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#dc meta
galaxymagitech · 24 days
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Everyone’s like, “Dick’s traumatized from his heart stopping in Forever Evil, he deserves to have his family validate that and say it still counts as dying!”
But…I feel like Dick wouldn’t want to hear it, wouldn’t want to believe it counts. Not just because he’s insistent that he’s fine, but…
Years ago, he beat the Joker until his heart stopped, but Bruce revived the Joker so it “didn’t count.” Dick has been clinging to that “didn’t count.” He needs to have not broken the no-kill rule.
So if his family tells him that his own heart stopping counts as dying, what he’s going to hear is that he killed the Joker all those years ago. And I mean, that’s really difficult for him to accept.
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geneticdriftwood · 11 days
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roy’s whole pitch to dick at the start of outsiders is so fucking funny when you actually think about it. bc it’s like:
dick: I can’t be on a team again, I won’t lead friends and family into danger anymore!
roy: cool cool of course man, no problem! it’ll just be strangers and coworkers this time. no deep emotional bonds, I promise! ignore the fact that you’re one of the people I love most in the world and we’ve been family to each other for half our lives and I’m creating this team specifically to help and support you
dick: seems legit, I’m in
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umbrellacam · 3 days
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Saw a post where someone wasn't sure if Tim being good at computers was a fanon thing or not and friend I am happy to inform you that he's been a computer/tech guy from some of his earliest appearances in the comics.
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Detective Comics (Vol. 1) #620 (Rite of Passage part 4) - immersed in the ~web~
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Robin II: The Joker's Wild #3 - tabletop roleplaying games and spending hours in the basement on the computer - not beating the geek allegations on these fronts, Timmy
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Detective Comics (Vol. 1) #676 - Dick was more into traditional detective work and tended to outsource the computer stuff in these days
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Batman (Vol. 1) #514 (Prodigal part 10) - hackin' through all the garbage and garble
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Robin (1993) #33 - Robin sneaking in and connecting Oracle with the baddies' mainframe so she can do her thing and steal all their data >:)
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Nightwing (1996) #6 - "no you're really talented and well suited to be Robin." "no, you." "no, YOU!"
Tim is definitely not as good as Babs/Oracle, but he's certainly her back-up for computer work in the 90's batfam. They're tech buddies and Robin!Tim is her little assistant sometimes, it's super cute:
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Birds of Prey (1999) #19 - happy to play with big sister's fancy high-powered toys
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Legends of the Dark Knight (1989) #125 - real cute kid
And Dick will hand off computer jobs to his little brother when he doesn't want to bother Babs 😂 (that outsourcing I mentioned):
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Nightwing (1996) #68 - examine them pixel by pixel, eh? welp, sounds like a job only you can do, Timbo, you got this buddy, byyyyeeeee
And then when he'd grown up and been doing this for years, he leveled up accordingly, and did stuff like use his access to the League of Assassins computers to overload the generators in every base he could find, etc. etc.
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Red Robin (2009) #8 - yeah that was pretty dumb of you Ra's :)
So yeah, it was a bit of a specialty of Tim's, in large part because he was introduced just at the turn into the 90's, when personal computers were really starting to take off and become widespread. (Robins gotta be cutting edge and all)
Of course, by no means does it follow that the other Bats suck at computers (there is no 'smart one' they are all incredibly smart and capable). This is especially true as reboots and the sliding timescale of comics have moved the DC characters into modern times, where computers run the world and everyone grows up with one in their pocket. The baseline familiarity and expertise that everyone can be expected to have is just much, much higher these days.
It gets exaggerated in fanon as all character traits do, but computer guy Tim is definitely not something just made up out of whole cloth :)b
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zahri-melitor · 3 months
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In terms of trying to transplant how Dick’s generation grew up to independent adult heroes onto Tim’s generation, one of the significant issues is that the two groups have very different backstories.
The Fab Five and their generation were largely cared for children with present guardians during their teen years. Their ‘growing up’ rebellion moments were about wanting to establish their own identities separate to their parent/guardian. Then once NTT occurred and new young adult characters were added to it, you had a bunch who were escaping overbearing guardians with expectations the young adult didn’t want to fulfil, and leaving trauma behind.
The Core Four and other 90s heroes, in contrast, were mostly latchkey kids. They had loving but absent parents and parental figures. They were largely expected to grow up and show they were independent in their early teens. The arcs of their stories were not about growing up and finding themselves and ‘be your own person’, but about learning to trust others and interdependency and working together.
Like the shape of a Fab Five story is ‘in my preteens or earlier a Disaster Happened and I was taken in by a hero who cared for me and taught me the business as their sidekick. Then around 18-20 I moved out to live in a sharehouse with my friends as I wanted to find who I was outside of the shadow of being a sidekick’.
While…Tim’s generation largely aren’t sidekicks in the same sense. The shape of THEIR stories are of ‘teenager with largely absent adults is expected to grow up and show emotional maturity too early’. It’s actually notable that Tim, Kon and Bart all have long term story arcs that involve gaining a stable household right near the end.
Kon’s entire solo is the story of how he is neglected and exploited by every adult around him. He doesn’t have parents. He’s Peter Pan, the little boy who cannot grow up, who lives without parental expectation. He’s a celebrity kid exploited by Rex Leech and by CADMUS, who’s expected by those around him to act in an adult manner and held to that standard while simultaneously specifically being underage and not having the right to make his own decisions. His final arc in Superboy is about being so abandoned he doesn’t even have CADMUS to depend on anymore so he has to find an apartment and a job (the building superintendent) and is expected to act and function like an adult in that position. Superboy #59 (FIFTY NINE) is when Kon finally gets his own name. Superboy #100 is ABOUT Kon moving in with Jonathan and Martha Kent and finally having a stable home environment where he can be a child. Heck Kon’s already had a story where he’s ‘married’ and responsible for a kid. He’s had solo space adventures.
Bart’s solo is about Bart and Max learning to be a family together, but also: Bart’s childhood didn’t contain parents. Meloni turns up occasionally through his solo and loves him but also has to disappear away back to the 30th century at the end of each appearance. The final arc of Bart’s solo is about him moving in with Jay and Joan Garrick for more stability, because Max has disappeared (and stays disappeared). And then, post his solo, Bart even already has HAD an arc where he had to grow up and assume the Flash mantle (which went horribly wrong and led to his death).
Tim? Tim’s entire solo is about upheaval and change. The first time he’s expected to behave as an independent hero, not a sidekick, is literally Robin #1 when Azbats kicks him out of the Cave. Jack threatens to send him away to boarding school on multiple occasions and DOES for the Brentwood arc. He loses Jack, he loses Dana, he moves out to be a hero caring for his own city at 16, in Bludhaven post War Games. Bruce’s adoption of Tim was all about giving him back that sense of stability and support so that Tim had people backing him up again in his personal life and not only as a hero. And then he does the ‘leave and get a new identity’ thing during Red Robin.
And Cassie? Cassie starts with a loving mother and her story arc over becoming a hero is about periods of operating on her own. She moves away from her mum to go to Elias School. Due to operating as a hero under her own name she eventually has to come up with the alias of Drusilla Priam to give herself a non-public identity to retreat to (and isn’t living with Helena Sandsmark but renting on her own during this period to protect Helena).
This is a set of characters for whom it makes no narrative sense to tell a story of them growing up by ‘moving out and finding their own identity as separate heroes’ because their entire PAST is about being alone and looking for connections and people to rely upon. They haven’t been looking for their mentors to accept them as independent adults, they’ve been looking to their mentors to be present and work with them.
They have already all BEEN through the steps of moving out (while underage) and learning to look after themselves as nobody else was there to support them. Growing up for them is about learning to trust and be respected for the skills they already have and trusted to know what they’re doing, rather than leaving to show they can operate independently.
And that’s a harder narrative to show, because it’s a less common growth story in our culture. But in the Core Four’s case, I’d argue a lot of the traditional signifiers of adulthood (moving out; moving away for education; taking responsibility for a city on their own; travelling for quests) are things they were already expected to do while still significantly underage, and so sending them through that plot again isn’t showing anything new to allow them growth. What they need is the adults around them to treat them as adults for the things they already can and do do.
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londonclubofsherwood · 4 months
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One thing that is important to me when discussing Cassandra Cain is the fact that she didn't develop her anti-killing moral position because of the bats. Neither does she have her moral code because she's Bruce's obedient golden child. Instead she decided at around age 8 that killing anyone (even some random criminal like in the 2000 batgirl series) was fundamentally wrong because it made them feel fear and pain. Finding out the bat-code had a similar perspective about killing was more validation than anything else. She would be saving everyone she could with or without batman.
She created her own moral framework against that her (in the 2000 series at least) white father. In spite of the fact the fact that her father literally objectified and dehumanised her, she fought to speak and be heard. She chose her own destiny, Babs and Bruce just helped her along the way.
As an Asian character it's important to me she wasn't 'taught' morals by white Americans, but rather she has a code that she developed herself. She doesn't listen to Bruce half the time, and she's more loyal to the concept of the bat symbol than anyone who wears it. She consistently disobeyed him in her original run. All these things aspects help her avoid being just a character with white saviour undertones, and allow her to instead be a heroic beacon of life and compassion in her own right.
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disco-troy · 6 months
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Today on the “dc accidentally parallels Bruce’s relationship with his kids with Actual Supervillains” we have Bruce and Joker with Jason.
Jason calmly looking into the eyes of the men who just rewired his brain to fit their ideals asking “why?”
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Jason panel 1: ..Batman? You did something to me… what did you do?
Jason panel 2 (to the joker): what did you do to me? Joker: I gave you the tiniest tiny est dose of joker toxin. So small. Just enough to bring back that psychotic alter ego of yours in your head.
It’s the last thing he can do after all the self determination was taken for him. The closest he can get to a rebellion after rendered powerless by his own brain. It’s asking why and never getting a response. Once from his father and once from his murderer. But the result is still the same.
Joker goes even farther with this metaphor, likening himself to Jason’s mother.
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Joker: doesn’t mommy gets a say?
This has the idea of further drawing a parellel between what Joker and Bruce are to Jason in this arc. They are forces that shape him and make him what they want. It doesn’t matter what Jason wants or even needs, because “parents know best”. The truth is, for both of Jason’s “parents” Jason’s well-being is just an excuse for them to change him for their own benefit. Bruce wants Jason to stop fighting crime in Gotham like “a bull in a china shop” and wants to assuage his guilt about what Jason has gone through. Joker wants to fuck with Batman. In this way Jason just becomes a causality in his own life.
What makes the comparison between Bruce and Joker even more tragic is that it’s because of Bruce’s machinations that Jason was vulnerable enough to be taken by the joker in the first place…
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Still skittish I see, my poor little vigilante. What did he do to you? Jason: please just let me go Joker: I can’t stand to see you like this. Mean old Batman mucked around in your little head and made you so scared of everything. But don’t worry. I came to text out my new project and fix you at the same time.
Something which the Joker explicitly acknowledges!
And the way that Jason was left alone and vulnerable after Jason literally saved Gotham by driving a plane into a fucking meteor AND immediately went to comfort Bruce?! Like this implies AFTER Jason acted as an emotional crutch, Bruce didn’t even go let’s put you in contact with Babs so you are not running around with fear in your veins and no one to support you?
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To reiterate: dc why are you having Batman do the same things to his kids that supervillains do
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mysterycitrus · 6 months
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Clearly you’ve got a lot of opinions abt the characterisations of the batfam in fandom /pos
Can you elaborate on your interpretation for all of them? /gen
it’s called caring too much — and it’s incurable! wrt my personal interpretation, that's a long and complicated answer, so ill just focus on the internal character of the waynes (specifically bruce and his five canonical kids).
bruce wayne is a control freak, we know this. his parents were killed for being in the wrong place at the wrong time, and he has literally never ever been able to truly process it. the degree to which he is controlling - firing robins, survelling his allies without their consent, compiling personal information from others, disregarding others feelings in favour of his own - is all about trying to achieve the best possible outcome. everything he does is justified, because if he's in control then he can stop bad things from happening. it is all in favour of the greater good. it's the logic of an eight year old who's just lost everything and hasn't grown up.
if bruce's trauma manifests control then dick's manifests personal perfectionism. he holds himself to such an absurd standard because he's a flier - when you're catching someone on the trapeze you quite literally have to be there, always, ready to take their hand. if you don't, they fall. if there's no net, if dick isn't the net, then they die. he’s always swinging back out and in again, waiting for the next person to slip through his fingers. he does not fear falling, only what will happen when he hits the ground. he’s a born performer made to be an atlas, carrying an unbearable weight that anchors him to the earth.
jason after death is a tragedy of his own creation, and dc's worst crime is trying to justify the terrible decisions he makes. jason isn’t right, because what he wants is not about protecting other kids from his fate or being a better batman. he wants to be personally vindicated, even though he knows it's impossible. jason rejected himself, bruce, everything, in order to transform into a weapon to enact violence. deep down he's so angry, so hurt, that he'll go after other children - tim, damian, mia - and still decry bruce in the same breath. killing the joker, killing bruce, killing dick, killing every robin before or since won't take him back to who he was before. you cannot go back. you can never go back.
cass sees everything. she can't unsee it, she can't ignore it, nothing in the body can be truly hidden from her, but like bruce that doesn't mean she's always right. she killed a man and witnessed his death, and thus will never take another life. she is all knowing, but she was not born knowing herself. she's jason in reverse — she turns from steel to flesh and bone. she will do whatever it takes to be good. she has made herself real.
tim chose this life in the most literal sense of the word, and then kept choosing it. it’s his duty, it’s his honour, it has hollowed him out and left nothing behind. his tethers to the world snap one by one — janet and jack and darla and dana and steph and kon — and suddenly it’s much harder to extricate himself from the black. robin, dick grayson, is his guiding north star, but his north star is only human. he knows he is capable, he knows this is his choice, and he knows he has long since lost the chance to unchoose.
damian is raised in the shadow of the bat. he is born of blood. he knew death before he knew his father. he is a child. he is ancient. he is a killer. he only wants to do good. he loves his mother. his father is gone before he learns to love damian. damian loves someone else who wears the bat but does not carry wayne name. everything he knows about himself is questioned — robin is given to him, and suddenly he can decide his own fate, make his own family. he wants to be the best, but he doesn’t know what he wants that to mean anymore. he wants the chance to find out.
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fantastic-nonsense · 4 months
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when people learn that Batman and Batwoman are different mantles with different meanings attached to their existence, different legacies to leave, different sets of affiliated supporting characters, and different rogues galleries that have very little to do with each other and aren't just gender-specific titles for the same superhero I will finally know peace
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damianbugs · 11 months
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it's just a little interesting that people love genuinely kind and good hearted characters but somehow batmans unwavering belief that people can be better and people can be changed is not enough? even characters within the same media are praised and respected for being the bigger hero and choosing to save rather than to hurt and yet bruce's no-kill rule is often a point of ridicule for his character.
what is so wrong with having a immensely complicated character have slightly less complicated morals about empathy? for a character who loves and hurts and loses why is this something so unbelievably unrealistic for a hero to believe in. what is outlandish about people being people before they are a product of their misfortunes?
of course it isn't a perfect mindset, it isn't even a healthy one in a lot of cases — but it is something that has stayed true to its mission and so i think it deserves a little more thinking before being dragged around as lazy writing.
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bitimdrake · 10 months
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everyone in the mutual circle is already having smart opinions about the “if you had to make one bat character never have existed at all” poll (that people largely voted on without having any thought at all) but to add my two cents:
if you get rid of Bruce none of the other characters ever exist either. No exceptions. I love dunking on Bruce more than anyone, but come on, let’s be serious here. (However if you would like to get rid of the entire batfamily bar none, good news!)
if you get rid of Dick, there will never be a Robin. None of the following batboys will ever exist in any form. Batman might still get a partner of some kind, but it may or may not be a kid sidekick, so assume you will also lose any parent/child dynamics too. idk who would pick this option.
if you get rid of Barbara, none of the other Batgirls will exist either, and also it’s a 50/50 tossup if there is ever a significant presence of female vigilantes in Batman comics. Too risky.
if you get rid of Tim, you don’t get to be all “omg third robin steph!’ because Steph will therefore only appear in one story arc ever (her first, trying to get her dad caught) and never appear again, doomed to be a minor note in history instead of a recurring and eventually main character. On the other hand, there is a chance that Lonnie Machin becomes the new Robin instead soooo
getting rid of Jason the character doesn’t honestly impact that much (we’ll get some other Robin replacement in the 80s), but getting rid of Jason Todd, Dead Specter Haunting Batman, Eternal Ghost Of The Batcave changes the vibe of an entire era and risks losing or significantly changing every subsequent character. Living Jason is minor; Dead Jason is a keystone.
for such an iconic, popular, constantly appearing character, Alfred...really has almost no impact on the universe
if you get rid of Cass, you honestly aren’t going to cause a lot of ripple effects either. The universe will be fine. However, you will have to spend the rest of your life knowing you got rid of Cass, you monster
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heroesriseandfall · 6 months
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Jason Todd & Chronic Pain
I scrounged for the panels I know from Rebirth about Jason still having lingering pain and injuries from when the Joker killed him. We know Jason had substantial injuries and brain damage when he was resurrected, and Talia healed that with the Lazarus pit. But here’s some I know of being mentioned even after Talia healed him with the Lazarus pit.
The first I know of is when evil future Batman Tim targeted Jason’s hip because of a Joker-related injury that he claimed would eventually become debilitating for Jason. This move does take Jason out of the fight so it definitely seems like evil Tim successfully aggravated the injury.
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Detective Comics #968 (Jan 2018) — earlier in #966 Batman Tim also mentioned future Jason would eventually lose an eye and a leg while fighting assassins.
More recently, regular, not-evil Tim referenced it while evaluating how to fight a Clayface Jason mimic:
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Tim Drake: Robin #3 (Jan 2023) — Tim says the pit brought Jason back, which has sometimes been a thing. Originally Jason was only healed by the pit after he’d already been resurrected by something else.
This next one was black label, so it may or may not be canon (the creative team claims “it’s up to reader interpretation” and disagree on whether they personally think it is canon). I’m not a fan of the comic but it did pretty clearly indicate Jason had chronic pain from the Joker:
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Batman: Three Jokers #2 (Nov 2020)
(There might be more than these—my reading of post flashpoint comics is kinda random and incomplete compared to my reading of post-Crisis. In post-Crisis though I think they mainly put emphasis on Jason’s destabilized mental health and didn’t really bring up physical aspects IIRC. His brain damage seemed healed and yet he seemed more affected after the pit than other one-time-in-the-pit characters like Dinah Lance or Cass Cain were.)
They haven’t bothered explaining how the pit didn’t heal them so far as I know (the pits kinda work to authorial convenience anyway). My route is usually to blame any weird Jason stuff on the strange, multiversal circumstances of his resurrection, but versions of his origin where he’s only brought back by the pit might not jive with that (which includes some Rebirth IIRC).
In any case, I do hope more writers pick up on this more and I love to see when it’s expanded upon a bit in fandom. I would already consider Jason’s mental health to be a disabling issue for him but it’s neat sometimes to have writers recognize chronic pain-related issues among DC characters. (I’d love to also see more expansion of Bruce mentioning he experienced chronic pain…it pops up every so often but rarely if ever in depth.)
Alt text is copied and expanded upon under read more below.
ID 1: Two panels from Detective Comics #968 showing Jason Todd as Red Hood leaping to fight evil future Batman Tim Drake. Jason says, “Sorry, Timmy, I don’t believe in Santa Claus.” Batman Tim slams his staff directly into Jason’s right hip joint, sending him flying back, and says, “Jason. In a few years you were going to learn that one of your bones never set right after the Joker killed you. There’s a growing debilitating bone spur in your hip joint. There, I found it for you you’re welcome.” They’re both in the batcave.
ID 2: A cropped panel from Tim Drake: Robin #3 showing a red narration box for Tim Drake which says: “The Lazarus Pit may have brought Jason back from the dead, but he’s still sensitive where The Joker killed him.”
ID 3: A comic page from Batman: Three Jokers #2. A Joker leans in Jason Todd’s face, looking intense and serious. The Joker says, “Who is the Joker, really? We’re going to find out.” The word “out” is written in an extended sing-songy way. The Jokers put Jason’s Red Hood helmet over his head but they’ve decorated it with a wide Joker-style grin. The two Jokers laugh, then one says, “We’ve spent considerable time trying to best answer that question: who is the Joker? We found that judge. A serial killer. A surgeon. All rather predictable and uninspiring. And then there’s you. Tell me something. Why would you put on that helmet and call yourself Red Hood after what we did?” Jason, who is sitting naked tied to the wooden chair, says, “Come on. Is every one of you copycats gonna ask me the same thing? It’s a joke.” One of the Jokers holds up a crowbar as the other says, “A joke? We left you with brain damage and permanent nerve pain. Physical and emotional trauma so severe that the only relief you ever find is when you inflict pain on others.” The Joker holds the crowbar by Jason’s head. “You and me, boy…..We’re more alike than you’d care to admit.”
ID 4: A comic page from Batman: Three Jokers #2 showing Jason Todd with no shirt on and small bandages on various parts of his arms and face. He looks at a calendar on a wall and reads the crossed out days that have physical therapy sessions written on them. He sees a stack of various healing and exercise books. The top book is titled Chronic Pain Management by Dr. D. Kresan. He picks it up. Barbara Gordon as Batgirl enters a different, dark room through a window.
ID 5: A comic page from Batman: Three Jokers #2 showing Barbara Gordon as Batgirl entering her own bedroom. She says, “Jason?” She sees a book on her bed titled “Chronic Pain Management” by Dr. D. Kresan. Jason says, “Barbara?” and walks out of the attached bathroom with only a towel around his waist. Babs says, “I figured you’d left.” Jason says, “I hope it’s okay I used the shower and I…I didn’t mean to go through your things. The closet door was open and that book looked…useful.” Babs says, “It was. Are you okay?” Jason has small bandages and bruises on his face as he says, “I don’t think I’ve ever been okay.” Babs looks concerned. Jason continues saying, “What the Joker said…about how I’ve been on the path to being like them for years…they’re not wrong. I don’t want to be like them though. I really don’t. You believe that, right?” Babs says, “I’m willing to.” Then Jason says, “Can I ask you something?”
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adelinamoteru · 1 year
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there is something just so amazing about jason coming back to life, seeing how the world remembered him and hating it. coming back to life and telling the people who loved him that they grieved him wrong. people worry if they’re doing the right thing x person would’ve wanted them to after they died, but no one has ever experienced something like that.
someone who you loved and mourned and who loved you back came back and was disgusted by what grief made of you. they didn’t want anything to do with you. how do you deal with the loss of someone you loved a second time around when they’re standing right in front of your eyes, breathing and alive again?
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bruciemilf · 1 year
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So I've been thinking more and more abt the fact that the fandom credits Bruce's incompetence in adulthood to being rich, and sure, it definitely plays a part, but I don't really get...Where it stems from specifically?
First of all, I don't think I've ever even seen a Mention of cleaning, cooking, gardening, driving etc staff; Alfred's our multi purposed, tired king, but he doesn't seem to have any colleagues to speak of?
Second of all; The Waynes truly don't seem like the " having people waiting on them hand and foot" brand of rich people? Like, wasn't their simplicity and relatively down to earth-ness the main reason why Gotham loved them so much??
So! Bruce's isolation and general lack of self-care knowledge can't be all blamed on his money, but the fact that he truly...Didn't have anyone to look at to learn?
Alfred did his best of course, but this is a heavily traumatised 8 year old who refused to look at anyone as family in fear of losing them too for the longest time.
I'm just crying at the thought of Bruce having no one to teach him how to pay bills, or make an appointment at the dentist, or go grocery shopping by himself, to order for himself at restaurants, or cook himself dinner, or keep his place tidy.
Those are all very mundane but precious and valuable activities that parents teach and share with their kids, and Bruce didn't fully get that. So what he did do was make sure his kids knew how to do it all.
Tim doesn't understand why Bruce wants them to try cooking every night. Jason doesn't get why he has to join Bruce, to watch him withdraw money or open an account at the bank
Damian doesn't get why they practice appointments with the vet. Cass doesn't necessarily think a 2 hour tutorial on how to power up the washing machine is crucial to her education.
" Because I don't want you to be like me. And when I'm gone, I want to make sure you can take care of yourself."
That may be the wrong thing to say because the thought of Bruce dying like a normal person makes them sob
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spite-and-waffles · 1 year
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I always wonder whether Batfam fans really get just how fucking rich the Waynes are. Like of course we shy away from thinking about the fact that we're talking Musk and Bezos money, and focus on how Bruce funds the freaking Watchtower and has what is functionally a high-tech military base and lab and the world's most expensive vehicles. But this is the one time you don't have to factor in the implications of wealth-hoarding, so there's nothing preventing y'all from understanding exactly how much money we're talking about here.
For instance, there doesn't seem to be any concept of how palatial Wayne Manor is, simply going by the outer facades of it that appear in the comics and movies. Or how decadent the lifestyles that accompany that kind of ancestral home. Alfred couldn't run that place on his own even if he had super powers, which is why even the movies occasionally show a rotating probably-temporary staff in the background. The house probably has like 3 hundred-foot pools. Their garden is a protected heritage park.
The Waynes are 10x richer than Crazy Rich Asians. They buy and wear the jewelry worth hundreds of millions that belonged to royalty. They own private islands. The art in the house alone is worth more than the GDP of a small country. They went to school with like every US President since Teddy Roosevelt and still think the Rockefellers are new money. They're personal friends with Beyonce and can get her to perform at private parties. They can rent out an entire three-star Michelin restaurant and fly out to one for every date. They have top-line penthouse apartments in every major city in the world. They can buy a luxury sportscar instead of hiring a vehicle anywhere they visit and then just toss the keys to the nearest person on their way out (Arab royalty is known for this appearently. There's been some very lucky parking valets in the UAE iirc).
Bruce is as rich as Ra's Al Ghul, regularly make social calls to heads of state and his family has a history of being king-makers. Every one of Bruce's children, from Dick to Jason to Cass, is poised to inherit one of the largest and most powerful empires in the world. That means every time Bruce adopts an orphan off god-knows-where, the entire global elite is thrown into consternation and horror. Even Tim is barely acceptable to these people because he doesn't have the pedigree. I don't follow the reboot comics so Idk if Duke is adopted, but it would be so fucking funny if he was because they'd react a lot like the British establishment did to Meghan Markle (except the family and WE would have Duke's back completely). As for Damian, the fact that he's not white would get him snubbed if everyone who's anyone didn't 100% know who Ra's Al Ghul is. And they're fucking terrified because, for maximum hilarity, they probably figure that Bruce doesn't.
I just find it incredibly fucking funny when I'm reading fics that the writers can only imagine Bruce and the kids's civilian privileges extend only to "big house", "a lot of cars" and "Gotham famous". Lol. Lmao even.
...
Edit: Explanation for people justifiably skeptical that Bruce could be rich as Ra's (scroll down)
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zahri-melitor · 10 months
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The other reason I think Red Robin 12 is a moment of trust between Tim and Dick is that Dick catches Tim.
Dick has a lot of issues with the concept of catching or failing to catch someone who is falling. It’s haunted his dreams.
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(Nightwing #4)
It’s not so much the fall itself - Dick is fine with heights and with throwing himself off high places.
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(Gotham Nights #10, Nightwing #140)
It’s about the fact he doesn’t make the catch.
One of my favourite bits of the Freefall storyline is Dick catching the Mother of Champions’ baby. Because it ties back to this fear of not getting there in time.
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(Nightwing #6, Nightwing #146)
Nightwing catches the baby and is able to hand him to his mother. Wu Mei-Xin has never held any of her children before, it’s a lovely moment. It really caps off the growth Dick goes through over his solo.
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(Nightwing #146)
And similarly, Dick being there to catch Tim is important imagery in their relationship.
Dick catches Tim when they’re playing around, train surfing:
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(Nightwing #25)
Dick ‘catches’ Tim when he’s depressed. “You’re not catching me at a bad time”.
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(Robin #156)
Dick is there to catch Tim as he falls apart after pouring out the water from the Lazarus pit.
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(Nightwing #139)
And Dick is there to catch Tim as he falls from a building.
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(Red Robin #12)
Dick’s grasp has never missed, when it’s Tim. It’s IMPORTANT to Dick that he make the catch for anyone, when they’re falling in front of him, but it’s especially important to him when it’s a child (and when it’s his baby brother).
Tim can honestly say to Dick “you’ll always be there for me” because a little part of him, deep inside, trusts that no matter what, no matter how impossible it might seem, Dick will be there to catch him.
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racefortheironthrone · 9 months
Note
Are there any asexual superheroes?
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