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#like i know why they do but did no one think about that whole story arc hard enoigh to realize what he did to her
bonny-kookoo · 1 day
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Jungkook
Princess | Limits [Final]
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There's only so much he can take.
Tags/Warnings: Wolfdog Hybrid!Jungkook, Showdog Hybrid!Reader, Enemies to lovers, Angst, Fluff?, Brat!Reader, Jungkook has major brat tamer energy, misunderstanding, smut, (slightly) mean Dom kook, a slap to the thigh, uh, knot is mentioned, it's nasty, unprotected but MC is mentioned to be on birth control, he holds her by the throat? Idk he also has his fingers in her mouth-
Length: 5k Words
There is no taglist for this fic.
-> Masterlist
A/N: This will act as a final chapter. The main story is therefore wrapped up- but as always, if you want drabbles, you can still request them.
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Jungkook has never understood the phrase of your ‘heart stopping’- because how could it ever? You’d be dead in that case. But right in this moment, he finally gains the knowledge by experiencing it first hand- eyes wide open and body frozen.
Why are you in his bed? Barely dressed, snuggled up to him who’s only in his underwear?
He thinks through the whole process of yesterday to make sense of this. Did you both get potentially drunk last night? No, not at all. You and him had simply packed your things to drive you to your parents hours away, after having contacted them and told them about everything. He remembers driving you there himself, unloading your bags, leaving you there after waving and driving off. And added to that, that was not last night. It was almost an entire week ago.
He hasn’t seen you in days. So what are you doing here?
It’s not a dream either, clock on his nightstand ticking away, world outside going about its day as the window isn’t all closed to let some fresh air in at night. And yet, you’re there- bare legs entangled with his, arms holding onto his.
He doesn’t really feel alarmed by the fact that you somehow entered his apartment- you know where he lives after all, and you know the passcode to his door, so it’s not really surprising at all. But what he is questioning is why you’re here- and why you’re in his bed, most of all. Has he forgotten some conversation you might’ve had? Or has something happened to make you so upset that you were craving the comfort of him at any cost?
Now he’s worried.
Shaking you a little to wake you up seems to not be very effective- because you just frown, slap his hand away and bury your face right back into his shoulder as if he’s nothing but an annoying fly. “I know you’re awake.” Jungkook tells you, and at that you actually open one of your eyes, looking up at him with your tail wagging beneath the covers. “What’re you doing here?” He asks, and you frown again turning onto your back to look up at him who’s sat up by now.
“Why do you sound so upset about that?” You complain with almost a pout in your tone, arms crossed. “I thought couples love reuniting.” You say, and he looks at you, confused.
“Couples?” He questions, and you nod, now visibly unsure as well.
“Well, yeah?” You say, attitude fading and being replaced by uncertainty. “I mean.. we haven’t said the L-word yet, but like.. I thought..” you start, scanning his face for any sign that he realizes what you believed you two were. “..since you uh.. called me baby in the car..” you drift off, and still- there’s no sign of anything on Jungkook’s face as he thinks, and digs around in his memories for the correct moment he might’ve said that. He did, maybe. But he doesn’t remember.
“did I?” He asks, and regrets it the moment he watches the shame visibly wash over you- from the way your ears pin back to the slight change in your gaze, he knows he fucked up by saying it loud- and he’s a little too late as you roll out the bed and run for the bathroom after picking something up from the floor, hiding away now. “hey- wait.” He asks, getting up to walk towards the bathroom floor, knocking on it just to not get an answer. “I’m sure it’s just a misunderstanding-“ He starts, trying hard to calm you down- but it’s clearly not working as the door opens, and you slip right past him to run towards the door where your shoes are. “Hey no- stay, let’s talk-“
“Nuh-uh, nop, this is so embarrassing-“ You rant, visibly frustrated over the shoes not closing fast enough as your hands are too shaky to really tie them. So you just make a simple knot and stuff the laces into the corners, before a tattooed hand snatches your other shoe from you. “give that back!” You bark, not looking at him however as you reach for the shoe he’s holding too high for you. “stop-“
“stop, exactly. Don’t run off now, I’m sorry if I said something that made you think we were more than we are.” He explains, and you visibly deflate at that, ears down low just like your tail. “let me get dressed, and we can talk, okay?” He asks again, and you just shrug.
He sighs as he puts down the shoe and leaves to tug a shirt and pants onto himself- before he realizes his mistake too late-
Door already slamming shut, your jacket the only thing you left at his place.
Fuck.
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He’s been knocking since forever it feels like- but even at his third visit today, you refuse to open the door.
You still got a week left in your apartment- but he knows from first hand experience that you got almost no furniture at all in there anymore, so this can’t be an option for you to sleep at. He doesn’t want you to be upset at him- and in hindsight, he really could’ve worded things a bit better, but he’s still new to this as much as you are. “please let me in.” He requests once more as he’s done so often today, sighing. “I missed you too, you know?” He tries this time around, and to be honest, that’s not even a lie.
Its odd how at first glance, he never thought he’d ever get along with you. But having you gone for almost an entire week, he really felt the way you’d somehow snuck into his heart- every task back to being mundane without you causing a little chaos in his daily life here and there.
“That’s a lie.” You say, door open just a crack to glare at him through.
“Its not.” He denies. “I just think we never actually talked about what we want to be- so I was surprised to just.. have you turn up out of nowhere in my bed.” He chuckles a little, and you just look down to the floor in shame.
“M’ sorry.” You apologize. “won’t happen again.”
“What if I want it to happen again?”
Your gaze snaps up at him at that, confused. “I was just a bit caught off guard, and honestly worried. Did something happen at your parent’s?” He wonders, and you sigh, opening the door to let him into the almost entirely unfurnished apartment- a pile of clothes and a blanket being the last items that were probably used as a makeshift resting spot for you today laying in the corner of the main living room. You sit down there, before letting yourself fall to the side as if exhausted, before you shrug, Jungkook sitting on the floor across from you. “it was.. I don’t know.” You admit. “I love them. And I was really super happy to see them again, and spend time there..” you explain, before you pull the blanket between your fingers to have something to hold onto while you stare into nothingness. “But it was.. really a lot.. I don’t know how to explain.”
“I guess that’s normal. You know, being overwhelmed with it.” Jungkook sympathizes. “I’m exhausted too after spending a day or two with my entire family-pack. Nothing to worry about.” He explains, and you just nod, still avoiding eye contact. “I think what’s important now then, is what we are to one another. You can’t just break into my apartment and sneak into my bed without formally asking me out, you know?” He jokes, but your glare is filled with embarrassment.
“Now I don’t want to anymore.” You huff, before you turn around- and at that, Jungkook feels an odd rush underneath his skull, fueled by your subtle and underlying confession in your words.
“You love me though, don’t you?” He asks, leaning in closer as he sits near you now, a hand on your shoulder. “all you need to do is say it.” He chuckles, as you curl up more into yourself as if that would hide you.
“And then what?” You huff. “You’ll-“
“I’ll say it back.” He cuts you off. “or I’ll say it first, it’s no issue. At this point it’s pretty obvious that I’m starting to fall in love with you.” He easily spills, and you freeze before you slowly unravel, turning to look at him over your shoulder with a face full of wonder.
“You are?” You ask hesitantly, and he smiles, before he nods.
“I am.” He responds, confirms his words and you sit up at that, facing him now. “are you?” He wonders, and you nod.
“I am.” You answer, and he laughs.
“See? Nothing to be scared of. Now come on, I’m not letting you sleep here.” He says, standing up with you to pick up your stuff-
Unaware of the absolute Rollercoaster he just signed himself up for.
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Jungkook did not know what he got into when basically confessing his growing feelings.
His mundane life is pretty much over at this point, with you always around and currently basically having moved in until you can figure out if this works or not. After all, you’re not used to living with someone else- and it’s clear that no matter what, you’re the opposite of an angel, still trying your tricks on him to make him dance around like you want him to.
But Jungkook isn’t this easy to control. And in a way, it’s a little fun to see how much you can get away with.
“Jesus christ, put some clothes on.!” Jungkook curses as be spots you laying on your stomach on his couch, in nothing but a simple top and underwear, tail wagging. The wolf hybrid has to turn away, distract himself with the task of turning the volume of the TV lower, while you just don’t understand what his fussing is all about, game on your little console in your hands on pause.
“Why?” You ask because of that, not sure why he’s being so overly dramatic in your opinion. It’s just your legs, maybe your butt. So?
“because- just put at least some pants on.”, he groans, and you roll your eyes, before you continue your game instead.
You’re not listening. And he’s not sure if it’s your character- or if you think his decreasing patience is funny to watch.
“Do I have to turn the wifi off to get your full attention?” jungkook asks a little irritated, and you shrug.
“Don’t care.” You respond, eyes on the little screen between your hands. “the game doesn’t need internet.”
Suddenly however, the console is taken out of your hands, as he saves your current progress, and puts it into the charging station near the TV. “Hey!” You complain, getting up now to rush towards him- and as he makes sure you can’t get to your precious game again, he notices that God fucking damn it, you’re not wearing a bra beneath this very flimsy shirt.
You’re really testing him.
“Put pants on.” He says, and you have the audacity to laugh.
“Nah.” You deny, stretching before you step away from him, walking towards the bedroom. “I’ll just take a na-“ you don’t get to say much else, as he suddenly tugs on your tail with just enough force to make it count- but nowhere near enough to hurt. “Hey!” You turn around instantly, just to be basically cornered by the wolf hybrid, who’s backing you into a wall in the living room.
“You’ve got a real smart mouth there.” He simply says, but it sounds like a threat almost-, a very specific kind of threat that makes your skin shiver. “But you tend to forget when to shut it, clearly.” He scoffs, as your back hits the wall, making you swallow your own saliva nervously.
But he can sense, smell, that this is affecting you not in the direction of fear- but something else entirely.
“You’re so lucky, you know?” He asks, somewhat- and you look at him with question. “I’m not usually patient like that.”
“What would you have done?” You ask, unable to really keep it in as you know that if you hesitate for just a second, you’ll never be able to say this out loud, ask for such things. You want them, but you’re also nervous, considering you’ve never actually gotten this far with anyone before. “Put me in timeout?” You almost challenge, tail beginning to sway a little with newfound confidence, when he just shrugs it off, and shakes his head.
“No.” He denies. “Brats like you need something that.. Lasts longer.” He words out, and at that, scenes manifest inside your head that make you visibly shy.
You’re not sure if he realized it yet, but a lot of the things you do, you do on full purpose. You like this game of push and pull, you think its exciting and fun- so you hope that with words like that, he means them as such, because that would mean that he’s both aware of the little game you’re playing, and also a willing participant in it.
You don’t want him to just feel like you’re made of porcelain, possibly breaking at the slightest touch.
“Such as?” You ask, and he leans in closer at that, almost unbearably so.
“fuck around and find out, Princess.”
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Turns out you can be sickeningly sweet almost when you really want to- currently happily laying on his stomach after helping him cook and wash the dishes after, awfully nice today and in a good mood.
It makes him wonder. Are you up to something? Or are you simply not who he thought you were? It would be just a slight bit disappointing, if he was to be honest- considering he’d actually grown quite fond of the idea of you with your ass spanked bright red, Jungkook basically having to work for your submission. But maybe you’re just all bark and no bite- just yapping around, nothing more than that.
Even that would be fine at this point, as long as he’s got you.
It’s when the male lead kisses the female love interest in the admittedly boring drama you both watch on TV, than he notices you staring at the scene. He’s notice too that at this point in time, one might think you would’ve kissed by now- but that’s not the case, neither of you seemingly brave enough to make that step towards the other. But it’s clear from the way you look at the scene in front of you with a shy sense of longing, that you want it- he just needs to find the perfect moment for it.
After all, he doesn’t just want to be any partner for you. He wants to be the one and only.
“I’m tired.” You yawn and stretch, arms above your head before you look at him. “can I get a goodnight-kiss?” You boldly ask, and Jungkook laughs, before he moves to basically lean over you entirely, hands pressing into the cushioning of the couch below you.
And then he finally leans in to peck your lips- or at least that was his intention. You chase after his lips and even move your hands to pull him back, making him act on instinct as he pushes them back, pins them down with his fingers around your wrists. But he has to admit, either the lip balm you’re using is sweet as honey, or he’s surely found the perfect person to kiss in you-
Because he doesn’t want to stop either.
“You said you’re tired.” He hums in when you break apart for just a second, and you shake your head.
“not anymore.” You deny his claims, making him chuckle.
“Not anymore?” He repeats, teasingly escaping your advances. You shake your head, as your legs move to rest around his waist, signals sent pretty clear to him as he watches you try and seduce him. “You’re right.. You’re clearly not yet tired.” He mumbles, as he leans down to kiss you again, letting himself be swept away by the moment, as you both just enjoy each other’s presence.
“Jungkook..” you whine impatiently, hips squirming around in search of any form of friction, while he just laughs under his breath.
“What do you want?” He asks. “this is our first time, after all. I don’t know what you like- or what you can handle.” He teases- though it’s clear that there’s an underlying truth to his words. This is indeed clearly going in a very obvious direction, and you feel warm inside knowing that he actually cares this much about your experience during this.
“I don’t know..” you admit. “I just.. always do it myself, so I don’t know.” You tell him, and he nods, accepting that as his kisses move to your neck, where he makes sure to leave his marks.
Because he wants you to be his, and his alone.
“how far do you want to go?” He asks, pausing his advances for a moment to look at you.
“All the way.” You tell him, and he nods.
“You sure?” He questions, and again, you nod- this time visibly serious.
“There’s no one I’d rather be with like that than you.” You say, and he soaks those words up like a sponge, before he leans back down to kiss you- softer now, more gentle, as if he’s savoring you and your open appreciation for him in this moment.
And he does. He really does.
And you know, through the softness of his touch and the slow and gentle manner in which he undresses you, that tonight, he’s going easy on you.
Tonight, he’s just going to show you real love.
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Something clicked into place last night.
As if he’s finally committed himself to you, he’s relaxed, comfortable and most of all; confident. And you’re strangely excited about this new side of him, because it’s unbelievably entertaining to play around with him now that he’s not holding himself back any longer.
Youre currently all laughing, some friend’s of Jungkook’s having spotted him at the grocery store with you, eager to get to know the girl who made him catch feelings. And you’re having a lot of fun hearing some embarrassing facts about your now boyfriend- who’s also laughing along, despite being the butt of the joke. Even when you make jokes about him too he doesn’t seem bothered-
Until a hand finds the back of your neck, fingers pressing down a little to make sure you know he’s got a good grip on you. And like a cat grabbed by its weak spot, you freeze, one look at him making you almost cower in public as his dark eyes gaze down at you. “yeah- but I think we’ll better head home now.” Jungkook decides to his friends, casually smiling while he says goodbye to his friends. And even when his hand leaves you, you’re strangely affected- waiting for something to happen, as he calmly brings the groceries to the car.
You must’ve gotten away this time, since he seems pretty relaxed on the way back home. Good thing you were in public.
However, once back inside your now shared four walls, things take a turn again when, instead of helping him unpack the groceries, you lounge on his sofa- TV instantly turned on as you watch, and Jungkook makes sure to put everything where it belongs by himself.
Your punishment follows late- but you know when it’s time.
The TV is wordlessly turned off, but you stop mid-breath trying to complain about it, because the smile he sends you is none of pure kindness. He looks almost like a villain ready to move on with his sinister plans, as he approaches you. “You think it’s funny, don’t you?” He asks, and when you don’t reply, he clarifies further. “you love getting on my nerves.” He states, and you have the audacity to shrug.
“What’re you gonna do about it?”
That was definitely your last mistake made- challenging him, well aware of how he will potentially punish you.
He’s quick to grab at your hips, no matter how fast you’d wanted to dash off. His grip is tight and secure as he carries you unto the bedroom, where he closes the door with his foot, putting you down on the big mattress. And there you sit- waiting, not sure what his silence means.
“Early bedtime, huh?” You scoff, trying to appear unimpressed.
“Its what you make of it.” He however answers. “this is your last chance to get on my good side, Princess.”
“or what?” You ask with an attitude, still not believing in hit bite at all.
Jungkook sits down at that, back against the door, eyes reflecting a little in the darkness of the bedroom. He’s a wolf, deep down, even if he’s mixed- he’s got time, and patience, and he knows it. He’s well aware that after yesterday’s endeavors, you’ve been trying to ‘seduce’ him all day long- wanting more, wanting it again, because as you’d told him last night, you ‘can’t do it the same he does’. It’s normal, as a hybrid-
And as someone like you in particular, who craves everything pleasurable in life.
You’re still sitting there, waiting, adjusting your position a bit, squirming under his watchful eyes. You’re not sure what he’s aiming at here, but it makes you a little uncomfortable-
Mostly because you can feel the way your underwear is soaking up your arousal over this entire situation.
“Go to sleep, baby.” He tells you with fake gentleness in his voice. “it’s late, isn’t it?”
“I don’t want to sleep.” You respond, and he chuckles.
“I know.” He tells you.
“Jungkook..” you whine, hoping this will be enough to break him. “I’m sorry..” you admit, ears drooping low, as you look at your lap in shame.
But he’s not fooled.
“try again, princess.” He simply says. “I know you’re not sorry.”
Fuck. What else could you do to get him to crack?
Manipulating him into doing what you wanted him to has worked in the past, so it shouldn’t be this hard. And he’s already seen you naked yesterday, so you don’t have to have shame about what you do next- moving your legs to give him a bit of a teaser to your soiled underwear beneath your skirt, feet digging into the bed below as you try and get under his skin this way.
“…can you help me?” You wonder, noticing how his eyes were captured by the sight for just a second.
“I can.” He nods, getting up to walk over to you- and your tail wags, triumph yours to claim. It’s still so easy to make him dance around like a puppet on strings, because down the line, he’s just another guy who’s quickly caught up in his own lust-
His face is inches from yours, eyes piercing into yours as he still got that wolfish smirk on his lips.
“But I don’t want to.”
Wait- that’s not part of the script.
“do it yourself, puppy.” He laughs, opening the bedroom door. “You know how to-“
“No!” You call out, making him turn his head over his shoulder to look at you. “I want you!” You argue, making him laugh.
“too bad.” He denies, and at that you get up, one leg out of the bed already. “get back on the bed.” He demands, and you huff.
“so you really putting me in timeout?” You scoff, stepping out with the other leg as well.
“You want to act like a brat so I’ll treat you as such.” He explains. “get back on the bed until I’m done cooking.”
“No.” You deny, walking closer.
He says your name, low and clearly in a warning, but you don’t care.
It’s then that your world turns upside down for a second, before you’re thrown back onto the bouncing mattress. You can’t help the sound that escapes your lips at his display of strength over you, a hand still on your arm to push you down. “does pissing me off make you that horny?” He asks, almost in a demeaning tone. “gushing into your panties just because you’re getting on my nerves, huh?” He continues, and your tail still wags.
“Its funny.” You admit, giggling, when a hand slaps your inner thigh, skirt having risen up to cover basically nothing anymore. “ah-!” You call out in surprise, making him laugh.
“it is.” He agrees. “it’s funny how you think you can play me.”
The next second, he’s tugging your underwear off of you, strings of sticky arousal still trying to hold onto the soiled fabric for a good stretch before the piece of clothing is thrown somewhere. “gotta get you off to make you listen?” He asks, agitated, hand between your legs a complete contrast to the gentle way he’s helped you reach highest pleasure last night. “gotta fuck you stupid so you’re finally a good girl for once?” He questions, and you just nod, frantically, overwhelmed by the way he pushes two of his fingers in already, thumb rolling over your most sensitive spot.
“Please-“ you start, but he only laughs down at you.
“Please? That’s a new sound.” He mocks you. His ruthless acts down settle down at all however- instead, he takes his hand away from you, and wipes it on his pants. You’re left alone, watching him, unsure what’s happening. “You ready to listen?” He asks. What an asshole. He knows exactly that in your state you’d accept anything-
“Why did you stop?” You whine however, and your downfall has been sealed.
Only moments later, as you try and escape, he’s on top of you, using his entire body to cage you in, hand around your throat- though he’s gentle enough to not hurt you at all. The hold he has still arches your back, pushes your behind right into him. And considering the fact that you’re on birth control, he doesn’t need to search for any other contraceptive right now, able to just pull himself out of his cotton pants, not needing much to get himself ready.
You whine in complaint when he pushes in. He knows it’s a bluff.
“oh shut up.” He growls into the back of your neck. “You can take it.” He states, well aware that you can. And it seems like finally, you’re quiet and compliant- if only after his fingers press down on your tongue, occupying your mouth with something other than whining. “so this is what it needs to shut you up?” He mocks you. “my cock inside, and my fingers in your mouth?” He purrs against your neck, and you just whimper pathetically.
His pace is steady, but he doesn’t even need to move anymore he notices- you’re for once doing all the work for him, bouncing on his lap like you’ve done this a million times already.
Your stamina does however not match up with his, as your thighs quiver, orgasm approaching you and causing you to lose tempo. Something he catches up on- taking over as he rolls his hips into you with dancer’s precision, while you emit sounds of pleasure the second his digits leave your mouth. You fall forward once he lets go of you entirely, spent.
“I’m not done with you yet.” He however days, as he manhandles you onto your back beneath him, hands tugging on your legs to move them exactly where he wants them. “wants to be fucked stupid but can’t even keep up with me.” He teases, shaking his head as he pushes his length through your thighs, remnants of your own arousal making the movement easy and slick. Your hands reach out sleepily, fingers touching the very tip every time it appears between your legs, and you giggle, visibly out of your mind.
But he notices something else too.
You look entirely relaxed, not even a glimmer of any of your usual insecurities present. You’re just existing in the moment, enjoying this, enjoying what he offers you, and nothing else.
Your head must really just be TV static.
You open your legs again, whining once more as he watches you reach for his hips- one orgasm not enough still, or maybe you just want to please him the best you can. He’s going easy on you this time, he decides, complying with your wordless demand to get back inside you, a wish he happily grants.
You don’t hold back, only shutting up when he leans down to kiss you, needy and chaotic, tongue and bitten lips. But once his hand is between you both, pushing you over the edge alongside him, you squirm once more- his release spilling inside of you, something swelling that you didn’t feel yesterday.
It’s him. He’s locking himself inside you to make sure you don’t spill any of it.
Which isn’t all that easy, since he appears to be a but of an overachiever- some of it already escaping you the second he softens up, cunt pushing out the translucent white as he pulls out of you.
You’re a mess.
Clothes somewhat still on, skin sweaty, opening between hour legs still gaping, clenching around nothing as your body calms down.
But, to be fair-
You also, finally, shut your mouth.
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“You can be so gentle!” You complain as he helps you put lotion on your skin after your shower, already back to your old self not even a couple of hours after.
“I can.” He laughs.
“But something tells me that you like it rough.”
Oh-
How right he is.
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landososcar · 3 days
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so high school ; JB5
pairing(s) ; jude bellingham x singer!reader , jude bellingham x student!reader
summary ; twitters favourite new(ish) artist drops her new album right during her school year.
warnings ; nothinggggg & mainly just fluff bc i love happy people
note ; SORRY ITS SHORT AHHAHA, i’ll post a new lando fic soon i just have no inspiration… ignore any dates that are wrong or don’t match - im lazy. also this is VERYYYY LOOSLY based off so high school lol (it’s mainly the aristotle line)
instagram !
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liked by judebellingham, taylorswift, and others
youruser surprise !!!!! as an end of term present (for myself🤭🥳) and in honour of knowing the loml for 15 years, here’s 15 new songs for you guys to (hopefully) enjoy 😊 noah, thank you for trusting me and letting me join you on what might be one of my favourite songs ever!! i loveeee youuuu. && to my jude<3 thank you for inspiring me every single day of our lives. i love you bigger than the whole sky 🩵🩵 (guys he’s actually v v talented and he helped me write scared of my guitar, hard to sleep, and feels like) j, you are my safe place and these songs — especially the ones i haven’t let you hear yet — are for you.
ps guys idk how to only write happy songs but jude is the only one who makes me feel safe enough to express my emotions through my songs 😁 i looooovvveee him and am NOT 🙅‍♀️ breaking up with him. he is stuck with me forever💞
‘the alchemy’ is YOURS tonight at midnight 💓
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user1 WHAT
user2 YOU CANT JUST DROP THIS ON US WTF
oliviarodrigo my girl💞💞 i’m so so soooo excited😭
user3 GIRL I KNOW YOU DIDNT JUST CALL THE ALBUM ‘the alchemy’ FOR NO REASON. WHERE TF IS THE TITLE TRACK I KNOW YOUVE GOT HER SOMEWHERE
youruser jude and i love the alchemy the most out of all the songs and wanna keep her just ours for a little bit longer but maybe if you guys enjoy these songs i’ll let you have my baby
user4 YNAJDKJSKDKDIS
user5 WHATTTT songs did she not let jude hear omfg i need to know
youruser he’s heard them all except for daylight, paper rings & so high school lollll
judebellingham refreshing my spotify every minute til midnight you guys don’t understand she’s kept these songs in a VAULT
user6 jude i know you love spotify but apple music get new music 10 minutes early xxx
judebellingham just made an apple music account
user7 TEN MINS TIL THE ALBUM OF THE YEAR DROPS
taylorswift so so proud of you beautiful 🩷🩷
judebellingham I LOVE YOU SO FUCKING MUCH
judebellingham putting ALLLL of these on the pre-game playlist
youruser babe idk if some of these will pump you up before a game
judebellingham hearing your voice will pump me up idc how sad the song is xx
user8 why’s no one talking about how she’s in UNIVERSITY and dropped a FIFTEEN song album like …??? she’s INSANE. WHERE did she find the TIMEEE
user9 not to mention she lives with him in madrid and does school online coz her uni is in the uk
user10 she’s insane i don’t understand how😭😭
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youruser surprised my fav person in the uk for his england game and he scored for me 😆🩵🩵
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user1 she wrote “you know how to ball” and he said “yeah” then scored a goal and did a celebration for her😭
user2 zoom in on pic 6 and you’ll see me laying on the road waiting to be run over
judbellingham ‘unemployed girlfriend’ but you’re the greatest singer on earth while also doing online uni full time and you still make time to be able to come see me
youruser it’s coz i love you so so bad
jobebellingham you make me sick
youruser i love u too jobeyyyyyy
england our favourite visitor💙💙
user3 how does she do all this whilst going to uni😭😭😭
oliviarodrigo 💖💖💖
judebellingham I LOVVVEEEE YOUUUUU
user4 i NEED the top in pic 8 where is it from
youruser i found it on depop and HAD to buy it😭😭 i think someone made it x
chappellroan HOTTTTT (you not ur bf)
youruser I WOULD DIE FOR YOU MY WIFE💓💓💓💓💓💓💓💓
user5 i don’t understand how you write sad songs like the ones on your album if ur ‘in love with jude’
user6 jude deserves better than someone who’s so caught up on and still writes songs about her exes
user7 WHYS NO ONE TALKING ABOUT THE LYRICS SHE POSTED ON TWITTER IM GOJNG INSANE
user8 LITERALLY?/!;!!/;@:8@ LIKE ??????? “WHERES THE TROPHY? HE JUST COMES RUNNING OVER TO ME” IS SO JUDE CODED WHEN Y/N IS AT LITERALLY ANY OF HIS GAMES
user7 EXACTLYYYYY HE ALWAYSSS RUNS TO HER IMMEDIATELY AFTER HES ALLOWED TO DO HIS OWN THING. ITS FUCKING ADORABLE
user8 IM SO GLAD SOMEONE UNDERSTANDS ME
user7 were both insane let’s get married
user8 dm me right now wife
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youruser lol little life update coz i’ve been m.i.a. for the last almost two months. 1: i went blonde again. 2: my man still as fine as ever. 3: got engaged or whatever lol. 4: slaying up exams. 5: i miss tour so i decided imma come back and see you all soon 🤭🤭 tour dates soon <3
ps in honour of becoming fiance or whatever🤗 the alchemy and 4 other songs are yours on the deluxe version of ‘the alchemy’ ,, out tonight !!!
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user1 WHAT THE FUCK
user2 GIRL LET US BREATHE
harrykane juudddeeeeee!!! congrats🥳❤️
declanrice mr bellingham that is a ROCK
user3 SHE DISAPPEARED FOR TWO MONTHS AND THEN CAME BACK AND DROPPED ALL OF RHAT ON HS
gracieabrams OMG WIFE IS GONNA BE A WIFE
user4 BLONDE YN IS BACK AND SHES A FIANCÉ OH MY GOD
judebellingham WIFE WIFE WIFE‼️‼️‼️
youruser not yet my love but so close🥰
judebellingham I CANT HEAR YOU MY WIFE IS AN ACADEMIC AND LYRICAL GENIUS
user5 she’s still writing break up and sad songs whilst engaged… so weird
user6 yeah and jude helps her,, he must be so disgusted right? seriously get a life and go touch grass
taylorswift so so happy for you 💓💓
youruser 🫶🫶🫶🫶🫶🫶🫶🫶🫶🫶🫶🫶🫶 i love you
user7 TOUR TOUR TOUR TOUR TOUR
england juddeeeeee💙 sooo happy for you two
trentarnold ❤️❤️❤️
user8 how girl just gonna casually drop a ENGAGEMENT announcement in the middle of a photo dump
user9 REALLLL LIKE THATS A BIG ASS RING TOO
noahkahanmusic YESSSSS🤍🤍🤍🤍
user10 HOWWWW is miss girl gonna find time in her schedule to do uni, make music, keep a healthy relationship, AND TOUR
judebellingham mrs*
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Got random idea come while reading your Yuu Hunt and reading Yuu Leech again that Yuu Hunt meet with the Leech twins and Yuu Leech meet with Rook Hunt.
A lot of things can happen, Rook being a stalker, he is stalk Yuu Leech.
Jade and Floyd really interested in Yuu Hunt as they not like their younger brother Rook.
Though love your story and headcannon.
Thank you for reading my stories, anon! And I hope you enjoy this one, too!
-
[Yuu Leech and Rook Hunt]
“Oi! Yuu, can’t you slow down a little?” Grim grumbled as he tried to keep up with Yuu’s pace, unbothered by the dark aura they were emitting. Only Grim would be so bold to talk to Yuu while they were in one of their moods. Yuu said nothing and continued walking down the school’s hallway, ignoring how the students immediately steered clear from their path. After all, who would want to purposely irritate an already irate Leech? They’d probably be either the bravest or the stupidest person in the world. And unfortunately or fortunately, whoever it was had gotten Yuu’s attention.
“It’s like you’re trying to run away from someone.” 
Yuu clicked their tongue and cracked their neck, rolling their shoulders as if they were preparing for something. “Aiya… Do I look like someone who'd run away? I can feel their eyes on me since earlier and it won't stop. It's starting to piss me off. If they want a fight then they better do something soon because I'm getting bored.”
Grim’s ears perked up at your words. “A land predator? Are you gonna hunt them down?” It was a common occurrence for the both of them to try and beat down people or creatures that interested Yuu. No matter if it was on land or on sea, Grim always helped them take it down.
A smirk tugged at Yuu’s face, teeth bared. “If they don't make a move, I will...”
Swish!
Just then, the Leech’s hand shot up and caught an arrow mid-air. The arrow had a dulled tip, clearly not meant to seriously injure but it was a declaration to Yuu, nevertheless. Yuu smiled menacingly as they turned their head towards the direction where the arrow came from, the shine of metal visible from afar as a second arrow was prepared to be released.
“Found you.”
-
The Leech twins like it when Yuu and Rook decide to hunt each other down because it takes the attention off of them. Rook stops stalking them and Yuu doesn't put them in their inescapable hugs so it's a double win for them. They also deliberately did not tell them about Rook for the hell of it.
Anyway, Yuu Leech finds Rook interesting and enjoys fighting with him whenever they meet. Rook’s easily one of the people that can probably take Yuu's attention off of their brothers and free them from their hug.
-
[Yuu Hunt and the Leech Twins]
Yuu wasn't a coward, per se, but it does get quite worrying when they've noticed two twins with teal hair in their peripherals who had been following them for quite a while now and judging from the amount of students avoiding them, they were probably someone not to mess with.
‘So why are they following me?!’ Yuu screams internally.
“Oi, Yuu, they're getting closer. What do we do?!” Grim whispered at them, also having been keeping track of the two since they appeared. “They won't go away no matter how much we try to lose them!”
“You think I don't know that?!” Yuu whispered back.
Unfortunately as fates would have had it, as Grim and Yuu weren't that familiar with the school’s layout and that made it all more easy for the Leech twins to corner them.
“N-Now, now…” Yuu tried to placate as they backed up, putting their hand in front of them like that would physically stop the slowly advancing Floyd. Jade was standing behind him, guarding the way out should Yuu slip by his brother.  “I'm sure that whatever my brother did, I had nothing to do with it.” This whole situation was probably their brother’s fault. Yuu just arrived at the school a few days ago so there was no way they could've done something. The most logical thing here would be because of their brother.
‘What’s this? Can't get back at the younger brother so bully the older sibling instead?’ Yuu cried inside. They were sooo going to tell Rook to stop whatever it was he was doing with people.
“Heh, you remind me of a shrimp. I'll call you Shrimpy…” Floyd smirked, finding it amusing how different Yuu acted compared to their young brother. “Come here, Shrimpy, Shrimpy.” He lunged for the older Hunt. Except, he didn't make contact as he found himself falling backwards from a sudden weight pulling him back and onto the ground. Floyd tried to get up but soon realized that the lapels of his clothes had been bolted down on the ground with a crossbow arrow.
Yuu didn't hesitate reloading and quickly aimed the crossbow, firing multiple shots consecutively at Jade who dodged their attack. However, it seemed that this was exactly what Yuu planned as they and Grim made a mad dash towards the exit.
“Sorry, I'll pay for your clothes lateeeeer!”
-
While Yuu Hunt may be a bit of a ball of anxiety, they– like all the other Yuu sibling variants– have the skills to deal with others. Remember, they're a Hunt and while they are scared of Rook, they're still the oldest Hunt sibling.
Yuu is terrified of the Leech twins but always uses non-lethal methods to escape them. Rook, however, is still and always will be their top one most scary person to be hunted by. 
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you and your buddies remind me of Stilgar, tbh. you watched Dune and should understand that blind faith in anything does not lead to anything good. and yet for some reason you are not able to look at yourself from the outside. I understand this whole shipper culture as a kind of form of escapism, but becoming a real believer is dangerous, first of all, for you. Unfortunately, at the point of despair where you all are, you are no longer able to understand and accept this. professional help can help. I swear, I'm not trying to mock you in any way, people just need to be told the truth sometimes, even if they don't like it.
one day you will find out the truth about them and that truth will crush you. There will never be a happy ending in this story.
your message made me feel really sad, anon. not for myself, but for you.
and by reading between the lines of your entire harangue about this story and this relationship, I think maybe it's you here who really need professional help.. seriously and without any malice believe me, I think you should ask yourself the real reason why you felt the need to come here, and on these judgmental terms.
anyway, don't worry about me, anon. I live well planted in reality (some people say me I do it too much sometimes..) and if I believe in something or someone it's because I've very good reasons for doing so. I don't live together with unicorns and rainbows or perfect fairy tales, it never been to me. I'm old enough to have experienced that real life is almost always hard, sometimes a little bit shitty and very far from perfect.
and this relationship has nothing to do with what you call 'shipper culture', at least for me definitely not.
but seeing that you seem to have all the right answers in this story and about all of us, I wonder how do you know that you're without any doubt the one and only custodian of the truth about this relationship..?
how are you absolutely sure that the truth you speak about, and that you 'know' sooner or later will come out, is undoubtedly the only real one..?
.. are you realizing that you're the first one here who has his/her own 'blind faith' on which he/she firmly believes?
and about what it will happen in the future, I don't make any assumptions cause I don't have the glass ball even about my life and therefore even less about those ones of them.
so whatever happens, I'm here.
and I'll be fuckin happy if it will good, if it's not I'll accept what comes anyway without making any drama and going on to love both of them as I always did.
I know all of this it's only and rightly about their lives, their choices and I'll never be here to judge them.
I wish you a nice day, anon.
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rockrosethistle · 3 hours
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Workin Boys was literally the only thing that saved Hidgens from being flanderized beyond recognition
(Spoilers for Workin' Boys)
So what I think a lot of people don't give much thought to is how much Professor Hidgens as a character has evolved since tgwdlm, essentially becoming a parody of himself.
Think of Hidgens as a character. What are his defining traits?
Did you think about how he is a doomsday prepper who has been stockpiling supplies for 20 years? Because that's how he's introduced in Guy.
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Did you try think about how he has a weird relationship with his Alexa? Or did we forget about that?
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In fact, for the majority of TGWDLM, Hidgens' main character trait is that he says weird shit with a Doc Brown voice.
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The whole concept of Workin Boys isn't even introduced until the last half hour of the show. That's where he reveals his real motivation: to live out the musical he wrote as a young man.
Actually, no, that's not right. Because his motivation was world peace, and Workin Boy's was just a convenient means to that end.
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I won't disregard the fact that Hidgens clearly has an emotional connection to the show, but in Guy, it serves as a punchline rather than a driving force.
So now we have this lovely, morally-grey, multi-layered character that we can work with.
By the time we get to Time Bastard, the fandom is expecting a show stopping number reference, so of course we get that.
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But at this point, Hidge is still that multi-layered character. Sure, showstopping number gets a callback, but we also get a callback to his strange relationship with robots. They make up an equal part of him as a character.
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By the time we get to Honey Queen, we have lost several aspects of Hidgens altogether. He is no longer a doomsday-believing recluse. He is now active in the community and his only motivation is to get his show funded. He brings it up at every chance he gets, and his loyalties lie with whoever is more likely to make Workin Boys happen.
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So how the hell do we come back from this?
Well, at first it seems like we're not going to. Workin' Boys (the short film) comes out, and it looks like we're leaning even harder into this aspect of his personality than before. But then we get hit with something we're not expecting: Hidge gets the Ted Spankoffski treatment.
I'm referring to Ted's backstory in Time Bastard, where we learn that all of his actions actually stem from a single, traumatic moment, which in his eyes forced him to alter his behaviour, so as to not go through the same trauma again.
Can you see where I'm going with this?
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The backstory we get from Hidgens certainly puts things in perspective. No, it's not enough to explain why his behaviour has been so laser-focused on this one show, but it's a start.
Then comes the part that changes everything.
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It's left up to interpretation whether these ghosts Hidge is seeing are actually there, or just hallucinations, but that doesn't really matter.
Hidgens had been through a horrible experience, so traumatizing that he is still literally being haunted by it decades later. For one reason or another, he believes that the only way he can relieve himself of these ghosts is by bringing honor to the loved ones he's lost and telling their stories.
This reveal recontextualizes everything we know about Hidgens as a character. Suddenly, this isn't a story about some guy who just really wants to put on his musical, this is a story about guilt. Of course it would be the driving factor in his life. Look at him apologizing to his boys. He feels like he is slandering their memories with everything that goes wrong for the show.
This is supported even more with the ending.
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Henry Hidgens dies with a smile on his face, believing he's finally achieved his goal: to tell the real story of what happened that night.
It finally makes sense as to why we've lost those parts of him--we've retconned the character by revealing that all that simplification of his goals and traits wasn't flanderization at all, but a steady downward spiral of grief over his loved ones. It wasn't Hidgens getting a little too into being a playwrite, it was him descending into madness caused by the inability to please the part of himself (or the literal ghosts, if that's how you interpret it) that believes he's not doing enough.
And if not for Workin' Boys, he would have remained that one-dimensional character.
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empressdede · 18 hours
Text
Me, U & Jealousy - Chapter 2
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Previous chapter
This story is written in both past and present. Italics is the past and regular font is written in the present.
••••••••••••••••••••••••••••••••••••••••••••
Chapter Two
“Girl c’mon, just think about how fun it’ll be. You can’t seriously expect me to believe you don’t want to go to our first high school party!” Jada had been trying to convince Sorai for the whole day to accept Britney’s invitation to her party that was taking place the upcoming weekend.
It wasn’t that Sorai didn’t want to go, she just wasn’t dumb. If Sorai’s there then her four unwanted bodyguards would be as well. It wouldn’t be a good night if they went because she knew they would do everything in their power to keep her away from any action.
“Jada, if I go then the ‘big brothers’ gone try to go and I already know how that’s gonna end. Me in the corner sipping on juice, while they get to be the life of the party.” Sorai stressed rolling her eyes.
“Just tell your parents your sleeping over at my house. That way their parents won’t suspect anything. C’mon Rai, Cameron said he was going for you.” Jada continued, she was gonna pull all the stops to persuade her friend to come to this party.
Sorai rolled her eyes. “Fine. We’ll go. But you can’t tell nobody I’m going. I’m serious Jada, those boys are so irritating.”
“Who’s irritating?” Josh asked as he busted in her room. Sorai let out a sigh of feigned annoyance.
“You and yo crew. You won’t ever give me a break.”
Even though the boys were too over protective over her, she did love them as if they were her own brothers…. Well almost all of ‘em were like a brother to her anyways.
“We just looking out for you Rai, all these lil boys are the same. They only want one thing and they gone have to see me before they get try to get it.” Joshua stated with a shrug because he was serious. Nobody was going to take her innocence if he could help it.
“Aye man they gone have to see us Uce.” Jon echoed as he walked in with a couple boxes of pizza. His youngest brother following through.
“Did y’all really have to ‘watch’ Sorai while her parents are out for the night? She’s 16, you know?” Jada asked sarcastically but this was how it was every other week.
Sorai’s parents would go out for the night and have the Fatu brothers watch her to make sure she was safe. And at first, it was cool to have other people to hang out with seeing as Sorai was an only child. But as time progressed, Sorai wanted to be treated like a grown up.
“Sefa’s the same age as me and they still want him to play babysitter for me.” Sorai explained with an eye roll to her best friend.
“Awe, don’t be too upset Sorai. Everyone knows I’m way more mature than you. That’s why I have to watch over you.” Joseph replied back in a teasing manner
“Aye man, we ain’t come here to hear allat. Let’s just enjoy movie night and when your parents come back we’ll be on our way.” Jonathan cut our banter short.
That was the plan, it was always the plan. Movie night in my room, and all of us passing out due to the itis. But after Jada passed out the older brothers hopped up.
“Aye man, Joe just sent us an invite. I guess Kiara got a couple friends at her crib and her parents ain’t home.”
“What you just gone leave me here by myself?” Sorai asked with a raised eyebrow and Jon shrugged.
“Sefa can watch you till we get back.” Jon suggested
Sorai rolled her eyes as she watched the older brothers leave. Boys are so stupid. She thought you herself.
The room fell quiet, the only sound heard in the room were Jada’s soft snores and the TV playing the movie Friday the 13th. Jada had fell asleep on Sorai’s bed and Sorai and Joseph were still sitting on the air mattress on the floor while they watched the movie in silence.
“You know I heard of the scheme you and Jada were trying to come up with." Joseph had spoke into the quiet room.
Sorai felt herself freeze at the revelation. Damn, she really couldn’t do nothing with these boys around.
"What scheme?"
"The one where you lie to your parents about sleeping over at Jada’s house so that you can go make out with Cameron at Aaliyah’s house party."
Sorai let out a defeated sigh. She wasn’t going to continue to play dumb with him if he obviously knew what she planned to do.
“So what… you gonna snitch on me now?”
Joseph let out a small chuckle, shaking his head. “I wouldn’t say all that. I just don’t think it’s a good idea to go to the party.”
Sorai rolled her eyes. “You’re just saying that because of Cameron. He actually likes me ya know?”
“Sure. And Lemme guess, your smitten with him too huh?” He asked teasingly.
“I’m still going. You guys can’t keep everyone away from me. How can I ever expect to gain any kind of experience if you guys shun everyone interested in me away?”
“Experience? And just what kind of experience-“
“Not like that!” She had hissed at him. She didn’t understand why he was giving her such a hard time. It wasn’t like he didn’t have any experience. His on and off girlfriend made sure the whole world knew that.
“You’re the one going on about experience.” Joseph replied, an eyebrow raised in amusement.
“So Monica can tell the whole world you blowing her back out, but I can’t even experience what could be my first kiss with the guy that I really like? How is that fair Sefa?” Sorai asked, a small pout forming on her lips.
He rolled his eyes. “Okay Rai, I’ll let you go to this party on a couple conditions.”
“A couple conditions?” She repeated with confusion.
Joseph nodded his head at her. “1. I gotta talk to Cameron before the party. This is non negotiable and 2. I’ll come with you to the party. I’ll make sure my older brothers don’t come so that you can have fun with your friend. Deal?”
Sorai flashed a smile at him and nodded her head in agreement.
As annoying as Joseph and his older brothers were, Sorai really did appreciate them always looking out for her. And even though she never said it out loud, Sefa was her guy best friend. He’d look out for her on behalf of his brothers but sometimes he would help her indulge in whatever she wanted to do…. Sometimes.
“Can you at least promise to try to like him Sefa?”
“Sure.” He agreed with a a monotone.
“How come I gotta like Monica but you won’t even try with Cameron? I don’t even like the bitch.” Sorai stressed.
Joseph let out a sigh of annoyance. “I’m not even seeing her anymore. And plus, you don’t like Monica because she didn’t want us to be so close.”
“That’s not the point Sefa.”
“Alright, Alright. I’ll try to give him a chance.” He finally agreed but they both knew he only agreed for the sake of the conversation.
She just hoped Cameron didn’t scare easy. She also hoped that Sefa would take it easy on him because she really liked him and she just wanted to know what it was like to have a boyfriend.
The two friends let a comfortable silence fill the room as they paid attention to the movie playing on the screen.
When the twins had returned, they found everyone sleeping. Jada on Sorai’s bed softly snoring away and on the floor Sorai and Joseph on his designated air mattress fast asleep.
••••••••••••••••••••••••••••••••••••••••••••
“So,” Kayla started as soon as we were out of earshot. “Wanna tell me the history behind that?” She asked teasingly.
Sorai let out a small sigh. “Our parents are best friends. So even though I am an only child, those boys are the brothers I never wanted to have.” She briefly explains.
“Oh I didn’t know they played big brother to a sister.” Kayla replied fully intrigued, the amusement still apparent on her face.
Sorai shrugged and didn’t elaborate any further. She didn’t really want to talk about the people she haven’t seen in five years. Five fuckin years, and while it did hurt her feelings in the past, she’s completely over it now.
“Hey Kayla, what’s up?” A voice called out from down the hallway.
Both girls turned around to find one of the wrestlers, Cody Rhodes, walking towards their direction.
Sorai’s interest peaked. Finally, something to look forward too. She thought to herself as she let her eyes trail over the male figure that stood over six feet.
“Hey Cody. Nothing, just showing my new colleague around. It’s her first day.” Kayla stated with a smile.
She watched as Cody smiled back at her, Sorai’s eyebrow raised, oh?
“Whenever your free, come by my locker room. I got a couple of things I wanna go over with you.” He then turned to Sorai and flashed her a welcoming smile. “Welcome, I hope Kayla’s not giving you too much trouble.”
“No, not at all. She’s been an absolute treasure to be around.” Sorai complimented.
Cody let out a small chuckle, turning his gaze back to the women beside her. “That she is.” He agreed.
Interesting. Sorai thought to herself. “Yes, Well… it was a pleasure to meet you Cody. Hopefully we’ll be able to work with each other soon.”
“You too…uh?” He trailed off once he realized he never got her name.
“Sorai.” She answered
“Right. Well, welcome to the company Sorai. See you later Kayla.” Cody bid his goodbyes before walking down the hall.
Sorai smiled as she turned to face Kayla who was watching the man leave, nibbling on her bottom lip as she did.
“So,” she started, teasingly; Kayla turning to her, slightly red in the face. “Wanna tell me the history behind that?” Sorai asked, flipping the question back on Kayla.
Kayla rolled her eyes, shrugging her shoulders. “There’s no history. I think he’s cute but I think he’s only playing with me.”
“Playing?” Sorai repeated almost mockingly. The two girls continued their journey down the hall.
“Kayla, he stared at you the entire time, it was almost like I didn’t exist.”
Kayla shrugged again. It was clear she didn’t really want to talk about whatever was going on between them.
Sorai guessed it had to do with lack of confidence so she decided she would advise her on one thing.
“Well I’ll tell you what. If you want to know how he feels about you, mention something you like. An event or something and be sad that your going alone, If he tells you ‘that’s tough, you’ll find someone’ then he’s not interested. But if he suggests that he goes with you, then he definitely likes you.”
“He could be suggesting that just to be nice ya know?”
“No man, is that nice unless they like you. Trust me.”
Kayla raised her eyebrow at her in question, “And this has worked on you before?”
“Every single time.” Sorai assured
Kayla flashed her a thankful smile, nodding her head as she took the advice. Maybe working here won’t be so bad if I can already play matchmaker. Sorai though to herself.
The silence between the two was a comfortable one as Kayla led Sorai wherever they had to go next. Both girls lost in their thoughts for two completely different reasons.
It wasn’t until they stopped in front of a door who’s name read Roman Reigns, that Sorai realized where Kayla was taking her. She rolled her eyes.
“Can’t you take me to my new office instead?” Sorai asked, but it was too late. Kayla had already knocked on the door.
“I would love to, but 1. I have a feeling if I didn’t bring you, they would’ve hounded me down for it and 2. I have a new theory that I would love to test out.”
Jonathan opened the door and shouted a greeting towards Sorai.
“Bring her to my office when you guys are done. I got something I gotta do real quick, so I’m trusting you guy can keep her occupied until I’m done?”
Jon threw his arm around Sorai’s shoulder, bringing her into a side hug. “We haven’t seen our lil sis in a cool five years Kayla, if she not back in yo office by the time you get there, you can come find her here.”
Kayla nodded her head and shared a look with Sorai before walking down the hallway to look for a certain superstar.
And if Sorai was a hatin’ ass bitch she would’ve hated Kayla for leaving her with these boys like this. But, she wasn’t. She knew what it felt like to want someone so bad that they yearned to be close almost every single second. But damn did she owe her one.
Sorai let Jon pull her into the locker room to face the men who broke her heart from leaving, five years ago.
••••••••••••••••••••••••••••••••••••••••••••
𝚂𝚘, 𝚑𝚘𝚠 𝚠𝚎 𝚏𝚎𝚎𝚕𝚒𝚗𝚐 𝚜𝚘 𝚏𝚊𝚛? 𝙸 𝚐𝚊𝚟𝚎 𝚊 𝚕𝚒𝚝𝚝𝚕𝚎 𝚋𝚒𝚝 𝚘𝚏 𝚗𝚘𝚝𝚑𝚒𝚗𝚐 𝚋𝚞𝚝 𝙸 𝚙𝚛𝚘𝚖𝚒𝚜𝚎, 𝚝𝚑𝚎 𝚗𝚎𝚡𝚝 𝚌𝚘𝚞𝚙𝚕𝚎 𝚘𝚏 𝚌𝚑𝚊𝚙𝚝𝚎𝚛𝚜 𝚠𝚒𝚕𝚕 𝚋𝚎 𝚠𝚘𝚛𝚝𝚑 𝚒𝚝 🙂🫶🏾
Tagging the lovelies: @southerngirl41 @reci1996 @skyesthebomb @christinabae @leighla3 @whatdoeseverybodywant @harmshake
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The times I've thought about you have been plenty. It's a never-ending cycle, for you see, I am falure of a Prime.
Megatron, as you stand before me, blade stabbing through my spark, through the pain and sorrow, I can't help but feel relief. Relief that between the two of us, you are the one to remain alive. With the war over, you having won, I would like to make one final request of you old friend.
Don't kill my comrades.
No matter how much you hate them, what threat they may pose, I beg of you. Leave them alive. It pains me to say, but without me, they won't interfere much with your plans anymore. I can only hope you remember your roots. The kindness and hope for something better your spark held when I was but your archivist, and you, my warrior. It might be selfish to think this in my final moments. But I've always loved you, Megatron.
Perhaps in death, will these feelings finally meet their end.
I love you. I loved you. I never stopped loving you, even in my final moments. I hope to Primus we meet in our next lives and I hope again that it's a much kinder life. One without war or inequality or corruption. One where I can hold your servo in mine without shame. One where you are not Lord Megatron and I Optimus Prime. Leaders of the Decepticons and Autobots respectfully.
Until we meet again in the well of all sparks...
------
Megatron glared at the body of the deceased Prime. A dark pit in his spark. A black hole threatening to swallow all its light. He had thought it a good idea to have Shockwave and Soundwave make a machine that would make the last moments and thoughts of anybot visible and audible. He thought maybe he'd see the Prime's thoughts pleading him to not kill his comrades, as well as fear. Something to explain why Optimus in his final moments commed him ".: Spare them:."
Megatron didn't spare them, of course. He was frankly going to enjoy killing them one by one. But they had all escaped.
How bothersome.
He'd find them someday. He's sure of it. And just to spit in Optimus's last wish, he will torture them, too.
The Prime's face in his last moments echoed in his mind. He growled at the useless longing in his spark, squeezing a random object and breaking it.
He still couldn't believe it. Optimus Prime in love with his arch nemesis. How foolish. How stupid. Ridiculous!
Megatron clawed at the chesplates just over his spark. He could not cry, for his tears had run dry long ago. Foolish indeed. This is not what he thought he wanted. Ruling over Cybertron, having cyberformed earth into a second world for his species.. He had thought he wanted it. Now that he had it, Megatron found it empty. His ambitions were gone, no longer did he have a true equal in this whole galaxy.
None would ever be Optimus Prime.
No, he had to set things right. A world without Optimus is not a world Megatron can live with. Where's the fun in getting everything he wants without a little bit of a constant challenge?
.
. .
. . . .
Megatron, a true Decepticon, able to deceive even himself. Primus mused at this. Silly child, went on to kill his other half. This just won't do.
Their short story won't end like this. Primus will not allow it. He Who is Forever Tainted by Unicron, you will live life anew. You shall only know when the time is right, and your debt to Primus has been paid off of what they have done. Do not make the same choices that lead you to make your biggest regret. Make no mistake, this wish is not for you, but for he who is favored by me.
Make the child of Primus, he who was once Orion Pax and later one of Primus's true Primes enjoy a life worth living.
This is your one and only chance. Make it count.
. . . .
. .
.
M—
—atr–n
Meg-tron
"MEGATRON!"
Megatron woke up with a jolt. He tried to online his battle protocols, and they hummed loudly, ready to come out. But something stopped him. A servo, two, actually. Each cupped his cheeks and wiped away his tears. He turned to look at the bot whose servos they belonged to and found none other than Optimus Prime. "You're alive?"
Optimus looked bewildered for a moment, he could feel it through their bond. Bond? He felt affection, worry, and love from the Prime.
"I am very much alive, Megatron." Optimus leaned in to press their forehelms together. Megatron's servos easily reached to hold the Prime's waist as if they'd done so thousands of times. Maybe even more than that. "You must have had a nightmate."
"A nightmare.." It seemed so vivid. A world without Optimus, one where he had..
Megatron doesn't even want to think about it. His spark was still beating wildly in its chamber, and he recognized he still felt fear. A few well placed kisses from his bondmate further eased his worries and sorrow that still felt fresh in his processor and spark. Right. He and Optimus were Conjuxed now. Megatron greedily leaned into the kiss, but one small playful bap from his beloved made him huff and smile. Softening the kiss that would have become more desperate had it continued.
Megatron held Optimus for a long moment. His helm burrowed on the Prime's neck, the action mirrored by his other half. Small comforting kisses are being pressed on Megatron's neck along with quiet words of love. Primus, Optimus was a soft fool. But he was Megatron's soft fool.
They had layed back down at one point, still as close to one another as they could be. And they remained like that. Optimus having fallen asleep again at one point.
Megatron knew Optimus was a blessing, he just hadn't realized how much of one he was until he had that dream. No. The fragmented memories of his past life. Megatron had never seen them before, and even now they were hazy. But the feelings had persisted and carried over. He realized this now. It was thanks to them he reacted rather irrationally at many points in this life, but his longing for Optimus to be by his side remained the same. It had just taken a much, much more romantic turn than his other self would have thought.
Megatron had no regrets though. None at all. As he pressed a soft kiss on Optimus's audial, he smiled soft. "I love you." He wispered. He had said it so many times already, yet somehow this felt like the first.
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room-surprise · 15 hours
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Dungeon Meshi Anime Review, Season 2, Episode 19 review
Izutsumi arrives! And Marcille has a nightmare.
This is an interesting episode but I know my spouse and I had desperately hoped that they would re-organize things somehow. Marcille's plot in this feels painfully tacked on and unrelated to Izutsumi's introduction, and the concept of the nightmare is so good, it could have easily been expanded to be an entire episode on its own. I wish they'd done that. They could have paired Izu's intro with the ice golem story to have one all-Izutsumi episode and then one all-Marcille episode... alas.
Those are changes I would have LIKED to see, but here's some changes I didn't like:
(MAJOR MANGA AND ANIME SPOILERS BELOW THE CUT!!!)
Trigger removed Laios' mother's only speaking line in the manga. It would have taken SO LITTLE to have someone read this single sentence, and removing it, in my opinion, has a negative impact on the story as a whole.
It SOUNDS like a generic thing when she asks Laios "When will you give us grandchildren?" But this is actually really important. Laios is afraid of being forced to make a family and participate in society. This is unusual because he's a man, most men in a historic time period of this don't really care about such things, but Laios is so afraid of it, it's a recurring nightmare!
This is also why he acted so weird seeing a loving father/baby scene in the magic paintings chapter. He hated seeing a father talk about how much they love their baby.
Laios is named after a story about murdering your children before they can hurt you. Like an Oedipus Complex supposedly means that a son wants to have sex with his mother, a Laios Complex means a man wants to kill his sons. Kui did not pick this name and then have Laios repeatedly be uncomfortable with children, marriage and fatherhood for no reason.
Obviously Trigger didn't make any of these connections and so they didn't think it was necessary for Laios' mom to speak this line out loud, but I vehemently disagree.
This is similar to my beef with them removing Yarn Floke's only dialog in the story and removing her from the scene with the Island Governor. That moment told us that Mr. and Mrs. Floke were equal partners, and now anime watchers assume she's just his wife who doesn't do anything. That sucks.
The addition of paintings of Marcille's father in the nightmare. Woof. I really don't care for this, if they wanted to do it i would have preferred it if they'd obscured the paintings somehow so it wasn't obvious that Marcille's father wasn't an elf.
I think this makes the later reveal of her half-elf status WAY less surprising.
Also, in the manga, the complete silence around her father created a strong subtext that Marcille's mother was her only parent that mattered. They could still accomplish this but I think it won't be as shocking.
People reading the manga probably thought "her dad was an elf and he died young and that traumatized her" (this is what Laios assumes I'm sure)
People watching the anime will think "her dad was a tall-man and his natural death of old age is what traumatized her" which is true, but they aren't supposed to actually know that yet...
Overall the episode was good aside from these issues. I liked that the nightmare sequence was in black and white, and the transition to color at the end was spectacular and very impactful... But part of me wishes they had done something else to differentiate the nightmare state from the normal animation. The black and white was good, but almost too subtle because the DM palette is already so desaturated.
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sugaroto · 2 days
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Ok so Buddy can somehow be in all the books Chase enters
Which, according to silver should not be possible
But he somehow is always there
Also like about the last chapter, I mean we're not sure what role he got, but I kind of feel like he got the sister's? That's the obvious answer?
And I feel like he's been there a while, so probably since the beginning of the book
Like look at him he looks like he lives in the jungle
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He threw a spear at Chase
And still wears useless belts
So he's been there while chase hasn't
Also I remember chase telling him about "the Shortcut" he found with the bookmarks and Buddy being like YOU CANT DO THAT
And like, if he's there since the beginning, how did he not notice chase just appearing randomly near the end?
Also wait, this is random, but wasn't his first appearance with him chilling on a tree? What's the villainess doing on a tree 😭 he's just a cat
Anyway
I remember seeing somewhere that theory that Buddy is Violet, and perhaps trans, hence being a guy in the stories while they key as far as we know is a girl
Which um could explain why he is everywhere I guess? If he is the villainess
Hm also his color palette, his main outfit is purple
And kinda outdated I guess?
We've also never seen him leave or enter the book, he's just there
The only thing that makes me believe he's not a key is that he referred to the keys as "it" while Chase uses the correct pronouns of the keys, he views them as people whereas Buddy called them "it" cause he views them as objects
And yet, he's on a talking stage with Violet since she gives him outfits
And freaking awesome outfits at that
(Unless, as someone else said they have a bad relationship and he goes out of his way to make his own outfits just to prove chase wrong)
...
Honestly I don't think I'm going somewhere with this post I'm just pointing out stuff
And Punko said on her live yesterday that she can't spoil his name cause it'd be much better when we find out on our own
So like
His name means something?
Or like I guess she has a good scene planned or something like that and doesn't want to spoil it which makes sense
If he's trans violet I'm guessing his boy name is Victor 🤓☝️ I couldn't sleep some days ago and thought about a whole plot with Victor and he and chase had a somehow tragic ending
I can't wait to find out more about him
How is he in every book
What is his purpose
Why
What is his name
Hm wait okok
New theory what if he's trapped
He somehow is trapped into book world
And maybe cause a kid disappeared ex libris kinda broke up
But he doesn't know and just tries to leave, or do whatever it was he was supposed to be doing
So he just shows up into whatever book the hero/ine characters chose
Like c'mon chase found the key at a random library and Buddy is like you stole the key!! C'mon dude I don't think ex libris had that one
And like he then found 2 other keys on yard sale c'mon
Shouldn't these guys know what's up
How do you lose keys you don't let out
Something has happened
Oh god can't wait for more lore
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galaxywhump · 14 hours
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i would love to see daniel making what he feels like is a mistake with wren (similar to how he fucked up with wren getting attacked by the local wildlife in the beginning of the story). like he pushes wren too far without realizing it, or hurts him in a way he didn't intend to (like rope failure during suspension bondage). love to see wren suffering and i also love to see daniel feeling guilty so like. best of both worlds lol
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[SV-240 masterlist]
contents: slavery whump, forced relationship, creepy/intimate whumper, defiant whumpee, suspension, dislocation.
~~~
“Uh, could you… check the ropes again? Something’s weird about the balance.”
“I know what I’m doing, sweetheart.”
“But-”
“Just trust me. Besides, just a few more pictures and we’ll be done, okay?”
Daniel snaps a picture. One of the knots in the elaborate ropework keeping Wren suspended snaps too.
It happens in a blink of an eye. Wren becomes certain that something is wrong with Daniel’s handiwork, that it wasn’t just his imagination, and in the next moment his body jolts downwards. If that was the end of it, it wouldn’t be bad - he’d just be a bit startled, he’d get to savor Daniel being proven wrong, but, unfortunately, he mostly did know what he was doing.
Wren’s right arm was still secured with rope, and when he shifted, it stayed in exactly the same position.
He sees stars. His scream of agony comes out as a strained gasp. His shoulder is on fire.
Daniel curses, sets his camera aside and rushes to start painstakingly undoing the knots while Wren hyperventilates, eyes wide, forehead lined with cold sweat.
"I told you!" he chokes out, close to sobbing. "I fucking told you and you didn't- Why the fuck didn't you believe me?!"
Daniel doesn't answer, focused on untying the ropes; Wren's shaky breathing is the only sound. When he's finally freed, the pain only gets worse when his shoulder shifts, and he can't stop tears from falling from his eyes. It hurts so much, a completely new pain. Daniel cradles him in his arms, petting his hair, and the look of remorse on his face is nowhere near as satisfying as it would be if Wren could think more clearly.
"I'm sorry," Daniel says, carefully laying his hand on Wren's injured shoulder, making him tense up and gasp. "Next time I'll make sure the ropes are secure."
"Next time?!" Wren cries. “My shoulder is-”
"I know, I know. And… I need to set it, so be still. Just trust me."
"Again?! You just fucking showed me why-"
Once again, he doesn't get to finish his sentence - with practiced confidence Daniel grabs his arm, lifts it up, and pulls, and Wren howls in agony feeling it pop back into place.
“Okay, okay, it’s okay now,” Daniel whispers, holding Wren close as he struggles to breathe. “You can rest.” He sighs, then the corners of his mouth rise in a playful smirk. “First that animal, now this. I guess I’ll just ask Berkeley to bring me some new rope next time so there’s no more accidents, hm? I really am sorry, though. I’ve learned my lesson.”
“You didn’t learn shit,” Wren rasps, somehow mustering enough strength and clarity to glare at Daniel, who, much to his fury, laughs.
“See how quickly you bounce back? You’re stronger than you realize, sweetheart.”
Wren presses his lips tightly together and shakes his head. He’s not strong enough to fight back in a way that matters, not strong enough to escape. At the moment his strength seems completely meaningless to him, and he’s so tired of staying strong this way when Daniel only seems to find delight in it.
~~~
taglist: @faewhump @inky-whump @whole-and-apart-and-between @whatwasmyprevioususername @procrastinatingsab
@funky-little-glitter-bomb @goneuntil @redstainedsocks @luminouswhump @lonesome--hunter
@as-a-matter-of-whump @renkocchi @whump-only @muddy-swamp-bitch @girlwithacoolcat
@watermelons-dont-grow-on-trees @sophierose002 @whump-headspace @to-whump-or-not-to-whump-blog @kixngiggles
@ohwhumpydays @whumpsical @wibbly-wobbly-whump @stab-the-son-of-a @his-unspoken-words
@pumpkin-spice-whump @onlyhappywhenitpains @suspicious-whumping-egg @morning-star-whump @burtlederp
@there-will-always-be-blood @springwhump
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steddieunderdogfics · 23 hours
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This week’s writer spotlight feature is:  Capriciously_Terminal! @capriciouslyterminal has 106 fics on ao3 in the Stranger Things fandom and 105 of them are in the Steddie tag!
@mustardyellowlilac recommends the following works by Capriciously_Terminal:
Where the Sun Can't Reach
Spit Me out, You Don't Know Where I've Been
It's the Ritual of the Thing
Baby I'm Your Man (Don't Fear the Reaper)
It's as if she writes memories, rather than stories, and that makes them tangible and devastating -- @mustardyellowlilac
Below the cut, @capriciouslyterminal answered some questions about their writing process and some of their recommended work!
Why do you write Steddie?
I started writing Steddie because the characters of Steve and Eddie have such specific and human voices that I literally couldn’t get them out of my head after watching the first drop of S4. (Also I’d just gotten a new puppy who didn’t love sleeping through the night so I had plenty of time to think). The more I wrote for them the deeper I found myself in their voices and thinking about what they could do and I had to keep going until I ran out of steam.
What’s your favorite trope to READ?
I love a good “Steddie interwoven into previous seasons’ canon events” story. Especially if an author makes it SO specific. I want Steve and Eddie in Starcourt. I want Eddie Munson popping up at the pumpkin patch. I want Eddie Munson in the background at Starcourt drooling. I want him to spend this whole time watching Steve’s character growth and finding it impossibly hot before getting twisted up in the horror.
What’s your favorite trope to WRITE?
I definitely love adding Eddie Munson to canon (thinking about him and life-guard Steve Harrington is where this all began, afterall). However I think that I, as a person, am just as obsessed with The Horrors. As such adding monstrosity/new flavors of spooky to this show was my favorite thing to do.
What’s your favorite Steddie fic?
I can narrow it down to two! My favorite piece of Steddie fic that changed my brain chemistry has got to be fastcardotmp3’s “that’s just wasteland, baby!” (https://archiveofourown.org/works/42351597) because the scene in the lake? The genuine wonderful take on in media res apocalypse living? Dot’s talent for characterization/love? I’ll never live it down. Actually, go read everything by fastcardotmp3. Do yourself a favor. The other has to be “every mistake was made purposefully” by birthdaycandles (https://archiveofourown.org/works/41795838/chapters/104862381). It turns out I’m a sucker for excellent narration and watching Steddie/plot shenanigans from Tommy Hagan’s prickly point of view. It gave me everything I’ve ever wanted.
Is there a trope you’re excited to explore in a future work but haven’t yet?
I always wanted to write a When Harry Met Sally AU about Steve and Eddie meeting throughout their lives/development. I don’t know if I’ll ever pick it up again but it’s still there knocking at the back of my mind. I’ve also got like fifteen of the drabbles in i love you you dope with bits of continuation in my head too.
What is your writing process like?
In general, my writing is a very all or nothing process. It’s either going to go all day, through meals, and not stop until the idea is finished OR I’m going to be stalled completely. Generally, though, if I’m in my crazy inspired phase I’ll have an idea (specifically the beginning of something) and if that idea sticks in my head for more than a single day then I probably can’t leave it until it’s done. However, this did change with my writing i love you you dope. I decided to answer p0ck3tf0x's "100 Ways to Say I Love You" list one prompt at a time. Once a day. RIP. This led to a writing process which was more of a sit down after work and immediately write the first thing you could think of until it’s done kind of affair. I can’t recommend that style lol. It led to some pretty intense burnout by the end but I am proud of how many ideas came because of it. It showed that, through tenacity, most ideas could be something worth pursuing.
Do you have any writing quirks?
I can’t help but put first and second person pronouns in descriptions as if speaking to the reader and I’m a frequent and blatant tense shifter. It’s all over the place at times lol. I also LOVE a good stream of consciousness description, flitting from one image to another, which probably lead to these grammatical quirks and a shit ton of run-on sentences.
Do you prefer posting when you’ve finished writing or on a schedule?
Before I started writing i love you you dope I very much preferred finishing my writing before I posted it. It took ages but nothing felt worse than having to leave something unfinished because I’d lost the plot (which has happened several times).  However, part of the draw of i love you you dope was that (as a challenge) I had to write and post daily. While I learned I can write on such a grueling schedule, I can safely say after finishing it that I prefer having the time to ensure something’s to my standards. Or, at least, until I’m tired of looking at it and just want other people to see it.
Which fic are you most proud of?
If we branch outside of my Steddie work it’s a fic for a little show called Dirk Gently’s Holistic Detective Agency that I think I’ll never top. A Road Song in Quartet that Smells like a Trio is basically my novel/brain-child about my favorite rowdy vampire boys and I have to shout it out everywhere I go. However, to stick to the Steddie, I had such a great time with characterization in writing It’s the Ritual of the Thing. Some of those descriptions are still some of my best work. Or, I’d have to say, Can We Both Be Lonely If We’re Both Looking at Each Other? It’s an AU modeled after the world of The Magnus Archives Podcast and not only was I proud of the way I was able to layer monstrosity on both Eddie and Steve but I just loved the world. I actually planned out a whole main plot for the world that never saw the light of day.
How did you get the idea for Baby I'm Your Man (Don't Fear the Reaper)?
I can’t remember which came first, the title or the idea of Eddie meeting Death as played by Steve Harrington, but the song title by Blue Öyster Cult had definitely been sitting in my head for a while. The idea initially started as a Seventh Seal reference with Eddie having to challenge Death with Steve Harrington’s face to a game of basketball but that scene wasn’t working so instead we got a trip through various S4 locales and a fun Death with good hair.
When writing Spit Me out, You Don't Know Where I've Been, what was something you didn’t expect?
I honestly didn’t know if anyone would vibe with the language/story. For a fic that focused a lot on unease, offal, and how hard it would be to picture a future in a small town I was waiting for people to not touch this one with a ten foot pole. So to hear that it actually channeled people’s feelings or that it was something that people enjoyed (as opposed to just me shouting stressful things at the sky) was a big expectation dodge.
What inspired It's the Ritual of the Thing?
When I was in high school I had a friend who asked me out once, the first person to ever do so, and my first instinctual response was to genuinely ask him why he was really calling me after school. He insisted that he really did want to ask me out and for some reason that made my blood run cold. The date did not go well, obviously, but I remembered the gut punch to think someone wouldn’t want you/the desire to say no just because it frightened you for years afterwards. It felt like such an Eddie thing to feel, especially if Steve Harrington was the one to ask him out. Honestly…I poured a lot of my own worldview into Eddie Munson as I wrote him and that’s where a lot of this came from.
What was your favorite part to write from Ritual of the Thing?
I’d have to say it’s a toss up between two parts. Firstly, I’ll never get over the descriptive imagery in the beginning (I’ll never forget lines like “Suddenly it’s like he’s a Jack-O-Lantern with his mouth carved open. A candle sits on his tongue and its light is shining out of his eyes”). It was the kind of sentence I was thrilled to read after I wrote it. Secondly, I was really proud of Eddie and Robin’s conversation after Steve told her about his asking Eddie out. I loved both of their voices in that moment and the thought of Robin trying to explain how much Steve could love you even after you’d had to let him down…and her little fake nightmare discussion.
How do/did you feel writing Where the Sun Can't Reach?
On one hand it felt like I was exorcizing something because I show my class The Sandlot once a year and that means for one day I watch the scene where the kid fakes drowning to make-out with the lifeguard four times. That’s too many times. I had to process that. But I do remember that feeling of loneliness that could come with summer. That could come with wishing for a room somewhere with someone you loved when it felt impossible. I remember when the smallest of things could mean the world when you had nothing else…so in a way maybe I was exorcizing that too.
What was the most difficult part of writing Where the Sun Can't Reach?
Besides the jokey answer of reliving the aforementioned scene from The Sandlot on purpose, I’d have to say trying to accurately consider the physics/feelings of Eddie’s trip into the water. The feelings/actual consequences of hitting his head. I’m not too sure I got the details right but I remember working on it so many times that I eventually threw in the towel and went with what I had.
Do you have a favorite scene and/or line from any of your fics?
I think…it’s gotta go to my lone vampire Steddie fic I Go Hungry Every Night. The whole thing’s one big treatise to Upside Down skinned vampires and food/service as a love language? And also the fact that I love vampires/monstrosity. I just went way too hard with the line: “If you asked Steve what the opposite of tracing constellations in someone’s freckles in the afterglow would be he’d say this, making shapes in the pieces of the wound they’ve given you. The one that weeps red slowly.”
Do you have any upcoming projects or fics you’d like to share/promote?
While I wish I did, and I’m always thinking about various unfinished fics in the strangest moments of my life, I think I’m pretty knocked from my Steddie writing mojo. I love you you dope was an incredible process and I am so proud of it…but I think it cauterized my writing brain for Steddie. I’d love for people to poke around the fics I wrote and I will say that other people’s intrigue sometimes pulls my attention back to old ideas…but I do believe I’m a bit out to pasture here lol.
Outside of these questions, Is there anything YOU would like to add?
Writing Steddie was something that kept me sane during a really stressful transition from college to adulthood. These characters and all the people I got to meet/talk with in this fandom have been one of the greatest joys in my life. I’m so honored, like honestly floored, that anyone would nominate me for something like this. The thing about writing fic is that oftentimes when you start it can feel like you can’t possibly amount to what other people do. Like you’re just a little voice that doesn’t have anything special about it even when you tried so hard. But I stand as someone who felt that way and still found that people did enjoy what I wrote and if I can do it, honestly, anyone can. <3
Thank you to our author, @capriciouslyterminal, and our nominator, @mustardyellowlilac! See more of Capriciously_Terminal's works featured on our page throughout the day!
Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!
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writerfae · 2 days
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Thinking about Kara again!
Aiden, before he befriended the other three, looking at their bickering: You and I are the only normal ones here, Kara
Talon: You just talked to your crow!
-
Kara just chilling on Aiden's shoulder
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Kara protecting Aiden from that grumpy cat mom who hates himXD
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Kara giving Aiden judgmental looks (out of love and concern, of course!)
(She can team up with Moss with this, btw! They are both highly concerned for their hatchling/ best friend! God knows what would happen to Aiden and Ákos without them!)
Moss: It's sometimes tiring being a good, loyal pet
Kara: Sometimes... But it's worth it!
Moss: Absolutely!
Kara: And if anyone tuched them, we'd peck their eye out!
Moss: We headbutt them with our horns!
(Moss actually did this, btw. No one understood why he suddenly became mean just to Odette, but he kept doing it, which I, personally applaud him for!)
-
Also, I offer you a deal! You give me an Aiden song (preferably canon, please, because I feel like at this point I know more au Aiden songs than canon ones), and I give you an Adél song!
Peasants Throne by Lilith Max
Also, an Adél and Ákos song for an Aiden and Henry song!
Hazel eyes by Sabrina Jordan
Kara really is such a fun extra to the story! I love her.
Also Moss knows what’s up, what a legend!
Oh those are both good songs!
The reason you don’t know canon Aiden songs is cause there are none. I am very picky with my oc songs so if one line doesn’t fit I will not consider the song as a canon song. There’s many songs with lines fitting canon Aiden, but no whole songs.
Sorry to disappoint, but here’s a semi-canon Aiden song: Bring it on Home by American Authors.
And an Aiden and Henry song is Brother by NEEDTOBREATHE probably. I think.
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steveinscarlet · 3 days
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Another vintage Kerrang article for your delectation. This one is loooong. Text below the cut...
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THEY'RE ALL concerned and they all want answers. Mötley Crüe drummer Tommy Lee, hauling ass down Sunset Boulevard, Los Angeles, in a sparkling silver Corvette, certainly does. So does Blackfoot mainspring Ricky Medlocke, a recent unexpected apparition within the Marquee's glistening vaults. So does just about everyone I've met in the course of recent field-trips. They're all wearing that 'there but for the grace of God' look and they all want to know. So do I...
"Every time you speak to Rick on the phone you come away with a big grin on your face because he's in such good spirits. He's handling it better than I thought he would. He's matured 10 years overnight. He's totally accepted the fact that he's only got one arm and he's being very realistic about coming back into Def Leppard. He's mad to go for it, though, and we're mad to let him try."
That drummer Rick Allen will try, however, isn't in doubt. He's adamant about it and Leppard vocalist Joe Elliott is equally adamant that the band will give him their unrestrained support. As they've said all along, the decision is totally his "We aren't trying to show off or get sympathy," spells out Joe, "it's just the way we are. Def Leppard is simply five lads - we could have been a football team, we could have been international bank robbers. Rick's a mate, and just because he's had an accident doesn't mean he can't still be in the band. If he physically can't do it then obviously there's going to be problems, but with the technology available today I don't see why he can't play snare drum with his left foot, say. And if he can do that, and maybe have tom tom fills already recorded on a trigger, then the kit would look exactly the same. "Bill Ludwig, who builds Rick's kits, actually got in touch with him as soon as it happened, and it seems that there's a lot of one-arm drummers, guys who came back from Vietnam, y'know. The thing is, they tend to play Holiday Inns and places that like that; it's a different approach to drumming. Rick has a very John Bonhamish style - I mean, the quy doesn't need monitors, he's ridiculously loud! - and he'd never be able to do with one hand what he did with two for an hour and three quarters. It would kill him! So he's gonna need the technology. It's just down to whether he can accept the fact that there are gonna be people in the crowd trying to peer through the cymbals to see a plastic arm. He'll have to wear a shirt now, whereas before he'd always go bare-topped..."
THE DETAILS of the car crash that removed 21- year-old Rick (temporarily at least) from the Leppard ranks have been pretty well documented, grabbing column inches in the Nationals and beyond. The bare facts seem plain enough: at 12.50pm on New Year's Eve, while driving his Corvette along the A57 from Sheffield to his parents home in Dronfield (Derbyshire), Rick was involved in an incident which sent his car spinning out of control, turning over several times, injuring his female passenger and removing his left arm in the process. He remembers what happened vividly, and really can count himself fortunate to be alive. When the debris from the accident was examined it was found that the top half of the steering wheel had been bent back, Rick's particular power clearly preventing the steering column and dashboard from crushing against his chest. But why did it happen?
Picking through the events with Elliott it soon becomes obvious that the whole story is a little more complex than yer typical life-in-the-fast-lane pile up. Think about it...
When you're young and successful, with a streamlined US car and a female companion to match, it can sometimes sting the nasal membrane of the folks you've abandoned to a dole queue existence in your humdrum hometown rut. People have been known to glow green with jealousy, and on New Year's Eve people have been known to take a drink. Sometimes even a life...
"Yeah," says Joe quietly. "There was another car involved in the accident."
Mucking Rick around, you mean?
"That's right. But the people have denied it and there's nothing we can do. The coppers have interviewed them but it's no good I'd love to go round and kill 'em!"
Joe takes a moment to collect his thoughts, then continues... "The arm was placed in a bucket of ice gathered from all the houses nearby and Rick was in hospital (the Royal Hallamshire) within 19 minutes, which is unbelievable. He underwent an 11-hour operation; his arm was back on by ten to one the following morning, but infection set in and after three days they had to take it off.
"His nerves are still alive, though. They've got them wrapped up like spaghetti, and it's possible to have them connected up in a way that can give movement to a prosthetic arm. So the Steve Austin 'Six Million Dollar Man' thing is not beyond the realms of possibility one day. Rick still feels his arm because of the nerves."
When did you hear what had happened?
"I heard at about ten to four the same afternoon and I couldn't believe it. I cried like a baby for about three hours - my face was hurting. Peter (Mensch, manager) rang and said, 'Rick's had an accident, his arm's off, but they've sown it back on'. I've heard of that working before but unfortunately it was torn off, not cut off, so everything snapped and stretched in different places, which made it more difficult."
How soon after the accident did you visit Rick in hospital?
"I saw him two days after it happened... it was the worst experience I've ever had... but he was walking a week earlier than expected and telling the nurses to f**k off after three days because he was fed up having his bandages changed. He sounds in fine form now and wants to get back; drumming's all he's ever done, and he's done it very well."
"It's just up to him if he can stand the strain. I mean, he's going to go through some crap. He's not had it yet, but he's gonna suffer from depression; bad depression. He's being very realistic about it, though. He said to me, 'When it comes, it comes.' He wants to come out here to Holland but he knows he can't."
Presumably he won't be ready to play a part on the forthcoming tour?
"No, and he knows that. Somebody will guest with us until we know the result of Rick's convalescence." Would you consider using two drummers on any subsequent tours?
"Possibly, yeah, and Rick could do specific bits. We've definitely thought about that, but he's got a lot to learn first. I mean, there's certain things that are now a fact of life. If Rick wants to wear baseball boots, for example, he's gonna have to wear Velcro ones. And he's probably gonna need press-stud trousers. He's got to learn to bath himself even..."
"The thing is, at the moment his right arm doesn't work. The ball is smashed so they've had to pin it. He's got a six inch pin as big as a poker in there. Imagine if your elbow was sown to your hip; well that's all the movement he's got. I guess he's a bit of a mess, though mentally he's the best he's ever been."
What would happen if Rick returned to the band yet clearly wasn't cutting it? Would you have to tell him? "No, because he'd know himself. He's said that to me on the phone. He's being realistic- if he can't do it he can't, but he's definitely gonna try. There'll come a time when Rick will say, I'm ready, and we'll get together in a rehearsal room for a month and see what he does. He'll either turn round and go
'Yes!' and we'll go 'Yes!', or else he'll say 'Sorry, I'm not coping with it.'
"The important thing is that he tries, otherwise he'll never know, and that would be awful. I know he'd rather fail than not try at all. Besides, it's no big secret that we use drum machines on the records so, whatever happens, he could still be involved on that side. We would just take a session drummer out on the road."
"At the moment, we're trying not to get too depressed about the whole situation, but we were mega-depressed at first. I was in a real state, like a zombie for five hours, and for quite a time after I just didn't want to get into a car. I know it's daft, but it's true
A BONHAM of the biscuit tins, a Titan of the tupperware, since the age of 11 Rick Allen has thought of little outside of drums and drumming. At the moment he's at home, probably watching Cheech & Chong videos on the new system bought for him by Phonogram Records. But chances are that his thoughts are elsewhere, no doubt wafting with the music around the booths and corridors of Wisseloord Studios near Amsterdam, Holland, where Leppard are recording their fourth, as yet untitled, LP. As always, he's with his colleagues 110 per cent (for now it can be in spirit only), a continued commitment that should spur him on through the tough weeks and numerous hospital visits ahead.
Prior to the accident, he'd laid the groundwork for eight backing tracks, and the remaining two songs on the album were always destined to feature a less human touch, the band specifically wanting a more clinical punch, so there's no problem on that front. As for his work on backing vocals, well, Elliott can easily deputise in that department, leaving Rick free to concentrate on the speediest recovery possible and, as Elliott puts it, "Learn to live again. He's having all these drums built and a special car designed, all sorts of stuff..."
All things considered, '84 certainly wasn't an easy year for Def Leppard, a rude awakening for an almost unbroken streak of good fortune. First longstanding associate 'Mutt' Lange proved unable to produce the new LP, likewise his replacement Jim Steinman (though for different reasons - read on!), and then came The Accident, which instantly eclipsed all previous hassles, reducing apparent mountains of doom and dismay to easily skirted molehills. But, if anything, adversity has caused the four active members of the Leppard clan to virtually graft respective beaks to the grindstone in a collective consummate effort to make their next album their best.
The band's first LP, 'On Through The Night', produced by (Colonel) Tom Allom, took a mere 18 days to record and remains something of an embarrassment in Elliott's eyes (someday he'd like to remix it and touch up a few of the vocal parts), while the second, 'High 'N' Dry', with Lange now at the helm, was laid down in three and a half months, including a month's pre-production, bang, bang, bang, 'Mutt' clearly wanting to capture the excitement generated by these 21-year-old 'let's go for its'. But 'Pyromania' now that was a different story, with band and producer (Lange again) making a conscious decision at the outset to pin back the ears of a generation with something of genuine lasting quality; an attempt to update the glories of Queen's 'Sheer Heart Attack' and 'Night At The Opera' LPs...
They went for it in a big way and 10 months later came up trumps, creating a slice of history that many have doubted they'll be able to top; an album that left the whole of the music industry wide-eyed and open-mouthed, and caused bands both big and small to almost instantly re-assess their directions and aims. A (hard) labour of love still selling around a thousand a week, it broke taboos and set fresh standards right down the line.
"Hopefully, it'll be an Heavy Metal 'Sergeant Pepper...'," says Elliott, "who knows, but we've got to do more. It'd be tragic if our best album was our third and we end up doing 17 LPs."
Whatever the next album sounds like, however, Joe's convinced that it's gonna be slated by the press. He's resigned himself to the fact (not having heard the record beyond a few notes ricocheting out of the studio doors, I really can't comment), but, along with bassist Rick Savage and guitarists Steve Clark/Phil Collen, he's ploughing on regardless, helping to create something different to 'Pyromania' in content yet as good, if not better, overall.
"Since 'Pyromania' we're two years on technically," he explains. "The Fairlights are better, the keyboards are better and the microphones are better. And we're two years more experienced, of course. Actually, we keep putting on 'Pyromania' and listening to it back-to-back with what we've done; you have to imagine it without the mix, but it's definitely up there to my ears."
JOE ELLIOTT leans forward in the chair, tucks a fold of his rather battered dressing gown tight against private parts and pours himself another glass of one cal Coke. This for the moment is home, and has been since the middle of August: a simple hotel room in Holland ten minutes drive from the studio complex. Originally, the band were due to play the 'Mick Wall Festival' in Rio, but they eventually decided against it on grounds of not wanting to interrupt recording. So while certain jammy so-and-so's were sunning themselves on the Copacabana sands (maaaan!!), Elliott and co, tax exiles all, were trudging across frozen lakes, wrapped up tight against temperatures of 25° below! Still, there's always next year And if nothing else, in their present position the four are conveniently cut off from all domestic distractions. Through the hotel room window I can see Dirk, Elliott's treasured Renault 12 (and centrespread star of Kerrang! 79), basking quietly in the hazy sunlight, the central motif on an idyllic pastel canvas shaded only by the distant foghorn fuming of an adrenalised Peter Mensch. Somewhere, behind closed doors, he's informing an unfortunate Halfin that a five-piece outfit close to the latter's wallet have been 'stiffing' horribly in the South, and he doesn't mean Torquay! Let's just say he's on form...
Later, on the flight back to London, having persuaded Mensch to fund my purchase of a duty free Sony Walkman in tasteful pink, I tentatively suggest that the forthcoming Leppard biography should be titled 'Me & My Whine'...
"OH, YEAH, DAAAN-TAY!!" he snaps, blood vessels popping like balloons, "AND HOW LONG DID IT TAKE YOU TO THINK THAT ONE UP???"
Back to business...
"We've always upheld the theory," theorises Joe as things quieten down, "that we don't want to put out a record every nine months. We'd much rather put out a record every two to three years that's of real good quality
"When we started this album 'Mutt' was involved; we did pre-production with him in Dublin, Ireland, which is why we've put him down again on the songwriting credits. It's an honesty thing with us. He doesn't write anything as such; the six of us just sit round a table with a piece of paper in front of us and guitars turned down really low, then whoever chucks in an idea - be it Rick or 'Sav' or me or 'Mutt' - we play with it."
"Steve, for example, will come up with an idea and 'Mutt' will say, 'Change that round', 'Use this', 'Do it in another key', ' or whatever. It just creases me up to think that there are some people out there who look at us and say, 'Ha! They can't write their own songs', which isn't true at all. And even if it was, I'd much rather be involved with an album that sold six million copies co-written with a producer than one that sold 200,000 copies that wasn't."
Surely helping with the arrangements and so on is part of a producer's job, though "Yeah, right, but it's almost as if it's some kind of crime to let your producer be involved. That's what a producer's there for - to kick you up the arse and bring out the best that you can do. We encourage 'Mutt' to be involved and we repay him by sticking his name on the songwriting credits. Who cares! It's only a bloody song anyway..."
Isn't it true, though, that a lot of producers are really just glorified engineers and can't make the extra step up to that level of involvement?
"Yes, that is true, but 'Mutt's an exception anway because the guy's a musician, he's been an engineer since he left school - he's been doing it for 17 years and he's only in his early thirties now and he's also a brilliant singer and great songwriter, so you've got everything going for you! Whereas an engineer will be able to tell you if something's out of tune, 'Mutt' can go further than that and say, 'It doesn't feel right' or 'Sing it this way, shape your mouth like this, let's alter the phrasing'. "With most engineers, if it's in tune and it's what you want then it's a take, and that's all their job is, because if it's that way round it's normally the band who are producing, the way we are with this album. I noticed in Kerrang! it implied that Nigel Green is now producing – he's not, we are. Nigel's assisting." "Actually, he's worked with us on our last two albums, though not as main engineer. Mike Shipley was always our main engineer. Nigel's as good as Mike, it's just that at the time he was involved in other projects; so when Mike took a holiday or went to the dentist Nigel would come in. We've never worked with him on a long term basis before but we do know him."
What happened with 'Mutt' Lange, though? As I understand it, he originally agreed to produce the album as well as help out on pre-production...
"Yeah. In fact, he was still going to do it last February. We started with pre-production, as you've mentioned, but it soon became obvious that 'Mutt' was in no state to see the whole thing through. The Cars' album ('Heartbeat City') nearly killed him; our last album nearly killed him, and the Foreigner record ('IV') the same. I think he's just reached the stage now where to attain certain standards you're talking about grafting for a long time."
"The way we worked on 'Pyromania', for example, we were doing 20 hour days and the guy was sleeping on the couch in the control room. You just can't do that forever, so for the sake of his health he made a wise decision not to do our album. At the time, we were panicking; we thought, 'Oh, Christ!', cos things had all been planned. It wasn't a case of us being afraid of what the album would sound like if 'Mutt' wasn't there, it was simply the availability of other producers that we were concerned about. With top people like Ted Templeman, Mike Stone or Trevor Horn, you've got to book 'em years in advance, you can't just get in touch two weeks before you want to start..."
"Actually, we did approach Templeman just to see how much he wanted, and I don't think he was too keen to do it; he put in such a ridiculous money offer that no band in the world would have accepted it! But then we really wanted somebody a bit different, anyhow. We were interested in the people I've already mentioned initially because we thought, well, these are the names that we've listened to, Bob Ezrin, y'know. But then we started to think about people like Alex Sadkin, who we found was doing the new Foreigner album ('Agent Provocateur'). Trevor Horn would have worked with us in England, but Chris Thomas (Roxy Music, Procol Harum) turned us down flat - he obviously doesn't like us. We actually tried to get Phil Collins, who was interested but tied up with the latest Clapton LP ('Behind The Sun')."
So you were looking at people outside the world of heavy rock...
"Yeah, we were looking at up and coming producers like Terry Manning, who's engineered for ZZ Top, and Steve Lillywhite, who's yet to do a hard rock album but possibly could do a good one. Some of us were interested in him, some of us weren't. I like the fullness of Simple Minds' 'Sparkle In The Rain' LP, it's brill, but sounds are really no problem for us now, we can get good sounds; the thing we always like to have is musical input, and that's where we thought Steinman would come into his own. I mean, the guy's a good songwriter and he's had a hell of a lot of success with what he does."
He worked on the last Billy Squier album, 'Signs Of Life', with Tony Platt, didn't he?
"Yeah, well, he 'navigated' it is what Squier says. We thought, OK, we'll get the sounds and let him do the producing, but it turned out that Jim wasn't really what any of us thought he would be. In fact, I wonder how he's ever got a production credit on anything - especially with Squier, the kind of ego he's got. I can't understand why he even let Steinman's name appear on his album cos we're not putting it on ours."
What was the problem with Steinman then?
"Ahh... I wouldn't be lying if I said that you could have done it as well. I mean that. The guy just sat there reading 'Country Life' all day and going, 'Yeah, yeah, that sounds good', when it plainly wasn't. He's simply not used to recording the way we record. When we said, 'Listen, this is the way we work, you'd better get used to it', he tried and he couldn't. He just could not hear if something was wrong."
Were your standards too exacting for him, do you think?
"Possibly, yeah. It sounds strange to say that, though, cos to me those standards are normal. Doing 'Pyromania' was like going to college; I've grown up listening to things a certain way. As far as I'm concerned, getting the timing, the tuning and the feel spot on is the usual way to work, but Jim Steinman for all his reputation - could not hear it."
"After a while, we just thought, well, this is silly, we're wasting our time and money and wasting his time, though we weren't too bothered about that cos he wasn't too bothered about the project. I honestly don't think he was doing it for any reason other than credibility in the States. "We'd say, 'Right, we start at 12', and he'd wander in at 3.30. We'd stay till 12 or one in the morning, then he'd go back to his hotel and start writing songs for his own future projects, and he'd be up till nine o'clock doing that. So when he finally got round to us, he'd only had five hours sleep. he wasn't there half the time. I mean, he was there in body but not in mind. We found more and more that we were doing the work, which was fine, we didn't mind doing it, we just thought, why the hell should we be giving this guy so many points and so many dollars to sit there reading 'Country Life'!"
So how much did you manage to accomplish with Steinman?
"We did about eight backing tracks and scrapped them; almost everything has been done again. And even the things that went down were our decision Steinman never overruled us on anything. If he said a certain take was good and we said it was bad, we'd do it again."
Who was actually getting the sounds at this stage?
"Us and Neil Dorfsman, Steinman's engineer. He was good, actually, cos he was doing all the work. Jim was the ears of the partnership, but the ears were plugged up, I think..."
"Y'know, it annoys me intensely when a producer walks into a control room and says, "This carpet has got to go!' Sod the desk, that's not important. An SSL desk, 150,000 quid's worth of equipment, and the carpet's got to go! He even had the carpet changed in his hotel room. The guy was living in a suite while we were happy in rooms with a fridge and a cooker. Obviously, we paid for it all..."
"And the food! He went out to the North of Holland and had a 12 course meal! Which is fine, that's his personality, but when somebody walks into a studio and says the carpet has got to go... if I'd been there I'd have decked him. Seriously. Who gives a flying s**t what the carpet looks like!"
How long did Steinman last, then?
"Oh, we dumped Jim about November, we gave him a fair chance. We thought, well, alright, we're doing the spadework, what he might consider the boring side of the album, let's see what he's like on vocals, maybe that's his strongpoint. He did tell us that he spent something like five weeks trying to get Meat Loaf to sing one line, so we thought, OK, the guy's definitely got stamina."
"But when it came to doing vocals with me, it was exactly the same situation as with the backing tracks - everything was my decision. He'd say, 'Yeah, that's good', and I'd go, 'Jim, it's f**king useless!' I'd run out of breath at the end of a line cos I wasn't quite familiar with what I was singing, and he'd say, 'It's got a bit of feel'. Isn't that pathetic?!"
"I mean, Steve and Phil wanted to get rid of him two weeks after he was here. But I just kept saying, 'Give the guy a chance, blah, blah, blah' made meself look a right arsehole. But it was only fair to let him get to the vocal stage of things."
"Anyway, when Steinman went we all sat down and asked Mensch to sort out which other producers were available. We put down everybody we thought might be good. Mike Shipley couldn't do it cos he was off co-producing the new Loverboy album, so we just suggested Nigel. We were doing a better job than Steinman, so we thought, well, what's the point getting in another producer? We send 'Mutt' the odd tape now and then and he sends it back saying, 'It sounds brilliant to me', which shows that we can do it, so we are."
Has having Phil Collen involved from the start of this album (he became a Leppard member during the recording of 'Pyromania', replacing guitarist Pete Willis) made things different in any way?
"Yeah, it means that the songwriting's changed a little; Phil's input is better than Pete's ever was. Steve will always be the major songwriter, I think, but he's really encouraged Phil a lot. He doesn't just sit down and say, 'I want to write all the songs', stuff like that. In fact, everything that Steve's written, he's written with Phil in the same room... Phil's probably involved in eight of the 10 songs on the album."
And what about 'Sav'? He writes too, doesn't he?
"Yeah, but 'Sav's weird; I can't get to grips with him sometimes. More than anyone else in this band he likes your Journeys and your Bryan Adams, occasionally even the odd Duran Duran song, yet he was the one who came up with 'Stagefright' and 'No No No'. And on this new album he's got a number called 'Ring Of Fire' - not a cover of the famous Johnny Cash song! which is an uptempo, thrash, crash, Metal job. He just never writes like the people he listens to."
Will Steve and Phil be sharing the guitar breaks on the new LP?
"Oh yeah, 50/50, right down the middle. Actually, they argue about who's gonna do 'em; not in the sense of, 'I wanna do this', but Phil's telling Steve that he should do a certain solo and Steve's saying, 'No you do it, it's more up your street'. I remember hearing stories about KK (Downing) and Glenn (Tipton) from Priest not talking to each other for four months at a time, but it's the other way round with Steve and Phil. The only thing they argue about is who's gonna buy the drinks!"
What about you, though? You play a bit of guitar...
"Badly!"
...have you written anything on the new record?
"Er... I did come up with some stuff but I don't think it got used. I wrote little bits on the last album, but my main worry is obviously melodies, lyrics and vocals."
"Sometimes, though, we'll have a vocal line and work the backing around that. We've got this one new song, 'Armageddon It', which is Piltdown, just two chords all the way through; it's based around a tongue-in-cheek vocal thing."
Is it a 'Rock Of Ages' type number?
"I suppose it is a bit, yeah. The vocals come out from all over the place once it gets going. It's just a totally stupid lyric... like 'Rock Of Ages', just a piss-take of ourselves, though not mocking the fans in any way."
"And then there's 'Ring Of Fire', which I've already mentioned. It's actually about an Indian meal, the day after, but nobody would ever know that... well, they will now!"
When you're writing lyrics, do you ever think about how the song will work live?
"Not really, no. Obviously, a number like 'Rock Till You Drop' is a stage song, and the same with 'Stagefright', but I've never consciously sat down and thought, well, I'd better come up with two songs about 'Rock This Place To The Ground', or whatever, and one meaningful one about Vietnam, and another about a vigilante in New York. They just turn out that way. You do it in moods. I was probably watching something about Vietnam on TV and 'Die Hard The Hunter' (from the 'Pyromania' LP) came out, and I'd probably been to see 'Deathwish' when I wrote 'Billy's Got A Gun' (also on 'Pyromania'). I can't remember, I just do it."
"I actually wrote 'Photograph' (ditto) while I was sitting on the bog. I was stuck for a chorus and I had a picture of Marilyn Monroe staring me in the face... Bob's your uncle!"
When you made the decision to go for something extra with the 'Pyromania' album, were you confident that you could pull it off?
"We were confident, yeah, very confident, because 'Mutt' was producing. We just had so much faith in the guy and in return he had total confidence in what we were doing. We didn't see how we could go wrong, though Mensch was tearing his hair out when we were nearly a million pounds in debt and the record company were drumming their fingers waiting. I think we had to sell 1.2 million copies of 'Pyromania' to break even, we were in a real big mess..."
"I mean, I nearly had a nervous breakdown, I just couldn't handle it. I was going through so much crap towards the end - do it again, do it again... I got what a lot of singers get, 'Lastitis', which comes from the pressure of finishing. We went through a lot of hell on that record..."
Including, of course, the slightly wobbly exit of young Mr Willis...
"Yeah, but in all honesty I think that did us more good than anything. The thing is, you sometimes take situations for granted and then all of a sudden something like that happens and it's like, wow, it's different, there's only four of us, he's gone, really gone. I mean, Phil joined the day after, but then he almost joined back in '81."
"I tried to get him cos we were having trouble with Willis in America. I rang Phil up and said, 'Can you learn 16 songs in two days?' He said, 'I'll try', but that was just totally out of desperation, there's no way he could have done it. However, when Pete started to act in the studio like he did on tour, which was making Keith Moon look like a bloody vicar, it was time for him to go."
Why doesn't he get some help?
"Well, I think he's beyond help, to tell the truth. He doesn't even realise he needs it, he doesn't accept he's got a problem, though the guy's been in hospital twice as a result of drink and drugs. He had a collapsed liver or something, and epileptic fits, God knows what."
That hasn't happened to the rest of you, though, and you're all the same age, you've all worked your way up together...
"No, it's just him. Pete's always had something to prove, y'see, probably because he's a midget. The guy thought he was 10 feet tall when he was pissed and he'd be taking on people as big as you it didn't work. He was like a gigantic ball and chain around our ankles..."
THE LATEST whisper on Willis is that he's currently swanning around the environs of Sheffield, complete with Rolls Royce and minder, recounting tales of some hush-hush supergroup he might be throwing in his frets with. Elliott finds it hard to take the whole thing seriously, and I think it's fair to say that the recording of album number four is proceeding all the smoother for the wee man's absence.
Already, a number of lead vocals are complete, and the band (employing two studios simultaneously) are steadily piecing together their ten new songs, ready to convince a waiting world that Life After 'Pyromania' does exist.
So what's on the boil? Well, in no particular order, there's 'Armageddon It' and 'Ring Of Fire', already mentioned, 'Excitable', 'Gods Of War', 'Fractured Love', 'Don't Shoot The Shotgun' (Stonesy, I'm assured), 'Animal', 'Love Bites' (a ballad), 'Run Riot' and the enticingly handled 'Women', all proudly produced by the Leppard members themselves, who, without the invaluable 'Mutt' Marten to administer the prods, are taking great and serious pleasure in booting each other up the bum! "Actually, I never envisaged us producing ourselves," admits Joe, "I thought it might be the one thing that would lead to us falling out. It's always been dead important to us that Leppard is a friends situation; we want to keep the element of why we started. Five mates who can still go into the same bar and look each other in the face after seven years. Happily, that's the way it's remained, and producing ourselves is working really well..."
The new album, which now looks set to be mixed by Lange in the UK, an added bonus, should be available by August, after which the band plan to tear up the tarmac on a world tour of, well... y'know. The idea, it seems, is to blow away the studio cobwebs with about eight shows in Ireland, some in smaller places, then steer a course for the UK, perhaps for a September stint (the British dates have already been put back four times!) of 20 or so gigs. A headline appearance at Wembley Arena isn't too far off for the boys, according to Queen's Brian May, a staunch Leppard supporter, but this time around I reckon they'll settle for something a little more cosy.
Next tour, though Europe too seems odds on to cop a visit, particularly as 'Pyromania' has now shifted over 100,000 copies in France and is making a late burst for the tape in Scandinavia as well. Business in Germany, however, remains a little slow, and as for Holland... well, now we're talking about a massive 639 units shifted. Still, at least it means the band don't have to worry about being recognised. Def what?!
By December Leppard should be into America, after which it's likely they'll travel to Japan, though probably not Australia, that stage of the tour having lost them around 60 grand last Feb. Indeed, all in all, their schedule will be less arduous than last time, including more days off to recover and recharge. The band should certainly feel healthier as a result, but then with the Rick Allen episode having shocked the Leppard camp into a highly body-conscious state, that's the way things are heading anyway "I don't want to waste away and vegetate," explains Joe. "I'm 25, I'm supposed to be at the peak of my fitness; I'm supposed to be Glenn Hoddle but I wasn't. I'd run a mile and be out of breath. Now I can run a six minute mile, no trouble, and I do half an hour's worth of exercises every day. 'Sav', Phil and myself all go jogging too - we take less for granted now than we did before..."
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hologramcowboy · 3 days
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Okay, well, Jensen finally showed up on television again. This time, playing Russell Shaw on Tracker. I'm curious if you watched and what you think of his performance.
Personally, it felt like Dean Winchester never left. It didn't help that there were numerous (and obvious) SPN easter eggs in the episode. I'm curious if that's happened before when guest stars come on. Do the writer's play up that actor's previous roles as much as they did Jensen's?
I'm also curious about a few tweets I saw from people who attended the FBBC event. Apparently, Jensen talked about his role on Tracker.
https://twitter.com/kunerksterphoto/status/1789808856576487771 and https://twitter.com/kunerksterphoto/status/1789808858505888136
I know we get dude in #Tracker tonight, so a little story. I wore my “I Miss Dean” shirt to the brewery event last weekend and as soon as dude saw it he was like “you know that episode of Tracker I did? I asked how they saw me playing it and they told me to do what I know best. So if you miss Dean, you’re going to get quite a bit of Dean on Tracker because he’s what I do best.” So it was a conscious choice and I am so excited by this.
https://twitter.com/kgauck/status/1789821196839637236
He told me I'd probably see a lot of Dean in his role on Tracker. I joked that he was dressed a lot like Dean in the promo pics, and then he made a joke about being typecast.
It sounds like Jensen's basically thrown in the towel on improving his craft since he apparently doesn't mind playing Dean in all his roles, or being typecast.
I read things like this and I can't imagine that he'll ever get another lead role. It's all going to be guest spots for characters that are similar to Dean Winchester. It's disappointing because he's definitely had the time post-SPN to take classes and improve between Covid and the strike. I suppose if he's happy doing guest spots and conventions, good for him, but as a sort-of fan/nearly former fan, I'm just sad to see his career come to this.
He's becoming a sad cliché. He is confusing a character for his main type and that is why he will never be A list and definitely never be Batman.
Thank you for this lovely post, anon.
I did tune in for the episode and, quite frankly, I was disappointed. Casting him seems to have been a gimmick, right down to the beer mentions.
First off, his acting initially seemed to be improved, right up until he started using that fake voice again then it all became cringe after cringe. I am so saddened that Jensen can't see past Dean and that he can't be himself. I know now that he'll never make it, an actor that stagnates can't ever reach A list.
Justin, in comparison, acts naturally, he has a natural instinct and this really just made Jensen look even faker. For the for the first time, Jensen played a completely meh character. He's turning into one of those dudes that star in various shows that no one even remembers because they are just there to advance the lead's plot. Right down to his superficial, mediocre, unnatural choices and I am sorry but in no way did he have the layers of someone who served in the army. That was a key characteristic of his character and he completely missed the plot on that and that's because the mention of it was a Soldier Boy easter egg. Jensen gets so caught up in flaunting his celebrity persona he forgets to embody his characters realistically.
I've read comments from AAs who claim Russell is different compared to Dean and I just want to say: gimmick casting, the whole script was written to callback to Dean, easter eggs included. Stop lying to yourselves and admit that Jensen has thrown in the towel. He is a one trick pony and that one trick will soon expire because, you know what? It's not an interesting character, it's not someone to root for, it's not someone fighting for something. It's a bored, self centered man faking a rougher inner and outer state and mimicking (yes, that's right, mimicking not acting) an idea of his old character. Mimicking poorly. As someone who loved Dean Winchester( when he was well written), I really need Jensen to stop because he is ruining the memory and disrespecting the legacy.
Thank you, anon, for sending me this ask and for asking my opinion, it pains me to say but I agree with you, lead roles aren't feasible.
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misc-obeyme · 2 days
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something i haven't understood in obey me so far playing is what year it's set in? did I miss the amount of years stated somewhere?
like we have the D.D.D. which is like a cell phone. But then we get sent back in Nightbringer and we still have D.D.D. And anime. And heavy metal, probably. What year is it again?
No way it's been like centuries, which is how they make it sound. I'm not even sure it's been a whole decade into the past. How long does it take to get a school up and running, Diavolo?
-a confused player
Dear A Confused Player,
Don't worry. You are all of us.
You didn't miss anything about what the years are because they've never stated anything about that.
They kinda explain everything away with the "time soup" but even that isn't really an explanation at all. They mostly just don't talk about it.
It's generally accepted that the Devildom is behind the human world technology-wise. There's proof of this in season three of the OG where the brothers don't know how to use some pretty basic kitchen appliances. The idea is that in the Devildom, they have magic to supplement their tech needs, so they don't need as much tech. This is pretty standard for fantasy worldbuilding. It's the idea that magic essentially does a lot of the stuff we use technology for.
But then yeah, Nightbringer happened. And that's supposedly thousands (millions? they don't state specifics) of years in the past. So presumably, the technology wouldn't be as advanced as it is in OG. Which would mean we wouldn't have things like D.D.D.s and there was also the wasted potential of old school outfits.
Since things seem to be about the same in Nightbringer tech-wise, the question becomes why?
Either Nightbringer is set in a timeline that's so drastically different that this tech was developed a lot earlier than in the OG timeline OR it's always been that way and the OG timeline was actually taking place far into the future for us. Another possibility is that the Devildom actually developed all their tech before the human world developed theirs, but at some point their development just stagnated. Meaning it stayed at about the same level from Nightbringer to OG.
And then there's the RAD founding discrepancy. In OG, they make it sound like RAD has been around since way before Lucifer & co fell, but this was mostly portrayed through old Devilgrams. So they just straight up retconned that. I think RAD's development has only been happening for a few years in Nightbringer and then it's established before MC leaves.
All of this is to say, the time is wonky and makes no sense. You can speculate about it for hours and still come up with ??? because any of these options could work. Due to them fucking around with time travel, timelines, and "time soup," anything goes at this point.
Time travel is a risky thing to include in a story for many reasons. And this right here is one of them.
We might've been able to suspend our disbelief on the time frame of the OG, but now that they've tossed in this time travel to the supposedly distant past, it's a lot harder to just go well, it's a fantasy story so I'm not gonna worry about it!
Just one of my many complaints about the writing of this game lol.
Anyway, that's the best I can do, I'm afraid. I might have gotten some details wrong because I forget things sometimes, but this is how I've always interpreted things. I hope that helps a little, but in the end it's kinda up to you to headcanon whatever you like!
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luimagines · 16 hours
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Did I already send this? I’m sorry if I did. If I did it was a while ago lol. I just remembered this idea for no apparent reason lol and imagined a whole scenario. So here’s what I had a while back.
So here’s the story my idea came from:
https://archiveofourown.org/works/51324469
And it was one of the best things I’ve ever read of the Linked Universe lol. And I had an idea: so what if Link wore his Gerudo outfit with the boys and they didn’t know it was him, like in this story, but we add x reader, and they’re dating him and so when he appears they start kissing him and being lovey dovey and whatnot, and the boys just go “?!?!?!”😂 and either they get protective of Wild and yell at reader about “How could you cheat on Wild?! How dare you?!” And others just stare dumbfounded at reader.😂
P.S. I understand I’m drawing from someone else’s story, so if you can figure out their tumblr and ask permission or tell me it or something please lmk. Because I couldn’t find their tumblr and idk how to use archive of our own at all. I’m new, sorry!
So I just imagined something like this:
Wild led them to the wall where a hidden switch was but none of them knew that yet. You ran up to Wild and hugged him.
“Thanks sweetie, you’re so helpful!”
Then you start playing with his hair and kiss his cheek. The rest of the chain is a mixture of anger, horrified, betrayal, and everything in between.
Legend runs up to you and rips you off Wild.
“What is wrong with you?! How dare you?!?!”
You try not to laugh but you can’t help but smile.
“Leg-“
“No! You don’t hurt Wild and get away with it!”
Warriors is trying to pull Legend off of you as Sky comes up to you.
“Why…what did he ever do to you…”
He looks so broken. Behind all the chaos Wild stands silently seeing how it all plays out. He hears all his brothers defending him saying how amazing he is and doesn’t deserve you because you cheated on him. How even though he’s chaotic in battle he’s the most reliable person they’ve ever met. How he’s the best cook ever and without him they’d be starving. How much he brings to the family and without him it wouldn’t be complete…He starts shifting around and scratching the back of his head in awkwardness because of all the kind words his brothers have about him. How they’re protecting him. Eventually he puts you out of your misery and clears his throat.
“Guys…it’s ok. I’m right here. Though I’m very flattered.”
His cheeks are a little pink and he’s still in his Gerudo outfit. The chain looks at him and think he’s still some random girl.
“Huh? No we’re talking about our brother. I’m sure you didn’t know but this person has a boyfriend.”
Wild smiles softly and takes off the veil.
“I know they do.”
Now all the chain’s jaws drop. Wild chuckles and takes the rest of his outfit off.
“I’m very grateful that you guys would defend me, but it’s me. You don’t need to keep chewing them out anymore. Also, they knew it was me, so they weren’t cheating.”
omg XD
Poor Reader. I don't think I would have been to stay that silent while being chewed out.
To save my own skin I would have just yelled "THAT IS LINK!!"
I would probably also hold it over Wild's head for an undisclosed amount of time for standing there for who knows how long- leaving me to take the heat when I've done absolutely nothing wrong.
You better believe this becomes an inside joke between them.
"Yes, darling. I was cheating on you. I have bananas."
"Throw in some milk and we can have cheater milkshakes."
"Do you have the ice for that?"
Takes out ice rod. "Do you even have to ask?"
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