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#their power play is about *serving* her‚ not controlling her
fanficapologist · 1 day
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Of Dragons and Maelstroms: Aemond POV
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Themes and Warnings: slow burn, enemies to lovers, blood, violence, explicit language, sexual violence, period-typical misogyny, sexual themes, smut, tension, marriage, jealousy, pregnancy, childbirth, miscarriage, attempted sexual assault, breastfeeding, major character death, divergent timelines
Disclaimer: I do not own any of the House of The Dragon/Fire & Blood/Game of Thrones characters nor do I claim to own them. I do not own any of the images used nor do I claim to own them.
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Chapter Eight
“You do not know what you are asking for, but make no mistake, you are asking a great deal.”
Aemond found himself back at Harrenhal mere hours after the ball had ended, seeking solace away from the hustle and bustle of the Red Keep. As the first rays of light filtered through the window, they flickered off his sharp features, casting shadows across his furrowed brow as he leaned his head against his arm, his silver hair falling forward.
In the quiet of the room, Aemond felt the weight of desperation pressing down on him. Time was running out, and with Maera's reputation restored and the allure of the Master of Coin's dowry drawing every nobleman to her side, the Prince knew he needed to act swiftly. He couldn't afford to lose her to another suitor if he was to secure his great destiny.
Alys's penchant for speaking in riddles only served to exacerbate Aemond's frustration. Despite her purported great powers, he found her presence irksome. Her dull, long dark hair and cat-like green eyes got on his nerves, as did the enigmatic smile she always seemed to wear. The fact that he was entertaining these fantastical notions of magic and prophecy grated against his sense of logic and reason. Yet, the overwhelming desire to claim Maera for himself had clouded any semblance of judgment he had left.
"A daughter of a minor House will never be betrothed to a prince, especially during times of war when marriages are needed to secure allies," the Prince proclaimed with an edge of exasperation as he rose from his seat, his movements agitated as he inspected Alys's array of trinkets on the nearby table. “She needs to have something of use to the crown.”
Turning to face the witch, who lounged in her chair beside the hearth, Aemond's gaze bore into hers with intensity. "I don't care how you do it but find a way," he commanded, the tension in the room thickening with each passing moment.
Alys furrowed her brow, her green eyes meeting Aemond's with a piercing intensity. After a moment of contemplation, she broke the silence. "She has an aunt, does she not? In Morne?"
Aemond nodded curtly, acknowledging the mention of Maera's maternal aunt. "Her mother's twin, married to Lord Byron of the Fortress of Fog," he confirmed, his tone clipped with anticipation.
"Lord Byron controls quite a fleet," Alys continued, her voice taking on a thoughtful tone as she retrieved a scroll from her shelves and unfurled it to reveal a world map, laying it on the table beside the Prince. "And while the Lannister fleet is strong, the fleet of Morne possesses superior knowledge of the East Waters, akin to the Velaryon fleet."
The Prince shook his head in disbelief, a furrow deepening on his brow. “Lord and Lady Morne have children. The fortress and the fleet would pass to them,” he stated firmly, his voice edged with incredulity at the suggestion.
Alys merely shrugged in response, a sly smile playing on her lips. “Not if something were to happen to all of them,” she retorted, her tone tinged with an unsettling confidence.
Aemond recoiled slightly, taken aback by the brazenness of her proposal. “You’re talking about erasing an entire House,” he protested, his words heavy with disbelief and moral indignation.
The witch's smile only widened, her gaze unyielding. “I’m talking about securing the fleet to Lady Maera’s dowry in order for her to be your bride,” Alys persisted, her words cutting through the air like a blade. “Or do you not wish the prophecy to come true? For the King of Kings to be born?”
Aemond's eye flashed with frustration and anger, his jaw tensing as he struggled to contain his emotions. “I know, witch!” he snapped, his voice sharp with irritation. He turned away from her, his gaze darting around the room as he grappled with the weight of Alys's proposition. “She will never forgive me. Lady Viserra is the last connection to her mother. She writes to her.”
Alys remained unmoved, her demeanor devoid of any semblance of empathy or remorse. "Her heartache will pass," she declared coldly, her words ringing out with a callous certainty that left Aemond feeling unsettled and conflicted. “You will be King. And she will be your Queen,” the witch reminded him. “Through the binding of a son and daughter the King of Kings will be born, to unite and conquer the world.”
His jaw tensed as he contemplated the ramifications of Alys's plan. While Aemond didn't care about wiping out an entire House, he couldn't ignore the fact that the news would devastate Maera. He remembered her speaking fondly of her Aunt Viserra, the twin of her late mother. Losing her mother at such a young age had already inflicted enough pain on Maera, and the thought of causing her more suffering didn't sit well with him.
However, Aemond couldn't deny the strategic advantage their deaths could bring. Maera would inherit the fleet, a valuable asset for the war effort. This would give Aemond a reason to marry her, fulfilling the prophecy and potentially bringing forth the King of Kings. It was a tough decision. But Aemond also thought about all the years Maera had not been in his life, all the dark and twisted turns fate had led him down. He could not lose her again.
“Just see it done,” Aemond relented through gritted teeth, his frustration evident in the tense set of his jaw and the furrow of his brow.
The witch grinned wickedly, her eyes gleaming with anticipation. “I will need something from you. After all, the Gods need payment for granting you this path.”
“Fine,” Aemond said tersely, dismissing her request with a wave of his hand. “More hair, more blood, whatever, just take it.”
But Alys shook her head slowly, a coy smile playing on her lips. “No, my Prince,” she replied, her voice taking on a sultry tone that sent a shiver down Aemond’s spine. “I need something much, much more valuable.”
As she attempted to brush her finger across his jawline, Aemond reacted instinctively, seizing her wrist firmly to halt the contact. His grip was firm, his violet eye flashing with a mixture of anger and suspicion as he stared into her emerald gaze. “The bloodline will come from your seed, my Prince,” she continued, undeterred by his reaction. “Therefore, that is where we must start. We must join together physically, to enable old magic and the blood of old Valyria to bind together as one.”
Aemond’s grip tightened further, his nails digging into her flesh as he struggled to contain his fury. “You expect me to lie with you?” he spat, his voice laced with contempt. “A witch, a whore?” With a forceful push, he shoved her hand away from him, his gaze burning with indignation and disgust. He could not believe she had the sheer audacity to ask this of him.
Stooping so low to sleep with a whore was one thing, but the potential consequences of this was an entirely different matter- children. Illegitimate children. Bastards. Aemond thought back to all the times his mother received news that another silver-haired babe had been born in a brothel in Flea Bottom. The shame and disappointment that would cloud Queen Alicent’s face was a horrendous sight to behold. There was no way Aemond could let that happen.
And then there was Maera, the woman he would be doing this for. If a child was born from lying with the witch, there would be a high possibility she would never know. However the thought of that ate away at his soul. It would be the ultimate blow to her. To kill her family in order to secure him to his side, and bring a bastard into the world through doing so?
"I will have no bastards running around the Riverlands," Aemond spat, his words laced with venom as he glared at the witch.
Alys met his gaze with equal fervor, her expression hardening as she retorted, "I can have no more children. My last birth damaged my womb, nothing can grow there."
Aemond's resolve remained unshaken, his tone resolute as he declared, "I am not risking it. The answer is no."
Turning away, he moved toward the chair where he had been seated moments before, intent on gathering his belongings and leaving. But Alys's voice cut through the silence, her words dripping with malice. "Very well. I am sure Lady Maera will make a gracious wife to Lord Warren Tully. If he is named Lord Grover’s heir, she will be the Lady of Riverrun. And she will give him many children."
Aemond froze mid-step, his muscles tensing as he processed her words. Memories of the harvest moon ball flooded his mind—the way Maera and Lord Warren exchanged smiles, the subtle blush on her cheeks, the intensity in the Lord’s gaze when he spoke to her. Despite the pain it caused him to even consider Alys’s proposal, the thought of Maera in the arms of another man felt like a stab to Aemond’s stomach.
A cold fury boiled within him as Alys continued to taunt him, her voice like a dagger twisting in his gut. "Then you can return to being the second son, the loyal lapdog of your brother, carrying out his duties with no thanks or rewards to show for it."
Unable to contain his rage any longer, Aemond stormed back across the room, his movements swift and purposeful as he seized Alys by the throat, his grip firm and unyielding. Despite Aemond's firm grip around her throat, Alys remained composed, her defiance unyielding as she continued to provoke him. "You are angry because I speak the truth. It is a hard thing to swallow, isn't it? Reality?"
Aemond's silence only seemed to fuel Alys's audacity, her taunts cutting through the air even as his fingers tightened around her neck. But she met his gaze with a steady smile, undeterred by his fury. "Your time is running out. This is your last chance."
The Prince hesitated, biting his bottom lip in contemplation. Despite his disgust at the idea of sleeping with her, he couldn't deny the power of her foresight. It was thanks to her abilities that Maera's reputation had been restored. Yet the urgency made him feel that he was being backed into a corner, like a trapped animal. He despised the idea of succumbing to Alys's demands, but he couldn't shake the allure of what her plan could offer—a marriage that would lead to glory, perhaps even happiness.
With a dark glower, Aemond released his grip, his expression a storm of conflicting emotions as he grudgingly acquiesced. "Let's get it over with."
He made his way over to Alys's small bed in the corner of the room, feeling the contrast with his own grander accommodations in the Red Keep. As he lay back, Alys climbed atop his lap, straddling him as her hands moving to unbutton his doublet, a sly smile on her face. With a scoff, Aemond shoved her back, refusing to let her touch him more than necessary. He felt a surge of revulsion at the thought of being intimate with her. This was a means to an end and he would not bear himself before her.
Instead he slid his hand down to his dark trousers and unlaced them, releasing his cock and began pumping it quickly to make it hard. His gaze flicked up momentarily to Alys, who watched him with bated breath. The look on her face caused him to recoil, and he tore his gaze away from her, focusing on a distant point in the room. After a moment he looked down, to see that his body had reacted to the stimulation before his head hit the pillow in defeat.
The Prince could hear the rustling of Alys's skirts, and feel the warmth of her hovering about him had him desperately trying to find a way to occupy his mind, focusing on anything but the situation he found himself in. Yet as he felt her move his cock and her slowly slide down on it with a groan, he froze. It was all too similar to his first night in the brothel with Aegon. The seedy atmosphere, the unfamiliar room, the feeling of being trapped underneath someone. It was too much to bear.
He steadied his breathing, knowing if the task was to be completed, for the spell to be cast, he needed to focus. Alys’s gasps filled the air, yet the sound transported him somewhere more pleasant. Aemond vividly pictured Maera's ferocity with the sword, her determined expression, and the intensity of her breath as she faced him in the courtyard for the first time a few moons ago.
He recalled the moment he had pinned her beneath him, forcing her to yield. The flush on her face and the glistening beads of sweat on her forehead were captivating. He remembered how he had sliced her tunic, revealing more of the expanse of her chest, a sight that had stirred something within him.
And then, he remembered the cut he had inflicted upon her, just above her left breast. The image of the blood staining her turquoise tunic and running gracefully across her pale skin remained etched in his memory. Gods, if it had not been for the crowd of onlookers, he would have bent down and ran his tongue across her soft skin, tasting the coppery red liquid with glee. To see her completely submitted to him in that moment stirred something primal within him, and it was a sight he wanted to behold every day until the end of his days.
With a quiet groan, Aemond released his seed, Alys continuing to rock against him until he was completely spent. Once it was done, he shoved Alys aside and rose abruptly from the bed, his demeanor cold and distant as he stuffed his cock back into his trousers and began gathering his belongings.
"You are leaving?" Alys inquired, her tone tinged with curiosity, and slight hurt.
Aemond shot her a disdainful glance, his lip curling in a sneer. "Well, I certainly would not stay," he retorted, his voice dripping with contempt. "I need to bathe before I return to my duties."
As he made his way to the door, Aemond paused, casting one final glance back at Alys sitting on the bed. "This was disgusting and it will never happen again," he spat, his words laden with bitterness. "And you better pray that it will work. My patience has reached its limit." With that, he stormed out of the room, slamming the door behind him.
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After a number of days of attending to duties on his idiot older brother’s behalf, Aemond soared through the sky on the back of Vhagar towards Kings Landing, the setting sun painted the horizon in hues of orange and pink, casting a warm glow over the landscape below. Despite the beauty of the scenery, Aemond's thoughts were consumed by the disturbing memory of his encounter with Alys.
The image of Alys climbing atop him, her touch repulsive and unwelcome, made his stomach churn with disgust. He felt a profound sense of regret and shame for allowing himself to be manipulated into such a degrading act. Even as the wind whipped through his hair and the rhythmic beating of Vhagar's wings filled the air, Aemond's thoughts remained troubled. He couldn't rid himself of the unease that lingered, casting a pall over what should have been a serene flight home.
When the dragon began her descent, Aemond's keen eye caught sight of a vivid splash of turquoise atop the sand dunes below. His heart quickened as he recognized the color, knowing it belonged to Maera's distinctive attire. However, his excitement turned to a bitter taste in his mouth as he saw her accompanied by a man, their figures silhouetted against the setting sun. Fuelled by a mixture of curiosity and a rising tide of jealousy, Aemond commanded Vhagar to land behind a cliffside, seeking a vantage point from which he could observe discreetly.
With a powerful beat of her wings, Vhagar gracefully descended, her massive form casting a shadow over the rugged terrain below. As her claws touched down on the sandy ground, Aemond dismounted, his mind racing with questions and uncertainty. As the Prince ducked down towards the ground on his approach, his determination to observe without being seen intensified. The sound of Maera's lively chatter reached his ears, carried by the gentle sea breeze, stirring up conflicting emotions within him.
Peering up, Aemond's gaze fell upon the man accompanying Maera, and a surge of anger coursed through him. It appeared the wretched Tully cunt had used Aemond’s absence to sink his claws even further into Maera, demonstrated by their apparent courting on the shoreline, chaperoned by her newly appointed supposed protector. The sight of them together fueled Aemond's frustration, and he could no longer stand idly by. With a determined stride, he made his way towards them, his anger barely concealed beneath his stoic facade. His tense jaw and piercing stare locked onto Maera's, betraying the tumult of emotions raging within him.
The Lord and Lady stood to acknowledge Aemond's presence, and the Prince couldn't help but notice the irked expressions on their faces. Ignoring the tension, Aemond enjoyed the momentary satisfaction of seeing Lord Warren bow respectfully and Lady Maera curtsy, and decided to play along with the ridiculous charade for a moment.
"It is a beautiful evening to be walking by the sea,” the Prince commented, gazing out to the shoreline momentarily before setting his gaze back onto the couple.
"Indeed,” the Tully Lord concurred eagerly. “Though the night is not half as beautiful as Lady Maera."
Each word the trout spoke grated on Aemond, fueling his frustration as he dug his nails into his palm to suppress his rising anger. Seeing Maera's receptiveness to the compliments only intensified his inner turmoil, causing him to grit his teeth in frustration.
As Aemond's frustration mounted, he found himself not only seething at Lord Warren but also at Lady Maera. Why was she so obstinate in resisting the potential fulfillment of their shared destiny? Though she remained unaware of it, Aemond couldn't help but feel that the Gods should be guiding her towards him, not away.
Eager to disrupt this mummers farce unfolding before him, Aemond began sarcastically divulging information about Lord Warren's courtship of other ladies at court. He could not be seen as the valiant attentive lover that he so obviously was not. Lord Warren was a vile little serpent, like every other ridiculous man who appeared at court and wanted to gain power.
Observing Maera's reaction, Aemond noted the fury in her eyes, yet it wasn't directed at Lord Warren as it should have been. Instead, it was aimed squarely at him. Despite her anger being misdirected, Aemond found himself strangely grateful for the intensity of her emotions. Being the recipient of her fury felt like a peculiar blessing, amplifying his resolve to assert his claim over her.
As Lord Warren stepped forward, matching Aemond toe-to-toe, the Prince stifled a laugh. They were of similar height, but Aemond exuded a quiet confidence in his own prowess. Oh, how he longed for Lord Warren to make the first move so he would have an excuse to gut him like the fish he was, right in front of Maera.
However, fate intervened in an unexpected manner. Suddenly, distant shouts pierced the air, drawing everyone's attention. Out of the sky descended the wild dragon, Ēbrion, its deep blue and black scales glinting in the sunlight as it landed on the beach with a resounding thud.
The beast skulked along the sand towards them, its scales gleaming in the fading light, each step seemed to shake the ground beneath their feet. Its massive form cast a daunting shadow over the four figures below, its wings folded against its back, and its orange eyes fixated on them with an unsettling intensity, glinting with a primal intelligence.
Aemond, feeling an innate urge to move, positioned himself in front of Maera, his stance protective and resolute. His muscles tensed, ready to react to any sudden movement from the dragon, his single violet eye narrowed in focus.
Glancing back at Maera, he observed her reaction closely. Her lips were slightly parted in silent awe, her chest rising and falling with each breath, her green eyes fixed on the gigantic beast hovering above them. Despite the looming danger, there was a curious glint in her eyes, a hint of fascination mixed with a steely resolve.
Aemond attempted to command the dragon, his voice firm but futile against the creature's primal instincts, the beast responded with a low, bone-chilling growl. Its massive form remained imposing, its orange eyes burning with a wild intensity, as if challenging any attempts to control it.
Uncertain of what would happen next, Aemond felt a sudden movement behind him, the sensation of someone reaching for his belt. Whipping around, he saw Maera standing there, a dagger in her hand, her gaze fixed on the dragon with an unexpected calmness. It was a sight that left Aemond, along with Lord Warren and Ser Arryk, utterly astounded.
Maera's demeanor was strikingly composed as she gently shushed the dragon, as one would soothe a restless child. Her actions defied logic and expectation, yet there was an undeniable air of authority in her presence, a quiet confidence that seemed to resonate with the beast. As Aemond watched in awe and admiration, Maera took the dagger to her palm, slicing through it with a swift motion. Blood began to drip onto the sand below, and despite her wince of pain, she remained resolute.
Stepping in front of the Prince, Maera presented her palm to the dragon, her expression determined yet strangely serene. Aemond held his breath, his gaze fixed on the unfolding scene, his heart pounding in his chest. Studying the dragon's response intently, Aemond noted the subtle changes in its demeanor. The beast's pupils dilated, and its tense muscles seemed to relax ever so slightly in response to Maera's soothing efforts.
Ēbrion slowly leaned forward, bridging the gap between them, Aemond watched in amazement as Maera reached out to touch its snout. The dragon seemed to inhale deeply, its nostrils flaring as it took in the scent of her blood. Despite the inherent danger, there was an undeniable sense of trust in the air.
Aemond couldn't help but release a shocked laugh, a mixture of disbelief and awe. His understanding of dragon body language, honed from years of experience with Vhagar and extensive research, confirmed what he was witnessing. The blue dragon was accepting Maera's presence, calmed by her command in a way that was truly extraordinary.
As the beast seemed content and began to depart, his massive form turning gradually, Aemond couldn't help but feel a sense of relief wash over him. The tension in the air began to dissipate as the dragon made his way back towards his cave lair, leaving them behind on the beach.
However, Aemond's attention quickly shifted when he heard Maera let out a shaky exhale. He turned to see her momentarily losing her balance, causing her to step backward. Acting on instinct, Aemond reached out and caught her, his hands gripping her upper arms firmly. In that moment, he offered her support after the harrowing encounter, silently reassuring her with his presence.
She had a faced a dragon head on, yet Ser Arryk and Lord Warren hovered around Maera, fussing over her like she was a fragile creature, causing Aemond to roll his eye in annoyance. The sight of them coddling her as if she couldn't handle herself grated on his nerves. It was ridiculous. Despite the commotion, Maera let out a shaky laugh, her emotions still raw from the encounter with the dragon. Aemond couldn't help but admire her resilience, even in the face of such danger.
Growing tired of Lord Warren’s familiarity with Maera as he cupped her face, Aemond forcefully shoved him aside and stepped closer to her. With a soft touch, he tilted Maera's chin up to inspect her face, concern evident in his one good eye.
After a moment more of shaky laughter, Maera synchronized her breathing with Aemond's, a gesture that helped to calm her nerves. As they settled into a shared rhythm, Aemond couldn't help but feel a sense of connection with her, as if they were in sync not just in their breathing, but in their understanding of each other.
Lost in the depths of her forest green eyes, Aemond felt a silent understanding pass between them. It was an unspoken bond that seemed to transcend words, a connection that he couldn't deny. In that moment, with his finger lingering beneath her chin, Aemond felt as though the Gods were with him, guiding them both towards a path they were meant to follow.
"She's just a bit shaken, but she'll be fine,” the Prince assured the knight and lord.
Lord Warren, however, was far from pleased. His anger flared, and he retorted sharply, emphasizing Maera's wounded hand. "She has a gaping wound on her hand; she needs the Maester to look at it." His words were laced with frustration.
Aemond, his patience wearing thin, responded with equal vehemence. "Maera is tougher than she looks, and she doesn't need a mere trout like you to protect her," he spat out, the tension between the two men palpable, their gazes locked in a silent battle. But Maera intervened, her voice steady as she insisted that Aemond was correct. It was merely shock, and she was fine. She expressed her desire to continue her walk with Lord Warren, her words serving as a diplomatic bridge between the two proud men.
Aemond, in response, repeated the phrase he had spoken to Maera at the ball, coveting it in High Valyrian so Lord Warren could not understand; "Se zaldrīzes se klios gaomagon daor rholagon.” The fish and the dragon do not mix
With a stoic face, Aemond accepted Maera's request for him to leave, acknowledging silently that he had achieved his goal of disrupting her time with Lord Warren, and that was enough satisfaction for him. With a curt nod, he bid them farewell and turned to walk away.
However, as he strolled away, an inexplicable feeling urged him to linger for a moment longer, to observe the couple from a distance. Aemond made his way towards the dragon keepers, using the opportunity to scold them for their lack of control over the massive blue dragon. Yet even as he chastised them, his lilac eye remained fixed on Maera and Lord Warren in the distance, unable to shake off the curiosity and concern that gnawed at him.
The Prince watched as Maera glanced in his direction while Lord Warren conversed with her, a smirk playing on his lips, knowing he had captured her attention. Yet his satisfaction was short-lived as his expression twisted from gleeful to enraged. Maera extended her hand to cup Lord Warren's face, muttering words before boldly pressing a kiss to his lips. Aemond seethed with fury, his fists clenched at his sides as he stormed away from the dragon keepers who were still talking to him.
With swift, purposeful strides, he marched along the beach towards the Red Keep, the sand crunching beneath his boots as his mind raced. He was done being tested by the Gods, by the witch, by Maera, by everybody. It was time for Aemond to once again seize control of his destiny. And the first step would be getting rid of the trout. He needed to go.
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Night descended upon the Red Keep, the torches lining the corridors flickering to life, casting dancing shadows that seemed to stretch and sway with the gentle drafts of air. The once bustling halls now grew quiet, the echoes of footsteps fading into the background as the inhabitants of the castle retired to their chambers. In the depths of the Keep, where the shadows clung eagerly to the stone walls, the darkness seemed to deepen. The torchlight struggled to penetrate the gloom, casting eerie silhouettes that lurked in every corner and crevice.
Alone in an alcove, Aemond sat with his back against the cold stone, his fingers absently tracing the intricate patterns of his dagger's hilt. The soft glow of torchlight barely reached him, leaving him enveloped in a cocoon of darkness as he grappled with the tumultuous thoughts swirling in his mind.
The Prince’s one-eyed gaze flicked up as he heard the telltale sound of footsteps echoing through the corridor. His jaw clenched instinctively, anticipating the source of the intrusion. As Lord Warren's figure came into view, striding purposefully down the corridor, Aemond's lip curled with disdain. The ridiculous smile adorning Lord Warren's face only served to deepen Aemond's irritation, his grip tightening on the hilt of his dagger as he realised the Lord was making his way to the Master of Laws’ chambers.
In the dimly lit corridor, Aemond emerged from the shadows, his voice carrying a casual yet pointed tone. "A little late for political visits, do not think, my Lord?"
Lord Warren, with a hint of exasperation, turned to face him, plastering a forced smile on his face. "With a matter such as this, my Prince, I do not think it can wait."
Aemond took a deliberate step closer, his gaze unwavering as he pressed further. "And what matter would that be, hmm?"
Lord Warren chuckled softly, his expression shifting to one of sincerity. "Speaking with her at the ball piqued my interest," he began, his smile growing warmer. "Spending time with her this evening has only made me more sure."
As Lord Warren bid the Prince a respectful nod and made to depart, Aemond halted him with another question, his tone laced with skepticism. "You think yourself worthy of her hand?"
The Tully Lord pivoted back around, meeting Aemond's gaze with a confident demeanor. "Do you, my Prince?" he countered, closing the distance between them until they stood face to face. His smile took on a sly edge. "I only ask because you seem very interested in her."
The Prince’s lips curled into a knowing smile, a facade concealing his true intentions. He refused to give the satisfaction of confirming such a notion to someone so beneath him. The dragon need not concern himself with a the opinion of a mere trout.
“You wish to be Lord of Riverrun, do you not?”
The Tully Lord furrowed his brow, silent for a moment before stating, “I only wish-“
“Spare me,” Aemond waved his hand dismissively, cutting through the man’s excuses like a sword through parchment. He had no interest in hearing platitudes about family, duty or honour; in Aemond’s view, all men of the court were nothing but power-hungry leeches, and Lord Warren was no exception.
During his two weeks away from King's Landing, Aemond was diligent in attending to his duties. Despite the regrettable encounter with Alys, he remained focused on the matters at hand, which were a welcome distraction. At Harrenhal, Aemond had established a miniature council of nobles to assist him in overseeing the war effort. This council served to keep him informed on war plans and to delegate tasks effectively.
Among its members were the sharp Lord Peake, the elderly Lord Vance, and the skeptical Lord Butterwell. It was Lord Butterwell who had just provided Aemond with an important update in regards to House Tully, an update that the Prince could use in this moment.
"I have information to secure Riverrun for you. Information about your cousins and their whereabouts," Aemond declared confidently, a smirk playing at the corners of his lips.
Lord Warren responded with a skeptical smile and a disbelieving laugh. "You do not," he countered, his tone tinged with doubt.
Aemond tilted his head, his gaze steady and unwavering. "You find that so hard to believe?" he questioned. When Lord Warren offered no immediate response, Aemond pressed on. "The crown is at war. We receive information about our enemies much quicker than you do."
There was a brief moment of hesitation in Lord Warren's expression, a flicker of uncertainty crossing his features. After a beat, he relented. "What do you know?" he asked, his voice betraying a hint of curiosity.
Aemond's smile widened, sensing his advantage. With a mockingly playful gesture, he wagged his finger in the air. "Ah-ah. On one condition," he declared, his tone laced with cunning. Lord Warren furrowed his brow, awaiting the stipulation. Aemond's eyes gleamed with satisfaction as he delivered his ultimatum. "Abandon these notions of proposal to Lady Maera. And swear by the Seven that you will leave at first light."
Lord Warren's gaze flickered between the corridor leading to the Master of Laws' room and the path back to his own quarters, as if weighing the potential outcomes of his decisions. A sense of conflict danced across his features, mirrored by the uncertainty in his eyes.
"You want her for yourself," Lord Warren accused, his tone edged with defiance, as he turned his attention back to Aemond.
Aemond responded with a dismissive roll of his eye. "Do we have an understanding, my Lord?" he pressed, his voice firm and resolute.
Lord Warren held Aemond's lilac gaze with his own blue eyes, a silent battle of wills passing between them. After a moment of tense deliberation, the Tully Lord relented, dropping his gaze and nodding in defeat.
"Good," Aemond sneered, a smirk playing at his lips as he cleared his throat. "Your cousins have set up their base near High Heart. There is a weakness of guards on the east side of the camp."
Lord Warren sighed heavily, his shoulders slumping with the weight of his decision, before offering Aemond a respectful nod. With a resigned air, he turned on his heel and began to make his way back to his chambers.
As Lord Warren departed, Aemond couldn't resist one final taunt. "Go now, little trout," he called after him mockingly. "Return home upstream."
With Lord Warren manipulated and Maera's suitors thwarted, Aemond's plan was falling into place. The prophecy was on the verge of realization, and all that remained was to seek the King's approval for a marriage proposal. Maera would soon be his.
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Notes: whoooo this took a while to write. It was hard to write, I feel so sorry for our boy. I feel sorry for Maera. I feel sorry for everyone 🤣
Tags: @0eessirk8 @magicseahorse @blue-serendipity @abecerra611 @saltedcaramelpretzel @marvelescvpe @watercolorskyy @shesjustanothergeek @thelastemzy @kckt88
Thank you so much for reading! Comments, feedback, likes, and reblogs are greatly appreciated 🖤
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hojiteaversion · 3 months
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I'd like to think Mehmed is thinking the same with regards to her, in this scene.
He gave her the sword. He controls his temper around her. She stabbed him and his response was to admire and kiss her. He promised to not hurt her friends. He kissed her in this scene because otherwise he would probably tell her everything, which he supposedly can't do yet. He's far from perfect but she is his one "weakness".
Lale was undoubtedly under his power in an unbalanced/dangerous way‚ but he is absolutely under her power as well‚ especially now, and I think he's known it for a long long time.
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boxingcleverrr · 5 months
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Popular Hades & Persephone "retellings" are, rightly, getting dunked on all over the socials right now and, as a Pagan who has an altar to the Queen, I could not be happier. But also, I feel like a lot of people miss WHY they're bad - aside from just plain bad writing and lazy tropes. Which are, yeah, also REALLY bad.
Pretty much all retellings try to wave away, or excuse, or twist the whole kidnapping bit. And I actually do have sympathy and understanding for why, when speaking from a modern perspective.
But honestly...you gotta get over it. There are other stories to play fix-it with, not this one.
The Abduction is The Thing.
Were I a little more sober I could bring up chapter and verse of the Hymn to Demeter but frankly, if you know even the middle school mythology curriculum version of the story, you SHOULD know the themes. The story of Persephone was one mothers and daughters in the ancient world held dear, because it was a reality: you will, one day, be swept away from your home to go cleave to a man you most likely know nothing about. You will miss your mother, but chances are very good that he will be a good husband, once you get to know him, certainly better than Zeus or Ares, and he will make you a queen of his home.
Leaving home to marry was often scary, and violent (look up the history of the tradition of Bridesmaids, if you don't already know it - they were originally decoys on the marriage road). Centuries later we'd have tales like Beauty & The Beast serving the same function: comfort, hope, you are leaving your safe loving home to figure life out with a (often older, powerful) stranger. Your trauma over this sudden ending of your childhood made manifest in a Beast, or a God of The Underworld.
It's wonderful that we don't NEED stories like this anymore to comfort us (here, at least, in this culture). But if you try to force them into modern vernacular it just will not work, not really, because you're gutting out the whole point just to have a more tidy romantic male hero.
I have read MANY very good ...novelizations? fanfic(? however you would frame them, but they're certainly not "retellings"), etc. that simply take advantage of the blank spaces in the myth, and there are many!
It's not explicit that sexual assault happens - "The Rape of Persephone" as a title was coined in much earlier eras, when the word was just as often used to simply refer to abduction.
"She was starving!" the gods didn't need to eat. So it's easy to read her eating the Pom seeds as a deliberate choice on her part. Like, shit, people, scholars have written whole papers on the symbolism of this moment, between marriage rites and even yeah, Seph choosing both worlds with her husband's knowing consent.
And that, I think, is the real heart of the thing. People want an utterly mundane, spelled-out story here, as opposed to what it really is, has always been, just like any other myth or religious parable: IT'S A METAPHOOOOOOR.
They don't need to be destined, or meet at a goddamned BALL and then CONSPIRE to fake her kidnapping, or shit, I once saw one where Hades got MIND CONTROLLED by Zeus?! Jesus.
Persephone was yoinked into the Underworld against her will.
That's how it went.
I don't mean this in a "stay out of my belief system!" way, shit I'm a white American chick with delusions of witchery. I mean this in a "stop stressing yourself out trying to make things palatable" way:
This is a very real, very precious myth to many people, BECAUSE for at least that one event, Persephone had no autonomy, BECAUSE for thousands of years most women had no autonomy. Erasing that, sanitizing the fact that a girl is ripped out of the spring, from her mother's arms, is erasing the thing that gave comfort to women for centuries. And people can and should still find power and healing in it now!
Fill in the blanks the story leaves in whatever manner seems fit to you, there's plenty of room, but. Come the fuck on.
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yuwuta · 4 months
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RODEO STATION, 2 — MEGUMI FUSHIGURO
A collection of you and Megumi through the years, through Gojo’s eyes. 
content, warnings: childhood friends to lovers, canon-adjacent, satoru adopts megumi and tsumiki, reader has a cursed technique sort of delved into here
word count: 2.2k
part ii: you and megumi are ten, tsumiki is eleven, gojo is twenty-ish?, about six or seven months after gojo meets all of you, and adopts megumi and tsumiki. you can read part one here
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The moment that Satoru met him, he knew that Megumi was a little troublemaker and there was little he could do to stop that. Satoru didn’t mind for the most part, and he couldn’t blame the kid either—honestly, he was more surprised that Megumi didn’t routinely get himself into more trouble, but he supposes he has you and Tsumiki to thank for that. 
He’d naively believed that you and Tsumiki both played the role of anchoring maternal figure for Megumi, but it only takes a few weeks for Satoru to learn that it’s Tsumiki that serves as the anchor for you two. Satoru then earnestly wonders if you were bullying Megumi with the way you’re able to keep him under your thumb, but when Megumi adamantly refutes this with the nastiest, most offended scowl Satoru’s ever seen on a kid before, he backs off and reasons that this is just how your relationship with Megumi works.
And, as it turns out, Megumi is the only one doing any sort of bullying. He’s ten and Satoru has been to more parent-teacher conferences than any other parent has ever possibly attended in their lifetime. He didn’t even know that it was possible for kid his age to get kicked out of school, especially at this point in the year. There’s only three months left until summer vacation, so Satoru enlists Ieiri’s help in enrolling Megumi into public school to finish out fifth grade. She also reassures him that this separation from you and Tsumiki is temporary, and that you would all be able to attend middle school together again in the fall. 
The major problem then becomes that you all get dismissed at different times. You and Tsumiki used to end your days at the same time, but Tsumiki starts staying late to take piano lessons. However, this is remedied by the mother of a friend of Tsumiki’s, who drives her home afterwards; an older woman that Satoru becomes eternally grateful for. Even so, you’re dismissed thirty minutes before Megumi, and some shuffling has to be done to align your commutes. Satoru knows that the three of you took yourselves to and from school before he came into the picture, and that most kids your age are more than capable getting home on their own, but after you told him that some old man from the Kamo clan came to talk to you after school one day, he can’t help but to worry. 
Satoru isn’t your guardian, not in the way that he is for Megumi and Tsumiki, but that doesn’t mean that he doesn’t feel responsible for you—morally, financially, emotionally, and more importantly, for his own safety because he knows he’d have both Divine Dogs biting at his ankles if something curse-related happened to you and he didn’t do anything to stop it. 
You were currently under the care of your elderly great aunt who hadn’t a shred of cursed energy from what Satoru could tell. He had Principal Yaga do a background check, and found no other sorcerers in your immediate family, nor any traceable Kamo relatives, and more importantly, you didn’t possess any sort of Blood Manipulation technique. Satoru’s seen what you can do so far to control water, has even seen you give the Divine Dogs trouble in a gentle sparring match—you’re impressive, even at your young age, so he can understand why a powerful clan might see the potential in you, but the Kamo clan isn’t historically welcoming of outsiders. If you’re not related to them, he can’t fathom why any member would physically approach you. 
The old man never revealed his name to you, but Satoru’s certain it’s either a clan elder, or the current head himself; neither of which bring him any comfort. In the spirit of their traditional ways, he doubts anyone would actually try to harm you out in the open, but Satoru still wants to keep you on close watch for a little while. He thinks he’s the best man for the job. He’s quickly proven otherwise. 
He exorcises curses with a bit of hastiness and little tact in order to be there when you get dismissed from school. Ieiri says it’s creepy to follow you from a distance, but Satoru is just doing what he can to protect you. If somebody else is following you, he wants to see who they are. They’ll never approach or reveal themselves if he hovers next to you, and if you half the pride that Megumi has, you’d run him out of town if he ticked you off by playing overprotective big brother—so, instead, he positions himself far enough away to observe you, and close enough to defend if need be. 
He never needs to. 
For as wild and boisterous as you are with Megumi and Tsumiki, you follow a simple, quiet after school routine. You walk with Tsumiki and her friends to the west gate to drop them off at piano practice, then cross the street to buy a snack—this differs, but you always get a carton of strawberry milk—and then walk to the train station. It’s a ten minute walk from your school to the station, and a fifteen minute walk from Megumi’s school to the station, which is why Satoru doesn’t quite know how the kid manages to keep you waiting for only seven minutes on average when he already gets out of school thirty minutes after you. 
Once he gets over the initial shock, he can’t help but to be amused. He knows that when Megumi first changed schools, he started meeting you on the train, two stops later—at the one closer to his new school. But in the last week, Megumi has walked himself seventeen blocks east, at what Satoru guesses must be an inhuman pace, just to meet you at the station closest to you. 
When two weeks have passed since the unknown Kamo elder has contacted you, and no other incidents have occurred, Satoru resigns his position as perimeter watchdog. He has a bunch of missions to catch up on anyway, and he figures that you and Megumi are safe in each other’s care for now. 
A few weeks later, after catching up on his assignments, Satoru decides to check back in. He knows he doesn’t have to, but something in his stomach is telling him to. Maybe it has to do with the fact that the curse he fought earlier today had some kind of toxic blood that has him thinking the worst could happen to you, or getting a call that Megumi had been cutting some of his classes, or that he’s tired and delusional and worried and scared, or maybe it’s just his blooming maternal instincts telling him something is wrong, but he rushes to spy on your commute home. 
He’s late. Megumi isn’t with you, and you’re already on the train when he makes it to the station and he can sense two sources of cursed energy trailing way too close behind you just as the train doors shut. His mind is racing irrationally—is this an unusual move by the Kamo clan, or perhaps someone else? Word had certainly gotten around that he’d picked up Toji Fushiguro’s kid, plus another kid with immense cursed potential, and Satoru himself and the Gojo clan have more than enough enemies. Whatever it may be, he doesn’t take his chances, using his newly honed short-range teleportation skills to make it to the next station before the train can. 
He’s panting, thinking about every worst possible scenario at once, wondering how to best deal with whoever or whatever was targeting you, especially in such a crowded place, wondering if you’re safe, if Megumi was safe—why wasn’t he with you? Has someone already gotten to him, too? Was Tsumiki even at piano practice? Oh god, if he hasn’t already been kidnapped, Megumi is totally going to kill him if something happens to you. 
Satoru rushes onto the train as soon as the door opens, eyes wildly scanning for you through the crowd, ready to strike when he finally finds you—seated towards the back of the car, reading the book that Tsumiki had loaned to you, quietly, and both the black and white Divine Dogs sitting on either side of you. 
And Satoru has to laugh at himself. If he’d stopped for even a moment (or if he’d gotten more than two hours worth of sleep in the past three weeks trying to make up all his assignments), he’d have recognized Megumi’s residuals, would have recognized the energy of the dogs, and would have pieced together that there wasn’t a single threatening aura in the vicinity. 
Oopsies. 
“Gojo?” you call to him, not too loud as to not to disturb everyone else’s commute. “How come you’re here?” 
Satoru shuffles through the crowd and holds onto the overhead rail once he’s next to you. The white dog moves to settle underneath your short legs, blinking at him with disinterest. “Got off a little early today, thought I’d surprise you brats, that’s all,” he says, then motions to the dogs next to you, “Where’s Megumi?” 
You blink at him. Satoru knows you probably don’t believe him, but you spare him the embarrassment when you don’t push it further. “He had to make up a credit today, so he’s getting on at the next stop. Do you want a sandwich? They only had ones with peppers today, so Megumi won’t eat it, but Mr. Teuchi gave me two, anyway.” 
“What, is he allergic or something?” Satoru questions, accepting your offer, and the seat next to you when he starts to unwrap the sandwich. 
“No, he’s just picky,” you tell him, closing your book to unwrap yours, too. You’re quiet, taking your first two bites, before you turn to him again, “How did you know Megumi was missing?”
Satoru chokes. It gains him a few concerned stares, and even a pointed ear from the black dog, before he regains his composure. “Um... he tells me usually he follows you home from the other stop, that’s why.” 
“Then why didn’t you try to surprise us at the other stop?”
Satoru pauses again. Since when did ten year olds get so lippy and observant? “I did, but I was late. So I sort of,” Satoru leans down, crinkling the empty sandwich wrapper in his right hand and uses his left to beckon you towards him to whisper, “Teleported here.” He pulls back, prideful, and crosses his legs, “Pretty cool, right?” 
“So, why didn’t you just teleport to the first station when you realized you were going to be late?” You question, mocking his whispering tone when you repeat the word. 
“Hey, you think doing that kind of stuff comes automatically? I can’t just pop up anyplace at any time,” Satoru groans, a bit overdramatically, “Not yet, anyway. I’ll be able to do that soon.” 
You hum, kicking your legs happily as you take another bite out of your snack. “I think I get it. Megumi says it’s hard spreading out and controlling your cursed energy over long distances, but he’s been practicing hard. He can send the dogs way far away from him now.” 
“I see,” Satoru turns his chin down, eyeing the Divine Dogs with a gentle smile. He almost says that it’s easier to send shikigami on their own, especially those like Megumi’s, and particularly when you anchor them to another source of cursed energy such as yourself, but you look way too proud of Megumi for him to burst your bubble. He also declines to say that Megumi probably doesn’t send the dogs to you on days like this just for the sake of practicing. 
A crush isn’t quite exactly the motivation Satoru pictured when he told Megumi he’d have to work hard and get strong, but whatever works, works. 
Ten minutes later, the train comes to a steady halt. Megumi is the first new passenger on board, and unlike Satoru, he doesn’t need to turn his head wildly, every which way to find you. You’re like a beacon to Megumi, he easily finds the both of you in the last seats in the car, and steadily makes his way to you. 
Megumi greets you before he greets Satoru, taking the seat across and facing you before he turns to the taller man with a much less receptive frown, “What are you doing here?” 
“I believe the word you’re looking for is hello, Megumi,” Satoru teases, reaching across to ruffle his already unruly hair. Megumi grumbles, batting his offending hand away.
“Gojo ate your sandwich,” you chirp. 
“What?” Satoru yells, incredulous, “I did not. You gave it to me—tell him!” 
You have much more fun watching Satoru scramble than defending his honor. It’s only when Satoru gives his best pout that you admit to Megumi that you offered up his sandwich, consoling him with the fact that it included his least favorite ingredient and making it up by pulling out two cartons of strawberry milk for him. Megumi accepts them both with quiet thanks, cheeks growing pink to match the cartons, and you smiling widely when he takes his first sip. 
Satoru had a hunch those were for Megumi. So, this isn’t one-sided. Good for you kids. 
It’s another twenty-six minutes before it’s time for you all to get off the train. The Gojo-Fushiguro residence and your great aunt’s house are in opposite directions, but are both just a short five minute journey from the station exit. One you can certainly make on your own, and still, Megumi insists that you let the dogs walk with you and that he’ll release them once you’re home. 
“It’s good practice,” Megumi mumbles, shooing you on your way uphill, “I want to know how long I can keep them out, too.” 
You have that same look on your face that you had earlier, like you don’t quite believe Megumi, but just as with earlier, you don’t say anything, sparing Megumi and Satoru a formal goodbye and a wave before heading home. Satoru and Megumi turn to walk back to their own house, he can’t help but to smile every time Megumi turns his head to look back at your silhouette. 
Satoru decides that you’re not Megumi’s anchor, you’re the lighthouse that guides him to shore, a light that he follows with faith and reason; a safe haven that Megumi seeks to protect. Satoru can admire that, but he wonders what happened that could make the most unruly kid he knows pledge his allegiance like that. Megumi would have refused Satoru’s aid if he hadn’t agreed to let you stay in his life, and although he’d chalked it up to puppy love before, Satoru’s beginning to wonder if there’s anything he, or anyone, even could do to separate the two of you. 
Likely not, he concludes, when two weeks later, your class goes on a field trip and Megumi is the one who comes home exhausted and crashes onto the couch immediately. When Satoru asks, all he gets is a tired grunt; but shortly after Megumi falls asleep, he can feel a few extra shadows at his feet, and a glimpse of the white dog before she completely vanishes into the darkness. 
Satoru chuckles, leaning down to ruffle Megumi’s hair before heading to the kitchen to make a snack for Tsumiki. If this is the rate that Megumi trains to keep his loved ones protected, then Satoru has no worries about him getting strong enough to keep up with him.
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arlertwhore · 16 days
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need more paige fics on here it’s criminal atp 💔🥲
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pairing: paige bueckers x fem! reader
synopsis: paige invites her sneaky link to a team dinner, but she has an appetite for you.
warning(s): smut, dom paige, sub reader, more power play, pussy eating (p a munch), fingering, spit kink, mommy kink, nastiest public sex ever.
word count: 3.9k, if i read the estimate right.
author note: unedited - based off a request. ty sm for the love on my first post, it made me feel like writing this 🤍 I check every noti and read every comment!! enjoy, inbox open, yk yk. MINORS DNI
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Paige wouldn't confess to it openly, but she knew her feelings for you had underwent a significant adjustment following your whole jersey stunt. She — nicknamed Paige Da Pimp by her teammates for her playboy attitude, was not the type to get smitten for girls, and especially not the ones she had just been hooking up with in a casual sense, but after photographing a memento of you in the jersey post-fuck to keep her sustained for her busy week away of back-to-back games, practices, training... etc, all that athlete jazz, she had come to the agonizing realization that it was the biggest mistake she had ever made. And if there was one thing to note about Paige, she HATED mistakes.
Although she hadn't seen it that way at the time, which was totally understandable since it was just a sexy photo, Paige knew she was acting brainless for what she did. You were cute, fucked well, really turned her on, and she liked you as a hook-up, but she knew better than to genuinely like people, girls, in a serious sense while committed to her career. It'd never work out, and it was something she was very forward about the first time you hooked up. Paige had taught you her many rules, making it clear that she was the one in control due to her media appearance. She expected the feelings aspect to be the other way around but had soon found herself blushing as her team teased her about you relentlessly for being her lock-screen and gawking at a TikTok of you, sharing your daily routine. Sure, Paige knew the lockscreen aspect might've been pushing it, perhaps another misstep, but it was faceless due to her penchant for privacy in your affair, and she used it motivationally for her jampacked week, not as a new means to stay fixated over you.
To the tall blonde, that pictured depicted the prettiest girl in the world wearing her jersey, a visual testament to the hard work and perseverance that had brought Paige to where she was.
So, the photo served as a reminder to keep pushing forward despite how difficult it got. Though Paige surely did like you, she was also very cognitively astute, and knew that whatever feelings she had unfortunately accumulated for you would automatically dismantle due to the demands and stress of her career. She might have panicked over her feelings if you guys had an upcoming visit, but since both of your schedules were full, it became a wait-it-out game where you had both been thinking of each other as you tended to your daily lives. Before her Tuesday game, Paige examined her lockscreen before tossing her phone and running onto court, kissing upwards of the arena, plausibly sending the kiss off into the sky, presuming it would fall wherever you were. The net had tried to decipher the action to no avail. You
were at work and witnessed the moment when it had occurred, so the kiss had been retrospectively received. The cycle repeated each day: you worked, studied on breaks, went to the gym late, then came home, and studied again. The sole reason you were able to remember Paige outside of all else was because you waitressed and they played her games on TV occasionally. It was cruel to think you had some good sex just a few days ago before being forced back to your life. Paige was your only escape and you both didn't have any time in the world to see each other. You couldn't shake the thoughts that with each missed day to spend, because you guys were casual, you were running out of time. Like she was going to leave and find somebody better and more convenient. It was mundane to say the least, but that all changed on Friday night. By the end of the week, Paige soon realized there'd been no point in hiding you from her team. Her fans, the media especially, sure, but you two weren't a secret amongst the knowledge of the team.
Some of them: KK, Azzi, Aubrey, and Ice had even spoken to you and met you three months back at the party, where you first met Paige. You were hammered out of your mind and ranted to them about how much you wanted Paige. They had all discussed how hilarious you were here-and-there after Paige gave you a chance. Paige herself had missed you greatly, so she figured it didn't matter if she invited you to a team dinner.
Her friends were inviting their friends too, and it wouldn't have looked weird if fans or the media noticed. So that's how you found yourself scrambling through your closet at 8 PM, clothes strewn around the room as you searched for your black dress, which was Paige's favorite color on you. You had hurried through your assignments on break at work and left early just to make it there, hating that Paige had sprung this on you randomly.
This is something one would need aforemention for; you had to be more perfect than usual. Hair, makeup, nails, dress, behavior—for crying out loud, you were representing Paige freakin' Bueckers, and that meant you couldn't be tardy or shabby in any aspect. You simply had to be PERFECT. You didn't wanna get replaced by someone more convenient for her, and you knew she had only made this gesture because she missed you: typical Paige wouldn't even consider bringing you to a team dinner, so you thought she was crazy for even offering, knowing this opportunity might not arise again if you didn't show tonight.
As you arrived, you could see the team and some other faces present at the grand table. Thankfully, you did look better than the guests, and even though you were aware, you were still incredibly nervous. Seeing Paige's face, giggling with a teammate sat across from her, was the only thing that kept your high-heeled cladden feet advancing, heart pounding senselessly in your chest. The fullness in the restaurant didn't make you feel better, and with all eyes on you, you felt they knew your secret. You were right: most of them did, and as you reached the grand table, the entire team glanced at you knowingly. The last time you saw them all was at the New Year's party three months ago, before the fact you acted on behalf of Paige. It was majorly awkward now, seeing them sober, knowing you had rambled to all of them, especially KK & Azzi, about how badly you wanted Paige. You being here proved Paige had made your dream come true.
"Get over here, weirdo," Paige called out, and at the sound of her voice, you chuckled, feeling the tension ease. After not touching her, tasting her, holding her—seeing her for what felt like years, you had yearned more than ever to kiss her, to do everything to her that you hadn't had the chance to do in the past week, but due to being in public, all you could do was hug like friends in-case others knew who she was and were recording. It was bumming. You engulfed her in a big hug, smaller arms wrapping around her toned body as you tenderly whispered, "Wanna kiss you so badly. Missed you so much, Peanut Butter."
Paige chuckled softly at your clever play on words, sighing, "I know, I know," as she caressed your upper back, cautious of moving any lower, "Thanks for gettin' it, angel."
You smiled, feigning contentment as you released Paige, mindful that your embrace couldn't linger for too long, lest it provoke any speculation. She kindly helped you remove your dress coat, like a gentleman, and allowed you to sit on the inner side of the booth, assuming her new spot on the outer beside you at your right. To your left was a girl whom KK had invited — she sat sorta close, but far enough at the perfect proximity for Paige, in one very swift movement, to place the coat upon your lap and rest her big hand onto your thigh behind the eyes of everybody else present.
The blonde leaned in, her breath warm against your ear and body pressed flush against yours as she rasped, "As long as they don't see, right?" hand inching up your thigh, her inflection, voice, and touch sending shivers down your spine as she stroked your inner thigh preciously. "Paige!" you growled quietly, "Get a grip—this is unlike you." Paige knew you were right. She was losing her marbles because she liked you so much and couldn't control herself for any longer after having to for an entire week. She needed to have you. It was a blooming sign of her ensuing limerence for you. And she just loved that look in your eye too, all high-strung and panicking at the mere touch of her fingers—it was intoxicating.
You screwed your eyes shut briefly as her middle finger pressed against your clit, lightly; barely moving, edging you. Exhaling deeply, you struggled to get your eyes open, forced to pretend nothing was happening as banter and conversation and laughter flowed around you.
Eventually, you knew you would have to join in, but right now, you were consumed by the sensation of Paige's touch. And when she jested, "Hey," lowly, the sound sent tons of slick oozing out of your wet pussy, igniting a fire within you that you couldn't ignore. Her long, delicate finger teased your little clit, sending waves of pleasure throughout the entirety of your body as you struggled to remain still, quiet, and maintain your composure.
It almost set you off when Paige's foot began to play with yours as she admitted, "I couldn't stop thinking of you all week," in this way of raw carnality and blatant desire you hadn't ever witnessed Paige showcase. It was just pure fucking, usually. A fuck that you didn't have to act totally sexy for all-the-time since it was just a mutual thing. This, whatever Paige was doing tonight, was something very different. Her words — "About how I'd get to touch you, taste you, and how your body would look and how you'd sound. Fuck," she says in a low grunt resemblant of pain. "I can't wait for you again."
Paige stopped briefly, and you didn't know whether to be thankful or upset, groaning out in response. Paige tutted thrice. "You aren't gonna look at me when I'm talking to you?" she chided. "Be a good girl, angel, use your manners so I can give you what you want." You were utterly bewitched by her words. Her touch. Her voice. Her body against yours. Her aura. She was just so captivating. Today, she had foregone her glasses, leaving just her raw, intense eyes to pierce through you. Clad in her post-game attire—a sleek black Nike Tech outfit, her hair styled in the signature front braids and ponytail—you couldn't deny the magnetic pull she had on you. You found yourself afraid to look at her for too long, fearing that the sheer intensity of her presence would send you over the edge. She almost did. You were right. When you looked at her, she smirked at you, locking eyes with you in a gaze that was indescribable. The way she looked at you had changed. "Just like that," she cooed, "Keep your eyes on mommy just like that." You let out a small whine, squishing your legs together to unwaver what felt like a climax. You felt like you were going to explode. Leaning forward, you took a second to recollect yourself as Paige's fingers continued to service you. Around you, the conversation was flowing, and as the head of her team, Paige easily inserted herself into it by introducing you to everybody. "Guys, I want you to meet Y/N L/N, Y/N L/N, the team and friends." Used to celebrating excessively, they all clapped for you, and Paige tapped your side with her free hand, urging you to sit up and be polite. You waved to everyone, adorning a smile that had taken every morsel of energy within you to present. "Long time no see, huh?" KK instantly began, "Let's hope you don't drink too much tonight and spill any secrets about how much you want Paige." Laughter filled the air, including yours. Relaxing against the booth, you tilted your head back, a soft chuckle escaping your lips as Paige's fingers began to intrude your entrance, their movements smooth and tantalizing, causing you to clench around them. "Don't gotta be lit to tell you, K," you giggled, diverting your attention to the conversation that had just begun, while also trying to ignore Paige's relentless fingers.
You just didn't know how she could do it so seamlessly -- her beautiful big blue eyes had managed to look utterly focused, absorbed in KK's story as if she hadn't been scissoring you open with purpose in each fervent stroke of her fingers into you. A contented grin was fixed on her face, seemingly listening to KK's recount of the first time she met you intently, but that was not the case whatsoever, and you two were the only ones aware. Paige rested her head upon your shoulder, her left arm hooking around your waist to grab her Shirley Temple, to take a sip.
She raised the glass, offering you a sip, and you disguised a moan in a hum when she began a come-hither motion against your g - spot, savoring the cold drink to assist in cooling down your rising body temperature. "You like that?" she asked, early not referring to the drink. Her tone was cunning, smirk suggesting she knew the effect she was having on you.
You managed a smile, maintaining your composure. "Mhm. I like it." you uttered, your voice resonating with an underlying force, each word carrying the weight of your struggle to sound controlled.
Thankfully, Azzi had interjected KK's story, prolonging it, and you anticipated that Azzi's sociable nature would keep you from speaking for a while longer. However, just as you expected the social buffer, a waiter approached for your order. Being a waiter yourself, you understood why she was there, and you blurted out, "Water," upon her arrival, eager for her to leave as quickly as possible. Fuck! you thought, That seemed bitchy. You resolved to tip her later to make up for it, but you couldn't have cared less in the moment. Your head was spinning; Paige's ring finger had begun to circle your clit precisely, at a steady pace, in a touch and speed you couldn't replicate no matter how hard you tried. Her middle finger had been gathering your wetness and smoothing it over your clit, intensifying the sensation, intensifying the situation.
"So then, besides this intro story, Y/N, why don't you tell us about yourself? You know, the real you?" Paige prodded, her tone laced with subtle encouragement, a hint of mischief dancing in her eyes as she attempted to coax you into speaking. "U-uh," you stammered, clearing your throat, "studying at UConn." It's a line you're programmed to say regularly, especially at work when dumb college goons try to hit on you.
The prompt silence urged you to continue speaking, but you wanted to curl up and pretend to be asleep. Your hole clenched around nothing, and you tried to avoid looking at Paige, fearing you might cum on the spot like you nearly had earlier. Gathering your strength, you said, "I'm studying to become a nurse. I'm from the city just over, but I'm, uh, you know... just an average girl."
You, being at a dinner and getting finger-fucked wasn't just stuff average girls did.
Nothing was average about this dinner experience. Not even the amount of wetness you had accumulated, which had become so much that it began to trickle down your leg. To have the amount of need you were suppressing literally oozing out of you, you moan, an audible one, but mask it as a cough before raising Paige's drink to your lips, taking a sip, and then placing it down. You could hear Paige laugh hushedly from your side, relishing in the power dynamic. "My throat's so dry," you quickly add to compensate for the odd noise, hoping to divert attention away from your unintentional reaction. "Did the questionin' make you nervous?" KK teased yet again, her tone playful as she pointed out, "You're breaking a little sweat."
You wanted to jump for joy. Finally, you had an excuse to excuse yourself. "Oh no, am I?" you replied, trying to hide your relief. "Lemme go make sure my makeup's good, P."
Forced to stand before you could exit, Paige did, and as you rose to your feet, she made sure you saw the image of her fingers in her mouth, sucking your wetness off them.
This, combined with all you had just endured got you weak in the knees as you stood up and made your way out. The sensation of her touch lingered, leaving you feeling so worked up that you felt like you were going to implode.
You weren't even wearing any makeup. You rarely did outside of work. Inside of the bathroom, feeling rather empty, you briefly considered touching yourself but rendered that option pointless seeing as you wouldn't be able to satisfy yourself how Paige did you. You also always failed to replicate it too. Instead, to cool down your body and thoughts, you resorted to flushing your face with cold water. By the time you finished, Paige had appeared in the doorframe behind you, nearly as tall as it was.
"You got sick, I had to take you home, here's your coat," she said, recounting the tale you'd explain for leaving early, flinging the coat at you with a brisk motion, one of an athlete.
You caught it, but urgency pulsed through you. If she wanted to test you, you would test her. High heels clacking as you strode over to the taller blonde, you pressed her against the bathroom door, your kiss fueled by an intense need. The taste of yourself on her tongue drove you crazy and you couldn't deny how intoxicating it was. Her knee was nestled between your legs, and she pulled back to rain kisses down your neck, her voice filled with fervor as she questioned, "Why the hell aren't you wearing panties, hm?" In a rush, but with purpose, you responded, "Can't you see I'm dressed exactly how you like, P? It's all part of the plan."
She picked you up, your body clinging to hers as she placed you on the counter of the sinks. You made out fervently, her strong body no longer pressed against the door, leaving you both vulnerable to potential intruders. This was dangerous, extremely so. Paige kept letting you take dominance, even if it wasn't as blatant as her own, and it was exhilarating. When you placed your legs upon the counter, high heels on, your tits dropping below your dress with your pussy on display, clenching and unclenching as you pleaded, "I want your mouth," Paige couldn't resist. As she dropped to her knees, she reasoned that she was already in too deep to back out. The vodka in her Shirley Temple convinced her it was fine too, and fuck, it felt beyond fine. Her eyes remained locked with yours as she began by licking your hole, teasing the tip of her tongue inside before traveling up to your clit, prodding at it expertly.
"You taste so good," Paige murmured against your clit, sucking it.
"How would all your good-girl Uni friends feel if they saw you like this, hm? Legs spread like the slut you are, begging for my mouth."
Paige was losing control. She was spiraling. You looked too slutty, too good, and the situation was too risky for her not to take a picture of this. Removing her phone from her pocket, she handed it to you, and you already knew what to do.
You eagerly begin a video recording of Paige devouring you, capturing every salacious moment with fervor. Her mouth and tongue work tirelessly, exploring every inch of your dripping sex, her fingers sliding effortlessly into you, curling and stroking in the harmony with her oral ministrations. You moan uncontrollably, your senses overwhelmed by the pleasure coursing through your body. As Paige's tongue dances over your clit and her fingers plunge deeper, you writhe and squirm on the counter, unable to contain the ecstasy building within you.
The sensations are overwhelming, driving you to the brink of madness as you teeter on the edge of blissful oblivion. "Film yourself," Paige murmurs against your pussy, and you obediently turn the camera toward your face and heaving chest. The lens captures your flushed cheeks, your parted lips, and the dazed look of ecstasy in your eyes as you surrender to the euphoria of Paige's mouth and fingers.
"M'gonna cum, baby," you whine, bucking your hips with a primal urgency against her face, desperate for release. "Yes, yes, please," you whimper, your breath coming in ragged gasps as the pressure builds to an unbearable peak. "I need it, Paige, I need to cum." As the climax washes over you like a tidal wave, you cling to Paige's head, holding her against your pussy as your body convulses with the force of your release.
With a satisfied smile, Paige grabs a paper towel and tends to you, then looks up to the camera from her knees, tongue teasingly licking off the remnants of your arousal. You hastily rearrange your clothes, staying put on the counter as Paige rises from between your legs to place her lips against yours. Paige's lips kiss with tender urgency that feels like unspoken intimacy and connection. As her mouth melds with yours, you feel the lingering heat of desire between you guys. In that fleeting embrace, there's a sense of vulnerability and trust, as if the world around you fades away, leaving only the electrifying sensation of her lips against yours. It's a kiss that speaks volumes, a silent reassurance that you're in this together, navigating the waves of need and indulgence as one.
But then again, you're recording, so the moment, while still undeniably sexy, lacks the sweetness of intimacy. Paige takes the phone from your hand, filming as she guides you off the counter by your hand, only to drop it suddenly, spinning you around and pressing you against the cool surface. With her lap pressed against your ass, she asserts control, her hand firmly guiding your hips as she captures the action in the mirror.
As you grind back against her, you breathe out softly, "We're defiling this place, P," your voice laden with desire.
She responds in kind, her voice husky with arousal. "You're right, angel. Come on." With a firm grip on your hair, she pulls you back up until you're tilting your head to meet her gaze. Without hesitation, she delivers a fast, open-mouthed kiss that feels less intimate this time, followed by a daring act of dominance. She spits into your mouth, and you swallow, the act captured on camera for all to see.
With a shared glance, you rearrange yourselves, a tacit acknowledgment passing between you as you hastily fix your appearance. The urgency to flee the restaurant is palpable, both of you acutely aware of the need to escape before anyone catches wind of the steamy encounter that just unfolded in plain sight.
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nunalastor · 3 months
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alastor/lucifer is such an interesting ship!!
alastor is the embodiment of the very worst parts of hell for lucifer. he's violent and sadistic, has a petty need for power, and appears self-serving above all else. and lucifer is quick to dismiss him
but can you imagine if it's revealed alastor does genuinely care about charlie, which we've seen he's capable of?
imagine the deep self-reflection lucifer would have to do on the heels of that revelation. not just about the sinners and someone like alastor but himself and his relationship with his daughter
like at the end of the day, could he actually put his feelings towards people he's completely written off aside? would his own pride and insecurities get in the way where he's still trying to insert himself into the spot alastor has carved for himself in charlie's life?
and then on alastor's side, it's someone he has absolutely no control over or real advantages with. and having power and control is SO important to him.
you could argue this might be the case with the other overloads like zestial but even then there seems to be some level of mutual respect and equally matched power
he tries so hard to establish control in their first interaction, or to at least make himself useful. but there's absolutely nothing he can do that lucifer isn't infinitely more capable of.
lucifer is as effortlessly powerful as alastor likes people to think he is.
the best he can do is get under lucifer's skin and bring up his relationship with charlie being like that of a father figure. but even then, he's never going to be her dad or able to give her the approval and relationship she so desperately craves from her father.
even in conversation lucifer doesn't play by the same rules of what's considered polite as alastor. lucifer is earnest to the point of being disrespectful. he's clever without trying to prove something - besides maybe getting a chuckle out of his daughter and pointing out the obvious. and alastor gets so worked up over it all he can manage is a venomous "fuck you"
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woso-dreamzzz · 2 months
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Power
Katie McCabe x Reader
Summary: You and Katie both know who really holds the power
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It was always funny to see the two of you together, going back as far as your childhood.
Katie had always been the more tomboyish of the pair of you, always up to wrestle with the older kids or go careening down the hill on her bike. You were slower in comparison, taking your time and amusing yourself by playing clapping games or making daisy chains.
You shouldn't have worked as well as you did but it must have been fate.
When Katie moved to England, you came with her. There was never any debate about it. Wherever she went, you went.
Football was her passion and you were happy to go along for the ride. She'd found a home at Arsenal and you were more than happy to tag along.
You worked at the local florist, surrounded by flowers everyday. You had beehives at the back of the garden. Your backyard was picture perfect and you grew your own fruits and vegetables.
No one expected someone like you to be engaged to someone like Katie.
"Mate," Leah said as she relaxed back in her seat," Your girl's a dream. I mean, what can't she do?"
Katie tilted her head back so she could peer into the kitchen where you were sectioning out the cake you'd made earlier.
It wasn't often that you two hosted bonding nights but, when you did, everyone came along. Your Pa was a chef so you'd picked up a few things along the way.
Your meals were the stuff of legend between the Arsenal team, with the experience being passed down from older teammates to younger ones as they all sat waiting for the invitation.
"Nothing," Katie replied as you momentarily got distracted by rearranging the bouquet that lived on the windowsill.
"You hit the jackpot," Jen said," I mean, I don't know how you control yourself. If I had a girl like that to come home to everyday, I'd never leave the bed."
"Hey!" Katie said, shoving her friend," She's my fiancée! Not yours!"
Jen laughed, tipping her head back. "I'm just saying! Come on, Katie, you can't say that you've never considered just skipping practice."
Katie winked. "I never said that. I just said to stop fantasising about my girl!"
"So you would stay in bed with her all the time?" Leah teased.
Katie smirked. "You know I would but you know," She shrugged," One of us has to be the breadwinner." She flexed jokingly. "I make enough that she could be my pretty housewife if she really wanted to."
"Real macho, McCabe," Leah said," You're forgetting we once saw you drop a weight on your foot. You're not that smooth."
"I think y/n would disagree with you there." Katie winked. "I'm super smooth. It's why she fell in love with me."
"She fell in love with you because you seduced her, I reckon. All this power is going to your head. Occasional Arsenal captain, Ireland captain and now you're saying you're the man of the house."
"I'm absolutely saying that." Katie flexed again. "I mean, check out these muscles."
"Alright," Jen laughed," Put those guns away before you take someone's eye out."
Admittedly, Katie knew she was talking like she was some kind of hormonal uni boy but she couldn't help herself. She was completely relaxed here, in her own home with her teammates scattered around and you serving everyone cake. She was definitely bigging herself up here but she didn't want to lose face in front of her friends, especially as you breezed back into the room with pre-sliced cake and a pile of plates.
"I hope you're all able to eat this," You said," I know you're meant to be on diets but, surely, you can cheat for the day."
Katie grinned, drunk on the feeling of puffed up pride at everyone's compliments about you. She stood and rested her hand a little too low on your ass to be decent in public.
"Course we can, babe," She said, emboldened by the way you didn't say anything as she squeezed lightly," Everyone loves your baking."
You sent her an unreadable look but allowed her touching, helping everyone get a slice before settling on her lap in the loveseat.
Katie smirked at Jen and Leah, who were sending her similar cocky looks, and she finally moved her hand from your ass to rest splayed out on your hip, dragging you ever closer.
You fed Katie bites of your own slice automatically as she sat manspread on the loveseat, still talking amongst her teammates.
When there was a lull in the conversation, you brought your lips to her ear.
"Vey macho, Katie," You said, watching her throat bob in horror when she realised that you had heard everything," A real man of the house."
"Babe," She murmured back, eyes darting back and forth between everyone to make sure none of them were looking," I-"
"I'm not going to say anything," You said, shutting her up by pressing another forkful of cake into her mouth," I wouldn't want to embarrass you in front of all of the new signings."
"Babe," She said again, shifting a bit uncomfortably as you put more food into her mouth.
"Shh," You said softly," Don't talk just yet." You leaned a bit closer, putting the plate down on your lap so you had a hand free to push Katie's hand to grip your hip harder. "You have your fun showing off for your friends. You do whatever you want but let me make this clear. If you have to be reminded who's really in charge here then I will make sure to remind you. Understand?"
"I understand."
"Good." You smiled and drew away, picking up the plate and nudging Katie's lips with a cake filled fork again. "Open up, baby. I spent a lot of time on this. Make sure to eat your fill."
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crystalflygeo · 1 year
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Heat haze ft Morax + fem!bunny adeptus!reader
cw/tags: heat/mating cycles, marathon sex, overstimulation, dirty talk, breeding kink, praise kink, creampie, sex toy, improper use of geo (lmao), Morax has a dragon penis, pet names, fucked stupid, reader calls Morax "My Lord" and Morax calls her "my child", power play??
notes: Pure self-indulgent filth <3 I love the concept of heats in general and though on applying that to adepti, then I remembered it's bunny year so why not... apparently there is a bunny in chinese mythology called the "Jade Rabbit" who serves the Moon Goddess soooo. Anyway. Breeding kink goes brrrrrr.
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“M-my lord... I’m sorry I’m ah-” You gulp and try to breathe through your mouth, fingers clenching and unclenching trying to regain some semblance of stability. “I’m not feeling very… well”
Shameful. Lord Morax came to see you, probably talk about important matters regarding this year’s crops and yet-
“Is this your first heat alone?”
Your eyes widen and your cheeks burn, on instinct you look up panicked as your long ears stiffen in shock but just as quickly you avert your gaze, unable to look at him in the face at the revelation, and to avoid staring at his regal visage, fearful of your own reactions if you were to do so.
Oh he knows. He knows. Of course he knows. As much as you tried to suppress it your scent is probably dripping with want, especially when your thoughts were spiraling out of control mere minutes ago. Being an adeptus in heat is hard enough, but as a Jade Rabbit… it was especially hard on you.
You blink heavily, dumbly, your brain can’t keep up with all the emotions right now. You feel lightheaded but still manage to force out an answer. “N-No… no, I’m… used to it.”
Morax tilts his head and the light catches on his majestic antlers making them glow, and you find it impossible not to look “Of course.” He nods, still keeping immaculate composure. “But haven’t you found a mate yet?”
A mate. Your rabbit ears droop. Ever since you vowed to serve Lord Morax you never had time for such things, with the on-going war and protecting the humans, even as a non-combatant adeptus your duties were many. Agricultural care and development, medical support, logistics… you never had it in you to find a mate. You were devoted to your contract, and, to Lord Morax himself.
“I’m… I haven’t found the r-right one yet…” You mumble, hugging yourself and rubbing at your arm nervously in an attempt to mimic something.
“Oh my child, I’m sorry.” Morax approaches you and tentatively cups your cheek, fingers barely caressing your jaw, the touch is fleeting yet electric.
His hand is warm.
You unconsciously lean into the touch.
And he smells so good, so good.
“I could assist you, if you would allow it.”
You immediately flinch back at the words.
“W-what?!”
Morax simply blinks at you and crosses his arms, putting some distance between you two again. “I apologize if my advances are unwelcome.”
“No my lord it’s n-not that.” You can’t help but stare at his strong biceps, blackened skin accented by fine gold linings…
You try to control your breathing and think! Rationally!!
But still, you’re curious. What would it be like? To feel your God’s scent, your God’s touch, your God’s co-
You quickly shake your head. No, no! That’s indecent, scandalous! You’re not worthy, that’s…
“It’s okay, my child.”
The warm touch is back, hands placed at your shoulders, grounding you, stabilizing you. A shiver runs down your spine yet it doesn’t freeze you on the spot, rather it feels…
Tender.
You stare up at him and this time hold your gaze. He’s handsome and his eyes are the purest brightest molten gold you've ever seen, the bright diamond pupils mesmerizing.
You whine and rub your thighs together on instinct.
“My Lord… p-please…”
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“Ha-aahh… f-faster, please my Lord please- Ah-! Faster!”
You’re reduced to a babbling, moaning, drooling mess as you lay on golden silk sheets. Head down ass up, your arms have long since given up supporting you and your thighs tremble as Morax rams into your dripping wet pussy over and over and over again.
He lets out a low chuckle “So tight…” He whispers, voice deep and raspy with sex haze, the scent of your heat spurring him on and causing his own illuminated beast features to manifest, such as his powerful tail undulating behind him. “You’re practically dripping all over the place, and yet you take me so well…” his breath stutters with another snap of his hips and all you can do is moan loudly, mind foggy with need.
“Oh…” You gasp. “Oh.”
Without pause, he’s slamming into you repeatedly, pulling you down on his perfect thick cock and fucking fast methodical thrusts into you wet hole, aiming for a certain spot that has you seeing stars once he finds it.
“Ah! Ah… Ah!” Your voice barely registers through your own lust-hazed mind. Tears prickling at the corner of your eyes from the rapid buildup in your lower abdomen. You’ve lost count of how many times you’ve already came, your juices coating your inner thighs and soiling the precious silken sheets. Not that he seems to mind. “O-Oh… Ohhhh. My Lord… M-Morax…”
You’re pretty sure your God has ruined you for anyone else. No mortal or immortal would ever be able to compare to his divine cock, deliciously thick and filling, the dragon shaft lined with small ridges that rub just right against your insides and so utterly big you swear you can feel a slight bump on your navel every time he bottoms out.
You keen and whine when his strong clawed hands pull at your hips. Seems like your legs are also giving up on you so he holds you in place instead. And you love it. His musky scent. His smooth deep voice. His unfaltering stamina.
The Prime of the Adepti. A strong and virile dragon.
And he chose to mate you.
Suddenly you feel him drape over your back, his larger frame practically caging you, pressing against you until his chest meets your sweaty back and you feel his ragged breath against your neck, scenting you and your heat pheromones before sharp fangs graze your tender skin.
You moan and your pussy clamps down on him. You are so close….
“You feel amazing.” He growls. “So good... s-so good for me.”
You buck your hips up to him, clumsily meeting his thrusts as your small fluffy tail twitches. “Nnngh!”
You feel him bite at your shoulder and the sharp jolt of pain is enough to send you spiraling into another climax, moaning high-pitched and gripping him tighter inside you even as he fucked into your slick warmth. Despite the orgasm he shows no signs of slowing down, so neither do you, as the unbearable heat continues to burn inside you, an itch you can’t quite scratch. His hands reach out for your skin, caressing your soft breasts and marveling at how beautifully they fit into his hands. He rubs circles into one of your nipples before pinching it lightly and is rewarded with another high keen and a spasm around his cock.
“P-Please… please… I need it. Please-” You pant, voice laced with desperation, your nails digging into the bedsheets.
“What do you want?” Morax asks, nosing at your neck and lapping at the reddened bite mark he branded into your skin. “Tell me what you need, little one.”
“Breed me!” You choke out “F-Fill me up Lord Morax, I need you to… fuck m-me full, pleasepleaseplease-”
And how could he deny such a sweet plea? Morax redoubles his efforts, panting with exertion and pushing harder, faster, deeper. Shrill little gasps escaping you as your mind goes blank from the pleasure.
“Hah- I’ll breed you properly… mhh… fill you up.” He pants, his pace getting sloppier, his tail trashing wildly, you feel him twitch inside you. “You’re all mine. Mine to take… to fuck, to own, to breed-”
Morax’s breath hitches and he lets out a choked groan, spilling his load inside you in thick creamy spurts as you keen and squirm under him, too fucked stupid for words. You coo happily as the heat under your skin finally abates and you feel full, so full of his seed.
His grip loosens as his hips gradually slow down, head hung low as he catches his breath, his cock occasionally twitching inside you until it eventually softens. He gently pulls out admiring the way your pussy clenches on him, the way your legs shake, weakly trying to lock him there, keep him inside you. The drag and pull of his thick cockhead over your sensitive insides making you keen and whimper from its abuse until your pliant body falls onto the sheets, whining pitifully when you feel his slick seed dribble out of your swollen pussy. You try to close your legs and weakly paw at your core.
No, no, no… it’s supposed to stay inside. Lord Morax’s precious cum-
You squeak as you feel something smooth and solid press against your pussy lips.
“Shhh my dear, shhh.” He coos at you, deep voice soothing your frazzled nerves. “This is just a little something to keep it in, to keep you full.” He pushes gently, working what you now realize was a cor lapis plug into your body. You made another whimpering noise as your lips parted for the toy he’d created for you. Red, puffy pussy folds spread open as they did for his cock, taking the tip before he worked the rest until it finally sunk in, lewdly resting against your opening, a glittering orange gemstone keeping you full. “There, nice and snug, do you like it?”
Your only answer is a little chirp, your eyes half-lidded as your body relaxes.  
“Such a good little bunny. You were so good to me my child, so good.” You smile drowsily at the praise, cooing at him as his hand pets your hair and scratches your fuzzy ear. He kisses at your shoulder and starts softly massaging your aching limbs “You were beautiful. You did so well, you took me so perfectly…”
You lean into his touch, curling up to his body, both of you still damp with sweat and other fluids. Resting for now until another wave of neediness hits you.
You both knew your heat would last at least other 4 days…
You idly wonder if by the end of the week you would be honored with carrying his offspring.
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seattlesellie · 11 months
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color me ♡
pairing: ellie williams x reader
warnings: pure smut, rough sex, breeding strap, fake cum swallowing, ass play, maybe a lil gross but 🤍
authors note: so i dont know whats actually inside those breeding straps and if its not actually safe to digest… sorry! obvs based on an old one of mine n @elskittie important server discussions <3
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"El Ellie, Ellie — Ah!" was the only repeating sentence that left you whiney mouth for the past seven minutes. Ellie was quick with it, brutal, even. The sharp pain of her strap's ongoing strokes and thrusts rendering you borderline unconscious. You liked being like this, didn't you? her personal rag doll, being thrown around for her pleasure.
She wasn't afraid of telling you how much you liked it, either. Ellie loved basking in your neediness for her, in how dumb you looked when she fucked you senseless. Each resounding slap against your flesh, and every firm tug of her fist on your hair served as a vivid affirmation of her power over you. "You fucking like that? huh?" she gasped in amidst the rhythmic thrusts. You could feel her in your tummy, feel her stinging inside of your brain. "Like being like this f'me? yeah?" she was panting like an animal, you could feel how close she was by the way she was swallowing her words. Her voice was hoarse, and she struggled to maintain her composure, almost falling apart right there with you. Slap! you were on all fours now, face shoved in the soft, cream colored pillow, ass shamelessly spread completely open. You felt vulnerable, like she could see everything. Ellie wasn't always like this, see, she loved taking her time. Caressing you, giving you tiny pecks everywhere around your body, like little butterflies landing on your skin. Today wasn't like this. “Get on the bed" she commanded after getting back from a three day hunt. You knew it by the flare in her eyes, by the way she couldn't look at you directly. Whatever happened there was between her and herself only. Oh, how Ellie loved how you looked. "Pretty asshole too, huh?" She panted, her thumb gently tracing circles around the perimeter of your clenched entrance. "So fucking—" she growled, and stuck her thumb inside, leaving a stinging pain ringing inside of your body. Twisting it in slow circles, it's deliberate, controlled movements akin to a meticulously driven screw, twisting slowly, intensifying the sensation with each revolution. "So fucking tight everywhere" she marveled. You couldn't even respond, drool cascaded onto the rumpled sheets beneath you. You were whimpering, screaming, god, she had effortlessly coaxed three mind-shattering orgasms from your trembling form. You could have passed out already, you could have been laying on her chest, listening to her soft breathing by now. But this truly, wasn't about you. With a forceful strike, she gave your ass another harsh slap. It morphed into a deep shade akin to a bruised blue. "Pretty" she panted. You were mumbling incoherently, a mixture of "thank you Ellie" and "for you, Ellie". You wanted to ask her — "You really think I'm pretty?" "Am I yours forever? You making me yours?" but goddamn, you were too fucked out to function. She slipped her other thumb inside your tightest hole, as if her other one wasn't enough. The overwhelming sensation caused your vision to blur with celestial bursts, your voice erupting in a symphony of screams and desperate pleas that reached the heavens themselves. "Ellieeeee — too tight!" you babbled. She plunged it deeper with a cocky grin. That action drove you to instinctively fight against her grip, your hands frantically clawing at the fabric of the sheets, seeking a desperate anchor to reality. She formed a tight fist around your hair, yanked it, and pulled you by gripping her fingers tight on your ass. Don't you dare.
"Don't you fucking run away from me" she grunted, and kept her grip on your waist.
"Stay" she commanded, and you did. Her desperate grunts and the fact that she reached that little spot, that spot no one else ever did, made your stomach tie in tight knots. You were fucking close, too. And she knew it. Who knows you better than her? "Gonna let me fucking use you" she growled, "Gonna let me fucking cum inside of you?” she told, her breath hot and unsteady against your neck. And then, it was as if a cartoonish light bulb appeared over your head. You smiled dumbly to yourself. You really are fucking nasty. "In my mouth" you hiccuped. Her hand left your plump ass, and started forming small, harsh circles on your clit. She was flabbergasted, her strokes slowing down. "In your what?" she questioned, her voice deep. "Want you to cum on my face" you stated. Simple as that. Ellie laughed, she laughed at you. "You're fucking nasty, you know that? she teased, the faint sensation of her smile pressed against your shoulder conveyed the delight she derived from your desires. Those words could have made her come on the spot. "Get on your knees" she commanded, and pulled the plastic cock out of you with a deep, breathy grunt. You clenched, feeling utterly empty without her deep inside. You pouted with a small "mhm". Ellie gave you a stern look. It was so, so clear how hard she was controlling herself, her own clit throbbing and begging for release. "You wanted this" she said, and squeezed your plump cheeks together. She almost forced you to open your mouth, stick your tongue out in order to directly spin on you, but you wanted something much, much more disgusting. It was an ego trip for her, truly. She yanked you down, and got you to get on your knees with a loud thump. That was going to leave a bruise. Oh, how you weren't expecting Ellie's next step. She grabbed the large silicone shaft in her hands, an pinched your chin, to get you to look at her. Ellie had her eyes fixated on you, entranced. You looked pathetic, sticky drool on your chin, thighs covered in your own release. Her look was piercing through you. She caressed your cheek delicately, calloused hand grazing your skin. She was going to burn this moment in her memory. If she could, she would have taken a picture — but this was still an apocalypse, and she got ever so lucky from just finding the obscene sexy toy during one of her patrols. She took the base of the cock, and began grinding in on her own clit. If she was going to cum on your face, it had to be the real fucking deal. "Ohhh god — shit" She moaned deeply, never once leaving your eyes. You felt your own clit throbbing, a swarm of butterflies buzzing in your stomach. You trailed your hand down and began forming slow circles on your clit, still wet, still deliciously creamy. She bit her lower lip. She would have scolded you for your desperate actions, how dare you touch yourself when she's right there — but thankfully, she knew you just couldn't help it. Breathy, high pitched moans were escaping her mouth, she really was fucking close, rubbing it all over her wet cunt. "Don't you fucking look away from me" she commanded, swallowing her own words. “Don't you dare." The shaft's movements on her cunt were deeper now, faster, the base hitting her puffy button just right, pressing on it. Her eyes rolled back in pleasure, almost fucking there. "Gonna cum" she panted. "Stick that fucking tongue out - Fuck — stick it out" her eyebrows were squinted together, jeez, how you loved her fuck-face. She was full on whimpering your name, hand wrapped around your scalp. She shook the strap up and down on her glistening slit.
It was a marvelous look, my god.
She could feel the white colored pleasure taking over, and almost instinctively, as if it was truly connected to her, grabbed the balls of the strap, squeezed them hard, and as she rode her orgasm - the white, thick, creamy liquid squeezed out of the tip of her cock, splashing all over your warm, eager tongue, and then all over your face. "Holy— fucking— shit" she moaned, riding it out, marveling in how much of a fucking whore you looked like, covered in cream. She was delirious, almost, because she swore it felt like it came out of her own cunt.
Unsurprisingly, who would have thought, you came all over your fingers. Ellie laughed, again, astonished, panting and grunting obscenities.
"You fucking — " she gulped, and rubbed the liquid all over your tongue with her fingers. tracing it up down, swirling it all over your mouth. "Swallow it" she commanded, hypnotized by your pathetic look.
"Cumslut" she whispered in disbelief.
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GUYS CAN WE **PLEASE** TALK ABOUT THIS
DO YOU GUYS KNOW WHAT DAMIAN GAVE TO EACH OF HIS FELLOW BAT SIBLINGS??? Because these are all real established items in DC canon!!
I’m going to work my way back from Dick, because, OMG. 
Damian gave Dick the Sword of Sin. If that sounded vaguely familiar to you, you might be an Azrael fan because that is his preferred blade to use. What is so special about this sword??? It’s ability:  The Sword of Sin can be ignited with the mind of the wielder, if the person is powerful enough. The sword has the ability to conjure in the mind of its victims all of the sins for which they are guilty or have not atoned for.       Golly gee, I wonder who this might be super effective against. You know. Giant bat guy with a guilt complex bigger than Texas. You can bet your butt Dick is going to send Bruce through a series of ‘Nam war flashbacks before this series is over. I can absolutely see why Damian would give Dick this weapon here, as he’s known Bruce the longest. I can easily see what part in this story Dick is going to be playing as he clearly has the most directly effective weapon against Batman. Damian’s favoritism here is both sweet and a little cruel if you think about the context much. 
Now let’s talk about Stephanie’s weapon, and yes she very much is Damian’s older sibling even if she isn’t a Wayne. Damian gave her the Coup-Stick of Black Bison (A DC Super Villain.) What can this staff do???   The mystical power of the coup-stick can animate material objects and in so doing, command these objects to do its bidding. This power cannot affect living biological material, but can affect non-living organic tissue. Black Bison once used the coup-stick to re-animate the stuffed remains of a white stallion (as well as other animals). Black Bison has also used the coup-stick to control the weather, such as summoning a strong wind to deflect attackers.      Guys Damian gave Stephanie a weapon that will allow her to call on back-up, and COMMAND her own creations, a weapon that allows her to be a leader!! Something she has wanted for a long time??? Also, it sounds like it has the power to control the weather??? Damian really said #girlboss and how much he loves her without actually saying it. I cannot stress enough how well DC could do her justice in this series if they at least tried.
Now, wow. Damian really straight up gave Jason’s dramatic ass the actual Trident of Poseidon, which is an unbreakable weapon that that serves as an extension of the wielder’s own power. Damian really gave Jason not only a King’s weapon, but a godly weapon. What other powers it has might not be relevant to whatever power it might awaken with Jason as its wielder.       Damian really cut out the middle man and just said, “Look, you are stupidly strong. I’m going to give you a stupidly strong weapon. Have at ye!” And you know Jason is going to wield that thing like he’s Poseidon, rightful ruler of the sea. I literally cannot wait to see Jason just absolutely power-housing his way through whatever gets in his way.  
Lastly, but not least in the slightest, Damian gave Tim the Cloak of Cagliostro! Which I want to acknowledge right off the bat, 🎶one of these things is not like the others~🎶 And thank Rao for that, because:  The Cloak of Cagliostro is a magical item which allows the wearer to teleport, and to become intangible, and invisible.      That is the *cutest* Easter Egg ever! Gotham Knights acknowledgement of Tim’s teleporting anyone????? Tim was the only one Damian gave a defensive weapon, and not an offensive weapon to. And that makes sense, because Tim is a defensive fighter! Tim never has to be the strongest person in the room. He just needs to be clever enough to use what he knows to win. Instead of giving him a weapon to swing around, Damian gave him something that Tim could use to protect himself, and actively use to make ALL of his skillsets stronger, not just his fighting power!!! This! Is! NOT! Damian looking down on Tim or considering him weaker. He’s playing to Tim’s strengths! He literally gave his big brother a cloak that straight up is like a cheat-code of meta-powers that would suit Tim SO WELL, because he knows Tim will be able to use those abilities to bullshit levels of effectiveness!! 
It genuinely looks like thought went into what weapons each of the Robins were given. I know fanon likes to bash on Damian or bash on his relationship to his siblings, or vice-versa, but in canon it has been clear for some time now that Damian considers all former and current Robins his family. (Including Tim. He refers to Tim as Timothy nowadays, and calls him his brother, that’s not fanon) No matter if Damian is not himself right now, he’s genuinely looking out for all of their best interests, and is ensuring that each one of them is as well-equipped as possible. 
Regardless, genuinely curious to see how each of these weapons will be used by their respective Robins, and how this will all end up. Hopefully, it ends with a giant group hug that will break the internet. (Also, ngl, I hope if Tim gets a new superhero identity soon his new suit will play off of Gotham Knight’s Tim’s abilities or be based off this cloak. Just think that would be neat ✨)
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Dungeon: Grandfather's Hungering Maw
Said to have been carved by an exiled dwarven king after his name and ignominious deeds were stricken from the records of his clan, this brooding edifice contains a darkness far deeper than any normal glacial cave.
The dungeon's name comes from a settlement in the foothills, with a mostly human population ignorant of the monument's dwarven origins. In their myths the face is infact that of a great giant, tricked by the folkhero founder of their village into staying very, very still while he was served a great feast, growing so spoiled and indolent that he was eventually buried by the mountain snow and froze solid. A recent series of avalanches that've buried paths and even destroyed homesteads have put it into people's heads that grandfather might be waking up.
Adventure Hooks:
A merchant caravan the party is riding along with takes a detour up into the highlands, following rumours of a village that's paying a premium for foodstuffs of late. Upon arrival they're strongarmed out of their cargo by a crowd of armed villagers, who heap the provisions on an overburned yak cart set to depart up the mountain on the next day. Fear of the giant has made some of the villagers turn into a panicked mob, emptying the granaries and raiding their neighbour's larders to supply ever larger and hastier "tribute" runs up to the mountain's mouth. Food is growing scarce in the village, and those with the foresight to worry about winter provisions dare not speak up: An old woman was accidentally killed trying to fend off the toughs uprooting her garden, and her still warm body was piled into the yak cart next to her unripe rutabagas.
Seeking the power of her infamous ancestor, a disfavoured daughter of the dwarven throne has ventured to the Maw with a group of sellswords in tow in the hopes of discovering the means of making herself queen. Down into the mountain's gullet they've found a great labyrinth, hewn over centuries by the still shuffling corpse of the nameless king, unable to fully rest until he has constructed a tomb worthy of his hubris. The would be ruler and her entourage are eating well thanks to the unsuspecting villagers' food deliveries, and have a few agents in town helping the process along while they continue their delve.
There's more than a stone worn skeleton and a few fortune hunters inhabiting the depths. A millennia ago Ahlkenahl the Vanquisher was a feared demon of war, thought invincible before the dwarven king forged a ring with the fiend's true name inscribed upon it and forced the Vanquisher to pledge an oath of eternal servitude. Driven into exile along with his mortal captor, Ahlkenahl has resentfully laboured alongside the king as he descended into witless undeath, even centuries after the ring was lost somewhere in the tomb along with the chipped fingerbone it rested on. The demon's occasional demolition filled bouts of rage cause the avalanches on the mountain's exterior, and they've only grown more frequent as he's attempted to stop the Heir and her underlings from finding the ring.
It's a three way race between the players, the dwarven heir, and the fiend to see who can find the ring first, having to not only battle eachother, but subterranean monsters, collapsing tunnels, and freezing glacier caverns along the way. Of course Ahlkenahl doesn't play fair, as the fiend can revive any body that finds its way into the Hungering Maw (such as dead villagers loaded on the Yak cart or slain sellswords) into undead minions, growing in strength as the situation becomes more desperate. The fiend can even send the undead down into the valley to do his bidding, chasing after whichever group managed to get the ring first or even go on a murder-filled supply run to bring back more bodies.
Simply getting the ring isn't enough to control Ahlhenahl, as the war-demon's true name is written in an infernal script that must be researched before it can be understood and spoken aloud. This gives the party a chance to catch up if the heir makes it out of the labyrinth with the prize and vice versa. It likewise gives Ahlkenahl's undead minions time to become a real threat both in number and as he deliberately creates more fearsome versions.
The Vanquisher can freely communicate with anyone holding the ring, an ability originally intended to allow the exiled king to command his bound demon in the field which now allows Ahlkenahl to whisper temptation into the ear of whoever holds it. Think of what he could do for them if they let him out of the labyrinth, the enemies he could slay, the kingdom he could carve on their behalf. Sure it would mean unleashing a walking massacre on the landscape but what's a little carnage between pactmates?
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yippee! apologies if my takes are horrendously bad
my personal take on the matter is that i definitely think the dark worlds can work as a metaphor for escapism without undermining the darkners' personhood. it can be more than one thing, yknow? the darkners are important, their lives matter. and the lightners do go to the dark world as an escape from the problems they face in their own life. but that's not the darkners' whole PURPOSE, yknow? i mean. according to the laws of the universe of deltarune yes darkners' "purpose" is to serve the lightners but like it's not their whole purpose in the STORY.
it's sort of like how, in UNDERTALE, LOVE represents how distant you've become, how easy it is for you to hurt people. but it also literally gives you the power to destroy the world.
i think the biggest reason i believe escapism is at least a part of deltarune's narrative is queen.
queen's whole speech in both of her fights is about how she intends to provide escapism for the lightners (so that they will worship her but also so that they will he happy). she wants to turn the whole world into a dark world, so that everyone can live in bliss and not have to worry about the woes of the light world. she mentions "Staring, Tapping, To Receive Joy. Staring, Tapping, To Avoid Pain." which is like pretty much the definition of escapism
she wants to help Noelle with the problems she faces in the light world ("Noelle. Who Will Be There To Help Her? Her Strange And Sad Searches" and "My One Idea To Help Noelle, Failed") by just... shoving it away for a blissful fantasy world ("Wake? No, She Has Already Awakened Too Much. Let Her Close Her Eyes And Sleep Away, Into A Darker, Darker Dream.")
...i forgot the rest of what i wanted to say!
well first off, thank you for your ask! I'm going to get extremely in depth in my answer, so bear with me here. sorry it took several weeks to write this. the escapism reading of deltarune is pretty deeply entrenched in fandom, and to refute it, I felt it required a full-length essay to completely explain my viewpoint.
yes, "the lightners desire escapism" does not automatically translate to that being the darkners' actual narrative purpose. escapism can be a theme without dehumanizing those who are used in order to escape - in fact, I've read a number of stories that use someone's desire to escape to HIGHLIGHT how they're hurting others in pursuit of that. I believe that toby fox is definitely capable of telling a story about kids having a valid desire to escape, and about them grappling with having inadvertently created a world of real, living people as a result.
(I'll reiterate again that this is not the story arc that generally shows up in fanon. the common consensus is that the game will end in an omori-esque "growing out of" the dark worlds. it's why I have a huge dislike of the fanon escapism reading, given that the darkners are shown as people whose lack of agency parallels kris' own. it would feel cheap if the resolution to that plot was that the darkners were actually never meant to be agents in their own fates. but this is a digression.)
the reason why i DON'T believe that this is a story that toby fox is telling is because of the way the world, themes, and characters are written. put simply, it just doesn't come across as congruent with the story being told.
deltarune's main themes are agency, fate, identity, and control. this is a conflict that shows up in nearly every major character, is baked into the worldbuilding, and is the central struggle involving us, the player. the protagonist of deltarune is literally possessed by us against their will. the darkners are objects that have no choice but to serve and be discarded. over and over again, there is emphasis on roles that characters play - and crucially, roles that are imposed on them.
what would escapism mean, in this thematic context? in real life, escapism can represent any number of things, but in a story, a major narrative theme generally has to dovetail with other major narrative themes in the work. I would argue that escapism in deltarune would likely mean going to a place where characters are able to choose for themselves what roles they embody, or even to discard the notion of roles altogether. a fantasy of control is the only way to escape a reality where you have no agency. and honestly, it's hard to imagine that something could count as an escapist fantasy if you don't even get to choose whether or not you participate in it.
let's talk about kris.
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I see a lot of discussions around kris that say that kris goes into the dark worlds to escape. the dark worlds are posited as kris' fantasy of heroism. it's a world where they can seem heroic and cool, a world where they can have friends. this theory makes a decent amount of sense on the surface level, but only until you consider that kris is being controlled in order to go into the dark worlds. and it is not a control that they appear to welcome.
if those worlds represent kris' fantasy, then why don't they get to choose what happens in those fantasies? why are they being controlled by an external force, one that they actively push back against? if it's really an escape, then why does everything about this world reflect their lack of agency? if they really think this world is just a pure fantasy, then why do they care if spamton falls when his strings are cut?
because they're being deliberately obscured to the player, it is hard to say how kris actually feels about many subjects... but I do seriously doubt that they view the dark worlds as an escape. they don't act in a way that is consistent with that. they resist their lack of agency, and what little we do see of their reactions to darkner characters doesn't suggest that they view those characters as part of a disposable fantasy, either. they seem to have complicated feelings on ralsei. and of course, one of their biggest emotional reactions in the game is to the spamton fight. I would argue that that suggests they have empathy for spamton, which is a hard emotional reaction to have if you believe he's just part of a fantasy. not impossible, mind you, but it seems unlikely that kris believes that all this is simply fantasy.
also, considering that snowgrave both actively discredits the idea that the dark worlds are mere fantasy and is actively traumatic for kris... I seriously doubt they'd open another dark world in chapter 3 on a snowgrave run if their motive was purely to escape. on that route, they've seen the damage we can cause in a dark world. they know that berdly has sustained lasting damage due to our actions, assuming he's not outright dead. why would they want to try and "escape" to a place like that again now that they know what can happen?
the only answer is that they have a motive that isn't escapist.
now, as for ralsei... what part does he have to play in all this?
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ralsei does play a lot to the fun, fantastical elements of the dark worlds. he delivers the prophecy that kickstarts the adventure. he flatters both kris and susie endlessly when they act appropriately heroic. he welcomes them into the castle and even makes nice rooms for them. he initially seems tailor-made to enable a fantastical experience where no real issues can ever complicate anything, and where the pain of reality can successfully be hidden from. but there's a lot of complications to the idea that he might represent an escapist fantasy.
the first, and what honestly seems the most important to me, is that he doesn't encourage kris and susie to remain in the dark worlds. he is welcoming and kind, but once the adventure is over, he prompts them to return to the light world. he wants them to deal with their more "real" problems like homework. that doesn't feel like he is trying to facilitate escapism in them. a real fantasy would encourage you to stay in it, wouldn't it?
and while ralsei is definitely invested in making sure the lightners are happy, there are always cracks that show. he isn't able to make kris ignore what happened in the spamton fight. he isn't able to convince susie to be peaceful and kind. and in his very essence, he represents a number of uncomfortable ideas. very importantly, he represents a number of uncomfortable ideas to kris.
this probably ain't your first fandom rodeo, so I'm not going to explain all the different ways that ralsei interacts with kris' personal issues. there's plenty of posts on it out there. what i will point out is, once again, it feels odd that a character who seems tailor made to bring up kris' most uncomfortable associations with their lack of agency and their outsider status in their own family would be part of a fantasy of escapism to them. you'd think that they'd prefer something that didn't have an inbuilt hierarchy, a prophecy that denied them autonomy, or especially a person that reminded them how little they fit into hometown.
that doesn't mean kris doesn't care about him at all - it seems very likely that they do. what I mean to say here is that he just seems ill-suited to an escapism reading, both behaviorally and on a conceptual level. it doesn't seem like that's at all part of his servitude towards the lightners.
of course, there is another non-lightner entity that ralsei seems diegetically engineered to serve. but I'll discuss that later.
now as for susie...
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yes, susie definitely views the dark worlds as more fun than the light world. and why wouldn't she? the light world sucks for her, and she doesn't seem very aware of the fact that the dark world can also suck. you could definitely make the argument that she views the dark worlds as a fantastical escape from reality... were it not for the fact that she treats her darkner friends with just as much importance as she does kris and noelle.
can someone treat components of an escapist fantasy as real and important? of course. but given deltarune's themes of agency and control, as well as the fact that darkners exist in servitude to the lightners, I feel like you'd have to make escapism tie into forcing others into a lack of agency if you wanted the theme to feel coherent with the rest of the work. this would require susie to be limiting the agency of the darkners around her. and obviously, she doesn't do that. her presence around them might be inherently limiting, just by simple virtue of being a lightner, but she isn't aware of it, and clearly is uncomfortable with the idea of limiting anyone's agency. she encourages ralsei to make choices. and she supports lancer in basically anything he wants to do. her treatment of lancer is integral to chapter 1's narrative, and it seems like that treatment of ralsei is integral to the ongoing narrative as well!
her preference for the dark world feels very rooted in her engagement with it as its own reality. rather than trying to avoid her real-life problems by engaging in a pretense, she seems to simply want to spend time with her friends in a place that isn't cruel to her. she isn't ignoring any of the dark world's problems in service of that, either. she notices when things don't line up. if she thought of it as a fantasy, wouldn't she be inclined to ignore issues that impede the fantasy?
and critically - like kris, she does not intentionally choose her imposed role in the prophecy at first. she steps into the role of bad guy to resist it, but that role is limiting too, and she eventually acquiesces to being a hero. it's never something she's completely on board with, though. she actively pushes back the limitations that the role places on her. I find this important to reiterate when we are discussing the notion of the characters viewing the dark worlds as fantasy.
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noelle has a complicated relationship to the dark worlds. susie tells her that it's a dream to make her accept the strange reality she finds herself in, which works well on her. she continues to think of it as a strange dream throughout the chapter. (though, like the others, it is not a 'dream' she entered of her own volition!)
it is also a markedly unpleasant 'dream' at times. she has her agency restricted, is kidnapped, has to evade a controlling monarch, and is even tied up in a weird evangelion cross thing on the hand of a giant robot. it's not purely fun. noelle does like scary things, and while it might be healthy for her to have an experience where she stands up to a controlling adult figure... again, the circumstances make it difficult for me to assume that this is a fantasy she would choose for herself. not impossible, mind you, but it's not the first reading of the situation that comes to mind.
and while she does say she wishes she could dream like this every day in the normal route, that does happen specifically because she was talking to the girl she likes. it makes sense she'd find that pleasant. I don't think that necessarily equates to her finding the dark worlds escapist.
and importantly, this isn't the sentiment that she expresses in every route.
again, there's a lot of analysis on snowgrave, so I won't bother regurgitating it much here. but it's nightmarish for both kris and noelle, and very likely fatal for berdly. noelle needs to believe that the event is a dream, for her own psychological safety, but one of the most important parts of snowgrave...
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...is that its events, and the world it took place in, are very, very real.
noelle wants to have the strength to face her problems, both in the regular route and in the snowgrave route. rather than escaping from them, she views the "dream" as a chance to practice dealing with her day-to-day issues. it's just that in the regular route she finds that strength authentically, and in the snowgrave route, that desire is manipulated and pushed until she is forced to kill berdly. she doesn't interpret snowgrave as an escape gone wrong. she views it as a dream that became a nightmare. and those are two extremely different things.
but i haven't even gotten to the biggest thing that undermines the concept that the dark worlds are a metaphor for escapism! which is: this fucking guy is dead wrong about everything.
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so full disclaimer - I really love berdly. I think he's slept on a lot in the fandom because he's annoying and weird. which is fair, I suppose, but I think ignoring him hinders a lot of people's understanding of deltarune's overall narrative. because berdly often illustrates a lot of concepts in the game, but his narrative framing as a joke (usually...) prevents the player from taking it completely seriously. he has things to say and ideas to show off, it's just that he's often very loud and kind of dumb in his expression of them. which is kind of the point!
ralsei brings up the idea that the darkners are meant to serve the lightners very seriously in chapter one. by extension, and by way of the literal mechanics involved in a dark world's creation, we can infer that this logic is probably something that also applies to the dark worlds themselves. they are allegedly worlds and characters that only are supposed to fulfill a dream of the lightners. but due to narrative framing and deltarune's themes, we know that that's not the full truth. however dark worlds and darkners are created, they deserve to have their own agency. they can't just exist to fulfill a higher being's wishes.
you know who else undermines that view of the dark worlds? berdly! berdly does!!!!
because berdly is the only lightner in the game so far who does take the dark worlds to be an escapist adventure! he wants to turn cyber world into smartopia. he views this as a chance to be a cool hero. he believes he's going to get the girl, he's going to shape this world to his own liking, and maybe also he's going to get queen to acknowledge him or something so he stops being a forgettable little bluebird. and not only does none of this happen, his steadfast belief that it will happen is continually a joke within the narrative!!
berdly's wishes for uncomplicated escapist fantasy are flat-out denied by the dark worlds themselves. as a lightner, those worlds should be serving him. he should have the power to do whatever he wants within the bounds of an escapist fantasy. these npcs should be singing his praises!
but he doesn't have the power. and this world doesn't sing his praise. because it just isn't an escapist fantasy. he isn't right to view it that way. his wishes for heroism are always going to be thwarted.
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so now that I've gotten all that out of the way, let's swing back over to the subject of your original ask. queen.
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because, like berdly, queen's entire character arc is about how she's completely wrong about what the lightners actually want.
queen would in fact like nothing more to place the lightners into an escapist fantasy. she believes that that's the best way to serve them and make them happy forever. as a darkner, queen has very much internalized the idea that a lack of control is what actually makes people happy. since darkners have no choice in their destinies and are supposed to be happy in it, and since she personally finds her role as a darkner fulfilling, she believes that that's true of all people everywhere. if you want to make people happy, you just have to remove that pesky personal agency!
so she spends the story trying to force the lightners and particularly noelle into situations where she controls them in order to make them ostensibly happier. she does genuinely believe that this is the right thing to do, but as she finds out eventually, she's just wrong. noelle doesn't want that. queen believes that escapism is why the lightners use the internet... but that's totally wrong too.
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while there are other searches mixed in, noelle is trying to use the internet to find her sister. instead of trying to hide from whatever happened, noelle wants to figure it out. queen's thesis about noelle and the lightners is proven wrong even before she personally encounters noelle in the dark world. it's just that queen doesn't realize it due to her limited perspective.
the concept of escapism being brought up with both queen and berdly is not there to say that the dark world is escapist. rather, it's there to say that it isn't. despite the dark worlds being a fantastical place, they are extremely real. to view them as a means of escape is foolhardy at best. you cannot act as though you are above consequences within them.
themes and ideas exist within the story for a sake of an audience. so let's get into the final character I need to discuss here. hopefully this will tie my thesis of deltarune together neatly.
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that character is of course us. the player.
when creating a piece of fiction, an astute author will often identify and anticipate an audience's reactions to certain things in their work, and write things in such a way that they elicit the desired reactions. in essence, a writer is directing the "character" of the audience. how we feel and how we are anticipated to react to things is an integral part of nearly every fiction.
that effect is far more overt when dealing with metanarrative fiction that diegetically involves the audience. since the fiction is saying a lot of things about the general 'you,' the audience in aggregate, your reactions to certain things in the story have to be finely cued and anticipated by the author, so that the author can thus commentate on the reactions that you have to the story. the "character" you are assumed to inhabit is posited by the author to have certain traits.
to explain what I mean in plainer terms, I'll use the player of undertale's no mercy route as an example. because undertale is commenting on the way rpgs generally work. the player's behaviors in no mercy are attributed by characters in the story to be the result of us acting like a typical gamer. we kill the characters in the game because we want exp. and more than that, it's because we want to see everything the game has to offer. the role we inhabit in this role-playing game is that of a completionist. you could say that that's assumed to be our "character" in no mercy.
deltarune also posits that certain things are true of its audience. by being written to evoke certain cultural ideas, rpg tropes, and references to undertale, it guarantees that its audience will probably have certain traits, and spends a large amount of its conceptual focus commenting on those traits. one of those traits is nostalgia, which is probably an idea that I'll expound upon in a further essay because it's quite integral to my reading of deltarune. but the main one I mean to discuss here, and why I went off on this tangent about how audiences are dealt with in metafiction, is that we are posited as someone who believes in the logic of certain narratives.
deltarune's writing evokes a lot of portal fantasy narratives. alice in wonderland, narnia, pretty much every story where it's revealed at the end to be all a dream... the story of deltarune superficially resembles a lot of those. this, I think, is responsible for the popularity of the escapism theory. because those stories are often at their end about a child learning to put away fantasy and grow up, people tend to believe that deltarune must be about the same thing. but I truly don't think that deltarune is trying to do anything with that aspect of portal fantasy narratives, at least not directly. its main characters aren't involved in that exact type of coming-of-age arc.
instead, deltarune is very concerned with what happens to characters in fantasy, and specifically fantasy rpgs. if your world is deemed to not matter because it's a dream, what does that mean for you, who has no choice but to live in it? if you are an npc whose role has been predetermined for you via script, then can you ever decide for yourself what you want? what if you want to matter? what if you want to be your own person?
as the major controlling force of deltarune, we are initially cued to believe that deltarune is like a dream. it superficially fulfills so much of what we want from undertale fanon. hometown seems like it's a perfect idyllic town, at least until you start noticing the obvious cracks. and remember what I said about ralsei earlier? he is so reminiscent of asriel, and extremely eager to help us. it's not a stretch to say that making us specifically view deltarune as dreamlike and idyllic is probably part of his purpose in the game.
I would not say that we are posited as escapist. but the idea of escapism as brought up with queen and berdly is meant to strike at the heart of a much deeper idea that deltarune is trying to deconstruct. because if we view deltarune as a dream, escapist or otherwise, then we are inclined to write the internal realities of the characters inside off. the dark world can disappear without it mattering. we can control kris without it mattering. if it's all a dream, what does it matter? why should we care to let its characters go free? aren't we supposed to be in control?
if deltarune is an rpg... what is the significance of us interacting with it?
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notellum · 7 months
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darkness has crept into the cracks of this world for centuries, but it’s never spoken—until now.
it was a mistake how this world came to be.
in the west, a realm is controlled by death. a queen rules with an iron-fist, seeing no mercy as she curls her fingers and crushes a person’s once beating heart in a matter of seconds. every drop of blood spilt is the strengthening of magic, the first kill an awakening of an individual’s unique power.
in the east lies another, a realm overseen by life. killing has been outlawed here, the ruler strict but not unkind. for those who dare to break the rules, every kill adds an extra year of life onto the murderer’s lifespan, a cushion of temporary invulnerability to soften crimson hands.
though they lay side by side, the two kingdoms have not spoken to each other in nearly two centuries, for in-between the realms lies an abyss—a third realm, one that survives in the shadows. it is unknown what lives there, but it’s dangerous enough that most don’t dare cross the border.
you’re one of the few who do.
living a double life, you make a living smuggling items into opposite sides, selling and trading requested items to keep yourself afloat. when you’re caught by the queen, you’re expecting a death sentence. instead, she gives you an ultimatum: steal her a coveted item and she’ll let you live. fail, and you die.
it should be simple enough, but there’s only one problem: what the queen is looking for doesn’t exist.
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game (tba)
ro information (tba)
patreon / ko-fi
other works (when twilight strikes)
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play as male, female, nonbinary; straight, gay, lesbian, bi/pansexual, gray/demi/asexual, aromantic + have the chance to set your own pronouns
race to save your own life by finding a mythical item and uncover some secrets along the way, including those which have been buried and blacked out from the history books
choose which realm you were born in, including what power you were gifted with (depending)
decide what kind of thief you are and where your morals lie in a world that has no kindness
meet some unsavoury creatures in the abyss, including one that may even follow you home…
romance one of (six) five characters, grow closer to a chosen individual in a canon platonic route or do neither
note: cerise is rated 18+ for graphic depictions of violence
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KAHLYS, THE HARBRINGER. [he/him]
there isn’t anyone that doesn’t know who kahlys is. stolen by the queen as a child and gifted with a unique power of mental manipulation, he serves as her messenger of death, doling out punishment to those who have wronged her. it’s been drilled into his very heart that sympathy is weak, that emotions only serve to cause pain, which explains his closed off attitude. still, that flicker of life behind his eyes every so often make you wonder if some part of him is fighting for life somewhere deep inside.
SERPENTE, THE THIEF. [they/them]
while their real name is unknown, you’ve always known them as serpente—as do their enemies. your paths cross often, for they are one of the only other people you know who dare to trek across the abyss. and while this leads to the occasional knife at your throat, even they can’t deny you know them better than most. it’s why, at the other end of the blade, you sometimes wonder their deadpan smiles, sarcastic drawls and aloof attitude are simply cover-ups for something else. 
[enemies to friends with benefits to lovers available, or keep them as a one-night stand]
NITARA SOLYRES, THE ASSOCIATE. [she/her]
it is often said that those who cross nitara are never heard from again. hardened from past experiences, she’s spent her life building a reputation as one of the most powerful leaders of the city. and while her skills with a knife and cut-throat ways of persuasion paint her as a heartless soul, her behaviour towards those she cares about says more than any front she hides behind—you would know. over the years, your alliance has let you inside the walls of one of the most guarded people in notellum, that is, if you don’t betray her.
[friends with benefits to lovers available, or keep her as a fling]
VAL BELEDRI, THE EMISSARY. [gender selectable]
though endlessly busy with their duties to the realm, val always has time to spare for you. you’ve come to expect their sparkling hazel eyes when you exit the abyss, though which version of them you get is never known until they open their mouth. it seems that for all the layers you pull back, there are always more. and while you’re getting closer to what you think is their true personality, you soon begin to believe that when the act begins and when it ends is a line that’s been long lost to them.
REYES VERENELI, THE MYTHIC. [gender selectable]
reyes wears their heart on their sleeve and displays their emotions without fear—you’ve never known them to be any different. as a childhood friend you’ve lost and recently found again, it’s easy to make comparisons to who they used to be—even more when it’s clear that something burdens them. still, they’re practically the same as you remember them. that is, as long as you don’t ask them what happened in the years they disappeared.
BONUS: SILAS, THE SHADOW. [they/he]
they’re the darkness itself. people have personified them over time, to scare their children or warn them of dangerous creatures that lurk at night—but they didn’t realize they were describing someone real.
[not a true romance route]
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byoldervine · 1 month
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The Trick To Writing Filler
(TL;DR at the bottom)
Filler is when you spend a chapter padding the length of your story between plot-related events. Filler chapters have little to no impact on the overarching plot and can be self-contained, and thus in TV shows filler episodes are often reran the most as people unfamiliar with the show can casually watch without being confused without the knowledge of prior plot beats
So with the chapter being largely self-contained and acting outside of the plot, what do you use to make the filler chapter engaging? I’m going to use filler episodes from Avatar: The Last Airbender to provide examples
1. Worldbuilding. Zuko Alone depicts Zuko’s travels taking him through an Earth Kingdom village and becoming acquainted to the family that allows him to stay with them, especially their young son. He learns about what the Fire Nation’s impact on this village has been; destroyed houses, families torn apart, constant robbery and other abuses of power and injustices. And even after Zuko defends the villagers and his new friend, he’s venomously cast out from the village by even the little boy because he outed himself as a firebender. This episode explored the impact of the war on the people of the Earth Kingdom, the victims of war that have no involvement in it and no way of defending themselves from it
2. Character exploration. In The Beach, we learn more about Mai, Ty Lee, Azula and Zuko and how their own traumas and personal upbringings have impacted their personalities. For Zuko this is part of a turning point for him, but for the girls it’s more to understand why they are the people we’ve gotten to know over the seasons, especially Ty Lee and Mai. The episode also serves to showcase how Azula and Zuko are so out of place being just normal teenagers; Azula has no idea how to talk to her peers and no identity outside being Princess Azula of the Fire Nation, while Zuko’s hotheadedness and jealousy issues lead him to lash out and be far too confrontational and controlling for his own good. This episode isn’t really used to develop these characters, or at least not the girls, but instead explains and showcases their behaviours and the reasons behind them
3. Character development. Going back to The Beach, Zuko does indeed receive development rather than just character exploration like the girls do; he comes to understand that he’s not just angry at the world or angry in general, but angry with himself. This is a notable turning point for Zuko’s redemption arc, because he now understands fully that he truly regrets betraying Iroh and sacrificing his new start in life in favour of returning to the Fire Nation. He might not yet be fully decided on turning his back on Ozai, but without this moment I don’t know if he’d have gotten there, or at least not as quickly as he did
4. Relationship development. Sokka’s Master has a C plot of Aang, Katara and Toph all being rather bored and lost without Sokka’s presence. The A plot exploring Sokka’s feelings of inadequacy and uselessness in comparison to such powerful and formidable bending masters being contrasted with the Gaang unable to function without him already speaks volumes about their dynamics, but looking deeper into the C plot also shows how much value Sokka really does bring to the team; structure, planning, humour, a quick wit, strategic moves. The Gaang always supported Sokka and never seemed to view him as expendable outside of the occasional teasing, but having it acknowledged so clearly and plainly that they can feel a little aimless and flat without Sokka and being so delighted when he returns really shows us the kind of value Sokka brings to this team and brings us and the characters to further appreciate it
5. Downtime. The Ember Island Players depicts the characters taking a break to watch a comedic play based on their wacky adventures, only to be largely underwhelmed and displeased by how they’re portrayed. There are no stakes to this episode and barely any plot, just the Gaang taking a breather as they react to a bad play. This chance to relax and watch something inconsequential is just as important to the viewers as we’ve got the show’s finale in the next four episodes, which will be very plot-driven and intense. The Ember Island Players also has the additional viewer bonus of recapping the events of the show right before it all ends, giving the viewers time to reflect on the journey they’ve gone on with these characters. In order for the stakes to feel high and the tension to rise, there has to be downtime where there are low stakes and low tension; if things are intense all the time, the moments that are supposed to feel super intense will just feel average in comparison. Resetting that intensity right before such a big event while still acknowledging the looming threat coming soon will feel like the calm before the storm and allow your audience to soak it all up like the characters are
Wow, did I just go through all that without talking about Tales of Ba Sing Se? I’ll save that for another post if people are interested in more
TL;DR - filler provides a moment to breathe, reset the intensity levels the audience are experiencing and take a chance to step away from the external conflict (the overarching plot) in favour of worldbuilding and the characters within your setting. Small moments can amount to something big, and can help make large scale decisions or plot twists feel more build-up and in-character
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vindelllas · 17 days
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a brief exploration of the amatyakarakas 🍸
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🍸note: any information regarding amatyakaraka placements should be treated lightly, as a good portion of these celebrities do not have verified birth information. i calculated all of the following celebrities with unverified birth times assuming they were born at noon their time!
🍸the amatyakaraka does not share the immense physical focus of the atmakaraka, but serves as the knight (amatyakaraka) to the king (atmakaraka), as it controls much of the labor/work of the chess of life. it is a karaka designed to aid you in picking a field or hobby that can allow you to fully express the passions of your graha. It is the helpful hand that guides you to who you truly are, in this post i focus on the overarching lessons of this placement.
brihaspati amatyakaraka
🌾 aesthetic: the liberation of the femme fatale
🌾 key components: shares similar characteristics to the femme fatale archetype of brihaspati atmakarakas, but inwardly is garnished with the liberated qualities of brihaspati. this is a placement of timing, expansion, and immense growth in the lens of one's work ethic. this is ultimately why these natives are known for their adventurous (and sometime controversial yet successful) business ventures, e.g. kendall jenner's "818" brand and lana del rey's controversies throughout her musical journey, which are centered around intrinsic learning via the external public eye.
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shani amatyakaraka
🪐 aesthetic: the theater of love
🪐 key components: it shares the sensual hollywood starlet aesthetic of shani atmakarakas but this karaka's lesson lies in what they pour themselves into. they excel at possessing the drive and willpower to succeed in their respective fields, but are not without controversy in their private lives. this is emphasized by megan thee stallion's wrongful sh*oting, selena gomez's ex, nicki minaj's infamous husband, julia fox's former partner kanye west, etc.. their incessant focus on their future and work, often leaves much instability in their personal lives outside of their everyday routines.
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surya amatyakaraka
🌞 aesthetic: the intersection of promiscuity and materialism
🌞 key components: this placement is similar to the materialism noted in surya atmakaraka natives, but is further heightened by this karaka's penchant for promiscuity. this placement's immensely influential nature and general desire to lead/test others can manifest as a form of sex*al temptation of those around them. from professions of acting to involvement in adult industries to modeling, there is a great need to shine their rays onto those around them. the dichotomy agni (the sun) being of purification and knowledge and soma (the moon) being water and nourishment come into play here. the sun wishes to purify and empower those around them through lessons of spiritual teachings. the general focus of the mouth in the photos of surya amatyakarakas is reflective of the mouth being the vessel of soma/the consumer of water. to achieve the purification of agni, you must first be watered spiritually.
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kuja amatyakaraka
☄️ aesthetic: the mysticism confidence
☄️ key components: drawing upon the lessons of kuja atmakarakas, a certain confidence is emphasized within this placement. this confidence lies in taking immense risks and undergoing challenging situations for the betterment of your career, talents, and desires. this is evidenced by amber heard's career-challenging court case and jennifer lawrence's recounts and statements about w*instein. this placement is not without its controversy, but it is a placement of willingness to endure immense controversy for personal gain often without the lesson-emphasis of brihaspati amatyakarakas which results in much healing being needed later on.
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buddha amatyakaraka
🌑 aesthetic: the ubiquity of feminism
🌑 key components: learning from the misunderstood lalita, this placement emphasizes a certain call to seeking maturation of the self through a higher power and intellectualism. this placement is symbolic of the overt dichotomy of girlhood-womanhood, these natives personify this experience through their accounts of the male gaze, longings for more expansion within themselves, and consuming all the external rays of others for the purpose of bettering and finding themselves (as buddha does to surya).
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shukra amatyakaraka
🍓 aesthetic: the languish of luxury
🍓 key components: this placement indicates a certain affinity yet boredom of the luxurious properties of shukra. it causes many celebrities who grow into financial success to possess a coupled, sometimes delayed, distaste of the spotlight/fame. think of selena quintanilla who grew popular with ease compared to her latina musician counterparts but continued to maintain a relatability to the public (similar to cardi b who is still considered "surprisingly relatable" despite being immensely wealthy compared to the general public).
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chandra amatyakaraka
🌙 aesthetic: the insatiable pitfalls of revolution
🌙 key components: these women often serve as role models to individuals through their presence in the media, but often serve as a lesson to the pitfalls that come with being "revolutionary". recall alexis ren who revolutionized mid-2010's social media and fashion yet struggled privately with her eating d*sorder. additionally, kaley cuoco was popularized for her role in "the big bang theory" yet too struggled with her eating habits. this is why some vedic astrologers theorize chandra to be associated with eating d*sorders, as yes soma seeks to nourish, but this nourishment (coupled with the drive/talent/profession denoted in the amatyakaraka) results in a potential for restricting soma (nourishment) to feel in control of one's surroundings--that is one's profession or environment.
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🍸all of these placements were found using astrotheme/.com and/or astro-charts/.com. it is important to note that some chandra (moon) placements may be off by up to 6 degrees and lagnas (ascendants/rising signs) as well, due to the fact that many websites do not have 100% accurate birth times for the given celebrities.
🍸i am additionally offering readings again for a limited amount of time! if you are interested in a reading, please privately message me. thank you all for all of your patience! please expect the color analysis post soon since it won the pole <3
xoxo,
angel 💋
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fear-is-truth · 1 month
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𝑳𝑬𝑻 𝑴𝑬 𝑩𝑬 𝒀𝑶𝑼𝑹 𝑫𝑨𝑵𝑮𝑬𝑹𝑶𝑼𝑺 𝑮𝑰𝑹𝑳 ⴰ༢ ୧
── being kai anderson’s manipulative girlfriend hc
tags: fem! reader. nsfw + sfw. kai is a warning himself, you aren’t any better though (manipulative behavior.) talks of murder, sex
taglist || masterlist
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☪︎ ִ ࣪my friend said that this hc sounds like how she’d imagine my relationship with Kai. kind of a low blow but also the best compliment ever so.. no complaints
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your ability to see through his lies and manipulation frustrates him to no end, as Kai was accustomed to everyone doing whatever he told them to
you won’t follow every single order Kai gave you, unless you think it’s feasible. most of the time, you operate on your own terms
your independent activities would annoy Kai, as he prefers to maintain control over all activities in F.I.T
however, once he recognizes how your actions benefit the cult's agenda, his fury would give way to reluctant admiration
as his girlfriend and second in command, you hold a delicate position in the cult - dangerously close to the centre of power and yet somehow the safest, as your connection to him gives you some degree of protection
any cult member who annoys you? good as dead. you’d find a way to frame them or make Kai get suspicious of them
he hates it when you boss the other cult members around, but also secretly thinks it’s kinda hot
Winter would have mixed feelings about you. she thinks you’re cool but she’s also lowkey afraid of you because you remind her of her brother sometimes
you’re the only one who can keep Kai in line (sort of)
but you’re also capable of making him worse. and vice versa (couple goals)
he puts a tracker in your phone, which you found out and dismantled it
pinky power is completely pointless
it’ll be personal contest— who’s the better liar? you two have the best poker faces
you were the first one to drink the “poisoned” kool aid. risky move but worth it
you carry a bottle of Adderall for Kai at all times. he even trusts you enough to let you administer the pill directly into his mouth
ways to manipulate him
kill for him. that’s an instant hard-on
feed that ego. you praise his leadership skills, intelligence and charisma, deepening his belief in his own superiority
mother him. wash his hair when you shower together. assist him with shaving. lay out his clothes for him. make him manwiches
behind the guise of nurturing gestures, every act of practical care serves as a small manipulation, reinforcing his dependency on you while gradually asserting your influence over him
you’ll have him wrapped around your little finger
councilman at day, clown at night
you’d play a crucial role in his election campaigns, acting as the perfect arm candy to bolster his public image
in public settings, you display affection in subtle yet very calculated ways:
holding hands, staring into each others eyes, sharing deep kisses— strategically timed for the cameras to capture
and the media would eat it all up
it’ll enhance Kai's image as a loving and passionate partner
you were the one who came up with the staged assassination stunt
Meadow was getting too close to Kai, and it irked you. so you planted that idea into Kai’s head, and he put it into action
Meadow got laid and then died, Kai got elected councilman, and you have your man all to yourself.. win-win-win situation!
wear a sexy clown outfit that comes with a corset and shows cleavage
it will distract Kai and piss him off because he has to maintain his dignity as a leader while trying to hide his raging boner
violence also turns him on; Kai likes his girls crazy. be the harley quinn to his joker
incorporate deadpan humour. during these fucked up situations, gotta lighten up the mood with disturbing and witty remarks
nsfw headcanons
Kai would ask you to seduce more followers into joining the cult
and the hypocrite would get so jealous, even though it was his idea
sex will be bomb though. he’d put in extra effort to prove that he’s superior
you give each other hickeys, lots
needless to say, you’d be the sub. that’s basically the no.1 rule in your relationship
better to squeeze a few tears during sex. it’ll fuel his ego, big time
if you’re giving him head, gag on purpose
he tells you that once he becomes president of the U.S, you’d be First Lady and he’ll fuck you in every single room in the White House (132 in total)
needless to say that you’re going to be the perfect mother of his messiah baby
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a/n: i’m actually a sweetheart, don’t listen to my friend. oh and buzz-cut kai can rail me
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TAGLIST @acidbrainstorm @evanpetersmybf @alittlesil @kaiandersonsdevotedwife @ellaaaaa44 @newwavesylviaplath @warrenlipkaswife @slvt4jamesmarch @kaismanwich @maddaline @evpeters87 @lacucarachapisser @howtobesasha @nickrhodeslittledarling @bluerthanvelvet444 @r8ttenapples @nahoyasboyfriend @kai-slut @lak3cityqui3tpills @coentinim @doll3tt33 @taintandviolent @babygorewhore @stveharringtn @violet1737 @sukirosiac @slutforgarlogan @90sbr1descake
 fear-is-truth 2024 — all rights reserved. do not modify, repost, translate, or plagiarise my content.
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