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#even if the main timeline is in village
serpentide · 1 year
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tid bits about serpent's resident evil verse !!! i will most likely focus on "village" for present days threads simply because it's in this timeline that she lamentably loses the last bit of humanity that she had left.
an orphan with neither name nor heritage to claim as her own, serpent is one of the countless orphans that live in the shadows and cower in both fear and terror on the sides of the streets. but there is something wrong about her, there is something uncanny about the pallor of her skin and the colorless irises of her eyes, whose sea of whites and grays is rimmed with blood red. while some lost children are indeed saved from this poignant life, serpent does not attract the attention of any savior and soon enough, at the mere age of five, she is kidnapped by a group active in the black market to be sold as live food for a rare serpentine specimen that has to be transferred to its new owner.
the little girl has no idea of what is happening [ ... ] all she knows is that the back of the truck is painfully cold and dark and that the black snake is now tightly coiling around her smaller frame, suffocating and strangling her, making her frail bones crack and digging its fangs into her bruised skin. she swears that she can feel it ... the venom that now courses through her veins, alongside blood that has always been deemed unholy and impure. but the little girl does not die, the little girl still dreams of sunlit skies and blossoming flower fields and warm arms that will one day welcome her ▬▬ the venom suddenly awakens something within her, a visceral corruption whose source she will never discover ( who is the specimen of past experiments ? is it her, or is it the snake ? ) .
few are the scientific explanations for what happens next: the same snake that was trying to devour her, is now cowering at her feet in submission. it is an odd feeling that she does not know how to properly articulate but the little girl hastily swears to her captors that she's now able to communicate with the snake and demonstrates it by forcing the snake to obey to her every order. unfortunately, this does not lead to a happy ending ... she is sold alongside the rare snake to a wealthy family and it is here that she will spend the next fifteen years of her life.
the little girl is no longer a shadow, the little girl is now a tool. she is placed within a small cage beside the giant one where the rare snake resides and her abilities are employed by her owner to film horrendous movies that are then sold for huge sums of money in the black market. the little girl is thus introduced to bodily horrors and violence at an early age, which ensures that she eventually becomes unsensitized towards the cruelty of the world. she behaves, she obeys to every order that she is given, she does not even complain about her hunger or her agony at staying in a cage that soon becomes much too tiny for her growing body ... she does all that she is asked to do, for the unique purpose of one day reaching that happiness that she has never ceased to chase after. it is in this period of time, that she is given the name SERPENT.
eventually, this nightmare ends. her impatience and unhappiness towards this situation escalates once her dream is openly mocked in front of her. the whole family is killed by her serpentine companion, no trace of them is left [ ... ] only a case that will never be solved.
after some weeks spent wandering aimlessly through the streets of the metropolis, she is found by the manager of an entertainment industry who seems to be awfully familiar with the movies that she took part in. with countless promises whispered against her ears, serpent decides to join their company of performers and easily becomes the most sought after performer by the wealthiest of clients. her shows, embellished by hypnotizing dances and dramatic songs and by the presence of her now gargantuan snakes, attract customers from all over the world and compel the greedy company to start touring the world in pursuance of earning even more fame and money.
and thus, the years go by ... the legend of the woman capable of speaking with snakes spread far and wide, paints her in an aura of eerie beauty and mystery. it is during this period of time that the company receives an invitation to visit a village hidden amidst the mountains and although the journey is indeed a treacherous one the amount of money offered by their patron makes it worth it. unfortunately, what awaits the troupe is not a village brimming with glee and excitement for the circus performers [ ... ] what awaits them is a nightmare. serpent is deemed a fit vessel for eva by mother miranda initially and is thus mercilessly taken away from the rest of the poor troupe, to be used against her will as a test subject for the cadou parasite. ultimately, due to the poor results of the experiments, mother miranda is forced to give up on her ... although serpent has indeed survived and has been blessed / cursed with greater powers than she could have ever imagined, the parasite has twisted and transformed her much too greatly to welcome the little eva.
no longer human, not even a monster ... but a venomous snake in the shape of a beauteous woman. after weeks of isolation so that she may grow accustomed to these new powers and learn how to control the violent instincts awakened in the depth of her soul, serpent is allowed to return to the troupe [ ... ] a troupe that she instantaneously slaughters, feeding their mangled corpses to her snakes and officially closing a chapter of her life that never brought her any happiness.
time goes by, but serpent is still there. settled within what remains of the circus trucks, surrounded by countless snakes that have come to serve their mistress, still dressed in the colorful garments of the mischievous jester and still embellishing her visage with a dulcet but fanged simper. from time to time, she even performs for the villagers, for humans and beasts both ... but happiness is still out of her reach, which brings her closer and closer to madness after every passing day.
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ozzgin · 3 months
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Hello.
Do you think I can request headcanons for Nakamaro ?
Like in an alternate route, reader and him (he's in his twenties because... magic ?) are married and reader is pregnant.
But the funny thing is, Nakamaro can't bully the yokais because reader will exorcise him each time he tries.
Aaaaah I finished writing and only afterwards it occurred to me you might've wanted a modern day reader for this. 😭 I imagined the events in his own timeline. Oh well. I think it can work both ways. Just replace the ancient pouch with, I don't know, a visa card that he throws at your parents for wife payment.
Yandere! Onmyōji x Reader
Yokai Harem AU as the wife of Abe no Nakamaro, a legendary sorcerer and collector of yokai. Although you're not quite as powerless as to not keep his cruelty under control.
Content: female reader, arranged marriage, mentions of pregnancy
[Main Story] [Character Guide]
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Your family had vehemently opposed the marriage. To think their one and only daughter would fall into the hands of such a cruel man. The famous Abe no Nakamaro, descendant of Abe no Seimei himself, has quite a contradicting reputation. He has saved many lives, cured countless illnesses, protected villages from monsters and brought peace to the land. Yet many have also witnessed his ruthless nature: the arrogance he has towards humans, the disdain and utter disgust he harbors towards demons. He is quick to punish, rarely forgives, and never forgets. The yokai he’s captured under a binding contract are kept on a leash, like cattle before slaughter.
It is this man who approached your parents one day, when you were still young, demanding your hand. He claimed you had special powers and a lot of potential under the right guidance. Such spiritual prowess would waste away in a family of plebeians. You don’t remember much of the discussion, only the expressions: the man’s mocking grin as he threw a pouch fattened with coins, the frown of your parents who wanted to refuse, the uneasy, grim eyes of the horned demons brought to intimidate. It was clear they were there against their will. One will find just how difficult it is to go against the wishes of the onmyōji, and you happened to be his most ardent desire. Thus, with a heavy heart, you’d been sent away with the stranger who promised you were to live a life of luxury. One your parents could never afford.
True to his word, you have not struggled since. In Akutagawa’s short masterpiece, Hell Screen, artist Yoshihide is wicked and vicious towards everything and everyone except his beloved daughter. Similarly, the sorcerer seems to have a soft spot for you in particular. He often praises your talent, and patiently caters to your whims without complaint. You once inquired about it yourself, as the idea weighed heavily on your mind: why is it that he does not show the same hostility towards you? He stared at you as if you just grew two more heads. "You're my wife. What else is there to question?"
This favoritism, however, is to the benefit of everyone. Especially to the yokai under his command. You've grown rather fond of the demons in your years spent alongside them, and they've quickly learned that your presence means safety from any punishment. Some need reassurance more than others. To these you've even begun to feel like a motherly figure, shielding them from the wrath of an unforgiving master. At last, an authority even Abe no Nakamaro himself can't disobey: the word of his wife.
And soon enough, as if your marriage wasn't already the ultimate argument, you welcome the return of your husband with the news he's always longed for: you are the soon-to-be mother of his child. His name has just been guaranteed to continue its course through time. To say he is elated is an understatement. You've only seen him smile so genuinely once before in your life, on your wedding day.
"Can you imagine the powers this child will command?" He muses, referring most likely to the fact you've both been blessed with an innate, unmatched talent in onmyōdō. You finish rolling the parchment paper and gently tap his head with the scroll in a scolding manner. "You better not burden the kid with your bizarre expectations!" The same man feared throughout the country is chuckling apologetically at your gesture. "As the Mother says."
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fanstuffrantings · 9 months
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Things the live action one piece had that I enjoyed:
Genuinely intimidating Buggy. People forget he's actually supposed to be scarey and the choice to have the town already be decimated with him forcing the crowd to adore him is amazing. Plus his portrayal was just fun all around.
Garp chasing luffy to test him. It totally fits and it gives us a secondary antagonist throughout the season for people who don't watch the anime/read the manga to enjoy while also developing Helmeppo and Coby. It keeps their B plot while still building the main story.
Usopp and Kaya's romance. The anime already has the implication there but if anyone got a romance I'm glad it was usopp. It's a sweet one and I'm someone who hopes the anime actually ends with them as a couple.
How they adjusted bits of the characters to better fit the medium. Sanji being a natural smooth flirt, usopp being cowardly but still doing what was necessary being two of them. We have a much shorter timeline to work with and doing slight changes meant that the characters could endear themselves to the audience more smoothly.
Luffy discovering his abilities during fights. Another thing that is more helpful for new watchers.
Mihawk actually fully putting down the krieg pirates. It was disappointing we didn't fully get a sanji arc fight but the choice to show Mihawk's skill during the garp call as he easily dispatches the huge krieg pirate army was a genuinely good call.
The crew having less hostility towards each other. I'm always going to love the anime dynamic but the live action dynamics kept the core of their relationships even with the changes. Sanji seeming to adore luffy, luffy being attentive to everyone, and nami being disgruntled but not outwardly violent with them.
Alvida keeping the same actress and her weight/looke never being something lobbied as an insult against her. All insults were on her personality. Her actress is genuinely fantastic in what other things I've seen her in. If we get season 2/Loguetown I would love to see her play off Buggy more.
Syrup village being a shipbuilding town, it helps explain usopp as the original best choice for fixing the merry while also helping us understand how he'd be able to know about building weapons. And using it to then trap everyone in the mansion during the final battle, truly inspired.
The live-action was clearly cared for and I do hope we get to see more arcs though I wonder how it will work.
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byoldervine · 5 months
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How To Start Writing A Book (So Says This Idiot)
I’ve been working on my queer superhero fantasy novel Byoldervine for a few years now, but it’s only been in the last year or so that I’ve really dedicated myself to my writing. Now I’ve gone from a fun few concepts to nearly 50K words and counting. So I figured I’d share my process to get here
1. Figure out your barebones concept
Before you can begin writing, you obviously need to know what you’re writing. At this point in time it can literally just be something like “A group of friends go on a quest through a magical fantasy world and meet loads of mythical creatures along the way”, it doesn’t even necessarily need a plot intact. You can be as vague or as specific as you like here, you just need that general idea
2. Figure out your characters
Your characters are the driving forces behind all internal conflict in your story and give your story heart; if you can pick between expanding your plot and expanding your characters, pick the characters. Start figuring out at very least the need-to-know aspects about your characters, such as their motivations and what’s holding them back from achieving them. We can flesh them out more and more as we go
3. Create the main external conflict
Often this takes the form of the main antagonist, but it can be literally anything from a curse the main character is trying to overcome, a series of misunderstandings, a goal they just don’t have the skills to achieve on their own, etc. What’s the thing that’s causing our main character problems they need to overcome?
4. Work out the beginning and end of your story
Where do you want your story to end? Do you want your characters to be living a life of peace and glory as revered heroes after they defeat the villain? Do you want them to be able to return to the life they once had with new friends and stronger powers than ever before? Do you want them to fail and experience the tragedy of their loss? Well if that’s where you want to end, they can’t have all that at the very start of the story, so that’s something that needs to change during the story. Congratulations, you just created a plot point!
5. Use your plot points to create a general plan
Now that you’ve got some ideas of what you want/need to happen during the story, you can make a timeline of these plot points. Say something like “Inciting incident, MC leaves village” or “MC trapped by BBEG” or “MC gains new weapon” or something like that. At this point things are a bit less vague because now you’re starting to see how the plot can go. Don’t forget to add things that the characters would go for, too, even if it’s not plot-relevant
6. Plotting
You’re ready to start plotting by now. For every chapter, write down a general objective of what needs to be achieved within this chapter. Each of these needs to be followed with bullet points of different, smaller plot points within the chapter to achieve this objective. This part I enjoy doing alongside actually writing so I can update it as I go, I’ll usually plot about five chapters ahead and then get to writing until I’ve used them all up
By this point, you’re ready to write! Best of luck and remember that it’s only a first chapter, all it needs to do is exist!
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love-toxin · 1 year
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Retrieval - entry I
plot: after escaping the horrors of Los Iluminados, a piece of your heart is still stuck in that desolate place. you won't truly be able to rest until you find him--or until you put him down like the monster you wish you'd saved him from.
(cws: post-canon divergence, re4make spoilers, yandere!plagas!leon, fem!agent!reader, guns & blunt weapons, blood, gore & injuries, violence, grief, funerals, pining [chapter smut cws: wet dreams, mild choking, possessiveness, unprotected]
wc: 5.3k
(future entries to come! <3)
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No matter how much time passes, you're certain this place will always reek of blood and death. It will always be the place that you lost the person most dear to you, and in such a vile, cruel way that it still haunts your darkest nightmares.
It's been awhile since then, but it all still feels the same when you step down from the car and let the door shut with an unapologetic thud. The air hangs heavy and thick with humidity, and although the distant stench of rot is lesser this time around, it still lurks in the background of your senses like a shadow creeping by the windows of a house. The trees hang low and sway gently as you pass them, crows beckoning you deeper into the brush with their croaking trills echoing all around you. Aside from a pitiful line of cautionary police tape strung across an iron gate, even the entryway and the path leading into the village all look exactly as they did weeks ago.
The last time your feet hit the dirt here, only Leon had been your much-needed company in your venture. You'd walked through the mud and ran through the mist together; searching the lodge and being chased into the heart of the village had only been the beginning. His breathing had been the thing to keep you calm then, of all things. Those heavy pants when he scrambled through doors and soft puffs of his chest when it was a touch too quiet; it reminded you that he was alive, and saved you from having to glance over and pray in the seconds between that he wasn't being carved into a bloody stump by a Ganados.
But all that? That was a long time ago. It feels like a lifetime, and yet neither of those timelines are the truth–really, it's barely been a month since you and Leon had been separated, but it still feels like years since you've seen him.
The scent of charcoal pulls you away from the memory of him as you draw close to the circle of houses, your gun out of its holster the moment you cross underneath the main gate. You at least have the sense not to go slinging it around when you hear the crackle of twigs in the underbrush, though the sound that resembles a gasp has you eyeing the forest to your left…just long enough to watch the offending group of birds chitter and take flight suddenly up and away from the trees as you draw close. The policemen that had accompanied you here have long since granted you their goodbyes, their eyes dark and fearful at the sight of this village looming in the distance before they had driven off in a frantic hurry. When you think about it you can't really blame them, not with them knowing the unfortunate fate of the two men they had probably rubbed shoulders with back at the station. Knowing that both of them had been made sacrifice for no better reason than violence and power.
That would've been you and Leon once upon a time, if Umbrella and the virus and everything hadn't screwed it all up and blown it to pieces. Sometimes you daydream about what it could've been like at RPD, but most times it's too painful to even consider and you just end up drowning your sorrows in a bottle of liquor instead. Leon would be admonishing you for dealing with it in that way and he would've been a total hypocrite for it, but he hasn't been here to do so. The thought that he won't ever be again fills you with so much dread you can feel it in each step you take into this dilapidated heap of pig slop and manure.
It's been over a month since you've been here last, about 37 days if you've been marking off your calendar correctly. You had to take into account the retrieval, your hospital stay, and the few days that seemed to meld into each other when you'd slept almost every hour away in recovery, but altogether it totals 37 days since you last stepped foot on this soil. Over five weeks since you last saw Leon, and only a couple days since you gave a eulogy at his funeral. It had all felt fake and pitiful even with you having organized it yourself–most of the people there were the reasons he even came to this disgusting place, all those government agents and well-to-do politicians that ate up yours and Leon's survivor stories and demanded you join the military's special ops. They should be the ones paying the price in the grave, not Leon.
But as you look around now, there really isn't much to speak of in the first place, now that you feel the sense of urgency wane and lower your pistol in the wake of dead silence. Aside from the bullet holes, the crumbled tower, and the blasted-out windows that cake the dirt with glass, there's not many signs that you and Leon had even treaded ground here. It's getting later than you'd like based on the position of that hot, Spanish sun, though. You've got to get moving and quit moping around this ghost town if you want to make any progress on his retrieval before night falls.
This isn't a trip down memory lane, after all. You came here with your own rescue mission in mind; you're here to find Leon's body, and you're prepared to give him the mercy he deserves if your suspicions about his supposed death are correct. Because you can't keep living with that memory of him in your head, that version of Leon burdened with black veins and vermillion eyes and a pained gait as he tried to kill you. When there weren't enough injections of the suppressant to go around, he gave you his own–and when it came time for you to go under the knife, Leon insisted on you and Ashley going first even when he had a death grip on the lever, the Plagas taking over him quick enough that he knew exactly what he was doing. Leon gave his life for you, Ashley, and Luis to live–and you've taken on the job of returning the favour, whether it means dragging him home in a body bag to give him a worthy burial, or putting a bullet in his head and ending the monster you never wanted to see him become.
"La Americana!"
But the moment you take another step to climb over the rubble of the church, a voice shouting from behind you sends a chill rocketing right up your spine. You thought you would only hear it again in your nightmares–but no, as soon as you turn on your heel, your eyes scan over a mob of Ganados shambling right for you. Drooling, bloody, rotting villagers wielding their pitchforks and sickles, and in that momentary panic that freezes you to the ground, a cold feeling erupts inside your chest that you've never experienced before. Acting on base instinct alone you make a mad dash for the house on your right, but you're left skidding to a stop and backing away just as quick when another monster lunges out of the doorway and makes a swipe. You're being cornered, trapped, with nobody left to save you like they did before.
This is wrong. It feels wrong, it sounds wrong, it's all wrong. This is exactly what happened before, but that was a nightmare you fought through and survived. You shouldn't be here again. Why are you here again? Why are you being so stupid to feed yourself to the same monsters that took your Leon from you? Why haven't you learned your lesson? Why?
When the first gets close enough to strike, you barely even register the hot, vile presence of its foul breath on your skin. Your muscles tighten and you swing indiscriminately, the butt of your pistol smashing into its temple with a force you didn't even know you were capable of. The scythe in its hand is halfway to hitting the ground before you're crossing the distance to the second one, movements almost robotic as you empty half your magazine into its forehead and don't stop until you're standing over it. For some reason, the gore and the blood splattering over you doesn't disturb you like it should. It doesn't even feel…real.
You're all to blame for this. This is all your fault.
Whether those thoughts are self-inflicting or self-soothing, they plague your mind in a constant, changing loop as you stagger from villager to villager. There's no other option; either fight or die, because reason won't get you anywhere but closer to your own grave. It's not even worth running at this point because they'll just chase you down, and you want them to just leave you alone more than you even want to live.
Getting hit doesn't feel real. Watching the Ganados choke on metal doesn't feel real. Not even your gun clicking empty and burning hot in your hands feels real, even when your brow furrows and you whip it at the nearest monster with a grunt that sounds more feral than ferocious. It's a slaughter but you can't tell that time has passed, or that you've gained bruises from the beating you've taken, or even that you've been blowing off the faces of people who were probably just people once. It just doesn't matter in that short, fury-driven span of time, not until you have nothing more to attack and you blink yourself awake with a hatchet gripped in your hands, soaked from head to toe in rotting blood.
With one final, blood-curdling scream from the deepest pit of your stomach, you throw your arm down and send the weapon flying across the ground like a tempestuous child. The pain, fury, and grief have been building up inside you for long you've forgotten what it feels like to be free, what it once felt like to laugh away your troubles when they got too big to deal with. Now you've been planning your best friend's funeral on the days you don't drink yourself into a stupor, and nothing matters anymore. This was a stupid idea and all you've done is set yourself up for a bigger, stupider failure than you've already proven you could accomplish. Right now, the best relief would come if you just dropped dead.
….But it doesn't come, even after you've fallen to your knees and sobbed into your hands. One, two, three, four. One, two, three, four. You count each breath, but each of them are just as heavy and laboured as the last, never slowing or getting shallower. If anything, you feel more alive as your senses come back and you cringe at the blood starting to crust over your skin and clothes. Taking your hands away, all that fills them is a sheen of dark, wine-deep red, splattered with tears that sting just as much as your skin that's been hacked with small, shallow cuts and bruises. As the episode passes, your desire to get up is stronger than your want to just lay down and relinquish your strength.
So you press on. Not for want of something better, but for the simple fact that you have nowhere else to go but forward. You put yourself into this mess, and as you can hear Leon's voice in your head, "You can get yourself out of it."
So you walk. You scoop up your gun from the ground and wipe the blood from the handle with your shirt. You stumble over the chunks of stone and rubble that litter your path, weaving through the half-open doors that haven't leaned right since Leon had first kicked them in or shot them open. You just keep walking until the gate with that familiar symbol comes into view, and upon pushing it open you're met with the sight of a sea of graves and dead grass–and a murder of crows watching you through the tree branches while they await a new body to pick at.
Seeing the church looming over the hilltop is enough to give you a chill. Maybe the graves are helping with that, standing as crooked and crumbling as they were before, but whatever it is about that place just plagues you with a sense of unease. Each step up the hill has you on guard, peeking around to see whether more Ganados will come out–but it's just as eerily quiet as you expected it to be, and you don't even spot much more than the crows until you're past the gate and standing on the front step of the chapel. To your fortune, the door's still unlocked–as you hoped it would be, considering all that you and Leon had to endure to get it open the first time. You'll never forget that feeling of your stomach sinking when you watched him retch up all that blood over the side of the boat, nor the heat of his tight grip as he had grabbed your wrist and whimpered in pain before slipping into unconsciousness on your lap.
Life had been scary enough then, but in some way seeing Leon go through the Plagas infection hit you harder than any other mission you'd gone through…especially since you know now that he would never be cured. He was just so strong in the face of everything, even during Raccoon City, when he truly had no idea what he was doing. He had such a kind heart that he would do anything for anybody. Even if he could be a hardass at times, he was pure.
Thinking about Leon always ends up leading you to memories of his funeral, especially so as your shoulders relax and you step into this church that somewhat resembles the one that housed it. You drop your bag on the nearest pew and let it spill over on to its side, and when your wallet tumbles out, your eyes pass over the picture inside that makes another memory pop into your head.
"This world is undoubtedly worse off without Leon. It won't ever be the same, and I…I'll miss you, Sancho."
Luis hadn't more than dabbed at his eyes at the service, but he'd hugged you so tightly at the reception he could've broken your bones with ease. You sat at a pew just like this one and held your hands between you throughout the eulogies, quiet and empty while Ashley cried her eyes out a few rows ahead. Other than a few close friends from the academy, a couple surviving members of RPD, and a handful of people Leon got to know in the military, the rest of the service was populated by complete strangers to you. Including the president himself, whose hand you openly refused to shake when he approached you with his "condolences". Without Luis there to guide you away to go get some complimentary dinner, you might have told the leader of your country where exactly he could stuff his condolences.
At the very least you can get some healing by actually burying your best friend, you think as you check the perimeter of the church to ensure its security. If you succeed, which you're hoping might actually happen if you can keep the grief and overwhelming anxiety to a minimum.
"Mh?"
Perhaps it's a good sign already, but going unnoticed by you up until now you spot something out of your peripheral that looks out of place here–and when you step up to it to take a look, sitting at the crest of the church where the podium would be, is what looks to be a washbasin that might have come from one of the nearby houses. Peering over the lip it looks to be filled with nothing but clear water…and when you dip a finger in, a sigh escapes you when you feel how warm it is. There's even a towel hanging over the nearest pew that you could've sworn wasn't there earlier, but it's getting harder to see with all the blood caking your eyelashes. And not one to turn away a perfectly good miracle, you're all too happy to strip off your clothes and dunk your head, hair, and limbs into a clean, semi-refreshing bath.
While you scrub the dust, dirt, and dried entrails from your skin, your mind wanders yet again into another world–the one you lived in before, so blissfully unaware of how bad the outcome could truly be. You'd met Leon for the first time at his debriefing in the RPD, when he'd been quietly optimistic with that baby face and a well of enthusiasm that had come out in the strength of his handshake. Marvin introduced you first as his immediate superior because you'd been in that same position before; you had been the rookie from out of town the year prior, and aside from the beaming sense of pride at moving up a peg in the force, you also liked how sweet Leon was.
He'd greeted you with honorifics you didn't need, smiled when you gave him a tour, and not once did he ever scoff or roll his eyes when you were giving him advice before he had even started. You noticed him because he was new, but also because he respected you and pretty much everyone else with barely any hesitation. In his plainclothes surrounded by decorated officers he treated everyone he met like a friend, and although Marvin had expressed concern about him being a little naive once he went home, you remember that moment as you watched him get into his car, and you remember thinking that the world–and Raccoon City–needed more people like that. You liked to think that you always knew he was a hero at heart.
Your brow softens as the water starts running clear down your body, the basin filled with blood and muck that you've been scrubbing off your skin until it's raw. The tiredness is setting in now from the plane ride and the tension, and all you want to do is sleep–but a sudden start and pain flooding through your abdomen has you alert and gripping the edge of the basin. Easing your chest out of the way to look down, you watch in frustrated horror as your fingers brush by the opening of a much more significant wound than the scrapes and bruises just beneath your breast down towards your stomach. At only about a half inch wide and five or more inches long the cut isn't severe, it doesn't even seem like it's been touched by the filth you've been doused in as you pour a little more water over it. But now that you've noticed it the sting is much more palpable, and with no desire to have it infected and die a slow death you fumble for your pitiful first aid kit and work away at closing the wound. Strips of medical tape and gauze are about all you can do, though the process is slow and awkward with you trying not to stretch or strain it too much for it to hurt worse. Just your luck. It's only the first day. You just count yourself fortunate that Leon isn't here to see this because you know he'd both fuss over you and tease you to no end…although you do find yourself glancing around more as you fix yourself up, your mind on high alert while you're in this state of vulnerability. For some reason you do feel watched, although with no sounds or odd noises to tip you off you're tempted to assume you're relatively safe. You can only hope that you are, because rarely have you ever been so sluggish and desperate for rest than you feel right now and you'd rather not wake up with an axe in your skull.
When you're done and with your clothes still hanging wet over the pew, you've got little choice but to tug on an old shirt and thin shorts from the bottom of your bag, the spare set of clothes an absolute emergency item that you're glad you at least brought this time. The summer heat's still strong so hopefully it doesn't get too cold in the night, the darkness of which you can spot creeping over the horizon through the stained glass windows. Luckily for you the layout is fairly simple and you'd already rediscovered the upstairs room where Ashley had been kept in your search, so after pushing the pews with a grunt to block the doors, low windows, and finally the ladder to the second floor, you take your gathered things inside and set up on the thin, downy cover that will have to do as a mattress for tonight. You've certainly slept in worse, less secure places than this anyways.
But before you allow yourself the chance to drift off, your fingers stretch for your wallet again that you'd tucked back into your bag, the picture greeting you once more when you flip it open and slide it out. Leon's beaming face smiles back at you, and your gentle self stands beside him six years younger in front of the RPD's grand foyer statue. Him in his jacket and you in your uniform, waving and grinning at the camera with his arm around you like nothing bad ever existed in the world. You knew in your heart that day would be the start of something different, but just how different wouldn't occur to you until it was too late. The picture sits tightly in your hand for immeasurable moments that melt into one another, up until your eyes finally flutter closed and you drift off in neverending silence.
When sleep finally comes, so do the dreams. And in them, you get to see Leon in a much more visceral way than the pictures on your desk or the smell of cologne on his jacket. The walls behind you look to be the same as the room you'd fallen asleep in, but in smooth fashion a hand cups your chin and pulls your gaze back from the floor to the one who wants it the most.
Leon looms above you on bended knees, his chest bare and hair tousled as if he'd yanked off his shirt in a hurry–he's always like that, always in a rush to begin only to take his sweet, agonizing time when he's actually performing. His lips look bitten and flushed like he's been kissing you already, but maybe that's because he's been nibbling on it like he is now out of shyness, or maybe embarrassment.
"I missed you." Your voice comes out muffled as it usually does, and Leon shifts around, his hands dwarfing your knees in comparison as he moves them to fit himself between them.
"I'm right here, sweetheart." His smile lights up your world with a glow, he makes it brighter even though a shadow still casts itself over half his face from the lantern on the other side of the room. "I'm always here for you."
But you died. Those words play on your lips, but you don't allow them to slip out. If you do, the dream may end here and now, and you can't afford to let such a precious moment of affection pass you by. "I love you, Leon." You whimper instead, and he gasps with pure, undiluted need as he makes that push inside you that he's been waiting for all night–that soft, wet heat welcoming his stiff self in like it always does and always will. The pressure stings at first, it beats hard in your chest and between your legs where he lies, but it's a forgiving ache and not a dull pain. When Leon kisses you again, it all disappears just as quickly–even quicker when he eventually starts to move.
"I love you more. I'll always love you, even after you're gone." He whispers against your lips, breathing his sentiment in and capturing yours on every exhale back. His fingertips leave trails of searing desire up your flesh, warm hands guiding your arms higher to rest around his neck and keep him as close as you can. You wouldn't need to, you don't have to, but he wants to be closer and you know you do too. Being inside you isn't enough for him, he needs you to want him, to desire him so deeply you can't fathom being apart. And you do, you always do, but you never seem to manage saying it out loud even in the throes of a perverse dream…but he can.
"I'll love you even if you leave me again. I'll fuck you so good you don't even think of doing it to me." Your lover pants, his pace picking up while your pleasure jumbles up into a heated, twisted mess. It seems like he's just entered you but at the same time it feels long, like you've been at his mercy for hours or days on end and the pressure keeps mounting higher and higher too fast. These fantasies usually end too soon for your liking but that's always because you're the one folding first, legs shaking and nails digging blunt marks into his arms when he makes you see stars. You're getting close to that mark now, yet you've barely even started.
Leon suddenly holds his hand up to your throat, fingers splayed over your delicate neck to squeeze it with a growl low in his throat. "Don't ever leave me again. Promise me." At your absent reply he tightens his grip harder, and the stars in your eyes have you choking out an answer that isn't good enough. "Promise me I'm the only one. Swear on your life you won't choose him over me."
"I-I promise! Leon, p-please, I promise! I-I'm coming to–c-cumming, Lee!" You cry, overwhelmed as you look up with wet, hazy eyes at the man you've always loved. The black veins start spreading across his golden skin, and his own gaze grows cold and dark before a sudden pulse turns his irises to a bright, piercing red. The killing blow comes with a chuckle as his lips curl into a sinister smirk, and his hips plummet down to meet yours in a cacophony of sounds that will echo in your mind for days on end, just before he stills and a shudder rolls through his body. As tight as he says you are, he never fails to press himself deep enough that he releases that pent-up desire as close to your womb as possible.
"Mine. All mine. You promised."
In the next moment of bliss settling in and a groan erupting from his throat, the world blots out into darkness and you jolt up from the floor with a start.
"Shit!"
The curse just flies from your mouth on instinct, the heat having disappeared and the pressure of a body on top of you making way for cold, aching emptiness. An uncomfortably warm, sticky wetness pooled between your legs has your attention immediately, but you've got no choice but to cringe and ignore the discomfort for now. Your breathing labours in your chest for minutes upon strained minutes before eventually quieting, and only then do you groan and shift in your spot to glance at the time just to remember that you aren't in your bed nor at home. As you would hope not, considering how stiff your back is from sleeping on the ground.
Without windows it's impossible to tell just how long you've slept, and a glance around the empty room offers no clues either. So when you manage to get up and stretch, the only thing you notice fluttering down from where you'd let go of it is that same photo of yourself and Leon–with that dream in the back of your head, however, you can't bring yourself to look at him and shove it back into the plastic holder in your wallet.
Still, with that being a normal practice for you being around the person you've been harbouring feelings for, that dream in itself was stranger than most. The last thing you want is to dwell on it right this minute, but Leon's words still echo in your head regardless; what did he mean when he spoke those words? Did they have a shred of truth to them, or were they just the frantic machinations of your brain still trying to make sense of his death?
Either way, you don't really want to know. You just want to leave this place altogether–but with that option out the window, the least you can do is leave this church and get some fresh air. With the skill and briskness of a trained agent, you gather your things and briskly slip on your newly-dried clothes downstairs, a few bites of a protein bar all you need to sustain you at least for a couple hours.
Upon pushing on the heavy entrance doors, the crack of light between them opens up into a bright horizon with the sun beating down on the soil, the burst of morning light blinding you temporarily as you take those first few steps outside. It's just long enough for your surroundings to come into focus that you get a whiff of the humid air–and in seconds your nose scrunches up, the foul stench of decay pervading your senses in the instant that it takes for you to take a look around.
Lying in droves around the cemetery, piles at the bottom of the hill, and strung in pieces all around your feet, are the bodies of the Ganados. The sight of it strickens you immediately with shock, but then nauseates you to the point of clutching your mouth to keep what little food you brought from coming back up.
The corpses have been strewn around like some sort of macabre dollhouse; lying in pieces splayed every which way, facedown in the grave dirt or strung up in the trees for the crows to peck at. Some have been gutted and others dismembered. A few have their heads missing. Intestines and gore lie in bloody wake around the site of the massacre, sticking to the soles of your boots from one step into the aftermath, and you want to vomit. God, how can you not want to vomit at the sight of it all? What god could be so cruel, even to monsters?
It's sickening to the point of panic–run, you just want to turn tail and run far, far away, but your destination hasn't been decided quite yet. Ideally you would have sat down with your map and plotted it out, found your next objective, maybe would've scoped out the closest place to rest once you're finished your search. You would've been thorough and confident like any rescuer should be.
But the cowardice in your heart screams louder than courage. In a moment, you're rushing down the path and running out the gate, frantic in shoving it open just enough to slide yourself through but too disturbed to look back towards the carnage. In seconds the church is far behind you, and in a matter of minutes you're on a new path you haven't yet considered the danger of.
All you know is that you want out of this place, you want to go home–even though home has been within arm's reach since you got here. It's never too far away, especially when you inevitably follow the road that leads right towards that infamous castle gate, and your destiny.
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onestepbackwards · 3 months
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The emulator scenario just makes me wonder how B/W Ingo and Emmet would react to seeing Warden Ingo while you’re playing P:LA
Volo is laughing at the idea that the warden of the Pearl clan was originally some fancy-pants conductor from the city, Emmet is furious that such a thing would happen to his brother, and Ingo is having an existential crisis in the corner.
One of Ingo’s main salvations is that you seem to be just as upset and furious on his behalf.
Sure, you are happy to see his other self in PLA, but he quickly hears how upset it makes you. How you vent to your friends how you wish you could send him back home at the end of the game.
…Plus, you always politely tell his other self hello when you stop by the village. No matter what you are doing, you always make a point to say hi to him. It’s heart warming.
Even Emmet finds it sweet, helping wash the bitter taste in his mouth. He hates knowing there is a timeline or future out there where his brother is taken from him and thrown through time and space.
But at least he has you looking out for Ingo, even if his brother’s other self doesn’t seem to be aware like that annoying blond twink.
Volo on one hand finds it hilarious.
How the warden is actually one of those annoying twins that seem to be able to see past dimensions like he can. They just seem to be from another timeline or world.
…But it doesn’t stop the bitter feeling in his gut when he sees how happy you are to see the warden. He isn’t jealous!
He’s totally jealous.
He at least finds some comfort in the fact you like him as well. Something both twins seem to dislike, which only fuels his ego.
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oncewhenalongtimeago · 2 months
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hiii i just wanted to say i really like how each of the protags in your fics have different personalities!!! adds a lot of flavour and depth i think to how hiccup interacts with each version of reader in different contexts :)
 The Jealous One pt 6
Pairing: Hiccup Horrendous Haddock III x Fem!Reader
Words: 1,964
You’re caught off guard in the woods. Hiccup might have a thing for rejection… Or you. He’s really not sure. 
Tags: fem!reader, silly, ambiguous timeline, Snotlout Jorgenson, Ruffnut and Tuffnut Thorston, Jealous!Hiccup, Post RoB/DoB, Pre-RTTE
<Previous - Next>
You wanted to kick as you braced your foot against a rock, pulling your cup up to your face again, shoulders pressing painfully into the bark of a tree, curved so that the center of your shoulder blades felt as if they were being dug into by two very thick thumbs.
You wanted to say that you were getting good at keeping it all stuffed inside -your emotions, as it were, not necessarily your lunch- but if you’d been good at that, you wouldn’t be here dealing with this with a large, leaking barrel of stolen mead. Day drinking.
Though you hadn’t participated, soon after you’d left your table, a fight in the hall had broken out and taken a lot out of you, having devolved into a full-on brawl that the majority of the Riders hadn’t been too pressed to join in on.
By the end, you were sure most of the busy folk, the ones who hadn’t been knocked out, had left, most of the Riders had either fallen asleep or had drunken themselves into a stupor and the more studious ones, being Astrid and Fishlegs, had already long made of in the night either to chase off another poor Viking with a sharpened axe and clenched muscles or to hide and cower until the night had been done.
For you, the distraction had made it much easier to make off with a barrel of mead, and you’d dragged it, half bent over, into the woods, arms straining at the heavy weight.
And just in time, too. It was usually after the first fight that the mead-ladies and cup-bearers always began to charge coin for each pint.
Your arms were so sore. But it was worth it.
You weren’t too far off from the bridge separating you from Berks main village, you and your tapped barrel hiding somewhere off in the trees just after the foliage began to grow thicker, so even now, from a distance, you could hear the stormy rocking of the ocean against Berk’s sturdy shores.
You shook off a light buzz as the sound of crunching leaves grew louder, louder than what was appropriate between the mingling of tiny forest creatures, in which case you meant the Terrors scrabbling through the trees as there weren’t so many woodland creatures close to Berk’s main village.
You rested the bottom of your mug on one of your knees, your legs spread apart so that you could lean forwards whenever you wanted to fill your jug, thinking slowly and taking the time to try and listen harder.
You wanted to groan, then. Many different vikings on Berk with prosthetics, peg legs and the like but what you’d figured for sure was an approach came packaged with the slight spring of metal against metal, which you knew could only belong to one Viking.
You debated trying to hide the evidence of your night spent out alone in the cold dangers of the woods but decided against it, instead pushing yourself up, palms against cold bark, the divets between strips pressing imprints into your palm.
You didn’t give yourself much time to loiters, legs placed slightly farther apart than what was comfortable as you stumbled, dropping your mug against wood roots and grass and upturned dirt with a clatter just as a familiar face made its way past the treeline.
You resisted the urge to grumble, nearly stumbling over a shallow tree root as you brushed past him, your shoulder checking his in your distraction.
“Where…” Hiccup asked, stopping slowly behind you, now shivering himself, the head of his hair wild and on end, “Where are you going?”
You were slightly drowsy, the hands on your arms working overtime in an effort to scrub away the cold. The wind did a great deal to help, brushing through your skirts as you made your way down towards flat ground.
“...To bed,” You mumbled, eyes nearly closed, buzzing with your sudden need to sleep and the weightful urge to drop, all the muscles in your lid looser than they’d be if you had any control over your own body.
You blinked sourly into the canopy of pine above you, the light glaring brightly through the spindly leaves against trees.
You didn’t keep time, not particularly concerned as early early morning turned to brighter still early morning. 
You sighed, more a breath than a chirr, blinking groggily, turning in half as Hiccup moved to catch up with you, at a steady pace yet not fast enough to be called anything but a strong walk.
You stood on a small, flat rock, poking out of the ground like a tiny boat in the middle of a storming, wide ocean of grass, trees and shrubs, mimicking still, titanic waves all around you.
A Terror called out in the distance and a wind rushed past, nearly causing you to slip.
“Wait-”
You jerked as you felt the feel of hands grabbing onto either side of your upper arms, craning your neck awkwardly to face the one who held you aloft as your tilt neared the diagonal.
You grunted lightly, shaking him off with slow movement, burdened by many things and turned to face him.
The way he stood was easy, compared to you who was subtly off kilter, swaying with the breezes.
“I… I was a poor sport,” Hiccup said finally, voice thick with tension, reaching out for you in tone and hand; you felt a gentle tug on your tunic sleeve, the brush of a callous against the soft skin on the inside of your wrist.
He didn’t need to explain any more.
He was eager to apologize.
“Right,” You said, as your stomach dropped again, the beginnings of guilt prickling its way up the lining of your stomach like the sharp sprout of a plant bursting through thin soil.
He seemed much more awake than you, but the faded bags under his eyes implied he might not have slept as much as he’d… Liked to have implied, most likely.
A while ago, you would have forgiven him instantaneously. Now, you realized you didn’t feel that pull, the need to wait and languish. You still stewed, but it wasn’t with that simmering loneliness fueled desperation lying underneath a wave of discomfort.
It was a bit of a relief.
“I shouldn’t have...”
That wasn’t. It was awful.
You wondered how many times you could reject him before it became unreasonable.
You didn’t know what you wanted to say, but you knew he got it all wrong. You hoped he felt regret, though.
“You said things just fine,” You grumbled, shaking him off and letting your arms loosen, “I don’t care.”
He hadn’t been so insecure about his cousin since you were younger teens. You didn’t like him enough at the moment to try and find out why.
“And I’ve been thinking-” Hiccup continued anyways, grumbling slightly, “and I really- maybe I deserve it.”
“Right,” You said shortly, though not short enough to really imply that you’d been holding a grudge, still intent on leaving, feet shifting. The two of you were on the same step, practically standing toe-to-toe. 
Of course you still held a grudge. Or, maybe grudge wasn’t the right word. Grudges were for things that were old, that had been long since made up for and pushed under the rug, then brought out and dusted off and looked over at night when secrets were best kept.
You’d had half a mind to let it pass. Not because you wanted to be the better person- no, because ‘letting it go’ didn’t always mean being the better person, not when you were still so upset, anger lying like a poised snake in your stomach, but because you wanted him to squirm.
To think about it just as much as you’d had to.
In this instance, however, you didn’t particularly think that holding to your anguish made you a worse person. It made you a wronged person, for sure.
You remembered how you woke up early to see him, to be the one to say ‘hi’ first. How he’d greet you, then how he wasn’t there. And again and again and again you checked, your heart soaring each time, only to be left sorely disappointed.
 It was silly. And selfish. And something only someone a few years younger could do- keep their hopes up so innocently high and without any real expectation only to be disappointed each and every time by a result that through pattern they must have known to be sure. 
You grumbled, shaking him off and turning to leave anyway. “Fine. Save your apologies.”
“-No, you’re right.” Hiccup folded quickly, “I-What?”
Of course, it would be just like him not to see your worth. 
“...You haven’t paid this much attention to me since we were kids.” Seriously, why? You said sternly, pushing past the slogging fog clouding your mind.
“What?” Hiccup paused.
“Of course,” You scoffed, stepping your way off the rock and kicking your way past a large pile of leaves.
As you stalked- or, stumbled, more like- out the treeline and up to the wooden planking lining the wide floor of the huge bridge leading back to Berk, dark boots dirty and scuffling loudly against the wood, Hiccup watched you.
Hiccup watched you and he paused with mounting horror as his eyes followed you, whose long gray skirt was falling down to your ankles.
At this point, you’d refused two of his apologies, both times with a gloomy, stormy expression on your face, shoulders hunched and miserable.
You had asked him why.
And, well, there was a reason why. 
He was a bad friend.
Deep envy, spiked as thorns in chest twisted as a friend of his became the friend of another, attention that had been allotted for him lost like spare coin. As what he knew to be a feeling or certainty became pangs of hurt when you became someone he couldn’t any longer recognize, fast speech becoming a slow, morbid, familiar prose becoming, dare he say it, ribbing.
Even now, he wanted to keep it up leave still, to escape off into the sky with the other riders in an effort to keep running away in part from a feeling he couldn’t name, a thing that grew and writhed as he realized that he’d mistaken the value of one friend for a group of a few others when he really should have made an effort to have kept all of his sheep in line.
It was a feeling that was familiar but that he hadn’t paid much mind to, even as he’d grown more distant from you, even as his eyes began to linger and as his heart pounded and eyes widened. 
It had become unavoidable now, especially after you’d fallen over him, looking wonderful and fine and shining with the sun pressing into your back and glinting around your head like a crown made for you by the very Gods.
It was a feeling he hadn’t felt since… He was a teen, when he had been very much into... -But, it was slightly different; a little bit of want-to-see mixed with a heaping pile of desire-to-impress mixed with something a little bit more like ‘I-know-you,’ which, in hindsight, had always been there, at least for a while though it was a slight weaker now and had not always paired so brightly with the previous two.
And all of it was twinged by something else, wrapped up in a twisting, bitter, covetous cage, locked and keyed by a budding, intense resentment for his cousin.
Even in your drunken state you were so, so pretty. And now you were mad at him. 
He had to wonder how he always got himself into these situations.
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I started reading the Art of Wish book, and honestly now it makes me even more sad to see how underappreciated the movie is, because the level of care that went into making it is probably superior to that of most of their movies combined (so much for the “AI made movie” argument). Did you know, for example, that Wish is specifically set in the 1200s (earlier than Sleeping Beauty, who is set in the 1300s) so that it could be the very first story set in the Disney universe, timeline-wise? Did you know that Asha is supposed to be the very first person on Earth who wished upon a star? Did you know that the village Asha lives in is not called Rosas like the main city? (I especially liked this detail, since I hate it when the main kingdom���s name is interchanged with the names of all of its cities in Disney movies).
This made me think of the disappointment I felt back in 2022, when I read the foreword for The Art of Encanto and it only said that the goal of the work team was to make a movie set in Colombia, and to have it centered on a large family. Now I truly love Encanto, but those words did make me think that the movie had been made purely to get a profit out of it. Wish has been repeatedly accused of being a soulless cash-grab, but all it takes is to read the first few pages of its artbook to find out just how much of a testament to Walt’s legacy this movie truly is. The Easter Eggs are only the most superficial layer of this movie; a layer that the majority of people mistook for its core. Every page of that book oozes love, and this gives more sense to the decision of the filmmakers to scrap the love story between Asha and Star. Had it stayed in the movie, it would have shifted the focus from the fact that Disney loves to create stories, to the fact that they love to create love stories.
The only love story the creators of Wish wanted to show is the one between a studio and the movies they make; there was no place for both of these things in this movie.
And it’s so sad that this seems to have flown over everyone’s head.
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teecupangel · 7 months
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Inspired by the Patron Desmond sends his ancestors to earlier points in time and fucks over half a dozen timelines: Desmond wishes all his ancestors had someone to support them through their worst suffering without - you know, getting betrayed by them or watching them die.
So Bayek wakes up in the prime of his life in Altair's time and adopts this child who just watched his father die. When Altair dies, he and Bayek suddenly appear, both in the primes of their lives, in time to see the Auditore get arrested. Bayek, Altair, and Ezio are there when Edward's protecting the Assassins of Tulum and take the piss out of him. The crew plus Edward are there when Ratonhnhake:ton's village burns. They all sail to France on a whim and end up recruiting Arno. All of them appear in London to help out the Frye twins. And when Desmond gets kidnapped... the Assassins have an entire historical legion show up out of nowhere to help bust him out of Abstergo's clutches.
Kassandra keeps showing up, nobody's certain if she's with them all or not, but just... all of the main ancestors glomming together as one hugely dysfunctional murder family forged across time and space who all have the biggest soft spot for Desmond.
Desmond as their Patron has no power over this. This is happening solely based on his wish and he has no control who gets transported and gifted with immortality so even he does not know if Kassandra is also part of his immortality gang.
It’s Bayek who believes Desmond is a god and their patron, giving them this power to protect the world. Of course, there are times when he misses Aya and he wonders if this immortality is a curse. But then he hears the laughter of Darim and Sef before they run after him, grabbing his robes and asking him to tell them another story, grandfather tells the best stories! And Bayek’s lips curved into a smile. Perhaps the immortality is a curse but seeing the people he cares for and loves grow up and take the future for themselves will always be a joy that makes this curse worth it.
Altaïr would be the one to try and understand this immortality that they had. Would be the one to realize that they do die after their life runs its course but they will always be awaken in the same place together, back in their prime, with the memories up to their death. His first business would be to find his Apple and, after the long road he had to take to find the seals to open his library, he decided to set it up so that the next time he needed to find his Apple, it would be in the most convoluted way possible that only he would understand. It’s because of the Apple that they got to Firenze just as the Auditores were being arrested (they saved the day but it was a close call). Then Ezio’s Apple was placed on the vault and Altaïr felt a bit annoyed of how easy his Apple was secured so… he just plopped the Apple there as well.
It is Ezio who first thought of naming the glowing god that appears before them before they are resurrected once more Desmond. There’s something about the god with no discernible features other that his entire body glowing that made Ezio think of Desmond for some reason. Altaïr is the one who tries to search for this Desmond using both his and Ezio’s Apples.
Edward was the one man out. He wasn’t an Assassin yet but he had the makings of one. So they trained him. Bayek had done this three times already, he knows Edward Kenway is the key. Perhaps the next brother that will be given the curse of immortality. They stayed with him until he started to settle down in London, focusing on his family. They visited from time to time but they were not there to save Edward.
When they are resurrected once more, decades have passed and they could only try and save as many people as they could as the fires had already started. Including the mother of a young child by the name of Ratonhnhaké:ton. They stayed in the village for a few days, with the boy’s mother talking to Edward Kenway for a long time, ending with Edward learning of his son’s fate. So they leave the village to find him, to confront him. When Ratonhnhaké:ton was 13, he followed his mother out of the village and they meet once more. Haytham remains elusive and they suggested that they stay with the mother and son for a bit to ‘relax’, only for this to end with them teaching Ratonhnhaké:ton (and sometimes even giving tips to Kaniehtí:io.
And after everything was done, they sailed to France to support Ratonhnhaké:ton who received a letter requesting for aid from Lafayette. There, they met Arno Dorian and took him under their wings, helping him with his missions but only three of them at a time, for they have their own agenda for going to France. (And if this ends with Altaïr taking a Sword of Eden, well… that’s not really surprising).
Helping out the Frye twins had been second nature. Arno and Jacob met by accident when Arno had been buying one of the pubs in London (a financial focused habit he and Ezio had developed through the years) and Bayek thought they needed support (and guidance, so much guidance). By the end of it, they were sure that the twins would become like them as well. (And if this ends with Altaïr taking the Shroud of Eden… at this point, everyone already expects him to take custody over POEs)
It all ends with them moving into the modern day where they used their knowledge and experience to have a partnership with a group called Erudito. From there, it became easier to find the Assassins but their focus shifted when they heard of Desmond Miles.
And Ezio just knows… that this was the Desmond they were all searching for.
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So I've been reading a few of the Barbie Princess and the Pauper essays that are floating around the internet (mostly Tumblr) and I've got a theory that Preminger killed the King, before the movie takes place.
First of all I'd like to give a lot of credit and a big thank you to @rin-the-shadow for their brilliant analysis of the timeline of the movie that helped me massively in figuring out when Preminger would have killed the king for the theory. Since the ages of the characters are not stated anywhere, or even implied, within the movie itself. So there's not a lot to work with in terms of timing. 
I'd also like to thank my two close friends who helped me come up with this theory. 
So first for a bit of a background, in the movie the King isn't mentioned at all, and we only see him once at the beginning of the movie, which is in the prologue. From this evidence, it's incredibly safe to say he is dead by the time the movie takes place. Now If we look at Rin's analysis and the evidence they use from the movie, they state Preminger comes into the role of Queen Genevieve's advisor when Annaliese is around 6 years old.
From here the timeline becomes messy, as we don't know when Julian becomes the tutor to Annaliese. I'm assuming that he becomes her tutor at least 3-5 years before the movie begins. This is a bit clearer if we again look at Rin's analysis, in which they theorise about the difference in time between Julian and Preminger's arrival at the palace: as they state with more movie evidence in which Julian can remember living in the village. As well as this Annaliese and Julian are really close at the beginning of the movie, which shows they've gotten to know each other really well. So I think that Julian is a bit older than Annaliese, not by much though, so I'm going to say he's about 2 years older than Annaliese.
This leaves about 5-6 years maximum for Preminger to get rid of any evidence he may still have lying around from him murdering the King, from him coming to the castle to Julian's arrival at the palace.
So for the theory itself, I think that Preminger murdered the King a year or two into his role as the Royal Advisor. Now you may be asking why Preminger would kill the King?
That's because I think the King was incredibly close to discovering Preminger's plan to steal the gold, so he decides to murder him in order to truly get rid of him, and keep his plan secret. This is because the King was probably the smartest out of him and Genevieve at the time, therefore the King would question Preminger more. And lets be real for a moment he probably realised that Preminger is clearly evil. While Annaliese would be about 7 or 8 according to the timeline, so she'd be too young at the time and less of a concern to Preminger. 
Now by doing this, Preminger in fact gets a few things out of murdering the king. The main one being that he can keep his plan secret much longer, allowing him a greater chance at succeeding. The second thing he gets out of this, is now an increase of power through Queen Genevieve.
Throughout the movie, it's shown that Preminger has Queen Genevieve completely under his thumb, a massive example being when he proposes to her (we'll be coming back to this piece of evidence later). And from this we can assume that for a while before the start of the movie, Preminger was essentially making the decisions for the Kingdom while manipulating Genevieve into agreeing with him. Or making it look like she's the one truly making the decisions.  (Because as much as I love Genevieve, it's clearly shown, at best she's completely dependent upon Preminger, and at worst dumb on her own)
Once Preminger kills the King this leaves grieving Annaliese and a vulnerable Queen Genevieve. She's now a widow, with a kingdom and a child to not only look after, but make sure she's an experienced heir to the throne. On top of that she's going to be grieving and that's going to make things a lot harder for her. 
This is where Preminger's manipulation of Queen Genevieve truly begins. Through her grief Preminger can manipulate her by making it seem like he's helping her work through her grief, while also making it seem like he's the answer to her problems of taking care of the kingdom. As a result this increases the power and wealth Preminger holds, whilst making Queen Genevieve completely dependent on him over time. 
This leaves the timeline looking like this: 
.Genevieve and the King become a couple
.Annaliese is born
.Preminger is hired as the Royal Advisor when Annaliese is about 6
.The King is murdered by Preminger when Annaliese is about 7 or 8
.Julian is hired 
.The events of the movie happen
All that is left now is to figure out how the King was murdered. Now if you've seen the movie or have seen a review, you know that when he has to, Preminger is 100% willing to murder people. This is shown when he tries to murder Annaliese and Julian by causing a cave-in, within the Royal Mine. Which happens because Julian and Annaliese are smart enough to realise that Preminger is evil. And by this point murder is Preminger's only option to secure his plan. 
The evidence is also important, as it reinforces how experienced Preminger is when it comes to manipulating Genevieve, because the next two scenes are when Preminger exposes Erika and then the proposal scene. The proposal scene shows how he uses Genevieve's own grief against her, to marry her in order to become king (and completely disregarding any emotions she may have about this situation). It not only shows that he has total power over her, since she doesn't even make a verbal response she just turns around and holds her hand out for the ring to be placed on her finger. It also shows that he is very used to doing this and knows that in this situation all he has to do is present himself as the solution to her problem. But this time he's gotten so desperate and thinks that he's won so he doesn't even bother hiding his evil intent from Genevieve. As by this point he's managed to figuratively and literally back her into a corner where he is her only option. 
Going back to how Preminger murdered the King, he has a few options for how he can do it. 
He can make it look like an accident or natural causes
He can make it look like someone else murdered him
Not care at all how it looks and get rid of the evidence later
Again from looking at the movie, when he tries to murder Annaliese and Julian by collapsing the mine, he at least tries to make it look somewhat like an accident (at least I think he does, please correct me if I'm wrong). So I'm more inclined to go with option 1 for his method. We also have to remember that the movie is set loosley somewhere in the 16th century. So there's more ways to get away with a crime, and it's before Julian arrives at the palace, meaning Preminger has less to worry about when he commits the murder. 
Preminger also seems like the type to not have much physical involvement in a murder, that is yet again shown in the mine collapse scene. So I'm going to say that Preminger most likely poisoned the king. 
This is because poison was widely available at the time, with apothecaries selling poisons as some poisons had functions apart from murder. This means that he can easily get it and get more if he ever needs to. 
So to summarise the theory, Preminger murders the King because he's coming too close to discovering Preminger's plan to gain power and chooses to kill him by poison. This leaves Genevieve vulnerable to Preminger's manipulation that while not making him just yet, gives him a bigger increase of power while pushing his plan further along. Then the events of the movie occur that force him to change his plans and in turn bring about Preminger's downfall and defeat. 
So that's it! Sorry this got a bit long. 
Thanks for listening to my rambles. 
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danwhobrowses · 24 days
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One Piece Chapter 1113 - Initial Thoughts
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It is time
One Piece is back again and the big announcement is almost underway. The Gorosei are circling though, much of the Straw Hats are cornered, will the revelation turn the tide?
Let's find out
Spoilers for the Chapter, Support the Official Release too!
A chess-themed colour spread this time; Robin playing chess with the crew as chess pieces
Contrary to the message the King should not be the attacking piece but other than that I did find it funny that Usopp is a Bishop with a bow and arrow, this cleric does harm!
Also lil Chopper pawns!
Picking up where we left off, Markus Mars has been stopped in awe of a sight in Punk Records
The remains of Vegapunk's humungous brain, as big or maybe even bigger than a giant, kept in a pod and still working even after his death
Mars does wonder if this is more Vegapunk's true self, which I guess if it has his brain it's probably the main part that's biologically living
People around the world brace themselves though
Syrup Village! Kaya, Merry and the old Usopp Pirates get a cameo
Despite her wealth being enough for Kuro to plan a murder/retirement spree, they do not have a Video Den Den Mushi
Though it seems like it's more size than price, and Kaya is already keen to hear what Vegapunk is saying, given his role in the medical field
Also lil' Merry details on the Den Den Mushi
The Marines are monitoring it too
Laboon and Crocus cameo!
And we even get to go to Baldimore, birthplace of Vegapunk
Some dialogue from the group that found Franky during the separation too
'I heard he's turned himself into a ship now' XD because of the bounty poster, and the bad timeline SBS image maybe, though I still think we could in the future get a Sunny mecha
Also got Chopper's bird and medic island listening in
The tribespeople even know about Vegapunk, they call him a 'king of modern science'
Even despite the Garp and SWORD attack, some pirates from Fullalead are listening in - some still wanna fight each other though
Mars tries to stamp out the Den Den Mushi, but it's of course a fake! It shatters to reveal just another regular Den Den Mushi
Fooled again motherfucker!
Vegapunk does introductions once more but now everyone wants him to get on with it XD
For the most part the more obscure world shots seem somewhat familiar, I couldn't tell what the rainy place was but it could be Water 7, the other one looked a bit familiar, the Longarm place looks like to have Brook's old talent agents too
But this campfire one, a child is hushed back to sleep by their likely mother, they're in tipi tents, what's interesting is the other person there, almost like Oda's pulling something sneaky
Through their collective telepathy, Mars announces his failure, it was a decoy so they have no leads
They wonder what Vegapunk intends to say, fearing that he'll carry on what Clover started before he was silenced
Back to Sanji and he hears a woman's scream
Bonney is being targeted by V. Nusjuro, Franky standing between them but Sanji demands to be the white knight
He jumps off the sword to kick him in the jaw
By comparison V. Nusjuro is pretty damn huge
His body sets on fire - fitting to his Yokai lore - but then the horse's head comes out to bite Sanji
Lots of crackling of bones, I wonder if his Healing Factor is still a thing
As Oimo and Kashii tackle V. Nusjuro (about the same size as them), Vegapunk's broadcast begins, admitting to committing two grave sins
Bonney turns into a giant with her fruit to attack V. Nusjuro, who has returned to his hybrid form
Vegapunk's broadcast admits that he is likely to be executed, and that this broadcast would start when his heart has stopped
Sabaody reacts first, realising that this means Vegapunk is dead
Duval has trouble processing this, since the news said that he was a hostage for the Straw Hats
Caesar's also mad, he and Judge went through that whole cover story alliance for nothing, so now they can promptly fuck off
And Morgans is angry because Vegapunk is giving BIG NEWS without him like it's not in his name
Interestingly, Vegapunk is quick to state that his killers should not be portrayed as 'evil' - because they're looking pretty damn evil to me
It seems maybe this is because he expects Luffy to have been pinned as to blame for his death, though it could be scanlations saying 'him'
Saturn faces off with the Labophase group, demanding they move away
Saturn and Robin however recognize one another, Robin from his voice back in Ohara and Saturn by her image
Seems Saturn blames Akainu directly for Robin's escape, I mean he did blow up the hostage ship but still, there were more marines out there
He goes to attack Robin, so all the other Straw Hats go into protection mode
Brook cuts a few limbs, but worryingly Chopper blocked some with his Guard Point - those limbs are poisonous remember? Though it's impressive that he could suppress a claw that could go straight through Kuma
Nami also remembers that she can use Zeus to block attacks
Mars is still on recon, but his senses can't pick up any 'telepathic waves' - wonder if that's a Haki feat or something relative to the Gorosei's shared thoughts?
York is also having trouble figuring out where the Stella would've put it, since her position as a Celestial Dragon is on the line
Vegapunk's about to deliver his mission statement, which is putting the Gorosei into a panic
Mars considers blowing up the entire place, but Saturn and Warcury are weighing it against the possible losses; men, equipment, and any chance of recreating the Mother Flame
Wait. What?
"Our World...is going to sink into the ocean!"
Well you can't deny it: Global Warming is Real.
It's not just Water Seven and Aqua Laguna then, it's all going to sink, there's a lot of thematic consequences to that when you think about it.
Did the World Government ostracize the Fish-Men because of this? Knowing that they would inherit the world? Does this have any connection to Devil Fruits and why the Ocean really saps their strength? Did the ancient kingdom like Old Wano sink to the bottom of the sea?
It begets a lot of questions, in true Oda fashion.
The rest of the chapter was a lot more jam-packed than the last, even without Luffy. The carried tension of the announcement is followed by Saturn and V. Nusjuro's confrontations with the crew, giants and Bonney. As expected, Sanji took on V. Nusjuro, the hit didn't seem to do much in the long term as expected, though I kinda wish Franky also got a hit in but the extent of his own injuries is worth wondering.
I'm glad the Labophase crew are stepping up against Saturn, at least until the expected arrival of Zoro and Jinbe, but it does show their furthered growth versus Enies Lobby if they can successfully repel Saturn from Robin - her injury being validated by this scene, though I still wish we saw a flashback of the Straw Hats vs Seraphim and them uncovering York as the traitor.
Still it's bad PR from the Straw Hats either way, they're likely to be accused of killing Vegapunk, who was last deemed their hostage by the fake news machine (is Morgans still going to Egghead? I mean with Vivi with him we continue to tease a reunion), and while Punk Records still has a chance to live on this is definitely going to be something each crewmate will have to re-evaluate given the bigger picture. Still, that can come after getting off the island; Edison and the Sleeping Giant are still at play after all, Stussy still needs to release the barrier, it's looking more likely that we might finish up around 1120.
Still there has to be more to the announcement, if Vegapunk was waiting for a video display it means that there are visuals to corroborate his revelation - I wonder if the Gorosei are more open to this reveal coming out than what they expected with the Ancient Kingdom reveal they destroyed Ohara for? Like did Vegapunk dupe the WG into Buster Calling Egghead over a reveal they didn't care much for? He mentioned two grave sins too so there seems to be much more to his announcement than just the opening statement.
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ctitan98official · 3 months
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Alcina is a giant (But motherly) Vampire bat - Drabble: Y/N sees the girls in their human forms
So, this will be a drabble that picks up from here! I couldn’t figure out a way to fit Ruby into this drabble because the timeline for this au is all over the place, but I hope you like it. I’ve been getting a lot of requests for more bat mommy Alcina 😅 Let’s get into it!
Since you’ve transformed into a baby bat, it’s honestly been a dream come true for Alcina. She loves taking care of you.
The two of you spend most of the day cuddling, but she also plays with you and makes sure your mind is occupied. She tells you stories and sings to you as she feeds you. Today is no different.
You are currently wrapped in her wings as she rocks you gently. “Alright, draga. Time for mama to feed you,” She says with a smile and licks your face.
You chitter up at her and she softly rubs your face with a wing, cooing at how cute you are.
She carefully guides your little mouth closer and helps you latch on.
You suckle for a while before you notice that the weather outside is turning harsh. A thick blizzard is raging and it is very cold.
As warm as your mama’s hold is, you can’t help but shiver. Your little teeth chatter from the freezing temperatures.
Alcina looks down at you in concern. “Are you cold, baby?” She asks.
You nod your head and bury your face in her soft fur.
Alcina hasn’t seen a winter in the village get this bad in a long time. While normally this wouldn’t be a problem, with you the size of a tiny newborn and just as delicate, she is acutely aware of the danger this storm poses to you. She decides that she needs to bring you back to the castle to get you out of the elements. Once she gets there, she will signal for the girls to come as well. It would make her feel better for her entire family to be together at such a turbulent time.
“Alright, draga. Mama’s going to take you to the castle. It’s too snowy out here,” She tells you and begins to grab your blanket.
Your eyes grow wide. You haven’t been to the castle since you got hurt by that bear. You whimper anxiously. You don’t want to leave the cave. It’s your home.
Alcina chuckles sadly at your reaction and begins wrapping you in the blanket. “It’s okay, my love. Mama will take good care of you. I’ll even have your sisters come over. Would you like that?” She asks.
Your eyes brighten at this. You happily nod.
Alcina smiles at you before picking you up and flying off.
The gusts of freezing wind chill you to the bone, but thankfully, it doesn’t take long until Alcina has made it to castle Dimitrescu.
Alcina brings you inside and sets you down for a moment before she changes forms.
You mouth hangs open in awe as you look at her human form. Is it possible she’s gotten even more beautiful since the last time you saw her?
“Hello, draga,” Alcina smiles at your adorably shocked face. “Can mama hold you?” She asks and crouches down to be closer to your height.
You chitter and bounce excitedly at her question. “Up, mama!” You say.
Alcina chuckles and scoops you up.
You still fit perfectly in her arms, even in this form.
Alcina brings you to the main living room and sits you on a nearby couch before starting a fire in the fireplace. She knows the girls will be able to see the smoke billowing out of the chimney from their respective roosts and come to investigate. They should be here soon.
Alcina comes back and sits next to you. She grins and pats her lap, prompting you to climb on.
You happily snuggle into her, enjoying the heat from her and the fire.
“Are you still hungry, baby? You didn’t get to finish earlier,” She asks and rubs the soft fur of your face.
You eagerly nod your head, feeling your tummy growl.
Alcina lowers the neckline of her dress and frees her breast before offering it to you.
You latch on and begin to drink.
Alcina sighs in relief as she feeds her baby. This is her favorite way to bond with you. She rubs your back and hums to you as you eat.
The two of you enjoy some quality time together in the calm ambience of the castle while you nurse.
But, it doesn’t take long until you pick up the sound of flapping wings. It must be your sisters!
Alcina pulls her dress back up and looks at you. “Do you hear the girls, draga?” She asks with a smile.
You chitter enthusiastically at her question and squirm around, wanting to see them.
However as you peek over Alcina’s shoulder to get a better look… The sight that greets you has you hiding bashfully in your wings.
There are… Three beautiful women in front of you. Who are they?
“Y/N! Mother!” The redhead gushes, coming over to you both. She leans down and kisses your head in greeting.
It’s… Dani. This is Dani! You are overjoyed to see her like this. You chitter up at her and wave a tiny wing. “Hi, Dani!” You squeal.
You look over at the two other women in the room. So… The blonde and the brunette… Must be Bela and Cass!
“Hello, little one,” Bela says in her calm and gentle voice. She runs her fingers through your fur and gives you a breathtaking smile.
You lean into the softness of her hand. “Hi, Bela,” You say with your big, precious eyes.
“Hi, stranger,” Cass says with a grin and scratches behind your little ear.
Your eyes roll back at her touch and you involuntarily kick your little leg in pleasure. That’s definitely a point in favor of your family’s human forms. Perfectly manicured nails, just right to satisfy an itch.
Cass looks at your blissed-out face and chuckles. “Only in it for the scratches, huh?” She jokes.
You giggle. “No, Cassie!” You say.
This makes all of your sisters laugh.
Alcina beams as she watches her babies interact. “I’m so glad that you’re here, dragas,” Alcina says and opens her arms to the girls.
They rush closer and hug Alcina, grateful for the chance to see you and her.
Dani looks at you and holds out her hands to take you. “Can I hold you, Y/N?” She asks.
You nod and Alcina places you in her arms.
Dani cuddles you and buries her face in your fur. “It’s kind of like having a puppy!” She says and kisses your nose. “Y/N’s so small and fluffy! Want to play fetch, little one?” She asks.
You furrow your brows and let out a growl at this. "No doggy,” You say and glare at her in annoyance.
Dani would never admit it, but seeing you get so pissed kind of freaks her out. She quickly dumps you into Bela’s arms and all but flings herself onto Alcina’s lap.
Alcina giggles and holds Dani close. It seems that some of her ability to intimidate is rubbing off on you.
She smirks and is so proud of all that you’ve learned from her.
Masterlist
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levenxa · 2 days
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Cross (Sevver)
Gender: Trans-Man
Pronouns: He/They
Sexuality: Biromantic Asexual
Height: 6’1
Age: 24 (estimated)
Likes: Compliments, Potted plants, Chess, Blue & Error :)
Dislikes: Has sensory issues, Doesn’t like altercations,
Phobias: Catagelophobia (Fear of Being Ridiculed)
Weapons/Powers: Huge Sword
Backstory: Cross wasn't the one responsible for the death of his family members, Gast (xGaster) was. Gast pretty much bans/throws out Cross permanently from his own timeline and into another. That other timeline was Pre-Incident, or where Dream and Nightmare were before the Apple Incident. He befriends Nightmare secretly as he acts as one of the villagers, but the main difference is that he was kind. They hung out very often and Cross did notice this strange aura/vibe from Dream but chose to calmly appreciate him anyways. That was until the Apple Incident, where Cross watched his one true love take this dark power offered to him by his childhood friend. Hoping he wouldn’t take it, he watches the other villagers run in fear. Nightmare takes it, and Cross steals one last glance before leaving that place (timeline) entirely. Cross later regrets leaving him there because of what a hellscape they promote in the near future, but can’t do anything about it. He moves timelines AGAIN to where Error and Blue are. He befriends Error first, they live together and are kind of dysfunctional until Cross forcefully moves out, telling her that she needs to get help. She does and they end up reconciling again only for Error to introduce Blue. Blue is relatively chill but veryyyyy pessimistic. Blue offers to have them stay in his place and they agree because free rent? Absolutely. Cross is pretty much the reason why the other two even know about the two immortals fucking up the world. The news about Dream and Nightmare wreaking havoc in multiple worlds spreads across the multiverse and then the quest to stop them begins.
Relationships: He is fond of Blue, they work together after all. Then there’s Error, he doesn’t like it when she makes fun of him, but in the end she always apologizes. He thinks she’s very sweet, despite her chaotic nature. He actually does like Ink, even when she works for the evil guardians. He has a soft spot for Nightmare but still goes against him, and Cross doesn’t like Dream at all.
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boneywones · 1 month
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gonna ramble about somethinguhhh nightmare related in my personal au read through it if u want its prob gonna be long (im also gonna add some hcs i have)
i feel like people dont talk much about what nightmare would do after dream turns into stone, like its wasted potential to just make him so he just sits in dreamtale, doing nothing and waiting for dream to get out of stone
atleast make him do SOMETHING and no, him reading books is not good enough. give him more hobbies or stuff to do. i hate bland sanses (jokus writing is already ass so you’re just adding even more ass onto that)
+ i want people to interp how nightmare found mtt trio. i want people to explain how nm found these little silly fucked up classic variants. i want people to explain how nightmare found these variants in the first place. i need explanations filled with whimsy and lore so i can be fed properly
anyway
hcs and stuff in this:
dreamtales village speaks in a different language other than english
nightmare left dreamtale after he figured out that alternate universes exist (not timelines, just universes. when he figured this out, he left after 90 years from when the corruption started)
dreamtale is changed a little drastically. flowey is actually in the dreamtale of my personal au so thats cool (will explain if someone asks)
uhhmmm thats basically it
(back to what im actually talking about)
———
after nightmare had left dreamtale after 90 years of waiting, he had figured out that alternate universes exist from the doodlesphere. (fyi, only a few universes existed at this time, the main ones being underswap, underfell and undertale) nightmare had visited underswap and underfell but found underswap to be too cheery and underfell to be too annoying, since most of the monsters tried to attack him (even though he cant be killed (hc that only dream can kill nightmare)) so nightmare decided to stay in undertale for a fair while (woah here comes the classicmare stuff sort of…..)
the first thing that nightmare had done was latch onto classic (not literally, figuratively) since classic was the first skeleton nightmare had saw. nightmare didnt trust the other monsters enough to use them as a negativity source (wuhoh trauma…..) so he had just decided to use classic instead to try and (poorly) hide himself, nightmare copied everything that classic would do, down to repeating what he would say (which is where nightmare learned to speak english ^_^) in a poor manner (nightmare used to speak similar to a seven year old in english)
(tysm for one of my friends giving me this idea)
obviously, classic noticed but didnt really bother to shoo nightmare away and the monsters didnt really care either, since classic didnt show that he cared. only person that was really wary of nightmare was frisk (or the player, can be either)
now uh oh, attachment starts (on nightmares end) after a fair while (probably about 50 years or more) nightmare gets more curious, so he pokes around undertale to find flowey. flowey realises that nightmare is a sans from an alternate universe (sorta), nightmare threatens flowey to get more information, flowey gives it and nightmare goes back to his routine
couple more years go by
nightmare abruptly leaves undertale to look at the doodlesphere again and this time finds way more alternate universes than before. he spots an abandoned au, makes a sort-of-home there, steals some stuff from other aus and finds himself back in undertale but this time he was in a different timeline, differing from classics (its already obvious but this is dusts timeline)
nightmare becomes confused “ermmm where the freak is sans…” he probably said
realises that all the monsters are gone (yolo) and looks around to find dust. nightmare thinks dust is classic (the og), dust tries to kill nightmare and nightmare abruptly apprehends him (L)
then nightmare, like the wackjob he is, kidnaps dust because he feels like it then stuff happens, u get the jist. he kidnaps killer, then horror, figures out that timelines exist, realises dust isnt classic, immediately loses interest in dust (dawg) and other stuff happens
basically it…. erm
wanted to ramble about my personal au qnd the nightmare in it because i can 🤓
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beamattack · 2 months
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Hi! I wanted to ask you, how you began with your idea about your zelda au? You inspired me in doing a my own one and in a game-like-way, i love your contents in this your idea! (Idk if you already replied a similar question :,I)
What a nice message! I'm so happy when people ask about and enjoy my zelda stuff even when i haven't been able to draw for it for a while, since it's very close to my heart! :^D And i'm so happy to hear that it has inspired you!! Makes my heart worm 🪱 ❤️
As for how I began with it… I can't remember my exact thought process, but I've always found loz-games fascinating both gameplay-wise and story/worldbuilding-wise! I've always loved how different the games are even with their shared elements. The land of Hyrule itself and its creatures vary wildly from game to game and aren't bound by any certain rules, which just adds to its strange myth-like quality which i adore. So I think I just naturally started to play around and thought about what I would do if I made a LoZ game - it's like a giant playground to me! At first I just had vague ideas that I liked: I've always liked Vaati so he'd be the antagonist, I've always wanted to see more of the rarely seen darker fairies so I made one Link's companion, I like drawing fabric moving in the wind so Link got a scarf, I love drawing snow so that would be the main setting, etc.. You see my thought pattern, haha! I drew a couple of concept sketches to get it out of my head, and some years later I revisited it and added to it and formed into what it is today (Zelda, the village, the story, map & locations etc.).
Basically I wanted to create a LoZ idea that could possibly be played as an actual game in the franchise but with my own touches, and picking elements from canon that I really liked (some people have noticed that it feels like it could fit the “Hyrule's Decline” timeline, which is right - I'm super inspired by ALttP/ALBW's maps and Zelda 1 & 2's manuals and feel!). Same with the gameplay elements - so much of LoZ's identity lies in its gameplay, so for me it would be impossible to come up with a Zelda idea without thinking of it as a game, haha! So it's a mix between canon gameplay elements (dungeons, items, enemies & bosses) and just stuff that I personally think would be fun (Link as a stealthy scout, snowy environment hazards, status effects (I'm a JRPG nerd) etc).
Sorry for the long answer! This might be more than you asked for. But I'm glad you asked, thank you! :D I haven't been able to draw much lately because of my studies but here are a couple of sketches I can share! :)
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(loz idea masterpost)
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Kenji headcanons
As stated in the pinned post: he has dissociative amnesia so his memory just blanks and gaps lot of the events since his friend died and just in general
Audhd(self explanatory)
transmasc (his village didn't really have a strong concept of gender anyways tho)
Dyscalculia- so he's not great at anything to do with numbers or amounts or distance or direction or anything adjacent to that
So he actually would get lost probably as much as Ranpo except he's constantly asking people know the street for directions (it helps him make friends)
Has absolutely been scammed many times before because even in bartering he does not know easily how to tell a fair deal
Does not know how to tell time at all if you ask him what time it is he'll say something like 'still light out'
Technically doesn't live in the agency dorm (his main job is farming afterall)
he really likes bugs and spiders.
High pain tolerance (that boy has been shot and stabbed and works hard in fields he knows how to withstand physical strain and injury(not that he gets injured often(if he's hungry most blunt force thing cant injure him unless they're from an ability))
He's a bit of a "I know a guy" person for everything. Even like majorly concerning things that this child should not know a guy for
Sends weird city things back to the village (like stop signs and lunchables and a scooter and a manhole cover and a security camera and a flashlight)
His body doesn't know how to metabolize foods or drinks with too much sugar or artificial stuff in them so eating or drinking them with make him really sick
Also cannot handle spicy food. He can handle spice, just not spicy
On the subject of food: he has really unhealthy eating habits (will only really eat at night before going to sleep(if his poor internal regulation skills don't make him forget he's hungry) or if it's with other people after he's done everything he needs to do)
Will take anything his friends say as gospel if he doesn't already know otherwise.
Drinks milk straight from the carton like a madman
Strong tight fucking hugs(boy is restraining himself, unless it's Dazai. Dazai he can squeeze)
Does not like overly loud or cluttered noises(unless he's causing them)
Accidently gets the ADA in trouble for so much collateral damage.
His parents are fully still alive (he was mostly raised communally though, a lot of things in his village were group efforts)
Fully does not to hesitate to ask for help when he needs it but because he's oddly capable on his own he often doesn't actually think he needs it unlessnits specific things that he already knows he's not good at
Not very curious if it's not city related actually. He's content with his own knowledge. (Widlife documentaries are like cocomelon to him though, he will not look away)
tends to be either really late or really early to things. No in between
He has so many freckles
After his friend died he developed claustrophobia and a fear of drowning(though the latter hasn't come up for him yet and isn't as strong as the claustrophobia)
Bites his nails and pencils and erasers and stuff
Gets sick pretty often. His immune system isn't used to being around so many people and the new environment
Also generally just has bad physical reactions to things a lot of the time(like processed foods)
He can cook really well from scratch though (like literally bro can make flour from wheat)
Can't really use most technology well.
Not a headcanon but just a timeline reminder: Kenji joined the agency two months before Atsushi
Back to headcanons:
Kenji only got his ability after his friend died(I'm still tryna timeline this. Kunikida says the flood was "a long time ago" but Fukuzawa investigated it and found Kenji and Kenji looked the same and I doubt he found him then left and then awhile later was like "hey let's go back and get him actually" so I'm tryna decide when exactly it was. I like to think maybe 4 months before the start of canon and 2 months before he joined max? Idk id love feedback)
He doesn't remember the days surrounding his friend's death either
Would break stuff on accident a whole lot way more often before joining the agency and passing his entrance exam like it was a very very common occurrence
accidentally hurt a number of farm animals this way, some chickens got worse than that cuz tiny
Spent a lot of time sleeping for the first bit because normal eating schedule would knock him out three times a day
without his ability he's still pretty fit because his strength ability is a recent thing but since getting it his actual body has slowly been getting weaker and weaker
Gets really bad motion sickness in vehicle
Uhhh other stuff I'm forgetting
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