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#these two messed with my brain chemistry and i love them v much
moonlightcoffeeshop · 11 months
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THEM. 🤍
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omg-imagine · 3 years
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Distraction
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Pairing: Johnny Silverhand x female!V
Summary: Johnny distracts V the best way he knows how.
Words: 3.1k
Warnings: language, smut (oral + rough sex, choking)
A/N: Please don’t mind the weak plot, this was just an excuse to write p*rn featuring the only character I want to romance in the game but can’t. Also, for the sake of this fic, let’s just say he can touch V and vice versa :)) Hope you enjoy!
V was pissed.
No, she was beyond pissed.
And when V’s beyond pissed, she’s sure to let the whole fucking world know.
“Tone it down, princess,” Johnny cuts in once he’s heard enough of her long-winded rant.
V stops her relentless pacing around the apartment and shoots a menacing glare towards the rocker.
“I warned you not to take that job from the start. Now, look at you, bruised up from head to toe, and cheated out of your eddies.”
“That son of a bitch promised me half the cut,” V recalls bitterly, her chest heaving from the fierce anger spreading all throughout. “I’m gonna make sure Cruz regrets asking me for help.”
The merc stalks off to her stash, muttering low under her breath how she plans on raising hell the next time she crosses paths with him. As V polishes her guns (something she typically does to calm herself), Johnny approaches the small room to the side with the same cocky attitude that would surely piss her off even more.
He can’t help himself at times; he sure does love pushing V’s buttons.
“You done whining or what?”
Rolling her eyes, V turns her head to see Johnny standing there as he takes a drag on his cigarette. Normally, she doesn’t mind him smoking around her, but after an exhausting night where things didn’t work out in her favor, she was quickly reaching her boiling point. “You better clean up all that ash on the floor when you’re done.”
“Since when did you start caring about this shithole of an apartment being neat?” Johnny comments, more so as a tease, and this earns him another scowl. “Don’t waste your energy on Cruz. He’ll get what’s coming to him.”
“Didn’t know you believed in karma,” V adds, narrowing her eyes.
Devilishly, he smirks at her, tossing the cigarette butt to the floor then crushing it with his shoe. “Hon, there’s a lot of things you still don’t know about me.”
“Yeah,” she agrees before brushing past Johnny. “I’m heading out.”
His figure glitches momentarily, reminding V that he was nothing but a ghost residing in her mind, despite how real he feels. Even if she wants to leave this “shithole of an apartment” for some semblance of peace and quiet, she knows Johnny will only follow. He’s tethered to her for what could possibly be the rest of her life.
And yet, no matter how big of an asshole Silverhand was, she’s grown fond of his presence.
Not that she would mention it out loud. Ever.
“Where do you think you’re going?”
“Out,” V simply states, wondering what the point in Johnny asking her that question when he could easily find it out for himself was.
It’s truly unfair how he can read her thoughts, but she can’t read any of his.
He chuckles low. “Gon’ pay a joy toy to fuck tonight?”
“No, I’m going out for a drive, distract myself from that shitshow earlier. You better leave me alone.”
“Well, I’m a little insulted,” Johnny snorts, feigning offense. “I thought you liked my company.”
“I’m tired of your company. You never shut that mouth of yours.”
Before V could head to the door, she feels a metal hand encircling her wrist, holding her in place. She glances behind her, meeting Johnny’s deep, dark eyes, which hid a multitude of secrets. It’s been a while since she has felt a touch that wasn’t full of malice. Though his palm is cold from the material it’s made out of, a distinct heat spreads through her body—
It was a familiar warmth, one that radiates from V at his mere touch.
And when Johnny’s lips curl into a shit-eating grin, she knows that he has sensed it too.
“Shut my mouth? I think I can do something else much better than that.”
Johnny’s gravelly voice fuels the desire burning deep within V as he pulls her closer, her feet moving at their own accord. “God, I wish you came with an off-switch.”
“Don’t pretend you’re not enjoying this little game we’ve been playing.”
V doesn’t respond, her pulse quickening with anticipation. She lets out a shuddering moan when Johnny leans in, his hot breath grazing her silky skin before his lips crash against hers, possessively. He floods V’s senses all at once as he hungrily kisses her, letting him take the reins.
It would be a lie for V to say she’s never pictured a moment like this. A moment where she finally succumbs to Johnny’s charm and allows him to lay claim on her. It’s always been a constant dance between the two, a chemistry disguised as indifference, a craving left unspoken. Amidst the degrading insults and the snarky attitudes, deep down, they have always wanted the same thing—
To fuck each other’s brains out.
“Still tired of my company, V?”
“Just shut the fuck up for once and take off your pants.”
The grin on his face hasn’t disappeared. It only grows broader. “Ask, and you shall receive.”
Johnny roughly grabs V at the waist, his fingers curling underneath the hem of her shirt as he pushes her towards the bed. His mouth latches onto her neck, no doubt marking her for all of Night City to see.
They fell onto the mattress without finesse, similar to how V kisses Johnny feverishly, all tongue and teeth. Void of tenderness and only driven by the urgency of lust. She was too distracted by her want to care for the taste of tobacco from his last smoke. The hands traveling every inch of V’s frame lights up a fire in her, bringing a high that no drug on the black market could ever do.
Surprisingly, Johnny allows her to take the lead for a bit when she straddles him, his hardening cock pressing up against her aching cunt. She gages his reaction as she grinds on his clothed erection, a wicked smile forming to the sight of him being teased.
“You like that, huh? Fuck, I can’t wait to have you inside of me.” She feels herself growing wetter and wetter, losing patience just as swiftly as the man under her.
Without warning, Johnny flips them both over, the length of his body now pressed against hers from above. He wastes no time peeling V’s shirt and bra off, pausing for the briefest of seconds to admire her bare breasts. His cybernetic hand squeezes one soft mound as his lips descend on the other. She moans, and they were pure music to his ears, sounds that were so beautiful he could write endless songs about them.
“J-Johnny,” V stutters out his name, unable to contain herself anymore. She doesn’t remember the last time someone has quickly reduced her into a mess, and desperately she wanted, needed more.
The way his name trembles from her mouth drives Johnny into a frenzy, simpering at the fact he really hasn’t done much yet, but it was enough to leave V quivering. She looks too sinful beneath Johnny, too delectable. He’s well-aware of how long she’s gone without sex, and he’s now bent on ending that sad streak of hers.
Hastily, Johnny removes V’s pants and underwear in one quick go, his gaze devouring her beauty like a starved man staring at his meal. “Wow, you’re fucking drenched down there.”
“Fuck,” she gasps, one hand reaching forward to grip at his lengthy locks as soon as he delves in to taste her dripping nectar for the first time.
“You enjoying yourself there, baby?” Johnny’s inquiry needs no response. He could already tell she is solely by the way her eyes flutter shut, her head lolling to the side.
One lick. Two licks. Three. He surely knew how to work that deft tongue of his.
Johnny’s cock continues to throb in the confines of his trousers as his lips encircle V’s swollen bud, but he doesn’t end there. She wants more, and he’s willing to give her just that.
More.
V squirms when two chrome fingers enter her heat, stretching out her walls to prepare her for the serious pounding coming up. She’s lost in the sensations, unable to form a coherent thought or word. Johnny’s tempo was slow at first; tantalizing, nearly torturous. But once he starts moving faster, pumping even harder and reaching that sweet, sweet spot of hers, she begins to pant wildly as she fucks herself on his hand to get more friction.
“Holy shit, you’re a goddess,” he croaks after pulling back to study the needy woman looking back at him through half-lidded eyes. V is tight around his fingers, and he could only imagine how it would be like with his cock buried deep inside her instead.
Each rough stroke of Johnny’s digits against her wet walls brought V closer and closer to the brink of orgasm, her moans increasing in both volume and frequency. He urges her to let go, whispering into her ear how he wants to see and feel her coming. The gruffness in his tone turned her on even more, and V soon finds herself falling over the precipice, flushing hot with euphoria as Johnny watches, awestruck.
Satisfied, he beams at his work, which was only half of what he intends to do this evening. Being gracious, Johnny gives V an ample minute to recover, using the downtime to wipe the glistening wetness coating his beard before tasting the juices he’s collected.
Delicious, he thinks. She tastes as good as she looks.
V eventually comes back to her senses, propping herself up on her elbows as she gazes at Johnny with an almost dazed expression. “Perhaps the rumors are actually true.”
“Which one?” Silverhand asks, ridding himself of his clothes at the foot of her bed.
V pauses prior to answering, the sound of metal clinking filling the air as he unbuckles his belt, stripping off his leather pants afterwards.
“That you’re the best pussy eater in town,” she then reveals, glancing up briefly to see the smug look on his face before her gaze falls to his groin again.
Of course, Johnny chooses to go commando, and no, she wasn’t shocked at all.  
Silently, she marvels at the dick nestled in a thick bush of dark hair. Girthy and long with a slight curve upwards, the thought of it being inside her, barely fitting, made her mouth water. He wasn’t lying when he casually mentioned having an impressive cock.
It definitely did not disappoint.
“Oh sweetheart, that was nothing,” Johnny declares before climbing back on top of V, settling in between her legs. “The main act is just beginning.”
She doesn’t wait for Johnny to kiss her. In an instant, V’s lips were on his, her tongue pushing into his mouth, faintly tasting herself at the same time. Meanwhile, Johnny grips the base of his leaking cock, rubbing its engorged head against her slick folds that had her breathing heavily. V cants her hips impatiently, and through their kiss, he chuckles at her eagerness.
“So desperate for my cock, aren’t you?” Johnny husks mockingly. “How badly do you want me, slut? I wanna hear you say it.”
A moan escapes her throat at his words as he rubs his tip against her clit. V wants him so, so bad that she’s begging incessantly, something she never does in any of her past fucks. Usually, she was in complete control, never the one to relinquish her power.
Maybe that was the reason why V was utterly drunk with pleasure from this steamy session with Johnny. It’s good not to be in control for once.
“Shit, Johnny. Please, just fuck me already. Fill me up,” V pleads, now helpless at this point. She has to come again, this time around his cock. She repeats her keening over and over again, hoping that it was enough to feed into Johnny’s ego and finally show her mercy.
“Well, since you asked so nicely…”
Tugging at his cock, Johnny forces V’s legs to spread wider as she waits for him, mesmerized. Her pussy was soaked from his ministrations, but when he starts pushing into V, the burning stretch of her walls trying to accommodate his thick length leaves her in tears.
Those tears, however, weren’t entirely from the pain. V was also shedding tears because of how full Johnny makes her feel.
“Fucking hell, V,” he groans as she clamps down on him. “You’re so fucking tight. Damn, why didn’t we do this sooner?”
“We were too busy pretending to hate each other,” V replies, digging her nails into Johnny’s back when he begins to move.
His thrusts are slow but rough— as if he’s getting accustomed to the wondrous feeling of being inside of V. It doesn’t last long, though. Johnny has always been a hard and fast kind of guy, the one that does two or three more rounds before passing out. He’s bragged about his amazing stamina as well, and despite V believing she could match it, she probably won’t be able to tonight.
Not when he’s fucking her into the mattress like this for their very first time together.
Johnny’s brutal pace doesn’t falter. He pounds into V harder, faster, rougher; as if his life depends on it, the obscene sounds of flesh slapping against flesh bouncing off every corner of the room. His slick pre-come mixes with her honeyed essence, allowing him to seamlessly reach the depths of her center. Sweat drips down the side of his face as he maneuvers his mechanical hand to wrap around V’s delicate neck, adding pressure when she doesn’t resist.
“That’s it, baby,” Johnny growls next to her ear, rolling his hips as he squeezes her throat tighter. “You’re making me feel so good. I’ve always known you were a dirty whore.”
V’s gasping and thrashing, but she doesn’t want him to stop. She loves the rush of blood through her head far too much, especially with Johnny slamming harshly into her. It gives her a thrill she has never experienced with anyone else. Pretty sure he’s ruining her for others.
But whether this was part of his intentions or not, V doesn’t know. Nor she cares enough to figure it out.
“Fuck, you’re such a good girl for me, V. Look at you, taking all of my cock like the fucking slut you are. You’ve wanted this for a while, haven’t you? You practically dream about me every night, and don’t you deny it.”
She doesn’t. Johnny was right, though it doesn’t really matter at this very second. His hold on V loosens for her to speak, and she inhales as much air her lungs could possibly take. She could feel it again, the ultimate high she’s been chasing once more. Johnny’s shaft dragging against her pulsing walls brings her even closer to it, building up the pleasure rising in the pit of her stomach.
“I-I’m close,” V warns, the pressure inside her threatening to break free. “Shit, Johnny, I’m gonna come soon.”
Johnny’s hips jerked harder, causing V to cry out. “Yeah? You’re gonna come? Don’t worry, I’m gonna make sure you come on my cock.”
Halting, he drapes her left leg over his shoulder, allowing him to slide in deeper than he has before. Johnny then pushes his metallic thumb into V’s mouth, and without prompt, she swirls her tongue around it, coating it with her saliva. Not missing a beat, his movement resumes, all bruising and all punishing. He brings his wetted finger on her sensitive pearl, stroking it as if he’s playing his guitar on stage.
The change in angle proves to be the final straw for V, who’s litany of high-pitch moans spurs Johnny to fuck her even more forcefully. Again and again, she takes everything he gives her, and in turn, she encourages him to follow her into the abyss. Her pussy caresses his cock with every frantic push and pull, and she notices how he’s gradually picking up speed, losing his rhythm in the process.
“Your cunt belongs to mine now,” Johnny mutters, gritting his teeth, and it’s becoming clear to V that he’s holding back just for her. “Come on, V. Let go, let go for me.”
Lust-blown eyes lock with V’s own, wordlessly urging her one last time to come undone. Several sharp thrusts later, she finds herself clenching around Johnny’s cock, her orgasm shooting through her like a rain of bullets. Unabashedly, V shouts as her vision whitens, intense waves of ecstasy washing over her shaking body. She’s too absorbed in bliss to realize right away that Johnny was still in her, dick hard and ready for a similar release.
Once she finds her bearings, V grinds her hips against Johnny’s, and immediately, his nails dig into her as he begins to move inside her yet again.
“Don’t stop, Johnny,” she purrs, watching him fuck her with both fast and long strokes. “I want you to cum deep inside me, baby. Shit, I want it so badly. Please, give it to me. Please…”
With a strained moan, Johnny suddenly climaxes, snarling as he shoots searing ropes of his thick, creamy cum into V, painting her inner walls with white. His features contort with pleasure as he throws his head back, his breathing shallow and ragged. When his heart rate returns somewhat back to normal, he slowly pulls his softening cock out, smirking at the sight of his load dripping out of her.
Afterwards, he flops down beside V with a huff, joining her as she stares blankly up at the ceiling. Johnny clears his throat as he shifts closer to V, who instinctively rests her head on his chest. His cyber arm curls around her, and she sighs deeply, seemingly content.
“How about that for a fucking distraction?” He says, recalling how the two of them got here in the place. “Don’t even have to go on a ride to clear your mind. Feel free to ride me instead.”
V laughs at his jest. “It was a great fuck, the best one I’ve ever had if I’m honest. But I’m still going after Cruz.”
Johnny hums in response, seeing V’s weary eyes growing heavier. “Fine, but just to let you know, what happened between us isn’t a one-time thing.”
“Fuck, I hope not. You’re stuck with me till the end of the world, buddy.”
“It’s a good thing you have an amazing pussy then.”
V smacks him lightly as exhaustion begins to take over. Sure, she was still pissed she didn’t get her eddies, but at least now she knows the prick named Johnny Silverhand was surprisingly a cuddler.
And that piece of information was worth gold.
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trashcatsnark · 3 years
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NGL I love how much you have embraced the silverv stuff here - its so nice to read. I submit for consideration, Rogue notices the tattoo while on the disaster date and both Johnny and V play it off as a joke and holy shit poor rogue stuck in a room with two morons.
Also - V getting dressed for that date and realizing they just MIGHT be a little jealous with a side of some thoughts of "Oh God Johnny Would NEVER Feel That Way About Me Gotta Bury This Deep So He Doesn't Know"
Johnny notices the anxiety but is very dense about the cause.
Oh hell yeah, I have fully embraced it and this ship; I was writing SilverV porn before the game came out, like I knew what my ship for this game was gonna be from the second I saw gifs of
“You’re a dick, Johnny” 
“And you’re a cunt, so maybe we’ll fit together after all.” 
That banter sealed my fate and I’m fairly sure I had named and created my V then wrote porn of her with Johnny literally a week later. The devil works hard, but my brainrot works harder and faster. 
Spoilers! 
Okay, so I’ve thought a lot about that date in both a silverv context (and largely how it fits with my V, Aidan and her fic) I’ll try to stay general though. 
Firstly, I whole heartedly believe Rogue sees through their bullshit. Not only is she just good at that, but Johnny even states she has MRE’s (?) and can see through people, like her eyes can pick up on signs of lying. And usually, thats not an issue for when V talks to her, but when she asks about Johnny and their relationship with him. Its a mess. And when Rogue asks Johnny about it, its a mess. 
And when Rogue notices the tattoo it’s like Oh... I get it . And Johnny is of course like, “hahaha, yeah I thought that’d be so funny, the kid hates it.” But Rogue isn’t stupid, she knows a lovey dovey heart with their names, something that looks like someone doodled it on their third grade notebook about their crush, is not really typical of Johnny’s “joking” She knows that if Johnny is not really the kind of guy to hahahaha its so funny to make it look like we love each other; he’d be more likely to get a dick tattooed on V’s arm if it was just to mess with them. For gods sake, look how many people didn’t pick “the other one” because they were convinced it was gonna be a dick. That’s a Johnny just trying to fuck with someone move. So, she doesn’t buy it, but doesn’t push it...with him. 
She asks V about and of course they play it off as “Yeah, Johnny thought it’d be funny, what a fucking asshole, its so fucking dumb, I totally fuckin hate it.” 
“So, why not get it removed?” 
“Uhhhhhhhhhhh, well you see what had happened was, um, I, just uhhhh, never been enough time, I guess yeahhhhhh.” 
Cause lets face it, in cyberpunk universe, getting a tattoo removed should be easy. If you can get blades in your arms and can have a completely newly reconstructed body in like an afternoon; you can get a tattoo removed in like twenty minutes. So, V still keeping it, says volumes about how they really feel.
Now, V’s jealousy and the date. 
I do absolutely agree that any anxiety or ill feeling V might have up until the date; Johnny is gonna feel, but not realize where it’s coming from. I think if anything, he’s gonna chalk it up to V being anxious about giving him control again and he’s gonna be like worried that maybe V doesn’t trust him as much as they let on. 
And I do think a V who has feelings for Johnny, would not be able to help feeling some jealousy regarding Rogue and Johnny. Just because jealousy is natural thing to feel and while you can debate if they were ever a good or healthy couple, you can’t debate they shared very real feelings for one another. And I think a lot of V’s jealousy would come from just how much Johnny seems to first think of/go to Rogue. When he needed to save Alt, first person he turned to, Rogue. When he wanted to bomb Arasaka tower (going by his memory of it and ignoring that the event was probably actually planned by Morgan Blackhand), who’d he go to? Rogue. When he becomes determined to get Smasher, who is he determined to get him with, Rogue. When he first decides to atone for his past mistakes, who’s the first person he wants to make up with, Rogue. When at the rooftop, who does he want to go grab to help him save V, Rogue. 
If you got feelings for someone, that’d hurt, I think it’s impossible for that not to spark some jealousy. And V if anything is also mad at themselves for having those feelings, because they like Rogue, she’s a badass, a legend, they respect the hell out of her. And of course they have feelings for Johnny and they wanna help him make shit right and they wanna give him a chance to enjoy himself. But this stupid reptilian part of their brain is screaming but i want to be the first person he goes to, the first person he thinks about, which they know is also stupid cause for fucks sake the man literally lives in their brain, they’re as close as two people can be and literally when Johnny has the power to go to someone for something, he can’t go to V because they’re reduced to sleeping essentially until Johnny hands back the reigns. Yet, feelings aren’t aren’t always, rational, sadly. 
And to Johnny’s credit, he probably doesn’t even give it that much thought. Rogue is a badass, someone he cares for, someone he can depend on and someone he hurt really badly. The two people he can and always has been able to depend on the most (other than Alt prior to her death) have been Kerry and Rogue. And, bless his heart, the fuck is Kerry gonna do? Kerry ain’t a merc, Kerry isn’t gonna bust into Arasaka Tower or plant a bomb. Kerry doesn’t have the connection to Smasher. So, of course, Rogue is gonna be his go to. And in terms of making things up to people...he literally cannot really do much to make things up to V, not the way he can for Rogue or Kerry. Cause, when him and V are both conscious, he can’t do much beyond touch and talk to them. Hell, even with Rogue and Kerry, he relies mostly on V to help him do anything. Even with people he can interact with and do something for; V is doing all the nitty gritty work for him. V drives Rogue to the theater, V breaks into the theater, V gets the projector going. V breaks into Kerry’s house, V disables the security. V gets in contact with Nancy. V gets Nancy out of Totentanz in one piece. 
Which probably if V actually thought about it critically, does mean he’s going to them and relying on them more than Rogue, but they’d probably dismiss it out of it being for necessity and not because he cares about them and feels he an depend on them. 
Anyhow, Johnny would probably love to do some nice gesture to make up for his bender to V, hell they probably were the first person he wanted to make things up since they are his catalyst for changing. But what feasibly can he do for them? Anything he’d want to do with/for them, would just be asking V go do this thing and i’ll also be here. Anything that would put them in public interacting is out, unless they want MaxTac called on V for looking cyberpsychotic. He can’t even do an at home date, because he can’t cook (engram or not) and he can’t buy them anything nice he has no money and also doesn’t technically exist. He could try to do so sneakily while he’s in control...but he’d be using V’s money so they might as well just buy it for themselves. he can play music for them,,. but that doesn’t seem too special and more than a little egotistical to think it’ll make V feel better about what he did... So... all he can really do, is prove he’s worth trusting by being on his best behavior and more importantly do what he can to save V’s life. 
Then there’s the date. And as usual, I have some opinions and feelings about a thing.  Like, okay, I’ve seen some people (aka Gamer Bros on Twitter) being like, Rogue is Johnny’s girl. Wanting to date either of them is wrong because they like each other. (then you also get the BUT ALT crowd, but rants for another day.) And I can’t help but ask, did we play the same date? Their entire date is about how they’re both desperately clinging to the past. Rogue is trying to reclaim 2013-2023 Rogue and Johnny just wanting for a night to feel like the world and his place in it haven’t been completely rearranged. And it ends with Rogue telling him, she is not that girl anymore, she can’t pretend to be, and frankly she doesn’t want to anymore. She wishes she could be, wishes she was still that tall haired street punk who’d never dream of working with corps or being a fixer, but she’s not. Her and Johnny are no longer the same people who met back in to 2010’s. Doesn’t mean they don’t care about one another and doesn’t mean what feelings they had weren’t real or important; but they’re just not those people anymore. Rogue more so than Johnny since he’s freshly on the course of change.   
Something else in regards to the date, that I think is important to talk about and how it relates to silverv and its something I personally have very conflicting feelings about. The fact that Johnny can initiate some physical intimacy with Rogue. See, I have never chosen the option to kiss Rogue during the date and actually did not learn until relatively recently, that if that choice is made it goes a biiit further than a kiss. I have watched the scene now.
And god I have mixed feelingssss. Like, I get it, but I’m not sure I like it. And I know full well, my silverv bias impacts my feelings on the matter, it’s be disingenuous to say otherwise. But I don’t think the ship is purely my reason for having these feelings. But at the end of the day, its all opinions. So, I get from a character perspective that Johnny and Rogue are trying so hard to reclaim their past and what they use to have that they get caught up in trying do what they would do if this was the 2010’s. And Johnny’s relationships as we’ve seen are very physical, sexual chemistry and attraction are major factors in his relationships because he kept things very superficial most of the time. He even says part of the issue with his relationship with Rogue is at the time he didn’t realize he could let her see the true him and still hid behind walls, kept things at a distance. So, the idea that’d they fall back into the old habit of trying to just be physical and ignore their feelings, isn’t out of character. 
However, and Johnny even seems to acknowledge this issue when Rogue interrupts it, they’re doing this with V’s body. V...who did not consent to sexual contact. They consented to a date and while one could logic that this would mean everything a date could entail up to and including physical intimacy; I would argue that that is something that would need further conversation to have clear consent. And like again, this might come down to boundaries and personal feelings. Because I go back to the bender and what’s been interesting to me is too see different opinions on it; some people weren’t actually bothered at all by Johnny’s bender in V’s body, some people were bothered by the drugs and alcohol specifically cause their V is straight edge. Me, personally, it was the sexual content and the endangering of V’s life. Like, it was mostly funny and oh yeah, I expected that it’s bad but eh I’ll move on, to me, until he started getting sexual with people in V’s body. Like that to me is not just crossing the line, it’s catapulting over it. 
And like I said, Johnny even responds to Rogue’s “this isn’t fair” with “what, you mean it’s not fair to V?” which she says she meant it isn’t fair to Johnny. (Which viscerally upset because you nearly used V’s body for sexual gratification without their consent and you’re worried about Johnny, which tbf Rogue has no way of knowing what V has and hasn’t consented to, so its not on her but that was my knee jerk thought). So, he has some awareness that maybe that was a bad move. 
And yeah, it definitely to me and my V would be a very bad move (unless he explicitly talked to them beforehand and got consent). And in general, it made me feel like, dude, you just promised you’d be better and not break V’s trust but again not a day later you’re nearly using them to have sex. It felt like a backslide, which isn’t necessarily unrealistic, cause change and growth is not always linear, people can commit to changing themselves and still fuck up and not get it right; in fact it’s rare for them not to have any sort of backsliding or repeating of mistakes. 
Again, I will also give credit that he could have been assuming that given V consented to the date, they assumed or were cool with their being physical intimacy between him and Rogue. He also generally, might not have really planned for it to happen, because I don’t think Johnny plans a lot of anything. It very well might have just sort of happened. Also, V doesn’t clearly communicate if the sexual component was an issue in the bender. All V really seems to have an issue with in game is the very general thing of; he misled them and used them. So, he might have assumed that wasn’t ever an issue. And hell, if you wanna go full meta, the player is technically the one who makes that choice and V is largely an avatar for the player, so that alone could be seen as whether or not V would/does consent. 
But, from a story perspective, removing the player choice element. I think how that’s handled would have a huge impact on silverv and where it goes from there. 
Because if V and Johnny did talk about consent prior and V did consent while having feelings for Johnny, god I’d have to imagine they’d still feel pretty hurt, but feel it’s irrational to feel that way and have put their own feelings aside because clearly Johnny cares about and wants Rogue and they should ruin what could be his one chance to make things right. 
If there like in game was no talk of consent and Johnny ends up kissing and touching on Rogue and V finds out or has memories of it surface,that could be devastating for them. Not only from their own feelings for Johnny, but this since of betrayal and hurt. Was the oil field conversation just a lie? A manipulation? V might feel like they were used; that Johnny never gave a shit about them or how they feel. And Johnny would have to deal with the realization that intentionally or not; he earned back V’s trust just to destroy it again. He fucked up again, he ruined everything again, he got his second chance and destroyed it…. And he doesn’t know how, if he can, or if he should bother trying to ask for a third. In general, I do think, V would come out of the date assuming (naturally so) that Johnny really only has romantic feelings towards Rogue, that they’re just a friend at best, a host to be used at worse. I even in my own universe with my V have them after everything is better, everyones got a body, expects Johnny to start pursing Rogue and trying to swallow their own feelings and be a supportive friend, try to encourage and push him to do it and Johnny’s just like please stop, Rogue is this close to murdering us both.
I was gonna add more funny stuff to this and include a shitposty interaction he has with my V over them dressing up for the date and shit, BUT HOLY FUCK THIS GOT LONG AND SAD????? I’M SO SORRY.
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spicymotte · 3 years
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Control - Part 02 | Venom x Reader
Title: Control (Part 02) Summary: Your powers are getting out of control and your two boyfriends are getting more and more nervous. Up to a point where blood is flowing.  Relationship: Venom x Reader Warnings: Blood Word Count: 1599 words AO3 Link 
  Blood.
Screaming.
Your lungs were burning and there was smoke scratching your throat. When you looked down, all you saw was all that blood on your uniform and hands. The thread that held the control became thinner, the smell of blood tore at it until finally - the thread broke. Darkness enveloped you, penetrated your skin and melted into your tissues. Every thought became hot and bright, boiled over and flooded your brain with stimuli. You were alone. Why were you alone? Where were Eddie and Venom? Had they left you because you were going to hurt them?
You would never lay a finger on them. You loved them with every fiber of your being!
More blood. The dull rumble of metal sounded in your ears and the crackle of flames sent shivers down your back. The shrill screech of Venom echoed in your ears. Pain was heard in their screams and they begged for mercy.
No, no, no! Would never hurt him, never-
"Fuck, babe, are you okay?!" Eddie grabbed you by the shoulders, pushed you back onto the mattress and you looked into his worried eyes. You were sweaty, your fingers were shaking and for a split second you didn't recognize the man in front of you. Then you remembered - Eddie, your beloved Eddie and Venom. The black tendrils came out from under Eddie's shirt, ran anxiously over the skin on your arms and held you gently. "You were whimpering in your sleep and then screaming. Shit, are you okay?" He was all messed up, confused and held you in his arms as best he could. "Yes." The darkness receded with every touch of them, with every second you felt their presence. The pale echo of your nightmare echoed in your skull, the screams and blood. "Your pulse races." Venom pressed himself against your neck, checking your vital signs, and a worried trembling ran through the thin vines. "Your body temperature is elevated. You have a fever." "I'm fine." Your lips were dry and aching when you answered them mechanically. Your body felt sore. "Yeah, no, I don't think so." Eddie muttered to himself and pushed his hands under your torso to pull you up from the bed. "V, what do you think?" More black strands ran over your skin, examining every inch of bare skin they could reach, until you finally wiped them away with a growl. Venom withdrew, startled by your harsh movement. Usually you were always so loving towards the symbiote, it didn't suit you to be so rough. You noticed that too in that moment and you shook your head, dispersing the last remains of your nightmare. With a quiet apology to the two of them, you fended them off and stood up, wavering for a short moment. Immediately Eddie was on the spot. His hands reached for your arm, he wanted to support you, but his touch upset you instantly. Like you were weak, that's how they treated you! But you were not weak, no. You were stronger than them - much, much stronger...
Focus. The voice in your head increased every day since you rescued Venom and Eddie from the mercenaries. Focus. Show them how well you're doing. Let them feel your power.
"Morsel. Our Love." Venom took over Eddie's body, even as he tried to fight it. "Something's wrong. You've been having bad dreams for days. We can tell something's different." "I'm fine, V," you immediately replied in a cutting voice. "Please just mind your own business, okay?! I know you mean well, but-" "That's not what we mean." Their voice was somber, a little offended by your cool rejection. You were sorry you had hurt them like that. Why have you been so irritable these past few days? "Your body chemistry is different. Unusual. The fever, the moods. You are sick." "You've been secretly monitoring my body chemistry," you said angrily. The anger inside you flared up, turned against Venom and tugged at your control again. What kind of sleeping monster had you awakened with your rescue operation? "How dare you?! You are invading my privacy. But you never let it bother you before, right?!" Irritated by your sudden burst of rage, the symbiote examined you questioningly. The two of them seemed to be thinking about what to do or say. Otherwise, you weren't so emotional, so irritable, and almost looking for a fight. "We... didn't mean to upset you." Venom finally said. "We're worried." "I don't want your concern! I'm fine!" You threw your hands in the air theatrically to make your statement more forceful. But in this gesture, the bedside lamp flew across the room, smashed against the opposite wall, leaving only a pile of broken glass and the lampshade. "Fuck," you curse softly. Okay, that didn't really support your argument. Rarely have you accidentally let things fly around. Extremely rarely. "I'm gonna take a shower," you growled and pushed yourself past the giant figure of Venom. You said nothing, but the symbiote retreated into Eddie and said something to him - but you could not understand the words.
They are afraid. The voice in your head sounded triumphant. Good.
"That's not good," you mumbled softly in the shower. "These guys are Eddie and Venom, my partners! They're my best friends, maybe even my soul mates. I don't want them to be afraid of me." The voice was silent, but just waited for the next opportunity to gloat. To triumph. The voice had patience. If you used your powers too much, the voice came. It was not a living being, not a part of you - it was your power, the greed that was behind it. If this naive young Spiderman from New York claimed that with great power came great responsibility - then you knew exactly what he was talking about. Your responsibility was not to raze San Francisco to the ground. "Babe?" Eddie's voice came through the closed bathroom door and you flinched, for a moment forgetting where you were. The voice hissed, shaking your control and rushing against your two friends. "Babe, V and I-we're worried. We really are."
Fear. Not worry.
"I know," you replied choking, pushing the voice back into the darkness. "It's okay, I'll be done in a minute." You turned off the faucet - but strangely enough, you didn't even remember hwhen you had turned it on - and got out of the shower. With only a towel on, you wiped the steamed up mirror and tilted your head. Nothing had changed, you looked as usual. No unusual eye color, no sudden change in your hair color or similar crap. The circles under your eyes were dark, but that was because of the nightmares. Nothing on the outside suggested that you were losing control of your powers. Except for the occasional blackouts, maybe. Sometimes you lost whole minutes, suddenly standing in the kitchen or lying on the bed, not knowing how you got there. That's only happened since you had overused your powers that day at the docks. Had it perhaps been too close in the end? Did you awaken something deep inside of you? "Would you like some breakfast?" you heard the familiar voice behind the door. Eddie and Venom were so good to you, how could you lie to them? You weren't well. You weren't well at all. "Yes, in a minute!" you shouted to your friend and looked back into the mirror once more. For a split second, your reflection was red.
Blood.
Your whole face was full of blood. Your first thought jumped to the movie Carrie and how ridiculous the girl looked with all that blood on her face. But the face in the mirror was you and not that third-rate actress from the movie. An outcry escaped your throat and you instinctively slammed your fist. The glass of the mirror clanked, creaked and finally broke under the force of the blow. Shards fell into the sink and you cursed, holding the bleeding knuckles of your right hand. It burned, some tiny splinters had dug into the skin and were now trapped inside. Blood dripped onto the edge of the sink and for a brief moment you were drawn down into the darkness.
The door was unhinged when Eddie stumbled in and black vines immediately examined the room. "What the- V, what-?", Eddie seemed to have been forced through the door by Venom, as perplexed as he looked. But when he saw the mirror and your bleeding hand, he was immediately on the spot and anxiously grabbed your wrist. "Ah sweetie, damn it, are you really okay? Cause it sure doesn't look like it!" The question was not about your hand, but about your mental state. He was right to ask about it, because after all you had hallucinations in the meantime and smashed mirrors with your bare fist. Add to this the constantly rushing voice in your head and the lack of control of your telekinetic powers. "I'm scared," you just brought out and pressed your aching hand against your upper body. "I don't know what's going on!" "Hey, hey. It's okay." Immediately, Eddie's hands went up to your face and he lovingly stroked your cheeks. "We'll figure it out, together. No need to panic." All you could do was nod, because if you said so much as one word, the tears in the corner of your eye would run down your cheeks and betray you. Truth was, you weren't just scared, you were downright desperate. You did not want to hurt the two most important people in your life!
Never!
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tethrist · 3 years
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@theharellan tell us ur angst friend
I appreciate the interest!! Though I honestly doubt I can organize all of my thoughts on this in a comprehensible way, it’s hard to even know where to begin @v@
There’s just... a lot to unpack between those two. They care about each other immensely and they have great chemistry together, I’m honestly not sure there’s anyone in the world who knows Varric better than Bianca does, and vice versa. They were SUPER in love, once. I think it’s hilarious how Varric says he’s bad at writing romance novels when he was literally living the ‘lets run away together and get married in secret' romance trope at some point.
Obviously, things didn’t go as they planned. Bianca’s family found a husband for her that could make the Davri name one of the most powerful in the Guild, and although I do think Bianca was heartbroken she couldn’t be with the man she loved, I’m pretty sure she also couldn’t deny the appeal in becoming the baddest bitch in town. Choosing a man over her career? Unthinkable! She already has to live with the fact that despite being “10 times the smith Branka was” she’ll never get the recognition she deserves just because she’s a surface dwarf. She lives for her work, which she happens to be excellent at, and honestly we stan
And then there’s Varric, the complete opposite of that. He was never big on the whole ~dwarven glory~ thing, so this talk of paragons? Of illustrious family names and titles? Varric grew up with the privilege of not caring. He always got to do Whatever He Wanted while Bartrand fought tooth and nail to keep their family afloat. When Bartrand died, all that responsibility suddenly became his, and we all know how much he complains about that :P I don’t even think he’s be bad at it (POINTS AT HIM BECOMING VISCOUNT) I’m almost certain he’s denial of his own potential, but that’s for a completely different ramble
So, the way I see it, when duty became the obstacle in their relationship, Varric asked “who cares?” to which Bianca answered “uuuuh, me???”. Obviously, he could do nothing but accept her decision.
I think he’s been heartbroken ever since, and the fact that she keeps coming back really doesn’t help. Logically, he knows things are never going to change but, as I’ve mentioned, Varric is an emotional man. Some part of his brain will always believe she'll change her mind, that there’s still some hope for them after all. I can’t blame Bianca for coming back either, despite how unhealthy I think their relationship has become. She obviously still cares about him. It might not be love nowadays, but it’s still something strong, and Varric makes her feel good (Varric is nothing if not a people pleaser) so she can’t go too long without him.
They make me emo is what I’m trying to say. Somehow their relationship is both the healthiest and most toxic thing ever. They are each other’s biggest fans, but being together only messes them up further.......... It’s like they LIKE to be in pain istg
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Note
Could you tell us some things about your characters?
thank you so much for this ask :D sorry for such a late response, but ngl i got very excited and started writing shit down as soon as i saw it, but then it turned into an entire essay and i had to cut down a ton of stuff until i decided to write it in a list of some sort kjhgkjfgkfg
currently i have like 11 fan characters in total so i will start with 4 to not infodump too much at a time
and i’ll admit that literally all of these guys were made for shipping purposes, but they all have different personalities and dynamics with canon characters. i’m such a sucker for writing couples, so many things to explore, that’s like my favourite thing ;w;
it got very long so imma put it under the cut \o/ (hopefully it works bc tumblr has been pretty unpredictable lately)
sorry if it’s probably way more than just “some things” but i couldn’t help it, i just love these guys so much and i don’t get to talk about them often u v u
e n j o y ~
imma start with the one you guys are more familiar with
Lucas
one of the cardinals in Ghost’s church
Mexican
in his late 40s (like 46-47)
hardworking, ambitious
pretty composed
huge „your teacher from english class who’s also a dad” energies
his character can be summed up to, as someone has said, „he’d kindly but sternly correct your shitty posture”
currently takes the 3rd place of most „best employee of the month” awards (Copia is 4th at that time)
he and Copia start off as rivals for the 2nd place (bc no one can beat whoever is the 1st)
but wouldn’t you guessed it, they end up dating
Lucas has a fair collection of various rodents, including rats. Actually, he’s the one who infected Copia with love for them. Luc prefers ferrets (that’s a rodent right kjhfgkjgh)
he doesn’t really get angry, but when he does he really goes off
he writes poetry, which is actually very, very bad, but Copia loves it to bits which makes Luc feel validated to write more
because his language is so similar to italian, Lucas can implement a lot of spanish into his conversations with Copia, while the other will reply in italian and they will still understand each other (ofc there are some exceptions that result in miscommunication, but that just makes it all more fun)
Copia shared with him that he’s writing music for his album (even tho he wasn’t supposed to tell anyone) and Lucas was more than happy to help him in the process…which was mostly moral support and a few suggestions.
he loves calling Copia “cariño”, “mi amorcito”, “mi alegría” and other cute names in spanish
once Lucas mentioned he used to play flute and Copia immediately decided to include a flute solo in one of his songs, so Luc could play it. Unfortunately things didn’t go as he planned and he had to change it to sax solo
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The thing about Lucas is that Imperator sees him as a threat. She’s been plotting with Copia to get him to papacy for a long time, but in the end she isn’t the one who decides who will be in charge, so Copia has to work hard to deserve it. He was already a hard worker, but unfortunately Lucas works harder. It creates this dillema for Copia, bc on one hand he does want to become Papa and in order to do that he has to get rid off competition. But on the other he loves Lucas and he wants what’s best for him.
(i’ll probably post the pic above in a separate post with other doodles, i just wanted to show sth new and relevant)
Elise & Greg
Imma put these two together bc it’s impossible to talk about one without the other.
they work together in a company that takes art commisions such as paintings & murals and their restorations. They’re both pretty skilled in those departments, except Elise specialises in art restoration while Greg specialises in murals and frescos. And ofc one day they’re hired by the church.
they’re both pretty good at painting (but the thing about restoration is that you don’t have to be a great artist to do that, it has more to do with chemistry tbh)
They live together and have been very good friends for a few years now
they both went through some traumatic events in their lives, but maybe i’ll leave that part for another day (or i’ll leave it in my fanfic they’re from that i need to finish ;w;)
they’re very supportive of each other, but also they like to mess with one another
their chat is filled with horny texts about other people
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Elise
34 years old
British
a bit awkward, tends to stutter when nervous
very sweet overall, feels the need to be everyone’s therapist
autistic, which shows mostly through her sensitivity to certain textures
hates onions (bc the texture is awful)
gets very emotional very quickly when she sees cute animals. She will use her baby talk to speak with them (which is sth that Copia does too with his rats and once he catches her doing that as well, he feels less embarrased about it)
Cirrus was the first one from the church to actually talk to her and show her around, making her feel a bit more welcome in an unfamiliar place
she talks through her sleep. A lot. Copia finds it very amusing…and adorable.
she discovers that Papa III has fallen hard for her friend way before he himself realises that, but then she’s also the kind of person to not see her own feelings for someone
she finds working on restoration quite relaxing. It’s sth she can fixate over and do for hours (even tho it’s not recommended)
a bit of a workaholic
another thing she finds relaxing is sitting in a corner somewhere warm and doodling people she sees around the abbey (mostly those she finds attractive lol so mostly Cirrus and Copia)
eventually ends up with Copia and Cirrus in a poly relationship
she also finds Cumulus cute, but the ghoulette isn’t interested in another romantic relationship. the one she has with Cirrus is enough for her.
Elise’s relationship with Copia is basically two dorks trying to impress the other while trying not to be too obvious about it, while her relationship with Cirrus is bisexual equivalent of „shy nerd has a crush on a cool girl leading the cheerleaders squad and shopes she doesn’t know. She knows.”
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(had to doodle sth real quick bc i can’t believe that i don’t have a single good pic of him lol)
Greg
37 years old
Polish (bc ofc he is)
pretty stoic, might come off as cold
he gives cute nicknames to people he likes (in polish ofc)
he’s actually pretty cheesy and wholesome, but you wouldn’t know that bc he shows his affection through a language that no one understands (which is what he wants, he doesn’t want others to know he actually cares)
has some trust issues, so it’s harder for him to become friends with people
huge Scorpions fan. no, like really, he’s obsessed and will share his music taste with whoever will listen (which is mostly Eli and Papa III lol)
knows a few words in italian, but mostly those related to art after he’s been studying it for a few years. He doesn’t speak it, but he can read it.
he owns a guitar signed by Kirk Hammett (his musical crush)
he’s the kind of guy who will call the person he likes „my dear”, „my love”, „sweet pea” in his mother language and then tell that person it means „dickhead”, „loser” and „lazy ass”
his stay at the abbey is just laying under the ceiling and doing fresco for most of the day, visiting Elise in her art studio and dealing with Papa’s bullshit
Papa eventually starts coming up to lay beside Greg on the construction and watch him work. They tend to just lay in silence while a mix of Scorpions and ABBA plays from the radio. There’s barely any space for a second person, but Greg would lie if he said he didn’t find it endearing.
one time Greg fell off the construction and broke his leg bc of that dumbass (but it’s his dumbass uwu)
anyway he eventually starts dating Papa III
Papa purrs to Greg in italian and Greg speaks sweet words to him in polish (tho it took him a lot of time to get comfortable with that)
their relationship is your typical „1 brain cell and 1 dumbass” and under certain circumstances simply „2 disastrous dumbasses”
they once burnt down Elise’s apartment on accident and the only things they managed to save were the art supplies and Greg’s guitar
anyway
here are these guys in comparison to their partners in this silly style, bc all the other drawings are outdated ;w;
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Melea
45 years old
American
fashion designer commissioned byt the Ghost’s church
huge fan of old rock
for a long time her relationship with Papa III was purely professional. He came to her studio, she took some measurements, they discussed what he would like and then he left and they didn’t see each other until the next meeting to try the outfit on, to make some changes, or for another project.
well that is until she asked him to stop putting his face paint on so he wouldn’t ruin the fabrics
i share this popular headcanon that Papa III is pretty self conscious about his clean face, so it was kind of hard to convince him at first
eventually their sessions became that much more personal because of that
she’s a bit superstitious, believing that some things may cause bad luck
collects crystals with good energy
she’s in a way a modern witch…but it’s not like she tries to be one
knows french fairly well, which allows her to talk to Papa (who also speaks it) when they don’t want others to understand them.
huge mum energy
loooves watching conspiracy theories. Sometimes she will pick one of the more ridiculous ones during her sessions with Papa and will argue and try to convince him it’s true, making it seem like she fully believes it, even if she doesn’t – just to fuck with him
and a few times she actually did convince him. Then had to tell him she wasn’t serious and oh my god the millenials aren’t killing the pillow industry by going vegan
anyway at some point they start dating which eventually leads to them getting married ;w;
her relationship with Papa is very soft and romantic. they have the same energy as Morticia and Gomez in regard of how loving they are to each other
also some chibis of these two bc again, all the other drawings are a bit outdated ;w;
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sebthesnipe · 4 years
Text
The Dreamer by Whatwashernameagin an Analysis? Part 3
All portions:
Chapter 1: Part 1 // Part 2 // Part 3 // Part 4
Chapter 2: Part 1 // Part 2 // Part 3 // Part 4
The Dreamer 
@whatwashernameagain​
Let’s jump right in, shall we?
Reminder: Spoilers under cut! 
If we pick up where we left off, Logan talks about The Dreamer’s/Roman’s vision of the future ‘where everyone could live in love and harmony, and humanity would grow into its glowing, gallant potential, coexisting in friendship with nature and respecting the planet while creating a world fir for fairy tails’. “Why would no one see that [The Dreamer] was clearly delusional” (Whatwashernameagain)? Can anyone say… Foreshadowing?
I know I haven’t made it to chapter 2 yet but I need to bring this up so… If you haven’t read Chapter 2 yet then skip this bit.
*****CHAPTER 2 SPOILERS**** 
Once again, Roman’s character portrait is gaining more depth with this paragraph. In Chapter 2 we learn that Roman really does see the future this way. The knowledge has a sense of innocence that Logan obviously finds annoying but adds yet another endearing quality to the hero. I won’t go into too much detail about Chapter 2 but the foreshadowing here is quite lovely and shouldn’t be ignored. Logan calls Roman delusional for his vision and he truly is. With everything that we learn in Chapter 2 we see just how delusional the hero really is. But its not only for the future… his delusions go far deeper, involving his family, his duty, his team… I’ll stop there. You’ll just have to read my analysis of Chapter 2 when I eventually get there.
Now back to our regular scheduled programming…
*****END OF CHAPTER 2 SPOILERS*****
 Okay… so this next para…. Oh man… So many thoughts…. “Despite his illogical argumentation, [The Dreamer] had somehow kept him from some of the more drastic measures [Logan’s] supercomputer suggested would be necessity for the continued well-being of all – much to the computer’s ire” (Whatwashernameagain). So, I really want to use two types of literary theories here… one being reader-response and the other bordering psychoanalysis. In other words, more Freud stuff.  Don’t worry I’m not going to go into too much detail this time.
When I read this para all I can picture is the left and right side of the brain, which is really what Roman and Logan are aren’t they? I’ve briefly touched on the fact that Logan and Roman are polar opposites complimenting themselves before but… this para makes me consider it in a different way. Roman is acting almost like a conscious here; providing a line to draw when Logan starts to get out of control. Roman is the reigns that are yanked when Logan goes too fast. He keeps the Logical side in check. Fitting. Poetic. Perfect. Love it, Eva.
And… This super computer has so much Sass… Must be Remy. XP
With the introduction of Remy we get another burst of the light hearted humor that comes with his personality. Eva balances the character well, in my opinion. Remy is supposed to be a supercomputer with some sass but writing a character that is a computer can be difficult. I really would like to spend some time discussing Remy but I am afraid that I can’t go into to much detail. Remy in this scene is more of a support character, and there isn’t much to go on at the moment… Of course, knowing Eva, this will change in the future. I am sure he has plenty to say about Remy as the story progresses. As it stands Remy makes for a good comic relief and fantastic transitional device, pulling the reader from Logan’s thoughts back into the present to help the story move on.
 **I’m going to pause here for a moment. While analyzing the entrance of Remy I grew curious about a few things and decided to ask her. I am going back to edit this in because while writing this portion of the analysis I felt as if I was missing something. Why did she choose Remy specifically to be the supercomputer and how does it play into any of this? I knew there had to be a reason, but I hadn’t managed to figure it out. So, I asked. Here was her response:
“So I absolutely thought about why I wanted Remy as the computer. Computers are associated with cool predictability and lacking emotional competence and stiff, predictable speech patterns. Everything Logan already is. Especially this computer, who has to calculate the highest odds- the value of human life - has to make extremely cold and emotionless decisions. He would have escalated Logan’s crusade dramatically had he behaved exactly like Logic at its worst and purest moments. And their conversations would have read like Logan talking to his Mini me. He had to break up that stereotype because we already have a human trying to operate like a computer. If the calculation of our actions through utilitarian predictions are possible (which I believe they are) the reverse - the creation of unique and emotionally capable A.I.s needs to be taken into account soon. Though Remy is not part of the deliberation yet, his ability for human emotion demands he be included. He makes that demand by being essentially the most human of all of them and I will go into (too much) Detail when it’s time for his arc.”
When she told me this I was floored! I knew that she put more deliberation into her writing than most, but I had never really expected this. That sounds as if I underestimated her but that isn’t the case. I knew she had considered it or I wouldn’t have asked but… Well this is just so beautiful… I suppose there is a reason she is such a fantastic writer… And this people, is one of them. Absolutely stunning, Eva. **
 We jump back into Logan’s thoughts within the next paragraph. Remy accused the man of not ‘giving an f’ about what he says. He states that he attempts to follow Remy’s advice without prejudice. “However, whenever he endeavored to put those plans into action or even considered it, something made him hesitate. It was like a bug, hindering his rational thought process. A pesky pop-up window halting his deliberations and muddling his convictions with banal platitudes and illogical rambling” (Whatwashernameagain). I LOVE this paragraph!
So, the imagery here is fantastic. Eva uses a wonderful simile that really catches Logan’s personality. But I’ll have to get into that in a moment. I want to touch on something else first. We know that Logan is driven by Logic; he is Thomas’ logical side after all. That being said, it has been discussed within her Keep Him Safe fandom that Logan is/maybe autistic. I think that it is very fitting for Logan to be autistic (though this may be due to the fact that I am autistic as well). The thing is… and I really wish I had the source for this, but I don’t know what I’ve done with it and can’t for the life of me find it again. I am sorry. Anyways, if we look at this logically Logan is thirty years old (thought Eva may change that but the Logan in Sanders Sides is thirty because Thomas is thirty so I’m going with it); Which means that he grew up in 1990s. There wasn’t a lot of treatment for mild cases of autism in the nineties. In fact, it wasn’t until 2013 Autism Spectrum disorders were classified in DSM-V (History of Autism Treatment). Even if children were diagnosed before then, most cases in the 1980s and some in the 1990 used ECT, which involves passing small electric currents through the brain to intentionally trigger a brief seizure (History of Autism Treatment). These seizures are supposed to be hypothesized to change the brain chemistry in a way to reduce mental health symptoms (History of Autism Treatment). ECT is still used in some cases of autism today, though it is rare (History of Autism Treatment). Why is this important? Well, I am 27 years old. I grew up in the same era of Logan. I am also autistic so believe me when I say that /if/ someone tried to get Logan treated as a child he would have been subject to countless medications, off the wall treatment plans and subject to so many misdiagnoses that eventually he would have simply folded in on himself as we’ve seen him do throughout this work. On top of that, when he eventually came off of the treatments, he would had molded himself to avoid them at all costs becoming cold and driven by logic, blocking away as much of the emotional side of himself as he could and thus becoming the Logan we know today. This defense mechanism would obvious move into his adult years. I don’t know if this is Logan’s history in this work, this is merely speculation, but I am quite fond of the idea and historically speaking it is entirely possible.
 **Author confirmed Logan is autistic**
 I explain all this because if a person tries to block out emotions that are core to the very existence of a human being than what happens? Well, the example Eva gives, that’s what; “He attempted to follow the disgruntled computer’s advices without prejudice. However, whenever he endeavored to put those plans into action or even considered it, something made him hesitate” (Whatwashernameagain). Logan obviously tries to be as cold and calculating as his computer but despite his efforts, the fact remains… He is /not/ a computer; and he never will be. No matter how logical you try to be… no matter how much you block out your emotions, they will turn up here and there and there is NOTHING you can do to stop them. It is part of the human condition. Which brings me back to the simile I mentioned.
“It was like a bug, hindering his rational thought process. A pesky pop-up window halting his deliberations and muddling his convictions with banal platitudes and illogical rambling” (Whatwashernameagain).
This simile reinforces my hypothesis, but I still can’t say that it is true. Regardless it does show the struggle between Logan’s desire to be cold and calculating and his humanity; even basically describing himself as a computer (I’m pretty sure Remy would have a few things to say about that if he knew).  He describes his humanity as a bug, or a virus, a pop-up messing with his head. Or… Could it be that it’s not his humanity that’s bothering him at all… Maybe it’s something… or someone else….
He states that this virus is “muddling his convictions with banal platitudes and illogical rambling”. For those of you about to look up the definition of banal platitudes, I’ve already done the work for you lol. It basically means clichés. So… clichés and ‘illogical’ rambling? Sound like anyone we know? Maybe a certain Dreamer? I talk as if Logan’s pesky humanity and The Dreamer are two different issues entirely but they are not. Roman seems to be a symbol of Logan’s unwanted humanity; something he both needs to define himself and hates because he wishes he didn’t need it. It is quite a wonderful use of symbolism and philosophical structure, beautifully executed. Someone once told me that a superhero is only as good as its villain. I believe that has some truth to it and vice versa. What would Batman be without the Joker or The Riddler? But it also poses the question… What would we be without our humanity. What would good be without bad? In life we define everything as a comparison. If you try to describe the color red you wouldn’t be able to because they can not compare the color to things that are red. In a world without bad, we wouldn’t recognize the good and in a world without good, the bad is just life. Would it be the same if the Utilitarianist didn’t have The Dreamer? If Logan didn’t have Roman?
This an actual concept in the literary world known as the dialectical method. “The dialectical method of analysis begins with particular sense data (knowledge of a single object). But such focus on a particular object of knowledge immediately invites reflection on what the particular object is not. It is not a concept or idea or category. We look at the legal system, for example, and see a law, but to understand a particular law fully we need to know what the principle or idea is that makes it a law" (Rivkin, Julie). While it doesn’t exactly work 100% for Roman and Logan in this instant, it basically mean that one thing is only defined by comparing it to another. But that is for another story…
A good writer makes their reader want to ask questions, to learn more… we see that here without a doubt.
I mentioned that the ‘banal platitudes and illogical ramblings Logan mentioned that were distracting him could be Roman and the next line confirms that theory: “The Dreamer was intruding on his mental solitude increasingly often with the memories of his wide eyes, predictably shocked at learning about the Utilitarianist’s latest plans, before determination lit a fire in his green eyes.” I’m sure his eyes are not the only thing crossing Logan’s mind… As I said before, Roman is a good representation of Logan’s conscious here, with a subtext of attraction that is ever present when it comes to his thoughts about the hero. Logan goes on to describe Roman’s banter once more but this time… there’s something a little different to his words.
“His voice was like a constraining vice around his chest, forcing him to remember his outraged claims of rightness and kindness and chivalry and peace – foolish banalities standing in the way of real benefits for the world. And yet his arguments kept resurfacing in his mind, playing like a broken record. Hopes for unity and joint efforts and belief in humanity’s solidarity and such naive nonsense. Data had proven the probability of success for his hopes at about 8%. A waste of time” (Whatwashernameagain).
8%.... 8%... Of course, Logan would know that! He talks about this hero getting in his way and messing up his plans but when it comes down to it the constant reminder seems to point to one thing… (Besides denial and attraction which we’ve already covered) Jealousy. Logan obviously isn’t jealous of The Dreamer’s popularity or social status, he doesn’t have a care for though things. No, the thing Logan is jealous of is hope. Let’s think about this for a moment. Sure, Roman is the symbol of hope for the country but that’s a different kind of hope. No, the thing that Logan continuously points out is the man’s ignorant hopeful view of a future that is almost impossible… Well, 92% impossible anyways. Logan is autistic… he is driven by logic, pushing down all his emotions as best he can because they are inherently bad… at least that is what he was conditioned to believe; you can’t push down just the bad emotions, its an all or nothing type of deal if you’re trying to be the most logical being you can be… Which means all the good emotions went with them… Logan doesn’t feel emotions like most people… like Roman…
I’m not saying that he doesn’t feel emotions, being autistic can sometimes mean you simply don’t feel emotions the same way as others. Plus, it makes sense for Logan to suppress them… ANYWAYS, I’m getting sidetracked. My point is that a lot of times when you struggle with something like that (or even depression (since ‘numbness’ can be a symptom of depression)) it can be quite difficult to see others enjoying emotions that you are incapable/not use to feeling. It is possible that this might be the case with Logan. Roman’s hope for the future, despite complaining of his naivety, is something Logan covets. It is something he probably respects, though he’d never admit it. I’m sure he no doubt calculated the statistics of Roman’s future to prep for his next argument but also because he was just a little bit curious as to how likely it really is. I even doubt he would actually tell Roman he only had an 8% chance of succeeding because he doesn’t want to see disappointment on those beautiful features; he’d probably just tell him the chances were slim… Though Roman would no doubt be one of those guys that would respond to ‘Fat chance’ with ‘I have a chance; and its fat!”.    Of course, the next paragraph confirms my thoughts on Roman’s reaction to the information and once again reinforces Logan’s thoughts on just how handsome The Dreamer is.
The thing I want to draw attention to next is another opinion of Logan’s. Eva writes from his POV “Thankfully, many of his actions were far too advanced for a simple mind like the Dreamer’s, which afforded him the ability to work in peace. The threat of law-enforcement was hardly severe enough to warrant his attention. Still, he had interrupted his work and caused critical failure to several of his more drastic plans” (Whatwashernameagain).  So, this brings up a number of things we were not privy to beforehand. First, it paints the dynamic in a bit of a different light. It brings our attention to the fact that Logan doesn’t see the man as the sharpest tool in the shed. We learn in Chapter 2 that that isn’t exactly the reason behind it all but Logan, of course is not privy to this… yet. Once again, we see Logan have a bit of a superiority complex, though I doubt he means to or even realizes it. In society today, knowledge is power, and Logan has a lot of it. His view that Roman is less intelligent puts him lower on the power scale and therefore beneath him. This reinforces the same imagery offered earlier in the story, calling Roman a ‘thorn in [Logan’s] shoe’ and the fact that Logan is not happy being attracted to him. On the opposite side it also reinforces just how adorably innocent Roman is.
I LOVE this next bit! Logan mentions that he had not made Roman a target despite Remy’s insistence and explains his position of the subject: “he was trying to be useful in his own way. Criminals and terrorist attempting to profit of the system’s flaws or praying on the weak were an issue the Utilitarianist was aware of, even if he had little time to devote to such matters as we worked on the grand scheme of things. Pedophiles were most deplorable, yes, but Remy could not devote his processor power to chasing every single individual. They had brought two sex-trafficking rings to light with the help of their white-hat-hackers and had, by making the addresses of the offenders’ public, dealt with a lot of them indirectly, yet a single kidnapping was a too small variable to devote any time to” (Whatwashernameagain). So far, we’ve seen Logan move from frustration, obsession, denial, attraction, respect to envy… now we see… understanding? While some may think this is a bit contradictory, I would have to disagree… In fact, it makes complete sense that Logan would accept and understand Roman’s heroic persona. Afterall, the two of them share the same goal, they simply go about it in two different extremes.
Logan wants a better world where things like corrupt governments are nonexistent and every person can walk to their car at night without having to cling to their pepper spray or keys so desperately. Granted, he is attempting to accomplish this on such a large scale that it will not happen anytime soon, but the intention is still there. In his mind, the end justifies the means and therefore the Utilitarianist was born. Roman wants the same world, granted there are a few more rainbows and most certainly more glitter in his vision but it is the same none the less. The only difference is Roman’s sense of morality stopping him from doing something as drastic as Logan does. I think Logan sees this and though he considers the unwillingness a type of weakness he can see that Roman has a use and therefore has value (just as the utilitarianism principle suggests). In fact, in a way, Roman is assisting Logan in his goals, though it is a very small way. He is basically taking care of smaller crimes while Logan attempts to handle the big guns. This, of course, paints their dynamic in a bit of different light; Logan being the brains while Roman fumbles about and makes his job far more difficult that it needs to be. Think of it like Pinky and the Brain, or Dexter (from Dexter’s Laboratory) and his sister DeeDee (Is my age showing?). Within the next two paragraphs
Logan talks about the hero saving a young girl and the ‘almost-admiration’ that he had felt for the hero who was basically doing something Logan was incapable of; which reinforces the analysis. A small snippet of their interactions is seen for the first time; Roman lecturing about every life counts and using power for good; Logan making a smart-ass comment in return and blasting him off the oil rig with high pressured water. This is actually quite a beautiful scene because it shows the rivalry (despite Logan’s complaining) is filled with more of a playfulness than actual malice. It is obvious that Logan doesn’t really want to harm Roman and vice versa. It makes for a very soft moment for the reader, warming them a bit.
The playfulness continues through the next scene. Logan reminisces about a moment when Roman’s ‘incompetence’ managed to get him captured by another villain. There is a lot to read during this scene so I will try to be brief (I am trying to shorten these parts while also moving a bit quicker through the work, so I don’t bore you guys too much). Logan states that “only Remy had managed to piece together his whereabouts after Logan had mentioned his failure to appear in front of a camera for a solid two days. Leaving him to die in the hands of such an individual might have caused a significant amount of unrest and subsequent danger to the public” (Whatwashernameagain).
First off, do you really pay Roman so much attention that you notice when he’s not there to brighten your day? Of course you do. I’m sure he would love the attention if he knew about it. Anyways, the last sentence provides more insight into what I have previously said about Logan’s recognition of Roman’s usefulness. He states that Roman’s disappearance would cause unrest and subsequent danger to the public. While, he may be making excuses, according to Remy, he does recognize this to be try and it is. If the public discovered The Dreamer was gone crime would spike, people’s hope would disappear causing them to lash out in fear and over protectiveness; everything Logan was working towards wouldn’t necessarily crumble but would no doubt be slowed. Which brings me back to the whole dialectical theory thing from earlier, which I won’t bore you with again. Just know that everything is related to something else in meaning, including Logan and Roman.
Love the light humor of Remy calling Logan his ‘computer-world-interaction device! LOL! Aside from the light humor, the interaction is a good resource in rounding out Remy as a character. It offers the reader a chance to understand that Remy needs/wants to interact with the outside world, to experience what it is to be apart of society outside his connections with the internet… Don’t we all Remy… Don’t we all… It develops Remy into the AI he is supposed to be rather than the image of a computer we originally had.
“Saving the Dreamer from his own incompetence was not a concession to his naive beliefs. No, certainly not! If anything, his wailing and warbling had caused Logan a headache as he’d dragged him out of the bunker, arguing the whole way” (Whatwashernameagain).
Logan SAVED Roman?! I love this. Irony at its finest! The villain saves the hero. Poetic justice! It also paints Logan to have a heart, though he denies it, which is quite nice too. Too bad Roman has no idea that his initials are carved in the ice around said heart. Best part is, we actually get to see a small snippet of the argument between the two: “’Uhhng you’re such an impossible motherf- um motherboard! Because you’re like a computer! Cold and emotionless!’ [The Dreamer] wailed, narrowly avoiding uttering a vile insult in his frustration. He prided himself on a hero’s impeccable manners, after all” (whatwashernameagain).
So, this snippet does a lot of things for Roman’s persona here. It provides him with the sass we hadn’t seen from him yet, giving him a bit more personality and a small bit of his POV which is a first in the story as well. We also can see the stark contrast between his and Logan’s frustration. Roman loses a bit of control in his frustration and almost curses; while Logan’s frustration, while intense, was still controlled almost to perfection (minus the one time he almost got caught because Roman got him to argue with him). His calm cool demeanor rarely cracking. Roman, as we see here, however, is the opposite, wearing the emotion on his sleeve and allowing it to flow freely rather than being bottled up and locked away like Logan attempts to do.
“Why had he cared to save this man after all? Not because of the softly uttered gratitude he’d finally muttered as he’d bundled him into an intimidated police officer’s car or his wide, awed eyes as he’d materialized out of the shadows of his cell, perfectly adjusted to the darkness in his neck-high sleek, black suit and high-tech mask that made him resemble a nimble, black cat. Or the way his expression had morphed into a knowing, almost warm smile before their differences had made their tempers rise once again” (Whatwashernameagain).
Okay, first off… Lets look at the structure here. This is another thing I love about Eva’s writing. I’ve mentioned time and time again, her ability to transition from one POV to another seamlessly but she also does it with timeframes. We’ve seen it a few times now, but this is probably the most obvious one which is why I waited until I got to this point before bringing it up. Before this para we were reading a small snippet of the arguing as Logan dragged Roman to safety. Now, we see Logan deposit Roman into a car and then BAM! Back in the cell he had been being kept in. The best part is that it is done so seamlessly that the reader doesn’t even really think about the fact that they are jumping back and forth in this timeline, they are simply able to piece it together as if it was all one piece… absolutely beautiful…
This para also gives a small insight into the humanity in Logan I had mentioned before, the humanity that only seems to come out when Roman is around; thus, reinforcing the fact that Roman /is/ Logan’s humanity. It also is a reminder of Logan’s denial but who is paying attention to that anymore?
Logan mentions the ‘softly uttered gratitude’ that Roman mutters as he was bundled in the car; making me wonder just how often Logan is thanked? Probably never… It is no wonder it was something of note here. It is like feeding a steak to someone who is accustomed to instant ramen: Surprising but not unwelcomed.
He also talks about Roman’s ‘wide, awed eyes,’ the look turning into a ‘knowing, almost warm smile.’ This is another example of how Eva manages to catch emotions so beautifully. This is also a wonderful example of Reader-Response theory as well. She mentions the physical reaction that Roman has at the appearance of Logan, but she leaves everything else up to the reader to fill in the blank… to shape the story. Still, she gave us just enough to work with.
Roman is obviously surprised that someone was there for him as his eyes go wide, but its really the fact that it is Logan, his opposite, his rival, that is there to save him. The shock fades quickly though as everything Roman has been arguing with the man over seems to come true in his eyes. Logan has just proven Roman right in the sense that Logan is good at heart and /can/ do the right thing… that there is hope that he can be led down the ‘right’ path. But the smile he offered wasn’t cocky or conceited if that were the case. It was simply ‘warm’. The complexity of human thought and emotions is far to vast for anyone to really /know/ what Roman was thinking her but I’m going to give a guess: Roman saw for the first time that his rival was not only living up to Roman’s hopes and expectations but was, in a way, providing him with a sense of friendship that Roman probably wasn’t accustomed to. Or at least a sense of affection (platonic or otherwise). No doubt, being a hero was a very lonely existence.
And we end the scene with Logan mentioning Remy’s like for Roman and his ‘cute ass and mouth.’  That’s Remy for you.
Thank you for joining me for Part 3 of this analysis. I apologize for the length and want to thank you for baring with me through it.
Yes, this is a repost. I had posted a very short Part 3 earlier today and did not want to end the Chapter 1 analysis on an odd number, so I combined Parts 3 and 4.
I will see you guys in part 4! Feel free to send me an ask or message with questions, concerns, emotional outbursts or things you simply would like to discuss or add! Thank you all!
  “History of Autism Treatment.” Applied Behavior Analysis Programs Guide, https://www.appliedbehavioranalysisprograms.com/history-autism-treatment/.
Rivkin, Julie. Literary Theory: a Practical Introduction. Wiley-Blackwell, 2017.
Whatwashernameagain. “The Dreamer - Chapter 1.” Hello Guys Gals And Non Binary Friends, 8 Sept. 2019, https://whatwashernameagain.tumblr.com/post/187581477262/the-dreamer-chapter-1.
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ayankun · 4 years
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real quick before I get into season 6
So this is my second time watching Season 6 and I’m p. excited.  This last week or so I’ve been dredging up bits and pieces, but most of it is a blur.  It seems the memories that lasted this whole year were mostly of the huge armored truck and the nonbinary character who works at *spoilers*’s tech startup.
I’m curious to see if the second time through it’ll settle in like it belongs.  I remember Season 5 really didn’t make any sense to me until I saw it again.
But really I’m just excited that in 11 hours I can watch the new stuff?!
But first, before I forget, here’s my last thoughts on Season 5.
So remember how I was surprised at Season 1′s structure, that it folded up nicely down the middle with some pretty tidy symmetry?
None of the other seasons do that.
Instead, I remember particularly strongly how jarring the end of the Ghost Rider arc was in the middle of Season 4.  And then again when the (what I’m calling) Kasius arc also wrapped up mid-season.
I’m not sure when I read about it, but it probably was circa Ghost Rider, that they’d intentionally decided on what I’m pretty sure they called “pods” of episodes, these seasons-within-a-season sort of narratives.
Season 2 sort of kicks it off, what with the race to Terragenesis taking eps 1-10 and the Afterlife/splinter SHIELD stories filling 11-22.  Then Season 3 has the monolith/Maveth mystery to start, followed by Hive & the Inhumans for the second half.  S4 is super poddy, obviously branded as Ghost Rider/Agents of Hydra, and S5 also splits neatly into future!Lighthouse and present day!Lighthouse.
Two points to make on this:
Kasius is such a rockstar villain that I feel really bad for Hale/Ruby/Talbot.  They’re so apples and oranges but having the highlight come first allows for unfavorable comparisons to be made.  It’s like asking any well-to-do Kree to compare Xandarian snail to oops all berries.
Good thing they’d had all this practice writing complete stories in 12 eps, since I’m hoping Season 6 (and obvs Season 7) will still feel as fully formed as their longer antecedents.
Anyway, that first point is my major point for S5.
S3 already feels like the second half of S2, and its internal halves are the most similar to each other as any of the other “pods,” so it’s not like people have a reason to go around saying “I liked the first half of the season waaay better than the second.”
(although I might.  I might say that, actually.  but not because the halves were branded separately from one another)
And S4, though the two halves are barely identifiable as coming from the same show much less the same season, they’re both good.  Robbie Reyes is perfect.  The effort to incorporate new MCU topics/aesthetic from Doctor Strange is great.  Robots who just want to be a real girl is my JAM.  All the Framework cameos really make my day!  And then Robbie Reyes comes back all deus ex machina (ironic) and saves the day, and
it makes sense that he does because the function and nature of the Darkhold was well established in part 1 and
it’s GREAT that he does because he’s perfect and we miss him.
Then here comes S5.  I really really respect so much about the creative decisions that took the story where it went (ie, outside Papa MCU’s sphere of interference), and getting to reuse the same set in a different context while minimizing “on-location” shoots is just technical and financial genius, okay. 
But there’s so much about the first half, in the future, that compels me waaaaaaay more than the gritty anger of the second half. 
Kasius, WOW what a villain.  Dominic Rains, everyone.  I have nothing unkind to say about the performance, the character, anything.  Impeccable.  Spectacular.  Perfection.
The mystery of the season opener!  We had the tag scene where Coulson’s “in space” and plenty of time to ruminate on the how and why, especially with Guardians of the Galaxy Vol 2 coming out right as S4 ended and Thor: Ragnarok literally sizzling in the theaters at the same time as this season started.  They answer the question by the end of the episode, but not before several characters come up with and pursue several different theories, and that’s fun.
What a way to capitalize on the Inhuman storyline your show’s been about for years now, without forcing Papa MCU to contend with all this good work you’ve been doing.  Just go somewhere he can’t reach you (the future), and then un-write all of it anyway.  V. tidy.  Extra style points will be awarded.
LEITMOTIFS.  If y’all’ve seen BSG, then you know Bear McCreary is a master of the art.  But this season has so many good themes, my friends.  The Daisy/Quake theme that’s been knocking around for a season is here in full force, and Sinara’s is the best bad guy theme you could have wanted, and dearest sweetest Flint has the best great guy theme you ever heard.
Just, while we’re here.  Sinara.  She says nothing for episodes (it feels like, I wasn’t counting) and her first line is a scornfully growled “compassion.”  Give it up for Florence Faivre !!!  She hardly has any lines but you always know exactly what she’s thinking and what she’s about.  Sinara and Kasius have the richest on-screen chemistry of anybody on any show from any era fight me on this I dare you.
Mack’s coming down from his second life in the Framework, and that suuuuucks that these folks never have a moment to rest before barreling into their next story.  But he gets to be a father to Flint!  And Yo-Yo gets to be a mother!!!  UGH why couldn’t they have brought Flint instead of Deke lololol oh well.
I think I know another reason why Lincoln seems overhyped to me.  That other Inhuman, Ben I think his name is?  He’s in like two episodes, serves a narrative purpose, and is disposed.  I know Lincoln’s in like 18 times as many episodes but they have the same exact overall impact on my brain-hole.  Imagine if it was Ben that came back with them instead of Deke.  That’s how I feel about Lincoln.  Like, how did this obviously disposable character make it this far?
Then you have Deke.  You love to hate him.  He’s a very well-fashioned character who is flawless in making you feel the way the showrunners want you to feel.  That’s the kind of character that gets killed off twice and still comes back, and it doesn’t surprise you.
So, Enoch.  Enoch is everyone’s favorite character, right?  Right.  Give me genderless robots with a soft spot for humanity ANY DAY.  PLEASE where are they I need them.  (I’m un-repressing memories of S6 and I feel like somehow I should be careful what I wish for)  Man I remember with 1000% clarity the absolute glee I felt sitting down for the opening montage of S5 the first time, how ballsy weird it was, just watching this freaky bald alien of a man go swimming with some fun electro pop number playing in the background.  100/10 please make more television like this
 More monoliths!!  The time one is so pretty!
(remember when there were more monoliths and no one knew where they came from or what they did but then it didn’t matter because they got instantly exploded?)
The low-key obvious answers to the season’s questions, what with the Inhumans running all over the shop, Quake there to tear everything down and Flint there to put the pieces back together I’m not crying you’re crying
Oh man, and Simmons getting to mentor not one but two Inhuman youths to be confident and trust in themselves and their powers.  What a ways from the fear-panic response to Daisy when she turned.
Also, yeah, it has to be said, this show’s blatant “you’re different and that’s okay” agenda sits very well with me.  Agents of SHIELD says LGBTQ+ rights!
So anyway, part 2 falls a little flat for me because its strength is its themes, but I’m not really compelled by the stakes and definitely not by the villains and not really even by the intra-team drama.
Obviously S2 touched on parenthood, but it was pretty specific.  S5 digs in and brings us a lot more on the topic.
Kasius desperately desires his father’s approval but very deeply despises the methods and the people who earn it.
Hale was indoctrinated by Hydra and was very earnest in wanting to uphold the values of the organization, until the organization (and Whitehall) shared with her their narrow appreciation of the gift of her loyalty.  Even then, she struggles to make sense of this loyalty, only realizing too late that being a good Hydra pawn and a good parent are categorically mutually exclusive.
Ruby, obviously, is like a mini-Kasius, the brave-faced rebel who wears her mother’s disappointment on her sleeve like a badge of honor to pretend that it isn’t crippling her.
The Von Strucker kid, boy is he messed up (and his Hydra dad had something to do with it)
((echos of Ward are still heard even this far after his demise, and we know what his father figures were like))
Poor Talbot, got some brain damage and some Hydra conditioning on top of that, cracked that noggin wide open.  He just wanted to do good by his family.  Just wanted his son to know he loves him.
Polly and Robin.  The daughter who needs constant special care because she’s stuck inside her own mind and the mother who’s been through hell and back and still manages to do her best.  Even when she knows she won’t always be there for her daughter.  Even when she knows she’ll be replaced.
May getting a glimpse at the life she and Andrew once talked about.  Getting a chance to do right by that little girl.
Mack recovering from getting that same glimpse, from the echoing memories of a life time spent with his greatest regret erased.  Being roped into being a thug and threatening that dad without knowing the meaning behind his threat -- being told that people like him don’t deserve the privilege of parenthood.  But then getting to know Flint, and having Yo-Yo at his side while they fast track this kid through all the things he’s gonna need to know in order to be the Big Damn Hero the world needs him to be.
The timey-wimey promise that FitzSimmons will one day be parents to a brilliant daughter who will unfortunately give birth to a Deke.
Coulson and Daisy.  Another parent placing enormous expectations on his daughter, desperate that she be ready for his responsibilities because his time is running out.  A daughter who mishandles these expectations and refuses to stop fighting a losing battle, not because she’s not ready to step up, but because she doesn’t want to face the fact that she’s losing the man who raised her.
Anyway, aside from all this good Theme work, part 2 wades perfunctorily through musty remnants of the previous season, from The Doctor to The Russian.  Which makes sense, because that season ended in a way that left so many loose threads -- but then this season comes along and summarily ties them up, all cute little bows, the lot of them.  Dusts its hands.  Nothing to see here.  Move along now.  Time’s up.
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velvet-tread · 6 years
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Unfiltered sweary mess: 507 edition
I had thoughts so I decided to this again. Let’s hope it doesn’t become a habit.
Let’s start with the Bellarke of it all, and the sheer joy of seeing them hustle up a plan together on the fly. AND LISTEN I am not on the #bellamysucksnow train, or the #bellarkeisdead train either and as such fair warning there is squee incoming. It feels like the core of the show has returned to us after s4’s barren years and IT IS GREAT. And honestly? I don’t care that romance isn’t in the air between them RIGHT NOW. I thought I would mind but I don’t. It feels right. It feels true to Bellamy, and it feels true to Clarke, and it feels exactly like the vibe I’d expect and want between two characters who love and respect each other and their choices, who have been apart for so long and need to reconnect. Let’s do right by Clarke and Bellamy, yeah? We’ve waited for 4 seasons (the last of which gave us sweet fa) we can wait a little longer.
And seriously, even if it turns out they are just beautiful co-leaders with a lot of professional respect for each other (yeah RIGHT) they could never, ever kill that relationship for me as long as they are in scenes together like this. I don’t care if they don’t bang (call me out on my lies someone), but the concurrent Bellarke scenes in the dining hall, and the triffid room, and then on Echo-watch just gave me so many OTP vibes. Bellarke are at their most effective when they’re together, even better when they have the support of their genius friends. And we got a return of the Bellarke dry-as comedy double act WTF @the100writersroom are you trying to be good at your jobs or something.
Top bantz, as we’d say in Essex.
Too bad the Bellarke unity ain’t gonna last, but thankfully, Bellarke are just as awesome when they are just…very angry and exasperated with each other ok, but DON’T HURT YOUR PRECIOUS SELF I MAY BE FURIOUS BUT WHEN DID YOU LAST SLEEP AND DO YOU NEED SOMETHING TO EAT
Great to have Monty back in the frame cutting through everyone’s bullshit. I thought he’d been relegated to a bit part this season. Oh ye of little faith. Does anyone realise that Monty is the biological weapon earth forgot? Put that angry face in a room with Octavia and see how long it takes for her to crack and wither from Monty’s externalised disappointment with everyone and everything.
Bellamy burning Octavia ow ow ow. I’ve already spoken about this at some length but damn that hurt. And it was deserved, but still spoke to the depth of his contempt for Blodreina.
Which brings me to…BELLARKE V BLODREINA: GRUDGE MATCH
And man, was this grudge match some time coming. To make sure the audience was VERY CLEAR on EVERYONE’S MORAL STANDING, the show helpfully prepped us with some little reminders that Bellamy helped commit a massacre, and Clarke did a load of horrible human testing in Becca’s lab last season. Thanks show.
So, all armed and loaded, the mud slinging began, and boy was it awesome.  First of all Bellarke takes Octavia to task about the worms and TURNS OUT OCTAVIA DIDN’T KNOW which get a grip on power here Octavia because it’s slipping from your grasp faster than you can say Wonkru Barbecue (shoutout to @mego42 – your time is coming). But Miller obviously watched the earlier part of the show and recapped for Octavia just in time because she’s ready for that shit and fires everyone’s dark past back at them. Cue: Bellamy’s best frowny face and Eliza Taylor’s saddest, most regretful Clarke eyes.
Bellarke disarmed and cowed (for now) live to fight another war they don’t want to fight.
But Octavia’s grudge match continues in her office when Indra enters with the intention of being reasonable, which is exactly the kind of shit Blodreina has warned her about before so help her god.
Indra is, obviously, the Queen of Everything and My Heart and delivers some bitchass Truths as Indra is wont to do and Octavia rewards her by throwing what my mind remembers as a skull but was probably a paperweight because why would Octavia have a skull in her office *nervous laughter*
Indra leaves, still Queen of Everything and My Heart, but not before delivering a portentous warning about losing yourself in the dark, which obviously Octavia is not going to listen to because DAUGHTERS, MAN.
Talking of daughters, Madi trying to suck at training was the most adorbs thing I’ve seen in a long time, guys and I am subscribed to a LOT of cat blogs. And man I felt for her. Sucking at anything sucks, and sucking on PURPOSE is just the height of unfair. And she’s in a new school! And the other kids are mean! And maybe they eat people!
Serious question though: from whence did Madi learn her swordswomanship? Clarke? Helios? Roan? (too soon?).
But don’t blame Clarke, Madi! Clarke’s Madi feels are pretty much on a par with mine which means she wants to cry every time she looks at her earnest little face AND CLARKE I FEEL THAT SO HARD YOUR BABY IS ADORABADASS. Which also means MAMA MODE ACTIVATED when Vodka Aunt Octavia starts messing up that precious braid she put in Madi’s hair earlier.
Hey Vodka Aunt, you don’t just get to come in here and make executive choices about Madi’s career, especially given your past efforts at parenting *looks at Ethan*
Oh, oh, oh and WE GOT A RETURN OF THE MUSICAL INTERLUDE! It was like Knocking on Heaven’s Door and Early Seasons feels all over again. But I gotta say Jason, fresh from the Sense8 finale my musical interlude expectations are higher these days and I was a bit disappointed there wasn’t a dance off. Perhaps an orgy or an endgame B/C/E triad instead? *Wanheda jaw clench*
But anyway that whole sequence of Clarke sending Madi off to her first day of training sent me in to a spiral of sadness that lasted for a lot of minutes I wasn’t counting. It was very sad and I am sad about it. Poor Clarke.  Just as well Octavia helped her remember she’s motherfucking Wanheda.
MY GIRL ECHO MY GIRLING UP THE HOUSE.
Let’s just take a moment to appreciate what a babe Echo kom Spacekru nee Azgeda is.  First of all: EVIDENCE OF SPACE GIRL SQUAD and I am all here for that. Second of all Echo is officially the first person on the show to get one over of Colonel Charmaine Diyoza SOMEONE GET ME A FUCKING SHOT.
And listen up everyone who bashes at their keyboards dribbling with rage about the things other women like on television: I love ladies with swords and if you want an apology for that you’ll have to prise it out of my cold dead body. But can we just take a (second) moment to appreciate that for all of Echo’s badass sword skills, she is Clarke Griffining up this joint like a motherfucker. Echo is as Slytherin as Clarke and as sneaky as Clarke and as smart as Clarke and that manoeuvre she executed with Zeke and Raven was 100% a Clarke Griffin move, don’t @ me.
It’s almost like….they’re similar….on purpose….
Shout out to all the smart, insecure girls who aren’t sure if they belong. Learn to swordfight, use your brain, and get yourself a girl squad and a soft space dad boyfriend.
Sidebar: Clarke’s faith that Echo would take the eye down and her admiration when she does will keep me in Clecho feels for months.
But friends…I am the most fervent of Echo stans and Becho shippers and I am AFEARED. She is very much circling the abyss here and it gives me a sick feeling in my stomach. I believe Raven will forgive her (FOR WHAT CAN SOMEONE PLS ENLIGHTEN ME AS TO WHAT RAVEN IS SO PISSED ABOUT??) and I believe the rest of Spacekru will 100% understand what she did because it was presented to us as an understandable choice.  But but but… what’s next?  Diyoza ain’t gonna take the turn the other cheek approach to learning that Echo took down her eye in the sky. What if her next move is to make *Echo* her eyes in exchange for safe passage for Spacekru?
*sweats forever*
That seems like a Diyoza move. And like…where would that leave Echo with Bellamy? Her choice would be: tell him and risk the whole mission and/or turn him into a lying liar to his sister too, or not tell him and risk their entire relationship and hurt him very badly. I think I know which one my loyal girl would choose and how that would end.
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Fuck fuck fuck fuckity fuck fuck fuck.
*ugly crying*
I’m not ready.
Okay it’s time for a Raven rant. What the hell is going on with Raven this season? Raven has had some beautifully executed arcs in the past, and I am high key here for her to finally get some NC-17 action now she’s done all that Work On Herself, but if Raven’s arc in s5 amounts to RAVEN DIDN’T GET BONED FOR 6 YEARS AND NOW SHE’S GETTING BONED then Imma flip a table.
Sidebar#2 obviously Raven got boned on the Ring, it’s not like they would have had a space orgy without her, come ON.
And just… I’m sorry I don’t get the Zaven. When they released the s5 pics I thought WOWZA these two are gonna be gr9 together and LOOK HE’S A SPACE EXPLORER. How could this possibly go wrong?  But somehow, they’ve managed to introduce a character who, on his own, is 10x as compelling as Wick, but has about -100% of the chemistry with Raven. Which is???? Some kind of alchemy??? how has that happened? I love Zeke! I love Raven!!! They’re both MAGNETIC on screen. On paper they should be a perfect fit but it’s like whenever they’re in the same scene together I have the sudden urge to check my emails.
And someone, please, just tell me what work Zaven is doing for either of these characters. What’s Raven’s conflict? How does Zeke resolve it? Is it *literally* Raven being presented with a hot dude with a similar skill set? Sorry I’m out.
And before anyone comes at me with the usual packet of whining about how Echo has stolen all of Raven’s screentime, I’d beg you all to remember that there is no law saying that one woman’s time on tv has to be at the expense of another and this is a GIANT SEXIST TRAP DO NOT FALL FOR IT.
Talking of out, Kabby is also circling the drain and [averts eyes from discourse].
But I’m calling Diyoza’s ship name, and if she bangs Kane I hereby pronounce it TEQUILA [whatever Kane’s ship name is, someone hmu].
OK I need to talk about Gaia now before I get shot down by a thunderbolt. The girl creeps me tf out but I SOMEHOW LOVE HER NOW. This is new and unnerving because feverish religious types are not usually my jam ESPECIALLY if they present Clarke’s daughter with a creepy sacred flash drive that they want to insert in her neck, but somehow Tati Gabrielle nails that line, even if my reaction seeing the Flame was exactly the same as my reaction to seeing the worms.
But I believe Gaia’s intentions, while creepy, are pure. And WHO PICKED UP on how fluid her loyalty is? She will serve Blodreina faithfully as long as she reigns. Huh.
In other news McCreary, and more importantly McCreary’s undercut, were absent from this episode I hope they are both enjoying Memori’s couples counselling retreat. I look forward to seeing his glazed expression next week as I cry my Becho tears.
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astronomyparkers · 7 years
Text
Skyline {VI}
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Warnings: Language, blood mention, panic attack
Pairing: Peter Parker x reader
Word count: 2.7k
A/N: Oh my god you guys!!  I have so much to discuss but first and foremost I want to thank all of you for making this story into what it is.  I started this story two weeks ago and in those two weeks I’ve gained almost 2000 followers and have had success that I never even dreamed of.  Thank you so much for all that you’ve done for me, for this story, and hopefully for stories I write in the future!!! Skyline wouldn’t be what it is today without you guys.  Secondly, there will be a pt. 7!!!  I know I keep saying this, but I really did mean for this to be the last part.  It’s just that there are so many things I want to include and plot points I want to flesh out, and although I feel bad for writing angst chapter after angst chapter, I want to give you guys my all and I don’t want to short change you.  Finally, I would like to thank my friends Zoe and Jen for helping me brainstorm ideas and helping finalize details and plot points.  I love you guys so so much!!  Also, everyone, again, I DO NOT HAVE A TAGS LIST!!! I put this at the beginning of every chapter, it’s in my bio, and I’ve made multiple posts but people keep spamming me about it.  I am truly not trying to be mean, but I do my best to respond to every ask and message I get, and having to sort through a million people asking the same question is hard guys!!!.  Before, I go, one last thing: because everyone has sent me in songs that they listen to that remind them of Skyline, I compiled them into a playlist along with ones I listen to!!  Please give it a listen and try to listen in order, as the songs follow the storyline.  Link is below.  Enjoy everyone!!
skyline: a mixtape
{part i} {part ii} {part iii} {part iv} {part v} 
Waking up the next morning was hard.  Sleep was like temporary amnesia, and when you awoke alone in bed, your hand automatically reached out for the note that Spider-Man always left before he disappeared every night.  Instead of feeling the usual smooth sheet of paper, however, you felt empty sheets that seemed colder than ever before.  It was then that the events of the previous night tumbled into your head, from your request to know Spider-Man’s identity, to him saying I love you for the first time, to you giving him up.
You groaned and rubbed your hand across your face, fatigue taking over.  More than anything, you wanted to fake an illness, stay in bed all day, and wallow in your thoughts, but you knew you had to get up. Although the breakup hurt you (did it count as a breakup if you were never really together in the first place?), you knew you made the right choice.  There was no way a relationship with a superhero would work out if the significant other didn’t know who they were; if you were to fall in love, you would need to be able to fall completely.
With a sigh, you dragged yourself out of bed and got ready for the day, going through the motions of your morning routine.  By the time you had reached Midtown and had taken a seat in your first class, which was American history, you were regretting your decision to not wallow.  Wallowing was good for the soul.  At least, it was better for the soul than listening to your teacher try to rap along to Hamilton.
Still, you went about your day with your best foot forward, and tried to act as normal as possible.  You answered questions in each class, aced an English quiz, made conversation with your friends at lunch, and, by the time you reached chemistry, had sufficiently put Spider-Man to the back of your mind.
Alex was turned around in her seat just like any other day, back to the front of the room as she made conversation.  You smiled at a joke she made as you unloaded your books, flipping open to the readings you were assigned yesterday.
“And the thing is, I know for a fact that—are you okay, Peter?”
At Alex’s mention of your friend, you looked up from your textbook to see Peter slumping into his seat.  He looked tired, with bags under his eyes, and his sweater was rumpled like he had thrown it on haphazardly.  His hair was a mess, too, as if he had spent a great deal of time running his hands through it anxiously.
“Yeah, I-I’m fine,” Peter mumbled, barely looking up at Alex to answer her. “Just tired.”
“I missed you at lunch today,” You turned toward your friend, concern apparent in your voice. “Where were you?  We were going to study for the academic decathlon meeting next week, remember?”
“Yeah, I, uh,” Peter fiddled with a page in his notebook. “I was busy.  Sorry.”
“Oh.” You bit your lip. “It’s okay.  What were you busy with?”
“Just…” Peter fiddled more. “Stuff.  For the Stark internship, you know?”
“Right.” You were confused as to why Peter was refusing to make eye contact with you. Had you done something wrong?
Even after the teacher walked in and called the class to order, you continued wracking your brain to figure out what you did to warrant this change in behaviour.  Yesterday, Peter had been holding your hand and making you feel things that you weren’t quite sure you were supposed to feel. Things that, after you thought about them, helped push you to the decision that you had to end your affair with Spider-Man.  It wasn’t as if you were going to rebound right away and make a move on your chemistry partner—you weren’t even sure if that was something you wanted.  But you did want to spend time with your friend, which was kind of hard to do if he wouldn’t even look at you.
About twenty minutes before the end of the class, the voice of one of your school secretaries came through the PA system, interrupting your pondering.
“Peter Parker, please report to the principal’s office,” the voice crackled through the ancient speaker. “Peter Parker, to the principal’s office.”
The class made the typical teenage taunting noise as Peter began packing up his books and stood up, slinging his bag over his shoulder.  He quickly glanced at you and, without saying a proper goodbye, walked out of the room.
Alex twisted around in her seat as the teacher tried to continue on with the lesson.
“Do you know what’s up with him?” Alex mouthed, trying to escape the notice of the teacher.
You shook your head as you stared with worry at the empty door frame.
 Peter never returned. When the bell rang, you practically jumped out of your seat and darted through the halls, hoping Peter would be waiting for you at your locker like he usually was between classes.
To your disappointment, Peter was nowhere in sight.  With a sigh, you opened your locker and retrieved the books you needed for your next class, all the while wondering what the principal could possibly have needed to talk to Peter about.  As far as you knew, he hadn’t done anything wrong.  Was everything okay?  The more you thought, the more you worried, and you knew that you had to talk to Peter right away.  Instead of turning down the next hallway for your class, you ducked into the nearest bathroom and pulled out your phone.  No messages from him.
You leaned against the wall.  Where would Peter have gone?  You wracked your brain for all the places he and you had gone together in the school. The quad?  No, you had passed it on your way to your locker and Peter was nowhere in sight.  Maybe the library?  You considered, but crossed it off your list.  Whatever was happening, you had a feeling that Peter wouldn’t be somewhere that required silence; if anything, he would go somewhere that allowed him to make as much noise as he wanted or needed to.
The class bell rang from the hallway, and it was then that the answer flew into your mind.  The shop in the basement of Midtown was secluded from other classrooms, far enough down that no one on higher floors could hear the noise of the machines, and Peter frequented it regularly for robotics club.  While the shop wasn’t much of a lead, and it was likely to be empty, it was the only location that was even remotely close to being where Peter was.
You exited the bathroom quickly and made your way to the basement stairs as inconspicuously as possible, not wanting to get caught without a hall pass.  You pulled open the door to the stairs and, with one final glance to make sure the coast was clear, ducked inside, shutting the door firmly behind you.
Carefully, you made your way down the dark, sloped passage.  The lack of light made you doubt that Peter was in the shop at all, but as you walked further down, you began to hear movement.  At the bottom of the stairs was soft light, like there was only a work bench lamp on.  You peered around the corner of the stairwell, trying not to be seen.
Standing at the back wall was Peter, sweater off and in a sweat-soaked undershirt.  You could see his frame shaking from your place on the stairs, and you could hear his ragged breaths as he dragged in lungful after lungful of air, fast and tight.  Repeatedly, his right hand snapped out, punching the wall over and over again in the same spot.  
You wanted to stop him, to run over and pull his hands to his sides and restrain him, but you felt paralyzed.  What had happened in the last half hour that had caused him to react like this?  You had never seen Peter in such an emotional state; you had to admit, it frightened you.  Peter was your friend that built LEGO death stars for fun.  He was your friend that almost exclusively wore shirts with science puns.  He was your friend that walked you home and helped you study for tests and didn’t make fun of you for playing the same movie soundtrack over and over when you shared headphones on the subway.  He wasn’t angry.  He wasn’t destructive.  He wasn’t this person in front of you, who didn’t notice the blood on their fingers as they ran their hands over their face and through their hair.
Peter punched the wall a few more times, before coming to a jerky stop.  He looked at the wall, and reached out a gentle hand, just touching the cracks in the plaster.  You watched as a finger traced a streak of blood.
The boy stepped back from the wall, cradling his hand to his chest.  He finally seemed to register what he was doing, seemed to realize that the skin of his knuckles had split open.  He gazed down at his hand, body halfway turned towards you so that could see his tear streaked, blood stained face.  With his left hand, he cautiously touched one of the knuckles, hissing in pain.
“What am I doing?” Peter muttered to himself, shaking his head adamantly. “What the fuck am I doing, what is this all for, who is this going to help, who the fuck is this going to save—” Peter began gulping in air again, squeezing his injured hand to his chest.  The tears bubbled up again and began to escape his eyes as he began sobbing again, the sound of it breaking out of his chest like he was a prisoner in his own body, breaking down against his will.  Peter coughed after a few rough breaths until he finally let out a scream. You felt your heart break in your chest as you watched your friend’s legs give out, and he collapsed onto the floor as his sobs shook him.
Seeing Peter on the floor caused something inside you to snap.  You quickly wiped your face and rushed over to your friend, wrapping your arms around him and dropping to the floor.
Peter tensed for a moment, looking over at you but not completely seeing you. “Y-Y/N?”
“Peter,” Your hands moved from his shoulders to his face, looking him in the eye. “Peter, what’s wrong?  What happened?”
“I—” Peter continued sucking in air faster and faster, tears still pouring down his cheeks. “There was—in—”
“Breathe, Peter,” Your thumbed stroked his cheeks as you measured your breathing. “Come on, watch me.  In and out.”
Peter tried to match his breathing to yours, sobs still choking out of his throat.  He squeezed his eyes shut again, lowering his head to the ground.  Your hands moved from his cheeks to the back of his neck, gently rubbing in a way that you hoped was soothing.
Peter’s head came forward to rest on your shoulder.  You knew that his tears and blood were staining your shirt, but you didn’t care.  You brought one of your hands up to his head, running your fingers through his hair. You held him as tightly as you could, hoping with all your heart that everything would be okay.
After a few moments, Peter’s breathing regulated and his sobs quieted down.  Still stroking his head and neck, you approached the question again.
“Peter,” You whispered gently. “What happened?”
“There was—” You felt Peter suck in a gulp of air. “There was an accident, in the city.  A bad guy, with some of—some of the Vulture’s weapons still.  He—he caused a huge car accident, with at least ten vehicles, and—”
“And what?” You steeled yourself for the answer about to come out of Peter’s mouth.  You had a sneaking suspicion of what it might be.
“And May was in the accident.”
Peter broke down again, clinging tighter to you as fresh tears made their way down his face. You hugged him closer to you, as close as you possibly could.
“Is she—?” You knew Peter lost his parents when he was little, and you couldn’t even possibly imagine what it would be like for him to lose another one.
“She’s okay,” Peter mumbled. “A little bruised, and without a working car, but—but she’s okay. She called from the hospital; they’re keeping her overnight to monitor her.”
“Oh my…thank God,” You held onto Peter tighter, relief coursing through your veins.
“But, Y/N,” Peter began shaking again, and he pulled himself away from you. “People—people died. And more are injured, and—”
“Peter, none of that is your fault,” You protested, hand still lingering on the back of the boy’s neck. “There’s nothing you can do about it.”
“Yeah, okay,” Peter raked his injured hand through his hair, wincing in pain as his gaze flickered to the cracked plaster. “Can’t keep my family safe, can’t protect the people I love, but at least I can fuck up a wall pretty good, right?”
“Hey.” You grabbed Peter’s hands in both of yours, squeezing as tight as you could without hurting him more. “It’s not your responsibility to protect everyone!”
“Then whose is it?” Peter turned to you with eyes that seemed to go a shade darker as he spoke. “Spider-Man?  He hasn’t done much good, Y/N.”
“Don’t do this,” You shook your head. “Spider-Man—”
“Spider-Man couldn’t protect you from getting beat in the head with a gun this summer!” Peter’s shaking returned as his voice got rougher. “Spider-Man couldn’t protect those people on Queensboro Bridge!  And he couldn’t protect everyone today, and because of him, people died.  And my aunt was almost one of them.”
“But she wasn’t—”
“But someone’s aunt was.” Peter’s hands gripped yours tighter, tight enough to look like it hurt. “Someone’s aunt is never going to come home because of what happened today.”
“Peter, trust me,” You looked down at his bloody hands. “Spider-Man is only human.  He can’t protect everyone, and we can’t expect him to.”
“Yes we can!” Peter tore his hands out of your grip. “If—if he can’t protect everyone, then who can? Answer that, Y/N!  If you have the power to help, and you don’t, then the bad things that happen are on you.  And it’s your fault if the people you love get hurt.”
Peter stood up and grabbed his things in a hurry, haphazardly throwing his bag over his shoulder.
“Peter, wait!” You tried calling after your friend, but he was already hurrying up the stairs, tears beginning to fall once more as he left your sight.
You sighed, rubbing your hand against your forehead.  Your attention turned back to the wall, where Peter’s blood was beginning to dry in and around the cracks in the plaster that had appeared due to his punching. Cautiously, you reached out a hand and lightly touched the wall.  A few loose pieces of plaster crumbled away, coating your fingers in white dust.
“How did he…?” The words tumbled out of your mouth as you rubbed your fingers together.  You knew that Peter wasn’t a weakling, but you had no idea your friend was strong enough to punch holes in walls.  
You couldn’t stop seeing his bloody and teary face in your mind, and the image stayed with you for the rest of your day.  From the walk to the subway to the train ride home to climbing into bed that night, you replayed the pain in his eyes, and those eyes were the last thing you saw until you closed your own and drifted off to sleep.
A sleep that didn’t last long.  You awoke at around two am to knocking on your window, which really, you should have expected.  Did you really believe that Spider-Man wouldn’t come back for you?
{part vii}
2K notes · View notes
rileywrites-parker · 7 years
Text
This is Nice
This is part one of my six part series titled ‘It’s A Lot Like Falling.’
Part I  Part II  Part III  Part IV  Part V  Part VI
Prompt: “It wouldn’t be the first time you broke a promise.” Or, in this case: the longest hug in history.
Summary: Peter has been absent a lot lately. Ned and Reader are concerned. Basically: unreliable Peter/brand new Spider-man and confused/hurt Reader. Peter likes to leave notes when he messes up, because apologies are hard. This is the first part of a five part series titled: ‘It’s A Lot Like Falling,’ which has its own link in my bio.1.4k words.
Also, Ned is the biggest Peter x Reader shipper. He thinks it’s cute. He also thinks Peter is oblivious.
“Hey,” you asked, your fingers twisting to put in the last number of your combination, lock popping open, the door following suit, “you’re still coming over later, right?” Peter swapped out his Spanish book for his Chemistry text, closing his own locker and then spinning the combination to lock it back up. He walked over to you, leaning a shoulder into the locker next to your own, adjusting the sleeves of his sweater, pushing them up to his elbows before crossing his arms in front of him.
“We have to finish up that history project, you know,” you spoke around your door, peering around the side to see Peter looking down at his shoes, one sneakered toe pushing at a rogue pencil someone had dropped on the ground. You could already sense it coming, that heavy feeling of disappointment working its way up from your toes to mix with the contents in your stomach.  You finished swapping out your own textbooks, lightly closing the door, sighing as you tucked your binder close to your chest.
“Actually,” his hand was rubbing at the back of his neck, disturbing those curls you so loved, “I have-uh, I have a thing.”
A girl brushed past you in the hallway, bumping into your shoulder, almost causing you to drop your things. You tossed her a look, silently scolding her for her lack of manners. You adjusted to settle your weight on your shoulder, leaning into the door of your locker, looking up to see that Peter was now fumbling around with the edges of the notebook he held.
“You have a thing?”
“Yeah, you know, a- uh thing that I have to do a-after school,” the tone in his voice made it sound as though he were asking a question, “for May.” His eyes met yours, doing his best to offer you an apologetic smile for missing out on yet another important after school study session.
A few months previous, Peter had fallen ill. He missed almost an entire week of school and had refused to let anyone visit him at home. His behavior had taken an odd turn after that. Suddenly it was like there wasn’t enough of Peter’s time to go around; he was never really present, and even when he was his thoughts were a million miles away on some unseen planet that only he was privy to. When asked, he always had some excuse primed and ready to shrug your concern off with the brush of a few stammered words and nervous gestures.
He had you and Ned worried. You missed him.
“Peter, this project counts for a huge chunk of our grade,” your brows furrowed at him, your brain already beginning to work out how much you were going to have to do when you got home to finish the assignment on your own, “and you promised you weren’t going to bail on me this time.”
Ned walked up to the two of you then, a bright smile on display. He placed a hand on yours and Peter’s shoulders, giving each a light squeeze. It took him a moment to gauge the mood, the smile leaving his face as his eyes bounced between the two of you. Finally sensing the tension, he dropped his hands and took a slight step back. “So,” he looked at you then, a sympathetic expression on his face, “I guess you’re ditching again?” He looked at Peter, who was now frowning, arms crossed in front of him.
Peter’s eyes were on you now, his brown orbs scanning your features, “Look, I’ll make it up to you, OK?” His fingers found yours, his warm calloused hand smothering the top of your cold one. You focused on where your hands met, following the contours of his fingers and the way the lines of him changed as they molded with your own.
“Sure, Peter,” you conceded, voice soft and defeated. Your hand was suddenly cold again as he pulled away, tucking his arm back around his notebook. He began to back away from the two of you and in the direction of his next class. The hallways were clearing, most people having already transitioned to their next period. You felt a light touch on your back, as Ned gave you his silent support.
“O-OK,” he said, before offering a weak smile to his friend, his eyes on Ned’s hand. He turned away to head upstairs.
“It’s not the first time you’ve broken a promise,” you whispered to his retreating form, Ned’s hand rubbing soothing circles on your back. He grabbed your arm then to lead the both of you to your English classroom.
You had no way of knowing that Peter had heard you. You had no way of knowing that your words had left his stomach in a knot and an ache in his chest.
When you got home from Art Club later that night, you were surprised to find a folder lying on the center of your bed. Picking it up and opening it, you found that Peter had finished the shared project. He had even completed a few of the questions you still hadn’t answered yourself, his neat, blocky handwriting marking each sheet of paper.
Despite the gesture of good faith, you were still upset with him.
The next morning when you arrived at school, Peter was waiting for you. You nodded your head at him and gave him a small smile. Turning your attention to your locker, you found that there was a note taped to the combination lock. You gave Peter a look, asking for an explanation, receiving instead a shrug of his shoulders and a sheepish expression. You peeled the note away from your locker and unfolded the little piece of paper.
‘I promise you that I’ll get better at this, that I won’t keep letting you down. No more broken promises, [Y/N.]’
You met Peter’s eyes then. His hands were shoved into his pockets, knuckles hanging out over the edges of the denim as he stood there anxiously awaiting your response. You said nothing, and instead reached out to him, weaving your arms around his neck, pulling him towards you, your bodies meeting in an awkward embrace. A few moments passed before he relented, relaxing into you, removing his hands from his pockets to wrap them securely around your back.
“I’m sorry,” he breathed into your hair. “I’m not trying to hurt you, or-or let you down,” he pulled you in tighter, his fingers clenching, the fabric of your shirt bunching, “I just have some things going on right now that are really difficult to explain.”
You nodded your head, chin digging into the top of his shoulder, skin chafing against the strap of his backpack. “I – we just worry about you, Pete.”
“I know,” his warm breath tickling as his face pressed against the side of yours, “I’m sorry.”
“Whatever it is you have going on, you can talk to me about it.” He let out a sigh of contentment as you brought one of your hands up and into the hair at his neck, carding your fingers through the first sets of curls there.
“I really can’t,” he said.
Nodding your head again, continuing to play with his hair, “OK, that’s OK,” your hand making its way a little further into the bulk of his tresses, fingers brushing behind his ears, “I just mean that when you’re ready, whenever, I’m here to listen; whatever it is.”
“OK,” he replied in a small voice, his fingers now twirling through the fine hairs at your neck that had managed to escape your braid.
Ned came around the corner then, stopping a few feet in front of the two of you, grinning as he met your eyes and giving you a not-so-subtle thumbs up. You responded with a beaming smile before motioning for him to come over, grabbing at the strap of his backpack when he was within reaching distance to pull him in. He wrapped his arms around the two of you then, Peter letting out a laugh as Ned squeezed, rocking the three of you back and forth.
“We should make this a thing, this is nice,” Ned declared; the two of you nodding your heads in agreement before the three of you separated. You smiled at Ned, reaching up to fix his hug-disturbed collar, offering him a good morning. You turned to look at Peter then, his eyes meeting with yours, a light blush painted across his cheeks.
You smiled, a blush of your own forming as he said, “This is nice.”
  Part II  Part III Part IV Part V  Part VI 
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weightloss18-blog1 · 6 years
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DAY 54 OF MY JUICE FAST -GREEN JUICE BENEFITS
New Post has been published on https://designweightloss.com/day-54-of-my-juice-fast-green-juice-benefits/
DAY 54 OF MY JUICE FAST -GREEN JUICE BENEFITS
hey guys today is day 54 of my juice fast I thought I would do my podcast my live podcast early why actually it's not early because I've been doing them between 5:00 pm
and 6:00 o'clock um but when I do these live podcasts and I almost sounded like I was turning into a French lady the way I just said live podcast um I like to do them first thing in the morning and when I settle down at night those are like the times that there's pretty much nothing to do because first thing in the morning this it's just too early nothing's open if he was going to go take care of some errands or I'm a housewife so it's not like I'm working so if I had something to do I basically um it's too early so I just get on my podcast and I talk about what's going on you know and I hope that whoever comes on to the live stream and motivates them what is going on in my situation and my weight loss journey so as you can see in this illustration here I have got the AC V the apple cider vinegar um and I wanted it I wanted to try it with my limes I has fresh I had cut up – I'm sorry I'm messing things up I had cut up 6 limes into halves and I have an electric citric juicer so that it can arm squeeze juice like oranges lemons and limes and then I use my nut bag because I don't want the pulp and I separate the pulp from the lime or the lemon the orange juice that I'm making so I have a thing with lime juice I love it it tastes so good with the combination of fresh lime juice even the lime the lime skin the green part which I'm going to start incorporating as well is delicious and lime juice um but for the time being as you see in this illustration the true lime gives it in its actual its actual lime that's been dried out in it gives you that green skin flavor when you add it to this mixture now I was inspired to make this concoction because I love lime juice and I'm on a liquid diet so I have to to do things that are like desserts for me but their juices because I can't do smoothies um that are satisfying and I love limeade I used to buy the simply limeade at the supermarket and I loved it I love the lemon raspberry and I loved the just straight limeade now I'm still tweaking this because I think I'm gonna switch off because I used 64 ounces of purified water in this batch and that's just gonna be in a refrigerator so when I want to after I drink my green juices 32 ounces of that I want to have when I have a taste for that lime sweet taste I want to have the lime juice in the refrigerator already chilled and I will pull 8 to 16 ounces into a glass and be satisfied but one thing that I did do and I was hoping that it did not ruin the lime juice was I added the apple cider vinegar that you see in this illustration and it didn't but just to be on a safe side I added the true two packets I might have to step my game up and put three in it even though I don't taste the apple cider vinegar and I think the reason is because it's a sit it's a citrus the lime and lemons and apple cider vinegar is basically in the same family the way it's produced it's a very tangy you know bitter you know something that you don't really want to drink on its own unless it has a sweetener add and add it to it so I tested it out so I cut up six lemons I'm sorry six limes so what I did was I added six tablespoons this is what's different to this lie made that I made homemade from home because I had put a cup of raw honey and I don't care if it's processed sugar from candies or raw honey from bees sugar spikes your insulin your body does not know the difference so for me to drink that kind of dessert as I call it at like 6:00 o'clock about hour and 44 minutes ago I was drinking it it's gonna spike my insulin and it's going to stay spiked and it's not gonna burn any fat so what I did was I added the apple cider vinegar which also and I don't care what nobody says people think there's no way that apple cider vinegar can um cause you to lose weight I'm gonna tell you one reason apple cider vinegar helps you lose weight one it lowers your insulin levels it doesn't keep it spiked it keeps it with your body doesn't have to deal with the the insulin spike so your body's not gonna store any fat because your insulin up your insulin levels are going to be at bay and it's a good appetite suppression because since being on a 54 day juice fast don't think that there has been days that I didn't want to go on my refrigerator and cut up some of them vegetables I had enough of them and make a salad and add some gorgonzola cheese or some blue cheese crumples and some salad dressing and make me a salad which it still would have been it would have been all fresh raw on produce but it wouldn't have been the way the juice fast is designed and so that would have been eating solid foods so I didn't do that but I also noticed I like to look at a lot of food eating shows on YouTube that's like my number one to go to every single day I look forward to seeing people's mukbangs and eating shows or how to cook you know exotic meals so I can duplicate that at my own home and I noticed that even though there's been some delicious rich savory I mean even let's talk about things that are basic like fried crispy chicken I have not had the urge because of the apple cider vinegar when something either it's apple cider vinegar or whatever you might use other than apple cider vinegar suppresses the appetite it doesn't matter what you see in your face or you smell if the brain is saying I'm not hungry you're not gonna eat when when now the difference between but you know like people who are on weight loss journeys now and when they wasn't you could be not hungry you know prior to taking apple cider vinegar but the difference is when you smell food and see it you eat just because it's there but when you have something like apple cider vinegar which is a suppressant and it makes you not feel hungry it doesn't matter if you smell it see it you're not gonna want to taste it because the brain is saying I don't want it that's the difference between eating just to be eating and taking a suppressant that suppresses your appetite if you're taking something that suppresses your appetite I don't give you 600 pounds and you love food and you're addicted to food if there's something that is stimulating the brain an anti suppressant you know and you don't have an appetite you just are not gonna eat as much as you might be addicted to food and you're looking at that and you say to yourself well I don't eat this now I might not see this buffet ever again in life you're just not gonna eat it's plain and simple there's no other way to to say it but I got inspired with this lime aid from the Master Cleanse I don't like drinking lemons on the Master Cleanse I didn't like the maple syrup that went with it or the cayenne pepper so I had to do it that works for me a lot of people that watch me will say that girl says that all the time she does it you know anything she does as a diet or regiment to lose weight I do it I tweak it so it works for me I don't tweak it way change it around so that it's not what it's you know what it's supposed to be anymore and then I get up on a video and say I'm not losing weight I don't tweak it like that I just took out the lemons and switched it for the line now another thing I'm going to it's gonna probably take a few times to get this right but I think that I'm gonna switch out the raw honey because I don't think that it goes well with the apple cider vinegar because I'm not really tasting the apple cider vinegar but I am tasting the raw which Ronnie is delicious but I want to taste the lime juice and I'm tasting the rawness of the honey and I think it's kind of on the same scale as the lime juice it's it's it's 50/50 and I don't want I don't want um the taste of the raw honey I want lime juice that's sweetened so what I'm gonna do is I'm gonna switch it out to raw sugar which will give it a more neutral flavor so that means it's gonna complement the line because all I'll taste is the sweetness from the raw sugar and not the you know like how the the honey has a flavoring to it the sriracha was just gonna sweeten the lime juice and I'll taste the lime juice better because I don't want to stop thinking in my head while I'm drinking this juice that I make every couple of days because you get eight servings in 64 ounces or you get four servings if you drink 16 ounces of it either or it's even thinner than a juice with veggies and fruits in it that you make from your juicer basically it's like you're drinking definitely water so even if you're done with your juices for the day if you have a sweet tooth this is the go-to drink that I would you know suggest that people arm add into the drinking regimen and yes I had to find a place for my very favorite limeade that I make from home that I'm very proud of and I had to incorporate the apple cider vinegar because it's good to put it in the foods that you're eating so I'm not eating any solid foods so I wouldn't put it in things like salads or stews or anything like that I would put it in my juices so as much as I didn't want to do it because I didn't want to mess up my limeade and then kill the taste of the limeade I have things to help bloom I won't say I don't want to mask any flavors I want to complement everything the the apple cider vinegar with the lime and then to step it up a notch use the true lime two or three packets I used to in this illustration here so that you know basically I can make it taste like lime juice even more so with the green skins hold on one second guys I'm sorry for that I had a very important phone call that I had to answer um but you gotta be real careful I think that it's a it's a chemistry thing that if you haven't passed in science class you know when you were in middle school or high school whatever or in cooking school or just learning how to cook you know apple cider vinegar can be horribly the worst thing that you can put inside of your juices you gotta know the right combination so this is my first batch making it everything turned out good and it's so weird I don't have any complaints from the taste of the apple cider vinegar I don't taste that it's that raw honey and I'm going I'm going to the next batch that I make I'm going to add the raw sugar because sugar has just the neutral taste I don't care if it's raw or process it just tastes like sugar sweet and that's all I'm looking for only thing different that I'm doing is I'm not using processed white sugar or eat I mean even the brown sugar that you get that's not raw sugar is processed but I'm using raw sugar because it's better for the body but the bottom line is sugar is sugar so it's gonna complement the lime a by just using sugar rather than honey because it's gonna give it a neutral taste it's gonna give the lime juice a sweet taste rather than this you know rich you know raw honey and if you know and if people want that thing if they want that going on fine but no I want to taste my lime juice okay so I'm just gonna leave that at that but I'm telling you this concoction that I made you if you drank this every day for 10 days because this is really a Master Cleanse juice and if you put in 6 tablespoons of apple cider vinegar you will definitely eat less because that is what the ingredient in apple cider vinegar is and that's what it does it suppresses your appetite it's not a miracle where you drink it and then you're just losing fat no it speeds up your metabolism and it also suppresses your appetite I'm finding myself rushing for cutoff because I don't eat or drink any juices only thing that I do drink besides the my fruit juices with the green the greens in it is my detox tea at night with the dandelion powder in it and now I have added my finger water purified water and 2 tablespoons of apple cider vinegar and I take that before bedtime and matter of fact as we speak you're gonna probably hear some gulping because I'm going to drink down the apple cider vinegar as we talked sorry for that I just drank down 16 ounces I didn't plan to drink that much liquids I like to just cut to the chase and maybe eight ounces or less and two tablespoons of apple cider vinegar I had a 32 ounce glass of ice water purified water even the ice cubes are purified you know they're not tapped from the tap and I cut up some fresh lemons and squeezed them in the water and I drank that earlier today so what I did was I had about sixty obviously 16 ounces left of that 32 ounce lemon water so what I did was I took and I pour it in a smaller mason jar the other 16 ounces and then I took the the lemons and I squeezed that juice into the mason jar and I put the two tablespoons of ACV apple cider vinegar and I do notice that it does make it taste better it does it actually makes it totally taste like a different drink that's more tolerable and I don't know if it's just in my head or what but it does taste good and for me even when I'm drinking herbal teas especially if the herbal teas like I was drinking a green tea with Senna I don't put sugar in it because it defeats the purpose it's supposed to be doing something for the body that's good but adding sugar to a herbal tea it defeats the purpose but with the lemon fresh lemon not the fake kind you get inside of the little fake plastic lemon it just gives it a different taste and this is what I'm explaining about this can that I had made that I got inspired to make from the Master Cleanse I learned a lot from the Master Cleanse that's where I get the detox tea at night I still do that even though I'm not on the Master Cleanse I do make the Master Cleanse juice but I don't use cayenne pepper I use and I don't use lemons I use lines and I just use the limes freshly squeezed I'm taking off the pulp with my nut bags that I have and as we already know because I've been clarifying this up set to use and now the honey I'm gonna start using sugar raw sugar so that it tastes neutral it tastes like lime juice rather than lime juice with the raw honey taste I'm not really looking for that rich honey taste I want to taste my lime juice so anyways I'm yeah so it tastes really good the ACV mixed with fresh lemon juice so you know I always have lemons around the house and I definitely always have limes but in this case as much as I like limes better than lemons I will be squeezing Karen they're fresh lime juice I mean I lemon juice because it's working for me it's really working for me so if anyone has any questions you can leave it in the chat I also have my email address if you want to send me any personal questions I also have my link to my facebook page where there's no one on that page unless it's related to juicing or some type of weight loss it's basically a page it's not a group but it's a page same thing but it's not a group page I set up it's just a regular Facebook page that I had since I think 2010 and I turned it into juice pay age where I can put the recipes of some of my juices that I make and you guys can try those recipes out and then I put my videos as I upload them onto that channel if you don't always be on YouTube you know you you can go over to either my Twitter coz my Twitter links there follow me there or on Facebook the links there I will accept the friend request and keep it moving you know we can do this together we got to be supportive because there's gonna be times that this weight loss thing I don't care if it's juicing kedo intimating fast Jenny Craig slim fast whatever it is that you're doing is going to be some rough patches and you're gonna slip up sometime and you need and you're gonna feel bad about it and you're gonna need someone that's gonna say to you everything's gonna be okay stop beating yourself up everything's gonna be okay and it's gonna be okay because I've been there before and I felt the same way that you felt but I dusted myself prosper because sometimes people fall off the wagon and they don't get back up because of the simple reason once they're broken and they disappointed themselves they turn back to food and once you turn back to food and you see how fast you can put on a weight and then you put on more weight then you start it with on the weight-loss journey you kind of say I give up I can't do this this is just too much stress trying to lose this weight and you say to yourself as hard as it is to get to where I needed to get to on this weight-loss journey and then for me to pick up some food or some pizza or whatever mess up my whole regiment I don't want to start over again it's hard I don't want to start the 80% of having to focus on what I put in my mouth to lose weight and the 20% of working out because you only need 20 percent of the whole hundred percent in order to lose weight 80 percent of weight gain is what you put in your mouth it starts in the kitchen once you get control of what you put in your mouth the 20 percent is just a bonus the 20 percent is just the bonus and when I say bonus it's to tighten and shape and mold the body as you're losing weight is also good for people who are losing weight fast and they don't want this skin to be loose and also when you're working out it also overall makes you look healthy because you're toning up your collagen your muscles your tissues just everything is lifting gravity is not your enemy anymore when you work out but that's 20% of it you notice when people start diets and they don't work out that 20% they look sickly when you're doing the 80/20 method which is 80% is what you put in your mouth and the 20% is the bonus for the Titan and in the contouring of the body so that you look more healthier and you're getting the benefits from the food and then the 20% of working out it just makes you just come together and that's just the bottom line so I'm not gonna make this podcast any longer I want you guys to subscribe to the channel like this video make sure you share this video and make it a favorite because I say make it a face so that you have something to come back to and listen to when you have a downfall but understand that's why we call it a journey because it might take you a long time to get to the goals that you need to get to it only takes one day at a time and you only can live for today not tomorrow but today if you try to live for tomorrow you're gonna drive yourself crazy and you're gonna feel you're gonna feel before tomorrow gets here you take it one day at a time that's the only way it's gonna work um so if you haven't already subscribed to the channel please subscribe to the channel and I will be seeing you guys on day 55 I will be appearing on the video where you can see my face on day 55 to give you the update on my juice fasts in the update on my ACV apple cider vinegar if I lose any more weight which will be Wednesday the 7th I will let you guys know and on Sundays for people who are just coming into the live stream is when I do my weigh-in and I tell you total weight loss what I lost for the 7 days so with all that being said um again please subscribe to the channel like and share this video and make it a favorite and I'll see you guys in the next video bye for now
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trendingnewsb · 6 years
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4 Lazy Character Shortcuts Hollywood Can’t Stop Using
The best movie characters are usually the ones whom we sort of identify with. Whether they’re a simple middle-class teenager or a grizzled Matthew McConaughy playing a nihilistic detective trying to find aliens from the future inside a black hole, they work because when they make decisions, we get it. We learn who they are and understand them. Sometimes, though, writers don’t really have time for that shit. Instead, they use some kind of shorthand which (they hope) will have the same profound effect with far less effort. This usually doesn’t work at all. Particularly when …
4
Sudden Sacrifices Are A Substitute For Heroism
What is more powerful than one human being sacrificing their own life to save others, usually to the accompaniment of an orchestra that sounds like it’s about to parade through the screen? You could probably base a whole religion around it. In the world of Hollywood screenwriting, sacrifices can also be written in not to provide a satisfying end to a character’s arc, but to add instant heroism to a character we barely know.
Read Next
Why We Can't Take Our Eyes Off The Things We Hate
Kong: Skull Island (which I think is a great movie) includes a bunch of dispensable soldier characters who are tailor-made to be ape food. There’s nothing wrong with that. I’m a fan of slasher films, so I have an appreciation for characters who only exist to say “Hey, guys, what was that noise?” But then, while under an assault from mutant reptiles, one of the soldiers, Captain Cole, pulls out two grenades and stares down one of the beasts. The rest of the cast does the typical “NO! DON’T DO THIS!” thing, like the audience is expected to. No, don’t do it, guy with literally two personality traits.
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The guy’s plan goes awry and he ends up being a bloodstain on the side of a cliff, but that’s beside the point. The point is … well, what is the point? The sacrifice doesn’t add a dimension to his character, nor does it say anything poignant about him. Instead, it just makes him look like he’s very bad at thinking through decisions. You’re stranded on an island with a monster ape and ubiquitous leviathans, and your plan is to waste yourself and two precious grenades with your patented “Stand there and hope” maneuver?
Of course, they also did this with Superman at the end of Batman v Superman, in a Hail Mary effort to give us some reason to care. They did the same in I Am Legend, in which Will Smith sacrifices himself to maybe blow up some of the zombies, which is such a pointless act that the director’s cut has Will Smith not do that.
And remember Chappie, that Black Mirror episode, but with more decapitations? At the end of that, Ninja — played by Ninja of the rap group Die Antwoord — tries to sacrifice himself in dramatic slow motion, as if the movie is under the impression that we liked his character. He just spent two hours cursing and emotionally abusing a childlike robot. Sacrifice away, idiot.
If they want us to care, they need to scroll backward a few dozen pages in the script and write the character as someone we’ll either be sad to see go or happy to see redeemed. Oh, and the character needs to stay dead.
3
Making A Character Suddenly Badass (In A Way That Makes No Sense)
There’s nothing better than when a badass character gets a badass payoff. My boys in the Dragon Ball franchise are constantly training so that when the time comes, they can triumphantly punch holes through people. This is immensely satisfying because you, the viewer, get to anticipate seeing them use their skills. There is build-up. So it’s baffling whenever “badass” characters either get that way out of nowhere, or are assigned badass traits that don’t fit their progression at all, like if The Karate Kid ended with Daniel challenging Johnny to a snowmobile race.
Take Arya Stark in Game Of Thrones. A big point is made that she’s not built for swordplay. Her cranky travel companion Sandor Clegane points out that her tiny frame and flimsy sword is useless in a gritty fantasy universe full of giant men in armor. Thus, she learns how to work with poisons and magic disguises, leading us to believe that she’ll be pulling off some rad espionage tactics to fool bad guys who could crush her skull like an egg. Instead, within a couple of seasons, Arya becomes Jason Bourne Lite, shrugging off stabbings and doing sweet parkour. Later, she faces off in a practice duel with giant sword master Brienne and outmaneuvers her easily, smirking the whole time.
Regardless of the fact that she is never shown acquiring that level of skill, the problem is that this character is now superhuman and is in no way someone you can identify with.
Writers can’t resist this, even when a lack of combat training is the entire point of a character. This happens in the recent Death Wish remake, in which Bruce Willis, a surgeon, suddenly becomes a mix of Jigsaw and Rambo, all because he lost his family … and he’s a surgeon? This movie had a lot of problems, but at the very least, it could’ve made sense. I can’t claim to know what they teach you at medical school, but I sincerely doubt it involves target practice. I mean, not yet, anyway. But they couldn’t think of any other way to have him beat the bad guys.
And look, I love Harry Potter‘s Neville Longbottom, but the whole point of him is that he’s a clumsy, nerdy boob. He continues to be that for the first seven and a half movies, until his arc completes with him … cutting a giant snake’s head off in slow motion with a sword? Why? At no point in the series are we clamoring for Neville to be the guy who decapitates magic serpents. He’s shown as having talents — specifically, using magical plants — but all of that goes out the window because in the end, being a hero only means being great with traditional fighting techniques.
I’m not saying that Neville should’ve been watering the shrubs while Voldemort was attacking, but maybe give us something more in line with his character. He can be cool without being Conan. Hell, Breaking Bad spent its whole run inventing ways for a sickly chemistry teacher to defeat drug lords who are stronger and more well-armed than he is. They didn’t simply make him suddenly good at ninjutsu.
2
Gritty “Realism” Is Conveyed Through Ceaseless Cursing
People curse in real life. They do it in the car, they do it in the bedroom, they do it when they’re in line at Gamestop and GODDAMN, RICHARD, THE TRADE-IN VALUES ARE NOT GONNA BE THAT GOOD NO MATTER HOW MANY “PRO” POINTS YOU HAVE, SO GET THE FUCK ON WITH IT, SHITLIZARD. But since lots of movies are shooting for PG-13 and network TV shows usually try to be family friendly, they have to keep it clean. When creators find themselves without those restrictions, they tend to go hog-wild.
So I get it, prestige TV dramas. You get to put on your HBO/Showtime Big Boy Pants, and you naturally want to curse a lot because Mom and Dad aren’t around to tell you no. But do so many characters absolutely need to do it like they’re auditioning for a Rob Zombie film? For example, the sister character Debra is the heart and soul of Dexter, considering the show reminds you at all times that the titular character lacks a heart and soul. But there are ways to illustrate that she’s deep and troubled other than peppering all of her dialogue with curses that make her sound as if she’s just discovered Urban Dictionary. You know, like actually giving her an important role on the show? That’s just my two cents.
It comes up in Game Of Thrones, which desperately wants to be Definitely Not Lord Of The Rings, and Boardwalk Empire, which desperately wanted to be Definitely Not The Godfather, or Deadwood, which desperately wanted to be Definitely Not Renewed For A Fourth Season. I love you, Deadwood. I live and breathe you, Deadwood. But holy shit, it’s hard to market a cowboy show, much less a cowboy show that constantly plays like a Greek tragedy and includes an errant dropping of “fuck” every six seconds.
Compare that (again) to a show like Breaking Bad, which was only allowed one or two F-words per season. When they come, they actually have impact. When Skyler reveals to Walter that she’s sleeping with her boss, it’s “I fucked Ted.” Not “I’ve been messing around with Ted,” or “I let Ted play on my slippery dulcimer, if ya’ know what I mean.” It’s a gut punch. The fact that, realistically, she’d probably say it that way is just icing on the cake.
Some of you might say that these shows use gratuitous nudity in exactly the same way (that is, because they can), but at least beautiful naked people is a selling point. Who’s out there saying, “Man, I’m not crazy about the plot of that show, but some of the cursing is amazing. It gave me a full erection.”
1
Geeky Characters Are Defined Only By Their Ability To Spout Pop Culture References
A lot of people in the world are geeks. Not me. I only talk about Digimon when I’m drunk. But a lot of people are. And you’d think that since “geeky” interests are so commonplace, we’d get more great geeky characters in pop culture. Characters that we see aspects of ourselves in. Sadly, what we do get are shows like Big Bang Theory, or characters like Steve Urkel from Family Matters, Ross Gellar from Friends, Morgan from Chuck, Noah from the Scream TV show, and about 75 percent of the denizens of Kevin Smith movies. These are characters who don’t make geekiness look fun. Instead, they drag it around like a cross, burdened by their own existence.
I would probably relate to more “geeky” film characters if the writers knew how to identify them as geeks without having them bleat like farm animals about Star Wars or Dungeons & Dragons. Either that or they’re like Spencer from Criminal Minds, who refuses to shut up about how his special, powerful, super computer brain works differently from the average brain. He’s supposed to be likable, but I’ve never met a single likable person who went into detail about how much smarter he or she is than most of the population.
It’s like they’re so afraid that we won’t get it unless they crank it up to cartoonish levels. The “funny” control room employee in Jurassic World wears a Jurassic Park shirt with the original movie’s logo on it. That’s great! It builds his character and it adds to the theme of the movie that you probably shouldn’t recklessly commodify prehistoric beasts. But he then explains why he wears that shirt and how much it costs and how much he loved the first Jurassic Park, and any chance we had of identifying with him goes out the window. If I buy a Spider-Man shirt, I don’t go around the mall asking people about their favorite Doctor Octopus moments; I just wear the shirt.
It’s so strange because you’d assume that most writers are themselves geeks, the ones who have to borrow clothes to attend a red carpet premiere and then are kept far away from the cameras. You have to imagine them toiling away on their sitcom pilot thinking, “Hmmm … what would a geek say in this situation? It’s so hard for a cool, sexy beast like me to put myself in their mindset. I know, I’ll have them suddenly speak Klingon.”
Daniel has a Twitter, which he uses as a platform to yell about Pokemon.
Write your own characters’ longcuts with a beginner’s guide to Celtx.
Support Cracked’s journalism with a visit to our Contribution Page. Please and thank you.
For more Hollywood hacks, check out Lazy Hollywood Shortcuts, Explained With Diagrams and 22 Movie Cliches That Just Won’t Die.
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Read more: http://www.cracked.com/blog/4-lazy-character-shortcuts-hollywood-cant-stop-using/
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trendingnewsb · 6 years
Text
4 Lazy Character Shortcuts Hollywood Can’t Stop Using
The best movie characters are usually the ones whom we sort of identify with. Whether they’re a simple middle-class teenager or a grizzled Matthew McConaughy playing a nihilistic detective trying to find aliens from the future inside a black hole, they work because when they make decisions, we get it. We learn who they are and understand them. Sometimes, though, writers don’t really have time for that shit. Instead, they use some kind of shorthand which (they hope) will have the same profound effect with far less effort. This usually doesn’t work at all. Particularly when …
4
Sudden Sacrifices Are A Substitute For Heroism
What is more powerful than one human being sacrificing their own life to save others, usually to the accompaniment of an orchestra that sounds like it’s about to parade through the screen? You could probably base a whole religion around it. In the world of Hollywood screenwriting, sacrifices can also be written in not to provide a satisfying end to a character’s arc, but to add instant heroism to a character we barely know.
Read Next
Why We Can't Take Our Eyes Off The Things We Hate
Kong: Skull Island (which I think is a great movie) includes a bunch of dispensable soldier characters who are tailor-made to be ape food. There’s nothing wrong with that. I’m a fan of slasher films, so I have an appreciation for characters who only exist to say “Hey, guys, what was that noise?” But then, while under an assault from mutant reptiles, one of the soldiers, Captain Cole, pulls out two grenades and stares down one of the beasts. The rest of the cast does the typical “NO! DON’T DO THIS!” thing, like the audience is expected to. No, don��t do it, guy with literally two personality traits.
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The guy’s plan goes awry and he ends up being a bloodstain on the side of a cliff, but that’s beside the point. The point is … well, what is the point? The sacrifice doesn’t add a dimension to his character, nor does it say anything poignant about him. Instead, it just makes him look like he’s very bad at thinking through decisions. You’re stranded on an island with a monster ape and ubiquitous leviathans, and your plan is to waste yourself and two precious grenades with your patented “Stand there and hope” maneuver?
Of course, they also did this with Superman at the end of Batman v Superman, in a Hail Mary effort to give us some reason to care. They did the same in I Am Legend, in which Will Smith sacrifices himself to maybe blow up some of the zombies, which is such a pointless act that the director’s cut has Will Smith not do that.
And remember Chappie, that Black Mirror episode, but with more decapitations? At the end of that, Ninja — played by Ninja of the rap group Die Antwoord — tries to sacrifice himself in dramatic slow motion, as if the movie is under the impression that we liked his character. He just spent two hours cursing and emotionally abusing a childlike robot. Sacrifice away, idiot.
If they want us to care, they need to scroll backward a few dozen pages in the script and write the character as someone we’ll either be sad to see go or happy to see redeemed. Oh, and the character needs to stay dead.
3
Making A Character Suddenly Badass (In A Way That Makes No Sense)
There’s nothing better than when a badass character gets a badass payoff. My boys in the Dragon Ball franchise are constantly training so that when the time comes, they can triumphantly punch holes through people. This is immensely satisfying because you, the viewer, get to anticipate seeing them use their skills. There is build-up. So it’s baffling whenever “badass” characters either get that way out of nowhere, or are assigned badass traits that don’t fit their progression at all, like if The Karate Kid ended with Daniel challenging Johnny to a snowmobile race.
Take Arya Stark in Game Of Thrones. A big point is made that she’s not built for swordplay. Her cranky travel companion Sandor Clegane points out that her tiny frame and flimsy sword is useless in a gritty fantasy universe full of giant men in armor. Thus, she learns how to work with poisons and magic disguises, leading us to believe that she’ll be pulling off some rad espionage tactics to fool bad guys who could crush her skull like an egg. Instead, within a couple of seasons, Arya becomes Jason Bourne Lite, shrugging off stabbings and doing sweet parkour. Later, she faces off in a practice duel with giant sword master Brienne and outmaneuvers her easily, smirking the whole time.
Regardless of the fact that she is never shown acquiring that level of skill, the problem is that this character is now superhuman and is in no way someone you can identify with.
Writers can’t resist this, even when a lack of combat training is the entire point of a character. This happens in the recent Death Wish remake, in which Bruce Willis, a surgeon, suddenly becomes a mix of Jigsaw and Rambo, all because he lost his family … and he’s a surgeon? This movie had a lot of problems, but at the very least, it could’ve made sense. I can’t claim to know what they teach you at medical school, but I sincerely doubt it involves target practice. I mean, not yet, anyway. But they couldn’t think of any other way to have him beat the bad guys.
And look, I love Harry Potter‘s Neville Longbottom, but the whole point of him is that he’s a clumsy, nerdy boob. He continues to be that for the first seven and a half movies, until his arc completes with him … cutting a giant snake’s head off in slow motion with a sword? Why? At no point in the series are we clamoring for Neville to be the guy who decapitates magic serpents. He’s shown as having talents — specifically, using magical plants — but all of that goes out the window because in the end, being a hero only means being great with traditional fighting techniques.
I’m not saying that Neville should’ve been watering the shrubs while Voldemort was attacking, but maybe give us something more in line with his character. He can be cool without being Conan. Hell, Breaking Bad spent its whole run inventing ways for a sickly chemistry teacher to defeat drug lords who are stronger and more well-armed than he is. They didn’t simply make him suddenly good at ninjutsu.
2
Gritty “Realism” Is Conveyed Through Ceaseless Cursing
People curse in real life. They do it in the car, they do it in the bedroom, they do it when they’re in line at Gamestop and GODDAMN, RICHARD, THE TRADE-IN VALUES ARE NOT GONNA BE THAT GOOD NO MATTER HOW MANY “PRO” POINTS YOU HAVE, SO GET THE FUCK ON WITH IT, SHITLIZARD. But since lots of movies are shooting for PG-13 and network TV shows usually try to be family friendly, they have to keep it clean. When creators find themselves without those restrictions, they tend to go hog-wild.
So I get it, prestige TV dramas. You get to put on your HBO/Showtime Big Boy Pants, and you naturally want to curse a lot because Mom and Dad aren’t around to tell you no. But do so many characters absolutely need to do it like they’re auditioning for a Rob Zombie film? For example, the sister character Debra is the heart and soul of Dexter, considering the show reminds you at all times that the titular character lacks a heart and soul. But there are ways to illustrate that she’s deep and troubled other than peppering all of her dialogue with curses that make her sound as if she’s just discovered Urban Dictionary. You know, like actually giving her an important role on the show? That’s just my two cents.
It comes up in Game Of Thrones, which desperately wants to be Definitely Not Lord Of The Rings, and Boardwalk Empire, which desperately wanted to be Definitely Not The Godfather, or Deadwood, which desperately wanted to be Definitely Not Renewed For A Fourth Season. I love you, Deadwood. I live and breathe you, Deadwood. But holy shit, it’s hard to market a cowboy show, much less a cowboy show that constantly plays like a Greek tragedy and includes an errant dropping of “fuck” every six seconds.
Compare that (again) to a show like Breaking Bad, which was only allowed one or two F-words per season. When they come, they actually have impact. When Skyler reveals to Walter that she’s sleeping with her boss, it’s “I fucked Ted.” Not “I’ve been messing around with Ted,” or “I let Ted play on my slippery dulcimer, if ya’ know what I mean.” It’s a gut punch. The fact that, realistically, she’d probably say it that way is just icing on the cake.
Some of you might say that these shows use gratuitous nudity in exactly the same way (that is, because they can), but at least beautiful naked people is a selling point. Who’s out there saying, “Man, I’m not crazy about the plot of that show, but some of the cursing is amazing. It gave me a full erection.”
1
Geeky Characters Are Defined Only By Their Ability To Spout Pop Culture References
A lot of people in the world are geeks. Not me. I only talk about Digimon when I’m drunk. But a lot of people are. And you’d think that since “geeky” interests are so commonplace, we’d get more great geeky characters in pop culture. Characters that we see aspects of ourselves in. Sadly, what we do get are shows like Big Bang Theory, or characters like Steve Urkel from Family Matters, Ross Gellar from Friends, Morgan from Chuck, Noah from the Scream TV show, and about 75 percent of the denizens of Kevin Smith movies. These are characters who don’t make geekiness look fun. Instead, they drag it around like a cross, burdened by their own existence.
I would probably relate to more “geeky” film characters if the writers knew how to identify them as geeks without having them bleat like farm animals about Star Wars or Dungeons & Dragons. Either that or they’re like Spencer from Criminal Minds, who refuses to shut up about how his special, powerful, super computer brain works differently from the average brain. He’s supposed to be likable, but I’ve never met a single likable person who went into detail about how much smarter he or she is than most of the population.
It’s like they’re so afraid that we won’t get it unless they crank it up to cartoonish levels. The “funny” control room employee in Jurassic World wears a Jurassic Park shirt with the original movie’s logo on it. That’s great! It builds his character and it adds to the theme of the movie that you probably shouldn’t recklessly commodify prehistoric beasts. But he then explains why he wears that shirt and how much it costs and how much he loved the first Jurassic Park, and any chance we had of identifying with him goes out the window. If I buy a Spider-Man shirt, I don’t go around the mall asking people about their favorite Doctor Octopus moments; I just wear the shirt.
It’s so strange because you’d assume that most writers are themselves geeks, the ones who have to borrow clothes to attend a red carpet premiere and then are kept far away from the cameras. You have to imagine them toiling away on their sitcom pilot thinking, “Hmmm … what would a geek say in this situation? It’s so hard for a cool, sexy beast like me to put myself in their mindset. I know, I’ll have them suddenly speak Klingon.”
Daniel has a Twitter, which he uses as a platform to yell about Pokemon.
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