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dungeonpuppykai · 4 months

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Hey lovely, I just want to say I love your bucky fics and especially dark bucky fics, it just hits the spot and it's so good so keep up the great work love. Now i'm not sure if you're still taking requests if so could you please do one of reader wearing absolutely nothing but bucky's army dog tag and him seeing reader like this makes him go feral.

And if you don't want to that's perfectly fine and i hope you have a great day/night and keep up the great work love 💕

Thank you so much! I am so happy that you like them and I know it's been a hot minute but the way this ask short circuited my brain omg!!!

Warning(s): Dark!Bucky, stockholm syndrome, sir kink, use of makeshift leash, choking, rough p-in-v, power imbalance, m!dom, f!sub, puppy kink, humping, dumbification, cock riding, mention of somnophilia. Browse at your own discretion. Contains dark and mature 18+ content. Minors do not interact.

Bucky was honestly skeptical at first.

As you were still getting used to your new home he knew better than to fully trust you.

But you were just so fucking irresistible and adorable.

Sometimes he didn't know just what to do with you.

"Just trust me, sir!" Your tone was determined but demeanor shy when you had hurriedly pecked his lips and scurried off into the walk-in wardrobe after prying his hands off you.

The night was quite silver with the moon on full display, the inside of your room dimly lit as Bucky took a swig of his chilled after dinner beer.

When you took longer than was comfortable for him doing whatever it was that you were doing, he called out to you.

"Puppy? What's taking so–"

The older man's voice locked in his throat and he had to do a double take when you did appear.

Your cheeks were a bright red as you nibbled on your bottom lip, hips swaying but posture stiff as you came into his view.

Bucky's hand reached for his neck in realization when he noticed the article– the only article on your otherwise nude body.

You sneaky little thing.

He had been so busy and stressed because of his recent mission that he hadn't noticed when you had slipped his dog tags off him.

A small smirk made its way on his face as he felt his cock harden instantly, feeling his head spin a little at the seductive way you leaned against the doorframe of the wardrobe, toying with the chain in as much a sexy manner as you could muster.

Just like that, Bucky made his resolve.

Even if you had been sneaky (and he would definitely have to do something about it to nip it in the bud), it had been to give him a show.

And who was Bucky to refuse you finally coming around and doing something out of your own free will.

Or, at least, as free as it could get given your rather coercive circumstances.

"Come here, puppy" his voice was dark and strained as he held back pouncing on you with all the force in his body and crushing you with the violent passion that was surging like electric currents within his being right now.

He always held back on you for he knew you were far too fragile to take his raw might.

"Y- Yes sir…" You obediently answered like you had been trained to do so as you made your way to your captor and owner.

Bucky bit his lip as he sipped on his drink again, reaching out towards you before he twirled the dog tags around the index finger of his metal arm and gently pulled you in, resuming his earlier position on the bed.

Your breath hitched in your throat as your lips brushed against his. He had brought you in until you were bending over his form. Your heart was starting to thrum.

Excitement. Anxiety. Need.

"Puppy, you naughty, naughty fucking thing" Bucky rasped after making out with you a little.

The older man didn't speak before he pressed his lips onto yours and when he transferred the beer in his mouth to yours, you knew why he hadn't praised you yet.

The drink burnt its way down your throat.

Your nose scrunched a bit at the strong taste of his beer.

You weren't really allowed any adult beverages so they were almost foreign to your taste buds at this point.

"N- Need you, sir~" you were becoming more and more hormonal by the day and the man wasn't complaining.

"Is that why you put up this cute little show, huh? To seduce sir into playing with that sweet little pussy that's always so needy for him?" You couldn't help but lower your head and nod sheepishly, blushing under his dark and hungry gaze. "Aren't you becoming a cute little horndog?"

He couldn't help but smirk at the way you whined under your breath, both aroused and embarrassed.

"Aw, you don't like that, puppy?" He gently tugged at the makeshift leash. "Don't want sir to tease you?" You softly pouted as you shook your head and avoided his gaze. "Awww…" Now his hand wrapped around the rest of the chain and he jerked your head closer. "Then what do you want, puppy?"

"Y- You, sir…" You shyly looked up at him through your lashes although just for a second. "Want– need you… so, so bad."

"How bad, puppy?"

"Very bad, sir…"

He loosened up his grip but didn't let go of the silver chain.

"Get on up here and show me." You didn't need to be told twice.

"Yes sir!" You were eager as you scrambled onto his built thighs, whimpering out a shaky moan when your wet sex exposed itself due to your position and grazed against the material of his pants. "Oh…" A sound too vile for your personal comfort escaped you as you settled yourself on his lap, the upper half of your body being forced to bend towards him due to his hold on the chain.

"You like that, my little baby puppy?" Your mouth was agape as you could only nod, your own thighs trembling as you begin to slowly rub yourself against the grainy fabric of Bucky's pants.

"Love that, sir. Love it so much…" Your hand shakily grasped his metal one that was holding the chain for support, hips increasing their speed with this newfound stability and balance.

"Good puppy… good girl… good fucking girl" Bucky praised as he wrapped his hand around the chain once more, toying with one of your boobs with his other hand. "That's it, babygirl. Just like that… rub that slutty pussy all over my jeans like the desperate little toy that you are."

Fuck, he was too good with his soft, breathy praises as he stared up at you, mouth agape.

Your heavy breaths were restricted next and you could cum right there and then. As the oxygen slowly dissipated from your lungs, your eyes rolled to the back of your head and back arched when he suddenly twisted one of your nipples, eliciting a loud squeak from you.

When he finally let go of your windpipe and eased his hold on the chain, you whined upon coming to your senses when you realized that he'd lifted you off his lap.

You needed him so bad.

He was way too good at fucking you.

Though Bucky quickly shut you up with a wet kiss as he lowered you onto his cock next, remaining his hold on the dog tags all the while.

Your hands were removed from his bicep and metal arm and bound behind your back with his free hand that wasn't guiding you with your makeshift leash.

Bucky loved to restrain you; there was just something so hot seeing you tied up completely helpless at his mercy.

"That's right, fuck yourself on my cock. You look so fucking pretty when you're all dumbed out like a silly little puppy slut up on my cock…" His words had you clenching as you rocked your hips, moaning as loud as you could, shame forgotten and disposed of.

"P- Please…" You begged, too weak and sensitive to increase your pace but in desperate need to do so. "Please, sir… please… Need you… so bad… please…" Bucky tightened the chain one more time, this time not letting go until your flushed face had turned red, veins bulging out against the skin of your temples. "Th- Thank you, sir…" You whispered out like you'd been taught to do so. You were so close. Your head was about to split with emotion and anticipation of what was coming. "... L- Love you so much…" The man froze for a few moments.

He had not taught you that yet.

As oxygen was allowed back in to your brain, you almost halted when you realized that Bucky was quietly staring up at you now and had let go of both the chain as well as your hands.

Your brows furrowed, since you hadn't even realized what you had just confessed. "W- What's–"

But the man beat you to it.

Before you could ponder over it and possibly change your mind.

Bucky had tackled you onto your back.

The movement caused his thick cock to bang all the way inside your cavern, causing stars to appear in your vision.

"I love you more, puppy." Trapping both your hands above your head like he had done you -mind and body-, he resumed his hold on the dog tags and began pounding into you like an actual animal.

You best believe he did not stop for the rest of the night.

So what if you passed out a couple times?

You loved him, so he was sure you didn't mind.

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asbealthgn · 1 year

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(i am not immune to peer pressure so here's a continuation. part one here)

It’s so rare that Steve meets anyone nice anymore.

It’s just hard to find people. Dating apps suck, and ever since Robin and Nancy got together, they hardly ever want to go to bars together. And what’s he supposed to do, just drink alone and hope he stumbles across someone?

Well, that’s exactly what happened today, sans drinking. He was heading for the bus stop, a tiny bit lost but he had a map and was pretty sure he could figure it out. He realizes he’s a tiny bit directionally challenged, and he’s still relatively new in town, and Robin and Nancy just moved to a new place, so it all came together to mean that getting there would take some puzzling out. All the same, he was prepared to figure it out on his own right up until he saw the super hot guy sitting at the bus stop and figured a little help couldn’t hurt.

And that’s how Steve ended up with an unexpected date (sort of) to Robin and Nancy’s baby shower (not a real baby shower).

Robin answers the door and smiles, then does a double take when she sees Eddie. Whoops, Steve probably should have texted her that he was bringing someone. He’d gotten a little caught up in the moment.

“Hey, hope you don’t mind I brought a plus one,” Steve says, hugging her before walking inside. Eddie follows him.

“No, no, that’s fine,” Robin says, voice a little strange as they take their shoes off and she shuts the door. “We’re all in the living room.”

They follow her through the kitchen and into the living room where half a dozen calico kittens and several adults are on the floor.

“Oh my God, they’re adorable,” Eddie says, leaving Steve’s side to get down next to the kittens. Steve gets a huge smile watching him. Fuck, he’s super hot and he’s now holding a tiny kitten, cooing at it? Steve might just get on one knee right now. Or both knees. Honestly, either one works.

If he were paying more attention to literally anything other than Eddie, Steve would notice that nearly everyone else in the room is also staring at Eddie. The only exception to that is El, who’s sitting cross-legged on the floor with the mama cat in her lap, both watching the kittens with the same wide-eyed intensity.

There’s a tap on Steve’s shoulder, and he turns to look at Robin. “Can we talk for a sec?” she asks, voice still odd.

“Yeah,” he says and follows her back into the kitchen.

She crosses her arms and leans back against the counter. “So are you gonna tell me what Eddie Munson is doing in our living room?”

“Oh, have you already met him?” Steve asks.

Her eyes widen. “Are you being serious right now?”

“Uh. Yes?”

“Steve, that’s Eddie Munson,” she says, “From Corroded Coffin?”

“From what?” he asks, though as she says, it does sound a tiny bit familiar.

“Corroded Coffin?” she says, “It’s that band the kids love. Along with like half of America if they’re not completely scandalized by them.”

“So what, you’re trying to tell me Eddie’s famous?” Steve asks. Robin nods. “Hold on, this isn’t like Paul all over again, is it?” Paul was a guy Steve briefly dated a few years ago, and Robin had somehow convinced Steve that he was an Olympic athlete. In his defense, she had mocked up some seriously convincing news articles.

But Robin is shaking her head. “No, I’m serious this time,” she says. She reaches into her pocket and pulls out her phone. After a second she turns it around to show him the Google results for Eddie Munson. There are a lot of red carpets and pictures of him onstage. And damn, Eddie seriously is so hot.

“Alright, well, you definitely didn’t have time to photoshop these,” Steve mutters. Robin nods, patting him on the shoulder. How did he accidentally bring a famous guy over?

Just then, Eddie comes into the kitchen, a kitten in his hands.

“Stevie, look at her,” he says, holding the kitten up.

Stevie? Robin mouths. Steve kicks her as he reaches out to scratch under the kitten’s chin. It mews at him.

“I asked Nancy—she’s terrifying, by the way,” Eddie adds to Robin, “And she said I can keep her.” He lifts the kitten to his face and it purrs as it rubs its cheek against Eddie’s. Steve is actually going to combust.

“Alright, well, I’m heading back in,” Robin says, voice back to that strained quality as she escapes the kitchen. Eddie doesn’t seem to notice, too busy whispering praise to the kitten.

Steve scratches under its chin again and it purrs at him. “What’re you gonna name her?” he asks.

“Don’t know yet,” Eddie says, “Isn’t she per—oh, hold on.” His phone is ringing, so he moves the kitten to one hand as he reaches into his pocket and pulls it out. “Hey Gar….Yeah, ‘cause you abandoned me….No, I’m in Japantown getting a kitten….No, that’s not a euphemism….Listen, I’m kinda busy, I’ll call you later, alright?…Yeah, see you, man.”

While he was talking, the kitten clawed its way up Eddie’s shirt and into his hair. “What’re you doing in there, sweet girl?” he asks, tucking his phone back into his pocket and reaching for the kitten. It’s gotten very tangled in his curls, though, and apparently really likes being there.

“Lemme help you,” Steve says, stepping closer to Eddie and extricating the kitten. Eddie’s hair is very soft. Good to know. “Here you go,” he says, holding the kitten out for him.

“One sec,” Eddie says. He ties his hair up quickly (also hot, fuck) before taking the kitten back. He boops noses with it. “Such a mischievous little girl.”

“Well, can you blame her?” Steve asks. He brushes a loose curl behind Eddie’s ear. “Your hair seems like a nice place to be.”

Eddie smiles at him, a dimple appearing on his cheek. “I’ll be honest, Stevie,” he says, voice getting a little lower as he moves closer, boxing Steve against the counter. “At first I just came along because you’re gorgeous, but I think I’ve fallen in love.” He holds up the kitten in one hand.

“You think I’m gorgeous?” Steve asks, feeling his face heat.

“‘Course I do, big boy,” Eddie says, leaning closer and putting his free hand on the counter by Steve’s hip.

Maybe this is stupid and way too forward, but Eddie is so dreamy with his eyes and his dimple and his hair and the kitten in his hand, so Steve leans in and kisses him. It’s a little relieving when Eddie kisses him back, free hand lifting to his hair while Steve wraps his arms around his waist.

Steve doesn’t notice the front door opening or a new group of people that includes Dustin Henderson coming inside. He doesn’t notice them entering the kitchen and freezing as they take in the scene.

That is, not until Dustin shouts, “Holy shit, is that Eddie Munson?”

tagging a few people who asked for a continuation/asked to be tagged (sorry if i missed anyone!): @nburkhardt @stargyles @csinnamon-fox @manda-panda-monium @silly-jellyghoty @lifeisnotsobadonceyoustopcaring @starquirk

edit to add that this ficlet is complete and the last part is here

#gareth after finally coming to pick up eddie: oh my god that wasn't a euphemism??#meanwhile eddie is just sitting there grinning like an idiot holding a kitten in one hand and steve's hand in the other #okay also everyone's tags on the last one were amazing #i wish i could have stolen all of your ideas but they did not all fit together #unfortunately #steddie #steve x eddie #steve harrington #eddie munson #stranger things #ficlet

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aragornsrockcollection · 2 years

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Hello I’m here to talk about an opinion that isn’t so much unpopular because people don’t like it, but because it is splitting hairs and basically an argument based in semantics that sane people reasonably do not waste their time caring about it.

I am neither sane nor reasonable and therefore think about this a lot, and get ready to pull out a soapbox and type the Text Wall of China any time I hear people offhandedly contradict this opinion, and so I have come here today to die on this molehill, and write the over-long post of my dreams, because fuck it, it’s my blog.

Drumroll please:

Sauron is not The Lord of the Rings

The Lord of the Rings is the main antagonist though, so furthermore,

Sauron is not the main antagonist of The Lord of the Rings

I internally go insane every time someone says “Sauron, the eponymous Lord of the Rings” or “The antagonist never actually appears in Lord of the Rings” or uses Lord of the Rings as an penultimate example of having a flat ‘evil for evil’s sake’ villain. This is mostly in YouTube videos so I’m not calling out anyone here.

So who is the Lord of the Rings? Where do I get this shit? Why should anyone care?

I will tell you in far too much detail under this cut, because I told you I was gonna be extra about it and this is already long enough to inflict on my followers without their consent.

First and foremost, Frodo is not the Lord of the Rings either. Let’s get that out of the way. Gandalf explicitly tells us that in Many Meetings (the first chapter in Rivendell in Fellowship), when Pippin greets a newly awakened Frodo with quintessential Fool of a Took™️ swagger.

‘Hurray!’ cried Pippin, springing up. ‘Here is our noble cousin! Make way for Frodo, Lord of the Ring!’

‘Hush!’ Said Gandalf from the shadows at the back of the porch. ‘Evil things do not come into this valley; but all the same we should not name them. The Lord of the Ring is not Frodo, but the master of the Dark Tower of Mordor, whose power is again stretching out over the world! We are sitting in a fortress. Outside it is getting dark.’

So that’s my theory busted right off the bat! Gandalf straight up tells us the Lord of the Ring is Sauron (‘the master of the Dark Tower of Mordor’ which is Sauron).

But I already told you, this is a hair-splitting semantics-based theory! He said Sauron was the Lord of the Ring. Not the Lord of the RingS. Yes, this whole theory revolves around a single letter difference between the title of the series and Gandalf’s statement, WHAT OF IT?

But in all seriousness. Tolkien was a linguist. There was no way this choice was not deliberate, not on something so important to the narrative. And there is a very important difference between what he is referring to when he uses ‘The Ring” singular, and “The Rings” plural. The Ring that Frodo carried to Mordor has it’s singular nature highly emphasized by the language that surrounds it. THE definite article Ring, the ONE Ring. Just the One. Singular Singular Singular.

The Rings (plural) refers to the rings of power which Celebrimbor wrought, with Sauron’s help, but Sauron is objectively not the Lord of those rings. Not the three Elven ones at least, which he never touched and only suspects the location of. Without his One Ring he has no power over the Three, and a big problem with him regaining his Ring is that he would gain power over those rings, the ringbearers, and the safe realms that had been wrought with them, basically crippling those with the power to resist him.

Him NOT having the Ring, and therefore NOT having lordship over all the rings, is a pretty major plot point. Like, it’s not a reach to say Sauron not having the Ring is what drives the entire story. And he is NOT the Lord of the Rings without it.

And he never gains it, so is the whole series named after Sauron’s aspirations, that the main characters are trying to prevent? I mean, from an angle yes. But also no.

Because while Pippin and Gandalf’s exchange is the closest we come in the text to seeing the title, let me show you the only place within the covers that “The Lord of the Rings” is presented, at least in my beat up third hand 70’s edition. It may not be formatted like this in other editions, but I still think it says something about how we are supposed to read the title:

[Image ID: Masking tape can clearly be seen holding together my poor abused copy of Fellowship, open to the title page. THE LORD OF THE RINGS is written across the top of the page in all caps, directly below it is the Ring Poem, as if The Lord of the Rings is a the title not only of the series but of the poem. /.End ID]

The One Ring is the Lord of the Rings, not Sauron, who is the Lord of the Ring.

“What?” Say imaginary naysayers in my head, “How can a Ring be a Lord? And why does this matter, if Sauron is the Lord of the Ring, doesn’t that make him the Lord of the Rings by proxy? Why are you wasting your and my time making an argument about this?”

I’m glad you asked imaginary naysayer, let me speak to your first point. How can a ring be a Lord? Well, like any good first time speechwriter, I’ve turned to Miriam Webster, and asked it to define a word we already know, in this case ‘lord.’

[Image ID: Screenshot of the Miriam Webster definition of ‘lord.’ The ones that are relevant are 1: One having power and authority over others. 1a: A ruler by hereditary right or preeminence to whom service and obedience are due. And 1f: One that has achieved mastery or that exercises leadership or great power in some area /.End ID]

In the poem, it is the Ring that is spoken of as ruling, not Sauron. Sauron is actually listed in the same position as all the others who receive rings, “The Dark Lord on his Dark Throne” occupying the same place in the sentence structure as the “the Elven-kings under the sky” and “the Dwarf-lords in their halls of stone” and “Mortal Men doomed to die.” It is the One Ring, not Sauron, who rules them all, fulfilling our first definition “A ruler by hereditary right or preeminence.” In this case it would be by right of preeminence, or superiority. The One Ring outclasses the other rings and thus dominates them, binding them to obedience and service. Gandalf calls it “the Master-Ring” when it is first revealed for what it is in Bag-End with the words appearing from the flame.

The Ring has it’s own will too. It’s repeatedly stated to be in control of Gollum when Gandalf is first telling us about it. I’m literally so spoiled for quotes about this that I was paralyzed with indecisiveness over what to use but let’s keep it simple with this one. It’s from Gandalf explaining why Gollum didn’t have the Ring allowing Bilbo to come upon it in the chapter “Shadows of the Past” from Fellowship:

‘It was not Gollum, Frodo, but the Ring itself that decided things. The Ring left him.’

So if Sauron is the Lord of the Ring, and the Ring is the Lord of the Rings, isn’t he Lord of the Rings by proxy? Yes, when he has the Ring. But also being the ruler of a lord doesn’t make the title of that lord your title, if that makes sense. People don’t call Aragorn the Prince of Ithilien, that’s Faramir’s title, Aragorn is King of the Reunited Kingdoms, he rules Ithilien, sure, but by proxy. Ithilien reports to Faramir who reports to Aragorn (I should be calling him Elessar since I’m talking about him as king, but whatever). If Aragorn lost the ability to contact Faramir or Ithilian, he would still theoretically be king there but he would have no practical control, just like Sauron with the Rings of Power.

Why does this matter? It mostly doesn’t. It does not change anything practically in the story at all.

But it matters to me, because it might help change perspective on the antagonist of LotR. It’s the Ring. Sauron is a force in the world, one the Ring is closely allied with, and from whom many of the obstacles come, but the entity that our protagonist is really fighting on every page is the Ring.

If Gandalf were the main character, or Aragorn, or almost anyone else on Middle Earth, Sauron would be the Primary Antagonist. But they are not. Frodo is the Primary Protagonist, and his struggle is NOT against Sauron, it is against the Ring.

If destroying the Ring had not destroyed Sauron, would Frodo have kept fighting in this war? NO! He had his task, and once it was done he was done, even if the world ended afterwards. Everything is driven by the Ring. The threat to the Shire comes from the presence of the Ring, so Frodo takes the Ring to Rivendell. The danger of the Ring is not neutralized by it being brought to Rivendell, so he continues his journey to destroy it once and for all. He doesn’t fight Sauron, he fights the Ring. He fights with himself to keep going in spite of the despair it levels on him, the poisonous words it whispers in his ear, the physical toll it takes on his body. He fights Boromir and Sam (not to the extent he does in the movie, but still a bit) and Gollum over the Ring. He negotiates with Faramir over the Ring.

And the Ring is SUCH a more interesting and nuanced villain to struggle with than Sauron. Sauron is representative of a force in the world. He controls events but never appears, because he acts as the source of all evil, it’s representation on earth (at least now Melkor is in the Void), but it is far more interesting to watch the effect he has on others than deal directly with a character that is so obviously in the wrong in every way. Making Sauron a physical character in LotR is like making the Devil a present character in basically any piece of media that deals with evil.

Evil at its purest isn’t that interesting, because it contains no conflict. Leaving Sauron as an offscreen player leaves us to see characters that are not pure evil struggle with that conflict.

The fascinating thing about the Ring is that it has no power outside of what you give it. But given enough time even the best people, like Frodo, will end up losing themselves to it, as it whispers in your ear with your own voice.

I want to go ballistic when people point to LotR and say it has a one dimensional villain. EVERYONE’S OWN VIOLENCE, DESPAIR AND THIRST FOR POWER IS THE VILLAIN OF LORD OF THE RINGS! Brought to the fore by a small unassuming golden trinket which just happens to also be the titular Lord of the Rings.

Honestly “The Ring is the Villain of LotR change my mind” should be its own big long post with lots of quotes and shit, the fact that the Ring is The Lord of the Rings just being a small point in it.

But unless you are a specific type of interested in story structure and stuff none of this is at all meaningful and it really, really doesn’t matter, so I’m gonna go.

Thanks for coming with me on this dumb journey.

#tolkien #jirt #lotr #lord of the rings #the one ring #Sauron #jrr tolkien #Frodo #story structure #long post… even for me!#hot take #Gandalf #look #I’m sorry ok #this is so inconsequential and I say this as someone who likes meta

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unpretty · 5 months

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please imagine these bullet points as a series of posts made over the course of a semester in 2015, copied from the tumblr tag i made specifically to bitch about my econ/business government and society professor:

lmao econ prof arguing against the fda

we are also supposed to subscribe to the wall street journal for this class ahahaha like hell

I spoke up about this godawful climate change article and about how literally every fact I tried to check was wrong, he tried to argue that wasn’t the point of the article but it totally was

“Does anyone watch Fox News” this class in a nutshell

the professor in the class i hate is talking about how jesus would love capitalism because it has lifted so many people out of poverty

he’s complaining about progressive income tax lmao god i hate this class

LET THE FREE MARKET DECIDE unless the free market makes an anti-corporate decision, then consumers have been misinformed and the activists responsible should be ashamed of themselves

I hope everyone’s ready for Shitty Class Liveblogging because now he’s claiming that gas prices will never go back up and gas will always be cheap from now on and also peak oil is a lie

Now he’s talking about the story of Jonah and the whale as relates to this article he saw in the Wall Street Journal. Across the class, I see a girl squint into the middle distance and mouth the word, “what.”

“is it okay to fire a pizza delivery person who doesn’t want to drive to a bad neighborhood”

this is the literal worst and most bullshit explanation of utilitarianism I have ever experienced oh my god. for the purposes of this class we are supposed to ignore ‘for the greatest number’ as an aspect of utilitarianism. just. completely altering the basic foundation of utilitarianism as an idea. apparently the free market didn’t like the actual definition so they changed it.

THIS PROFESSOR IS PRO-ENRON I AM NOT EVEN KIDDING RIGHT NOW THIS IS A REAL THING #FREE MARKET IT WAS LEGAL FREE MARKET

“I don’t think we have very many people in the United States dying because they couldn’t afford medication” actual quote from this professor right now

lmao i’m in the class i hate, he’s complaining about net neutrality now

This just in: poor people are poor because they make bad decisions, the wealth gap can be eliminated by teaching poor people how to play the stock market. This is a real thing that he apparently gives presentations about. He gets paid to tell people this.

Shitty professor isn’t going to be there tomorrow but he wants us to come in anyway to listen to a lecture on CD. Not one of his, just generally. Like, a home learning thing he bought. We asked if he could just put it on Blackboard but he said he didn’t know how to put a CD on Blackboard.

lmao I fucking knew this was the great courses. this professor is off at a conference telling people to teach the poor to trade stocks and he’s just having us sit here listening to an audiobook course he paid for about philosophy.

shitty professor is arguing the necessity of child labor in third world countries because otherwise the children would starve and be prostitutes. yes those are definitely the only two options.

oh my god he just argued that the rich are a minority protected by the constitution

I was really embarrassed about getting a 67 out of 85 on this Business, Government, and Society test but then it turned out the class average was 40 and I got the highest grade in the class. My strategy of always picking the answer I find most morally reprehensible is going well for me.

Monopolies aren’t actually that bad! Also, unions are monopolies, which is bad. (i was the only one who got a lot of the essay questions right so I had to read them in class it was awful)

libertarian economist professor gets really emotional about animals and i think he just argued that if elephants were privately owned they wouldn’t be poached because no one poaches cows

It’s my last week in the class I hate before finals and I’m pretty sure he’s arguing that the Enron scandal happened because there was too much government regulation

oh my god he’s arguing that enron was trying to do california a favor by pointing out a flaw in their system (by exploiting it) h my god he’s not even addressing the fraud in their accounting this whole class has been leading up to his passionate defense of fucking enron

#original #he had nothing to do with the candy bar that was just a very funny punchline to my student loans

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c0llisiion · 4 months

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NUMB TO THE FEELING — j.jk

♡pairing : jjk + fem!reader

♡: not proof read, exs, idol!jungkook x idol!reader , fwb kinda? , smut , mutual masturbation - lmk if i missed any!

W/C : 1,162

Pt.2 , Pt.3

A/N : SORRY 4 DISAPPEARING AGAINNNNN! i js got too busy guys 😣😣😣😣 rqs are open! Send in your rqs and prompts ily <33 anyways here is a jk fic i wrote instead of finishing my other jk fic :3

✩₊˚.⋆☾⋆⁺₊✧ MDNI. Please refrain from reading if the topics make you uncomfortable. ✩₊˚.⋆☾⋆⁺₊✧

2 months. Its been 2 months since you broke it off with jungkook. It was all over the news, a hot topic for the k media. ‘BTS’s Jungkook and Y/G/N’s y/n ends 4 year relationship’, was still trending on naver. It happened so quickly. Knets are already placing the blame on you for the breakup, as they view you as a mean rebel idol who breaks hearts and messes around. A face of disgust was plastered on your face as you scroll through the endless amounts of hate comments knets put under the articles.

“Wow I always knew she was a bitch”

“She definitely cheated on him with another idol lol”

“What do you expect when you date a wh*re? Jungkook should have never dated her”

“She ruined his image”

Back and forth, people were calling you degrading names and putting Jungkook in a good light. They said all of this while not knowing a single thing about how your breakup unfolded. It was mutual. You both started getting busy with schedules. That simple. Maybe a few disagreements here and there. Maybe a few trust issues but the main point was it was mutual and you both broke up because of schedules. You got tired of the same comments and decided to turn off your phone but you got a new notification.

baby star candy 🤍

Hey

Tf is he doing at this hour?

Y/n

???

baby star candy 🤍

Is it okay if i come over?

Classic jungkook. Getting straight to the point. You stared at the text for a while not realising that you were leaving him on seen.

My baby star candy 🤍

Helloooooo?????

Its fine if you dont want me to

Y/n

Yes. Quick.

You sent your reply before his second text got to properly load. And there you were. Your phone turned off, biting your nails as you waited for jungkook.

It didn't take him a lot of time. Reaching your place in under 7 minutes and 13 seconds. You heard your doorbell and you immediately rushed to the door. You stood at the door for some time, avoiding the impression that you were eagerly anticipating his arrival.

You opened the door and see the tall bulky black haired man with his calvin klein hoodie and grey shorts. You stared at him before he brought you back to reality by snapping his fingers. You let him in before locking the door. You grabbed him by his wrists and took him upstairs to your room.

He quickly settled in your bed letting out a deep sigh, Relaxing and stretching his limbs out onto the bed. His arm was tucked behind his head as he patted the empty space next to him with half lidded eyes. You rolled your eyes before snuggling with him. Your tv was on and playing a random tv show you put almost an hour ago, forgetting to it turn off. You sighed and relaxed into his arm. The silence was comfortable. Jungkook was playing with the hems of shorts and you with the drawstrings of his shorts. You knew where this would lead to.

His hands started slowly massaging your thighs and ass in a comforting way. Its like he knew you were sad. And he did. “Im sorry” he spoke up. You looked up at him. His eyes were focused on the tv infront. “Im sorry about those comments. I should have said somethin’.” He said finally looking down at you. You shook your head and nuzzled into him closer “dont be. Its not your fault. Tbh i really dont gaf.” He chuckled at your attitude. He always liked your idgaf attitude. That’s what made him ask you out. “So you are not sad?” He asked his hands trailing up your shirt, cold fingers resting under your tits. “Hmm i was but then there is no reason for me to be. Maybe we should upload one of our sextapes to show those bitchy knets and completely appall them..” you giggled thinking about their reaction. Jungkook sighed and chuckled. “Yeah? Which one? Our old ones or the one we are gonna make rn?” His cold fingers squeezed your bare tits and tugged on your hard nipples. You hissed at the feeling. He grabbed your hand using his other hand and started using yours to rub himself through his shorts. He let out a soft groan throwing his head back. You bit your lip as you felt his hand lower into your shorts, quickly taking your sensitive bud in between his fingers, tugging it gently. You gasped and held onto his wrists as he continued abusing your bud. He was growing harder and harder because of your hands and the unholy sounds you let out every time he flicked your clit. You put your hands into his shorts and wrapped your fingers around his dick. Your movements were restricted by his shorts which opted you to pull his dick completely out. You stared at it. Oh how much you missed that monster. “Quit staring baby..” you felt yourself melt as he inserts two fingers into your sopping hole. A loud squelch was heard when he started fingering you. Your hands lazily worked up and down his shaft. Small spurts of precum already leaking out of his red tip. You picked up your pace and so did he. You twisted your wrists around his tip. You knew how sensitive he was there and continued. His eyes were squeezed shut as soft moans left his mouth. He started choking on them as he felt your hands squeeze around his length. God the way you had this man under your control with Just your hands was insane. He was quick to return the favour as two more fingers were added. His thumb rested on your clit rubbing it in circles furiously as he fucked your cunt with his long fingers. Loud noises accompanied by yours and his moans were the only sounds heard in the room. Your vision went white as you finally reached your end. Squirting all over his hands and wetting your shorts as well as your sheets. You let out choked out moans and your back arched off of the bed.

“Attagirl…” jungkook said with furrowed eyebrows as he kept finger fucking you. Your hand movements got sloppy which prompted jungkook to thrust into your hands. You picked up pace which made jungkook stiffen. You knew his orgasm was close from the his facial expressions and his voice. You stared at his face as you watch your ex boyfriend come undone under your grasp. He let out a final gasp before cumming all over your hands. You slowed down your movements finally letting go of his softening cock before bringing your fingers to your mouth, licking all his salty cum clean, staring deeply into his brown eyes.

Only you had him like this. No other woman will never come to your level ever.

A/n : HEHEHE sex tape part 2? 🤭🤭🤭🤭 ALSO SORRY FOR THE USAGE OF BABY STAR CANDYAJJEKAJWJA I JS HAD TOOOOOO

#bts reactions #jungkook smut #bts smut #taehyung smut #bts #jungkook #jungkook scenarios #jeon jungkook #jeongguk #jungkook x reader #jungkook x y/n #jungkook reaction #jungkook headcanons #bts x reader #fem reader

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currantlee · 10 months

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Something I love about the memory of Zelda and Sonia in the German dub of TotK...

(Translation: And your Link, too, is surely awaiting your return.)

Sonia uses the phrase "dein Link" ("your Link") here, which in German is a common phrase to indicate the belief that someone might have romantic feelings for another person. And the way Pauliner Weiner (Sonia's German VA) delivers this line very much indicates that she is indeed teasing Zelda a little here! Sonia ships Zelink confirmed!!

But wait. There's more!

(Translation: May one ask who this Link is?)

Rauru definitely notices this too! His tone, as well as the use of the very specific article "dieser" ("this") indicate as much. If he was simply curious about who Link is in order to follow the conversation, he would more likely use the phrase "Darf ich fragen, wer Link ist?" ("May I ask who Link is?"). He is also teasing Zelda a little here.

Zelda's reply is also very sweet! While her first two lines are nothing special (she is essentially just recapping the events Breath of the Wild, as well as what led up to it), it gets interesting once Rauru reacts to her description, once again in a somewhat teasing manner (indicated by both the delivery and the language of the line):

(Translation: Oh, a hero you say.)

To which Zelda replies with:

(Translation: Link is the most steadfast and fearless knight who ever existed.)

(Translation: Yes...)

(Translation: He is so strong...)

That last line is pretty much the same in English, but Julia Casper (Zelda's German VA) does an amazing job making it sound like Zelda is not only admiring Link throughout this entire short monologue she is having, but like she is talking more to herself than to Rauru and Sonia, almost like she forgets they're there for a moment because she is thinking about Link. I really loved this little touch!

Also note that Zelda is not explicitly talking about physical strength in the last line (although she might be. It isn't clarified, leaving the interpretation of what kind of strength she is talking about up to the player).

(Translation: ... and on top of it all, he has a good heart!)

This last part seems to be directed at Rauru and Sonia again. But we're still not done!

After Rauru remarks that Zelda seems to think highly of Link and that the way she's talking about her knight makes him want to meet him, Sonia agrees and delivers a final line that, once again, makes it very clear that the two of them are engaging in a little bit of good-mannered teasing in this scene (both from what's actually said here and how Paulina Weiner delivers the line):

(Translation: Chivalrous, and full of gallantry...)

(Translation: Don't make us so curious, Zelda!)

And then they all break out in light-hearted laughter.

All in all, I really love this scene! Huge respect to the German VAs, who did an absolutely stellar job (not just in this scene, but for the game in general - especially Julia Casper!).

#The Legend of Zelda #Tears of the Kingdom #TotK #LoZ #Meta #Legend of Zelda #LoZ Meta #Analysis #LoZ Analysis #German #German dub #Zelink #Zelda #Sonia #Rauru #Currantlee here #Currantlee translating

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tim-shii · 1 month

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a/n: a gift for @svnarin 🫶 may he come home 🙏 this is a meet cute kinda thing hes fine very fine and hot too i'd kiss him the moment i see him for the first time (im the one who read a liquor lingo article for this yes)

gallagher thinks you look out of place. arms almost sticking to your torso and constant glances around your surroundings, he deduces that you’re either being stood up or it’s your first time in a place like this. since there’s not many people on the counter right now, he sees there’s no harm in approaching you.

“what can i get you this evening?” his raspy voice pulls you out of your daydreaming. you look at him with wide eyes and instantly, you’re fiddling with your fingers.

“uhm.. a cola, maybe?” he blinks once, then twice, before chuckling.

“never been in a pub before, sweetheart?” he leans with his forearms on the counter, slightly tilting his head at you.

“no. but i’ve read a liquor lingo article before coming here.”

“and is that helping you?”

“no. not really,” you wince. “can i please get a cola?”

“don’t have ‘em. sorry, sweets.” gallagher shrugs, grabbing a table cloth and pretending to wipe the wooden surface. he snickers at your frowning face.

“can i offer you a cassis soda?”

“i don’t know what that is.” you shake your head at him. he notices the tension slowly leaving your body. the previous signs of anxiousness nowhere to be found, you’re leaning on the counter and actively engaging in a conversation with hin.

“a virgin mojito?” he cuts you off before you even get to shake your head at the sound of an unfamiliar drink. let’s be honest. with it being your first time in a bar, all drinks are unfamiliar. your safest bet would probably be a glass of water.

“i’ll make you a virgin mojito and you can try it. if you don’t like it, i’ll grab a can of cola.”

“deal.” you watch as he moves around, skillfully making your drink like it’s second nature. in a matter of minutes, a glass of a carefully curated mocktail sits in front of you. you look up from the drink to the handsome bartender, he has his arms crossed over his chest and an eyebrow raised at your stare.

“well? go on, try it. you saw me make it. trust me, there is no poison or love potion in that.”

gallagher hums as you take a sip from your drink, turning for a moment to grab something from the cooler behind him. he turns back just in time to see your face scrunched up, nimble fingers not-so-subtly pushing back the glass to his direction.

“i’m guessing you’re not a fan?” he mused while handing you the promised can of soda, tab already opened. you rejoiced in the fizz of the beverage you’re used to. “no, definitely not a fan. maybe after a few more tries, i’ll come to like it.”

“then, i’ll be making it for you a few more times.”

“it’s a date.” although taken aback by your words, gallagher hid his astonishment with a devilish smirk.

“sure, sweetheart. a date it is then. now, why don’t you tell me more about that liquor lingo you’ve read?”

“okay so a back is a drink—”

maybe next time, he’ll slide a glass of rob roy your way.

likes and reblogs are appreciated! masterlist

#tim writes.#honkai star rail #honkai x reader #hsr x reader #hsr x you #gallagher x reader #gallagher x you #hsr gallagher #honkai star rail fluff #honkai star rail gallagher #hsr fluff #gallagher fluff #hsr imagines #honkai star rail imagines #gallagher imagines #gallagher imagine #gallagher hsr #gallagher honkai star rail

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thankskenpenders · 4 months

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Happy new year, everyone! Welcome to 2024, the year that will mark the 10th anniversary of Thanks Ken Penders. I'd like to go over my plans for the blog for this year.

First of all: in the very near future, I'll have a post with my thoughts on Sonic Dream Team, and I'm sure I'll write one last Sonic Prime review once the final episodes drop on the 11th. I've also been sitting on an unfinished piece about the Sonic LEGO sets. I wanted this to be longer and more detailed piece that not only reviewed the sets but also went into the weird disconnect between homogenized image of Sonic the Brand and the actual fiction it's based off of, but it'll probably end up getting cut down a lot just so I can put something out. Let's just say I did a fun little thing with one of the sets.

Second: yes, I would like to return to regular TKP updates this year. As I've said many times, I wanted to do this in 2023, but I've been suffering from creative burnout after finishing SLARPG and have generally been unable to focus on any of my creative goals this past year. I'm hoping that this year will be better and I'll be able to get back into the swing of covering Archie Sonic issues. Even doing one issue every week or so would be vastly preferable to continuing the hiatus. I'm still only halfway done!! But aside from burnout, my other main hurdle is that I need to reread my own archive to refresh myself on all these things after nearly three years away. This will take some time.

The thing is, though, this year I'll have an extra incentive to go back through my previous writing and brush up on all things Archie Sonic. Because you see...

I've decided that I want to make a video essay about Penders. The comics, the copyright battle, The Lara-Su Chronicles, everything.

The why

I've thought about doing this before, but I never committed to the idea. I was too busy with gamedev, or I thought it'd end up being too long, or I figured that there were already enough videos on the subject, or I just lacked confidence in my ability to put together a video essay. So I told myself it wasn't meant to be, and let the multiple YouTubers who have cited me as a source on their own Penders videos fill that void.

Recently, though, a few things have happened that have convinced me it might be time. For one, YouTube video essays/media retrospectives/etc. are just getting longer and longer. When Quinton Reviews is out here doing 21 hours of videos on Sam & Cat, a subpar Nick sitcom that only lasted one season, I don't feel so crazy for wanting to make a video about several hundred comic books and two lawsuits that'd be at least an hour or two long lmao. Admittedly, I've also been self-conscious about doing a long video essay like this as a trans woman who has yet to do any vocal training. But these days I feel like I see a lot more transfem YouTubers who have done little to no vocal training, and that's given me more confidence on that front.

But the big one was Hbomberguy's recent plagiarism video. As I sat there watching it, I kept thinking about the time I found a CBR article that was just a crude 800 word summary of my two previous articles on Penders, published by a CBR writer who's put out over 4000 articles since 2019. If I've already been plagiarized before, and my writing is so frequently passed around as a go-to source on Archie Sonic drama, then I wouldn't be shocked if there were YouTubers out there straight up just plagiarizing me. I don't watch other peoples' videos on Archie Sonic, so I'd never know! So if people are just gonna paraphrase me when covering these topics anyway, why not take matters into my own hands and make what I would consider to be the definitive video on the subject? If hacks like James Somerton and iilluminaughtii can churn out these shitty video essays and people will still watch them, surely it can't be that impossible to make my own, right? (And also, uh, Hbomb literally told me I should make the video lol. If you're reading this, thanks for the encouragement.)

The what, how, and when

So here's the plan.

Part of this video essay will be an adaptation of my Medium article on the recurring themes of Ken's Archie Sonic run, with its content touched up and expanded upon. There were a few things I skimmed over in the article because I didn't want it to get too long, but again, people are out here watching ten hour videos about bad Nickelodeon sitcoms now. I can get away with elaborating a little more. I can add a few paragraphs talking about the Chaos Knuckles arc, or throw in a little more historical context I've discovered in the years since.

After covering the comics, the back half(-ish?) of the video will be dedicated to the copyright battles and their ensuing controversies, trying to give an accurate picture of what actually went down, the sheer scale of how bad Archie fucked up, and what our takeaways should be. This will have some similarities to my New York Magazine article on the subject, but I'll be rewriting it from scratch. I REALLY had to keep things short for that article because I was already way over the expected word count, and my tone was a little more straight-laced than normal because I was trying to keep things Professional. I can riff more and insert more of my own opinions this time, like I normally would.

I'll inevitably have to touch on some of Ken's Bad Tweets when discussing things that have happened after the lawsuits, but I don't want the video to just devolve into a list of times people got mad at him on Twitter, so I'm gonna try to keep that to a minimum in favor of focusing on his actual work. Things like the Scourge the Speed Demon incident and his continued statements on certain characters' copyright statuses probably warrant mentioning, though. And finally, assuming that the book really does come out this summer, I would like the grand finale of the video to be about those first couple chapters of The Lara-Su Chronicles.

I don't currently know when this video will get done, but it'll probably be in the back half of the year, especially with me waiting for the book to either drop or get delayed yet again. But I've actually already started writing a bit of the script, and will keep chipping away at it for a while.

So, uh, yeah, look forward to that? Wish me luck?

#tkp post

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gotham-daydreams · 7 months

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What would've happened if Y/n wasn't even in Gotham? Maybe they went to another country or something

If that did happen, then I think the Batfam would put their connections to good use (superhero or otherwise)!

Bruce Wayne would report the reader as missing, and they'd effectively have everyone and their mom on the reader's ass, and lets just say that Y/n wouldn't be gone for long. Especially not when the Batfam has connects with the Superfam and, well, I don't think I really need to mention anything besides they have incredible hearing and can fly super fast. (Alfred definitely shows some of them recordings and such he has of the reader so they know what the reader looks like, and what their voice sounds like if they don't know the reader already. Even if one of members of the Superfam probably does, even if I don't know who that'd be in particular.)

Granted it may still take them a while because the reader is one whole person in a world full of billions of them, but if there is one trait the Batfam shares is that they are absolutely relentless. Some are more stubborn than others, yes, but stubborn nonetheless.

Eventually they'd find the reader, and considering who these people are, along with who they're working with at this point, I can imagine that they'd find the reader pretty quickly considering things.

Not to mention that the reader is a pretty well known musician at this rate (albeit not to a super popular/famous degree, but well known enough for people on the street to kind of notice who they are in a little surprised but mostly casual way), and most likely has no idea that the Batfam is even looking for them until they see an article of them, or one of their friends mentions that they're apparently "missing".

Which gets extra awkward because, well- obviously they're just living their life at this point, and still making music because it's their passion and dream. They're not just going to stop because they left the manor, and have probably released a few songs with a performance of theirs coming up. Even if the location may not be disclosed yet, it's like the announcement itself cements the reader's fate. Since it's almost acting as a signal that's like a "hey!! i'm here!!" And again, this is a family full of Detectives and such, they can get details from most places other people probably wouldn't.

So, maybe they'd find the reader after a few weeks to a month or two at the very latest. Especially with them, at this point, going full yandere because they've been obsessively looking for the reader over however long it took them to find them. That obsession of the Batfam's growing more and more by the day, and their own paranoia and worries fueling each others. Maybe it even gets to Damian a little, who knows.

Regardless, whenever they find Y/n they are at their wits end. Now it isn't even up for debate if they kidnap the reader or not. They will. They do.

It's swift, it's sloppy, it's impulsive, it's reckless, and even it isn't thought out at all, it's quick. Almost painless.

They all just want to hold the reader and say all these things — but they can't. Not here. Not while Y/n isn't home. Not yet. But they will. Soon.

Whoever holds the reader first doesn't get to hold them for long. They're practically snatched and grabbed from all of the members of the family as they fight over the Reader's unconscious body like starved, savage dogs trying to get that last bit of meat before they have to endure the pains of hunger again.

Eventually, they do settle, especially thanks to Batman and Alfred, and decide who would be the best fit to carry the reader for the rest of the trip. That sparks another fight, but eventually someone is chosen, and some of them even take turns as everyone heads back to Gotham, returning home safely with the reader. Bringing them back home. To their real home.

Safe to say, the reader's freedom? Absolutely taken away, it practically doesn't exist anymore. Along with their personal space, as the Batfam needs a BIG recharge after all that searching, and the reader is just the thing they need. Expect a lot of hugs and a bunch of boundaries to get broken within that first month or so. They're never letting go, not ever again.

Tldr: Reader is still fucked either way, but it does take the Batfam significantly more time to find them, and when they do the family is basically mentally fucked over. All screws scattered on the floor- everything. So they're a little less lenient and immediately jump the gun, just that much closer to completely losing their mind, and so despite being so far away — the Reader is immediately brought back to Gotham once found, has basically all of their rights stripped away from them, and is suffocated in affections, hugs, cuddles, and the like for over a month into their captivity as a result. No exceptions. Not anymore.

Hope this answered your question! If anyone else has a question, or you yourself have something else you'd like to know the answer to, feel free to send in an ask! If you'd also like me to clarify something or anything like that, an ask is the way to go a well!

#talking daydreams #platonic yandere batfam #yandere batfam #yandere x gn reader #gn reader #sibling reader #yandere dc #platonic yandere #really liked this question tbh!

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slavghoul · 6 months

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Interview from Sweden Rock Magazine 10/2023

Hi, hi. There is an interview with Tobias in SRM’s newest issue, but it’s in the subscribers only section, so I thought I’d translate/share since I guess not many people will be able to get their hands on it. It is about Prequelle and it’s part of SRM’s „200 best Swedish hard rock albums of all time” series. Prequelle placed #68. The other albums may have scored higher, but for now we don’t know the whole list. Either way, enjoy. Very insightful.

„Do you think that "Prequelle" is Ghost's worst album?” Now that’s an unusual opening question. Especially when the interview is about an album that Sweden Rock Magazine's writers and qualified Swedish hard rock musicians (including Tobias Forge) have voted as one of the 200 best Swedish hard rock albums of all time. The question wasn’t planned, but comes spontaneously, as a reaction to the first thing Tobias Forge says when we sit down on opposite sofas in the record company office. I'm here for a two-part interview, partly about the EP "Phantomime" (published in #6 2023), partly about "Prequelle". Neither record companies, artists, voters, nor even our writers who conduct interviews for this series of articles have any idea what placement an album has received. Interviews are often done well in advance and we simply don't want placements to leak and become public long before publication.

No Ghost album has ever been on the list before. The idea is actually to end the day with the "Prequelle" talk, but when Tobias Forge suddenly starts with a funny little comment that this album is probably the one that those who have voted think is Ghost's worst or least popular album, I just have to take the opportunity to ask the question: Do you think that "Prequelle" is Ghost's worst album?

No, absolutely not, he says and laughs. If I'm going to be completely pragmatic, I'd say: "How many songs do we actually play from that record?" There are songs that work damn well live and sit where they should. So it's a pretty strong album.

But is this what you are basing it on? "Prequelle" was released after Ghost had become really big so it can't be compared to "Opus Eponymous" and "Infestissumam" which you don't play many songs from. I mean, no matter what kind of record you had released when "Prequelle" came out, you would still have played many songs from it and they would have worked precisely because Ghost's songs nowadays are moulded more to the arena format.

I don't know how to answer that, it's difficult. If the album had been different, it would have been. If I'm going to talk somehow both artistically and practically, I know that for every record we have become exponentially bigger. "Prequelle" was definitely no exception, but it also took us a big step forward and upwards and we became bigger and broader. To the extent that when we introduce old songs in the live set, you notice that there are elements on albums one and two that make some songs more difficult to play. Not technically, we can play the songs, but they don't work in quite the same way as the later songs, which means that there is a slight favouritism.

I asked the original question about whether you think it's Ghost's worst album only because you directly said that this means it's the least popular one.

I'm just so full of myself I assumed all the other albums are also in the top 200, which may actually be incorrect. This might be the best album and the others aren't even there, haha.

It wasn't long after "Prequelle" was released that you were self-critical of the album in interviews, saying that it was too ballad-heavy and a bit too soft. I haven't noticed that before, you being so self-critical shortly after the release.

Yes, but I still feel that way. If, as an artist, I am only going to look at the work with the criticism that one can feel towards one's own work, I think that if things had been different or if I had more time, I might have wished that I had managed to get maybe two more hard songs. Maybe one more hard song would have fit on the album and another harder song might have phased out one of the ballads. Now five years after the album came out, I know that the two ballads ("Pro Memoria" and "Life Eternal"), which I may not think are bad, are one too many. But I know that many of the people who like the band like both of them, so it's kind of a useless argument.

Who sets the length of an album? Have you set a limit, that it can't be longer than this and have no more songs than that?

No, but it must fit on an LP disc and there is a physical limit. I think the absolute pain threshold is 46 minutes and that's 23 minutes on each side. Now maybe Mikkey Dee (co-owner of Spinroad Vinyl Factory) will raise his hand here: "But I can make it longer!" And it's maybe 48 minutes, I don't know, but I do know that when a disc starts getting so full that you start getting close to the sticker, it starts to sound bad. Especially nowadays, because recordings today are so very maximalist in scope. It's one thing if you record 60s music with drums, a guitar and bass where the sound is cleaner and finer or if you play acoustic stuff with just vocals. Bob Dylan records could have eight songs on each side and it worked all the way through. But this kind of fairly compact music doesn't work well. Not only am I a militant vinyl advocate, I think we should respect the fact that most artists don't manage to create more than 45 minutes of good music on a regular basis. A lot of famous double records are not that good. I don't think the Rolling Stones "Exile On Main St" is very good. It might as well have been on one disc. And if I'm actually going to turn it into something completely mundane, I'd say that I think it's irresponsible to sit and make records with twelve songs if it results in the record being 63 minutes long and you automatically have to make a double record. It's pretty wasteful.

When you said that it's irresponsible, I thought you were going to say that it's irresponsible to print a double vinyl because of the environmental destruction that it entails.

Of course, if we're going to be completely straightforward and not do anything that harms nature, we shouldn't even release any records, so I say this with reservation. But with that in mind and for the sake of art, I think more people should embrace the actual given format that has been the most prevalent in rock history. There is a reason why a film is usually one hour and 30 minutes. You can’t take any more. There's a certain dramaturgical structure and there’s a certain comfort in it. Then the CDs came along they screwed that up, and suddenly there weren't two sides anymore but it started one way and ended another. Now that the CD is no longer important and we've gone back to vinyl, creators should follow suit and start embracing the physical rules.

Are there songs that have been rounded off just because you thought „I have to round off here, because if I continue, it won't fit on the vinyl disc"?

We actually had that problem on the last album. „Watcher In The Sky” ended the A-side and the outro is much longer on the CD and digitally. Two minutes longer I think. Much, much, much longer. It's long, noisy and has all these dives. It's a very chaotic soundscape. You get the feeling that it goes on and on, and on the vinyl it's just the beginning of an outro and then it drops almost immediately. I think that was a huge mistake.

So the overall sound quality was more important than vinyl buyers getting everything? Because you could have pressed the vinyl and it would have fit, but you would have had to compromise the sound quality.

Yes, exactly. You can get the song to just keep going until the vinyl simply runs out. Then it just starts spinning in the middle, depending on what kind of record player you have. But the problem then, if you want to anticipate events at a creative stage, is that people today buy and listen to vinyl records and are sensitive. It's quite common for people to complain that the record is broken. I don't just mean our records, but people complain a lot about the presses. If you make ten songs, it's therefore stupid to have a too thick soundscape towards the end of song number five and song number ten. If you want to be really good and old school, that's where you put a piano ballad because it's an easier sound to handle so far into the record. This is what I think about when I make records. But clearly sometimes I miscalculate.

This must cut right through the record collector Tobias Forge's whole body and soul, that "Watcher In The Sky” is shortened by two minutes on the vinyl of all versions.

Well... I don't toss and turn and wake up in the middle of the night thinking about it anymore. But when it happened, I was livid. Luckily it was just an outro. It would have been worse if it had continued with some kind of narrative into the next song. Now I can't remember in my head how long "Prequelle" is, but if I'd had to go back in time and just re-construct it, the re-construction wouldn't have had much to do with the existing material, I would have just wanted to add a scene. And it's not a scene that's missing, it's just for the sake of balance. It became asymmetrical in a way that bothers me a bit.

You've talked about this before, but it was before "Prequelle" that you really started to talk a lot about how you were thinking about what kind of new songs might suit the live show. Can you get stuck in that mindset, thinking more about what songs are needed live right now rather than creating an album that will last 30 years?

Hmm... (long pause)... The reason I'm sitting here thinking is because I'm trying to come up with examples of other bands that I think might have gone through something similar. I’m looking for examples to the answer I'm about to formulate and that is that: yes, I think there comes a point in the career when most bands make a record because they simply feel they need to… Because what we're talking about is that when you go from playing in small smoky clubs in front of an already inveterate audience that already understands the perhaps a little more chewy expression, that experience can change if you start playing in front of a larger and especially a different type of audience. When a different type of audience comes and you play in a different format, you discover that this song doesn't work very well, it doesn't sound very good and it's difficult to get the sound right. Then there's usually a record or two or three during your career when this transition happens where you start filling in with songs that work better live. Look at Piece of mind", "Powerslave" and "Somewhere in time". There's a reason why Iron Maiden didn't play a lot of the first two albums there and then, because it was easier to play the new songs. You get to that point somewhere in your career and it's very difficult to say when it is - there's no given rule and there are artists who continue to release relevant records and have an amazing ability to release new records and just play the whole new record. Well, now Iron Maiden does that and tests their audience a little bit in that way, but then they will always compensate by doing like a "best of" set the following year so everything is forgiven. Now we're in the middle of the "Impera" period here and have a very strong set, but I'm starting to feel that now that I'm about to start writing a new album, it feels like it's not really on my agenda to write three more albums that will change the live setlist ten years ahead. I think we already have the blueprint for what is Ghost's setlist, especially if you include the entire catalogue. After a while, each new record you make becomes a little less important. It's really hard to know when that point comes, but the truth is that new records don't matter in the same way. Slayer didn't have to release "Divine Intervention”. They definitely didn't have to release "Diabolus In Musica". I didn't care about it and I just wanted to hear the old stuff. If they had just come up and played "Reign In Blood" I would have been soooo happy. And that's the way it is with most bands. Nobody would be sad if the Rolling Stones came up and didn't play anything from "Emotional Rescue". And that's just the way it is. In the future, I can see a scenario where there is probably a basis to possibly build up an alternative setlist. There are so many songs that we do not play and that I have nothing against - I love them too! But it would almost be easier to build up a completely alternative setlist and run a show with only the odd songs. There are so many songs now. There's no reason not to build on that. But when I want to make a new record, it's irresponsible for me not to consider that there might have to be some songs that are a bit more direct. But it doesn't hurt me if we have more songs that we don't play live. I don't know if this answers your question...

I would actually like to ask exactly the same question again, because I wonder if you yourself feel that you get stuck during the making of the record. You said that you would have liked to include another hard song because "Prequelle" doesn't have the balance that you would have liked to have in retrospect.

Exactly, but the explanation for that has more to do with my mental capacity there and then. I simply couldn't cope. I felt that I had probably maxed out… It was probably about as much as I could do that year. That's the simple explanation. To get another song that would have fit and that would have fulfilled this requirement that I now in retrospect would have wished I had, it would have required something that I did not have there and then. The only thing that could have made it easier is if I had more time. It is difficult to reason about it, you see.

I was in the studio for a few days during the recording and it's one of the few times in all these years that I've done interviews where someone has started crying during an interview. It was quite obvious that everything that had happened with the split of the band affected you.

Yes. Of course. It did.

Is "Prequelle" a difficult album to listen to for you? Can you sit and listen to it all the way through?

Well, at the moment I have to do that from time to time, and listen to all the records, because we're just about to start rehearsing again and then I sometimes have to go back and just listen to the record to go: "Fuck, is that really how I sing?" Especially when we start rehearsing, I can be a bit like: "Damn, who changed this bit?” Then I usually sit down and it hits me: "Oh, it's me who has changed my song!" You simply do that over the years, you start singing it in a slightly different way. So sometimes I have to go back and listen, but it’s more practical. I don't think it's fun to listen them. I do it until they are finished. I listen over and over and over again and really try to listen with all the imaginary ears and all the imaginary perspectives you can have. "How would I have listened to this if I had heard it from this perspective?" Just to get as "objective" a perspective as I can until I'm satisfied, but then it's like „No, I don't want to hear this anymore". But I have to say that I think "Prequelle" is a very tolerable disc despite everything that interfered with the process. Therapeutically, it works quite well considering that we are still playing at least half of the album. For every artist there are songs that you want to play, and there are songs that you don’t want to play because they feel too personal. I don't feel that way about this one, it's more like: "Ah hell, they're part of the setlist and people like it and it sounds good. So that's what we're doing."

On a personal level, was Tom Dalgety the perfect producer for you, the way you were feeling at the time? Tom feels like the kindest, sweetest producer you can meet. He wasn't the kind of producer who pushed you very much, it was more of a nice atmosphere between you.

Yes, really, and it would have been different if Klas Åhlund, who is more confrontational, had been in the room. Now Klas and I are great mates, so it would certainly have been very therapeutic also, but it would have been a different process. If an artist comes in who is in such bad shape that they can't make a record, or a band where the main songwriter has just left them, then a Bob Ezrin goes in and says: "If you don't make the record, I'll make the record myself.” And he goes and makes Kiss "Destroyer" or Alice Cooper records. I'm not saying they didn't make them, just that you hear that Bob Ezrin made "Beth". It's a type of producer that's very different from a lot of other producers who maybe act a little bit more like buddies and cheerleaders and make the atmosphere good. Bob Ezrin doesn't care so much about the atmosphere in the room. Klas is somewhere in between, I would say. Given the condition I was in during "Prequelle", the result could probably have been different if Klas had come in. Ironically, there was actually talk of him doing it, but he didn't have the time and we'll never know how it would have turned out. I only know that it would have been different, but right there and then Tom was fantastic. I know that a lot of bands like to work with him because he is technically brilliant. He's really good at those typical sounds that people like: cool drums, guitar, bass, tone and clarity. He is also very "happy go lucky", a nice guy who sits and jokes all the time. Even if he has a bad day, it doesn't affect anyone else, which is convenient.

Let me compare it to when a writer contacts me after an interview and says "that was such a nice interview". For me, "nice" is not something positive in such a work situation and the result is often better when there is a little friction.

Mmm, and that is more Klas. There is more friction and more confrontation. And I was much better equipped for that at "Meliora" and later at "Impera". I felt better and was simply stronger. There wasn't the same survival instinct as on "Prequelle". If I think back, not about how the album turned out and how I have to live with it, but if I think back to the situation I was in, I was very anxious all the time. Even though I'm happy with the result, I wouldn't want to go through the recording again, even though Tom was great. Because it's hard to work when you're under attack. I realised that now when I made "Impera", when it was no longer like that. You are much more comfortable, it doesn't feel the same, you are more mature, you make better decisions, you are more controlled or dare to be uncontrolled. When things are this serious, you can end up in a freeze mode. Maybe that's also why there wasn't another song. The song that I miss doesn't exist because I simply squeezed out everything I had. If I had been in a different emotional state, I might have been more comfortable working out something at the last second from bits and pieces. But I felt that I really just wanted to get it done, deliver it, get back out on tour and start over again.

When you described being more mature during "Impera" you sounded like a 70-year-old, kind of like all the Aerosmith-like bands that have been fighting all their lives and now that they're in their 70s they say "we're soooo mature,” haha.

I think with all artists, especially when they're required to work in a group, there are many recordings that have been a collision with a wall because you're expected to function in a context all the time, whatever and whenever. But you do change and from one year to a few years down the line there can be a huge difference in a person's drive, hunger and priorities in life. Whether you have the same band structure as I do or whether you play in Metallica, people come in one state and they may end up in another, because you have different priorities at different times. It's unfortunately against the whole rock myth. I think that's the biggest problem for bands and businesses, that you always have this idea that if you just get to a certain stage - not just monetarily or career-wise, but you get to a certain stage of fun - then we've reached the status quo. But that is never the case! Never! There’s always something. Even in the best moments when everything is working, the band is awesome, everyone is working well, the crew is awesome, everyone is laughing, it's just a party all the time mentally, you have the world's best tour manager, everything is flowing and the tickets are selling, there will always be someone who doesn't like it and then has to break away and want to do their thing because it's no longer fun. It's usually somewhere in the lead-up to a stage where it's interesting and then once you've achieved it, it all becomes a bit boring. Just like in a relationship some people may eventually think, "well, that's a bit boring, I have to go out and do something else".

Since I was in the studio when you were laying down guitars on "Witch Image", my heart beats a little extra for that song and I thought it would be a great live song, but you've barely played it (at the time of writing it's Ghost's forty-fourth most played song live).

We did it during the "Prequelle" tour, or "A Pale Tour Named Death" as it was called. Then we did quite a few "an evening with" concerts, for better or worse. The advantage was that if you were a big fan of the band we actually played a lot of songs and actually a lot of the first albums, like "Idolatrine" - or "Witch Image". We did a set, a break and then a whole other set. That was a bit of a taste of what I was talking about earlier: doing a slightly larger set and then a slightly smaller one. You just shouldn't do it on the same night because it gets a bit stale. We played for two hours and 30 minutes or something and that wasn’t a good idea, haha. At least we did "Witch Image", but it has fallen behind a bit and it doesn't mean that we will never play it again, just that we don't do it right now. What I've been happy about is that there has been a feeling for the records that we've made recently, "Prequelle" and "Impera", that people still want to hear the new stuff. We haven't gotten to that stage that I talked about earlier when it doesn't matter anymore. Then it's very fun to try to find a new way to perform the songs, not technically, but suddenly a song like "Witch Image" might fulfill a very nice purpose between a completely new song and another song.

Let me speculate: in 30 years, I think "Rats" will be considered the great hard rock song, "Dance Macabre" the great hit and "Life Eternal" the great ballad. What do you think? Will this in the future be seen as the three big songs of the album?

Yes, that makes sense, I think. I understand that an instrumental song automatically ends up in the wake of a "best of" collection, in the sense that you do one in 30 years. I realise it's not a hit but the instrumental "Miasma" is a big part of our live show. It's strong and feels like such a keeper. Now we don't play "Life Eternal" very often actually, but it was very well received. For some reason people like to get married to it, I don’t know why, hehe. It's nice but it's also a bit like U2’s „I still haven't found what I'm looking for" and you don't use that one at a wedding. But people like it and I guess interpret it differently to me. It’s also a song that I don't think is fun to play live.

And why not?

Because I find it hard to play ballads. Physically, they don't feel the same as rock songs. I miss the "dunka dunka". Now everyone who plays music today knows what I mean - sorry, readers who don't play music - and it's that there's a small problem with having in-ear monitors. This means that you have to reach a certain frequency of beats in order to feel the music, unlike when you played at clubs with only a guitar amp behind you. You felt every single note you made and it just went through your body. Nowadays, I think it's sometimes hard when you play slow songs, because you have to trust that it sounds good, whereas when you play a rock song, you feel that it sounds good.

Does it also apply to "He Is” which is such a huge ballad, not least live?

Well, just the intro and then it gets going quite quickly and suddenly becomes a hard and rather fast-paced song. The classic ballad concept has always been that you play so-called edge beats to make it sound soft, while "He Is” is actually a rather hard-played song considering that it is a ballad. Once the drums come in – boom, boom – it's got AC/DC bite to it. It has a rock feel to it that "Life Eternal" doesn't really have. As I said, I don't think that "Life Eternal" is a lot of fun to perform, but that doesn't mean that it isn't quite good to listen to. It’s just that when I play "Dance Macabre" or "Mummy Dust" I feel that I can express myself physically more in line with what the text says and what it means.

#the band ghost #tobias forge #interview #prequelle era

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csainz5 · 10 months

Text

Mine || Charles Leclerc #16

pairing: charles leclerc x girlfriend!reader

summary: in which seeing people ship you with other drivers fuels the possessiveness in charles.

author notes: can u tell ive been obsessed with culpa mia. also this is my first charles fic (!!!) i made sm tweaks to the original req im so sorry 😭 deff been in a slump recently bc exams but 🙏 no beta read!! this one is still raw asf lol

req: yes/no.

wc: 1.2k words

————

the air as the weekend approached was filled with an adrenaline of its own. drivers loitering on the paddock, a camera shoved up each one of their faces. most of them were making videos for their teams social media, while others were giving interviews. silly banter & playful hazing surrounded the place as the free practices neared. as calm and laid back as the environment was, a new buzz had taken over the virtual world. it seemed like the redbull fans had taken on a new intrest in a the friendship you and max shared, suspecting it could be more than just friends. you’re shocked as you read through the articles, what could possibly make it seem like you were both in any sense more than just friends? max was like the brother you never had, and you, the sister he had always hoped of having. as much as the articles were delusional, you didnt really care that much about them, i mean why would you be afraid when there’s nothing youre scared of being open to the public? okay, maybe not everything. not the time when you were so drunk you demanded every guy on the paddock to quote “settle it with me on the ring”, not the time when you were the culprit behind the hilarious azerbaijan mix up where you stole the champagne on the podium and replaced it with an empty one, and definitely not the fact that you’re already taken, by a person known to all on the paddock.

—

The morning of the race was always an exhilarating one no matter which team youre driving for, or which team you’re rooting for. the passion, the dedication and the confidence in the each and every drivers persona was enough to fill you in the same mindset. though youve always been a redbull fan, which, i mean is definitely not even surprising considering you probably frequent their garage more than some of their own engineers, youve always held an admiration for all the drivers. even you knew how dominant the redbull cars were, so seeing the rest of the drivers still catch up with less resources filled your heart with pride. you look up at the fan’s waiting impatiently for the race to start with a smile on your face. this, will never get boring, you think.

Lord Percival 👑

can’t find you anywhere near here, don’t tell me you’re ditching me today yet again 😔

a chuckle escapes your lips.

You

i wouldve come over but you’re all the way across rn 😭 i’ll definitely be waiting for you after the race tho.

Lord Percival 👑

wow. way to betray me over text babe

You

okay drama queen 😒

Lord Percival 👑

guess you rubbed off on me then mon jolie

You

ill make it up to you, i always do.

just before you press send, you notice the drivers had already left for their respective interviews. whats the point in sending it now anyways, you decide.

—

the dark looms over the sky as celebrations near. the smell of alcohol, weed and god knows fucking what become all too familiar to you at this point. you reach the party alongside max, which considering he’s your best friend was not out of the ordinary for you, but little did you know, it didn’t help the ongoing rumours one bit. the familiar stench of reporters clogs your mind. what the hell were the doing here? and more importantly why were all of them suddenly taking an intrest in your friendship with max? question after question is thrown at you which makes you realise youve had enough of this. you reach for your phone.

You

screw this party

wanna meet up at our usual spot?

Lord Percival 👑

im always down 🙏

—

you could never get sick of this. the same ride, the same atmosphere, the exact same playlist playing over and over again, the curves of the road as you drive through. because you know, at the end of this journey would be the same thing you look forward to, every time. so you get into you car, and drive the same drive to the same spot, once again. at a pillar reading out “623” you stop by the ferrari you know all too well.

there he was. i could never get used to seeing him like this, you think, dressed up in formals but looking formal in no way whatsoever. shriveled hair, buttons unbuttoned, jewellery he knows how to style in just the right way. his crazed eyes of emerald, gazing into you with an intensity that makes your nerves shiver.

“took you long enough to come here” he says, holding you waist. “it was a longer drive than usual” “is that so?” he says, stepping aside you to rest against his ferrari, right beside you. folding his arms, he continues, pulling a cigarette out of his blazer, “want one?” “please, today was a bitch” “i could say the same for me, really” he reaches towards you, lighting your cigarette. “races in monaco are my favourite” he says, looking up at the sky. “yeah, id imagine so. nothing beats home” “yeah, it’s great to be home and all, but theres also something in monaco that beats the thrill any race could give me” he steps forwards, hands placed beside either sides of you.

he pulls the cigarette from your lips, taking in a puff himself. he brings his lips to your ear, “or rather, theres someone in monaco, who beats the thrill any race could give me” he whispers, blowing the smoke away. he flicks the cigarette aside and steps on it, as he lifts your face up, meeting your eyes with his own. “someone who sighs right when i kiss her here,” he goes on to place a chaste kiss on your mole, right on your neck by your jawline. and like a story repeated enough times, you sigh. “someone who arches her back when i pull her hair slightly like this,” he gently tugs your hair, making a makeshift ponytail and like a telltale, you arch your back, the satisfaction of being right sprawled across charles’s face.

“but of all, the one thing that makes me come back to this place again and again, is knowing that—“ he lifts your hips up, making you wrap your legs around him. “you’re mine.” the second he says that, its like all the dots connected in your head. you never thought charles would be jealous of the rumours, given how he was the one who didn’t want your relationship to be public. “charles, are you jealous?” you ask. “so what if i am?” “well, i for one wouldnt want my boyfriend to be feeling like that anymore” “what do you mean?” you pull out your phone from your clutch, “kiss me” “wait what are you doing?” “i said, kiss me” you say, pulling him in by his jaw. “im conf-“ you kiss him, shutting him up. as he closes his eyes he finds himself to not be able to help himself from drowning into you, well atleast until a flash brings him out of his trance. “im going to post it.” “you don’t have to, you know” “but i want to. i want everyone to know how much you mean to me charles. you’re my favourite person and i would hate to see you be jealous”

——

“i can’t believe you actually did it, jolie” “its the least i could do” you say, pecking his cheek. “but ive gotta say, i definitely wouldnt mind seeing this shade of you more often” “you haven’t seen the end of me yet, mon ange”

#charles leclerc fluff #charles leclerc x reader #charles leclerc #charles leclerc fanfic #charles leclerc smut #charles leclerc fanfiction #charles leclerc blurb #charles leclerc imagine #formula one #formula 1 #f1 2023 #ferrari #charles leclerc scenario

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