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#both these men have become so violent in their lives
ystrike1 · 2 days
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Boss, Bxtch, Baby! - By Ichibu Saki (8/10)
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Would you let someone lock you up for half a million dollars? You're not getting it for free. You have to follow extremely strict rules, and you have to stay inside a mansion allll day. For months on end. Hey! Put that pen down! Don't sign without reading the fine print! Being a pet isn't an easy job!
Hojin is a man who has given up. Family bonds are too complicated. He can't keep a man no matter how hard he tries. He's deep in debt because his brother betrayed him. He's a sweet and giving person.....because he's afraid of being alone.
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The loan sharks find him. He thinks he'll die with nothing in life, but then a group of men in suits appears out of nowhere.
The group claims a VIP wants him, and said VIP is willing to pay off his debts.
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Being rich and gay in Korea sucks. Especially when your family is mostly comprised of sociopaths. Yooseong had a very good time with Hojin, but he can't date right now. Inheriting the family business is his main priority, and the head of the family is scared of gay people.
He needs a pet lover. Someone literally willing to hide in a bunker and wait for him.
Yooseong totally doesn't have issues and he definitely doesn't get violent and possessive when he likes someone! Don't misunderstand! He just has to lock up Hojin to keep his family off his tail.
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Hojin says no.
Yooseong snaps his fingers.
The suits hold Hojin down until he signs the paperwork.
One year. Debt clear. Total obedience.
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Yooseong is way too controlling he is literally insane, but we gradually see why the heck he is the way he is.
Yooseong and Hojin are both deeply insecure in different ways.
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Hojin falls in love first.
Yooseong was obsessed from the beginning, but Hojin is the first one to admit that living together with a stud kinda rocks.
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Shocker Hojin has toxic attachment issues....but they're a different breed.
His father abused his mother, but he won her back with money. Then his mother regretted returning to her abusive husband. She left once more, and Hojin left with her.
Hojin learned that only kind people deserve love, and some mistakes can't be forgiven.
He's had many lovers, but they all leave him eventually.
He's a clingy people-pleaser who falls in love out of desperation...not love.
Yooseong doesn't trust him, but Hojin is so messed up that he doesn't understand how shallow his doting love is.
Yooseong enjoys it. They fall into twisted pleasure together.
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Yooseong's annoying little brother is annoying because he's straight.
He was going to inherit the company, even though he's a moron, just because he's straight. Yooseong was passed over entirely because he was gay.
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Lil bro does mess up on purpose so Yooseong can have the position he deserves but he's still a messy loser annoying short guy.
Yooseong's massive ego makes his family relationships....cold af.
Yooseong is insane so he beats up Hojins brother. The same brother that saddled him with debt.
Hojin never finds out because Yooseong learns that Hojin hates violent declarations of love, and he loves his horrible brother too much to ever see him again.
He wants to keep the good memories, but he can't interact with the man who sold him away.
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Yooseong becomes even more unreasonable though, and he starts to become really unlikable as a person. He's a GREAT controlling yandere but Hojin is a nice guy with no family and not much to live for. It's hard not to feel bad for him when Yooseong treats him like an object.
This one is a mixed bag, but it's very tense and it can be funny.
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myfictionaldreams · 4 months
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Safety Measures // Mafia!Stucky x Fem!Reader
Summary: It was the anniversary of Steve and Bucky saving you from your sadistic brother. Usually, it was a time of celebration for you, but this year, you couldn't help but feel paranoid and unsafe.
Extra reading: Last Hope for background context
A/N: Happy New Year, beautiful readers! I hope everyone is well and safe.
Requested by: @theatrelove3000 thank you so so much for the request and all your support with my writing. As always, you're the best!
Tags: 18+ readers only, smut, polyamory, ptsd, anxiety, paranoia, insomnia, discussion of past abuse, domestic fluff, dom/sub undertones, cock warming, subspace (kinda), hurt/comfort, new member of the family (yay!), puppy
Words: 4.8k
my masterlist 📚 AO3 Link
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Insomnia was an issue you’d never had to deal with before. Not when you have two of the most powerful men of all of the East Coast tiring you out and wrapped around your body to make you feel safe and content.
However, as the seconds ticked by on the clock position on the nightstand next to the bed, you’d found that your body was willing to do anything but sleep. As midnight struck, any hope that had been inkling in your thoughts was diminished. There you were, half sprawled over Steve’s naked chest, his warmth burning through your skin, with Bucky spooning around your back, sandwiching you thoroughly between the two of them, legs crisscrossed between one another.
Even in the safe embrace, your heart continued to palpate painfully in your chest with such powerful thumps you were worried it would wake one of your lovers.
It was always this day. This date. Every year, that sprung fear through your soul, with the memories of your past returning to haunt you. Before Bucky. Before Steve or either of their safety and love, you’d been involved with your family business, reigned by your sadistic brother, Enzo, who was both hateful and abusive, causing you to live a life that was not worth living at all.
For countless years, you’d simply been floating through life, doing anything your brother demanded to benefit his gang. There was no hope, love, or light in your life until the men whose arms you were wrapped tightly in found you, saved you, and showed you what life was about. It hadn’t been an easy adjustment, especially with the violent and bloody end to your brother, but then readjusting to the newfound freedom had taken its toll. The anxiety from your past still haunts you to this very day.
In truth, in the first few years surrounding your brother's death anniversary, you’d celebrated the beginning of your new happiness and life. However, as you grew older and had to live through the dangers of being in the most infamous mafia gang in Brooklyn, your optimistic perspective became somewhat fragile with the realities of becoming close to losing everyone and everything you loved on multiple occasions.
So now, when this dark day loomed over your head once more, your anxiety rose along with the reminder of the horrors that you’d experience throughout your lifetime. Paranoia blossomed into something that was logically not plausible, frightened that somehow, Enzo would return and take you back to the hell hole he once kept you contained within.
These fears had been discussed with both Steve and Bucky on multiple occasions, as well as your friends, who promptly reminded you that nowhere was safer on earth than with all of them. There was 24/7 surveillance within the office and your home, guards patrolling, all armed and trained, as well as having the enhanced bodies of your boyfriends always at your side.
You were safe.
Safe.
And yet, still, there you lay. Wide awake, breaths shallow, trying to remain as quiet as possible so that you may listen to any sounds of intruders walking through your home. It is an impossible feat to do either way due to the pounding of your heartbeat without your ears, the repetitive thump and drum that increased in speed over the minutes. Your palms were becoming clammy where they were resting on Steve’s chest, a faint tremble beginning to throb through your limbs as well. You closed your fingers into a tight fist, attempting to cease the shaking whilst blowing out a long breath as the clock ticked to 00:01 am.
It was no use. You couldn’t do it anymore. Couldn’t just simply lay there and wait to be attacked or taken.
Carefully as you could, you attempted to climb out of your fierce hold, but due to your fragile state and the firm grip of Steve and Bucky, the movements stirred them both awake.
“Baby? Everything ok? Where are you going?” Steve asked, still half asleep but attempting to rouse himself more by rubbing the sleep out of his eyes.
“Sorry”, you whisper into the darkness, “I just needed to use the bathroom”. The lie trembled from your lips as you clumsily searched the bedroom floor for some clothing to cover your naked body. From the smell of the shirt that you were now tugging over your head, you’d found Bucky’s t-shirt in the dark. As your eyes adjusted to remain in the darkness, you could see Bucky moving closer to Steve on the bed, his face resting on the blonde's chest, replacing where you’d been.
The sight had you smiling for a split second before a rustle of the wind against the windows drew your frightened attention back to reality. Stepping into the bathroom and shutting the door behind you, there was a stalling moment where the walls seemed to close around you. Strangling. Suffocation. The fears of your past squeezing closer.
“No”, you chastise yourself in a whisper barely audible as you take a single sweeping step towards the sink, running the cold water to splash it on your face. “Enzo is dead. Stop freaking out, you’re being ridiculous!”. Yes, you were having a conversation with yourself, but only because it was a coping mechanism before you completely lost your mind and had a panic attack.
“Get a hold of yourself!”, you continue the monologue whilst staring at your distressed reflection in the mirror. “You’re safe here in your home”. For some reason, your bottom lip began quivering with the rising emotions and the overwhelming urge to cry. Giving your body a thorough head-to-body shake and angrily wiping away the traitorous tears dripping down your cheeks, you also gave yourself stern talking.
“Either you get yourself together, or you embarrass yourself and wake up Steve and Bucky”. You wouldn’t, not when it was something as irrational as being frightened that your definitely deceased deranged brother would somehow return from the dead to steal you to a life of misery. You couldn’t stomach waking them from their slumber to see the sad puppy eyes they would give you as they told you all the things you already knew. You were safe with them; they’d never let anything bad happen.
Filling your lungs with air, you blew out a long, slow breath until your lungs were completely empty. “Right. One search of the house and back to bed”, you decided, needing to check the surroundings with the hopes it would ease your battle with anxiety and insomnia.
Upon leaving the ensuite bathroom, you were thankfully greeted by the sound of two distinctively soft snores from both men still lying together in bed. Tip-toeing past them and into the hallway, you made sure to keep the lights off with your eyes having adjusted to the darkness as you approached Steve’s office.
There were a few things that you needed from this room. Firstly, to check the security camera feeds from his laptop, showing every angle possible surrounding the house and inside the many rooms of the luxury property. The baseball bat was also hiding beneath the desk. It was one of many weapons stashed throughout your home, carefully placed by both Bucky and his bodyguard Natasha and even though a gun would be a swifter finale for any intruder, there were still more consequences if you were to shoot the firearm accidentally and hit the wrong target whereas, with a bat, you could still keep someone at arm's length and also not fatally wound a friend if they came knocking at the door.
Clutching the smooth bat in both of your trembling hands, you watched the screen, flicking between rooms and areas of the exterior of your home, not spotting a single leaf out of place. In fact, the only emotion that seemed to bloom through your chest was adoration as you stared at the bedroom video feed, noticing that Bucky was now the bigger spoon, wrapped thoroughly around Steve, whose hands were stretched out to your side of the bed, like in his unconscious state, he was still searching for you.
Guilt settled heavily in your stomach at the sight, and closed the laptop with a sigh. You knew this paranoia would fade by the time tomorrow came around. Still, it was completely illogical for you to react rationally today, so with a sigh that echoed around the office, you stood and began to search the property physically.
Holding the bat at arm's length, you peeked around corners first then swung before stepping out. You'd been trained to use all the weapons scattered throughout the house with Steve, Bucky, and Natasha, even with how to strike with a baseball bat effectively.
Every shift of shadows out of the corner of your eyes and every creak of the house naturally settling or knocking with the raging winds outside had your heart racing and senses going into full alert.
One check of the house turned into four full sweeps to ensure no one was there. It was also a slow and thorough check, so by the time you were stepping carefully through the kitchen, glancing out of the back window and into the dark abyss that was your back garden. The creak of footsteps echoed from upstairs; you’d become lost and disorientated on the search, and you had neglected to check the time.
05:03 am.
A sniffle and quiet cough followed the footsteps of the man who had decided to wake earlier than most. In a rush of adrenaline and the need to not be found with a baseball bat in hand like a crazy lady in the dark, you decided to hide the weapon in one of the kitchen cupboards and quickly pretended to be preparing coffee as the sleepy steps wandered down the carpeted stairs.
Placing two cups onto the kitchen counter, you almost held your breath in anticipation for the morning grumbly welcome by whoever had woken first. Steve and Bucky both like to be awake early, much to your usual pleas for them to stay in bed.
However, as the man walked into the kitchen, not a single word was shared as he stepped up close behind you, enveloping your body in a warm and metal arm, wrapping tightly around your waist and pulling you backwards until flush against a naked chest. Stubbled cheeks nuzzled into your neck as lips gently kissed the sensitive skin as you sighed, eyes closing and all tension diminishing into the floor at the feeling of finally being safe.
The two of you swayed on the spot, wrapped in the tight embrace, listening to the water in the coffee pot. One of your hand gripped onto the metal fingers, feeling the smooth material beginning to warm and match the temperature of your skin. The other hand lifted to rest on the back of his head, scratching his buzzed hair, earning a comforting moan from Bucky as he kissed your jaw.
“It’s a rare day when you’re awake before me”, Bucky whispers into the shell of your ear before kissing it. Goosebumps lined your body with the gruff tone of his early morning voice. He didn’t pester you any more about why you were awake at this time, but he did pinch the hem of your shirt. “Is it your plan to always wear my shirts so I must be topless?”
His words pulled a giggle from your lips, shaking your head as you poured the coffee into each cup. “I don’t know what you’re talking about”.
The two of you sat at the dining room table, coffee in one hand and in the other you held onto one another, admiring the night turn into the day with dawn breaking over the fences that lined the back garden. It was blissful and a welcomed distraction from the terrors beneath your surface.
Steve eventually joined, groaning about waking up alone as he kissed you, then Bucky on the back of the head. “Who knew the big grown mafia boss could be so needy?” Bucky quipped with a teasing smirk over the rip of his cup before taking another glug of the coffee.
“That’s a lot of sass for someone who will be going without any breakfast if he keeps it up”, Steve grumbles as he looks through the refrigerator to start preparing the three of you breakfast like he did on most mornings. Before Bucky could respond, Steve asked curiously, “Why is there a baseball bat in with the plates?”
Your eyes downcast to stare into your empty cup, shrugging your shoulders at the burning stares of your boyfriends. “I don’t know. Anyway, who wants a fresh coffee?”
Thankfully, nothing more was mentioned regarding the random appearance of the baseball bat as the three of you ate and prepared to head into the office. You were thankful for the distraction working in the gang gave you, especially on a stressful day like today. Although the paranoia and anxiety that had kept you awake still bubbled away beneath the surface.
On the car journey to work, even squished between Steve and Bucky in the back seats, their hands eagerly resting on the naked skin of your thighs, having pushed the dress up to have the contact. Even your bodyguard and best friend Sam, who was driving the vehicle, couldn’t ease the panic that came from every car horn that blared, the dangerously speeding vehicles that passed or just the erratic driving that was expected with other idiots on the road.
Every single disruption had you anticipating that the car you were in would be hit or stopped, and your brother would then arrive and drag you away. Of course, this didn’t happen, and as you came to work, another heavy sigh released from your body as you walked through the extensive security to get to the office.
New shipments of discreetly stolen goods had arrived, which was a welcome distraction for you, checking the quality and organising where and to whom it would be sold. This only lasted for an hour before the coldness began to creep in, and you made excuses to return to Steve and Bucky back in the office.
“You know you can talk to us, right?” Bucky reminds you carefully whilst pulling your chair closer to his. You couldn’t meet his intense stare as you shifted your body under his awaiting arm so you were cuddled close to his side.
“Yep”, you respond casually, leaning into his warmth.
Bucky’s face lowered to your ear as he stroked his fingers down your arm. “And you also know you’re safe with me. With Steve. In this building or home. I’d do anything to keep you safe, Doll”.
You smile politely at him, trying to ignore the guilt that, for some reason, passed over you as you reached to take his hand that was draped over your shoulders. “I know”.
Out of the corner of your eye, you noticed Bbcky checking his phone for the 15th time in an hour. Not that you’d been counting.
Finally, he seemed to receive the notification he’d been waiting for as he suddenly sprung up from his seat, pulling his leather jacket swiftly.
A frown settled over your features as you sat forward, “where are you going?”
Bucky glanced towards Steve first before addressing your question. “I’ve just got some errands to run, nothing special. I won’t be long, Sweetheart”.
He was leaving you. On a day when you needed him most so that you felt safe, he for some reason had to go.
You stood abruptly, pushing back your chair and taking urgent steps towards him whilst nervously playing with your fingers. “You’re going to leave me on my own!”
“Who am I? The milkman?” Sam joked from where he was standing near the door, and you instantly regretted the words, having not meant them that way. What’s worse is that Steve muttered something under his breath from his desk and now you were riddled with more guilt as Bucky’s sad eyes turned to you, his hands resting heavily on your shoulders.
“I won’t be long, and maybe you’ll get a surprise later.” He tried to bring a smile to your lips, but it was worthless as you were caught between staring at Sam and Steve, trying to find the words to apologise. Bucky breathed heavily through his nose at seeing you distraught, but then his phone pinged again, so with one last kiss to your temple, he made his way to the exit.
Turning to Sam whilst awkwardly rubbing your cheek to ease the burning of embarrassment under your skin, you attempted to apologise, but Steve cut off your sentence. “I’m sorr-”.
“Baby, come here”.
Turning towards the comforting voice, you saw that Steve’s full attention was now on you. He’d moved his seat away from his desk and opened his arm, a clear sign for you to approach, which you did with rushed steps before climbing into his warm, sturdy lap. Your knees rested on either side of his thighs as your fingers caded through the curling blonde hair at the nape of his neck which you were quick to bury your face into, breathing in his calming cologne.
“I’m sorry about the comment; I didn’t mean it like that. I know I’m not alone. My head is just all over the place and-”.
“Shh, I know, baby, you don’t need to explain yourself. I know you’d rather us both be around for you today”. There it was. The one small mention and reference made by someone else that this was a day that you hated. It’s not that it needed to be spoken about as it had been clear that both of your boyfriends had been trying their hardest to be there for you today by being at your side as much as possible, constantly checking in with your emotions and making sure you ate and drank enough.
But Steve saying it out loud seemed to make it all the more real, so as you clung to him with more desperation, his arms did just the same until it felt as if there wasn’t a single part of you that wasn’t currently being touched by his giant frame.
“I love you, Steve, so much”, you plead to him in a tired daze, finally feeling somewhat safe now that you were crowded into his body.
“I’d do anything for you, baby girl, you know that. I love you too. Try and get some sleep; it’ll make the day go faster”.
You wanted to and knew you could if you’d let your eyes drop close, but something still wasn’t sitting right like an itch that needed to be scratched.
“Could I please make one request… sir?” you say, nerves beginning to flicker through your chest at the intimacy of the request, already starting to switch into the role of the submissive mind, especially after the fragile state you’d been in all day.
Steve seemed to straighten his posture at using the name, and his lips kissed the top of your head a few times before he responded, “Anything”.
Lifting your head away from his neck and gazing into the endlessly intense blue eyes that always looked so kindly down at you, you asked, “Please can we touch everywhere? I just want to sit and be close”.
Steve tried not to smile at the innocence and the way you couldn’t even say the words, ‘Please can I cock warm you?’ which he knew was what you were asking. Reaching between your bodies, he began to undo his belt and zipper, “You know you don’t need to ask, Sweetheart. I want you to feel comfortable”.
You could never explain to someone why you loved the thought of cock warming so much. It seemed to settle both your nerves and put you into a relaxing state. Not at all times, though. Half the time, it would just turn you into a horny, wet mess that ended with you riding the cock until at least three orgasms. But other times, such as now, you just needed to be stretched and feel as close to Steve as possible.
Lifting higher onto your knees, you moved aside your underwear and lifted the front of your dress as you manoeuvred yourself to accommodate the toe-curling length that was Steve Rogers. Through your groaning sigh, you couldn’t hear Steve’s matching noise as he made sure you were comfortable with a steading arm around your hips before shuffling his seat closer to the desk and continuing with his work and talking to Sam about an email he’d just received.
You were asleep before hearing the end of the email being read out. Your head is resting on his shoulder, hands loosely holding onto the material of his crisp navy blue shirt. You were warm, full and safe.
Hours later, as the sun began to set and the day passed, you were still drowsy, much more relaxed than you had been in the morning. You’d wake up to Steve packing his belongings and Sam saying he’d warm the car for you and Steve.
As you gathered your disorientated thoughts and tried to sit up, you noticed that Steve was very much still thoroughly hard inside of your soaked cunt. Silently, you thanked whatever super serum had been injected into him during his time in the army. You clenched at the realisation, and Steve hummed in contentment at realising you were waking up.
“Let’s get you home. Bucky’s waiting there for us”,  Steve informed quietly whilst cupping your cheek tenderly.
With the position you’d been sitting in, your legs were sore and tense, but Steve was more than happy to carry you down, even with his cock still inside. However, with the movements of his steps, it caused his length to ease in and out of your already sensitive cunt that by the time you’d made it to the car, you were clinging desperately to his shoulders as an orgasm rushed through you, pulsing between your legs.
Steve’s knees nearly buckled as he rested your frame against the side of the car, his face dropping to your neck as he breathed you in deeply. Your cunt continued to clench around his cock until he, too, joined you in euphoria with a deep grunt and a snap of his hips; warmth flooded your hole and began dripping out and onto the floor. Neither of you or his employees batted an eyelid as both of you came. 
Once in the car, you were so distracted with cleaning each other up that the idiots in other vehicles that had panicked you on the way in, didn’t remotely phase you.
Wishing Sam a good night, you and Steve walked up to your front door, hand in hand. Steve opened the front door for you, letting you walk into the living room first, where you abruptly stopped, causing the blonde to nearly knock into you.
“I promise I tried to stop him, but he’s a feral little beast!” Bucky exclaimed from where he sat on the floor, surrounded by something that could only be described as chaos.
It seemed all of the decorative pillows had been utterly destroyed as the contents of the fluff covered all of the surfaces. Not only this, but there were half-eaten shoes, and the corners of the couches and coffee table seemed to have tiny bite marks gnawed into them.
“Bucky?! What did you do?” You couldn’t even comprehend where the mess began and ended as you looked at your dishevelled boyfriend sitting on the floor. Well, he was more lying down, reaching beneath one of the couches as he began to sit up and plastered a wide, toothy grin towards you.
“Surprise!” Bucky shouts with exhausted joy as Steve sighs with a shaky laugh from behind you.
“Surprise? What kind of a surprise is my home being destroyed?” you say, gobsmacked, staring longingly at your favourite cushions ripped to shreds.
As Bucky opened his mouth to explain, a tiny yap sounded from beneath the furniture where he’d just been reaching, and suddenly, a bundle of black fur was pounding for your ankles. It took you a second to drop to your knees and gasp, reaching for the puppy.
“Careful! His teeth are viscous”, Bucky warns, trying to reach forward to grab the animal, but you beat him to it and pull the pup into your lap.
“Oh my god, look at you! Aren’t you just the most beautiful little thing! Was it you that destroyed my lovely cushions? It was, wasn’t it? That’s okay. I forgive you. I’ll forgive you for everything. You're just so damn cute!” you couldn’t help but talk in a childishly high voice as you spoke to the adorable little puppy.
Thankfully, he didn’t bite you with his tiny sharp teeth and instead rolled onto his back on your legs, his paws resting in the air as he waited for a belly rub you happily gave him with carefully placed head kisses.
“You didn’t tell me you were getting a new guard dog! And what happened to the rule of not letting them into the house?” you asked Bucky as you continued to pet the pup.
Steve squatted down next to you, reaching to stroke the puppy behind his ears but then quickly retreating as the tiny sharp teeth nearly nipped his fingers. “He’s not going to be a guard dog; he’s going to be your dog”.
Your head spun with how fast you looked between your boyfriends as you screamed, “What?!”
“Yep! He’s all yours. He’s a Rottweiler and is eight weeks old. They’re known to be a protective breed and great guard dogs, so we will have him properly trained a couple of times a week for this, but we also want him to be yours”. As Bucky explained he knelt closer which earned the attention of your new puppy who watched him closely but continued to lick your fingers in between as you scratched the top of his head.
Steve rested a firm hand on your lower back as he continued, “We know how difficult today is, even with our reassurance that you are safe from Enzo”. Even just hearing his name, your whole body tightens and locks, almost forgetting to breathe until a certain puppy begins to wiggle and try and jump up your body to attempt to lick your face, having noticed the change in demeanour. “We wanted there to be someone around for you all the time, just with the chance that you could still feel safe if Bucky or I weren’t by your side. So, we are hoping this little rascal will be able to do this”, Steve says playfully, stroking along the puppy's back but quickly withdrawing when he nearly nipped again.
“Thank you. Both of you. I don’t even know where to begin with telling you how amazing this gift is”, you say brightly, glancing between the two men you loved most in the world.
“Don’t thank us; it’s the least we could do”, Steve mutters whilst leaning in to kiss your cheek and then standing up, beginning to grab handfuls of fluff from all the surfaces with an attempt at cleaning up the mess.
“I just want you to be happy”, Bucky whispers whilst kissing your other cheek, but then his gaze moves to the puppy, and a line forms between his brows as he frowns. “There will be some ground rules, though. No dog on the couch or in bed. We need boundaries”.
You nod your head in understanding but lean closer to whisper to the pup loud enough that Steve and Bucky could still hear. “Don’t listen to the grumpy old man. You can stay wherever you’d like!”
Bucky sighs whilst rolling his eyes and begins to help Steve with cleaning.
The three of you were sat in front of the TV watching a late-night film. The four of you were sitting on the couch as the puppy was resting in your lap, exhausted from all the playing you’d been doing and now resting as you tried to think of a name for the little guy.
“What about Winchester? That’s a good dog name, right?” you ask the boys, but mostly the dog, hoping he would react to one of the suggestions, but he hasn’t succeeded so far. You pondered some more whilst petting his little black ears. “Oh, what about Sargeant?! No… what about Rogers? No…”. You gave up trying to think of a name off the top of your head and began to scroll for suggestions online.
“Max? Brutus? Thor? Um, nope, these aren’t good. Chase? Ari? Bullet? Dodger? Bli-” Your suggestions stop as the puppy’s head tilts to look at you, seeming more awake. “What is it? Is it one of the names? Ari?” No response, “Bullet?” still no response. “Dodger?” his precious little tail began to wag as he yapped.
“Dodger? You like that name?” he barked again, attempting to climb higher up your body to lick your face as you laughed fondly.
“Dodger it is”, Steve announced from your side with a smile.
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queerly-autistic · 2 months
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One of my favourite things about S2 was that we got to see so much in terms of Ed's relationships with women, and it just made me love him even more (if that's humanly possible). We didn't see him interact with many women at all in S1 (I think it was only the posh ladies at the fancy party which was...yeah, not a good experience), so S2 actually giving us a glimpse into his friendships with all these (very different) kickass women was so, so special.
I love that, as messy and fucked up as they all are, and even with the 'well we're pirates, we're not normal and we will fuck with each other' threat that hangs over everything, Ed's relationship with Mary and Anne is still so affectionate, and they both thrown their arms around him the moment they see him. Even though Ed is incredibly tactile, I don't think we've actually ever seen him be hugged like this, and it's just so lovely to watch him be embraced and clearly feel very safe being embraced by these women (and I can't with the way he clings to them, as well). I also love that this is a wlw/mlm friendship; yeah it falls apart later and turns into delicious gay-on-gay violence (and I wouldn't alter a note of it), but I love seeing this sort of affection between queer women and queer men, there's not nearly enough of it.
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Don't even get me started on the BFF handshake he has with Anne - I want all the history there, give me six spin-off films about their adventures please.
And then we finally get a glimpse of his relationship with Jackie, which is similarly just lovely, but in a different way? You get the sense that they could sit there for hours, talking shit about the world, all whilst casually ripping the shit out of each other (but affectionately). You also know full well these two have talked extensively about men and know pretty much everything about each other's sex lives - we didn't see it, but I'm absolutely certain that Ed went into full gushing details about sleeping with Stede, just like Jackie did when she talked about The Swede fucking like a jackhammer (historical accuracy ftw).
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And, again, whilst they're still pirates, and it's messy, the entire thing feels incredibly...safe, particularly from Ed's perspective? He feels more comfortable around Jackie than he is around most other characters (apart from Stede), just like he was with Anne and Mary.
And then, just to hammer the point home even further that Ed has, generally, fantastic relationships with women, and connects with them, and feels relaxed and safe with them, you have Ed and Zheng becoming instant BFFs literally minutes after meeting each other. Ed goes 'ooh, very cool woman kicking ass and killing people, she shall be my best friend, immediately', and Zheng is automatically incredibly relaxed and open with him, too (suggesting she feels as safe and comfortable with him as he does with her).
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All I want in life is to see Ed and Zheng get silly-drunk with each other (and this is why we urgently need a S3).
And none of Ed's relationships with these women are a fetishistic 'I love women because they're fabulous' thing, or an overly patronising paternalistic 'I love the women and I must protect them' thing - all the relationships he has with women are very equal, very comfortable, fully believable, just fantastic friendships to watch play out. I feel like, given everything we see on screen, Ed generally feels a lot more comfortable and safe and open with the women he knows than the men he knows (Stede is the only other person he is this physically affectionate and comfortable with). Which is probably very understandable? Yes, the women he's friends with are all violent pirates too (that's part of the joy of it - none of them are lovely demure morally pure women, they're all violent pirates), but Ed has a lot of experience with specifically overtly abusive men - right back to watching his dad abuse his mum. And that's a distinction that matters: the show treats the violence of normal piracy and the violence of abuse very, very differently. Ed is not used to being treated softly or affectionately by men, as we saw in his shocked reaction to Stede holding his hand. I don't think it's any wonder that he gravitates more towards friendships with women (or that the men he feels the most open and safe with, such as Stede, Fang, even Frenchie, are very pointedly the opposite of the abusive men he has experience with). I just love love love that being friends with women is such a core part of Ed's character, and that we got to see all of these fantastic relationships in the show.
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spaceeoddity · 2 years
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As a verdict is possibly hours away, a sense of dread has been building in my stomach for what it will mean for Amber’s future, as well as all victims of intimate partner violence (IPV), particularly as women’s basic rights continue to be under attack in the United States. Like many people who are following the case, I have personal experiences with abuse. Much of my research focuses on IPV, specifically, the disparities in resources and services that are available for survivors to leave their abusers, such as economic, social, geographical barriers. It’s a topic which is deeply tied to my own personal experiences and academic career.
I initially was ambivalent to Amber Heard. Before I began to research the case, I was firmly in the "they both suck" camp, having only briefly glanced through articles. I started to pay more attention to the media coverage over the past six weeks and was really staggered by how Heard was being portrayed as a lying, crazy, gold-digging woman through narratives that were not only going unchallenged, but were heavily perpetuated in the public discourse. Even worse, that the abuse she experienced had been capitalized on by "true crime" junkies and mocked in TikTok videos and Youtube compilations. So I began watching the trial live and found that there was far more evidence and far more substantial evidence which shows that JD was the perpetrator of abuse within their relationship.
The evidence collected through JD's personal texts and emails show an early pattern of abuse. He exerted control over the clothes Amber wore and would become angry when she didn't dress "conservatively". He would consistently accuse her of having affairs with acquaintances, friends, and various co-stars, even with an openly gay director, Clive Barker. He didn't like that she was ambitious and would scorn her when she took opportunities to advance her career. He would constantly refer to her with misogynistic language. He also referred to Amber, an openly bisexual woman, as a “lesbian camp counsellor”. He messaged other men to discuss killing her through drowning and burning her, and then raping her burnt corpse to prove that she was truly dead. This all occurred while they were still dating. She was in her early 20s and he was in 50s. All of these coercive, paranoid, jealous, controlling behaviours are deeply and unequivocally abusive.
None of this includes the evidence which shows physical and sexual abuse. There are audio tapes in which he admits to headbutting her, so hard that she was concerned her nose was broken. In another recording, they discuss how her family and friends have seen her bruises, broken blood vessels, and bald spots from her hair being torn out of her scalp. Another shows him stating “I will smack the ugly c**t before I let her in.” A video shows him aggressively breaking and smashing furniture near her. One interaction reveals that Stephen Deuters, his assistant, begged her to come back to him after her assaulted her on a plane in front of his bodyguards, pleading to her that JD was remorseful for his actions. Heard also has stated he sexually assaulted her multiple times. Remember, he previously discussed violently raping her in those infamous messages to Paul Bettany.
As for witnesses, several testified to seeing bruises on her numerous times, including JD's witnesses, such as their marriage counsellor. A makeup artist, Melanie Inglessis, testified to covering swelling on her lip and two black eyes. Raquel Pennington saw several injuries, including bloodied bald spots on her head, a swollen nose, and cut lip. She expressed fear JD would eventually kill Amber if she didn't leave. Josh Drew also testified to seeing her with injuries, including black eyes, a swollen cheek, and a busted lip. iO Tillet Wright (who Depp misgenders throughout his testimony) recalled hearing JD assault Amber and scream “oh, you think I hit you? You think I fucking hit you? What if I peel your fucking hair back". iO then called 911. This was the incident which led Heard to file for a divorce and a restraining order, two days afterwards. It is worth noting that Pennington, Drew, and Wright all corroborated this incident in their depositions, as did iO’s 2016 essay.
Is she guilty of fighting back? Absolutely. She never lied about doing so, even dating back to her 2016 deposition. However, fighting back against a man who has beaten you, sexually assaulted you, controlled your career, finances, and who you can associate with does not equate to being an abuser. It’s simply surviving. And yes, I’ve heard those audio tapes, the in which she’s expresses her incredulity at him for stating their fights were fair when she feared he would kill her.
His case has relied upon deeply misogynistic narratives to discredit both her claims and her character. She was after his money all along, even though she refused the 30 million dollar fortune she was legally entitled to, as there was no prenup. She painted on bruises, even though a makeup artist testified to covering up her swollen lip and two black eyes. She cut off his finger, even though multiple texts and even an audio recording showcase him admitting to doing it in the midst of a bender. She didn't donate her money, even though she and the organization created a 10 year plan for her to make yearly payments (in my personal opinion, what she does with her money either way is nobody's fucking business). Also worth noting, an ACLU representative testified to her being ahead of schedule until Depp began suing her. She made up a hoax, because she documented her abuse - as we advise all people who are in abusive situations to do. She's a liar, because women are inherently deceitful liars.
None of the evidence that JD's attorneys presented has proven that she defamed him through her op-ed piece. That's likely because their goal was never to prove that her article - which never explicitly references him or their relationship - impacted his career. Those who watched the trial will know, Tracy Jacobs, his agent of 30 years stated that it was his drug and alcohol abuse, anger issues, chronic lateness (7 or 8 hours late to set each day), and unprofessionalism that led to his career decline. Film crews grew tired of working around these problems, and eventually, so did Hollywood. Tina Newman, a Disney Corporate Representative who worked on POTC stated no one knew of Amber’s op-ed until Depp sued her. 
The trial was always meant to humiliate, shame, and terrorize her. We are witnessing in a powerful man terrorize his ex-wife through the legal system, all while the world makes TikToks of her sexual assault testimony. JD has a documented history of violence and is due for another court date after assaulting a crew member of the set of City of Lies. To quote his own words, “If I’m angry and I’ve got to lash out or hit somebody, I’m going to do it and I don’t care what the repercussions are. Anger doesn’t pay rent, it’s gotta go. It’s gotta be evicted.”
I don't know whether Amber Heard will win her case. We’re witnessing a radical right-wing political swing to control and criminalize women’s bodies with Roe v. Wade under attack right now. To be blunt, I have very little faith in the justice system and that a jury - in Virginia of all places - will rule in favour of an abused woman over her charismatic, powerful ex-husband. However, I think it's important to remember that Amber did everything right, that is, everything we tell women to do. She documented her abuse, left her abusive partner, and was granted a restraining order - and she's continuing to be punished for doing so. If Amber, a privileged white woman with access to economic resources, is still struggling to escape her abuser, how can we expect women without those privileges to?
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siryouarebeingmocked · 2 months
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Canadian Newspaper Globe And Mail: Conservative Leader wants harsher jail sentences for repeat offender auto thieves.
Nora Loreto, self-described Socialist: Stealing cars is a victimless crime!
Loreto: Also, most people in our jails are innocent!
Loreto: As long as you use the extremely technical definition of “jail” that means “a place where people are usually held before trial and are therefore legally innocent”, which is not how it is generally used.
Loreto: I say this while ignoring how car theft means there is a victim, by definition.
Me:
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Some idiot also claimed the real issue was car manufacturers making a ‘defective product’, and the “logical step” should be the government going after them for obvious collusion with insurance companies.
The intellectual titan agreed.
Even though about five seconds thought would go “wait, wouldn’t having an insecure car reduce sales? And don’t insurance companies try to avoid paying out money? And isn’t car insurance mandatory anyway?”
She has a substack post about it, and it’s, uh, special. As in Ed. (archive)
>For me, I understand a victim to be someone whose life is irrevocably impacted, negatively, by forces they cannot control.
>You’re not a victim if things can be made well through consumption.
If someone spills my drink in a bar, I'm still a victim even if they or I buy me a new drink. It doesn't un-spill the drink.
Even if I get a new car, that’s a lot of trouble to go through.
>You’re a victim if you’ve experienced something that means that you’ll never again be the person you were before.
Because no one's ever been permanently traumatized by someone using force to take their stuff. Even leaving aside the times where the thief assaulted and seriously injured the car owner.
>My immediate, half-serious reaction, that jailing people for a victimless crime is ridiculous, caught a lot of heat.
Ah, yes, the classic "I wasn't serious (except when I was)" dodge.
>Thousands of men told me how much they love their cars, how their cars hold them at night and make love to them. My emails and direct messages filled up with lots of “if you steal my car I will kill you”s and “where do you live so I can steal your cars”es. The people were mad that I could assert such a thing.
Along with the classic "let's make this a gender issue, for some reason" and "talking about the harassment so I look more like a victim while ignoring the actual criticism".
>It’s the formulation that this object is so premordial that anything that may befall a car, whether a jacking or an overpacked highway, is a personal attack on the car’s owner. It’s silly.
And naturally, a red just starts making up entirely new arguments for and assumptions about the critics from thin air instead of addressing the actual criticism.
A carjacking is a violent theft of an occupied car.
Which means the operator must a) be removed, by force and/or threat of force, or b) become a hostage of the 'jacker. Sometimes both.
It's amazing that this intellectual titan can even type while she's staring so hard at her navel. Or...another body part. From the inside.
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levmada · 4 months
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PLEASE write about Levi’s mental state, i’m begging you
He’s faced death and precarious situations since he was born, yet he’s still standing strong and hopeful, WHAT THE HELL I LOVE MY SHORT KING
IT'S FINALLY HERE😭im sorry anon i hope you're around to see this and if u are i hope i dont disappoint
the tone in this analysis is so weird because i kept getting caught between 'this is an apa paper no contractions, academic language, double spacing -' and 'this is a tumblr post about a fictional blorbo wtf r u on'
i also use some scientific language i try my best to explain but if this turns anyone off i don't blame them because im unhealthily obsessed
*i'm a third-year undergraduate psychology student w/ a concentration in psychopathology
tw/cw: discussion of childhood exposure to sex (not assault)
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Foreword
I’ve been putting this off for a while (I’m forgetful and this topic is intimidating what can I say), but being a year out from graduating with my bachelor’s to become a mental health professional, and being a Levi scholar(/hj), I wanted to give this a shot. 
I wanted to dissect and examine Levi Ackerman’s mental health “currently” (as in general canon), and explain as thoroughly but as simply as possible how and why he thinks and acts the way he does.
Seeing how AOT is pretty renowned for leaving out the ‘insignificant’ details, especially character details, a good majority of my assertions and even details of his life are built off of correlations and “signs and symptoms”; meaning some things could be an aspect of Levi’s personality, or a symptom of psychopathology. 
 I will examine his childhood (especially his childhood), adolescence, young adulthood, and “present” adulthood, with a short summary at the end of where he might be mentally after the war.
*Lastly, I don’t like it when things I say about a series or character are taken as fact or make it implied that someone else’s thoughts are “wrong”. This is partly built on headcanons anyway, which are influenced by my own experiences. Don’t take away from this that this is me telling you what to think.*
Childhood
The most important period of development occurs in infancy and childhood, especially from the ages of 3-6. This is when a child learns where to find security, love, and basic skills, gaining stability as they develop.
Well, Kuchel died when Levi was 4.
Maternal Love / Learning Empathy / Anxious Attachment Style
Levi was born into deep poverty within a violent unwelcoming environment. Basic physical needs must have been very hard to meet (i.e., consistently fed enough, a clean environment, no physical threats). And where Levi was born is like the dictionary definition of a bad environment for a small child, excluding only his mother’s care and love.
As it’s generally understood in canon (and suggested from Levi’s special backstory manga so far) she was a caring parental figure early in Levi’s life that loved him unconditionally. We can conclude that Kuchel did everything within her power to compensate for both parenting Levi alone and shielding him the best she could from his horrible surroundings, teaching the kindness, goodness, and love that Levi would internalize and go on to strive for for his entire life. 
As far as we know, no other children lived in the brothel. Socialization is just as important for a young child as receiving love. With this isolation, it’s extremely difficult to learn how to connect to other people, or pick up on social cues. Levi would’ve never learned how to interact properly with his peers—aside from use of aggression and violence which Kenny would go on to instill in him.
With the danger/anxiety imposed by strangers, mostly if not entirely men, he would turn to his mother for comfort all. The. Time. 
And she would give him that support and affection of course. This early motherly affection is integral to child development: a child who receives empathy and affection is subliminally taught how to feel and express empathy towards others. 
While Levi’s surroundings were dangerous, lonely, and chaotic—traumatizing enough for a toddler or young child—Kuchel provided a safety net from that, so I think that Levi developed an anxious attachment as a child: exhibiting clinginess, excessive fear of abandonment, and an excessive need for security and/or reassurance.
Paternal Trauma / Potential Androphobia
Born and living in a brothel, we can assume that Levi was probably seen as a burden and a mistake by others, especially by men (both the likely majority of her customers and her boss).
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AOT ch69; Before the Fall, ch34
This is likely in contrast to the women (those living and working in the brothel like Kuchel). They should know Kuchel if not as friends, then acquaintances who could empathize for her and her son. 
There’s an obvious trend here. If Levi is going to feel fear/danger/anxiety because of men, he should have a general aversion to men and-or the behavior of men who he encountered as a child. This is impossible to know for sure or in meaningful detail, but it seemed to be resolved by the time he became an adult if so.
Although Kenny in his words was no more than Levi's teacher, Levi did see him as a father figure.
The subject of Kenny will be expanded on later, but it's clear Kenny in no way resembled a father, who also would go on to abandon Levi (at the age of 11 or so). Children without father figures tend to struggle more emotionally, psychologically, and socially. Specifically, (especially boys) tend to exhibit intimidating/aggressive personas to compensate for resentment, fear, and unhappiness. 
Sexual Trauma (Tangent, Probably)
This is unconfirmed but a likely trauma Levi went through: exposure to sex as a child. There’s no way to confirm what he experienced, so I’ll function on ‘probably’s’ and ‘most likely’s’. 
Because Levi and Kuchel only lived in one room, other rooms in the brothel should have belonged to other women, and he was at the oldest four, I wager that he was babysat by women who Kuchel knew and/or was made to hide somewhere while she worked, such as in a cabinet.
(for reference)
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AOT ch69
The odds are high that he was exposed to the aftermath of sexual violence (i.e., marks seen on his mother), and the sound or smells that have to do with it. That young, he wouldn’t know what it was, but he should have realized later as an adolescent.
In general, children regardless of gender exposed to sexual content usually experience early puberty (which is just as likely for impoverished children, or children who experience chronic high-stress in general); issues with intimacy; become desensitized to high-risk behavior; negative/inaccurate expectations about sex and relationships in the future; influence inappropriate behavior with other children or adults; sex addiction.
This is especially relevant to Levi’s fear of closeness/intimacy in the future. Exposure to sexual situations—possibly not including CSA in his case—very early in life inflicts on a child emotions and stress they don’t have the intellect or reasoning to process or understand. An extreme aversion to interpersonal relationships, especially physical ones, results.
This stress Levi must have felt, being powerless to this happening to his mother, is a different beast. Children aren’t capable of handling high levels of stress, and so the brain will automatically create coping mechanisms: dissociation (a severe form of “zoning out”; observing the self “from the third person”; numbness; the feeling of living in a dream), excessive daydreaming/overactive imagination, symptoms of PTSD (nightmares and terrors; flashbacks; spontaneous activation of fight-flight-freeze associated with anxiety; excessive worrying/fear; loneliness/self isolation). PTSD will also be prevalent in Levi’s later life, which I’ll delve into later.
Inappropriate behavior and sex addiction are also highlights for me because they shouldn’t exist in him based on Levi's personality and behavior throughout the series. In my opinion, Levi ought to associate sex with pain, shame, and violence; he does see it as an ordinary job—a means to an end. He should be desensitized to sex as a concept, but associates it personally with shame, sadness, and pain, possibly feeling disgust towards it. So it is highly likely that Levi in every stage of life following this experienced sexual repulsion (usually associated with high anxiety towards sex), a low libido, or a lack of sexual desire entirely. 
From a trauma perspective, he could avoid sexual topics of conversation, sexual settings (i.e., brothels), or an array of things which are sexually suggestive or he as a child possibly associated with sex (i.e., cleavage, panties, specific touch). Similarly, he might avoid direct reminders or have a post-traumatic reaction to them, such as anxiety or flashbacks (i.e., the sound of a bed creaking, the sight of wet clothes).
Importantly, it can be concluded that sexual violence was often exhibited, and the idea would be ingrained in him that sex, like everything else besides his relationship with his mother, is “give-and-take”, “victim-and-attacker”, and learn to be repulsed by intimacy. This impacts his willingness for later friendships and relationships as we’ll see later. 
Early Abandonment & Early Exposure to Death
As Kuchel’s health deteriorated, Levi’s sense of security would break down. Availability of shelter, food, and emotional support would be even less secure than before. He might have been providing for Kuchel for some time, even, as it can be gathered that he received little to no help from those around him while she was sick. To whatever length he had to take responsibility and both fear for Kuchel, this would cement a sense of responsibility and guilt in him from the age of just four years old.
He will fail to save her—regardless of the fact that that’s not his responsibility in the first place; a child wouldn’t understand that—and then lose her with nothing he could do to even cushion the blow.
How powerless he must’ve felt. How hopeless. How likely is it that Levi found comfort in joining her? A child his age wouldn’t be able to comprehend death, basing our understanding on Piaget’s theory of cognitive development. To summarize, at the age of six or seven, children aren’t capable of complex, abstract thought like death or the finality of it. But Levi had to learn early. 
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AOT ch69
This will be center in his “clean-freak” tendencies later.
Adolescence
Most of this section is going to be rather vague again, but we already got the bulk of that over with in childhood!
Emotional Train Wreck / Lack of Identity 
It’s hard to notice if you’re not paying attention, but in every scene we’re shown with Levi after his mother dies but before Kenny leaves, he’s wearing some variation of his mother’s one dress styled into a shirt. He loves her endlessly, even or especially in death. And part of cherishing her memory, to him, should’ve been taking after her as much as he could.
That’s how to explain why he didn’t become a cruel person (Kenny for instance) as he grew into a teenager, even though much of Levi’s outlook and behaviors come from him (ch57).
The more pertinent question is how extreme violence, reinforcement of the idea that that violence is power, and Kenny’s total (or most likely total) lack of communicated emotional connection affected him.
Levi would still desperately want that connection deep down, especially with his mother gone. This is a major reason why Levi sought to get stronger to please Kenny. For chronically abandoned people, that continues into adulthood and even beyond. A hole inside which can't be filled.
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AOT ch69
Chronic loneliness—like I explained before—basically explains his aloof nature and awkward disposition. It’s not that Levi feels as detached as he looks, but he doesn’t know how to express himself or open up. He wouldn’t learn how to process his emotions, let alone talk about them. He’s basically emotionally stunted and immature in impersonal relationships (between friends and especially in regards to intimacy).
The Underground’s environment also makes him socially awkward, rude, of course stoic/not very expressive, and blunt. Levi was forced to become extremely observant of people to suss out their intentions, remaining vigilant of his surroundings at all times.
Levi doesn’t even get affection in any sense anymore. He doesn’t get a hug or a pat on the back, and he certainly doesn’t get a shoulder to cry on.
If anything, Kenny would punish him for showing weakness. Vulnerability is weakness; weakness is death.
What results is a continuous and boundless sense of emptiness inside that can’t be filled. He’s plagued by a chronic sense of unbelonging and loneliness. There’s no time or opportunity to develop “normally” as an adolescent. Socialization is limited at best; thinking of his place in the world is irrelevant when his one and only most pressing goal is survival; he doesn’t get to explore hobbies or interests.
OCD Propensity
One “interest” Levi is passionate about is cleaning, at least. Disease is what caused his mother to die. The easiest cause to point to would be their disgusting surroundings (although, Kuchel was infected by a customer). It is canon that Levi’s love of cleaning comes from "his personal experiences". In that interview, Levi first specifically references the important of fighting disease.
In other words, his "clean freak" nature comes, primarily, from the death of his mother: Filth -> disease -> death, and abandonment by extension.
His mother would’ve encouraged him to keep their room clean. There were times he or she had to have come down with something and dirtiness was the cause. On top of Kenny’s enforcement to keep up “clean” appearances to garner respect from everyone else in the Underground. 
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This in particular is extremely relevant to his mental health. When someone feels out of control of what is happening to them, especially in a recurring way, and especially as a child who doesn't yet know how to feel stable in an unstable environment, they look for something to control. It can be weight, bodily functions (blinking, breathing, etc), dominance over others, or cleaning, for instance.
Fear of disease, the urgent need to have control, and the basic need for stability makes it obvious that Levi would become obsessed with cleaning. And moreover, developing OCD (Obsessive Compulsive Disorder). I’ll go deeper into this diagnosis later.
Lack of Self Worth
Despite the acknowledgment throughout canon that he trusts in his own strength, it wasn’t always that way.
Canonically, Levi sought praise from Kenny by showing his strength because that was the only thing he received praise for. The conclusion Levi came to once Kenny left him was that he wasn’t strong enough (wasn’t good enough) to warrant staying with him.
In conjunction, Levi’s first conclusion was that he did something wrong, not that Kenny possibly had some obligation that forced him to leave the Underground, pointing again to his own lack of self-worth.
This scenario created a complex in him, the very root cause of Levi’s pain, the very foundation of what Levi would go on to prioritize in adulthood. If he isn’t useful to those he wants not to abandon him, he’s worthless. He’s only useful when he shows his strength. Every other aspect of him like his interests is either irrelevant or bland by default in his eyes.
He would go on to make it his mission to try his best to be good enough in order to save and protect the lives of others, but foremost those he cares about.
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Young Adulthood
Our first exposure to Levi as an adult is in A Choice with No Regrets, his OVA/backstory.
(By the way, I’ll be basing this analysis off a mix of the manga and the OVA.)
Emotional Immaturity/Affective Dysregulation
Generally, Levi’s defining negative character trait as a young adult is his emotional immaturity/anti-social behavior. Yes he’s grumpy and rude which is always indicative of him, but he’s very quick to anger, too. He cursed at the Squad Leader who offended him (by assuming that because he, Isabel, and Farlan are from the Underground, they’d be dirty), and argued furiously with Farlan that he would kill Erwin—not because it was required for the job, but because he disrespected him—for a few examples. 
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ACWNR ch2
He tended to be arrogant, too. Such as when he ultimately called a Scout who had experience with the Titans stupid for telling Levi to hold his swords in a certain way. He spoke to every officer the same as he would anyone on the street, having a remarkable lack of basic respect for authority. He was insistent on distancing himself from the entire setting and structure of the Scouts as much as possible, both to not get attached, and he found their mission childish/foolish. 
He’s rather selfish. There is nothing Levi cares about genuinely more than Isabel’s and Farlan’s lives and the job that will set them up with a good future. Farlan’s advice is the only one’s he takes and the only judgment outside himself that he considers, such as when Farlan asks him to not cause trouble with authority to keep a low profile, but even then he acts stubborn. Levi trusts nobody wholeheartedly except himself (until later in ACWNR).
There’s a cognitive dissonance in him. Growing up, and still as a young adult, Levi’s headspace is marked by fear and uncertainty, with his power as his source of confidence. The first time he kills a Titan (with Isabel and Farlan), he uses too much gas because he refuses to potentially risk his friends’ lives; when the expedition is upcoming, he abruptly tells Farlan and Isabel to find a reason to stay back, and that he’ll complete the dangerous part of the job on his own. 
Levi is full of repressed fear and uncertainty. He hides and/or buries all of it for the sake of self-preservation both emotionally and physically.
Antisocial Personality…?
It’s extremely interesting how a character as selfless, heroic, and empathetic as Levi exhibits antisocial symptoms. I’d even argue that if his childhood was spent entirely without his mother figure, then he might be a dictionary definition of ASPD (Antisocial Personality Disorder).
People with this disorder live day-to-day under the constant assumption that whoever is around them is “out to get them”/searching for a weakness to exploit. Humanity is made up of only prey and predators; morals are completely subjective, perpetuated by the society that surrounds them. This constant need to defend oneself, the effect of the exact trauma the potential sociopath experienced, combined with a muted emotional spectrum, results in a complete disregard of everything, including people outside of themself. They might believe they’re entitled to comfort or admiration, but overall, they’re intensely self-serving, often aggressive, and ruthless. 
Because Levi for instance learned to rely on violence both for “love” and survival, then he might fall on violence to manipulate a person or situation into serving himself. I see reason to believe that Levi could have grown into worse than Kenny’s image if it weren’t for his mother’s influence.
However, the greatest cause for deniability is Levi’s wide emotional spectrum (especially including empathy and shame), while a lack of shame is the most significant marker of ASPD . (It is arguably one of many testaments to his strength that a victim of so much suffering, violence, and cruelty could become a man as empathetic as him.) 
However, these tendencies may still be relevant: A sense of arrogance—both to the way Levi thinks of some who he perceives as weak and live without good morals—lacking issue with using deceit or violence to attain a goal, and living outside the rule of authority.
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I go into more detail about this idea here.
Conclusion
As is true in general, there’s very little to say of mental development once someone has reached their early–mid-twenties. What we know of Levi’s young adulthood does reinforce his fear of abandonment, but he finds a cause where his strength and compassion can be “put to good use” and give to him a life that is worth living.
Conclusion: the ‘Present’/Diagnoses Overview
C-PTSD (Complex Post-Traumatic Stress Disorder)
Levi’s emotional dysregulation (i.e., inability to sit with and process negative emotions), his difficulties in relationships, insomnia, negative worldview, absent sense of self, and finally, his persistent sense of unworthiness/worthlessness are all indicative of C-PTSD. It’s distinct from PTSD in that he didn’t endure one short-term traumatizing event, but he grew up surrounded by trauma and saw it as normal (e.g., gang violence, extreme poverty, death of a parent, (more presumably) physically and emotionally abusive parental figure). Levi as a child developed no understanding of a nurturing, secure environment. 
Negative/Absent Sense of Self
I’ve talked about this at length already, but it’s worth noting how Levi’s perception of himself must have changed when it was revealed that he is extremely strong physically not from his own efforts as much, but because he’s an Ackerman. 
His self-confidence and self-worth have always been built on the foundation of his strength. He’s useful if he’s strong, so he’s worthy if he’s strong. Along with the extreme high pressure his goal to kill Zeke put on him in season four, he might have gone to extreme measures to compensate for his strength he might have felt was “unearned” (such as excessive exercise for example). This is an aside, but it was a blow to him for sure.
Emotional Dysregulation
The causes of emotional dysregulation generally which he experienced are as follows: early childhood trauma, feelings ignored, judged, or invalidated at a young age, and physical and emotional child neglect. Beyond his first four years of life with his mother, Levi experienced all these things (early exposure to sex and likely exposure to domestic violence aside). 
It’s important to focus on emotional neglect specifically, when any and all perceived “weakness”, no matter how small, is unacceptable to Levi. He will never ask for help (being independent to a fault), he can’t define or process his emotions, and it doesn’t occur to him—and it could be a shock—when he learns that his friends care about him, not him insofar as how useful he is. 
As an adult, Levi appears to be emotionally mature, but I argue that this isn’t the case. It’s more accurate to say that he has better control over his emotions (in that he buries them or ignores them) with a mature outlook because of all his experiences with suffering.
Similarly, he’s not outwardly emotional not because he’s antisocial (as related to ASPD, not introversion), but because he’s so “emotionally constipated” that he’s numbed the vast majority of the time.
Relationship Issues + Fear of Abandonment
Because of his fear of abandonment and impaired emotional intelligence in close relational conflict, he’s extremely passive and/or passive aggressive. In order to avoid potential abandonment, he doesn’t go out of his way to win major arguments—such as threatening to break Erwin’s legs if he didn’t stay away from the expedition in season three, but ultimately giving in. He’s also more likely to sneak petty insults into arguments, give “silent treatment”, slam doors, etc. His kindness and exceptional empathy shouldn’t let him be physically or overly violent.
These are likely additions to why Levi doesn’t foster many close relationships.
Fittingly, as a child I thought that Levi might have had an anxious attachment style (clingy, excessive need for security), but as this possibility for security was removed entirely, and he was taught to not rely on others, he would develop more of an overt avoidant attachment in adulthood in combination (fearful-avoidant): making very few emotional demands—even though he has needs—withdrawing when there’s conflict, acting aloof yet fearing abandonment, having difficulty expressing emotions he feels intensely, and fear of depending on someone else.
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Anxiety
His cool-headedness even in the heat of battle/war (other factors like experience aside) is exactly what you would expect from someone diagnosed with C-PTSD; he’s accustomed to chronic high-stress. But small stressors (i.e., a change of plans) are overwhelming and make him quick to anger/excessive annoyance.
OCD
Emotional dysregulation is also closely associated with OCD.
OCD is much much more than being concerned with keeping clean or organized. OCD is an anxiety disorder composed of anxiety-related obsessions and compulsions, such as frequent and disturbing thoughts or images (intrusive thoughts). These attempt to be managed through rituals (i.e., handwashing, counting in patterns). Although symptoms will fluctuate with anxiety, OCD at its baseline is a distressing disorder.
Since he was young, Levi should have had an incessant need to be in control at all times. A shining example of this is his mother’s death, an incident he couldn’t control but included dirtiness/disease as a cause he could pinpoint, so this anxiety with dirtiness becomes a major obsession, and the compulsion is cleaning. (Putting aside the fact that Levi enjoys cleaning by itself too.)
It’s a widely-held belief that if Levi has OCD, it’s contamination OCD, as it specifically has to do with an obsession with dirtiness and a compulsion in cleaning (i.e., damaging handwashing, ritualized bathing that may take hours). However, based on the multitude of times Levi was covered in blood and remained unbothered by it (Titan and human), and in fact the obsession’s lack of relevance entirely during urgent missions/situations, contamination OCD is simply not plausible. Instead, it’s general OCD.
There’s no way to know for sure, but I don’t see his OCD as mild or severe. Levi is an extremely orderly and balanced person, so it can be concluded he must have things done a certain way, routinely, organizational, or planned; when the dirtiness is “negative” (i.e., Titan blood, blood on a knife he used to kill Isabel’s attackers), he is never more rigid with cleanliness; it’s probable he suffers intrusive thoughts (likely of the violent nature), a fear of contamination, and/or counting ritualistically, but the most obvious compulsion is cleaning. He might have sensory issues, such as disgust if he happens to brush shoulders with a stranger; aversion to particularly bright lights, irrational rage towards “mouth sounds” (i.e., chewing, coughing, swallowing), etc.
EDNOS (Eating Disorder Not Otherwise Specified)
Levi should have a complicated relationship with food to say the least. 
In the realm of eating disorders, EDNOS is sort of a catch-all term when an individual doesn’t qualify for the diagnostic criteria of anorexia or bulimia, and it encompasses lesser-known eating disorders like Pica. It’s the most common diagnosis for clinical eating disorders.
I already covered how integral the early years of life are, and beginning at a young age, if children aren’t given a basic need like food, and they must seek out food on their own, it becomes an anxiety deeply rooted in the brain regardless of how well-fed they are when they’re older. There will always be an urge to have food available. Levi’s years in the Underground were spent either actively starving, or going about every single day having acquiring food as top priority. He was a young adult when he left, so it’s impossible to unlearn this (without extensive therapy, which Levi doesn’t seek). It’s similar to compulsions found in OCD: even though he logically knows that there will be a dinner after lunch, it’s impossible to put aside this worry. 
That may mean always having food stashed, eating too much—especially in his early years Aboveground when he’d eat as much food in a day than he’d eat in a week Underground— stealing food, or eating way too quickly (as someone who lived in a place where food was considered something of a luxury resource and threatened being stolen at any time).
The latter factor contributes to Levi’s suggested preference to only eat alone—joining the fact that Levi only eats with Erwin after expeditions. Eating in front of others should be considered a weakness to him.
As time passes with this easy access to food, combined with his extremely narrow sense of what makes him “good enough”, his relationship with eating may become toxic. Especially when the stakes of his worthiness are so high—literally life and death. He may think that he’s privileged to eat at all, and when he feels worthless, he restricts himself from that “privilege”. 
He may be so accustomed to the feeling of hunger, that it doesn’t immediately register with his mind when he is hungry.
Lastly, he may have a generally low appetite. This is often associated with depression, but depression is comorbid with C-PTSD.
Misc.
Some tangents/miscellaneous speculation about Levi’s psychology:
Queer?
Sexuality is formed and shifts due to a wide variety of factors, which most if not all are terribly understudied: genetics, hormones, and your environment/experiences. So again, my speculation.
With his fear of close relationships and negative experiences with sex, I think he should land somewhere on the queer spectrum, specifically under the asexual or aromantic umbrella (i.e., pansexuality/being panromantic (attraction to personality) and demisexuality/being demiromantic (attraction only to those he has an emotional connection to)).
MDD
The odds of Levi having MDD (major depressive disorder/clinical depression) are iffy. Most if not all of the symptoms are comorbid with childhood trauma and C-PTSD: Such as persistent apathy, guilt, and/or discontent; sleeping too much or too little; lack of energy; reduced or heightened appetite; irritability. 
Oftentimes, depression, C-/PTSD, and related mental illnesses cause unexplained physical pain, such as back pain and occasional tension headaches. “Stress hormones” like adrenaline are built-up in the body, and usually persist without physical therapy and-or medication (Disclaimer this mention is based on nothing more than Levi always standing with at least one hand on his hip).
Body Language
Similar can be said of his body language from a cognitive perspective. The vast majority of the time, Levi has himself closed-off in some way, usually by crossing his arms to protect his chest; a subconscious barrier between oneself and another person.
Also see this official art of Levi asleep.
Afterword
We’ve known it’s not just Levi’s physical strength and skill that makes him the strongest, right? It should take immense mental strength to make it day-by-day dealing with the trauma and issues that he does, but not only has he survived and continues to, but he lives heroically, selflessly, with the wellbeing of everyone around him as a top priority. He buries all of his pain by moving forward always and without exception regardless of how painful the present is. Living with “no regrets” should in mental respects be a guise for pushing his trauma down, too; there’s just no words that can properly do Levi’s resilience justice.
Part of me wants to go into detail about his later adulthood, but given how very little we know (right now), I think it’d be too speculative.
However, based on what we have seen at the ending of AOT, it’s comforting to know and plain to see that Levi wasn’t defeated when he “lost” the reason to be so strong, and even his strength itself; he didn’t lose his love for his friends nor of life. 
In middle age, based on Erikson’s psychosocial stages, the conflict that should enter Levi’s life is the idea of generativity versus stagnation. He seems satisfied with his life despite the negative effects of all he went through—grief, physical disability, inevitable mental scarring—and he’s still concerned with helping others, especially the younger generation in a world after the overwhelming devastation that was the Rumbling.
My speculated psychopathologies/diagnoses of Levi:
C-PTSD (insomnia prevalent)
OCD (contamination obsessions)
EDNOS
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rogueshadeaux · 16 days
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The show, the NCR, and me defending their timeline
If you know, you know. SPOILERS UNDER THE CUT. Do not read if you haven't seen the show in its entirety. Stamped and immediately published so if you see spelling mistakes, no u don't
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Now, the tv show did absolutely fuck up the fact that they didn't put a date under the blast, but you need to realize that Lucy and Maximus both lived in Shady Sands as children! The blast itself couldn't have been in 2277.
Especially when the show is set in 2296.
Now following this, in the show, Maximus/The show calls Shady Sands the first capitol of the NCR. I believe this correlates to the 'fall of Shady Sands' to say not that the NCR is irrelevant, but that something happened along the way for the NCR to essentially lose its hold on the city. The fall of an empire takes longer than a day. And events like that are labeled in hindsight! It wasn't the 'fall of Rome' to the Romans, it was a buildup to the world's shittiest Tuesday. We know it as the Fall of Rome.
The Vaulties know it as the Fall of Shady Sands.
The question is; what did the city fall to? Fact of the matter is that the NCR was already showing signs of being overtaxed with the First Battle of Hoover Dam. They lost a prison to some basic ass gang, and a good 100 men in the fight to reclaim it. They didn't pursue the Legion after the battle and could have done numbers to the faction. There's a very good chance that something happened very fast and very violently to make the NCR lose its hold on Shady Sands. They’re not retconning New Vegas, they’re giving us mapped out teasers to the truth! That’s why 'The Fall' starts in 2277. It begins with Hoover Dam.
New Vegas doesn't happen till 2281. Lucy and Maximus are both early 20s, and were at least 5 and at most 8 when Shady Sands was nuked. 15 years have passed since New Vegas and 19 since the alleged bomb! They would have to have been younger for the bomb to happen before the game. It's very plausible that the events happened post-game, and do not retcon NV at all.
In the end, we won't know the truth till next season, but I think there's a reason the writers both inserted Shady Sands and the NCR conversation into the story; its going to become very relevant, very quickly. House is in the show, for goodness sake, at that same round table Bud is. There's a reason Hank ran to NV. They're going to have to address the events, and we are going to get answers.
EDIT TO ADD: this is a tweet from Emil Pagliarulo, designer at Bethesda:
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And Bethesda/Todd okayed or vetoed every choice and plot point in the television show as they’re also making another Fallout game, and have plans for the events in that. Todd wouldn’t have nuked their best selling game. I wouldn’t be surprised if we get a statement from him sometime this week because of the blowback regarding the blackboard.
It’ll be fine.
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onesidedradiostatic · 2 months
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aromantic alastor headcanons for aro-week (with some ace in there as well, because I think for alastor those things are so entwined, it's hard to separate them):
tried going out with girls a couple of times when he was alive, to make his mother happy, but always found a way to extricate himself from the attachment. this ties into his learning how to have complete control over any situation he's in
I wonder as well about whether or not he "passed" as white, or whether his community knew that he was creole, and how that affected his dating opportunities, and his paranoia, his need to be in control, basically his constant hyper-vigilance
got a lot of fanmail for his radio host work, women (and men, but more furtively) loooved his voice. this was acceptable, because (apart from some of the weirder ones) he could use this as a metric for how accepted he was in society, as well as how well he was passing -- both in terms of race and orientation, but also youknow, as someone who is definitely not clockable as a serial killer
although of course we know he also enjoyed company. he'd go out drinking and dancing a lot. was mimzy a bit in love with him? I just like the idea that people kept being incredibly taken with his charm and his politeness and his poise, because he does have all those traits. whether he notices...? (no). I mention this point not so much as headcanon, I just like that alastor as aroace and repulsed on both of those points, was never a shut-in about it. he's always been very lively (ha) and outgoing, and clearly likes being in the company of others... but maybe that last point has gotten to be a little difficult during his time in hell, due to having to be so careful about showing any kind of emotional "weakness." speaking of...
post-death became a more extreme version of himself -- that is, a man on a mission to be in control and create emotional distance between himself and others through the power of voice, rather than having to faff about pretending emotional connections where there were none. very suited for hell because of his precarious political lived reality whilst alive, and because hell is built on who has power and who doesn't. these are rituals he understands better than the strange romantic ones during life
the smile as mask and unhealthy coping mechanism -- wonder if when he was alive people swooned over his having a lovely smile (as well as its being useful to placate and to disorient people who had more violent intentions, and in both cases potentially to lure in victims). so the smile likewise became the most extreme version of itself. the smile in essence as the signifier of someone who doesn't fit into any boxes and needs to hide that fact, both by being mixed race and aroace, but then the smile itself becomes something that effectively owns him, because he literally cannot let it drop, ever (honestly if alastor ever stops smiling, it'll be the biggest gasp moment on this show)
all that being said, surprising connections do occur: rosie, I think, sees through him from the beginning, and she's so disarming (ha, disarming... cannibal joke) that she never feels like a threat + they're both cannibals, so there's a relaxed kinship there and maybe she reminds him of the parts of home he (secretly) misses a bit
I wonder how rosie figured out that alastor wasn't into dating. I think at first she might have thought he was gay, but then quite quickly seen that that's not it, he doesn't even like men much, and she feels like she's been around the block enough to piece together peoples' natures from one of a million other people she's known, so way before she knows the terminology, she knows, and crucially, she never judges or tries to force the point
I wonder how vox and alastor met -- whether vox was able to gain power on his own and this attracted alastor's attention, or if alastor saw something of himself (that turned out to be surface level) in vox, that is, they both wear smiles as masks, they're both presenters, their mediums may be different, but their aims feel similar. perhaps alastor was comfortable enough in hell at this point -- probably in a way he never was whilst alive -- that he was feeling magnanimous towards what must have felt a bit like an upstart. and most importantly, the constraints of alloromantic ideas are a comfortable 20 years in the past by now, alastor can barely remember that this was ever anything that was expected of him, or that others' could possibly feel about him
cue vox falling head over heels, the way people so often did while he was alive, and he... does not notice at all (barely a headcanon). I kind of feel like I don't have much to say on these two, because this blog is already a treasure trove of vox and alastor hcs!
I think rosie is the only one who knows alastor is aroace, although... maybe husk? not in so many words, but he knows alastor isn't interested in those things. nifty Does Not Notice Nor Care (in a good way). charlie i will forever think will at some point do a deep-dive on modern queer lingo and get everyone flags (this is practically word of god canon considering that older piece of art you shared). vox definitely doesn't know. val....... sort of kinda knows but in an evil way. vaggie does not care, but she'd be chill about it. mimzy... I don't think knows, mainly because she never cared to think about his behaviours, as someone who's quite self-centered on what alastor is to her. jeez, who am i missing... angel, does not know, head empty
speaking of angel, I think if he ever found out, especially with where he's at in his journey rn, would be very unhappy in some way about having stepped over his boundaries so often so casually at the beginning. dunno how he'd act about it, but i like the idea of vigilantly (and crudely, and bluntly) supportive angel if they ever manage to get alastor out on the town. more on the ace side of things but i can see him going: "do not try to fuck this guy! this guy is unfuckable!"
(i like hypersexual and deeply romantic angel + sex and romance repulsed alastor as unlikely friendship in my head. opposites finding common ground type stuff is always good)
at the end of the day, alastor living and dying in an amatonormative world and having to orient himself within that by building walls that persist/worsen after his death because of the culture of hell being predicated on who controls whom, veeeeery slowly discovering that he can be vulnerable on his own terms without people demanding things from him that he cannot give (smthinsmthin the hotel gang as the opposite of vox in that sense -- not only that sense, but also that)
also something about imagining his mother hoping he'd find a nice girl and settle down (in the way parents often do, because that's the metric of happiness right.....) and how he never could give her what she wanted, and maybe feels some very locked away guilt about that, which he thinks he'll never be able to deal with because his mother is in heaven, but perhaps in this story she'll get to see what he's built with the people at the hotel and that's really all she wanted for him in the end
OH MY GOD ANON THIS IS ALL SO GOOD?? THANK YOU SO MUCH HAHAHA. happy aro week everyone!! (x2)
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triptychgardener · 1 month
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Hello sorry if this is a bother but I am asking in good faith where is the reading for transmasc nepeta. I’m asking this cuz of your last ask (the June one) and I see aradia Dirk and Jane. Thoes all I have seen post and analysis about. But I have not really seen anything about nepeta.
Okay so first thing you gotta understand is that gender in Homestuck, for lack of a better way to say it, can be understood in how characters reflect and relate to each other. That being said to understand Nepeta's gender, we gotta understand the gender of at the very least one other person.
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Dave.
And more specifically.
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Davepeta, Homestuck's very own first(ish) trans character.
Davepeta is noted to be a sort of platonic ideal of existence for both Dave and Nepeta. Somehow, through a strange series of cosmic coincidences, these two end up making an odd sort of parallel. Both having a strange relationship to a man who loves him some goddamn horses. The whole Akwete Purrmusk thing. I mean, Dave canonically engaged in semi-nonironic furry roleplay with Nepeta offscreen, and given what we know about what becoming a furry in Homestuck means, it's not a leap to describe this as their ideal form.
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But, although we don't see a lot of Nepeta's character arc, we do see a lot of Dave's. He struggles his whole life under an incredibly oppressive masculine force (both of Bro and, indirectly, Lord English), and once the game is over ends up deconstructing and largely rejecting that.
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So when Davesprite, who's also probably been thinking about this for even longer, bereft of purpose or identity, finds a kindred soul in a spunky catgirl... well the rest is Davepeta.
And similarly, there are points in the story where Nepeta acts kind of uncomfortable with how others see her as exclusively something to be protected. The whole "Dear, sweet, precious Nepeta" grates on her early on, as Equius uses it as an excuse to control her actions. The whole of moiraillegience as it is originally explained (i.e. one party helps to calm down an especially brutal and violent person from outbursts of anger, and in turn that person will protect the more docile, even-tempered soul from external harm) even kind of FEELS like the way heterosexual relationships are portrayed in a lot of conservative spaces, where women are nuturers and caretakers while men are protectors. And Nepeta is supposed to, in this situation, be the person who helps Equius manage his emotions, which she feels some consternation at!
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Now, over the course of Hivebent, their relationship appears to evolve and get a bit more balanced, but it still carries these overtones of "I will protect you, and you will handle my outbursts." Notably, when Equius goes to seek the Highb100d, and leaves Nepeta behind.
And of course not after roleplaying as each other.
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Which. I mean come on.
But notably, Nepeta doesn't just stay put! She doesn't really want to be protected all the time! And when push comes to shove, she leaps out to defend, or at the very least avenge, her best friend.
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And then, we don't really see Nepeta for a while!
Until we get to the end of the comic.
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During their whole "date", Nepeta seems a little uncomfortable with Jasprose's affections. She may be a bit flattered, but Jasprose also fully admits later that she was frankly looking for any girl she could fall in love with after the tragic death of her girlfriend and possible more tragic untimely resurrection.
But then the pivotal handshake happens, and we get to see who is perhaps the most happy being in all of Homestuck.
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Then we get into some of the only actual discussion of gender in Homestuck. We don't get much besides that, for both of their lives, Dave and Nepeta both felt something was missing. Something felt wrong that they couldn't quite place that made them both miserable. I don't think it's a massive stretch to say this could be gender dysphoria.
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And when they combine, they feel the fullness of the gendered experience they were missing, melded together like a two-piece puzzle.
Now while the abovementioned "strong identities as a boy and a girl" might throw you off, I would point to what Victoria Lacroix said about this passage: note the lack of the word "respectively." I rest my case.
Now full disclosure, my personal headcanon for Nepeta is genderfluid transmasc. The whole affinity for roleplaying lends itself to a more shifting identity and I just think Nepeta, given more time, would love exploring the little nooks and crannies of gender.
This isn't going into the more complicated shit with Gender when it comes to Equius and Dirk and all that other stuff. Here's a quick summary so you can see exactly how my brain is broken.
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Anyways, thanks for the question! I hope I answered my thoughts on the topic adequately! If other people have more to say about this, please feel free to add on!
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fantastic-nonsense · 4 months
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I wouldn't mind the heavy focus on warrior Amazons so much if they were allowed to be competent instead of just being used as red shirt cannon fodder. But it seems DC only hypes up the Amazons as deadly fighters so other characters can look more impressive when they take them down.
Oh and Happy New Year.
Happy New Year! Forgive me if I use your ask to talk about a piece of the Wonder Woman mythos I've wanted to discuss for some time, because your complaints offered me the perfect segue to write a nice, in-depth meta on it and I couldn't pass up the opportunity.
Honestly, I think a lot of people (both creatives and readers) either don't know, forget, or fundamentally misunderstand the nature of the Amazons' warrior status. So they often get reduced to "deadly warriors who strike first," "supposedly deadly but generally incompetent warriors when outside of their own books," or "militant man-haters" by a lot of people. None of which are true.
The Amazons are incredibly competent warriors and have been since Marston's first portrayal of them in the 1940s, so I don't inherently mind them being shown as such. However, where people get bogged down is insisting that they be shown as deadly and trigger-happy offensive fighters who are happy to strike first and hard, which fundamentally goes against the philosophy and thematic messaging built into Amazonian lore.
DC's Amazonia, lore-wise, is traditionally framed as an Aphrodite vs. Ares "peace and love vs. violence and war" story. In Marston's original rendition of the Amazon's backstory Aphrodite is not only their patron goddess but also their sole creator; it was only after Crisis on Infinite Earths and George Perez's long-overdue lore expansions that the rest of the goddesses became co-creators and co-patrons of the Amazons. Regardless, Ares and his domain are consistently invoked as what the Amazons don't want to be like or engage in. That behavior is the antithesis of what Amazons are supposed to be. This lore informs literally everything about how the Amazons view both their combat abilities and their duty to the goddesses.
The contemporary Amazons are, for the most part, women who died in terrible and traumatic ways at the hands of men (usually through domestic violence, murder, or as conquests of war). When the goddesses created the Amazons by reincarnating these women via the Well of Souls, they specifically charged them to become their champions. And what did these goddesses want? They explicitly wanted justice and protection for women in a violently patriarchial world. The Amazons being warriors is thus specifically tied to an understanding of necessary self-defense and protection (both of themselves and other women), not offense.
Which of course is what lands the Amazons on Themyscira in the first place: invoking the goddesses' ire by not obeying these commands after their rebellion against their enslavement by Heracles and his men crosses the line from the necessary battle to achieve their liberation into wanton violence and revenge:
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"The battered Hippolyta prayed to her goddesses and found the courage and inspiration to free herself. Athena had reminded Hippolyta of the Amazons' purpose and mission—but not all of the Amazons remembered. Or cared. They yearned for vengeance. For retribution against those who violated them...and under Antiope, many found it." -Wonder Woman: Our Worlds at War (2001)
And as Hippolyta and Menalippe tell Antiope:
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"No, Antiope. Never vengeance; never again!" /// "That is Ares' way, Antiope. We achieve no glory by embracing the Dark God's power!" -Wonder Woman (1987) #1
The Amazon way is promoting a society based on love, equality, truth, and peaceful conflict resolution, not vengeance and violent combat. It's a philosophy that defines Diana's mission in Man's World as an ambassador, teacher, and living example of her peoples' way of life:
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Enraptured, they listen to her dissertation on equality between the sexes, tolerance, peaceful coexistence. Social Philosophy 101, Amazon Style. -Wonder Woman (1987) #170
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Diana's gods-given mission was to spread the Amazonian ideals of conciliation—to give those living in the World of Man the proper tools to peacefully coexist with each other. It was her life's purpose to teach the possibilities of respect and love by being a living example of an upbringing founded in those ideals.
Truth-seeking, diplomacy, and peace are the Amazonian way of dealing with conflict, not violence. And when you are forced to engage in combat (and you should be prepared for that eventuality because sometimes it will happen), your goal should be self-defense and de-escalation, not offense and prolonging the conflict longer than necessary.
This is also, as an aside, why Diana (and specifically Diana in her capacity as Wonder Woman) does not usually carry offensive weapons like a sword and why her primary "weapons" are the Lasso of Truth and protective bracelets. She's the official representative of her peoples' culture and personally deeply believes in that cultural philosophy. Other Amazons have different views on the matter, including her mother, but Diana grew up completely separated from the World of Man and fully immersed in that belief system, which deeply informs how she views her mission as Wonder Woman.
Personally, I think many (but not all) of the problems re: depicting the Amazons in the modern era come from various writers attempting to solve contradictions that don't exist. They see "kickass trained warriors living peacefully on an island" and see that as a contradiction they have to solve: why do they train if they're pacifists? Why do they fight if they're peaceful? In reality, it's not a contradiction: their status as warriors and champions is specifically tied to self-defense and protection (both of themselves and others), but given the choice they don't want to have to take up arms to protect people because that goes against their fundamental cultural philosophy. Outsiders and meddlesome gods are the ones who force them to do that! What they want is for everyone to be treated with love, respect, and understanding so they don't have to!
And there's a lot of problematic elements built into the concept's execution, but this is the core thesis behind the split between Hippolyta's Themyscirans and Antiope's Bana-Mighdall. The Themysciran Amazons have had their fill of violence and war; they just want to live in peace. But a) they were specifically tasked with guarding Doom's Doorway when they were taken to the island, a duty which necessitates perfect combat readiness, and b) their history is littered with examples of people refusing to leave them alone. So they train, in case someone decides to take shots at them, but otherwise live in peaceful isolation. Meanwhile, the Banas looked at that same shared history and went "we need to take the fight to the outside world. Offense is the best defense, and the only way to protect ourselves and the other women of the world is to actively seek vengeance for the violence women face." So they chose to actively intervene in Man's World, fighting constant battles and exacting revenge for any women mistreated at the hands of men.
...which is also why Artemis was such a necessary and interesting addition to the Wonder Woman mythos (even if she's often handled...poorly), because she and Diana represent two diametrically opposed views of how to protect and represent both their cultures and the women of Man's World, but that's a rant for a different time.
Anyway, the Themysciran Amazons' martial pacifism as a cultural value isn't a contradiction; it's one way of looking at a history filled with violence and victimization and saying "no more." And it's a pretty subversive way of doing so, which (well-written) comics tend to note!
So yes, the "Amazons are warriors" mentality has always been there and has been solidly emphasized at various points throughout Wonder Woman's history, and it should be acknowledged and shown that they're all incredibly competent in battle when they're forced to engage in it. But the way in which it gets emphasized is what defines whether a writer has a solid understanding of the history and baggage that comes with depicting the Amazonian struggle and the socio-political issues embedded in their lore. And unfortunately...many writers just don't seem to get it.
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blingblong55 · 10 months
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Perception- 141 x M!Reader
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Based on a request
M!Reader, angst, mentions of blood,
The Gulag was the government agency in charge of the Soviet network of forced labour camps 
You are a well known member of Task Force 141. Although on field you are known for being the violent and viscous way you fight enemy soldiers, many on base don't really mind calling you names. In a way, you have become the freak of base. Ghost himself fears you at times, mainly because he has see you kill men with your bare hands and act as if it was nothing. He has seen the blood of the enemy dripping from your body and how you act as if it was normal. The team has so much respect for you though, they understand you are there for the mission, that you'd kill if it means to reach the goal.
Nothing really stands in your way when it comes to combat. But before you had become the man you are known as today, you were normal. A man of honour, never wanting to hurt anybody, no matter the circumstances.
----
What changed you, was 12 years ago, you were 2 years into your service when in a mission you were captured. Although the Soviet Union had fallen, Russia still held prisoners in infamous Gulag. You and a few of the other men who were also captured were tortured. Day and night was a living hell. The conditions were always horrible, men dying ever other hour due top weather and physical strength.
One night, you and three other men tried to escape, but because of a guard dog, you all failed. You fought back though, kicking, scratching and punching the guards. When one of the men saw you fight, he knew where they'd send you to next.
"глупый гребаный человек, думает, что может убежать от нас." a soldier spoke, some laughed as the other beat you senseless. They had broken your old self to the point that you just didn't care how you survived. For three hours straight every soldier that wanted to, would go and kick you, punch or even throw rocks at you.
Sometimes at night when you feel your most vulnerable, you feel for the cigar burns they left around your body. At times, you look in the mirror when you are shirtless, the deep scars that were scattered all over your body. Each touch took you back to the three years you were held in.
The winters were unbearable, at times, some of the men that would sustain injuries would die or have body parts be amputated. Others also died from hyperthermia, and somehow you survived the easy deaths.
On the night they sent you to a new part of the camp, they made sure to tattoo a symbol on your chest. A large skull a sword that pierced the top of it. All the prisoners were in cages, it ranged from the smallest of men to the biggest of all. You were well in your early 20's, so your shape was not so bad, even after all the days you spent without eating.
Once they clothed you properly, they threw you and a few other men into the fighting area/stage. Rich people watched from the stands as you all looked at them, you were all new. No one knew what the hell you were thrown in for.
Until you spotted the tools for fighting. And eerie sound came from speakers, the crowd clapped and cheered as soon as the prisoners started to fight each other. You, with some luck held a small dagger, a man much smaller than you sprinted to you, a sword on his hand.
If this was the way of getting out might as well fucking fight, you thought. You quickly dodged the man and soon stood behind him, you slashed his throat and took the sword from him. For hours on end, the smallest and even biggest of men fell to their demise. Blood was soaking the floor beneath you. Only 10 men survived from 50. You being lucky number 3.
And for many nights the routine was the same. Get beaten to sleep, trapped into a cage and wake up early, eat little to nothing and by sundown fight for your life.
In your time of fighting, you learned a few tricks, go for both weak and big. You did things you aren't proud to ever admit. You killed more men than any of the task force ever dared to do.
One night as you slept another prisoner escaped his cage, you woke up to being held by a knife at your throat.
"ты убил моего гребаного брата" the man spoke. (Translation: you killed my fucking brother)
"этот слабый ублюдок на это наткнулся" you answered coldly. (Translation: this weak bastard stumbled upon it)
"Я убью тебя" (Translation: I'll kill you)
"Нет, если я убью тебя первым" and thats when you grabbed the knife from him, stabbing him in the eye and then his throat. Before the guards came, you threw the night far from your cage and pretended to sleep. (Translation: Not if I kill you first)
----
You still have nightmares about it, but they aren't ever too bad. This mission that you were on though was a hard one. You and the rest of your team were captured. Price took the situation under control, trying to make negotiations with the enemy. In your years since being freed from the gulag, you hadn't spoke Russian or even heard it until tonight.
"Говорю тебе, сегодня вечером мы договоримся об этом, а завтра они проснутся мертвыми." the soldier said from the other room. (Translation: I'm telling you, we'll settle this tonight, and tomorrow they'll wake up dead.)
Your blood ran cold. Your breathing started to get out of control, you looked around the room, none of the other men knew what they had said. Gaz was the one who noticed your shift in behaviour, "Mate, whats wrong?" he whispered which caused all the other to look at you.
"I won't die, not by fucking Russians." your hands slowly shaking, you tried to steady your breathing, and thats when you realised you were back in a cage. You knew you were trapped, but it was as if you were young again, fighting every night for a spot to live.
"What does that mean?" Soap asked.
"Nothin'" you answered. You have to escape, you can't live like that anymore. You looked around the room and saw a poster, the same kind that was at every fight. You started to feel dizzy, and thats when Ghost noticed it, you were having a panic attack.
"Price, we have to get him out, now."
One look at Price understood why, Ghost shifted closer to you, he positioned himself in a way that would help him rub your back.
"s'alright mate, I won't let that shit happen twice." Ghost knew about what happened to you years ago, he accidentally found the files Laswell and you worked hard to bury. But not once did he push to know more, at times when you felt comfortable, you would open up, and he'd listen to the stories of those days.
But you couldn't listen, you didn't really understand the words that came out of his mouth when he tried to reassure you. Your hands digging at your skin, trying to feel your skin brought some good.
"Gaz, you untie me, and I'll untie you." Price ordered, soon the two men were up. They untied Soap, who untied Ghost. And he knew you best, so he opted to untie you once the Russians were taken down.
And once your eyes met Price, Ghost and Gaz untied you, Soap holding close as they all comforted you. Your breathing was starting to go back to normal. But still, the memories and the horror that place brought you were no fun.
The constant nights where you wished to just end your life, that maybe I'd be best if you die by your own hands and not by someone else's, especially not in front of the all the wealthy people who would watch the fight as if it was a sport.
The memories will forever stick to you and the regret you carry is who makes you the soldier you are today.
-----
A/N: I wanted this to be longer, but my ideas ran out, sorry
REQUESTS ARE OPEN
Tags: @xweirdo101x
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ystrike1 · 5 months
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The Bondservant - By Jezz (8/10)
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Finding solace in dependency isn't ideal, but I can't judge this particular couple for their choices this time. A slave and an unwanted daughter. What a toxic combination. When that slave returns with blond hair and a title I'm sure you can guess what happens.
Sioanna is a failure, and she doesn't understand why. Her mother died in childbirth, and apparently she was excellent. Everyone loved her. She was a legendary beauty, even though she was of low rank. Her modest match of a husband was handsome, and loving. Better than any boorish rich man. She bore a handsome son, but her perfect life was ruined by the specter of pregnancy.
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Sioanna really isn't like her mother. She has a stammer. She's a loner. She comes from a countryside family with money, so she can't really buy her way into popularity. Her father and brother are both cold to her, so she lives in isolation. She lives trying to please them, so maybe one day she will get the chance to live glamorously like her mother.
She doesn't even seem to genuinely love either of them.
Her fruitless cute act is just that.
Both men are itching to marry her off.
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Martha, the nanny, does what she has to do to help Sioanna survive. Her brother is a bit of a sadist. Martha gently encourages Sioanna to join him. To take part in the bullying. To be arrogant. To be the lady of the house any way she can. I don't think Martha is evil for doing this. Sioanna can't fight back. She's a woman, and even noble ladies have it rough.
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Sioanna's brother likes to gamble. He likes to hit people, and he's extremely insecure. Men have it hard too. Being a countryside man makes marriage and money harder, and money is literally the only thing he cares about. He torments the servants because...gasp...Sioanna isn't a failure! They both are. Sioanna with her stammer. The great Heir Eli, with his anger issues and his gambling addiction.
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Twaine resents them both. He wishes he had better children, but he's been dealt a dumb hand. He ponders about how he will use his children, when they're so weak.
Sioanna wants his love.
That's a mistake.
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Cruelty gives Sioanna a drop of courage. Martha encourages her to be less submissive. She's only 16, but she has to do something. The clock is ticking. At this rate she will be sold into an unfavorable marriage. Twaine cannot be won over with love. Eli is a lost cause, who has been kicking his sister around the hallway since she was a toddler.
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We meet Étienne.
Twaine brings him home. He claims the slave is a gift for both of his children. A friend. A sparring partner.
Twaine tries to drop a couple hints. He practically winks and says the truth out loud.
"Doesn't Étienne look like nobility?"
Sioanna is too scared to notice this hint.
Eli is too focused on beating the boy to a pulp to notice.
Twaine sighs. Étienne is clearly some kind of lost noble, who was sold into slavery for unknown reasons. Twaine found him by coincidence, but he recognized Étienne. Twaine is not the kind of man who would save another person, for any reason.
Étienne is money, or power. Possibly both, but Sioanna is completely unaware. She's dumb because she has been taught nothing, and she is constantly haunted by her brother.
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Eli bullies Étienne IMMEDIATELY, and he does it hard. Sioanna joins in to entertain Eli. She believes it will make him less violent. She is trying to help Étienne....but she's also trying to help herself.
It backfires.
Eli orders her to beat him, hard.
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Sioanna doesn't enjoy playing the part of the cruel lady. She hates looking at Étienne while he suffers, but it's him or her. Eli will beat both of them if she doesn't....do it.
It's not a shock when they become friends.
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Sioanna is kind and beautiful under her stutter and her cruel lies. Étienne says he will be whatever she needs him to be. He looks at her like she is everything.
They do fight.
Their mutual obsession becomes hard to handle.
Étienne leaves, but he returns to take her as his bride, with the same obsession in his eyes.
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rebellum · 7 months
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nooo i wrote a whole RESPONSE to this but then tumblr app crashed and then I had to type the whole thing out AGAIN on my computer and then in that time period the op turned reblogs off. Since they turned reblogs off, I decided to cover up their name, in order to kinda respect that.
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my response:
No. It is important to create new words in order to discuss specific phenomena. That’s why words like homophobia, lesbophobia, transphobia, misogyny, transmisogyny, exorsexism, and transandrophobia were invented. 
Sure, lesbophobia is covered under “homophobia”, but lesbophobia is an important word for describing how misogyny and homophobia affect women’s experiences of homophobia. Transmisogyny is covered under “transphobia”, but it’s useful to have a term that specifically describes how trans fems experience the intersection of transphobia and misogyny, not just for being trans, but for being specifically trans feminine, and the ways that expectations of womanhood, femininity, manhood, and masculinity factor into their oppression because of their assigned sex at birth, their presentation, and their gender. Exorsexism is covered under “transphobia”, but it’s useful to have a term to describe how transphobia affects specifically people outside of the gender binary. Misogynoir is covered under misogyny, but the term was created to specifically describe how Black women experience the intersections of racism and misogyny. Of course my explanations here are a little reductive, each one of these examples has much more to it than what I listed. 
In a similar vein, transandrophobia is useful for understanding how transphobia, homophobia, misogyny, and the meta-epistemologies of those discourses affect trans mascs, not just for being trans, but for being trans masc. Oppression, both systemic and on individual levels of discrimination and prejudice, works differently for people depending on the intersections of their identity (assigned sex at birth, assigned gender at birth, presentation, gender identity, race, culture, ability, etc). 
So transandrophobia is useful for discussing specifics like:
The idea of “lost lesbians” and “the trans cult tricking little girls into mutilating their bodies”
The rhetoric of violence around testosterone-based HRT. There is the incorrect idea that people who take T become more violent because they are becoming more masculine. 
This association of masculinity with violence, and how that affects trans mascs. For trans people regardless of gender, proximity to masculinity puts people in danger in queer spaces. People are treated worse if they are trans masc, trans fem and don’t pass well enough to the surrounding people, or nonbinary and not sufficiently ‘safely’ androgynous (skinny, hairless, and white, with no prominent secondary sex characteristics). 
How trans mascs are treated differently when they come out, or when they start to transition. Many people find that people are colder to them, they experience higher rates of abuse, and if they are trans men they are told to not talk about their experiences because ‘they are men and can’t possibly understand misogyny’. The voices of people who aren’t trans masc often end up being listened to more about trans masc experiences, than the people who have actually lived through those experiences. Like, people are shitty to trans people that are masculine specifically because they are masculine.
Corrective rape 
Many people, even in feminist and trans spaces, believe that a man’s gender cannot factor into his experiences of oppression. Eg believe that the fact that they are men is irrelevant to trans men’s experiences, believe that a Black man’s masculinity has nothing to do with how he experiences racial oppression, etc. There are even some vocal people who believe that men cannot be oppressed, and that trans men cannot be oppressed, specifically because being men means they CAN’T experience oppression. 
The idea that trans men transition in order to try to escape misogyny 
Discrimination in reproductive healthcare 
A lot more, it would take ages to list the different kinds of transandrophobia
I also noticed you said “continue to feel its effects if they don’t pass”. But that idea is part of the issue: trans mascs continue to experience oppression for being trans masc when they DO pass. Even if someone is well passing, and stealth, they still directly experience discrimination for being trans masc through things like access barriers to reproductive healthcare, higher rates of abuse, sexual assault, etc. 
So transandrophobia (trans andro + phobia, not trans +androphobia as some people against the concept seem to believe) is, like other specific terminologies of oppression, really useful as shorthand for the specific forms of oppression people face not just for being trans, but for being trans masc.
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meddling-in-horror · 8 months
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Giving Them the Moment: How Our Flag Means Death and it's Portrayal of Black Men is the Most Important Thing on Television Right Now
Note: written April 20, 2022
Media is an incredibly distinct way of communicating. It has a wide reach, and each person has their own interpretation of what they see. That’s the beauty of the medium as a whole. However, there are often downsides, especially when it pertains to the West. In the US in particular, there is a trend within popular media to lean towards propagandization. Whether it’s the idea that communism and socialism are products of the ‘Evil East’ or the lingering effects of the Motion Picture Production Code - also known as the Hays Code, the media monopolies have a firm grasp on what we as a society watch and enjoy. 
When you begin to play close attention to how the media portrays Black men, this becomes abundantly clear.
It is a rare thing when we see Black men whose characters aren’t portrayed as being the object nor the perpetrators of violence. In fact, only one mainstream popular show comes to mind: The Fresh Prince of Bel Air. But even then, the given circumstances of Fresh Prince revolve around Will’s escape from the violence of the ‘urban’ inner city. This vilification of Black men dates back to the 1910s with D. W. Griffith’s Birth of a Nation, and continued into the 1930s, where Black people were often personified as the monsters, representing the ‘exciticism’ of the world beyond the West. It is the ‘exoticism’ that has played a huge part in the dehumanization of Black men as a whole. But as a Black Queer person watching Our Flag Means Death, it is breaking that mold in an incredibly important way.
The Black men in the show are allowed to have fun.
This show is breaking barriers left and right. Of the major recurring cast of 15, over half of them are people of color. It’s overt and unflinching portrayal of Queerness when so many of its older viewers - myself included - have lived through the Bury Your Gays and Dead Lesbians tropes time and time again is overwhelmingly refreshing. Nearly all characters are Queer until proven straight and represent all parts under the umbrella, including Leslie Jones’ polyamorous pirate queen and Vico Ortiz - a non-binary actor - playing a non-binary character. 
But in a world where the narratives of Black men are so often framed around violence and brutality, the Black crewmates of the Queen Anne’s Revenge - Frenchie, Oluwande, and Roach - are allowed to be funny and vulnerable. Each one of them is starkly different from the other with identifiable characteristics that allow the audience to humanize them. The trio quickly became my favorites among the crew, with Roach being the stand-out amongst them. Samba Schutte’s often deadpan delivery never fails to draw a laugh from me, in particular the assertion that “meat is meat”. Frenchie, played by Joel Fry, is the quickest on the draw where his intellect is concerned, being posited in the show’s fifth episode as having had a hand in inventing the pyramid scheme while spouting the wildest of conspiracy theories and being afraid of cats (they’re witches, they steal your breath, and have knives in their feet, you know). The softness and constant vulnerability of Samson Kayo’s Oluwande may be one of the most important aspects of the show, as it establishes him as a reliable and trustworthy confidante to not just Jim, but to Rhys Darby’s Stede Bonnet as well.
They exist in their own separate spheres on the ship, going about their own separate business completely unbothered. While it is implied they lead violent lives as pirates, this violence isn’t used to define them as characters. In fact, Oluwande stated that both he and Jim engaged in piracy because they “had no choice”. The brief mention we get of Frenchie’s backstory implies that he lives a life of servitude, though whether that was as an enslaved person or a freed Black domestic worker is not mentioned. While there is little known about Roach so far, it is implied that his culinary skills are far beyond the levels of what is needed aboard a pirate ship.
The friendships and relationships they form within the crew aren’t built on violence either, but on open and honest communication. Most notably, the friendship of Frenchie and Wee John Feeny, played by Kristian Nairn. Fry and Nairn are an impeccable comic duo when their characters become ‘room people’, and the scene where they begin to design their new space is a personal highlight of the episode. Oluwande and Jim’s romance - played to perfection by Kayo and Ortiz - is one that revolves around both characters being almost devastatingly open with each other. Both actors play the emotional vulnerability of the characters well, and it is important to emphasize that it is Kayo’s Oluwande that moves to meet Jim where they are. 
While the show allows all its men to show varying levels of emotional vulnerability - an exception being offered to the emotionally constipated Izzy Hands, played by Con O’Neill - there is something so special about seeing that luxury afforded to Black men. This show has, in just ten episodes, has become a game changer for the television industry. It has proved that a show with explicitly Queer characters can become a massive sleeper hit, and that sometimes the best kind of historical show is one that is historical fiction. But it has also proved that you can create a narrative with Black men that doesn’t include their stories being framed in violence or brutality, that they can be funny, charming, witty, vulnerable, intelligent, complex characters with their own narratives that serve a purpose outside of a device of exoticism. It is this rare thing that makes these characters, and indeed the show as a whole, so important to its viewers. 
We deserve more vulnerability, more humor, and more humanizing content from these three men, and this show is one that is truly deserving of a glorious second season.
Sources:
Donaldson, Leigh. “When the media misrepresents Black men, the effects are felt in the real world.” 
https://www.theguardian.com/commentisfree/2015/aug/12/media-misrepresents-black-men-effects-felt-real-world.
Kumah-Abiwu, Felix. “Media Gatekeeping and Portrayal of Black Men in America.” 
Opportunity Agenda. “Media Portrayals and Black Male Outcomes.” 
https://www.opportunityagenda.org/explore/resources-publications/media-representation-impact-black-men/media-portrayals.
Our Flag Means Death, (2022-). HBO Max.
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destinyandcoins · 5 months
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ALSO the show draws a very clear line between how Ed acts when he's upset and processes his emotions and how Blackbeard acts when he's gone off the deep end.
Ed repeatedly retreats, hides himself somewhere safe, and tries to process his feelings of inadequacy and hurt. we see it when he hides in Stede's bathtub, when he hides in the blanket fort, when he leaves dinner at Mary and Anne's to curl up on the sofa under a blanket. FURTHERMORE we see Ed post-Kraken turn in s1 and in the first episodes of s2 crying alone in the captain's cabin, sighing wistfully over the wedding cake toppers, and just generally being a sad little lump of a man who is hurting
the violence Blackbeard displays is only ever in public, performative. He cuts Izzy's toe off in s1 to announce his return to this aggressive, violent persona that Izzy has demanded of him. He pushes the crew to violently raid ships and gets in Frenchie's face to intimidate him and shoots Izzy and makes Archie and Jim fight each other. and part of that is him pushing them to kill him in a way he can't bring himself to do (he always outsources the big job), but it's very important to remember that the way Ed reacts to being left by Stede and the way Blackbeard is being violent and traumatizing the crew are two different things entirely.
one is a reaction to being left by the man he loves and feeling unlovable, and the other is the direct result of being told he needs to be a monster and an extended performance of being that monster (and way of shielding himself from the threat to himself Izzy presents at the end of s1).
Ed and Stede are both men desperate to be seen and understood for who they are and not what people have told them to be. Stede tries to create a pirating environment that embraces softness and talking about your feelings, but he's still so caught up in running from himself and his problems that he has to go home and fix things with his family before he can truly live that way. Ed is suffering and feels like a monster because he's been told his only worth is being this fearsome pirate persona, and being that thing hurts, so he makes sure everyone else becomes that thing and hurts along with him.
it's not until the final episode that Ed realizes being a fearsome thing doesn't have to hurt, being capable of violence doesn't mean you are a monster, sometimes it's a thing you are (a thing you do) to protect the ones you love. you're not a dick, life's a dick; you're not your father just because you're capable of violence, you're a man who has something worth fighting for
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darlingshane · 1 year
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Violent Desires
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Pairing: Frank Castle x F!Reader
Summary: Frank doesn't like being called 'daddy' but you do it anyway to rile him up and have him punish you.
Content/Warnings: 18+, Explicit, Smut, Rough Sex, Vaginal Sex, Dom/Sub Undertones, Overstimulation, Spanking, Light bondage, Mild Daddy Kink, Brat!Reader, Mention of Alcohol, Mention of canon-typical violence.
Word Count: 3k
A/N: This is loosely inspired by some events at the beginning of The Punisher’s season 2.
— You can read below or at AO3.
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Spending the summer in a grimy motel with no AC in bumfuck nowhere with an asshole you met only a few weeks ago isn't exactly a dream vacation. But trouble always has led you to the strangest of places. And considering that you might be dead if you hadn't met Frank Castle that night, you can't really complain about your current status. You got yourself here, and you should be thankful for still having all your limbs and head attached to your body.
Still, it doesn’t make it easy to show gratitude to a prickling jerk with a fucking savior complex, when all he does is boss you and hustle you around however he desires.
You can’t help but wonder what’s in this for him. At first, you believed he just wanted a piece of ass, like every other bastard you’ve met, but no, Frank is not about that. At least he hasn’t shown any interest in you in that way.
This isn’t about money for him, either. You’ve offered, and he’s declined any of your offers.
Perhaps, it’s all about doing the right thing – being a hero, whatever that means. But you’re not a saint, or a damsel in distress, and he knows that. Messing with the wrong people by holding onto something that Greenway wanted, and never got, thanks to your unyielding knight in shining armor, is what got you into this mess in the first place.
Eventually, you figure out why and realize that this arrangement has nothing to do with you or being noble in the slightless.
It’s about the fight.
He lives for it. Welcomes it. Seeks it. Needs it like oxygen.
Violence fuels him to keep going. It courses through his veins, thicker than his own blood.
Every day, it becomes more obvious you’re merely a means to an end in the hands of The punisher. You figured who he was too when you found an old newspaper piece with his face taped on the back of an old van’s window, when you stopped for gas once.
Frank or Pete. Neither name means anything to you.
His life is a tragedy, there's no denying that. But that doesn't give him a pass to be that inconsiderate towards you.
You’re a stranger to him. He doesn’t owe you shit, and vice versa. But when he saw you in trouble, unlike the rest of the world, he didn't hesitate for a second to risk his own life by getting between you and the men that were chasing after you.
After getting out of that roadhouse, he drove you from town to town for the most part of the last month, killing any dumbass that dared to track you down, until they stopped following you.
Living closely together with him is no picnic. He watches you like a hawk, always alert, and acts as more of a captor rather than a protector sometimes.
At this point, you're not sure what comes next. Is he going to be your keeper forever? Cause you’re getting tired of this situation and you just wanna go back to your life, or whatever is left. The truth is, Greenway killed everyone you knew, so you don’t have much to return to. Maybe sticking by Frank’s side is the best option for you right now.
Warranted or not, this isn’t over yet. He took down some of Greenway’s most dangerous men, and more are on the way. You’re both sure that the big boss is still looking for the woman, you, who has the key to bring him down. It consists of a pesky pen drive that if were to fall into the right hands, it'd mean the end to his crime ring. That's the only insurance that’s keeping you from pushing daisies in an unmarked grave somewhere.
That and Frank.
It’s been a couple of weeks since you were last tracked to that motel in Wyoming. The mileage of Frank’s van has collected thousands of miles since, and tonight you’re up for an adventure. So, you sneak out past your guard the first chance you get to explore the new town. Temperatures are painfully hot, and you just take shelter in a bar with a good air conditioner. You play pool, have a drink or two, and dance with newfound friends for a couple of hours past Frank’s dinner time.
“Where the hell were you?” his voice grumbles, one hand reaching to pull the beaded string from the old-as-fuck lamp on the night table between the twin beds when you step into the room.
It’s past midnight, you said earlier you were going to get some snacks from the bending machine and that’s when you decided to go on a walk around town instead. Because you’re not a goddamn child, or a helpless girl who can’t keep herself safe. He acts like you're both. You’re neither.
You simply shrug indifferently at his question, toeing off your slip-on shoes by the foot of the bed.
“You got anything to say, huh?” he mutters, rising from his bed to tower over you.
“I'm sorry, daddy,” you turn your back to him, and start shedding clothes off.
“The fuck did you just say?” he snarls oh so gravely. Tone laced in anger. You can feel the rough texture of his voice on the surface of your back when you pull your shirt over your head.
“Said I was sorry, daddy,” you pout, slipping out of your pants and kneeling on your bed, stripped to your underwear.
“Are you drunk?”
“Just a lil buzzed, daddy.”
“Stop calling me that. For fuck's sake! What the hell is wrong with you today?”
“Isn't that what you are, though? You act like it. You sound like it. Always telling me what to do, what to eat, where to go… If you don't want me to call you that, then stop trying to control me.”
“You'd be dead in a ditch somewhere if I hadn’t done all that. Hate me all you want, sweetheart, but you and I both know that’s true.”
“So you keep saying, Oh Almighty Savior, but I was doing fine until I met you,” you stick out your pointer finger and poke his chest twice with malice.
“I doubt that,” he shoves your hand away. “And we still gotta find what kind of shit you bring to our door after your impromptu outing tonight.”
“Relax, if the punisher couldn't track me down, neither could they.”
“You better be right. Christ! You’re such a goddamn brat. You say you wanna stop running, but you’re being utterly careless,” he starts pacing the short length of the room, peeking out the window here and there.
“Why are you always so angry?” your lips turn into a half grin, as you shift on the bed, getting on all fours, showing your ass in his direction as he walks past your bed. “You wanna come take it out on me, daddy? I’m sure it’ll make you feel better.”
“So help me, God! Call me that one more time…” stopping in his tracks just for a beat, his teeth grit together, as the muscles of his jaw get all worked up.
“And what? What are you gonna do, daddy? Tape my mouth and handcuff me to the radiator again? You wanna know what I did tonight? C’mere and make me tell you.”
You’re not sure what’s gotten into you tonight, you’re not even that drunk. But you find it quite entertaining to rile him up like that.
For a moment, he stares at you like he wanted to rip you apart, like all those men you’ve seen perish in The Punisher’s wake.
You want him too.
You need him too.
Frank just stares and swallows anxiously, unable to decide what to do with you and your erratic behavior.
“Stop being a pussy and show me what the big bad punisher can do,” you keep provoking him, wiggling your ass in the air. “I know you’ve been sitting there all night, just itching like crazy to beat the hell out of someone. Or fuck someone’s brains out. I guess it’s just the same feeling.”
“Keep running your fucking mouth like that. See how far that gets you.”
You press your teeth on your bottom lip, glance at him over your shoulder before spelling the magic word, “do you wanna use my mouth, daddy?”
There's no doubt you're in big trouble when he abandons his pacing, and closes the window’s blinds in one harsh motion before standing behind you with such an imposing dark shadow it makes the hairs on your skin rise.
Silence takes over for three seconds and without a warning, that silence is broken by the sound of your panties being torn apart effortlessly with his fingers. It makes you ache in a whole different way when you look over your shoulder again to see his nose flaring and his eyes falling into the depths of lust as his fist clutches to your now-ruined underwear.
“Don't fucking look at me like that,” he mutters, lip curling into a snarl. And before you can say anything, he reaches with his free hand to hold your jaw while he shoves the shredded panties into your mouth. “You call me Frank or Sir, but I don't wanna hear you say that word again. Got that? Nod if you understand.”
The brat in you wants to say – yes, daddy – but you do as you're told. Dip your chin, and keep your head low.
His large warm palms roam the sides of your hips now. Gripping firmly to your skin as if he wanted to dig his fingertips past the delicate surface of your body to get his hands covered in your blood, and taste it; drown himself in it. That’s exactly how it feels.
It’s nothing but desperate. All this time without a companion has turned it into something he never was, at least not in bed. A bloodlust creature he’d sworn once he would never become. But you’re a different kind of breed, one that can take him places he’s never dared to visit, he recognizes. And right now all he wants to do is satisfy the monster sharpening its teeth under his skin, and feed him with your desire.
With one hand anchored to your hip, he sends the other to undo his belt. You hear the familiar unbuckling sound and the rustling of the fabric as he slides the fine leather off the jeans’ loops.
For a second, you think he’s going to strike you with it, but no. He instead slides the leather around your neck.
“Stay still,” it falls under a heavy breath between his lips.
A pitched sound echoes in your throat as he buckles it tight around your neck. It doesn't have a notch to hold on to up that high, so Frank curls the end around his fist to keep the leather snug around your neck.
“What? Isn’t this what you wanted, little brat?” he tugs on it a little.
The pace of your heart picks up, but you nod again in your makeshift leash. You trust him, nonetheless. He wouldn’t have gotten you this far if he was going to kill you.
“Use your words.”
“Yes, Sir,” you mumble around the fabric of your underwear.
Then, you feel the deft fingers of his opposite hand, gliding from your ass and up your back to unclasp your bra. He lets you slip one arm at a time or off the straps as he presses his bulge against your ass. It stirs at burning arousal in your core. Your walls soften and flutter deliciously in anticipation.
Enjoying himself, he presses his hips a little harder, making sure you can feel the hard outline of his cock swelling behind the denim fabric. It's substantially bigger than you thought. It's daunting and exciting to think about him defiling your pussy with it.
“Let's see what you're made of,” he tentatively moves one hand between your legs, shoving his twitchy finger in your folds to collect your slickness. “Christ, you're so fucking wet.”
In his power play, as he rubs circles around your clit, every time your face dips lower, he pulls the belt to keep your head straight up, facing the ugly headboard of the uncomfortable bed. You can only imagine what people do in places like this, and how many dirty secrets this bed and these four walls have seen. They're about to witness another when Frank releases the end of the belt, letting the leather lose its constriction around your neck.
You let out a shaky breath through your nose as he takes his other hand away from your sex. A second after, both his palms land on your chest and feast on your tits. He fills his eager hands, squeezing as hard as they did on your ass to mark his digits on them. Claiming them as if they existed only for his enjoyment.
Working himself up, he lets out a grunt, and pinches your nipples with vehemence just to hear you squeal again.
“Sh, sh, sh,” he soothes his palms softer on your puckered peaks and frees them at once to finally undo his fly and release his erection.
Frank glances down, spits on his palm, and spreads his saliva around the blunt tip of his cock before guiding himself into your pussy. You're already drenched, but your entrance welcomes the extra lubrication as he slowly sheathes himself inside you.
Your eyes flutter shut, feeling the breadth of his swelling stretching your opening in that first stroke.
“God, you’re so tight,” Frank's lips part as a shy, beautiful moan slides past his teeth at the fine pressure of your slicked walls. He pulls himself out fully, and repeats that motion again to capture how your entrance grips around his length when he breaches you.
Abandoning himself to the depths of your walls, his thrusts are nothing but experimental for a few strokes before unleashing the violent desires of his inner monster to let his hips slam against your ass at full force.
Claiming every inch of you, he keeps your body in submission with his hands clutching the curves of your ass, and you gladly surrender to his whims. His fingers sink in new places, stamping their prints and half moons when his nails press harder on your skin.
The room oozes of sweat and sex and the lewd sounds that come from his body colliding against yours over and over, and the creaking of the bed.
Yours fists ball the flowery bedspread for a long time before sending one of your hands between your legs to care for your clit.
“Did I say that you could touch yourself?” he spanks your ass twice to put a stop to your hand.
“Please… I need it,” you articulate with difficulty.
“Stop whining, and fucking take it,” his palm smacks your rear once more, harder.
Ignoring your pleading, the punishing rhythm of his cock, crawling up to the hilt, becomes more desperate as it brings you closer to ecstasy; thrust after thrust. Your body shudders in delight, and every time you cry out his name, curl your hips against his moves, or beg, you're gifted with a new smack.
As you reach the tipping point, his force turns sharper, meaner. It's at that moment that all your muscles seize up, and everything becomes blurry before letting the orgasm take over your body. You groan and pull yourself away from Frank's reach to lay face down on the mattress.
You might have had enough, but he's not satisfied yet and before the orgasm ebbs he grabs the curves of your ass, pulling them up to their former position, while you keep your head and shoulders pressed to the bed. He keeps you like that with one hand and uses the other to shove his cock back inside, capturing the relentless flutters and contractions of your walls from your orgasm.
“Did I tell you to come?” he breathes fire, using a harsh palm to chastise you once more.
Still up in your high, you can only hum in response.
“Answer me!” he demands, extending his fingers to your lips to pull the fabric out of your mouth.
“I… I’m sorry, Sir.”
The overstimulation barely lets you word that out, as he grows overjoyed, watching you struggle between battling your orgasm and the new strange entity that overcomes your body. It’s a different kind of beast, fueled by a great amount of stamina, that doesn’t waver when it comes to picking up the same wild rhythm as before. He sweats it out, works it out, growls it out like a fucking animal until all his seed is poured into your tenderness and the lust-hungry monster is finally sated.
As that creature goes back to its cave, Frank goes limp on your side.
You stretch your legs and lay on your stomach, as he rests on his back. He notices just now how his clothes are still on and how annoying they become as they cling to the layer of sweat trying to cool down his body.
Glancing to the side, you see his chest rising and falling at a fast rate, as your heart starts to settle.
“That was…” he starts, and you can see a glimpse of a tiny smile taking over one corner of his mouth.
“Yeah,” you let out a sigh, sliding the leather that was still partially hanging around your neck, letting it fall to the floor.
“Did I hurt you?”
“No, Frank. You didn’t.”
“I know you said that I could. But for a moment I thought– I don’t know what came over me… I never wanted to… didn’t mean to…”
“Frank,” you put a palm on his chest to stop that complicated thought. “We had sex. It was great. Don’t overthink it. I’d have hit you at any point if I felt threatened or unsafe. Trust me.”
“Bet you would’ve.”
Your lips curve up, observing his body completely relaxed for the first time in weeks.
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