Our bookbinding for April's Hand Made Book Club is supposed to be small enough to fit in a tin. I do have a bunch of Altoids tins, but I really wanted to use this larger watercolor pencil one. Bonus, there's also room for a small pen.
I thought it would be clever to stamp the watercolor paper with a palette stamp and watercolor it in a messy way, kind of like how mine looks when I'm painting.
I'm still planning on making a mini book that fits in an Altoids tin because, who doesn't like mini books?
Our Head of Special Collections Max Yela has collaborated for decades with Milwaukee artist and art professor at the Milwaukee Institute of Art and Design (MIAD) Leslie Fedorchuk (on the left in the first image; Max is on the right). This semester, Leslie is teaching a MIAD course called "Magical Miniatures" and she brought her class over for a discussion and review of artists books that use small scale as expression.
While Max is not very fond of miniatures or the miniaturization of books, he does like books that are small for compositional reasons. In fact, one of his favorite artists books, In Here Out There (third image) by the late Minnesota artist Jody Williams, is quite small (5 x 7 cm). Since we hold about 95% of Jody Williams's work and about 90% of the small editioned work of Peter & Donna Thomas, after a discussion, the class spent time reviewing selected works by these artists, plus about a dozen others by local book artists.
This was the first time these art students, many of them Juniors and Seniors, had ever encountered artists books before, and all expressed that it was a transformative experience. We look forward to seeing some of the book work that comes out of the assignments for this class!
The photographs shown here were taken by MIAD Web Content Specialist Olivia Langby.
View more posts with artists books.
View more posts with work by Jody Williams.
View more posts with works by Peter and Donna Thomas.
View more posts on visiting classes.
View our online bibliography of the works of Peter and Donna Thomas.
Our collections assistant is going through a rather large donation that has fun little surprises like this. A jewelry box with a very small leather bound book! The book contains the United States' pledge of allegiance.
“Tales Psychological and Gruesome” by Edgar Allan Poe
I have no idea where I found this little bad boy, I forgot I had it. I looked into these and really wanted to start collecting them. Now that I’m an adult and I can do those things on my own with my own hard earned money, I might just start.
"Welcome to the world of mini books and mini book kits, where small covers contain big ideas. You may ask, “Why make books so small?” In my humble opinion, mini books are equal parts cute and impressive. Why wouldn’t you want a mini bookshelf full of your own mini books?
The appeal of small books is not a new phenomenon. After all, there are existing miniature books from the 16th century. Small books have served as tests for book printers, collector’s items, and useful copies for people who valued their portability. The impressive collection of mini books scattered throughout print history is marvelous. And today, some traditional bookstores even carry the mini John Green books that hit the shelves in 2018.
There is also a growing demand and interest for non-readable mini books fit for a dollhouse. The Guardian covered the rising popularity of miniatures and dollhouses, explaining that with the rising cost of housing, adults interested in home ownership and décor turn to a miniature, affordable option. I think the same could be said about mini books and mini book kits. Maybe you want a small version of the books you love from the library or just mini versions of books you already own. Either way, the internet has plenty of mini books and mini book kits available for you to start your own curated collection."
As a young librarian, I started trying to figure out why more young people aren't ever coming in; 90% of our demographic are the elderly and parents of children, and the rest are a rough mix of the kids and teenagers who come in just for school projects. As a result, I've been attempting different ways to get the Youth TM to come into libraries, but first I wanted to see why they don't come in. Please reblog to get this poll out to more people! <3
This week I am sharing Quintessential Questions, a small artist book by book artist, writer, and professor at the Minneapolis College of Art and Design, Jody Williams. The book is self-published under her imprint, Flying Paper Press, Minneapolis, 1996. I chose this artist book to highlight the exhibition in Special Collections which I just finished installing, called Jody Williams’s Flying Paper Press.
Jody Williams creates small artist books which take a variety of creative and engaging forms. Within her books she uses her own calligraphic letters which are friendly and inviting. Her books are also impeccably crafted, each cut and fold is perfectly measured and squared. Her illustrations are harmonious with the text, they are playful while depicting serious topics relating to our relationship with time, space, nature, language, and so on.
In this book Williams looks at our relationships to the interrogative words: who, what, where, when, why, and how. She highlights their uses and how they often mislead us, elicit unsatisfactory answers, or lead us into obsession, evasion, and more confusion.
Williams uses boxes as pages, allowing space for inclusions of buttons and beads into the composition. The text and images are made from etchings, which produce beautiful tactile lines on the toned papers. The cover paper is her own design.
The funny thing about the PJO cabin system is that everyone's always all 'oh the twelve' this and 'the twelve' that but that's absolutely not even remotely accurate. To start, right off the bat it's thirteen, not twelve, because they don't count Hades. But not really because before Percy, there were no big three kids, so we're down to ten active cabins already but it's actually eight because Artemis and Hera don't make demigods.
And of those eight, Mr. D is stuck at camp (thus not really making new demigods all that often) and his only two kids don't even sleep in a cabin, they sleep in the Big House with him.
So, pre-Percy, there are seven active cabins at Camp Half-Blood:
Glee club, the Jocks, the Nerds, the Geeks, the Farmers, the 'Sketchy Kids' and the Popular Kids.
Or, in other words, the Apollo, Ares, Athena, Hephaestus, Demeter, Hermes (and the unclaimed kids) and Aphrodite cabins.
What's cool is that you can already see the cabin dynamics in the show. For example, the Athena cabin allies with the Hermes cabin for the numbers. The Hermes kids plus all the unclaimed kids? It's the biggest cabin in the camp by far. It's a battle strategy. Luke and Annabeth's close relationship is just the cherry on top for Annabeth. It'll be really cool to see how the show develops the differences in the cabins during the series.
“Grandmother is visiting,” Damian suddenly said with no warning and with his usual not-quite demanding tone.
“Who?” Tim wasn’t the only one to startle, seeing as Bruce had practically froze, a downturn to his lips in a silent show of confusion.
Damian scowled. “Are you deaf Drake? Grandmother is coming to Gotham to, quote, make sure I am being properly cared for.” None of them had known that Ras was with anyone actually. At least Tim was pretty sure that would have been in the files.
“Oh?” Dick didn’t quite crouch to Damian’s height but it was a near thing. “She-” “He,” Damian corrected, interrupting him. They all exchanged a glance before Dick continued.
“Is he coming to the Manor or…”
Damian scoffed again, a tiny bit of a flush against his face. “No, Grandmother will most likely be staying with Akhi-”