Yumna Al-Arashi, Axis of Evil (Yemen, Afghanistan, Iran, Iraq), 2020
in Leica Fotografie International (LFI) magazine:
"This photograph was made for my first European solo show in Berlin, in the gallery Anahita Contemporary. It's a self-portrait alongside Anahita Sadighi, Moshtari Hilal and Susu AbdulMajid. We are respectively from Yemen, Iran, Afghanistan and Iraq. Despite our different roots I noticed that we all share a similar background, having grown up in Western nations that often vilify the places our families are from.
I also noticed the strong profiles of each of our faces. So I decided to create this portrait with the title Axis of Evil – a play on the term so frequently used to describe our home countries when we were growing up. It also embraces the beauty of our distinctive noses, which are often treated as ugly, something to be changed. I wanted to embrace these qualities of ours in this image, creating something powerful, defiant."
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Louisa May Alcott, from Little Women
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How do I look away now that I have seen you?
on being seen and known and understood
Rachel Mennies, from "April 18, 2017", The Naomi Letters//Rick Riordan, Mark of Athena//picture: Mihaly Zichy "romantic encounter", quote: Micah Nemerever "These Violent Delights", edit @promqueendyke // Micah Nemerever, "These Violent Delights"//Marie Howe, "The Affliction"//Anne Carson, "Red Doc>"//NA//Taylor Swift, "Daylight"//Elizabeth Gilbert, "Committed: A Skeptic Makes Peace with Marriage"//Little Women (2019)
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“I believe we have some power over who we love, it isn’t something that just happens to a person.” - Amy
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“I think the poets might disagree.” - Laurie
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Her face looked tired, grave, and rather sad, for tomorrow was her birthday, and she was thinking how fast the years went by, how old she was getting, and how little she seemed to have accomplished. Almost twenty-five, and nothing to show for it.
—Little Women (1868), by Louisa May Alcott
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