Es conveniente olvidar el dolor. Recordarlo es angustioso. Pero recordar la verdad merece ese sufrimiento.
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pspspspssp come get ur disney twisted wonderland styled disney villains plushies
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Demonic Queen of hearts cosplay by Jessica Nigri
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Gaston: there’s a lady in my head who calls me stud muffin
(Y/N): Please leave me alone
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(Y/N): What are you doing?
Grimhilde: I am doing my eyebrows
(Y/N): That’s a big ass mirror
Grimhilde: Well I have big ass eyebrows~
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*(Y/N), showing a picture of the King oh Hearts*: Look at this— This is your man?
Queen of Hearts, lovestruck: *giggles* that’s mine~
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Magnifico: …
(Y/N): STOP STARING AT ME WITH THOSE BIG OL’ EYES
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*(Y/N) and Hans arguing*
(Y/N): You overrated little twink—
Hans: *Feminine gasps* I am a twunk, alright?! A combination of twink and hunk!!
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Hades: You look pretty
(Y/N): huh?
Hades: I SAID YOU LOOK SHITTY—
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Lizzie Hearts redesign!
She gives me Heather vibe
Big sweet tooth
Trying to look more mature
Bur actually very sensitive and emotional
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LIZZIE HEARTS FUTURE QUEEN IN WONDERLAND
AHHH I’ve been obsessed w this outfit for a while finally drawing it
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inanimate objects and generic minions -> characters
I was rereading a March 2023 interview where Yana talks about the process of creating for Twisted Wonderland! I believe I previously mentioned how I appreciated the eclectic yet pragmatic design sense of the outfits in TWST; this time, what caught my attention was how Yana came up with characters from what are minor henchmen and inanimate objects associated with notable villains.
She says that it was a challenge to come up with characters based on the card soldiers and the poisoned apple. (It’s very different than basing a character on the Queen of Hearts and the Evil Queen, who are both very iconic women with defined personalities and powers.) Yana put herself in the shoes of those original Disney counterparts and then used those feelings as a basis to work with. It’s really cool to think about how she was able to pull four different perspectives for the card soldiers. There’s Cater the spectator, Trey the reluctant bystander that eventually comes around, Deuce the rebel, and Ace the other rebel instigator.
I’m especially interested in how Yana conceived of a concept for Epel, who is one of the few in the main cast who is twisted from an object rather than a character. She describes the poison apple as being innocent; it was just a normal apple that had no intention of becoming poisonous or being used in the Evil Queen’s nefarious scheme—yet it was forced to become a poisonous apple against its will because this is the form which will be the most advantageous to the Queen. And indeed, that’s pretty much the nature of Vil and Epel’s relationship. Book 5 is about Vil shaping Epel through stringent training (which Epel actively resists) into someone who can weaponize cuteness to take down Neige. The idea made it all the way to the final product—it’s great to see the payoff of the creative process 😌
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