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LEONARD NIMOY in Mission: Impossible (1966–1973) 4.01 ∙ The Code

#leonard nimoy

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The autism kicked in and I drew take me out to the holosuite Julian Bashir

Me to Julian:

(づ ᴗ _ᴗ)づ♡(⸝⸝⸝• ω •⸝⸝⸝) ♡

#HII #julian bashir #star trek ds9

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#i love that this looks like a meet the artist thing #bruce springsteen

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“It’s okay, Ali. You’re gonna be safe…

…here.”

oh boi

Completely self-indulgent and based on my chaotic post saw-3d au thoughts.

Basic plot: after locking Hoffman in the bathroom Lawrence gets so paranoid about him escaping and coming back for revenge that he decides to save Alison before Mark gets to her. He kidnaps and hides Ali locking her away for days.

He believes he‘s doing the right thing but Alison, not knowing who did this to her or why, is terrified. All she saw was the pig mask. All she knows is that Jigsaw made her his hostage once again.

(Alt color version below)

#obsessed with this #saw #alison gordon

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laptop with seven fold-out screens

#gender #pieces

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but you’re planning no returning, you wild colorado // 08.18.23.

#photography #for cooper

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Second Commission for (@weyounthevorta) ♡

#reanimator #art

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by Justin Hardiman

#art

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jaceverse gotham city sirens ♦️🌿🐈‍⬛

- harley design is from this tweet

- poison ivy is just stjepan sejic’s ivy but w modifications (I LIKE IT)

- catwoman design is a mix of her usual comic out + zoe kravitz + michelle pfeiffer catwoman

#dc #characters

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Jack Vincent Anquoe, Jr. 'Tay-Nah-Tahn' (Kiowa Nation)

The original gouache painting with watercolor and ink is executed on a 1920s ledger page, just as captive Plains Indians did using colored pencils on lined ledger paper in the 1870s.

Soulis Auctions

#art

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I had a very interesting discussion about theater and film the other day. My parents and I were talking about Little Shop of Horrors and, specifically, about the ending of the musical versus the ending of the (1986) movie. In the musical, the story ends with the main characters getting eaten by the plant and everybody dying. The movie was originally going to end the same way, but audience reactions were so negative that they were forced to shoot a happy ending where the plant is destroyed and the main characters survive. Frank Oz, who directed the movie, later said something I think is very interesting:

I learned a lesson: in a stage play, you kill the leads and they come out for a bow — in a movie, they don’t come out for a bow, they’re dead. They’re gone and so the audience lost the people they loved, as opposed to the theater audience where they knew the two people who played Audrey and Seymour were still alive. They loved those people, and they hated us for it.

That’s a real gem of a thought in and of itself, a really interesting consequence of the fact that theater is alive in a way that film isn’t. A stage play always ends with a tangible reminder that it’s all just fiction, just a performance, and this serves to gently return the audience to the real world. Movies don’t have that, which really changes the way you’re affected by the story’s conclusion. Neat!

But here’s what’s really cool: I asked my dad (who is a dramaturge) what he had to say about it, and he pointed out that there is actually an equivalent technique in film: the blooper reel. When a movie plays bloopers while the credits are rolling, it’s accomplishing the exact same thing: it reminds you that the characters are actually just played by actors, who are alive and well and probably having a lot of fun, even if the fictional characters suffered. How cool is that!?

Now I’m really fascinated by the possibility of using bloopers to lessen the impact of a tragic ending in a tragicomedy…

#omg....... #words

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Kitty pitcher made last year ✨

#pieces

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my parents didnt let me listen to jazz while i was a child for fear that it would desensitize me to key changes

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picture of totality I took on my nintendo 3DS

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#this is also literally the look dean smith wears in supernatural

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Joan Baez at a press conference in San Francisco, February 28, 1967. Photo by Ernest Bennett.

#joan baez