Tumgik
#criticism of fandom
yuleshootureye · 6 months
Text
I don't think it's fair to say that people only like WFA if they prefer the fanon, idealized versions of Batfam characters.
More rambling about comics and fandom under the cut, but the tldr version is that a) sometimes people want slice-of-life stuff for their favorite characters and b) if I have to put up with Dark and Gritty, unnaturally-prepared, child-slapping Batman, fans of that guy can put up with some light and fluffy manor hijinks like WFA.
Yes, there is an active and vocal portion of DC fandom that wants things from canon that will never happen. Partially that's because fandoms typically always want things from canon that would never happen. Teen Wolf and SPN fans want a coherent narrative that actually addresses the themes and character choices portrayed on the show. CA:TWS fans want to dig their claws into Steve and Bucky's relationship AND the US Military Industrial Complex in a way that the MCU never will. Stranger Things fans want some honest-to-God character development. And part of what I see in DC fandom is similar: what do fans of works where the characters are constantly emotionally and physically stressed want from their fanworks? Hurt/COMFORT and/or curtain!fic, in my experience.
And yes, partially that's because there seems to be a large portion of DC fandom that have not read a significant portion of the comics.* And/or watched the tv show(s). And/or watched the movie(s). And fanon builds on fanon until suddenly Tim Drake is crying because no one has ever hugged him, Cas/Steph/Duke are Sir Not Appearing in this Film, Jason is Gotham's #1 feminist, Dick is a golden retriever in human form, Damain is baby™, and Bruce would NEVER endanger his children by letting them go out and fight crime. But that happens in every fandom, to some extent.
I think it's perhaps more pronounced in DC because it's a comics fandom without any one unifying canon that most people are drawing from. For good or for ill, the Marvel fandom is typically able to circle the wagons around the MCU, with people incorporating various aspects of the 616 or Fraction's Hawkeye or whatever Spider-Man movie's come out most recently. DC doesn't have that. There's 80+ years of comics, including reboots that are supposed to make things less confusing (but YMMV on the effectiveness of that), and characterizations that change with the times; CW live-action TV shows; the Snyder-verse live-action movies; the NON-Snyder-verse live-action movies; the DCAU or Dini-verse/Timm-verse; the DC animated movies that are generally adaptations of comic storylines; the 2005 Teen Titans animated show; the 2010 Young Justice animated show; TITANS; The Batman (the animated show!); The Batman (R. Battinson!); Gotham; Smallville; Lois and Clark; etc, etc, etc.
I came to comics from the DCAU. I watched Smallville far past the point where any reasonable person would have quit. When I first watched 1978's Superman, I was confused that John Kent was dead, because he wasn't in the canons I was most familiar with. It's obviously not a 1:1 comparison, but I do think the question of "what do you want from canon" depends on what canon you're talking about.
And I don't mean to sound like I'm coming down on the side of people who are only familiar with fanon trying to argue they know the characters better than people who've actually consumed canon. But I do think DC being such a broad canon with no unifying property makes it a difficult discussion to have unless you start off by identifying the parameters.
ANYWAY, the point I've been dancing around is that there's enough canon that when someone says "MY Batman would never do that", they might be talking about their fanon or they might be talking about animated show #903 or the Tim Burton movies or whatever. Also, I had to put up with Nolan!Batman being the Batman du jour for like 10 years. It's WAFF WFA Batman's turn to be in the spotlight for a hot minute.
(Also, as greater minds than mine have pointed out, comics are, in general, a collective mythology of the modern era. And if you've ever tried to look up the One True Version of a myth, you'll know it's a frustrating exercise in futility)
*Of course, there's also a question of "what counts as a significant portion of the comics". Someone semi-recently ran a poll of "would you say you've read a lot of comics" and I was torn because I've read a lot, but in fits and spurts over the last 20 years, based on what was available at my local library or bookstore, and with nowhere near the focused attention that others have managed.
17 notes · View notes
shyjusticewarrior · 1 month
Text
A reminder:
Robins: Dick, Jason, Tim, Steph, Damian
Batboys: Dick, Jason, Tim, Damian, Duke
Batkids: Dick, Barbara, Jason, Tim, Cass, Steph, Damian, Duke
Batsiblings: Dick, Jason, Tim, Damian, Cass, Duke
5K notes · View notes
asharaks · 2 months
Text
it is, i think, symptomatic of the way larian has built this brand: bg3 was always marketed as being mature (read: sexual), and that was one of the big draws for players - myself included! especially as media pulls more towards extremes, with mainstream video games starting to get increasingly graphically sexual, graphically violent, and the vogue for 'grey morality' becomes the norm, those boundaries get pushed, and it becomes more and more of a selling point.
larian obviously focused on this, along with the How Do You Do, Fellow Kids brand, the increased accessibility of game devs on twitter, and adopted it heavily into their marketing strategy, and are now pretty reliant on the horny gamer crowd for a lot of their audience, and more importantly, they're doing this on purpose.
which is how you end up in situations like this.
characters (white men) the players want to fuck get centred: they get updates, they get more content, they get favoured. halsin's gone from a side character in EA to a half-fledged romance option, to a full romance option: he shows up in the promotional material, is larian's poster boy for the sex scenes, he gets more content with every update.
now gortash gets more heavily implied situationship lines with the dark urge, because players are horny for him. nevermind that some people aren't playing that way, or that he was originally set up to be a lower-level antagonist; nevermind that if the durge's storyline needed expansion, it should've been with orin and sarevok and bhaal, or that it muddies the writing for the rest of gortash's arc + characterisation: people want to fuck him, so it gets put in the game. it's not even to do with karlach, whose quest so desperately needs expansion! it's specifically catering to the people who want their character to have a Relationship with the slaver, because they're either not interested in or not able to focus on strengthening the weak spots in the narrative: they're just doing things that will net the 'my favourite dating sim' people lmfao.
meanwhile, literal main character wyll gets his quest demoted to a subquest, doesn't get bugfixes, doesn't get a single unique romance greeting after 6 patches and months of requests. he's not a Horny character, so he doesn't get the focus: he's not a player favourite, so he gets nothing. it's just... so unbelievably, indisputably racist, and it's incredibly grim and disappointing to watch it happen in real-time.
4K notes · View notes
anneapocalypse · 1 year
Text
So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.
39K notes · View notes
sunlitmcgee · 1 year
Text
Tumblr media
16K notes · View notes
hneycmb · 2 months
Text
Why is it that brainrotted fandom idiots will go "fandom is a space for FREAKS and WEIRDOS it's not your safe space 😡😡😡 if you don't like it you can LEAVE 😤😤😤" but then when someone asks them to stop treating black people in fandom spaces like shit they're all suddenly like "but ummmmm it's my safe space 🥺 the real world is mean and scary this is the only place I can go 🥺 racist harassment is my coping mechanism why won't you let people enjoy things 🥺"
3K notes · View notes
skyx-the-witch · 7 months
Text
Vivziepop male character: *is supposed to be hot and attractive. Canonically everyone wants to fuck him, he is flirty, confident and makes everyone fall in love with him as soon as he appear. Hes got the best voice actor to make the most masculine and attractive voice to match his supposed sexiness. Everyone in the fandom talks about how he makes them wet their panties*
The fucking character design:
Tumblr media
5K notes · View notes
samrriegel · 8 months
Text
Tumblr media Tumblr media Tumblr media
Who does Sam Riegel voice? [x]
7K notes · View notes
yuleshootureye · 3 months
Text
With the caveat that I am not Romani/Roma/Rromani (or Romanian, for that matter)...
If I see one more fanfic where the author shrugs and inserts Google Translate Romanian because they want Dick Grayson to "speak Romani" but they couldn't find any actual Romani language sources and shrugged and said "Romanian is as close as I can get unless a reader wants to translate it for me" I'm going to... idk, think rude thoughts and maybe leave a strongly worded comment
Seriously, though
In the age of Google Translate, having your character switch into a second language to indicate their heritage/upbringing is usually pretty lazy if there's no follow-through on portraying customs and culture and all that jazz
It feels so unbelievably rude to say "It's important that I portray this character's heritage, but not important enough for me to do it correctly! Or to even try!"
Defaulting to Romanian because in English it's two letters away from Romani is so lazy and nonsensical unless you assume that two things are related just because things sound similar in English. Do you also think Georgia the Country and Georgia the US State are the same thing??
It also ignores the very fraught history of Romani people in Romania (tw: slavery). Which I don't assume everyone knows off the top of their head, but if you're googling "are Romani and Romanian the same language", it might just pop up.
8 notes · View notes
unwisegirl · 3 months
Text
listen like. people are totally entitled to their opinions and criticisms of the pjo show but. sometimes it’s just hard to hear/read. I know the show isn’t perfect but seeing the cast & producers talk about it and seeing the level of love and excitement theyve put into the work, idk, I feel for them having people tear it to shreds. criticising the author himself for not adapting it well when he’s doing something different with a new medium, saying they’re sorry for the kids who love the books but have to act in this “terrible” show as if these kids aren’t THRILLED by the opportunity and just so committed to giving the show their best.
(watch the behind the scenes documentary. seriously.)
again totally valid criticisms & opinions!! but you win some and lose some in an adaptation. eg. trying to expand on themes, keep a consistent tone, appeal to a broader audience (including those of us who loved the books as kids but are now!!! adults!!!), keep within budget, etc etc all these things involve some trade offs. sure some of the humour and goofiness has been lost but we also get amazing beautifully acted scenes that really expand on core themes of family or who is a monster etc etc.
speaking on a personal level I have had a hard time these past few months and this show became a genuine escape, a way for me to connect with my sister watching the episodes together, a rediscovery of my inner 12 year old who waited so long for this. and I know there are people who are like me and they had certain expectations and that’s why they’re disappointed and that’s so valid, but it’s a lot of negativity sometimes, & I just wish we could give a little grace bc making a creative thing is hard, and pleasing everyone with that creative thing is impossible, and most of all, maybe we could revel a little bit more in this unique complex piece of work that lots of people poured their hearts into with nothing but the best of intentions.
2K notes · View notes
layalu · 7 months
Text
Tumblr media
If i had a nickel for every time there was a sad bisexual lowkey (or highkey) explosive whiteboy human wizard etc etc
The similarities are v superficial but it's still funny to me xdd
3K notes · View notes
gh0stygray · 3 months
Text
Tumblr media Tumblr media
I keep saying I wanna get to the seraphim’s but I get bursts of energy to other charactersss!!
Anywho here’s the long awaited Vaggie redesign! I made her outfit similar yo Charlie’s and added gold on her to elude to get angelic identity! She’s also more purple!! I’m so sorry but I can’t stand seeing her in red, it’s just not fitting, her final battle outfit was cool makes me wish she was in that all the time with her hair tied up.
I gave her tufts of fur to bring out her moth look and also because in one of her past designs she had these bright pink fluffy leg warmers so I thought that was cool, I also gave her gold cracks in her skin and made her X’s resemble crosses in her hair.
I wanted to make her look more demonic bit still keep her bright and soft enough to give of that lingering angelic look!
Thoughts on the design?
2K notes · View notes
pixiecaps · 8 months
Text
now this may sound crazy but did you know women and men can be friends without it needing to be dubbed a familial dynamic
4K notes · View notes
redysetdare · 1 month
Text
All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.
1K notes · View notes
cercoperco · 8 months
Text
Tumblr media
The Legend of Vox Machina fanart
3K notes · View notes
aenramsden · 1 month
Text
The following is not my idea; it was the original brainchild of a friend of mine named Omicron, with help from various others including EarthScorpion, TenfoldShields, @havocfett and ShintheNinja:
So, you know what I want to do one day? Run (or play in) a D&D campaign in which the Big Bad Super Dragon that is fuckoff ancient and unfathomably powerful and whose actions have shaped history and bent the course of nations and had repercussions on the whole culture and society in the region where it's set; the Bonus Special Boss for some endgame optional quest after you defeat the direct BBEG and win the campaign...
... is a white dragon.
To explain this for people not deep into 5e monster lore; D&D dragons are sapient beings, and known for their instincts and tendencies, and whenever you meet an big evil dragon that's really old it's usually this ancient creature of terrible intellect Smaug-ing it up all over the place.
Except white dragons are fucking stupid. Like, they're still capable of speech and thought! They're just… feral, hungry morons. And you almost never see them portrayed as ancient wyrms for that reason; they lack majesty. Critical Role did it, yes, but even then, Vorugal is explicitly the most bestial member of the Chroma Conclave, and the others are the more intelligent planners and long-term threats. An ancient white as a nation-defining endboss, though; not a thug for a smarter master but as the strongest and biggest threat around is just not the sort of thing you tend to see.
Adventurers: "Oh wise Therunax the Munificent, gold dragon of Law and Good, what can you tell us adventurers of the evil dragons which rule this land?" Therunax the Munificent, 500-year old Gold Dragon: "Good adventurers, know this: this land is torn apart by the evil of Tiamat's spawn. The eastern marches are the dwelling of Furinar the Plague-Bringer, black dragoness whose hoard is a thousand sicknesses contained in the body of her tributes. The southern volcanic mountains are the roosting of Angrar the Wrathful, the fiery red dragon, who brings magmatic fury on all who do not worship him. And the northern peaks are home to Face-Biter Mike, the oldest and most powerful of all, of whom I dread to speak." Adventurers: "F-Face-Biter Mike???" Therunax: "Oh yes, verily indeed; two thousand years has Mike lived, and his eyes have seen the rise and fall of five empires, and a hundred and score champions have sought to slay him; and each and every one he bit their fucking face off."
Like... I want to see a campaign where Face-Biter Mike is genuinely the most powerful dragon in the region, if not the entire world. Where sometimes he descends on a city to grab himself some meatsicles and causes a localised ice age by the beat of his vast wings and the frigid wastes of his mighty breath and by the chill his mere presence brings to everything for miles around him, and everyone just has to deal with that for the next decade. An entire era of civilization comes to an end, an empire falls, tens of thousands starve in the winter, all because Mike wanted a snack. Where his hoard is an unfathomably vast mass of jewels and artefacts and precious stones frozen in an unmelting glacier, except he is a nouveau riche idiot with fuckall appraising skill, so half of his hoard is coloured glass or worthless knicknacks, and he doesn't give a shit.
"Your Draconic Majesty, this crown is… It's pyrite." "Yeah, well, it's brighter than this dusty old thing made out of real gold, it's my new best treasure. Throw the other one away." "…throw the Burnished Tiara of Bahamut, forged in the First Age of Man, your majesty???" "See? I can't even remember its fucking name." "But my lord-" "DO YOU WANT TO BE A MEATSICLE" "…I will fetch a trash bag, your majesty."
But at the same time, he's not stupid, he's just simple, and in some ways that makes him more dangerous than the usual kinds of scheming Big Bad you see in these things, while simultaneously justifying why Orcus remains on his throne (because he's lazy). Face-Biter Mike doesn't make convoluted plans or run labyrinthine schemes; he just has a talent for violence and a pragmatic, straightforward approach to turning any kind of problem he struggles with into a problem that can be resolved with violence. Face-Biter Mike has one talent and it's horrifying physical power, so his approach to any complicated problem is "how do I turn this into a situation where I can fly down and bite this dude's face off?" with absolutely no regard for the collateral damage or consequences of doing so, because those are also things he can turn into face-bitable problems.
"My lord, the dread necromancer Nikodemion is using his undead dragons to attempt a conquest of the eastern kingdom; his agents are everywhere, his plans are centuries in the making, what can we do against such a mastermind?" "I'm gonna fly over the capital and eat the eastern king." "M-my lord???" "The kingdom will collapse without leadership, Nikodemion will win his war, he'll take the capital and crown himself king." "And that helps us… how?" "Once he does I'll fly over to the capital and eat him." "…" "This is why you advisors all suck. You're all about convoluted plans when the only thing I need to win is know where my enemy is so I can fly down there and eat him. Stop overthinking things."
And, like, yeah, it's a simplistic plan, but when you're several hundred tons of nigh invincible magical death, you don't need brilliant strategy; the smartest way to win a war is, in this case, the simplest. He's not even all that clever at figuring out the consequences of face-biting, he's just memorised the common consequences of doing so.
(If you want to go all in on Mike being the major mover and shaker in the region; Nikodemion only even has a pet zombie dragon because Mike killed the last dragon to show up and contest his turf but wasn't going to eat a whole dragon by himself. Nikodemion got to stick around and amass that much power because Mike ate the Hero of the Realm while he was adventuring because he figured the Hero would come and try to slay him at some point. Nikodemion got started because Mike ate half the leadership of the Academy of High Magic who typically keep evil wizards and necromancers in check. And then eventually this product of Mike's casual, careless actions becomes a big enough problem to bother Mike personally, at which point Mike eats him too.)
He doesn't even really fail upwards, either! He is regularly reduced to nothing but the glacier he stores his hoard in, but he's Face-Biter Mike so nobody wants to commit to actually ending him forever lest they get their faces bitten the fuck off. And his hoard's in a huge-ass magical glacier so nobody can get to it without running into the Invading Russia problem; it's hard to wage war when everything is frozen over and you're both starving and freezing to death. Once he's been beaten back to his central lair and has lost all his holdings… I mean, he's still a problem, but he's a far away problem. So he loses his assets and spends a decade in a cave brooding it up while no one dares risk trying to actually kill him, and then a generation or two later he flies down to a kobold colony and gets himself some minions, or a dragon-worshipping mage comes to offer his service against a pittance from his hoard, or a particularly stupid cult starts thinking they can get in good with him and leech off his power, and then he's (hah) snowballing again.
He's also got a very… well, the kind of weird Charisma that Grineer bosses do. Like Sargas Ruk, who's a malformed idiot, but oddly charismatic. As he's a dragon, that makes him a natural sorcerer and thus Charisma is all he needs. He's pretty relaxed when he isn't in a face-biting mood, and he's kind of infectiously optimistic, because his life has taught him that he will succeed as long as he perseveres. So he just believes it.
And sometimes that's really refreshing to work for, as an evil minion of darkness! It's like, you're coming to your Evil Dragon Lord with terrible news; you've worked for evil overlords before, you know how it goes. You fall to your knees weeping and tell him that you've failed to seize the incredibly powerful magical artifact, you think your life is forfeit. And he's just like "Eh, it's okay, these things are all over the place. Better luck next time. You remember the guy who took it, right?" and you go "Y-yes, oh great lord!" and he's like "Sweet tell me his name later and I'll grab it" and then eats a frozen adventurer he kept around as a snack.
His followers tend to quickly realise that if they fail him, bringing some temple's silver or a sack of brightly coloured beads or a couple of dead cows means he's super forgiving because at least he's got something out of the day. "Oh boy, cows? It's been forever since I had those, ever since the Orc Steppe Nomads took over it's all about goats and onions. Today is a good day." He's a master of delegation by dragon standards, in that he just tells you "Just go get it done, I don't care how" rather than micromanaging you and constantly appearing as an image in smoke or taking over your campfire.
The key part of Face-Biter Mike as a threat to players (because he exists in the context of a D&D campaign) works well in that you can rely on several known quantities:
He will not pull sneaky shit that you don't see coming
He will not make convoluted plans that you must work to unravel
He will consistently attempt to come down and wreck you personally if he finds the opportunity and you are a threat to him
You cannot fight him head-on (at least not until the last leg of the campaign, and ideally as an optional boss rather than mandatory)
So as long as you are good at staying under the radar, thwarting his minions (whom he gives broad orders to with almost zero oversight) and not putting yourself in face-biting range, you can deal with him. If you succeed, it won't be the first time Mike has lost his assets and had to go brood in his glacier for a decade or two before rebuilding. It happens; he can deal with it. And that's a win for you within the context of a single campaign, so take the win.
And if you're not going to use him as an enemy, he works pretty well as a quest-giver, too! The costs for failure are obvious and straightforward, and "do whatever, just get me mine" means that players have a lot of freedom in accomplishing their goals. As far as evil overlords go he is actually one of the least dangerous to work for; his pride is relatively subdued by draconic standards, his goals are simple and typically achievable, and he is easily pleased.
(There's also a good chance he is the forefather of any draconic sorcerer in your party, because Face Biter Mike is a deadbeat dad.)
1K notes · View notes