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blossomthepinkbunny · 2 days

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I think a much better structure for Hazbin Hotel would've been to focus solely on hell for the first season. Charlie would advertise the hotel and there would be guests looking to be redeemed. Without having to focus on Charlie convincing heaven of her idea, they could've spent a lot more time to get us to actually care about our main cast as well as introducing the citizens of hell in a more natural way. I know they would still have to work with just 8 episodes but it would've been much more focused if they actually had the hotel be the main source of story for season one. Right now I don't really care for the characters of HH.

Like Valeria was an ex-exorcist? Okay, I don't really know anything about her that would've made me assume she wasn't, except for the fact that she loves Charlie and from how Charlie was portrayed so far I assume she is going to forgive her immediately. Oh, everything is resolved within one episode.

Sir Pentious (presumably) died and everyone is sad? Well they didn't seem to even know him that well and they never gave us the impression that they cared about him. His progression wasn't even shown and we don't know what he did that actually redeemed him. I guess it's still kinda sad that he died. Oh, he is actually alive ... alright moving on.

Charlie doesn't have a good relationship with her dad? Well it's gonna be interesting how they'll make me feel for their relationship when Lucifer basically neglected her and when he's someone allowing the extermination of the people Charlie wants to save to happen. Oh, they resolved it in the same episode he first appeared in by saying he actually just really cares for her and he was just misunderstood and rejected by people. It's good that Lucifer apparently cares for his relationship with Charlie, because I don't.

The only character moment I kinda felt for was Angel standing up to Valentino (which one could argue was also pretty mishandled, but that's for victims of abuse to judge). And making the viewer feel bad about abuse happening is like holding a box of puppies in front of an audience and then patting yourself on the back for making them say "aww".

The main problem is that we never get to spend enough time with any of these people because the show also has to focus on heaven, Adam and Charlie still trying to pitch her idea. In my imagination, the hotel does fine and attracts guests. Not too many but still some sinners who could be used to show the variety of hell and it's citizens. They could also show that there are people down there who aren't literally the worst sinners you could imagine, who wouldn't have gone heaven anyways, even if it wasn't corrupt apparently. Each episode could focus on Charlie trying to redeem someone, with a second plot maybe focused on a member of the hotel staff. And when a character needs more time dedicated to them specifically (like Angel or maybe Sir Pentious), you could have the redeeming either happening in the background as a B-plot or just fully focus on said character. Lucifer could be more present with making his bad relationship with Charlie one of her driving motives to keep the hotel going or with showing him actually supporting the hotel, probably giving it more believability in hell. The Vees would be the main antagonists instead of Adam of season 1 as they are in hell and could be connected to the characters' struggles. Valentinos and Angels storyline would work when he and his team have already been established as well. Vox could be used more in his rivalry with Alastor and maybe Velvette could also have some connection to the main cast (maybe with Valeria or Nifty or just in general with citizens in hell). The Vees could be used to flesh out hell as a place more and also the characters of course. And Adam wouldn't really appear in s1 but could be mentioned here and there, possibly with Lucifer making remarks like: "Adam isn't going to approve of this" or something like that.

The end of season one would maybe feature Charlie and Lucifer finally making up in a way and the end of certain character plots. There could also be a final showdown with the Vees and the character stories they impact could be solved in a way. The real last scenes could be that the hotel has reached a milestone, like maybe Charlie redeemed 10 sinners now and that's reason to celebrate. But as the sinners party happily, finally believing that theres a way they can resolve the issue without needing a war, the scene cuts to heaven and we see Adam looking to the sinners filled with hope and his face just makes it clear that he isn't going to let them get away with this.Adam would then be the main antagonist of season two.

Hazbin Hotel really just has a problem with the plot being really overstuffed. And even my version might seem like a lot to cover with just 8 episodes but it could definitely work if done right. A lot of stuff could be cut, like Carmillas whole arc, Charlie talking to Adam and visiting heaven, Valerias backstory reveal, introducing Sera and Emily, Building the army and the fight at the end (probably other stuff that I don't remember now). Carmilla could be introduced in s2, when heaven and the exterminations are really in focus. Velvette could still bring up the dead exterminator (possibly to show that even after the Vees were technically defeated they still exist and cause troubls, unless they were killed in the s1 finale of course). Mimzy and Rosie could just be cut fully or brought in in other ways. Maybe Charlie wants to redeem a really greedy sinner and so Alastor suggests that she visits Mimzy to really find out what makes someone so greedy or something. Or in season two, after the date of the exterminations gets moved forward, more and more sinners come to the hotel out of fear of dying. Charlie would want to know how to be a more respected and direct leader without coming off as mean and so Alastor introduces her to Rosie. Then they could still have the big cannibal army at the end.

These are just some thoughts on how the show could be structured better and make the story feel less crowded. This would obviously go hand in hand with some character rewriting.

#hazbin hotel critical #hazbin hotel criticism #hazbin hotel critique #hazbin hotel rewrite #vivziepop critical #vivziepop criticism

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skyelights-xox · 2 years

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Trying to come to terms with the fact that Eda not only has to deal with taking care of Raine (if they're still alive) and Not Having An Arm but also she has no idea where her kids are

Willow's dads, Gus' dad, Alador, hell even Darius just don't know where the fuck their kids are

The only one who DOES know is King and he's with The Collector right now and I doubt he has a way of communicating with Eda

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gh-0-stcup · 8 months

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One thing that's so odd to me about the Eugenia Cooney thing is how there's still people who think she's in denial about her ED.

She knows. She was in a treatment program, she mentioned in it Shane's "documentary". The people who are wondering what she's saying to convince doctors (and the recent crisis team) that she's fine kind of boggle my mind.

She just tells them the truth. That she has an ED and either that she's trying to work on it by herself or that she does not want to get better. It depends on where you live, but very often medical professionals aren't going to bother putting limited resources towards someone who does not want the help.

She can say, "Yes, I'm anorexic. Yes, I know I could die. No, I don't think going somewhere would help but thank you for the resources." Whether they decide that's grounds for commitment or not depends on the laws of her state and the personal judgement of those evaluating her.

Leaving her to die and moving on to the people who are in her same physical state but begging for help isn't exactly a wild decision.

#when it comes to eds even those who WANT help struggle to get into treatment programs #some do their recovery themselves and some end up dying waiting for a spot #eugenia has the resources to get that support if/when she wants it #so a lot of ppl would just shrug their shoulders and say nothing we can do #it sounds ghoulish but that's really how things happen a lot of the time #eugenia knows she has an ed and she knows it's killing her - she's known for a long time #her family knows and her doctors know #she denies it online because she doesn't feel comfortable talking about it #and because any discussion about the disorder from a severely emaciated anorexic person who does not want to recover #would be considered promoting anorexia in a way her content does not currently do #yes it's all body checking and super triggering #but her discussing the details of her disorder would literally be giving tips on how to look like her #whereas saying no i eat i just look like this naturally carries a message of you can't do anything to look like me #(even if everybody knows in reality what's up)#anybody else really tired of people who have little to no experience with stuff like this being so vocal about it?#so many people who have zero understanding of the disorder or how treatment works coming up with all kinds of nonsense #then throwing a fit and calling her a vile bitch when their attempts to help don't work #it's actually so disgusting how many people were just sooo concerned and have now taken to idc if she dies she deserves it #she's a young woman who had her entire future stolen by a disorder that's notoriously difficult to recover from #sorry she wasn't the heartwarming success story you wanted #and sorry her symptoms are often unpleasant and she's not the poor perfect little broken ana girl you decided she should be #for you to lower yourself to give her some compassion while she's dying #tw anorexia #tw ed #tw eating disorder #the whole she's actually just a narcissist doing it all for attention bs really bugs me #like tell me you know nothing about anorexia without telling me you know nothing about it lmao #maybe those of us who've struggled with eds have just sanitized the whole thing a bit too much for those who don't get it #but it's so hard to talk about the uglier bits when the reactions are so vicious #eugenia cooney

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understandableparadox · 2 months

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a comprehensive list of everything wrong with hazbin hotel.

quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.

oh and spoilers. i guess.

the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.

the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.

the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.

the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds

the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.

the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".

having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.

don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.

if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.

pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.

there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.

this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.

this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.

13. Charlie:

(see what i mean about that red thing?)

as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.

her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice

its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.

character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.

now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.

she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?

14. Vaggie

why did you name the lesbian vaggie...? Don't do that maybe?

I like how her design is almost moth like but again i feel as though you could have amped that up.

she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.

i honestly dont have much to say about her. she is fine.

christ kill me, lets just get the big one out of the way

15. Alastor.

God Damn

where to start.

"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?

his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.

tumblr sexy man bait

he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.

his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.

his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.

he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.

personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.

im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.

16. Angel Dust

what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.

all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")

I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.

not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.

i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.

same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.

17. Carmilla carmine

are... are you supposed to be a rabbit...?

Big Yoai Hands

ballet fighting style, could have been cool, wish she fought more like sanji or chun li.

A single mom that works to hard, who loves her kids and never stops-

her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.

i wish i had more thoughts on them, fucking rip.

18. cherri bomb

that's not a punk aesthetic that's 2010s alt

decent character, they showed up once or twice i guess, no real thoughts.

19. egg boiz

absolutely perfect, i have not notes on them, these are perfect creatures.

20. Emily

im so fucking happy to see a singular blue character

does the naive dreamer bit better then charlie

We really shouldnt have seen her until the end of season two or middle of three.

good contrast with the other angels on screen.

Wait she is supposed to be black??? Where???

21. Husk

keith david you absolute delight, Why on gods green earth did they only give you one singing part?

one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.

has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.

huge potential, little pay off.

22. lillith

I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.

alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.

23. lucifer morningstar

no notes, funniest charecter, did a song based on friend like me.

few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.

would have liked more snake stuff on him, maybe some more goat things like horns.

that is such a stupid fucking staff lmao.

24. Adam.

alex brightman you absolute fucking delight, you should have had more songs.

I wish his design was more focused on the idea of him being a glam rock wash up

I fucking hate his mask

We shouldn't have met him until the end of the season.

25. Niffty

again she is supposed to be a bug or cockroach but nothing about her points to that.

token straight

keeps rocketing back and fourth between sexulization and infantilization

you had kimiko glenn but didnt give her a single fucking song?

26. Sir Pentious

the secret season one redeemed.

the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.

essentially a child after the first episode.

actually a snake which i appreciate.

no where near steampunky enough.

27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.

28. Valentino

gOD THERE IS SO MUCH RED

only a moth some of the time.

sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.

it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.

29. Vox

legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.

propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.

why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?

same body shape as literally every other male character.

tumblr sexy man version of pyrocynicals fursona.

30. Valvette

the actual poster child of the shows huge problem of "Show me, don't tell me".

apparently the glue that holds the villains together. never shown.

apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias

we know so much about her from things outside of the show.

was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.

im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.

but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.

this took a bit to write, im tired, thanks for reading.

#hazbin hotel

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colleendoran · 1 year

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How Do I Do Stuff

The question was phrased a little strangely, and I don't want to embarrass the person by posting exactly what was said, but I'll answer it and hope this clears everything up.

I do almost all of my drawing by hand. No, I don't trace in Photoshop. Not a judgment on those who do, but I come from a generation of artists who did not use Poser programs or other digital tools. We learned to draw using a technique called the Sight Size method. I know a lot of people assume everyone - including the old masters - traced everything using optical tools, but while it is true some people did, it is just as true that most didn't, and you can draw with great accuracy if you learned how to draw the old fashioned way.

Sight Size breaks everything down into its barest components of geometric shapes and you build from there. Once you learn it, you never forget, and it applies to everything you will ever draw.

I learned it using a set of Famous Artist Course books my mom had since she was a kid, and they are still the gold standard. They're often on ebay. If I were you, I'd buy them.

I actually find using figure reference really annoying because I like exaggerations and modifications from reality in my final work.

This page from Neil Gaiman's Chivalry was drawn and painted without figure reference of any kind.

I don't know why people assume I trace all the time. If you were to try to use photographs to replicate these figures, you would find they are slightly off. There is no tracing here.

This is not to say I never use reference. This page, for example, was referenced from a photo of my mother. Isn't she pretty.

But this page of Sir Galaad was drawn and painted without reference.

He's pretty, too.

If he were real, I'm sure a lot of people would be very happy about it. But he's not. And had I reference, the art would have gone a lot faster. I had a time trying to nail this face that is very alive in my head but doesn't really exist.

Back in the ancient days, all cartoonists had to learn to draw and paint extemporaneously because reference was limited and digital tools didn't exist. While some high end artists had photography studios and professional models with costume and sets on hand, small fry like me were limited to what was in the house or available at my small local library, which was no bigger than a few rooms of my current house.

Artists kept extensive "morgue files" or "swipe files" which were collected from magazine clippings and photographs so we would have as much of what we might need on hand for quick reference. These ephemera collections could get unwieldy. I have thousands of photographs I've simply never sorted. I finally dumped most of my files this past year.

Have I ever traced anything? Of course, especially if I have to re-use a shot or setting over and over. Making extra work for myself is just silly. It's my job to make pictures, not to perform magical feats, like copying one shot after another over and over without making a mistake.

However, for almost 15 years of my career, I refused to copy or trace anything, and did not even own a lightbox. On the one hand, that forced me to learn to carefully examine what I saw. On the other hand, it was a stupid hill on which many deadlines died.

Only after I realized many professional artists had lightboxes and overhead projectors did I finally break down and get one.

The one thing I use my lightbox for more than anything is for tracing my thumbnail sketches to the final drawing paper. Instead of trying to capture the liveliness of the original sketch by copying what I see - only bigger - I blow the thumbnail up to the size I want the final art to be, then I trace over the thumbnail using a lightbox onto the final drawing paper.

Here's a look at thumbnails from the graphic novel Neil Gaiman's Snow, Glass, Apples.

I enlarged these on my computer to fit onto 11"x14" paper, and traced the thumbs before finishing the art which was drawn in pen and ink and colored in Photoshop.

While I obviously made some changes, the essence of the thumbs is there in the final work. Tracing my thumbs retains some of the looseness of the original sketches, which is often lost otherwise.

So, there is a valid purpose to tracing at times, though in my opinion, too much tracing can weaken drawing ability, substitute for developing skills, and make the work kind of stiff.

If you want to, I'm not your judge. But it's weird to me that people think I must be faking my skills in some way.

Ironically, the word cartoon comes from the Italian word cartone, which is a large heavy sheet of paper - also, the origin of the word carton.

Preparatory sketches were made on this paper which was then transferred to the final work surface via either tracing or by stamping little holes in the paper through which dust was sprinkled, recreating the contours of the drawing for the artist to follow.

So the origin of the word cartoon comes from a process often used...for tracing.

#snow glass apples #chivalry #neil gaiman #drawing

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dalliancekay · 2 months

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Aziraphale does NOT need to suffer MORE

Can't believe I have to say this. TW: grief, mourning, death (sorry) I have, since falling into the fandom 6 months ago to escape real life, seen many takes on how Aziraphale needs to suffer in S3 to match Crowley's suffering. Mainly as the counterpart to the moment Crowley thinks he lost Aziraphale as he's looking for him desperately in the burning bookshop.

Then drinks, we suppose, to dull his pain, waiting for the Armageddon. Also, the way Crowley suffers at the bandstand argument, the 'I Forgive You' moments, which many people find utterly devastating and incredibly heartless from Aziraphale. Not to mention when he doesn't react in the 'right way' to Crowley's confession in the Final 15. And then on top of that, 'abandons' Crowley. Oh and also for, and I quote: "The smug and entitled way Aziraphale went around in S2 assuming Crowley would love and follow him everywhere." And for all this pain that Crowley endured for him, Aziraphale should suffer in S3, to I assume, even out the scores. Some people want to see him lose it, show his emotions, to cry or beg or otherwise show how much he misses Crowley and how very sorry he is for what he's done.

Now for the TW grief content I motioned above. You can skip to the next sentence in bold.

WE ALL SUFFER DIFFERENTLY I was on holiday late September last year, visiting my mum, stepfather and my two younger brothers. We went to a cousin's wedding. It was great. The day after, as I was hanging out reading a book my mum got a call. The kind of call every mother fears. My youngest brother (he was 27) died in an accident. We needed to speak to police and the coroner. She cried and cried. She's still crying. She asks questions. She gets no answers. I did not cry. I talked to the police. I googled a funeral home. I bought my brother his last set of clothes. He lived in a hoodie and torn black jeans. Mum wanted a suit. But he died in the one he bought for the wedding. I texted a lot of people. I bought snacks for the many friends who came to the funeral and wanted to speak to us after. My grief feels like a vice. I am not sad. I do not appear sad. Contrary to what people expect. But I am ANGRY. I am furious. But nobody can see this. I am not fine and I wish no one would ever* ask how I was again. TW/Personal content over. Since I was small (because I am weird like that) I genuinely wondered if, finding myself in danger, I could scream like people in films do. I don't think I could. I cope with hard situations, fear and stress and anxiety by shutting down, sometimes by retreating too, by furiously trying to find a way out. And I think Aziraphale does the same. And that's why I love him so much. And why I feel get him and understand that people sometimes can't tell how much he's actually feeling. I also express love the way Aziraphale does - by organising things for people I love, inviting them places, making plans. When Crowley said you call me for three things (and it's basically any old reason) I felt SO SEEN. This is what I would do with a friend who I know is feeling unmoored, sad, stuck. I'd text them with any old thing. I'd never actually say I love you, how can I help though, I would try to get them to talk, meet me, go somewhere. Aziraphale does not express emotions the same way as Crowley.

But his emotions are valid nonetheless. He is worried for Crowley from around 3 minutes into their acquaintanceship. And he NEVER stops worrying.

And are we quite sure he has never lost Crowley?

How many times did Aziraphale's heart freeze in horror when he realised Hell has taken Crowley and he had no idea if he'll ever come back and what is happening to him?

How did Aziraphale spent the night after vanquishing the demons and starting a war? He had no idea where Crowley was. He was probably sick with worry that Hell just took him away. We didn't see him drink, but surely, the worry must have been overwhelming. The wait for what will happen.

ALL his worries over the Arrangement. Was he worried for himself? Do we really think that?

Crowley thought he lost Aziraphale in S1, yes, we saw that. And what happened to the angel then?

He got blown into atoms which I bet wasn't pleasant and when he arrives in Heaven he limps. Why is he hurt? Why is he quickly pretending he isn't? Why is he always hiding how he feels? Also, he immediately deserts, wants no part in the Holy War and quickly finds an extremely unconventional way to get back. It's not a grand gesture, he doesn't deliberate, doesn't worry that he will Fall (although surely that must have been what he thought), there's no pomp around it, he thinks it and then does it. No hesitation.

Is this coming from an angel who just can't leave Heaven behind and longs to be a part of it? Who loves to follow rules? And let's not forget in those moments Aziraphale thought Crowley was most likely gone. That he probably left for Alpha Centauri. Last he heard from him he was told he was talking to an old friend and had no time for him. Why we NEVER talk about how that might have felt for Aziraphale?

Things are not as simple as Aziraphale has been supressing his emotions and lying to himself about how he feels and he should get over it and become free. That's not how this works. He was suppressing his emotions OUT OF LOVE. His main goal was always to keep Crowley safe. They simply couldn't run away or hoodwink Heaven and Hell. They had nowhere to go. They had no hope and yet they kept loving each other. That's courage. I know we all grew up with Romeo and Juliet and Heathcliff and Cathy and we FORGOT that those were CAUTIONARY tales. And this is not what Aziraphale wants for them. He would never allow himself to go so fast he would hurt Crowley. He feels guilty enough for agreeing to the Arrangement and for meeting Crowley at all when he knows they can be discovered and punished at any point. And Crowley knows it and RESPECTS it. He does not tolerate Aziraphale's decision to not go on a date and to hell with circumstances. He understands Aziraphale's reasoning and he respects Aziraphale's decision. Don't forget, they have NO POWER. They can't change Heaven and Hell. They can't stop believing in God and work on their religious trauma. Their Heaven and Hell are real places with real power and they BELONG to them. Aziraphale's trauma and his personality are deeply intertwined and he'd probably never be the kind of person who is open in showing their grief or stress. He will learn to be more open, I' sure. With his love especially, we see him reaching for and touching his demon in S2. Openly being with him, looking at him without guarding himself. They got a little bit of freedom for themselves despite ALL odds. So. Just because Aziraphale is not crying and screaming and I dunno, tearing his hair out or whatever some people would have him do, does not mean he isn't overflowing with pain, fear, uncertainty, doubts, worries, and so much anxiety that if he let it all out, half of the solar system would turn to ashes.

Aziraphale does not need to suffer in S3 to level out Crowley's suffering. They are, unfortunately, equal in their pain as they are in love. If there is one thing Crowley would never abide, it'd be this take from the fandom. * One more note on grief: (obviously from my personal experience) As initiated by @anthony-crowleys-left-nut in a comment

It's not that I mind to know people care and worry etc, but asking how I am can only end in me lying (fine, thank you) and both of us knowing it's not really true and feeling awkward or not lying (I feel like shit, mostly cos I can't sleep and think the world is a stupid unfair place) and both of us feeling awkward anyway. Does that make sense? I wish I could tell friends/colleagues to ask what I've been up to or something similar instead. What I've been reading (um, AO3, but I'll make something up), watching, do I want to go see some spring flowers bloom (I do).

#aziraphale #good omens #crowley #aziracrow #ineffable husbands #neil gaiman #ineffable divorce #aziraphale my beloved #good omens thoughts #aziraphale defense squad #suffering in silence #grief #tw grief #dealing with grief #loss #tw death #kaypost

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maniacwatchestheworld · 5 months

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Things to do with Jack and Maddie without them being abusive

As someone who actually likes Jack and Maddie as characters (I'm a fervent shipper of Maddie/Jack/Vlad), it's a real bummer to see so many people out there deciding that for their DPxDC AUs that Jack and Maddie are abusive, when that really doesn't represent how they are in canon. Now I fully acknowledge that doing this can be a very useful tool for telling certain types of stories, and if you want to make a story about recovering from abuse and finding a new found family, all the more power to you for that! But for any other type of story where them being abusive isn't necessary for the backstory of the story you want to tell... It's just a bummer to do that, y'know? If you don't want to tell a story with Jack and Maddie in it, that's entirely fine! I'm not asking you to. But there are ways to get rid of them without making them abusive or dying. Of the two, I personally would prefer them dying (I just like the story potential of that, especially as far as Vlad is concerned). But there are plenty of easy things to do with them to keep them out of the story that don't require them being abusive or dead! So I'm here to give a list of things that can happen to them (that have precedent within either Danny Phantom itself or the DC universe) that keep them out of the story that don't require much explanation as well as some other ideas for what you can do with them if you have no idea what to do with them otherwise.

Lots of ideas under the cut! (Feel free to take what you want. As always, credit is appreciated, but not necessary. But I would love to see what you do with it!)

If you need them permanently absent so that Danny can get adopted

Fell into the Ghost Zone and cannot be found.

They are gone for whatever reason and Jazz is currently Danny's legal guardian (she's 18 or older and is therefore a legal adult).

While in the Ghost Zone, they accidentally traveled through time/got transported somewhere where they can't get home easily.

They got severely Joker gassed and are in medical care. (This is actually what happened to Duke's parents!)

They got severely Scarecrow gassed and are in medical care.

Went insane for some supervillain-related reason and are now missing/in medical care.

They were kidnapped by a villain for some reason.

They were kidnapped by a villain and are currently in a lotus-eaters simulation and therefore don't even know that they've gone missing.

Abducted by aliens.

They got wrapped up in some supervillain bullshit and now have amnesia and are unable to recognize Danny and Jazz.

They got magicked into something that can't take care of Danny and Jazz.

They were experimented on and are now incapable of taking care of Danny and Jazz.

Some cosmic entity did a whoopsie that effected Jack and Maddie and now they're in a condition/situation where they cannot take care of Danny and Jazz.

Got arrested and are in jail for some reason.

Were arrested and sent to jail for a long time. Have since joined Task Force X/the Suicide Squad for lienency.

Got hit by a stray Zeta-Beam and are now on some alien planet.

They got teleported somehow. We aren't certain about the details.

They fell into a hole to another world.

They no-clipped out of their normal reality.

Stranded with no way home.

They somehow ended up on a different planet. They are just hanging out with Space Cabbie now, who is just having a ROUGH day and can't find Earth for whatever reason.

Inducted into a Lantern Corps and are VERY busy because of it!

Coma.

Effected by a debilitating illness/disease/condition that makes them incapable of taking care of others.

They were forced to go undercover for some reason and therefore vanished. (Letting their kids know is optional)

They were forced to go undercover for some reason and were forced to fake their deaths.

They died, but came back to life. Danny has not been informed of this.

They got possessed by a superhero or supervillain who just wandered off with their bodies.

They got separated following a disaster and haven't been able to find each other again.

They've been retconned to hell and back again to the point where no one is entirely certain where they are, what they're doing, or even if they're alive anymore. Don't worry about it! Only mention them when it's relevant and the rest of the time we aren't going to bother explaining what's going on with them. If they are mentioned, accounts of where they are and what's going on with them are contradictory.

They're around, but will go unseen throughout this story

Any of the situations in the previous section, but it only happened to one of the parents, and the other is just too busy working and taking care of the kids by themselves.

The same as previous, but they also moved to Gotham.

Retcon things so that the events of Danny Phantom actually happened in Gotham City all along. (Maybe Amity Park is like... A suburb in the greater Gotham area.)

They went on vacation/were hired for a job that would take them away from home. They left Danny and Jazz to be taken care of by Vlad. Vlad is an asshole, so they ran away from him.

They went on vacation/were hired for a job that would take them away from home, but now that Jazz is over 18, she's been left in charge.

Put into Witness Protection by the government/the Guys in White.

Danny and friends have graduated from high school and are now legal adults, perhaps in college.

Danny's whole family moved to Gotham City. They're just at home/working during the events of this story.

Jack and Maddie have been hired to do some work with the Justice League and need to be away from home for an extended period of time. They have left a member of the Justice League to take care of Danny and Jazz in the meantime.

Fieldtrip/school trip to Gotham City.

Danny is old and responsible enough that Jack and Maddie trust Danny (and/or Jazz) to travel on their own. His parents are just a call away if he needs help.

Jack and Maddie are separated for whatever reason (one went missing/one is working abroad/they are divorced/one died) and the other moved to Gotham and is taking care of the kids in the meantime, but is busy and so will not appear.

Something happened to Fenton Works and the family needs to temporarily stay somewhere else while the problem with Fenton Works is sorted.

The family was driven out of town and they ran off to Gotham to escape the angry mob. (Or at least to wait until things cool down again.)

Jack or Maddie are able to work remotely and so they've moved to Gotham to do so. The kids came along/are visiting.

Jack and/or Maddie were hired for temporary work in Gotham and decided to bring the kids along.

One family member was taken to Arkham Asylum. They moved to Gotham to be closer.

Jazz went to Gotham for college. Danny is visiting.

Danny is sent to Gotham/Arkham for specialized health reasons.

Jack and Maddie have gotten in contact with a specialist that lives in Gotham and are visiting for work-related reasons.

They are on vacation in Gotham and brought the kids along. Danny and Jazz have been let off the leash to go where they want while Jack and Maddie do touristy stuff.

Visiting family/family friends living in Gotham.

They were passing through but are now unable to leave. (Bonus points if it's a No Man's Land situation.)

They were passing through, but were robbed. Jack and Maddie are dealing with the robbery stuff where Danny is off somewhere else.

They were just passing through, but Maddie and Jack got SEVERELY distracted by something and have run off to who knows where!

They are traveling with Vlad and expected Vlad to take care of and watch the kids!

Danny was abducted to Gotham.

Danny accidently ended up in Gotham somehow.

Danny somehow got transported/teleported to Gotham.

Doing an educational trip/apprenticeship/internship over in Gotham.

Danny ran away impulsively.

Some villain threatened Danny's family and forced him to run away from home.

Danny has revealed his secret to his parents, and while they might worry about Danny being a vigilante, believe in and trust Danny to do the right thing and allow him to do what he feels that he must to protect people.

The same as above, but Vlad also came out and is supervising.

They died.

I cannot understate the sheer JUICY storytelling potential that you can have by killing Jack and Maddie off! We already know how it might effect people and events from what we see in The Ultimate Enemy, but there really is limitless potential in terms of ways to twist, turn, and play with things to have different outcomes! Additionally, Jack and Maddie being genuinely good parents that die protecting Danny and Jazz offers lots of ways for Bruce to relate to Danny and Jazz! (He decided to become Batman so that no one would have to face what he did ever again... And he failed...) And the way that they die can offer some lovely different flavors of angst, coping mechanisms, motovations, and learning to deal with their loss. So here are some ideas for how to kill them off!

The universe exploded again, and when it was put back together, Jack and Maddie ceased to exist in current canon continuity. (This happens more often than you'd think.)

Vlad Wins.

They were killed in an apocalypse-level event.

They were killed in the crossfire of some superhero/supervillain fight.

They were taken by some villain. They were killed before the heroes could arrive.

They were killed in a random act of violence/crime. (Much like Batman's backstory. Do this to gain extra points from Bruce.)

Died in prison/after joining the Suicide Squad.

Gang violence.

Any of the previous but Gotham is just THAT dangerous!

Same as any gassing or supervillain plan, but they died instead of being missing or in medical care.

Got transported to a place where they died very far away from home.

They just died suddenly or because of an accident. It happens sometimes.

Things to note

Believe it or not, but your parents can still be in your life AND you can join the Batfamily AT THE SAME TIME! :D

Examples:

Barbra Gordon is very much in the Batfamily and both of her parents are alive and well. She's a very important part of the family, and in the comics, it is not uncommon to see her calling up her dad and talking to him! They'll even call each other if they need help with something. This does not take away from the fatherly role Bruce often has in her life. (She can have 2 dads and good for her for that!)

When Tim initially became Robin, his parents were alive and well. They would later die because comic writers are just like that, but being an orphan without loving parents in your life is not a prerequisite to being Robin.

Duke's parents are also alive! They are under the effects of Joker toxin, but they are alive, and if they ever find a cure for it, I imagine that they would be more than happy to have Duke back in their lives!

Terry from Batman Beyond is not an orphan and was taken under Bruce's wing to be the next Batman! Terry is even going to inherit a fair amount of Bruce's wealth for deciding to take on the responsibility of being Batman. But while his dad did die, his mom is still alive and well over the course of the series! And he has a little brother too! Terry may still be a teenager, but he is a bit of a breadwinner for his household while also still being an important part of Bruce's family. (He is often someone who helps Bruce take care of himself.)

But if the story you truly want to explore requires being adopted specifically... Well... You don't have to be a kid to be adopted! Jack and Maddie can still raise Danny and Jazz into adults and Bruce is able to adopt them later if he wants, once they have been well and established in his family! Hell, you don't even have to wait! As long as Bruce asks permission from Jack and Maddie, they can be alive AND he can adopt Danny! There is more than one way to be in a family, you know! And sometimes it takes a village! And really, would Jack and Maddie really object to Danny being adopted by billionaire Bruce Wayne, especially if Danny really is enjoying his time being a part of his family and if Bruce has been an absolutely lovely person to them whenever he visits?

So I hope that you're able to take some inspiration from all of this for your own stories! If you need some elaboration on what I mean with some of these, or want to ask who could be responsible for some of these and how, feel free to drop on by and send me an ask! I would be more than happy to go into some more detail about these! Happy writing!

#dpxdc #dc x dp #dp x dc crossover #danny phantom #jack fenton #maddie fenton #dp x dc au

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littlestpersimmon · 6 months

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I really just want to fucking vomit when I see other Jews denounce us and curse our names to be forgotten, knowing that this kind of insult is reserved for literal nazis- just because we have, principles.

Yitgadal v’yitkadash sh’mei raba b’alma di-v’ra chir’utei.

I don't know, I feel like I am going insane, living my life under the fascist duterte regime, I know my own kind can be depraved, cruel and brutal. I also have lived my life as someone who was more "jew-ish" rather than "actual jew", and I've been excluded and denied for my appearance and upbringing. I know Israel banned Yiddish and Yiddish literature but when put in scrutiny then suddenly the shoah is brought up multiple times. I've known Israel to treat white converts so much better than they treat Ethiopian Jews and other Jews of color, but when a white convert was kiIled, she was not allowed to be buried in a Jewish cemetery. Ultimately, apartheid relies on Jews knowing only one monolithic and artificial identity rather than the rich and diverse cultures we have in diaspora- Israel depends on Jews being afraid and clinging to it as indoctrinated cash cows to continue to remain beneficial to the global north, whom are funding their military.

I'm in tears thinking about how Israelis have told me I had no right to wear my magen David for having the audacity to fucking weep over the ark of bodies left before the world to see. How can so many call this bastardization judaism. How can so much of jewry turn up their noses over this. I've seen Israel do literally the same things that the duterte regime has done to fellow filipinos, I've seen both deny human rights and try to get any forces that work for human rights decommissioned, I've seen bodies pile up high because their families were too much in danger to claim them and give them proper burials, and I've seen both filipinos and israeli jews say "where is the proof that this brutality is happening" or "not nearly enough have died.", n the fact that people who have literally argued with holocaust deniers still have the audacity to say "hm! This sounds like a conspiracy! It must be fake!" When human rights watch themsleves have confirmed that idf forces left literal babies to melt into their mattresses, when the American government themselves bragged about sending exploding meat grinders to Israel, when random journalists keep having to find someone else from Gaza to be interviewed because the one they were supposed to talk with died from carpet bombing or whatever else. And so much more. Your own can do depraved and immoral things, and judaism says that you cannot stand for this cruelty. You must not!! Judaism is and will always be the antithesis of inaction!!

I know people from Egypt and people from Lebanon feel complicit just from not being able to do enough, how can so many Jews say nothing to a genocide literally being done in our names, by an ethnostate that ultimately will not care about us. Why HaShem, why is this happening!!

Y’hei sh’lama raba min sh’maya, v’hayim, aleinu v’al koi yisrael, v’imru amen.

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lesbiansforboromir · 2 months

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In a BoromirLives fanfic, Faramir must be forced to confront this line of his in particular; Whether he erred or no, of this I am sure: he died well, achieving some good thing. His face was more beautiful even than in life. It's vital to me that this is addressed. Because in Tolkien beauty is holy, they are intertwined inextricably, the holy will be beautiful.

Boromir did not live a beautiful holy life according to most, his life is not spoken of with uncomplicated worth by any but Denethor, Eomer, Theoden and Pippin (all either 'simple' or outwardly rebellious against god). But he did die a beautiful holy death, it is what most people praise him for and in Faramir's mystical dream where he sees Boromir's dead body floating down the river, this is his reaction. Boromir's corpse was more beautiful than his living body, because in death he was 'redeemed' and served his purpose in the great holy plan. He 'died well'.

This is horrifying right? It horrifies me when I read it. And I think it so concisely reveals how Faramir and many others viewed Boromir. I am essentially here to argue that this is all about piety, once again, yes I'm a one track record.

Gandalf, when hearing of Boromir's death from Aragorn, declares; It was a sore trial for such a man: a warrior, and a lord of men. Galadriel told me that he was in peril. But he escaped in the end. I am glad. It was not in vain that the young hobbits came with us, if only for Boromir’s sake.

Now, what is Gandalf saying here? Boromir did not escape, he died. Does he mean he escaped corruption? Well, no, since apparently this 'escape' had something to do with Merry and Pippin and Boromir shook off the pull of the Ring long before he was sent to find them. What role did Merry and Pippin play in this 'escape'? Well, Boromir died for them, he had too, there was no other way out of that ambush. So by process of elimination the only thing the 'young hobbits' did that was 'for Boromir's sake' was... to be there so he could die for them, right?

And remember, his death did not actually save them or really help in any way, the hobbits are still taken and the Uruk-hai's downfall has nothing to do with Boromir. In fact Aragorn squandered any time Boromir might have given him to catch up to the Uruk-hai by spending hours on his funeral. So, the death alone is what is being called 'good' here, what is beautiful. Boromir dies and that is beautiful and something to be glad for, according to Gandalf and Faramir.

But why do they think this? Faramir has his 'alas for Boromir, whom I too loved' and Gandalf laments 'poor Boromir', so they have at least some pity for him. What was 'good' to them about Boromir dying? Well we all know this one don't we, it's the accepted narrative of it all, Boromir 'redeemed' himself with this deed. He tried to take the Ring, and for this crime he needed redemption that he gained through vainly giving up his life to try and save Merry and Pippin.

But, in fact, Boromir himself has a slightly different way of phrasing it. Boromir says, of his own death; ‘I tried to take the Ring from Frodo,’ [-] ‘I am sorry. I have paid.’

He paid for it. To Boromir, in this cosmic exchange, he chose wrongly and paid for the offence with his death. This wasn't redemption, it was spiritual commerce, crime and punishment. Which is a perspective that once again demonstrates Boromir's enduring lack of 'faith' or spirituality. The powers of the west and Eru may exist, but they exist to him as forces of nature, some fact of the world we all must just live with, not something that fills him with hope or brings him nobility or meaning or a 'higher purpose'. Boromir does not want to be closer to divinity, he does not want to be beautiful or noble, he wants his people to be safe.

But of course, this is entirely opposite to Faramir's perspective, and if not downright heretical then at least unfaithful. So, when alive, Boromir cannot achieve 'beauty' in Faramir's mind, because he is unfaithful. It is only when he is dead, when 'fate' draws him into this spiritually good 'end' that sees him give up his life for a holy quest, when Boromir's life is no longer defined by him but by his death, that he can be beautiful.

And bringing this all the way back around, there are two ways you could do this in a boromirlives fic. Either, Boromir comes back but he does not look like he did in Faramir's dream. He did not pay, he is still alive to define who he is and Faramir finds himself slowly drawn into this terrible psychological horror as he realises he misses his brother's death more than he missed his actual brother.

Or Faramir needs to be confronted with a brother who looks dead to him. Boromir has come back and to Faramir's eyes he looks exactly as he did in the dream, but now this corpse moves and speaks and can no longer be confined to one perfect conceptual moment. And this also horrifies him. It is for authors to decide if this is just an aspect of Faramir's perspective, or if Boromir actually 'came back wrong' as it were, he did pay but somehow he came back anyway.

#text post #boromir #faramir #erran vs tolkien

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space-blue · 5 days

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Feyd thoughts from Fenring scene

I was sharing thoughts to a friend while rewatching the Feyd and Fenring scene and figured I'd share it here too, it's my blog innit.

He's walking on his own in a completely empty corridor. Upon being followed he ambushes and pulls a knife, meaning he immediately assumes he's in danger. Calm and collected attitude at this prospect, clearly not his first time.

But he also doesn't toy with her, doesn't threaten her beyond asking about her presence, he's not showing any sadistic traits.

He openly asks if they've met because he recognises her, isn't being coy.

Instead of being violent, he tells her the rules: 'You're not allowed in this section', meaning at least he knows not to be openly hostile to guests.

He's suspicious she got past the guards. He asks about that in a higher pitch, but extremely bland face. He doesn't sound upset or happy or angry. More like low key worried.

From there Margot uses the voice.

She reveals he's shunning his own celebrations, AND he refuses to say why despite being asked with suggestive voice.

He immediately recognises the use of the voice on him and calls her a Bene Gesserit. How? He doesn't answer when she asks what makes him say that. We have to keep in mind that his mother (who he killed) was BG, and since we don't know when she died, it's possible he received some training from her.

He instead says he dreamt about Margot, harkening back to Chani dreams from Paul. Meaning we can safely assume he's just as plagued with semi-visions as Paul was in Dune 1 before going to Arrakis, and we can safely assume that's not common knowledge.

Immediately goes 'Don't mock me woman' when she teases him. BUT crucially, she says "a pleasant dream I hope?" which is not mockery but closer to flirting? It's like he genuinely takes that as a literal tease, when the actual teasing is when she says "I wouldn't dare!" which he doesn't comment on, maybe because he's used to many forms of grovelling.

He also reacts as if the voice is a physical pressure, like when you come down on a plane and your ears get blocked, and tries to shake it off:

Again with 'I know your BG tricks'

Margot asks, again, and gets no reply, again. She even says "tell me" in a normal voice. There is no cut or weird editing afterwards, so we can assume that Feyd didn't answer either time he was asked.

Instead he takes his bearing and looks around. He is not aggressive or panicked when he admits to not recognising the place.

Dude is designed to blend into his surroundings. Bonkers he doesn't wear gloves at this stage.

Risk taking : he steps unprompted in the door entrance, and she then says "come to me, kneel," etc. BUT we know he KNOWS about the BG tricks, so we can suppose that he's actually making the decision to go in despite knowing full well she can and will control him.

There's plenty of hints that he may still be heavily under her charm, but there's also evidence he can resist the voice she uses on him (he never answers her repeated questions, tries to fight it off).

He never reacts agressively. He says "where are you going?" with some heat when she leaves though, which to me hints at loneliness. He was all alone avoiding every harkonnen under the moon on his birthday despite being the king of the night, meets a random chick he dreamt about, and now she leaves? Spiced suggested though he may ask because he's not used to people leaving without being dismissed. But imo these can blend.

I lean towards Feyd being quite resistant to the voice because they sent Margot in the first place. Yes, Mohiam wants a child made, but in her excuses, she does't say "I want him bred". Instead she says she's a motherly figure and he might have killed her because he killed his mom. If the voice was such a perfect tool of control, that wouldn't really be an issue, especially once you have him under the Gom Jabar.

There may be an element of "These men [Paul and Feyd] are one generation away from the KH and can't be toyed with carelessly".

He also killed his BG mother, which means he's capable of killing a sister and not any small fry.

So they send a sexy woman to woo him and yet she still has to ask multiple times about what he knows of the BG.

Regarding his dreams, it's also possible Feyd is so compliant and keen to follow Margot because he might have foreseen a freaky good time with her.

One is left to wonder if he looks at Mwaddib walking into the throne room with such intensity not because he's hot for him (he doesn't yet know it's Paul), but because he may have SEEN this scene in dreams. We know Paul was very affected by the spice in the air and food on Arrakis. We also know he made frequent false visions (Jamis helps but it ends up being Chani. Chani and him cut ambiguously in the killing scene. Seeing himself in Chani's place in the final combat scene...) So we can also imagine Feyd may be overconfident in taking in the Emperor's challenge because he's dreamt of this too. Just spitballing.

The BG call him a sociopath with a side of hollywood competency. He has a bit of the BBC Sherlock and Hannibal Lecter disease. He should not be as tame or as competent as he's described and shown if he had the full disorder.

It's very interesting to look at the Fenring scene with sociopathic traits in mind and see how they apply or don't.

He's not getting his need for validation avoiding the party, but he just survived an attempt on his life by his Dear Uncle before getting his freedom dangled in front of him. Lots on his mind.

He's not prone to anger outburst in general. His behaviour isn't very erratic either. Both of these classic traits were probably curb-stomped by the need to fit the mold imposed by the Na-Baron position.

But he definitely has a high sense of his superiority and is opinionated. He speaks up unprompted during the Baron's interview, and again behind the Emperor with 'he's bluffing'

High propensity for violence: check. Whole film, basically. He can be prompted by anger (against Rabban), perceived threat (arena), reactive/defensive (against Margot trailing him). Violence in reaction to fear isn't shown.

Difficulty maintaining relationships : the only people he seems fond of are his once shown, once mentioned pets he brings with him. His family relationships are what they are, and he has no friend to go to on his Birthday.

Generally fearful, vulnerable to anxiety and rejection, easy to humiliate : what a cincher. This is him reacting defensively to Margot's flirting. The BG say fear of humiliation is one of his levers, and if you give him a strong attachment to an honour code, it's very easy to manipulate.

IMO this feeds into his displays of vanity (black teeth, tailor made pretty pets). Also since black is seen as a rich and beautiful colour on their world, his all black outfits with clean cuts may not be as muted as we think they are.

the end... for now.

#feyd rautha #feyd rautha harkonnen #house harkonnen #margot fenring #gom jabbar #dune 2 #dune #dune meta #dune part two #dune part 2 #paul atreides #character analysis #sociopathy #bene gesserit

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icaruspendragon · 7 months

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im sorry to ask but i dont know what else to do—how did you do it how did you dig yourself out because it feels like i am choking on dirt and people keep shoveling it onto me and i miss her so much and i dont know how to make this feeling stop. she was my best friend. ive never lived in a world without her before. how did you do it. how are you doing it

grief is so hard and so heavy when we first meet it. it feels like all our arms will ever hold for the rest of forever. and it is, in a sense. once we pick it up, we never really set it down. not fully.

and I don't think it gets lighter, I think we somehow, impossibly, get stronger.

there's lots of metaphors for grief. that's one of them. another one I like to use is that it feels like you're in the grave with them. like lazarus. like yourself. waiting for someone to raise you from the dead. to raise you both.

I've learned a lot about crawling out of the grave. more than I would have ever wanted to learn. like how emptiness is actually quite heavy. or how to pretend like you feel half-alive. but I think the most important thing I've learned is that somedays, we inexplicably end up back in it. and that sucks.

because we just spent months clawing our way through the bugs and the earth. because our soldier-hands have finally breached the surface. because the sun is finally caressing our hell-fresh faces. because for the first time in months we feel like we can finally breath. and then, suddenly, we're right back in the terrible thick of it.

those days make it feel like I'm sisyphus and grave dirt is my rock. or like I'm prometheus and the darkness is my eagle.

but then it's tuesday.

which is to say my brother died on my 25th birthday, a monday. and that day is now a memory that's fuzzy around the edges. single snapshots I know are connected, but I couldn't tell you how. I remember my mother standing in my bedroom and tears and family and phone calls and cleaning my living room because I didn't know what to do with my hands. I remember going to my grandmothers and my phone vibrating off the table and leaving to go get coffee because I couldn't sit still. I remember joking, trying to joke. trying to do whatever I could to make sense of that impossible day. I remember checking my phone and reading and rereading the messages, a mixed bag of congratulations for surviving another year and condolences that my brother didn't, I remember not knowing how to respond to any of them. so I didn't. I remember being surrounded by so many people doing nothing but extending love and kindness to me and never feeling more alone. the world was ending and I was alone. I thought that day would go on forever.

but it didn't.

it ended, as all things do. monday was over and my first day as an only child was done.

and suddenly it was tuesday. and everything was different but also exactly the same.

it was tuesday and my brother was dead. I was so heavy when I woke up that first tuesday. so heavy and confused. I thought the world had ended. it surely felt like it had. but it hadn't. because the world couldn't have ended on monday.

not if it was tuesday.

it was tuesday and my brother was dead but the world wasn't ending. monday should have been our demise, but it wasn't. and it hasn't. and it won't. because just as sure as we have mondays, we'll always have tuesdays.

that's something I've taken a strange comfort in, knowing that we'll always have tuesdays.

the feeling never stops. but I think that's okay. because you're only feeling that way because there was love first. and as much as what I felt on that first tuesday hurts, as much as it suffocates, as much as it consumes, I'd take the hurt and the suffocation and the consumption because the love I felt first will always, always be worth it.

tuesdays will always be worth it.

like yeah, if I loved less, it wouldn't hurt this bad. but I don't want to live in a world where I have to love less. where I was loved less.

I'll take the pain. I'll take the grave days. I'll take the rock. I'll take the eagle. I'll take apocalyptic, earthshaking mondays. I'll take every last wretched bit because goddamn what a miracle it is to love so bad it hurts this big.

I hold that love, his love for me and my love for him, a love that's now become our love in the cage of my ribs while I'm in the cage of the grave. and I dig.

it's monday and I dig.

I dig.

and then tuesday comes.

#asks #long post #grief #cw: death #hope this helps some way

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intermundia · 4 months

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(Star Wars: Crimson Reign #3 - The Archivist)

the concept of jedi as celebrities is so interesting to me, mostly because they're monks of an order whose philosophy is grounded on egoless service and humility. one jedi should be roughly the same as any other when sent on a mission, because the jedi serve the force. there may be slight differences in methodologies, yes, but fundamentally, they're not there to make a name for themselves as anything other than as representatives of the jedi order.

but of COURSE it makes sense that the galaxy would be obsessed with them. a mysterious group of wizards who use flashy swords and make peace through persuasive words and heroic deeds? of course people wrote books about them, watched shows about them, adults gossiped about them, and kids pretended to be them when playing. so the question of how all that knowledge was wiped away within a generation is a good one, and the comic presents a good answer:

(Star Wars: Crimson Reign #3 - The Archivist)

the earnest goodness of the jedi comes across to many as sanctimonious. they're too responsible with their power, too cool and restrained. they don't lash out with anger on behalf of those they love, you know? they don't smile enough, too serious. they're seen as the embodiment of "we have food at home" energy. the reality of the canonical order as gentle and joyful, surprisingly playful and open, isn't sexy enough to redeem their moral authority.

based on my inbox and the way people respond to some of my posts about the jedi, the resentment that this engenders in the population of the GFFA feels very real. there is actual HATRED directed toward this fictional group, irrational and out of all proportion. the comic suggests that people jump to hate those who make them feel guilty and self-conscious, because lashing out absolves yourself of confronting the reason you secretly know you'd be judged and found wanting, and that seems accurate.

i would insert a thousand examples here of the jedi not deserving this reputation, but the canon behavior of the jedi doesn't matter, the galaxy cheered as they died anyway and lots of fans love to hate on them. the mere concept of them and their philosophy is enough to alienate people, and i think that's a shame, but understandable. i'll love them enough to make up for it haha

#jedi order #i know i'm in too deep #but the jedi in canon are consistently less perfect and more human than they're given credit for #their goodness come from dedication and is not innate #they're funny and sexy and wonderful to me #i don't feel judged for being less moral than them. i feel inspired to be better #a n y w a y #sw #sw comics

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lives-in-midgard · 5 months

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Stay With Me

Pairing: Steve Rogers x reader

Summary: Steve is there for reader after a mission.

Word Count: 830

A/N: Hey everyone! I had this idea when I saw the prompt: "Please, stay with me." of the Fluffcember from @buckys-wintersoldier But because it wasn't Christmas themed and then I also didn't have time I decided to not post it for the Fluffcember. So, here it is I hope you enjoy it!

Divider made by @firefly-graphics

Masterlist

Returning to the compound after a mission was not always easy. Sometimes it was, but not today. A lot of bad things happened on this mission, and you didn’t know how to deal with it right now. The whole flight you just looked at the ground, trying not to look at the others, but you could feel them all looking at you. Especially Steve, who sat across from you.

When the Quinjet landed on the compound, you were the first one who made their way out of it, not looking at any of the other Avengers. You could hear Steve calling your name but you didn't care, you just wanted to go home. Home to the comfort of your apartment.

When you got to your car, you turned on your favorite playlist as loud as you could and drove off.

The first thing you did when you got home was to take a shower and change into comfortable clothes. You quickly looked at your phone and saw that you had received a message from Steve.

"Hey y/n, are you okay?"

You didn't answer and put your phone away. Then you sat on the couch with a blanket over your shoulder and started thinking about the mission. How you almost caught the HYDRA agent until he suddenly escaped. How many people had to die. And then you started thinking about the moment you could have died until Steve came and saved you.

You sat there for a while until you heard a knock on the door. You weren't really in the mood to see anyone at that moment, but the person didn’t stop knocking.

After the tenth knock, or at least that’s what it felt like, you got up and went to the door. When you opened it, you saw a very worried Steve standing there.

"Hey." You said quietly.

"Hey." Steve said, looking over your body to see if he could see any injuries.

"I came here to check on you. You drove to your apartment so quickly after you got back to the compound." He said softly.

"Yeah, umm sorry. I just had to get away from there." You mumbled.

"You know what happened on the mission wasn't your fault, right?" Steve said, referring to the things that happened there.

"I don't know." You mumbled and looked at the ground.

"No, hey, it definitely wasn't your fault. You did your best; we all did our best." He said, took your hand and you looked back at him.

"Deep down I know this, but right now it feels like it’s all my fault."

"I know this feeling all too well. He paused a moment and then said.

"If you’d rather be alone now, I can go."

"No, please stay with me." You confessed and Steve gave you a comforting smile.

"Of course." He said and you opened the door more so he could walk in.

You both sat on the couch very close to each other so that your knee touched his. You sat in silence for a while until Steve said something.

"Actually I also wanted to check on you because I wanted to see if you have any injuries." You looked up at Steve who had another worried look on his face.

"I'm fine, I just have a few small scratches and a few bruises, but nothing serious."

"Are you sure?" Steve asked and you nodded.

"What about you?"

"Oh, you don't have to worry about me, sweetheart." You blushed at the petname he gave but tried to smile at him.

"How about we watch a movie and order some take out?" Steve suggested, placing a strand of hair behind your ear, making you a little nervous.

"That's a good idea." You smiled at each other. Steve suggested ordering the pizza while you searched for a movie. You found one that you remembered Steve wanted to watch and decided to pick that one.

You ate the pizza and watched the movie. After the movie ended, you decided to watch another one. You had a great time together and were really grateful that Steve came over. The movie had just ended when you decided to say something.

"Thank you, Steve. Not only for coming over but also for saving me on this mission." A small tear fell from your eye and Steve's gaze softened. He wiped the tear away and wrapped his arms around you. Then Steve pulled you into a tight hug.

"Of course, I saved you and came here. You mean so much to me." You sniffed a few times while Steve rubbed your back and hugged you for as long as you needed him.

After a while you broke the hug but stayed close to him. You placed your head on his shoulder, and he held you close to him. Steve insisted that he wants to stay the night to make sure you were okay and because he didn't want you to be alone.

Taglist:

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sexy-sapphic-sorcerer · 2 months

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1: Magic is a Metaphor < 2: Morgana is a Lesbian < 3: Merlin is Gay > 4: Arthur is Bi

Again with the whole metaphor thing, Merlin's entire character is about having to hide his identity and wishing that he could be free to be himself so that he wouldn't have to lie about how much Arthur means to him. So that's all very gay, but he's also just very queer-coded generally. There are so many jokes about him being more effeminate or wearing women's clothing, most notably in this episode where he dresses in full drag and then takes the opportunity to shamelessly flirt with Arthur. Unhinged.

Basically every other character seems to just assume that he's gay, at least towards the end, because Gaius and Arthur are in utter disbelief that Merlin would be 'seeing a girl'. And of course he isn't, he's actually sneaking around with that druid guy, leading Arthur to question how courting a girl would leave him 'walking with a limp.'

I also think it's very interesting how often Merlin has to pretend to be attracted to women to avoid people discovering his secret, like with Gwen in Series 1 or Morgana in Series 2. Or this scene, where Gwen and Merlin are the only people not affected by the Lamia's seduction charm and they're trying to figure out why. And Merlin says, 'it doesn't affect you because you're a woman'. And firstly, Gwen is like, 'so what?' So, bisexual queen. And then Merlin says, "it only affects men," and Gwen says, "so then why haven't you fallen under her spell?" And Merlin is just like, 'oh shit, I don't know. I can't think of any reason why I wouldn't be seduced by a woman.'

Now, you might be saying, "but Merlin is attracted to women! what about that one female love interest he had for literally one episode who immediately died?" Oh, you mean:

I'm sorry to all of the Freylin shippers out there, but this was so clearly just the writers' last-ditch attempt to make Merlin straight. If you think about it, Freya also 'has magic' if you catch my drift, and that is the only thing that she and Merlin have in common, and the only thing that they talk about. And if you look at their dialogue out of context, it really doesn't seem like it's magic that they're talking about. It's just gay/lesbian solidarity. Also, never forget when Colin Morgan accidentally referred to Merlin's potential love interests as "him or her." So who else could he have been thinking of?

Merlin definitely had a crush on Lancelot. From the moment that they first meet, he just keeps going on about, 'omg, isn't Lancelot so strong and brave and chivalrous? God, I hope he becomes a knight, he would look so good in a suit of armour.' And then he says to Gwen, completely unprompted, "so just for the sake of argument– Arthur or Lancelot?" Why are you thinking about that Merlin? Then that scene ends with Merlin and Lancelot getting drunk and stumbling home together and waking up the next morning having shared Merlin's single bed. So take from that what you will. I don't necessarily think that anything happened between them, not because I think Lancelot is straight, don't get it twisted, just because I think he's a fucking virgin.

But certified pansexual manwhore Gwaine on the other hand, oh they definitely fucked. And it's a very similar situation to Lancelot, Merlin's only flirting technique is just to find some buff guy who's just saved his life and be like, 'oh my god what can I possibly do to repay you? Maybe you could come back to my place and I could tend to your wounds and then we could go down to the tavern, have a few drinks'.

And it works. Merlin literally used his job as apprentice physician to the Knights of the Round Table as his own personal Grindr, and i love that for him. But, of course, these are just side hoes to Merlin's main bitch, Arthur.

You can deny everything else that I've said, but you cannot deny that Merlin was in love with Arthur. And don't even try to say, 'but it's just because it was his destiny'. Because, yeah, like that's any less gay. They're two sides of the same coin, destined to be together, Merlin 'uses magic only for Arthur'. Come on.

Also, it's pretty clear that Merlin cares about Arthur more than he cares about his destiny, throughout the entire show. But it culminates in this scene in series five where, because of very contrived plot reasons, Arthur has to choose between legalizing magic and saving the life of Mordred. And Merlin convinces Arthur not to legalise magic so that he will let Mordred die. He literally enables the genocide of his own people and condemns himself to a lifetime of suffering just on the off chance that he can spend a bit more time with Arthur.

And if that isn't heartbreaking enough, of course, every action that Merlin makes only confirms Arthur's fate. And after he very platonically dies in Merlin's arms, as dudebros do, what does Merlin do? does he go back to Camelot and live a full happy heterosexual life? Of course not. No, he spends the next one and a half thousand years just waiting at Arthur's resting place, waiting for the day that Arthur will be resurrected and they can be together again. What the fuck kind of Greek tragedy, Achilles and Patroclus level shit is that? That is fucking gay.

#this is so fucking long omg sorry #consider this series as a masterpost of all of my ramblings #merlin #merlance #merwaine #merthur #bbc merlin #merlin meta #the magic of metaphor

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yuri-is-online · 2 months

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The TWST cast from the original Fyuuture Kid timeline is so Cleopatra by Lumineers coded. They just get their (pregnant) joyfriend ripped away from them, cursed, and then sent back to earth, where they can't follow all in one day. That's gotta be a fucking nightmare. They just lose everything at the same time. Bro. Imagine Jamil or Azul, they had to fight for everything and just when they finally, FINALLY, think they have something that will never leave, it's taken away. Imagine malleus or cater or silver; they've already lost so much, silver just lost his dad and now, when he's going to make his own family, they're taken from him too.

TW FOR SUICIDE.

You wrote one time that of Yuu ever died, Floyd would be quick to follow, so. Did Jade and Azul have to put him on suicide watch? My mind is reeling there were NO WINNERS in this timeline Goddamn.

Sorry for the angst dude I just think about this AU a lot

i am so sorry for making you all live with this many thoughts and just waltzing on off to do fuck all

So there weren't any winners in the original timeline no, but the way things went down sort of prevented the type of outcome you are describing with Floyd due to the potential for hope, that most dangerous of falsehoods. In a way that sort of makes it worse though... so lets talk about what went down shall we?

(I'm going to keep this post to more general information, but I did write some specific ship thoughts I'll probably use for another post later on, I just need to think on some of them more...)

notes: they/them used for Yuu, this is part of my fyuuture kid au which can be found under the series section of my masterlist. This post will not contain discussions of suicidal ideation, but will contain major character death and descriptions of violence. If you are curious about what happened to Yuu and Fyuuture kid, look at this post here.

General Original Timeline Facts

To give a brief re-cap of what happens to Yuu, they were arrested by the Magical Marshall's office and sent back to their world, while pregnant, and cursed to forget everything that had happened to them in Twisted Wonderland. Something I didn't mention in that first post, mostly because I intended to imply it in the answer about Riddle's relationship with Yutu but ended up cutting, is that none of the characters actually know that this is what happened at first. They know that Yuu disappeared, but they don't know that the Marshalls were involved or that Yuu went back to their world, which causes a real sense of panic in all of them because holy shit their spouse and unborn child just went missing and they can't seem to get anyone to take this seriously. How the Marshalls went about hiding this information, and what the general public believed happened to Yuu depends on who their husband was, as did the fallout of their disappearance.

For anyone who might be a bit confused, the Magical Marshall's Office is an elite squad of police officers who investigate magical crime, and occasionally deal with overblots. They are the organization that Deuce wants to join one day, which does mean that the people who made the decision to see Yuu as a threat to public safety and send Yuu home were Deuce's own co-workers and friends.

Deuce is the first to suspect that the Marshall's might have had something to do with Yuu's disappearance, but he isn't able to really do much with that. He tries, but he is stonewalled and eventually fired- though by the time that happened monster attacks started getting really bad in the Queendom and Deuce had a whole other set of questions.

Speaking of those monster attacks, the instant Yuu is removed from Twisted Wonderland Grim overblots I have an idea as to why, but it isn't super set in stone. This "Chimera" begins hunting and stirring up monsters, inciting them to attack civilization while it focuses on trying to "wake up" the Phantoms of the Great 7. These phantoms want to re-join with their respective overblot boy, which is an easier task for some of them than others.

The first phantom to re-appear was the Thorn Fairy's. Malleus chose to seal himself and his phantom in an eternal sleep inside the Briar Valley capital after ordering Sebek and Silver to evacuate everyone who lived there, leaving his people truly leaderless and in shambles. He technically also ordered Lilia to go with them, but he refused. He wasn't able to abandon another Draconia to die alone. A lot of nocturnal fae died to the Phantom before Malleus's sacrifice, but because the problem was more or less contained to Briar Valley not all of the other nations saw the monster problem as a threat. They should have.

The second phantom to re-appear was The Queen of Hearts'. Riddle, having been approached by Deuce with his suspicions regarding Yuu's disappearance and outraged by what he saw as a clear violation of the law (if nothing else) was easy prey and re-assimilated into the monster. The phantom then began hunting down each of Riddle's previous dorm mates to corrupt them into card soldiers for its army, eventually fashioning four lieutenants that were a touch more sentient that the others out of Trey, Cater, Deuce, and Ace.

Certain members of the Al-Asim family saw that happen and quietly, without Kalim's knowledge, arrange to have Jamil killed. This doesn't prevent the Sorcerer of the Sands' phantom from reuniting with him, it just means the monster is puppeteering a corpse. And dragging around a second once it gets its hands on Kalim...

Obviously at this point something of a pattern has been established, meaning S.T.Y.X. is expected to do something. Idia does not actually overblot for a second time thank you very much, Phantom Ortho has a mind of his own and he promised to stay in the Underworld until it was Idy's time. His first order of business is to check in on Vil, Azul, and Leona to make sure they're ok. He manages to make contact with Vil, but the Coral Sea proves impossible to get a message through to and Leona is M.I.A. Literally, he and Ruggie have both disappeared while investigating monster attacks around the slums. Idia has a decision to make, and it's not one he really likes, but S.T.Y.X. has a better relationship with the Sunset Savannah than it does the Coral Sea, so it's off to the Elephant Graveyard while Vil agrees to stay behind on the Isle of Woe under observation for his own safety.

It's a decision Idia regrets later. He gets to Leona in time to help him fight and kill the King of Beasts's phantom, but it costs Leona and Ruggie their lives, and while he's there, the Sea Witch's phantom finds Azul and begins using his magic to drain the merfolk dry. Floyd manages to use his unique magic to distract Azul long enough to allow Jade to escape, who only flees because he thought his brother was behind him the whole time. The oceans become polluted with blot, forcing the surviving merfolk to the surface. Many go to NRC and take refuge in the Octavinelle dorm pocket dimension, resulting in the Mostro Lounge being closed to make more room. Somehow that feels more like a killing blow to Azul for Jade than what the phantom did.

Schools like NRC, RSA, and Nobel Bell become sort of centers for survivors due to the large amounts of mages, magical wards, and artifacts that such schools typically have made them safer than most towns. NRC specifically has seen a large influx of magicless people who run a lot of the things the ghosts used to and runs a lot of normal school classes in additional to the magic program, which shifts over time to be more focused on fighting due to the increased monster attacks.

Also Crewel is now Headmage. It would have been Trein but I don't think he needs the stress. I haven't decided if he is still alive or not, but Vargas and Sam are still kicking.

So to give a run down of where everyone stands in the original timeline in order: Malleus and his phantom are trapped in an eternal sleep, Lilia is dead, Silver and Sebek are alive (at least at first) and trying to help the fae refuges displaced by the Thorn Fairy's Phantom. All of Heartslabyul are overblot phantoms, and actively making the Queendom of Roses unlivable. Jamil was assassinated and the Sorcerer of the Sands's phantom went on to kill Kalim and most of his family. To be clear that wasn't because of Jamil's lingering emotions, but good luck explaining that to most people. Vil and Idia are overblot free, Vil because he is being detained on the Isle of Woe and Idia because of his promise with Phantom Ortho. Leona and Ruggie died fighting the King of Beast's phantom. Azul and Floyd are blot phantoms, while Jade is alive and tending bar at what remains of the lounge at NRC.

Now Epel, Rook, and Jack aren't named in that list. No one really knows what happened to them, but they are assumed dead (or at least Jack and Epel are.) Since this is my AU and I get to give out the information, I'll let you know that Rook is a phantom under control of the Fairest Queen's phantom, Jack is dead, and Epel is alive, but cut off from the rest of Twisted Wonderland by the monsters under the Fairest Queen's control. He's right teed off about that, hey Yutu go get him that ladder he's gonna give Rook a piece of his mind-

I do have some ship specific thoughts but I want to cook with them a bit more... but to maaaybe tease some of them?

Yutu and his friends had to fight the Heartslabyul boys multiple times. Yes this hurt their Yutus a lot, and is one of the main reasons Riddle! Yutu hates his dad so much.

Vil can hear the Fairest Queen talking to him and it's not great for his mental stability. Neither is being cooped up in the Isle of Woe, his Yutu did meet him and remembers it being a terrifying experience.

Jade has a good relationship with Floyd! Yutu, Jade and Floyd are their own people but losing Floyd killed a part of him that was slightly healed by getting his nephew back. He likes to tease Azul! Yutu and told him a great deal about his dad. As for his own Yutu... their relationship is a tad strained by how protective Jade is over his son. He is terrified of losing him and what is left of his pearl...

Not all Yutus are in the same dorm as their father. I haven't decided on where all of them are yet, but I did mention once in my replies that Azul! Yutu is in Savanaclaw. I did not mention that he did intend to transfer but couldn't when he accidentally became the Dorm Leader because he got tired of being mouthed off to and knocked someone out. I have an ask about Cater! Yutu I'm working on but I'll add him here as having been put into Octavinelle, and I think I want to put Kalim! Yutu into Pomefiore but I need to cook more...

#<3 asks #twisted wonderland x reader #twst x reader #future kid au #tw character death #ngl i cried when i was writing about jade #so no one yell at me i am already yelling at myself ok

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