#hilariously i feel like the first one ends tragically but in a satisfying way while this one just leaves me wanting things to be different | Explore Tumblr Posts and Blogs

scalproie · 1 year

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Haha. Kazuya. You understand.

one aspect about them i love

THEM TIDDIES

but fr he has his whole aesthetic on point. and I will say. him face. nice

one aspect i wish more people understood about them

HE'S A TRAGIC CHARACTER. HE'S SOOO DOOMED IN ANY WAY BC CHARACTERS LIKE HIM ARE MEANT TO BE PUT DOWN IN A SATISFYING STORY. HE HAS WINGS AT HIS STRONGEST BC THE MOST DEFINING MOMENT OF HIS LIFE WAS FALLING OFF A CLIFF. HE'S ON TOP OF THE WORLD, THE HIGHEST HE'S EVER BEEN, BUT HE'S NEVER TRULY LEFT THE BOTTOM OF THAT CLIFF. HE'S ALONE UP THERE. HE'S A CONTROL FREAK WHOM YOU NEVER KNOW IF HE IS ACTUALLY FULLY IN CONTROL (IF AT ALL) IF YOU REALLY STOP TO THINK ABOUT IT. HE'S SOOO COMPLEX BUT WE'VE NEVER BEEN ALLOWED TO DWELVE INTO THAT COMPLEXITY. HE'S A REALLY INTERESTING CHARACTER AND I DIE INSIDE WHEN THEY KEEP PUSHING HIM INTO THE "PURE EVIL" BOX WHEN EVEN WHEN HE MADE THOSE CHOICES HE STILL IS NOT!!! I FEEL LIKE AN INSANE PERSON WHEN I SAY THERE IS SMTH SO EXTREMELY COMPELLING ABOUT KAZUYA MISHIMA.

one (or more) headcanon(s) i have about this character

- hes still alive in the tekken:tmp timeline since jun successfully "saved" him, and while the familial situation isnt the best it could be, its still far better than you'd expect with jun and jin

- he doesnt even consider himself fully human anymore but hes truly at his core Just A Guy. take the morning coffee. collect shoes. eat boring food. hes a very plain guy and its hilarious. what does he even do all day, the role of a ceo is to make connections and relationships and hes a shadow ceo. he is so painfully A Man In His Fifties that if you remove the tekken context he could grill a mean steak I know this in my heart, what do japanese dads even do for a bbq equivalent.

- kazumi styled his hair Like That back in the day and so he will wear that hairstyle for life

one character i love seeing them interact with

Apparently in bruce's t6 ending, hes speaking to his superior(?) about a mission well done but it's said he's reporting directly to kazuya, so even if who hes talking to is speaking in english I have to wonder if it was meant to be kaz at one point. Anyway if it is I love the casualness of this interaction.

Also jin! people say theyre tired of the mishima focus but NOT ME bc those dudes only interacted ONCE until t8 finally drops. Anyway their hostility toward each other is sooo obviously fabricated bc if the writers REALLY wanted to get into it, this father&son relationship would be so much more complex than that. Also in the first project x zone, devil kazuya is a boss fight and at one point devil and kazuya are fighting for control and for one (1) second, jin sounds concerned for his dad in the way that he wont be able to kill him while kazuya is himself. fun stuff. Their more neutral interactions as a tag team in pxz2 are a lot of fun too, especially when they team up to tear verbally into heihachi. Anyway like everything about kaz, his relationship with his son isnt explored enough.

one character i wish they would interact with/interact with more

Harada For The Love Of God Don't Fuck Up Kazuya's Interactions With Jun In Tekken 8.

I want to see fucking flashbacks man, how did it fucking happen. They had to have exchanged AT LEAST a couple words before getting to jin's conception and I WANNA KNOW. ITS THE MOST MYSTERIOUS AND INTERESTING RELATIONSHIP IN TEKKEN.

one (or more) headcanon(s) i have that involve them and one other character

I feel like. if you stripped kazuya and jun of status and general opposite moral stances, theyre very very similar. I will wait for official t8 confirmation oh what they thought of the other but I feel they are two side of a same coin. People usually speak of jun making kazuya better but I like the other side of kazuya making jun a bit worse. In a very indulgent way I often wonder what it wouldve been like if they tried at all to make it work long term and I dont think it wouldve been that bad, especially compared to how the previous main mishima relationship ended up.

#kaz also has the privilege of not having been somewhat stained like jin in t6 and heihachi in t7 #cause both did disservices to these characters #and yet its so frustrating bc kaz. is just. SITTING THERE.#BAMCO HES READY TO GO HE HAS THINGS TO SAY AND DO AND REPRESENT AND INTROSPECTION TO MAKE #OR BETTER YET BAMCO GIVE HIM HERE I CAN MAKE THE NARRATIVE FOR HIM BETTER. I HAVE IDEAS I HAVE PLANS. KINDA #tagging later #nozomijoestar #ask meme

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hyperfixatinglove · 2 years

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3, 4, 7 & 13 for the meta questions? The f/o is your pick 💕

Aiden meta go brrr

3. describe the first time you watched/played/read your f/o’s source content.

It was like having a specimen under microscope lmao. I wanted to closely study Aiden's psyche and how he operated, why he did what he did, where his actions and thoughts come from, why there was such dissonance between his actions, words vs others. It was interesting to see him associate with Clara and T-Bone while still being apart and isolated from them to see him embrace the vigilante persona he created in rather disturbing end monologue.

I found wat//ch dogs to be interesting subversion of typical realistic superhero story and the motion that in order to have protagonist they must be good as person. Aiden is NOT good person, not by long shot. But you might understand why he does what he does, why he thinks how he thinks. I just loved how in this game protagonist doesn't mean morally good. I think we need more video game protagonists like Aiden.

Anyway seems like I went off again abt Aiden specifically while I meant to explain abt his source.

I do remember being annoyed how little hacking there was in main story. Personally my favorite quests in the game are ones involving sneaking and hacking and take downs. But the game has far, far FAR too many car chases, especially police chases or chasing after someone for story reasons. Those were frustrating and not particularly interesting missions.

I remember being in awe of the way profiler works, the app Aiden has that allows him to know intimate details abt npc's in game world. My favorite aspect of the game, just walk down a street and get all kinds of info tragic or funny.

I tend to watch walkthrough on yt first in order to determine should I buy a game - because I need to know what kind of shit I get myself into, such as is there club scene = annoying flickering lights, colors etc or is there possibly frustrating missions. That's what I did for Aiden's source too, when I got sudden hyperfixation and interest in Aiden as character that I never had before.

The story was meh I have to say, but I tend to overlook or forgive a lot if I enjoy characters or you give me crumbs of interesting story (without delving deep into it) and that happened here as well. Majority of the game is spend trying to find Nicky, Aiden's sister because Damien, his former partner kidnapped her bc he's super petty "boohoo my ex partner doesn't want to team up anymore" tantrum. Damien reminded me of Rais from Kyle's game, stereotypical, lazy depiction of villain that's simply just boring as hell. At least Iraq had some sort of presence and carried himself well even though even he is one sided.

Actually all villains in watch dogs are boring lmao. Only ones I actually liked somewhat were Iraq and Defalt and Iraq only bc he has nice banter with Aiden and unique laugh. Defalt was just this wacky, sexual humor troll hacker who I feel would've been good in sequel but they get the job done in passable way I guess.

T-Bone, Jordi and Aiden carried the whole damn game on their backs I swear. Oh and I'm still salty about Clara's death like just toss her into the wolves without any memorable scenes or presence ok.

Playing through his game myself was chore most of the time, but I kept going bc I just adore Aiden and other characters too much to give up. That and the satisfying feeling of slapping someone with a baton.

4. who was your first favorite character when you initially got into your f/o’s source content? was it your f/o from the very beginning?

I actually think my first favorite was Jordi! He just instantly establishes himself as someone who stands out and who's simply hilarious but gets shit done. I love how he just says "I called the cops" the convo is one of the best with Aiden and Jordi!

Also the "Its not the pizza guy" mission start convo but that's bc Aiden just happened to scratch his lips with him thump and I went OOOOH like a horny bitch while I just finished laughing at Jordi's antics.

Anyway Jordi is simply great! Perfect balance between wacky antics yet someone to be taken seriously.

Other candidate(s) for this were T-Bone and Tobias! T-Bone especially is so interesting (and he literally has his own DLC), he's easygoing but has lot of guilt and I'm sad we never get to any specifics abt his past as ctOS employee/creator. And something abt Tobias just caught my interest, he was friends with T-Bone and had this friendly rivalry with him and he has neat dialogue with Aiden (notice trend? I just love the contrast between Aiden vs everyone else)

I liked Clara as well, but honestly she was so underutilized it's a crime. We don't even know anything about her expect she worked with Dedsec and Quinn formerly and she's tattoo artist as well as hacker. There was opportunity to make her interesting but they just? Decided not to bc she dies? I'm still calling bullshit on it. Aiden saw the texts in Quinn's office he could've easily warned her! The game just doesn't?? Allow you to?? (Imagine AU where Aiden actually warns her and she goes underground bc she said in voice mail she's good at disappearing)

7. are there any specific scenes/chapters/moments of your f/o that you find yourself going back to revisit more often than any other?

Let's see.

I quite like visiting Aiden's interactions with Nicky (particularly mission Big Brother). Other missions include Dressed in peels (the prison in and out break), Thanks for the tip (Aiden's lines to Damien in this mission make me swoon I swear), Any mission with Bedbug (since his and Aiden's interactions are gold) also By any means necessary (Iraq & Aiden showoff is so good) and finally Ghosts of past for Nicky & Aiden goodness and No turning back because hoo boy Aiden when he crouches to watch Quinn die is holy shit great af.

Also as I noted a while ago with my Ushio ask, I like to watch stealth videos of Aiden slapping people with his baton while no one notices. Such as some missions here and there, gang missions..

I also love to watch playthrough where Aiden is as pacifistic as possible.

But as individual cutscenes go, I like watching the one where Aiden blackmails someone in prison, he's such little shit AND he's without his usual regalia so he looks so good jlsllasja

Also the scene where he rough houses Damien in Nicky's kitchen with his baton is golden hoo boy I love aggressive Aiden

Oh and the cutscene where he meets Lucky Quinn after elevator and is for a while held captive and he breaks himself free of it (and later kills Quinn but I mentioned THAT scene already)

And the scene with Jacks in the train bc Aiden is the softest he can be (or at least tries to be comforting to his nephew)

AND FINALLY the bar scene with T-Bone and Aiden is so good! And Aiden's "Hello Ray" is such good line the way he says it sdhsaidhkdak

13. do you have a favorite line your f/o has ever said?

Almost everything he has said? Ever? No?

Okay, I have to do some research!

My first personal fave is upon asked "What the fuck is wrong with you?!" his answer is poignant "I wouldn't know where to begin"

Also when he chats with Damien for first time he quips: "Your problem is I don't need you"

The line he says in the car when he drops Jacks his nephew to safe place makes me melt "When I deal with these bad guys i need you someplace safe. That's what makes me strong" I just jhjjjj ♥♥♥♥

"You did good bedbug" sjkljslljdkldsld he sounds kinda soft there?? I just kskhhk

"You took something far more valuable from me" at Iraq when he rambled abt Aiden messing up his masterpiece of blackmail job? Amazing. I have to say Iraq's answer "Motherfucker I don't even know you" is gold and it's lowkey stim of mine sjkhkahdkd make it stop

He has SO MANY good lines I'd be here all day listing ALL of my favorites.

#letters of love #vigilante

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yurimother · 3 years

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The Best Yuri of 2020

2020 was hell in every way, and many of us are looking forward to new possibilities and advances in 2021. However, the year brought us many small moments and gifts worth celebrating. Among these, the explosive growth and change within the Yuri genre are among the most precious and most outstanding achievements. This second century of Yuri opened with a bang, as phenomenal new works, creators, and moments made their mark and helped change the future genre.

This annual list is a celebration of just a handful of the fantastic titles, people, and events in Yuri. There are likely some even greater ones that did not make the list because there is so much content in both English and Japanese that even I cannot keep up. However, among the troves of treasure, these titles stood out as shining examples of Yuri excellence. Some were released this year, others were recently adapted into English, and still, others are established titles that rose to prominence to dominate the conversation and my mind this year, but every one of them is worthy of being on this list and in your heart.

Here is the Best Yuri of 2020!

15: The Curse of Kudan Remastered

Japanese Yuri visual novel developers show no sign of slowing down as they continue to push to new heights and try new ideas. These are the same amazing people who brought us the delightful educational Yuri game The Expression Amrilato and the hilarious and surprisingly queer OshiRabu: Waifus Over Husbando’s. However, this most recent release, The Curse of Kudan Remastered, is their best work yet. Released near Halloween, this game brings a new edge of dark mystery and the occult to Yuri audiences worldwide.

The Curse of Kudan is available on MangaGamer, JAST USA, Denpasoft, and Sekai Project.

14: Adachi and Shimamura

English audiences were finally treated this year to Hitoma Iruma’s long-running and wildly successful Yuri light novel series, Adachi and Shimamura. Although the story struggles to gain traction, dedicated readers’ have their patience rewarded with a sweet tale full of gay pining. Alternatively, you can jump into its stellar anime adaptation, with gorgeous visuals and realized characters you will actually be willing to put up with the annoying Yashiro just to see where the title characters go. The series shows no sign of slowing down either, as the manga adaptation is coming to Western audiences next year.

Adachi and Shimamura is available to stream on Funimation. The light novel series is published by Seven Seas - https://amzn.to/3rTSZTK

Honorable Mention: Happy Go Lucky Days

The OVA adaptation of Fragtime got most of the attention this year. Still, director Takuya Satou and Pony Canyon also gave us this much-overlooked “love is love” anthology movie based on Takako Shimura’s manga (Sweet Blue Flowers, Wandering Son). The first short in the film, “Happy,” is easily the best Yuri anime of the year. It follows the beautiful yet realistic queer love story of two women hooking up at a mutual ex-girlfriend’s wedding, only for the relationship to blossom and warm viewers’ hearts. Sadly, while stylized, the budget demanded the animation cut a few too many corners. Additionally, the subsequent stories are at best tedious and at worst alarmingly problematic, which is why Happy Go Lucky Days only gets an honorable mention.

The OVA is streaming on HIDIVE

13: Mieri Hiranishi

The Yuri scene has many colorful creators with a breadth of different ideas and stories in the genre, yet few have provided as much humor and joy as Mieri. This talented creator spectacularly tumbled into the scene with her manga essay The Moment I Realized I Wasn’t Straight, which embodies the brutal honesty and realism of Nagata Kabi and matches it with exaggerated hilarity. She continues to chronicle her painful struggles of being a butch girl in love with butch girls in the monthly series The Girl that Can’t Get a Girlfriend. Alternatively, you can follow her on Twitter for just as much heart and laughter.

Read The Girl that Can’t get a Girlfriend on Tapas and Webtoon.

12: My Next Life as a Villainess: All Routes Lead to Doom!

My Next Life as a Villainess has what can only be described as volcanic bisexual energy. Every character protagonist Catarina Claes encounters is entirely enthralled by her. Of course, she is far too preoccupied with her quest to avoid doom flags and change her ultimate fate to notice any romantic interest. The series is rewarding and well structured, as views are just as focused on how Catarina plans to avoid certain doom as they are with the various romantic misses her band of companions cooks up. While the “friendship ending” did not capitalize on its Yuri potential, it was perhaps the most satisfying possibility for this crazy harem, at least until season two comes out, which looks, unfortunately, to be significantly less queer.

My Next Life as a Villainess is streaming on Crunchyroll

11: Love Me for Who I Am

Kata Konayama’s manga series is less Yuri than a general LGBT work, but it has a lesbian character and explores her identity and struggles in great detail. Few titles before have captured the exciting and nervous waves of emotions that young people feel as they explore gender and sexual identities and try to find themselves. This heartfelt and extremely queer series rubberbands between cute moe dress up to tragic and gripping backstory, keeping readers on their toes the whole time.

Love me for Who I Am is published by Seven Seas - https://amzn.to/3rTSZTK

10: A Summer’s End – Hong Kong 1986

Oracle and Bone’s debut visual novel, A Summer’s End, is set in a vibrant and electric 1980’s Hong Kong. Drawing inspiration from classic Asian cinema, music, and fashion. The worlds of Michelle, a young office worker, and a free-spirited woman named Same collide. The two struggle to comprehend and accept each other’s feelings just as they struggle against society’s expectations and prejudices. An incredibly thoughtful and touching adventure, the creators incorporated vital contemporary elements include Asian LGBTQ rights and growing political unrest in Hong Kong, into this illustrious game.

The visual novel is available on Steam.

Honorable Mention: Goodbye, My Rose Garden

In the same vein as A Summer’s End, Goodbye, My Rose Garden is a beautiful period piece that incorporates LGBT views into its shattering narrative. The story follows a bright-eyed immigrant, Hanako, wanting to make a new life in England as an author at the dawn of the twentieth century. She takes a job as a maid to noblewoman Alice, but their relationship takes a turn when Alice asks Hanako to kill her. This poignant tale is beautiful and an honest depiction of love and its conflict with responsibility and society.

Goodbye, My Rose Garden is published by Seven Seas Entertainment - https://amzn.to/3hFSyaG

9: Shio Usui

Usui’s hit Shaikaijin Yuri manga Doughnuts Under a Crescent Moon could easily take this spot even though it is not even out in English until February 2021. The manga is already making waves and receiving constant praise. The characters and their journey to discover love and self-acceptance are as charming as they are relatable and grounded. However, it is the creator, Usui, who really deserves acclaim. Not just for their work on Doughnuts, but having a second serialized story, Onna Tomodachi to Kekkon Shitemita, in monthly Yuri magazine Comic Yuri Hime simultaneously. It is even more remarkable when you consider these two iconic stories are Usui’s first long-running works, as they only contributed one-shots before.

8: Bloom Into You: Regarding Saeki Sayaka

Bloom Into You is possibly the most iconic Yuri series in the past decade, and while the manga deserves its own place on this list, the best thing to come out of the series as a whole is easily the light novels. This trilogy by Adachi and Shimamura creator Hitoma Iruma dives deep into supporting cast member Sayaka. Readers are treated to a delightful journey as she discovers her sexuality, experiences heartbreak, and finally finds herself breaking free and falling in love. With the help of gorgeous illustrations by Nakatani Nio herself, Iruma masterfully captures Sayaka’s unique voice and emotions in this wonderful series. Whether a fan of the originals or not, every Yurijin must check out Regarding Saeki Sayaka.

The light novel series is published by Seven Seas - https://amzn.to/3hFSyaG

7: Our Teachers are Dating

The best a Yuri can get. This workplace romance follows two teachers at the start of a new relationship taking nervous yet enthusiastic first steps, including saying I love you, going on their first date, and even sleeping together. It is so heartfelt and salacious that readers will squeal the whole time. Additionally, our heroines are supported in their relationship by everyone they know, their students, colleagues, and even the principal. It is a perfect world for these two lovebirds! Our Teachers are Dating would easily be number one or two in any other year, but the competition is fierce in 2020. So even though this is only number seven, it is still a master class Yuri manga.

The manga is published by Seven Seas Entertainment - https://amzn.to/38XY3O9

6: Amongst Us

Who would have thought that a comedy alternative universe story spinoff of a fantasy action series would be the single best Yuri webcomic this year? Shilin’s astounding artwork illustrations the hilarious and irresistible journey of girlfriends Blackbird and Veloce. These two eccentric young women get into all kinds of everyday mischief that bounces between tender and touching romance, completely outrageous comedy, and downright thirst-inducing sorcery. Seriously, you should buy the first volume for Veloce’s back muscles alone. The storyline skips between time, but both their established relationship and their meeting as teenagers are adorkable and captivating.

Amongst Us is available online free on Webtoon and the comic’s website. The first volume is in paperback on Shilin’s site.

Honorable Mention: Éclair

There are a lot of Yuri anthologies out there, and they have done some beautiful things. Many focus on themes like Syrup. Others collect a series of stories by an author into one bound work. However, out of all of them, Éclair is the most successful. ASCII Media Works took some of the genre’s most extraordinary creators and let them do whatever they wanted, and the results are spectacular. The incredible talent behind Éclair somehow packs a full volume’s worth of story and character into just a few pages with every chapter. While the first volume came overseas a few years ago, Yen Press gave Yurijin a gift this year by releasing the entire rest of the series in which readers can get lost.

The anthology series is published by Yen Press - https://amzn.to/38XY3O9

5: I’m in Love with the Villainess

A small trend of isekai Yuri with villainesses emerged recently, and I honestly had few hopes of I’m in Love with the Villainess. The series is pretty popular, but I often find that this does not denote quality, and with isekai having some institutional issues, I suspected this would fall flat. Then the volume three cover showcased an incredible accomplishment, allowing for a lesbian relationship to blossom into a family with children, and it blew me away. Finally, I read volume one and realized that the series has incredible character, some of the best world-building I have ever seen in a light novel, thoughtful discussions of inequality and societal issues, and most impressively, open and frank discussion of queer identity and life Yuri has ever seen! This one is something special.

The series is published by Seven Seas Entertainment - https://amzn.to/3nedvdZ

4: The Last of Us Part II

Yes, I know this one is not Yuri and that a portion of the population despises this game and will likely be exceptionally angry at me for including it. However, I maintain that it was an incredibly challenging masterpiece. Naughty Dog did not take the easy route out and delivered one of the most devastating media experiences I have ever seen. As I said in my article about the game, playing it changed me, and it sticks with me to this day. The Last of Us Part II earns its spot on this list because it pushed boundaries more with LGBTQ inclusion than any other AAA game. From brave inclusion of LGBTQ themes to queer characters and storylines at its center, the game changes gaming and it will never go back.

The Last of Us Part II is available on PlayStation 4

3: She-Ra and the Princesses of Power

She-Ra feels like the culmination of all the LGBTQ progress western cartoons have made over the past few years. From The Legend of Korra to Steven Universe, young people are finally seeing more LGBTQ people represented on the small screen. This epic fantasy concluded with an amazing and powerful lesbian romance, delivering on its queer promise and revolutionized representation in a trope-defying crescendo.

She-Ra and the Princesses of Power is streaming on Netflix

2: The Conditions of Paradise

The greatest single Yuri work of all in 2020 was the English release of Akiko Morishima’s breakthrough manga, The Conditions of Paradise. Initially released in 2007, this anthology detailed the love between adult women. It was in every way a manga ahead of its time, and seeing it finally get a small piece of the recognition it deserves overseas is a true gift. The fact that we can own this legendary piece of Yuri history and Morishima’s other anthologies is nothing short of a blessing from the Yuri goddess.

The Conditions of Paradise is published by Seven Seas Entertainment - https://amzn.to/38bh4xq

Honorable Mention: Otherside Picnic

This eerie sci-fi horror series combines the best of pulse-pounding thrillers, complex and intelligent hard science fiction, and exciting Yuri romance. Author Iori Miyazawa spends as much time crafting a well-paced and intriguing narrative about a mysterious world where occult creatures roam as he does establishing two believable and grounded heroes in Sorawo and Toriko. The romance between the two may be slow to start, but their chemistry is undeniable and as the stakes and story build, so too does their relationship. Not only are the light novels incredible, but the series’ manga adaptation is coming soon to the West as well as an upcoming TV anime in early 2021.

Otherside Picnic is streaming on Funimation. The light novels are published by J-Novel Club - https://amzn.to/3niiv1g

1. Yuri subgenres

For a long time, Yuri was not a genre of its own, but elements of romances or bonds between women found in other works. Now, thanks to an increasing library of works, the advent of social media, and a wider audience, Yuri is a genre on its own, with many creators telling different stories in different styles. However, 2020 saw the continued emergence of something extraordinary, subgenres. Yuri is now so vast, we can actually categorize the works within. Depending on their characters, like classic schoolgirl romances or spicy shakaijin office affairs, their world, such as fantasy or isekai series and thrilling science fiction adventures, and even other elements within. One of my personal favorites is the feminist Yuri that emerges from titles like Sexiled, where women celebrate the accomplishments of other women and dismantle power structures stacked against them. Now, no matter what kind of Yurijin you are, there is something for you to love.

I am happy to leave 2020 behind, but I bring with me a renewed love and admiration for Yuri. 2021 looks to be a somehow even better year for the genre, and I am thrilled to experience every minute of it that I can. Yuri has transformed into something far greater than I ever thought it would be, and let us all enjoy its evolution and expansion together in 2021.

#yuri #manga #anime #top 10 #lgbt #lgbtq #lgbtq+#queer #gay #girls love #gl #adachi and shimamura #otherside picnic #lists #2020 #happy new year #2021 #new year

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dogbearinggifts · 4 years

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What are your thoughts on tua S2? Did you feel like the characters grew? What did you like? What did you not? I’m interested in your perspective. Your analysis are super thoughtful and interesting!

Aw, thanks, Anon!

Overall, I really enjoyed S2 and thought it was a solid follow-up to S1. I do have my quibbles about it, so I think (for ease of reference and because my thoughts are a little scattered today) I’ll list some of my personal highlights (in no particular order) before getting into what I didn’t like as much.

Big spoilers ahead.

Allison. I thought they handled her storyline especially well. Of all the siblings, I think she had the most difficult obstacles placed in her way (not only is she a Black woman landing in 1961 Dallas, but she’s a Black woman landing in 1961 Dallas who can’t even speak in her own defense for a year) and they sugarcoated exactly none of it. The writers pulled no punches when showing what civil rights protesters went through, which just made their nonviolent response all the more breathtaking. Allison’s fear and anger during those scenes were palpable even as she kept them hidden. But along with that horror, we see the kindness and warmth of the Dallas Black community, the women who take her in simply because she needs their help, and her love for Ray, perhaps heretofore THE most thoughtful husband ever portrayed on screen. I loved him, and I loved him and Allison together. While I understand and respect his choice to stay in 1963, I wish they’d gotten more time together. They both deserved it.

Vanya. We got to see how much the baggage from her past affected her by glimpsing what she might be like if it were taken away. It’s an interesting philosophical question, and it was explored well, in my opinion. She finds it easier to love and be loved, and she stands up for herself more readily—but she also doesn’t hesitate to use powers she can’t quite control and threatens Five without fully realizing how dire her threat is (or how it might dredge up traumatic memories she doesn’t know exist). The moment where Ben finds her curled up, fully convinced she’s a monster, was heartbreaking. I loved watching her find happiness with Sissy, even if that was fleeting (and dear god, Sissy deserved her happy ending with Vanya, dammit, I don’t care if it would fuck up the timeline). Her patience and sweetness with Harlan were just beautiful. And the way she used the confidence she gained during her amnesia to fully come into her own not to exact revenge on her siblings, but to save them, was fucking phenomenal.

The humor. There was a lot more humor this season, and it was awesome. So many iconic scenes—Olga Foroga, Luther babysitting two homicidal Fives, Elliot awkwardly lecturing his guests on the history of Jello, “NEW TIMELINE NEW ME,” “Your vagina needs glasses,” AJ the fish gobbling up the cigarette bubbles, Five getting to say “fuck”….this season was a lot funnier than the previous one, and I think that was one of its strengths.

Klaus’ cult. It was played for laughs, which I both expected and thought was the best way to handle it. He didn’t want to start a new religion with himself at the center; he just wanted to not get thrown out of any more diners, but Destiny’s Children had other ideas. The “I too am a fraud!” scene was hilarious and tickled the question of whether or not a religion founded on false pretenses can still help those within it find meaning.

Luther. Getting him away from his dad, his siblings, and the Academy was exactly what he needed to become the pure of heart and dumb of ass genius we always knew he was, but his first major step in that direction was heartbreaking. We all knew he’d be rejected once he got to the Academy. We all knew Reginald would rip his heart out and stomp on it in his admittedly fashionable shoes. It gets Luther out on his own and forces him to become his own person apart from his dad, but that doesn’t make it any easier to watch. He got the positive character development he needed, but the catalyst was tragic.

Diego. We see, for the first time, exactly how Reginald kept him in line—not with meds or with PTSD-inducing torture, but with words. Even when he knows Diego as little more than a stranger, Reginald is able to rip off his skin and fling it in his face with a single diatribe; and even at 30, with years away from his dad, Diego is left unable to speak, feeling as if all of his accomplishments up to that point were the work of a dumb kid who thought he was smarter and more capable than he actually was.

Luther and Diego sharing a braincell. Luther has bad ideas. Diego has bad ideas. When they put their bad ideas together, they get terrible ideas. I loved watching them work together as a team, rather than being at each others’ throats for most of the season, even if I’m left hoping Olga Foroga had a pleasant and quiet day after that phone call.

Reginald. At first glance, it may look like the writers were trying to make him likable so they could parade him around as your average abusive-parent-with-a-soft-side. But it’s more nuanced than that. Abusive parents (and abusers in general) often fly under the radar because they fool outsiders into thinking they’re good people. They’re active in their communities. They give to charity. They have friends who attest to their virtue, significant others who think they’re the greatest. And that’s what we see with Reginald. We see him as the rest of the world did: an intelligent, eccentric man with a sharp sense of humor who cared deeply about scientific advancement. That’s how he evaded suspicion—because there were stories from years past of lively parties at his mansion, of what a gentleman he was to Grace and of how he did everything he could to save little Pogo. But those stories would all have come from people he considered his equals. When he’s with people he considers his inferiors—aka, the Umbrella kids—he’s openly condescending and demeaning. We get to see how he fooled the world, and it is chilling.

Elliot. He deserved better, and you can ship him with any one of the Hargreeves kids and get the cutest thing ever.

The Swedes. They said so much while speaking very little.

Ben. He got more personality and screen time, and it was glorious. His love of his family and resentment toward Klaus practically leapt off the screen. The way he says “I’ve missed you all…so much” once they’ve all left was one of those right-in-the-feels moments; and watching him get so much of what he’s wanted for years when he possesses Klaus was beautiful.

Now, as for things I took issue with….

Ben. I understand why they ended his arc the way they did. I get that they were probably afraid the Klaus/Ben dynamic would grow stale if they didn’t change it somehow and wanted to give him a larger role in S3. His death(???) was heartbreaking and extremely well-done. But it also wasn’t foreshadowed. We never got any sense of what ghosts in the TUA ‘verse are, so the fact they can be destroyed by a ton of sound-turned-energy or by going too far into someone’s psyche or whatever happened….it’s not that it doesn’t make sense so much as there’s not enough evidence to determine whether or not it makes sense. It feels like the writers just kinda made that up so they’d have a reason to change Ben’s relationship dynamics, but if that’s the case, couldn’t they have done it another way? Couldn’t they have made it so the immense energy or psychic woo-woo or whatever gave him a power-up instead of destroying him? Vanya transferred some of her energy into Harlan and brought him back to life. Couldn’t something similar have happened with Ben? And if it tied him to Vanya as well as to Klaus, great! More fodder for angst and humor! (”Vannyyyyyyyy, stop hogging Ben!” “You got him for 17 years, Klaus, you can part with him for 20 minutes.” “Guys, don’t I get a say in this?”) I’m glad they didn’t write him out of the series entirely, but I still wish they’d kept him and all the character development he’d gotten throughout S2.

Episode 10. It looks like they tried to cram half a season’s worth of developments into 45 minutes. Twenty minutes in, I’d already said “Wait what the fuck” half a dozen times. A lot of those moments were explained later on, and I was able to make enough inferences to fill in any lingering plot holes, but…still. Too much stuff, too little time. E9 was a perfectly satisfying ending to the season. Yes, it leaves the siblings stranded in 1963, but they could’ve tied up those loose ends in the S3 premiere.

Lila. She’s an incredibly fun character, but her arc is kind of a mess. Most of that is due to E10, and I do feel that more time to let her arc breathe would’ve worked wonders, but I’m left feeling like her turn from “Handler is the best mom ever and I lurve Diego too” to “KILL DIEGO AND HIS EVIL FAMILY” to “Handler is a bad mom and Diego is right” happened too quickly.

The Commission. Okay, so, the Handler announces the entire Board has been killed, and she’s stepping in as director even though everyone appears to know she’s been demoted (and demoted pretty severely—she went from having an office bigger than some apartments to being a case management drone). There’s suspicion and lots of it. But then, La Resistance is….ten or so people in a single room? And when she calls the temps agents to her side, thousands of them show up ready and willing to fight and die? I dunno. Just seems like there should’ve been more splintering going on there. Again, I think they needed more time to tie everything up.

Aside from those complaints, I loved the season. I set aside most of a day to binge it, and I do not regret that decision at all.

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duckyfruitbat · 2 years

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Centaur World Has The BEST Villain Redemption Story I Have Seen (Spoilers)

Centaur World is a musical and a Netflix original series that premiered earlier this year. Everyone who watched the trailer, including me, thought it was an acid trip. It is a very silly show 90% of the time, even when in the war torn world the main character is from, there is a silly tone, with some darker humor. Example of that is the horse Becky Apples. The trailer and the first episode did make it clear that there is a darker tone present throughout the series. So my 2010′s poisoned mind was worried that it will turn out like Steven Universe with clumsy metaphors and rushed villain arcs. Then I watched the series all thee way through and my worries were proven wrong.

Here is where we get into spoiler territory so if you have issues with that, turn away now.

First least important point, the main villain actually gets what’s coming in a pretty tragic and satisfying way. They did make one half of him a bit sympathetic, which I felt could’ve been explored a bit more throughout the series, rather than in a long sequence of flashbacks. Nonetheless I did feel somewhat satisfied with the resolution. Throughout the series it is clear that the Nowhere King has committed genocide, performed human experimentation, colluded to keep the wars going, and has topple many a kingdoms. Naturally he was sentenced to death, by his own wife, who took it upon herself to be his executioner. This scene between the two, was very heavy, because you can see the pain in her eyes as she finally ended the Nowhere King. I need to emphasize that Avatar the Last Airbender couldn’t even kill off the Fire Lord, who had no redeeming qualities, but the Nowhere King was given a tragic back story full of betrayal and heartbreak, he was a man driven to madness by his own actions. The writers knew that even with all that, there was no way to redeem such a monster, so it was either life in prison, or death. Thus the most dramatic and tragic death I’ve seen in a kids show in the past ten years.

Now then, let’s get to the best villain redemption ever. Not the main villain, no he dies in a ravine. I’m talking about the lizard man that the character Rider stabs in the back in the season one finale. This lizard gets kidnapped by the kleptomaniac Glendale, and as the punchline to a birthing joke, the giraffe Durpleton adopts the paralyzed lizard, who still has the knife in his back.

Throughout the next season, the lizard is named Stabby, Durpleton sings him lullaby's while caring him in a baby harness, even swaddling him to keep him warm. Stabby’s attitude goes from “Help I’ve been kidnapped”, to “I guess I’ll stay with your guys”, eventually getting to the point of “This giraffe is my dad, and these other centaurs are my weird family.” He even gets his own bedroom with posters. This is the most hilarious and wholesome redemption arc, I don’t think I can state that enough. Wanna redeem a villain, just adopt him, because it worked for the story of Centaur World.

This is a show made for actual children, it is rated Y7, yet it gets redemption right, while shows for an older audience gets it so wrong, that it becomes a meme to criticize it.

I went into this show thinking it would be a lighthearted romp through a candy colored world, with silly jokes and some fun characters. I got that and so much more that I haven’t gotten since I was a child. The main story came to a satisfying conclusion, and at no point did the darker tones take from the light hearted jokes, and vice versa. To anyone who asks, yes give Centaur World a watch, you will not be sorry.

#dead man games #centaurworld #redemption arc #Cartoons #bestcartoondad

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pillage-and-lute · 4 years

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The Courting Ways of Wolves

This is Geralt struggling heavily with emotions. He’s a little dumb but he’s got the spirit. Fluff. Geraskier, platonic Yennalt and Yennskier with a healthy side order of Geralt’s brothers and Good Mom! Yennefer, who deserves all the nice things.

Part 2, Part 3, Part 4, Part 5, Epilogue

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After the mountain, and finding Ciri, and tracking down Jaskier and Yennefer both, and dragging them up to Kaer Morhen, Geralt had looked forward to a nice, relaxing winter. His brothers and Vesemir would train Ciri, Yennefer, with whom he had come to an entirely platonic understanding, would recover from Sodden, and he had Jaskier back.

His apology had been poor, and he knew it, but Geralt had rescued him from the clutches of Nilfgaard and had bought him new lute strings and a notebook to boot.

The strains of Her Sweet Kiss drifted through Kaer Morhen regularly, because his whole family, and yes, Ciri and Yennefer included, kept requesting that damn song. He hated it, Jaskier’s voice broke singing it and his scent was still sad, although less so than it had been the first few times Geralt had heard it.

Amazingly, the sadness had disappeared for the most part after one time, when Jaskier played the song after dinner, Yennefer had looked up from her book and said, cool as an icicle,

“For Melitele’s sake you melodramatic bastard, I’m not dating Geralt and I never want to again.”

And now everyone seemed to want to hear it. Kaer Morhen’s training had not included music or poetry comprehension, so he was unsure why everyone kept looking at him oddly whenever the song was played. As far as he could tell, it was just another tragic love song. When Ciri started requesting Her Sweet Kiss after supper, and eyeing him while it played, he gave in. He cornered Eskel, the most book smart of the wolves beside Vesemir, who he suspected would be just a bit too acerbic, and asked him what was up.

“He’s in love with you.”

“He’s not.”

“You’re an idiot,” Eskel said. “And a stubborn one to boot. He didn’t like Yennefer when you two were sleeping together, but they’re the friends now, right?”

“They’re not,” Geralt said, brow wrinkling. This was treading much too far into the realm of human emotions, which Geralt had never been good at, but they snarked at each other all the time still and bickered like children. Eskel rolled his eyes.

“They are, its just sparring, but with words not swords. You see?”

That made sense, words were Jaskier’s weapon, and Yennefer’s too, to some extent, and they did both seem to revel in creative insults.

“They’re friends,” Eskel said. “Now that Jaskier isn’t jealous anymore. Do you see where I’m going with this?” He could apparently tell from Geralt’s expression that, no, he did not know where Eskel was going with this.

“Her Sweet Kiss is about Yennefer, who Jaskier thinks you love, and it’s about you, who Jaskier loves, and it’s about him, when he says ‘I’ as in “I am weak, my love’. My love is you, do you understand?”

It was dawning slowly in Geralt’s mind that he had definitely missed this, rather spectacularly, because now it was very, very obvious. He was glad he hadn’t gone to Vesemir, who would probably have given him a cuff ‘round the ear for being stupid, and it would have been deserved.

Eskel, always so much better at reading emotions said, “Ah, you’ve got it, good. Now, what are you going to do about it.”

“I don’t know.”

Eskel rolled his eyes so hard that Geralt hoped he detached a retina. “Of course you don’t.” His voice softened. Eskel had always been the one Geralt turned to for emotions. He knew Geralt didn’t get them, but wanted to understand and tried so hard that it hurt. Apart from a fair amount of good-natured ribbing, he always helped Geralt with the trickier bits of the human (or mutant) heart.

“Let’s start small, do you love the bard?”

That wasn’t small. That was a very, very big question, but Eskel had settled back in his chair and looked prepared to wait for Geralt to figure out the answer.

Did he love the bard? Geralt didn’t have anything to compare it to except Eskel and Lambert, and it certainly wasn’t like that. Except sometimes it was, like Eskel, Jaskier helped Geralt with reading when his head flipped the letters all around. Like Lambert, Jaskier fought anyone who insulted Geralt. But those were the actions of someone who loved Geralt, that was how Geralt could know (or could have known, if he’d been paying better attention) that Jaskier loved him. But how to know if Geralt loved Jaskier, not as a friend, but like a ballad, like the ‘my love’ in the song. But Geralt did love Jaskier like a ballad, because the songs always compared some lady to a bunch of other things. Geralt did that. He saw bright silks in a market and thought of Jaskier, if there were buttercups on the side of the road he thought of Jaskier, he heard a lute and thought of Jaskier, washed his hair and thought of Jaskier. Everything in his life made him think of Jaskier.

And it wasn’t like seeing a goat headbut a farmer and thinking of Eskel and his goat from hell. It was also not the same as using a bomb and thinking of Lambert. Those were everyday things, as commonplace as thinking of Vesemir’s training.

“I love him.”

“Yes,” Eskel said, “You really, really do. Now you just have to court him.” He sat back as if satisfied with a job well done.

“Right, and how do I do that?”

Eskel looked stumped. “I don’t know,” he said. Courting wasn’t part of the Kaer Morhen curriculum.

“Do we ask Lambert?” Geralt asked, feeling a little panicky because now that he realized he loved the bard he wasn’t about to not court him.

“Of course not, he’s the least romantic bastard in existence,” Eskel said, rubbing a thumb over the scarred part of his lip.

“Not true, he reads romance novels,” Geralt said, proud to introduce this new and frankly hilarious bit of information.

“No.” Eskel’s eyes were wide.

“I found it in his pack last week, when I was looking for a sharpening stone, it had a picture of a lady in a torn dress and a shirtless man almost kissing, and the title said Tortured Hearts.”

“You’re pulling my leg.”

“I’m not,” Geralt said huffily, “I read a bit of a page too and it mentioned a lot of throbbing.”

Eskel cackled and, over come with mirth, fell from his chair. That set off Geralt and they both howled with laughter, wiping a few stray tears from their eyes when they heard the door creak open.

It was Lambert.

That set Eskel off again, which made Geralt laugh too, and Lambert just stared at them.

“Did you two get into the vodka again?”

“No,” Eskel said, righting himself in his chair, “We were just discussing your reading habits.”

Lambert turned pale, then pink, then pursed his lips and turned up his nose haughtily. “Shows what you two know about literature. It’s a fine way to pass the time.” His cheeks were still a bit pink.

“All jokes aside,” Geralt said, when he’d stopped snorting, “I need to know how to court the bard.”

“Ah, finally pulled your head from your arse then?”

“It was me that did the pulling,” Eskel said. Lambert sprawled onto the couch next to Geralt.

“Of course you did,” he said. “What you gotta do,” he paused. “No that’ll never work.” Geralt scowled at him.

“No really,” Lambert said, “It’d never work.”

“Try me.”

“Lambert, c’mon, we’re really stumped,” said Eskel.

“Well...”

“Yes?” said Geralt, leaning towards him a little.

“In the books the man always writes her a poem, to proclaim his love, you know? Or failing that he writes her a letter, all curly writing, maybe some pressed flowers.”

“Oh,” said Geralt.

“Oh,” said Eskel. “Yeah you’re right that’s really not gonna work.”

“Jaskier’s all courtly,” Geralt said. “So I should do it, you know, courtly.”

“Ciri’s royalty,” Lambert said. “She might know, and Yennefer spends a bunch of time with nobles. They could help.”

“You said his family’s kind of old fashioned,” said Eskel. “Vesemir’s really old too, so he can help.

And that was how everyone in Kaer Morhen, except Jaskier, who had been distracted by Vesemir showing him a room with a nice echo, met in the library to begin plan Court the Bard. Eskel was scribbling ideas onto a sheet of parchment.

“You should kiss his hand,” Ciri said. “And say please and thank you.” She thought of her grandparents. “And tell him how beautiful he looks when he’s covered in blood.”

“Kill things for him,” Lambert chipped in. “Show’s him how big and strong you are, makes him feel safe.” A few curious eyes turned to him. He shifted uncomfortably. “One of the books was about a hunter and and a dairy maid. He killed a bear for her.”

“Always ask before you hold his hand or kiss him,” Vesemir said, seemingly unfazed by Lamberts reading habits. No reason he should be, Geralt thought, we all know he has a stack of romance novels by his bed. “Take it slow, Geralt, be patient, and put in the work, he was patient for twenty years, repay it now.”

Yennefer spoke up. “You don’t have to stop being sarcastic with him, he likes it, but compliment him too. Tell him how much you like his music. He likes music, so you like music because it makes him happy, understood?”

Geralt nodded.

“Good,” she said. “And dance with him. He’d like that. Also get him flowers.”

“Not just flowers, get him stuff,” Eskel said.

“I bought him lute strings and a notebook,” Geralt said.

Ciri wrinkled her nose. “Yeah but those were apology gifts, these are courting gifts.”

“What’s the difference?”

“Not much,” Yennefer said, “Lute strings and notebooks are good because they’re useful and they show that you know what he needs, but courting gifts should also be more...” she waved a hand vaguely, purple sparks twirling about her fingers.

“Romantic,” Eskel said.

“Pretty,” Ciri said firmly.

“They should be able to show you can provide for him,” Vesemir cut in.

At the end the list was short and confusing, but at least they had a plan. In the spring Ciri would go learn about magic with Yennefer, and Geralt’s heart swelled at the way they both glowed with excitement at the prospect. Geralt would then be back on the path alone with Jaskier and he could court him.

The list said, in Eskel’s simple, neat hand, Number One, kiss his hand. Number Two, use manners. Number Three, compliment him (his music, his features, how he looks after a battle?) Number Four, kill things and bring them to him. Number Five, bring him gifts that aren’t dead things. There was an asterisk by number five and it said, gifts should be useful, romantic, pretty, and provide for him.

It wasn’t much, but it was a plan.

That night at dinner Jaskier wondered why everyone kept looking at him and Geralt. He figured he had stew on his face, there was some in Geralt’s hair. Geralt wondered why Jaskier kept swiping his face with a napkin and why Ciri kept pointedly running fingers through her hair.

He couldn’t figure out all of human emotions, but he was going to defeat courting, once and for all.

#geraskier #fluff #geralt is bad at #courting #emotions #reading #geralt is dyslexic #yennefer is a good mom #eskel is a good brother #lambert is also a good brother but an asshole too #ciri thinks her the way Eist flirted was normal #real men tell their partners that they look good in the blood of their enemies

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incorrect-dishonored-quotes · 3 years

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Do you have a favorite level within each game or even one out of all games / is there a specific level that stuck in your mind since you first played it?

Mine would be the second to last I think in DH1. The one, where you walk over a bridge and it's all orange light on one side and deep shadows on the other. In daud's dlcs it would be the boyle mansion, because I love the flooded building. I've loved the edge of the world in DH2 because Karnaca's atmosphere is such a breath of fresh air and the trail of whale blood through the bright and sunny district reveals very much about the game's world. For DOTO it would either be the bank job or the royal conservatory. It may sound pretty weird but the atmosphere within the bank job gives me vacation vibes lol. Also the moment you take the twin bladed knife feels amazing every time. I also really like the hidden features in the royal conservatory.

Thank you for running this blog, it really means a lot to me. Happy Pride! 🏳️‍🌈

Honestly all the levels in the DH series has a lot of personality in them, and so much visual storytelling. Each one has a different feeling to it while all matching up to eachother perfectly. Never do I feel like one doesn't belong with the others, they all feel part of the same world, and they feel so lived in too.

Everyone has their favorites, and you picked some good ones. I think youre refering to Kaldwin's Bridge which is a very well done level and is certainly pretty to look at, but its rather big with a lot of loading points, and it's a bit choppy and tedious for me. I do like the area around Sokolov's house though. The test subjects imprisoned in the streets and the crumbling buildings around his perfect apartment is great environmental storytelling. Personally my favorite in Dh1 is The Flooded District. The reflection it paints for Corvo, that after everything, things can still get worse and there's still a light at the end and he can't give up. That even after hating Hiram Burrows and wishing death on him, Daud hides there, in the mass grave Burrows made, protected by the rats, flood waters, rivercrusts, and weepers. It's just *chef's kiss*.

I think the one in Daud's dlc's is actually Brigmore Manor, which is one hell of a level. We learn that Daud and Delilah have a lot in common just by the way they work. They both have large followings they share their power with, hidden under everyone's nose. Dispite this, the difference in atmosphere tells the player that Daud is trespassing here. He's met someone who can match him, maybe even best him, and he has to be careful not to lose what little he has left. Brigmore is probably my fave too, but The Surge comes very close. Being in Daud's base, cutting up Overseers, and freeing his Whaler kids is very satisfying.

Edge of the World is a great intro to Karnaca. You get a feel for the atmosphere, learn about smaller power struggles (Howlers vs Overseers), and get a feel for just how bad things are there. I love taking my time in this level, finding the runes and talking to Mindy Blanchard just because it is a very pretty level that's fun to explore. I also like how it ironically leads you to Addemire, which is dark and claustrophobic. My fave in DH2 though is Crack in the Slab. Going between timelines wasn't something I'd done in a videogame before, and it made learning about Aramis Stilton and the rest of Delilah's allies extremely interesting. I love the little details you can mess with in the past to convenience you in the present too. There's a lot to go though twice over in that level, and I always find something new each playthrough. Also, in the ambience music in the present, you can hear a rhythmic banging, and I theorize you can hear the miners being overworked from Aramis' home.

And then there's DOTO... DOTO, my beloved. This game really brought Billie Lurk's character to life and I enjoy every second of it. My fave here would be Follow the Ink, for reasons similar as to why I like Edge of the World. It's nice to explore and there's so much to do story-wise, and even more to just find or interact with. I do wish the story flowed from one point on the map to the other, like how Edge of the World slowly lead you to the black market, wall of light, overseer outpost, then to Addemire Station. I find I'm going back and forth a lot in Follow the Ink, but that's nit-picking. If anything, it gives me time to stumble across things more. I will say though, The Bank Job is probably the strongest level in the game, and the writing is the best there. Billie getting a hold of the knife, pointing a finger in The Outsider's face and telling him she's coiming, no matter what it takes, only for The Outsider to look her in the eyes and tell her that Daud, the closest Billie had ever come to family, is dead?... Heartbreaking. I'm racing back to the ship. I know he's lying, and he has to be, right? But nope, he wasn't. Billie burning her ship called Dreadful Wale, an anagram for Farewell Daud, as his pyre hurts so much. I love the very ending too and how Daud is low chaos option, and to be honest, I shouldn't have been surprised by that. Ironically, mercy and forgiveness were themes in the background of Daud's dlcs.

Some honorable mentions would be:

-Bottle Street/Holger Square: Learning about Overssers, Slackjaw, Granny Rags and you get to see my man Geoff Curnow! Please switch the poison btw.

-Lady Boyle's Last Party: You fuck around with guards and rich ppl bc they think you're one of them and that's quite the critique on the upperclass huh. Don't forget to sign the guestbook as The Empress' alleged assassin!

Return to The Tower: Hiram Burrows is finally his own undoing, and his worst nightmares have come true! What a satisfying downfall. How poetic. Bitch deserved everything he got.

-Light at the End: In high chaos, Martin shoots Pendleton after calling him inbred and that's hilarious to me. Also in low chaos. Emily will scold Havelock and tell him to "sit in the corner and think about what [he's] done!" In honesty, it's a good climax.

-Eminent Domain: Timpsh's downfall in low chaos is one of the most poetic and well written eliminations in the games. Seeing him faint in front of a General of the City Watch always makes me laugh.

-Coldridge Prison: Revisiting the place as Daud and seeing how it's changed since Corvo's escape was very interesting. There's a lot of details to interact with like other prisoners, executions, and doomed escape attempts.

-Addemire Institute: The Crown Killer was an interesting antagonist, and there's a lot of notes and clues to what Addemire was like before The Duke ruined it. The entire situation is very tragic, but not all is lost!

-The Dust District: It's just really fun to explore Karnaca ok? Also Corvo's old house is there.

-Hole in the World: I love how it hints that there's a low chaos option, but you don't realize it until you talk with Daud’s spirit and all the hints come together. I like wandering around the place too since we don't get to see The Void this much anywhere else.

Sorry this was so long, but I really love how well thought out these game are, and I really rambled! Happy pride to you too!

#mod tad #doto spoilers

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k-s-morgan · 3 years

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I would like you to ramble about spn! What do you think about dean,sam and castiel as characters? and their dynamics?

I so looked forward to getting to this question :D Thank you for asking it!

Dean is my favorite character. I’m drawn to traumatized characters who try to play tough but who are endlessly loving and fiercely loyal to their loved ones. Watching Dean undergo so many transformations in the course of 15 seasons is a unique experience, it’s really like spending an entire life with this person. I love seeing the shift from macho Dean from the first seasons, who’s trying to look ‘manly’ and is very concerned when someone doubts him, to a much softer and vibrant version of later seasons who doesn’t feel the need to chase every woman he sees and who’s more open about his real interests. I love Dean who adores Scooby Doo, wears hot dog pajamas, wants to dance in pink Pointe shoes, cooks for the family, fusses over making bunker a home, and fantasizes about a beach with Sam and Cas by his side. His abandonment issues are tragic, and that’s why I was happy to see how his relationship with Sam progressed. He went from being terrified of life without Sam in his immediate vicinity to calm, satisfied knowledge that their bond is forever and that they don’t need to be joined at the hip to love each other. Cas plays a crucial role here, too, because it’s loving and being in love with Cas that finally helps Dean see the difference between a brother and a life partner. This is what Sam wanted all this time: to have a life outside of Dean. Dean began to understand it only years after meeting Cas. I really love the later dynamics: Dean and Cas do their thing, Sam and Eileen are busy with theirs.

Cas is my second favorite character. He’s primarily defined by his love for Dean and I think it’s beautiful. It’s hilarious to watch him start to rebel against everything and everyone he used to know just a few months after saving Dean from Hell. He’s caring, he’s strong, he’s quietly loyal, and his perpetual confusion is my most favorite thing ever. I wish the team treated him better because in the latter seasons, he looks terrible (even though Misha does not) and his value is constantly undermined. I missed Cas seeing how much Dean loves him — we know it because we followed Dean when Cas was dead or in danger, but Cas himself had to figure it out quietly and by himself. He’s too sad for me to calmly accept the allegedly happy ending he got.

Sam is… not my third favorite character, that would be Crowley :D I’m not a fan of Sam in general. I understand him very well and I sympathize with him, but he’s just not my kind of person. He’s too strong for my tastes — he manages to deal with all the terrible situations in a mature and rational way while I prefer heartbreak and despair. He’s too cold and I hate how he treats Dean sometimes. I’ll never forgive him for not even bothering to look for Dean in the Purgatory, that was the worst kind of betrayal. I think Sam, despite his undeniable love for Dean, considers Dean beneath him, and in a way, he’s justified in this because he’s definitely more adjusted and logical of the two, and he has to spend his time on dealing with Dean’s tantrums and toxicity. But I don’t like it because I relate to Dean’s desperate yearning to be loved more. The things Sam says to Dean when he’s compelled to speak the truth, the way his Heaven is all about other people, the way he never thought of the consequences Dean had to face when he ran away on his watch, the way he seems to only tolerate Dean sometimes — again, I understand it but I don’t like it. I prefer endlessly loving and more vulnerable characters, and Sam doesn’t fall into this category for me.

#supernatural #spn #dean winchester #castiel #destiel

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fuckyeahisawthat · 3 years

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Have you been asked yet to rank Trust eps? Cos I'm asking! But your the criteria for ranking I leave to you to decide.

Ahahahaha I’ll have you know I put way too much thought into this. :-D

Ok so first of all, there is no such thing as a bad episode of Trust. The whole thing is really tightly written, every character and plot thread has a purpose, and even the episodes that I haven’t watched over and over again are important to the overall story. And a lot of the impact of the show comes from things that are cumulative over multiple episodes.

That being said, I do have favorites. Since the definitive ranking of Primo’s outfits has already been taken care of, here is my ranking from least to most favorite based on some nebulous criteria of artistic/narrative effectiveness and emotional impact, my judgement of which is obviously highly subjective and also correct.

Under the cut because this got ummm unbelievably, ridiculously long.

10. The House of Getty (episode 1)

Sorry Danny Boyle and Simon Beaufoy, the pilot is my least favorite episode. Still think it was the wrong choice to open with a flashy (and, I can tell, expensive) sequence showcasing the death of a character we literally never see again. And, look, I’m an impatient viewer. If I don’t get someone to root for/emotionally identify with/otherwise catch my interest early on in a narrative, I’ll tune out. And Old Paul is not only unlikeable--far from a mortal sin in dramatic storytelling--he’s boring. I don’t care about any of his rich people problems, and I’m not the kind of viewer who can be kept engaged just by hating someone and watching them be terrible.

Some of the secondary characters in the Getty household do have interesting plotlines, but we don’t get to learn very much about them in the first episode. And I do think things get interesting once Little Paul shows up (although I maintain that the whole episode is more interesting if we understand what the stakes are for Paul getting the money), but if I had started watching this show with no context I wouldn’t have made it past Old Paul’s pre-coital erotica listening routine.

If this had been anything other than the first episode I might not have ranked it last, but extra penalty points for leading with your least interesting characters.

9. Lone Star (episode 2)

This episode is, I think, saddled by the fact that it has to do a lot of heavy lifting in terms of exposition and setup. It mostly works because Chace is an entertaining narrator, and once we get to Italy with Gail I think things zip along at a pretty good pace. Opens with an attempted rape to show how Bad the Bad Guys are, which is...not my favorite trope.

Once again, I think a lot of the information in this episode would have worked better if episode 3 had been episode 1. (We’d already know who Berto was when Chace meets him; we’d already know about the box of guns in the apartment; we’d know when certain characters are lying.) This whole show runs on the suspense of the audience being the only party who knows what’s going on with all the characters at once; I think trading mystery for suspense here was the wrong move. I also can’t help thinking there was pressure to front-load the well-known American actors in the beginning of the show at the expense of the strongest narrative choices.

Imo the best thing about this episode is the sort of...multiple competing images of Paul that emerge. His mom sees him as an innocent victim who couldn’t possibly have planned any of this. Chace sees him as a spoiled rich kid trying to swindle his granddad. Neither one of them has the complete truth.

Next we get into some episodes that are certainly not bad, but their greatness is more on the level of some bangin’ individual scenes than a whole package.

8. John, Chapter 11 (episode 6)

Again, this isn’t a bad episode. The main reason I put it near the end of the list is that the first time through I got sort of impatient during the first half. We, the audience, by virtue of our extra-textual knowledge, know that Paul can’t be dead, and we spend about half the episode before we know what really happened to him, which felt a bit too long to me.

This episode does have some fantastic individual scenes including: Leo talking Primo down in the farmhouse, Leo and Paul’s conversation about Angelo’s death, Gail being an absolute badass, and the meeting between Salvatore and Old Paul. A lot of these scenes are essential on a thematic level, but I don’t think the episode as a whole is the most streamlined.

7. Consequences (episode 10)

I debated for a while where to put this episode because the overall feeling of 57 Chekov’s guns going off in the space of one episode is SO satisfying, and the resolutions of some of the individual plotlines are delicious. Ultimately I would have liked more space for Paul and Gail and less Old Paul being grumpy about his substitute child museum’s mediocrity (although the scene with the bad reviews is hilarious). Once again I feel like the show creators felt they had to pull the focus back to Old Paul to wrap things up and I just. don’t care.

That being said. The resolution of Primo’s storyline? SO SATISFYING. And tbh I don’t dislike the scenes that exist with Paul and Gail; even the happy scenes have this poignant tone to them. I think they were trying to deal with the fact that his irl story is just...incredibly fucking tragic, and you can see a bit of the strain showing.

6. Kodachrome (episode 7)

I know episode 7 is not one of your personal favorites, but it’s the one where I think jumping between multiple plotlines/sets of characters is used to the most satisfying dramatic effect. It has this sense of dramatic irony that feels like some Shakespearean family tragedy. The whole episode, we are hoping that Paul Jr. will finally do the thing we want him to do, which is stand up to his father. And he does it--but at the absolute worst, most selfish and destructive moment possible.

Paul Jr. may be the literal worst, but I do have compassion for him in the flashbacks, mostly because it seems painfully apparent that no matter what he does, he will never be able to please his father. But he doesn’t seem to realize this, and he keeps trying, even as it’s destroying him and his relationship with his family. Credit to Michael Esper for his performance for making me feel a smidgen of compassion for this bastard.

I think the other thing this episode shows is how both of Paul’s parents keep putting him, a child, into roles and circumstances that he shouldn’t really be in. He’s wandering around through what seem like very much adult environments with his dad and Talitha in Morocco. In the Trust version of events he’s there when Talitha ODs and is the one trying to revive her while his dad is having a breakdown in the corner. Gail seems like the more responsible parent but there’s something about her bringing Paul as her “date” on a night out, and the understanding that this is a thing that happens regularly...to me the disturbing part is not so much bringing a young kid to a party with adults but the unspoken expectation that Little Paul will fill the void of companionship that his father has left empty. (Gettys expecting Little Paul to step in to cover for the failings of his father is a repeated theme, and it even plays into the ear thing. His family has failed to pay the ransom, so this is now a problem he has to solve himself.) Combine this all with Leonardo going, um, excuse me but what the actual fuck is wrong with your family? and I think it makes a very effective episode. And the last couple minutes had me yelling NOOOOOOOO GODDAMMIT because you can see what’s going to happen and you’re just watching it unfolding like a car wreck. Also has one of my hands-down favorite scenes, of Paul and Primo in the car waiting for the ransom.

5. White Car in a Snowstorm (episode 9)

The ~ D R A M A !!! ~ This episode is an opera. I mean this whole show is dramatique but episode 9 really leans into the vivid imagery--that snowy highway in the mountains above the sea, the all-white ransom exchange, Paul clinging to the pole at the shuttered Getty gas station, some Very Serious Mobsters throwing the ransom money around like idiots in a moment where you’re encouraged to be happy along with them.

This is also one of my favorite episodes for Primo and for Primo and Paul’s weird sometimes-alliance. Primo walking away from Salvatore to go tell Paul “they always pay in the end”? Primo and Paul teaming up to argue with Salvatore about why Paul shouldn’t die? Primo being all threateny to the doctor treating Paul because somewhere deep down he is worried (that’s my take and you’ll never convince me otherwise)? Primo dressing up to fake-scab on a postal strike in order to find a misplaced severed ear? All gold.

Fun fact: the letter Gail writes to President Nixon did happen in real life, but as far as I can tell the phone call did not. The real details of who convinced Old Paul to finally pay (some) of the ransom are considerably less cinematic. They’re the same amount of sexist though!

Ok now we are getting to the top tier...

4. That’s All Folks! (episode 4)

This is definitely the episode that took me from “ok this is fun” to “oh holy shit I’m invested now.” It’s the episode where we get introduced to most of the Calabrian characters and their world. It’s also the episode where we start to realize that Primo is not just a fun antagonist but is really a parallel protagonist to Little Paul, with his own set of relationships and motivations that we start to see from his POV. (I’d argue that, with the exception of his very first scene, we’ve mostly seen Primo through other characters’ gaze up until episode 4, and this is the point where we start watching him as like, the character whose pursuit of a goal we’re following over the course of the scene.)

This episode ranks high for capturing so much of the weird mix of tones that makes Trust work. It can be very funny. (I never fail to fuckin lose it when Fifty is on the phone with Gail the first time and when he’s talking to the thoroughly unimpressed newspaper switchboard operator.) It has this weird unexpected intimacy between characters you wouldn’t think would connect with each other. (Primo and Paul, Paul and Angelo; in retrospect the arc of the relationship between Primo and Leo gets started in that scene in Salvatore’s kitchen.) And it has one of the show’s absolute best record-scratch tone shifts when Primo gets the ransom offer. I remember saying “oh FUCK” out loud the first time I watched the end of that episode, when Primo comes back to the house, visibly drunk and clearly furious. We’ve seen him be violent plenty before now in the show, but always in a controlled, calculated way. This is the first time we see his potential for out-of-control rage-fueled violence and he’s terrifying!

3. La Dolce Vita (episode 3)

I stand by my claim that this episode (with a few minor continuity adjustments) should have been the pilot. Can you imagine a title card that’s like “Rome 1973” and then away we go with Paul snorting coke and taking racy photos and jumping on cops and fucking his girlfriend in what is definitely not proper museum etiquette, and then the smash cut to Primo intimidating and robbing and murdering people? And that’s the opening of the whole show? And you’re like how are these characters connected and then they meet each other and it’s the fucking sunflower field scene??

Anyway aside from the fact that I think knowing the information in this episode would have made episodes 1 and 2 more interesting...it’s just a great fucking episode. It’s kinetic and propulsive and funny and tense and violent and features Primo’s sniper skills and his ass in those cornflower blue trousers. I rest my case.

2. Silenzio (episode 5)

I’ll be honest, I went back and forth on the top two a bunch. Silenzio is definitely my personal favorite episode, and I’d argue that it’s the best written, in terms of what it accomplishes narratively, which is to keep you emotionally invested in both Paul and Angelo trying to escape with their lives, and Primo and Leonardo hunting them down. That’s so fucking hard!! And yes some of it is great acting but it starts from the foundation of the writing. It’s just such a perfect little self-contained horror movie, and it has this profound sense of fatalism to it, because you know from the beginning (if only by virtue of only being halfway through the series) that Paul is not going to escape, and you sort of know that there is only one way this will end for Angelo. And yet they escape by the skin of their teeth so! many! times!

It’s also the episode where you see how much power the ‘Ndrangheta has over people’s lives in this community: Salvatore is like God, calling his servants to him with the church bells. Combine that with the visuals of two characters running for their lives mostly on foot through this unforgiving landscape, and you really get the sense of this environment as a harsh place where most people have a very constrained set of choices, and the claustrophobia of that. You get the sense in this episode that everyone is trapped in these expectations of violence and duty and honor. Angelo did what anyone with compassion would do, and saved Paul from what seemed like certain death, and he’s doomed for it. At the same time Primo is doing exactly what anyone would expect him to do in response to a subordinate who disobeyed him. In some ways the end of the episode feels inevitable, unsurprising, and yet they do SUCH a good job of winding up the tension until the literal last seconds of the episode, and then releasing it with a big dramatic bang. It’s so good!!

1. In the Name of the Father (episode 8)

Ok I’ll be honest the ONLY reason In the Name of the Father edged out Silenzio for the top spot is that it is really clear they pulled out all the stops in terms of making this episode feel extra heightened in a show where everything is already heightened. Like, the cinematography is different? They still use handheld a lot but I swear there are more still shots and more extreme, editorial camera angles like that shot of Francesco looking upward in church where the camera is looking down from above him. I can’t tell if they actually tweaked the color grading or if the bright white and blood red just stand out against the Calabrian color palette which is mostly earth tones, browns and greens and blues.

There are just. So many layers to this episode. The imagery! The literal sacrificial lamb at the beginning, Francesco being guided by Leonardo through an act of violence against an animal, something that I’m sure they don’t even see as violence but just part of farm life, part of survival and in this case part of a celebration, but something that fathers teach their sons how to do as part of becoming a man in this world. Paul as the metaphorical sacrificial lamb later, drawing parallels to Jesus (the lamb of God), Isaac (a father sacrificing his son), any number of martyred saints, pick your Catholic imagery. The blood of the lamb on the tree stump and Paul’s blood on the stone. The communion wafer (the body and blood of Christ) and Francesco at the end with Paul’s blood and a literal piece of his body held in his hands the same way.

And then there is like, the suspense of watching everyone marking time through the steps of this community ritual that’s supposed to be a joyful, communal celebration, while we know that there is a secret ticking away under the surface. The slow unfolding of the lie told to one person spreading to everyone in the village, and then the knowledge that Salvatore knows spreading to all the people who’ll be in trouble for that. The relationship arcs between the main Calabrian characters...not resolving, but sliding into place for the final act. Primo finally being done with Salvatore. Primo and Leo’s alliance being cemented and Leo physically stepping between Primo and Salvatore, to protect Primo. (No one ever protects Primo!! Still not over it!!!!) The confirmation celebration as a mirror of the Getty party in episode 1, the parallels drawn between the 3 Pauls and Salvatore-Primo-Francesco and how Primo reacts to being passed over as heir vs. how Paul Jr. reacts. Little Paul having two whole minutes of screen time and managing to break your heart with them. Regina! Just...Regina’s whole everything. The music going all-instrumental for an episode and having this haunting, dreamlike but still tense quality to it. And the fact that we never cut away from Calabria to another plotline gives the whole episode this hypnotic, all-encompassing quality. It’s just. SO GOOD!!!!

#fadagaski #asks answered #trust fx #long post #so so long omg #i can't believe how long i spent writing this but HERE IT IS #trust alternate watch order

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lazywonderlvnd · 4 years

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happy halloween friends!! here’s some halloweenie smut 👻🎃👅

rating: e word count: 1,300

The Choker

Draco, fixing a dangling, glittering black spider to his ear, takes one look at the telly and rolls his eyes (which are decorated immaculately with winged liner). Harry, on the sofa, feet propped on the coffee table, smirks.

“You’re not even dressed,” says Draco. He’s still wearing his sweats and a loose T-shirt (cropped, showing off his navel and the tantalising line of his hips leading below the trousers, which always makes Harry feel distinctly weak and useless and horny); the skimpy outfit is the last thing he’ll put on before they leave in a few hours. Harry isn’t usually the world’s biggest fan of clubs like the one they’re going to, but being that it’s Halloween and Draco’s dressing like some kind of sexy slutty witch looking to get fucked in a shadowy corner, he’s willing to make the sacrifice tonight.

“I, unlike you,” says Harry, “don’t need six hours to get ready.”

“Which is why I, unlike you,” Draco returns with a drawl, “am going to look incredible. Hope you won’t feel too sad when I go off with some hot vampire thirsting after my blood. And arse,” he adds, like an afterthought. Harry laughs, grabs Draco’s elbow, and tugs him down onto the sofa beside him. Draco lets out a soft, indignant squawk that for some reason makes Harry unreasonably hard.

“I’ll deal with my raging jealousy later,” he says.

Draco is also wearing a choker — a neat, black velvet circle around his pale throat — and this more than any other part of the costume is what Harry’s looking forward to. Draco doesn’t wear them often; it’s tragic at the same time that it’s exactly what it needs to be. As much as he would have liked to see that slim, inviting band around Draco’s throat every single day, he enjoys the thrill of it in these arbitrary bursts.

For now, he presses a delicate kiss just above it on the side of Draco’s neck and feels him shiver. The dangling spider earring caresses his cheek with its tiny metallic legs.

“We have to watch this last film,” he says. His lips move on Draco’s skin as he says it and his bottom lip brushes the velvet. His libido stirs, his cock twitching. “Make it an even thirty-one.”

“Thirty-one isn’t even, halfwit.”

Harry laughs and takes the velvet between his teeth, and he’s satisfied to feel Draco swallow and make a tiny, breathy, mewling noise in his throat.

“You know what I mean,” he says. He pulls away and touches his lips to Draco’s soft cheek. Draco pouts but the flush on his skin gives him away. “We’ve watched one every night this month. Can’t miss out on Halloween itself.”

“We can when we have a party to go to.”

“Nope.” He takes the remote and starts the movie, and with a snap turns off his Muggle electrics and lights the candles instead. They decorate surfaces around the room in strategic clusters, a gorgeously intimate aesthetic Draco designed carefully. “I saved one of my favourites for last. You’re not getting out of this, we don’t have to leave for hours.”

Draco pouts. He won’t admit it but he’s very affected by horror movies; usually while they’re watching his nails end up digging into Harry’s arm and then he conspicuously requires more cuddling later on when they’re going to sleep. For eleven months out of the year Harry takes mercy on him and gets his horror fix by watching them with Ron and Hermione, but October is different. It’s the third year in a row he’d put together a marathon for the two of them and yet again Draco had complied, even when it meant he hid under a blanket for the last half hour.

“Does ‘one of your favourites’ mean it’s especially horrific?”

“No,” Harry laughs, “it’s really not that scary, I promise. Just a bit gory. I mean, it’s kind of funny, actually.”

“Harry, you told me Texas Chainsaw Massacre was funny!”

“Well, it is!”

Draco huffs loudly but quits arguing. In his defence, Harry really does think Texas Chainsaw Massacre is a hilarious film, but he supposes he can see why Draco might not share that opinion seeing as it’s not supposed to be a funny movie.

“This one is deliberately a comedy,” he assures him, as the familiar theme of Re-Animator plays and the credits roll across neon diagrams. And, just to be cheeky: “Don’t be scared, kitten.”

Draco elbows him and Harry laughs again.

He feels Draco relaxing incrementally beside him as the film progresses through the first fifteen and then twenty minutes and nothing too horrible has happened, and he even fancies Draco might be engaged. Usually Harry would love to see this, but right now he finds himself unable to stop thinking about the choker. It’s as Herbert West begins explaining the dead cat in his freezer that Harry gives into his libido and attaches his mouth to Draco’s neck again.

Draco, who really had been absorbed in the film apparently, lets out a soft gasp that makes Harry painfully hard for him. He takes the choker between his teeth again and now Draco actually whines, shoving at Harry lightly.

“Will you stop, I’m actually enjoying this one.”

“Mm,” Harry hums against his throat, and he slides a hand over Draco’s thigh, squeezing. “I’m glad to hear it. Don’t mind me.”

He nips at Draco’s pulse point and Draco whines again.

“You do remember this film was your idea?”

Instead of answering, Harry slides his hand over Draco’s cock, hard and leaking a wet spot against his sweats. He thumbs the head and feels Draco shudder against him, another delicate sound coming out of his throat. Harry runs his nose along the velvet, breathing hot against Draco’s skin.

“Harry,” he whines.

“Yes, love?”

Draco doesn’t answer. His eyes have closed and his head is tipped back against the sofa, baring his decorated throat. Harry latches onto it and snakes his hand beneath Draco’s sweats to wrap a hand around his hard cock. Draco bucks into his grip and whines.

“You look so good in these,” Harry says, as his other hand creeps around to the back of Draco’s neck and tugs lightly at the choker, pulling it taut against his Adam’s apple. Draco’s hand, which is clutching Harry’s knee, clenches.

“You’re a fucking deviant,” Draco informs him. Harry laughs against his neck and tightens his grip, wandlessly adding lube to the equation and making his strokes longer, teasing him and drawing him helplessly towards the edge. He mouths wetly along the skin above and below the velvet, then noses it out of the way and presses his tongue to the warm skin. He tugs at the back again, more tightly this time, and that finally does it. Draco whimpers and then gasps and then comes all over Harry’s hand. Harry works him through it, moving his lips lazily along Draco’s flushed throat, ignoring his own aching arousal.

Finally, too sensitive, Draco pushes Harry’s hand away and throws an arm across his face, burning a hectic, vital red.

“My makeup is probably ruined,” he says after a minute. Harry snorts and rolls his eyes and pulls Draco’s arm away so he can kiss him properly.

“You’ve plenty of time to redo it to perfection.”

“What about you?” he asks, indicating the hard bulge in Harry’s jeans.

“I’m gonna fuck you about a million times later tonight, don’t worry about me.”

Draco scoffs but looks distinctly pleased.

“Fine. D’you mind if we finish this fucking film, then?”

“Does that mean you like it?”

“From what I’ve been allowed to actually watch, yes.”

Harry grins. He grabs for his wand to spell them clean and then pulls Draco into his side, firmly of the opinion that Halloween is the superior holiday.

#anna writes #happy halloween 👻🎃

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enn-tea · 3 years

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When I was younger, I used to play otome games, which were and continue to be hilarious for their absurdity e.g. getting transported back to the Warring States period and romancing Oda Nobunaga et al. I’d play these with my friends because of the bad storylines, and frankly questionable love interests and we’d spend all our time literally breaking down how bad these stories were, like jfc please actually do something, protagonist. Also in no way feel obligated to read this because this is just...word vomit for my own personal reference haha. Honestly don’t read this. Maybe one day I’ll turn this into some kind of actual essay about the impact on these games on wider culture or something (after I write about why romance in AOT is fine and everyone’s just reading it wrong and actually Isayama is peak romance writer and should write a massive Mills & Boon franchise around uh...some characters). But anyway.

However, amongst all of these was probably the game with the most generic concept was Wizardess Heart, which was this magic school which the protagonist attended. Over the course of two weeks, she would have to be partnered up with a “buddy” and they would help each other with their magic (they also fell in love over these two weeks LOL and quite honestly her best romantic choice was her roommate, which was never an option :( She was, for a while also the only other female character in the school who actually had a personality).

Anyway, the point is - the setting was clearly a riff on certain franchises, the whole system was super basic...but. These stories had no right to be as good as they were. Or perhaps they had every right. Because from the ones I played, they were...genuinely really interesting. Each storyline was a season, and there were three romanceable characters, who all had their own individual plotlines but...tied into one coherent plot, as either a protagonist or an antagonist, which I still find - kind of revolutionary for an otome game haha (I’m not counting Mystic Messenger bc I actually enjoyed getting to set up a bakery and cult investigation).

But honestly? These were within the universe, believable but also super crazy stories. I only ever played two “seasons” fully, because of the ticket mechanic, but the second one has literally stayed with me in terms of really interesting perspective, and the characters themselves because if the first season was mildly crazy, season two was insane and focused on these three characters: Klaus Goldstein (...no comment lmao, I do hate how he’s the figurehead of the game), Serge Durandal (the best character tbh) and Azusa Kuze (a piece of shit and not in a good way, what are the messages this game is telling us). Each season had a mystery as a premise, and the second one was about mysterious animal deaths occurring around the school.

I don’t think I’ll ever really be able to explain Wizardess Heart comprehensively, but the personal lives of these characters? Was crazy. I loved they all had cameos in each other’s storylines and were so tightly linked. Like you have Klaus who does actually have the least interesting plotline, but a shared tragic backstory with Serge (more on that later, because this is literally peak melodrama lmao). You have Azusa who comes from fantasy Japan in that universe, which has been overrun by nature spirits who are taking over because they think humans are overstepping their boundaries, and Azusa has signed a deal with one of them to bring back his dead brother, and in fact is being manipulated by visions of said brother (and even with that in context, he’s still actual trash for other reasons, and I can’t believe the happy end for his route is to get married and have kids with him EW).

My favourite character in this however was Serge Durandal who is also a premium shit-stirrer but never super maliciously haha (apparently I have a favourite character archetype I’m a fan of). Even now he’s literally the best character because he’s such a passive aggressive individual to Klaus (who deserves it). But their shared backstory cracks me up, is kind of sad and ridiculously absurd because they’re both so fixated on the past. I also personally find his storyline interesting from a character progression viewpoint, because he’s the main character’s idol when she starts at the school, but has mysteriously disappeared.

So basically in Klaus’ storyline, he always references this dead friend he’s hung up over (although the “friend” part is debatable maybe haha) and you help him investigate the dead pigeons. Ofc you then find out that polite, charming Azusa is the antagonist of the season and you have to play through the next routes in order to get a better picture of this. But throughout Klaus’ route, this character called Randy March (unfortunate name lmao) keeps on popping up. He’s funny, doesn’t treat the main character as inconvenience (best friend goals right there) but what’s more interesting is how he’s never in the same room as Klaus; as soon as he hears that he’s approaching, he just...disappears. And this continues for the whole of the story until the end, when they finally meet each other face to face, and Klaus reacts badly. Not quite in an upset way, more shocked - but it’s clear that they have a History.

So - cue “Randy’s” route. He is the same as he is in Klaus’ route, and still dodges bumping into Klaus, but then - then, they bump into each other far earlier in his route (one thing I do like about these stories is how the main character does actually have some impact on the plot. It all follows the same storyline, with the same conclusion, but they do diverge because the character happens to interact with different characters and some things can’t happen if she isn’t there for it). Leading up to this, Randy has been very cagey about being the main character’s “buddy” and insists he already has one, and he really, really gets awkward when the main character states that she really idolises Serge Durandal (who in this is like, IDK good at animal magic like the main character).

And then, my god, the reveal. The fact that Randy March is not, in fact, Randy March, but Serge Durandal (which honestly is such a cool name comparatively lol, I named all my other otome protagonists Serge Durandal). And that Randy March, is in fact, the dead friend of Klaus who Serge has been impersonating for literal years. On top of this? Serge was also a best friend of Randy, who was his “buddy” and leading up to Randy’s death, he and Klaus were involved in a rivalry over his friendship (and I’m not joking I do actually think this was some kind of unvoiced love triangle, because both Serge and Klaus genuinely say that they’re attracted to the main character because she reminds them of Randy, they need to get over this before they can actually engage in a romantic relationship with anyone else kthx. Also at some point, Serge actually says he loved Randy in a way that really can’t be construed as entirely platonic, and the main character says it as well, and considering her personality and the way she interprets things, when she says love - she definitely means romantically).

Klaus holds Serge responsible for Randy’s death, as the two were working on a project together which led directly to it. His first reaction on ever hearing Serge’s name is “the murderer” which continues all the way up until the end of the story when they resolve their character arcs (also incredibly satisfying).

Apparently the reason behind Serge impersonating his dead friend is because he felt so guilty and so ashamed and willingly accepted the blame that Klaus placed on him, he felt that if he became Randy, it would basically be like letting his friend experience the life he didn’t get to have, and he’s spent years searching for a cure to revive him. This has taken him to Hinomoto, where he’s become friends with Azusa (drawing him into the storyline) and back to the main setting of Gedonelune. Side note, Azusa, I’m not going to even go into your character because you’re such a piece of shit and I only played through your storyline because I felt compelled to get the full picture.

Ofc, this all links to the main plot - because at this time of year, there’s a whole thing related to a unicorn appearing in the nearby forest. This is a unicorn who has struck a deal with Serge years prior to the main storyline who is Serge’s last hope of reviving Randy, and Azusa finds out about this and wants to bring his brother back etc. and this all culminates in a massive showdown.

Intense.

Anyway, at the end of this, peace returns etc. and there’s a sequel I haven’t actually played but you know what’s perfect about the ending? Serge ends up staying on as a prefect - the same role as Klaus and they have to share a room. I cannot describe how funny their interactions are for the rest of the story and the other storylines they have to live together.

I’m not entirely sure what the point of this was, apart from an exercise in pinning down precisely what I liked about this story but - it’s certainly one that’s stuck with me through a LOT of otome haha.

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moiloru · 3 years

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About the so-called "Third-Case Syndrome"

I've been in the Ace Attorney fandom for a few years now, and there is a story I've heard more times than I can count: the story of the "Third-Case Syndrome." After joining the Danganronpa fandom, I realized - not without surprise - that a similar "Third-Chapter Syndrome" had admittedly cursed the series. However, I do believe that, in both cases, it would be wise to exert caution: things are never as simple as they seem. Now, even if this seems evident to me, I'll say it just to be sure: this is only my opinion. You might disagree, but please do not be toxic about it.

Before we proceed, I'd also like to warn you all: spoilers ahead for the entire Danganronpa and Ace Attorney series (even the Investigations and DGS games). Now, let's begin.

Ace Attorney:

AA1 - Turnabout Samurai:

To start off, we have 1-3. I agree with most of the fandom that it is slightly too long and the investigation segments drag out. Going from Studio One to Studio Two, to the Detention Center, etc. is quickly boring. However, its cast is solid (especially Powers and Oldbag), Dee Vasquez's motive (self-defense) is original, the Steel Samurai's theme slaps, and Edgeworth gets the first bit of his character development! I believe it outweights the negative aspects of the case and make it enjoyable. I believe it is far better than 1-1 and 1-2 (with its obvious twists and rushed ending), although it doesn't compare with 1-4 and 1-5, of course. But it's definitely not the case that people point the finger out when arguing about the "curse."

JfA - Turnabout Big Top:

I'll definitely be playing Devil's advocate on that one, but I like 2-3. Of course, the whole "love triangle" thing was shit, but the rest of the case was fine! Regina sucks, that I can agree with, but Moe was funny (in my opinion), Max got some quality character development in the end, Ben & Trilo were a nice duo, and Acro... Acro is one of the best culprits in the series, hands down. His theme is amazing and he is one of the most tragic characters in the series. Knowing that he unknowingly killed the person who had helped him is just sad, and his motive for trying to kill Regina, while not excusable, is understable. Losing the two people he was closest to, and him explaining that he couldn't "up and leave" (literally, too) before Bat had woken up was just sad. Also, while 2-3 isn't amazing like 2-4 (my favorite case) is, it's miles ahead of 2-1 (which objectively sucks) and 2-2 (which lasts for hours with an annoying and predictable culprit). Besides, the plot twist at the end with Edgeworth appearing sets the tone for the upcoming final case. In my opinion, Turnabout Big Top gets some undeserved hate.

T&T - Recipe for Turnabout:

3-3 is really good, no questions asked. The mere fact that it's better than 3-2 (predictable culprit, forgettable victim...) is obvious to me. But it also features the return of Maggey, and the first (and only) appearance of amazingly comical characters like Furio Tigre and Victor Kudo (who both have amazing theme songs). The victim might be a little forgettable, but he at least gets some development, unlike Bullard in The Stolen Turnabout. Of course, Tigre is obvious as the killer, but he's meant to be this way, and the way you corner him is amazing. The reveal that Godot can't see red on white matters in 3-5, and the case is hilarious. Special mention of Viola Cadaverini, who's underrated by the fandom, in my opinion. 3-3 is probably the strongest third case in the Trilogy, and it is definitely not the worst case in T&T.

AJ - Turnabout Serenade:

Okay, this case sucks. I dislike it very much and I can't find anything that would redeem it. The victim is boring, Daryan is obvious, Valant isn't good enough, the mini-game is tedious, and the "Phoenix saves the day" thing is repetitive. However, 4-3's biggest flaw is the defendant, Machi Tobaye. Lamiroir is an enjoyable character, and the plot twist surrounding her eyesight isn't bad, but it doesn't make Machi good enough not to ruin the case. This case is the weak point of a great game, but fortunately, 4-4 more than makes up for it.

DD - Turnabout Academy:

Dual Destinies is my least favorite game in the main series, but it has some solid cases, 5-3 being one of them. The trio of Juniper, Robin, and Hugh is amazing (even if the twist around Robin was pretty obvious), the WAA trio works very well, and we even get a chance to see Klavier again (his objection clip sucks, though)! It is definitely a strong case, even if Means was a bit obvious, and while it doesn't hold up to the great ending of DD, I do believe that 5-3 is better than 5-1, 5-2, and maybe even 5-4.

SoJ - The Rite of Turnabout:

Maya's comeback makes this case good, albeit not great. It is better than 6-1 for sure (drags on too much for a tutorial case) and probably 6-4 and 6-6, but it pales compared to 6-2 and 6-5, of course. Nayhuta is the weak point of 6-3, but everything else about this case is pretty good! The "new" Maya is a right balance of her former self with some more maturity, Datz is funny, Beh'leeb Inmee was a really emotional character, and while I don't like Tahrust too much, the plot twist around his death was pretty cool. Also, this case also makes it clear why Phoenix did what he did in 6-5 when Inga blackmailed him: he can't lose Maya. It could have been better, but this case is solid, and definitely not part of a "curse" of any kind.

AAI - The Kidnapped Turnabout:

Unfortunately, AAI kinda sucks. The first three cases aren't that good, and while I1-3 is probably better than I1-1, I'll admit it's terrible. It's long, the Amanos sucks, Lauren Paups isn't that great, and if it wasn't for Kay, the case would probably be the worst in the series.

AAI2 - The Inherited Turnabout:

Is there anything bad to say about I2-3? I mean, you play as Gregory freaking Edgeworth, so what more do you want? Ah, yes, it also has DL-6 development, the exceptional Katherine Hall and Jeffrey Masters, plot twists, flashbacks done right (!), and while the villain isn't great, he is satisfying to catch, and he matters in I2-5. Honestly, this case would probably be enough to prove my whole argument.

DGS1 - The Adventure of the Runaway Room:

After a somewhat disappointing second case (in my opinion), DGS1-3 is really good! Megundal (I'll use the names from the fan translation, since I'm used to them and like them better) is quite the interesting character, and the Engarde-like plot twist surrounding him is amazing. His death in the final cutscene is also good and ties in nicely with the final case. Ryunosuke's first trial in England gives him cool development, and damn it, Barok van Zieks! His legslam, glass throw, and objection clip suffice to make him an amazing character, and there's more to him that just that. This case is better than DGS1-2, DGS1-1, and maybe even DGS1-4 if you don't consider its link to DGS2.

DGS2 - The Return of the Great Departed Soul:

While not as good as the two following cases in my opinion, this case is definitely above-average. Gina's comeback is just great, and her new mentor-protégé relationship with Gregson is nothing short of wholesome. Enoch Drebbler is one of the best culprits in the duology, and Courtney Sithe's character is very good, too. She gives a confident vibe that really serves the case. Benjamin Dobinbough (because his canon English name is one I refuse to acknowledge) is a great clueless defendant, and his relationship to Barok is quite nice! It definitely makes the case trickier! Rozaic has a really mysterious and enjoyable atmosphere surrounding her, and finding Herlock standing like statue at the wax museum was amusing. Of course, the best thing about this case is Asogi's return. It is handled well by the game that doesn't try to cover the obvious plot twist.. The final cutscene is just *smooch*. I also can't forget the Joint Reasoning with Herlock when looking for Enoch. Again, this case is definitely not part of a "curse" of any kind.

Overall thoughts:

I don't think the Third-Case Syndrome holds for Ace Attorney. Some third cases weren't good (4-3 and I1-3) but most are either good (1-3, 3-3, 5-3, DGS1-3) or excellent (I2-3 and DGS2-3). I know Turnabout Big Top traumatized most of the fandom, but I don't think it's that bad, and definitely not bad enough to start a curse revolving around third cases.

Danganronpa:

Trigger Happy Havoc:

Chapter Three of THH is... good enough. The pointless argument between Taka and Hifumi is annoying, to be sure, and Celeste did us a favor by getting rid of them. And her plan wasn't bad, either! It could have worked if Makoto and Kyoko had not been there. However, I do believe that this chapter is too boring before the first murder. The motive is also... meh. The plot twist oh Hifumi waking up and remembering Celeste's true name was enjoyable, though. 1-3 isn't amazing by any means, but I think it's better than 1-5 and 1-6, but it stands no chance against 1-2 and 1-4.

Goodbye Despair:

Well, this one sucks. I think it's the only DR chapter that literally has a plot hole. The "Despair Syndrome" motive is probably the worse in the series and this case pretty much ruined Mikan's character. Her execution is lame, Ibuki shouldn't have been a victim (seriously, why?), the culprit is obvious, and the timeframe to execute her plot doesn't work if you aren't Sonic the Hedgehog. Also... that attempt at fanservice was cringe, and it almost killed Hajime. The only thing that redeems this chapter a bit is the name "Titty Typhoon" but that's it. This one definitely alimented the "curse," and rightfully so. In-between two great cases, 2-3 doesn't make a good impression.

Killing Harmony:

3-3 is a chapter I have mixed feelings about. On the one hand, the atmosphere was excellent and fitting of the killer, and Kokichi's prank had us all freak out at first. I don't like neither Angie nor Kiyo (sorry, Kiyo fans), but somehow, it didn't make the chapter worse for me. On the other hand, the Necronomicon motive sucks almost as much as the motive in 2-3. It could have worked in DR2 considering the Killing Game happened virtually, but in V3, the motive was just an outright lie from Monokuma, so it doesn't work. Also, Kiyo was a bit too obvious: the music, the theme, his sudden importance in the plot, the séance... it was just a bit too much not to make him suspicious. Finally, this chapter's major flaw, which I can sum up in one word: sister. That, was traumatizing. Without even going in details, everything that happened after Kiyo's "sister" appeared during the Class Trial ruined it. I'm also curious to know if the writers at Spike Chunsoft are mentally stable, considering Kiyo's relationship with his sister and the fact that they ship Monotaro and his sister Monophanie in the next case. It's not a bad chapter at all, but it has its flaws, unfortunately.

Overall thoughts:

While I wouldn't call it a "curse," it's true that third cases in Danganronpa aren't amazing, especially in DR2. You'll also notice that I didn't mention UDG simply because it's too different a game to be compared to THH, DR2, and V3. If we ever get another Killing Game, I hope that the third chapter will be better, because we've yet to have an awesome Chapter Three so far.

Final thoughts:

I don't believe there are curses revolving around third cases/chapters, neither in Ace Attorney, nor in Danganronpa. However, it's true that in the case of Danganronpa, on average, third cases are the weakest, while Chapters Four and Five are almost always great. Third cases in Ace Attorney definitely get an unfair treatement, though.

Thanks for reading, and I'm open to discussing all of this if you disagree!

#ace attorney #danganronpa #headcanons #ace attorney spoilers #danganronpa spoilers #dai gyakuten saiban spoilers #the great ace attorney spoilers #ask if you want something tagged and I'll add it

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thecrazyanimegirl · 4 years

Text

Spring anime 2020

There was really a small amount of stuff we watched this seasons alongside continuations like kaguya sama, furuba or ascendance of a bookworm. A somehow empty season, but still, have what we watched and our thoughts (a mostly personal review).

{ Winter ‘18 } { Spring ‘18 } { Summer ‘18 } { Fall ‘18 } { Winter ‘19 } { Spring ‘19 } { Summer ‘19 } { Fall ‘19 } { Winter ‘20 }

Arte

It’s about a girl who wants to be an artist in a time that doesn’t accept female artists. She is determined, hard working and cheerful, so it’s a good show if you need to relax and catch some good feelings, but it’s not really a must see story or anything.

BNA (Brand New Animal)

A true gem this season! Not a totally furry anime like Beastars, but if you watched it and also love Trigger’s animation style, this one is for you. BNA tells the story about two species, beasts that live in Animacity and humans who don’t like them that much. The story has the perfect pace and leaves you on the edge of your chair after each episode, also every character has a good backstory and development. Akidearest said that it is really predictable, and even though that’s mostly true, the progress of the story is satisfying and the characters make up for the predictability.

Gleipnir

Looked cool, sounded cool but the overall experience is kinda... meh? The premise and plot idea are really good and the possible plot twists are also promising but it just leaves you thirsty for something else/more. The fights are okay-ish but tend to go really badly animated (one fight is an exception). The music is pretty good and has that dark vibe (kinda like Future Diaries) but there just isn’t anything going on that makes you shiver, tense or worry for the characters while you watch. We found some comments that imply that the manga is way better so it would be maybe wiser to try that instead.

Great Pretender

This one came as a nice surprise at the end of this season. An original anime made by Wit Studio centers around con artists and their ventures around the world. The engaging plot has a nice pace and makes you guess what is going to happen next, although it gets kinda predictable. It has action, humor, semi tragic backstories, drugs and races. The animation and music are really beautiful and an additional plus goes to the cats in the ending song. All in all, I would recommend it to anyone who searches for something fresh.

Kakushigoto

When I first read the synopsis where a gag ero mangaka tries to hide his job from his daughter, I was skeptical I have to admit, and expected inappropriate jokes and such. But it really proved me wrong! And ended up being this sweetest softest story! It’s not plot heavy, but the character interactions are filled with emotions, it even brought tears to my eyes and the whole overall feeling is soft and loving! Definitely would recommend if you want some warm family atmosphere, but also have a laugh ^^

My Next Life as a Villainess

Mc dies and is born again into the last otome that she played but as the villain character, the main rival girl, and she tries to improve her relationship with the characters to avoid her doom. Don’t expect too deep of a story since she will REALLY easily convince and befriend everyone without any hurdles. Exactly what you’d expect, it’s not going to blow you off your feet, especially plot wise, but the story is well executed, the humor is on point and the characters are typically good. If you like this type of stories or just want to relax, this one is pretty well done ~

Sing Yesterday for Me

Not really my type of plot, too much awkwardness and drama, but I just really had to finish it haha I found it somehow fascinating how many edges a love polygon can have and how many unrequited loves they could fit in one anime. But if you love a slow paced romance type of story, that focuses more on each persons view and their struggles as they learn to love, flirt but also how to move on, you might like it.

Tower of God

Yes, the favorite of the season! A really good webcomic turned into an anime! If you haven’t heard about it already, go watch it, or better yet read it. The characters, even though they are numerous, are lovable and interesting, the plot builds well (especially in the later chapters of the webtoon, the first season of the anime is basically just the prologue). I’ve seen a lot of bad comments about the execution of the anime, but somehow I’m just really happy it even got animated and got such good voice actors! Yes, some scenes were done differently, and some scenes were cut that were important, but there’s no way to animate absolutely every scene, and they stuck to the story pretty well. The music was also good, the opening and ending are done by a korean band, Stray Kids, which means that it doesn’t have the typical shounen anime feel to it, but it’s still great ^^ A good anime and an even better webtoon!

Wave, Listen to Me!

A woman starts working as a radio host after a bad relationship. I know, I know, it doesn’t sound great and probably a lot of people will skip this instantly, just like the other two mods of this blog, BUT! I really enjoyed it. It was somehow refreshing actually having an adult main character, not only kids and teens. Maybe it’s not plot heavy, but there are a lot of relatable or hilarious scenes. Also the voice actors did a really good job I think. The story is basically based on her monologues that get pretty lengthy. I know that the first episode I was like, wow that woman can talk! Well, it’s up to you whether you want to give it a shot, but if you need something a bit different, try it.

Looking forward to in the next season because they got moved from this one: Appare Ranman (an engineer and a samurai accidentally end up in america and decide to join the cross country car race haha, the visuals are cool so far, the story and pacing is okay, not something that blew us off our feet, but it’s funny and seems promising), The Millionaire Detective (ooh definitely looking forward to this one! James Bond and the local cop save the day, or something like that, the story isn’t groundbreaking, but it makes up with humor and characters so far), RE:ZERO it’s been yearssss

Some donghua’s that we ran into: All Saints Street (very shot, but is actually great, funny and cute, has the same vibe as Non-human/Fei Ren Zai, that one was also awesome), Antidote (shounen ai with a gangster and a sheltered rich boy, also there’s a cat, so far - cute)

Dropped: Woodpecker Detective's Office (we’ll never find out who the killer is), Bungou to Alchemist: Shinpan no Haguruma (its cool that is has japanese writers, but the story wasn’t that engrossing), Listeners (sorry mappa)

#spring anime 2019 #anime review #tower of god #arte #brand new animal #gleipnir #kakushigoto #my next life as a villainess #sing yesterday for me #wave listen to me!

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filmmakingismylife16 · 3 years

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hey!! thoughts on the cobra kai female characters? sam, tory, aisha, amanda, carmen, you get it lmao

hi thank you so much for sending an ask i love your blog so much!!! ok this is a good one let’s go:

sam- i actually like sam. i think she’s super strong and an important character for young girls to see on screen. however, i do believe that her parents need to stop invalidating her feelings whenever she tells them she feels like something’s her fault because while she’s not entirely the cause, she usually did play a part in whatever bad thing happened. but that’s not to say she was the only one. she didn’t kiss the air. i also do wish she would have told robby about the kiss when he confessed about the metal but i can also forgive her inaction though because she’s supposed to be a 16 year old and 16 year olds make dumb decisions.

tory- ok so i also like tory. i loved how quickly she became friends with aisha in season 2 and how immediately badass she was in her initial fight with miguel at cobra kai. i truly believe that if she had a mentor/adult figure who actually cared about her and her wellbeing that she could go down a better path than the one she’s currently on. i liked seeing her home life and i think it definitely explains all of her actions/behaviour in the show, but i also believe that it doesn’t excuse it. she is also a teenager though and while her violent actions were completely uncalled for, the feelings behind them were so valid. she really just needs someone to show her that violence isn’t always the answer. i do hope we get to see more of her home life in season 4 and i’m interested to see how she changes now that her and robby are the only mains left at kreese’s cobra kai.

aisha- ugh i miss her so much. aisha was literally a queen throughout season 1 and 2. i think she was an incredibly important character so show on screen. i love how she was the first person to take initiative and join johnny’s cobra kai because she wanted a change and god she was so bad ass. i love how much she cares about all her friends, and i so wish she was in season 3, she 100% would have knocked some sense into every single person. i also kind of wish we got to see her reaction to the sam/tory part of the fight as well as the hawk/demetri and miguel/robby parts. fingers are crossed for her return before the end of the show 🤞🏼

amanda- ok what a queen. i loved her since season one, her deadpan delivery is hilarious and she has the best lines. i really love her relationship with daniel and her slapping kreese was one of the most satisfying things i’ve ever witnessed. that being said, i really hope she stops telling sam that nothing is her fault and that she actually listens to how her daughter feels. i’m excited to learn some more about amanda’s backstory in season 4!

carmen- another queen. literally the sweetest woman. i love how much she cares about miguel and johnny and how she always says exactly what he needs to hear. i do wish that she could be developed separate from her romantic storyline with johnny though.

moon- ahhhh i love her. i rewatched season 1 recently and completely forgot she was initially the ditzy stoner (“my mom got me this weed for my birthday”). i really love how she came around at the end of season 1 and apologized to aisha for bullying her. i do find it interesting though how she stayed friends with yasmine into season 3, although she probably believes that yasmine is capable of being nicer and apologizing as well. i also think her breaking up with hawk was her best moment and i literally cheered at screen. her friendship with demetri is one of the most underrated things on the show and i hope we get more of it. i also love her and piper and i think that was so cool to see and i would love for them to bring them back.

yasmine- i hated her in season 1 but in season 3, i do believe she is changing for the better. i mean i always thought that her bitchiness and bullying was a front for some deeper insecurities and it would be nice if she could share some of that/her home life with demetri if the writers do decide to move forward with their relationship. i should say that at the moment i don’t ship them, although i do love the scene where she signs his cast. i also think that regardless of if it’s in a romantic context or not, both yasmine and demetri could be really good for each other. i also don’t think that yasmine can be fully redeemed unless aisha comes back so lets see how they do with that.

rosa (yaya)- adding yaya because she’s iconic and i will never get over her showing up stoned to the all valley in season 1. icon behaviour. i would love some more scenes between her and miguel and her and carmen.

ali- i actually really loved how they brought her back and i think her scenes with johnny were super needed. i am so glad they didn’t have an unnecessary love triangle and that she was the missing piece in getting daniel and johnny on the same page. i also just think her and amanda would be the best duo if she ever came back. im obsessed with all those party scenes between the adults.

kumiko- she is such a sweetheart. they also did a great job bringing her back and i just love how much she helped daniel. i kind of think that what ali was for johnny in this season, kumiko was for daniel. i do think it’s tragic how she’s still in love with daniel because she really just deserves all the happiness. her reading mr. miyagi’s letters was one of the most emotional things in the whole show and i loved every second of it. i really hope they find a way to bring her back.

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