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anneapocalypse · 1 year
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So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.
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harbingerofsoup · 10 months
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there’s death of the author and then there’s whatever the fuck is up with danny phantom
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intermundia · 7 months
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my favorite thing about anakin as a character is the inherent nuance lucas wrote into his story, like he's neither an innocent victim nor an inherently evil monster, he's just some guy put in a series of Situations and ultimately failing the test of his humility and self-control. he was certainly flattered and shaped by the devil, spiraling into something unrecognizable, but he chose to take every step down the pathway to hell. lucas knew he would lose a certain demographic by making him basically a greedy pawn in the larger story, not a righteous betrayed macho badass, but he did it anyway. he made him an awkward romantic and a loyal friend, a generous boy and a brilliant teen. he made sure he had all the positive qualities that meant that he had potential to be so much more than vader, but it was clearly his choice to lie, murder, and fully squander that potential. there are no excuses for what he became, no acceptable reasons to commit mass slaughter. he became an unbelievably selfish and impatient man, reckless and wantonly violent. hayden captured that nuance so well, nobody can match the sweetness of his smile and the absolute horror of his scowl on mustafar. to view him through a single lens as either pure victim of manipulation and (canonically unsupported) emotional neglect, or a creepy evil villain, denies the heart of his story and the weight of his tragedy. he's neither an angel nor a demon, he's both and neither, he's deeply human, a classical tragic hero with a flaw of greed. lucas made a choice with the prequels to tell a story that not everyone wanted to hear, and the result was a character that i think is one of the best of modern pop culture, mostly because he feels to me so very, very ancient and eternal.
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katakaluptastrophy · 8 months
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Periodically, I remember how absolutely fucked up the necromancers in TLT are meant to look. Like, necromancy does an absolute number on people physically.
Harrow is "rather small and feeble".
Necromantic Ianthe is "the starved shadow" of her non-necromantic twin.
Our first description of Palamedes is "a rangy, underfed young man" who is "gaunt".
Silas is "knife-faced...He had a necromancer build."
Ianthe parodies make-over scenes in House novels with "if the hero’s a necromancer it’ll be described like, ‘His frailty made his unearthly handsomeness all the more ephemeral'"
Jod acknowledges to Wake that even small children with aptitude would look odd to non-House eyes: "“I have access to any number of cute pictures of necromantic toddlers with their first bone. They don’t make for fat-cheeked roly-poly babies, but they’ve got a certain something."
In As Yet Unsent, Judith brags about her previous physical fitness: "I could run a kilometre in ten minutes, which was among the fastest for my adept group in the junior reserves." Which is about double the time you might expect for a physically fit woman her age.
In non-necromancer-friendly New Rho, Harrow's body is mistaken for a child's and has to be explained as a result of starvation and trauma to seem plausible: "Pyrrha explained without missing a beat that what with everything Nona had gone through she had been ill and still didn’t eat very much, which was why she was so knobbly and undergrown. The nice lady said that yes, many of the children had problems like that, but it was still hard to imagine Nona was anywhere over fourteen, wasn’t it?"
Tamsyn Muir's descriptions of the Canaan House gang on Tumblr back this up: "Judith is somewhat less completely scrawny than other necromancers on the cast, though she should be less built than Marta is", Palamedes is "seriously underfed" and "bony", Harrow is "scrawny".
And that's just what I can think of off the top of my head - I'm sure there's more.
Anyway, necromancers aren't slender in a conventionally attractive way, they're gaunt in a concerning way...and probably the only reason no one instantly clocked that Coronabeth wasn't a necromancer was because they all just thought it was par for the course that a Third House princess would have had a lot of plastic surgery flesh magic.
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hylianengineer · 2 months
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A aromantic prince has been turned into a frog
It's a curse only true love can break
So he spends months trying to fall in love, trying to stop being who he is because god dammit he's not a frog either!
After yet another unsuccessful date, he begins to despair for his future which is looking more amphibious by the minute.
A loud noise disturbs his brooding as something comes crashing through the undergrowth. He's barely gotten his little froggy feet underneath him before a tiny (but still quite big if you're a frog!) hand is scooping him into the air.
A little kid sees the frog on the grass.
They grab it before he has the chance to protest and kiss him square on his slimy little head.
He transforms back into a very confused human.
No, this is not a Renesme moment, gross. Not romantic love or even friendship, just the blind joy of a kid who thinks frogs are super cool. The child loves every amphibian she's ever set eyes on, but that doesn't make it any less real. And she grows up to be a biologist who studies frogs, because of course she does. The prince pays her tuition as thanks for returning him to his proper form. She was like 4 years old at the time and doesn't even remember the frog incident - there's just some random rich dude paying for her college because of something she doesn't remember, but she's not complaining because grad school is expensive as heck.
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catfayssoux · 1 month
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joseefinwrites · 2 months
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Ultimate "Know Your Character Inside Out" Template
The ultimate template for creating a character, without losing your mind, while you're at it.
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Character Background Template ... (open)
1. Name:
2. Age:
3. Gender & Pronouns:
4. Physical Appearance:
   - Hair color:
   - Eye color:
   - Height:
   - Build:
   - Distinguishing features (scars, tattoos, etc.):
5. Background and Upbringing:
   - Where were they born and raised?
   - What was their family structure like (parents, siblings)?
   - Describe their childhood environment and upbringing.
   - Were there any significant events or traumas in their past?
6. Education and Skills:
   - What level of education did they receive?
   - Did they excel in any particular subjects or skills?
   - Have they pursued any additional training or education since then?
7. Personality Traits:
   - Describe their personality in a few words.
   - What are their strengths and weaknesses?
   - How do they typically react under stress or pressure?
8. Motivations and Goals:
   - What are their short-term and long-term goals?
   - What drives them to pursue these goals?
   - Are there any fears or insecurities that motivate or hinder them?
9. Relationships:
   - Who are the most important people in their life?
   - How do they interact with family, friends, and acquaintances?
   - Do they have any romantic interests or significant relationships?
10. Past Experiences:
    - Have they faced any major challenges or setbacks in the past?
    - How have these experiences shaped their beliefs and values?
    - Have they experienced any significant losses or tragedies?
11. Worldview and Beliefs:
    - What are their core beliefs and values?
    - How do they view the world around them?
    - Are there any cultural, religious, or philosophical influences in their life?
12. Inner Conflict:
    - What internal struggles do they face?
    - Are there any unresolved issues from their past that continue to affect them?
    - How do these inner conflicts impact their decisions and actions?
13. Connection to Outer Conflict/Plot:
    - How does their personal journey intersect with the main plot or external conflict?
    - What stakes are involved for the character in the larger story?
    - How do their goals and motivations align (or conflict) with the central conflict?
 
(Shorter) Knowing Your Character Inside Out Checklist
Personality Traits:
   - Introverted/Extroverted
   - Optimistic/Pessimistic
   - Assertive/Passive
   - Empathetic/Self-centered
   - Logical/Emotional
   - Adventurous/Cautious
   - Honest/Dishonest
   - Ambitious/Content
Beliefs and Values:
   - Religious beliefs (if any)
   - Moral code
   - Political beliefs
   - Views on relationships
   - Attitude towards authority
Fears and Insecurities:
   - Common fears (spiders, heights, etc.)
   - Deep-seated insecurities (failure, rejection, etc.)
   - Traumatic experiences (if applicable)
Desires and Goals:
   - Short-term goals
   - Long-term aspirations
   - What motivates them to pursue these goals?
Strengths:
   - Intellectual strengths
   - Physical abilities
   - Emotional resilience
   - Social skills
   - Unique talents or abilities
Weaknesses:
   - Personal flaws
   - Areas of vulnerability
   - Bad habits
   - Limiting beliefs
Backstory:
    - Family background
    - Childhood experiences
    - Significant life events that shaped their identity
    - Education and career path
    - Previous relationships
-Josie
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mlarty · 22 days
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april 6th is our friendship day 🖤 can't believe it's been 9 years!!
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poorly-drawn-mdzs · 7 months
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Get Their Ass.
[First] Prev <–-> Next
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deception-united · 2 days
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Writing Tips Master Post
Character writing/development:
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Creating Distinct Characters
Suicidal Urges/Martyr Complex
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Character Voices
Plot devices/development:
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Narrative:
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (More)
Transitions
Pacing
Book writing:
Connected vs. Stand-Alone Series
A & B Stories
Miscellaneous:
Overcoming Writer's Block
1000 Follower Special
Writing Fantasy
Character Ask Game
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rottmnt-residuum · 5 months
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promised raph angst. so much under the surface
this takes place right before leo and mikey get back from checking hidden city entrances
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Crafting Compelling Morally Gray Characters: A Guide for Fiction Writers
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In literature, there is often a clear distinction between good and evil. Heroes are portrayed as virtuous and villains as wicked. However, in recent years, there has been a rise in the popularity of morally gray characters - those who do not fit neatly into the categories of good or evil. These characters are complex, flawed, and often make decisions that challenge the reader's moral compass. In this guide, I'll help you explore the art of crafting compelling morally gray characters and how to make them stand out in your fiction writing.
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What Are Morally Gray Characters?
Morally gray characters, also known as morally ambiguous characters, are those who do not conform to traditional notions of good or evil. They may have both positive and negative traits, and their actions may be motivated by a mix of good and bad intentions. These characters often blur the lines between right and wrong, making them more relatable and intriguing to readers.
Examples of Morally Gray Characters
Some well-known examples of morally gray characters include:
Severus Snape from the Harry Potter series: Initially portrayed as a villain, Snape's true motivations and actions are revealed to be more complex and morally ambiguous.
Jaime Lannister from A Song of Ice and Fire series: Known for his arrogance and incestuous relationship with his sister, Jaime's character evolves throughout the series, showcasing his internal struggle between his duty and his personal desires.
Walter White from Breaking Bad: A high school chemistry teacher turned methamphetamine producer, Walter's character is constantly torn between his desire for power and his moral compass.
Why Are Morally Gray Characters Compelling?
Morally gray characters are compelling because they challenge the reader's perceptions of right and wrong. They are not easily categorized as heroes or villains, making them more relatable and human. These characters also add depth and complexity to a story, making it more interesting and thought-provoking.
The Power of Relatability
One of the main reasons morally gray characters are so compelling is because they are relatable. They are not perfect, and they make mistakes, just like real people. This makes them more human and allows readers to connect with them on a deeper level. When readers can see themselves in a character, it creates a stronger emotional connection to the story.
The Element of Surprise
Morally gray characters also add an element of surprise to a story. Their actions and decisions may not always align with what the reader expects, keeping them on the edge of their seat. This unpredictability makes the story more engaging and can lead to unexpected plot twists.
The Exploration of Morality
Morally gray characters also allow for a deeper exploration of morality in a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality. This can lead to thought-provoking discussions and a deeper understanding of complex moral issues.
How to Craft Morally Gray Characters
Crafting morally gray characters requires a delicate balance of positive and negative traits, as well as a deep understanding of their motivations and internal struggles. Here are some tips for creating compelling morally gray characters in your writing.
Give Them a Strong Motivation
Every character, regardless of their moral alignment, should have a strong motivation for their actions. For morally gray characters, this motivation should be complex and not easily defined as purely good or evil. It could be a desire for power, revenge, or even a sense of duty. This motivation will drive their decisions and actions throughout the story.
Show Their Flaws and Vulnerabilities
Morally gray characters are not perfect, and they should not be portrayed as such. They should have flaws and vulnerabilities that make them more relatable and human. These flaws could be physical, emotional, or moral, and they should play a role in the character's development and decisions.
Create Internal Conflict
One of the defining characteristics of morally gray characters is their internal conflict. They are torn between their good and bad tendencies, and this struggle should be evident in their thoughts and actions. This internal conflict adds depth to the character and makes them more relatable to readers.
Avoid Stereotypes
When crafting morally gray characters, it's important to avoid falling into stereotypes. These characters should not be one-dimensional or defined solely by their moral ambiguity. They should have unique personalities, backgrounds, and motivations that make them stand out as individuals.
Show Their Growth and Development
As with any well-written character, morally gray characters should experience growth and development throughout the story. They should learn from their mistakes and make decisions that challenge their moral compass. This growth and development will make them more dynamic and interesting to readers.
How to Make Morally Gray Characters Stand Out
With the rise in popularity of morally gray characters, it's important to make yours stand out in a sea of similar characters. Here are some tips for making your morally gray characters unique and memorable.
Give Them a Distinctive Voice
A character's voice is an essential part of their identity. It should be unique and reflective of their personality and motivations. For morally gray characters, their voice should reflect their internal conflict and the complexity of their moral alignment.
Create a Strong Backstory
A character's backstory can provide valuable insight into their motivations and actions. For morally gray characters, a strong backstory can help explain their moral ambiguity and add depth to their character. It can also create empathy and understanding for their decisions.
Use Foils to Highlight Their Morality
Foils are characters who contrast with the main character, highlighting their strengths and weaknesses. For morally gray characters, foils can be used to showcase their moral ambiguity and challenge their beliefs. This can add depth to the character and create interesting dynamics between them and other characters.
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Morally gray characters add depth, complexity, and relatability to a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality.
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killjoy-prince · 2 months
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House M.D. but it's when House says Wilson's name
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novlr · 6 months
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“Sometimes stories cry out to be told in such loud voices that you write them just to shut them up.” — Stephen King
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