The Five Stages of Reading Albert Camus
1. The Discovery – ”The Stranger” (1942)
„The Stranger” is unquestionably the best choice for anyone who wants to get to know Albert Camus. It's so simple that it fools you at first. You think it's going to be an easy read, but when you finish the book and put it down, you don't even know your name or if it even matters to have a name. It will probably keep your mind busy for months and make you think about the true meaning of life. You will most likely never be the same person again.
2. Falling in Love – ”Betwixt and Between” (1937) // ”The Fall” (1956) // ”Exile and the Kingdom” (1957)
After "The Stranger" has had time to settle and stick in your mind (a process that takes about six months to a year), it's time to explore other writing. Camus doesn't use the same language in every book, so it's important to be careful what you choose to read after. The best options to fall irrevocably in love with this French philosopher are ”Betwixt and Between”, which is his very first published book, ”The Fall”, which offers a very interesting narrative perspective, or ”Exile and the Kingdom”, his only collection of short stories. After going through these, your heart will be caught in the nets of love for Camus.
3. The Surprise – ”The Plague” (1947) // ”A Happy Death” (written 1936–38, published 1971) // ”Summer” (1954) // ”Nuptials” (1938)
After the reader has gone through the above books, he will have the impression that he knows Camus. Now is the time for him to have the surprise of his life. Camus managed the feat of not giving the audience the same thing twice. That is why each of his writings is unique. Some are easier to read and digest, some are not. At this stage, it is time to get acquainted with its more difficult side. "The Plague" is a story that shakes you to the core and is difficult for even the best readers to get through. ”The Happy Death” should never have seen the light of day, being the first version of what we now know as The Stranger. "Summer" and "Nuptials" are dubbed essays and are similar in format to ”Betwixt and Between”, but here Camus approaches a completely new language, so poetic and refined that it instantly wins you over. Only after the reader goes through these books can he say that he understands a part of Camus.
4. Not just a writer – ”The Myth of Sisyphus” (1942) // „The Rebel” (1951) // Theatre Plays // Journalism Articles
Camus was not only a great French writer. He was also a philosopher (though he never called himself that), a journalist and a playwright. If you are interested in fully understanding Camus, you must also understand his writings in other fields. "The Myth of Sisyphus" is the essay that formed the basis of the formation of a new philosophical current called absurdism. "The Rebel" continues the work started by "The Myth of Sisyphus", going much deeper into the issues related to the meaning of life, art, war, etc. Plays like "Caligula" (1938) or "The Misunderstanding" (1944) are wonderful pieces of art in the history of the theater, while summing up the entire philosophy of Camus. His journalistic articles reveal a Camus involved in society, trying to change something in one way or another through writing. "Reflections on the Guillotine" (1957) for example was an important work that contributed to the abolition of the death penalty in France. Camus never confined his writing to a single specialization, and this can be seen in the skill with which he explored the power of the word in its various forms.
5. Camus the Human – ”The First Man” (incomplete, published 1994) // ”American Journals” (1978) // ”Correspondence (1944–1959)” // ”Notebooks”
At this point, after going through all these readings, we also want to find out who was the man behind the word. Camus put many things from his personal life into writing, but in this selection we have the most personal point of view. ”The First Man” was supposed to be an autobiographical novel, but Camus died before he could finish it. The remaining manuscript was revised and published years after the author's death. "American Journals" captures a highly sensitive moment in his life, an existential crisis in Camus's life. ”Correspondence” is an exchange of letters between Camus and the woman with probably the greatest influence in his life, Maria Casares. Finally, the "Notebooks" are a collection made from the notes that Camus wrote over the years in his countless notebooks. Every intimate thought, beginning of a novel, reflection, trace of feeling, all these complete the image of Camus as a man.
Congratulations! If you have reached this point, you have managed to go through all the stages of knowledge and you can call yourself a true fan of Albert Camus. Now go and spread his teachings to other little outstiders. And don't forget, the only purpose of life is to be happy (reading Camus together).
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"Garlands of stars were falling from the black sky above the palm trees and the houses. She ran along the short avenue, now empty, that led to the fort. The cold, no longer needing to struggle against the sun, had invaded the night; the icy air burned her lungs. But she ran, half-blind, in the darkness."
Albert Camus, Exile and the Kingdom (The Adulterous Wife)
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"Shine, shine,” he said. “Don’t deprive me of your light.
Albert Camus, Exile and the Kingdom - Artist at Work
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"No, I'm not certain I exist. But one day I will, I'm sure of that."
Albert Camus, Exile and the Kingdom: Jonas, or The Artist at Work (tr. Carol Cosman, p. 110)
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"After so many years fleeing from fear, running crazily, uselessly, she was finally coming to a halt. At the same time she seemed to be recovering her roots, and the sap rose anew in her body, which was no longer trembling. Pressing her whole belly against the parapet, leaning toward the wheeling sky, she was only waiting for her pounding heart to settle down, and for the silence to form in her. The last constellations of stars fell in bunches a little lower on the horizon of the desert, and stood motionless. Then, with an unbearable sweetness, the waters of the night began to fill Janine, submerging the cold, rising gradually to the dark center of her being, and overflowing wave upon wave to her moaning mouth. A moment later, the whole sky stretched out above her as she lay with her back against the cold earth."
Albert Camus, Exile and the Kingdom (The Adulterous Wife)
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This land was too vast, blood and seasons mingled here and time liquified.
Life here was flush with the soil, and, to identify with it, one had to lie down and sleep for years on the muddy dried-up ground itself.
Albert Camus, Exile and the Kingdom - The Growing Stone
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