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#still being patient with S2
scobbe · 2 years
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I loved how the third episode of this season of Gentleman Jack opened with her reading/writing what I assume was an actual journal entry of Anne Lister’s, and she mentioned prayers in the morning and at 12:15, as well as I’m guessing going to Mass around 2. I’m assuming the morning prayer was Morning Prayer, and just looked at my Prayer Book and thought, “She had a Prayer Book, too - Anne Lister had a Prayer Book just like me.”
A little different from the 1979 Book of Common Prayer of the Episcopal Church, I’m sure, but I also have a copy of the 1662 Book of Common Prayer from The Church of England, which would have been in use then (and is still in use today) and the prayers are the same, word for word with our Rite I. I’ve been thinking a lot about this lately, the thread of connection throughout history via these words, this theology, which is precious when you’re someone who has felt disconnected for a long time. But Anne Lister, reciting the same words I read with our priest every morning? That’s special.
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raayllum · 1 year
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the lack of patience/appreciation a lot of people initially showed with the janaya subplot this season bc “it’s disconnected from the main storyline” honestly kinda feels like anti blackness when 1) it wasn’t connected throughout s2 or s3 until the very end either and 2) idk if y’all have seen avatar, but zuko and iroh have no bearing on the main plot of book 2 for the protags until fucking episode 19/20 and i’ve never heard anyone complain about that, soo
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coachbeards · 2 months
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anyone who knows me knows i don’t agree with the characterization of beard @ jamie in regards to zava. i think him being condescending is actually,,,,, kind of out of character. i know, i know. beard likes winning, he’s the smart one, yadda yadda. but beard has Never liked winning at the expense of the team members. it’s ted who doesn’t want the tie in the end of s1, where beard (the self-proclaimed hater of losing) would be perfectly okay with it. sure, he doesn’t Want a tie, but he’s well aware if that’s their only option, then he wants it. he’s the one who didn’t want jamie back on the team, despite knowing damn well he’s an amazing player,,,, because he didn’t like how jamie’s behavior impacted the team. he saw the damage done, and he’d choose the team over higher chances of winning any day. he didn’t see jamie’s growth, not up until his season two and season three arc. and you can tell his opinion changes!!! he calls him a beautiful dumb dumb, he is way more positive of him later on.
and like……….we’ve never actually seen beard be truly condescending. him yelling at ted for wanting to win isn’t condescending when you take into account that ted is his boss, and beard is his second in command telling him that things Matter. he’s still teaching ted football, even in their third year there. he’s proud of ted for learning about the sport via fifa. he’s patient, he’s understanding. he sees change, he’s someone who’s gone through his own versions of the lasso way several times. he’s not a condescending person, nor would he make fun of jamie for getting a word wrong or being worried about Zava. Again. Beard has ALWAYS said he wants to win, but he’s SHOWN preferring the players and their wellbeing’s. He doesn’t want jamie to play hurt, he doesn’t want roy to hurt, he didn’t want their team to suffer from starting roy….beard has always been team first. players first. maybe less evident than ted, but god. Does he love those players. He wouldnt be unnecessarily condescending or cruel to Jamie.
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keikakudom · 2 months
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I decided to make a HH AU cause...y'know....anyway.... now introducing
Reset Resort! A Hotelier Vox AU
- you already know, it's a hotel Vox AU.....but not quite what you're thinking. Kind of a swap between Alastor and Vox, it focuses on the butterfly effects of this single change, rather than a full reversal.
- Most things are kinda(?) the same. Except the hotel is not as run-down and quite more successful. As if S1’s hotel started with S2's reputation and building. It's also more modern/sleek and closer to your typical strip hotel.  Much more busy with additional residents coming in and out. Think Vegas-style. It has way too many amenities than necessary, and it's actually an enjoyable place to hang out , but the message for "redemption" might be a bit....lost.
- It’s supposed to be a place where Sinners can (lightly) indulge in their vices without risk of falling into a soul-binding deal on their road to recovery.
- In this AU, movement between Sinners/Winners has been proven. NOT redemption yet. With this “concrete” evidence, Vox considers it "purely a business investment" to sponsor the hotel.
- Because of this "proof", Heaven has granted Hell/Charlie a grace period of an extra year with no exterminations, so long as they continue to monitor the process and Hell provides further progress and evidence of redemption.
Vox is there for the start up of the hotel with Charlie. He sponsors her project with his reach and expertise. His personality is much more subdued, his TV persona taking center stage, except for rare occasions. His temper is not as bad as in-canon. AKA, he’s much more fake and corny in this AU.
Charlie is slightly more mature and realistic in this AU. She studies redemption seriously and notes behavioral patterns/is much more patient and careful with the process. With Vox being extremely efficient and taking over the managerial/facility side of the resort, she is able to dedicate her time fully towards the redemption of sinners and being a therapist. She is still overzealous sometimes because she knows that if nobody else will show enthusiasm/push sinners to do better, then nobody will.
- Vox tried to manipulate Charlie very early on when they first met, and Charlie ended up realizing his kindness was just for his own benefit and has been wary of that fact ever since.
- Their relationship is like: she knows he’s reliable and will do everything she asks, but is doubtful/sad that he’s ingenuine. Vox thinks Charlie looks at him with pity and absolutely HATES it, but he still plays carefully so he can do a repeat and build up her trust again. Doesn't like Vaggie for a similar reason. They just think he's another misguided sinner in need. Neither have fully grasped the idea that most Sinners chose to do-evil(which he certainly has). 
- Vox holds a contract with Lucifer. What for? Well... let's say that they're on good terms and are friends. They meet with each other once a week (where Lucifer gets social interaction and updates on Charlie). 
I already have sketches for Alastor and Vaggie planned out in this AU~
It's less of a full "reversal" and more so one swap and the butterfly effect that follows. This AU has been my brainchild for a few weeks, so PLEASEEE I'd love to answer any questions or asks....
My AU tag is #au: reset resort
All information can be found under there! Until I make a masterpost or something.
Old design under the cut:
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fireflysummers · 9 months
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Good Omens S2
Okay so.
Excellent Job, Gaiman
Ouch???
I don't like to publicly talk about my personal life. My academic life is my professional life is my artist life. But my personal life? Not so much, outside of vignettes.
But for the past several months, I've been deconstructing a lot of personal baggage and trauma surrounding both family and religion, after leaving the cult I was raised in (mormonism).
It's terrifying to realize that the framework you built your entire self on is false. It's exhausting and painful to deconstruct that framework, to disentangle your identity in the way that won't destroy you.
And it's slow.
Nobody ever tells you how slow it is to heal. You can't control the rate you heal either. You just have to be patient with yourself, and give yourself an environment where that healing can occur safely and naturally.
Anyways.
Good Omens, and its weird tendency to be exactly what I need when I need it.
I first read Good Omens in high school. And honestly, I didn't quite get it, at the time. I only knew it was different from every other book I've ever read, one that didn't treat religion as stupid or trivial, but also one that called out the blatant hypocrisy and control tactics involved. It helped me safely challenge a status quo I hadn't even realized existed.
I first watched Good Omens partway into my Master's Degree. It was everything that I could've hoped for. I understood the book a lot better, but the TV adaptation captured my struggles with mental dissonance, trying to understand and accept the parts of my identity that I was taught God didn't want.
I watch S2 a year into my doctoral program. I'm out of the cult, and it's exhilarating and painful and scary and fun, but I can still feel the scars its hooks left when they were torn out.
I feel like S2 Aziraphale is in about the same place. He's exploring his freedom, but also trying to reorient himself. He's trying to let himself be. He's healing, but his boundaries got overridden due to circumstances out of his control (naked Gabriel). He's been pulled back into the gravity of the abusive system he tried to escape, given a carrot on a stick, and isn't yet healed or strong enough to resist.
On top of that, Aziraphale is still holding onto the hope that the problem was bad individuals, not a corrupted system. He thinks if the leadership is different, things can change. He thinks if he had more authority in the system, he could make things change. And... that's not how it works.
And Crowley. Dear Crowley.
He wants Aziraphale to be farther along in his healing than he is. Honestly, Aziraphale wants it too. But again, you cannot force this kind of healing, even when it results in a loved one making some truly stupid decisions.
Crowley sees the system for what it is. He's already deconstructed that part. But he hasn't really started addressing his own trauma. He's hinged his entire existence on Aziraphale, on being what Aziraphale needs, that he hasn't allowed himself to heal either. And Aziraphale, who is vulnerable and healing, is not able to provide the support that Crowley would need to recover safely.
Which is why them separating is probably the best thing for both of them.
It won't be permanent.
But they don't communicate, and their relationship while delightful and beautiful risks unhealthy codependency that prevents either from really growing or healing.
Anyways, what I really hope to see next season is Aziraphale's realization that the system never had his back. That the system is what's wrong, and that he can't win by playing at respectability politics or gaining a higher status within it.
I want Aziraphale to get angry.
He deserves it. He's tried so hard. He thinks he's lost Crowley over it.
I want him to feel the gut-wrenching despair of realizing how conditional and fleeting the system's version of love is, and I want it to turn into a rage.
But not a destructive rage--the sort of anger that Pratchett ascribes to himself and many of his works. The sort of anger that fueled Discworld and Good Omens. The sort that can be finessed into a weapon and a shield, that can be used to protect the people who truly love you.
For millennia we see Crowley fighting for Aziraphale.
For Season 3, I want to see Aziraphale fighting for his demon.
For him to apologize, without the expectation that Crowley will come back, but because he was wrong and Crowley needs to know it. To not expect forgiveness, not even think he deserves it.
And then for Crowley--who is trying to hide his heart eyes at seeing his avenging angel coming to save him for once, who he can tell immediately has changed, and is finally going Crowley's speed)--for Crowley to give that forgiveness, without strings attached.
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niki-phoria · 3 days
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THERE'LL BE NO MORE SORROW / I'LL SEE YOU THERE TOMORROW
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pairing: fushiguro megumi x gn!reader (no pronouns used) genre: hurt comfort word count: 781
notes: very (possibly ooc) megumi heavy, not proofread, mentions of blood/injuries, set immediately after shibuya arc, spoilers for jjk s2 lol, title from txt - i’ll see you there tomorrow
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the makeshift hospital in jujutsu high smells like artificial lemons and bleach. the lights above are blindingly bright as FUSHIGURO MEGUMI squints up at the ceiling, patiently awaiting shoko’s return. there’s a dull ache somewhere in his shoulder and his vision is still a little hazy, but his injuries are otherwise superficial. 
unfortunately, the same cannot be said for yours.
megumi bites his tongue. crying will do nothing to help you, but it’s so hard not to. he curls his trembling hands into fists, tightly holding the blue blanket covering most of his body in his grip. his sadness and worry has slowly begun turning to anger. anger towards the higher-ups who sent two teenagers into shibuya with no preparation. anger towards the curse who hurt you so carelessly - leaving your body bloody and broken and bruised. anger towards himself for not being there. not being fast enough. not being strong enough. 
swallowing the lump forming in his throat, megumi stares up at the chipped paint coating the ceiling. it’s a light beige - a colour that reminds him of nanami’s signature suit. nanami. the tears in his eyes slip down his cheeks.
megumi pulls his knees up to his chest, curling his body in on itself. he lets his eyes flutter closed once again, focusing on the slow and steady inhale and exhale of his breathing. 
time passes. hours, maybe? megumi jumps when the door swings open; the once silent room now filled with the familiar clacking of shoko’s heels against the floor. “fushiguro,” shoko’s voice is cold as she enters the room. her piercing glare meets megumi’s gaze, making the boy lower his shoulders slightly in defeat. “i thought i told you to be more careful.”
“i’m sorry.” her concern isn’t unfounded, but it does little to soothe megumi’s worries. 
shoko notices, and sighs. she steps forward to rest a hand against the wooden bed frame. “your injuries weren’t that severe. i’m giving you a few days to rest, and then you’ll be ready to return to your missions.” she pauses. megumi looks up at her expectantly. “y/n is in the room next to yours. they haven’t woken up yet, but their condition is stable. you can go see them whenever you’d like.”
he swallows the lump in his throat. the tension in his shoulders falters, but only slightly. her sharp gaze lingers on the bandage wrapped tightly around megumi’s head longer than necessary. he shifts uncomfortably under her gaze; his hands play with a loose thread on the blanket. shoko’s fingertips nonchalantly flip through the papers with surgical precision. it’s not like there’s any need to keep a record of his injuries, anyway.
“thank you, ieiri-san,“ megumi murmurs. shoko purses her lips. whatever words she wants to say thankfully remain left in her throat. her heels clink against the cold, tile floor as she turns to exit the room, finally leaving megumi alone in the silence once again.
megumi stares at the wall for too long. time passes without him noticing. he waits until his legs ache from the stillness and his eyes burn. the world around him has fallen into silence once again. finally, he stands up on shaky knees, carefully making his way towards your hospital room. 
you’re exactly where shoko said you would be - in the state she said you would be in. megumi notices the bandages wrapped around your arms and the bruises littering your skin in patches. his breath hitches in his throat. 
your room is colder than his was. or, maybe it’s his imagination? megumi isn’t sure. he moves in a daze as he sits down beside your bedside, watching the steady rise and fall of your chest. 
megumi leans his head against his hands, sending prayers to gods he isn’t sure he even believes in. he waits for what feels like hours, until-
“megumi?” your voice is quiet and cracks, but it’s yours. you blink a few times, squinting up at him. he stares at you in shock; wide eyes bore into your own before he’s scrambling, throwing his arms around your body and pulling you against his chest. you wince slightly but return the hug nonetheless, wrapping your own arms around his shoulders. 
“megumi,” you repeat, breathless.
“i’m here,” he whispers. his voice is muffled against the fabric of your shirt. tears sting against your skin as they roll down his cheeks in waves, but neither of you can find it in yourselves to care. 
megumi pulls away just enough to look at your face; his teary eyes and flushed cheeks match your own. despite himself, he smiles, leaning in to press a chaste kiss against your cheek. “i’m here.”
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shuttershocky · 5 months
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There's a thread on the arknights reddit asking why is Eyja so resistant to powercreep. About half the answers were because the devs virtually give no other casters the amount of res ignore she has and she was just made right from the start and casters past her are either meh or Goldenglow.
It's a fun problem to talk about and these answers are correct, but I would argue that fully understanding the issue of Eyjafjalla's effect on Arknights' design and why she's so hard to powercreep comes down to understanding the combination of four things:
Arts damage is calculated by reducing the initial damage by a percentage given by the target's RES
Arknights is a Tower Defense game
Eyjafjalla was first and with a very overloaded S2
Closely related to #3, Arknights is a live service (gacha) game
I'm not sure if I can explain this very cohesively, but I'll try. This is going to be a very long post going over all 4 points in detail, after the cut
I'll go over info you definitely already know to explain Point#1, but please be patient.
Arts damage in Arknights is calculated like how Magic Resistance works in many games—it's reduced by a percentage of the target's RES, vs Physical damage being a flat reduction by DEF or ATK - DEF. Let's explain Physical first.
The flat reduction from DEF means that while Phys damage does almost nothing if it's below an enemy's DEF, slowly slowly increasing the phys damage being outputted will get over the enemy's DEF until it starts being effective. The higher you boost the phys damage over the initial DEF, the more effective the attack becomes. 2000 DEF may be extremely tanky, but if you deal 10,000 damage per hit in one second, you're still dealing 8000 DPS. On the other hand, if you deal 1000 damage per hit 10 times in a single second, you're doing basically nothing (a minimum of 5% damage per hit) to a 2000 DEF target despite having the same DPS.
Meanwhile, Arts damage being reduced by a percentage dictated by enemy RES means that the actual damage per hit doesn't matter. If you make a 10,000 damage Arts attack hit an 80 RES target once per second, you do 2000 DPS. Do the same thing where an attack does 1000 damage Arts hits 10x in 1 second to the same 80 RES target, and you do 200 x 10 or 2000 DPS. This means Arts damage ultimately only cares about DPS, no cares about whether it gains it from boosting ATK or ASPD, it will be the same in the end.
Moving on to Point #2, other games that calculate magic resistance in this way aren't Tower Defenses, but Arknights is. Being a tower defense means that the objective in any stage is to beat all AI enemies in a stage before they finish their set path to your goal, and no matter what strategy you go with the only approach to victory involves killing all enemies in some manner. This foundation means that DPS is inherently king (as in many games, but with Tower Defense's especially), as your only form of gameplay involves destroying the AI enemies with set patterns, everything else only serves that purpose. The hypothetical ultimate Arknights unit is not the one with the best utility or versatility or strategic potential, it's the unit that can kill the most number of enemies onscreen more efficiently than everyone else. So when it comes to units that deal Arts damage, Arts units that can kill the most enemies the most efficiently are the most valuable.
In other games in completely different genres but with the same approach to magic resistance (a very big logical leap I know but hear me out I swear), DPS numbers cannot be the end all-be all. For example, Dota 2's magic resistance works the same way, and they even have heroes with similar approaches to the game, but being a human player vs human player game and actually being unable to win by killing all enemies alone creates nuance.
Lina and Skywrath for (an extremely simplified and obviously overlooking many, many more nuances) example, are both squishy magic damage nukers whose goals are to surprise one enemy and then destroy them as fast as possible with very high magic damage. However, they are usually incomparable, because they're not just fighting set AI enemies walking on pre-determined paths, but human players who will react in different ways to the smallest differences between the two characters (ex: Skywrath has no way to completely stop enemy movement so he'll have a partner nearby to watch out for, Lina has a stun so she's more likely to be alone, but there's no dodging her homing Laguna Blade like you can with Skywrath's ground-targeted Mystic Flare so kill her before she fights back). Also, you can only win in Dota by destroying the enemy's base, so a team with 100 kills can actually lose to a team with 30 kills if the team being beaten up constantly dodges fights but manages to destroy the enemy base still. The ability to kill your enemies must actually be in service of your ability to destroy buildings (which are normally magic immune), meaning a caster that can annihilate enemy players is the blink of an eye but is useless at breaking buildings or defending may become a liability if they don't help their team at pushing faster than the enemy or can't help defend their buildings. To put it short: in other games, the non-linearity of both the objectives and combat encounters means increasing raw magic DPS cannot always be a solution
So now we go into Point#3 and 4, Eyjafjalla was the first 6 star Caster, and Arknights is a live service game meaning it must change over time.
Eyjafjalla having an automatic and powerful skill with RES shred, multiple charges, and even AOE on her S2 spelt doom for the entire Caster class, even more than her infamous S3. With S2, Eyja was cheaper than Casters with AOE, dealt more DPS than them while having their AOE, didn't require any manual input from the player, and even shredded enemy RES.
Now Eyjafjalla's S3 could be competed with, as it was a long cd multitarget DPS skill. Ceobe came with her own machine gun on S2 that could scale off enemy DEF, while Carnelian came with true AOE rather than a 6 target limit (though Eyja's S3 was still better in the end lol). However, her S2 being so easy and so powerful in a tower defense where efficient and strong DPS is the most valuable trait you can possibly have means HyperGryph either have to directly powercreep it with a similar skill, or work around it, which is where Point#4 being closely related comes in.
HG's approach was trying to work around it, which is why other Casters have clearly tried to stay out of her way either via utility or new features. Goldenglow has global range, Ebenholz sacrifices DPS for instant burst (but then eventually got a DPS module anyway), Mostima has big slows, Dusk creates summons to block enemies, etc. But even with all the utility or features being put into other Casters, if Eyjafjalla kills enemies just as quickly and easily as she did at release, then there's no real reason beyond your own fun to use anyone else. Eyja's S2 is still killing everything. That means enemies also have to change.
If Eyjafjalla killing enemies so easily with either S2 or S3 is a problem, then the only solution without being able to nerf her is make enemies harder for her to kill alone. This is why Patriot Phase 1 had 90 RES, so Eyjafjalla couldn't just kill him like she did all other bosses while Amiya's S3 had True Damage. Later enemies would also try other gimmicks, like the enemies in Lonetrail starting with very high DEF and RES that would lower after multiple hits, so strong DPS casters like Eyja can't instantly kill them with S2 (although her S3 will kill them from rapidfire lol).
However, unlike someone like Exusiai who had low ATK but monstrous DPS from multihits and ASPD, simply raising the floor of enemy RES will negatively affect ALL Casters, because of point#1— Arts only cares about DPS because of how it's calculated, damage per hit doesn't really matter. While Exusiai players can still play around with her by attempting to boost her DPH above the enemy's DEF threshold (and run the math on whether they should just try to lower enemy DEF instead), Casters will react the same to boosting ASPD and ATK, while lowering enemy RES will become more and more efficient the higher enemy RES gets, and hey, guess who comes with a RES shred? Eyjafjalla's S2.
Eyjafjalla trapped Hypergryph's design team. Keep raising RES and other Casters quickly become more and more useless without RES ignore / RES shred of their own, becoming a second support class when Supporters already exist for the idea of "Casters but supports". In fact, as RES gets raised, Eyjafjalla and other casters like Ifrit become more and more valuable as DPS units (in a tower defense where DPS is king), since they can ignore / shred RES when most cannot. Keep the game playable for other Casters however, and it means Eyjafjalla will continue to reign supreme.
HG tried to do a balancing act. This is how we got enemies start to get more RES over time, which weakened Casters overall enough that HG made a module for Core Casters to ignore 10 RES (that Eyjafjalla also got LOL). This is also how we got into the current state where Eyjafjalla is still comfortably killing 90% of the game and seen as near impossible to powercreep, because if she can't then people without her (and there WILL be people without her, because it's a gacha game and she's not guaranteed) would be totally screwed. Try to directly powercreep her by making a second Eyjafjalla with bigger numbers, and not only will you be pissing off people that rolled for Eyjafjalla, but you'll be creating an even bigger problem instead of fixing the first one.
So to tie it all together
Point # 1 means that Arts damage is a lot less nuanced than Physical damage, leading to raw DPS by any means coming out on top
Point # 2 means that if the only way to win is to destroy all enemies, then the ability to destroy enemies with damage faster and more effectively will always be the strongest solution
Point # 3 means that since Eyja was first and also very overloaded with features, everyone else was created with the knowledge of that they'll be competing against her, meaning you either had to directly powercreep her, or stay out of her way. HG chose the latter
Point # 4 means that while Arknights tried to address her, by either making tankier enemies or by event game mechanics, they were trapped by their own design. Because of Points #1, #2, nullifying Eyjafjalla too much would be screwing over everyone else because of the end result of Point #3, which is everyone tried to stay out of her lane when it came to DPSing. Not everyone can have Eyjafjalla because it's a gacha game and who you get is all RNG, and while you want new units to be attractive to make money, directly powercreeping old characters screws over your own players and makes them angry, while powercreeping Eyjafjalla directly will not even fix the problems created by points #1 and 2, it just makes an even more problematic, second Eyjafjalla.
Thanks for reading this far! If anything wasn't clear just ask and I'll try to explain it again
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drconstellation · 2 months
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The Cupperty Ceremony
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Every bit of food and drink in both seasons has a metaphorical significance, even if you don't realize it.
Tea is no exception. Its one of the few times an eastern philosophy creeps into Good Omens, but it still meets with a western ideal. It's also intrinsically linked to Aziraphale and his affected British style.
Coffee gets more of a focus in S2, and has a specific meaning around freedom and liberty, whereas tea appears more in S1. But the metaphorical meanings around them are fairly consistent across both seasons, with stereotypes for the British drinking tea and the Americans only drinking coffee put aside.
Lets start with Muriel on the doorstep of the bookshop, at the beginning of S2E3, asking to come in, because its noisy outside.
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Aziraphale, after a moment to take in who they are, is the epitome of politeness as he welcomes them inside.
You might think "well, isn't this just Aziraphale being typically Aziraphale?" in this moment, but soon we shall see its a relevant part of a ritual going on here.
The bookshop is noticeably quieter on the inside. There is just the two of them. Aziraphale offers Muriel tea in a fine china cup, with a blue pattern, and gold trim.
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Muriel is not sure what to do with it so they just hold it. Aziraphale makes a point of demonstrating what should be done: He tells Muriel the tea is "to drink," then looks at it, sips, and makes both an appreciative expression and sound.
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Muriel seems repelled by this, and declares they are just going to look at theirs. Aziraphale patiently, still polite, lets them do so.
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Up to this point, there are actually two levels of meta happening at the same time. The first one is a tea ceremony (which I had a go at once before, and got the wrong one!) and the other is about trying to get Muriel to take the first step in "going native."
A tea ceremony always starts with a courteous invitation. The tea is prepared, then served and offered to others. It should be taken in a tranquil, peaceful setting, perhaps in a harmonious natural environment (such as a Garden) and with only a few people at a time (two people is considered a "superior" experience.) The tea ware is important, as it should allow the fragrance of the tea to be appreciated (we have some fine china, Heavenly-coded.) Appreciation of the tea's qualities is undertaken, first with the eyes, then by smell, then tasting. It is considered an art, a process of spiritual enjoyment, a means of cultivating the moral character - and then Crowley bursts into the bookshop with his flirty comment about going by train and breaks the fragile connection Aziraphale had been trying to establish with Muriel.
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*sigh* Timing, Crowley! Can't you see I'm in the middle of trying to subvert a fellow angel here?
I was recently reminded that tea and coffee have a connection in GO, in that that they are both linked to the American War of Independence. While the speech that gives us "Give me liberty, or give me death!" conjures the stormy winds of war sounding trouble approaching, the Boston Tea Party was the initial spark of the brewing conflict.
I realize there is a LOT of stuff written about this particular bit of history, and it can get quite political even in these modern times, so let me frame it in a Good Omens frame of reference if you aren't familiar with it - the colonists in the New World were upset at how they were being ruled from afar by the British and staged a small protest about some new laws imposed on them by dumping ship-loads of valuable tea leaves (a daily consumable pleasure people had become hooked on) into Boston Harbor on the night of 16th December 1773. To disguise themselves they dressed themselves as indigenous people, or "native Americans" as one might have said. This was just the beginning of further rebellion that led to war a few years later.
So here is another reason Aziraphale offers tea to Muriel, and not cocoa; he can see how fascinated they are with with everything Earthly around them, and he hopes to ignite a spark of rebellion in them, too, by introducing them to the more civilized pleasures (*ahem*) that he knows and enjoys so well.
While there is little tea to be seen in S2, there is plenty to be seen in S1. Perhaps the most prominent one for this discussion occurs right near the beginning, when Gabriel surprises Aziraphale in the sushi restaurant in S1E1.
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Aziraphale offers to tea to Gabriel, and Gabriel shuns it. He, like most of the angels we meet, have no real interest in Earth. It's "gross." Ah, well. He gets to change his mind in S2.
So where else do we see tea in S1?
The Four Horsepeople: War orders four teas, one black, and a cheese sandwich in the diner where they all meet up together for the first time on Earth. We don't know who the sandwich is for, but I'm going to guess its for Famine. Reasons below, with Shadwell. (Cheese and tea make a nice savoury pair for a snack, if you haven't tried it. I'm partial to tea with cheese and crackers on the side from time to time.)
The Tibetan Tunnelers were on tea break from digging tunnels all over the Earth when we meet them, where they mention they were transported into the tunnels when they themselves stopped for tea back in their real lives on the surface.
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Shadwell's infamously sweet tea, with either nine sugars or condensed milk, needs a mention as well, as it appears several times. Shadwell is an Aziraphale parallel-character, living on the fringes of society and starving for attention, even though he makes feeble swipes at Madam Tracey's attempts to care for him. The sugar represents the amount of care or "sweetening up" he needs.
When he first meets Newt he gets the young man to buy him a tea and a packet of cheese and onion crisps. Remember the cheese sandwich War ordered for Famine? A packet of cheese flavoured crisps is a parallel here. Newt has turned up and finally given someone Shadwell someone to sink his teeth into.
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Finally, we need to return to Crowley - its coffee, as black as his soul for him, please, and extra strong (six shots is for the number of Hell.)
Because he's already "gone native," just like Aziraphale, and he wants to maintain his freedom. He's left the Garden, and Heaven, behind him, and he'll do anything to keep it that way, thank you.
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I'd like to thank my mutual and other food meta writer @vidavalor for discussing some of this off-list some time ago. We mostly see things the same way, I believe, but one must tread one's own path sometimes. They have some different ideas around some of this, but I'll let them say it in their own words.
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mikkaeus · 10 months
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house md hilson fic rec - medium to long fics (10k+)
Other house rec lists: short fics | episode tags | postcanon | infidelity trope (all of these are mutually exclusive apart from the infidelity one) // Edit: I added the longer postcanon fics to this reclist as well because this one got the most traction!
These are all House/Wilson unless otherwise stated. Before we get into the fics, here are some of my fave authors that have written several house fics.
fourteencandles: im literally in love with them . 10/10 writing no notes. also long fics?? hello???
ictus: this author has the range! from emotional to fluff to funny. very smooth writing. all of their fics have different vibes which was fun to read. they’re all very good. 
Transformatron: fics that are transcendent and porny, all featuring a d/s undertone or theme (wilson as the dom)
Namaste (livejournal / ff.net): Some short fics, some much longer ones. Mostly gen focussing on H&W friendship, with some fics on canon pairings. Interesting character studies and discerning prose.
In order of length. *faves, ***underrated faves
*Brain Damage by fourteencandles (8k) (Ok I know this isn’t over 10k but I wanted all of their fics on one post and it’s close enough so.) This was brilliant. Like a real episode of House, with Wilson as the unfortunate patient-of-the-week, with bonus House/Wilson. Characterisation was bang on, and the plot was original and engaging and had a satisfying conclusion. Love to see House taking care of Wilson.
Down to the Water + Bound for Home by blackmare (~10k) Aftermath of season 4. House and Wilson go on a road trip. Quiet and sad and fragile, with excellent writing. This fic appears to have been fairly well known in lj days but I don't think a lot of newer people know about it.
*A Smaller World by fourteencandles (10k) The thing between them works, if Wilson doesn't push for more. God I’m so soft. I have so many feelings!!! In love with this established relationship hilson, still a little precarious, but with Wilson adapting, and House willing to put in effort.
*What's Past by fourteencandles (10k) The guy who used to have Wilson's job comes back for a visit, and it turns out they have more in common than Wilson ever knew.
*Touch Therapy by nomad (10k) It's not that House needs the human contact. It's just that when you're sharing an apartment, these things happen sometimes. Light hearted and funny, canon divergence from when Wilson’s staying on House's couch in s2. This is pretty much the homosexual waters have started flowing in House's direction post. Excellent dialogue.
***not another medical drama series (10k) by captainharkness Retelling of season 1 with House and Wilson as an established relationship. Great slice of life stories! Ongoing. The first is H/W POV, the second is Cameron, and the third is Chase. My favourite is definitely the second one (someone else’s story). I adore seeing H/W through the ducklings’ eyes. 
Synchronicity by copperbadge (10k) Dead patients, car wrecks, drug overdoses, journalists, Comatose Charlie, and orange chicken. Must be love.
systemic by ictus (10k) Ever since Wilson moved in, House has presented with some inexplicable symptoms. Fortunately, he has a team of talented doctors to aid him with his diagnosis. Season 2 fic! This one is funny and sweet and overall a great read.
Rush Down Darkness by Starlingthefool (10k) House MD/World War Z crossover. Told mainly through interview dialogue from house’s pov. Engaging story. House/Wilson definitely takes a backseat to the plot — there’s no grand getting together or anything. That's not to say it's not about them though, because there were still lots of good moments (good in the sense that my heart hurts). More succinctly, it has the vibes of an established relationship fic., although it isn't technically one.
Defensive Strategies by Milkshake Butterfly (~10k) (lj) In which Wilson is tired of being asked out by women when he's not ready to date again, and naturally House proposes a simple solution: pretend to be together. An enjoyable read.
******Commonplace and True by celestialskiff (11k) It would be a simple story--House and Wilson meet at a medical conference, have sex, and enjoy each other's company--but nothing is ever easy, or simple. Explores Wilson's relationship with House, with women, and with himself. House and Wilson throughout the years — with the version of canon where Wilson has cheated on every wife and girlfriend with House. When I tell you I am FROTHING!!! Pining while fucking?? The way it’s never the right time?? The greed of wanting to have your cake and eat it too? (That one’s specifically for Wilson, our beloved three-wives guy.) The vibes are immaculate. The prose is elegant verging on poetic. I’m eating this fic whole and it will be on my mind always. It is THE hilson fic for me. It is criminal that this fic has been up since 2012 and it only has 200 kudos. Go read it immediately & give the author some love.
***Declarations of Independence by Namaste (ff.net, also on livejournal) (11k) House and winter, throughout the years. I really enjoyed this. Excellent writing. Copy pasting a part of a comment by bedawyn which articulates why this fic is unique better than I can: “So far, I've seen a lot of focus in the fanfic (and the eps) on the pain and the Vicodin, but very little awareness of the practical aspects of limited mobility and the emotional impact of those even apart from the pain. So this was a very nice change.”
***Rule of Three by Transformatron (11k) (House/Wilson/Foreman) Foreman sees something he shouldn't have. And, maybe, wants something he shouldn't have, too. This was well written and super hot, with fun dialogue and descriptions that do justice to the excellent writing of the show itself. Foreman is faithfully characterised in a way that made me sympathetic. Also H/W outsider perspective as a third is such a treat to read. Lower me into my grave!!!!
*Warning Signs by out_there (12k) Excerpt: House looked to the left, staring down at the open box. Wilson knew that expression on his face: House was torn between denying it all and gleefully acknowledging his schemes. Normally, his ego won out and, like a comic super villain, he'd explain all. Wilson just needed to stay quiet and wait. This fic was fantastic. I am disgustingly fond. Superb characterisation. Light hearted and funny.
The Oncologist Trap by zulu (13k) (2007) House subtly seduces Wilson. Somehow.
The Line of Thought by tevinterimperium (13k) House and Wilson pretend to be together to play a prank on the ducklings, which is an extremely plausible scenario. From the perspective of the ducklings. Set sometime after 3x15: Half-Wit.
hail mary by ictus (13k) A post-canon fix it! In the weeks since finishing the show and reading this fic there are times I forgot that this wasn’t canon. It’s such a believable (and well-researched) alternate ending that feels like an actual episode.
Son of Mine by simoneallen (14k) Sherlock is House’s long-lost kid. Usually I’m not a fan of cross-over fics but I enjoyed this one. Established relationship on the johnlock side, getting together on the hilson side.
***hearts turn red by ictus (14k) In my head this is the counterpoint to Commonplace and True. When I found it after reading that one it really was a holy shit two fucking cakes?? moment. The delicious infidelity vibes are similar, but the vibes of the writing are pretty different -- whereas the above fic has a more quiet, subdued atmosphere, this one has more snappy prose and it’s more light-hearted with funny moments as well as emotional ones. It’s not just the infidelity theme that makes me crazy about both of them though; it’s how they play on the great tragedy of House and Wilson. In the author’s own words: In a way they do feel a little bit doomed to never quite be on the same page with each other until the very end of the series and by then it's too late. Of course, in these fics, they’re rescued earlier than the end, but the wretched vibes remain. Also, I’m obsessed with this line: By Wilson’s read, House is somehow simultaneously joking and sincere: Schrödinger’s sexual advance. That is the entire fucking show.
An Inconvenient Truth by annathaema (15k) Wilson helps out Cuddy and reveals something about himself in the process. House freaks out accordingly. Also features banana-colored babies, the men's room, and Skee-Ball.
*at the rind by ShanaStoryteller (19k) An AU where Wilson experiences all the near death moments House has in the show as a series of nightmares. Set between 1.19 and 2.05, but spoilers for the whole show. Protective Wilson!! We love to see it. I also like Wilson’s characterisation here - you can very much see how not-normal he is. We love unhealthy co-dependency.
***Esopus Creek by shaycat (24k) An eighty-year-old widower by the name of Eugene Skinner ventures out one September day in upstate New York for his usual morning activity - fly fishing. His leisurely hobby is interrupted by a bickering pair nearby in the river. That chance encounter with Greg House and James Wilson changes the course of his life. Told from the perspective of the last friend the boys make on their final road trip. This was the perfect post season 8, Wilson-still-dies fic. A sad fic but not a depressing one. It’s quiet and heartwarming, in a bittersweet way. Highly recommend. It has great use of outsider POV — I’m always a sucker for it but it worked particularly well in this case to have the angst but not be drowning in it. Also I just really liked the OC.
***Howler Tone by baffledbear (25k) The calls always happen late at night, and they're extremely sporadic, with weeks, sometimes months bridging between them. They talk on the phone otherwise, of course; about patients, or dinner plans, or carpooling. Typical stuff. But the calls that always end a certain way always start a certain way. Wilson is so repressed but so attracted to House. House is taking as much as he can get while still remaining in relative safety. Together they push a platonic relationship to the absolute limits of plausible deniability. Overall totally realistic within the canon of the show — the natural step up from the gay chicken already depicted. It’s just such a perfect scenario for them! That combined with silky smooth prose, faithful characterisation and accurate dialogue makes this fic is a definite hilson favourite and also a hilson-thesis fic.
*The Open Road by Pun (25k) A fandom classic. Road trip fic set in the earlier seasons. It's good; read it.
*He Won't Tell You That He Loves You by hellshandbasket (25k) [In which Nolan pulls at the Wilson thread, and House can't stop it all from unraveling. Repression is a hell of a drug.] Early s6. Another fandom classic that is worth its salt.
no need to worry (making up your mind) by scribespirare (25k) House makes the mistake of telling his mother he can't join her for Christmas because of his new boyfriend. Somehow, this becomes Wilson's problem. Cute and fun. I put off reading fake-dating fics because I was worried about them being OOC but this one definitely wasn’t!
***Sticks and Stones by Transformatron (25k) (WIP) House has an innovative new idea for managing his chronic pain. Wilson’s not sure he approves - but when has House ever asked for permission? This is such a great concept I am climbing the walls!!! D/s with House as the sub. The story is currently still at pre-relationship stage, with House experimenting with BDSM and Wilson being unhappy with the proceedings (for some unknown reason /s). Also the writing is nice and snappy with some great figurative language that manages to incorporate medical themes impressively well. 
Fresh Feeling by justkeeptrekkin (30k) House is tricked into going on a team-building trip with his colleagues. He does far more bonding with Wilson than anyone else. Funny and well written. The team interactions are very cute.
***Tracking Time by Namaste (37k) (ff.net) A look at House and Wilson's friendship over the years and how it has changed from their meeting through the end of the first season. I don’t usually read long genfics but this one was exceptional. I like Namaste’s take on House and Wilson’s characters. And they are a very good storyteller — one thing that you don’t tend to see as much of in fanfiction is the old adage of ‘show not tell’. The writing in this fic is careful and subtle, and lets you read between the lines, making it so that no part of the 37k words is a drag to read.
*The Body Found by fourteencandles (46k) Wilson's missing. When I tell you I cried... Premium angst & hurt/comfort. Excellent dialogue with some alternating POV (House mainly, but you also get the three ducklings & Cuddy).
You Already Know How This Will End by fourteencandles (46k) What if House had gone to rehab right after/around "Merry Little Christmas"? (3.10) This fic was interesting. It’s told in a series of short vignettes with a variety of different perspectives. It’s not really a hilson fic (or a fic for any ship). It just explores the characters. I did wish for more hilson but it’s a good read (I mean, it’s fourteencandles). The one hilson scene near the end where they hire a hooker in Atlantic City lives in my head rent free. Warning that the ending is rather abrupt and I didn’t find it satisfying, but I think it works for this kind of story, in a way. Messy people and their complicated relationships, with a lot of loose ends left untied, because that’s just what life is. 
***For Every Closed Door by starlingthefool (around 50k?) (lj) Overview of the chapters (14 with 4 interludes and an epilogue) is on the author’s lj (scroll down).  House MD/Dead Like Me crossover.  I love this fic a lot! It’s canon divergence from Season 3. House gets killed in a freak accident and becomes a reaper, remaining in the mortal world to harvest souls, able to interact with people but not be recognisable to those that know him. As the author says, this is an Afterlife!Fic and therefore a deathfic. They also said it’s not depressing — which is true, because it’s more plotty than an angstfest, and there are lots of light-hearted parts, but it is definitely heartbreaking at points. I literally cried all the way through the last chapter. Happy ending though!!! Don’t worry about the cross-over aspects. I haven’t seen Dead Like Me, and as far as I can tell, it just takes the premise of the show. I’m glad I found this fic whilst trawling 2000s livejournal because it’s really a hidden gem. Great plot, dialogue, compelling OCs — the whole package! I got so emotionally invested in the story. I think there were maybe a few parts that were a little unpolished but just keep reading. It’s really worth it. 
*A Modest Proposal and Involuntary Commitment series by ignaz (98k) The one where House and Wilson get married so Wilson can’t testify against House in the Tritter arc.  I have an unfortunate habit of downloading fics and then forgetting to bookmark & comment once I’m done, so I don’t have anything detailed to say about this one, but it’s a classic and a favourite of mine.
Twenty Years of Stealing My Food by hwshipper (100k) A backstory taking place over twenty years, from how House and Wilson met all the way to canon. A reimagining of their fucked up, magnetic relationship, with a straightforward writing style. They get together nearly as soon as they meet and maintain a steady open relationship whilst cheating on their various girlfriends and wives throughout the years. 
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princessbrunette · 4 months
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Okay but being involved with s2 rafe and then some time passes between you (maybe you were on poguelandia) and you reunite with s3 rafe and he's just,,, different. Like he's more confident, more stern, and way less patient with you when you give him trouble
── ࣪˖ ࣪ ⊹ ࣪ ˖ ──
this but he’s expecting you to be more distant since your time away, thinking things might’ve changed especially as he was hellbent when you were gone, thinking he’d lost you forever. he wants to give you your space and not scare you because he understands that things are different now and before your departure you might’ve seen an unfavourable side to him.
however, he couldn’t be more wrong. at first, yeah— you’re a little careful around him, watching the way he handles things with big curious eyes, something about him more… mature, in charge. you can’t hold yourself back for long, soon to be clambering all over him at any chance you get because he’s just soooo sexy now that he’s gained a little power and maturity !! he’s bigger too, having been clearly spending all his free time working out when you were gone, and it proves itself useful when you finally get him hovering over you, fucking you on wards old bed.
you’re completely naked, and he’s still wearing his white shirt and slacks, just pulled down to slot his cock out. he’s holding you at the waist, thumbs sliding over where your ribs are as he fucks you on his cock, arms bulging in the white material of his shirt.
“missed you daddy, mmph— missed you so much.”
“ffffu— you really, really shouldn’t have ran from me, little girl.” he ticks his jaw, focused on the thumb that slides down your tummy to stroke your clit. before you went away, he fucked you good— don’t get it twisted, but something was better now. more attentive, manly, almost forceful. all you could do was lie back and take it, and you wouldn’t have it any other way.
── ࣪˖ ࣪ ⊹ ࣪ ˖ ──
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ladythornofrivia · 5 months
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Kingdom of Fire & Blood || (Part Six)
🐉 MASTERLIST 🐉
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summary: modern!reader reborn as lady greenstar. it was no secret as aemond’s admiration grew.
pair: aemond x reader
warnings & disclaimer: smut, violence, p in v sex, sexual content, aemond being arrogant, modern reader doesn’t know how the world of GOT works but is a Aemond stan, praise kink, breeding kink, spitting kink, voice kink, fluff, angst—family drama, oral sex, hate sex, stalking, jealousy, virginity loss, size kink, obsession, reader being sassy and aroused, sweet moments with reader and Aemond. Reader is a huge GOT & HOTD fan. Pro-Green, Reader is a green supporter. Aemond becomes king instead of Aegon. (P.S. Alys who? I only know Aemond x Reader)
a/n: this chapter is ONLY in Aemond’s pov. ooc aemond, but still is a cold-stone, charming prince we all love. Thank you for being patient with me; i took so long to write. I used a reference from Nanami’s line from JJK—he said “Being a child isn’t a sin.” And the trailer of HOTD S2 is 😍😭🔥❤️‍🔥👏
Chapter Six: The Rebirth of Lady Greenstar
~Aemond’s POV~
Aemond couldn’t stop gazing at you in your sleep, no matter how often he saw your chest rise and fall with soften breath drawing past through your lips—sinful lips, droning out soft noises, he recalls the day where he undressed you. Moles engraved on your lower lips and neck, and several others spotted on the collarbone. Some at the back. The shape on your smooth legs sprawled and tucked at turns you rotated whilst in dreamland—he recalled your skin marked in red outline of a dragon on your right thigh, and a green dragon on your whole backside.
Slender arms rested beneath your head despite the ivory pillows are there, all fluffed and cleansed with new ivory sheets, aglow under a yellow sun.
Quenched as he is, Alicent’s word stung; his hands and teeth clenched. “But the truest of your heart—your love must be hidden in secret,” she told him once.
He knew what she meant.
Studying the histories of the Targaryens—of those who had children out of wedlock for an escapism in horrid and loveless marriages assigned from previous kings are often ridiculed and reigned in contempt, in curse—bastards.
He hated bastards. Lucerys and Jacaerys are one—they claimed to be as Velaryons throughout—and on a night of Laena’s passing, Aemond, at the age of three-and-ten claimed Vhagar and lost his eye, that damned good-for-nothing bastard—a Targaryen pretender who was out of Rhaenyra’s womb, bathed and born with brown locks and pug-like nose and sneering features—Velaryons tend to have delicate and soft features, but still manly in their own way like Targaryens do, but not Strong. House Strong are rugged and filthy.
But—
With your case, as a newcomer, as an outsider, he knew you don’t belong in this world, considering how you tried to avert Aemond with diversion. You’re neither a royal nor a bastard. Though punishment can be given to anyone in the royal court or outside the Red Keep. Anywhere in the Seven Kingdoms. Though of course Dorne accepted bastards.
Aemond’s intrusive thoughts overcame. A battle of restrain lashed out, when the prince approached towards the lush your sleeping figure. Your breath steadied at the rise and fall on your hilled breasts; the torn and worn out nightwear severely took a toll on the guards yanking you as if you’re a fragile doll.
If one’s act of taste that considers as a sin, then it’s a sin I shall give.
His head leaned forward, face closing to yours, tip of his tongue tingled as his left hand clasped on your head, the other rested on your waist as his tall body brought down on the bedside atop of your sleeping form. He had memorized, and counted the moles—once, as he lay himself to sleep in his quarters on the night after he first saw you. There’s a theory that moles came from a past lovers planting a kiss on empty spots. Aemond could offer you more. His tongue slithered on the soft line of your neck, and brought back to pucker with balmy smack, leaving a small trace of string silava coated on your now bruised skin.
Squirming underneath him, Aemond satisfied, humming, his right hand snaked on your waist, then fondling your left breast, pinching the taut nipple as he devoured the scent on you as he hungrily kissed your jawline and slope on your neck.
Earning a moan from you, Aemond spurred, his fingertips roamed on your breast and lowered down to your thigh, kneading. Your face—your lips—directly aligned to his, drawing a quiet sigh.
Adrenaline rushed in his veins, his body grew hot, trousers compacted with his engorged cock. He couldn’t get enough of you. The taste of you, your beauty and your fiery heart. He envisioned of what your face would be like, your voice would sound like, if you’re awake during the pleasurable intercourse or under his tantalizing fingers and mouth.
Countless footsteps skittered across the hall nearby. And so, Prince Aemond sat on the chair with his legs crossed and his elbows resting on the armrest behind the wall, spying on the maidservants passing by the opened door without batting an eye, maids chatting as always.
A hushed sigh of relief drew from his lips. By then, he looked at you one last time, spotted a love bite on your neck, before ushering himself out to go at the hall and disappeared with his lips, licking—tasted and lingered upon more ravaging thoughts of you.
~~~
Into a wide-ranged room, roofs decorated like constellations and metal works of the orrery, and the broad balconies garbed in light and ruffled curtains swaying. The council planned to use this room to divert the newcomer and persuade her to join hands and swore oath.
They have hoped that a new change of environment will appease her. Aemond couldn’t blame her; the Council room is filled with discrimination and accusations, despite his interest on becoming a sovereign—unlike Aegon who he rather be a sovereign in between someone’s legs at the brothels upon the Streets of Silk.
Regardless of Alicent’s cautionary, both Green sons lurked and eavesdropped on the members, who are more frantic and belligerent in comparison to previous meeting.
“She’ll be here,” Aegon teased. “Ser Arryk is coming to fetch her. Poor girl lost her way in the Red Keep.”
Aemond folded his hands behind his back, abiding, cold and calculating, and twice as tall, passed from Aegon’s stature.
“How long will she last, I wonder? With all the skills, beauty and remarks she has gotten,” Aegon emphasized on the word “beauty” as sarcasm, “do you think she’ll survive, even after the council? This is no easy task, of course, residing in Red Keep. The Blacks are here again. And Daemon didn’t come here alone.” His head jerked, indicating towards Rhaenyra. “I don’t suppose you’re aware, but the poor girl might risk her life again. Shocking how the Blacks and Greens weren’t showing hostility despite our shared past.”
Aemond watched within the presence of the council—Blacks and Greens united—without bloodshed. A bizarre sight to behold.
The doors creaked, and entering (y/n), following Ser Arryk.
The Blacks and Greens gaze with watchful eyes, tension rose as (y/n) proceeded closer and sat down on a vacant chair nearby the entrance door but struggled; Ser Arryk assisted her and perched down as she thanked him, returning a similar unnerving gaze back, unyielding even when appearing fragile. Her posture eased; she glimpsed at the decorated ceilings and tables with constellations.
It appears she likes it, Aemond thought.
Until her eye landed on Aegon and Aemond himself with her elbows rested on the left armchair, back slouching, eye concentrated intensely.
Aemond’s heart skipped that she faced him, in devoid of sheepish demeanor. And there, she smiled.
“Shall we get started?” Rhaenyra insisted.
(Y/n) couldn’t stop gawking at Aemond and Aegon.
“My lady,” Rhaenyra called out firmly, and (y/n) snapped back to actuality. (Y/n) eyed on everyone, then looked down onto her hands on the armrests.
Silence ensued. Then (y/n) requested to their introduction since they came to know (y/n)’s. All have introduced themselves—Hightowers and Targaryens. When Green brothers are finally introduced, Aemond spotted (y/n)’s lips curled a little; her dimple dented. But overall, she seemed happy throughout the introduction.
“First, we must address regarding to House Blackwood,” Otto drew the scrolled parchment, and distributed to (y/n) through the sentinel. “This letter is sent from a raven at this morrow.”
Sleeking her wavy strands—long curtain bangs back, she read the lines in the parchment. “Is this supposed to be a joke or something?”
“House Blackwood demands for your head, since they accused you of murdering Remon Blackwood,” Otto said. “Anything to have say in your defense?”
Tongue in cheek, (y/n) chortled, aloud for everyone to hear.
“Does killing others amuse you?” Daemon challenged. “Or would you rather a quick execution by a dragon for your childish act?”
“I’m sorry did you say dragons?”
Daemon unanswered her question, but she knew he wasn’t lying.
(Y/n) recollected herself. “It’s three knights that chased me, remember? They killed Ser Remon Blackwood long before they chased me. I used the blade he gave me, not the large swords.”
“There are other reports that the three knights are imposters,” one claimed. “That their faces aren’t quite as recognizable. And their armor and breastplates are entirely soft—a forge through cheap metal. Their blades and blunt and uncared for.”
“Must’ve been the rapers from the North.”
“Ser Criston, what was the weapon she was holding when you first found her in the woods? Was it a sword?”
“A fine blade that belongs to Remon Blackwood,” Criston replied.
(Y/n) sat there and released several guttural coughs, which got their attention.
“Are you alright?” Alicent concerned.
“I’m fine,” (y/n)’s voice croaked. Alicent ordered the servant to fetch the hot tea, to which you drank after being served.
“Has she drank the Milk of the Poppy,” Otto asked the Maester.
“Apparently she hasn’t drank any since this morning; deeply fell asleep.”
Relaxing in the chair, (Y/n) tossed her hair over to the side before she took out two objects again from the pockets on her nightwear and placed it onto her lips, and blew out smoke, but away from their direction.
“What are those objects that you possessed?” Daemon asked.
Crossing her legs, (y/n) blew out another smoke, her eyes glazed darkly, her demeanor changed as if it was an illusion. “This is the cigarette, and this is a lighter.” She demonstrated the items again, but only she’s precisely shown the golden lighter, carved in detailed dragon, and fire lit from the metal.
“Where are you really from?”
(Y/n) clicked the lighter shut. “I already told you last time,” her voice crossed.
“Are you a slave?” Rhaenyra asked.
(Y/n) is taken aback, brows scrunched, bewildered.
“Everyone saw the markings on your body,” Rhaenyra pointed out.
“No, I got these since I was young. Let’s cut to a chase. What do you want?”
The members of the council baffled at your straightforwardness.
“Since we’re here, I don’t intend on wasting anyone’s time,” she resumed, her voice hardened. “What do you want?” Her voice darkened.
“Are you aware to why you’ve been summoned in the council?” Otto questioned.
“Oh please, do enlighten me,” (y/n) said in sarcasm.
“Lady Rhaenyra has planned on you becoming a knight—you both saved the children and experienced in combat during the battle outside the Red Keep.”
(Y/n) laughed again, though not as cruel. In anger, the knight trudged towards her, but she stopped the knight with her left foot stomped on his breastplate, revealing the red dragon tattoo, your hand ran through your luscious hair; Aemond stared for so long that he ignored his surroundings. He found himself yearning to taste you again.
“At ease, good sir,” Alicent ordered. The knight backed off and your leg lifted down, crossing over to the other.
“Why refuse?” Rhaenyra challenged. “Do you wish to be executed from false charges?”
“You misinterpret me, my lady. Do you want to know what happens when you put a woman as part of the Kingsguard? People will riot. No man would accept a lady knight because they don’t want to be ashamed of not holding much power.” With her elbows propped, the upper body slouched, leaning forward, intensely gawking at their familiar mortified faces. “If anything that you should be worry about,” her index finger pointed outside behind (y/n) at the open archway; behind her is the town of King’s Landing, “it’s the people. People hold you on the highest regard; anything you do, they’ll use it against you. You have dragons,” she reasoned, counting on her fingers, “legions of army and holds the utmost reputation—everyone knows your name and your appearances distinguished from others. If laying a single mistake, people will make an excuse to take the opportunity to tarnish—even bring hell to Westeros. If you put two and two together, it’ll be difficult for people to accept as much as I want to help,” (y/n) cautioned.
Unused cigarette wafted in the crisp air—and (y/n) stomped on it with her fingers.
“As a matter of fact, I couldn’t agree more,” Jason Lannister encouraged. “Ladies are not suitable to guard for the ascendance of a potential heir. Women take longer to dress than men, after all they’re made to be dulled for a tedious hobby.”
Aemond disagreed, otherwise.
“Why save them?” Rhaenyra asked.
(Y/n) blinked.
“Being a child isn’t a sin,” (y/n) said, solemn. “They don’t deserve to what they’ve gone through.”
“Never thought you find this miserable,” Daemon said.
“I have soft spot for children and those who are broken.” She darted her eyes to Aemond once more.
Rhaenyra sighed, her hands enveloped, glancing at neutral Daemon next to her, poised. “We shall find an alternate option for you to abide here in King’s Landing—tasking the vital aspects of being part as the Red Keep’s vessel—everyone has their own role to play, knowing their place, and you’re no exception.”
Refusing, (y/n) inclined back into a relaxing position. “Figures,” (y/n) muttered, posture sank into the chair.
“I know it’s difficult to accept, but should you stay, you’ll learn a thing or two of the culture and the history, everyone around you included,” Rhaenyra suggested. “And we shall do the same to yours. Though the customary traditions in Westeros must steady. But it won’t mean you’re limited from freedom at the assets of your personal values and desires and expression.”
“It would be the wisest,” Rhaenyra added. “People won’t know and comprehend this, but us, despite you’ve given simplistic explanation of your vast side of the story.”
(Y/n) pondered; fingers tucked on her chin.
“They’ll never accept me,” (y/n) lectured, locks undulated in steady motion. “No matter how you vouch or reason for me, they won’t adapt; I’m just an outsider. It wouldn’t be as upsetting once I get hurt. They won’t understand yours or my intention if I decide to stay here. Or worse.”
“But there’s still a chance for you to prove yourself, allow your presence to be seen and heard,” Alicent coaxed.
Rhaenyra contemplated. “Or perhaps you could join us at Dragonstone,” she proclaimed, rather blithe. “Of course you’re free to choose.”
Aemond disliked the idea of you residing in Dragonstone as much as Alicent, based on displeasure etched onto their delicate and finely features, green as envy—as Hightower’s colored banner that summons war, strong gazes projected towards Rhaenyra like a serpent in the shadows.
Gritting and grinding her teeth, (y/n) tongue clicking. “No, I’m not staying in Dragonstone, either. I don’t want to overstay my welcome, consider how I “arrived”.”
Aemond’s breath unwinded. Flush smothered your cheekbones. Stared long enough until Aegon elbowed him in a single tap, as a reminder to stay focused.
“I’m afraid it’s far from possibility, since you came along way from the other vast side of your world. In the meantime, you must reside here in Westeros, in King’s Landing. We may never know your intentions, but it’s best to keep it simple and quick. Do tells us what you want.”
Refusing, (y/n)’s face turned away, sheepish.
“You want gold? Reputation?” Rhaenyra insisted, to which you answered “no”.
“Do you wish to possess a dragon?”
“First of all, dragons are hard to take care of. Two, I’m not a Targaryen! That’s your thing, not mine. I can’t even take care of my dog.”
“Then I assume you want the Iron Throne,” Daemon insisted, but the Blacks and Greens shot a piercing glare at him in unison, warning him not to give anymore ideas, but he awaited for (y/n)’s reaction.
“That chair looks uncomfortable! I’d rather sit on a cold ground rather than having an iron swords jabbed up and bleeding in my ass.”
Aegon snorted, covering his mouth when Otto noticed his grandsons, scowling.
“What can we do to convince you,” Alicent resumed, hands rest on the armchair.
“I don’t think you can help me on this one,” (y/n) said, begging them to let you go.
Rhaenyra maintained her posture. “Then what is it that you truly desire at this moment, Lady (y/n)?”
“You’re not going to let this go, are you?”
“Never.”
Shaking, deep in pensive notion after hearing their relentless offer disguised as blatant curiosity.
Silence prevailed, at first. Fireplace flickered, soft howls bypassed the constellation room. Everything stood still, as does their anticipation, weighing and resting on their fate of the house.
Rising onto her feet, and she got close and flatly pressed down to a cold stone pillar with her hand. “I want to see the ocean, the sky—the smell of salt and cloudy air. I want to feel the wind as I walk by, or draw and paint surrounded by flowers as I looked out onto the ocean as the ships sails by.”
“A very simple, mundane request,” Daemon commented, folded his arms. “Anyone could percept the instability of waves and ships passing through and the fragrant smell of blooming flowers.”
“Sometimes taking the simplest pleasures in life must cherish with joy and savor with love,” you told him, remaining your eye locked onto the waves, wobbling and crashing. “You’re a dragonlord, Prince Daemon, I think you should be grateful. As for me, I rarely get to see the ocean, because I lived somewhere far where it has no ocean, no flowers—the weather is humid and sometimes shows a little rain. On most days, hot air suffocates you to a point you want to drown in cold water.”
“There’s a chance people might conclude you’re from Dorne or Yiti. Or perhaps as Ser Criston’s sister.”
Aemond watched (y/n) shooting Daemon with a deadpan expression on her dulled hues. Criston, on the other hand, didn’t appreciate Daemon’s unnecessary commentary, but made no urging trifle.
“I’m not, and if I do, you would recognize the Dornish accent at this moment. Clearly you can’t. Sorry to disappoint you,” (y/n) replied, nonchalant.
“Anything else,” Rhaenyra asked, anticipating.
Silence occurred.
“What of other things you acquire to be more convincing,” Alicent chimed in, coaxing, sensing an alarming and animated expression hidden from you.
“Nothing,” (y/n) squeaked, though her cheeks flushed says so otherwise.
Aegon snorted as Aemond lifted the corners of his mouth into a piffling smirk—as he found your sudden expression unexpectedly chaste with shyness and charm.
“The matters settled, then,” Rhaenyra got up. “I look forward to see you and more. I expect great and admirable accomplishments from you, Lady (y/n). I think it’s that for now you must stay in the capital. If you do intend to serve the realm, I’ll reward you, anything to your heart’s desire. As long as you make contributions, we’ll make your dream as certain. In the meantime, that is.”
(Y/n) ventured in a languid motion near towards the members in the council. In the end, the favor on her side—Rhaenyra and Alicent’s request—might go smoothly if done right. But Aemond’s heart grew heavy at a thought of you leaving King’s Landing, leaving Westeros, feared you might not recall your ventures and people you encountered alongside of the journey—feared your mind and sight of seeing Westeros and its people are nothing but a figment dream.
Alicent pushed herself up from her reclining. “I shall do my part as well. You’ll do great things, I’m certain,” she assured (y/n), enfolded atop (y/n)’s cold hand.
Happiness faded from (y/n)’s lips when a cold end of the blade—Dark Sister—tipped and traced a thin line on her centered neck. Daemon’s violet eyes gleamed at hers; her hands raised an indication of surrender.
Aemond’s eye snapped in fury. The guards Rhaenyra accompanied clutched their blades, viewing like vultures standby.
“I’ll never trust a cunt like you,” Daemon proclaimed. “You may wield a blade, you may save anyone who you wish, but you’ll never be part of the court. The look in your eye—arrogant and maliciously stricken with pretense. Common whores like you—pretending to be humble and virtuous when you really are neither.”
Yet you fuck whores in the Streets of Silk on your pastime, Aemond thought.
Sighing, (y/n) said, “Then kill me. If you really think I’m dangerous to the Red Keep and to the monarchy like Ser Marrow claimed, then end me.” Then she gripped Dark Sister and pointed it at her chest daringly. “Go ahead. I dare you.”
He scoffed, despite Rhaenyra’s attempt on pushing Daemon back.
“Don’t speak to me as if you’re my equal. We are nothing alike.”
“Thank god I don’t have a cock, then,” (y/n) shot back, rolling your eyes. “I don’t have to worry whether I’m going to get gelded or not.”
Like a child, Aegon stifled his giggling.
“Fucking simpleton,” Daemon hissed, pressured the Dark Sister. “You know nothing of Westeros and its people. Might as well have your tongue remove. What say you, warrior?” he mocked.
“Seven Hells, Daemon, you’ve said enough,” Rhaenyra warned.
Aemond strode onward, never minding Alicent, who was rushing to his side, begging to not worsen an escalating quarrel. But Aemond paid no mind; his mother’s words drowned and emptied in his fueled rage.
“I saved both lives—a boy and a girl,” (y/n) protested. “I saved two young people who are separately belong from two mothers—who were at their near deaths. I saved you too, by the way. Guess it doesn’t matter, right?”
Daemon tsked. “And that’ll be the last thing you’ll ever save, considering your reputation has been nothing but meddlesome. I’m afraid your reasons on saving your neck has come to expire.”
Aemond trudged in front of (y/n), holding his long dagger and situated his honed silver on Daemon’s neck. He felt her cold hand pressed against his chest and gave a little push, but no to avail; she’s still weak under the Milk of the Poppy.
“Hold down your blade, Uncle,” Aemond warned. “You gave her quite a fright. I thought the deal has been final.”
“I never thought I’d take you as a fool, Aemond—that’s twice you’ve committed a sudden act.” Daemon’s lips curled in disgust. “Being blinded by her, I see.”
“She saved my sister’s life,” Aemond justified. “And I’m eternally grateful.”
Without shifting his eye, he saw you wandered your glance up to him before facing back to Daemon.
Aemond shifted closer, Targaryen against Targaryen.
“Take one more move, and you’ll lose another pair of your eyesight,” Daemon sneered. “What happens then, if I do cut your other eye out? So, shall we test it?”
(Y/n) managed to block herself in between Aemond and Daemon.
“Then I’ll be his other eye,” (y/n) declared, defended, one arm spread, shielding Aemond, the other hand held high against Daemon, bandage slipped from her visage.
All noise ceased.
Aemond’s heart quickened at a roaring declaration in a vibration on your tone—soft yet firm and fiery—like a dragon reborn.
“I’ll be his other eye,” she repeated, shielding Aemond. “Stay back,” she hissed at Aemond, insisting on shoving him back to lessen the tension between two factions. Aemond glimpsed at her shaken hand, yearning to hold her.
Even (y/n) knew a large cost of encountering Targaryens through fate, aside learning the history. Dragons never cower in their palace of red and gold of Red Keep, in a palace of black stoned walls of Dragonstone, their banners—sigils of red or green. Dragons come and reign in a price of fire and blood and fearsome, colossal beasts taming Westeros.
Knowing the consequences of her shared words, who knows what might occur depending on her unfickle judgement.
“You heard the maiden,” Aemond said with a smug on his face. “Release your blade, Uncle,” he commanded.
Grimaced, Daemon drew his sword back in his sheath, parting the gap, and endowed (y/n) and Aemond with imprisoned through his hues. “She’s no maiden. Perhaps I shall call her “Green’s bitch”.”
Aemond’s eye narrowed. Little by little, he stood inches near (y/n), like a proud and mighty dragon stood by its owner.
Watching close by, Rhaenyra and Alicent shared knowing glances.
Overhearing the sound behind them, the king produced an agonizing sound of his breath, (y/n)’s able to catch him from falling in brisk reflex.
“Get the maester, quick!” Alicent cried, as you are clinging onto the ailing king, who was moaning and groaning due to his severe ail.
Everyone made haste as Alicent and Rhaenyra assisted (y/n) on putting back Viserys onto his chair.
Adjusting the king’s posture, Alicent dimissed (y/n) by saying, “We shall talk later. I must tend to my husband. You go on ahead.”
And with that, the council adjourned—(y/n) ushered out, giving Aemond one last look with a slight bent on her neck.
With a final word, Aegon said to Aemond, as they trudged back to the halls. “Daemon took great pleasure in stirring commotion, especially a certain lady, who you’re so keen on.”
Aemond hasn’t utter a single word.
“Obviously, he has missed his youth involved with treachery and rebelliousness. I supposed these days have kept peace quite busy despite our father’s poor lapse of judgment.”
Aemond sauntered farther, but Aegon caught on in a same pace.
“I never knew you had it on you, dear brother. But was it really an act of good will for Helaena’s life or was it a pure instinct to an act of affection?”
“It was all for Helaena’s sake,” Aemond said.
Aegon leered. “Is it?”
From there, Aegon fled.
For once, Aegon never said something stupid or drunk.
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Aemond stalked his mother on meeting (y/n) in the chambers he trudged in upon darkest shadows, carefully listening in.
Alicent came over, agitated even concealed in unsuccessful, mortified demeanor. “The Council has been reached to a verdict,” Alicent told (y/n), as if it’s a death sentence—probably the men discussed and finalized to an upcoming conclusion.
He watched as (y/n) was plopping onto the bedside, the last cigarette held between finger has thawed into ashes.
“I see,” (y/n) soften tone echoed the room, rippling against his skin.
Alicent touched (y/n)’s upper arm. “I apologize on behalf of the circumstances. I know it can’t be easy,” she said, sincere.
(Y/n)’s eyes twinkled.
“Despite Rhaenyra vouching for you for saving her son, you have declared of being Aemond’s other eye, and thus, your declaration brought an uprising of questions to the Blacks.”
(Y/n) acknowledged.
“A word of advice; should you wish to keep your wits and tongue, play your part, and keep your head down for the Blacks not to detect or test your patience,” Alicent said. “Common folk, even nobles tend to have ill intentions far from a plain gossip. Kingdoms tend to hatch a birth of vipers and stabbers every corner of the castle walls.”
“I’ll do it,” (y/n) said, without looking back at her, picking on her fingertips.
Alicent clasped her hands over (y/n)’s, and heaved. “Rhaenyra and I are in a current matters of discussion regarding of your future duties in King’s Landing. She proposed the idea of you being as the cupbearer while I proposed the idea of you being as Helaena’s handmaiden. Nothing has set in stone. We did so to ensure of your livelihood be at safest, to cease the gossip that has been spread far and wide regarding to your arrival. But first, the king must anoint you at the throne room for a private ceremony—no audience shall be present.”
You stayed silent; your right hand stroke your left wrist; the feeling the absence without your possession.
“Is something the matter?”
(Y/n) shook your head, light-headed.
“In time of fear and change, that is where you must be brave,” Alicent advised, eyes glistened.
Aemond has never heard of Alicent—his mother—spoken ever so motherly to anyone, not even Aegon.
A sudden shift glided in you when you have decided what to do as (y/n)’s role in King’s Landing. “I’ll bend the knee.”
Alicent’s dulled eyes brightened at your answer. “Then I shall inform my husband regarding to your call.” She laid her hand on (y/n)’s shoulder blade.
Once she stood up, (y/n) bid Alicent goodnight.
And Aemond stayed in the dark, and the only words replaying in his mind are the words she declared opposing the Rogue Prince.
I’ll be his other eye.
The way you shielded his body and ordered him to shift back, Aemond knew that no noble woman or commoner in any Houses would defend him and his honor as a Targaryen and Hightower. Or more than his status as a one-eyed prince. As a swordsman, he can hold off his battles, even in close quarters, but something about you, a strong-headed girl, who knew of little consequences, protected him that he find as devilishly unique.
His mind stirred in a matter of battling between whether he want to fight your battles or claim you.
Perhaps both.
Aemond had certainly come to a closure, a predetermined arrangement of taking you, but obstacles must come forth before a dragon claims the maiden as his crown, glory and a hymn that he won’t mind spend the rest of his life hearing.
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Upon a daylight hour, the decision came to a close when both Greens and Blacks debated to assigning on (y/n)’s fate for the realm, despite a given answer. In the end, King Viserys has a final say, which both factions surrendered for an hesitant agreement. In the Red Keep, guest of nobles and common folk alike flocked inside to a point where it’s nearly and impossible to fit, all awaiting, all mind shared one reason.
Hours before the occurrence in the throne room, in Aemond’s quarters, two servants awoke him to bathe, and one maid provided him information regarding to (y/n)—the Maester inspected and mended on her wounds once more before withdrawing. Her eye, however, is healed, just as it was yesterday when she ripped the bandage off.
In the throne, there she was, blocked by tall members of the Kingsguard.
He imagined that a maidservant tugged the strings harder for a cinched waist, despite this, (y/n) cooperated without a fight. Knowing resistance will bring disaster. Until a thought of disaster is long gone. From there, the guards veiled for (y/n) to cross passage towards the steps of the Iron Throne, seeing upon a pristined condition—clad to an outfit befitting for a youthful and appeased maiden to soften at the hardened image of a brute fighter. Her straight long (h/c) locks with thick stands braided as headband atop of her head; strands of baby hair left untouched, and soft paint dabbed it on your chapped lips and cheekbones, tainted in reddish shade to liven your surly visage.
King Viserys proclaimed and summoned (y/n); she knelt with a hand over her chest, head inclining down that her long (h/c) locks framed on sides, reciting her vows. King Viserys crowned her with a green brooch with a four-pointed star sigil pinned on her centered chest once she stood.
“As a last hope for a darkened age within House Targaryen, in hopes to reunite both factions,” King Viserys announced, hoarse. “Salvation rests in your hands. I wish you nothing but the very best to soothe the realm with your grace, Lady Greenstar.”
Two factions appalled at his last claim underneath their vacant neutrality in their hues. Spectators gathered and exchanged in gossip, all frantic and perplexed from their King’s announcement.
A girl from a modern century has been remade through rain of fire and light, befall and rose from sky. Arise onto her feet, who peered upon audience, before the eyes of the two factions, who solely darting her eyes to Aemond, as if she wanted him to sense her heart is surged with heaviness, rebirth as Lady Greenstar.
Aemond did—but couldn’t offer the arms of comfort. His fierce and benevolent maiden. But in the eyes of Gods, Westeros won’t lay rest, as he keeps his ardor hidden.
And chaos entered.
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wrecked-writer · 1 year
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Wild Sorcerer Merlin Au pt 1
Uther finds out about Merlin’s magic and he is to be executed
This is set around s2 or 3 so before evil Morgana
The gang ( Morgana, Gwen and Arthur) help Merlin escape but Merthur have a huge argument
“ I can’t believe you’ve lie to me all this time!” “I didn’t want to I just-!” “I don’t wanna hear it!”
In the end Merlin leaves with a bitter and sad relationship with Arthur
Arthur is inconsolable, his best friend and the man he loved trusted the most in the world lied to him! He is bitter and angry and so so sad.
The knights of the round table still come to be but Merlin’s role could never be replaced
Uther dies estranged from his children and Arthur takes the throne
Morgana’s dreams get so bad that she runs away to a Druid camp and is never seen from again
Years go by and not a single day has Arthur not thought of Merlin, even after his failed attempts at courting Gwen (she was always better off with Lancelot anyway)
One day while hunting they encounter a really bad and corrupted magic animal
They are losing the battle and as all hope is lost a magic burst comes in and saves them all
They’re injured and confused and scared but alive
A Druid finds them and after Arthur swears their safety, leads them to their camp where they are healed
Arthur watches the camp in wonder and is talked to by a Druid elder
She’s an ancient thing, skin so wrinkled with experience he can’t help but feel like a child in her presence
She is kind and patient
She talks to him of mundane things and he forgets for that moment that she is a Druid, someone raised with magic.
She hands him soup and warms it with magic. He wonders at that because never has he seen magic used for mundane and simple things
That prompts the knights to ask about that magic burst that saved their lives
“Was that magic you guys?”
The druids sit in a long silence before the old Druid lady comes up to them
“It must have been dear Emrys” “Emrys? Whose that?” “Oh my dears, who do you think has been protecting Camelot all these years?”
The druids then explain how Emrys has been protecting Camelot from several years now. They mention a few that they know of (the priestess Morgause being stopped several times) and talk of the many protection spells and wards that surround Camelot.
Arthur is confused and kinda terrified. Why would this Emrys protect Camelot, protect them, when they could be killed for even simple warming spells? What do they gain? Who are they?
The druids speak of Emrys’ power and how it keeps growing everyday.
“He visits sometimes, sometimes to set wards for us, sometimes to learn whatever spells we know, sometimes just for company. He’s a lonely boy, that one. The weight of the world on his shoulders and a horribly kind heart. You are fortunate to have him on your side.”
After dinner they rest and Arthur can’t help but think of Merlin and how he would react. He decides to finally lift the ban on magic.
They get back to Camelot and Arthur begins drafting the laws on magic use before lifting the ban
A few months go by and in that time Arthur notices the little sparks of magic protecting Camelot. He tries to make the laws as quick but as well as he could. He went to the Druids for help on what could be done to make more accurate laws on magic
He asks them on where to find Emrys, to thank him and ask for his help. And perhaps to add him to the court because someone whose been protecting Camelot so fiercely in spite of the dangers should be part of the council.
The Druids can only shake their heads sadly “He can only be found when he wants to be.” and leave it at that
Later Morgana comes back after about Arthur working to lift the band. Their reunion is bitter at first but when Morgana explains why she left they come an understanding with one another
She works together with him [and the roundtable] to lift the ban. When they ask her about Emrys she gives them a funny look.
“You don’t know?” “No, Morgan, we don’t. The Druids only say we’ll find him when he wants to be found”
She scoffs unbelievably “That blasted fool!” And storms out
No one sees her for almost a week before she comes barging back in the council room, dragging a cloaked figure by their cloth( who is clearly trying to remove her grip)
Arthur was angry with worry and demanded to know where she went.
“Where the bloody hell have you been!?” “First of all watch your tone when speaking to me. Second of all, i went ahead and got Emrys since you lot are too incompetent to do so” “…….THATS EMRYS!?”
They argue and bicker some more while Emrys struggles against Morgana’s grip, a misstep here leads to the cloak coming off
Arthur looks and practically swallows his tongue at who he sees.
It’s Merlin
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shutupineedtothink · 7 months
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I’m still s h o o k that people do not see exactly what’s going on with Moiraine throughout s2 and people are dragging her and dismissing her without an ounce of empathy for what she’s been through, so I’m bringing the full character analysis for y’all (and my own sanity). So this is a big ol in defense of Moiraine (and Lan) rant, so if that’s not your thing, scroll down now. Here we go.
I just… The AUDACITY some people have to look at Moiraine and be angry and pissed off at how she acts in S2. To not feel any sympathy and empathy for her and the monumental weight she’s under every goddamn day. There’s a reason we start with that bath scene in 2x01 – it shows you everything. How she’s just going through the motions. How she only lets herself cry when she’s alone in the water. How she literally curls into the fetal position and looks reproachfully devastated over her knees as she hugs them to her chest in a futile attempt at comfort. Not to mention the direct comparison/callback with the bath scene in 1x01, where she has both her power and Lan still, and now she’s lost her connection to both of them.
How is it not painfully obvious that every interaction she has after that bath scene is infused with a trauma response? Let’s tally up the devastation she’s been through. At the end of S1, she was 1. banished from the sisterhood of the white tower (they literally turned their backs on her), 2. was separated AGAIN from the love of her life fully expecting to never see her again, 3. was cut off from the other love of her life (that would be Lan, for the record) which is all the worse bc it’s her own fault for masking the bond, 4. was fully made to believe she’s been stilled from the one power aka an integral part of her being, AND 5. she’s “failed” her mission at the eye of the world – the one goal she’s had for the last 20 years, her life’s purpose – because instead of locking away the dark one she’s directly caused Rand to set Ishamael free.
You don’t think it's justified to be a little pissed off and standoffish after all of that? You don’t think the weight of that guilt, grief, pain, and loss is a reasonable cause to be distant, cold, harsh, having a little bit of a death wish? That’s TRAUMA, baby! She is absolutely wrecked, and it’s coming out in the worst way in her interactions with others (especially Lan because we’ve seen how they should be), but it’s absolutely not because she actively wants to hurt the people around her. In fact after almost every moment she lashes out at someone, we see an equally sad/grief-stricken/devastated moment from her and THAT’S the real emotion hiding underneath the anger. This woman needs therapy and understanding and patience, and does not deserve to be judged at the worst time of her life.
Ok fine, you say, but Lan IS patient and understanding with her! And she’s still an asshole to him! You’re right, Lan is absolutely trying his best and doing just about everything he can to be there for her in 2x01/2x02 (with a little help from Verin and Tomas). But 1. It’s STILL not about him, Moiraine is not obligated to respond in a certain way to her grief and pain that makes him feel better, and 2. This is Moiraine goddamn Damodred and even her trauma response is also a front to protect him, to push him away from her and what is now certainly a suicide mission to fight the dark without her powers.
This is SOOO important to really get Moiraine’s character — y’all gotta understand this: Moiraine truly loves only TWO people on the whole fucking planet: Siuan and Lan. They are also the only people who truly love her, unconditionally, with all of her flaws and imperfections. Please please ingrain that into your brain, especially for Lan, in this context. (Siuan is a whole other conversation I won’t get into at the moment.) Moiraine loves Lan, he loves her, deeply. That’s the foundation of everything they go through with each other in this season, despite what’s happening on the surface.
Once you accept that as fundamental truth, everything makes a whole lot more sense. She is a dick to him to push him away. Literally tells him he failed her to put the final nail in the coffin of driving him away, which is his worst nightmare. On the surface it seems egotistic at best, plain cruel at worst. But look underneath. Moiraine always has reasons 2, 3, 6 layers deep for everything she does.
With everyone else she’s mean to this season, namely her sister and her nephew, it’s born out of distrust (and the aforementioned trauma response). She can’t afford to trust anyone because anyone could be a dark friend. (And if they’re not a dark friend, then they become a liability and endangered.) Anything she lets slip could be used to hurt/control Rand and push them all one step closer to eternal darkness. Oh and when we see Barthanes’ true nature that turns out to be fucking justified, by the way. But I digress.
Right so why is she an asshole to Lan then? Because she doesn’t trust him? I don’t believe that for a second. These two have been on the same page, literally sharing the same headspace, for the last 20 years – she knows he’s the best person she’s ever met, the least likely to ever turn to the dark, ever. It’s an actual impossibility. So it’s not that she doesn’t trust him. She literally marvels at how courageous he must be to fight the dark with only a sword.
The true reason is: she does trust him, she does love him, and she KNOWS him. She knows that he will never leave her like this, in her darkest hour. He is both honor-bound to her (which he takes very seriously) and deeply cares for her. The problem is that now his life is in serious danger by staying with her. But there is no calmly explaining to him that he should return to the white tower for his own good and bond to another aes sedai who can actually channel, who can actually hold up her end of the partnership and protect him and heal him in return for his loyalty and sacrifice. Or better yet, find Nynaeve, who is not only ridiculously powerful and has probably the best chance of protecting him out of anyone, but who also loves him.
If Moiraine loves him and wants him safe, the ONLY option she has to protect him, the one good thing left in her life even if their bond is masked, is to drive him away. To make it so that he’ll stay far away from her of his own free will, and never come after her and her suicide mission to defeat the dark. Because she has already lost everything, she has no control over her fate anymore (if she ever had any to begin with), but the ONE thing she can still try to do is keep him safe. And hopefully, maybe he’ll be happy, one day. Her reasoning is directly confirmed for us in the last thing she says to him in 2x02 before she leaves: “Light protect you, al’Lan Mandragoran.” That was her goal all along, to protect him.
That’s the true reason she’s Like That to him. It’s all out of her love for him, and a desperate desire not to drag him down with her when she’s sure she’s destined to die on this mission. Is her strategy misguided? On the one hand yes, because she does need people to help her and she needs to trust someone, as he points out. On the other hand, she’s absolutely fucking right because look what happened with the Fade fight at the end of 2x01. Both her and Lan would have died without Verin and Tomas, and it would have been because she couldn’t channel. He is factually, logically, physically better off without her as long as she’s “stilled.”
This is why it makes sense how Lan eventually responds the way he does. He initially sees right through what she’s trying to do, he literally says he won’t let her push him away. He knows her too, better than anyone, including Siuan at this point. But he isn’t expecting her to go as far as she does, and it shakes him to his core. She tells him he failed her, has his worst fears confirmed, and then hears the words “we were never equals” and hears that she thinks she’s better than him, when she means the exact opposite. Tomas tells him to really listen but he can’t, in that moment.
But then he gets some distance, and some perspective thanks to Ihvon and Maksim, and he remembers: he loves her. He believes in her and he knows her and he knows what she’s doing to push him away (although maybe not why, when it comes to protecting him, because he doesn’t see himself as someone who needs protecting). Even better, he realizes that her situation is actually not what she thinks, that she’s shielded not stilled, and he can do something about that.
I LOVE Lan in 2x07 because he’s got Moiraine’s number now, and he will not be swayed by any further attempts (rather weak attempts at this point) to lash out at him. He just takes all the shit she throws at him, and calmly asks her what he needs to know and tells her what she needs to hear (“hopefully everything we’ve lost” and “that’s what I thought” and “you need to trust someone, Moiraine”), and is truthful with her even if she is still putting on this act with him in her fear and grief. He isn’t having any of it, he sees straight through it to the fear and pain underneath. And he literally DECIDES they are going to be okay, and then he fucking. Follows. Through.
He is not a doormat to her rage, he is not her servant, he’s not going back to her with his tail between his legs. He SHOWS UP for her in her darkest hour, when NO ONE, not even Siuan, can see what’s going on with her. That’s a true friend, a true hero, and absolute king behavior.
In conclusion, Moiraine’s behavior in s2, while not cute, is totally justified given the trauma, circumstances and everything she’s dealing with (jfc the lack of sleep alone) and makes sense in light of her ultimate goal to protect the world, which includes protecting Lan. And Lan’s response, once he figures out what to do, is the absolute correct way to handle the situation and is not weakness at all but strength in the highest order.
I’m so glad we got the payoff of all that with their conversation in 2x08 and reconnecting the bond. It was so beautiful, so earned, and reminded us of the level they’re on with each other — which is a soul connection way beyond what any of us can imagine.
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tehloserprince · 7 months
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Some folks asked me to post/share this here because they found it useful, so ...
I was a little surprised by the amount of people who thought Gabriel and Beelzebub literally met only three times before deciding they were in love and running off together. It's true that we see three pivotal moments in Gabriel's memories, and I think @neil-gaiman and co. showed the audience these specific moments for a reason, but the writing and visual cues in each of the scenes seemed to be done in a way that would emphasize the passage of time between meetings and the development of the relationship between Gabriel and Beelzebub to the audience.
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First Meeting: I believe this one happened not too long after Armageddon failed to materialize. We're given an immediate visual cue from Gabriel, whose outfit is closer to what he wore in S1; he's wearing the same scarf and jacket that he wore throughout that season, and also when he met Beelzebub on the Tadfield airbase. Could be appropriate attire for the season, since we do see Gabriel wearing the coat again a bit later (sans scarf).
At their meeting, Gabriel is seated on the left and Beelzebub is on the right. Their meeting place seems to be somewhere in Russia (away from their home territories). The table is rather large, creating some distance between the two of them. Their body language is also a lot more guarded: legs and arms crossed at times, and they tend to lean away from each other more throughout the conversation. This meeting is short, but there are some sparks between the two of them: the gentle teasing ("well, you lost"/"so did you"), Beelzebub crossing their arms and trying not to smile at Gabriel's "Arma-bloody-geddon" moment, and the shared understanding over the burdens of being the respective Commanders-in-Chief of Heaven and Hell.
It ends with Gabriel leaving quickly after saying it's a pity they'll never speak again, but ...
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Second Meeting: ... obviously, they do end up speaking again. When Gabriel enters this particular meeting, he's wearing an outfit closer to what we see him wearing in S2 prior to him losing his memory. Again, possibly a seasonal cue as well. At the beginning of the Second Meeting, Gabriel sits down across from Beelzebub and immediately proposes the idea of "no Armageddon." He would have no reason to do that unless there had been other meetings that deepened their initial connection and made him realize that hey, a victory for Heaven would mean NO Beelzebub, which would kind of suck because he's grown to enjoy their company and their little "work meetings."
While they've built a sort of rapport over their work lives, there seems to be something else simmering beneath the surface. This is reflected in more visual cues: their body language seems more comfortable/relaxed - they lean towards one another as opposed to leaning back and maintaining distance; the table itself is much smaller (meaning they're seated closer together/with less distance between them); and they've also switched sides - Beelzebub is now seated on the left and Gabriel is on the right. Their meeting place seems to be a bar in America, which might mean they've still been avoiding any meetings in their home territories.
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Beelzebub is open to Gabriel's suggestion and agrees to it almost immediately. Instead of rushing off like he did after their first meeting, Gabriel remains seated and Beelzebub seems to get a bit flustered by his gaze. They discuss the music playing on the jukebox, and Beelzebub is so much more patient with Gabriel's lack of knowledge than they would have been with anyone else. There are multiple layers to Gabriel's line, "Then ... I also like it." The little subtleties from Jon Hamm and Shelley Conn add a wonderful depth to these short scenes tbh.
At the end of the meeting, Beelzebub straightens up, fixes their gaze on Gabriel, and very pointedly states that there's "no NEED for them to ever meet again," smiling slightly as they wait for his response ("none whatsoever"). The wording there is important because ...
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Third Meeting: ... there IS no "need" for them to ever meet again. From here on out, they're meeting solely because they WANT to be in each other's company. They're no longer pretending that their meetings are strictly business, and they're also not limiting themselves to locations outside their home territories. I get the feeling that the Third Meeting the audience gets to see was more like their "first date." Instead of meeting directly at a public location to discuss "business," Gabriel takes Beelzebub to see something important to him. Of course, this is Gabriel we're talking about, and he's taken Beelzebub to see the statue of him in a local cemetery in Edinburgh. But still! The statue is meaningful to him, and he wanted to share that with Beelzebub. They're even standing right next to each other as the scene begins, with Beelzebub's head cocked to listen as Gabriel speaks. Shelley Conn gives us this awesome moment of Beelzebub looking at Gabriel almost wistfully, and mmm do I have Some Thoughts about that entire scene. I've shared them elsewhere, maybe I'll eventually post them over here, but the TLDR is that yeah, I feel like they're wishing Gabriel would look at them Like That. I also think maybe there was some larger doubt re: whether or not the Archangel Fucking Gabriel, God's Messenger, would ever love a demon over their heavenly duty/station. But I digress.
Following their excursion to see the statue, Beelzebub and Gabriel wind up at The Resurrectionist. Gabriel's been wearing that coat again, which could show another shift in the seasons. Instead of sitting across from each other, Gabriel and Beelzebub are now seated next to each other in a cozy booth. The candles and dim lighting give it a romantic feel. Adding to that clumsy sort of romantic feeling, we see Gabriel and Beelzebub each doing something nice for the other just to see them happy. Gabriel performs a small miracle on the jukebox to have it play what has essentially become "their" song, and Beelzebub gifts a fly in return - essentially, a small piece of themselves, as they are the Lord of the Flies after all. It also happens to be the first thing anyone's ever given to Gabriel, a fact that has quite an impact on Beelzebub.
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When Aziraphale is talking to the owner of The Resurrectionist, he learns that the jukebox miracle occurred "last year." So we can deduce (detective word!) that Gabriel and Beelzebub had been "dating" for about a year prior to his "disappearance." A year is a long time for them to develop much deeper feelings and intimacy. Not necessarily talking about sex there either, because folks can imagine whatever they want to in that regard. I mean intimacy in the sense of knowing and feeling comfortable with each other. The way they hold hands and have their arms around each other in the S2 finale indicates that they'd gotten pretty cozy with all of that. I mean, come on, look at how happy Gabriel was to see them once his memories were returned and how immediately his entire demeanor changed.
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In the brief moments we see Gabriel prior to his memory loss, he's behaving differently from his S1 counterpart, who was a lot more rigid and laser-focused on Armageddon. Even Beelzebub seems a bit changed; that scene with Demon Josh is a great example. Granted, Beelzebub was more subdued/worried about Gabriel in that moment, but it seems like they'd grown a longer fuse and/or were less quick to anger/annoyance. Daydreaming can do that to a demon, I suppose.
I love this pairing; they're such a great example of how loving someone and being loved in return can bring out the "real"/best version of yourself. I'd totally read an entire novel about them. And can I just add once again that the visual cues were so well done? Not just the acting from Shelley Conn and Jon Hamm, who really brought a lot to the table (see what I did there) with their facial expressions and mannerisms, but the actual visual cues in each of these scenes: the way the two of them were gradually seen to be sitting closer until they were seated right next to each other; the shift in body language between meetings; the way they switched sides during each of the meetings we got to see, as opposed to Aziraphale and Crowley having dominant "sides" that we tend to see them on; etc. I could write an essay on this (more than I already have) so I'll have to stop myself now.
Anyway. Screenplays are neat, and it's fun to see how words and imagery combine to tell a much larger story. Of course, you need great actors to really bring it all home, and thankfully we've been blessed with many in Good Omens. Much love to Jon Hamm and Shelley Conn for their work here.
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shantechni · 3 months
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I noticed this a looooong time ago, but I didn't mention it and sort of kept pushing it aside as an unimportant detail. After coming across this for, like, the fifth time though, something finally strikes me as supremely odd, and it's these two simple lines Leo says in the first episode of S2.
Between the S1 finale and the S2 premiere, Splinter told his sons that he defeated the Shredder when they faced off in the hideout. Not only that, he told them they'd never see the man again because he lost his honor, but both of these statements are immediately proven to be contradictory to what actually took place, as well as to what Splinter believes about the Shredder's way of thinking.
Anyone who has watched the S1 finale, specifically the second part, knows that the fight was brought to a screeching halt when Karai ran in to stop Splinter from finishing off the Shredder. And, after seeing just how deeply influenced Karai has been to hate him, Splinter left in a hurry to avoid fighting who he now knows is his thought-to-be-dead daughter.
Now, it makes sense that Splinter didn't tell the boys Karai interrupted the fight considering she was a touchy subject, one he didn't approach all of his sons with until midway through S2 in The Manhattan Project. He was still coming to terms with the revelation himself, and his avoidance of everyone's questions tells us that he genuinely didn't want to explain why Karai believed he killed her mom. In the process, he'd have to get into the reason Shredder led Karai to believe that lie and yadda yadda.
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So, not telling them Karai was there makes sense. But why tell them the Shredder was defeated?
Something like that would be believable if he didn't imply any finality by telling them the Shredder was taken down, because he goes on to wonder outloud if their enemies were truly defeated and even reaffirms that, "The Shredder is a crafty and patient foe who bides his time." But Leo clearly says that Splinter told them they'd never see him again after he apparently lost whatever honor he had left. And we can't point fingers at any potential dialogue or writing error because they make sure the audience hears that Splinter did indeed facilitate this calm behavior of theirs.
One can wonder if he didn't truly intend to flat out lie, but rather to placate his sons by withholding a harsh truth and giving everyone the time they need to revel in their victory. However, that's another odd decision for Splinter to make since he's usually the one to remind his sons that none of their enemies will stay gone for long, the first and most notable instance of this being when they first encountered Bradford and Xever.
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Anyways, after Leo says what he says, Splinter takes offense to Raph casually adding that they'll take care of the Shredder if he does come back, and, upon realizing that his prior statement has heavily blanketed them with a false sense of security, he harshly tells his sons the month long celebrating is over.
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Honestly, even though I said sugar coating is very out of character for someone like Splinter, it's the only sensible answer for him lying to the guys. And probably himself for a minute there, too.
He knows the Shredder isn't honorable. He's traitorous, underhanded, and full of spite for those he feels wronged him. Oroku Saki is a vengeful man who has been undeniably wronged in his past, but refuses to learn from it and will shift the blame onto those undeserving. He's tenacious in the way he literally left Japan with a singular image of a Hamato clan shuriken as proof that he has another chance to kill someone he used to call his brother.
Splinter knows all of this, but he still went ahead and made the morally dubious decision to construct a perfect, short-lived world where he could tell his sons they wouldn't have to worry about the Shredder again.
And where he doesn't have to face the gravity of the changes yet to come.
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Pete Appreciation Post
Pete and Nat:
As her partner, he not only handles but actually and actively loves her family.
He goes to Al-Anon meetings WITH her (1x2).
He doesn't show up to Christmas empty handed (to steal Carmy's words that'd make him an asshole). He continues to be joyful and make small talk while being ripped to shreds for his attempt at a funny, genuinely considerate tuna casserole (2x6).
One of Nat's biggest traumas (flashback to 2x6 of Donna grabbing her by the face while threatening to kill herself) is juxtaposed with her greatest joy - ending the day with Pete on the couch watching TV (2x8).
Everything Pete does and says in 2x10. I don't even know where to start. Him so beyond proud and supportive and excited and happy for Nat. Him trying to convince Donna to come inside by playing to their shared pride of Nat (and Carm). His reaction after the conversation with Donna. Chris Witaske you talented actor and Pete you beautiful, patient, loving, understanding, forgiving man.
Pete and Carmy:
Pete makes such an effort with him (to steal Mikey's words he gives like the biggest fuck). He genuinely embraces Carmy and wants so desperately to be embraced by Carmy in return:
He brushes/laughs off an unexplained past incident involving Carmy (and presumably Michael) that sent him to urgent care. Very bro siblings roughhousing behavior (1x2).
He lets Carmy use his and Nat's freezer even though he knows she'll be mad at him for it. Very brothers ganging up on their sister/two siblings scheming against the third (which I imagine happened between the Berzatto siblings so much and in so many combinations) (1x5).
He was so hype and adorably complimentary about Carmy's homemade ecto cooler and ugh I wish Carm had given more credit there because they are clearly just both big nerds at heart (1x4).
He defends Carmy for being called a loser at the catered party by bringing up his career as one of the most lauded chefs (as I've said before, he and Syd were the two members of the Chef Carmy club). And he does so in front of a large and intimidating assortment of friends and family (to paraphrase Carmy paraphrasing Marcus we see that Pete can throw down huh). Very protective big brother vibes (1x4).
He then individually compliments Carmy's courage for leaving home and making an incredible career for himself. He also makes a point to tell him that Nat is proud of him. Emotionally supportive brother behavior (1x4).
He thanks Carmy for letting him be a part of his family! It's beyond sweet to say that to your in laws, but when your in laws are the Berzattos (1x4)?!
Pete And The Berzattos:
He still gets ribbed more than not, but at the end of the day he's accepted.
Carmy saying I kind of like Pete now (1x5).
Stevie saying his heart was in the right place after the tuna faux pas (2x5).
Fak saying he'll be a great daddy (2x10).
Donna congratulating Pete about the baby thus signaling her approval (2x10).
Pete Is An Only Child:
I've been convinced since S1 and S2 only confirmed.
The genuine love and effort he puts into each family member (blood, extended, and honorary) of the Berzattos not only shows Pete is truly a nice guy, but it speaks to his deep desire to be a part of a family - to belong (see all examples above).
We learned Richie and Sydney are only children (It must have been nice to have Nat and Carm. Yeah, now you do too. *sobs*) so another proof point that all partners to the Berzatto siblings are onlys.
Stevie. In his speech, he says You guys have been so kind to me. You let me hang out with your every holiday. I don't have a family like this and I'm really grateful you make space for me at this table and you make time for me on the holidays. You can imagine an exact speech coming from Pete. And like Pete, Stevie genuinely loves and gets along with each of the Berzattos (2x6). A last parallel between these two: Donna speculates if he's gay and that is totally something I can imagine her, Mikey or Richie saying about Pete at first meeting.
Something about not knowing Pete's last name or anything about him outside of his relationships with the Berzattos signals to me he's not from a big family and/or is not close to them and really just exists in the Berzatto cinematic universe.
Takeaways:
Pete is the MVP of The Bear. We better get more of him in S3.
The Berzattos attract only children and strays like moths to a flame.
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