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#or maybe i just think it's important idk
highlifeboat · 2 months
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I bet pre-op Max hated his maid uniform to some degree honestly.
Not because of the dress, but just because the outfit is fairly form-fitting. And at the time he really started spiralling in his gender crisis, before he told anybody, having something he wore almost everyday that didn't "hide" anything was really screwing him up.
And he probably did ask Alcina about getting a bigger size, but she denied the request. She claimed the loose fit didn't look professional, and the one he had still fit him fine.
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beanghostprincess · 3 months
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I will forever love seeing Luffy and Nami holding Zoro's swords. He's so protective of those three but it's not even because he fears something might happen to them, but because he's scared something might happen to the crew and himself if he doesn't have them with him. They're like extra limbs. The ones he uses to fight and protect and breathe. He feels uneasy whenever his swords aren't around him, and that is just a fact. You can't deny that he feels comfort in having them by his side at all times, knowing that he'll be able to protect the crew from any dangers. They're tied to his heart and soul in a way that if he loses sight of them he might actually lose himself too. So he does not enjoy seeing his swords in somebody else's hands. They can disappear, he will find them. They can run away, he will follow. They can break, he trusts them not to but if they do, he will keep going carrying their bond with him still. But he doesn't like seeing them in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.
But.
But sometimes Luffy acts like he knows what he's doing and actually asks for permission instead of just taking what he wants. As if crossing Zoro's boundaries would be unforgivable, when he knows Zoro would give him anything he wanted to take from him. But he asks. He asks, with a careful, polite, deep voice Zoro isn't used to hearing. But it always ends with the softest of smiles and the petition reaches a place inside of Zoro's heart that he just knows has also touched his swords. So he lets him, because how could he not, and he runs his fingers through all of them. Amazed. Astonished. Respectfully talking to them as if they could hear him. And they can. Zoro knows they hear and feel and love and crave and long for his captain's touch. He knows, because he does too. Because who wouldn't? Luffy holds them in a way he never holds anything else- Carefully. Like they aren't his. Like befriending somebody he fears might reject him. Like taking hold of Zoro's heart and holding him so gently in case he might break him. He worships them as if he weren't the god in this relationship. He looks handsome, too. Not pretty. Not cute. Handsome. Mature. His hat covers his adventurous gaze but leaves his mischievous grin for the whole world to see. And yet, the swordsman trusts him enough. Without any look or any word. He knows Luffy's face by heart, he realizes, now that he can picture his eyes quite too perfectly under his hat. His skin glistens under the sun and his tender fingers hold the sword with so much clumsiness it looks dumb. He doesn't know how to hold them, yet they don't want to move away from him. It's clumsy but it takes over them. Maybe it's his haki. Maybe it's the effect the future king of the pirates has. Zoro thinks it's just him. Luffy. And his heart stops the second Luffy smiles, as if he had just heard the sword respond to him. He wants to kiss him. Bite him. Let him bite back and draw blood and eat him. Let him hold him the way he holds the swords but tighter. Closer. Maybe he's in love. Zoro. With Luffy. It's not a maybe. Who is he trying to trick? He knows he is in love. With the way he smiles and the way he holds and the way he wants but respects and loves. It's funny like that, the fact that Luffy keeps being so careful when Zoro would let him tear his heart apart and eat it if he so desired. It's funny that the swords love him with such gentleness when they often demand power. Perhaps kindness is the most powerful weapon of all or, at least, Luffy's most powerful skill. Zoro hates it when somebody else holds them because they don't own them. They don't own him. He doesn't even own his swords, anyway. Nobody can. They're his the same way he's theirs, just with a bit more dominance and respect. But Luffy isn't owning them. He's praying to them. Talking to them. Befriending them. Loving them. And they would bow to him if he so desired. Zoro knows they would, as fierce as they are and violent as they seem and as sharp as they cut. They'd bow to him because Zoro would too. The uneasiness does not exist when Luffy is the one to hold them because, if Zoro had to give out his soul for somebody to take care of, that would be Luffy. And if he has to be unprotected. Naked. Bare in front of a thousand soldiers. He will if it's Luffy the one fighting instead.
Sometimes Nami wants to hold them just to feel what it's like to be in Zoro's shoes. It's a stupid reason. He refuses to let her do it as an instinctive reaction at first. She doesn't seem as interested in following the protocol as Luffy is, but she knows where to stop and she knows what to say to get on Zoro's nerves, anyway. She's equally as fierce. Equally as sharp. He won't let her hold any cursed sword, but it's not like she wants to. She's smarter than that. Careful and respectful but not that interested in the swords and what they mean, more in how they feel. Zoro gets it. Kind of. Somehow. She says something about always letting them eat her precious tangerines, so he should humor her by letting her hold Wado at least. She isn't pushing him. He knows she wouldn't. She's just teasing because she knows. She always knows. She knows he will say yes. Because he always does what she says, although he keeps demanding a bit of respect to not be treated like a dog. But Nami never forces him to do anything. He could refuse. She would give up at some point. But there's just something about her- Stubbornness. Strength. Love. So much love and care and worry and anger. And Zoro likes her. She's selfish, too, like a pirate should be. Stronger than Zoro in the ways that matter. Smarter, too, even if he wouldn't admit it out loud. But she leads the way and he follows, not because that's a dog's job, but because he wants to. He trusts her. Something he never thought he would. But he does. She's smart. She leads the way. She knows where they're going. They somehow are the same and totally different at the same time. Zoro grounds Luffy when he gets lost. Nami leads them both so they won't. So there's something about her curiosity that makes him soften. He never knows exactly why he does what she says. Why he indulges her like that. But it's satisfying, for some reason he refuses to read within himself, the satisfactory and pleased grin on her face when he hands her Wado. She's careful with her. Awful at holding her. Bad posture. Great smile. Horrible movements. Beautiful eyes. It's okay, though, he thinks. Wado likes her because Zoro likes her. Nami loses interest within a minute, complaining about the weight and the sudden realization of "you always have this thing in your mouth" which makes her want to give her back. But she stares at her for a whole minute. It isn't her thing, but her eyes spark when the sword is returned to Zoro. Trust. A smile. Thankfulness. Her bangs are getting a bit longer and one strand of hair gets in the middle of her teasing smirk. She says she prefers her clima-tact, but swords are fine, "I guess". "She's pretty" she says. Zoro thinks she is pretty. Nami. In a way he can't quite describe because he has never really been good at that. But she is. Like a blade. Sharp. But in the right hands this time for her not to cut the ones she loves anymore. She hands him a tangerine next, every time he lets her hold his sword. An exchange. "I give you something that matters. You give me something that matters". Zoro wants to say it's not the same, but the tangerine is sweet. Juicy. His fingers then smell strongly of citrus. Almost as similar as steel. If he can feel Nami's heartbeat in every bite, he wonders if she has been able to hear his in the hilt of his sword. Calm. Peaceful. Safe.
Zoro doesn't like seeing his swords in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.
But sometimes it does.
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shivroy · 7 months
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future shiv
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yuri-is-online · 1 month
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Do you ever think about how grim is basically being raised by Yuu and the other's.
Like I refuse to believe that Grim has not picked up any saying from yuu.Like god-damnit what you live with someone for months and you don't pick up on any of there habits.
I like to think that Grim has more in common with Yuu and people from their world than he does people and monsters in Twisted Wonderland for... reasons.
But I hadn't much thought about things in the terms of Yuu and their friend group raising him. I think he probably does pick up on the way Yuu talks about things, their form, the little things they do with their hands. All of Yuu's little ticks, Grim says he was waiting in the dark for someone or something he can't remember... I'd like to think he was waiting for Yuu even if he didn't know it. But that's just me hoping Yuu will get to be very important in the future haha
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aroaessidhe · 1 month
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2024 reads / storygraph
Those Beyond The Wall
sequel/companion to The Space Between Worlds, set a decade later
character-focused sci-fi set in an area divided in two, the rich protected city on one side and everyone else in the post-apocalyptic desert
follows a woman who works under the Emperor in Ashtown, keeping the peace
when mangled bodies start showing up with seemingly no murderer, she’s tasked with finding the cause, and finds out that it’s the result of corruption spanning both cities and multiple worlds
explores oppression and messy revolution, police violence and apartheid
bi & polyamorous MC
#Those Beyond The Wall#aroaessidhe 2024 reads#space between worlds sequel!!! honestly I’m not entirely sure how I feel about it….. In general I enjoyed it and I think it had#a lot of important things to say but also maybe highlighted some weaknesses(?) in both books?#or - I guess just the fact that the sff stuff (which skews a little more magicy here) is kinda small scope relative to its potential#and more there to serve the plot and characters. Which actually maybe is the point. idk- there's def mixed reviews lol#it has a messy unlikable MC (like actually - when half the weak ass reviews are saying the MC is annoying you know they are Actually a#complex character) and some interesting relationship dynamics#it is pretty solidly a sequel - I wouldnt read this without reading TSBW#cara does show up in here& tbh her characterisation felt quite different to me? unsure how I feel about that? but maybe it's the biased POV#also to be clear: polyam MC; not a polyam romance or anything#(there's - kinda a romance? or various feelings floating around and she 'ends up' with someone. feel like i would have liked that to end#more subtley but that's probably my personal taste lol)#man some of the 1 star reviews of this are kinda.....just racist though. can we get some measured critique in here#as I said i am not entirely sure how I feel about it but not quite in a way I can articulate.... idk! i think it's worth the read tho#it's maybe one of those revolutions that feels solved a little too easily in the end - but then also is it solved or is it just that the#narrative has to end at a certain point
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uter-us · 2 months
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radfem question!!
i'm having a conversation with someone about female only spaces (this specifically pertains to bathrooms) and they said that the rule of having female-only bathrooms would "act more like an enforcement of femininity more than anything else."
I think their point is about butch lesbians and/or women who present "masculinely," and so because there is ofc no female identification at the door, and policy would likely just make it more acceptable for women and girls to report if there was a male in the bathroom (without having to determine if the male identifies as a woman), this could end up hurting "masculine"-presenting women (implying that they could be mistaken as male), and in turn just reinforce femininity. Thoughts? (mine are in tags)
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(context for watcher/listener!sausage can be found in the “videos” tag on my blog if you want it, but this ficlet can be read without said context)
- - -
“Y’know, of all the Hermits I was expecting to be pulling me into a dark corner tonight, I did not expect you to be first, Grian! I love the initiative!”
“I’m going to pretend I didn’t hear that,” Grian says in a voice near a hiss. He’s got Sausage by the wrist, leading him into a small area of the upper floor of the tavern in Sanctaury that does look like it was built for the exact purpose Sausage is implying. Grian decides to ignore that as well.
“What are you doing here?” Grian’s straight to the point. He always has to be, with these Things, if he doesn’t want to get trapped in a loop of slant rhyming pleasantries.
“What do you mean?” Sausage asks, shaking his wrist out of Grian’s tight grip and leaning comfortably against the wall. “This is where I live. It’s my home. If anything, I should be asking you mysterious strangers what you’re doing here, but I’m sure you’ve heard that question enough for one day.”
“You know exactly what I mean.” Grian crosses his arms and tries his best not to look petulant, but he sure feels like it. “I thought They’d given up on trying to snatch me back, so why would They send you of all people? What’s your game?”
Sausage laughs, honest to god laughs, like he can’t believe Grian’s even asking him such a question. Grian thinks it’s a reasonable question, in this scenario, but what he thinks and what’s reasonable rarely seems to matter with these things.
“They didn’t send me,” Sausage looks him up and down in that way that makes Grian have to physically stop himself from curling inwards. This is why he never talks to Them. “Nobody sends me anywhere, they don’t tell me what to do and I like it that way! I just do my own thing. Isn’t that what you’re doing?”
“No you’re not! You’re not- you can’t be! That’s not how this works!” Grian begins to notice that he’s no longer whisper-shouting and starting to just-normal-shout and takes a deep breath, trying not to draw the attention of his friends enjoying themselves on the floor below. And, realistically, in the other dark corners Sausage seems to have built into this place.
“That’s exactly how this works. You didn’t think you were the only person who’d left, did you?”
Grian opens his mouth, closes it, and thinks. In hindsight… yeah, he had kind of assumed he’d been the only person who’d left. Not for lack of trying, probably- but They’d tried for so long to get him back, kept him closely surveilled even when They’d accepted he was gone- surely some people had caved to that pressure eventually. When there was no sign They’d ever let up, ever let you go… he could understand eventually letting it overtake you.
“Did- did you leave, too?” Grian doesn’t remember the last time he saw Sausage’s face. He didn’t know him back then, of course. He probably would’ve connected the man with the person Pearl so often spoke about sooner. But he knows it’s been a long time, maybe even longer than the last time Grian had gone There. He doesn’t think Sausage had been There, that day. This might explain why.
“Eh, not quite?”
“What-“ Grian flails, both mentally and with his arms a bit. “What do you mean not quite?”
“Exactly what I said! I was never- it’s complicated, y’know?”
“Explain. Now.”
“Well, uh,” Sausage seems to flounder for the first time since this conversation started, which Grian is choosing to take as a victory. “Look, I wasn’t- they didn’t pick me. For this, or for anything, ever. Sometimes things just happen and you get yourself into a place you shouldn’t have and then… they can’t get rid of me, I can’t get rid of them, it is what it is.”
Grian stares at him for a long moment. Really stares at him, in the same way Sausage had looked him over earlier, in the same way that makes you feel like you’re under a microscope. Judging by the sudden nerves in his eyes, Grian can assume he feels it too. Grian remembers his face. That had been the first thing he’d noticed, when the Hermits had arrived. It had been a long time since they’d seen each other, but Grian knew his face. And now that Grian was studying him, really trying to remember… he’s not sure he quite likes what memories he’s dredging up.
“What are you?”
“Grian!” Sausage’s voice drips with mock offense as he puts his hand up to partially cover his mouth. “We only just met, do you think that’s polite?”
“Answer the question,” Grian sighs. How Pearl deals with this man on the regular, he doesn’t know.
“Well, if you insist.” Sausage sighs, somehow even more exaggerated than his previous movements. “It’s just… if you’ll believe it, it’s somehow even harder to answer the first question.”
“It shouldn’t be,” Grian says. “They’re two very different People, you know.”
“But they’re the same species, when it all comes down to it. Like, you might be very different than a chicken, but you’re both birds in the long run.”
Grian pauses, fanning his wings out a bit behind him as he considers. “I don’t think that metaphor’s quite landing the way you want it to.”
“No, me neither. Anyways, let me continue.
When they don’t pick you, things go a little differently! You don’t get sorted onto one side or the other since, well, you’re not really supposed to be there? So I’m… whatever I want to be, really. I think I’m feeling like more of a Listener, today, but we’ll see how the mood shifts.”
Grian flinches at the Name, on instinct. He doesn’t know how to feel about that, so he files it away to be dealt with at a later date. As for the rest of what Sausage said-
“What?”
“You heard me.” Sausage shrugs. He’s so nonchalant, Grian thinks he might strangle him, if not for the worry that that’s exactly what he wants out of this, somehow.
“Did I? Did I hear you?” Grian wants to pace, but that requires leaving the security of the corner, so he forces his feet to root themselves to the floor. “I thought- I thought you had to- if you wanted to change sides, I thought you had to-“
Grian closes one eye and takes his thumb to it, twisting the finger into his eyelid. The gesture seems to get the point across.
“Well, that’s the funny thing about this, actually.” From the way he’s been talking, Grian assumed Sausage thought this whole thing was funny. He restrains himself from saying that out loud if only so Sausage will finish his explanation.
Sausage reaches up to his left eye, pulls his eye lid back a bit, and unceremoniously pops out his prosthetic eye.
“All these processes and rituals actually have a lot of loopholes.”
Grian doesn’t know what face he’s making, but it’s enough to make Sausage giggle while he pops the eye back in. Because of course he does. Because this how his day is going, apparently. Walk through a weird portal in his basement and wake up in a world filled with his friends who don’t recognize him and also a guy he only ever saw There, who he was never supposed to see again. Sure. Of course he’s laughing about it. Grian thinks if he was a slightly different person, he’d be laughing too. It is, undeniably, absurd.
“Well, I think we’re done here then!” Grian would probably object if he weren’t so shocked about the loopholes. As it is, he just stands there a bit stupidly.
Sausage turns away to return to the party before turn around again for just a moment, reaching over, and ruffling Grian’s hair. That shocks him enough to shake him out of his stupor and swat Sausage’s hand away, though not before his hair is suitably messed up.
“What was that for?!”
Sausage smiles as he reaches up to rough up his own hair as well. “I assumed you didn’t want your friends asking questions about why you were dragging me into a dark corner, you know?” Sausage even goes far enough to pull his shirt a bit out of where it’s tucked into his pants, because of course he does. Grian tries not to cringe, but Sausage is right about this one thing. It is the easiest way to dodge any questions about where he’d gone off to- at the expense of the many knowing looks and teasing remarks he’ll be getting from the other Hermits instead.
“Have a good night, Grian!” Sausage calls over his shoulder as he turns to leave for real this time. “And remember, drinks are on me for all you guests tonight! You look like you need it.”
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ferrouswheel11 · 28 days
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Red Robin redesign based on the idea of an inverness cape... this version of RR has returned to his detective roots, puzzling over Gotham's toughest mysteries and donning the cape and cowl when it's time for some good old-fashioned legwork.
I know in my heart tim is a Cape Guy -- the Question may rock a detective’s coat and fedora but that's not the right look for tim (not to mention batman!damian already has a claim on the coat-as-cape look). But tim is also a confirmed sherlock holmes nerd, so the two-layer inverness-inspired cape seemed a good way to subtly infuse some detective vibes into his costume.
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rewritingcanon · 4 months
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no girl tell us what you think about jegulily!! im so here for it (tone is weird but I mean that genuinely, I don't ship them so I'm not here to be weird)
dw bae ur tone is fine ! (i’ve been waiting for an ask like this 💀) i think jegulily is... yeah its…. like usually as long as its legal idgaf as long as shippers portray their characters right but regulus fans are literally incapable 😭🙏 WHY WOULD U PAIR A MUGGLEBORN AND A BLOOD SUPREMACIST IM SO DONE WITH DIS FANDOMMMM!! that actually goes for a lot of lily ships like bartylily as well (no clue where that came from either but it’s equally as stupid lmfao).
and jegulily just feels like shoving in lily because people feel bad for ditching her, or shoving in regulus because some people like jily and jegulus and want them (for some reason) to coincide even though it makes zeroooo sense for it to. like, idk if i said this with jegulus before (i yap sm on this account i forget what i say), but like it, jegulily can be done well if a realistic dynamic is taken into account, but the marauders fandom is allergic to nuance and so just chalks up everything regulus does and believes to his neglectful homelife. hes not all-bad, sure, i do feel bad for him, but im nowhere close to shipping him with a woman whos part of the people hes trying to eradicate, or with her man who purposefully went against all pureblood tradition (which is such a large part of james’ character— he is a pureblood that chooses to be seperate from that culture hellooooo plz wake uppppp).
marauders fandom has a chronic “i can fix him” mentality when it comes to wizard neo nazis, i have never understood it. but thats a topic for another day.
jegulily should be filled with envy, toxicity and prejudice stop nerfing it to be some fluffy feel-good polyamorous stable marriage where they raise harry together. yall are looking over the potential. this ship has blood and guts in it plz act like it or else idk what to say 😭 if it doesnt end with at least one of them getting murdered i dont want it.
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songofstrawhats · 19 hours
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Luffy Week Day 4- Emotion
One of the things I am most fascinated by in One Piece is the continuity between this small angry child, and the happy-go-lucky pirate he becomes.
I think it's all still in there, he just knows more now!!!
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rexscanonwife · 7 months
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Lord help me I'm stepping back into my Aran phase 🙏 right now I'm thinking about an AU where my s/i is a lounge singer in the 1920s-30s that Aran is infatuated with. Only problem is that he doesn't have a penny to his name, so he does the logical thing and joins an underground bareknuckle boxing ring to make some extra cash, where he quickly becomes a well known and feared contender
I haven't done too much with the AU yet story-wise but I'm hoping to flesh it out more soon!
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comradekatara · 1 year
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I can see your whole history in your eyes. You were born with nothing. So you've had to struggle and connive and claw your way to power. But true power, the divine right to rule, is something you're born with. The fact is, they don't know which one of us is going to be sitting on that throne and which of us is going to be bowing down. But I know, and you know.
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while azula’s speech to long feng in this scene is indisputably iconic and powerful, it is also blatantly wrong. azula cites “the divine right to rule” as her prerogative to take the earth kingdom throne over long feng in their vie for power, but the divinity of the monarchy is a hollow justification for the existence of any given monarchy in the first place, not some ontological imperative that demands certain families seize and maintain power. centuries ago, azula’s ancestors claimed power over the fire nation, and her belief system is the product of the rhetoric they created after the fact to justify their power and influence over the state, and some time later, sozin’s imperialist doctrine that it is also the fire nation’s prerogative to colonize other states beyond their accepted borders. what makes this moment so effective is that azula truly believes the imperialist rhetoric she spouts in this intimidating monologue, as it was the creed she was born into – but as we are plainly shown throughout the show, her belief system is wrong, and she possesses no inherent, divine superiority over others. her facade of power, strength, and domination ultimately guards an empty myth, a lie that nearly destroyed the entire world.
BUT.
out of context, her words are not entirely wrong.
you've had to struggle and connive and claw your way to power
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but true power
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the divine right to rule
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is something you're born with
unlike in our world, wherein the existence of divine power(s) cannot ever be truly proven, the spirit world not only demonstrably exists, but is eminently accessible. only because of aang’s century-long stasis in the iceberg was there ever any doubt of the avatar’s return, reducing the spiritual/cultural/political/global significance of the avatar to a myth, and plunging the world into unrest, chaos, and despair. but the world of avatar itself spans a vast history, in which aang’s era is merely a blip. he is but one reincarnation is the vast line of avatars, the bridge between the human and spirit worlds, the bringer of balance, chosen by the spirits. if anyone has an ontological, divinely-necessitated influence over the world, it is not the fire nation royal family: it is, quite plainly, the avatar.
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scintillyyy · 3 months
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related to my last rb tho i'm gonna be a bit of a hater again, tho, and say it. you are all very lucky that steph was written as good as she was back in the 90s. all the issues (the jealousy, the not as compentent as male characters, the mistakes, the unreasonableness, etc etc) could have, in fact, been way worse. and might've been, actually, under another writer at the time.
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musical-chick-13 · 2 years
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I think people who pick one character from AsoIaF/GoT to be The Protagonist are missing the point, because pretty much all of the characters think THEY are The Protagonist™ and that’s ultimately what screws them over.
(I also want to preface this by saying that that’s the reason I find these characters so interesting, and that this is not meant to insult any of them. I LOVE this story, and this is one of the many reasons why.)
Cersei thinks she’s the Villain Protagonist™ of a gritty drama. Even if it doesn’t make sense for things to work out for her, she assumes they will, seeing everyone around her as faceless idiots serving her narrative. Anyone and everyone will betray her because that’s what always happens in stories like this, so she won’t give them a chance to ever get there. People will move the way she assumes they will; everyone is predictable and stupid and shallow and cowardly. And as such, no one possesses the necessary skills to take her down. If she’s more ruthless and ambitious and paranoid than everyone else, she’ll get what she wants. But that’s not how life actually works, so all she does is alienate those around her, even necessary allies. People aren’t always predictable, not all of them are compliant or subservient or easily-frightened or incompetent. And if you prioritize ruthlessness and distrust, the people who aren’t those things aren’t going to see any reason to keep you around or give you aid.
Jaime thinks he’s a Cynical Misunderstood Antihero. He doesn’t need to work on bettering himself or de-internalizing his violent impulses, because he’s not the problem, it’s society, it’s people’s incorrect assessment of him. Look, he made a friend in Brienne, that must mean he’s not all bad, right? He thinks this story ends in a Public Image Rehabilitation, but he still conflates love with violence, and he still has a fucked up relationship with consent, he’s arrogant to a fault, he still insults Brienne (and just about everyone else) when the opportunity presents itself, and he never bothers trying to change that. And it’s all of this that prevents him from every truly becoming a good person. He’s so mired in this idea of being misunderstood that he doesn’t make a concerted effort to prove that he actually is. People think he’s an oath-breaker, that he has too big of an ego, that he doesn’t care about the people he swore to protect, and he thinks that simply going, “Yeah, but they don’t have the whole picture” is enough in and of itself to prove them wrong because, in a lot of stories, it is. But all his behavior does is cement his reputation as these things.
Dany thinks she’s The Chosen One, which means whatever she does is automatically the right decision. People will accept her rule because it’s hers, she deserves it, it’s morally right. All of her enemies are blanketedly wrong on all accounts in all cases. Her goals supersede anyone else’s because those goals are the way to a Happy Ending, and she doesn’t consider that other people might not see it that way. Many people’s gripes with her stem from gross places like misogyny or wanting to continue keeping slaves, but she forgets to acknowledge that some people’s issues with her might actually be valid. And that The Chosen One is actually a terrifying idea to people outside that person’s immediate personal context. She has three sentient WMDs, essentially. And if she thinks that using them is always morally correct, that the fallout from doing so can’t possibly be a problem because she’s using them and it’s for a noble cause, you end up with what happened in Astapor; and you end up with Drogon killing a child in Mereen and, eventually, her demise at the end of the show.
Sansa starts out thinking she’s an Optimistic Child Hero in a fairytale. This leads to her being held captive at court (she trusted that the authority figures were benevolent), writing a letter to her family that almost comes back to bite her to a deadly degree once her sister finds out in the show (she thought she could solve everything herself via a peaceful resolution), and to her trusting a complete monster of a boy until it’s too late (she thought he was Prince Charming). She thinks that being the Soft, Beautiful Heroine means people will love her and everything will end nicely and neatly, but sometimes instead of “love”, people just take advantage of you. And sometimes their reaction to your beauty isn’t innocent appreciation-sometimes you end up with Littlefinger. (Or Tyrion or The Hound who...let’s just leave it at “they have their own issues,” especially book-wise.) This morphs into assuming that a fairytale-esque betrayal will befall her with every new person she meets. It’s why she defends Petyr after his murder of Lysa, and it’s why she doesn’t leave with Brienne; if she’s going to be betrayed anyway, she might as well at least stick with a villain she understands.
Ned thinks he’s the Noble Hero in a typical fantasy series. He doesn’t consider everyone else’s capacity for cruelty or the idea that honor alone might not be enough. Sometimes there are no perfect choices, sometimes mercy does not give you the end goal you envisioned, and sometimes you can try your best and that can all be undone by one impulsive, unforeseeable action. You can’t honor your way out of ruthless political conflict.
Robb thinks he’s a Romantic War Hero, and thus everything will magically work out for him. His ideals and his marriage will conquer everything. But he broke a marriage promise to a powerful family, and that has consequences. The world won’t bend to his will, not even if he is doing the right thing or has noble goals, not even if he’s had war success, not even if the people at home love him, not even if he’s in love (show) or doing the most honorable thing he can (books). He thinks that being the hero means he can make it through Westeros without having to play the game, and he gets murdered for it.
Theon thinks he’s an Underdog Outcast Hero. He’ll come up from behind with an unsuspecting War Victory, and that will earn him respect, the love of his family, and a legacy he can look back on with pride. And that mindset leads him to murder two children, to drive away any allies and good grace he had at Winterfell, and the reason that the War Victory he imagined was so unexpected is because it’s completely untenable. He gets more and more desperate and it’s increasingly harder and harder to hold onto the control he’s managed to obtain. He has reasons for wanting this that make sense, and he’s been dealt a pretty bad hand in life, and he thinks that’s and his determination to overcome his personal identity struggles is enough to not only justify his actions, but ensure that those actions will be successful. And then his plan blows up in his face, he assumes he’s been miraculously saved (probably still having something to do with seeing himself as The Unexpected Hero), and ends up at Ramsay’s mercy.
Arya thinks she’s a Badass Heroine in the making, a skilled swordslady and Rebellious Princess who’s destined for more than this stuffy life of politics and dresses and formalities. But rebelling isn’t always enough. It doesn’t help with the Mycah situation, and she still needs to rely on others’ help in getting out of the city after Ned is executed. When she does try to embrace the “fully self-sufficient sword lady” idea while with the Faceless Men in Braavos, she is told to functionally discard her identity completely. She does an unauthorized kill because she, not her assassin-persona-in-training, wants to (though the victim’s identity differs in books and show), which leads to her being temporarily blinded and prevented from going on assassination missions, and outright forced to beg for food in the show. In the show, after being reinstated as an apprentice, she is tasked with killing an innocent person, refuses (rebels), and realizes that this life is one she can’t handle. She goes home, and her heading straight for her sword is one of the things that almost completely ruins her relationship with Sansa. In the upcoming Winds of Winter release, her chapter excerpt has her prioritizing revenge over her apprentice duties, and she remarks that her new identity is ruined with this rebellious action. When you rebel, there are consequences-this doesn’t change just because your intentions are good or because you are or think you are important.
Jon thinks, similarly to Ned, that he’s The Good Guy, that doing the right thing, that following The Code is paramount. He thinks that, because he’s The Good Guy, that doing the right thing with the maximum amount of good for everyone will always be a workable option, and that the heroic option will always yield the best result. This is why he thinks proclaiming his love to Ygritte in the show will end well (because love is good and conquers everything) and is, instead, shot by her several times. It’s why he doesn’t foresee a mutiny in either medium, which leads to his (temporary) death. (Let’s be real, he’s getting resurrected in the books, too, this is the one thing I’m sure of.) Because yes, everything is tense and he’s on bad terms with the Watch, but surely they wouldn’t go that far. It’s rough going, and he has to juggle the needs of several widely different groups of people, but he’s doing the right thing and that will win out; his conviction will protect him, at least for the time being while he tries to manage the bigger threat of the White Walkers. The real fight is with them, the mysterious overarching enemy, not within his own ranks. This is a story where everyone puts aside their differences to fight a greater threat-except for the times when it isn’t.
Even Catelyn isn’t immune, as she assumes that Petyr, since he’s her childhood friend, is invested in solving the mystery of what happened to Bran when he tells her the dagger used in the attack was Tyrion’s. Lysa is her sister, she can’t possibly be suspicious. She thinks the Lannisters are evil, her instincts tell her that they were behind everything, she’s the Protective Mother Heroine, so she must be right. But although she is to a certain extent correct, that’s not the complete picture. And this slightly-misplaced confidence leads her to arrest Tyrion, the retaliation of which is Tywin siccing his forces on her homeland, one of the major first steps in the upcoming political war. Then, her continued focus on saving her children-something that must take precedence because they are her children, and this is her story-leads her to taking Walder Frey’s supposed offer of a fix-it solution for Robb breaking his marital pledge at face value, despite House Frey’s reputation, and despite this neat resolution seeming far too good to be true. She’s so focused on the Lannisters-the Obvious Endgame Enemy-that she doesn’t consider the possibility of betrayal from the Freys. She thinks that the world is giving her a break-because she is so desperately looking for one, because she deserves one, because her family deserves one, and those are reasons enough for her to have one-that she doesn’t even bother to re-evaluate the situation until it’s too late.
Melisandre thinks she’s a Religious Hero, but she ends up burning a child alive and alienating one of her few remaining allies in the process (and Davos was barely an ally to begin with). She thinks she’s Doing What Needs To Be Done to serve her savior, but it hurts Stannis more than it helps him, and he just ends up being murdered by Brienne. This is obviously in the show only (at least at this point), and I don’t know if Stannis is going to burn Shireen in the books or not. Stannis thinks he’s the Lawful Hero, and thus, because according to law he’s the Rightful Ruler, anything he does is automatically excusable; he’s just righting a wrong. And in the process, he imprisons his closest friend, has a hand in murdering his brother (when kinslaying is one of the most universally hated breaches of conduct in this fictional universe), allies with a dangerous woman that much of his own court despises, and, in the show, murders his only child and drives away most of the rest of his remaining team.
They all think that, since they are the main characters of their own stories, that they’re the main character of the larger, overarching narrative. That having understandable reasons or sympathetic qualities or even just having a clear goal that they desperately want, that’s enough to cement their importance. And they think that means that they’re justified in everything they do, that everything will work out for them, that the consequences will be lesser for them than for others, because that’s what it’s like to be the main character. The whole point is that there is not A Protagonist™ and that maybe we should examine why a story needs A Protagonist™ in the first place and what that narrative tradition tells us. When GRRM said he turned down adaptation offers because they only wanted to focus on Jon and Dany, this is why.
#asoiaf#got#asoiaf meta#got meta#most of this is directly related to everyone deconstructing the archetypes they would represent in other stories#so I'm not sure how much of this is just 'deconstructing tropes' and how much of it is 'Main Character Perception Syndrome'#also obviously this isn't every character I ran out of room and honestly some of them like davos and brienne and maybe even loras#probably don't think they're The Main Character which there's a whole other essay in there about how they're The Good People#I personally think Bran never gave off 'I think I'm the main character' energy but I know haters will disagree with me on that#like...Idk his sense of self-worth kind of went away and he spent a bunch of time trying to get it back and figure out how to get by#in a society that now thought he was worthless. and how to get enjoyment out of life when his goals were no longer reachable#it read less as 'I think I'm more Important™' and more 'I'm just trying to survive man' but also I love bran I might be a little biased lmao#cersei lannister#jaime lannister#dark!dany#sansa stark#arya stark#theon greyjoy#jon snow#catelyn stark#robb stark#ned stark#melisandre#stannis baratheon#I take my life into my own hands by putting actual names in the tags but I talk about these characters and I don't know how else to tag#this to ensure people who don't want to see it won't have to see it#also for anyone wondering where tyrion is on this list: I was too tired to delve into this phenomenon regarding him because it is ESPECIALLY#prominent regarding him. and this post was already so long and talking about tyrion in this context probably would've made it TWICE as long#there genuinely isn't enough space in here to include him but know that I'm counting him too. most definitely#behold! a creation!
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dreamofimmortality · 4 months
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[Summarised image description: Three-part edit compiling manga panels of Hanabusa, Yoite and Miharu from Nabari no Ou. A text post has been split into several parts and scattered across the images. The first part reads, "don't be a stranger!" The rest is in brackets and reads, "please linger near the door uncomfortably instead of just leaving. please forget your scarf in my life and come back later for it." End description]
don't be a stranger!
(detailed image description below the cut)
Detailed image description. Panels in each image listed after the text included in that image.
Image 1: "don't be a stranger!" Two panels of Hanabusa grinning widely. Yoite jumping a bit as Hanabusa holds his hands. Miharu and Yoite blushing in Hanabusa's embrace. Miharu and Yoite sitting together on a couch, while Hanabusa looks on across from them.
Image 2: "(please linger near the door uncomfortably instead of just leaving." Hanabusa catching Miharu and Yoite by surprise outside her house. Hanabusa placing her hand on Yoite's cheek. Yoite raising an eyebrow as Hanabusa reaches for his hand. Hanabusa hugging both Miharu and Yoite on the ground outside. Hanabusa putting her hands on Miharu and Yoite's shoulders each. Hanabusa handing over Yoite's black coat to him. Hanabusa and Yoite hugging each other.
Image 3: "please forget your scarf in my life and come back later for it)." Hanabusa knitting a scarf. Yoite's gloved hand holding a scarf. Yoite looking down at his scarf he's holding. Hanabusa looking surprised while holding Yoite's hat. Miharu taking off his scarf as he stands face to face with Yoite. Miharu reaching up to wrap that scarf around Yoite's neck.
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so like. im not gonna beat around the bush- ARE WE NOT GOING TO TALK ABOUT THIS. ARE WE??
*SLAMS THIS ON THE TABLE*
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I AM CONVINCED THIS MAN DOES NOT KNOW WHAT HE'S DOING! THINK ABOUT IT:
The hover discs Aunt Arctic mentions automatically despawn after you use them to place the detectors/transmitters in both episodes they appear in. With the knowledge that Gary does not test his inventions often, to the point where Aunt Arctic feels the need to warn you...is that intentional feature(keep in mind you use them to access higher up areas like the ceiling of the Sea Caves)...or a bug because he did not test them? Keep in mind the discs disappear near-immediately once you're done placing objects, so you CAN end up free-falling to the ground afterwards from several feet above in the air.
Knowing this, what else is this man hiding? Sure, we know that the Auto-Warbler 3000 works...but is that because this is an invention he personally tested, or in spite of being untested? Did the Jet Tube's avoidance systems have glitches because of an unforeseen bug Gary happened to run into...or is this something he made, gave to Rookie and didn't test for whatever reason?
Keeping this tidbit in mind, is Gary knocking down Herbert's defenses because he is SO smart, or did he just get lucky? Is he better at programming than making inventions? Or does he actually test his coding skills more than his inventions? If so, why?
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IF this 'brilliant penguin' was intended to be Gary (which I'm fairly certain it is but hey, CPI closed down before it's time so who knows for sure?)
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Is the reason the Party Sub ended up sitting in the Sea Caves related to his tendency to not regularly test his inventions? Or was it simply because it broke while he was testing it?
Because he does not test things as rigorously as his Club Penguin counterpart (who, as we know makes up to 3000 versions of his inventions before they are considered done, and asides from some examples like Mascbot's being used at their 'near-perfect' 2999th iteration or prototypes like the Electromagnet 1000 are rarely used until then)... does Club Penguin Island Gary name his inventions with the '3000' at the end because they have been tested, or for aesthetic reasons?
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