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#why don't more people love him
justaphantomhuman · 10 months
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there isn't enough Tucker Foley appreciation in this fandom which is absolutely horrifying to me.
shout out to my fave techno geek!! you deserve better.
SAY IT WITH ME:
TUCKER FOLEY DESERVES MORE LOVE
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maerhiya · 2 months
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in regards to the constant dismissal of his aroace identity, i hate it when alastor 'fans' say and use the excuse: "he's fictional, he won't get offended."
like, you're right, but it can and will offend us.
when you see yourself being represented on screen, of course you'd feel enthusiastic about it — representation allows individuals to see themselves reflected in the media they consume, validating their identities and experiences. but when so many people take that representation and decide to disregard and discard it, it is so fucking frustrating. we finally have another character to be part of the tiny amount of representation we have, but then people don't even care about how much it means to us? like yeah, alastor won't get offended because he's not real, but it frustrates and annoys us. do you realize that it's also technically invalidating the aroace community? that you're invalidating our feelings? imagine feeling like you're finally being seen because your orientation is finally being represented in media, and people just decide to blatantly ignore, discard, and invalidate it.
media has such a powerful influence on real life, representation being a prevalent factor of it. there are numerous posts that dictate how people went to watch a movie/show or read a book just because a character depicts their identity in it — obviously, being represented is an incredibly uplifting and validating experience.
which is why seeing an aroace character in a popular show is so meaningful to us because we live in a world where romance and sex are literally everywhere and prioritized above all else. (and it's pretty obvious that alastor's on the repulsed end of the spectrum, but even if he wasn't, at least make an effort to acknowledge his sexuality instead of continuing to portray him as allo; aroace folks can be in relationships but it's not going to be the same thing with allos' experiences.)
any and every representation matters, but why does that seem to stop at people under the aroace spectrum? like y'all can't even let us appreciate the scraps of representation we have. we barely have any, so are we really that dramatic for being upset at how people easily disregard and dismiss our identities that are being depicted on screen just like that? is it truly wrong of us to want to defend and maintain the little representation we have?
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sciderman · 5 months
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amazing spider-man #80
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august-writing · 28 days
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"Not I," I said, "I love you."
Yet when blood was on your face I knew you not.
"Would you follow me, my child? Even in the dark?"
But when the light blew dim I fled.
You told me of the future, and of a joy to come 
You loved me and you taught me
"I know your heart, my child."
When you were weak and weary where was I to comfort?
When you cried out for the Father I hid my face.
I saw you. I saw your eyes and anguish.
O how it pierced me. How could I abandon you?
"Not I," I said, "I love you." But how could it be true?
I turned and left my lover.
Weak and twisted is the heart that claimed to live for you
How can it be, how can I live? I wish to love you.
Yet it is a dead heart that saw your face among the crowd.
A light flew across the distance. On the wings of your suffering.
O how it pierced me. My eyes have opened.
I don't deserve to be here, to sing and see the dawn
Lord let me live and love you
How I was meant to all along
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boyfridged · 10 months
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other people struggling to recognise jason post-res, sure. but-- jason coming back to gotham and keep walking into dead ends because some parts of the city plan shifted just a bit when it got rebuilt after the events of "no man's land." jason getting lost in the manor; jason opening the door to where his room once would be, finding it to be just a carbon copy of other guest bedrooms. jason struggling to read bruce's expressions because they used to be so much more open. jason surprised at the ruthlessness of minor villains who used to just stick to their gimmicks but now are dedicated serial killers and terrorists. jason being scolded by batman for not following a protocol that he does not know of during a rare team up... etc... etc... so what follows is not quite relearning; relearning assumes a certain level of previous familiarity he does no longer possess... the city got colder, and crueler. but it's his home. he can keep up. he can even be two steps ahead (the relativity of distance is a problem. ahead might look dangerously like behind. but trust him, he knows what he's doing.) the new rules can be broken before he finds out about them. he won't be surprised about his bedroom being no more if he never wanted to go back there in the first place. no need to read into bruce's expressions; they obviously convey the worst. minor rogues can be disposed of before they turn out to pose real danger. and that dead end, the wall? nothing an explosive won't fix when he's in a hurry.
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roomy-ghosted · 8 months
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My feelings towards ao3 this morning.
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anyoldfandom · 3 months
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I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.
A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.
But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.
And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.
And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.
He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.
We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.
We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.
The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.
And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.
And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.
It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.
#This is also. Why I dislike the 'Rex was secretly made for the nanite experiments the accident was a lie' theory so much#Bc it assigns malice where the show says over and over again there was only love.#That this was only ever a tragedy of good people whose good intentions were manipulated and twisted.#And I think giving them something shitty to have done in the past especially goes against the message of the show's perspective on adoption#The family we choose is not always stronger than the family we are born to. Sometimes they are equal in different ways.#Rex's bio parents are gone but not replaced. They have also shaped who he is#Six and Holiday are just picking up where they left off. Because they have to.#Also I don't like the theory that Rex's parents are EVOs somewhere bc I think it diminishes the impact of the tragedy too.#I get. Wanting them to have a happy ending. But I think it's important to realize that this is the closest they can have to a happy ending.#Some things cannot be replaced. Or fixed. Sometimes life takes what we love and what loves us. And that is okay.#It is okay to be upset at that and it is okay to never fully move on.#'What about Caesar?' I have. Another post's worth of thoughts about him.#But I think he's also a character who is defined more by Rex by their relation and defined by the story by his guilt#I think he is the closest thing Rex has to a shitty bio family member and he is shitty in plenty of ways#But he's also a parallel to Rex in a lot of ways. He fails where Rex succeeds bc of it.#generator rex#genrex#Anyways. Sorry for the big post.
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Ok I know I'm heavily biased here but like I kinda love that Astarion's romance is one of the few in this type of video game where you basically end up canonically unmarried and childfree in his "good" ending? Just travelling the world??
Like it's honestly the millennial dream lmfaoo cannot believe i chose what would undoubtedly be my favorite option, first try
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rmbunnie · 6 days
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Red Hood Characterization
This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.
I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?
This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!
tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.
Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.
#edit: i am so so open to discussion and disagreement on this but please try to have something substantial to say. god bless!#like ofc jason kills but to me it was less “everyone I've ever killed deserves death objectively”#and more “when people are dead they stop doing things like heinous atrocities and trying to kill me"#i don't even think he wanted the joker dead (only) because he thinks he objectively morally deserves death#although the joker is one of the most extreme cases possible and he if does think that he's VERY justified#i really do think it was just about bruce#and wanting bruce to avenge him to show he loved him and he mattered and wanting his dad to give him security#all the killing was about the clown and everything with the clown was about bruce#i've NEVER forgotten the bit in lost days where he has the joker tied up at gunpoint and doesn't kill him#i think if it was only about a moral greater good situation he would have taken him out then and there#if you disagree i'd love to hear why provided you can be civil and not an jerk#also if you disagree PLEASE PLEASE put screenshots and comic issues if possible#i'd love to check them out and form my own stance on them#just know that if you say like. battle for the cowl. or the Tom King batman annual or something i probably won't care too much#comic characterization is ever-changing and inconsistent i truly believe that the best thing to do is just read the important stuff#and try to form your own stances from there#because there's never gonna be 100% of comics involving a character that align with each other perfectly and that's just a given#jason todd#red hood#dc comics
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coquelicoq · 6 months
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what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.
#the other thing i love about it is that in a very real sense it's his actor day job that is his alter ego#being an exorcist is his normie job. he's just a famous celebrity on the side#which isn't that uncommon in secret identity setups but it's still very funny#natsume's book of friends#natsume yuujinchou#natori shuuichi#natsuyuu meta#my posts#f#i think probably the actual answer is that acting was a very natural career choice because he already masks so extensively#both to hide that he can see things other people can't (and that youkai exist and that he exorcises them)#and to hide what he's really feeling so that no one can use it against him#so if it's already something he has to do & he's good at it...why not have someone tell him exactly how to do it & get paid for it?#and the other part of the answer is that most ppl don't go into acting assuming they'll get famous. the fame was a side effect#so each decision as it was being made probably made perfect sense. but put them all together#and you have this hilarious assortment of elements that seem to directly contradict each other#okay also i would be remiss if i didn't mention the other possible answer which is that the attention came first and was unavoidable#and the acting developed from the need to protect himself from the attention that he was going to be attracting no matter what he did#because he's so beautiful. and (in the exorcist world specifically) because he's the last of the natori#the more i talk about it the more i'm like no becoming a famous actor was the only path that made any sense for him lol#1) he's gonna be watched no matter what bc he's him -> gotta figure out how to hide his secrets -> learn to act as self-defense#or 2) he's got secrets -> he's gotten a lot of practice hiding them -> hey you could make a career out of this!#all roads lead to actor natori shuuichi. and since he's beautiful...all roads lead to FAMOUS actor natori shuuichi#i love it when i ramble so much in the tags that i end up contradicting my own post lol#he's neither thinking ten steps ahead nor is he irrational. he's simply making sensible individual decisions#that follow logically from what is available to him and what his priorities are
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uncanny-tranny · 10 months
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One of the hardest things to actually accept, in my experience, is that you eventually have to forgive yourself for the harm you did to yourself. A good way to move on from that is just being able to let your past self rest in peace. Don't stomp on their resting spot, they need to be at peace. They deserve to be at peace, and so do you.
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can we talk about the katniss/lucy gray parallels (or lack thereof) for a sec?
they're superficially the same, because of the things we talk about all the time: they're both female victors from 12. there are things that come with that culture and background -- the mockingjay, the plants, the songs. those similarities aren't so much between them as people, as individuals -- they're born of coming from the same culture. the most significant thing they share is their resilience; their spirit of resistance and rebellion. their defiance.
but really, all those things they share, only serve to demonstrate just how different they are as individuals (because personality is different from upbringing or values).
we parallel their sarcastic bows, but they're so so different. lucy gray is a performer mockingly curtseying and saying "kiss my ass", where katniss is a hunter who doesn't have time for this society bullcrap.
they both sing the hanging tree, but as i've ranted about, their renditions show how different they are: lucy gray, again, a performer with a spirit unbroken, loud and charming and sassing right to the capitol's face, daring them to defy her, daring them to look away. katniss, again, a hunter, quiet but unyielding, sparking rebellion under the capitol's nose.
they both won their games, but in such different ways. lucy gray charmed the snakes (both literal and in the form of one coriolanus snow), while katniss threw down with weaponry.
lucy gray said look at me, care about me. katniss said fight for me, fight with me.
and so what we see is that they are not at all the same person, but that's what's so important. because it's not just one person or one type of person that puts their foot down and rebels. we don't need a specific kind of Chosen One to light the spark -- anyone can.
#seriously. why am i so invested.#I DON'T EVEN GO HERE#the hunger games#the ballad of songbirds and snakes#lucy gray baird#katniss everdeen#thg meta#anyways i do believe somewhere in the multiverse there's a timeline where lucy gray /does/ spark the rebellion#(in a deeper and more immediate way)#like. look at the way the capitol had to erase her. (and not just because snow was a salty scorned ex.)#there's a universe where she's too popular for the records to really be erased. where she becomes a celebrity and#gains a platform and a network and /access/. where she flexes those snake-charming skills on the capitol.#there's a universe where she sways coryo a little more thoroughly. where she's ripped from him by the capitol#and it radicalizes him. doesn't make him a good person or less of a ruthless player in the game. but one with different goals.#there's a universe where she doesn't have coryo there to cheat for her. in that one she can't hold the snakes off forever.#she dies in the arena. there is no victor and no hope. there is nothing but love for a girl who should've survived.#in this universe the people revolt because the capitol has grown to love her and the districts see nothing to lose.#there's a universe where she survives and gains the respect of all the academy students. children are the future.#this is how the capitol loses control.#there's a universe where lucy gray sticks around in 12 past the music ban. in this universe she'll write quiet songs of rebellion.#she'll run. not out of panem but within it. she will be a singing ghost starting fires throughout a country fractured.#ANYWAYS. I WILL STOP.
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cnl0400 · 6 months
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Believer Ur
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I just love hearing Barbatos talk about his time powers, since he says serving Diavolo is in part atonement for a mistake he made in the past, I wonder what he did in the first place...
Bonus:
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heheheh..
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tonguetiedraven · 8 months
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You approve of Yukio even after he threatened to kill people and tried to kill Rin and Ryuji?
I have answered this question at least three times now, and I know you're just trying to bait me, but woooowwwwww I must have missed something in the manga. When did Yukio try to kill Ryuuji? If you're referring to the moment when Yukio points his gun at Ryuuji, that wasn't trying to kill Ryuuji. A dead Ryuuji would not have been a Ryuuji who could talk, and that was what Yukio wanted. Answers. Ryuuji wasn't threatened with death in that moment, and Ryuuji -- the only injured party in that scene -- has forgiven Yukio and worked with an armed and loaded Yukio since then, so I think they've both moved on. Ryuuji had also kind of helped lead to one of Yukio's sort of adoptive uncles dying a few days earlier, so I think Ryuuji mostly thinks that was earned. (It was a very messed up little while in that section of the manga.)
I feel like every couple of months everyone in aoex needs to remember that none of these characters are real and none of these situations are real and that they are story devices and plot devices and that they are young teenagers in the canon story and teenagers make stupid choices. Especially when they're tired, stressed, and being made feel like they're older/more mature than they are. (IE, when they're given jobs and responsibilities for others life's well beings.)
I could talk about Yukio being a mentally ill character who has been living in some form of fear since he was born. I could talk about him knowing he was Satan's bastard son for his entire life and knowing that his twin was a ticking time bomb of awakening into a possibly massively deadly demon, but likely no one will care and they'll already know that.
I could talk about Yukio being brilliant in pretty much every way but reading emotions, but people will still assume that any time a gun appears on screen that it is loaded with the most lethal of bullets and wielded entirely with the intent to murder. (And yet not make the same assumption about the flames of Satan that have killed vastly more people than we've seen shot on screen.) And they will assume that Yukio intended to kill instead of intended to interrogate or frighten or slow someone down.
Again, no one would really care about that and they would realize it if they read the manga because it talks over and over about the kind of bullets Yukio uses not being particularly harmful to Rin who seems to take Yukio's bullets like they're the kind in a nerf gun.
I could point out that no matter what Yukio does -- even when he unloads every Armumhael bullet in Rin that they have and he makes Rin entirely human for a few minutes -- that Rin is still the more powerful party. That Rin is the dangerous one in the situation. That one thing we should all be getting in this current arc is that Rin is a god next to these exwires. He got disintegration and disembowled and ripped apart and destroyed in a horrifyingly large number of ways and just kept on going like it was a big old nothing. He can go toe to toe with Satan so I feel like mortal Yukio and his little pistols probably can't do a damn thing against Rin even if Yukio wanted to.
I could talk about the fact that literally the most avid Yukio haters will never loathe Yukio as much as himself or the fact that Rin thinking he wasn't the most incredible person on the planet never even occurred to Yukio as a possibility despite the fact that Yukio thinks of himself as not worth being alive and can't see the way he's admired by a lot of people.
I could talk about the fact that the only person we've really seen Lewin comfort is Yukio, which means that even "I have no empathy for others" Lewin Light could tell that the boy was drowning under the weight of his own self-loathing and endless guilt, or that Shura has been watching him crack, or that Toudou, Lucifer, and Satan all picked him to be the one they tried to manipulate and crack and even pulled Renzou in on their drive to do that, and that Mephisto has also been manipulating and toying with him to try and push him to his own ends. Yukio just might be the most manipulated character in the entire damn manga.
But at the end of the day, the manga is there and people are capable of reading and looking at it themselves and I'd rather just read it and write my stories and draw my pictures and just. Be okay with a well written character who has acted pretty damn human in pretty much every scene he's been in. Who has fought with his super human brother and loved his super human brother and hated himself and is trying to make amends and still hates a lot about himself but is loved by his friends and is trying to save his world from his horrible extended family.
And once again, who is a fictional person that has committed fictional crimes and fictional acts of kindness. Drink something warm and soothing and touch some grass since Yukio and co are stuck in the frozen arctic and can't. (And fictional.)
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musicalchaos07 · 1 month
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Anyways, so incredibly unrelated to anything but I genuinely think if we had just one scene in s3 where Jonathan said something along the lines of "I can't afford to lose this job" before the fight it would've done so much in terms of the audience understanding him better.
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mintacle · 1 year
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I'm repeating myself, but Jason should really, really be shown to murder more villains. Lately DC always chickens out and he only tries to kill or only significantly harms someone, but Jason actually has to kill villains for the sake of his character.
Otherwise it doesn't make sense for him to be fighting the circular and inescapabale narrative of the comic media! Otherwise there is no founded argument between him and the other bats! It's ridiculous to have Bruce reject him so constantly and completely without explicit and extreme reason. If their conflict is about that, then let it fucking be about that.
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