sure underwater scenes are believable cause I won’t tolerate bad Aquaman CGI. The budget balloons to $400m but that’s okay cause it makes $2.7b worldwide and there’s 2 sequels greenlit immediately cause the world wants to see Louis get pregnant.
3. A Potentiality for Corruption by vampdf - Guillermo is occupied with Part of Your World and its sequels now so I turn to Robert Eggers to help bring to life this gothic horror romance. It’s 3 hours long. Parts of it are in black and white and there’s aspect ratio changes that confuse and unsettle the audience. We debut at Cannes. We get a 47 minute standing ovation but also some walkouts and fainting in the crowd because some vanilla viewers couldn’t handle the ending, which is controversial but has everyone talking.
4. Cord of Communion by themasterletters- this has now become a #1 nyt best selling novel so we have a built in audience and they want it to be a tv show cause of its length and we can’t skip out on any important points. Every streamer wants it but I choose HBO cause of the prestige factor and I’m an Emmy whore. It becomes Sunday night essential viewing replacing Succession it’s like if The Idol was actually good. I hire many talented directors such as Raine Allen Miller (Rye Lane), Francis Lee (God’s Own Country), Gina Prince Bythewood (Beyond the Lights) and I make Rolin Jones be my showrunner. We sweep the Emmys. The episode where Lestat fires Louis becomes the new Red Wedding traumatizing millions.
5. Pieta by baberainbow - When iwtv the amc show ends, I hire Paul Verhoeven to direct a standalone sequel film based on this fic. It’s as insane as you could ever imagine. The Catholic Church is mad at us. It’s condemned by the Vatican and the anti-feminization police. They��re protesting outside our premiere like they did to Benedetta. It doesn’t matter cause it just makes the film an even bigger hit.
6. Hand to God by boltcutters - first I pay Ziska $1 billion to finish writing this. Then I go back in time to 1933 first to make Hollywood not adopt the Hays Code so we can have gay and interracial stuff in movies and then to 1946 so Howard Hawks can direct this Danlou version of The Big Sleep.
PSA: some of my links aren’t working cause I’m on my phone (on vaca) so please forgive me but y’all know where these fics are don’t lie!!!
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cy-cyborg · 3 months
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Writing Disability: Let us Love like everyone else
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[ID: An illustrated picture of a red rose on a pink background. To the left of the rose is white text that reads "Writing Disability: Let us Love like everyone else. /End ID]
Romance is one of the top-selling genres in the world across mediums, and pretty much every movie, TV show, book and game has at least one romance sub-plot. You don’t need to look far to find it. However, when it comes to disabled characters, a lot of creators shy away from giving us romantic plot lines or even hesitate to address the topic of disability and attraction being present in the same character at all. So, since it’s Valentine’s day, I thought now would be the perfect time to discuss it.
It can be easy to miss if you aren't paying attention, but a surprising number of stories in various mediums will pair up most if not all of their main cast of characters by the end of the plot… with the exception of the disabled characters. whether they be explicitly stated to be disabled or just coded as such, disabled characters are more frequently left out of relationships by the story's end. Sometimes, the disabled character will be completely disinterested or the subject is just never addressed, such as with Toph from Avatar the Last Airbender. Toph is implied to have had multiple relationships by the time of the sequel series, but unlike the rest of the original gang, we never see it on screen, so I personally think it doesn't count for reasons I'll get into in a moment. Alternatively, the disabled character will show interest in someone, but their affection is just not reciprocated, such as in Disney’s Hunchback of Notre Dame. Disney's Hunchback is a particularly noteworthy example since it's one of the only theatrical Disney movies where the main character has a clearly stated love interest, but doesn't end up with them by the end.
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ID: an screenshot of the hunchback of notre dame showing Quasiemodo, a man with a hunchback and facial differences swinging and singing on at spire at the top of the notre dame cathedral. /End ID
In the latter case, where the disabled character’s love is not reciprocated, these stories will often focus on the importance of self-discovery and self-love. An important message to be sure, but the fact that these “you don’t need a partner as long as you love yourself” stories very often centre disabled characters is frustrating, to say the least (If the character isn’t disabled, they’re often deemed “undesirable" for other reasons, such as being fat, but that’s a topic for another day).
Of course, the reason the character doesn’t end up with their love interest doesn't have to be because of their disability specifically. Even if they were turned down for other reasons, it can still contribute to the stereotype that disabled people can’t find love even when they want to, just aren’t desirable as partners (a sentiment that is especially commonly directed at visibly disabled people) and contributes to the overall lack of representation of disabled relationships.
In the other case I mentioned before, where a disabled character is just not interested in romance, can look different depending on the kind of disability the character has, but in my experience, it often comes from the same place: discomfort. This isn't necessarily a conscious thought or decision on the creator’s end, mind you, but just because it's not intentional, doesn't mean it's not doing harm, even if it’s subconsciously.
A lot of the time, many creators don't even consider giving their disabled characters a love interest. the thought never even occurs to them. I can't pretend to know why for sure, but if I had to take a guess, its because the idea of disability and romance just don't go together in most people's eyes, so the thought never even crosses these creator's minds. But why? it comes back to that discomfort.
When we are talking about physical disabilities and those effecting the body but not the brain, the discomfort can come from a few places. First is the discomfort with disabled and visibly different bodies and how they work as a whole. I've spoken about this in the past, but just the idea of disability alone often makes non-disabled people deeply uncomfortable, and when it comes to visible disabilities, they are often forced to confront that, something that a lot of people are resistant to. they don't like thinking about it, and while many non-disabled creators have dealt with this discomfort enough to include us in their stories, they haven't deconstructed it enough to include us having things like romantic relationships.
This is why, despite the fact that Toph has children in The Legend of Korra, I’m still using her as an example. We see the other main character’s relationships and partners in the original show and in The Legend of Korra directly, but never hers. The most we ever hear of Toph’s love life is that Sue and Lin, her daughters, have different fathers. While the mention was good, when looking at this through the lens of “people are uncomfortable with disabled people being in relationships” you can see how the openly disabled character’s relationships only ever happening off screen and occasionally mentioned might still be an issue, even if that wasn’t the creator’s intent.
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ID: A screenshot of the legend of Korra showing Toph, a middle-aged woman with black hair and metal armour, lecturing her two daughters. /End ID
this disparity becomes particularly noticeable, however, in media aimed at an older audience where romantic relationships often mean sex. When the relationship is expected to be sexual in nature, an extra layer of discomfort often appears. A lot of people just quite simply don't understand how sex works when you have a physical disability, and are extremely uncomfortable simply looking it up (there are educational resources out there on the subject, and even disability content creators who focus on educating people about sex and disability, I’m not talking about looking up porn). Often times, they just avoid it by simply not giving their disabled characters relationships of any kind to avoid having to address those questions.
There is also the fact that many people infantilise those with disabilities and associate us with children. This is more common when it comes to non-physical disabilities, such as those under the neurodivergent umbrella (which refers to any disability that primarily impacts the brain) and I'll talk about that in a moment, but it does happen with physical disabilities too, most notably with little people and disabilities that impact someone’s height or physical development. Often, for those of us with physical disabilities, the infantilization comes from people either directly associating us with children because of our appearance, or feeling as though we need to be protected like children.
When talking about disabled people in relationships, this might look like someone being hesitant to pair a disabled character up with someone without a disability because they “can’t protect themselves” if the relationship goes bad. This isn’t something I’ve seen stated directly much in media, mind you, but it is a response I’ve gotten from a surprising number of people in real life when I’ve asked why they don’t like the idea of “people like me” (meaning amputees and wheelchair users) dating. I wouldn’t be surprised if it’s the reason some authors and creatives avoid inter-abled relationships in their works based on how often I got that comment when I started dating; they are concerned about the power imbalance. but this mindset is based on both infantilization and the stereotype that physically disabled people are always inherently weaker. If you’re not always worried about how non-disabled characters would protect themselves in a relationship, why are you only worried it when one of the characters is disabled?
However, like I mentioned before, the disabled character being simply uninterested in romance or sex isn't unique to visibly and physically disabled people. It’s is so common with neurodivergent folks, in fact that it’s become a bunch of tropes all of their own, with the most common variant being where specifically autistic or autistic-coded characters will often be the only aromatic or asexual people in a story’s cast.
For those unfamiliar with the terms, aromatic people are those who experience little to no romantic attraction, or those who experience it differently to most, while asexual people are those who experience little to no sexual attraction (or, again, experience it differently to most). It’s a bit more complex than that, and both terms exist on a spectrum, but in order not to get too side-tracked, I’ll leave it there. I‘d highly, highly recommend Jaiden Animation’s video on the subject though if you want to learn more in a beginner-friendly way.
There’s this idea that a lot of non-disabled people get about neurodivergent folks, especially those with developmental or intellectual disabilities, that we are these sweet little innocent beans who don’t want to or simply can’t engage with “adult” things. In most cases though, this isn’t the true. For some folks, including many creators, this is once again an unconscious bias and is the result of them simply not thinking about or deconstructing their ideas around different kinds of disabilities. In these cases, the idea usually stems from the fact that there are some (keyword some) disabilities under this category that do impact someone’s ability to engage with things like sex and romantic relationships, and most people not overly familiar with the disability community just don’t know enough to understand that just because some people under this category can’t or don’t want to engage, doesn’t mean we all can’t.
Unfortunately though, when this is pointed out to a lot of people, instead of adjusting their viewpoint or seeking more information, they get severally uncomfortable about the idea, even going so far as calling someone who is dating someone with a developmental or intellectual disability as “creepy” because they, once again, associate people with these kinds of disabilities with children. Since children can’t consent, neither can we. This is, once again, infantilization, but much more directly.
While I haven’t seen the full episode (or much of the show as a whole), so I don’t really want to comment on weather it handled the subject well, I do at least appreciate that the show Glee calls this line of thinking out when one of the characters, Becky, who has down’s syndrome, begins dating someone without a disability. The parts of the episode I have seen shows several characters around Becky expressing concern, but their bias is called out by the end of the episode. What I have seen of Glee was during a particularly long stay in hospital while being given pretty strong medication so my memory of it is spotty (not to mention everything was out of order) so like I said, I can’t comment on weather or not it was good per say, but I do remember the discussion this episode sparked in my high school with students and teachers alike, and I remember it being the starting point for some important conversations with people.
As I said, there are some disabilities under the neurodivergent umbrella that might prevent a character from engaging in a romantic or sexual relationship. some. however, it's incredibly important to remember that a lot of these kinds of disabilities exist on a spectrum of support needs, and if the character in question's disability would be preventing them from doing so, they would typically be on the very severe ends of those spectrums and have very substantial support needs in other areas of life too. The vast majority of neurodivergent characters in media don't fall into this category. If you are writing someone who has these higher support needs (and please do, we need more characters like that!), be sure to do your research and double check your assumptions about their capability to engage though. Ensure it's actually reflective of their disability and isn't just based on stereotypes and misinformation. And don't forget, if you’re ever unsure, you can always check with a sensitivity reader or disability consultant.
Even in cases where a disabled character does get into a relationship, one of a few things frequently happen that I think authors might want to be mindful to avoid - or at least approach with caution.
The first is that the disabled character, despite being in a relationship, will be completely disinterested in sex (or any part of a physical relationship, such as kissing, if the content is aimed at a younger audience), often being implied or directly stated to be asexual. The first example of this that springs to mind for me is Sheldon Cooper from the Big Bang Theory. While Sheldon is never confirmed as autistic within the show, he displays many autistic traits throughout both the original show (albeit in a stereotypical way that’s played mostly for laughs) and in the spin-off, Young Sheldon. When Sheldon does eventually get into a relationship though and even gets married, he is shown to be very, very reluctant and overall disinterested in sex.
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ID: A screenshot from Big Bang Theory of Amy and Sheldon sitting on a couch, where Amy looks annoyed towards someone off camera, while sheldon looks at her, confused. /End ID
So what’s the problem with this? in a vacuum, nothing. Some people don’t care for sex and don’t experience sexual attraction, and it’s fine to show that - we need more ace representation! I myself am disabled (an amputee and autistic) and asexual, shouldn’t I be glad to see characters like me?
Well, the issue isn’t that this is unrealistic, but rather overplayed and often contains a lot of misinformation about both asexual people and disabled folks.
My disabilities have nothing to do with my asexuality - which remember just means someone doesn’t experience sexual attraction; it has nothing to do with weather or not someone enjoys sex. However whenever asexuality and disability are paired together in the same character, it’s almost always because of the character’s disability. As in, the person in the wheelchair is ace because they can’t feel anything down there so they stopped feeling attracted to people (which is not even close to how that works, but is a real example I’ve seen on a few occasions now) or the autistic person is just too invested in telling you about trains, science, superhero’s or whatever their special interest is, to be worried about sex.
The other issue is, like I said, there’s a lot of examples of disabled ace characters already, and considering how poorly most are handled, many disabled people and asexual people alike are just tired of seeing it. Honestly, until both disability and ace representation and understanding as a whole, improve independently, it’s a combination of identities I’d recommend avoiding in your work, at least for now.
Finally, when a disabled character does enter a relationship, sexual or not, a very common dynamic is that the character will often get very insecure and scared that the person they’re dating doesn’t actually like them, or worries that the other person is settling for them, often resulting in their partner reassuring them that they love them, "despite their disability." A recent example of this can be seen in the web series Helluva boss between the character Fizzarolli, an imp who is a quadrilateral amputee with broken horns and facial scarring, and his boyfriend Asmodeus. While Fizzarolli’s insecurities are primarily focused on living up to impossible standards for success, he shouts during a panic attack that he believes that Asmodeus will leave him if he isn't successful, stating that without it, "this is who I am" - ripping off his hat to show his broken horns and scars (something we are told that he acquired in the same accident he lost his limbs in).
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ID: A screenshot of Helluva Boss showing Fizzarolli, a cartoon imp in a clown outfit, patchy makeup and broken horns, anxiously holding his jester's cap in his hands. Behind him, Asmodeus, a large blue, feathery demon in a striped suit, looks on, concerned. /End ID
My problem with scenarios like these is once again, not that it’s unrealistic, but that it shows up constantly. The intention with these kinds of scenes is often to assure the character and by extension, disabled readers or viewers, that they are in fact deserving of love. That just because they’re disabled, doesn’t mean they’ll never find anyone. Once again, it's a good message, however, because of how prevalent this exact scene is, it can actually have the opposite effect.
Let’s step back from disability for a moment: If you see dozens and dozens of people with a feature you have, saying they are insecure about that same feature in almost all of of the shows you watch, the books you read, the games you play where characters with this feature appear, even if you aren’t insecure about it yourself, seeing over and over again that others are, it’s natural that it would start to make you doubt or wonder if you should be. Doubly so if that very insecurity prompts these big, often explosive and emotional scenes.
This was the case for me as a kid, I never really cared much about my disability outside of being annoyed that people stared at me, but as I got older, and I saw more and more characters in the media I consumed saying they were certain no one could love someone like them - someone like me - I became more and more worried. The messages that were supposed to be reassurances, instead told me over and over that the people these characters ”found” were the exception, not the rule, and that most people would, in fact, care that I was disabled and not want to date me. When all my friends began dating and getting into relationships, I began to worry that I would never find “my exception to the rule” and be alone forever.
I didn’t really get over that mindset until well into my 20’s, well into my current relationship with my now fiancé, and I know I wasn’t alone in these concerns. I used to work with teenage amputees, and this was a very, very common fear across all genders and sexualities. I still see it in forums and social media groups whenever newly disabled people join, it’s one of the more common fears brought up, and while I get that scenes like these are meant to reflect this reality and help, more often than not, they’re doing the opposite.
For once, I would love to see a disabled character get into a relationship, and for there not to be any mention of “are you sure?” “How could you ever love someone like me?” “I’m worried you don’t actually find me attractive” etc. These conversations are realistic, yes, but we see them so often that I just really wish I could see more examples of stories where the validity of the disabled character’s relationship is never questioned and is never a concern. It just is.
Of course, as with most of the subjects I’ve talked about before, many of these points are less of a concern if you have multiple disabled characters. If you only have one disabled character and have their love interest reject them, it can perpetuate these stereotypes about disabled people being unable to find love, but if you have another character who is successful in that reguard? Well, it’s much less of a concern. The same goes for if one of your disabled characters is asexual or aromantic, but there’s another disabled character who isn’t, or if one disabled character is insecure about their disability in their relationship, but another isn’t.
Of course, be mindful not to go too far in the other direction either. A lot of people are pretty shocked to learn that disability fetishization is also a thing, and while you shouldn’t shy away from showing disabled characters in sexual relationships just because they’re disabled, it is something you need to be mindful of if your story contains more explicit content. As a general rule of thumb, sowing your disabled characters engaging in the same kinds of relationships, romantic and sexual (including casual hook-ups and one-night-stands) is great, so long as it a) fits the character and the story, and b) is actually inline with how you’re treating those topics with the non-disabled characters.
Personally, I don’t really feel like I’m the best person to advise on where exactly that line between just showing disabled people in sexual relationships/situations and fetishisation is, though the general advice I’ve heard is to ask yourself if the focus is on the disability, or if the person just happens to be disabled. On that same note, I’m also not really comfortable explaining details of how sex works when you’re disabled. If you want to know about either of these topics, there are a plethora of disability content creators who focus specifically on those subjects.
To sum this all up though, disabled adults are, well, adults, so don’t be afraid to treat us as such. Show us in relationships where the non-disabled partner’s affection isn’t a matter of debate or insecurity, show us being intimate and having sex (if that’s something you were doing with your non-disabled characters), let us be confident in those relationships, the same as everyone else, and most importantly, remember that a disability doesn’t automatically mean someone just won’t be interested in us, or we won’t be interested in them.
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sagittato · 5 months
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This is my first post and it’s gonna be low effort because I swear I can’t get this off my mind—
Do people from twisted wonderland realize how much Azul Ashengrotto could potentially look up at Vil Schoenhiet??? ONLY @jxnebuggy ACKNOWLEDGES THIS IN HER fem!twst FANFICS AND IT DRIVES ME INSANE!!!
Vil is a successful, confident, drop dead gorgeous fashion icon. He has a whole business for cosmetics because he’s so gorgeous. He’s very skilled in potion making, so much so bro makes his OWN makeup. He has a strict diet he follows and it’s clearly gving him the results he wants. Vil Schoenheit is everything Azul wants to be!! On top of that, Vil is Azul’s bloody UPPERCLASSMAN.
And does everyone forget how Azul literally info dumped about the man in Book 5 Chapter 2?? Nobody talks about it. They’re too busy headcannoning Sebek or Riddle or Floyd to be neurodivergent af (jkjk)!! Such a shame Vil told him to stfu but in his own pretty, 3w4-coded ways😔😔
Azul has shown before he will invest inhumane amounts of time into things he thinks are important. An example of this is in his birthday jackect card, he talked in a fair amount of detail about the quality of the pillow Ace gave him. He could do this because he researched ON pillow qualities.
It’s likely when he was trying to step up his game with success or diet, he stumbled upon Vil, researched the frick out of this guy, and lo and behold became a fan of his.
Some honourable mentions are when he made a deal with Vil in his ceremonial robes. I haven’t seen it because I wanna save the feeling of raw happiness with these two characters interacting once I get the card. If we didn’t see Azul show any sort of fan behaviour when Vil made that deal then I firmly believe he was kicking, giggling, twirling his hair off camera behind closed doors over it. Then I do hear in the second Camp Vargas event, Azul and Vil had some more interactions! I thiiiiiiink they were getting competitive with each other??? That changes nothing from my ignorant eye. It’s NRC. Everyone is really competitive and will turn on each other’s backs faster than Leona can fall asleep (bro’s actually depressed, I swear).
Anyway, I think it’s only right I list my headcanons now for them:
Azul gobbles up any dietary/beauty tips Vil has
Azul uses Vil’s makeup brand that’s probably vegan
He also collects Vil’s magazines and puts them all in a box hidden away in his closet or under his bed
Vil probably finds him annoying💀💀💀 (what can I say? he has a reputation for not stfu around higher class people)
Elaborating on that, Vil does respect his success but I bet he can see the unhealthy greed that lies under it all. Thus, that’s prolly a reason why he would try to distance himself away from Azul.
BADLY wants to collaborate with Vil because Mostro Lounge profits would soar if they did. Knowing his bold arse he probably made the request at least thrice and Vil shut him down each time. He’s obviously not gonna stop because we all know him. (never back down never what—)
Yes, I know he canonically looks up to Ursula, but I think he would like someone… yknow… alive to look up to.
Keep in mind I’m only on Book 5 Chapter 29 as of this moment so it’s totally possible I missed some things! Leave your opinions, headcanons, or anything else in the comments, I’d love to see them! Do leave spolier warnings though. That way I can decide whether I wanna spoil things first myself or not.
EDIT: I already fixed it but did I really just say book 6 😭😭😭 i meant book 5 i am so sry hdgdhjjjdhdjj
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elijahs-dumps · 1 month
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What Happened to Gonzo's Queerness?
Gonzo is, undeniably, the Muppet that Disney has struggled to keep consistent and in character the most. But why is that? If we take a look at any recent Muppets projects, from Muppets Haunted Mansion, to The Muppets (2015), or even Muppets Most Wanted, Gonzo is simply a shell of his former self. An entertaining shell at that, but a shell nonetheless. Before we can get into the how and why though, I’ll explain a little bit of who Gonzo really was when featured in the Muppets of the past. 
A Brief History of Past Gonzo
Gonzo’s key traits have always been that he is zany, immature, unpredictable, and often takes things far too literally. While “Modern Muppets” keeps these core traits in the Gonzo of today, he still lacks his usual depth. Often people overlook the fact that any of the Muppets have depth at all, but they’re all given their own moments, especially film to film.
I think a perfect example of what I’m talking about is his song, “I’m Going to Go Back There Someday”, from the original Muppet movie. Within The Muppet Show no characters ever struggled that much with overarching plots or even real negative emotions that carried from episode to episode. But in film where an episodic format won’t work, you need these small subtle layers. Your characters all have to have more obvious wants and needs to move the story along, or else it’ll all fall flat. This song is just a testament to the Muppets seamless transition from television to film. The number humanizes and grounds a character that is often perceived as ignorant or carefree by giving him a single wish, a wish to return to the sky like he did previously in the movie. Gonzo wants to be free from the world and view it simply as a spectator, completely at peace. It’s a childish wish, but a real and relatable one. The layers of this song can go deeper when you take into account the fact that Gonzo is the only one of his species, and probably spent most of his life alone or without a true home before the Muppets. Combine this with the fact we’re at the lowest point in the movie where all hope seems lost in the middle of nowhere, and then have all the other Muppets in the scene do backing vocals, it becomes a really somber and special moment for the movie as a whole. It connects well with Gonzo, the other Muppets, the film’s story, and audiences around the world. 
Other moments that showcase this level of subtle emotional complexity can be found in The Muppets Take Manhattan during the song “It’s Time for Saying Goodbye”, or throughout the entire Muppets from Space movie where Gonzo discovers and comes to terms with his own identity and place within the world. 
Muppets Haunted Mansion tried to recreate some form of a plotline for Gonzo, but because there was such little set up the pay off felt out of place. The idea was to have Gonzo briefly struggle with the idea of being alone and losing the attention of his friends, but it didn’t even really connect to any past storylines with Gonzo or even past moments within the movie, and just felt forced. Especially since he never truly grew at all from this experience either. 
But depth wasn’t the only thing we lost from Gonzo in the “Modern Muppets”, we also lost so much of his queer-coding. In the past, Gonzo has always been shown as unidentifiable in both gender, gender expression, and sexuality. Some of my favorite pieces of evidence towards this include the Gene Kelly episode of The Muppet Show where Gonzo distracts Miss Piggy so he can be serenaded by Gene Kelly. Gene briefly acknowledges how strange this is, but Gonzo seems unconcerned and so the two sing a love song together and all is well. Gonzo often does this, flirting with both male and female guests on the original show, as well as cross dressing throughout all five seasons of the show. Gonzo also cross dresses on the original Muppet Babies show from the 1980s, and there is even a Muppet Babies picture book from 1986 titled “What’s a Gonzo?” in which Gonzo and the other Muppets try to figure out what Gonzo is, only for Gonzo to be confronted by other versions of himself and told that he doesn’t need to know what he is because he knows who he is. Then, of course, there is also the iconic washroom comic strip from the officially licensed “Jim Henson’s Muppets” comics from 1981-1986, which I will be inserting below! 
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Flanderization
Flanderization is the process through which a complex fictional character’s essential traits are oversimplified to the point where they constitute their entire personality. The term’s name is a reference to Ned Flanders from The Simpsons. 
While the Muppets aren’t exactly “complex”, they do have a certain level of depth like I’ve previously explained. Watering them all down to their most well known traits is what causes most problems with the “Modern Muppets”. Obviously, all new versions of the Muppets have been put through unfortunate amounts of flanderization. However, even though all the Muppets have suffered through a similar treatment, I still feel like Gonzo takes the brunt of it. This is also because Gonzo is one of the only core Muppets who has become less of a main character than before. Meaning he doesn’t actually get a lot of screen time, especially when compared to the movies from before Disney bought the Muppets. 
Why is This Happening?
This answer as to why any of this is happening at all is actually quite simple; it’s not marketable! In order to rebrand the Muppets, Disney has had to take the safe approach when it comes to reminding people why they liked the Muppets to begin with. However, in trying to keep things simple as far as character work goes, we then lose that character integrity which is what makes these “Modern Muppets” feel so hollow. Obviously this did not work at all, because Disney had stripped these characters so thoroughly, they thought they could do whatever they wanted with them and no one would notice. Cough cough - The Muppets (2015) - cough cough. 
So yes, while Gonzo does keep some basic sense of his personality through taking things too literally, participating in crazy stunts, and just acting pretty random, it’s such a toned down version compared to the Gonzo so many grew up with. Especially when it comes to all his queer coding, Disney is often too afraid of backlash to even put things like that into their kids or family orientated media. This could potentially be a reason why they sort of shoved Gonzo out of the main cast in everything but promo. The only time they attempted this was around 2021 with the reboot of the Muppet Babies and an episode titled “Gonzorella”. The episode was actually quite charming, and follows young Gonzo as he decides how to tell his friends he wants to wear a princess dress to their costume party. It’s a nice concept, completely in character for Gonzo, and a good message for children about how you don’t have to look how people will expect you to look all the time. It also helps to break the stigma around “boys clothes” and “girls clothes”. Still, lots of parents were very angry about this episode and claimed it was Disney’s “new woke agenda” that was turning the Muppets into something they’re not. As if the Muppets haven’t always inherently been queer-coded and a part of queer culture! 
Conclusions
So, if the Muppets are being washed out to their most basic selves more and more with each new project, what does this mean for the future of the Muppets?
Honestly? Nothing good, in my opinion. The franchise has been going downhill for quite some time, but I don’t think I’ll ever come to dislike it. If you don’t like these “Modern Muppet” adaptations, then that’s more than fine. I just personally don’t see it improving anytime soon, especially since Disney so rarely puts out any Muppets content that doesn’t get canceled. If they do put anything new out, I’ll obviously be the first to watch and praise it, because I really do enjoy the Muppets a lot.
I think the saddest thing here, and the reason I made this little essay, is that Gonzo’s queer-coding will only be lost in translation the more that time goes on. At least, that’s how I see it. The backlash Disney got for that episode of the Muppet Babies is exactly the kind of thing the company is always trying to avoid, especially with the media they make for young kids on Disney Junior. I doubt they’ll ever try something like that again in Muppets media aimed for small kids. And in the family targeted content Gonzo has only become a less and less prominent character. 
That being said, this is all just my opinion based on what I have seen and studied.  I will always be holding out a small sense of hope though, and I will still continue to see Gonzo as a queer icon in my eyes regardless of what he does in future projects! 
UPDATE: If you made it to the end of this essay YAYY!! TYSM<33 In case anyone was wondering, my next piece is gonna be about Kaz Brekker from Six of Crows and morally grey characters in general. It will not be a critique of the character or his fan base though! I don’t always hate on everything lol. However I will probably be talking about online book communities, like Booktok, so prepare yourselves for that if you plan on sticking around :3
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