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#song-writing
ficmylife4 · 1 year
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How Surface Pressure Works & Why It's Catchy
Luisa is my favorite character and this was my favorite song from Encanto, and understanding the work and technical skill in how the lyrics and music were chosen and paced to aid the feelings is impressive!
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notesonartistry · 2 years
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2. Taylor Swift & Bon Iver
Lyrical Themes and Moods
One of the most interesting contemporary collaborations is the unlikely union of pop superstar Taylor Swift and Justin Vernon, aka Bon Iver, a renowned figure from the alternative Americana/folk scene. Though on the surface the two could hardly be more different, their recurrent collaborations since 2020 — on a pair of songs they co-wrote for her albums, “Exile” and “Evermore,” and two Big Red Machine numbers that have them vocally hooking up, “Birch” and “Renegade” — clearly demonstrate their musical chemistry. These powerful tracks are equally marked by Swift’s solemn intensity and Vernon’s air of mystique.
Writing Style
Bon Iver songs are less repetitive than both Swift’s solo songs and their collaborative efforts, proving that in the lyrical sense, Swift influences Vernon as well. Their scores of slang usage, lyrical density and complexity are interestingly almost identical.
Working together, however, they use more sophisticated, less common words.
Swift and Bon Iver use a very similar percentage of perfect rhymes (overall) in both their solo and joint works. In terms of rhyme placement, solo Swift tends to employ more middle of line rhymes, while the Vernon-Swift duo uses more rhymes at the end of lines. Overall, as we saw with the Beatles, their co-writing creates richer textures.
Musical Composition
Harmonically speaking, In both their duets and respective solo works, Swift and Bon Iver are highly diatonic. Vernon scores higher in the versatility of melodic groups, meaning that his solo works are much less melodically repetitive. His hooks are also shorter.
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evidently-endless · 1 month
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i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.
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mournfulroses · 2 months
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Sara Teasdale, from The Collected Poems of Sara Teasdale; "Song,"
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lucidloving · 2 months
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Girlpool—Before the World Was Big // memorial bench quoting Toni Morrison's Sula // @inanotherunivrse // Iain S. Thomas, I Wrote This For You // Zadie Smith, Swing Time // Fall Out Boy—The Kids Aren't Alright // Audrey Emmett // Mikko Harvey, "For M" // Mahmoud Darwish, Memory for Forgetfulness: August, Beirut, 1982 (tr. Ibrahim Muhawi) // Langston Hughes, "Poem"
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One day I will stop falling in love with you. Until I do, I'll be thinking of you.
k.b. // laufey, philharmonia orchestra - let you break my heart again
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firedragon1321 · 2 months
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astearisms · 9 months
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fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started
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p0nur4k · 2 months
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lesbicosmos · 1 year
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when hozier said "if im a pagan of the good times, my lover's the sunlight" and when hozier said "no grave can hold my body down, i'll crawl home to her" and when hozier said "i slithered here from eden just to sit outside your door" and when hozier said "heaven is not fit to house a love like you and i" and when hozier said-
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moonlightint · 2 years
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“no grave can hold my body down. i’ll crawl home to her” …. yea …. that. that or Nothing
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hrokkall · 28 days
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Mama gave me music lessons,
now I play the saddest songs
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notesonartistry · 2 years
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I feel after Midnights, folklore and evermore is more easily digestible. So that's why these new stans are jarred and confused
I think that many people made value judgements based on production - e.g. they assume upbeat (glitter pen) songs are frivolous and lacking depth. For someone who became a fan during folklore or evermore that didn't explore the rest of her catalogue, Midnights will definitely be a different proposition and maybe require more time to get used to.
However, they still have those albums they liked - they can continue to listen to them anytime if they prefer not to persist with Midnights. Just because you like one thing an artist produces, you're not obliged to like everything. What I would say is that the lyricism is still there - Taylor didn't become a bad writer because she decided to use different production elements and maybe over time the new songs will be less jarring. Think about Closure, which is sooooo jarring in it's production - I was really surprised on my first listen, but I love it now.
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Begging swifties to understand that Taylor didn’t write reputation and Lover with the knowledge of how the relationship was going to end and that trying to “excavate” those albums for evidence to prove a specific theory as to why it ended is not how they should be viewed. Taylor wrote those songs feeling a very specific way because that’s what she was experiencing and she is now reflecting on them with hindsight and relates to them differently than when she first created them. These conflicting emotions can exist; how she views it now doesn’t diminish how she felt about it when she first released it.
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biboomerangboi · 9 months
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Irish-uwufication is so fucking weird anyway but like people act like Hozier - who writes primarily blues songs about politics, books and music he finds interesting, and having sex with hot women he picks up in bars - is just a nature man is so weird. Like you have Americans saying he is a bog man, he only writes acoustic songs about chaste love and nature. He lives in the woods and doesn’t interact with society at all. He is made of trees and fairies because that’s what Ireland is.
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lucidloving · 2 months
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D. Alan Holmes, Enlightenment // Signet Amenti // @cryptonature // Alan Wilsom Watts // Evan M. Cohen, "Oceans" // Nikita Gill // @pauladoodles // Julian Gough, "Minecraft End Poem" // Sleeping At Last—Saturn
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