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#film book
floydsglasses · 7 months
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I don't like how they turned out but I got both of my movies journals for Top Gun (1986) and Top Gun: Maverick (2022) done
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I had to cram all the pictures for each, I printed to many and it looks like a five year old did it but hey better than nothing
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postpunkindustrial · 2 years
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Not exactly what I do here usually but it is on my Drive so here it is.
Destroy All Movies!!! - The complete guide to Punks on film.
Get it from my Google drive HERE
Read the Amazon description below
The most dazzlingly insane film reference book of all time, Destroy All Movies!!! is an informative, hilarious and impossibly complete guide to every appearance of a punk (or new waver!) to hit the screen in the 20th Century. This wildly comprehensive release contains A-to-Z coverage of over 1100 feature films from around the world, as well as dozens of exclusive interviews with the cast/creators of crucial titles like Repo Man, Return of the Living Dead, The Decline of Western Civilization and Valley Girl. Also examined are several hundred prime examples of straight-to-VHS slasher trash, Brooklyn skid row masterpieces, Filipino breakdancing fairytales, no-budget apocalyptic epics and movies that shouldn't even have been released, many of which have never been written about. Plus hundreds of eyeball-smashing stills and posters, many in full color! Interviewees include screen veteran punk musicians Richard Hell, Ian MacKaye of Minor Threat, Lee Ving of Fear, Exene Cervenka and John Doe of X, Keith Morris of Black Flag and Circle Jerks, Chris D. of The Flesh Eaters, Youth Brigade's Shawn Stern, Sickie Wifebeater of The Mentors, Ivan Kral of the Patti Smith Group and many others. Also featured are conversations with filmmakers Penelope Spheeris (the Decline of Western Civilization documentaries, Suburbia), Mark Lester (Class of 1984), Martha Coolidge (Valley Girl), Alex Cox (Repo Man), Lech Kowalski (D.O.A.), Allan Arkush (Rock 'n' Roll High School), Amos Poe (The Blank Generation), Susan Seidelman (Smithereens), Slava Tsukerman (Liquid Sky), Alan Sacks (Du-beat-e-o), Eric Mitchell (Underground USA), Brian Trenchard-Smith (Dead End Drive-In), Dave Markey (Desperate Teenage Lovedolls), Bruce LaBruce, and NYC transgressor Nick Zedd. Performers like Mary Woronov, Eddie Deezen, Clint Howard, Jon Gries, P.J. Soles and Dick Rude speak out, plus countless other actors and creators from the frontlines of punk's big-screen explosion. Destroy All Movies!!! nails down decades of insanity with superhuman research, vicious precision and electrically charged stills and images, and is the first and final definitive armchair roadmap to punk and new wave on celluloid. Five years in the making, this pulse-bursting monument to lowbrow cultural obsession is a must for all film fanatics, music maniacs, anti-fashion mutants, '80s nostalgists, sleazoids, cop-killers and spazzmatics!
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1978 edition of The Watership Down Film Picture Book, with linking text by Richard Adams.
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storywriter12 · 1 year
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my first film review chapter will be up today I will post on here when it's up on wattpad ❤️
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themachinimacomposer · 8 months
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30 Fun Exercises: Unlock the Filmmaking Crash Course this Christmas
Do you ever find yourself lost in the world of movies, wondering how they are made and what goes into creating a cinematic masterpiece? Look no further than Filmmaking Crash Course!
Do you ever find yourself lost in the world of movies, wondering how they are made and what goes into creating a cinematic masterpiece? Look no further than Filmmaking Crash Course by award-winning filmmaker Sabrina Pena Young! Filmmaking is an art that requires a mix of creativity, technical expertise, and a lot of hard work. This Christmas unlock Filmmaking Crash Course – your ultimate guide…
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vtgbooks · 2 years
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Aladdin 1992 Disney Aladdin Movie Book 90s Book
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imagination (1963) - harold ordway rugg
"chekhovs cat / schrödingers razor / occams gun"
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dogmotif · 9 months
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recommending things to people like uhh yeah it's really fucking weird but well. i promise it's good. can i describe it? uhh. no
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motherbookerblog · 9 months
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Book Review - The Grip of Film by Richard Ayoade
⭐⭐⭐⭐ Rating: 4 out of 5. I’ve just got back from seeing Barbie and I really should be going to bed. However, I’m trying to get this post written first. Do you remember when I made that promise that if I hadn’t finished something by 10pm then I’d put it off until tomorrow? Yeah, me neither. I don’t know why I’m trying this but I guess it’s because I don’t want to have to do it when I’m home from…
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joytri · 10 months
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Neil said, "I was good. I was really good."
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jordanbolton · 17 days
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To The Cashier Who Asked How I Am Today - Jordan Bolton
My first book ‘Blue Sky Through the Window of a Moving Car’ is now available to pre-order! Get it here - https://smarturl.it/BlueSky
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ravenpureforever · 9 months
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Watching the Red White and Royal Blue movie and god it is just so refreshing to have two adult men fall in love and have the stereotypically fairy tale romantic affair like a politically charged hallmark movie
Like absolutely nothing against teen queer coming of age stories, I adore them and they’re so important but it’s just so nice to have adults falling in love, adults with plans and motivations but still figuring things out a little, real actual adults with hobbies and passions and accomplishments, getting to just be queer and in love and they are the main characters within their own lives
And they’re in a rom-com, a full on rom-com with the cheesiness and the drama and the sweet, fluffy romance where everything is resolved in the end and it’s queer. It never shies away from the queerness, they make out, they have sex, they gaze lovingly into each other’s eyes, they make silly jokes and get to adore each other
It’s so refreshing, it’s so nice to have this type of story, this story for the adult queers, a comfort film like to Mamma Mia, that’s full of heart and enjoyment and fun, with queerness at the forefront
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vtgbooks · 2 years
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ATLANTIS the lost Empire KIDA AND THE CRYSTAL Kids Vtg Atlantis The Lost Empire
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velvet4510 · 2 months
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Ok, time for a hot take.
It really bothers me that Rosie and Sam’s relationship is reduced and made so shallow in the films, with the implication that they’ve never even talked to each other, and Sam is pining for this girl he doesn’t really know….
Like …
… this actually misses the entire point of their relationship in the book.
In the book, Sam and Rosie grew up together. His warmest memories that bring him comfort in the darkest place are the memories of playing with her in the pool when they were kids.
The point of Tolkien’s Rosie is that she’s someone familiar to Sam, the face that comes into his mind when he thinks of home. He remembers an actual moment he spent with her, a moment of fun and bonding. Then when he comes home, it turns out she could somehow sense the moment the Ring was destroyed, and knew he was coming home. They have this special, deep bond that brings Sam a sense of comfort and stability.
She’s not supposed to be some distant, unknown figure that Sam has built up in his head but has never actually talked to or gotten to know. That’s literally the antithesis of Tolkien’s Rosie Cotton.
It’s like the films swap Sam’s initial relationships with Rosie and with Frodo. In the movies, he starts off more familiar and friendly with Frodo; they apparently go to the pub together frequently like typical buddies do, whereas Rosie is in another world, dancing and making drinks behind the bar, and Sam is just too unsure of himself to even make small talk with her.
But Tolkien’s portrait is the exact opposite. Rosie is the one who Sam spends a lot of time with and has known for a long while. Frodo is the one who Sam is distant from and doesn’t really have the nerve to make chit-chat with, because he is Frodo’s servant and thus he thinks it’s not his place to be too friendly with “his betters,” as his dad says. (And then the journey takes the two of them out of that restrictive class system and frees them to bond and get to know each other as people.)
Then when they come home, there’s an actual sense of coming home, because Rosie embodies everything that is familiar and safe for Sam. Not everything that is unknown and scary.
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animal farm (1945) - george orwell
"womp womp"
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i hate you romantically involved characters who talk to each other like they’re in a couples counseling session, i hate you watering down of the word toxic, i hate you plot twists where the male love interest is actually a villain because see, silly girl? in the REAL world guys like that are DANGEROUS, i hate you relationship therapist breaks down movie couple’s relationship videos, i hate you “romeo and juliet were just stupid horny teenagers” “belle had stockholm syndrome” “wuthering heights isn’t romantic” hot takes, i hate you sanitization of romance in fiction
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