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#i know that's just a projection of my own internal feelings about myself but it's hard to rewrite that after everything that happened
phantaloon · 1 year
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the-peak-tmnt · 2 months
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Hey The Neon Void readers, quick update from the author's sister!
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(art commission by @kaysdenofchaos)
Hi readers of The Neon Void fanfic. This is the author’s older sister. She’s been getting a lot of fan art and asks lately. She’s sent me screenshots of a few unanswered ones looking for advice on how to respond.
While all the love and support of TNV is genuinely appreciated, my sister @sugarpasteltmnt is not equipped to respond to a small handful of these asks/comments that are, quite frankly, inappropriate.
Sugarpastels is not a therapist, and she’s certainly not an internet stranger’s therapist.
She’s an adult with an extremely demanding and stressful job for a very large client. Some of you have already experienced and enjoyed her work IRL without knowing it. Her company is close to finishing another project that will bring a lot of joy to hundreds of thousands of people every year, but working on a project of that scale is extremely stressful.
She is writing this fanfic for fun. TNV is a way for her to decompress and put her creative energy towards something other than work.
What’s not fun is coming home to asks/comments from readers who are projecting their own struggles/mental health onto TNV, and even Sugarpastels herself, and demanding some sort of attention from her over it.
Let’s be real: it’s fun to watch our blorbos suffer! So much of fandom is just us putting our favorite characters in Situations because it’s fun. Simple as that. But I think another reason TNV has resonated so strongly with readers is because of the way Sugarpastels writes the internal struggles of these characters.
We are both aware that TNV deals with mental health topics. Since the early days of “modern” fandom, fanfiction has been a way for people to explore complicated, difficult and sometimes even taboo subjects. There’s no shortage of complex feelings being explored in TNV, which is why we’re all having so much fun reading it.
But that’s all it is; an exploration. Sugarpastels is not a mental health expert. I’ve read a handful of books on PTSD and mindfulness for research while writing my own fanfic, and I would never consider myself prepared to help someone else.
It’s okay if you relate to things from TNV. I know I do! Again, fanfic has always been a way to read about things rarely dealt with (or handled poorly) in published fiction/tv shows/movies. I will always argue one of the greatest things about fanfiction and other fanworks is being able to see ourselves and our own struggles through our favorite fictional characters.
But Sugarpastels is not a fictional character. She’s a real person. Most importantly (to me at least) she’s my little sister, and this big sister cannot handle watching some of her readers expect more of her than is appropriate.
So I’m asking you to please be mindful of what you ask/say to not just her, but literally everyone on the internet. Unless you’re chatting with someone regularly, they do not know you. Whether it’s friends, family, teachers, coaches, etc, there are people in your life who know you personally, and are therefore better equipped to help you than a stranger on the internet.
Sugarpastels is so full of empathy that it’s hard to not feel for you when you send things like this. But it just isn’t fair to put that kind of unnecessary pressure on someone who is, at the end of the day, just trying to have some fun writing about ninja turtles bein’ sad.
(That being said, PLEASE DON’T BE SCARED TO SEND HER ASKS AND FAN ART!!! They make her day every single time and are seriously so, so appreciated. She’s texting me about it constantly how much she loves all of TNV’s readers. This whole post is really directed at an extremely small percentage of her readers, but there have been enough I felt something needed to be said.)
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ftmtftm · 9 months
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This isn't something I have fully articulated thoughts on yet but honestly? I really do think that transandrophobia and the way people who talk about their experiences with it are isolated is, in part, why transmedicalism existed (exists still? I'm very detached from that discourse now) as a primarily trans man/trans masc dominated ideology.
I'm going to share my own experience and I can only speak for myself here, but when I was a really isolated late teen/early 20-something dealing with a lot of unresolved trauma re: my assault (that happened as a result of me coming out as trans to an ex), some immediate family's reaction to my transition being "well why can't you just be a masculine woman", and frustration about not being able to medically transition yet combined with the mid-2010's pressure to be a non-threatening feminine soft boy, I got sucked into transmedicalism.
I do want to be upfront and recognize a lot of my feelings at the time were a trauma response and projection. I recognize this now but I had no resources to recognize that then. I just want to make it clear from the start that I know my own thinking was flawed, that's why I'm reflecting on it openly so others can potentially recognize something that resonates here within themselves and grow.
Getting back into it though- I felt really triggered all the time in general trans spaces because of that 2010's culture. I felt pressured to be feminine or a woman in trans spaces online, just like I did around my ex or at home. I didn't want to undercut my masculinity or manhood for other people's comfort, especially not for other trans people who I felt should've understood. In contrast to this though, transmedicalist spaces and the trans men within them DID actually offer the support I was asking for. I was actually given space to talk about my assault and the pressures I was experiencing with a bunch of other trans men/trans mascs who understood it for the first time, ever really.
The idea of "there is a medical explanation for gender dysphoria that can be treated with medical transition" was also really comforting to my traumatized mind that kept thinking "if I'm open about my assault someone is going to accuse me of just being traumatized and not actually trans, if medicine is on my side I can prove them wrong" Which - let me be clear again - was a very traumatized way of thinking. I do not think that way anymore thanks to therapy and cultivating a healthier relationship with my body and gender and transness. I was not the only trans man with a history of assault that felt this way in the transmed community at the time though.
And I'm not justifying any of this ideologically right? Like. Transmedicalism is fundamentally flawed and incorrect in many of its ideas about sex, gender, and gender identity. Many people who believe in transmed ideology spout some absolutely horrible, transphobic bullshit on the regular and often align their ideology with conservatism and TERFs. I'm not here to defend transmedicalism.
What I am saying is this: It makes sense that a group of ostracized individuals who felt like they had no space to express their traumas would cling onto transmedicalism because it was the only ideological community giving them space to talk about it. Hate movements thrive on preying upon those kinds of vulnerable, traumatized people.
I'm just thinking about a lot of the friends I met via transmedicalism back then and now they're all either TERFs with a lot of repressed trauma and internalized transphobia that I've since cut off completely or they had a similar realization to myself and discovered their attachment to transmedicalism was rooted in trauma and a desire for trans masc community, addressed it, and now they live much healthier, happier lives.
I'm losing steam fast thinking about all of this because recounting trauma takes a physical toll on one's body BUT tl;dr I really do think if we had healthier spaces to address trans male/trans masculine traumas within the wider trans community via conversations about transandrophobia back 5+ years ago we wouldn't fully be here now wrt: how large transmedicalism became as a movement. I genuinely think I wouldn't have been sucked into that space if there had been more resources and space to talk about the experiences I was having, all of which are things people naming transandrophobia are trying to address in healthy manners.
I think healthy, open, conversations about transandrophobia in wider community spaces can do so much good to protect people who were in vulnerable positions like I was and can absolutely potentially prevent more people from getting sucked into the false support offered by hate movements within our own community.
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seungrem · 2 months
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Han Jisung x m!reader
‘Close Enough’
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summary: Before leaving for the day, han asks reader to check a supposed injury that he has. While examining the boy, reader uncovers his true intentions.
( normal smut, top!han x bttm!reader, intern!reader x idol!han, mutual feelings/crush )
a/n: posting this just to hold u guys over until i finish part 2 of chan’s fic :))
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emoji code:
🌱 ( oneshot / short fic - around 3k words )
❄️ ( smut, minors DNI, 18+ )
☁️ ( y/n )
likes, comments, & reblogs r appreciated ˚ʚ♡ɞ˚
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After an easy day of wrapping up a project, it was now 2 am- meaning that ☁️ could finally go home. A member of the staff, the boy quickly assisted his team in packing up their equipment from the home.
Though the majority of the staff began to leave, ☁️ decided to check in with each member before he left as well. Saying his goodbyes to all but one, the boy approached the last room down the hall. ☁️ slowly drew closer to the door, knocking lightly. While waiting for a response, he repositioned the bag around his shoulder to sit comfortably.
“Han? Are you in here?” ☁️ opened the door, slowly inching into the room. A dim, orange lamp was on, but there was no sign of the idol. He looked around the room to make sure Han wasn’t hiding, which he’d done many times before.
After seeing no sign of him, ☁️ turned around and walked back out of the room. He slowly pulled the door, walking out with his back against the hallway and shutting it lightly.
“What are you doing?” Han asked with a bit of confusion. In the distance, ☁️ turned to see Han put a hand into his grey jeans, though his black shirt was barely visible due to the hallway’s dimness. Han raised an eyebrow and tilted his head.
“Ah, I was looking for you. I wanted to check in with everyone before I left.”
“There is something I need you to check.. but most of the other staff left, and the members are sleeping. I don’t wanna make you stay later.”
“Oh, no, I honestly don’t mind. What is it that you need?” ☁️ watched as Han walked towards him, the idol then grabbing his hand as he walked past. Han placed the boy’s hand on his chest as the two sat on the idol’s bed. As the door slowly closed itself, ☁️ looked at the boy in confusion.
“I hurt myself today while filming. Do you remember when I.. you know..”
☁️ nodded and would’ve laughed if he wasn’t so flustered. That orange hue glistening across the side of Han’s face made it too easy to admire him.
“So.. would you mind getting rid of the knot in my chest?”
☁️ tilted his head in confusion. “I don’t think it’s possible to get a knot in your chest, Han. Are you sure it’s a knot..?”
Using his own hand, Han directed ☁️’s hand around his chest. The boy felt two large bumps, but he was sure it was just Han showing off his pec muscles. Remembering the incident from earlier, through, ☁️ thought about how hard Han had actually fallen.
“I’m sure, when I landed I hit my chest.. Please, it hurts, ☁️.” Han practically whined at this point, and it wasn’t like ☁️ didn’t believe him. He released his hand from Han’s grasp, thinking about the different medical products that he had in his bag. Pulling it off his shoulder, he dug his hand into the pocket to find the analgesic (pain relieving) cream.
“I have topical analgesic in my bag. Let me rub it on so the pain goes away.” ☁️ twisted his torso to face the rest of the bed, taking things out of the bag until he found the cream that he was looking for. ☁️ felt Han’s gaze as he took out a small tube.
“Anal- what?”
“What?” ☁️ stopped what he was doing to look over at Han, visibly baffled. The idol gave the boy next to him a suggestive smirk.
“You want it?”
“Han, what the hell are you talking about?”
“What do you mean?”
“Shut up and lay back.” ☁️ instructed as he took the tube from out of his bag. Han climbed onto the bed, him then taking his shirt off. The boy’s skin was smooth, but his body was much more toned than ☁️ thought. The orange lamp’s soft glow against the room’s dimness made Han’s abs seemingly pop out of his stomach. His pecs were noticeably large, too, with a noticeable bruise on the left muscle.
Shaking his head, ☁️ climbed onto the bed- only an inch or two next to Han. ☁️ sat on his knees as he spread the cream on his hands, and then across Han’s pec. Han couldn’t help but smile as he felt ☁️’s fingertips softly brush against his chest.
“Am I hurting you?” ☁️ asked as he continued to focus on the pec muscle.
“Nah, you’re making me feel really good.” Han said, placing a hand behind his head. After a minute, Han’s skin absorbed the cream and there was nothing else to rub in.
“All good?” ☁️ asked, him looking up from the bruise to the boy’s smiling face.
“I think something else hurts too, ☁️.”
“What hurts, Han?” ☁️ asked, rolling his eyes. He knew he was falling victim to the idol’s charm.
“Could you feel right here?” Han flexed his right arm and used his left hand to point at the muscle. ☁️ huffed, though he placed a leg over Han’s waist with a smile. He leaned over Han’s upper body while feeling the bicep.
“Feels normal, Han..”
“Oh.. How about you feel right there? That seems sore..” Han looked down at where ☁️ sat on top of him.
“Here?” ☁️ placed both of his hands over Han’s abs.
“Nahh, lower.”
☁️ moved his hands down to Han’s jean button. “Here?”
Han smirked and placed both hands behind his head. “Close enough.”
☁️’s body turned hot as he slowly unbuttoned Han’s jeans. With help, ☁️ pulled the boy’s jeans down and yanked them off, him throwing them aside. He took his own pants off, then climbed back on the bed to hover over Han.
“Does it hurt anywhere else?” ☁️ asked, placing a hand on each side of Han’s head. Han placed his hands on Car’s waist as the two locked eyes.
“How about I check you out, hm? I’ll make sure there aren’t any bruises that I need to take care of.” Han tugged at ☁️’s top, helping him take it off to expose more of his skin. Han felt up the boy’s torso carefully as ☁️ placed himself on Han’s waist again. The boy slowly rubbed against the bulge he sat on as Han looked at him expectantly.
“Maybe there’s one thing you can help me with.”
☁️ lifted his ass off of Han, twisting his head and torso to look behind him. He lifted his left ass cheek up with his hand, Han noticing and grinning. The idol licked his lips as he lifted his upper body from the bed. Grabbing both of ☁️’s asscheeks, he placed kisses along the boy’s neck and chest.
“If you bend over,.. then I’d really be able to help you.” Han whispered between kisses. With ☁️ already whimpering at the sensations, he immediately did as suggested. The boy lifted his legs over Han to turn his body around. After, ☁️ softly placed his head on the bed, him then raising his ass in front of Han.
The two now in their underwear, Han lifted his entire body to kneel behind ☁️. The idol pushed the erection in his boxers into ☁️’s ass, brushing against it slowly. He placed a hand on each side of the boy’s hips, vigorously gripping them. Too horny to think, ☁️ couldn’t help but whimper as he pushed his ass into Han’s erection.
“Is that where you want me to relieve your pain? Seems like it hurts pretty bad..” Han slipped his hands down into ☁️’s underwear, fondling his asscheeks.
“Just hurry up.” ☁️ muttered as he reached behind him, pulling his underpants down to his knees. He looked behind him as Han fumbled with a bottle of liquid and small square wrapper. Han rubbed the liquid on his fingers, then across ☁️’s asshole, it dripping down. ☁️ yelled out when Han shoved two of his fingers in directly after, slowly moving them back and forth.
“Ah- You couldn’t warn me?”
“You said to hurry.”
Han’s snarky response caused ☁️ to roll his eyes and rest his head on the bed again. He lightly moaned as Han continued to slowly finger him, though he quickly became impatient.
“Han, just put it in.” He mumbled, though Han grinned at the instruction.
“If you say so.”
Han pulled his fingers out of ☁️’s ass, and quickly yanked his underwear off. ☁️ turned his head to admire Han’s muscular body as it lined up behind him, the boy turning him on even more. ☁️ felt Han put the tip of his dick against his hole. Without warning, Han shoved his entire length into ☁️, causing the boy to cry out in pain. The idol leaned over the boy to cover his mouth. He rested his chest against ☁️’s back, placing his mouth beside the boy’s ear.
“Not so loud, I don’t wanna share that moan with the other members.”
“Why’d you shove it all in?” ☁️ whispered on the verge of tears.
“You asked.”
Han lifted his body off of ☁️’s back, his hands gripping the boy’s hips again. He pulled out slowly, moving his dick in and out so that ☁️ could get used to it. ☁️ continued to moan out as Han’s big dick stretched his hole with each stroke.
“Good?” Han placed a hand on the boy’s shoulder.
“Yea,” ☁️ responded, still whimpering.
Han pulled his dick almost all the way out, and paused. Wondering why he stopped, ☁️ felt another hand grab his shoulder. Just as the boy was about to turn around, Han thrusted his dick entirely into ☁️ again, making him yelp. He continuing fucking ☁️ quickly, causing the boy to release loud moans. Han covered his mouth with one of his hands, the sound of ☁️’s ass clapping against his hips making him go feral.
☁️’s legs spread apart as Han continued to thrust into him, with muffled whimpers filling the silence. Han finally began to slow down, him releasing his grasp on ☁️’s face. The two caught their breaths as ☁️ pushed Han’s dick out of him.
Han laid in front of ☁️ on the bed, wrapping an arm around the boy. “Did that help, or do I need to try something else?”
☁️ still catching his breath, he pulled Han’s face into his, the two locking lips. As they sloppily made out, Han lifted the boy up and off the bed. ☁️ wrapped his legs around the idol as they continued to stick their tongues into each other’s mouths.
Han walked to the other end of the bed, the two separating their faces as he placed ☁️ down in between the pillows. The idol climbed on top of him, the two rolling over so that Han now laid with his back on the bed. ☁️ sat on top of Han again, grabbing his dick and placing it in between his asscheeks. Han helped push down ☁️’s thighs as his dick went all the way inside of the boy.
☁️ moaned out loudly as he began riding the boy under him. He placed both of his hands on Han’s chest as he hopped up and down. Han smiled as he squeezed ☁️’s asscheeks in response, directing them up and down as he rode him.
After speeding up and slowing down, ☁️ leaned over to make out with Han. The idol moved his hands from the boy’s ass to his chin, holding his face as the two kissed.
☁️ lifted their faces apart, him then running a hand through Han’s hair. The idol pushed the boy closer to leave hickeys on his neck, him then kissing his collarbone.
As ☁️ leaned over Han, the idol thrusted his waist upward, shoving his big dick back into ☁️. Out of breath and a moaning mess, ☁️ placed his hands on each side of Han’s head and took the dick that Han was shoving inside of him. Han’s waist clapped against ☁️’s ass as he thrusted into him, each one becoming more aggressive and sloppier than the last. Han’s big dick and grin were making ☁️ leak despite him not stroking.
“It’s my turn to give you cream.” Han whispered hazily as he threw ☁️ off of his dick. ☁️ fell on his back, watching as Han climbed back on top of the him. The idol stroked his dick aggressively as he leaned over and shoved his tongue into ☁️’s mouth. ☁️ wrapped an arm around Han’s neck as the idol stroked his big dick, Han’s chest brushing against his. Using his free hand, ☁️ jacked his off too.
After a minute, Han’s muffled breath became whimpers, him throwing his head back as he came all over ☁️’s stomach. The idol stroked over ☁️ some more before collapsing on top of the boy. Han rested his chin in the boy’s shoulder, laying all of his weight on top of ☁️.
“Think that took care of those knots?” ☁️ asked as he stroked Han’s hair. The boy’s legs were spread apart as Han’s twitching dick rested in between them.
“Close enough,” Han muttered, his face pressed into the bedsheets. “Thanks for taking care of me.”
☁️ smiled at the comment and continued to play with the boy’s hair. “Don’t make these little injuries a habit.”
“Why not, don’t you like me, too?” Han questioned, his voice still muffled by the sheets.
“I didn’t say that.”
“Seemed you really liked helping me out with my bruise, either way.”
Han lifted his body off of ☁️, rolling over and dragging the boy with him. ☁️ was now laying on top of the idol, the two locking eyes.
“Maybe next time you can me out instead.”
“I see a bruise on your neck, so.. how about tomorrow?” Han smiled as he placed his hands on ☁️’s ass, fondling his cheeks. ☁️ smiled back bashfully, giving the boy a quick kiss on the forehead.
“Maybe.”
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likes, comments, & reblogs r appreciated ˚ʚ♡ɞ˚
a/n: old draft, hope u enjoyed :) since u guys want part 2 of chan’s fic so badly i’ll start working on it ♡
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natsgrave · 4 months
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YOU FORGOT YOUR CLOTHES | scarlett johansson
I'm so chill, but you make me jealous, but I got your heart skippin'. You know I'm not a bad girl but I do bad things with you. Professor!Scarlett x Student!Reader, legal age gap. ( v short one. ) i do not give permission for my work to be copied or translated on other sites. plagiarism is a crime! masterlist
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Y/N'S POV
Me and Scarlett are secretly in a arrange marriage and we managed to keep it hidden from everyone.
It was no surprise that she felt nothing towards me but the cold treatment still hurts me sometimes, because this is not what I dreamt of and expect when I entered the married life.
You might say that I'm stupid but I fell in love with her already, it sucks but what can I do? Being married to her and living under the same roof for over 2 years, it's not impossible anymore.
To my surprise, I woke up first before her. Normally, when I open my eyes, she's already out of bed but not this time.
We might be in a arrange marriage and we— she maybe don't feel any love for me, but we still agreed to sleep on the same bed just like what married couples do.
I carefully climb out of bed and do my routine before heading downstairs and make breakfast.
Halfway through my cooking, I heard her footsteps coming down the stairs.
"Goodmorning, Y/N." She greeted with her morning raspy voice. "Goodmorning." I replied.
"How come you're awake already?" Scarlett asked. "This is what time I usually woke up, you're just really much of an early bird." I said putting the last pancake on the plate before putting it on the table.
"Hmm, you can cook." She said, stating the obvious.
"I do."
We start eating in silence, it wasn't uncomfortable anymore since it was everyday.
We eventually finish eating without much talking and just minding our own business. She took a shower in our room while I use the shower in our guest room. Once I'm done, I change into appropriate clothing, and head downstairs with my things I need.
"I'll see you at school." Scarlett said once she saw me walking down. "Sure." I shortly replied as she walked out of the door.
I made myself a food for lunch and made sure to check my things before leaving the house making sure to lock the door and walked towards the cab. ___
The drive wasn't really that long and before I even notice, the car stopped in front of my school.
I gave the driver my payment before exiting the car and walking directly to my classroom.
When I entered the room, frown instantly forms in my face and my bloods starting to boil.
I saw her flirting with one of the teachers. I know, I shouldn't be feeling like this but I can't stop. I let out a scoff before rolling my eyes and walking towards my seat.
After that seems like forever, the bitc— I mean the teacher finally left and she turned to face us and start her discussion.
I wasn't really paying attention, I don't know what is going on but seeing her flirt just makes me mad. I mean, come on, she's still married to me. I just let out a deep sigh and tried to forget about it, which is failed by the way.
"I want you all to get a partner for your project." I heard her say in a cold tone.
Everyone starts getting their own partners while I still haven't moved an inch when someone coughs beside me.
I look up and saw Gabriel, my suitor, standing there with a smile. For the record, I never entertained him. I'm loyal even though she's not.
"Hey, uhm, would you like to be my partner?" He shyly asked and I was about to say something when we heard a loud bang.
We look forward and there she is, looking at me with stern and cold look, "Sorry, accidentally dropped the book." Professor coldly said and I internally smirk before turning my gaze back to Gabriel. Two can play this game, Johansson.
"Yes, ofcourse! I would love to." I happily replied which made him smile and his face lightened.
Whatever his reply would be got instantly cut off when someone shouted and I know very well who it is.
"Okay! Seems like everyone's have a partner, the deadline will be on Friday and no extensions. That would be all for today, class dismissed." She said and gathered her things, "Oh, and by the way, Y/LN please come to my office after this. You forgot your clothes at my house last night." She casually said with innocent smile on her face while my jaw dropped.
Everyone is in shock too, and I saw her smirk before casually leaving the room like she didn't say anything.
What the fuck?
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akookminsupporter · 1 year
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Namjoon gave a good interview to Vogue Spain and in it he said a few things that I thought I'd share with those of you who may not understand Spanish.
This was at the end of the article but I want to write it first:
One thing that needs to be made clear about this album is that, no matter how much the rumour mill is trying to spin it, it is by no means the end of the successful band. "Oh, I'm not leaving BTS. Absolutely not. This is the first time I'm launching a solo project like this, so I'm trying to stand up and take my first steps. But I'm ambitious and I have willpower. So I don't want to miss the opportunity to do both. So I will try my best not to lose control and steer these two ships at the same time. A lot of bands split up and fall apart, but I hope that doesn't happen to BTS. I just love the music, I love my job, I love the band members and I love myself. If I can keep both projects going, I think it can be something legendary in the long run".
Other important parts of the article:
"The k-pop industry hasn't stopped growing since we debuted with BTS [in 2013]. It's become a lot more complex and has brought a lot more people into its structures. I think there are a lot of lights, but also some slippery shadows. Many of us started our careers very early as a group: we slept and lived together as teenagers. We became a real family, which is great, but this culture has also affected me a lot, because sometimes I find it difficult to be treated as an adult who has autonomy in his decisions. I'm perceived as just another cog in the crew, in the context of a mass phenomenon",
Did you ever feel like you were getting completely lost in this delirium of success? "I used to think so, but the funny thing is that I am fully aware that it was my own choice to devote myself to the k-pop industry. Nobody pushed me into it. But yes, I have lost myself at times. Although perhaps saying this is an excess of 'self-empathy'. There is no answer. Except that, if k-pop is about recharging the batteries of a mass audience and I'm responsible for doing that recharging, then I have to keep my feet firmly on the ground. As an adult, as a musician and as a human being. And these ten years of my career have helped me define who I am and learn to love myself. But I'm still in that process, you know? All these internal struggles will be recorded on records and videos," he explains.
"Music is really necessary for the world, but, when it comes to my music, sometimes I feel like I'm producing something unnecessary. If I were to die tonight, I don't think anything would change. It might matter to some people for a while, but a farmer or a street sweeper is more relevant to the functioning of society. When I ask myself about the role of our generation in historical terms, when I look at all the digital platforms and communities out there, I am overcome with confusion. There are a lot of people who don't want to think. They have frenetic lives and turn to music or television to escape, so the last thing they want is someone trying to lecture them from a pedestal. In that context, I wonder how I can make my music matter. I haven't found an answer yet, but I keep trying to bring my own perspective to it.
As to whether he is afraid that the army he has on Instagram (42.4 million followers) might one day turn against him for a silly mistake or a blunder, RM answers bluntly. "Yes, it scares me. It scares me 24 hours a day, 7 days a week. When I was younger I tried to come across as a cool guy who doesn't give a shit what other people think, but I don't think that's right anymore. I care about the publicity dimension of my career and the influence I can have on others. It stresses me out, yes, but I think I can handle it. That's why I don't retire or do things like go out and drink the night away and then drive drunk. I'm human, I can make mistakes, but I will do everything in my power to be the best version of myself. One of the keys is to treat this job for what it is: a job. I don't think artists have any special rights or status.
Note: if you would like me to translate another part of the interview, let me know.
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friendlybowlofsoup · 8 months
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Another Update
Hello Friends,
I have a rather long (but optimistic!) update to share with you all today. As many of you are probably tired of reading these kind of posts, I have a TL;DR here, but I did want to share what has been on my mind in that past half-year that I haven't been here.
It has been rough, and busy as always, but I think I'm finally facing myself and my project for the first time in a very long time.
TL;DR (it's actually long, I have a lot to say (*_ _)人)
I soul-searched and decided to stop compromising on my own feelings with regards to this project. I gave in to everything I wanted to do.
Plot changes, which means some character changes, which means some of the demo is outdated.
GotRM will be switching over to Twine.
----
OH MAN DID I SUFFER THE LAST FEW MONTHS
After my previous update, I hunkered down and really analyzed how I wanted to proceed with GotRM as a project. Because even prior to that post, I had already been going through long periods of hiatuses (which you are all aware of), and while I didn't lie about school taking up my time, I was also harboring a growing dissatisfaction with my own writing that really killed my progress for a long time.
So after everything had settled, I sat down and forced myself to peel apart my work. I know I said I would answer asks, but I uninstalled all of my social media and put aside this blog to focus. I made a note of all the things I liked and didn't like, and I made a list of things I wanted to change or improve on. The biggest point was that I also looked at my efficiency during actual writing sessions: how much of my time was spent writing vs. fighting with code? How could I change that?
And after a lot of deliberation, I figured there were a few things I had to change from the ground up, summed up in four points:
My working style was super incompatible with grad school. I can't spend 20-30 minutes scrolling up and down CSIDE checking code or looking for narratives while also jumping between chapters to make sure events line up. As this story grows, the more difficult it becomes to keep track of all the branches, so I needed an alternative working method, which I am adhering to now, and it prioritizes efficiency.
I hated the way I was tracking and coding stats in-game. I have griped so much about coding stats, and I have adhered to such a rigid style that I really felt trapped whenever I was confronted with balancing them out. So I'm throwing that to the wind and redoing how I utilize and convey them. Player-side, this decision doesn't change much since I never fully utilized stats in the demo anyway, and the stats page with indicators will still exist, but I'm getting rid of stat bars and how I treat stat checks.
The story I want to write now is different from the one I started out with. I've known for a while that GotRM was becoming far more than the tiny, wishful novella that I wrote as a teenager. I held onto that old story for a long time, but there's just so much I want to change that I realized I'd been clinging to a story I no longer enjoyed writing. So I spent the majority of the last few months rewriting GotRM from scratch. I redid some worldbuilding, I changed a lot of plot points, and I fixed a lot of characters' backstories accordingly. This meant scrapping stuff from even the demo, but that turned out to not be the biggest issue because:
I wanted to branch away from ChoiceScript. Honestly, I never really cared about getting officially published, but the camaraderie in the forums and on Tumblr were why I committed to CS and CoG. However, ultimately, I really want the functionality that other tools can offer GotRM, and so after a long internal debate, I will be switching over to Twine. Fortunately, since I was rewriting everything anyways, this has been relatively painless, and passage mapping has made everything so much neater. I am trying my best to make it up to chapter 2 before I release the new demo, so please look forwards to that!
And so yes, I am still here, chugging along.
I love this game and this story: it's been my creative escape for as long as I could remember, and you can imagine how frustrated I was when I realized I was starting to dread working on it.
I am forever learning more about myself and my writing style, and this is simply more of that journey. Thank you everyone for sticking around, for joining the discord, and for checking up on me--that I have all of you has truly been a dream.
Hopefully more updates to come soon! I understand that there may be questions about these new changes, so please ask away! I will (try) to release some asks that I've been working on in the drafts too, but I will wait until at least tomorrow to release them so that this post doesn't get drowned out immediately.
And as always, with a lot of love,
FriendlyBowlofSoup (Mei)
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stressfulsloth · 7 months
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In regards to your post “and now I'm. Just thinking about the loneliness that is SO pervasive through Elysium.”…
I have one thing to offer, or perhaps nitpick if you’d prefer it that way.
I don’t think it’s entirely fair to say the Sunday Friend isn’t a real friend. The Smoker On The Balcony believes him to be a real friend, even if he isn’t going to be there come Monday morn. But isn’t that enough? A friend on Sunday is still a friend, even if it makes waking up Monday all the worse.
Perhaps I’m biased though! Now that I think about it, most of my friends would fit the description. “Fair weather friend” feels to cold, but “sunday friend” is good enough.
And of course none of this is to say your post is at all wrong. It’s lovely and true. I just felt the need to quarrel publicly with that little detail.
To conclude, since I really just did not make myself very clear here; you are utterly correct to include the Sunday Friend in a post about loneliness but I take slight issue with saying he’s not a real friend. And so I wrote you a very long ask. And now as I reach it’s end I’m realising this was a very silly undertaking. But I’ve come this far so I’m going to grow a pair and hit “ask”.
Thank you for taking the time to read this, I hope it isn’t too desperately obnoxious.
Peace out ✌️
Ahh man I'm sorry anon but I'm going to have to disagree with you pretty strongly here 😅 tbh I was a little too easy on him in the original post. It's not necessarily the temporary nature of their acquaintance that makes the Sunday Friend's friendship questionable on its own, although it doesn't help.
The Sunday Friend is quite literally not a friend. "Friend" in his title is a euphemism; he's not coming to visit the Smoker because he's his friend. He's coming to visit the smoker to do a bit of poverty tourism, to admire the crumbling place that his beliefs have helped to destroy, and a bit of heavily implied sex tourism too. A "first world" tourist, a bureaucrat from the international government, visiting one of the most impoverished districts of Revachol to spend his nights with a student. He's not the Smoker's friend, he's a client. They're using 'friend' as a stand-in for his actual role, which is a) as a part of the moralist bureaucratic system repressing the revolution and keeping the city as a whole trapped in a laissez faire purgatory easily exploited by foreign capitalists and ultraliberals, while still maintaining a friendly respectable face, and b) as the Smoker's customer, exploiting the poverty of Martinaise's residents to get what he wants for cheap and using the easy mobility that his money and status give him. Imo he's intended narratively as a parallel for the moralist coalition government; he views from a distance, focused on money and *ze price stabilité* but entirely divorced from the poverty and consequence of his work. Happy to dip his toe in and make use of exploitable populations in Revachol, but always ready to leave too. When asked how he became 'friends' with the smoker, his response is literally to describe the coalition occupying Revachol.
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He knows so little about the Smoker beyond him being there to study art, but what kind? "Perhaps graphic design? Printmaking? Who knows?" As to your point about the Smoker thinking he's a real friend, the Smoker is under no illusions about who the Sunday Friend is. An injection of money. Someone with power, someone with the mobility afforded to him by ownership of a non-Revacholian passport, someone content to watch the place decay and do nothing but indulge himself in pet projects and worry about bureaucracy. Someone with the freedom to leave when things get bad; a freedom that is narratively only assigned to a rare few extremely bourgeois characters. Dora, on her flight to Mirova, Joyce and her boat, Trant and his academic travels, and the Sunday Friend who will be out of Martinaise like a shot the moment things start to kick off despite being a part of the overarching structure that is responsible for Revachol's subjugation and rising political tensions. The Sunday Friend will use the Smoker's labour, use the vulnerability of Revachol's precarious situation to his advantage, then once it becomes too precarious or he gets bored, he'll withdraw. In answer to your question, no, I don't think that's enough. Again I probably oversimplified in my last post but the loneliness all throughout DE is not just an emotional state but a political one. Alienation is a major theme. As is the impossibility of building community in the face of capitalism relentlessly subsuming anything in its path, in the face of shallow relationships dictated by the need for survival. The Sunday Friend embodies that concept perfectly. He is exquisitely shallow in conversation, a perfect moralist who at all times strives to remain impartial and distant.
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Anyway. Tldr; my point is that the relationship between the Smoker and the Sunday Friend is far more transactional, and far more exploitative, than you seem to believe. "Friend" is not being used literally but euphemistically. A 'fairweather friend' is better than none, sure, but that's entirely inapplicable to this situation. Sorry for the long post and I hope it's not too rambling- I'm surviving on very little sleep right now but I hope it clears up for you a bit why I referred to the Sunday friend in that way initially.
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AITA for not watching my sick goddaughter and then not wanting to watch her sick brother
*fake names used obviously
Two days ago I got a message from my goddaughter's mom, Nancy, saying that my goddaughter, Natasha, had thrown up at school. The reason Nancy let me know was because her husband would be picking up Natasha's little brother, Dennis, who I watch from 7:30 AM to 3:30 PM most days.
Anyway, I have an extreme, irrational fear of throwing up. So after Nancy let me know Natasha was sick, I was afraid Nancy would then ask if Natasha could come over to my house the next day along with Dennis. Nancy works the night shift so she sleeps during the day and her husband works from 8 AM to 4 PM. I've watched both kids since they were infants. I love them as if they were my own, but when they're sick with a stomach bug, or just throwing up for whatever reason, I would prefer they stayed home away from me so that I can avoid getting what they have lol.
I've always felt bad about this, because they're little and I feel like at my grown age I should be okay with being around them if they've thrown up. Yet, I find myself internally freaking out about getting sick AND I get so paranoid I swear I make myself sick sometimes. Nancy knows this about me.
Sure enough, Nancy calls me and nonchalantly asks if Natasha can come over the next day with Dennis because the school told her Natasha couldn't return for 24 hours. Usually I would give in and say yes because I feel bad saying no, but recently my brother's have reminded me that Nancy only pays me 200 dollars every two weeks to watch Dennis four days a week, eight hours a day. Nancy has acknowledged that she'd have to pay way more at a daycare, so she appreciates what I, and my family do for them.
I love the kids, I really do, but despite having known their parents for so long it feels as though Nancy and her husband only really see me and my family as the help and almost expect us to always be available. Or maybe I'm just projecting my insecurities onto them about not feeling appreciated enough? Which I know is bad, but it's instances like this that have bothered me in the past. You wouldn't take the children to a daycare if they've thrown up right? Or if they're sick with something like covid (which they gave us like two years ago), or if they have a fever, but they've brought them over anyway. It feels mean, you know? Like I love the kids, but I don't want to get sick. Maybe I'm just a horrible, paranoid, awful person and I do think that sometimes. Ha ha, is this an instance in which it would be ok to set a boundary🤔😭
On top of that, I don't charge Nancy extra (nor does she offer to pay) when she asks me to watch the kids on the weekends for a few hours or when she's got time off of work and wants to bring them over. I know this is my fault, because I do not charge her, but again I feel bad asking for more money. My biggest fear for a long time was that she would stop bringing the kids over if I did ask for a little raise or asked her not to bring them over if they were sick, but was always reminded by my brothers that Nancy didn't want to pay for daycare. Still I felt too ashamed to ask for more babysitting money or for Nancy or her husband to keep the kids home sick, and again I feared she would find someone else to watch the children.
Anyway, I told Nancy no. I was very apologetic and reminded her that I get really paranoid when someone is sick throwing up. I told her I just didn't want to get sick because then I'd be out for one to two days. Which would mean I wouldn't be able to watch Dennis and she or her husband would have to miss out on a day of work. Nancy sounded let down, maybe annoyed? I'm not sure, I can't remember. I am kind of spiraling about it  as I'm typing this out now. I feel really bad that I said no, especially because Nancy called me from her car so Natasha heard me say no. Luckily, Natasha was happy that she would get to go spend time with her mom at work. Nancy works in an office as the manager of a warehouse, so it's not like Natasha had to wait in some break room or alone somewhere.
Then tonight I get a message from Nancy saying Dennis threw up, and the panic set in all over again. I feel bad telling her to keep him, even though she eventually offered to keep him home after my many questions: what time did it happen; did he only puke once; does he have a fever; how is he feeling now? I'm sure she's annoyed that I might say "Yes, please keep him." Because that would mean she would either have to stay awake with him and not sleep before work tomorrow night, or that her husband would have to stay home. I think I'm going to tell her to keep him. I feel bad, but I guess not bad enough, huh? I'm trying to justify it to myself, I know, but that's why I'm here. Am I the asshole?
What are these acronyms?
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jinnie-ret · 6 months
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oddinary house pt 6
fairy!felix x reader
genre: horror
content warnings: none
word count: 1.5k
summary: y/n finally finds a moment of peace amongst all of the chaos, and gets more information about Oddinary House
ODDINARY HOUSE MASTERLIST
MAIN MASTERLIST
•••••••••••••••••••••••••••••••••••••••••••••••
Y/N continued to trudge into the foresty depths, bringing a storm of anger and grief with her. She kicked a rock angrily, watching as it flew towards some willow trees. With a closer look, she realised she very nearly hit someone who was crouched down on the ground beneath them, but they seemed too engrossed into something to notice her watching them.
Could it be? No, there wouldn't be a fairy amongst the other residents she had met here, right? They were too big to be a fairy, but she couldn't deny the beauty she saw in its nearly translucent wings, which sparkled underneath the light of the moon, the slightest pink hue to them. As she stepped closer, she could see the bleach blonde hair that adorned the individual, and some fireflies which flew around them in the ultimate scene of peace. Y/N hoped she'd find some peace there too.
The fairy, she had come to the conclusion of, seemed to be making something, tinkering away with concentration. When she gently sat down on the ground, in order to not distract them from their work, Y/N could just about make out their lips pursed in concentration, and she could hear them humming as their hands did all the magic.
"There, all done!" the fairy cheered to himself, standing up in victory but then shrieking at the sight of Y/N who had been sat there for the past 5 minutes. Because of this, as a defense mechanism he shrank into a much more smaller fairy form and darted upwards into the trees, the mini project he had been working on abandoned on the ground.
"Oh, I'm sorry! I didn't mean to scare you!" Y/N felt guilty as she scrambled up, moving forwards a few steps before looking up into the trees as she did so. "It was just, umm, calming watching you work," she sighed as she sat back down.
Realising she wasn't a threat, the fairy flew back in front of her, landing beside her and morphing back to his original size.
"What were you making?" Y/N asked the man in front of her, who had big brown eyes that didn't only bare into her soul, but her heart too. There was something about him that told her he would never let her get hurt, kindness shining through.
"I was making a satchel for my Binnie hyung. He always ends up losing some stardust and then he feels guilty after not being able to give dreams to children," the fairy shockingly had a deep voice, making Y/N internally laugh at the contrast between his innocent appearance and low voice.
"Oh... Changbin?" Y/N double checked, wondering if they were talking about the same person. It made sense after all, he had granted her a dream of her own.
"You know him?" the fairy stared at her shocked, absentmindedly fiddling with the strap of the satchel as he was feeling curious at who was sat in front of him.
"Yeah he helped me realise a lot of things..." Y/N breathed out, fiddling with the leaves on the ground and ultimately shrinking into herself more with fear when she couldn't even feel the coldness of the damp ground anymore. Was her life slowly but surely fading away?
"Oh my!" the fairy suddenly gasped, making YN jump out of her comfortable silence. "I haven't even introduce myself! I'm Felix," he grinned at her, eyes disappearing from how big his smile was.
"Hi, I'm Y/N," she politely greeted back, not able to return the warmth as much with all the things going on in her head.
"You're Y/N? Oh why didn't hyungs tell me you were here, stupid..." Felix began to mumble under his breath before speaking up once more. "Wait, but you're... you're..."
"Dead?" Y/N let out a bitter laugh. "I know, didn't really score lucky did I?" she huffed. If this house was promised as a place she was meant to be, like Changbin had told her, then why? Was this her fate?
"Jisung better have kept those candles lit!" Felix tutted as if the chupacabra was right in front of him, cutely huffing as his small fists scrunched together.
"Why?" Y/N rose an eyebrow at Felix, not quite understanding the significance of the candles.
"They help preserve you, Y/N," Felix explained seriously. He had noticed her ghostly glow straight away, it was hard to miss.
"Oh, yeah he did do that..." Y/N realised with a smile on her face, realising Jisung really did have pure intentions and was trying to help her, despite their bickering. "How did you end up here, Felix?"
"Ah, well, to cut a long story short, I was sent away from my homeland as a sort of task? Chore? I needed to use my magic to heal, and ever since then I sort of just remained here. We've... we've seen a lot in our time here," Felix reminisced as he spoke, his last words with an ominous tone. His wings even wilted and pointed downwards making Y/N feel as if something bad had happened.
"Healing? Oh, but you're making something I didn't think you'd be able to..." Y/N trailed off, confusion lacing her voice as she wondered if she had gotten the wrong end of the stick.
"Crafting, making things, it's my secondary power. I, umm, there was a time when I had to use my healing powers too much, it drained my magical core and..." Felix shook his head, brushing away his dark memories he had faced in his time of living at Oddinary House. Yet with a small shake of his body he brought a smile back onto his own face, not wanting to delve too deeply in that moment.
"Oh Felix I'm sorry!" Y/N gasped, feeling upset for him. His magical core being drained didn't sound like a good thing at all.
"It's ok, Jisung brought me back, just like he will with you. The only issue for me was that my secondary power became my primary one. So now I've sort of got myself a little workshop for the guys. Just the other day I made Minho hyung a claw sharpener... And Jeongin a pretty glass," Felix proudly spoke of how he used his crafting powers to help out the other residents. A sparkly glow seemed to emanate from around him the more happier he was.
"Oh, who's Jeongin? I haven't met him yet," Y/N pondered, looking off to the side as she thought, who was Jeongin?
"Really? I would have thought he'd reveal himself by now... what is he up to..." Felix was clearly shocked that she hadn't met Jeongin yet. "I'm sure you've seen him around you just haven't realised it yet!" Felix added on.
"Hmmm, maybe..." Y/N thought out loud, but she was sure she would have remembered meeting the other resident.
"Who have you met so far?" Felix pushed for an answer, feeling curious as to who was left. So much so, he shifted how he was sat to be directly facing her.
"Chan, Minho, Changbin, Hyunjin..." Y/N shuddered before she could finish.
"Classic Hyunjin," Felix sighed, putting two and two together as to why Y/N felt so uncomfortable even at the mention of his name.
"What?! Pushing people to their deaths? Is that his go to greeting, huh?" Y/N said incredulously. Felix waved his hands as if to try and quieten her before explaining further.
"Hyunjin has a particular... he has his own morals, let's say," he wore a sheepish expression on his face, wanting to defend his friend who could often be cold to new people.
"Ok... I'll take your word for it then," Y/N moved on from the topic of the snake like man. "And then I met Jisung and now you. I feel like I've only met a small amount of you and there's so many more to see. This place is massive!!!" Y/N always had that lingering thought in the back of her mind. For such a big place, she had only met 6 people that inhabited it.
"Ah, it was once bustling with lots of monsters but... you've only got 2 more left of us to meet," Felix bluntly stated, giving away a bit more on the house's history.
"2 more? That's it?" Y/N's mouth gaped open, before it snapped shut and her head turned so quickly to the side it's a shock it didn't fall off. There it was again, that hauntingly beautiful voice...
"Uh huh, but I think it won't be long until you... Y/N?" Felix was gathering his tools on the ground before he realised Y/N was on her feet, slowly padding away from him in a trance like state.
"Paint a pretty picture for me
Swim in the depths
You'll forever be home.."
"Y/N?" Felix gently called out to her again, but it was no use, she was already on her own path leaving the serenity of the willow trees. "I swear to god, he does this every time a new person arrives," he huffed to himself, before shrinking himself and his tools and flying back up into the branches.
tagged: @skz-streamer @kiraisastay @hannahhbahng @backintomykpopphaseagain @sakufilms @hanjiquokkaaa @arloo00 @dunno-wut-to-do @splat00z @cheesemonky @amararosesblog
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xsdjkl · 5 months
Text
Songbird's interesting voice lines
Before I dive into the topic I just want to express my gratitude and respect for Minji Chang's work as Songbird in Phantom Liberty. She has done an incredible job and on a personal note - I consider it the best voice performance I've ever experienced in a video game.
I listened to the video linked below and wrote down everything that caught my attention. I haven't heard quite a lot of these in game. I divided everything by topics (?) and also added some lines that I personally find interesting in terms of my upcoming projects. Enjoy and feel free to start discussions! :)
youtube
Topics:
Songbird's lore
Songbird about Reed
SongV interactions
AI lines
Just her ✨voice✨
Others
Songbird lore:
"Being in your head's taxing, takes energy and focus." (6:09)
"Don't wanna mess in your head more than I have to. Construct really done a number on you."(11:46)
"Learned my lesson 9 years ago. Blind date with this suit from Asukaga & Finch. Regret that one till the day I croak." (13:40)
"Hanging out inside your head's problematic. For you and me." (14:35)
"V, about the construct… Is it… I mean, you feel you're making your own choices?" (15:04)
"But I believe in random shit and I'm infuriatingly stubborn."(19:35)
"Operating on instinct, intuition, huh? Same here."(20:19)
"Karma, huh? Used to believe in that too. Now, I wouldn't be so sure."(20:29)
"Just been on my mind since I patched in. Maybe cause I've had your biomon feed floating in front of my eyes all the time."(23:54)
"That thing… It almost fried my brain. I had to look for help. Beyond the Blackwall." (30:53)
"I'm gonna puke"(40:39) | she sounds so scared? afraid of doing that? also, internal organs discussion continues. |
"Oath, crednetials, coin? What have you gotten me into?" (1:00:43) | my question is - is the coin mentioned the same coin Myers gives V? |
"I gave myself one last chance and you stripped me of it."(1:10:17)
"I never wanted to join them (FIA)."(1:10:34)
"What you don't know is how sorry I am. How much it all hurts." (1:11:37)
"Pushing forth, never looking back used to piss me off. Now, wish the future was all I could think about." (1:36:50)
"I knew (about the cure) from the start." (1:46:04)
Songbird about Reed:
"But I've shown you my trust. I mean, you're free to sell me out to Reed, or trust me enough to save us both. No guarantee for either of us."(36:52)
"I warned you, Reed stole my life. Once away, I won't let him steal it again."(1:13:17)
"All's better without him."(1:13:29)
"It's more convenient. Yes, con-ven-ient. Reed would say so too."(1:15:55)
"Has a use for me maybe, but one use only. To feel good about himself, what he's doing."(1:34:32)
"I was afraid to trust him. Just couldn't… understand why now was lying to himself. Desperate to believe he wouldn't have to choose between me and Myers, but his and the NUS's national conscience - one and the same."(1:47:24)
SongV interaction lines:
"Sorry, you're ignoring me on purpose or you actually trying and you happen to just suck? I can't tell" (1:25)
"This is the easiest way in, I promise. And stop whining." (4:26)
"To me, you're a rainbow colour figure on a 3D building plan." (4:39) 🏳️‍🌈🧐
"Ooooh, watch your head then." (5:23)
"Not right now, V. I'm… just a little tied up."(8:16)
"Try and get up. I'm on your side, V. We'll get along, I'm certain." (11:38)
"You need this drama? You'll be fine, but if it helps, sure, I promise." (13:29)
"Hurry, V. Please, save her. Save her and I'll save you." (14:59)
"I dunno. Kinda reminds me of my own path I guess." (19:32)
"Mind if I ask why you poked your nose into that?" (20:10)
"Ookay too soon I guess. No pressure, we can come back to it." (20:50)
"Think you'd do anything for another chance?"(23:41)
"Sorry, not, uh, what I… I just want things to work out for you. You're fighting for yourself. Your life. Deserve another shot."(24:02)
"For what we're paying, I expect your complete attention."(50:21)
"Off in la la land?"(50:18)
"See? You don't have to be a douche, just try a little."(1:47:03)
"Plus, made yourself pretty fucking memorable give your antics."(1:50:06)
"Crap, V, really? Can't you just stick to my instructions?" (1:50:11)
"We're lookin' good!" (1:50:43)
(1:51:00) "V, what's going on?" "Hey there." "Hey, V." 😏
"V, you're bleeding!"(1:51:34)
"Looking a little rough, V!"(1:51:36)
"V, give me a hand!" (1:51:43)
"What? Need me to hold your hand?" (1:52:20) yes please
AI lines:
"Fuck, fuck, fuck, fuck."(26:41) | Songbird's loosing control over Chimera. I find it interesting how every word is said in a different tone. |
"No, no I have not lost control!" (56:43) | she's in so much pain🥺|
"Who will you betray next? Who have you not yet?"(57:26)
"Hidden harmonies. Hidden meanings. World entirely new. Equation unknown."(1:27:52)
"I see things I've never seen. I hear sounds I've never heard. I feel things never felt. A riddle wrapped in a mystery."(1:28:17)
"It's that how you ultimately lose all those you care about." (1:54:20)
"When you do not exist, there is nothing to fear." (1:54:34)
"Do not fear death." (1:54:37)
"You will not see the home as long as you remain a part of it." (1:54:42)
"Life consists of pieces, scattered, beyond repair." (1:54:48)
"You do not give up even when all have betrayed you." (1:55:33)
When her voice is just ✨:
"All true, Johhny, but don't you fret. You're both safe. (3:17)
"*laugh* I see" 4:34
"Sooo, how's my shortcut treating you?" (5:50)
"And spoil the surprise? No, no, no."(29:01)
"Please, V."(1:17:11) |her voice killed me.|
So Mi crying. (1:17:52)
Others I wanted to include for reasons™:
"Fucking motherfucking fuck!" (7:30)
"Big dreams don't fade. They sack and crumble." (14:10)
"I know what I've done, know the price I've paid. Everything I did, the people I hurt… it's meaningless. It matters not at all." (1:05:10)
"Dying is my only hope." (1:19:42)
"Have to behave like puppy bot set to easy obedience mode."(1:26:11)
"You're so tiny[…]"(1:34:41)
"Orbital's network traffic's looking itchy. Not liking this. They're watching you. Do nothing even remotely sus."(1:39:10)
"Prom-- Mmm…Hm."(1:45:52)
"All I got to say - easy as pie. Should do this more often."(1:51:28)
"Ha! Try again, gonk!"(1:51:58)
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bloggingboutburgers · 3 months
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I've identified as an allosexual aromantic for the longest time now, but now I feel like I may be asexual or aegosexual. I feel like I'm betraying my aroallo community in a way since we're already super underrepresented to begin with. How do I not feel bad about this?
...OK, I'm just speaking for myself here and I don't represent allosexual aromantic people per se since I'm asexual myself, but I also personally feel that what I'm about to say is sort of an obvious thing...
You don't owe anyone to identify with an orientation for the sake of representation. You're you and what works for you is what matters most. I think anybody could understand that.
Plus, you at least have some experience identifying as an allosexual aromantic, which personally makes me feel liek there's nothing stopping you from speaking up about the fact that it's an identity that exists, and remain a strong ally with the experience you have.
I don't know. I might be projecting since I'm an aromantic asexual who's planning to get married to another asexual; I'm aware on surface value that sort of negates the message that all of us have kept fighting so hard for all our lives (you don't NEED marriage to be happy and marriage is a symptom of amatonormativity) but... Also it actually doesn't? And I'm never gonna stop fighting to push that idea, despite my own experience. But because international laws are what they are, marriage is the only way I can be with my queerplatonic partner physically all the time as opposed to just a couple days a year, and I know in my guts that'll make me happy, so I'll go through with it anyway.
I can't help but feel guilty about it sometimes either. But ultimately I know I don't owe anyone anything, and the only thing I owe myself is to defend my own happiness in a way that I feel works for me. I think it oughta be the same for you too.
I know it sounds easier said than done, but I hope it can help you a little bit either way TwT
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flanaganfilm · 1 year
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Good morning/ evening! My name’s Sam and I’m currently a film student hoping to get into freelance writing. I’ve got a couple questions if you don’t mind (hoping you haven’t already answered them and I just missed them).
When you first starting making your own films, did you have already have thick skin for any critics/ bad reviews? Or is that something you grew over time?
Also, for your production company, do you hire interns and PAs or do you prefer filmmakers with more experience?
Thank you!
To your first question, I do not have a thick skin in that area AT ALL and never have. I don't know many people who do.
I'm often approached by fans who will talk about what a project of mine means to them, or I find a review or think piece online where the author really connected with my work. I want to let that feedback in, because it's validating. But letting it in means letting ALL of it in, even the negative. I don't really get to pick and choose. Once I decided to let myself react emotionally to other people's feedback, those gates are open I've got to accept whatever comes through.
I take my work very seriously, and tend to pour my heart and soul into it. We make these things because we love them. It can literally take years of daily work to do. When people love it, it feels great. When people don't, it hurts. There's really no way around that.
Film criticism has, like a lot of things, devolved over time. I was a massive fan of Robert Ebert, who was thoughtful and sophisticated in his critiques (most of the time), and tried to approach each movie he watched on the film's own terms - from the perspective of "how successful was this at achieving what it set out to do?" I see a lot of criticisms today that don't do this, and instead are lamenting what a movie is or isn't, saying things like "I wish this was more..." or "This isn't good because I wanted it to be something else."
"I wanted a ________ and what I got instead was ______ so it sucks."
The other issue is that loud, sensationalized vitriol gets more clicks. Negative reviews, especially brutal and callous ones, get more attention than positive ones. I've gotten to know and befriend some professional critics over the years, who have all told me that the positive reviews don't generate the audience reaction quite like the negative ones. People enjoy watching things get beat up. We reward the wrong kind of discourse, and that isn't unique to film criticism - it's everywhere. That's just a symptom of our culture.
One of my great frustrations is how we assert our opinion as objective truth. There's nothing more dangerous than tweeting "I liked ______ movie!" The comments flood in about how you're wrong, how it sucks, blah blah blah. People think their own taste is somehow factual. If someone says "I had a fantastic steak dinner last night and I loved it," we don't say "you're wrong, steak sucks". We understand the concept of taste when it comes to other things we consume, but when it comes to entertainment each one of us thinks we're the ultimate authority.
For myself, my producer and my wife have long discouraged me from reading reviews. I still can't help it. It's not healthy though. I can scroll past a dozen positive ones, and they evaporate in my mind, but I read one scathing thing and it sticks with me for days. There is one particular review of MIDNIGHT MASS that is one of the most baffling and frustrating things I've ever read, as the author appears to have misunderstood just about every aspect of the series, and drawn the angriest, most misguided, most erroneous conclusions. I read it with my jaw on the ground... "but they're objectively wrong. That isn't what happens, and that isn't what the show is even about." But what can I do? Who am I to say their experience of the show is invalid? They feel how they feel, and that's fine. That's okay. It has to be.
So your skin doesn't get thicker, it is a bizarre emotional experience to put something personal out there into the world and see the gamut of reactions. But at a certain point you have to remind yourself that it's impossible to please everyone, and that these projects don't belong to the filmmaker - they belong to the audience, and each and every one of those experiences is unique and valid. Perhaps there are lessons to be learned, and perhaps the critique can help you grow as a filmmaker.
I have similar feelings when I see someone trashing someone else's work I happen to love - for example, I remain baffled by people who didn't like EVERYTHING EVERYWHERE ALL AT ONCE, but that doesn't mean anything. It didn't work for them, that's all. Nothing works for everyone.
I have found over the years that I respect and appreciate analyses and criticisms that take this more personal point of view, and talk about their own interaction with the work as opposed to just dismissing it outright. When someone says "this movie didn't work for me," or "I didn't connect with it," or "It just wasn't my cup of tea," I have a much easier time taking it seriously. It's changed how I talk about my own reactions to movies or shows that I didn't respond to. And I found that it's made it much easier for me to enjoy things even if they aren't quite for me. Instead of being reactive and saying "it sucks" or "I hate this," I've gotten better at realizing it's not a binary experience - I can look at what DOES work for me, and I can appreciate it, even while other elements might not.
It makes for a much more nuanced discussion, and helps me grow. Sometimes, though, it's just the wrong thing to watch on the wrong day, and that's fine too. Maybe that makes it a little easier. If I step out of something and just really don't enjoy it, it helps remind me that it's not personal. Clearly, other people DO enjoy these things, sometimes I'm very much in the minority. And when that happens, I can say "oh, it's not so bad if someone hates a movie I made, or a show, or whatever. Life's too short."
But I long ago decided I'd never say anything negative about someone else's work in public. I know too much about what it takes to make a movie, and I'm not a critic. I'm a filmmaker. This town is too small, and there is zero upside in dragging another filmmaker's efforts. On the rare occasions when I do see another filmmaker indulge in that behavior, it is always a terrible look. And it can have real-world consequences - there are a few filmmakers who I've seen publicly slag off other people's work, and I quietly decided never to hire them. Like I said, it's a small town... and most of us read what people say about our work.
We should get back to that work, remember how lucky we all are to do this for a living, and leave that kind of thing to the critics.
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dailydegurechaff · 4 months
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I wanted to know how do you interpret Tanya's gender. After reading chapter 58 of the manga i got the impression that she is definitely trans coded, but maybe thats just me
Very good question.
To be honest, when I think too hard about Tanya’s gender (and sexuality, for that matter) it gives me brain worms. Fun brain worms, but brain worms nonetheless. I can’t explain it. Everything she’s got going on is complicated as shit there’s way too much to think about.
Like, she was a man, but now she's a girl. But at some points she says she still sees herself as a man internally so is this MtFtM? How does that work. And if she accepts she's a woman now, is that just MtF or do we add more letters. More importantly: Was Being X being Transphobic or being the Greatest Trans Ally of All Time with the free divinely issued sex change.
Ok ok, jokes aside. Confession: I actually do not keep up with the manga, so I had to go find the chapter and read it first. Having read it now though, I see what you mean.
The conversation she has with the Salaryman/herself in that chapter really does read as essentially saying “I’ve accepted who I am now.” It’s a far cry from a much earlier part of the manga I remember where she has a breakdown about being a man/people seeing her as a girl.
A friend of mine was actually showing me stuff from more recent chapters of the manga (don’t know which chapter tragically, but I know it’s not currently translated to English) and from what I gathered of it, Being X was showing Tanya a dream of being back in her past life and in response she basically demanded to go back to being Tanya immediately. It is definitely not just you, I 100% see the trans-coding you’re talking about.
As for my personal interpretation of her gender, I touched very briefly on it once before, but I honestly think she wouldn’t want to label herself as anything. At first, this is out of hesitance and not wanting to acknowledge that anything might be ““wrong”” or ““different”” about her. Later on it turns into character growth, more along the lines of, “I don’t need the label to define me, I just am what I am/like what I like. I don’t care about it any more than that.” Yes this is 100% projection on my part. No, I won’t apologize for it lmao.
Of course, that's entirely my own headcanon. I definitely am not saying it’s the only way to interpret her, it’s just my personal thoughts. Especially since my opinion is subject to change on a dime depending on what I’m reading/working on myself. The Tanya gender is, in fact, transient, shifting like water.
Like. A transfem Tanya fic that focuses on her adapting to life in her new world and coming to discover she doesn’t actually hate her new body? I’d totally read that. I’ve seen a few fics that include that as a part of the narrative and those scenes of acceptance were among my favorite parts.
I get the feeling this is the route that the manga is going as well. It’s a bit of a shame that we don't have those aforementioned scenes in the light novel (or at least, I don't remember them), but I don’t think that Carlo Zen really intended that to be the focus/narrative in the first place. And honestly, I also think that’s a good thing because it allows for so much more room for interpretation and headcanon around Tanya’s character.
Anyway, the other direction is also compelling to me. A transmasc Tanya fic where, after feeling uncomfortable and hating how feminine he looks for years and years, he finally goes ‘Fuck this, I’m gonna go back to being a man’? I would read the fuck out of that too.
Could also be paired with him finally choosing to defect, where they think about it like, ‘Well there’s nothing to hold me back now, right? I don’t have to maintain appearances anymore. Also, since I’m defecting this would be a great way to hide myself. They’d all be looking for the wrong person. Two birds with one stone, how efficient.’ …Now we’re getting to fic ideas I won’t ever get to so it’s time to move on I think.
Semi-related to the Trans Tanya Concept, this actually brings me to a bit of a lore/headcanon/idea/question I want to present to the public for opinions. In Norden, during the inciting battle of the war, Tanya uses magic to “dope up” so she could enhance her strength and reaction time and kill pain. I took this to mean she used a formula to synthesize the narcotics/adrenaline hormone/whatever else directly into herself, right?
Can you see where I’m going with this? As long as you know which hormones to make, how they’re made up, and what quantities you need… Well, don’t you think magic HRT is completely possible? Of course, as I'm not sure it makes sense for Salaryman to have known the detailed specifics about it from the modern world, it would require a lot of in-universe research/science advancement for someone to actually do that, but theoretically...
The magic system in this universe has so much potential to be explored, I’m fascinated by what you can theoretically do with it. Although, this is long and off-topic already I think this should be the end, lol.
I think I talked too much? I’m sorry, you were probably not expecting such an answer. I told you, Tanya gives me brain worms (mental illness).
I guess the TL;DR is this: that kid definitely ain’t cishet.
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genericpuff · 6 months
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I reread episode 24 of LO after having dropped off between seasons 1 and 2 and it genuinely brought me to tears. I feel like there’s no way the theory about Rachel not intending this to be a depiction of SA can be true. The way it’s written feels so powerful and intentional, and I honestly think that makes her dropping the plotline that much worse.
I mean, maybe I’m projecting because of how similar the scenario was to my own experiences, but I just don’t feel convinced that she didn’t fully intend to write this as SA.
The shots of Persephone trying to physically push him away, of her standing shell shocked in the shower, after the fact, her internal dialogue about wanting it to stop but feeling like she can’t take back the “okay” she gave. It’s gut wrenching. And Apollo commenting on her hair and saying she should leave it long is such a brilliant piece of writing that hits like a punch in the gut for us readers who know why it grows.
And honestly, I think that chapter being so well written is what hurts the most. Because it feels like myself and other survivors were lured in by the prospect of seeing our stories told, and getting catharsis through Persephone even if we would never have it. The conversation she has later with Eros, where he states plainly that what happened was rape, not dancing around the word, validating what Persephone and so many real readers have gone through… It’s so, so painful to read that back and know that this plotline was dropped. That we were led to believe we would be seen only to be completely swept under the rug with no resolution to that story.
And I know people criticize that it’s immediately followed by a phone call with Hades, but honestly? After rereading that too? I loved most of the phone call. They had real chemistry, and you could still feel the weight of what just happened in how Persephone carried herself, but as they talked and she had something to distract herself, the burden got a bit lighter, at least for the moment. It felt resonant. Emotionally intelligent.
It’s like you said. Lore Olympus wouldn’t be so easy to hate if it hadn’t been so easy to love. I think it could have been good despite its flaws and problematic elements, because no media is 100% pure— but somewhere along the way, Rachel stopped caring. And THAT is what ruined it.
No but this is so valid, everything you just described was pretty much why I loved the SA plotline in the first place.
I think the scene itself is beautifully written, but it's odd how it becomes more about Persephone simply wanting an "easy way out" of TGOEM, not just in the 'decision' to have sex (i.e. she was coerced and assaulted) but later when she tries to get out of TGOEM, like... is it because she wants to actually date guys, or is it because she doesn't feel like she "deserves" to be in TGOEM anymore due to the assault? The story tries in some places to explore this but never commits to it fully so it's really hard to know what point it's trying to make at times when you actually peel back the layers.
Really the biggest reasons I 'suspect' Rachel of not intending to write a genuine SA plot from the very beginning is because of how... 'back of mind' it is. It only seems to be brought up whenever Rachel can be bothered to remember, but then it's completely juxtaposed against scenes where it should affect her (or reasonably would) and it doesn't. Case in point, a few episodes after she tells Eros what happened and he confirms it was rape, he tries to convince her to go into Hades' office dressed in a trenchcoat and nothing else underneath and it's like bro... this girl just told you what she went through, why are you suggesting she try to seduce her boss who she doesn't even really know yet LOL
As a result , it really does just make it feel like the SA scene is just there to make Apollo an easy villain, and Hades an easy hero, with the only definitions being "well, Hades didn't assault her, so he's definitely the better choice!" (as if Apollo was ever a 'choice' to begin with, Persephone didn't like him from day 1 so there was basically no chance of there being a love triangle setup except for the audience members who quickly latched onto that "I guess he's cute if you squint a little" line). And with the way episodes are chopped up, separating points of the narrative from each other, it feels like whenever stuff does happen (esp surrounding the SA plot) it's because Rachel's finally bought herself enough time to come up with something, like the therapy episode, Eros confirming it was assault, Persephone stealing the lyre with the intent of hiding it from Apollo (only to then willingly show it to him alone in her bedroom with him a handful of episodes later), etc.
If she did intend to write an SA scene from the beginning, it doesn't feel like she thought the plotline through fully to make it actually feel genuine (and this goes for a lot of the subplots in LO, they always seem to start off as these base "get your attention" ideas but with no actual follow through). And with Apollo now being written as this "huehue you fell right into my trap!" villain (and very poorly I might add) it just feels like the SA is now taking a backseat to, "Actually, Apollo is the bad guy because he wants to overthrow his dad or some shit. Forget the SA happened, I don't wanna write about it anymore."
All those points aside, I agree with you fully, if Rachel cared about what she was trying to write back when the SA was first shown, then that level of care definitely doesn't seem to be there anymore and it's such a shame to see. It just feels like it's being used for artificial drama and nothing more and that's so frustrating and disappointing for many of the SA victims who are critical of this story (including myself) to see when that plotline originally felt like comforting visibility.
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drdemonprince · 2 months
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Just wanted to share another experience of hyper empathy side but more from personal life. I live in a household of 4 people (counting me) who have audhd, anxiety, depression, ptsd and hyperempathy towards each other. When I tell you, it's literal HELL sometimes trying to handle any crisis or mental breakdown happening because sometimes we get stuck in a loop of hyperempathy if we don't control it well enough. And we absolutely have to control it very well to survive and support each other, especially through our complex ptsd and poverty. There's many times when I wish I could just nOT have hyperempathy so I could just help my family the most effectively and wish others wouldn't have it too, whenever I get into s*icidal states etc. It's hard but we're making progress thanks to constant open communication.
Thank you for sharing this anon! It may sound paradoxical, but i tend to experience intense distress when someone I'm very close to and living with is distressed. Since I cannot feel other people's feelings but I also experience overwhelming attachment insecurity, I tend to attempt to maintain closeness with partners and such by becoming incredibly codependent with them, scanning their every behavior for signs of unhappiness with me, and bending over backward to anticipate their needs. It can make them feel emotionally surveiled and manipulated into putting on a positive or neutral face at all times, if I don't watch myself for it, and it also means that when someone I live with feels genuinely unhappy, I can have meltdowns about it and make everything worse. i've learned to keep this tendency far more in check in the last couple of years and with the right partners/living mates I can communicate about my insecurities and ask up-front questions about what they are actually feeling rather than projecting worst-case scenarios of my own, and I've practiced taking a distance when another person is in a distressed state so I can gather my thoughts, process my own reactions without burdening them with them, and then take action that helps.
but it is hard and i hate it!! So i can relate a bit to what you have described, though it doesn't tend to happen so acutely with friends unless I specifically think they are unhappy *with me*, in which case it can still be a bit of a shit show internally. But, as many commenters so far have observed, feeling guilty and shitty and wanting to make someone feel better does not help matters at all, and can often worsen it. What helps is controlling my reactions a bit so that I have not unduly centered myself, and then taking the action that I know will actually help (or figuring out what will).
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