#AND HE LOVES THE OWL HOUSE AND ALL IT'S CHARACTERS JUST AS MUCH AS WE DO | Explore Tumblr Posts and Blogs

bibluebutterfly · 6 months

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It is truthfully so impressive to watch how we've watched Stolas grow as a seemingly asshole character to a genuine person who truly does want the best for the person we love. (HEADS UP: This is LONG)

Now, and we're only going to lightly touch on this because the Pilot isn't cannon, but it still contributed to the public opinion on Stolas. In other words, he was borderline predatory in a way that made EVERYONE uncomfortable. (It makes sense though since he was innitially supposed to be the villain. Which thank goodness that was changed because we already see enough bisexual predators in media as it is. Yes, I'm headcannoning that Pilot Stolas was bi.)

Then we get official episode 1. Stolas is... not much better. Although to his credit, he's not as bad or as creepish. The unfair power dynamic is very there, and he definitely talks down to Blitz, but at least he waits until Blitz agrees before getting to the pilot level of sexual.

And then we kind of just keep this up until episode 7. Stolas is VERY sexual and VERY horny with Blitz, and you either like it or you don't. It was consensual, nobody forced anything, and even Blitz says that he doesn't fuss about banging Stolas, but that power imbalance is very much there.

Stolas is calling him by pet names like "my little imp" and is baby talking him, which really comes off like his fetish is sleeping with the lower class. Again, you either like Stolas at this point or you don't.

HOWEVER, despite all his baby talk and just generally inappropriate behavior, we are shown very early on that Stolas has a loving side, mainly in the form of his daughter. "You Will Be Okay" was the thing that got most people from hating him to actually liking him. It was the thing that separated him from just being a horny owl.

Then Ozzies. Hooo boy. This is where we finally get to see Stolas apart from Blitz's POV and as it turns out... he's kind of a pathetic dork more than anything else. We see him go very low. Like the man is alone in his big house eating cereal for breakfast in his bathrobe and watching telenovelas. It's hard to go lower than that. More importantly, it's a stark contrast from how we saw him just one episode ago.

Not just that, but when he's asked out on the date he is genuinely so excited and awkward that you just can't help but feel bad for the guy.

And then we have Hells healthiest couple have their dick moment which leads to Stolas covering his face, validating every and anything Blitz had feared, which lead to him calling out Stolas which leads to them both crying at home.

AND THEN WE GET THE THING THAT MAKES EVERYONE EITHER LOVE STOLAS OR THINK THAT HE'S RUINED.... THE CIRCUS.

Yeah, so it turns out the arranged marriage theory was true, and that Stella has been verbally abusive for who knows how long. But the real kicker is how much it explains Stolas's behavior from season 1. As it turns out, Blitz coming on so strong that night resulted in Stolas trying (badly) to copy that energy. And it turns out that when Blitz told him to stop that first night, he still ended up tying Stolas up and banging him. So... understandable. It turns out that Stolas never wanted to be malicious with his intentions, but genuinely thought that the arrangement was something that they both wanted.

But at the same time, he realizes that misunderstanding or no, a part of him did recognize that Blitz wasn't as happy as he was, and that he can't gaslight himself into thinking otherwise anymore.

Now the big thing about season 2 we all need to talk about, is how hard and fast it took Stolas off the regal and powerful pedestal that I think we all subconsciously put him on. Whatever mystery and darkness that surrounded him in season 1 went completely out the window in season 2. But personally I believe that this fits as season 1 was mostly told from Blitz's POV while season 2 takes place in Stolas's when he's there.

Stolas does not see himself as something regal and powerful. Stolas, as it turns out, is a romantic as well as a MASSIVE dork. Like he's disney princess levels of dorkiness. The man even gets his own slapstick moment for crying out loud.

But aside from that, he's highly intelligent and a genuinely good person who will put others before him if he can recognize the benefit.

Also, while we're on the topic, I don't think that Stolas is as powerful as we or Blitz were led to believe. Like yes, he's got immense power to those who have none.

But at the same time, put him next to Asmodeus, and this demon who seemed so strong before is actually tiny in comparison. Especially when noted that Ozzie was still holding back in this scene.

Now we have the "Look My Way" MV. By now, any dark mystery is gone, we know who Stolas is, but what we didn't expect to see was how blatantly Stolas realized his mistakes and took responsibility. This whole season we saw him be sad over his relationship with Blitz, but we never expected him to realize just how badly he messed up.

But he did. And it was glorious. And again, we realize how much he truly cares for Blitz, this isn't just him saying "I care about him" then doing nothing. This is him realizing he cares about Blitz, and wanting to do something to make it right. Even if that means Blitz will never want to see him again.

Anyway. If you made it this far, I'm impressed. As I've said before, I'm proud of the owl boy and how far he's come as a character. Tell me if you think I missed anything.

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geekgirles · 6 months

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Just Look My Way

Can we please talk about the way the lyrics have changed from the original to showcase Stolas' growth and character development?

I was already surprised that what originally looked like it was just going to be a fan video ended up becoming canon content, but when I heard the different lines my mind exploded, you guys.

Note the difference, the major difference, in treatment!

In the original version, which released back in season 1 but before Ozzie's, Stolas' line was actually:

"Come now, my little impish plaything, we've both made our choice."

Keep in mind the original most likely included this line as a reference to what both Striker and Stolas said in regards to Blitzo's relationship with Stolas. Even our dear owl boy referred to him as just a plaything while saving him from D.O.R.K.S! Which most likely only helped cement Blitzo's internalised belief that Stolas would never see him as anything other than a cheap thrill.

Here, however, Stolas is cementing him as his dearest! A loved one! Someone he values and cares for! That is a huge difference from being just a sexual partner!

And the second line. OMG, THE SECOND LINE.

Unlike the original, where Stolas speaks of a choice that, realistically, was never there (as it usually is the case with relationships where there's a power imbalance and, moreover, were born out of transactional needs), this time he is reaffirming Blitzo's agency and independence. The implied choice is clear: Stolas will present the asmodean crystal to him so he no longer relies on his Grimoire and sleeps with him out of necessity. All that's left for Blitzo now will be to choose if he wants to remain by Stolas' side even then. And the choice is his.

As a quick aside, I also love the constant symbolism between Blitzo and the Moon.

Technically, compared to Stolas and the Earth, both are just satellites, nowhere near as important as a Goetia demon and member of Hell Royalty or a planet brimming with life and where beauty and wonder happen at every corner. And yet, without them neither can thrive. Stolas is as fascinated and dependent of Blitzo as the Earth is with the Moon. Without the Moon, there's no tides; it brings inspiration and romance to countless souls, brightening the night sky, just like Blitzo brightens Stolas' life.

Blitzo is Stolas' moon, and I just think that's beautiful.

Every word in this line in particular just oozes character development, too.

The original was:

"What's left for me in this broken house if I cannot have you?"

This is no longer about Stolas using Blitzo to escape his boring routine and his horrible marriage to Stella, it's about Stolas being deeply and hopelessly in love with Blitzo and not knowing what to do to convey that in a way that will reach him.

Once again, Blitzo has stopped being a mere plaything or boy toy and become so much more. He has become an essential part of Stolas' life he doesn't know what he'll do without but knows he'll have to let go of if that's what Blitzo wants!

Now, I must admit I am not exactly a fan of this change in these particular verses. On the one hand, I understand it's meant to reflect Stolas is trying to understand Blitzo and see things from is point of view, but I also feel it robs the moment of the raw feeling the original conveyed:

"Is this how she'd feel? Abandoned, all alone, left to fend for herself, for a semblance of happiness that doesn't have to end?"

"She" clearly referring to Via.

I just think it would have been more powerful to keep it and allow that juxtaposition between the most important people in his life to help Stolas understand Blitzo better. After all, he loves them both dearly and unconditionally, but his actions have also hurt them both very deeply.

I just think it'd be fitting if one allowed him to understand the other better.

Nevertheless, if there is something this song has taught me, is this: we are so not ready for the next episode.

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raven-at-the-writing-desk · 6 months

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book 5 part 6 thoughts!!

***THIS POST CONTAINS MASSIVE SPOILERS FOR BOOK 7 PART 6 OF THE MAIN STORY!!***

If you’d like to watch a rough part-by-part summarized translation, please check out this archived stream!

Please note: this is NOT meant to be a summary or a translation; these are only my initial thoughts on the events that unfold. There may be details overlooked or misunderstood in this post, so PLEASE do not use this as a translation.

Ew, we're starting off with another map segment... TWST REALLY WANTS TO TIMEGATE OUR TEARS, HUH

Yuu and gang are going to follow the night fae soldiers to Black Scale Castle beyond the mountains. They can't stay too far from the owner of the dream, Lilia! (If you'll remember, they're now taking Tamago-sama there for safety while Meleanor stays behind to fight the Silver Owls.)

Silver hasn't seen Sebek use his UM??? Sebek tells us he learned his UM when Silver got into NRC and Sebek was training by himself. He wanted to be able to rush to Malleus's side at a moment's notice. He knows it is able to turn his own body into lightning and then can use it to move and to attack. However, the spell will damage his body while using it since he has yet to reach mastery. Sebek can't use his magic to rush to Lilia and the others because he wouldn't be able to fight by the time he does.

... ISN'T HIS UM SIMILAR TO ROLLO'S.... JUST TRADE FIRE FOR LIGHTNING...

AW, SEBEK WASN'T PLANNING ON USING HIS SPELL UNTIL HE MASTERED IT... BUT HE STILL USED IT TO SAVE SILVER 😭

Oh, they finally asked the question we were all having. If Malleus made this dream with the intention of it being a happy ending, then why do only sad things happen in Lilia's dream??? Also, why did OB Malleus not come after them yet or kick them out of the dream??? Maybe there's a reason why Malleus can't supervise or enter Lilia's dream??

BAUL LEFT THEM MAGIC TO GUIDE THEM THE RIGHT WAY... HE TRUSTS US TO HELP THEM NOW

Baul fights with an axe. IS HE ABOUT TO HAND IT OVER TO SEBEK (Sebek seems to be holding one in his limited time card)????

Lilia "I won't forgive you if you die!" Vanrouge.

Not both grandpa and grandson volunteering to stay behind to fight and then catch up later... Sebek tells Silver to go ahead and protect Lilia, "You go and protect what is most precious to you. I'm going to protect what is precious to me," (Sebek about Baul) 😭 The night fae are so confused why a human would willingly help them... THI S IS SEBEK'S CHARACTER ARC

SEBEK PROVES HIMSELF A CAPABLE FIGHTER TO HIS GRANDPA!! His hair gets all messy like what's shown in his new SSR. It's raining as well (like in the card art), so this is likely the context for the illustration. The groovy artwork is of Sebek being knighted!!!

adgkuvaodv8yfefvyyeft8wen Sebek makes a big speech about wanting to be their strength!! BAUL ACKNOWLEDGES SEBEK BY NAME INSTEAD OF "HUMAN" AND GRANTS HIM A SOLDIER'S UNIFORM, SEBEK'S BEING OFFICIALLY KNIGHTED FOR THE BRIAR COUNTRY'S IMPERIAL GUARD AND GIVEN A NEW WEAPON... BAUL EVEN GIVES SEBEK HIS OWN CROCODILE MASK

Zigvolt family lore!! Baul doesn't get along with his human son-in-law, but never distanced himself from his grandchildren. When Baul's only daughter wanted to marry a human, they argued so much about it. To this day, he still doesn't particularly care for humans. Even so, Baul's house has a lot of storybooks and candy prepared for his mixed grandchildren. He won't open them warmly, but it's clear he loves his family.

Silver saves Lilia!! And then Lilia asks Silver to take the egg to Black Scale Castle in his place. There are too many human soldiers on their trail, and Lilia cannot fight them while holding the egg (plus he's already injured from previously protecting Silver at the easternmost fortress).

Yuu has to hold Tamago-sama...

Silver proceeds to carry Lilia like a baby in spite of Lilia saying he'd stay behind and distract the Silver Owls 🤡 NOT SILVER USING LILIA'S OWN TEACHINGS TO TELL DREAM!LILIA THEY STILL HAVE TO TRY AND SURVIVE

The mountains are called the "Forbidden Mountains" and it is said that this is where Maleficent once lived. If you are not blessed by the dragons, the lightning (according to legend) will strike you down. Beyond the mountain is Briar Country's capital city and Black Scale Castle.

Surprisingly, Silver suggests an ambush method (hide and strike at soldiers from behind when they've let their guard down). I guess NRC really did teach him how to be backhanded after all/j

Silver says maybe Malleus can't follow them since he wasn't born yet in Lilia's dream. Magic relies on imagination, and since Malleus cannot imagine what life was like before he was born... that's probably why he can't monitor these circumstances.

Would you look at that 💀 The first real time the story acknowledges that Yuu is in bodily danger; Silver Owls shoot arrows at Yuu because they're holding the egg. Grimmu protects us!! Baby... Best buddy...

SEBEK ARRIVING TO SAVE SILVER (aksldnbaksdbaydasl lol at Sebek being smug about his knighting and trying to act cool even though the lightning is definitely still hurting him...)

Silver Owls retreat!

Oh wow, so they see creeping black thorns similar to when Malleus OB'd; everyone suspects that maybe Meleanor Overblotted too.

Silver mentions that he lives near the Forbidden Mountains but has never climbed them before. The rocks there are very sharp and dangerously jut out. AW, Lilia gives Silver and Yuu his cloak to protect them from the rain and cold. Lilia says the mountain range is full of magic, so its restorative to fae, who draw power from nature.

The way they came from was sealed off by rocks... but Lilia fully intends to go back and help Meleanor...

THEY MADE IT TO THE CASTLE!! It's called Maleficia's castle; we have an official English spelling for Granny Draconia's name. Something, something, Lilia wants to prepare something called the "Cradle Tower".

WE CUT BACK TO WILD ROSE CASTLE

Like father, like son... The Dawn Knight seems remorseful and wonders where they went wrong, if everyone could have been friends if they had chosen some other way. He wants to dream of a world where all races can live together in peace. "One day, it won't be just a dream, it will be reality." It's phrased very similarly to the wish Lilia made in Wish Upon a Star!

The stormy weather clears up and the dawn makes way... IT'S A SIGN THAT THE DAWN KNIGHT PREVAILED AND MELEANOA'S MAGIC HAS DISAPPEARED... Lilia just lets out the most guttural cries... He says if he were stronger, he would have taken Meleanoa with him against her will, HE WASN'T ABLE TO KEEP HIS PROMISE TO PROTECT MELEANOR FOR HIM

I still want to see Mallemom's on-screen death though.

Side note: they force us to play through a scripted loss battle between the Dawn Knight and Meleanor 💀 Sick fucks on the dev team…

This is delicious content :)))))))) We're eatin' well, boiz

Uhhh okay so there are greenish spirits floating around; they're the senate??? Apparently they've already died but their spirits linger and serve as advisors.

… Idk why doesn’t Mallemom do this too???

NAUR, NOT THE SENATE BLAMING AND SHAMING LILIA, SAYING HE RAN AWAY AND LEFT HER TO DIE IN BATTLE... THEY CALL LILIA A MUTT AND BAT, JUST A DIRTY ORPHAN WHO CAN’T BE TRUSTED… AND THAT HE ISN'T FIT TO SERVE, THAT HE'S USELESS (this must really sting seeing as Lilia has insecurities about not being wanted 😭)

Baul defends Lilia's honor but Lilia still resigns from the Imperial Guard. HE'S TELLING THE SENATE T HEY CAN PUNISH HIM SO THEY FORBID HIM FROM STEPPING INTO THE CAPITAL AGAIN

The senate uses magic to take the egg away from Lilia AND LILIA SAYS GOODBYE TO MALLEUS BY NAME

"I'm not an Imperial Guard anymore, I don't need to follow orders" — Lilia (when Baul tells Lilia he still has a duty to hatch the egg). LILIA HAS GIVEN UP and that seems to have summoned the darkness of the dream to them. Lilia thinks Meleanor and/or Levan are in the darkness so he wants to "go there too".

When a general retires, they are gifted a lavish home near Black Scale Castle. Sebek says it now makes sense why Lilia lived humbly in a forest cottage far away from the capital. Silver says it must be why Lilia dislikes the atmosphere of the capital and why he never took Silver there.

In a flashforward, Lilia is asked to come back 10 years later. At this point, Tamago-sama has developed more sentience and is actively rejecting the love magic from everyone, even his grandmother. He has only been receiving magic for the first 5ish years or so. Maleficia had Baul act as a messenger to bring Lilia back for a special mission BECAUSE OTHERWISE MALLEUS WILL DIE WITHOUT IT.

Malleus’s egg is being kept in Cradle Tower! It keeps the egg safe and essential incubates it for the royal family.

Land of Briar becomes Briar Valley? The queen cannot always be with the egg because Briar Valley and its surrounding are lands are left in chaos after the war. Briar Valley fae specifically are not allowed in human territories.

Lilia is sent off on to find a way to fix the situation. He says he will see where dragons live in other continents and research. Omg, this must be how he started his travels and learned more about other races and their cultures 😭

“Don’t you dare die, Malleus” — Lilia (AND THE LOVING DEATH THREAT ACTUALLY MAKES THE EGG GLOW)

We see some of Lilia’s travels AND HE WAS IN THE CITY OF FLOWERS ON TOPSY TURVY DAY... The people there were friendly at first and worrying for his health until they realize he's a fairy, then they chase him out.

During one of his routine reports, Lilia is convinced by Baul to speak with Malleus's egg (which now glows green sometimes). Lilia shares stories of his travels with Malleus, trying to keep it positive for the baby to not make Malleus sad.

NEXT LILIA TRAVELED TO THE SCALDING SANDS, A MERCHANT IS ASKING IF HE WANTS TO BUY A MAGIC LAMP... Lilia learns about the importance of souvenirs as keepsakes from that merchant.

Okay, so it looks like between travels we're getting scenes of Lilia reporting back and telling Malleus about the place he most recently visited. He says that the Scalding Sands used to be such a small civilization but has since grown into a sprawling city. It's amazing what kind of progress humans can make.

Malleus is fussy and some days accepts magic, and other days he doesn't. Meleanor was also a really picky eater. Levan carries himself like an honors student but was the type to hide his veggies.

AW, HE SINGS MELEANOR'S LULLABY TO MALLEUS

Next Lilia visits some ruins...? It looks like a background from the Spectral Realm seen in Endless Halloween Night. Lilia says no one lives here, there is only furniture. No ghosts are mentioned though! He uses his UM for the first time here. Far Cry Cradle is probably going to be very useful for investigating ways to hatch a dragon's egg!

Lilia tells Malleus to come out of the egg, it must be boring just sleeping. He offers to read stories and change his diaper, tells Malleus his dad wants to meet him. Oh, and of course Lilia shares about his UM too! He tells Malleus that he went to the Land of Crimson Long.

Lilia ventures to Harveston!! An old man mistakes Lilia for a kid and takes him in, showing him warmth and kindness. He says he'll leave soon, but the old man and an old woman say he should stay until spring because the weather is harsh.

The lady notices Lilia is fae (but since time has passed, relations between fae and humans have improved a bit). No one is afraid of him here!! They apologize for mistaking him as a kid and want to share stories.

(Not confirmed but it could be interesting if these were Epel’s ancestors Lilia met… Rollo’s ancestors can be the ones running Lilia out of the City of Flowers www)

ABSHDBYOAFVYFAIAEUQRQEOUBFQ LILIA IS 430 AT THIS POINT BUT THAT NUMBER IS SO CLOSE TO 420 IT MAKES ME LAUGH

His feelings are changing... At 450 years old, Lilia tells Malleus that the world has changed so much and he has had the chance to visit many places. ahbyoaybadadB APPARENTLY PEOPLE USED TO THROW STONES AND ROCKS AT HIM.

Lilia says that fae may become things of the past, just creatures of fairy tales. But he doesn't want Malleus to be the main character of a fairy tale, forgotten by time. He wants Malleus to be able to see the world his parents weren’t able to see for themselves 😔

Another time skip, and it's come to a point where the egg is in critical condition. For 3 whole months it has been rejecting Maleficia's magic. The egg has since erected a lightning barrier to protect itself, even though its own heartbeat is growing weaker and weaker. (Malleus throwing another tantrum lol)

Lilia heard weird sounds but no one else could??? Is that a baby crying???? He tries to approach, but almost gets struck down many times.

Lilia realizes Malleus is crying because he's lonely. "Wait for me. I'm coming to you right now!" He gets hit by lightning, but perserves!

Lilia says he will offer his magic, even his lifespan (many fan theorists squealed now that this is confirmed), to Malleus if he needs it, and finally embraces the egg. (Physical contact like holding the egg is said to encourage magic absorption.)

TAMAGO-SAMA??????? 😭 HE SOUNDS LIKE A POKEMON… and he’s already blowing fire even though he’s freshly hatched???

WTF THOUGH BABY MALLEUS IS 1000000000000000000000x CUTER THAN GROWN UP MALLEUS 🫶 (I don’t like modern day Malleus’s looks at all www)

Silver understands why the dream is how it is, because it was all worth it for Lilia to finally meet Malleus. The moment of hatching has to be the happiest moment in Lilia’s life.

The senate shows up and starts praising Lilia as a hero.

OH????? Lilia seems to be waking????

HMMMM? this implies there’s limited suspension of disbelief each dreamer has 🤔 and if pushes past that threshold, then the dreamer is in a confused half awake state. Idia had these little moments of questioning his dream’s reality as well.

The senate’s voices distort, and they start shouting at Lilia for touching the prince, how it will be a scandal if a bat (… is Lilia a bat fae???) “dirties” the Draconias, etc. Mmmm, maybe this is the real reaction and the praising was part of the dream?? Since Lilia seemed to react strangely to being extolled. (I’m still over here wondering why their opinions hold so much weight compared to the queen; surely she would invite her friend Lilia back?? And doesn’t seem to blame him for the death of her daughter?)

Levan has a voice similar to Malleus, but lacks horns.

DVSUBILADUP9FFQEQFFAHAFBFEYBN OB MALLEUS JUMPSCARE, HE FINALLY MANAGED TO BREAK THROUGH INTO LILIA'S DREAM

Okay 😭 Lilia did in fact use his own life span so Malleus could hatch, and then Lilia had Maleficia swear to secrecy because he was concerned Malleus would blame himself. But it also feels like the senate purged or edited the records to hide the fact that Malleus hatched with Lilia’s love??

Malleus tries to convince Lilia to go back to sleep, to not feel pain. He says he can give Lilia a dream where the Draconias are still alive, a dream where Lilia can live peacefully, just take Malleus’s hand—

SILVER COMING IN CLUTCH, he and Sebek vow to break Malleus’s “blessing”. It’s this word that allows Lilia to fully awaken!!! ⏰ He’s so proud of Silver and Sebek…

They fight (well, Lilia distracts Malleus), then Silver uses his UM to hop into another dream.

They run into Ortho?! And then everyone is dropped off in front of Ignihyde.

FINALLY, SHROUD BROTHERS RETURN RIGHT AT THE VERY END!! I was wondering what they were doing while all this shit went down in Lilia's dream... It sounds like the next book 7 update will start off with Idia and Ortho, most likely told via flashback. I assume Ortho was able to help Idia wake up somehow?

This update felt like we got a lot of new lore!! But many of the events that played out were things we already had an inkling about prior to all of this (Meleanor dying, Lilia going on his travels eventually, Lilia helping Malleus hatch, etc.). It's nice to get the confirmation and to have the gaps of time inbetween filled in.

I really appreciate the story showing us just how hard Lilia's life was and then showing us just how important a nugget of happiness after all of that was so worth it for that moment. His VA did a stellar job with the voice acting this update, particularly the sobbing once Malleus hatched. I loved seeing Lilia's travels and how they gradually affected his own mindset over time... how he learned many different things from the people he encountered, and how he passed on that knowledge onto Malleus.

I liked seeing the origins of Lilia’s UM (he’s on a journey to find an answer)! Hearing about Sebek’s was also interesting; seeing as he’s a late bloomer with his magic and how he’s always competing with Silver, his UM manifested when Silver had been admitted to NRC and Sebek was training alone. I wonder if the UM also (in part) rose out of a feeling of inadequacy or feeling like he has to “catch up” to where Silver, Malleus, and Lilia are. No matter how hard it may be, he wants to push past his limits and serve as a knight. Maybe that, too, is why his UM prioritizes power and speed at his own body’s expense. It’s great seeing Sebek open up a little more and insist on fighting alongside fae; in modern day, Sebek has had to fight alongside humans. This is bridging the two sides of himself and helping him to reconcile with his own prejudices 😭

THE WHOLE DRAMA WITH THE SENATE MAKES ME UNDERSTAND WHY LILIA DROPPED THAT LINE ABOUT HISTORY BEING ALTERED OR REWRITTEN. It all makes so much sense now... Lilia himself (at least him hatching Malleus) was written out of history even though he did so much to help his country. He was so disliked, shunned, and shown animosity from the powers that be, and now he doesn't wish for that to happen to others, especially not to Malleus, the one good thing in his life and all that remained of the friends he lost along the way. You really see his teachings coming through in Silver and Sebek when they face off against OB Malleus towards the end. And the way I screeched when Lilia finally woke up after that...

The more I see OB Malleus, the more I get this skin-crawling feeling around him. I know the other OB boys have done arguably worse things (attempted murder, for example) but there's something so awful and insidious about the way Malleus speaks. He's intentionally gaslighting and manipulating others to just give in to his control, taking advantage of even Lilia at his lowest moments to dominate his thoughts. That's scary to think about... especially the dark inversion of Malleus urging Lilia to take his hand, when the game started off with a much more light-hearted and inviting "take my hand" offer.

Anyway!! I've been wondering for a long time what the Shrouds have been up to, and I'm so excited to see their story next update!!

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fan-of-chaos · 1 year

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Forgiveness and kindness in the finale of Owl House

One of the things I loved about the finale was showing that forgiveness and kindness are good things, that they can change people for better and that keeping an open hand for somebody to grab on is a beautiful and sometimes very healing thing. That it can change so much to just keep an open heart and try giving people another chance. Try forgiving them.

Like Luz and Eda and King did with Collector. They choose to be kind to them, to reach out and to try showing them a better way even when they didn’t need to. When they had every reason to be mad at him. And it changed everything for the Collector, who was hurt so much by everybody in their life, who didn’t understand the reality of his actions. It made all the difference in the world for him that somebody was willing to listen. To try forgiving and offering kindness even thought they did so much damage to everyone.

But.

They also showed the reality of it. That sometimes it just doesn’t work. Sometimes the person that we turn our kindness and our forgiveness towards isn’t willing to accept it and isn’t willing to work to better themselves. Isn’t willing to look at themselves and realize that what they’re doing is wrong. That they made a mistake. That they hurt others. They aren’t willing to work towards the better future.

Just like Belos.

Belos who refused to change. Belos, who looked at the kid he used and discarded, who was now offering him a hand in forgiveness, offering him kindness he was just taught to give and decided to not give a fuck about it. Who decided to take that kindness and destroy it. Belos, who to the bitter end was unwilling to look at himself and see what sort of person, what sort of monster he became. Belos, who refused the hand reaching out to him again and again.

And thats the beautiful and painful reality of forgiveness and kindness. It doesn’t work every time. Sometimes it backfires, like it did when Collector offered it to Belos. Sometimes it gets you or people you care about hurt. Like it did with Luz. And for it to work the person on the receiving end has to be willing to accept it. To work towards the betterment, towards being a better person, towards not making the same mistakes.

Sometimes when you give a chance to people, they will disappoint you. They will take your kindness and throw it back at your face. But does this mean we shouldn’t offer second chances to people? Does it mean that we shouldn’t forgive or be kind?

No.

Because there is always a chance that it can save people, just like it did with Collector, just like it did with so many characters in the series like Amity, Lilith or even Hunter. Because there is just as many people who will take the hand you offered and it will mean the world to them. It will change everything for them.

And I think thats beautiful.

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sepublic · 1 month

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The Owl House Pilot Leak!!!

Oh my titan.

The Owl House’s original pilot episode (basically a bunch of voiced-over storyboards) just got leaked and OMT. Watching it felt like experiencing the original magic of the show all over again… Reminding me what it was like to fall in love the first time!!! The hype and rush, the excitement to type down my thoughts after a new episode, analyzing and gushing over both big and small moments, the details!!! The pilot has reiterated all over to me again why I love these characters, from Luz's powerful earnestness, to Eda's chaotic demeanor! It’s like having the whole show open ahead of me, the possibilities endless when knowing this is just the beginning and we could go anywhere from here!

What’s interesting is that Luz’s conflict with Camila doesn’t really exist here; In fact Camila isn’t present or mentioned at all! What brings Luz to the isles is Amity, who’s been learning in the human world, under the guise of being a human by disguising her ears! It’s alluded to that Odalia and Alador made her do it, though we don’t know why…

But WOW that must’ve been so meta, doing S3 with Amity stuck in the human world with Luz, hiding her ears! It must’ve been a fun way to bring back the older concepts in new form! And indeed, we see a couple of stuff we’ve already gotten glimpses of, such as the storyboards of Luz offering her friendship art to Amity! I love that we get to see the actual scenario of how Amity accidentally defended Luz in the first place, since we heard that but didn’t get to see how it turned out.

It’s interesting that Lumity is basically the inciting incident of the story, though I can see why the final version opted instead to emphasize Luz’s conflict with her mother. Especially with how she chooses to stay in the isles in the final draft, which leads to guilt over lying to her mom, having her ‘coming out’ moment that eventually occurs in Yesterday’s Lie, etc. So more agency when it comes to Luz losing her access to the human world. Plus in the pilot, there isn't the same emphasis on Luz trying to live out her dreams of being a witch, and her obsession with stories that ties back to Manny and forms the basis for a lot of other themes and arcs.

That said, I also appreciate what this alternate take offers, and how Lumity helps tie everything together, it really is the queerness that is such a foundational part of the ‘weirdness’ theme that the show is about, and it’s intertwined with the pilot! God Luz being heartbroken when Amity dismisses the drawing… And then crying when Eda compliments it without realizing who it’s about! Or maybe she did, she could’ve recognized Luz there and figured out a way to stealthily make Luz feel better…!

I love Luz routinely lock-picking her locker because she presumably forgot the combination! And it’s interesting that we have a setup of there being multiple dimensions that the Boiling Isles has access to, and not just the human world and Demon Realm. That plays a role in the climax, more on that later. Given we have what is basically an airport for different dimensions, I wonder if we would’ve seen Luz find her way back home much earlier on, under much less intense circumstances, in a S1A episode?

The ‘Emperor’ is also alluded to in the pilot, which we didn’t get actual mention of until the fifth episode in the final show. He apparently dislikes humans and wants Luz brought over to him, is this still operating off of the ‘Pupa’ version of the character who claimed to speak on behalf of the true ruler, trapped in their metamorphosis by him? So maybe he wasn’t always human, or maybe this is Belos’ hypocritical way of ‘protecting’ humans by keeping them away and in blissful ignorance of the demon realm.

We also establish Hexside much earlier! IIRC Hexside was always part of the show, but executives pushed for it to have more emphasis, which the crew continued to follow through on in S2 onwards because that had already been set up. Lilith is the principal, and I recognize the storyboards of her, including her bat transformation! We get a Tinella Nosa cameo, we see Amity, and there’s also a brief cameo of Willow too! Nice way to set her up before her proper debut.

The ‘barrier’ containing King’s crown turns out to just be a regular human locker, which makes me wonder if the writers updated the final draft to make it a force field that only allows humans through, because of the whole Belos twist. Which makes me wonder if in this draft, Belos is Pupa, who never was human, or maybe they realized the opportunity to insert foreshadowing into a big twist regarding the main villain. Makes me wonder if the house we see Amity enter in the pilot, which is on sale, would've had any significance like in the final show. Love how Tinella Nosa is a student at Hexside, and also Dana having to occasionally insert lines for Wendie Malick and others was great.

Lilith is a lot more openly adversarial, which is different compared to how her actual debut provides a softer side to her; I imagine this would’ve been apparent in a later episode of the ‘Pilot AU’, and her transformation has me curious; Was she originally the one with the curse, but then the writers changed it to Eda? Or did they both have a curse? Eda also has an owl form she can summon and control at Will, maybe all Clawthornes have a beast mode that’s less of a curse and more of a talent. Lilith ends up trapped in another dimension, which makes me wonder if she’d have a temporary replacement –possibly Pilot Bump- or if she’d return offscreen. We see the portal key get destroyed under much more casual circumstances, though it’s less as big of a deal for this and the established ‘dimension port’ we saw before.

(Also, Amity recognizing Luz in the hallway… Everything to me!!!)

Warden Wrath doesn’t exist and neither does the Conformatorium, it’s Lilith and Hexside. With her as principal and Amity as student, I wonder if we would’ve gotten more of their relationship in the pilot AU, if Covention was a way of carrying over that former connection since Amity would be a teacher’s pet in either version of the story. And speaking of ties to Covention, it’s interesting is that Eda’s chest gem seems to be linked to the Emperor’s Coven, as ‘Pilot Kikimora’ uses it to control her. Curiously, we have a scene at the end mirroring what we got with Lilith in the final draft of the show!

I feel it implies that Eda DID join the Emperor’s Coven with Lilith, if only for a brief moment, but then defected; But the chest gem is basically the pilot version of the Emperor’s sigil, except with the explicit function of being a shock collar. I find it interesting that Eda still has the mirror to contact the EC with, instead of just getting rid of the thing. Is she a rogue agent who hasn’t totally cut ties, because she can’t? Won’t?

And the fact that Pilot Kikimora can just shock Eda at will makes me wonder if the Emperor is low-key just letting Eda roam around, which makes me wonder if he’s aware of the familial connection, is using Eda to find Luz, already knows about her doing that because of the time loop, etc. We’d of course have gotten an episode where Luz finds out about Eda’s connection and helps her deal with the gem… I realize now that Luz learning Eda also wanted to join the EC with Lilith is a carryover of this idea.

I can see the ups and downs between both versions; The final draft sets up Luz’s conflict with Camila and the reality camp, which is foundational to her character arc throughout the whole show. Her pain over being ‘sent away’ is just so vital that I appreciate its inclusion in the first episode. But I also like the inclusion of Lumity and the earnest desire to be friends with someone who showed her, unwittingly, any kindness at all! We get explicit bullying from Luz’s peers in the pilot, but in the final draft we also get her thoughtlessness that plays a big part in her S1 arc. And Luz’s arrival in the isles is more intertwined with Eda and King in the final version, which also feels right; The show is about these three in particular!

All in all, this was wonderful to watch! The magic was experienced all over again, not just in watching an episode, but also commentating on one that was just ‘released’ as well? I thought the last time I’d do anything like this was with the series finale Watching and Dreaming… But as Luz said, it really comes full circle with watching the first episode all over again! So maybe we have other stuff to still look forward to after all… At the very least, we have an eternal anticipation with an unexplored universe ahead of us, that will never reach completion; So it's like our ever-lasting final gift from TOH, and a good last one. So until next time: BBBBBYYYYYEEEEEEEEE!!!!!!!

#the owl house #luz noceda #amity blight #lumity #eda clawthorne #edalyn clawthorne #lilith clawthorne #analysis

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aromantic-diaries · 3 months

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Yknow I feel more represented by characters who aren't confirmed to be aro/ace or even written as such, but can still be interpreted that way because of how they're characterized, rather than characters who are confirmed to be aro/ace through word of god while the actual story has no implications of that character being aro/ace beyond them not having a love interest. The latter kind of waters it down to not wanting to date or have sex which isn't really all there is to it. I get that not all representation has to be a 100% accurate, deep and touching depiction of the aro/ace experience, but that doesn't mean completely ignoring the character's identity beyond not giving them a love interest.

I will elaborate with two examples under the cut

So for the word of god representation, let's take Lilith Clawthorne from the owl house as an example. I think she's a great character, I liked her, and I think the owl house is a fantastic show that deserved better. However I don't think of Lilith as good representation because the only real confirmation we have is outside of the actual show. It's not in the canon material, she doesn't have a love interest but she's not even the only character who stays single so that doesn't mean much. She isn't shown to be any different from anyone, her being aroace isn't really relevant in any way. I'd say the best word for describing this type of representation is Passive. We know she's aroace because it was confirmed outside of the show, she doesn't have a love interest, but it doesn't really go beyond that. I get that the show was cut short and maybe it would have been elaborated on more but that's just a generous assumption on my part. My point is, I don't really see any real aro or ace experiences reflected in her character, neither mine or anyone else's. She doesn't really represent any actual aspec experiences at all which is why I don't consider her to be good representation. I still understand the community's attachment to her though, we take what we can get and what we get is very little. So while I love the owl house, the aroace representation is pretty dissapointing compared to the great representation of other queer identities and I'm kinda bummed that the aroace character still gets sidelined in an otherwise very queer friendly show

For another example I'll bring up my all time favorite, Rudy Waltz, protagonist of the book Deadeye Dick by Kurt Vonnegut. Deadeye Dick is not a feel good story. The story is dark, bitter and the conclusion is no different. Still, I would describe it as oddly comforting and pretty funny at times. So what does that have to do with anything? Well, our Rudy can very well be interpreted as asexual and probably aromantic as well. He isn't referred to as such, he describes himself as a neuter, the author states in the preface that the protagonist's disinterest is a metaphor for his own declining sexuality, and the book was written before the term aromantic was even coined. However, as an aromantic asexual reading the book, I could not help but deeply relate to Rudy's lack of interest in ever having sex or finding a romantic partner. I felt kinship with him as he described knowing how many people there are who are just like him and yet they go unnoticed by most people, because I was one of those people. I related to him and the way his disinterest in sex was met with such confusion from another character. Despite not being described as such, Deadeye Dick is very much in part an asexual and an aromantic story because the protagonist's experiences line up with that of someone on those spectrums. You could argue that calling him aroace is problematic due to him fitting a negative stereotype due to his emotional detachment, or that he only fits the label because of said detachment, but that does not change the fact that he is still better representation than a character who was confirmed outside of the story with no real implications. I see myself in Rudy more than I do in Lilith because Rudy actually feels like an aroace character

Anyways, rant over. Feel free to disagree with me

#aro #aromantic #arospec #ace #asexual #acespec #aroace #aspec

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timemachineyeah · 2 years

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I think it’s interesting that we learn Philip and Caleb became witch hunters to fit in to the existing culture of Gravesfield.

Because the thing about witch hunts is, there’s a lot of zealotry and tattling involved. If they weren’t a pair of traveling radicals, but rather two side characters in an ongoing town furor? That changes things.

Up until now I’ve been a little curious about the dynamic of having Philip be the younger brother. We are more used to stories where the older person has authority over the younger in a way that allows them to be despotic. Basically when you have two siblings in fiction and one is evil, it’s usually the older one. But Caleb seemed pretty chill? People with chill authority figures usually don’t grow up to do genocide? But Philip is really committed to genocide? And jealousy over your older brother getting a girlfriend is a weird thing to genocide over?

But now we learn, that’s not really the story. Or not the whole story.

This is a JoJo Rabbit situation. This is a Hitler Youth situation.

In a town that’s in a fervor to find the hidden secret evil citizens among them, kids are potentially dangerous. The children you love and care for are also the most likely to be unsavvy and get you killed. Sometimes older relatives under those circumstances have to, or at least feel like they have to, let their younger family members be indoctrinated without openly opposing it, even pretending to support it, because, well. Children talk. Often without filter. Maybe it would be okay, but

Is it worth risking one or both of you being hung in the square to test that theory?

So they get to this town. This town will hang or burn you if you aren’t pious enough. And this town defines piety by its hatred of The Devil. We are all trying to prove we hate the devil the most. And Caleb, older brother, is like, okay then. That’s what’ll keep us fed. That’s what’ll keep us safe. He’s not a zealot so much as he’s just trying to keep him and his kid brother alive and win the town’s favor. Maybe the zealotry even freaks him out a bit, but not enough. Not until he meets Evelyn.

But Philip? Philip believes. Of course he does. His brother has never made any indication to him that there’s room for doubt. No one has ever done that. At least no one whose execution he didn’t later watch with his entire community cheering it on. Because they were dangerous. Everyone knows how this neighbor got sick, how witches caused that terrible accident, how Satan tries to keep us from our eternal salvation. This is literal. This is real. This is eternal souls and cosmic reality. He’s a kid, at first. He gets indoctrinated young. He believes this.

And then they find the actual realm of demons. Actual hell. The source of all evil in the universe. Fucking obviously it is his divine calling to destroy it once and for all. Wouldn’t you? If you could end all suffering? Save everyone for eternity? Surely that is noble. Righteous. Sacred.

And how is he supposed to believe anything else? What is easier to believe: the whole world is a lie and he has been watching innocent people killed for entertainment since he was a child - which goes against everything he was ever taught and also feels fucking bad. Or: the witches used their evil magic to convince my brother they aren’t evil, which proves how evil they are. That lines up perfectly with everything I know, everything everyone around me has always said, and makes it okay that I participated in those public executions, and also gives me some good righteous anger to fuel me on a genocidal rampage for as long as I continue to exist.

In Philip’s head, he’s the center of his dramatic fantasy epic. He’s the lone hero up against the big bad. He’s going to take on the Devil himself.

Idk, I just think it’s cool that The Owl House was like, “hey, Satanic panics, fascism, and genocide are allied ideologies, perhaps even the same ideology, and it’s Bad”

Also, “societal pressure to conform enables and even encourages people to hurt those they love”. Camila tried to send Luz to camp because she didn’t want Luz to be bullied the way she had been, because Luz’s principal told her she had to. It was a gesture born out of a desire to protect her, but one that would ultimately hurt. Caleb let Philip grow up more pious than he was because it seemed safest, to protect him. Philip grew up believing in eternal damnation and righteous cruelty, something that has clearly ultimately hurt him I mean look at what he is now. Philip, meanwhile, hurt Caleb and continues to hurt his family because he thinks there’s a Right and Wrong way to exist. To be. The ultimate call for conformity. For hegemony. But he didn’t spontaneously generate this belief. It was reinforced from a young age from a society that wanted to make sure no one was deviating too much. To centralize and maintain power through manipulation, exploitation, and force.

Anyway I cannot fucking wait for Camila and Eda to meet oh my fucking god

#timemachine wuz here #the owl house spoilers #the owl house #toh spoilers #toh #philip wittebane

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lulystalgianature · 1 year

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How the finale singlehandedly managed to make The Collector the most tragic character in The Owl House:

It says a lot when a crew demonstrates their talent by creating such a complex character with so little time left. The Collector (Naturally, spoilers ahead) Many suspected the redemption. But it’s not just the fact that it happened. It’s the way it was handled. So, let’s do a recap on how everything went, shall we?

Betrayed and used by the Archivists. His siblings. Family. The ones who are suppose to love, teach and protect you. Thrown away into an unknown planet, full of the only creatures that could overcome their magic.

Said family destroyed what were likely the Collector’s first, genuine friends.

Locked away by one of the very same species he had befriended for what his siblings did, for who knows how many years, being alone and forgotten for something they didn’t do.

Finally found by a human, whom the kid really thought was his friend, even trying to amuse his homicidal delusions.

Helped fulfill the man’s objective, but instead of being released as promised, is discarded like garbage along a mountain of corpses.

Get his freedom back after almost giving up, considering King a friend despite initially suspecting even him. A time to rejoice and play, unaware of the damage and trauma being done and becoming dangerously protective of his new friend.

Luz, someone King has talked about a lot and is even jealous of, comes back, apparently to destroy him and take King away, and yet, the Collector never means any genuine harm and is so desperate for companionship that wants to befriend even her. Looks so happy at the possibility of the trio befriending him that is completely unaware he’s being manipulated again.

Gets hurt in all the games being summoned, completely unaware that his new playmates are simply surviving.

Having lived with a madman that destroyed the Grimwalkers he created for hundreds of years only to recreate them again? No wonder he thought even mortal life was as easy to fix as any broken toy, which he demonstrates so casually.

Instead of retaliating, the kid chooses to sulk in a corner, so tired of being used and hurt that it didn’t take long for Luz, the second human he ever met, to get them to open up and explain everything. So disheartened he is about being used and betrayed that tries to force himself to accept the pretending part of everything, even friendship.

Is taught a lesson in friendship, which is taken by heart, to the point the Collector tries it on Belos of all people, someone he helped for +400 years only to cruelly betray him.

He truly wanted everyone to be friends and learn to forgive, even turning back to Luz to show her how much they learned, even looking like he wants her to be proud of him.

Sees his new friend get killed in front of him and not even his magic can do anything about anything.

Not only is his new friend gone, but there’s much damage he indirectly caused, like trying to befriend Belos and accidentally gave him the idea to possess the Titan. Not to mention the trauma he caused to all the residents of the isles.

Suddenly, we see the Collector’s true nature. A scared, overpowered little kid who didn’t know any better because everybody he met used him and never taught him the value of life. He just wanted friends. And now, he can only watch helplessly as his remaining friends go mad with grief and fury, and not even his powers can save them.

Tears for the first time. Despite everything the kid’s been through, it’s Luz’s death that affects him the most. Luz, the human who got them to open up, who was so patient and kind, who didn’t hesitate for a second to save him from Belos’ blast and even assured him they did good, was now gone. All that was left for him is to apologize for everything and beg Eda and King to run away.

Luz is back to save them from certain death, but it wasn’t his magic that brought her back and he must’ve known that. She looked like a Titan and was even using their magic, which he recognized earlier. Plus he also acknowledged Titans were more powerful than anyone, even Collectors. But there was no time to rejoice or process everything immediately. What mattered most is that she was back, even clinging to her subconsciously so he wouldn’t lose her again.

But Belos was still a threat. Not even the Collector’s powers were enough to stop him anymore. He did the only thing he could do to help; keep the Archives afloat. Despite being weakened and struggling, he actually takes the time to smile at the Hexsquad to demonstrate the friendliness and will to help.

Belos is gone. The Collector is exhausted, but probably still more than capable enough of taking on the Hexsquad with a snap of his fingers. Instead, he chooses to cower, bracing themselves for any potential scold or punishment, preferring that over the risk of hurting anybody else ever again.

Tears for the second time, this time in absolute relief and happiness. The people he innocently tormented so much were offering peace and friendship.

Despite the hardship and trials, the Collector chooses to return to the stars alone for some growth, a sharp contrast from the kid who didn’t want to be alone. But... this shows how much they learned and matured. Not only can they watch the Boiling Isles better from the sky, but it also gives everyone a chance to get used to him and take the time forgive him for everything.

And yet... he can visit whenever he wants. He’s free at last. Free to make choices. King considers him a real friend now, and he’s likely in the process of making more... all thanks to Luz, whom he shows gratitude to by not only gifting her a portal door to come and go whenever she pleases, but also giving her a spectacular display of light for her birthday.

In the end, after everything the Collector has been through... that’s one heck of a character development. Even though Luz was used by the same person, at least she had many friends and parental figures in her life. The Collector didn’t have any of that. His only genuine friends were eliminated and spent possibly eons imprisoned in a dark realm, being used and manipulated for hundreds of years, with nobody there to play with or befriend.

Bonus: Being himself... saved many lives. By turning everybody into puppets not only spared them of the horror that would come later, but by gathering everybody in one single place also saved every citizen on the isles. Just imagine the number of casualties we would've gotten when Titan Belos started blasting everything on sight and raising the corpse's arm while everybody was still scattered.

#the owl house #toh season 3 #toh #toh finale #disney #the collector #collector #toh collector #watching and dreaming #series #series finale #wad spoilers #the owl house spoilers #toh spoilers

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sunnysam-my · 2 months

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Stolas' Lament VS Just Look My Way

I wasn't really a fan of this song when I first heard the beginning, so I only watched both the original and the official version now, and, oh boy, do I have some thoughts.

The song was first released as a fan single by PARANOiD DJ. Two years later (2023) an officia music video was released, on Vivzie's account, with an updated instrumental and lyrics.

I've highlighted the differentces in lyrics. On left is the original version on right is the official.

This song is actually really great when it comes to it's meaning and development of Stolas. But, OMG, what is with those changes???

But dearest, I know better now I must give you this choice.

Come now, my little impish plaything We both made our choice

What's left for me and my broken heart If I cannot have you?

What's left for me in this broken house If I cannot have you?

I'll give you everything you need What more is there? What more to plead? Just look my way, just look my way What can there be that I don't know? Will you never tell or be so bold? Just say, "please stay" Look my way

Is this what you feel? Scorned by a realm that cannot comprehend What you are, so I'll grant you this mercy this bind on our souls needs to end

Is this how she'd feel? Abandoned, all alone and left to fend for herself for some semblance of happiness that doesn't have to end

The official version just makes Stolas into a selfish asshole! While also try to make him look better at the same time. In both versions he is lamenting the fact that Blitzø doesn't care about him, for some reason Blitz doesn't want to say he doesn't accept that Stolas actually loves him despite their status and agreement. The difference is that in the OG version Stolas actually reflects on what he'd done and how he hurt others. He knows it's his fault, but he doesn't knows how to fix it. It's not about him being sad because he is hurt, like in the official ver, but because he hurt and destroyed everything and everyone around him. In the changed version he makes everything about him.

The change that convinced me to make this post is change of "What's left for me in this broken house, If I cannot have you?" to "What's left for me and my broken heart, If I cannot have you?". I'm sorry, but this is one of those moments that make me go "Ah yes, fandom knows the characters better than the author". It's completely downplays just how much this relationship means to Stolas. I've seen a lot of criticism saying how the agreement between Blitzø and Stolas didn't really posed any threat to Stolas, because of how privileged he is, and I'm sorry, but that's such bullshit. Stolas risk everything for this relationship, despite that he gets the worst part of the stick. And he did loose it all, if Blitzø leaves him, it was all for nothing. He is a royalty! You have to be incredibly naive to think he can just do anything he wants and pay no consequences. Stolas is a tragic character of his own demise. He brought his own downfall on himself. Him choosing to cheat with Blitzø was bound to destroy his marriage, his status, his relationship with his daughter and interfere with his duty.

It just really shows where the show is heading with Stolas. Instead of actually make him a redeemable, tragic character by making him relatable in his struggles to escape his inescapable duty and, well, not being allowed to be a person (remember, he wasn't even allowed to not only show, but also feel strong emotions, even as a child on his birthday), they make him tragic, because "poor owl boy didn't get what he wants and is heartbroken :("

(If you see this as overreaction to a simple change to song's lyrics, that's because I'm not mad about this song in particular, but how the characters turned to more shallow versions of themselves in this show.)

Lyrics without highlights, separately:

#helluva boss critical #helluva boss criticism #helluva stolas #stolas #blitzø #helluva boss #helluva boss critique

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awkwardauthorwrites · 9 months

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Home - Part One

Word Count: 900

Themes: fluff, pining

Summary: Eight years have passed since Y/N Y/L/N has graduated from Hogwarts and she is now a notorious poacher hunter, along with her best friend Poppy Sweeting. After a particularly nasty injury on the job Y/N receives an owl from Professor Weasley with an offer to be the new Professor of the Beasts class. What could go wrong with Sebastian Sallow as the Potions Professor?

Warnings: Potential spoilers for HL. All characters are aged up and around 24/25 years old

1st August, 1900

Dear Miss Y/L/N,

I hope this letter finds you well. In case you hadn’t heard, Professor Bai Howin has chosen to retire from teaching this year, leaving the position of Professor for our Beasts class open. Professor Howin has submitted a glowing recommendation for why you should be the one to take over her position. We could not think of a better person to take over this class, considering your exploits to handle the country’s poachers. Please reply at your earliest convenience to let us know if you are interested in the position.

I look forward to hearing from you soon,

Matilda Weasley, Deputy Headmistress

7th August, 1900

Dear Professor Weasley,

While I’m saddened to hear Professor Howin will be retiring, it brings me great joy to know she advocated for me to be her replacement. I humbly accept your offer to be the new Professor of Beasts.

I look forward to seeing you soon,

Y/N Y/L/N

9th August, 1900

Dear Miss Y/L/N,

We are delighted to hear your acceptance to join the faculty at Hogwarts School of Witchcraft and Wizardry as our Beasts Professor. As I am sure you are aware, the term starts on September 1st, but feel free to arrive earlier. We look forward to seeing you again.

Yours sincerely,

Matilda Weasley (Deputy Headmistress)

Poppy was watching her expectantly from across the kitchen table, practically sitting on the edge of her seat as she waited for Y/N to finish reading the latest letter.

“Well?”

“I got the job,” Y/N laughed as Poppy jumped up to hug her. “I don’t know why you’re acting like it’s a surprise, they practically handed it to me.”

“We celebrate every accomplishment in this house,” Poppy reminded her as she pulled away. “Oh, we should tell Imelda! She’s going to be so happy for you.”

“Happy I’m not risking my life and limbs anymore, you mean,” Y/N stretched her right leg out carefully. A well-aimed diffindo had been shot at her a couple of weeks back by a particularly angry poacher, and even though the wounds had healed (thanks to a lot of essence of Dittany) she had been left with a nasty scar and a slight throb in her thigh if she did too much.

“Yes well, I’d love to say at least you’ll be safer at Hogwarts but…”

“Considering my track record it’s probably not true?” Y/N finished the sentence with a teasing smile. “Don’t worry Poppy, I promise not to get into too much trouble.”

“I take it you don’t know who the Potions Professor has been for the past few years then.”

“Sharp retired?”

“He took a sabbatical to do some consultation work with the Aurors and decided he preferred dark wizards over teenagers.”

“Who took over from him?”

“Sebastian.”

“Sebastian?” Y/N’s hand stilled as she reached for her coffee mug. “As in Sebastian Sallow?”

“Do you know any other Sebastians?” Poppy gave her a coy smile as she took a sip of her tea.

“I’m surprised Sharp let him take over.”

“It was a rather begrudging handover, but apparently he’s doing quite well and is a favourite amongst the students. Although that could just be because half of the girls have a crush on him.”

“Ah yes,” Y/N rolled her eyes playfully. “The infamous Sallow charm.”

“Remember it all too well, do you?”

“Don’t start, Poppy.” Y/N sighed but there was a small smile playing on the corners of her mouth as she thought about her former housemate and close friend. The first few years after they all graduated Hogwarts Y/N had kept in touch regularly with the friends she had made, but as it often does life got in the way and the contact became less and less frequent. It was hard to keep in touch with someone when she was off-grid for weeks at a time when scouting out poacher camps, and if she didn’t live and work with Poppy she doubted the brunette would be next to her either.

They still got together for the larger life events - they had all attended Ominis and Anne’s wedding a few years ago, and went out to celebrate when Imelda snagged a spot on the Holyhead Harpies - but it had been a while since she had seen them all. She missed Anne’s baby shower the year before; although if she had it her way she would have much rather been there as opposed to in a hospital cot in Saint Mungo’s with a decent chunk of her left arm missing (another scar ran across her forearm diagonally, but the Healers had done an excellent job to regrow the limb, and she was left with no pain in the arm whatsoever).

Y/N couldn’t help but smile as her thoughts drifted to Sebastian and the mischief they used to get up to when they were at school. Sneaking into the Restricted Section had become one of their favourite pastimes after the events of their fifth year, if only to say that they still could. She supposed they would have to behave themselves now that they were both Professors.

“I know that smile. Tell me again how you’re not going to get into any trouble this year?” Poppy laughed at the look on her face.

“Oh, shut up.”

#sebastian sallow fic #sebastian sallow x mc #sebastian x mc #sebastian x reader #sebastian sallow #sebastian sallow x reader #sebastian sallow fanfiction #sebastian sallow x y/n #sebastian sallow x you #sebastian sallow x fem!reader #hogwarts school of witchcraft and wizardry #hogwarts game #hogwarts #hogwarts legacy #awkwardauthormasterlist #awkwardauthorwrites #awkwardauthor

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descendant-of-truth · 2 years

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Y'know what maybe I'm not done talking about Journeys queercoding actually. maybe I do wanna work out my literary analysis muscles for the sake of Pokemon protagonists. why not

To clarify, this isn't about me personally enjoying the ship between Ash and Gou. I do enjoy it, but I'm making an argument for potentially deliberate queercoding in the writing, I'm not necessarily just here to gush (though that may be a side effect)

I'm also a firm believer that actions or behaviors that we typically think of as romantic are only made romantic if that's how the people involved feel about it. I don't think romance is the only possible way to interpret their relationship.

But when it comes to predicting where a story might be going next, or figuring out what the writers are intending to hint at us, I gotta pull out my textbook of Romantic Tropes first to see what fits the bill.

And I'm sorry, but even if it's not the intended interpretation, you can't include all of these scenes:

...and assume no one in your audience will think there's anything romantic happening here.

Of course, those are just the obvious visual interactions between them that can come off as romantic, to say nothing of the symbolic visual hints; the no less than four rainbows they've been under (one of which was reflected in Gou's eye), the two sets of heart-shaped pokemon that swam past them in a single episode which also had them falling under a rainbow, stuff like that.

But even all of that is pretty surface-level stuff. If the writing doesn't support a queer reading very strongly, then my argument for the queercoding being particularly intentional would fall flat.

Thankfully, the writing does support a queer interpretation, so I'm in the clear! Since breaking this part down will take a lot longer, I'm putting it under a cut.

So, right off the bat we've got the basic setup for the show. For the first time, the focus is primarily on Ash and one other person, as opposed to two or more people... despite having a third person in Chloe, who could easily make this into a trio dynamic, considering she's friends with Gou from the start. But they choose instead to make the core of the show about Ash and Gou.

This is even reflected in promotional material, where they'll often be placed closer to each other than Chloe:

Them being roommates is something I usually bring up as a joke, but it is worth noting anyway simply because it's another way the writers have decided they're going to spend almost all of their time together when they really didn't have to.

But now we gotta get into the real Writing Choices(TM) that are the meat and potatoes of this analysis, such as: making brief allusions to the idea that they might like other guys, too

One way to build up a character's orientation is to show them being attracted to people in shorter instances before giving them a main love interest. Think Luz from The Owl House; she had expressed attraction to both boys and girls before she got a girlfriend or started wearing a bi pin.

Likewise, this is Ash when he's thinking about Leon after seeing him battle for the first time:

I kid you not, he keeps up this blush and zoned-out expression for a solid minute, so caught up in thinking about how cool Leon is that he doesn't even think to eat the scones in front of him.

Now, Ash is a person frequently characterized by his love for food, and in previous episodes he had expressed a particular adoration for Galar scones, so this is pretty unusual behavior for him.

So unusual that it's. literally never happened before, to the best of my knowledge?? I don't think it takes much analyzing to realize that, even if it was brief, you could easily take this as Ash having a celebrity crush on Leon.

(There's even pink flowers in the background but that's probably less important)

Meanwhile with Gou, his "setup crush" in this scenario would be Horace. These two have a whole episode dedicated to their first meeting and the bond they forged, and how that turned bitter on Gou's end when he gets stood up right as he thought he was finally making a friend.

What sets this up for a romantic interpretation is largely the framing of things towards the end of the episode:

"Why do I keep thinking of him" is historically not the most platonic thing you could be bitterly thinking to yourself while you remember stargazing with someone, even if I do stand by my statement earlier of nothing being inherently romantic by itself

The end of the episode also implies that the feeling is mutual, if this shot is anything to go off of

(It's just a very shoujo manga-esque frame okay there's no way I wasn't going to point it out)

And the ending scene is two Celebies looking down happily at the two of them while the narrator talks about how pokemon form "many different kinds of bonds"

Many kinds of bonds, huh? Wonder what he could possibly be implying there

Okay so we've got orientation buildup, next in line is this. suspiciously consistent trend of characters who are close to Ash telling Gou to take care of him, or even going out of their way to test him to make sure he's good enough to be his rival or friend.

Gou himself even echoes the sentiment completely unprompted once, which says even more to me that they're trying to make a point out of this:

And here's the thing. None of the other companions have ever undergone this sort of treatment. Nobody questioned whether or not Ash's friends were good enough to hang out with him before, so why now? Why Gou? What makes him different?

Kiawe is relatively easy to explain because (from what I can tell) he's just Like That about rivalries, but why the addition of describing a rival as "the person closest to Ash"? Why does Gary suddenly care about the quality of Ash's buddies when that was never really a concern for him before?

Well gee I don't know about you guys but to me, this feels like the trope where someone's friends and family all start scouting out the guy they're interested in (or who is interested in them) to make sure they won't like, break their heart or something. And despite my best efforts, I'm struggling to see how this wasn't the writers' intention behind these plotlines.

Gou telling Ash's mom that he'll look after Ash on two separate occasions as opposed to the initial one also feels like an easy parallel to someone promising their love interest's parents that they'll be a good partner.

To my understanding, that isn't traditionally something friends also have to promise, even if there's more justification here as Ash and Gou are traveling around and getting into chaotic situations regularly.

So, with all this in mind, it kind of reframes the stuff I mentioned earlier, doesn't it? The blushing, the hand-holding, the spin hug that I'm never getting over, the frequent appearance of rainbows and the heart shaped Pokemon (Luvdisc if you were wondering)... it feels a lot more intentional once you take into account the bigger themes in the writing.

And once you start looking, it keeps piling up. The way Gou hurriedly says that he totally didn't want to help Ash out or anything after Scorbunny gives him a knowing look, like how most tsundere tropes tend to play out:

Or the specific way Gou is taken aback by one of Ash's compliments before trying to play it off by looking cool, only to be comically shocked when Ash gets distracted by something else:

I could go on but I'm running out of image space and I think you get the idea.

Ash's side of this whole thing is admittedly a lot more subtle than Gou's (*cough* because he's arospec) which is why I haven't gone over it much - my aim with this post was not to go too far into speculation territory - but we at least have marketing on our side for that

Gee Ash how come Animedia let you feed Gou two pastries

Anyway, in conclusion: I ran these two through the literary queerometer and the results were positive, thanks for coming to my TED talk

#pokemon #pokeani #anipoke #pokemon journeys #ash ketchum #pokemon gou #journeyshipping #satogou #analysis #meta #Can you tell I started this at a reasonable nighttime hour and finished at 3am #XD #TAKING THESE SCREENSHOTS TOOK SO LONG #especially since I had to backtrack and edit for a lot of them #Finding the animedia posters in decent quality wasn't exactly a cakewalk either

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punkeropercyjackson · 4 months

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Children's media can absolutely and does radicalize kids when written correctly,it's just that shitty bigoted adults in fandoms deliberately misenterpret their messages and trick them into believing they're canon and that's how we got here.Bleach had Ichigo be a goth punk dude who's a fantastic older brother and choose his female love interest because she's his best friend and he finds her weirdgirlness to be enchanting which is good rep for us because being punk is about nonconformity and so is the fact that he never joined the military system his species was largely a part of because he didn't give two shits about them but over half the fandom is convinced the mangaka is a 'sellout' and 'pandering' for not making him essentially a paranormal cop for the sake of pairing him up with the fem mc that he has a familial and queerplatonic relathionship with as confirmed by the aformentioned mangaka

Pjo had Percy hate the gods as much as Luke does and act on it too but directly TO them instead of grooming younger halfbloods to work for him as soldiers and in fact he basically adopted every one of them he came across as his siblings and pseudo-kids and this is explicitly framed as why he's a hero and Luke's evil but you see nonstop erasure of his anti-corruption and anti-authority mentality and direct action despite being his core character traits to make him more palpable as an 'average fantasy protagonist' when the point of him is that he's not normal in any way

The Owl House had 3/5 of it's mcs be poc with the two white ones being an autistic and ocd lesbian and the other a disabled boy with zero conventionally physical traits that're never made out to be ugly and the protag is an inmigrant afrolatina girl while the big villain is a puritan colonizer and every single ship on the show is queer including the m/f one and the token white boy has almost all the important characters to his arc being black and the only one who isn't is a fat asian girl who's also disabled but the HUGE amount of positive rep in the show is deliberately taken out of context for bad faith critisism by a bunch of 20/30/even 40 year olds who've never written actual good stories themselves and this includes them adoring and gushing over the colonizer guy while dismissing the poc and women in the cast as irrelevant

Across the Spiderverse had an EXTREMELY black in every way character literally named SpiderPUNK who makes his beliefs clear in every single one of his lines and isn't all talk for a single second but he's reduced down to 'annoying edgy older brother figure' and made to listen to Taylor Swift and go to Hot Topic and called 'obviously a skater boy' and every other poser punk trope in the books

Atla had Aang and Katara be a gnc boy of a lesser known type of asian race and Katara a brownskin native girl that reclaims femininity for herself with their character drives being to save the world with Zuko's arc hammering it in again and again that while he always had good in him,he WAS evil,he DOES have a lot of bad traits and that made him do a lot of bad things and THAT'S why he needed a redemption arc to be a hero but Aang gets called racist for following the buddhist belief that in-universe he was sole remaining follower of that killing humans is bad,Katara gets adultified and stripped of her actual personality to make her just 'hashtag relatable teen gurl' and Zuko gets infantalized and upholded as the least problematic character in the whole show

And my last and not quite like the rest example is Harry Potter,including the spinoffs and fanon.Everything in it is neoliberal bs and the fandom just made it worse-Oh,the house that's a metaphor for fascism and white supremacy legacies?They're just misunderstood little babies and every minority-coded🥺The lower class family who canonically were Jkr's best attempt at good people that still flopped?Awful homophobic bastards😡All the female characters?Perfect slay 'You can't sit with us' girlboss,precious little baby angel who can't tie her shoes without her reverse harem's help or manipulative self-obsessed hyperfemme pick me,those are the only three categories they can ever fall in.Marauder's Era not only existing but being very,VERY popular is nothing but whiteness-What is there for you to be attached to there exactly?With the canon cast i can least see why you'd have nostalgia but M Era is literally nothing.You just CHOOSE to pick a franchise that's violently bigoted towards basically everyone and who's creator actively influences and helps caused that hurt irl oppressed groups instead of making ocs since you're already building them from scratch anyway

It's not the fault of actual good creators and especially not kids in fandom that grown ass bootlickers couldn't accept that their precious 'escapist comfort media' isn't apolitical at all instead of absorving it's messages like they should have since they have no care for other people despite insisting how kind and unproblematic they are

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lopsicle · 2 months

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Okay,like a couple minutes ago I learned that it is actually trans day of visibility today soo woohoo! Kind of hard to celebrate in this shithole called the UK though, so I’m going to hide on tumblr and talk about which characters I think are trans coded or just Headcanon as trans because it’s my day I can do that now heheheh-

Also, I’m just tryna do a little thing for trans visibility day, I like being opaque, I ain’t trying to start any arguments, if you see a Headcanon you disagree with, just scroll. And if you think I’m biased towards transfem characters, it’s because I am and I ain’t apologising for that, they’re underrated in terms of fandom and obvs I’m transfem so I love them and relate to them more. Transmasc characters still will be on this list though as there’s so many that I love.

Characters That I Think Are Transgender Because Fuck You

Number one: Hunter Noceda (The Owl House)

This was probably the easiest and hardest pick for the list, for a couple reasons. Number one, I don’t think there’s a single person who agreed this pathetic wet cat is cisgender. Whether you think he’s transmasc, transfem, something else entirely, he ain’t cis. It’s clear why the fandom clung to Hunter as the resident trans character, him having a secret identity via The Golden Guard (seriously, any character with a secret identity is immediately trans, I don’t make the rules), the overconfident attitude mixed with deep insecurity and his arc about finding a way to ‘like who he is right now’ in Thanks To Them really just sealed the deal. Other little details like how his hair cuts helped him find his new identity did not help his case.

While I personally think he’s transfem, and am just using he/him because that’s his canon pronouns, Hunter is one of those characters that a lot of people can identify with which is what The Owl House is really about so I kinda had to include him on this list. The reason it was a hard decision is because holy fuck, every single character in this show is trans. Deciding between him and Amity was the hardest choice of my life because transfem Amity is heavily underrated and I love her, but you really can’t compete with Hunter, he’s had an amazing influence on the fandom and the character has probably helped a lot of people come to terms with their identity.

To summarise, Hunter is a great character, I miss him everyday, I miss The Owl House everyday, he was cool as fuck and a lotta people identified with him.

Anne Boonchuy (Amphibia)

This is one that I feel is heavily underrated, and that’s coming from someone that took two years after the show ended to watch Amphibia. With Amphibia, pretty much all of the human characters are Headcanonned (is that a word?) as some part of the trans umbrella but Anne is the one who does not get enough attention, especially for a main character.

At least to me, Anne was very transfem-coded in the show, everything from her raggedy appearance, to her essentially assuming a new life in Amphibia to the arc about accepting who you are to THE SONG ABOUT ACCEPTING WHO YOU ARE-this was the most in your face, trans-coded rep I could ever ask for. But she is criminally underrated in terms of being viewed as trans rep even though I’ve found her story one of the most compelling in terms of trans coded storylines in nearly any piece of media I’ve ever seen. Give Anne more attention, she’s literally the best. Marcy and Sasha are cool too but Anne’s writing deserves so much more praise than it gets.

Dipper Pines (Gravity Falls)

If you haven’t realised it yet, this entire list so far is just one massive fuck you to Disney because fuck Disney. Dipper was the closest we got to having a canon trans main character in a mainstream animated show and it was taken from us, fuck Disney y’all. But still, Alex has all but confirmed Dipper’s identity as trans masculine, you can see remnants of that arc with him learning that he’s a man in his own right and masculinity being something he can define for himself, the whole thing about Dipper actually being a nickname, and him bonding with the men in his life, like Stan.

Even though I didn’t notice it when I was a kid watching the show, rewatching it now with the knowledge of Dipper’s identity makes the experience a bit more personal, I can see bits of myself in Dipper and I think that’s the whole point of his character. Watching it as a kid you can relate to him because of his sarcasm, his bluntness, his comedy but also because of how heroic, adventurous and curious he is, he’s basically the idealistic role of the viewer. But as you get older and think more critically about him, you can see more of his flaws and that makes him so much more real and so much more relatable. Obviously being trans isn’t a flaw, that was just me doing a side tangent because Dipper means the world to me and is only the standard of writing a cartoon protagonist in some ways, I just think he’s a really cool character and Disney robbed us.

Also Pacifica is transfem because TfT couples are hecking adorable

Sallie May (Helluva Boss)

Guess who just realised that (other than Dipper technically) I haven’t put a single canon trans character on this list. Headcanons are better, I don’t make the rules, but Sallie May is amazing. No matter how critical you are of Helluva Boss, one thing it unapologetically does well is queer representation. The amount of characters that the audience can relate to makes it almost addicting to watch as you get to watch these characters live their best lives. Well, their lives are kinda fucked but you get what I mean, they just get to live as queer people, most of the time.

And Sallie May is proof that trans people will eat up absolutely anything, even if it’s a whole thirty seconds of screen time of a trans character. Being fair to her, Sallie May eats up every moment she gets on screen, her dialogue can be equivocated to just a middle child acting like a middle child and I think it is partly that, I feel like we have a lot more to learn about Sallie May and in turn her sister Millie. At least I hope we do, Millie’s writing needs to improve, their family dynamics can be so interesting because every other one of their siblings is a boy, their parents can be judgemental, I feel like even if Sallie May can be a bit taunting to her, those two are probably really close, especially since Millie is one of the people Sallie May would have to go to for girl advice.

To summarise, since I went off on a bit of a tangent, Helluva Boss brings out the worst in me, give Sallie May and Millie more screen time, they’re the best, we love healthy sibling dynamics.

Double Trouble (She-Ra)

Jesus, they’re hot. Anyway, the first non binary entry on this list, the fabulous Double Trouble who stole the entire show from the moment they were introduced. Throughout the entirety of the last season, I can remember just waiting for the point that they’d show up again and nearly screaming when they did.

Double Trouble was one of the most charming members of the She-Ra cast and became effortlessly iconic, conning every single character, playing both sides of a war so that they’d come out on top, and they did win in the end. DT basically had zero consequences and even got to flirt with Sea Hawk when they were reintroduced so they got a win really. Double Trouble was mean, condescending and a liar and I love them so, so much, them being a shapeshifter is just absolutely perfect and fits their character so well. It was nice to see Non-binary rep in a cartoon and have it not immediately be cancelled, looking at Disney and thank God it wasn’t because She-Ra really wouldn’t be the same without this manipulated, child of a bitch

Crowley (Good Omens)

You know the gender’s hitting when you don’t even know what the fuck the gender is. Crowley is a delight of the character from the moment they’re introduced to the end of the show, which nearly broke my heart since I watched it just recently, if anybody would like to send me tissues, that would be greatly appreciated.

From my vast research of one google search, I’ve concluded that they’re gender is up to viewer interpretation which is actually what mine is too so I can respect that. This literal demon stole the show whenever they were on screen, whether it was David Tenant’s acting, the moments we saw softer sides of him, her pinning over Aziriphale of them just being an actual demon, Crowley is a wonderful piece of representation and I hate that because it makes me sad, let them get together, please.

KFC

Not to be confused with that one place that makes pretty good chicken, I’m talking about the protagonists of two of the best RPGs ever made, Undertale and Deltarune.

For those unaware, KFC is the trio name of Frisk, Undertale’s protagonist, Chara, Undertale’s narrator and Kris, Deltarune’s narrator. Despite them being the main characters, they’re not characterised too strongly as you are in control of them for most of the game, minus Chara who specifically says you aren’t in control of them. Due to it being canon to the games that you are playing as these characters, the Internet started a rumour that they are whatever gender you want them to be, which was just never true. Undertale is packed with trans representation, and these three are no exception. It’s the whole reason I added them to the list actually, just to get the message across if anyone was unsure; they’re all Nonbinary.

Frisk and Kris, despite only having glimmers of their true characters in the game, are still very lovable and intriguing with their actions. Even just the idea of these two being controlled, which is more of a heavy theme in Deltarune, is enough to make you interested in their characters, especially when Kris starts fighting back against you. This entire section is just gonna be a couple paragraphs of me fighting back the urge to yap about Undertale lore so you’ll have to forgive me. Chara, being the only one not under your control, has a much stronger character through the lines of dialogue from them or said about them, the latter usually being more interesting as it gives you insight to their tragic life.

Undertale is one of my favourite and given the amount of rep it’s given us, I had to pay homage to its own main characters on this list. Even though I’m hungry cause now I’m thinking about KFC.

Jake Peralta (Brooklyn Nine Nine)

I think it’s been a year since I finished tumblr’s favourite sitcom and while Jake was lovable, he didn’t stand out to me too much. Still, this guy suffered from that overconfidence but riddled with insecurity personality which lead to him being inevitably headcanonned (it’s a word I decided) as trans masculine. I don’t know what the correlation is between those kinds of characters and the transmasc headcanon, maybe it’s the desire to present as being that confident, maybe it’s being that confident but still held back by struggles about your gender identity but that’s neither here nor there.

What is here and is there is that this show was amazing for trans people, even if only in small ways and Jake was no exception to that. He was funny and watching him grow through those eight seasons gives you one of the most satisfying and heart throbbing conclusions to a TV show, largely due to his presence as the main character. Even though it’s not canon that he was trans masculine, the Headcanon is so popular that I had to pay homage to him and add him to the list.

Jack Kennedy (DSAF)

Is this fandom so dead and so unpopular that I couldn’t find a good gif? Yes. Am I gonna talk about it anyway because I love these games and I want an excuse and this is my day? Yes.

Anyway, Jack Kennedy was the main protagonist of the Day Shift at Freddy’s games and if you don’t know what those are, there’s a 50% chance you had an alright childhood. DSaF is obviously a fan game of the more well known horror franchise Five Nights at Freddy’s and I think they are some of the best fa games ever made. They’re hilarious, they’re so low budget it’s insane, it can give you the hardest tonal whiplash of not taking itself seriously to one of the hardest stories you’ve ever went through seamlessly and I don’t even get a fuck. The story told by these games is done so well and evokes so many emotions but one important thing it’s done is actually be really great for queer rep.

Despite it being played for more of a joke in the earlier games, the two characters Jack and Dave Millie clearly have romantic chemistry and that was so important back when the games released since they became so mainstream due to being attached to a popular franchise. Many fans headcanon Jack Kennedy as being non binary, which is a label that I think really works for them, mainly because it fits for the protagonists of roleplay games to be non binary. I can’t explain why, it just makes presenting the character to the audience so much easier and makes them a lot easier to play without having to worry too much about the gender of the character.

Anyway, Jack’s a self described asshole with a noble goal, and playing as them really gives you a feel of their character and makes you understand why this little known indie franchise snuck into so many people’s hearts.

Bridget (Guilty Gear Rising)

You know I had to end off the list with one of the most iconic, canon, transfem characters out of there. Pretty much every single transfem has heard of Brisket and not a single one has played Guilty Gear Rising, I had to look up the name of this game just before this to make sure I got the right one.

Bridget has recently become a meme on the Internet, with every other transfem having her in her pfp, Bridget became a staple in the community. As stated, I can’t talk too much about her character but seeing the Internet come together to just appreciate this one transfem character, despite their being obvious hate and pushback and claiming her being canon transfem was a ‘mistranslation’ (to my knowledge) was actually really heart warming.

I didn’t really get trans day of visibility too much, I was happy for it, thought it was cool we got a day but it didn’t really help us all that much. But the more I thought about Bridget is the more that I saw just how good it can feel when people come together. It doesn’t have to be a movement or a call to action to save trans people from another bill trying to wipe them out, which is just depressing to listen to, it can just be as simple as joking about this character that barely any of us know. That level of community made me understand what this day was actually about; finding common ground and letting at least one other person know that they’re not alone, that there’s so many people just like you out there, that went through the exact same thing as you did at some point. And to let you know, those people turned out fine, so you’ll be okay too.

Happy trans day of viability everyone, even if this list only reaches one person to let them know they’re not alone, I’ll be happy with that.

Anyway, ignore the emotional stuff there, here’s my honourable mention of

EVERY SINGLE SPIDERMAN, SPIDERWOMAN, SPIDERPERSON, TO EVER EXIST, THEY’RE ALL TRANS, YOU CAN’T CONVINCE ME OTHERWISE

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kindestegg · 1 year

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Collector, Hunter and Caleb: On cycles of violence

Baby titans. Flapjack. Evelyn. What do they all have in common?

If you guessed "they were key components in making a character question what they've been told and pursue a new life, kickstarting major events", you're correct!

Hi, I'm Romeo the local Collector obsessed TOH fan!! And I REALLY need to talk about how Collector's backstory parallels Hunter's and Caleb's. Like I REALLY REALLY do.

Just as a quick disclaimer, if you're still feeling lost on Collector's backstory, I made a quick write up of my analysis for it here.

Now, if you're up to speed, we can start talking about the parallels. You see, I feel Collector's backstory is so fascinating because it really solidifies one of the recurring themes of The Owl House: cycles of violence.

Specifically, I want to talk about cycles of violence that aren't easily changed or broken. Societal ones, ones that worm themselves into the very norms of conduct that inform a certain people's behavior.

For Caleb, that was being a witch hunter, something that not only do we know was part of the local culture of Gravesfield back when he and Philip came to it, but that also apparently by Philip's memories, was even something he looked forward to.

I'm not going to get into how this ties into historical, real life witch hunting, because I feel it's hardly appropriate I, as someone who's not that well versed on such history, go into it in a theory post about a Disney cartoon.

But even in this fantasy world, the fact of that matter is that this witch hunting was enacting a system of organized violence. Children were brought up since early on to act out witch hunts, to understand witches were enemies and should be hunted. The othering of witches, the insistence of them as monstrous and inhuman. All this must have led to the witch hunting culture of Gravesfield.

And Caleb and Philip were deep in it.

Now, we know how the story goes. Both brothers go to the demon realm, meet a witch. Caleb gives it all an earnest chance, resolves himself to learn about how witches really are, and humanizes them, even possibly falling in love with a witch, who we now know as Evelyn. Philip despises it all from the start, refuses to ever see the place as anything but damned and monstrous.

From this, Caleb and Philip become symbols of opposing forces: That of change, a break in the status quo, a shining light of questioning why things are and calling for peace VS That of tradition, the desperate want to keep the cycle going, inability to envision anything different than has ever been, to question the old teachings.

Each fought for what they believed in. But Caleb lost and the cycle continued, evolved.

In the real world it is much of the same. Change happens gradually, but even when it does, the cycle does not break easily, it evolves into something else.

Philip's hunt turns to the entirety of the Boiling Isles. He creates the Coven System, to get rid of all witches, yes, but also to keep them easier to control, predictable. He becomes Emperor, and now there is a new system of control, a new cycle of violence.

The Emperor's Coven is suspiciously the only one allowed to use all kinds of magic, a way to assert this authority as well as making recruiting Coven Scouts easier. Witches who do not conform to the system are captured and petrified en masse, the Coven Scouts ensure all witches and demons must fall in line, or else. The parallels to our world and state forces used to control the population is not something that goes unnoticed.

Hunter is part of the Emperor's Coven, too. He's placed as the Golden Guard, the most important symbol of the Emperor's Coven, a substitute for Lilith once she reforms. As such, Hunter too starts out by enforcing a system of violence, just as Caleb did before.

The cycle even more glaringly becomes a cycle now, as Belos literally keeps making grimwalkers and restarting the cycle of the golden guard. Belos enforces the cycle of violence, and hopes this "new Caleb" will do it too, and every time he attempts to break it, Belos breaks him first. In a way, there are two cycles of violence at play: that of which is systemically mantained over the Isles, and that of which Belos mantains over Hunter and every other grimwalker he's made.

Hunter, of course, eventually defects as well. He meets Luz, Flapjack, and then Willow and Gus and when he knows it, he's got a whole lot of people he cares about and that care about him. And he becomes a little less willing to carry out the system of violence he was placed in every day. Until he defects for good.

So the cycle breaks once more, but this time, Belos doesn't catch up to him, at least not yet. In the present, Hunter is still surrounded by friends and a loving mother figure. He was part of breaking the cycle, of at least helping stop the Day of Unity. Change is starting.

So where does Collector fit into all of this? Well I'd first like to address the elephant in the room. For a character whose backstory also involves breaking cycles of violence he sure was aiding in one, by giving Belos the draining spell and encouraging the creation of the coven system. But that's just another aspect of cycles of violence.

Because cycles of violence don't just imply systemic violence or even violence perpetrated through constant abuse. But also, the cyclical nature of violence. The ability that someone who has grown up with violence normalized and has had violence done unto them can then channel that into violence towards others.

Now, before I am misinterpreted, I'd like to make some things clear: One, I am not of the simple opinion that "abused people turn into abusers", that is an ugly myth. Two, I have been a victim of abuse myself, and am a psychology graduate. I feel confident speaking with authority about this subject. Third, there is a difference between the psychological concept of generational trauma and internalized violence and the idea that being abused will turn someone violent.

What I am implying here is that Collector's behavior of dismissing both the violence done unto the grimwalkers, as well as towards the victims of the draining spell is something that he has learned and internalized as normal due to his life experiences.

Recall if you will that Collector is a member of an alien species that has a high disregard for life. In the same breath that they will say they preserve creatures to study them, they will also attempt to destroy all that opposes them. Collector grew up with this violence being seen as normal. He was brought to meet the titan trappers and taught to wear the titan skulls, following in his family's footsteps.

But... just like Caleb and Hunter before them, they saw a different path they could take when it came to the titans. A way to approach them without violence. They gained an interest for titans, just like Hunter with wild magic, just like Caleb with the demon realm.

Once left alone to do so, they approached the titans, specifically young ones, close to their age. They played and maybe even learned some of their favorite games for the first time there.

They also became horribly traumatized.

Both Caleb and Hunter have suffered greatly as a consequence for their defiance. No system of violence lets itself be broken peacefully. Caleb had his life taken, so did all the grimwalkers. Hunter, while having escaped with a good support system, lost Flapjack.

For Collector, that came in the form of having to watch all the remaining titans he had so happily introduced himself to play with get killed off by his own family. We do not know the full logic of how or why his family did this, but we know it was brutal and we know the end result: King's egg alone and Collector in the disc, imprisoned for centuries.

Collector is a child, and if there was still any doubt in any fan's mind of this, For the Future stomped it out for good. Collector was a child when he had to watch his family kill off his new friends. He was a child when King's Father, likely in the middle of these attacks and motivated by it, sealed him away. He remained in stasis for centuries during this imprisonment.

I can only imagine that would really mess up any kid up. And through that, I think we can begin to understand what the mindset was for Collector when he took Philip up on his offer.

I've seen people be surprised by how friendly and childlike Collector acted in this latest episode when compared to his previous appearances in season 2, and I think we need to remember that Collector was in a much different condition back then. He had lost everything he cared about, got stuck in a prison for centuries with no one to talk to and no hope of anyone ever finding him, and when someone did find him, it was Philip fucking Wittebane.

And something I think most of us have already clocked about Philip is that he prefers the people he collaborates with to be vulnerable. Someone he can easily control, usually through their emotions and attachments.

We see this in Elsewhere and Elsewhen with his tendency to praise and lead Lilith and Luz on to get what he wants, knowing they need something out of this and are desperate.

We see this with Lilith, whom he uses the guilt of her sister being cursed to make her follow his every command and not question his rules.

We see this with every grimwalker including Hunter as they're told he was the one who "saved them and took them in".

We see this with Luz and how he leads her thoughts around in Hollow Mind to twist it in how she helped him unwittingly before.

And though his relationship with Kikimora and her schemes is more of an odd one, with him mostly paying her no mind, Follies at the Coven Day Parade at the very least touched on the fact her mental health at the Emperor's Coven is not doing well. She's also desperate for something and being led around by Belos' promises, even if that thing she's desperate for is... power. But er, we love an evil girlboss.

Look, what I'm trying to say is that Philip saw a child that had been horribly traumatized from seeing his friends die and then getting stuck in fantasy perpetual prison for centuries with no enrichment, no one to talk to, just eternal loneliness and sadness and he absolutely took advantage of it.

He used every single part of Collector's broken psyche to his advantage, including possibly withholding his freedom to interact with the outside world through the disc, shutting him up and cutting his vision whenever he might have wanted to.

And Collector, having grown up in an environment that encouraged killing everything in your way if necessary, having nothing else to lose because everything he could have cared about not killing was to his knowledge gone...

Absolutely took him up on the offer. And so, the cycle of violence is mantained, the one who had to witness such violence, unable to stop it, now carries out the same type of violence against others. Out of anger, maybe, but mostly out of desperation. For Collector, there's nothing left to do but do what Belos says, otherwise it's back to loneliness and darkness. And if Belos says "kill every last witch and demon in the Boiling Isles", he'll get that.

Collector's glee in this is not something that can be excused, however. It must be examined through the lens of understanding this is a bad thing, that this is a case study in how children internalize violence and learn to be not only compliant to it, but also even revel in it. He's gone from victim to perpetrator. Not because of any of the abuse or trauma he faced, but because of his environment creating the perfect conditions for it.

But that's when our heroes come in. The cycle of violence did not complete itself. The draining spell was stopped. And the way it was stopped is also incredibly powerful in its symbolism.

Because it was King who went out of his way to contact Collector and who freed him. King, a titan, the last of a species that was at war with the collectors, now extended a hand for our Collector to be free. Despite everything indicating that they should not find each other, should not be together, they came together to stop the Day of Unity.

In the Day of Unity being stopped by the Collector, so another cycle of violence is broken: that of titans and collectors being at odds with each other. In them is represented the hope for the future: two children who are free of the anger their species would hold for one another, now united in their wish for a better future.

When King decides Collector shouldn't be imprisoned again and insists to Lilith and Eda that they let him talk to them peacefully, that's him taking a step to break the cycle of violence. When King says "it didn't work" he's not just talking about the fact Collector could go free. He's talking about the fact imprisoning Collector was a violence done unto him that only brought about more danger and more violence, did not teach him anything, and doing so again could risk worse things to come.

When he says "it's worth a shot if no more people get hurt" he includes everyone in that equation. He includes Collector. And that's breaking the cycle of violence.

In a way, you could say if Belos and Collector's arcs as villains are both about stopping cycles of violence in different ways.

With Belos, he has spiraled down so deeply he has become the cycle itself, eating everything in the way and infecting everything, unable to live on without creating more violence onto others, and so he must be stopped by force if necessary. In this, The Owl House doesn't shy away from the fact that in the real world, sometimes you need to fight back, you cannot resolve everything peacefully, and breaking the cycle will involve hurting someone before they hurt more people.

But with Collector, another side is shown, one that reminds us that we must have nuance, and sometimes, we will be faced with the difficult reality that those doing violence unto others are also people who are hurting, who are lonely, who are sad. Specially children who have grown in environments where violence and prejudice was normalized. Sometimes children will be violent, will be bigoted, will repeat every little horrible thing the adults in their lives taught them. But they're still children. And they still deserve a chance to learn and a chance to grow.

It's about recognizing the difference between a young person who genuinely wants to learn and hasn't had the opportunity to, and someone who is not interested in this. Collector's backstory tells us he does have an interest in being good, he just needs the opportunity.

Collector isn't an easy character to approach like Hunter or Caleb. They do not have the benefit of starting off the narrative dead and buried, leaving the audience to assume mostly good things out of his deviation. Neither do they have Hunter's rebellious teenage bravado that allows him to show his defiance to Belos or his tragic fate of being a grimwalker binding him. They just are an alien child with immense power who tried once to deviate from the norm and then got the worst luck of the entire universe after them, and procceeded to become bitter and angry and absolutely sadistic afterwards.

But there's still good in them. And just like Caleb and Hunter, their efforts to break the cycle of violence they were raised in, as well as the efforts to denounce their fellow collectors will not go unnoticed.

#the owl house #toh analysis #toh theory #toh spoilers #toh collector #hunter toh #caleb wittebane #the collector #did you know i hit image limit with this post. i was gonna add more.#Commander's orders

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